Episode 101: Hella Mega Flaming Hot

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:08: Time Crisis, back again. Jake and I reunite in Los Angeles and boy do we have a lot to cover.
00:08 - 00:14: Finally, there's news on the Flame and Hot Cheetos movie, the story of Richard Montanez.
00:14 - 00:23: All this, plus S.O.D. installation and the top hits of 1992, a very special year.
00:23 - 00:33: This is Time Crisis with Ezra King. B-B-B-B-B-B-B-B-Sport One.
00:34 - 00:40: They passed me by, all of those great romances
00:40 - 00:47: They were a threat to our belief, of my rightful chances
00:47 - 00:55: My picture clear, everything seemed so easy
00:55 - 01:02: And so I dealt to the blow, when a bus had to go
01:02 - 01:06: Now it's different, I want you to know
01:06 - 01:12: One of us is crying, one of us is lying
01:12 - 01:17: We were only there
01:17 - 01:23: Time Crisis back once again. A little bit stuffy. You think my voice sounds weird?
01:23 - 01:27: Post tour? I guess you're on tour, sort of.
01:27 - 01:32: Yeah, well, it's funny, that's a question I get a lot, people are like, "Oh is the tour over?"
01:32 - 01:38: Or like, "Are you on tour?" and it's like, "Man, this is the show that never ends."
01:38 - 01:41: What is it? "Welcome Back My Friend"?
01:41 - 01:45: Welcome back my friend, to the show that never ends
01:45 - 01:48: I should have said "Welcome Back My Friend, to the show that never ends."
01:48 - 01:50: Wait, who is that?
01:50 - 01:52: ELO? No, no, no, ELP.
01:52 - 01:57: Good call, yeah, definitely not ELO. That's like the big ELP hit.
01:57 - 02:01: Along with "Ooooh, what a lucky man"
02:01 - 02:03: Great song. Yeah, lucky man's song.
02:03 - 02:06: Wee-do-do-wee-do-wee-do-wee
02:06 - 02:09: That was a classic Q104.3 jam.
02:09 - 02:11: Classic rock radio.
02:11 - 02:14: Wait, did you listen to Classic Q in Connecticut?
02:14 - 02:17: No, we didn't get that. We had our own Connecticut classic rock stations.
02:17 - 02:21: I-95, Danbury's, Classic Rock Radio, and then
02:21 - 02:23: Just like named after the highway?
02:23 - 02:26: No, because I-95 doesn't go through Danbury. It's weird.
02:26 - 02:27: But I-95 goes through Connecticut.
02:27 - 02:30: Oh yeah, it goes along, they're like Southern Connecticut.
02:30 - 02:33: But I-84 goes through Danbury.
02:33 - 02:37: Never quite got a handle on why Danbury's Classic Rock Station was I-95.
02:37 - 02:40: Was it because it's like W-H-X-I?
02:40 - 02:41: Something like that.
02:41 - 02:43: 95.7?
02:43 - 02:48: 95.1. W-H-G-I, Danbury's Classic Rock.
02:48 - 02:50: And then we had W-P-L-R out of New Haven.
02:50 - 02:51: Oh, so you got two Classic Rock?
02:51 - 02:52: We had two, dude.
02:52 - 02:53: That explains a lot.
02:53 - 02:57: Jake's just getting slammed by two Classic Rock Radio stations.
02:57 - 03:01: Getting Eddie money on this station, getting Eddie money on the other station.
03:01 - 03:02: R.I.P.
03:02 - 03:03: R.I.P., man.
03:03 - 03:09: Yeah, it's funny because I only had one Classic Rock Radio station, Classic Q104.3.
03:09 - 03:12: And looking back on it, it was fairly idiosyncratic.
03:12 - 03:18: I felt like one of the songs they played the most was Jessica by the Allman Brothers, the instrumental.
03:18 - 03:19: Yep.
03:19 - 03:21: [singing]
03:21 - 03:22: Great one.
03:22 - 03:23: Played that a ton.
03:23 - 03:25: Not that much Led Zeppelin.
03:25 - 03:26: Really?
03:26 - 03:28: I think we've had this conversation before.
03:28 - 03:33: They've thrown Billy Joel, where I have this feeling that a Classic Rock Radio station in Florida
03:33 - 03:36: is not going to be dropping New York State of Mind ever.
03:36 - 03:37: Right.
03:37 - 03:39: That's some regional love.
03:39 - 03:42: Who needs a house out in Hackensack?
03:43 - 04:01: [singing]
04:01 - 04:03: Billy's super regional.
04:03 - 04:05: Yeah, I feel like it's a classic.
04:05 - 04:07: It's just like, "Oh, so yeah, is the tour over? Are you done?"
04:07 - 04:08: Right.
04:08 - 04:11: It'll just be like, "This leg of the North American tour has ended?"
04:11 - 04:16: But the Father of the Bride cycle continues well into 2020.
04:16 - 04:18: Oh, just announced some 2020 dates.
04:18 - 04:19: Saw that.
04:19 - 04:20: Not that long ago.
04:20 - 04:23: Some secondary and tertiary markets.
04:23 - 04:25: Looks great, man.
04:25 - 04:31: I'm pretty psyched for your inner Pacific Northwest mountain region tour starting in Bend.
04:31 - 04:33: Oh, yeah, you got to come tailgate those shows, man.
04:33 - 04:35: You're starting in Bend, and then I think you're--
04:35 - 04:36: Hop on the bus.
04:36 - 04:37: Where else are you going?
04:37 - 04:38: I think--
04:38 - 04:39: Wait, let me look it up.
04:39 - 04:40: Missoula.
04:40 - 04:41: Calgary.
04:41 - 04:42: Yep.
04:42 - 04:44: Great part of the country.
04:44 - 04:49: I remember being on some tour that I feel like started in Calgary and went down into--
04:49 - 04:53: maybe ended up in Denver or something, and I just remember being like, "Wow,
04:53 - 04:55: that's the longest I've ever spent in mountain time."
04:55 - 04:56: Great time zone.
04:56 - 04:58: Spent a lot of time in Eastern time.
04:58 - 04:59: Sure.
04:59 - 05:00: A lot of Pacific time.
05:00 - 05:02: It's also the only one with a cool name.
05:02 - 05:03: Yeah.
05:03 - 05:06: It's interesting how it's like there's no rhyme or reason.
05:06 - 05:09: I guess in a real dystopian universe, they would have been called Zone 1, Zone 2,
05:09 - 05:10: Zone 3, and Zone 4.
05:10 - 05:12: That's like in the Hunger Games.
05:12 - 05:13: Totally.
05:13 - 05:16: So Eastern time, that's where we're from.
05:16 - 05:17: Yeah.
05:17 - 05:18: But it's not Atlantic time.
05:18 - 05:21: That would be kind of-- have a little more flavor.
05:21 - 05:24: On the two sides of the country, you have Pacific time, which is kind of cool,
05:24 - 05:26: and then you have Eastern time.
05:26 - 05:28: Should have been Atlantic time.
05:28 - 05:29: I would just rethought that one.
05:29 - 05:31: And then you have Central time.
05:31 - 05:32: That's pretty bland.
05:32 - 05:33: That's a real bland.
05:33 - 05:35: Imagine if that was called Heartland time.
05:35 - 05:36: Heart time.
05:36 - 05:37: Heartbeat.
05:37 - 05:39: Yeah, that one, like they don't even use time.
05:39 - 05:41: That one's just called heartbeat.
05:41 - 05:43: That's kind of like a radio station.
05:43 - 05:45: Yeah, the heartbeat of America.
05:45 - 05:48: It is 1 p.m. in the heartbeat of America.
05:48 - 05:50: Yeah, Eastern time is the big dog.
05:50 - 05:53: Big dog, heartbeat, mountain time can stay because that's a good one.
05:53 - 05:54: Yeah.
05:54 - 05:56: And then golden time.
05:56 - 06:01: Yeah, but mountain time is definitely the most interesting of the American time zones.
06:01 - 06:04: And I'm sure somebody's going to be like, "Well, what about like the Hawaii time zone?"
06:04 - 06:06: All right, I'm talking about continental US.
06:06 - 06:07: Lower 48.
06:07 - 06:09: You're talking lower 48.
06:09 - 06:11: That's a tight name for something.
06:11 - 06:12: Lower 48.
06:12 - 06:15: I was thinking mountain time would be a good song title.
06:15 - 06:16: For Mountain Bruce.
06:16 - 06:18: Absolutely.
06:18 - 06:22: I wonder what the-- I guess is Denver the biggest city in mountain time?
06:22 - 06:23: Might be.
06:23 - 06:24: Phoenix.
06:24 - 06:25: Is Phoenix mountain time?
06:25 - 06:27: I think it is.
06:27 - 06:31: Yeah, Arizona native is-- well, yeah, because it's not the same as LA, right?
06:31 - 06:33: Oh, yeah, it's got to be mountain time.
06:33 - 06:35: Yeah, Phoenix is the biggest city in mountain time.
06:35 - 06:37: Phoenix, very flat city.
06:37 - 06:39: Great number crunching over there.
06:39 - 06:40: Thank you, Seinfeld.
06:40 - 06:42: Yeah, I just looked it up for you guys.
06:42 - 06:46: Yeah, that's interesting to think somebody down in Phoenix, a notoriously flat city,
06:46 - 06:49: are they identifying with mountain time?
06:49 - 06:51: Right, but I feel like they're surrounded by mountains.
06:51 - 06:53: Yeah, there are mountains in Arizona.
06:53 - 06:54: So what's that leg though?
06:54 - 06:55: You're doing Bend?
06:55 - 06:57: Oh, you're doing Boise, I think.
06:57 - 06:58: Oh, yeah, I haven't been there in a while.
06:58 - 06:59: What's the venue in Boise?
06:59 - 07:00: Do you know?
07:00 - 07:04: The only two venues that when I think of Boise, I think of Neurolux.
07:04 - 07:05: Have you played there?
07:05 - 07:06: Oh, yeah, definitely back in the day.
07:06 - 07:07: I played there with Dirty Projectors.
07:07 - 07:08: Oh, yeah, I was there.
07:08 - 07:09: Hold on.
07:09 - 07:11: I got to go to vampireweekend.com to--
07:11 - 07:13: Like a seated auditorium in Boise.
07:13 - 07:16: Yeah, my feeling was we talked about what we could do this year.
07:16 - 07:20: And it's tough because there's definitely some big cities where the tickets went really fast.
07:20 - 07:25: It just felt like, you know what, we'll be back sooner rather than later, next album.
07:25 - 07:28: But it seemed cooler just to hit new spots.
07:28 - 07:30: Let's see.
07:30 - 07:33: Boise, we're playing the Ford Idaho Center Amphitheater.
07:33 - 07:36: Missoula, Montana, Kettle House Amphitheater.
07:36 - 07:39: I've heard very good things about the Kettle House Amphitheater.
07:39 - 07:43: So these are outdoor seated, kind of like a Libby Bowl.
07:43 - 07:44: Yeah.
07:44 - 07:46: Oh, these ones are next summer.
07:46 - 07:48: But that's the way of now.
07:48 - 07:51: You just put all your tickets up at the same time, let people know.
07:51 - 07:54: So people are buying tickets for a show that's like 10 months from now?
07:54 - 07:57: Yeah, I guess that's kind of the vibe now is like the--
07:57 - 08:00: Because even this year, I think it was smart.
08:00 - 08:03: Touring people were just like--they planned the whole year out and they were like,
08:03 - 08:05: "Let's just put all the tickets on sale together."
08:05 - 08:09: And you could probably get in one school and be like, "Yeah, isn't it more exciting if you wait a little bit to announce the next?"
08:09 - 08:11: And they're just like, "Just put them all up at the same time."
08:11 - 08:13: You know, they'll do their thing at different rates.
08:13 - 08:18: Because when I think about it, we put up the tickets kind of as soon as we were back.
08:18 - 08:20: So some of the shows were like four months away.
08:20 - 08:24: And then shows like the Garden or the Hollywood Bowl were like seven or eight months away.
08:24 - 08:29: That way you let the hardcore fans have like--they can get the tickets really quick.
08:29 - 08:31: Actually, there's a big tour for next summer that was just announced.
08:31 - 08:33: Are you aware of this?
08:33 - 08:35: Give me a hint.
08:35 - 08:41: Three bands more or less associated with pop punk.
08:41 - 08:43: Is it Weezer, Green Day?
08:43 - 08:44: Yeah, who else?
08:44 - 08:45: Blink?
08:45 - 08:46: No.
08:46 - 08:48: I wonder how Blink feels about this actually.
08:48 - 08:50: They just started with Lil Wayne.
08:50 - 08:55: But another--Weezer, Green Day, and another like huge--
08:55 - 08:58: Is the third band as big as those bands?
08:58 - 09:02: The third band, I bet you don't know as much about.
09:02 - 09:05: They're bigger than Weezer, Green Day, hard to say.
09:05 - 09:07: I don't think you're going to guess.
09:07 - 09:08: It's Fallout Boy.
09:08 - 09:09: Oh, yeah. That's after my time.
09:09 - 09:11: You're trying to get Pete Wince on the show for a minute.
09:11 - 09:13: He said he was down. I'm going to reach out to him again.
09:13 - 09:17: It's a stadium tour. Going big.
09:17 - 09:18: The Hella Mega Tour.
09:18 - 09:20: It's called the Hella Mega Tour.
09:20 - 09:21: Good title.
09:21 - 09:24: So that's going to go Fallout Boy, Weezer, Green Day?
09:24 - 09:26: That's the order of events?
09:26 - 09:29: Yeah. Weezer first to three.
09:29 - 09:31: Well, actually, there's a--
09:31 - 09:32: Not if I'm booking it.
09:32 - 09:34: There's a Scott Punk band called The Interrupters
09:34 - 09:37: who I've been following for a minute as a Scott Punk enthusiast.
09:37 - 09:38: That's cool.
09:38 - 09:41: They're technically first to four, but the way it's spelled is like,
09:41 - 09:45: "Green Day, Fallout Boy, Weezer, with special guest The Interrupters."
09:45 - 09:48: So, you know, they're kind of--they're kicking things off, but that's different.
09:48 - 09:53: So of the big three, Weezer is the lowest ranked.
09:53 - 09:57: I don't know one Fallout Boy song, but that's just my--
09:57 - 09:58: You don't know--
09:58 - 10:00: ♪ We're going down, down, and around ♪
10:00 - 10:02: ♪ Sugar me, coming down swinging ♪
10:02 - 10:03: Put it on.
10:03 - 10:05: ♪ I'll be your number one with a bullet ♪
10:05 - 10:06: I don't know it, man.
10:06 - 10:08: We've listened to them on this show, too.
10:08 - 10:11: Like, they basically started as like a very--
10:11 - 10:13: When was their heyday? Like early 2000s?
10:13 - 10:15: I think their heyday was early 2000s,
10:15 - 10:18: and then they kind of broke up or took a beat
10:18 - 10:24: and then came back with like full-on, like pumped-up stadium rock pop kind of stuff.
10:24 - 10:27: This is like their early beloved song.
10:27 - 10:31:
10:31 - 10:32: Oh, it's heavy.
10:32 - 10:34: Well, yeah.
10:34 - 10:35: Oh, no.
10:35 - 10:37: But then it's pop punk kind of chord.
10:37 - 10:38: Yeah.
10:38 - 10:53:
10:53 - 10:57: ♪ Am I more than you bargained for yet? ♪
10:57 - 11:01: ♪ I've been dying to tell you anything ♪
11:01 - 11:05: ♪ You already hear 'cause that's just who I am this week ♪
11:05 - 11:10: ♪ I lie in the grass next to the mausoleum ♪
11:10 - 11:12: They've got good lyrics.
11:12 - 11:14: ♪ Lying in the grass next to the mausoleum ♪
11:14 - 11:18: This could totally be a GBV song in a different universe.
11:18 - 11:23: ♪ ...and break our name ♪
11:23 - 11:28: ♪ We're sleeping in the sleeping for the road team ♪
11:28 - 11:32: ♪ We're going down, down in the river ♪
11:32 - 11:33: Wait, what were the lyrics?
11:33 - 11:36: Wait, Seinfeld, look up the lyrics to "Sugar, We're Going Down."
11:36 - 11:39: It starts with, "Am I more than you bargained for yet?
11:39 - 11:41: I've been dying to tell you anything you want to hear
11:41 - 11:43: 'cause that's just who I am this week
11:43 - 11:46: I lie in the grass next to the mausoleum."
11:46 - 11:47: You like that?
11:47 - 11:48: Yeah.
11:48 - 11:52: ♪ Lying in the grass next to the mausoleum ♪
11:52 - 11:54: I think Pete Wentz writes the lyrics.
11:54 - 11:56: He's the bassist, not the singer.
11:56 - 11:57: Oh, wow, okay.
11:57 - 11:59: Kind of like a Who situation.
11:59 - 12:02: He's the Pete Townsend/Nwhistle.
12:02 - 12:05: They were known for having very long song titles and stuff.
12:05 - 12:06: Oh, wow.
12:06 - 12:08: They paved the way for Panic! at the Disco,
12:08 - 12:10: who you're probably a little more familiar with.
12:10 - 12:11: Actually, I'm not.
12:11 - 12:13: Well, but you know that one song.
12:13 - 12:15: I can actually hear a little GBV in there for sure,
12:15 - 12:17: and certainly some Weezer.
12:17 - 12:19: Oh, man, we got to get Wentz on the show and just be like,
12:19 - 12:20: "Dude, GBV."
12:20 - 12:21: GBV, Weezer.
12:21 - 12:23: Oh, sure, Weezer.
12:23 - 12:25: But there's no way that Pete Wentz doesn't know
12:25 - 12:27: who Guy to Buy Voices is.
12:27 - 12:30: To what extent he's a fan, I have no idea.
12:30 - 12:32: He knows his [bleep] He's up on stuff.
12:32 - 12:35: It might be just like a micro-generation thing.
12:35 - 12:36: Yeah.
12:36 - 12:38: Then they came back kind of like turbo-charged,
12:38 - 12:41: like with just--
12:41 - 12:42: What year is this?
12:42 - 12:44: This is like a couple years ago.
12:44 - 12:45: This is like their big comeback.
12:45 - 12:47: ♪ Some legends are told ♪
12:47 - 12:49: ♪ Some turn to dust or to gold ♪
12:49 - 12:53: ♪ But you will remember me ♪
12:53 - 12:55: ♪ Remember me for centuries ♪
12:55 - 12:57: So the singer is just like the singer.
12:57 - 12:59: Yeah, his name is Patrick Stump.
12:59 - 13:00: Cool name.
13:00 - 13:01: Pat Stump.
13:01 - 13:03: Yeah, why is he not Pat Stump?
13:03 - 13:06: Yeah, because Patrick Stump went solo for a minute.
13:06 - 13:11: He went solo, and then they reunited.
13:11 - 13:16: I saw a band last night where the singer is only the singer.
13:16 - 13:17: What band?
13:17 - 13:18: The Zombies.
13:18 - 13:19: Oh.
13:19 - 13:20: Yeah, what's the story with the Zombies?
13:20 - 13:23: I went to the Greek theater with friend of the show,
13:23 - 13:24: Daniel Ralston.
13:24 - 13:25: Oh, right, right.
13:25 - 13:30: And the Zombies played the Odyssey and Oracle in sequence.
13:30 - 13:31: Whoa.
13:31 - 13:32: It was so tight.
13:32 - 13:37: But Daniel was telling me that they broke up right after that record was released
13:37 - 13:39: in like '68 or '69.
13:39 - 13:40: Yeah.
13:40 - 13:42: And then--what's his name?
13:42 - 13:45: Colin Blundstone, the singer?
13:45 - 13:46: Yeah, and then there's Rod Argent.
13:46 - 13:50: Yeah, Rod Argent was the keyboard player who I think wrote a lot of the material.
13:50 - 13:52: And then he started a band called Argent.
13:52 - 13:53: Right.
13:53 - 13:54: ♪ Hold your head up ♪
13:54 - 13:57: But Colin apparently was just the singer,
13:57 - 14:00: and then when the band broke up, worked as an accountant for five years.
14:00 - 14:01: Whoa.
14:01 - 14:02: Into the mid-'70s.
14:02 - 14:04: It was just out.
14:04 - 14:06: But these guys were all in their mid-'70s.
14:06 - 14:11: It was like Rod Argent, Colin, this guy Chris White, I think his name is,
14:11 - 14:14: who's the original bass player, who looked like Donald Rumsfeld.
14:14 - 14:15: Yeah.
14:15 - 14:18: Just like these guys in their '70s.
14:18 - 14:19: Yeah.
14:19 - 14:21: And he's wearing kind of like a suit that was a little too big for him.
14:21 - 14:22: Yeah.
14:22 - 14:23: It was a cool vibe.
14:23 - 14:27: And then they had like another like five or six people on stage
14:27 - 14:29: just doing it note for note.
14:29 - 14:32: Right, you need a lot of people on stage to perform that whole album.
14:32 - 14:33: It was so tight.
14:33 - 14:36: And then Brian Wilson played, and that was rough.
14:36 - 14:37: Rough stuff?
14:37 - 14:38: Yeah.
14:38 - 14:39: Rough stuff, folks?
14:39 - 14:40: Yeah.
14:40 - 14:41: ♪ Rough stuff ♪
14:41 - 14:44: Wait, because there was a double bill, or he was a surprise guest?
14:44 - 14:45: No, double bill.
14:45 - 14:46: Zombies opened.
14:46 - 14:47: Oh, yeah.
14:47 - 14:50: They opened for Arcade Fire at the Greek last year, I think.
14:50 - 14:52: I think Daniel went to that, too, because he wrote a story.
14:52 - 14:54: Have you heard that story about the fake zombies?
14:54 - 14:55: Oh, yeah, yeah.
14:55 - 14:56: No, no, I've heard about it from him.
14:56 - 15:00: Yeah, so he knows the upper management of zombies.
15:00 - 15:02: What was the Brian Wilson set list like?
15:02 - 15:03: Okay, here's the cool thing about it.
15:03 - 15:06: It was all stuff off of Surf's Up and Friends.
15:06 - 15:08: Did he play the song Surf's Up?
15:08 - 15:09: Yes, they played Surf's Up.
15:09 - 15:11: I would say they played Surf's Up.
15:11 - 15:15: I mean, Brian was very checked out.
