Episode 133: What About PA with Daniel Ralston

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:02: 300 years of Pennsylvania history,
00:02 - 00:06: plus Korean Billboard history,
00:06 - 00:09: plus TikTok,
00:09 - 00:13: plus Colorado history.
00:13 - 00:16: This is a very historical episode
00:16 - 00:18: of Time
00:18 - 00:19: C
00:19 - 00:21: R
00:21 - 00:22: I
00:22 - 00:24: S
00:24 - 00:25: I
00:25 - 00:28: S.
00:28 - 00:30: With Ezra Koenig.
00:30 - 00:39: They passed me by
00:39 - 00:42: All of those great romances
00:42 - 00:46: They were a felt, probably
00:46 - 00:49: All my rightful chances
00:49 - 00:52: My picture clear
00:52 - 00:57: Everything seemed so easy
00:57 - 01:00: And so I dealt you the blow
01:00 - 01:03: One of us had to go
01:03 - 01:08: Now it's different, I want you to know
01:08 - 01:11: One of us is crying
01:11 - 01:14: One of us is lying
01:14 - 01:18: Leave it on me, babe
01:18 - 01:22: Alright, Time Crisis back once again. What's up, Jake?
01:22 - 01:24: Not a whole lot. I'm just, uh,
01:25 - 01:28: opening up a Wikipedia page for Jolly Ranchers.
01:28 - 01:32: Unrelated to Time Crisis.
01:32 - 01:35: You were just at home opening up the Wikipedia page, like,
01:35 - 01:37: "Oh, sh*t, we're recording TC right now."
01:37 - 01:40: Yeah, I needed to get the backstory in Jolly Ranchers,
01:40 - 01:42: and I should say I was just on the
01:42 - 01:44: page for Eddie Van Halen.
01:44 - 01:46: Rest in peace, Eddie Van Halen.
01:46 - 01:50: I feel like we've never talked too much about Van Halen on this show.
01:50 - 01:52: I feel like we've joked about, like,
01:52 - 01:55: party bands in, like, SoCal.
01:55 - 01:58: And, like, "These guys are the best band coming out of Pasadena."
01:58 - 02:02: Guys, we talked about Van Halen in episode 89.
02:02 - 02:04: It was in the Top 5.
02:04 - 02:08: 1984, "Jump" was the number one song.
02:08 - 02:10: So I think that was the only time.
02:10 - 02:12: Wait, how did you access? Look at that number crunch.
02:12 - 02:14: Yeah, how did you crunch that number?
02:14 - 02:18: You know what, I googled "Van Halen Jump Time Crisis"
02:18 - 02:20: because I remembered "Jump" somehow being on the show.
02:20 - 02:23: And thanks to our friends at the TCU Wiki,
02:23 - 02:25: it's all laid out for us.
02:25 - 02:26: Wow.
02:26 - 02:30: I know we've discussed it, at least in private conversation, Jake,
02:30 - 02:33: because we've talked about your uncle here and there,
02:33 - 02:35: who's a rock musician.
02:35 - 02:38: And he grew up in Pasadena, right?
02:38 - 02:41: And he knew David Lee Roth and the Van Halens
02:41 - 02:44: as just, like, some local kids playing in a garage band or something?
02:44 - 02:49: Yeah, the way he tells it, yeah, my Uncle Ted is a Pasadena-based rock musician.
02:49 - 02:54: He actually used to play gigs back in the '80s and '90s at the Old Town Pub,
02:54 - 02:59: which, of course, is sort of one of the home venues for Richard Pictures these days.
02:59 - 03:01: Or, you know, pre-COVID.
03:01 - 03:04: And referenced in a Mountain Bruce song.
03:04 - 03:08: "Dead night in Medina at the Old Town Pub."
03:08 - 03:11: Hell yeah. So, Ted, he's told me that, like,
03:11 - 03:15: and who knows how this, you know, like, what's real.
03:15 - 03:18: But yeah, he's like, "Yeah, I saw them play big house parties."
03:18 - 03:22: Like, you know, like, you can picture, like, the Richard Linklater movie.
03:22 - 03:26: With, like, the, like, nice tracking shot into, like, the sprawling house.
03:26 - 03:28: The parents are away.
03:28 - 03:30: And, like, there's dudes set up by the pool.
03:30 - 03:33: This, like, opulent, like, Pasadena house.
03:33 - 03:36: He said he saw them there. And, like, they would play.
03:36 - 03:40: I remember years ago, he was telling me, like, "Oh, yeah, I knew where they lived."
03:40 - 03:42: And, like, sometimes I'd walk by and, like, watch their practice.
03:42 - 03:44: Or, like, hear it, you know?
03:44 - 03:49: I seem to recall reading somewhere that the reason David Lee Roth got to be the singer
03:49 - 03:51: was 'cause he owned a PA.
03:51 - 03:54: I love that. I mean, that's pretty high-
03:54 - 03:56: The truth is, he's a wild man.
03:56 - 03:58: Obviously, we don't want to make it all about him.
03:58 - 04:00: You know, we lost Eddie Van Halen.
04:00 - 04:05: But it is funny that, like, I mean, David Lee Roth, it's even by the,
04:05 - 04:08: if you look at all, like, the '80s hair metal bands,
04:08 - 04:10: obviously, they started in the '70s.
04:10 - 04:13: I mean, he's like a true American original.
04:13 - 04:16: They would sing in this kind of crazy way that suits their music.
04:16 - 04:19: And he's just, like, this hilarious personality, wild man.
04:19 - 04:25: And then, of course, Eddie Van Halen is, like, truly, just on a technical level,
04:25 - 04:28: nobody sounds like him as a guitarist.
04:28 - 04:31: So it is just kind of funny that two dudes in the same town,
04:31 - 04:35: I'm not gonna say David Lee Roth is as good a singer as Eddie Van Halen is at guitar.
04:35 - 04:37: That'd be a bit much.
04:37 - 04:40: But I'm just saying it's, like, you know, sometimes you get bands
04:40 - 04:44: where there's, like, an Eddie Van Halen and then, like, a few schlubs.
04:44 - 04:48: And then eventually, maybe Eddie Van Halen, he moves to Hollywood and he links up.
04:48 - 04:51: He finds, like, the crazy singer.
04:51 - 04:55: But it's just funny that these dudes just kind of were in, like,
04:55 - 04:57: probably went to the same high school or something.
04:57 - 04:59: It works. I mean, I was listening to some today,
04:59 - 05:03: and I was thinking about that exactly, like, Van Halen,
05:03 - 05:08: like a very formally innovative guitar player and a virtuoso, obviously.
05:08 - 05:13: But also, Van Halen was a complete, fun, like, party rock band.
05:13 - 05:14: Yeah.
05:14 - 05:16: And it's interesting how he didn't, yeah, David Lee Roth,
05:16 - 05:19: he didn't find a singer that was, like, could sing, like,
05:19 - 05:23: like some '70s prog band, like, something like the dude from Sticks
05:23 - 05:26: or, like, even, like, a friend from Mercury or something,
05:26 - 05:28: like the singer in, like, Kansas.
05:28 - 05:32: Like, he found this, like, dude that was, like, barely made it.
05:32 - 05:35: Like, it works so well. It's so perfect for the sound.
05:35 - 05:38: But, like, it's shocking that it does work.
05:38 - 05:42: Right. And obviously, it didn't work on a personal level, infamously.
05:42 - 05:43: Right.
05:43 - 05:46: They became one of the best-selling American rock bands of all time
05:46 - 05:50: because they had such extreme flavors in the band.
05:50 - 05:54: But it also meant that that formation could not last forever.
05:54 - 05:57: And honestly, I can think of two bands that changed singers
05:57 - 06:01: and still did their thing, and it's Van Halen and Black Sabbath.
06:01 - 06:03: Yeah, that's a good point.
06:03 - 06:06: Van Halen legitimately spanned decades.
06:06 - 06:10: Like, right now, in the Sammy Hagar era, early '90s,
06:10 - 06:14: they made, like, a legitimate early '90s rock hit with a different singer,
06:14 - 06:18: like, well over a decade past their, like, full explosion
06:18 - 06:20: as this, like, pop metal thing.
06:20 - 06:22: That's a real career. It's amazing.
06:22 - 06:25: Were you ever, like, a deep Van Halen fan, Jake?
06:25 - 06:27: No. Not really my thing.
06:27 - 06:29: I mean, I enjoyed-- I liked some of the hits.
06:29 - 06:31: Like, I threw on the first record today
06:31 - 06:33: when I was driving around running errands.
06:33 - 06:36: And, like, yeah, "Running With the Devil," come on.
06:36 - 06:37: I know this is lame.
06:37 - 06:39: If you're, like, a Van Halen head and you're listening,
06:39 - 06:43: it's like you're a deadhead saying "Touch of Grey" is your favorite dead song.
06:43 - 06:45: "Jump" is my favorite Van Halen song.
06:45 - 06:48: I understand that that's lame, but that's just where I'm at with it.
06:48 - 06:53: No, "Jump's" a great song, and that song is very not guitar-centric.
06:53 - 06:55: Is there any guitar on it?
06:55 - 06:57: I think there's, like, an insane guitar solo on it.
06:57 - 07:00: I can picture in the video, like, Eddie plays the synth at some point, right?
07:00 - 07:02: Yeah, I think so.
07:02 - 07:05: Anyway, that's all to say that that was a band that--
07:05 - 07:07: they could do a lot of different things.
07:07 - 07:09: It wasn't just, like, every song was, like, "Eruption,"
07:09 - 07:11: you know, like, crazy shredder guitar.
07:11 - 07:14: They could also, like, do, like, a solid synth rock song.
07:14 - 07:15: And they spanned the decades.
07:15 - 07:18: ♪ I get up ♪
07:18 - 07:22: ♪ And nothing gets me down ♪
07:22 - 07:25: ♪ You got it tough ♪
07:25 - 07:28: ♪ I've seen the toughest around ♪
07:29 - 07:32: ♪ And I know ♪
07:32 - 07:35: ♪ Baby, just how you feel ♪
07:35 - 07:40: ♪ You've got to roll with the punches ♪
07:40 - 07:43: ♪ To get to what's real ♪
07:43 - 07:46: ♪ I can't you see me standing here ♪
07:46 - 07:50: ♪ I got my back against the wrecking machine ♪
07:50 - 07:54: ♪ I eat the worst that you see ♪
07:55 - 07:59: ♪ I can't you see what I mean ♪
07:59 - 08:04: ♪ Might as well jump, jump ♪
08:04 - 08:07: ♪ Might as well jump ♪
08:07 - 08:11: ♪ Go ahead and jump, jump ♪
08:11 - 08:14: ♪ Go ahead and jump ♪
08:14 - 08:19: ♪ Oh, hey you, who said that? ♪
08:19 - 08:21: ♪ Baby, how you been? ♪
08:23 - 08:25: ♪ You say you don't know ♪
08:25 - 08:29: ♪ You won't know until you hear ♪
08:29 - 08:31: Looking up some stuff about him today.
08:31 - 08:33: He said that he never learned how to read music.
08:33 - 08:37: But he started out playing piano.
08:37 - 08:40: And he would, like, go to classical music competitions or something
08:40 - 08:43: and kind of, like, just play by ear what he heard.
08:43 - 08:45: He's just on some other level.
08:45 - 08:49: I was reading that he won, like, multiple classical piano competitions
08:49 - 08:52: in Long Beach in, like, the 1960s.
08:52 - 08:55: But it didn't even occur to me that, yeah, he wasn't reading music.
08:55 - 08:56: That's wild.
08:56 - 08:58: Yeah, I guess he just had a hell of an ear.
08:58 - 09:00: Also, born in Amsterdam.
09:00 - 09:02: Didn't know that.
09:02 - 09:04: I mean, I knew that they were Dutch.
09:04 - 09:07: I was just like, "Your last name's Van Halen?"
09:07 - 09:11: I mean, hindsight's 20/20, but it's, like, just the perfect name for a band.
09:11 - 09:12: Oh, yeah.
09:12 - 09:13: Van Halen.