15:15 - 15:18: It was truly like Daniel's girlfriend was basically like,
15:18 - 15:21: "This seems like borderline elder abuse."
15:21 - 15:24: He was just kind of sitting there in the middle of the stage,
15:24 - 15:26: and then he would just be kind of like padding his hair
15:26 - 15:30: to make sure it was still parted correctly.
15:30 - 15:33: It was super intense and kind of dark.
15:33 - 15:36: ♪ Hand in hand, sun grown, the long walk ♪
15:36 - 15:39: ♪ To a handsome man in the dark ♪
15:39 - 15:41: People don't know the album Surf's Up.
15:41 - 15:45: It is kind of dark, and the album cover is so intense and weird.
15:45 - 15:47: Yeah, that weird Don Quixote.
15:47 - 15:48: Yeah.
15:48 - 15:53: ♪ I've been in the bedroom alone ♪
15:53 - 15:57: Yeah, I mean, Brian would sing like a few phrases
15:57 - 16:01: every few songs, and then there was a guy like in his 40s
16:01 - 16:04: that was like holding a tambourine and standing
16:04 - 16:05: and doing all of these parts.
16:05 - 16:07: Yeah.
16:07 - 16:09: And then Brian was just like sitting there
16:09 - 16:13: like kind of staring up into the sky for most of it.
16:13 - 16:16: It was weird, man.
16:16 - 16:19: ♪ Humble, they're overtaking me ♪
16:19 - 16:22: ♪ Dim shadow, they're awaking me ♪
16:22 - 16:27: ♪ To a song that's off at the door ♪
16:27 - 16:30: It was an amazing set list, but it was a weird vibe.
16:30 - 16:33: Did I ever talk on the show about when I used to go to that diner
16:33 - 16:35: and see Brian Wilson all the time?
16:35 - 16:37: No, you told me off mic, but I would love to--
16:37 - 16:41: I don't think I've talked about it, but in early days
16:41 - 16:44: when I'd come stay in L.A. for like a week or two,
16:44 - 16:48: I would stay up at a neighborhood some people call Beverly Glen,
16:48 - 16:52: which is like kind of west side L.A. up in the hills.
16:52 - 16:55: And that part of up in the hills, it's like so high up.
16:55 - 16:57: When you're up by Mulholland, you really feel like
16:57 - 16:59: you're at the top of a mountain.
16:59 - 17:02: I think I've told you how I'd go up to the door of the house
17:02 - 17:05: and there'd be like a full-on giant buck,
17:05 - 17:07: and I'd hear "bound down the driveway,"
17:07 - 17:10: and I'd just be like, "Oh, my God, if that thing hit a person,
17:10 - 17:13: they'd die instantly," you know, like a 1,200-pound animal.
17:13 - 17:15: But anyway, so you're up there.
17:15 - 17:18: You're right up at kind of the peak of the mountain
17:18 - 17:23: up by Mulholland, and up there, it's almost entirely residential,
17:23 - 17:26: except there's this one little shopping area
17:26 - 17:29: that I think is called like the Beverly Glen Shops or something.
17:29 - 17:33: It's one little mini mall up in the hills,
17:33 - 17:36: because otherwise for everything else, you have to go down the hill
17:36 - 17:39: either to the L.A. side or to the valley side.
17:39 - 17:44: So up there, there's this one kind of East Coast-ish, Jewish-ish
17:44 - 17:47: deli/diner called the Beverly Glen Deli,
17:47 - 17:52: and it's a funny place where I'd be up there kind of by myself,
17:52 - 17:56: and so I'd be like hilarious, like jump in the car for three minutes,
17:56 - 17:59: get to this place, and if I wanted to have breakfast or a cup of coffee
17:59 - 18:02: or something, I'd go to this spot.
18:02 - 18:05: And, you know, it has the charm a little bit
18:05 - 18:07: of kind of like a low-key East Coast deli,
18:07 - 18:11: but it's up in the hills surrounded by not only rich people,
18:11 - 18:14: but right by there, there's some of these gated communities.
18:14 - 18:16: That's always a funny vibe when you're in a rich neighborhood
18:16 - 18:19: and then you see the gated community, and you're just like, okay.
18:19 - 18:21: Layer upon layer.
18:21 - 18:24: Yeah, and there's this one gated community up there that's like--
18:24 - 18:26: I've been in there once or twice.
18:26 - 18:29: I'm pretty sure DJ Khaled lives in there, Rod Stewart.
18:29 - 18:31: It's just like, you know, true.
18:31 - 18:33: Heavy hitters. Heavy hitters.
18:33 - 18:37: I remember just being up there, and I'd be eating solo a lot.
18:37 - 18:39: You know, because it's that type of thing.
18:39 - 18:42: It's not like you're down in Silver Lake.
18:42 - 18:45: You just hit a bunch of people up like, oh, you want to come through?
18:45 - 18:49: You're up literally in Asgard. You know what I mean?
18:49 - 18:52: That's an MCU reference.
18:52 - 18:54: I didn't actually get it. I just kind of played along.
18:54 - 18:56: It's a Thor thing. It's a Thor thing.
18:56 - 18:57: Missed it.
18:57 - 19:00: So anyway, you're basically up in Asgard.
19:00 - 19:06: People can't just jump through the portal very easily to come link up with you.
19:06 - 19:08: So I'd be rolling solo to the deli a lot.
19:08 - 19:10: You know, I saw all sorts of funny people.
19:10 - 19:14: People like really hardcore music industry legends
19:14 - 19:16: that the listeners wouldn't know who they are.
19:16 - 19:18: You know, like some old school lawyer that I've heard about.
19:18 - 19:20: Just like they're on the phone.
19:20 - 19:23: You know, like a bagel. Papers all spread out.
19:23 - 19:29: So you'd recognize a legendary music industry lawyer from documentaries?
19:29 - 19:33: A little bit of that and, you know, just being in the game long enough
19:33 - 19:37: that people would point out these types to me.
19:37 - 19:40: One time I remember Jon Voight eating solo.
19:40 - 19:41: Booth or counter?
19:41 - 19:43: Booth. He was reading some right-wing book.
19:43 - 19:45: It was very on the nose.
19:45 - 19:50: But anyway, the real part of the story is that I might be eating breakfast there
19:50 - 19:53: three or four times a week over the course of a week.
19:53 - 19:55: So you were really regular there for a while.
19:55 - 19:56: Yeah, a week here or there.
19:56 - 19:58: And these people are super regulars.
19:58 - 20:03: So I would say minimum four times, maybe like six or seven times.
20:03 - 20:06: A lot of times I saw Brian Wilson come in and eat solo.
20:06 - 20:08: He must live near there.
20:08 - 20:10: And it was always really interesting because, like, you know, Jon Voight,
20:10 - 20:13: you look at him and you're just like, yeah, that's like a crotchety old dude
20:13 - 20:16: reading his book and having his coffee or whatever.
20:16 - 20:19: But Brian Wilson was different because--and I was always so curious about--
20:19 - 20:22: you know, obviously his life is filled with mystery
20:22 - 20:24: and people are like, you know, what's up with him?
20:24 - 20:26: I never saw that.
20:26 - 20:28: I saw a movie a few years ago that was like about--
20:28 - 20:29: Love and Mercy.
20:29 - 20:30: Love and Mercy. Did you see that?
20:30 - 20:31: Yeah, it was good.
20:31 - 20:32: It was good?
20:32 - 20:36: So people say, like, this doctor giving him all sorts of stuff that damaged--
20:36 - 20:39: who knows? Clearly he's had all sorts of struggles in his life.
20:39 - 20:42: So he would always come in the door by himself.
20:42 - 20:44: But I could tell. I was like, this is a dude who doesn't drive.
20:44 - 20:45: So clearly somebody was waiting outside.
20:45 - 20:46: He got dropped.
20:46 - 20:47: Yeah, he got dropped.
20:47 - 20:48: And then he would sit down.
20:48 - 20:51: He was such a regular that people would always come up to him and say like,
20:51 - 20:54: "Oh, hey, Brian, how are you doing?"
20:54 - 20:55: And I saw this--
20:55 - 20:59: Like they would talk to him like he was a child sort of?
20:59 - 21:00: Slightly.
21:00 - 21:02: Or just talking to like a sweet old person.
21:02 - 21:05: But I'm just saying they would go out of their way to be like,
21:05 - 21:06: "Oh, we know you. How are you?"
21:06 - 21:07: Whatever.
21:07 - 21:09: And I saw this many times because it's a small place.
21:09 - 21:13: It'd be like me, Jon Voight, and Brian Wilson just all sitting solo at the booth.
21:13 - 21:14: That's a solid crew.
21:14 - 21:16: Yeah, it was a tight crew.
21:16 - 21:22: Imagine one day I was just like, "Guys, every day we're in here sitting together.
21:22 - 21:23: We're all in showbiz.
21:23 - 21:24: Why don't we sit together?"
21:24 - 21:25: Let's just grab a booth.
21:25 - 21:27: Let's just grab a booth.
21:27 - 21:29: You guys probably knew each other back in the day.
21:29 - 21:30: What's up, man?
21:30 - 21:31: Jon, what are you reading there?
21:31 - 21:35: [laughter]
21:35 - 21:37: So I noticed with Brian Wilson just--
21:37 - 21:39: Yeah, the people would come up and just be like,
21:39 - 21:41: "Oh, hey, Brian, how are you doing today?"
21:41 - 21:45: And just like he would never engage, and he would just go like, "Breakfast burrito."
21:45 - 21:47: So, you know, obviously a legend.
21:47 - 21:50: I was always interested by how often he got a breakfast burrito,
21:50 - 21:52: but, you know, he'd speak kind of loudly.
21:52 - 21:55: It was interesting because I see these people kind of go up to him like,
21:55 - 21:58: "Oh, yeah, what's up?" and you just not really look at them and just always say the thing.
21:58 - 22:02: They'd bring it out, scarf it down, in and out in like 12 minutes.
22:02 - 22:03: Like you would just crush that burrito.
22:03 - 22:04: Yeah.
22:04 - 22:07: You know, I don't want to speculate too much on the man's life.
22:07 - 22:10: He's a legend, but it certainly got me curious about what does this dude--
22:10 - 22:12: You know, we love day to day.
22:12 - 22:14: I was like, "What is this dude's day to day life?"
22:14 - 22:18: And I guess also the reason that I bring it up is he's been through the ringer in his life,
22:18 - 22:22: so it doesn't shock me that maybe he's in this kind of state of mind where he's just like,
22:22 - 22:25: "You know what? Drop me off. Let me eat my breakfast burrito. No time for niceties."
22:25 - 22:26: Yeah.
22:26 - 22:28: Whatever. He's on his own trip. That's not weird.
22:28 - 22:30: I think the thing that struck me when I was like,
22:30 - 22:33: "Oh, but he still goes on tour and makes albums and stuff."
22:33 - 22:35: I was like, "That's interesting."
22:35 - 22:38: Yeah. I mean, I think, like I said at this show,
22:38 - 22:43: I mean, he must have someone that's just like holding his hand the whole step of the way,
22:43 - 22:46: like right till he sits down at the piano.
22:46 - 22:47: But he can play piano.
22:47 - 22:54: Well, you know how normally on a stage the piano is kind of set sideways so you can see the hands?
22:54 - 22:58: This was just sort of set at a 90 degree angle to the audience.
22:58 - 22:59: So you're looking straight at him?
22:59 - 23:02: You're looking at the back of the piano and you're looking at him.
23:02 - 23:03: I don't think he was...
23:03 - 23:05: It was truly like... It was sad.
23:05 - 23:09: It was truly almost like the final days of a third world dictator.
23:09 - 23:10: Like they wheel him out.
23:10 - 23:11: Yeah.
23:11 - 23:14: And there's like a teleprompter and it's just sort of was like... It was a bummer.
23:14 - 23:15: How old is he?
23:15 - 23:17: He's got to be in his 70s.
23:17 - 23:22: I guess it's the type of thing where obviously it's like a controversial subject.
23:22 - 23:26: You know, there's been a lot of speculation and talk about Richard Simmons.
23:26 - 23:28: People believe that he's the victim of elder abuse,
23:28 - 23:31: that maybe he's suffering from dementia or something like that,
23:31 - 23:36: and he's being kind of kept away and alive so that he can sign away some of his fortune
23:36 - 23:40: to family members or people who don't have his best interests at heart.
23:40 - 23:43: You know, it's really tricky when people get older and don't have all their faculties.
23:43 - 23:45: I mean, maybe Brian's having a great time.
23:45 - 23:55: It's very like very raw and like the decline of like every human that is in our future is like fully on stage.
23:55 - 23:58: It's not like... But they're playing this like fun, happy music.
23:58 - 24:03: There's a guy that's like completely checked out, sitting in the dead center of the stage,
24:03 - 24:06: literally just staring out into the sky.
24:06 - 24:08: It's really crazy.
24:08 - 24:13: But maybe he's having a great time and he's like, "I love this music. I love my band."
24:13 - 24:15: Yeah, I guess it's maybe that's the type of thing...
24:15 - 24:17: I don't know what's going on. It's a weird show, though.
24:17 - 24:21: Obviously, everybody gets older. You got to deal with different stuff.
24:21 - 24:24: There's probably a lot of people who just want to see people.
24:24 - 24:25: Yeah.
24:25 - 24:30: There's an epidemic of loneliness in this country, as we've discussed way back in the day,
24:30 - 24:32: especially with older people.
24:32 - 24:36: And, you know, they might just want to be around people.
24:36 - 24:40: And performing at the Greek theater, I wonder.
24:40 - 24:45: Yeah, I guess based on what you're describing, and I've never seen him live, I don't think...
24:45 - 24:50: That's the type of thing where you just want to know that even though he might be a little more checked out,
24:50 - 24:52: maybe that happens.
24:52 - 24:53: Yeah.
24:53 - 24:56: I'm just saying that, yeah, you want to think that somebody like is talking about it with him
24:56 - 25:03: and whatever his demeanor or like if his face doesn't express joy in the way that it did when he was 25,
25:03 - 25:07: that's normal, as long as he's basically like, "No, this is what I want to do."
25:07 - 25:12: Because if you feel like your life is defined by playing music and performing,
25:12 - 25:14: yeah, because he probably doesn't do interviews anymore, does he?
25:14 - 25:15: I have no idea.
25:15 - 25:18: I guess he did an interview in 2016 with Rolling Stone.
25:18 - 25:20: I wonder what that interview was, though.
25:20 - 25:24: That was like over email with his assistant or that was like actually a sit down.
25:24 - 25:28: I have something here from the Palm Springs Desert Sun from August of this year.
25:28 - 25:29: An interview?
25:29 - 25:35: With Brian Wilson, yeah, talking about touring with the zombies.
25:35 - 25:36: Oh, yeah?
25:36 - 25:38: It's a great night of music, folks.
25:38 - 25:39: He's just like, you know--
25:39 - 25:41: Our mortality was just on full display.
25:41 - 25:47: I always get some asshole in the crowd who's like, you know, nitpicking my vibe on stage.
25:47 - 25:48: Listen, like I'm an old dude.
25:48 - 25:52: I can't bring the energy like I used to, but I'm having a ball out there, guys.
25:52 - 25:53: I got to be honest.
25:53 - 25:55: I'm having the time of my life.
25:55 - 25:58: This is from that 2016 article.
25:58 - 26:02: A few days earlier, the singer-songwriter and founding Beach Boy celebrated his 74th birthday.
26:02 - 26:05: And when the subject comes up, his eyes widen.
26:05 - 26:08: It was the greatest birthday of my life, he says, uncrossing his arms.
26:08 - 26:11: We went to a place called Peter Luger's.
26:11 - 26:12: You got to go there.
26:12 - 26:13: You will f*cking love it.
26:13 - 26:15: I had the greatest steak dinner that I ever had in my whole life.
26:15 - 26:16: He dropped an F-bomb?
26:16 - 26:17: Yeah.
26:17 - 26:19: He waits a beat and raises his voice.
26:19 - 26:21: In my whole life.
26:21 - 26:23: Maybe he just lives for food and music now.
26:23 - 26:26: Loving those steaks, loving those breakfast burritos.
26:26 - 26:27: You know what?
26:27 - 26:28: I think...
26:28 - 26:29: Loving the late 60s Beach Boy stuff.
26:29 - 26:31: Yeah, I bet he's chilling.
26:31 - 26:33: Al Jardine was on stage with them.
26:33 - 26:34: Oh, that's tight.
26:34 - 26:38: It was funny because like, yeah, they were playing stuff off like Smile and...
26:38 - 26:40: Because yeah, they did Heroes and Villains and they were doing stuff off Surf's Up.
26:40 - 26:45: And that's like George Gershwin level sophisticated composition.
26:45 - 26:47: And then it'd be like, now we're doing an Al Jardine song.
26:47 - 26:50: And it's just like, I can't remember what they were.
26:50 - 26:54: But it's just like the funniest, just like garage rock, bar band garage rock.
26:54 - 26:56: Between those guys...
26:56 - 26:59: Going down to the beach and doing their stuff.
26:59 - 27:03: And I was like, that's like really kind of an old school band vibe.
27:03 - 27:04: Yeah.
27:04 - 27:06: Like there's like one or two geniuses.
27:06 - 27:08: And then there's like another guy or two that also write songs.
27:08 - 27:11: Well, that was like a recurring joke in Bohemian Rhapsody.
27:11 - 27:15: They would always kind of razz the drummer because they'd be like,
27:15 - 27:18: single from this album, it's got to be Bohemian Rhapsody.
27:18 - 27:20: It's like, it's opera.
27:20 - 27:22: It's our most ambitious work yet.
27:22 - 27:26: And then the joke in the movies, he's always like, what about my song, I Love My Car?
27:26 - 27:29: I don't know if that was like reflective of the actual dynamic in the band.
27:29 - 27:33: But they made that a joke that it was like Brian May and like obviously Freddie Mercury.
27:33 - 27:35: Just like this very sophisticated stuff.
27:35 - 27:37: And it's just like, I love my car.
27:37 - 27:39: It's a good rock tune, man.
27:39 - 27:41: Well, anyway, shout out to Brian Wilson.
27:41 - 27:42: I bet he's chilling.
27:42 - 27:45: I've been in this town so long that back in the city
27:45 - 27:52: I've been taken for lost and gone and unknown for a long, long time.
27:52 - 27:56: Well, in love years ago with an innocent girl
27:56 - 28:04: from the Spanish and Indian home of the heroes and villains.
28:04 - 28:09: Once a night the tapes ran dry and she was riding in the rain
28:09 - 28:14: of the folks that eventually brought her down.
28:14 - 28:17: But she's still dancing in the night anyway
28:17 - 28:22: of what a hero would do in a town full of heroes and villains.
28:29 - 28:37: Heroes and villains, just see what you've done.
29:01 - 29:07: Heroes and villains, just see what you've done.
29:07 - 29:09: I mean, we've been following this story for a long time.
29:09 - 29:11: I don't know if we've talked about it that much on air,
29:11 - 29:15: but I got a lot of texts, got a lot of emails from people
29:15 - 29:18: when the news broke to the mainstream
29:18 - 29:21: that the Richard Montanez biopic is happening.
29:21 - 29:25: I feel like we willed this into existence.
29:25 - 29:27: I kind of feel that way.
29:27 - 29:30: Tom Christmas is very influential.
29:30 - 29:33: By the way, you see how many people have been covering
29:33 - 29:35: Winter's Starbucks lately?
29:35 - 29:37: Yeah, it's crazy.
29:37 - 29:40: BBC, Fox News, CNN.
29:40 - 29:42: Seth Meyers.
29:42 - 29:43: Oh, Seth Meyers?
29:43 - 29:44: Yeah.
29:44 - 29:45: What, did he do a joke about it?
29:45 - 29:47: Yeah, he kind of ripped on Winter, but I think Winter was down.
29:47 - 29:51: Oh, no, the joke was a man's mission to visit every Starbucks in the world.
29:51 - 29:54: He finally reaches 15,000 Starbucks, and they finally spelled his name
29:54 - 29:58: right on his cup, and it's cut to this cup, and it said "Dork."
29:58 - 30:01: And Winter was like, "Oh, man, but you know what?
30:01 - 30:04: Respect coming from Seth Meyers," or something like that.
30:04 - 30:05: And then like--
30:05 - 30:06: Not cool, Seth.
30:06 - 30:08: Yeah, it's like, "Seth, come on, bro."
30:08 - 30:11: Yeah, [bleep] you.
30:11 - 30:12: Seinfeld.
30:12 - 30:13: Real talk.
30:13 - 30:14: Seinfeld is going hard on--
30:14 - 30:16: Cutting through all the noise with that one.
30:16 - 30:19: Should we try to get Seth Meyers on the show, hash this out?
30:19 - 30:20: I would love that.
30:20 - 30:23: Yeah, let's see Seth Meyers around here and there.
30:23 - 30:26: Yeah, I think I could get his email very quickly.
30:26 - 30:30: I'd like say, "Hey, man, so we'd love it if you'd come on."
30:30 - 30:32: He would just be like--
30:32 - 30:34: I bet he literally wouldn't know what we were talking about.
30:34 - 30:36: Yeah, he just read that joke.
30:36 - 30:40: Yeah, like I do 20 of those jokes a night.
30:40 - 30:42: What the [bleep] are you talking about?
30:42 - 30:45: He's a friend-- because we do a show, and Winter's like a kind of character
30:45 - 30:46: on our show.
30:46 - 30:48: You do a show, we do a show.
30:48 - 30:50: You got your kind of guys.
30:50 - 30:51: We got our guys.
30:51 - 30:52: Winter's one of our guys, man.
30:52 - 30:55: We just-- it didn't sit right with us.
30:55 - 30:58: She's like, "I have no idea."
30:58 - 31:00: The Starbucks joke.
31:00 - 31:02: Which Starbucks joke?
31:02 - 31:04: Obviously, Winter deserves all the credit.
31:04 - 31:06: He's the one who went to 15,000 Starbucks.
31:06 - 31:12: All I'm saying is that time crisis, we've been covering him since 2017
31:12 - 31:16: because we tell the stories that matter first.
31:16 - 31:21: One question is I wonder if any of those outlets did pick up on the story
31:21 - 31:26: via time crisis, chose not to give us credit.
31:26 - 31:29: Some, like, intern in the writer's room.
31:29 - 31:30: The TC head?
31:30 - 31:33: It was like, "Hey, I got an idea."
31:33 - 31:34: Who knows?
31:34 - 31:35: But whatever.
31:35 - 31:36: Winter deserves the credit for all the press.
31:36 - 31:42: All I'm saying is, as usual, we beat the lamestream media by years.
31:42 - 31:45: Well, Winter blasted out a press release.
31:45 - 31:47: Remember he was asking for our notes on it?
31:47 - 31:48: No, I missed that.
31:48 - 31:50: I missed that email.
31:50 - 31:55: I missed an email being like, "Hey, what are your thoughts on this press release?"
31:55 - 31:56: When was this?
31:56 - 31:58: Like a month ago.
31:58 - 31:59: Totally missed that.
31:59 - 32:00: Oops.
32:00 - 32:03: All right, we found one article that loops us in.
32:03 - 32:05: Very self-indulgent part of the show.
32:05 - 32:10: Looking for articles on the internet that reference our own show.
32:10 - 32:14: For the last 22 years, Winter has been the subject of many people's fascination.
32:14 - 32:18: In 2006, he was the star of a documentary called Starbucking by Bill Tangerman.
32:18 - 32:19: We've got to watch that.
32:19 - 32:24: I guess there was a full documentary a decade before we were on it, so we don't deserve too much credit.
32:24 - 32:27: Well, my first communication with him goes back to '03.
32:27 - 32:28: Okay.
32:28 - 32:29: Emailed in '03.
32:29 - 32:34: It's funny, because the next line of this, "News outlets have written articles about him since as early as 2002."
32:34 - 32:35: Oh, okay.
32:35 - 32:37: Well, somehow I found him, so.
32:37 - 32:42: A headline in the Palm Beach Post from 2007 reads, "Is he off his bean?"
32:42 - 32:44: Off his bean?
32:44 - 32:45: Disrespectful.
32:45 - 32:46: F*** you, Palm Beach Post.
32:46 - 32:48: Is that an expression?
32:48 - 32:51: It's like, "Off your rocker."
32:51 - 32:54: Well, definitely your bean referred to as your head is a thing.
32:54 - 32:55: Sure.
32:55 - 32:56: And recently he's been--
32:56 - 32:57: Don't push in it with that palm.
32:57 - 32:58: Yeah, right?
32:58 - 33:05: Recently he's been featured a few times on the podcast, "Time Crisis," hosted by Vampire Weekend frontman Ezra Kanick.
33:05 - 33:06: Okay, we need--
33:06 - 33:07: And American painter.
33:07 - 33:10: Yeah, what about American painter radio personality?
33:10 - 33:12: [Laughter]
33:12 - 33:17: As well as Twitter celebrity Seinfeld 2000.
33:17 - 33:18: Influencer.
33:18 - 33:20: Influencer, sorry, wrong term.
33:20 - 33:26: I'm an American musician and radio personality, Jake's an American painter and music personality.
33:26 - 33:31: Seinfeld is a Canadian influencer and radio personality.
33:31 - 33:33: Would it be Canadian-American or just Canadian?
33:33 - 33:34: Just Canadian.
33:34 - 33:35: Wait, are you Canadian-American?
33:35 - 33:36: No.
33:36 - 33:38: I mean, you live in America, so it's like--
33:38 - 33:39: Yeah, you're allowed to.
33:39 - 33:40: I feel American.
33:40 - 33:44: Don't buy into, like, outdated notions of citizenship, man.
33:44 - 33:46: Can we say North American?
33:46 - 33:47: Too vague.
33:47 - 33:49: North American influencer.
33:49 - 33:55: Oh, but you know, by the way, speaking of-- before we dive back into the Montaneas, you know I met Patrick World in Montreal?
33:55 - 33:56: Oh, yeah!
33:56 - 33:57: Yeah.
33:57 - 34:06: Yeah, he DMed us, and yeah, I put him in touch with your management, and I'm glad you guys had a chance to meet.
34:06 - 34:07: Shout out to Patrick World.
34:07 - 34:15: It was tight because two people from my high school, Pete and Celia, a couple from my town, Glen Ridge,
34:15 - 34:16: they're married now and they live in Vermont.
34:16 - 34:18: Are they a TC couple?
34:18 - 34:28: I don't remember if they said they listen to TC, but they came to see Vampire Weekend, and people from Vermont go see shows in Montreal a lot.
34:28 - 34:29: Yeah, close to city.
34:29 - 34:30: That can be their closest city.
34:30 - 34:33: Oh, yeah, we used to drive down, do some cross-border shopping, and then we saw--
34:33 - 34:34: In Vermont?
34:34 - 34:37: Yeah, we saw Louis Guzman once at Sweetwater when I was a kid.
34:37 - 34:38: In Vermont?
34:38 - 34:39: Yeah.
34:39 - 34:41: In, like, Montpelier or what city?
34:41 - 34:42: Burlington.
34:42 - 34:43: Okay.
34:43 - 34:46: So there's a nice cultural exchange between Burlington and Montreal.
34:46 - 34:51: Yeah, actually, Luis, who we knew from doing stuff for Bernie Sanders, came up too.
34:51 - 34:52: Oh, yeah.
34:52 - 34:53: A little Burlington crew.
34:53 - 34:58: And it was good to see them and just kind of catch up on our hometown and stuff.
34:58 - 35:06: But it's funny, you're backstage, and you see a bunch of people who are at the show, so you talk to some people, and somebody comes up, and you're like, "Oh, hey."
35:06 - 35:15: I guess this could happen at any type of gathering or party, but specifically at aftershows sometimes, especially if we have a part-weekend aftershow, it could be the most random mix of people.
35:15 - 35:19: So suddenly, two people you're just talking to, they're kind of sitting there waiting.
35:19 - 35:28: So I'm just like, "Then that happened, and I'm talking to Patrick, and he's telling me we're catching up, and I'm thanking him for all the great work he's done for the show and for supporting us."
35:28 - 35:29: And he's telling me more about his background.
35:29 - 35:31: He actually has a bit of a radio background.
35:31 - 35:32: Oh, okay.
35:32 - 35:33: That was cool.
35:33 - 35:35: Oh, one thing also he confirmed, he doesn't make the tracks.
35:35 - 35:40: Okay, he's not doing live drums on his cover of Boyz R Back in Town.
35:40 - 35:41: Oh, wow.
35:41 - 35:42: Which makes sense.
35:42 - 35:43: I'm like Weird Al Yankovic.
35:43 - 35:45: Does Al build from the ground up?
35:45 - 35:47: Al builds everything from the ground up.
35:47 - 35:48: He must.
35:48 - 35:49: Yeah, recreates everything.
35:49 - 35:51: Yeah, but we can't expect.
35:51 - 35:56: It's one of those funny things where I turn to them and say, "Oh, hey, guys. By the way, this is Patrick."
35:56 - 35:57: I'm like, "Hey."
35:57 - 36:00: And I was like, "So, yeah, in fact, I don't think they're TCS."
36:00 - 36:01: That's a lot of backstory.
36:01 - 36:03: I was like, "You know I do this radio show," and they're like, "Oh, okay."
36:03 - 36:11: And I was like, "So on the radio show, Patrick, I've never met him before, but he's a listener who will send us in parodies, songs based on..."
36:11 - 36:13: And they're just kind of like, "Okay."
36:13 - 36:16: Yeah, a lot of inside jokes from our show.
36:16 - 36:20: You know, Lonnie's dad, Lord Hadaway, things of that nature.
36:20 - 36:23: They look around and Patrick's nowhere to be seen.
36:23 - 36:24: No, I swear he was--
36:24 - 36:26: Yeah, he was just there.
36:26 - 36:29: No, but shout out to Patrick and his wife who came through.
36:29 - 36:35: Wow, it sounds like the East Coast is really like some big TC icons were in the mix.
36:35 - 36:42: Well, and then there was a Twitter exchange later where Winter and Patrick were making plans to link up.
36:42 - 36:43: Did you see that?
36:43 - 36:45: Oh, actually, I did. That is sick.
36:45 - 36:46: That's tight.
36:46 - 36:49: The TC world is-- it's really a family.
36:49 - 36:56: You know, the next step would be people starting to date, like TC fan community.
36:56 - 37:02: It's like, "Hey, anyone else a TC head? I'm looking to meet someone."
37:02 - 37:09: Wait, I told you how a while ago I got a bunch of old issues of Relics on eBay, like some '80s Relics.
37:09 - 37:10: Wow.
37:10 - 37:13: So, you know, Relics still exists. It's a great news source.
37:13 - 37:16: They did a big Vampire Weekend cover story this year.
37:16 - 37:17: I got to check that out.
37:17 - 37:18: Yeah, it was tight.
37:18 - 37:24: Yeah, I love talking to the journalist who also wrote or co-wrote Bill Kreutzman's memoirs.
37:24 - 37:25: Oh, that's sick.
37:25 - 37:32: But I remember looking through one of them, and there were, you know, like wan ads and personals in the back.
37:32 - 37:38: And they're literally-- I know this sounds like so kooky, but I wish I could say verbatim, but I remember seeing some--
37:38 - 37:42: so it might be everything from people being like looking to trade tapes, that kind of stuff.
37:42 - 37:50: But then I remember seeing some personal ads, and I remember they were like-- some were so hyper-specific, just like looking for ladies who are also deadheads.
37:50 - 37:52: And, like, some of them were so hyper-specific.
37:52 - 38:02: I remember a guy who's like looking for, like, a deadhead lady, you know, age, whatever, somebody who leans towards pre-'72 stuff.
38:02 - 38:03: That's important to me.
38:03 - 38:05: It was, like, literally like that kind of thing.
38:05 - 38:07: It's so deep.
38:07 - 38:13: I guess it's also possible that if this was the '80s-- I can't remember when this issue was.
38:13 - 38:15: Maybe he just wanted to make sure he wasn't getting a touch head.
38:15 - 38:16: Sure, sure.
38:16 - 38:20: Which are people who got on board with their breakout single "Touch of Gray."
38:20 - 38:21: In '87.
38:21 - 38:24: So, like, what years were these magazines you were buying?
38:24 - 38:25: Some of them were from the '80s.
38:25 - 38:26: Like late '80s, early '90s?
38:26 - 38:27: I'll bring some in.
38:27 - 38:30: Why did you get them? Just out of curiosity?
38:30 - 38:32: I mean, I've always been interested in relics.
38:32 - 38:34: It's like a magazine I would see around, but not '80s relics.
38:34 - 38:37: I would see it at best for me maybe in the late '90s.
38:37 - 38:43: And I think I would see-- I would just see, like, cool people, like some cool deadhead t-shirt people, like post-relics.
38:43 - 38:46: And I would see them post, like, their collection of vintage ones.
38:46 - 38:50: I was like, "Ooh, I want to see what's inside that 1985 relic."
38:50 - 38:51: That is so deep.
38:51 - 38:53: So I bought, like, three or four.
38:53 - 38:54: That's cool.
38:54 - 38:55: That I got for, like, decent prices.
38:55 - 38:56: Yeah.
38:56 - 38:57: Are they expensive, sort of?
38:57 - 38:59: I didn't find any, like, dirt cheap.
38:59 - 39:00: I got 100 relics.
39:00 - 39:03: Hey, if you take them off my hands for $10, I'm happy.
39:03 - 39:07: No, it's more like, you know, probably some of them cost, like, $10.
39:07 - 39:08: Okay, yeah.
39:08 - 39:11: It wasn't like-- Yeah, I wasn't dropping, like, $150 for a pristine copy.
39:11 - 39:13: But, you know, like--
39:13 - 39:14: Near mint.
39:14 - 39:15: Yeah.
39:15 - 39:17: But I'll bring them in because they're fascinating.
39:17 - 39:23: And also there's something nice about-- at that era, it's like in between a zine and a professional magazine.
39:23 - 39:26: There's, like, a handmade quality to some of the stuff inside.
39:26 - 39:30: But I also just, like, love thinking about this dude, just, like, mid-'80s.
39:30 - 39:34: Like, at first, I wonder what kind of responses he got.
39:34 - 39:37: And I'm also picturing somebody just like, "Hey, man, like, you know what?
39:37 - 39:42: I also live in Westchester, and I happen to see that I've been looking to meet a Deadhead, too."
39:42 - 39:47: And then, like, they link up, and he's just, like, immediately just, like, full douchebag, just, like, quizzing her.
39:47 - 39:48: Just like--
39:48 - 39:50: "So '74, how do you feel?"
39:50 - 39:51: Yeah.
39:51 - 39:53: Okay.
39:53 - 39:56: What's the best Mr. Charlie of '72?
39:56 - 39:59: And you can't say the one on Europe '72.
39:59 - 40:00: And she's like, "I don't know, man.
40:00 - 40:03: I like-- I like Touch of Grey.
40:03 - 40:04: I like Uncle John's Man."
40:04 - 40:06: He's just like, "Get the f--- out of here."
40:06 - 40:09: "This is not going to work."
40:09 - 40:10: "I'm looking for happiness.
40:10 - 40:11: Can't you tell?"
40:11 - 40:12: Yeah.
40:12 - 40:16: She's just, like, beautiful, hippie chick.
40:16 - 40:19: Yeah, just somewhat familiar.
40:19 - 40:20: "Oh, no, I haven't heard that.
40:20 - 40:24: No, I'd love to learn more about some of, like, the '74 bootlegs."
40:24 - 40:28: And he's like, "Well, get back to me when you do."
40:28 - 40:30: "You wasted both of our time."
40:30 - 40:34: Anyway, the TC personals wouldn't be like that.
40:34 - 40:35: Colin just showed me something.
40:35 - 40:36: Where was it?
40:36 - 40:37: It was on Reddit.
40:37 - 40:38: Wait, is it on the TC Reddit?
40:38 - 40:40: The TC Reddit, which I never look at, but--
40:40 - 40:42: Oh, yeah, is the TC Reddit popping?
40:42 - 40:43: Oh, nice.
40:43 - 40:46: Subject had New York-based TC heads.
40:46 - 40:49: "Hey, I'm visiting New York for work October 6 to 8
40:49 - 40:52: and wondering if any TC heads wanted to get a drink.
40:52 - 40:54: I'm 25, into corporate food history, jam bands,
40:54 - 40:56: and visiting Starbucks."
40:56 - 40:58: Response, "Suburban New Yorker here.
40:58 - 41:00: Let's get a coffee."
41:00 - 41:01: Oh, that's sick.
41:01 - 41:02: That's sweet.
41:02 - 41:05: Wait, what--it was a 25-year-old man?
41:05 - 41:06: Oh, that's cool.
41:06 - 41:07: Yeah, there's no--
41:07 - 41:08: It's kind of post-gender, just like--
41:08 - 41:10: This is about the show.
41:10 - 41:12: Oh, this is just about linking up.
41:12 - 41:15: Yeah, it's not a dating inquiry.
41:15 - 41:17: Yeah, you know, maybe that's better, too.
41:17 - 41:20: It's like people bring too much energy and expectation
41:20 - 41:21: to romantic relationships.
41:21 - 41:23: Well, that's how something could really happen, though.
41:23 - 41:25: It's like two TC heads.
41:25 - 41:28: They're just there to talk about the show, maybe connect.
41:28 - 41:30: And then, you know, one thing leads to another, maybe.
41:30 - 41:31: Right.
41:31 - 41:33: And then, when, like, hey, we're just talking about the show,
41:33 - 41:34: no presh.
41:34 - 41:36: Yeah, it's just a meetup.
41:36 - 41:38: There was one time earlier this year,
41:38 - 41:40: I believe it was after our Cincinnati show,
41:40 - 41:45: a young woman DMed me on Instagram and said, like,
41:45 - 41:49: "Listen, I was sitting next to this guy at the show,
41:49 - 41:51: and we really hit it off, and we were talking about
41:51 - 41:53: this, this, and this."
41:53 - 41:54: Yeah, we had good sense--
41:54 - 41:56: They might have been TC heads.
41:56 - 41:57: I don't remember, but they were like--
41:57 - 41:59: We were, like, joking around.
41:59 - 42:01: "I'm a medical student at the University of Cincinnati,
42:01 - 42:02: blah, blah, blah.
42:02 - 42:04: I really regret that I didn't ask for his number.
42:04 - 42:06: I was, like, being too shy or something.
42:06 - 42:07: Can you help me out?"
42:07 - 42:10: And then I was like, "I mean, I guess."
42:10 - 42:11: Yeah, what do you do?
42:11 - 42:15: I was like, "If you can, like, condense this into one post,
42:15 - 42:18: I'll throw it on my IG stories."
42:18 - 42:21: So she made, like, a pretty well-designed little, like,
42:21 - 42:22: "Hey, what's up?"
42:22 - 42:24: You know, she was using, like, Futura and stuff.
42:24 - 42:26: Yeah, Miss Connection, Cincinnati show.
42:26 - 42:28: And I posted it, and I got a lot of response.
42:28 - 42:29: It was really sweet.
42:29 - 42:31: I would feel like, in this day and age,
42:31 - 42:34: somebody--it wouldn't be that hard to figure out.
42:34 - 42:36: I wonder if they ever linked up.
42:36 - 42:37: Yeah.
42:37 - 42:39: Kind of feel like if they had,
42:39 - 42:41: then you would have gotten, like, a follow-up from her.
42:41 - 42:43: A wedding invitation.
42:43 - 42:44: But I agree.
42:44 - 42:45: Whatever. Romantic relationships.
42:45 - 42:46: I was expecting.
42:46 - 42:47: [laughter]
42:47 - 42:49: TC, baby.
42:49 - 42:50: I'm just going deep on the subreddit.
42:50 - 42:53: Did you know that during the Apple iPhone release,
42:53 - 42:55: there was an Apple Watch video
42:55 - 42:58: with a VO by Michael Cera with "Sympathy" as the backing?
42:58 - 42:59: Oh, yeah, of course.
42:59 - 43:01: Wild. I missed that.
43:01 - 43:03: Yeah, unrelated to time crisis.
43:03 - 43:05: I got--there was, like, some message on Twitter that was like,
43:05 - 43:07: "Is that part of your time crisis deal?"
43:07 - 43:09: And I was like, "How dare you?"
43:09 - 43:11: [laughter]
43:11 - 43:14: These are independent branches of the organization.
43:14 - 43:17: Yeah, "Sympathy" is in an Apple Watch commercial.
43:17 - 43:18: That's so modern.
43:18 - 43:20: I haven't seen it in full.
43:20 - 43:21: And I didn't know that Michael Cera
43:21 - 43:24: was going to do the voiceover, but that's tight.
43:24 - 43:26: Yeah, I think it premiered at the keynote,
43:26 - 43:28: but I don't know if it's on TV yet.
43:28 - 43:30: Yeah, I can't find it anywhere.
43:30 - 43:31: Anyway, check it out.
43:31 - 43:33: Seinfeld's down the rabbit hole in that Reddit.
43:33 - 43:35: Yeah, I got to close this window.
43:35 - 43:37: Yeah, I can see, like, your eyes are glazing over.
43:37 - 43:39: You need to get out of there.
43:39 - 43:42: Reddit--that's the Reddit, you know, it just sucks you in.
43:42 - 43:44: Suddenly it's nighttime.
43:44 - 43:45: You're just on Reddit all day.
43:45 - 43:48: Master thread for determining Seinfeld 2000's address.
43:48 - 43:52: [laughter]
43:52 - 43:56: Um, I wonder if there's any, like, TC loyalists
43:56 - 43:58: who, like, still see you as a villain.
43:58 - 44:00: 'Cause when you first came on the show,
44:00 - 44:03: you were definitely a bit of a villain.
44:03 - 44:05: Yeah, people are confused by that narrative.
44:05 - 44:08: What, that's, like, that's one of the most classic narratives
44:08 - 44:10: of all time--foe becomes friend?
44:10 - 44:11: It's true.
44:11 - 44:13: It was a character evolution.
44:13 - 44:16: It was some pro wrestling [bleep]
44:16 - 44:17: That's right.
44:17 - 44:19: Eventually, though, there's going to be the fallout.
44:19 - 44:21: There could be the fallout.
44:21 - 44:22: Seinfeld gets banished.
44:22 - 44:26: Yeah, we should create more storylines for this show.
44:26 - 44:28: We just bring in just, like, some real--
44:28 - 44:30: just some real dweeb who's just, like,
44:30 - 44:32: world's biggest Friends fan.
44:32 - 44:34: [laughter]
44:34 - 44:37: I am interested in hearing about how the Rembrandts
44:37 - 44:39: feel about the 25th anniversary of Friends,
44:39 - 44:41: which is now, right?
44:41 - 44:44: Anyway, why am I--why am I talking about this?
44:44 - 44:45: You're kind of excited.
44:45 - 44:49: I mean, at a certain point, old rivalries,
44:49 - 44:50: they kind of collapse.
44:50 - 44:52: You know, it's kind of like when you're talking about,
44:52 - 44:55: like, imagine two 85-year-olds
44:55 - 44:58: fought on opposing sides of a war.
44:58 - 44:59: They both make it to 85.
44:59 - 45:01: They're sitting at a cafe.
45:01 - 45:04: They've both seen the way that time ravages everybody--
45:04 - 45:07: the winners, the losers.
45:07 - 45:09: They both have lost so many people.
45:09 - 45:11: They're both the last men standing from their platoon.
45:11 - 45:14: They look at each other, former enemies,
45:14 - 45:15: and they're just kind of like,
45:15 - 45:18: "Hey, man, let me buy you that cup of coffee.
45:18 - 45:20: I hated your guts. I want to kill you."
45:20 - 45:22: But now we're--I mean, it's real sh--.
45:22 - 45:23: Actually, it's very moving.
45:23 - 45:27: I've spoken highly of the Ken Burns Vietnam doc.
45:27 - 45:29: You ever crack that, Jake?
45:29 - 45:30: Didn't get through it.
45:30 - 45:31: It's awesome.
45:31 - 45:32: The beginning's tough.
45:32 - 45:34: The beginning's tough.
45:34 - 45:35: That's on me.
45:35 - 45:37: It's a major investment in the beginning,
45:37 - 45:39: but when you get to the end, they talk, too,
45:39 - 45:44: about, like, a lot of these American soldiers
45:44 - 45:46: who were so young, you know?
45:46 - 45:48: These were very young adults when they rolled over there.
45:48 - 45:50: Some of them who probably drank the Kool-Aid
45:50 - 45:53: or believed they were fighting a necessary battle
45:53 - 45:55: have a lot of questions later,
45:55 - 45:57: and they talk about how some of these dudes
45:57 - 45:59: roll back to Vietnam just like--
45:59 - 46:00: it's haunted them their whole lives,
46:00 - 46:02: you know, PTSD, whatever.