09:13 - 09:18: I wonder if David Lee Roth ever had a feeling about the Van Halen brothers,
09:18 - 09:22: similar to Ray A. Kroc and the McDonald's brothers,
09:22 - 09:27: as we've discussed many times in the McDonald's origin story film "The Founder."
09:27 - 09:30: There's a climactic scene where Ray Kroc,
09:30 - 09:33: he kind of has to own all the sh-- things he's done to the McDonald's brothers.
09:33 - 09:36: And part of his, like, reasoning for why he had to, like,
09:36 - 09:39: fight tooth and nail to build McDonald's empire the way he wanted to
09:39 - 09:43: was, like, "You guys don't know how good you had your last name.
09:43 - 09:44: McDonald's, perfect for a restaurant.
09:44 - 09:46: What about me, Ray Kroc?
09:46 - 09:49: What does that make you think of? Kroc is sh--."
09:49 - 09:53: And they're trying to make, like, some kind of statement about America
09:53 - 09:57: and privilege or perceived lack of privilege.
09:57 - 10:00: But anyway, I could picture, like, David Lee Roth is such a--
10:00 - 10:02: I guess he punched up his name enough.
10:02 - 10:07: If it was just David Roth, that's a tough name for, like,
10:07 - 10:09: an '80s rock god.
10:09 - 10:13: David Lee Roth is pretty good, but I can just imagine him being like,
10:13 - 10:15: "My last name's Roth.
10:15 - 10:18: What does that make you think of, like, Philip Roth?
10:18 - 10:20: Solid writer, not a rock star."
10:20 - 10:23: "And you guys--and you guys are the Van Halen brothers.
10:23 - 10:25: I mean, come on.
10:25 - 10:27: You want to know I'm the way I am?
10:27 - 10:30: 'Cause I wasn't blessed with a name like that."
10:30 - 10:33: "It also makes me think of a Roth IRA."
10:33 - 10:37: "Right. When you hear my name, it makes you think of a retirement fund,
10:37 - 10:40: the least rock 'n' roll thing ever.
10:40 - 10:44: You guys sound freaking badass, Van Halen brothers."
10:44 - 10:48: I did see a lot of outpouring from friends of the show.
10:48 - 10:53: I saw CT and Baio both talking about how they tried to learn eruption
10:53 - 10:57: when they were children, like when they were learning to play music,
10:57 - 11:00: and how it made them better musicians.
11:00 - 11:04: And I saw, like, a friend of the show, Brian Kopelman,
11:04 - 11:07: weighing in--he's a huge Van Halen head--Steven Hyden.
11:07 - 11:10: A lot of friends of the show were really--
11:10 - 11:14: who were definitely Van Halen heads were going in.
11:14 - 11:18: I bet. Yeah, I mean, I feel like I've heard Baio talk about eruption in the past.
11:18 - 11:20: I mean, can we throw on eruption?
11:20 - 11:22: That's just like a "diddly-diddly-diddly-diddly," right?
11:22 - 11:24: Like, it's just crazy finger tapping.
11:24 - 11:31: The first album opens with "Runnin' with the Devil,"
11:31 - 11:33: then it goes into this.
11:33 - 11:36: And then it goes into King's cover, "You Really Got Me."
11:37 - 11:40: [guitar playing]
11:40 - 11:42: He has such a specific guitar tone.
11:42 - 11:43: Yeah.
11:43 - 11:45: It's heavy and light at the same time.
11:45 - 11:48: It really cuts, but it's not super tame.
11:48 - 11:50: It's warm, but it cuts.
11:50 - 11:51: Yeah.
11:51 - 11:53: It's got body.
11:53 - 11:56: [guitar playing]
12:04 - 12:06: That just sounds like a synth to me.
12:06 - 12:09: That just sounds like a Moog, where you're like, taking one of those--
12:09 - 12:12: I think Biden should walk out to this song.
12:12 - 12:14: [laughs]
12:14 - 12:15: That'd be sick.
12:15 - 12:17: He should play it off his iPhone.
12:17 - 12:20: [guitar playing]
12:20 - 12:28: Oh, yeah, then he goes, like, full classical.
12:28 - 12:30: Yeah.
12:30 - 12:33: I can't even imagine trying to learn this.
12:33 - 12:37: Well, Jake, you're going to want to drop it about 50% slower.
12:37 - 12:39: Start there.
12:39 - 12:41: Little by little, work your way up.
12:41 - 12:43: You'll have it in about a week.
12:43 - 12:46: [guitar playing]
12:46 - 12:56: And then it goes into--
12:56 - 12:59: [vocalizing]
12:59 - 13:02: What an amazing, like, opening to a career.
13:02 - 13:04: I guess that's what you want from a debut album,
13:04 - 13:06: just, like, a statement of purpose.
13:06 - 13:08: Track one, "Runnin' With the Devil."
13:08 - 13:12: We're going to talk about the Devil, because we are a metal band.
13:12 - 13:14: But we're, like, we're runnin' with the Devil.
13:14 - 13:15: It's kind of fun.
13:15 - 13:18: You get, like, that right mix of, like, badass but fun.
13:18 - 13:20: And then it's, like, what else is this band about?
13:20 - 13:23: And it's, like, "Eruption," shows another side.
13:23 - 13:25: And then "Kings," "You Really Got Me,"
13:25 - 13:27: they did a [bleep]load of covers.
13:27 - 13:29: I can't think of a successful rock band who, like,
13:29 - 13:32: did more covers than them as singles.
13:32 - 13:34: And I know we've touched on this kind of thing before,
13:34 - 13:39: but, like, again, it's amazing that their first record came out in '78,
13:39 - 13:42: that "Kings" song was maybe, what, 12 years old, 13 years old?
13:42 - 13:43: Yeah.
13:43 - 13:46: It's so funny, like, how the sound of rock changed so much
13:46 - 13:49: in that 12-, 13-year span.
13:49 - 13:51: Because it really is, like--
13:51 - 13:53: It comes in heavy after "Eruption."
13:53 - 13:55: It's like-- [vocalizing]
13:55 - 13:56: Matt, throw that on.
13:56 - 14:00: [rock music]
14:00 - 14:02: That's a huge sound.
14:02 - 14:03: Right.
14:03 - 14:12: [rock music]
14:12 - 14:15: I mean, yeah, it makes the "Kings" version sound like it was, like,
14:15 - 14:17: on, like, an Edison cylinder.
14:17 - 14:19: [laughs] Totally.
14:19 - 14:21: I bet Daft Punk loves Van Halen.
14:21 - 14:23: Oh, interesting. Wait, what's your theory there?
14:23 - 14:26: They had a song that has an "Eruption"-type guitar solo.
14:26 - 14:27: [vocalizing]
14:27 - 14:30: And there's just something, like, so technical and clean about it
14:30 - 14:31: that seems like--
14:31 - 14:33: Right. I hear you.
14:33 - 14:41: [rock music]
14:41 - 14:43: Obviously, they saw the '80s coming.
14:43 - 14:44: Yeah.
14:44 - 14:48: All those little, like, false harmonics and stuff were so funny.
14:48 - 14:52: I was also thinking, like, listening to "Eruption,"
14:52 - 14:55: and, you know, thinking about them as, like, this major development
14:55 - 14:58: in, like, rock technology.
14:58 - 15:00: Rock/guacamole technology.
15:00 - 15:04: Like, hearing "Eruption" makes me think a little bit of, like,
15:04 - 15:08: a Hendrix solo, like "Star-Spangled Banner" at Woodstock.
15:08 - 15:10: You know, he has some similar, like, dive bombs.
15:10 - 15:13: Yeah. Or "Page." Yeah.
15:13 - 15:14: Yeah, or "Page."
15:14 - 15:17: And just those guys, their vibe is so, like,
15:17 - 15:20: kind of, like, earthy, comparatively.
15:20 - 15:23: It makes me think of, like, cars or something.
15:23 - 15:25: Maybe because of his European background.
15:25 - 15:27: Not that Holland's especially known for cars,
15:27 - 15:31: but just, like, that vibe of just, like, fine-tuning a technology
15:31 - 15:35: just to make it, like, fly, drop some weight from the chassis,
15:35 - 15:38: and just, like, create this, like, new sound.
15:38 - 15:41: It's like the supersonic version of those dudes.
15:41 - 15:42: Yeah.
15:42 - 15:44: And it's a matter of taste, but it's, like, you can picture him, like,
15:44 - 15:47: studying this and, like--
15:47 - 15:49: Yeah, I don't know. It just makes me think about it.
15:49 - 15:51: If you were, like, a rock fan in '78,
15:51 - 15:54: it probably felt a little bit like going to a car show
15:54 - 15:57: and, like, seeing some game-changing new thing
15:57 - 16:00: that could go, like, way faster than even some, like,
16:00 - 16:05: heritage American car and, like, made less noise, you know?
16:05 - 16:06: It's louder but more powerful.
16:06 - 16:09: Yeah. Louder, faster.
16:09 - 16:10: European engineering.
16:10 - 16:13: I was reading today that he got the--
16:13 - 16:15: You know that Led Zeppelin song "Heartbreaker"?
16:15 - 16:18: There's that part where it's just Jimmy Page soloing
16:18 - 16:19: with no accompaniment.
16:19 - 16:20: Kind of.
16:20 - 16:23: And, like, Page is doing a lot of, like, hammer-ons and pull-offs
16:23 - 16:26: on, like, a really loud electric guitar.
16:26 - 16:28: And then he just, like, took that vibe and just, like,
16:28 - 16:30: kind of what you said, like, streamlined it,
16:30 - 16:31: took it to the next level.
16:31 - 16:35: You know what? I'm going to make another bizarre connection
16:35 - 16:38: because I'm also, like, picturing him figuring out
16:38 - 16:43: all this guacamole technology in his garage in Pasadena.
16:43 - 16:45: And I'm just like, "You know what, man?
16:45 - 16:48: He's grown up in the shadow of the jet propulsion laboratory
16:48 - 16:50: in the great state of California."
16:50 - 16:53: It's almost like I see him and his, like, obsession
16:53 - 16:55: with, like, the technical side of music.
16:55 - 16:58: I'm like, "Jet propulsion laboratory,
16:58 - 17:01: Steve Jobs and Wozniak in the garage.
17:01 - 17:04: I'm going to throw Eddie Van Halen in as another
17:04 - 17:09: great Californian tech innovator of the 1970s."
17:09 - 17:10: I love it.
17:10 - 17:11: You know what I mean?
17:11 - 17:12: Oh, absolutely.
17:12 - 17:15: There's very few guitars that I think of that way.
17:15 - 17:18: Yeah, probably back then it was, like, an arms race.
17:18 - 17:23: Like, the guitar was still, like, the dominant instrument
17:23 - 17:25: of, like, popular music.
17:25 - 17:28: And, like, you probably had, like, a Randy Rhoads come out.
17:28 - 17:31: It's like every year there was, yeah, it was, like,
17:31 - 17:34: a very techie type of, like, competitive atmosphere.
17:34 - 17:36: And then I feel like after Randy Rhoads died,
17:36 - 17:38: like, Ozzy got this other dude who was, like,
17:38 - 17:39: even faster than Randy Rhoads.
17:39 - 17:42: Right, and a lot of those guys, like Satriani and Vi,
17:42 - 17:46: like, it ended up going down this dead end of just, like,
17:46 - 17:50: very cold, not very fun, but very accomplished music.
17:50 - 17:53: And it's cool that, like, I guess we touched on this before,
17:53 - 17:56: but, like, it's cool that he was able to do both,
17:56 - 17:59: of, like, have this very accomplished technical music,
17:59 - 18:02: but also have it be really fun and, like,
18:02 - 18:05: fun and dumb in a cool way.
18:05 - 18:08: Because there's a version of him without the songwriting
18:08 - 18:12: and without the band that coalesced around him and his brother,
18:12 - 18:15: where it's just kind of like your uncle being like,
18:15 - 18:18: "Man, I used to go see this band in Pasadena."
18:18 - 18:20: And actually, the guy still plays at Old Town Pub sometimes.