46:02 - 46:04: And they talk about that there's, like--
46:04 - 46:06: a not uncommon thing is that, like,
46:06 - 46:09: Northern Vietnamese soldiers and North Vietnamese won,
46:09 - 46:11: so the whole country is--
46:11 - 46:13: they're returning to the country
46:13 - 46:15: where the victors beat the U.S.
46:15 - 46:18: And now some of these American soldiers
46:18 - 46:19: will go kind of, like, link up with dudes
46:19 - 46:21: who are on the opposing side,
46:21 - 46:22: and there is this, like, weird--
46:22 - 46:24: - Wow. - Shared camaraderie
46:24 - 46:25: of kind of, like--
46:25 - 46:27: I don't think the Northern Vietnamese soldiers
46:27 - 46:28: are like, "You know what, man?"
46:28 - 46:30: - "Water under the bridge." - "Water under the bridge."
46:30 - 46:32: You know, U.S. imperialism, capitalism,
46:32 - 46:34: it's all the same. - It's all good, man.
46:34 - 46:35: - But I do think there is some--
46:35 - 46:37: that there is some weird shared thing
46:37 - 46:38: where they're just kind of like,
46:38 - 46:40: "We were both on-the-ground soldiers
46:40 - 46:41: "in a larger thing.
46:41 - 46:42: "I don't hate you.
46:42 - 46:44: "We both shared a traumatic experience.
46:44 - 46:47: "Probably not forgiving the U.S. as an entity."
46:47 - 46:50: - Oh, yeah, like, we were both cannon fodder.
46:50 - 46:52: - Yeah, and even some of these guys
46:52 - 46:54: probably, like, realizing the way that
46:54 - 46:56: their worldview was morphed by the--
46:56 - 46:57: you know, so anyway,
46:57 - 46:58: it's like this kind of moving thing
46:58 - 46:59: where, like, some of these dudes
46:59 - 47:02: who probably wouldn't have dreamed of it,
47:02 - 47:03: you know, are there,
47:03 - 47:04: and it feels, like, cathartic to them
47:04 - 47:08: to be like, "We were both victims of violence."
47:08 - 47:11: Actually, now I just remember what we were talking about.
47:11 - 47:14: - Yeah, this is me defending--
47:14 - 47:15: - This is like a bad TC rabbit hole
47:15 - 47:17: where I actually jumped to something way too deep,
47:17 - 47:19: and now it's actually insulting to go back
47:19 - 47:21: to what we were originally talking about,
47:21 - 47:23: which is friends versus Seinfeld.
47:23 - 47:24: Oops.
47:24 - 47:27: Apologies, but I'm saying that, you know,
47:27 - 47:28: I think time collapses everything,
47:28 - 47:30: and when I picture, like, the old heads--
47:30 - 47:34: I've given this example before in Keith Richards' book,
47:34 - 47:37: how he talks about he and Paul McCartney
47:37 - 47:39: staying on the same Caribbean island,
47:39 - 47:41: like, staying in two villas next to each other,
47:41 - 47:43: and just kind of, like, hitting him up,
47:43 - 47:45: just like, "Yo, man, you want to, like, go for a walk?"
47:45 - 47:47: And he's like, "Me and Paul just walked on the beach,
47:47 - 47:49: and we just talked about the old days, man."
47:49 - 47:52: And obviously, the Beatles versus the Stones
47:52 - 47:54: is not the same intensity as--
47:54 - 47:55: - Friends versus Seinfeld.
47:55 - 47:56: - Friends versus Seinfeld,
47:56 - 47:59: let alone North Vietnam versus the U.S.,
47:59 - 48:03: but the way he talked about it was kind of just like,
48:03 - 48:05: "We used to be competitive."
48:05 - 48:06: I don't know if he quite says it,
48:06 - 48:08: but you can imagine Keith Richards probably thought,
48:08 - 48:10: McCartney was a bit of a cornball.
48:10 - 48:11: - Mm-hmm.
48:11 - 48:13: - Keith Richards was the badass of the badass crew,
48:13 - 48:15: and Paul McCartney was kind of, like,
48:15 - 48:17: the sweetheart of, like, the sweet crew,
48:17 - 48:18: so, you know, they're--
48:18 - 48:20: in many ways, they're diametric opposites.
48:20 - 48:23: But the way he frames it is a little bit just like,
48:23 - 48:27: "Yeah, two grizzled soldiers, we're both still standing,
48:27 - 48:29: and actually, we have more in common with each other
48:29 - 48:30: because we remember.
48:30 - 48:34: We remember the past. We've seen good men die.
48:34 - 48:37: John Lennon, George Harrison,
48:37 - 48:38: Brian Jones."
48:38 - 48:39: So there's, like, this slight--
48:39 - 48:40: - Mm-hmm.
48:40 - 48:42: - Actually, I should go back to that passage.
48:42 - 48:44: I wonder if he uses any soldier imagery.
48:44 - 48:46: But we had this feeling of just kind of, like,
48:46 - 48:48: the fact that we're both still standing
48:48 - 48:51: and that we both even remember this battle
48:51 - 48:52: or this time period
48:52 - 48:54: unites us in a way that even, like,
48:54 - 48:57: our children couldn't understand.
48:57 - 48:59: So anyway, I think that's starting to happen
48:59 - 49:00: with Seinfeld 2000, where--
49:00 - 49:01: - No, no, no.
49:01 - 49:03: - You've been fighting this battle for so long
49:03 - 49:04: that one day--
49:04 - 49:06: and, look, now you even see, like,
49:06 - 49:08: "Friends" is getting canceled.
49:08 - 49:09: - No--what?
49:09 - 49:11: - "Friends" is the most popular show on Netflix.
49:11 - 49:13: I just thought there was some kind of clickbait article
49:13 - 49:15: that was, like, why "Friends" is actually trash.
49:15 - 49:17: - Yeah, it's been-- there's been a backlash.
49:17 - 49:20: A lot of think pieces about the 25th anniversary
49:20 - 49:22: and how, you know, we're rethinking "Friends"
49:22 - 49:23: and all the rest of it.
49:23 - 49:24: I mean, we all already--
49:24 - 49:26: a lot of us knew that "Friends" was trash
49:26 - 49:27: from the jump.
49:27 - 49:29: - Yeah, but people do that with "Seinfeld" too.
49:29 - 49:30: - Well, no, they don't at all.
49:30 - 49:31: - "Seinfeld" got more heat earlier,
49:31 - 49:33: maybe because "Seinfeld"--
49:33 - 49:35: "Seinfeld" was a bigger target, maybe,
49:35 - 49:38: because it actually existed in this more intelligent circle.
49:38 - 49:40: - Why did people say "Seinfeld" was trash?
49:40 - 49:42: - I just think, like, to some people,
49:42 - 49:44: represent, like--well, people talked about, like,
49:44 - 49:46: "Seinfeld" being very white.
49:46 - 49:47: - Yeah, that's true.
49:47 - 49:49: Yeah, and it's--you know, Larry David
49:49 - 49:52: references it a lot on "Curb Your Enthusiasm,"
49:52 - 49:53: and--anyway.
49:53 - 49:56: - All I'm saying is that... - Jesus Christ.
49:56 - 49:59: - I bet there's a part of you that sees, you know,
49:59 - 50:01: "Friends" backlash, and you're just kind of like,
50:01 - 50:04: "Man, the end of the day,
50:04 - 50:07: we're both fighting a forgotten war
50:07 - 50:11: for NBC's must-see TV mid-'90s block."
50:11 - 50:13: - I do not feel that way at all.
50:13 - 50:14: - And I can just kind of--okay. - No.
50:14 - 50:16: - I just think--no, you're not there yet,
50:16 - 50:17: but I'm picturing, like, in 20 years.
50:17 - 50:18: - No, I'll never be there.
50:18 - 50:20: - We're sitting here, and you have, like--
50:20 - 50:23: it's, like, really retro and cool to be into "Riverdale."
50:23 - 50:25: - [laughs]
50:25 - 50:26: - It's like young kids are like,
50:26 - 50:28: "Oh, yeah, like, I'm into 'Riverdale.'"
50:28 - 50:30: Somebody's like, "What about, like, 'Friends' and 'Seinfeld'?"
50:30 - 50:31: And they're just like,
50:31 - 50:33: "I don't even know what the [bleep] you're talking about."
50:33 - 50:35: And you'll look at, like, some "Friends" fanatic,
50:35 - 50:36: and he'll look at you, and you'll just be like,
50:36 - 50:39: "We're just two forgotten soldiers in a war
50:39 - 50:41: that these kids don't even care about anymore."
50:41 - 50:43: - Well, you know, if they bring "Seinfeld" back,
50:43 - 50:46: we wouldn't even have to have that conversation,
50:46 - 50:49: and that's a mission I'm still kind of dedicated to.
50:49 - 50:50: So we'll see.
50:50 - 50:52: - I have a feeling that "Friends" will come back
50:52 - 50:53: before "Seinfeld."
50:53 - 50:58: - ♪ Said no one told you life was gonna be this way ♪
50:58 - 51:01: ♪ Your job's a joke, you're broke ♪
51:01 - 51:04: ♪ Your love life's the other way ♪
51:04 - 51:08: ♪ It's like you're always stuck in second gear ♪
51:08 - 51:12: ♪ When it hasn't been your day, your week, your month ♪
51:12 - 51:14: ♪ Or even your year ♪
51:14 - 51:17: ♪ But I'll be there for you ♪
51:17 - 51:22: - "Time Crisis" with Ezra Koenig on Beats 1.
51:22 - 51:25: - So "Evil Longoria" with this "Flaming Hot Cheetos" film.
51:25 - 51:28: - Okay, anyway-- - It's pretty--pretty cool.
51:28 - 51:30: - So we've been talking about Richard Montanez for a minute,
51:30 - 51:33: and because I follow him on Instagram,
51:33 - 51:36: I've known that he's been working on developing a film
51:36 - 51:38: for a long time--years.
51:38 - 51:40: Last time I checked, his account is private,
51:40 - 51:43: so you have to be accepted into the inner circle
51:43 - 51:44: to get to follow him,
51:44 - 51:46: but he's always been very open about the fact, like,
51:46 - 51:48: "Oh, yeah, I was in L.A. doing a meeting.
51:48 - 51:49: Looks like things are gonna happen."
51:49 - 51:52: And now finally, it reaches the mainstream
51:52 - 51:54: with the announcement that "Evil Longoria"
51:54 - 51:55: is gonna direct it.
51:55 - 51:58: One thing I'd like to say is we've tried to get
51:58 - 51:59: Montanez on the show many times,
51:59 - 52:02: so Seinfeld, you kind of spearheaded that initiative.
52:02 - 52:04: How'd you fuck that one up?
52:04 - 52:06: - Oh, well, no, I didn't-- - What happened?
52:06 - 52:08: - I didn't fuck it. I made a valiant effort to--
52:08 - 52:09: - You had one job.
52:09 - 52:12: - Uh, well, listen, Montanez does not want to be
52:12 - 52:15: on this show, straight up. Let's just say that.
52:15 - 52:18: He was doing--he was speaking at some sort of corporate event,
52:18 - 52:19: and I went through the promoters,
52:19 - 52:21: and I went through the thing, and it came--
52:21 - 52:22: you know, it went back to him,
52:22 - 52:24: and it was just a note from him,
52:24 - 52:26: and I think we've also been trying to go through--
52:26 - 52:28: - But did you say it was time crisis with Ezra and Jake?
52:28 - 52:30: - Yeah, I led with-- I did the whole thing.
52:30 - 52:32: I said, you know, you can-- - But did you start out saying,
52:32 - 52:33: "Hey, I'm Seinfeld 2000."
52:33 - 52:34: Maybe they were just like, "Eh."
52:34 - 52:37: - No, no, no, I did it, like, as my real--
52:37 - 52:38: like, I used my real name.
52:38 - 52:40: - He's probably like, "Oh, yeah, Seinfeld 2000.
52:40 - 52:42: I don't like that guy." - No, no, no, everybody loves--
52:42 - 52:44: - He caused a lot of trouble in the early days of TC.
52:44 - 52:46: - No, no, no, no, no, no, no, no, no.
52:46 - 52:48: It's a beloved-- it's a beloved internet presence
52:48 - 52:52: that really everybody wants to be tapped into.
52:52 - 52:54: But, uh, no, he--
52:54 - 52:57: I think that he was actually just saving the IP
52:57 - 52:59: for this film. That's my theory.
52:59 - 53:01: He's like, "I'm not gonna do interviews.
53:01 - 53:02: I'm not gonna do press.
53:02 - 53:05: Let's have Eva Longoria handle this story with the tender."
53:05 - 53:07: - Or to be fair, to be fair, maybe he's like--
53:07 - 53:10: he gets paid to fly around the world to tell his story.
53:10 - 53:11: He goes to colleges.
53:11 - 53:14: He gives kind of inspirational talks at corporations.
53:14 - 53:18: Maybe his vibe is like, "I don't need to do press per se.
53:18 - 53:21: I'm out there telling my story, and I'm being rewarded for it."
53:21 - 53:24: So I could imagine, you know, he's talking at a college
53:24 - 53:26: or something, he's getting his speaker's fee,
53:26 - 53:29: and we're like, "You want to just come do some press?"
53:29 - 53:30: He's like, "Why?"
53:30 - 53:33: - Right, yeah, and I think he knows that you're kind of like,
53:33 - 53:36: uh, I don't know, like, maybe you'll make fun of him.
53:36 - 53:38: Like, maybe this isn't a safe space for--
53:38 - 53:39: - I don't make fun of people.
53:39 - 53:41: - Well, not make fun of-- but he knows that you're like--
53:41 - 53:45: - He knows that I associate with people like a Seinfeld 2000,
53:45 - 53:48: kind of mean-spirited, kind of snarky.
53:48 - 53:50: - No, there's nothing-- no, no, no, no.
53:50 - 53:52: Like, um, what I'm saying is that maybe he's heard
53:52 - 53:54: some of the show, and he thinks, "Well, this is
53:54 - 53:58: a little tongue-in-cheek maybe about the craft of, um,
53:58 - 54:00: these Cheetos, which I've devoted my life to,
54:00 - 54:01: and I don't want this Ezra guy--
54:01 - 54:03: - Right, he hears us talking about Frito-Lay Corporation,
54:03 - 54:05: and he's like, "I don't know what to make of this."
54:05 - 54:06: - Maybe.
54:06 - 54:07: - He heard the Donald Kendall segment.
54:07 - 54:10: - Maybe he's heard our-- yeah, your takes on Brad's drink
54:10 - 54:13: and whatnot, and just, "I don't want this Ezra
54:13 - 54:14: ripping into my--my--"
54:14 - 54:16: - Although, I will say one thing.
54:16 - 54:19: Sorry to brag.
54:19 - 54:23: Forgive me, Lord, but I'm about to brag.
54:23 - 54:26: - Is this gonna be a humble brag or, like, a full-on brag?
54:26 - 54:29: - This is a full-on brag.
54:29 - 54:32: Lord, forgive me, but I'm going back to the old me.
54:32 - 54:35: I tried to tame my ego,
54:35 - 54:39: but sometimes I can't keep it in check.
54:39 - 54:40: - Oh, my God.
54:40 - 54:42: - Lord, forgive me. Here we go.
54:42 - 54:44: So I followed him for a long time,
54:44 - 54:45: even when he was private,
54:45 - 54:48: and you needed him to personally approve you.
54:48 - 54:50: - He still is private. - Oh, he still is private.
54:50 - 54:52: - With 63,000 followers.
54:52 - 54:54: - Wow. - What a piece of [bleep]
54:54 - 54:56: - What? - No, no.
54:56 - 54:59: No, no, I mean, like, not--not really.
54:59 - 55:02: - Do you think he's personally going through and, like, okaying?
55:02 - 55:03: - Absolutely.
55:03 - 55:06: - I take that back, Richard. That was--
55:06 - 55:08: - See, Seinfeld, you're--man.
55:08 - 55:10: - I'm still-- - So, anyway, here's my brag.
55:10 - 55:13: - Cut that. - Here's my brag.
55:13 - 55:15: - Seinfeld's going--I mean-- - See, you know what--
55:15 - 55:18: - Episode 101 starts the decline of Seinfeld.
55:18 - 55:21: - Yeah. - We're slowly building the story.
55:21 - 55:24: - Right. - By episode 120, he's off the show.
55:24 - 55:25: - Making a lot of edibies.
55:25 - 55:29: - From episode 9 to 100, Seinfeld was rehabilitated,
55:29 - 55:31: brought back into the fold.
55:31 - 55:34: From 101 to 150...
55:34 - 55:36: - A dark spiral.
55:36 - 55:39: - One of the most precipitous falls from grace
55:39 - 55:41: ever recorded on an Internet radio show.
55:41 - 55:43: - Seth Meyers, if you're listening,
55:43 - 55:45: I was also joking earlier
55:45 - 55:48: when I told you to go [bleep] yourself.
55:48 - 55:50: - Episode 101 to 150 is called
55:50 - 55:53: "The Rise of Winter and the Fall of Seinfeld."
55:53 - 55:56: - People thought I was Winter at MSG.
55:56 - 55:58: They were like, "Yo, Winter!"
55:58 - 56:00: - Really? - Yeah, I'm like, "Come on."
56:00 - 56:04: Anyway. [laughter]
56:04 - 56:06: - You guys could be, like, cousins.
56:06 - 56:09: Oh, I was about to brag.
56:09 - 56:11: "One Time."
56:11 - 56:13: And this is also--you know what's funny about this, too?
56:13 - 56:16: Is it's like, Richard Montanez reminds me of Jay-Z.
56:16 - 56:19: I've spoken on the show about how Jay-Z does this thing
56:19 - 56:22: where he maintains this kind of, like,
56:22 - 56:24: you know, very mysterious, like,
56:24 - 56:26: is this guy tucked away, and then he'll do things
56:26 - 56:29: just to remind people, "I've always got my ear to the ground.
56:29 - 56:30: I know what's going on."
56:30 - 56:32: I've heard a lot of stories like that.
56:32 - 56:34: You know, and they're all pretty mild things.
56:34 - 56:36: Nothing crazy, but just, like, that people--
56:36 - 56:38: you know, 'cause people probably wonder with a guy like Jay-Z.
56:38 - 56:40: I mean, for all we know, he's an incredibly wealthy guy.
56:40 - 56:42: For all we know, he's, like, semi-retired.
56:42 - 56:44: But then he'll, like, always let people know, like,
56:44 - 56:46: "Oh, no, I noticed what you said.
56:46 - 56:48: I noticed what you're doing.
56:48 - 56:50: Um, I'm up on stuff."
56:50 - 56:52: And there's some about Richard Montanez where I was kind of like,
56:52 - 56:54: "All right, this guy doesn't give a [bleep] about TC."
56:54 - 56:56: He probably just thought I was like, "What is this?
56:56 - 56:58: I don't know who Vampire Weekend is.
56:58 - 57:00: Seinfeld 2000 sounds like a real weirdo."
57:00 - 57:02: I don't want to--I wouldn't touch this in a 10-foot pole.
57:02 - 57:04: - I think he thought that about you.
57:04 - 57:06: - So then I follow him, and I'm just one of his many followers.
57:06 - 57:09: And I was kind of like, "This guy's too busy.
57:09 - 57:11: He's a major corporate figure, you know?
57:11 - 57:13: Like, what does he care about this stuff?"
57:13 - 57:15: And then out of nowhere, I posted an old picture.
57:15 - 57:17: It probably was Father's Day.
57:17 - 57:19: I posted this old black-and-white photo
57:19 - 57:21: of me and my dad.
57:21 - 57:23: I'm a baby.
57:23 - 57:25: My dad's, like, young mid-30s
57:25 - 57:27: in our apartment in New York.
57:27 - 57:30: A little while after that, just out of nowhere,
57:30 - 57:32: I get a comment on it
57:32 - 57:34: from Hot Cheetos RPM,
57:34 - 57:36: Richard Montanez,
57:36 - 57:39: and just said, "Cool pic."
57:39 - 57:41: - [laughs] - Wow.
57:41 - 57:43: - And I was like, "Whoa."
57:43 - 57:45: It felt like a very--it was a very Jay-Z-esque move,
57:45 - 57:47: just to be, like, you're all in your head,
57:47 - 57:49: like, "This person even--"
57:49 - 57:51: And then just, like, this kind of very mysterious, like,
57:51 - 57:53: "Oh, hey, I got my eye on you."
57:53 - 57:55: So, of course, I was thrilled,
57:55 - 57:57: and I was like, "Whatever,"
57:57 - 57:59: but, you know, interesting.
57:59 - 58:01: - So he follows you back?
58:01 - 58:03: - I--wait, how do you know if somebody follows you back?
58:03 - 58:05: - So you got to look at their followers,
58:05 - 58:07: then you got to type your own handle
58:07 - 58:09: into their list of followers
58:09 - 58:11: and then they're following you.
58:11 - 58:13: - What?
58:13 - 58:15: - So you go to their, like, number, like,
58:15 - 58:17: "Richard Montanez is following 400 people," whatever,
58:17 - 58:19: then it goes to a list. - I feel like I probably--
58:19 - 58:21: - Oh, yeah, yeah, the list. - There's, like, a search bar.
58:21 - 58:23: - He's only following 373 people.
58:23 - 58:25: - I was close. - No, he doesn't follow me.
58:25 - 58:27: - Well, then how the hell did he end up--
58:27 - 58:29: - He was just--maybe he was just poking around.
58:29 - 58:31: Maybe he saw me liking his pics.
58:31 - 58:33: - He might have popped up on the Explorer.
58:33 - 58:35: - And you have, like, a blue check verified thing.
58:35 - 58:37: - Yeah, so maybe he was like, "Who is this dude?"
58:37 - 58:39: And, like, that picture wasn't even new at the time.
58:39 - 58:41: - He might have been on the Explorer page.
58:41 - 58:43: - Maybe. - You're swiping around
58:43 - 58:45: on the Explorer.
58:45 - 58:47: - Anyway, shout-out to Richard Montanez.
58:47 - 58:49: Um, I can't wait for this movie.
58:49 - 58:51: Maybe we should see if we get Eva Longoria to call in.
58:51 - 58:53: - I think he could have really seized the opportunity
58:53 - 58:55: to respond to his comment, being like,
58:55 - 58:57: "Hey, man, you come on 'The Time Crisis'?
58:57 - 58:59: "Like, we've been trying so hard. Seinfeld's been doing
58:59 - 59:01: "everything he can." You know,
59:01 - 59:03: that would have been the moment to really...
59:03 - 59:05: - "Hey, man, I'd love to.
59:05 - 59:07: "I don't like that Seinfeld guy."
59:07 - 59:09: [laughter] - He's a friends guy.
59:09 - 59:11: - So anyway, the film
59:11 - 59:13: tells the story of his life.
59:13 - 59:15: The script will be written by Louis Kallek,
59:15 - 59:17: who wrote "October Sky," "Domestic Disturbance,"
59:17 - 59:19: and "Charlie St. Cloud."
59:19 - 59:21: Longoria's directed episodes of shows like
59:21 - 59:23: "Jane the Virgin," "Black-ish," and "Grand Hotel,"
59:23 - 59:25: and she beat out multiple directors for the job
59:25 - 59:27: with her authentic approach to portraying
59:27 - 59:29: the inspiring story of Richard and Judy Montanez.
59:29 - 59:31: I don't know that much about Judy.
59:31 - 59:33: Is that his wife?
59:33 - 59:35: - Probably. - Assuming so.
59:35 - 59:37: - I wonder what it's gonna be called.
59:37 - 59:39: Is it gonna be a Hot Cheeto pun?
59:39 - 59:41: - It's called "Flamin' Hot." - For real?
59:41 - 59:43: - Yeah. - I'm still curious
59:43 - 59:45: to see where the movie goes after the
59:45 - 59:47: invention of...
59:47 - 59:49: the
59:49 - 59:51: "Flamin' Hot Cheeto." Like,
59:51 - 59:53: there'll be a big buildup of, like, he's
59:53 - 59:55: invented the Cheeto, but he's just trying to get the
59:55 - 59:57: Cheeto across the desk
59:57 - 59:59: of, like, the higher-ups at Frito-Lay.
59:59 - 01:00:01: There's probably gonna be a lot of scenes
01:00:01 - 01:00:03: of, like, "You're just a janitor."
01:00:03 - 01:00:05: - Right. Well, yeah, I wonder
01:00:05 - 01:00:07: is, like, him... does he invent
01:00:07 - 01:00:09: the Flamin' Hot Cheeto in, like, the first 20
01:00:09 - 01:00:11: minutes? - Right.
01:00:11 - 01:00:13: - Or is that, like, big, like, towards the
01:00:13 - 01:00:15: end? 'Cause there's a version where he, like,
01:00:15 - 01:00:17: invents the... - I bet they're coming out of the gate
01:00:17 - 01:00:19: with him inventing it fast. That's my guess.
01:00:19 - 01:00:21: - Like, a little bit of backstory. - Yeah.
01:00:21 - 01:00:23: - His immigration story. - Yeah.
01:00:23 - 01:00:25: - And then maybe from then on, it's about...
01:00:25 - 01:00:27: Well, then he becomes, like, probably, like, a low-level
01:00:27 - 01:00:29: executive, so there's still him working his
01:00:29 - 01:00:31: way up the corporate ladder,
01:00:31 - 01:00:33: dealing with the stigmas of,
01:00:33 - 01:00:35: you know, being
01:00:35 - 01:00:37: a Hispanic immigrant, not your typical
01:00:37 - 01:00:39: Caucasian
01:00:39 - 01:00:41: American corporate dude, plus
01:00:41 - 01:00:43: his backstory as a janitor. So, yeah, I wonder if he
01:00:43 - 01:00:45: invents it, and people are like, "All right, this is doing pretty
01:00:45 - 01:00:47: well. Montaigne is, like, yeah,
01:00:47 - 01:00:49: but, you know, don't get too excited."
01:00:49 - 01:00:51: I guess it's also the larger story
01:00:51 - 01:00:53: is not just about Flamin' Hot Cheetos.
01:00:53 - 01:00:55: It's about building, like,
01:00:55 - 01:00:57: the whole Flamin' Hot empire within Frito-Lays.
01:00:57 - 01:00:59: - I feel like he...
01:00:59 - 01:01:01: - This is so deep.
01:01:01 - 01:01:03: - He posted something once that was about some other
01:01:03 - 01:01:05: product that they... 'Cause basically, there's a Flamin'
01:01:05 - 01:01:07: Hot version of almost anything you could think of.
01:01:07 - 01:01:09: You know? Like, it was a Flamin' Hot
01:01:09 - 01:01:11: cheddar popcorn or something, and he
01:01:11 - 01:01:13: was posted about how, like, when I first
01:01:13 - 01:01:15: pitched this, one of the food scientists
01:01:15 - 01:01:17: said it was impossible, and I was like,
01:01:17 - 01:01:19: "Come on, let's make it happen." Wait, let me see.
01:01:19 - 01:01:21: - I like that there's now, like, a small
01:01:21 - 01:01:23: genre of films pertaining to, like,
01:01:23 - 01:01:25: fast food and
01:01:25 - 01:01:27: snack foods.
01:01:27 - 01:01:29: We got Fast Food Nation, the Richard Linklater
01:01:29 - 01:01:31: film. Great film. Very dark.
01:01:31 - 01:01:33: Very dark. - Yeah.
01:01:33 - 01:01:35: - And then... - The Founder. - The Founder,
01:01:35 - 01:01:37: which we saw in the theater together. - Yep.
01:01:37 - 01:01:39: - Pretty solid. - I still think back
01:01:39 - 01:01:41: on that. - Pretty solid movie. - I wish it was a
01:01:41 - 01:01:43: tiny bit better, because it's...
01:01:43 - 01:01:45: it's such a good story. - Yeah.
01:01:45 - 01:01:47: - Yeah, I don't know what... That always pops into my head, like,
01:01:47 - 01:01:49: that part at the end when he says
01:01:49 - 01:01:51: to the McDonald brothers, "You know what I needed?
01:01:51 - 01:01:53: I needed your name.
01:01:53 - 01:01:55: Ray Kroc.
01:01:55 - 01:01:57: What does that make people think of? Croc-a-sh*t.
01:01:57 - 01:01:59: McDonald's.
01:01:59 - 01:02:01: That's an all-American name." - Wow, that's a good memory.
01:02:01 - 01:02:03: - I don't know, it just made a big impression on me.
01:02:03 - 01:02:05: I feel like I thought of that recently
01:02:05 - 01:02:07: for some reason. It is a good
01:02:07 - 01:02:09: movie, and it's just like...
01:02:09 - 01:02:11: - I wish it was R instead of PG-13.
01:02:11 - 01:02:13: - There's just a...
01:02:13 - 01:02:15: There's a version of it that could have been
01:02:15 - 01:02:17: "There Will Be Blood." - Oh, absolutely.
01:02:17 - 01:02:19: - It's so... - Ruthless capitalism.
01:02:19 - 01:02:21: - It echoes "There Will Be Blood" in so many
01:02:21 - 01:02:23: ways. Nick Offerman is
01:02:23 - 01:02:25: one of the McDonald's brothers. - Right.
01:02:25 - 01:02:27: And I think that character
01:02:27 - 01:02:29: actor, John Carroll Lynch... - Is the
01:02:29 - 01:02:31: other guy? - Is the other one. - Oh, yeah, he's a great actor.
01:02:31 - 01:02:33: - I see him around
01:02:33 - 01:02:35: Eagle Rock. - Oh, really? - I went in
01:02:35 - 01:02:37: a few weeks ago.
01:02:37 - 01:02:39: I popped into the Chipotle.
01:02:39 - 01:02:41: - Oh, yeah? He was in Chipotle? - And he was doing a
01:02:41 - 01:02:43: dine-in at Chipotle with his daughter.
01:02:43 - 01:02:45: - Really?
01:02:45 - 01:02:47: What's his name? John Carroll Lynch? - John Carroll Lynch.
01:02:47 - 01:02:49: - This is like TMZ. - And I was like...
01:02:49 - 01:02:51: I was so excited. I was texting Hannah.
01:02:51 - 01:02:53: I was like, "Dude, John Carroll Lynch." 'Cause we had seen
01:02:53 - 01:02:55: him at a diner down the street
01:02:55 - 01:02:57: from our house. I'm like, "Dude, that's the guy
01:02:57 - 01:02:59: from Fargo and Zodiac and all this stuff."
01:02:59 - 01:03:01: - Oh, yeah, Fargo. - Yeah. And then
01:03:01 - 01:03:03: seeing him doing the dine-in at
01:03:03 - 01:03:05: 1 p.m. at the Chipotle...
01:03:05 - 01:03:07: I mean, I was getting the
01:03:07 - 01:03:09: burrito to go. - Yeah. Imagine if you were just
01:03:09 - 01:03:11: like, "Yo, Lynch!" And he kind of looked
01:03:11 - 01:03:13: over and you were just like, "Chipotle? Really?
01:03:13 - 01:03:15: I thought you'd be at McDonald's!"
01:03:15 - 01:03:17: I bet he fully
01:03:17 - 01:03:19: wouldn't get it. - What do you mean?
01:03:19 - 01:03:21: - "What the f*** are you talking about? I mean, I figured
01:03:21 - 01:03:23: you of all people should be at McDonald's for lunch,
01:03:23 - 01:03:25: not Chipotle." And you'd just be like,
01:03:25 - 01:03:27: "Why would... What does that mean? Why would I be at McDonald's?"
01:03:27 - 01:03:29: You'd be like, "Because you were in that
01:03:29 - 01:03:31: movie." - What movie?
01:03:31 - 01:03:33: - "The Founder" about McDonald's.
01:03:33 - 01:03:35: - Oh! - And then he'd be like, "Oh, okay. I'm sorry.
01:03:35 - 01:03:37: You came in. I had no idea what you were
01:03:37 - 01:03:39: talking about. Yeah. Okay. Right. Right.
01:03:39 - 01:03:41: That was with Michael Keaton. Yeah, yeah. That was a few years ago."
01:03:41 - 01:03:43: - I thought you were talking about that McDonald's
01:03:43 - 01:03:45: used to own Chipotle, then they sold Chipotle.
01:03:45 - 01:03:47: I thought... I thought we were
01:03:47 - 01:03:49: talking about some corporate food history here.
01:03:49 - 01:03:51: Don't you host "Time Crisis"? - Right.
01:03:51 - 01:03:53: - "Time Crisis."
01:03:53 - 01:03:55: - "I just ate McDonald's.
01:03:55 - 01:03:57: I said, 'Hi, D'Wannell.'
01:03:57 - 01:03:59: I said, 'Hi, D'Big Mac, Patty, Whack.
01:03:59 - 01:04:01: Give a dog a bone.
01:04:01 - 01:04:03: If you don't know me, just
01:04:03 - 01:04:05: search me on your phone.
01:04:05 - 01:04:07: You tryna mess with me, but you
01:04:07 - 01:04:09: know I'm in my zone.
01:04:09 - 01:04:11: After I eat the Big Mac, you
01:04:11 - 01:04:13: know that I am gone.
01:04:13 - 01:04:15: You want a McChicken?
01:04:15 - 01:04:17: That is what I'm pickin'.
01:04:17 - 01:04:19: If you say it's nasty, I guess
01:04:19 - 01:04:21: you are trippin'."
01:04:21 - 01:04:23: - Do you think "Flamin' Hot"
01:04:23 - 01:04:25: is gonna be R-rated? - No.
01:04:25 - 01:04:27: It sounds like feel-good, PG kind of thing.
01:04:27 - 01:04:29: - It sounds very... yeah.
01:04:29 - 01:04:31: It's a family film. - Wait, but listen to this. This is a post that
01:04:31 - 01:04:33: Montaigne has made in June,
01:04:33 - 01:04:35: and it's for Chester's
01:04:35 - 01:04:37: "Flamin' Hot Popcorn."
01:04:37 - 01:04:39: I don't see this around...
01:04:39 - 01:04:41: Well, or I just wouldn't notice it
01:04:41 - 01:04:43: 'cause I don't eat a lot of popcorn.
01:04:43 - 01:04:45: - Or raisins. - Or raisins.
01:04:45 - 01:04:47: [laughing]
01:04:47 - 01:04:49: "Flamin' Hot Popcorn and Raisins"?
01:04:49 - 01:04:51: - Hey, I think we're onto something.
01:04:51 - 01:04:53: - So he says that Chester's "Flamin'
01:04:53 - 01:04:55: Hot Popcorn," this is the third product
01:04:55 - 01:04:57: right after "Hot Fritos." So that
01:04:57 - 01:04:59: also makes me think that when he probably thinks back
01:04:59 - 01:05:01: to his story, it's like, yeah, "Flamin' Hot
01:05:01 - 01:05:03: Cheetos" is the beginning, and then he has to, like,
01:05:03 - 01:05:05: painfully break through
01:05:05 - 01:05:07: the bullsh*t of, like, corporate America.
01:05:07 - 01:05:09: - Yeah. - For all we know, it's kinda like
01:05:09 - 01:05:11: making "Flamin' Hot Fritos"
01:05:11 - 01:05:13: is like its whole other story.
01:05:13 - 01:05:15: So he thinks about it this way.
01:05:15 - 01:05:17: The third thing he made
01:05:17 - 01:05:19: was "Flamin' Hot Popcorn."
01:05:19 - 01:05:21: This one almost didn't make it. Sales were low,
01:05:21 - 01:05:23: and no one had ever thought popcorn should be anything
01:05:23 - 01:05:25: but butter. This is a time before
01:05:25 - 01:05:27: popcorn-flavored stores were around.
01:05:27 - 01:05:29: Innovation is making something better.
01:05:29 - 01:05:31: The Barrio and Hood are full of innovation. Don't stop.
01:05:31 - 01:05:33: RPM." - Yeah, I
01:05:33 - 01:05:35: feel like there's also a genre of film that's
01:05:35 - 01:05:37: like, "I'm a genius, and I've created something,
01:05:37 - 01:05:39: and no one will listen."
01:05:39 - 01:05:41: - Right. - And, like, the drama of the film
01:05:41 - 01:05:43: will be, like, getting people to, like,
01:05:43 - 01:05:45: understand his vision.
01:05:45 - 01:05:47: - There's, like, "Lincoln,"
01:05:47 - 01:05:49: the Steven Spielberg film "Lincoln."
01:05:49 - 01:05:51: One thing I liked about that that I thought
01:05:51 - 01:05:53: was very smart about that movie is that
01:05:53 - 01:05:55: obviously, "Lincoln," you could tell the whole story
01:05:55 - 01:05:57: of his life. There's famous moments of his life.
01:05:57 - 01:05:59: Lincoln-Douglas debates. - Yep.
01:05:59 - 01:06:01: - His boyhood wrestling. You know,
01:06:01 - 01:06:03: you could tell the whole story of his life, but he chose to focus
01:06:03 - 01:06:05: on this very specific moment where
01:06:05 - 01:06:07: he's basically gathering votes. - Mm-hmm.
01:06:07 - 01:06:09: - So I like the fact that it zeroed in on something
01:06:09 - 01:06:11: inherently, not
01:06:11 - 01:06:13: just political in the broad sense, but, like,
01:06:13 - 01:06:15: dealing with the bureaucracy
01:06:15 - 01:06:17: of politics. - Right. - So it was literally,
01:06:17 - 01:06:19: it was a little bit like a "Succession" episode
01:06:19 - 01:06:21: or something. - Yeah, yeah. - Where it's, like, literally just, like,
01:06:21 - 01:06:23: counting the votes. "Do we have this?" So there's
01:06:23 - 01:06:25: something cool about that, 'cause you got to see this famous
01:06:25 - 01:06:27: guy just in his element. So maybe
01:06:27 - 01:06:29: there could be something "Lincoln-esque" about this story, too,
01:06:29 - 01:06:31: that's just about, like... - Just convincing
01:06:31 - 01:06:33: people through sheer will. - Like,
01:06:33 - 01:06:35: maybe getting into the weeds that's just, like,
01:06:35 - 01:06:37: "Why was it hard to green-light this?"
01:06:37 - 01:06:39: And he's like, "That'd be sick if it's, like, the kind of movie
01:06:39 - 01:06:41: where it's, like... In 1982,
01:06:41 - 01:06:43: the board of Frito-Lay was seven people.
01:06:43 - 01:06:45: Four were that, you know, like, boom, boom,
01:06:45 - 01:06:47: almost like the Big Short kind of vibe."
01:06:47 - 01:06:49: - That would be so tight.
01:06:49 - 01:06:51: - I have a feeling
01:06:51 - 01:06:53: it's probably a little more, like, feel-good, but
01:06:53 - 01:06:55: that'd be sick, too.
01:06:55 - 01:06:57: - Will definitely be a TC field trip when that movie
01:06:57 - 01:06:59: premieres. - Oh, yeah, we'll be keeping our eyes on
01:06:59 - 01:07:01: "Flamin' Hot." - ♪ Sometimes I feel like
01:07:01 - 01:07:04: ♪ I just wanna go back to my old ways
01:07:04 - 01:07:06: ♪ You're telling me I'm silly
01:07:06 - 01:07:08: ♪ It's no fun in the old days
01:07:08 - 01:07:10: ♪ I'm such a romantic
01:07:10 - 01:07:13: ♪ I never remember how things really happen
01:07:13 - 01:07:16: ♪ I guess you're attractive or something
01:07:16 - 01:07:19: ♪ Live in the moment
01:07:19 - 01:07:22: ♪ That's what they tell me, but whatever happened
01:07:22 - 01:07:26: ♪ To when you would hold me and hold me and hold me
01:07:26 - 01:07:28: ♪ Girlfriend, a girl that's a friend
01:07:28 - 01:07:32: ♪ It's easy just to pretend that we don't have something real
01:07:32 - 01:07:35: ♪ It's just how we feel
01:07:35 - 01:07:40: ♪ We feel
01:07:40 - 01:07:44: ♪ Oh, it's just how we feel
01:07:44 - 01:07:49: ♪ How we feel
01:07:49 - 01:07:54: ♪ I'm feeling something right
01:07:54 - 01:07:56: ♪ I'm feeling something right
01:07:58 - 01:08:01: ♪ I'm feeling something right
01:08:01 - 01:08:03: ♪ I'm feeling something right
01:08:03 - 01:08:06: ♪ I'm feeling something right
01:08:06 - 01:08:13: ♪ I wanna be the one you think about at night
01:08:13 - 01:08:18: ♪ And I wanna be the one that you would put up a fight for
01:08:18 - 01:08:20: ♪ You know that I adore
01:08:20 - 01:08:23: ♪ That even when you're bored
01:08:23 - 01:08:27: ♪ I'd buy you anything and everything I can afford
01:08:27 - 01:08:48: It's time for the Top 5
01:08:48 - 01:08:51: 5 on iTunes
01:08:51 - 01:08:53: This episode we're doing
01:08:53 - 01:08:57: the Top 5 iTunes songs right now
01:08:57 - 01:09:00: 2019 vs. the Top 5 Billboard hits
01:09:00 - 01:09:01: this week in 1992
01:09:01 - 01:09:03: Why 1992?
01:09:03 - 01:09:04: Was that the year that
01:09:04 - 01:09:06: Flamin' Hot was introduced to the market?
01:09:06 - 01:09:08: Weirdly I thought that would have been earlier
01:09:08 - 01:09:12: But I guess Flamin' Hot Cheetos hit the market in '92
01:09:12 - 01:09:15: So we've had 20, uh, 27 years?
01:09:15 - 01:09:16: 27 years of Flamin' Hot
01:09:16 - 01:09:18: Well I guess that's cool
01:09:18 - 01:09:20: That means that Flamin' Hot the film
01:09:20 - 01:09:23: is gonna be a '90s movie
01:09:23 - 01:09:24: Great
01:09:24 - 01:09:27: You know, catching up on my touring and plane rides
01:09:27 - 01:09:29: been checking out more Marvel movies
01:09:29 - 01:09:32: Captain Marvel takes place in the '90s
01:09:32 - 01:09:34: and at first I was kind of into elements of it
01:09:34 - 01:09:37: but then just like every single, you know, transition
01:09:37 - 01:09:39: just like blasting some like big '90s songs
01:09:39 - 01:09:41: just like driving down the highway
01:09:41 - 01:09:42: and it got a little bit old
01:09:42 - 01:09:44: Like STP? Like what kind of stuff?
01:09:44 - 01:09:46: Like rock stuff?
01:09:46 - 01:09:48: Um...
01:09:48 - 01:09:51: Yeah, there was definitely some rock stuff
01:09:51 - 01:09:54: Maybe it was like sabotage by the Beastie Boys or something
01:09:54 - 01:09:56: Just like stuff where I was kind of like
01:09:56 - 01:09:58: "Yeah, alright, we get it, it's the '90s"
01:09:58 - 01:10:01: Anyway, the number 5 song in '92
01:10:01 - 01:10:03: I think when we listen to all these '92 songs
01:10:03 - 01:10:04: we should picture them being in
01:10:04 - 01:10:07: on the soundtrack to the Flamin' Hot movie
01:10:07 - 01:10:09: So the number 5 song, classic
01:10:09 - 01:10:11: Guns N' Roses, November Inn
01:10:11 - 01:10:13: Wow
01:10:17 - 01:10:20: Like a 9-minute ballad in the top 5
01:10:20 - 01:10:22: Hard to picture that now
01:10:22 - 01:10:24: Montañez, get out of my office
01:10:24 - 01:10:27: There's never gonna be Flamin' Hot Cheetos
01:10:30 - 01:10:34: He takes the tray that he made
01:10:34 - 01:10:35: the famous tray he made at home
01:10:35 - 01:10:37: like throws it in the garbage
01:10:37 - 01:10:39: And then who's his wife, Judy?
01:10:39 - 01:10:40: Yeah
01:10:40 - 01:10:42: You gotta keep dreaming
01:10:42 - 01:10:44: It's a stupid idea
01:10:44 - 01:10:46: No, it's not
01:10:46 - 01:10:49: Those fear-laced suits are never gonna understand it
01:10:49 - 01:11:00: This song is so long
01:11:00 - 01:11:02: I said get out of my office, Montañez
01:11:02 - 01:11:04: Why are you still sitting there?