18:20 - 18:24: I swear he's the fastest, most technical guitar player I've ever seen.
18:24 - 18:25: Oh, totally.
18:25 - 18:29: They cover the kinks a lot, but he'll take these crazy solos.
18:29 - 18:30: Just, like, a really solid cover band.
18:30 - 18:33: He just could never figure it out what to do besides that.
18:33 - 18:35: But, yeah, his name's Eddie Van Halen.
18:35 - 18:38: Great guy. I'll bring him by the next Richard Pictures show.
18:38 - 18:40: I bet he'd love you guys.
18:40 - 18:45: I mean, he wasn't much of a deadhead, but I think he'd like you guys.
18:45 - 18:49: Eddie Van Halen just sitting there with a dead cover band.
18:49 - 18:51: Just like, "Whoa, chill, man."
18:51 - 18:53: God, I wonder if Jerry--
18:53 - 18:55: I mean, it begs the question.
18:55 - 19:02: It begs the question, did Jerry ever interface or listen to Van Halen?
19:02 - 19:04: Or vice versa.
19:04 - 19:11: I mean, you could imagine a Euro-California technician like Eddie Van Halen, maybe--
19:11 - 19:15: It's really lame when people refer to the dead as being sloppy.
19:15 - 19:18: Because, first of all, they're really not that sloppy.
19:18 - 19:22: There just aren't that many bands where you have access to that much of their live music.
19:22 - 19:24: Because, actually, you know what's interesting?
19:24 - 19:26: Jerry started as a technician, too.
19:26 - 19:30: Maybe similar to Eddie Van Halen, two California technicians,
19:30 - 19:36: when he played banjo, according to that book I keep referencing, Dark Star, the oral biography,
19:36 - 19:43: he kind of hit the ceiling of just being as technically accomplished of a picker as he could be.
19:43 - 19:46: Because bluegrass is incredibly technical music.
19:46 - 19:51: Obviously, there's a lot of soul and energy and vibe in bluegrass music,
19:51 - 19:56: but when you see a shredder bluegrass band, that is some Van Halen sh*t.
19:56 - 20:02: Bluegrass is up there with metal and classical music for just pure shredding.
20:02 - 20:07: And apparently, Jerry, he was known as the best picker in Northern California,
20:07 - 20:12: and part of him moving to guitar was a little bit to challenge himself just to learn something new.
20:12 - 20:18: So I believe this is Jerry talking to Fretz magazine in 1985,
20:18 - 20:21: and the question is, "Do you ever listen to people like Eddie Van Halen?"
20:21 - 20:25: And his response is, "Not seriously, no, because I can hear what's happening in there.
20:25 - 20:30: There isn't much there that interests me. It isn't played with enough deliberateness,
20:30 - 20:34: and it lacks a certain kind of rhythmic elegance that I like music to have,
20:34 - 20:41: that I like notes to have. There's a lot of notes and stuff, but the notes aren't saying much, you know?
20:41 - 20:45: They're a little like clusters. It's a certain kind of music which I understand on one level,
20:45 - 20:47: but it isn't attractive to me."
20:47 - 20:52: Fair. Well, I was saying before, it's lame when people say, "Oh, the jazz is sloppy, I'm not into that."
20:52 - 20:57: But I could imagine Eddie Van Halen saying that, and he's one of the few people on earth where
20:57 - 21:02: Eddie Van Halen was like, "I checked out Europe '72. Sloppy as hell. Doesn't interest me."
21:02 - 21:05: You'd have to be like, "All right, fair. You're Eddie Van Halen."
21:05 - 21:15: Yeah, and he'd be like, "It doesn't rock. I'm not interested in this Americana blend of country and psych."
21:15 - 21:19: It's not... he's not interested in that.
21:19 - 21:23: I think we also, of course, have to note, I'm sure many TC heads know this,
21:23 - 21:28: but Eddie Van Halen also played the guitar solo on "Beat It" off Michael Jackson's "Thriller."
21:28 - 21:31: The legend I've heard is it was the first take.
21:31 - 21:32: Crazy.
21:32 - 21:36: That could be, you know, apocryphal, but that's the story I've heard.
21:36 - 21:41: There's also so few examples of that. I mean, it goes to show that he really wasn't a class of his own,
21:41 - 21:46: but it's like, if you didn't know that, and even if you just kind of recall what that guitar solo sounds like in your head,
21:46 - 21:50: you're like, "Of course, who else could have played that? It's such a specific sound."
21:50 - 21:55: Can we throw that on? Just like, "Beat It" and rub forward to the solo?
22:31 - 22:34: That's shorter than I remember.
22:34 - 22:35: Yeah.
22:35 - 22:42: I hate to disagree with Jerry, but that solo really is a combination of clusters of notes, technical prowess,
22:42 - 22:45: but I would say that that solo actually says something.
22:45 - 22:48: It told a little story, the same way that Jerry would.
22:48 - 22:52: You know, it had personality, it had a narrative.
22:52 - 22:56: It wasn't just coming in with the crazy arpeggios.
22:56 - 23:01: He used them tastefully. He built a little story around them.
23:01 - 23:04: And there was a couple of long bends there.
23:04 - 23:06: Yeah, such a unique sound.
23:06 - 23:12: And I was just thinking, how many examples are there like that of a gigantic pop song
23:12 - 23:16: where they bring in a famous guitarist to add some personality?
23:16 - 23:22: His guitar has as much personality as Michael Jackson's voice does in Quincy's production, all this stuff.
23:22 - 23:29: Mine goes to—it's a totally different scenario, but Santana featuring Rob Thomas with "Smooth."
23:29 - 23:37: That's a big song where it's not just an iconic guitar hook, but you can kind of recall some of the soloing.
23:37 - 23:43: Sorry, I just was curious about that "Beat It" solo, and I just Googled—I did a little number crunching on my own.
23:43 - 23:44: Oh, nice.
23:44 - 23:48: Apparently, Michael Jackson had asked Pete Townshend to do it originally.
23:48 - 23:49: Whoa.
23:49 - 23:51: Who you don't think of as a soloist.
23:51 - 23:54: Brilliant songwriter. And, you know, very talented guitarist.
23:54 - 23:58: And then Townshend—he couldn't do it, but he recommended Van Halen.
23:58 - 23:59: Whoa.
23:59 - 24:00: Weird.
24:00 - 24:07: I'm on a CNN article that interviews Van Halen about the phone call from Quincy in the whole studio session.
24:07 - 24:09: It's pretty fascinating.
24:09 - 24:13: Jake, I just texted it to the group. I feel like you should take this.
24:13 - 24:14: All right.
24:14 - 24:20: Go from, like, CNN, when Quincy rang you up, you thought it was a crank call.
24:20 - 24:23: So, CNN—I like the interviewer is CNN.
24:23 - 24:27: CNN, when Quincy rang you up, you thought it was a crank call.
24:27 - 24:30: Eddie Van Halen, I went off on him.
24:30 - 24:33: I went, "What do you want? You effing so-and-so?"
24:33 - 24:37: And he says, "Is this Eddie?" And I said, "Yeah, what the hell do you want?"
24:37 - 24:39: "This is Quincy."
24:39 - 24:42: I'm thinking to myself, "I don't know any name Quincy."
24:42 - 24:44: He goes, "Quincy Jones, man."
24:44 - 24:46: I went, "Oh, sorry."
24:46 - 24:47: Laughed.
24:47 - 24:49: I said, "What can I do for you?"
24:49 - 24:53: And he said, "How would you like to come down and play on Michael Jackson's new record?"
24:53 - 24:58: And I'm thinking to myself, "Okay, ABC, 1, 2, 3, and me. How's that going to work?"
24:58 - 25:00: Oh, because he's thinking of the Jackson 5 stuff.
25:00 - 25:05: I mean, Off the Wall had been a huge album a couple years earlier, but all right.
25:05 - 25:07: But he was in his own world.
25:07 - 25:08: He was in the rock world, yeah.
25:08 - 25:09: Exactly.
25:09 - 25:11: I still wasn't 100% sure it was him.
25:11 - 25:15: I said, "I'll tell you what. I'll meet you at your studio tomorrow."
25:15 - 25:20: Lo and behold, when I get there, there's Quincy, there's Michael Jackson, and there's Engineers.
25:20 - 25:22: They're making records!
25:22 - 25:23: CNN.
25:23 - 25:27: Did Quincy give you any direction about what he wanted you to do?
25:27 - 25:28: Van Halen.
25:28 - 25:32: Michael left to go across the hall to do some children's speaking record.
25:32 - 25:34: I think it was ET or something.
25:34 - 25:36: Probably the ET record. I was just thinking that.
25:36 - 25:37: Okay.
25:37 - 25:39: So I asked Quincy, "What do you want me to do?"
25:39 - 25:40: And he goes, "Whatever you want to do."
25:40 - 25:42: And I go, "Be careful what you say."
25:42 - 25:45: "If you know anything about me, be careful what you say, man."
25:45 - 25:47: "Do anything you want. Don't be crazy."
25:47 - 25:51: I listen to the song and I immediately go, "Can I change some parts?"
25:51 - 25:55: I turn to the engineer and I go, "Okay, from the breakdown, chop into this part.
25:55 - 25:58: Go into this piece, pre-chorus to the chorus."
25:58 - 26:02: It took him maybe 10 minutes to put it together, and I proceeded to improvise two solos over it.
26:02 - 26:05: I was just finishing the second solo when Michael walked in.
26:05 - 26:07: And you know artists are kind of crazy people.
26:07 - 26:09: We're all a little bit strange.
26:09 - 26:13: I didn't know how he would react to what I was doing, so I warned him before he listened.
26:13 - 26:16: I said, "Look, I changed the middle section of your song."
26:16 - 26:18: That's actually kind of crazy.
26:18 - 26:21: He walks in and he's like, "Can we actually just shift the structure around?"
26:21 - 26:23: Just commandeering the whole studio.
26:23 - 26:27: I'm amazed that that only took 10 minutes in 1981, too.
26:27 - 26:29: Yeah, with tape.
26:29 - 26:30: No problem, Eddie.
26:30 - 26:36: So he continues, "Now in my mind, he's either going to have his bodyguards kick me out for butchering his song or he's going to like it."
26:36 - 26:45: He gave it a listen, and he turned to me and he said, "Wow, thank you so much for having the passion not to come in and blaze a solo, but to actually care about the song and make it better."
26:45 - 26:46: Wow.
26:46 - 26:49: "He was a musical genius with his childlike innocence.
26:49 - 26:52: He was such a professional and such a sweetheart."
26:52 - 26:55: Wait, now he's talking about Nirvana? Hold on.
26:55 - 26:58: Is there an album since then that has shaken things up in the same way?
26:58 - 27:00: Oh, I don't know. CNN.
27:00 - 27:04: Some people cite Nirvana's "Nevermind" as one that has caused a musical shift.
27:04 - 27:07: Van Halen. But still not like that.
27:07 - 27:11: Not that it crossed over to such a mass audience. Nirvana was huge, but it didn't appeal to everyone.
27:11 - 27:13: Anyway, whatever. That's not that interesting.
27:13 - 27:16: Wait, now he's comparing Nirvana to Michael Jackson?
27:16 - 27:24: No, no, no. CNN went into this thing of how Thriller was this huge record and everyone loved it.
27:24 - 27:32: And then CNN was trying to fish a little bit and was like, "Well, what else do you think has changed music? What about Nirvana?"
27:32 - 27:35: And Van Halen is sort of like, "Yes."
27:35 - 27:40: "They're playing punk rock, man." To quote Uncle Ted.
27:40 - 27:45: Yeah, and you can imagine why just some punk rock might not be that appealing to Eddie Van Halen.
27:45 - 27:46: Yeah.
27:46 - 27:51: Well, R.I.P. Eddie Van Halen. Hell of a career.
27:51 - 27:52: Rest in power.
27:52 - 27:55: Right. We were talking on the thread. Seinfeld, you brought this up.
27:55 - 27:58: It seems like everybody says "rest in power" these days.