01:11:04 - 01:11:09: Cheetos will never be Flamin' Hot
01:11:09 - 01:11:14: Get going
01:11:14 - 01:11:15: I'm not leaving this office
01:11:15 - 01:11:17: until you've tried that Cheeto
01:11:17 - 01:11:18: Look me in the eye
01:11:18 - 01:11:20: Look me in the eye and tell me
01:11:20 - 01:11:23: that is not a step up for our product line
01:11:23 - 01:11:28: When I look into your eyes
01:11:28 - 01:11:31: I can see your love restrained
01:11:31 - 01:11:41: Darling, when I hold you
01:11:41 - 01:11:44: I know I feel the same
01:11:45 - 01:11:47: I feel like we've talked about this on the show, but
01:11:47 - 01:11:49: Axl wrote this before
01:11:49 - 01:11:51: Appetite for Destruction
01:11:51 - 01:11:53: Oh, like he's been sitting on this forever?
01:11:53 - 01:11:56: Yeah, there's a demo from like '85
01:11:56 - 01:11:57: that he made it
01:11:57 - 01:11:59: like a home demo
01:11:59 - 01:12:00: Oh, let me check that out
01:12:00 - 01:12:03: And he apparently was pushing to have this song
01:12:03 - 01:12:05: be on Appetite
01:12:05 - 01:12:07: which would have been a completely different record
01:12:07 - 01:12:09: There's no room for like a true ballad
01:12:09 - 01:12:10: Yeah, like a huge eight in it
01:12:10 - 01:12:12: That's a real like, sad song
01:12:12 - 01:12:15: Sweet Child O' Mine was like the ballad
01:12:15 - 01:12:17: which is not even a ballad
01:12:17 - 01:12:20: This is the 1986 Sound City Session
01:12:20 - 01:12:21: Oh wow
01:12:21 - 01:12:23: 30 seconds longer
01:12:23 - 01:12:34: One of the top YouTube comments
01:12:34 - 01:12:36: I can't believe that humanity
01:12:36 - 01:12:39: can create such masterpiece
01:12:39 - 01:12:41: laughs
01:12:41 - 01:12:53: Played in a much clumsier way
01:12:53 - 01:12:54: I'm gonna skip ahead a little
01:12:54 - 01:12:56: Yeah, skip the vocals
01:12:56 - 01:13:00: 'Cause it's hard to hold a candle
01:13:00 - 01:13:04: In the cold November rain
01:13:05 - 01:13:07: Okay
01:13:07 - 01:13:12: We've been through this
01:13:12 - 01:13:14: Such a long, long time
01:13:14 - 01:13:18: Just trying to kill the pain
01:13:18 - 01:13:21: Yeah
01:13:21 - 01:13:22: Sounds tight
01:13:22 - 01:13:23: He rules
01:13:23 - 01:13:24: Yeah
01:13:24 - 01:13:25: But love was always coming
01:13:25 - 01:13:26: Love was always going
01:13:26 - 01:13:30: I've never been like a big Guns N' Roses person
01:13:30 - 01:13:31: It's just like
01:13:31 - 01:13:32: I just like kind of missed it
01:13:32 - 01:13:33: Like, of course I know all the hits
01:13:33 - 01:13:34: Yeah
01:13:34 - 01:13:35: But you know, weirdly like
01:13:35 - 01:13:37: But I know like Ari
01:13:37 - 01:13:38: all those Guns N' Roses
01:13:38 - 01:13:39: He raps them a lot
01:13:39 - 01:13:41: And for whatever reason
01:13:41 - 01:13:43: I didn't know that song "Patience"
01:13:43 - 01:13:45: And now I feel like I hear it all the time
01:13:45 - 01:13:46: I'm super into that
01:13:46 - 01:13:48: Yeah, "Patience" rules
01:13:48 - 01:13:57: I mean, this is a really well-written song
01:13:57 - 01:13:58: It's weird that
01:13:58 - 01:14:01: I wish he wrote more beautiful ballads
01:14:01 - 01:14:02: Does he get all the way to the outro?
01:14:02 - 01:14:04: The famous outro?
01:14:04 - 01:14:11: So I don't think he had the
01:14:11 - 01:14:12: That like slash part?
01:14:12 - 01:14:13: Yeah
01:14:13 - 01:14:17: I remember when I was a kid
01:14:17 - 01:14:18: I knew this song
01:14:18 - 01:14:20: And I don't know why
01:14:20 - 01:14:22: But the outro spoke to me so much
01:14:22 - 01:14:24: I was like, "That part rules"
01:14:24 - 01:14:25: Yeah
01:14:25 - 01:14:26: And then I would hear the rest of it
01:14:26 - 01:14:27: And I'd just be like, "This sucks so bad"
01:14:27 - 01:14:29: Like, get to the slash part
01:14:30 - 01:14:32: [Guitar solo]
01:14:32 - 01:14:41: This is so fun
01:14:41 - 01:14:43: Yeah, I feel like I heard this when I was like 9
01:14:43 - 01:14:45: I was just like
01:14:45 - 01:14:47: This part gives me chills
01:14:47 - 01:14:50: [Imitates guitar]
01:14:50 - 01:14:53: It's funny, when I was 9
01:14:53 - 01:14:55: I remember hearing the harmonized guitar outro
01:14:55 - 01:14:57: Of Hotel California
01:14:57 - 01:14:58: Oh yeah
01:14:58 - 01:15:00: And I was like, "Damn"
01:15:00 - 01:15:02: That gives me chills
01:15:02 - 01:15:04: I mean, that part's amazing
01:15:04 - 01:15:06: Anyway, November Rain, great song
01:15:06 - 01:15:08: The November Rain of 2019
01:15:08 - 01:15:11: Senorita, Shawn Mendes and Camila Cabello
01:15:11 - 01:15:14: You know they're a couple?
01:15:14 - 01:15:17: I think I did know that
01:15:17 - 01:15:24: Shawn Mendes is part of a huge Tim Hortons campaign
01:15:24 - 01:15:25: Oh right
01:15:25 - 01:15:26: Right now, yeah
01:15:26 - 01:15:28: Yeah, we were talking about that on the TC thread
01:15:28 - 01:15:31: How Shawn Mendes did a very kind of earnest
01:15:31 - 01:15:33: Commercial for Tim Hortons
01:15:33 - 01:15:36: That reflects on his Canadian heritage
01:15:36 - 01:15:38: And it shows him as a little boy
01:15:38 - 01:15:41: That's kind of like him walking up to buy a donut at Tim Hortons
01:15:41 - 01:15:42: They're like, "Hey Shawn!"
01:15:42 - 01:15:45: And he's like a little boy throwing up some change on the thing
01:15:45 - 01:15:47: And it's like a real feel-good thing
01:15:47 - 01:15:49: And Shawn Mendes
01:15:49 - 01:15:52: Who came through the Vampire Weekend Webster Hall show
01:15:52 - 01:15:54: Me and R.L. chopped it up with him
01:15:54 - 01:15:56: He's a super nice guy, super cool
01:15:56 - 01:15:58: And he's just like
01:15:58 - 01:16:01: You know, kind of what you'd expect from a Canadian pop star
01:16:01 - 01:16:05: Talented, cool, humble
01:16:05 - 01:16:07: Perfect guy for a Tim Hortons campaign
01:16:07 - 01:16:09: The thing that I was reflecting on was like
01:16:09 - 01:16:13: How you just can't picture Justin Bieber having a Tim Hortons campaign
01:16:13 - 01:16:15: And then, so just picturing
01:16:15 - 01:16:17: So I was thinking more about that
01:16:17 - 01:16:20: I'm not trying to pit them against each other
01:16:20 - 01:16:23: Why does Shawn Mendes feel so much more Canadian than Bieber?
01:16:23 - 01:16:27: Did Bieber renounce his Canadian vibe?
01:16:27 - 01:16:30: Weigh in on this Seinfeld, you're the resident Canadian
01:16:30 - 01:16:31: Oh wow, okay
01:16:31 - 01:16:33: Well, Bieber
01:16:33 - 01:16:36: So Bieber fully embraced the American lifestyle, right?
01:16:36 - 01:16:38: He was co-opted by Usher
01:16:38 - 01:16:41: Didn't he record his first album at like Atlanta?
01:16:41 - 01:16:43: Yeah, I believe so
01:16:43 - 01:16:45: Then doesn't he live in like Calabasas or something?
01:16:45 - 01:16:46: Yeah
01:16:46 - 01:16:49: And then he was like driving around with his Maserati and f***ing in buckets
01:16:49 - 01:16:52: I'm not saying that's synonymous with American culture
01:16:52 - 01:16:53: But I'm saying
01:16:53 - 01:16:55: You don't f*** in buckets up there in Canada
01:16:55 - 01:16:57: You never do
01:16:57 - 01:16:59: It's been a while
01:16:59 - 01:17:02: But yeah, so I mean I just feel like
01:17:02 - 01:17:06: Shawn Mendes has just been a gentler, more wholesome presence
01:17:06 - 01:17:08: He never really had that
01:17:08 - 01:17:11: Those wild years, those wilderness
01:17:11 - 01:17:13: What are those, salad days?
01:17:13 - 01:17:15: Is that what you said? No
01:17:15 - 01:17:16: Salad days are good
01:17:16 - 01:17:17: You know what I'm saying though
01:17:17 - 01:17:19: So he didn't sow his wild oats
01:17:19 - 01:17:20: There you go
01:17:20 - 01:17:23: Maybe this is the beginning of the wild oats being sowed
01:17:23 - 01:17:26: Like maybe he'll break up with Camila and
01:17:26 - 01:17:28: F*** in a bucket
01:17:28 - 01:17:29: Renounce Tim Hortons
01:17:29 - 01:17:30: Right, yeah
01:17:30 - 01:17:33: But it's funny because when I was talking about how like
01:17:33 - 01:17:35: You can't picture Justin Bieber just like
01:17:35 - 01:17:37: Humbly sipping on like a hot Tim Hortons
01:17:37 - 01:17:39: I mean we found a picture of him
01:17:39 - 01:17:42: Just like wearing some like f***ing like ragged-ass street wear
01:17:42 - 01:17:43: Like crazy outfit
01:17:43 - 01:17:45: Holding like a giant Starbucks
01:17:45 - 01:17:47: And you're like yeah that's Bieber
01:17:47 - 01:17:50: It's like a giant Starbucks iced coffee
01:17:50 - 01:17:52: And Shawn Mendes is a little more like
01:17:52 - 01:17:57: Oh you know man, I just like to get a nice hot coffee from
01:17:57 - 01:17:58: Tim Hortons
01:17:58 - 01:18:01: Yeah, like stop by Timmy's, get a nice hot coffee
01:18:01 - 01:18:03: You know it's real cold outside
01:18:03 - 01:18:05: Like Justin Bieber
01:18:05 - 01:18:07: Just like picturing Justin Bieber like
01:18:07 - 01:18:10: Back on Ontario in like October
01:18:10 - 01:18:12: And it's like 50 degrees
01:18:12 - 01:18:16: And he's just like what the f***
01:18:16 - 01:18:18: F*** this s***
01:18:18 - 01:18:20: Why is it so f***ing cold?
01:18:20 - 01:18:22: And like everybody's like
01:18:22 - 01:18:24: Oh Justin remember you know when you were a little boy
01:18:24 - 01:18:26: We had when it was really cold in the winter
01:18:26 - 01:18:29: You know it was going down to negative 5 degrees
01:18:29 - 01:18:31: And he's like no honestly f*** this s***
01:18:31 - 01:18:33: I want an ice, it's too cold to have a f***ing iced coffee
01:18:33 - 01:18:35: Like can the plane leave?
01:18:35 - 01:18:37: F***ing sick of this s***
01:18:37 - 01:18:40: Just breaking all the rules of being a good Canadian
01:18:40 - 01:18:42: Wearing a Gucci bucket hat
01:18:42 - 01:18:45: Is it lame as a Canadian to complain about the cold?
01:18:45 - 01:18:47: We complain about the cold
01:18:47 - 01:18:50: It's kind of part of the lifestyle
01:18:50 - 01:18:51: Is it lame?
01:18:51 - 01:18:54: No I think it's par for the course
01:18:54 - 01:18:56: But do you have to have like a smile about it?
01:18:56 - 01:18:58: Like do you have to be a little bit like
01:18:58 - 01:19:00: Oh it's so cold, wow
01:19:00 - 01:19:02: Do we have a smile about it?
01:19:02 - 01:19:04: No I mean it's pretty miserable
01:19:04 - 01:19:06: Like we're not exempt from the human condition
01:19:06 - 01:19:09: So you're allowed to walk in to
01:19:09 - 01:19:12: And I mean I'm talking about like the real Canada
01:19:12 - 01:19:14: I'm not talking about you know
01:19:14 - 01:19:18: I'm not talking about a downtown penthouse in Toronto
01:19:18 - 01:19:21: I'm talking about real Canadians
01:19:21 - 01:19:25: What like the Yukon, the Northwest Territories?
01:19:25 - 01:19:27: Newfoundland?
01:19:27 - 01:19:29: I'm talking about Calgary, no I don't know
01:19:29 - 01:19:31: I'm just talking about like
01:19:31 - 01:19:32: Toronto gets pretty cold
01:19:32 - 01:19:33: Medicine hat
01:19:33 - 01:19:35: Yeah I'm talking about medicine hat
01:19:35 - 01:19:36: At a certain point
01:19:36 - 01:19:38: No I know Toronto gets cold
01:19:38 - 01:19:40: But also Toronto's gotten very like full of money
01:19:40 - 01:19:42: And built up lately
01:19:42 - 01:19:44: Jeez, yeah
01:19:44 - 01:19:46: Tell me more about how Toronto's been doing
01:19:46 - 01:19:48: I just heard that because like
01:19:48 - 01:19:50: I was just talking to like a promoter in Toronto
01:19:50 - 01:19:52: And they were just like
01:19:52 - 01:19:54: Like the tickets for our Toronto show went very quickly
01:19:54 - 01:19:56: And they're like oh Toronto's a very hot market lately
01:19:56 - 01:19:58: And I was like oh yeah well Toronto's a great city
01:19:58 - 01:20:00: That doesn't surprise me, why is it hotter now?
01:20:00 - 01:20:03: And they're just like oh you know they built up downtown
01:20:03 - 01:20:06: So many new, so many kind of like yuppies moving in
01:20:06 - 01:20:08: This accent, it's subtle
01:20:08 - 01:20:10: He's doing good work
01:20:10 - 01:20:12: I'm doing real subtle
01:20:12 - 01:20:14: All these yuppies moving in in Toronto
01:20:14 - 01:20:16: Does everybody, not for Vampire Weekend in general
01:20:16 - 01:20:19: Even though we, you know I'll admit we have some yuppie fans
01:20:19 - 01:20:21: But they're just saying just generally speaking
01:20:21 - 01:20:24: A lot more young people with money
01:20:24 - 01:20:26: Have filled up Toronto
01:20:26 - 01:20:29: So that there's more like, more concert tickets sell
01:20:29 - 01:20:31: And I'm sure there's way more restaurants and coffee shops
01:20:31 - 01:20:35: And bars to you know serve a kind of international elite
01:20:35 - 01:20:38: So Toronto's over the past decade
01:20:38 - 01:20:41: Toronto's like waterfront got developed quite a bit
01:20:41 - 01:20:44: And filled with these condos that have sprung up overnight
01:20:44 - 01:20:47: Essentially so it's just like this wall to wall
01:20:47 - 01:20:50: Like the skyline is just, like around where the CN Tower is
01:20:50 - 01:20:53: It's just yeah wall to wall condos
01:20:53 - 01:20:55: So it's like with any city, it's like Austin, Texas
01:20:55 - 01:20:58: And obviously New York, it's always a part of the New York story
01:20:58 - 01:21:01: Is that the people who were there before all the condos went up
01:21:01 - 01:21:04: Being a little bit like oh look at you guys
01:21:04 - 01:21:07: Because usually the crowd that comes in with the condos is not locals
01:21:07 - 01:21:09: So there's maybe a feeling of like
01:21:09 - 01:21:12: Are you really down with what it means to like love this place
01:21:12 - 01:21:17: Or you just want a kind of anonymous, wealthy aesthetic
01:21:17 - 01:21:20: True yeah, downtown Los Angeles you're seeing it happen
01:21:20 - 01:21:22: Oh yeah you're seeing it, of course you're seeing it in every city
01:21:22 - 01:21:27: But I'm saying in Canada which is a specific very you know proud place
01:21:27 - 01:21:31: I just wonder if your attitude towards the cold
01:21:31 - 01:21:36: Maybe separates the new condo people from the old school
01:21:36 - 01:21:39: So you walk into your office in downtown Toronto
01:21:39 - 01:21:41: And one person walks in and is like
01:21:41 - 01:21:45: Oh man it was so cold out there I thought my damn eyeballs
01:21:45 - 01:21:48: Were about to freeze and fall out and shatter on the ground
01:21:48 - 01:21:50: And everybody's like oh yeah it was cold
01:21:50 - 01:21:51: Then somebody else comes in and is like
01:21:51 - 01:21:54: F*** it was f***ing cold, f*** this winter
01:21:54 - 01:21:56: Jesus f***ing Christ I hate it
01:21:56 - 01:21:59: And then that person is like oh yeah
01:21:59 - 01:22:01: Like one person is more like the Shawn Mendes
01:22:01 - 01:22:03: And one person is the Justin Bieber
01:22:03 - 01:22:04: You know what I mean?
01:22:04 - 01:22:08: Yeah I think you'd find that about maybe people who have come from like
01:22:08 - 01:22:11: I don't know like if somebody moved there from like California or something
01:22:11 - 01:22:12: You might
01:22:12 - 01:22:15: Hey gang Corporate wants to shake things up a bit
01:22:15 - 01:22:17: So we're bringing in a new manager
01:22:17 - 01:22:19: You're gonna report directly to him
01:22:19 - 01:22:23: His name's Steve and he comes from Miami
01:22:23 - 01:22:26: And then that guy, and I just feel like that guy comes in
01:22:26 - 01:22:29: And he's like holy f*** it's cold
01:22:29 - 01:22:31: Jesus f***ing Christ
01:22:31 - 01:22:33: How do people do it?
01:22:33 - 01:22:34: This f***ing sucks
01:22:34 - 01:22:35: Why do you live here?
01:22:35 - 01:22:36: That's right
01:22:36 - 01:22:37: Steve is always sick
01:22:37 - 01:22:38: Yeah
01:22:38 - 01:22:39: He's just always congested
01:22:39 - 01:22:42: He wants to keep the office temp at 85 degrees
01:22:42 - 01:22:44: And he's just like guzzling iced coffee
01:22:44 - 01:22:45: That's right
01:22:45 - 01:22:47: He's like the iced coffee doesn't feel good
01:22:47 - 01:22:50: You're like it's a little bit too hot now
01:22:50 - 01:22:52: He's like well I wanna drink my f***ing iced coffee
01:22:52 - 01:22:54: That iced coffee doesn't hit right
01:22:54 - 01:22:56: Under 85
01:22:56 - 01:22:59: You know but I will say that maybe like in Calgary for example
01:22:59 - 01:23:02: Maybe people do take it a little bit more like
01:23:02 - 01:23:04: This is a fact of life
01:23:04 - 01:23:07: Where there maybe is a little bit more yuppie griping about it
01:23:07 - 01:23:08: Right
01:23:08 - 01:23:10: Well and also obviously I have no idea what I'm talking about
01:23:10 - 01:23:13: Because in New York you know even native New Yorkers
01:23:13 - 01:23:15: Will be like I f***ing hate winter
01:23:15 - 01:23:18: I wanna, the wanting to move to Miami is a classic New York trope
01:23:18 - 01:23:20: Even from born and raised Brooklyn people
01:23:20 - 01:23:21: Exactly
01:23:21 - 01:23:22: Midnight cowboy
01:23:22 - 01:23:23: Wanna go to Miami
01:23:23 - 01:23:29: So you know obviously you're allowed to be a proud OG native of a place
01:23:29 - 01:23:31: And still hate the cold
01:23:31 - 01:23:33: But obviously New York cold versus Canadian cold
01:23:33 - 01:23:38: It's like you know the cold is more a part of the culture in a way
01:23:38 - 01:23:39: Yeah I would say so
01:23:39 - 01:23:42: So you're saying it's okay to be a Canadian and hate the cold?
01:23:42 - 01:23:46: I'd say it's even like a bonding mechanism to complain about the cold
01:23:46 - 01:23:47: It's the thing that brings us together
01:23:47 - 01:23:50: You know what right so maybe it's just about your attitude towards community
01:23:50 - 01:23:51: There you go
01:23:51 - 01:23:56: Are you gonna come in and complain about it in an individualistic American
01:23:56 - 01:24:00: You know private healthcare type of way?
01:24:00 - 01:24:03: Are you gonna just come in and be like f*** it's cold
01:24:03 - 01:24:04: I'm so cold
01:24:04 - 01:24:06: Why would God do this to me?
01:24:06 - 01:24:09: Versus maybe the more Canadian way is to just be like
01:24:09 - 01:24:11: F*** it's cold
01:24:11 - 01:24:12: Why would God do this to us?
01:24:12 - 01:24:14: Let's go to Timmy's and have a hot coffee together
01:24:14 - 01:24:15: Yeah
01:24:15 - 01:24:17: Hey guys we're all cold
01:24:17 - 01:24:20: Let's go thaw out
01:24:20 - 01:24:23: Justin we're all cold
01:24:23 - 01:24:27: Justin sit down for a second
01:24:27 - 01:24:29: Justin we're all cold
01:24:29 - 01:24:31: Sean's cold
01:24:31 - 01:24:33: Sean's very cold
01:24:33 - 01:24:35: But he's not talking the way you're talking
01:24:35 - 01:24:37: Do you think you're any colder than Sean?
01:24:37 - 01:24:38: Justin?
01:24:38 - 01:24:40: Sean might even be colder than you Justin
01:24:40 - 01:24:41: What?
01:24:41 - 01:24:43: Oh my God
01:24:43 - 01:24:45: Okay let's keep moving
01:24:45 - 01:24:48: Number 4 1992 Bobby Brown Humping Around
01:24:48 - 01:24:51: Great title
01:24:51 - 01:24:53: Humping Around
01:24:53 - 01:25:12: Little dancing days in there
01:25:12 - 01:25:15: Yeah it's an interpolation of Led Zeppelin's Dancing Days
01:25:15 - 01:25:17: Everybody's dancing
01:25:17 - 01:25:26: Six minutes
01:25:26 - 01:25:28: This one is?
01:25:28 - 01:25:32: Yeah so the top two is a nine minute song and a six minute song
01:25:32 - 01:25:34: Yeah a lot of long songs
01:25:34 - 01:25:37: That you don't care where I'm at
01:25:37 - 01:25:41: You give me reason to doubt you
01:25:41 - 01:25:43: Say you trust someone
01:25:43 - 01:25:46: Why you calling all around?
01:25:46 - 01:25:49: Think I'm some dip on the side
01:25:49 - 01:25:52: Girl you don't trust no one
01:25:52 - 01:25:55: And your car's still hanging out
01:25:55 - 01:25:59: You know it's a game if you play that away
01:25:59 - 01:26:01: Get up on my back
01:26:01 - 01:26:03: Take a fart like
01:26:03 - 01:26:05: Yeah
01:26:05 - 01:26:07: Everybody's humping around
01:26:07 - 01:26:09: Humping Around
01:26:09 - 01:26:13: His '93 world tour was called the Humping Around the World Tour
01:26:13 - 01:26:15: That's sick
01:26:15 - 01:26:24: What's he saying? Ain't nobody humping around?
01:26:24 - 01:26:27: It's like his girlfriend thinks he's cheating on her
01:26:27 - 01:26:30: But he's saying nobody's humping around
01:26:30 - 01:26:33: But the tour is called Humping Around
01:26:33 - 01:26:38: Wait, I gotta look up the lyrics
01:26:38 - 01:26:40: In this song specifically
01:26:40 - 01:26:43: I'm not humping around but the tour
01:26:43 - 01:26:46: I know why you think I'd be humping around
01:26:46 - 01:26:51: The chorus is get off my back
01:26:51 - 01:26:52: Save a heart attack
01:26:52 - 01:26:54: Ain't nobody humping around
01:26:54 - 01:26:55: No matter what they say
01:26:55 - 01:26:56: No it ain't that way
01:26:56 - 01:26:58: Ain't nobody humping around
01:26:58 - 01:27:00: He's not cheating
01:27:00 - 01:27:02: When you trust someone and you know you're on their back
01:27:02 - 01:27:04: You ain't got no trusting about you
01:27:04 - 01:27:06: And you claim that you don't care where I'm at
01:27:06 - 01:27:07: You've given me reason to doubt you
01:27:07 - 01:27:09: Say you trust someone, why are you calling around?
01:27:09 - 01:27:10: Think I've got some dip on the side
01:27:10 - 01:27:11: Girl you don't trust no one
01:27:11 - 01:27:12: You're constantly in doubt
01:27:12 - 01:27:14: You lose the game if you play that way
01:27:14 - 01:27:16: I think he's saying like
01:27:16 - 01:27:18: I'm not cheating on you
01:27:18 - 01:27:20: But damn it
01:27:20 - 01:27:22: You're
01:27:22 - 01:27:24: You're making this difficult
01:27:24 - 01:27:26: You're making, yeah
01:27:26 - 01:27:28: The fact that you don't trust me
01:27:28 - 01:27:29: Is alienating me
01:27:29 - 01:27:30: And let's keep it real
01:27:30 - 01:27:32: Why do people cheat sometimes?
01:27:32 - 01:27:34: Because they become alienated from their partner
01:27:34 - 01:27:36: And then they start humping
01:27:36 - 01:27:37: Yeah
01:27:37 - 01:27:39: Humping
01:27:39 - 01:27:44: Humping is such a funny
01:27:44 - 01:27:47: Euphemism for an adult to be using
01:27:47 - 01:27:48: In a song
01:27:48 - 01:27:49: It was truly like
01:27:49 - 01:27:51: Humping was very much like
01:27:51 - 01:27:53: You're like in like fifth grade
01:27:53 - 01:27:55: And you have like vague understanding of like
01:27:55 - 01:27:57: How's the mechanics of sex
01:27:57 - 01:27:59: Yeah, humping
01:27:59 - 01:28:00: Dry humping?
01:28:00 - 01:28:01: Yeah, dry humping
01:28:01 - 01:28:03: People always talk about that in like middle school
01:28:03 - 01:28:04: Right
01:28:04 - 01:28:06: Oh man, they're dry humping
01:28:06 - 01:28:08: Dry
01:28:08 - 01:28:10: Yeah, dry humping versus wet humping
01:28:10 - 01:28:12: Oh
01:28:12 - 01:28:15: I've never heard wet humping before this round
01:28:15 - 01:28:17: Wet humping is just humping
01:28:17 - 01:28:19: You don't need the
01:28:19 - 01:28:22: The wetness is implied
01:28:22 - 01:28:24: So then we started humping
01:28:24 - 01:28:26: Was it dry or wet?
01:28:26 - 01:28:30: A hundred of those are like deeper album cuts on this record
01:28:30 - 01:28:32: Dry humping track one
01:28:32 - 01:28:34: No, but he's making a good point
01:28:34 - 01:28:36: He's talking about that
01:28:36 - 01:28:37: You know that you're holding on too tight
01:28:37 - 01:28:40: Soon they will be leaving without you
01:28:40 - 01:28:41: He's saying that
01:28:41 - 01:28:42: That's the irony
01:28:42 - 01:28:43: And this is true
01:28:43 - 01:28:46: Think about, I mean Bobby Brown
01:28:46 - 01:28:48: I think identifies as male, but
01:28:48 - 01:28:50: You know, the classic
01:28:50 - 01:28:52: We often think about the controlling
01:28:52 - 01:28:55: We often think about the controlling boyfriend
01:28:55 - 01:28:57: That's a very familiar figure, right?
01:28:57 - 01:28:59: That's like the guy who is
01:28:59 - 01:29:03: So jealous and like crazy towards his girlfriend
01:29:03 - 01:29:04: Possessive
01:29:04 - 01:29:06: Possessive, you're talking to him, what the f***
01:29:06 - 01:29:08: That eventually he holds on way too tight
01:29:08 - 01:29:10: And then she's like, in her mind, she's like
01:29:10 - 01:29:11: Well this guy's insane
01:29:11 - 01:29:12: Maybe I will cheat on him
01:29:12 - 01:29:14: I'm sick of him
01:29:14 - 01:29:17: And I guess Bobby's talking about, you know, presumably a woman
01:29:17 - 01:29:18: Who's like that, she's calling all his friends
01:29:18 - 01:29:20: And he's like
01:29:20 - 01:29:22: But maybe he is gaslighting her
01:29:22 - 01:29:24: When you think about it that
01:29:24 - 01:29:26: In 1992 he releases a song whose hook is
01:29:26 - 01:29:28: Ain't nobody humping around
01:29:28 - 01:29:30: And it's funny that the song is just called Humping Around
01:29:30 - 01:29:33: She's like, why is the song just called Humping Around?
01:29:33 - 01:29:34: He's like, 'cause it's shorter
01:29:34 - 01:29:37: Okay, in the song I say Ain't nobody humping around
01:29:37 - 01:29:39: Okay, but still, your new single's called Humping Around
01:29:39 - 01:29:40: It makes me feel uncomfortable
01:29:40 - 01:29:42: It's very misleading, Bobby
01:29:42 - 01:29:45: He's like, oh my God
01:29:45 - 01:29:47: Wait, was he with Whitney Houston?
01:29:47 - 01:29:48: They're probably just getting together now
01:29:48 - 01:29:50: They got together in the early 90s
01:29:50 - 01:29:53: And he's like, oh my God, chill
01:29:53 - 01:29:56: She's like, couldn't you have at least called it Humping Around
01:29:56 - 01:29:58: And then in parentheses before, Ain't no?
01:29:58 - 01:30:00: Like I can't get no satisfaction
01:30:00 - 01:30:03: And he's like, look, people just call the song Satisfaction
01:30:03 - 01:30:04: So it doesn't even matter
01:30:04 - 01:30:06: It's just called Humping Around
01:30:06 - 01:30:07: When they hear the song, they're gonna hear me saying
01:30:07 - 01:30:09: Ain't nobody humping around
01:30:09 - 01:30:10: That makes it very clear
01:30:10 - 01:30:12: She's like, okay
01:30:12 - 01:30:15: Okay, he's like, baby, please listen to the song
01:30:15 - 01:30:18: If you keep nagging me, things are gonna go really sideways
01:30:18 - 01:30:21: Okay, Bobby, I trust you
01:30:21 - 01:30:25: And then like, next year, just like
01:30:25 - 01:30:29: Alright, like, got the tour T-shirts printed up
01:30:29 - 01:30:30: Getting ready to go
01:30:30 - 01:30:32: Oh, can I see one? Yeah, sure
01:30:32 - 01:30:36: It's called the Humping Around the World Tour
01:30:36 - 01:30:39: Wait, wait, Bobby
01:30:39 - 01:30:42: It's called the Humping Around the World Tour
01:30:42 - 01:30:43: Oh, yeah, yeah, because you know
01:30:43 - 01:30:46: The hit single's called Humping Around
01:30:46 - 01:30:50: Okay, I was with you up to a point
01:30:50 - 01:30:52: I understand you called the song Humping Around
01:30:52 - 01:30:55: But Humping Around the World
01:30:55 - 01:30:56: That really makes it sound like
01:30:56 - 01:30:58: You're gonna be cheating on me
01:30:58 - 01:31:02: By humping various women around the world
01:31:02 - 01:31:05: Okay, okay, you're being crazy right now
01:31:05 - 01:31:07: Okay, let's take this back to the beginning
01:31:07 - 01:31:10: The tour's called Humping Around the World
01:31:10 - 01:31:11: Because it's a world tour
01:31:11 - 01:31:14: And because the song is called Humping Around
01:31:14 - 01:31:16: Why is the song called Humping Around?
01:31:16 - 01:31:17: Because the hook of the song is
01:31:17 - 01:31:19: Ain't Nobody Humping Around
01:31:19 - 01:31:21: So when you really think about it
01:31:21 - 01:31:22: The tour is basically called
01:31:22 - 01:31:25: Ain't Nobody Humping Around the World Tour
01:31:25 - 01:31:29: It's just edited for brevity
01:31:29 - 01:31:33: Bobby, I'm trying to have this make sense
01:31:33 - 01:31:37: But I don't know, man
01:31:37 - 01:31:38: Anyway
01:31:39 - 01:31:42: The number four song in 2019
01:31:42 - 01:31:44: Oh, our good friend Post Malone
01:31:44 - 01:31:46: Oh, you're gonna be interested in this one, Jake
01:31:46 - 01:31:48: This is from his new album that just came out
01:31:48 - 01:31:51: And this one has Ozzy Osbourne and Travis Scott
01:31:51 - 01:31:56: Definitely has an Ozzy vibe already
01:31:56 - 01:31:59: Post Malone is a self-professed metal fan
01:32:04 - 01:32:10: I feel you crumbling my arms down to your heart of stone
01:32:10 - 01:32:17: You bled me dry just like the tears you never show
01:32:17 - 01:32:19: Why don't you take what you want from me
01:32:19 - 01:32:21: Take what you need from me
01:32:21 - 01:32:23: Take what you wanna go
01:32:23 - 01:32:26: Why don't you take what you want from me
01:32:26 - 01:32:28: Take what you need from me
01:32:28 - 01:32:30: Take what you wanna go
01:32:30 - 01:32:33: I never needed anything from you
01:32:33 - 01:32:36: And all I ever asked was for the truth
01:32:36 - 01:32:38: I like the Ozzy hook, it's cool
01:32:38 - 01:32:41: I wonder if Post wrote that part for Ozzy
01:32:41 - 01:32:44: I don't know, they're both credited songwriters
01:32:44 - 01:32:46: It was perfect for Ozzy
01:32:46 - 01:32:49: I was in a state where they told me to break
01:32:49 - 01:32:51: Held me down to hope and I would drown
01:32:51 - 01:32:54: Like a plague I was facing away
01:32:54 - 01:32:58: Trying to find my way out, find my way out
01:32:58 - 01:33:02: And then finally came the day
01:33:02 - 01:33:05: I start giving my heart away
01:33:05 - 01:33:08: For heaven's sake, my bones will break
01:33:08 - 01:33:12: But you never owned my soul, no
01:33:12 - 01:33:19: I feel you crumbling my arms down to your heart of stone
01:33:19 - 01:33:25: You bled me dry just like the tears you never show
01:33:25 - 01:33:27: Why don't you take what you want from me
01:33:27 - 01:33:29: Take what you need from me
01:33:29 - 01:33:32: Take what you wanna go
01:33:32 - 01:33:34: Why don't you take what you want from me
01:33:34 - 01:33:36: Take what you need from me
01:33:36 - 01:33:39: Take what you wanna go
01:33:39 - 01:33:42: I took those calls you threw me chains for the crew
01:33:42 - 01:33:45: I bought all ten of those, only made for two
01:33:45 - 01:33:47: You know, it works
01:33:47 - 01:33:50: Post Malone, Ozzy Osbourne, Travis Scott, it just works
01:33:50 - 01:33:55: Back to 1994, 1992, TLC, Baby Baby Baby
01:33:55 - 01:33:58: And guess what, the song has the same producers as Humpin' Around
01:33:58 - 01:34:01: L.A. Reid, Babyface, Daryl Simons
01:34:01 - 01:34:04:
01:34:04 - 01:34:06: That sounds sick
01:34:06 - 01:34:11:
01:34:16 - 01:34:20:
01:34:20 - 01:34:22: ♪ Hey, you want my love? ♪
01:34:22 - 01:34:25: Oh yeah, this could be in the Flamin' Hot movie
01:34:25 - 01:34:28:
01:34:28 - 01:34:29: Like a montage sequence?
01:34:29 - 01:34:31: This would be the montage of when he meets Judy
01:34:31 - 01:34:35: and they're like, they're like at the, on the roller coaster and stuff
01:34:35 - 01:34:36: hanging out
01:34:36 - 01:34:41:
01:34:46 - 01:34:48:
01:34:48 - 01:34:51: TLC has so many good songs from the 90s
01:34:51 - 01:34:53: A lot of great production
01:34:53 - 01:34:56:
01:35:05 - 01:35:09: Let's keep it moving, back to 2019, Lizzo, Truth Hurts
01:35:09 - 01:35:12: This song recently went number one on the Billboard charts
01:35:12 - 01:35:14: two years after it came out
01:35:14 - 01:35:19: Whoa, so it came out two years ago, then didn't do much initially?
01:35:19 - 01:35:20: Yeah
01:35:20 - 01:35:25:
01:36:05 - 01:36:08:
01:36:08 - 01:36:09: Listen to this
01:36:09 - 01:36:12: Lizzo almost quit music following the song's initial release
01:36:12 - 01:36:13: She told People magazine
01:36:13 - 01:36:17: "The day I released Truth Hurts was probably one of the darkest days ever in my career
01:36:17 - 01:36:19: I remember thinking if I quit music now, nobody would notice
01:36:19 - 01:36:21: This is my best song ever, nobody cares
01:36:21 - 01:36:23: I was like, f*** it, I'm done
01:36:23 - 01:36:25: Yikes
01:36:25 - 01:36:27: So what happened to bring the song?
01:36:27 - 01:36:32: Actually, I can say that this song was in a trailer for a Netflix movie
01:36:32 - 01:36:34: called Someone Great
01:36:34 - 01:36:37: and it sort of caught fire after that came out
01:36:37 - 01:36:38: Oh wait, didn't we talk about this?
01:36:38 - 01:36:39: I think we did
01:36:39 - 01:36:42: I think there was a Vampire Weekend song in Someone Great
01:36:42 - 01:36:43: That's right, yeah, we did talk about this
01:36:43 - 01:36:47: Did not have a similar trajectory
01:36:47 - 01:36:49: Well, it hasn't been two years yet
01:36:49 - 01:36:52: But I feel like it was a song of ours from like 2008 or something
01:36:52 - 01:36:53: Oh, right
01:36:53 - 01:36:55: Well, you never know
01:36:55 - 01:37:02: I think her profile grew as a person and maybe the song did its thing
01:37:02 - 01:37:05: Well, shout out to Lizzo, good for her
01:37:05 - 01:37:08: Back to 1992, Patti Smith featuring Don Henley
01:37:08 - 01:37:10: but this is the Patti Smith with a Y
01:37:10 - 01:37:15: Sometimes love just ain't enough, do you know this song?
01:37:15 - 01:37:18: It sounds familiar, yeah
01:37:18 - 01:37:26: Producer Roy Bitton, is he from the E Street Band?
01:37:26 - 01:37:28: Yeah, he was the keyboardist
01:37:28 - 01:37:30: Must be the same guy
01:37:30 - 01:37:33: Yeah, he's the one who also played on all the good Meatloaf singles
01:37:33 - 01:37:36: I don't wanna lose you
01:37:36 - 01:37:39: But I don't wanna use you
01:37:39 - 01:37:41: The Professor
01:37:41 - 01:37:43: That's right
01:37:43 - 01:37:47: And I don't wanna hate you
01:37:47 - 01:37:50: I don't wanna take you
01:37:50 - 01:37:54: But I don't wanna be the one to cry
01:37:54 - 01:37:56: I don't think I've ever heard this song
01:37:56 - 01:37:59: And I don't really matter
01:37:59 - 01:38:02: Yeah, I don't even know if I have or not
01:38:02 - 01:38:04: There's so many songs that sound like this
01:38:04 - 01:38:06: Released August '92
01:38:06 - 01:38:12: But like a fool I keep losing my place
01:38:12 - 01:38:16: And I keep seeing you walk through that door
01:38:16 - 01:38:18: Has a real '80s vibe
01:38:18 - 01:38:24: There's a danger in loving somebody too much
01:38:24 - 01:38:26: And it's sad when you know
01:38:26 - 01:38:29: It's your heart you can't trust
01:38:29 - 01:38:35: There's a reason why people don't stay where they are
01:38:35 - 01:38:40: Baby, sometimes love just ain't enough
01:38:40 - 01:38:42: Don sounded great on those harmonies
01:38:42 - 01:38:45: Does he get his own verse?
01:38:45 - 01:38:47: I'm hoping
01:38:47 - 01:38:51: Well, I can't
01:38:51 - 01:38:54: I could never change you
01:38:54 - 01:38:57: I don't wanna blame you
01:38:57 - 01:38:59: Baby, you don't have to take the fall
01:38:59 - 01:39:02: It kinda reminds me of, like, you know, like, '80s Bonnie Raitt kinda
01:39:02 - 01:39:03: Yeah
01:39:03 - 01:39:05: I guess--oh, there he goes
01:39:05 - 01:39:07: He gets half a verse
01:39:07 - 01:39:10: I guess this really does sound like early '90s
01:39:10 - 01:39:14: It's like a little bit of--it's a little bit of '80s
01:39:14 - 01:39:16: A little bit of, like, '90s coffeehouse
01:39:16 - 01:39:17: Yeah
01:39:17 - 01:39:18: It's like right on the cusp
01:39:18 - 01:39:22: Yeah, 'cause there's definitely that, like, yeah, like, anthemic, like, metal
01:39:22 - 01:39:23: Yeah
01:39:23 - 01:39:25: Like, power ballad feels
01:39:25 - 01:39:26: With Layton in it
01:39:26 - 01:39:30: And like a fool who will never see the truth
01:39:30 - 01:39:36: I keep thinking something's gonna change
01:39:36 - 01:39:42: But there's a danger in loving somebody too much
01:39:42 - 01:39:48: And it's sad when you know it's your heart you can't trust
01:39:48 - 01:39:50: There's a reason why people--
01:39:50 - 01:39:54: Do you know that Bonnie Tyler song, "It's a Heartache"?
01:39:54 - 01:39:56: You know Bonnie Tyler who did, uh--
01:39:56 - 01:39:57: Total Eclipse?
01:39:57 - 01:39:58: Yeah
01:39:58 - 01:40:00: She did a hit in the late '70s
01:40:00 - 01:40:02: It just kinda reminds me of this
01:40:02 - 01:40:06: It's a great song, but it--it's weird
01:40:06 - 01:40:10: It's almost like how this song is sort of like the end of the '80s
01:40:10 - 01:40:11: Yeah
01:40:11 - 01:40:14: Her song sort of, like, foreshadows the '80s
01:40:14 - 01:40:18: Lyrically, it's like the female perspective to "Humpin' Around"
01:40:18 - 01:40:20: Sometimes love just ain't enough
01:40:20 - 01:40:23: Check it out, "It's a Heartache" from '77
01:40:26 - 01:40:28: This song is tight
01:40:28 - 01:40:32: It's a heartache
01:40:32 - 01:40:36: Nothing but a heartache
01:40:36 - 01:40:40: Hits you when it's too late
01:40:40 - 01:40:45: Hits you when you're down
01:40:45 - 01:40:48: It's a fool's game
01:40:48 - 01:40:52: Nothing but a fool's game
01:40:52 - 01:40:57: Standing in the cold rain
01:40:57 - 01:41:01: Feeling like a clown
01:41:01 - 01:41:05: It's a heartache
01:41:05 - 01:41:07: Nothing but a heartache
01:41:07 - 01:41:09: It's like a little bit of, like, '70s Rod Stewart
01:41:09 - 01:41:10: Yeah
01:41:10 - 01:41:13: Love him 'til your arms break
01:41:13 - 01:41:17: Then he lets you down
01:41:17 - 01:41:22: It ain't right with love to share
01:41:22 - 01:41:23: When you find you're not there
01:41:23 - 01:41:25: Somebody else that collaborated with Roy Bitton
01:41:25 - 01:41:26: I think it's probably Roy Bitton
01:41:26 - 01:41:27: Oh, Ronnie?
01:41:27 - 01:41:28: Well, 'cause he played on Total Clips of the Heart
01:41:28 - 01:41:29: Oh, wow
01:41:29 - 01:41:31: He was like the--I guess he--between Meat Loaf and that
01:41:31 - 01:41:35: he was the go-to guy for Jim Steinman, the songwriter who wrote all those songs
01:41:35 - 01:41:36: Oh, that's right
01:41:36 - 01:41:40: I think we did a little Jim Steinman deep dive in one of those eps
01:41:40 - 01:41:43: Back to 2019, "One Republic" back on the charts
01:41:43 - 01:41:44: It's somebody to love
01:41:44 - 01:41:46: Haven't heard from them in a minute
01:41:47 - 01:41:49: Never could imagine
01:41:49 - 01:41:51: Who's One Republic?