27:58 - 28:04: I feel like I've noticed this year that "Rest in Peace" is not cool. It's out. Now it's "Rest in Power."
28:04 - 28:08: My guess on the thread was, because you were saying, "Where does this come from?"
28:08 - 28:16: I mean, it really sounds like, I would have guessed it might have its roots in the Black Panther era of African-American activism.
28:16 - 28:23: Then we found some article that said it didn't go back that far, but still implied that it kind of came from Black activism.
28:23 - 28:32: And as a lot of words do, become appropriated by it. Such as the word "woke" also kind of came from a smaller niche.
28:32 - 28:39: And suddenly everybody talks about it. But yeah, "rest in power" really seems like a political thing.
28:39 - 28:47: Race aside, because I don't know exactly where it comes from, it does seem like way more, you know, it sounds like when Nelson Mandela dies.
28:47 - 28:54: "Rest in Power." I feel like the implication is like, somebody who was dedicated to a struggle for equal rights or something.
28:54 - 28:59: You know, the idea of just saying, "Rest in Peace, take it easy now." It's like, no, no.
28:59 - 29:04: Power feels more appropriate because you were looking for power for the people, you know?
29:04 - 29:06: You're struggling not over.
29:06 - 29:10: It feels kind of like, you're still giving them hell in the afterlife.
29:10 - 29:15: Like, your power sustains, you know, beyond the grave.
29:15 - 29:22: Especially when you consider the long history, obviously, of activists being murdered and killed by the powers that be.
29:22 - 29:27: It's important to recognize that just because somebody's dead doesn't mean the struggle's over.
29:27 - 29:32: It is strange that now people seem to use it for literally everybody who dies.
29:32 - 29:37: Although weirdly, I would say with Eddie Van Halen, it makes me think of power chords.
29:37 - 29:40: At least he came from the world of metal.
29:40 - 29:42: Very powerful tone.
29:42 - 29:45: At least his life was associated with power in a way.
29:45 - 29:48: Is power metal a thing? I'm gonna do a number crunch.
29:48 - 29:49: Power metal.
29:49 - 29:57: Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with speed metal, often with some phonic context.
29:57 - 29:59: Who are the big power metal bands?
29:59 - 30:05: I guess they're saying Queensryche and Fate's Warning were progressive metal bands.
30:05 - 30:11: And then they influenced bands like Manowar, Vicious Rumors, Virgin Steel, Riot, or Jagged Panzer.
30:11 - 30:14: Oh yeah. Love those bands.
30:14 - 30:16: Halloween, Running Wild.
30:16 - 30:23: Okay, but either way, power seems like an appropriate word to associate with Eddie Van Halen.
30:23 - 30:25: Speaking of metal, Peace sells.
30:25 - 30:27: But who's buying?
30:27 - 30:29: Wait, Jake, do you know what that is?
30:29 - 30:32: Uh, remind me.
30:32 - 30:36: It's an album from 1986 called Peace Sells. Dot, dot, dot.
30:36 - 30:38: But who's buying?
30:38 - 30:40: Is it a metal record?
30:40 - 30:42: It's an American heavy metal band.
30:42 - 30:44: Do I know the name of the band? Are they famous?
30:44 - 30:45: Yes.
30:45 - 30:49: I'm not a metal guy. It's not Slayer, because I know they did Rain and Blood in '86.
30:49 - 30:53: This band's first album came out in 1985, and it also had an ellipsis.
30:53 - 30:56: It was called Killing is My Business, dot, dot, dot.
30:56 - 30:58: And business is good.
30:58 - 31:00: Oh my god.
31:00 - 31:02: They're so focused on commerce.
31:02 - 31:04: It's not Queensryche, right?
31:04 - 31:05: No.
31:05 - 31:10: And then their third album is called So Far, Comma, So Good, dot, dot, dot.
31:10 - 31:11: So what?
31:11 - 31:12: Oh my god.
31:12 - 31:15: Their fourth album is called Rust in Peace, 1990.
31:15 - 31:18: Their fifth album, 1992, is called Countdown to Extinction.
31:18 - 31:19: Oh, Megadeth.
31:19 - 31:21: Yeah, Megadeth.
31:21 - 31:23: Megadeth.
31:23 - 31:26: Oh my god, those first two album titles are so brutal.
31:26 - 31:28: I don't know why that I've always--
31:28 - 31:30: You know what, I gotta go listen to this album.
31:30 - 31:34: I feel like there's a lot of things that seem very appealing to me about Megadeth.
31:34 - 31:36: One of the most psychotic band names.
31:36 - 31:40: What's the top played Megadeth song on Apple Music?
31:40 - 31:43: I can't even name one Megadeth song.
31:43 - 31:44: Can you?
31:44 - 31:46: No, but I can sing one.
31:46 - 31:50: I can sing one bass line because they always used to use this as a bumper on MTV.
31:50 - 31:54: And it went, "Bow, ba-dow, bow, bow, ba-dow, ba-dow, bow, ba-dow, bow, bow, ba-dow, ba-dow."
31:54 - 31:58: And I would hear that growing up because they would use it for MTV News.
31:58 - 32:00: "Bow, ba-dow, bow, bow, ba-dow, ba-dow."
32:00 - 32:03: And then finally I heard it and I was like, "Oh, it's a Megadeth song. Sick."
32:03 - 32:06: What's the top played Megadeth song on Apple Music?
32:06 - 32:11: "Killing is my business."
32:11 - 32:13: "Business is good."
32:13 - 32:16: "Terrible."
32:16 - 32:29: Oh my God.
32:29 - 32:31: What year is this?
32:31 - 32:33: That vocal texture is so buff.
32:33 - 32:35: This is from '92.
32:35 - 32:40: God, this sucks.
32:40 - 32:43: I'm not that mad at it.
32:43 - 32:45: It's awful.
32:45 - 32:47: I mean, it's kind of interesting.
32:47 - 32:54: Bands like Alice in Chains and Soundgarden were just miles beyond these guys.
32:54 - 32:58: I can hear a little bit of Alice in Chains in there, but Alice in Chains could write songs and sing.
32:58 - 33:02: Well, hold on. You're just basing that off one Megadeth song.
33:02 - 33:06: Okay, let's turn this into a Megadeth episode. Fans would love that.
33:06 - 33:10: Play the title track off Peace Sells, but who's buying?
33:10 - 33:12: Play track three, Peace Sells.
33:12 - 33:14: That's the one that I know.
33:14 - 33:19: I'm into this. Do you remember this? They always play this on MTV.
33:36 - 33:38: This kind of sounds like Primus.
33:38 - 33:40: This is so Beavis and Butthead.
33:40 - 33:42: Oh yeah, it's so Beavis and Butthead.
33:42 - 33:44: Vocals are so low in the mix.
33:44 - 33:46: What do you mean?
33:46 - 33:48: I like this.
33:56 - 33:58: I'd put this on the two Megadeth.
33:58 - 33:59: Hell yeah.
33:59 - 34:01: Peace Sells, but who's buying? I love that title.
34:01 - 34:07: Anyway, I hope there are no hardcore Van Halen fans who hate Megadeth.
34:07 - 34:10: I don't know if that's offensive to a Van Halen fan to get into Megadeth.
34:10 - 34:14: Or maybe there's some shared fandom.
34:14 - 34:20: Jake, before we started paying tribute to the absolute legend Eddie Van Halen,
34:20 - 34:25: you said that you had the Wikipedia cracked open for Jolly Ranchers.
34:25 - 34:26: That is true.
34:26 - 34:28: I don't know about you guys.
34:28 - 34:32: I feel like lately we've been referencing the thread a lot on this show.
34:32 - 34:34: We've been doing this show for a long time now.
34:34 - 34:37: It's okay to peel back the curtain a little bit.
34:37 - 34:41: We're going to have a friend of the show, Daniel Ralston, on.
34:41 - 34:43: I believe for the first time actually on air.
34:43 - 34:44: I think so, yeah.
34:44 - 34:49: He's going to be giving us a review of the new Hershey's/Yingling beer.
34:49 - 34:53: We don't have bottles ourselves. We'll be trying that subsequently.
34:53 - 34:56: But on the thread, I asked if we could hit up our--
34:56 - 35:00: now that we have a great contact at Hershey's,
35:00 - 35:03: I asked if they could hook us up with this new Hershey's beer.
35:03 - 35:04: And they said okay.
35:04 - 35:08: And then Matt, our producer, sent us a picture of a sneaker and said,
35:08 - 35:10: "And also they'd like to send you guys these.
35:10 - 35:15: These are the Kawhi Leonard Jolly Rancher New Balances.
35:15 - 35:20: As always, in 2020 a collab needs three participants.
35:20 - 35:22: Two is boring."
35:22 - 35:26: So we have the NBA star Kawhi Leonard, the sneaker company New Balance,
35:26 - 35:28: and Jolly Rancher.
35:28 - 35:29: And I don't know about you guys,
35:29 - 35:33: but before I could take in the breathtaking beauty of the sneaker,
35:33 - 35:37: my first thought was, "Wait, does Hershey's own Jolly Ranchers?"
35:37 - 35:38: I didn't know that.
35:38 - 35:41: And I feel like the Jolly Ranchers branding, you don't think--
35:41 - 35:44: right? Like, Hershey's just seems like a chocolate company.
35:44 - 35:48: You don't think about it being fruit-flavored lozenges.
35:48 - 35:52: It'd be like if Hershey's sold-- like, owned Skittles.
35:52 - 35:54: It'd be like, "What?"
35:54 - 35:55: Yeah, especially because--
35:55 - 35:56: What the f***?
35:56 - 35:57: [laughter]
35:57 - 35:59: Rare F-bomb from the South.
35:59 - 36:02: I'm sorry, but it would be upsetting.
36:02 - 36:05: I think especially because, like most people,
36:05 - 36:08: you know, most people want to keep their chocolate candy
36:08 - 36:10: separate from their fruity candy.
36:10 - 36:12: I can think of a few weird things.
36:12 - 36:14: I feel like growing up in my grandparents' house,
36:14 - 36:18: they always had, like, chocolate-covered orange peel kind of candy.
36:18 - 36:19: Gross.
36:19 - 36:21: And it's definitely not for everybody.
36:21 - 36:23: And I feel like that's a thing you hear a lot.
36:23 - 36:25: People say, "I don't like my chocolate and my fruit mixed up.
36:25 - 36:27: I'm disgusted by it."
36:27 - 36:28: Big time.
36:28 - 36:30: And I even-- is this-- Seinfeld, is this like a meme or something?
36:30 - 36:32: Or is this like a prank?
36:32 - 36:34: You take a big thing of Skittles and a big thing of M&M's
36:34 - 36:36: and you mix them up in a bowl?
36:36 - 36:40: I saw one tweet about that, weirdly enough, last week.
36:40 - 36:42: And I think the phrase was,
36:42 - 36:47: "My aunt mixed M&M's and Skittles and it's the most chaotic."
36:47 - 36:49: You know how people say chaotic now?
36:49 - 36:52: Like, "The most chaotic evil I've ever seen."
36:52 - 36:54: "The most chaotic evil I've ever seen."
36:54 - 36:55: Something like that.
36:55 - 36:57: I've never-- I haven't seen it replicated,
36:57 - 37:00: but maybe there was one single sort of mega tweet about that.
37:00 - 37:02: This is a thing. I think it goes back years.
37:02 - 37:05: Maybe it's also just for the average American child
37:05 - 37:07: of a certain age, perhaps.
37:07 - 37:09: I don't know if kids still eat candy.
37:09 - 37:12: But the idea of mixing up Skittles and M&M's
37:12 - 37:14: is just, like, so disturbing--
37:14 - 37:17: -Gross. ---to a red-blooded American kid.
37:17 - 37:20: Can I read you one sentence off this Wikipedia page
37:20 - 37:22: that I think is so indicative of, like,
37:22 - 37:24: kind of late capitalist situation?
37:24 - 37:26: -Sure. -There's a--
37:26 - 37:28: called "Acquisitions"
37:28 - 37:30: on the Jolly Rancher Wikipedia page.
37:30 - 37:32: And it's one sentence long, and it says,
37:32 - 37:36: "In 2002, Hershey closed the Wheat Ridge, Colorado plant
37:36 - 37:39: and moved the manufacturing of the candy to Mexico
37:39 - 37:40: to save costs."
37:40 - 37:42: Wow.
37:42 - 37:46: 'Cause it was founded in Golden, Colorado in 1949.
37:46 - 37:49: -So from 1949 to 2002, -Whoa.
37:49 - 37:51: Jolly Ranchers were made in the USA
37:51 - 37:53: in Colorado.
37:53 - 37:55: Wait, is Golden, Colorado also where, like,
37:55 - 37:57: Coors is from or some beer company?
37:57 - 37:59: Coors is definitely from that region of the world.
37:59 - 38:01: I don't know if it's "Golden."
38:01 - 38:04: That's right. You're right. It is Coors.
38:04 - 38:07: Whoa, Golden, Colorado is like the Silicon Valley
38:07 - 38:09: of beer and candy.
38:09 - 38:11: That's two pretty big things
38:11 - 38:13: to be-- come out of one town.
38:13 - 38:15: Well, I also think that I'm--
38:15 - 38:17: if I'm recalling my research from years ago,
38:17 - 38:19: I want to say Wild Oats
38:19 - 38:21: came from Golden, Colorado.
38:21 - 38:23: Wild Oats was the, like, competitor to Whole Foods
38:23 - 38:25: for a good 20 years,
38:25 - 38:27: and then Whole Foods eventually bought them.
38:27 - 38:29: I'm gonna take this all the way.
38:29 - 38:31: That's correct.
38:31 - 38:33: Wow. Wait, so what is--
38:33 - 38:35: is Golden, Colorado just, like, a suburb of Denver?
38:35 - 38:37: Yes. I think it's, like--
38:37 - 38:39: it is adjacent to Denver,
38:39 - 38:41: but I think there's, like, a cool college there.
38:41 - 38:43: -Oh. -And I think it's, like,
38:43 - 38:45: -a little bit of, like-- -It's a former Gold Rush town.
38:45 - 38:47: It's a mountain town, right.
38:47 - 38:49: I think it's maintained some degree
38:49 - 38:51: of, like, hippie crunchiness.
38:51 - 38:53: Yeah, I mean, you hear so much about Boulger.
38:53 - 38:55: -Yes. -Yeah, it looks like
38:55 - 38:57: it is part of Greater Denver.
38:57 - 38:59: I've been to Denver many times, but it's always on tour,
38:59 - 39:01: so, like, I rarely get to
39:01 - 39:03: kind of explore Greater Denver.
39:03 - 39:05: It's a fascinating area.
39:05 - 39:07: It's also always amazed me how, um,
39:07 - 39:09: when, uh, Red Rocks,
39:09 - 39:11: which is in Morrison, Colorado,
39:11 - 39:13: and, you know, anybody's ever been to Red Rocks
39:13 - 39:15: or even seen pictures, it's, like,
39:15 - 39:17: one of the most, like,
39:17 - 39:19: breathtaking venues in America.
39:19 - 39:21: -Yeah. -You know, carved into this rock.
39:21 - 39:23: You're in, like, this, I think, a state park,
39:23 - 39:25: but it's, like, amazing. You're, like,
39:25 - 39:27: as far as the eye can see, it's, like, this kind of,
39:27 - 39:29: like, beautiful, rugged terrain,
39:29 - 39:31: and, you know, usually
39:31 - 39:33: when we play at Red Rocks, we, like, stay in Denver,
39:33 - 39:35: you know, like, jump in a van,
39:35 - 39:37: and we're, like, there in, like, 35 minutes.
39:37 - 39:39: -Mm-hmm. -And it's really wild
39:39 - 39:41: 'cause, like, yeah, the Red Rocks,
39:41 - 39:43: whatever the beautiful outdoor
39:43 - 39:45: natural amphitheater of a lot
39:45 - 39:47: of cities might be hours outside.
39:47 - 39:49: Right. That's cool.
39:49 - 39:51: But clearly,
39:51 - 39:53: gold in Colorado is where it's at.
39:53 - 39:55: Jay, did you find anything else out about Jolly Ranchers?
39:55 - 39:57: When did they start making them?
39:57 - 39:59: 1949.
39:59 - 40:01: Bill and Dorothy Harmsman
40:01 - 40:03: founded the company.
40:03 - 40:05: They wanted to give the impression
40:05 - 40:07: of it being a friendly Western company.
40:07 - 40:09: Okay.
40:09 - 40:11: And also, it's a rancher. -Yeah.
40:11 - 40:13: -That implies the West, right? -Yeah.
40:13 - 40:15: -Like, you know, if it had been founded in
40:15 - 40:17: 1907 in Connecticut,
40:17 - 40:19: it might be called, like, the Happy Farmer.
40:19 - 40:21: But this was founded in a gold rush town
40:21 - 40:23: out in the Rockies.
40:23 - 40:25: So it was a Jolly Rancher.
40:25 - 40:27: I can give you a little breakdown of the chemistry, if you'd like.
40:27 - 40:29: Yeah, the technology.
40:29 - 40:31: Oh, yeah, please. Let's get into the tech.
40:31 - 40:33: Okay. Well, they're amorphous solids, meaning their
40:33 - 40:35: molecular arrangements have no specific pattern.
40:35 - 40:37: They are hard...
40:37 - 40:39: Of course.
40:39 - 40:41: ...rigid, translucent, and have low molecular
40:41 - 40:43: mobility. Jolly Ranchers
40:43 - 40:45: are formed from highly concentrated sugar
40:45 - 40:47: solutions, greater than 95%
40:47 - 40:49: sugar, and have extremely high viscosity.
40:49 - 40:51: Their glassy appearance is a result
40:51 - 40:53: of the way they are processed.
40:53 - 40:55: During processing, the sugar syrup is
40:55 - 40:57: cooled so rapidly that no crystals
40:57 - 40:59: have time to form.
40:59 - 41:01: Jolly Ranchers hold their shape
41:01 - 41:03: and are kept in temperatures less than the glass transition
41:03 - 41:05: temperature. If the temperature is
41:05 - 41:07: greater than the glass transition temperature,
41:07 - 41:09: the hard and glassy-like structure of the
41:09 - 41:11: Jolly Rancher will break down and become soft
41:11 - 41:13: and rubbery. -Hmm.
41:13 - 41:15: -So, a little, you know, chemistry background there.
41:15 - 41:17: [laughter]
41:17 - 41:19: -Isn't Jolly Rancher
41:19 - 41:21: like a primary ingredient in drink?
41:21 - 41:23: -Oh, yeah. There is a thing where people would, like,
41:23 - 41:25: melt Jolly Ranchers and use it
41:25 - 41:27: to make alcohol.
41:27 - 41:29: -Well, I can tell you that, um,
41:29 - 41:31: something that, uh,
41:31 - 41:33: is very popular on TikTok
41:33 - 41:35: that my kids are very into
41:35 - 41:37: is a viral video where people
41:37 - 41:39: prank other people by boiling
41:39 - 41:41: the Jolly Ranchers down,
41:41 - 41:43: putting someone's phone inside of them
41:43 - 41:45: to make a giant Jolly Rancher
41:45 - 41:47: and then putting it into the freezer.
41:47 - 41:49: So, their phone is now
41:49 - 41:51: trapped in a giant Jolly Rancher.
41:51 - 41:53: -Does it ruin the phone?
41:53 - 41:55: -It ruins the phone.
41:55 - 41:57: [laughter]
41:57 - 41:59: -So, the prank is destroying people's phones?
41:59 - 42:01: -Yeah. It would be a sick
42:01 - 42:03: prank if it didn't ruin the phone
42:03 - 42:05: and you had to, like, eat.
42:05 - 42:07: -Hammer through or eat through this giant Jolly Rancher.
42:07 - 42:09: -Yeah, no. It would be sick if it -- maybe it doesn't
42:09 - 42:11: always ruin the phone. If you could see through
42:11 - 42:13: the translucent, amorphous,
42:13 - 42:15: molecular structure and you could see
42:15 - 42:17: that your phone was working and, in fact,
42:17 - 42:19: you see you're getting texted
42:19 - 42:21: and you're like, "Uh," and you want to bust
42:21 - 42:23: it and you're like, "Hold on a second.
42:23 - 42:25: If you grab a hammer or you throw this
42:25 - 42:27: against the, you know, the f---ing corner
42:27 - 42:29: of the table, you might break your phone."
42:29 - 42:31: And it's like, "Well, how do I get to this s---?"
42:31 - 42:33: And it's like, "Start licking." -That would be a sick
42:33 - 42:35: prank. -We got to figure out a way to do this
42:35 - 42:37: prank where it doesn't destroy the phone. -Well, I think
42:37 - 42:39: that there's a version where you just
42:39 - 42:41: put it inside a Ziploc.
42:41 - 42:43: -It's sort of the safer way to do it.
42:43 - 42:45: And I would imagine it keeps it working.
42:45 - 42:47: I don't think freezing a phone
42:47 - 42:49: hurts it. Does it? Obviously,
42:49 - 42:51: the heat, you know, can
42:51 - 42:53: turn it off, but... -They're like molten
42:53 - 42:55: Jolly Ranchers, what destroys the phone.
42:55 - 42:57: [laughter]
42:57 - 42:59: Cool prank. "Hey, Ezra, I stole your phone."
42:59 - 43:01: -"Start licking." [laughter]
43:01 - 43:03: -"I stole your phone and I put it
43:03 - 43:05: in my Vitamix, and
43:05 - 43:07: now I just sprinkled it in with these
43:07 - 43:09: eggs. I made you an omelette of
43:09 - 43:11: your phone." [laughter]
43:11 - 43:13: [laughter]
43:15 - 43:17: -The phone is destroyed. -It's broken now, you can't
43:17 - 43:19: use your phone anymore.
43:19 - 43:21: -The phone is destroyed.
43:23 - 43:25: ♪ From the corner store ♪
43:25 - 43:28: ♪ I'ma be like a watercone ♪
43:28 - 43:30: ♪ Just drip it down to the floor ♪
43:30 - 43:33: ♪ The way you do it for me, I can't lie ♪
43:33 - 43:36: ♪ 'Bout to be your feelin' all night ♪
43:36 - 43:38: ♪ Whatever I get, you're puttin' it on ♪
43:38 - 43:40: ♪ So give me no leave, then momma do it all ♪
43:40 - 43:43: ♪ F-F-Fia, wants to be ♪
43:43 - 43:46: ♪ Your sugar girl mama, son ♪
43:46 - 43:48: ♪ Sugar mama, mama, mama ♪
43:48 - 43:51: ♪ I'm your sugar mama ♪
43:51 - 43:54: ♪ F-F-Fia, wants to be ♪
43:54 - 43:55: ♪ New and new, heavy on the wrist ♪
43:55 - 43:58: ♪ 'Cause I'm a sugar mama, mama ♪
43:58 - 44:01: ♪ I'm your sugar mama ♪
44:01 - 44:13: - Well, speaking of beverages,
44:13 - 44:14: it's time to get on the phone
44:14 - 44:16: with friend of the show, Daniel Ralston.
44:16 - 44:20: As you'll recall, he has the Hershey's Yingling beer
44:20 - 44:22: in his possession.
44:22 - 44:24: Also, it was his great call to do a country top five
44:24 - 44:26: on the last episode.
44:26 - 44:29: So let's get him on the horn and see what he has to say.
44:29 - 44:32: - Are we sure that he has the beer in his possession?
44:32 - 44:33: - Yes, I believe so.
44:33 - 44:34: Well, we're about to find out.
44:34 - 44:37: - And he posted like a stock photo of it.
44:37 - 44:38: - Okay, well, great.
44:38 - 44:39: Plenty to talk about.
44:39 - 44:42: - Now, let's go into the Time Crisis Hotline.
44:42 - 44:45: (phone ringing)
44:45 - 44:47: - Hello.
44:47 - 44:49: - Daniel.
44:49 - 44:49: - Hi.