01:41:51 - 01:41:52: The way the story ends
01:41:52 - 01:41:56: They came on the scene with "Too late to apologize"
01:41:56 - 01:41:57: Used to be a fool
01:41:57 - 01:42:04: And the singer, Ryan Tedder, is, like, a really big songwriter, too
01:42:04 - 01:42:07: You ain't even trying to make me jealous
01:42:07 - 01:42:09: Ten songwriters credited
01:42:09 - 01:42:10: You can't help it
01:42:10 - 01:42:15: So this is One Republic's chosen song from season one finale to the NBC show "Songland"
01:42:15 - 01:42:20: I guess there was, like, a reality show about songwriters?
01:42:20 - 01:42:26: So, wait, so they go over songs that are submitted by the contestants of the show
01:42:26 - 01:42:28: and perform them?
01:42:28 - 01:42:31: I guess the guy J.T. Roach was a contestant on the show
01:42:31 - 01:42:35: Well, this is how Ryan Tedder introduced the song at Red Rocks and said,
01:42:35 - 01:42:40: "The next song we collaborated on, we found it from a middle school basketball coach in California
01:42:40 - 01:42:43: who co-wrote this, and then we finished it with him"
01:42:43 - 01:42:45: That's a cool story
01:42:45 - 01:42:49: Middle school basketball coach entered the contest or the show
01:42:49 - 01:42:51: That's pretty Pollard
01:42:51 - 01:42:52: Yeah
01:42:52 - 01:42:55: I don't want you to be lonely
01:42:55 - 01:43:00: But right now I'm the only one who feels this way
01:43:00 - 01:43:04: And I ain't even trying to make you miss me
01:43:04 - 01:43:06: Make you miss me
01:43:06 - 01:43:08: I know a history
01:43:08 - 01:43:11: But it kills me to know that you found
01:43:11 - 01:43:13: Somebody to love
01:43:15 - 01:43:19: Tell me how can I go on without
01:43:19 - 01:43:21: Somebody to love
01:43:23 - 01:43:25: Bro, this was just released
01:43:25 - 01:43:27: Brand new
01:43:27 - 01:43:30: One Republic is a funny band name
01:43:30 - 01:43:36: Reminds me of, like, some, like, offshoot of, like, Banana Republic's new clothing line
01:43:36 - 01:43:38: One Republic?
01:43:38 - 01:43:39: I don't know
01:43:39 - 01:43:42: It wouldn't shock me if there's a band called One Republic and they sounded like Tool
01:43:42 - 01:43:43: Oh, totally
01:43:43 - 01:43:44: Yeah, it sounds heavy
01:43:44 - 01:43:50: It also has, like, that kind of, like, Muse, like, One World Government kind of vibe
01:43:50 - 01:43:52: Do not trust them
01:43:52 - 01:43:54: They want you to conform
01:43:54 - 01:43:56: One Republic
01:43:56 - 01:43:58: Have you heard that new Tool album, by the way?
01:43:58 - 01:44:01: I heard the first, that 11-minute single
01:44:01 - 01:44:02: I haven't heard it
01:44:02 - 01:44:03: I thought it was pretty tight
01:44:03 - 01:44:07: But I've seen on Twitter a few times, like, apparently it's selling like gangbusters
01:44:07 - 01:44:13: Yeah, Tool's new album, I believe it's called Fear Inoculum, is now the biggest
01:44:13 - 01:44:19: Well, it went number one the week it came out, making it the biggest sales week for a rock album this year
01:44:19 - 01:44:26: And I'm pretty sure the album that previously held that honor, Father of the Bride by Vampire Weekend
01:44:26 - 01:44:28: And you guys just got stomped by Tool
01:44:28 - 01:44:30: We got stomped by Tool, a real rock band
01:44:30 - 01:44:32: We gotta look that shit up at the end of the year
01:44:32 - 01:44:37: Just be like, the five biggest, like, debuts in rock this year
01:44:37 - 01:44:40: Tool, Vampire Weekend
01:44:40 - 01:44:44: Maybe some other shit knocked us off
01:44:44 - 01:44:49: Post Malone, no, technically Post Malone is the number one biggest rock debut
01:44:49 - 01:44:50: Is he, like, is he?
01:44:50 - 01:44:52: He's got Ozzy Osbourne, so
01:44:52 - 01:44:54: No, no, they probably don't count him as rock
01:44:54 - 01:44:56: Anyway, shout out to Tool
01:44:56 - 01:44:58: Us rock bands gotta stick together
01:44:58 - 01:45:00: Look, man, it's all love
01:45:00 - 01:45:01: It's all love
01:45:01 - 01:45:06: The number one song this week in 1992, this is a classic
01:45:06 - 01:45:07: Boyz II Men, End of the Road
01:45:07 - 01:45:10: Also Babyface, man, they had three songs
01:45:10 - 01:45:13: 1992 is huge for Babyface and L.A. Rude
01:45:13 - 01:45:27: I think I talked about it on the show that last summer we played a festival in the UK called End of the Road
01:45:27 - 01:45:28: That's right
01:45:28 - 01:45:30: And Baio chose to play this song, it's our walk-off music
01:45:30 - 01:45:34: I was, like, wondering how many people in the UK know this, like, old Boyz II Men song
01:45:34 - 01:45:39: And then I was, like, walking to the trailer, I heard, like, 10,000 people, like
01:45:39 - 01:45:42: To the end of the road
01:45:42 - 01:45:43: That's awesome
01:45:43 - 01:45:50: It's released on the soundtrack for the 1992 Eddie Murphy comedy Boomerang
01:45:50 - 01:45:51: You ever see that movie?
01:45:51 - 01:45:53: I don't think I did
01:45:53 - 01:45:55: They're making a TV show of it
01:45:55 - 01:45:57: Uh, no
01:45:57 - 01:45:58: With Eddie Murphy in it?
01:45:58 - 01:46:01: I don't think so, just, like, uh, taking the plot
01:46:01 - 01:46:03: Grace Jones is in that movie
01:46:03 - 01:46:05: Oh, yeah, you know what, I have seen parts of it
01:46:05 - 01:46:07: He's, like, an advertising exec or something
01:46:07 - 01:46:08: That's right
01:46:08 - 01:46:10: She does, like, a perfume ad
01:46:10 - 01:46:12: Yeah, I think her character's name is Stranger, right?
01:46:12 - 01:46:13: Right
01:46:13 - 01:46:15: It's, uh, it's an amazing movie
01:46:15 - 01:46:17: Yeah, I've heard people love it
01:46:17 - 01:46:18: Yeah, Stranger, yeah
01:46:18 - 01:46:25: And the name of the perfume that she, you know, she creates as the model is, uh, Afterbirth
01:46:25 - 01:46:27: [laughs]
01:46:27 - 01:46:33: Although we go to the end of the road
01:46:33 - 01:46:38: Still I can't let it go
01:46:38 - 01:46:41: It's unnatural
01:46:41 - 01:46:43: You belong to me
01:46:43 - 01:46:46: I belong to you
01:46:46 - 01:46:52: Go to the end of the road
01:46:52 - 01:46:55: So this is a breakup song?
01:46:55 - 01:46:59: Yeah, but it's Can't Let Go
01:46:59 - 01:47:01: It's unnatural, is that what you're saying?
01:47:01 - 01:47:02: I think
01:47:02 - 01:47:04: It's unnatural
01:47:04 - 01:47:07: I think he's saying we came to the end of the road, but I can't do it
01:47:07 - 01:47:08: Yeah
01:47:08 - 01:47:11: We came to the EOTR
01:47:11 - 01:47:15: This, this sounds more mutual, though, as opposed to the
01:47:15 - 01:47:17: Let me check out these lyrics
01:47:17 - 01:47:20: You've never been there before
01:47:20 - 01:47:24: It's only your first time
01:47:24 - 01:47:29: Just during the break we were talking about Once Upon a Time in Hollywood
01:47:29 - 01:47:32: New film, came out three months ago
01:47:32 - 01:47:35: Finally getting around to talking about it on TC
01:47:35 - 01:47:39: But we were talking about, one moment that we both liked a lot
01:47:39 - 01:47:44: Is that whole sequence of when, um, DiCaprio and Pitt are coming back from Italy
01:47:44 - 01:47:47: And we're saying, like, I love how they use that Rolling Stones song
01:47:47 - 01:47:52: And I remember there's, there's like a line in the narration that goes like
01:47:52 - 01:47:55: What do you do, what do you do when you come to the end of the road?
01:47:55 - 01:47:56: It's something like about
01:47:56 - 01:47:57: Yeah, with an old buddy
01:47:57 - 01:48:00: With an old buddy who's less than a wife and a little more than a brother
01:48:00 - 01:48:01: Something like that
01:48:01 - 01:48:02: Yeah
01:48:02 - 01:48:05: And I feel like, maybe it doesn't say end of the road, but
01:48:05 - 01:48:07: It's such a funny phrase
01:48:07 - 01:48:10: There's also that part where DiCaprio says to Brad Pitt, like
01:48:11 - 01:48:15: Well, well old buddy, looks like we've come to the end of the trail or something
01:48:15 - 01:48:16: Yeah
01:48:16 - 01:48:20: Is that when they go to the Mexican restaurant in the valley and get hammered?
01:48:20 - 01:48:22: This might be right before that, yeah
01:48:22 - 01:48:25: I guess end of the road is a common phrase
01:48:25 - 01:48:28: And if you're kind of, uh, if you're from the wild west
01:48:28 - 01:48:32: Or a cowboy, or acting cowboy movies, you can say end of the trail
01:48:32 - 01:48:34: Looks like the trail ends here
01:48:34 - 01:48:39: Well, looks like we're at the end of the trail
01:48:40 - 01:48:41: Yep, we're at the end of the road
01:48:41 - 01:48:42: Yep
01:48:42 - 01:48:44: End of the trail
01:48:44 - 01:48:46: Well, you say trail, I say road
01:48:46 - 01:48:48: That's why we're here
01:48:48 - 01:48:54: That's like a wild west dude breaking up with his New York girlfriend
01:48:54 - 01:48:57: We're at the end of the trail
01:48:57 - 01:48:59: Yeah, we're at the end of the road
01:48:59 - 01:49:00: Shawn Mendes says trail
01:49:00 - 01:49:03: Bieber says road
01:49:03 - 01:49:05: Well, where's Shawn Mendes from?
01:49:05 - 01:49:09: Is he from a more, like a more like classically Canadian
01:49:09 - 01:49:12: They're both from pretty, they're both from Ontario I think, Shawn
01:49:12 - 01:49:13: They're just both from the burbs?
01:49:13 - 01:49:15: Yeah, Shawn Mendes
01:49:15 - 01:49:19: From, oh, there you go, yeah
01:49:19 - 01:49:23: Oh, it says he was born in Toronto, but he didn't grow up there
01:49:23 - 01:49:26: Yeah, Pickering, home town Pickering
01:49:26 - 01:49:27: City boy
01:49:27 - 01:49:28: And then where's Bieber from?
01:49:28 - 01:49:30: Stratford
01:49:30 - 01:49:33: Do you have any sense of the differences between Pickering and Stratford?
01:49:33 - 01:49:34: Uh, no
01:49:35 - 01:49:36: Not really
01:49:36 - 01:49:38: I think we're both the same size
01:49:38 - 01:49:58: I do love, that's such a standout part of the song is the fact that they say it's unnatural
01:49:58 - 01:50:02: It's such like a, it's a good, like memorable songwriting
01:50:03 - 01:50:05: It's unnatural
01:50:05 - 01:50:07: Maybe that's where I got it from, Cape Cod
01:50:07 - 01:50:09: I said it feels so unnatural
01:50:09 - 01:50:12: Subconsciously
01:50:12 - 01:50:16: I was synthesizing some Peter Gabriel and some Boyz II Men
01:50:16 - 01:50:19: It's just a damn good word
01:50:19 - 01:50:25: It's unnatural
01:50:25 - 01:50:28: Do you remember that Katy Perry song, Unconditional?
01:50:28 - 01:50:30: No
01:50:30 - 01:50:33: It's like this ballad she put out maybe like four years ago
01:50:33 - 01:50:37: The delivery of that word, it's very unusual the way she
01:50:37 - 01:50:39: Unconditional
01:50:39 - 01:50:42: I don't, yeah, I've never heard that, Unconditional
01:50:42 - 01:50:44: Or is it Unconditionally?
01:50:44 - 01:50:46: Maybe, there's a song called Unconditionally
01:50:46 - 01:50:48: Yeah, let's listen to the chorus of that one
01:50:58 - 01:51:00: Okay, so she says both
01:51:00 - 01:51:02: Unconditional
01:51:02 - 01:51:04: That's very musical theater
01:51:04 - 01:51:07: Yeah, very formal enunciation
01:51:07 - 01:51:10: Unconditional
01:51:10 - 01:51:12: That sounds like it could be a song from Hamilton
01:51:12 - 01:51:17: Alexander, we need to vote on the amendment now
01:51:17 - 01:51:19: I don't like the language
01:51:19 - 01:51:24: The legal ramifications of the word Unconditional
01:51:24 - 01:51:27: Unconditional
01:51:28 - 01:51:30: That's, yeah, it's so musical theater
01:51:30 - 01:51:33: And what is this word, Unconditional?
01:51:33 - 01:51:36: Unconditional
01:51:36 - 01:51:40: How could I sign a document saying this?
01:51:40 - 01:51:41: Unconditional
01:51:41 - 01:51:45: Unconditional
01:51:45 - 01:51:48: Unconditional
01:51:48 - 01:51:50: Shout out to Katy Perry
01:51:50 - 01:51:54: The number one song on iTunes right now, Craig Morgan, country
01:51:54 - 01:51:58: It's called The Father, My Son, and the Holy Ghost
01:51:58 - 01:52:00: What?
01:52:00 - 01:52:01: Okay, well, hold on
01:52:01 - 01:52:03: This is one of those ones where I'm glad I'm looking at the paper
01:52:03 - 01:52:05: Because before we say anything about this song
01:52:05 - 01:52:08: It's very important to know that this song is about the loss of his son
01:52:08 - 01:52:11: Who drowned at the age of 19 while tubing with friends
01:52:11 - 01:52:14: Jesus, I almost don't want to listen to it, that's so sad
01:52:14 - 01:52:15: That's so dark
01:52:15 - 01:52:18: What a f***ing age to die, Jesus
01:52:18 - 01:52:19: I know
01:52:19 - 01:52:20: To lose a son who's 19
01:52:20 - 01:52:21: Oh, God
01:52:21 - 01:52:23: Okay, I guess we gotta listen to it
01:52:23 - 01:52:28: But it's such a sad backstory, good Lord
01:52:28 - 01:52:30: Lights are shining bright
01:52:30 - 01:52:34: As always downtown on the road
01:52:34 - 01:52:38: I have friends that come from out of town
01:52:38 - 01:52:40: Asking me to go
01:52:40 - 01:52:44: They say there's so much going on
01:52:44 - 01:52:49: Why don't you come along and show us around?
01:52:51 - 01:52:55: I tell them Karen's not feeling well
01:52:55 - 01:52:58: So I probably shouldn't go out
01:52:58 - 01:53:02: Besides, I've got a fixed list of things
01:53:02 - 01:53:05: I need to do around the house
01:53:05 - 01:53:09: Then I hang up the phone
01:53:09 - 01:53:14: Turn the radio back on and sit back down
01:53:15 - 01:53:21: I know my boy ain't here but he ain't gone
01:53:21 - 01:53:25: In the mornings I wake up
01:53:25 - 01:53:29: Give her a kiss, head to the kitchen
01:53:29 - 01:53:33: Pour a cup, wake me up
01:53:33 - 01:53:36: And try to rouse up some ambition
01:53:36 - 01:53:39: Go outside, sit by myself
01:53:39 - 01:53:42: But I ain't home
01:53:42 - 01:53:50: I've got the father, my son, and the homeless
01:53:50 - 01:53:57: I've been beat up, I've been pushed and shoved
01:53:57 - 01:54:00: But never ever really knocked down
01:54:00 - 01:54:04: Between Mom and Dad, Uncle Sam and friends
01:54:04 - 01:54:07: I somehow always pulled out
01:54:07 - 01:54:10: But the pain of this was more
01:54:10 - 01:54:13: Than I'd ever felt before
01:54:13 - 01:54:16: Yeah, I was broke
01:54:17 - 01:54:20: I cried and cried and cried
01:54:20 - 01:54:23: Until I found my home
01:54:23 - 01:54:27: And I prayed and prayed and prayed
01:54:27 - 01:54:30: I cried and cried and cried
01:54:30 - 01:54:34: And the man in my head
01:54:34 - 01:54:38: Day by day, he musters some ambition
01:54:38 - 01:54:41: Get me home
01:54:41 - 01:54:44: I know my boy ain't here
01:54:44 - 01:54:47: But he ain't gone
01:54:47 - 01:54:51: In the mornings I wake up
01:54:51 - 01:54:55: Give her a kiss, head to the kitchen
01:54:55 - 01:54:58: Pour a cup, wake me up
01:54:58 - 01:55:01: And try to rouse up some ambition
01:55:01 - 01:55:05: Go outside, sit by myself
01:55:05 - 01:55:08: But I ain't home
01:55:08 - 01:55:13: I've got the father, my son, and the homeless
01:55:13 - 01:55:16: Well, I'm not sure what he means by "I have the father"
01:55:16 - 01:55:19: I know my love, I pray, I cry
01:55:19 - 01:55:23: I hear a little more each day inside
01:55:23 - 01:55:29: I won't completely heal 'til I go home
01:55:29 - 01:55:35: In the mornings I wake up
01:55:35 - 01:55:40: Give her a kiss, head to the kitchen
01:55:40 - 01:55:43: Pour a cup, wake me up
01:55:43 - 01:55:46: And try to rouse up some ambition
01:55:46 - 01:55:49: Go outside, sit by myself
01:55:49 - 01:55:52: Did you ever hear that Mount Erie record called "A Crow Looked At Me"?
01:55:52 - 01:55:57: 'Cause the guy from Mount Erie's wife died very young
01:55:57 - 01:55:59: No, I haven't heard that one
01:55:59 - 01:56:00: It's incredible
01:56:00 - 01:56:02: It's about his bad grieving
01:56:02 - 01:56:09: Yeah, it's like a very detail-oriented, like, narrative record
01:56:09 - 01:56:12: about, like, the immediate grieving process
01:56:12 - 01:56:14: Yeah, no, I haven't heard it
01:56:14 - 01:56:15: It's incredible
01:56:15 - 01:56:16: It's tough
01:56:16 - 01:56:18: I mean, it's not something you're, like, throwing on a lot
01:56:18 - 01:56:20: Right, right, yeah
01:56:20 - 01:56:21: It must be heavy
01:56:21 - 01:56:29: We went and saw him, Phil is his name, play at the L.A. Cemetery
01:56:29 - 01:56:30: What's that called?
01:56:30 - 01:56:31: Oh, the mausoleum kind of area?
01:56:31 - 01:56:33: Yeah, yeah, yeah, at the Forever Cemetery
01:56:33 - 01:56:36: It was, like, not a dry eye in the house
01:56:36 - 01:56:39: Obviously, condolences to Craig Morgan
01:56:39 - 01:56:42: Good for you, turning your grief into art
01:56:42 - 01:56:45: All right, let's try to end on a more up note
01:56:45 - 01:56:47: Jake, how are the Mets doing this year?
01:56:47 - 01:56:49: Wrong guy to ask
01:56:49 - 01:56:52: There was a good listener email
01:56:52 - 01:56:54: We got an email
01:56:54 - 01:56:57: To 8minutecapecod@gmail.com, by the way
01:56:57 - 01:56:58: That's the numeral 8
01:56:58 - 01:56:59: Yeah, okay
01:56:59 - 01:57:00: If you want to hit us up
01:57:00 - 01:57:03: Hello, I'm Richard Maista
01:57:03 - 01:57:06: I would like you to help me install sod in my front yard of my house
01:57:06 - 01:57:08: And I hope you can do a good job
01:57:08 - 01:57:09: End of email
01:57:09 - 01:57:10: Interesting
01:57:10 - 01:57:13: So, he thinks maybe we're going to get into landscaping
01:57:13 - 01:57:15: Or he thought he was, I don't know what
01:57:15 - 01:57:20: Maybe he just hit the wrong, maybe, like, 9minutecapecod is a landscaper
01:57:20 - 01:57:22: I was thinking 8minutecape sod
01:57:22 - 01:57:23: Oh, maybe
01:57:23 - 01:57:25: Might have been what he was meaning to hit
01:57:25 - 01:57:27: Tough to lay sod in 8 minutes
01:57:27 - 01:57:28: Maybe you should write back
01:57:28 - 01:57:29: That's...
01:57:29 - 01:57:32: I mean...
01:57:32 - 01:57:33: 8minutelaid sod?
01:57:33 - 01:57:35: Yeah, I mean...
01:57:35 - 01:57:36: It goes fast
01:57:36 - 01:57:39: You could do it in an afternoon, but not 8 minutes
01:57:39 - 01:57:40: Look at the keyboard
01:57:40 - 01:57:42: The S is pretty far from the G
01:57:42 - 01:57:44: So you'd have to be wasted
01:57:44 - 01:57:45: Okay, maybe he's just trolling us
01:57:45 - 01:57:48: Well, Seinfeld, can you hit him back and just be like
01:57:48 - 01:57:50: Hey, I think you got the wrong email
01:57:50 - 01:57:53: This is the email for Internet Radio Show Time Crisis
01:57:53 - 01:57:55: We don't do that kind of stuff
01:57:55 - 01:57:56: Yeah
01:57:56 - 01:57:58: Yeah, I'll hit him up
01:57:58 - 01:58:00: Oh, I'm sorry, I thought this was...
01:58:00 - 01:58:05: 8minutelaid sod is a local Tulsa sod company
01:58:05 - 01:58:06: Very quick service
01:58:06 - 01:58:07: Not very good
01:58:07 - 01:58:11: [Laughter]
01:58:11 - 01:58:12: Alright
01:58:12 - 01:58:14: Another TC in the can
01:58:14 - 01:58:16: We'll see you guys in two weeks
01:58:16 - 01:58:17: Peace
01:58:17 - 01:58:20: Time Crisis with Ezra King
01:58:20 - 01:58:24: Be-Be-Be-Be-Be-Beast War One
01:58:24 - 01:58:26: (explosion)

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