44:49 - 44:51: - Welcome to the show.
44:51 - 44:53: Okay, right off the bat, first question.
44:53 - 44:56: Do you have the Hershey's beer in your possession?
44:56 - 44:57: - I have the Hershey's beer in my possession.
44:57 - 44:59: - Oh, okay.
44:59 - 45:00: - Beautiful.
45:00 - 45:02: - A few questions first,
45:02 - 45:05: because you're the one who put this on our radar.
45:05 - 45:08: So this came to you via your family
45:08 - 45:10: or did you already know about it?
45:10 - 45:13: - I saw something about it in my like random Google News feed
45:13 - 45:16: and they were advertising it as 300 years
45:16 - 45:17: of Pennsylvania history
45:17 - 45:20: because both Hershey's and Yangling have been around
45:20 - 45:23: for like 150 plus years.
45:23 - 45:25: And I called my parents and I said,
45:25 - 45:26: "Can you find this for me?
45:26 - 45:27: "I wanna try it."
45:27 - 45:30: And my dad was like, "I already saw it at Wegmans.
45:30 - 45:33: "It's being pushed very hard at the grocery store."
45:33 - 45:34: So he sent me some right away.
45:34 - 45:36: - You're from Pennsylvania, right?
45:36 - 45:37: - Yeah, I'm from Allentown.
45:37 - 45:42: - Growing up, did Hershey's and Yangling loom large for you?
45:42 - 45:44: - Yeah, I probably went to Hershey Park
45:44 - 45:45: like 30 times as a kid.
45:45 - 45:48: It's like an hour and a half from where I grew up.
45:48 - 45:50: I saw some of my first concerts there,
45:50 - 45:54: including Dave Matthews Band in 1994.
45:54 - 45:57: - 'Cause they have like an amphitheater at Hershey Park?
45:57 - 45:58: - They do.
45:58 - 46:00: Actually, it's one of the famous shows
46:00 - 46:02: that Radiohead opened for Alanis Morissette
46:02 - 46:03: was at Hershey Park.
46:03 - 46:06: - So you're telling me Tom York has been to Hershey PA.
46:06 - 46:08: - He's been to Hershey PA for sure.
46:08 - 46:11: - I wonder if Radiohead got the VIP factory tour.
46:11 - 46:12: - There's a song they play on the factory tour
46:12 - 46:13: that's pretty legendary.
46:13 - 46:16: I hope they worked it into one of their songs later.
46:16 - 46:17: - What are some of the lyrics?
46:17 - 46:20: It's like an original composition about Hershey's?
46:20 - 46:24: ♪ Hershey's chocolate's a Hershey's chocolate world ♪
46:24 - 46:26: ♪ Wherever you go, no matter how far ♪
46:26 - 46:31: ♪ You're always near a Hershey bar ♪
46:31 - 46:32: - Okay, that's pretty good.
46:32 - 46:33: - Yeah.
46:33 - 46:37: - And have you ever tasted like a hot off the presses
46:37 - 46:39: Reese's peanut butter cup?
46:39 - 46:42: - No, I haven't.
46:42 - 46:43: One time I did the tour
46:43 - 46:46: and one of the big draws of the Hershey Park tour
46:46 - 46:48: is that they give you like a full-size candy bar
46:48 - 46:49: at the end.
46:49 - 46:50: This is probably the last time I went.
46:50 - 46:52: It was like in the mid nineties
46:52 - 46:56: and they gave me a desert storm bar,
46:56 - 46:58: which was the candy bar created
46:58 - 47:00: to withstand high temperatures.
47:00 - 47:02: - Oh, wait, I feel like this briefly came up
47:02 - 47:04: when we were researching that,
47:04 - 47:06: 'cause you know, Reese's peanut butter cups
47:06 - 47:09: have different formulas in the summer and winter.
47:09 - 47:12: And I feel like this came up at some time in our research.
47:12 - 47:13: I don't think we really talked about it too much
47:13 - 47:14: on the show.
47:14 - 47:16: So this was during the Gulf War,
47:16 - 47:19: even the American summer formula wasn't enough
47:19 - 47:23: to withstand that real intense Iraqi heat.
47:23 - 47:24: - Exactly.
47:24 - 47:27: And I remember it came in like a tan wrapper,
47:27 - 47:29: you know, it had like a military look.
47:29 - 47:30: - Yeah.
47:30 - 47:31: Did it say like desert storm bar?
47:31 - 47:33: - That's what it was called, I'm pretty sure.
47:33 - 47:36: - When I typed in desert storm Hershey bar,
47:36 - 47:38: the first thing that comes up on Google
47:38 - 47:41: is one for sale on eBay.
47:41 - 47:46: They're asking for $24.95 plus $3.50 shipping.
47:46 - 47:48: It says condition used.
47:48 - 47:49: (laughs)
47:49 - 47:50: I'm like, that means.
47:50 - 47:52: And it ships from Harrisburg, Pennsylvania.
47:52 - 47:53: - Nice.
47:53 - 47:55: - Did it cross your mind as a kid when they gave you that?
47:55 - 47:56: Weren't you kind of like,
47:56 - 47:59: I really think this should be with a soldier
47:59 - 48:00: in Iraq right now.
48:00 - 48:03: Like, why did they have them back home?
48:03 - 48:05: - I was more concerned with the fact
48:05 - 48:08: that I wanted a new candy bar that had recently come out
48:08 - 48:10: that had M&Ms inside of a chocolate bar.
48:10 - 48:12: And I got the desert storm bar instead.
48:12 - 48:14: And I just remember being super disappointed
48:14 - 48:16: and putting it straight in the trash,
48:16 - 48:19: which might be the most disrespectful thing to the troops.
48:19 - 48:21: (laughs)
48:21 - 48:22: - You should have mailed it.
48:22 - 48:24: Whoa, oh my God.
48:24 - 48:26: Also looking on eBay.
48:26 - 48:28: I love that a significant element of time crisis now
48:28 - 48:30: is just listening to people look at eBay.
48:30 - 48:32: (laughs)
48:32 - 48:38: But I found, okay, so that was one for $35.
48:38 - 48:39: Here's one, it's in California.
48:39 - 48:41: So it'll get there faster.
48:41 - 48:45: This is a lot of 33 1991 Hershey's Desert Bar
48:45 - 48:46: Gulf War chocolates.
48:46 - 48:49: They're asking $585.
48:49 - 48:51: But if you use PayPal credit,
48:51 - 48:53: you can do $51 a month for 12 months.
48:53 - 48:56: - Do I only get a certain number for month two as I pay
48:56 - 48:58: or do I get them all at once?
48:58 - 48:59: - Oh, if the seller's smart,
48:59 - 49:00: they won't give you them all at once.
49:00 - 49:03: - Those are 29 year old candy bars.
49:03 - 49:05: Yeah, made to withstand the elements.
49:05 - 49:08: - Ooh, here's one that's in the actual box.
49:08 - 49:11: "Operation Desert Shield and Operation Desert Storm
49:11 - 49:13: both ended before Hershey was even done
49:13 - 49:15: producing the desert bars.
49:15 - 49:19: Only 144,000 bars even made it to the Middle East.
49:19 - 49:23: It sold the defunct MREs as novelty items
49:23 - 49:24: until the supplies ran out
49:24 - 49:27: and then discontinued the bar entirely."
49:27 - 49:27: - Whoa.
49:27 - 49:30: - Is there a 2003 Iraq War bar?
49:30 - 49:33: - Just bring them back with a new label.
49:33 - 49:33: - Right.
49:33 - 49:36: - Okay, now I'm remembering how somebody sent us an email.
49:36 - 49:38: Apologies to whoever sent us this email.
49:38 - 49:40: Seinfeld, maybe do a number crunch.
49:40 - 49:41: Who sent us the email about Hershey's
49:41 - 49:43: making bars for the military?
49:43 - 49:45: 'Cause as I go deeper,
49:45 - 49:47: now I'm seeing World War II era Hershey's bars
49:47 - 49:50: that were branded as Hershey's Tropical Chocolate
49:50 - 49:53: that also they were probably sending to, you know,
49:53 - 49:56: like the Pacific Theater, maybe North Africa.
49:56 - 49:58: And these say tropical on...
49:58 - 50:00: So I guess there's a long history of Hershey's
50:00 - 50:03: changing their formula to send to the troops
50:03 - 50:05: fighting in hot places.
50:05 - 50:08: - Wait, so Daniel, have you tried the Hershey's Yingling?
50:08 - 50:11: - No, I was saving it for time crisis.
50:11 - 50:12: - Oh, you haven't taken a sip yet.
50:12 - 50:15: Let's move on from the military chocolate industrial complex.
50:15 - 50:17: - Wait, wait, wait, I do want to say,
50:17 - 50:19: I want to say, no, no, no.
50:19 - 50:21: Just because you asked, just because you asked,
50:21 - 50:23: Kevin Paschall is his name.
50:23 - 50:26: And I only feel urgently that I should say,
50:26 - 50:28: because this was just an incredible email.
50:28 - 50:30: It was just one of those like thousand word bangers
50:30 - 50:34: that gets into like this whole anthropological background.
50:34 - 50:36: It's worth reading maybe at some point, but not today.
50:36 - 50:37: Anyway.
50:37 - 50:38: - All right, shout out to Kevin.
50:38 - 50:40: Is there anything we missed?
50:40 - 50:42: - We're never going to get to it later.
50:42 - 50:43: This was a tough one.
50:43 - 50:44: (laughing)
50:44 - 50:46: - I mean, did you talk about
50:46 - 50:49: Army quartermaster Colonel Paul Logan?
50:49 - 50:50: - No, is this his idea?
50:50 - 50:52: - Yeah, he asked Hershey to develop a bar
50:52 - 50:56: that was four ounces, able to withstand high temperatures,
50:56 - 51:00: high caloric value, and taste better than a boiled potato.
51:00 - 51:01: - Oh my God, can't you already see like
51:01 - 51:05: the kind of late period Disney movie of this
51:05 - 51:08: where Tom Hanks plays like Mr. Hershey
51:08 - 51:11: and John Hamm or something plays,
51:11 - 51:13: wait, what's the quartermaster's name?
51:13 - 51:16: - Quartermaster Colonel Paul Logan.
51:16 - 51:20: - John Hamm is quartermaster Colonel Paul Logan.
51:20 - 51:25: And he like gets off like the military plane in Hershey, PA.
51:25 - 51:27: And he comes in and he's just like,
51:27 - 51:29: sir, do you love your country?
51:29 - 51:30: And Tom Hanks is like,
51:30 - 51:31: the only thing I love more than chocolate
51:31 - 51:33: is my country, sir.
51:33 - 51:35: And he's like, we're in dire need of chocolate
51:35 - 51:36: that won't melt.
51:36 - 51:41: It's kind of like a feel good PG Disney historical film.
51:41 - 51:43: I mean, what am I even thinking of?
51:43 - 51:44: I'm like taking this from something,
51:44 - 51:46: but it seems like when America was at war.
51:46 - 51:49: - Well, it's like every other Tom Hanks film.
51:49 - 51:51: - Right.
51:51 - 51:52: - You know, the story that's not told
51:52 - 51:54: is that the World War II bar
51:54 - 51:58: was sarcastically nicknamed Hitler's secret weapon
51:58 - 52:02: because the oat flour and the chocolate.
52:02 - 52:04: - Movie title.
52:04 - 52:07: - Made the bar so dense
52:07 - 52:09: that soldiers couldn't even bite into them.
52:09 - 52:11: And the lack of sugar also rendered the chocolate
52:11 - 52:13: almost too bitter to be edible.
52:13 - 52:16: And it caused constipation and made everybody feel awful.
52:16 - 52:20: - Oh no, that's why Disney didn't make the movie
52:20 - 52:23: is because the Hershey company almost lost the war
52:23 - 52:25: for the Allies.
52:25 - 52:26: - Yeah, that's not a movie.
52:26 - 52:28: That's a good like eight part podcast.
52:28 - 52:30: - Okay, it's either a podcast
52:30 - 52:33: or maybe it's like an HBO mini series,
52:33 - 52:38: like a Mildred Pierce, HBO period mini series.
52:38 - 52:40: It all takes place in Hershey, PA.
52:40 - 52:42: You know, and also Daniel, back me up,
52:42 - 52:46: a lot of German heritage in Pennsylvania, right?
52:46 - 52:48: - Yeah, I grew up in what some people would describe
52:48 - 52:50: as like Amish country, kind of.
52:50 - 52:51: There's a lot of Pennsylvania Dutch people
52:51 - 52:53: and Amish people around.
52:53 - 52:56: Definitely a huge German influence on like beer culture,
52:56 - 52:57: food culture and everything there.
52:57 - 53:00: - Right, hence the beer and all the good food.
53:00 - 53:02: So you could also imagine that there's like some weird
53:02 - 53:06: (beep) about like, there's a German immigrant guy
53:06 - 53:09: and he just got a job at the Hershey factory,
53:09 - 53:11: but he has like this heavy German accent.
53:11 - 53:12: He actually is like a good dude.
53:12 - 53:13: And he's just like,
53:13 - 53:16: "I want nothing more than to serve America.
53:16 - 53:17: America, I love you."
53:17 - 53:18: But then like everybody else was like,
53:18 - 53:20: "I don't know if we can trust you, man."
53:20 - 53:23: And then there really is actually a Nazi spy,
53:23 - 53:25: but it's like some other dude
53:25 - 53:27: and you probably like learn some heartwarming lesson
53:27 - 53:30: about don't judge a book by its cover
53:30 - 53:31: or something like that.
53:31 - 53:34: And that guy actually was putting the constipation
53:34 - 53:36: into the double agent chocolatier.
53:36 - 53:37: I mean, there probably was (beep)
53:37 - 53:40: there was sabotage happening at American factories.
53:40 - 53:42: Why wouldn't they have made it to Hershey beer?
53:42 - 53:45: - And then a title card at the end that just says,
53:45 - 53:49: "100 years later, a chocolate beer was developed
53:49 - 53:51: using the technology."
53:51 - 53:53: (laughing)
53:53 - 53:56: - The technology is still being used today.
53:56 - 53:58: ♪ Colonel ♪
53:58 - 54:03: ♪ Forbidden to stand up at the mountain ♪
54:03 - 54:05: ♪ And wiped away the beads of sweat ♪
54:05 - 54:08: ♪ That glistened on his brow ♪
54:08 - 54:13: ♪ His tired feet were buried in the quagmire ♪
54:13 - 54:17: ♪ And his bloodshot eyes saw all that lay between him ♪
54:17 - 54:20: ♪ And fulfillment of his vow ♪
54:20 - 54:22: - Hershey's a crazy place,
54:22 - 54:24: but the town where the Yingling Brewery is,
54:24 - 54:26: which is called Pottsville, Pennsylvania,
54:26 - 54:29: is also a really crazy town.
54:29 - 54:30: It's in the middle of nowhere.
54:30 - 54:33: It's close to like Bloomsburg University,
54:33 - 54:34: which is where a lot of people at my high school
54:34 - 54:35: went to college.
54:35 - 54:38: But in the '70s, Muhammad Ali trained there
54:38 - 54:40: at a place called Deer Lake,
54:40 - 54:42: right in the middle of a random town in Pennsylvania.
54:42 - 54:43: - Wow. - Wow.
54:43 - 54:44: - That sounds kind of familiar,
54:44 - 54:47: maybe in like a documentary I watched or something.
54:47 - 54:49: - Right, the one where he fights George Foreman
54:49 - 54:52: in Zimbabwe or Zaire,
54:52 - 54:53: which country is it?
54:53 - 54:54: Rumble in the Jungle.
54:54 - 54:58: And there's a bunch of Ali training in rural Pennsylvania.
54:58 - 54:59: That's, yeah.
54:59 - 55:01: - Pennsylvania is a fascinating state.
55:01 - 55:03: - It's the kind of place where you can like
55:03 - 55:05: still buy a house for $12,000.
55:05 - 55:07: It's really like the middle of nowhere.
55:07 - 55:11: And the Yingling factory is the biggest employer in the town.
55:11 - 55:13: Yingling is like the beer that everybody I knew
55:13 - 55:14: got drunk on for the first time.
55:14 - 55:16: That's like the go-to Pennsylvania beer.
55:16 - 55:18: - Right, I wanted to talk about that
55:18 - 55:20: because I grew up in New Jersey.
55:20 - 55:22: New Jersey and Pennsylvania have a lot in common.
55:22 - 55:27: And I think the first time I ever got (beep) faced,
55:27 - 55:29: it might've been on Yingling.
55:29 - 55:29: Well, not (beep) faced,
55:29 - 55:32: maybe the first time I like drank a couple of beers.
55:32 - 55:33: I think it was Yingling.
55:33 - 55:34: And so I always thought of Yingling
55:34 - 55:36: as being like a major beer,
55:36 - 55:38: but I think, Jake, were you the one saying
55:38 - 55:40: they don't even sell it in California?
55:40 - 55:41: - I don't think they do.
55:41 - 55:42: Daniel, can you verify?
55:42 - 55:44: - Yeah, they don't sell it in California.
55:44 - 55:46: They sell it on the East Coast
55:46 - 55:48: and they're very provincial about it.
55:48 - 55:50: They keep it local.
55:50 - 55:52: I did see that they signed a deal
55:52 - 55:54: with I think a Coors distributor
55:54 - 55:56: that they're gonna start selling it in other places.
55:56 - 55:57: But if you wanna get in California,
55:57 - 55:59: you have to have somebody send it to you.
55:59 - 56:01: - But so you're in high school in Pennsylvania
56:01 - 56:06: and people are not buying Bud or Corona.
56:06 - 56:09: Everyone's just feeling a sense of local pride
56:09 - 56:11: and it's just like, Yingling, dude.
56:11 - 56:13: - Yeah, there's a little town near where I grew up
56:13 - 56:17: called, the town name is called Leather Corner Post.
56:17 - 56:17: - Wow.
56:17 - 56:18: - And there's a bar there
56:18 - 56:20: called the Leather Corner Post Hotel
56:20 - 56:21: that the last time I was there,
56:21 - 56:22: maybe like three or four years ago,
56:22 - 56:24: they still had Quarter Yinglings.
56:24 - 56:25: - Wow.
56:25 - 56:26: - So it's like a beer that's cheaper.
56:26 - 56:27: - Quarter Yinglings?
56:27 - 56:28: - Yeah.
56:28 - 56:29: - Wow.
56:29 - 56:30: - All the time.
56:30 - 56:31: So it's like, it's the cheapest beer
56:31 - 56:32: 'cause they're getting it locally.
56:32 - 56:34: And yeah, it's definitely the go-to
56:34 - 56:36: more than Bud or anything else,
56:36 - 56:37: at least in Allentown.
56:37 - 56:38: - I love that.
56:38 - 56:40: I love that there's some local pride
56:40 - 56:43: and they've avoided it all being swallowed
56:43 - 56:45: into some sort of global culture.
56:45 - 56:46: They're sort of like the kids there
56:46 - 56:50: 'cause kids are like averse to like local stuff that like.
56:50 - 56:51: - Yeah.
56:51 - 56:52: - You know, it's like interesting that they're like,
56:52 - 56:53: oh yeah, Yingling.
56:53 - 56:54: - It's good.
56:54 - 56:57: I'd say it's like 10% better than opening up a Budweiser.
56:57 - 56:58: Like it's a little bit better.
56:58 - 57:01: And then they make a black and tan that's really good too.
57:01 - 57:03: So that's why I'm sort of hopeful
57:03 - 57:05: that maybe the chocolate beer will be delicious.
57:05 - 57:06: - Crack it open.
57:06 - 57:08: - Yeah, let's find out.
57:08 - 57:09: - Is it cold?
57:09 - 57:11: - This is a porter.
57:11 - 57:15: - It is a chocolate porter made in Pottsville, Pennsylvania.
57:15 - 57:18: So this is a real Pennsylvania about to taste
57:18 - 57:22: 300 years of Pennsylvania history live on the internet radio.
57:22 - 57:26: He's drinking it folks.
57:26 - 57:27: - Bottoms up.
57:27 - 57:29: - Oh, that's very rough.
57:29 - 57:32: After all this buildup.
57:32 - 57:36: - No, it actually doesn't have that bad.
57:36 - 57:38: It has a pretty good aftertaste,
57:38 - 57:40: but it tastes like you took a sip of a Budweiser
57:40 - 57:43: and then ate a Tootsie Roll immediately afterwards.
57:44 - 57:46: - Is it like really sweet then?
57:46 - 57:47: - It's not sweet.
57:47 - 57:50: It just has sort of like a treacly chocolatey
57:50 - 57:52: kind of flavor hanging around.
57:52 - 57:53: - Right.
57:53 - 57:54: - But I gotta say, Tootsie Roll.
57:54 - 57:55: - Going back in for taste number two.
57:55 - 57:56: - Go back in.
57:56 - 57:58: I feel like Tootsie Roll is the worst form
57:58 - 58:01: of chocolate imaginable.
58:01 - 58:02: - I disagree.
58:02 - 58:03: - Really?
58:03 - 58:04: - I disagree.
58:04 - 58:06: Also, you know what's funny?
58:06 - 58:09: I was about to say like, does Hershey's make Tootsie Roll?
58:09 - 58:10: I looked it up.
58:10 - 58:13: No, Tootsie Roll is not a Hershey's product.
58:13 - 58:16: It's manufactured by Tootsie Roll Industries
58:16 - 58:18: based in Chicago, Illinois.
58:18 - 58:21: - How great a name is Tootsie Roll Industries?
58:21 - 58:23: - T-R-I.
58:23 - 58:26: - Daniel, is it getting any better with subsequent tastes?
58:26 - 58:28: - No.
58:28 - 58:29: It's definitely not something I would drink
58:29 - 58:30: more than one of.
58:30 - 58:34: I hate to report that it's not my favorite beer of all time,
58:34 - 58:36: but it's definitely not.
58:36 - 58:38: I'm washing it down with a Peroni right now.
58:38 - 58:39: - Damn, bad luck for PA.
58:41 - 58:43: Now, given that our election
58:43 - 58:45: and potentially the future of this country
58:45 - 58:47: might come down to Pennsylvania,
58:47 - 58:50: we need to try to turn this into like a bright spot.
58:50 - 58:52: - Well, I'm happy to hear that it's made it
58:52 - 58:55: onto the shelves of every Wegmans in Allentown already.
58:55 - 58:57: It seems like they're pushing it pretty hard
58:57 - 58:58: in my local area.
58:58 - 59:00: I wouldn't say this is exactly a winner,
59:00 - 59:03: but maybe there'll be like a Reese's Yingling down the road
59:03 - 59:06: that's like, that's a 2.0 of this,
59:06 - 59:07: but this is definitely not it.
59:07 - 59:09: - Maybe the fact that Pennsylvania
59:09 - 59:14: is taking such a massive L with the Hershey's Yingling,
59:14 - 59:17: then we gotta hope that in November,
59:17 - 59:20: PA will really come through for the country.
59:20 - 59:22: We've discussed on the show,
59:22 - 59:23: Jake is borderline ashamed
59:23 - 59:27: of how Connecticut punches below its weight,
59:27 - 59:31: but I would say that, you know, New Jersey is off derided,
59:31 - 59:33: but at least New Jersey has like
59:33 - 59:34: these famous cultural products
59:34 - 59:36: and it's like, you know, it's out there.
59:36 - 59:37: I would say that Pennsylvania,
59:37 - 59:40: especially once you get outside of like Philly,
59:40 - 59:43: everybody knows Philly cheese steaks and the sports teams,
59:43 - 59:45: but I do think Pennsylvania is a very interesting state
59:45 - 59:48: that like people don't really like get,
59:48 - 59:49: you know what I mean?
59:49 - 59:50: - I do for sure.
59:50 - 59:52: I actually thought what you said was right on.
59:52 - 59:54: I kind of associated the area I grew up with
59:54 - 59:57: as being almost Jersey too.
59:57 - 01:00:00: I grew up 20 minutes from Phillipsburg, New Jersey.
01:00:00 - 01:00:03: I went to punk shows in New Jersey basements
01:00:03 - 01:00:04: and backyards and stuff like that,
01:00:04 - 01:00:06: almost as much as I did Pennsylvania.
01:00:06 - 01:00:09: So there was always that kind of cross-pollination for me.
01:00:09 - 01:00:12: And yeah, I mean, I want to be clear.
01:00:12 - 01:00:13: I love both Yingling and Hershey's,
01:00:13 - 01:00:15: but it's funny to me that beer and chocolate
01:00:15 - 01:00:18: are like the two iconic things for Pennsylvania.
01:00:18 - 01:00:21: It is like rooted in like strange German culture.
01:00:21 - 01:00:24: There's a lot of very like conservative people around.
01:00:24 - 01:00:26: There's a famous phrase about Pennsylvania
01:00:26 - 01:00:28: that it's Philadelphia and Pittsburgh
01:00:28 - 01:00:29: with Alabama in between,
01:00:29 - 01:00:32: because the center of Pennsylvania
01:00:32 - 01:00:33: has a lot of like hate groups
01:00:33 - 01:00:35: and things that are really, really rough
01:00:35 - 01:00:38: and don't reflect well on the state.
01:00:38 - 01:00:40: So it is like a little bit of an identity-less state,
01:00:40 - 01:00:41: I think sometimes.
01:00:41 - 01:00:42: - Maybe because it's so big.
01:00:42 - 01:00:45: I mean, I'm sure this has come up on the show before,
01:00:45 - 01:00:47: and I imagine you can relate to this.
01:00:47 - 01:00:48: And definitely Jake,
01:00:48 - 01:00:50: we may have even done one of these drives together
01:00:50 - 01:00:53: when we toured together in the Dirty Projectors days.
01:00:53 - 01:00:57: When you drive from like say New York City to Chicago,
01:00:57 - 01:01:01: there's something so buff about how wide Pennsylvania is.
01:01:01 - 01:01:02: In your head, you're just like,
01:01:02 - 01:01:06: all right, gonna rip through Jersey, Pennsylvania,
01:01:06 - 01:01:09: Ohio, Indiana, and then Chicago.
01:01:09 - 01:01:10: And then there's just something about
01:01:10 - 01:01:11: when you hit Pennsylvania,
01:01:11 - 01:01:14: you realize that's like a solid six hour drive.
01:01:14 - 01:01:17: All the other states are like reasonably wide.
01:01:17 - 01:01:20: Pennsylvania is just so girthy,
01:01:20 - 01:01:22: just a big fat state.
01:01:22 - 01:01:24: - And that's our identity, the girthy state.
01:01:24 - 01:01:25: - The girthy state.
01:01:25 - 01:01:29: - I think you need to add a Hershey Park trip
01:01:29 - 01:01:31: into the middle of Pennsylvania from now on.
01:01:31 - 01:01:33: Maybe that's the thing. - You can break it up.
01:01:33 - 01:01:35: - Yeah, just 'cause driving through Pennsylvania,
01:01:35 - 01:01:37: it just feels endless.
01:01:37 - 01:01:39: Whether or not it's true that it's Alabama in the center,
01:01:39 - 01:01:41: it's a lot of country in the center.
01:01:41 - 01:01:43: Isn't Pennsylvania where there's that like old
01:01:43 - 01:01:46: like coal mining town that's on fire?
01:01:46 - 01:01:47: - Yes, Centralia.
01:01:47 - 01:01:48: - Did you ever go there?
01:01:48 - 01:01:51: That's like a classic like high school kid thing to do.
01:01:51 - 01:01:53: - I did, yeah, when I was like 21,
01:01:53 - 01:01:54: the girl I was dating at the time
01:01:54 - 01:01:56: made a documentary about it.
01:01:56 - 01:01:59: And I went up there and yeah, it's a 50,
01:01:59 - 01:02:01: you know, it's a town that's been on fire for 50 years.
01:02:01 - 01:02:04: There's an underground coal mine burning underground
01:02:04 - 01:02:06: that they know they'll never be able to put out
01:02:06 - 01:02:07: until it burns out.
01:02:07 - 01:02:09: - It's a ghost town essentially.
01:02:09 - 01:02:12: - Yeah, when I was there, there were about three houses left
01:02:12 - 01:02:14: and one of them had a chimney built up
01:02:14 - 01:02:15: through the middle of it,
01:02:15 - 01:02:18: just expounding steam out from the ground.
01:02:18 - 01:02:19: - Oh my God.
01:02:19 - 01:02:21: And you can just drive up there?
01:02:21 - 01:02:22: - Yeah.
01:02:22 - 01:02:23: - Oh, there's a guy still living there.
01:02:23 - 01:02:25: - The highways are all cracked from the pressure
01:02:25 - 01:02:27: and you can basically like drive on a highway
01:02:27 - 01:02:30: that just ends when it got so damaged,
01:02:30 - 01:02:31: they couldn't use it anymore.
01:02:31 - 01:02:33: And they paid everybody to leave town.
01:02:33 - 01:02:35: Another Pennsylvania town where you could probably
01:02:35 - 01:02:37: buy property for $10,000 or something.
01:02:37 - 01:02:41: It's like, yeah, it is like, it's basically a ghost town.
01:02:41 - 01:02:43: - That might be nice in the winter,
01:02:43 - 01:02:45: in a tough Pennsylvania winter, you go there,
01:02:45 - 01:02:48: it's probably kind of tropical, semi-tropical.
01:02:48 - 01:02:51: - I hope we're not reaching the sleep in caves
01:02:51 - 01:02:54: portion of our society, but yeah, it might be a good spot.
01:02:54 - 01:02:57: - So it's a thumbs down on the Hershey's Yangling,
01:02:57 - 01:02:58: but that's just one man's opinion.
01:02:58 - 01:03:01: Daniel, Jake and I will still go in
01:03:01 - 01:03:04: with totally open minds when we try it,
01:03:04 - 01:03:05: perhaps on the next show.
01:03:05 - 01:03:06: - Two weeks from now.
01:03:06 - 01:03:09: - Should we break it up that maybe Jake,
01:03:09 - 01:03:11: you try it on the next one,
01:03:11 - 01:03:12: and then the one after that, I try it,
01:03:12 - 01:03:15: then Nick and sign, but we keep this going for months.
01:03:15 - 01:03:17: - Let's practice out.
01:03:17 - 01:03:20: - Yeah, that seems great.
01:03:20 - 01:03:23: - We should invite Tim Heidecker back on the show
01:03:23 - 01:03:24: to try it on the next episode.
01:03:24 - 01:03:25: - Allentown man.
01:03:25 - 01:03:26: - Another Allentown guy.
01:03:26 - 01:03:28: - We actually went to rival high schools.
01:03:28 - 01:03:29: - Oh really?
01:03:29 - 01:03:30: - Yeah.
01:03:30 - 01:03:33: - What's your take on the Billy Joel song, "Allentown"?
01:03:33 - 01:03:34: - Well, I think, I know Jake knows,
01:03:34 - 01:03:36: and I don't know if the rest of you guys know,
01:03:36 - 01:03:37: but for the past couple of years,
01:03:37 - 01:03:39: I've been working as a bartender out in Malibu,
01:03:39 - 01:03:43: and people like to ask bartenders where they're from,
01:03:43 - 01:03:46: and when I say Allentown, I have had a conversation
01:03:46 - 01:03:48: about Billy Joel probably five days a week
01:03:48 - 01:03:51: for like two years, because it's the only thing
01:03:51 - 01:03:53: people know about Allentown.
01:03:53 - 01:03:55: - Does anybody ever not reference the Billy Joel song,
01:03:55 - 01:03:56: but you know that's the only thing they know?
01:03:56 - 01:03:59: They're just like, "Oh man, how's it been
01:03:59 - 01:04:01: since they shut all the factories down?"
01:04:01 - 01:04:02: (laughing)
01:04:02 - 01:04:04: Are your folks still living out in Allentown?
01:04:04 - 01:04:06: - Yeah, out on the Jersey Shore.
01:04:06 - 01:04:07: (laughing)
01:04:07 - 01:04:08: - Well, working out in Malibu,
01:04:08 - 01:04:10: I bet you get some interesting customers,
01:04:10 - 01:04:12: and probably occasionally some showbiz types.
01:04:12 - 01:04:14: So have you ever had somebody sit down and say like,
01:04:14 - 01:04:16: "Oh, I'm Billy's lawyer.
01:04:16 - 01:04:19: Let's FaceTime him right now."
01:04:19 - 01:04:20: - No, I've never had that happen.
01:04:20 - 01:04:22: The closest, I don't work there anymore,
01:04:22 - 01:04:24: so I can kind of talk about this stuff now, but.
01:04:24 - 01:04:25: - Oh, nice.
01:04:25 - 01:04:27: - One night, Rod Stewart came in with his wife,
01:04:27 - 01:04:29: and he actually sort of became a regular.
01:04:29 - 01:04:30: I got to know him a little bit.
01:04:30 - 01:04:31: - Legend.
01:04:31 - 01:04:33: - He once sang my name when he came into the bar,
01:04:33 - 01:04:34: which was pretty cool.
01:04:34 - 01:04:35: - Oh, sick.
01:04:35 - 01:04:39: - And his wife was with him, and she's a really sweet lady.
01:04:39 - 01:04:41: I really enjoyed spending time with her.
01:04:41 - 01:04:43: And she, I was going to see the Rolling Stones
01:04:43 - 01:04:46: the next night, and I had made a drink special
01:04:46 - 01:04:49: called the Tumbling Dice, and she took a picture
01:04:49 - 01:04:51: of the sign that I had made for it, and she was like,
01:04:51 - 01:04:53: "We're going up to Ronnie's for dinner tonight.
01:04:53 - 01:04:55: I'm going to send him this so I can show him
01:04:55 - 01:04:56: the drink you made for the Rolling Stones."
01:04:56 - 01:04:57: - Oh my God.
01:04:57 - 01:04:58: - That's pretty crazy.
01:04:58 - 01:04:59: - That's awesome.
01:04:59 - 01:05:01: - One of the things I liked about working there
01:05:01 - 01:05:03: is a lot of people who came wanted to talk about
01:05:03 - 01:05:05: like the musical history of Malibu.
01:05:05 - 01:05:08: They loved Neil Young, or they loved Bob Dylan.
01:05:08 - 01:05:10: You know, Dylans lived there for the past,
01:05:10 - 01:05:12: like, I don't know, 25, 30 years.
01:05:12 - 01:05:15: Yeah, it actually kind of took becoming a bartender
01:05:15 - 01:05:17: to figure out how to be like a better music writer,
01:05:17 - 01:05:20: because I actually found out what people really care about
01:05:20 - 01:05:23: with music, like people really are into the history
01:05:23 - 01:05:25: and the lore, and Malibu is like,
01:05:25 - 01:05:27: has a really fascinating history in general.
01:05:27 - 01:05:30: - Would you get people who like came from other parts
01:05:30 - 01:05:34: of the US or the world just to come check out Malibu?
01:05:34 - 01:05:35: - Definitely.
01:05:35 - 01:05:38: There's like a top five country song right now
01:05:38 - 01:05:39: that mentions Malibu.
01:05:39 - 01:05:42: There's like six rap songs that mention Malibu
01:05:42 - 01:05:43: that are popular right now.
01:05:43 - 01:05:45: It's like become such a cultural thing that like,
01:05:45 - 01:05:48: people do go there to stand in front of Nobu.
01:05:48 - 01:05:51: They go there to experience a little bit of like
01:05:51 - 01:05:55: the current music culture, and then also the old timers
01:05:55 - 01:05:55: who would come in would be like,
01:05:55 - 01:05:58: oh, that place across the street, Cafe Escobar,
01:05:58 - 01:06:00: Neil Young used to own that place back in the '70s.
01:06:00 - 01:06:02: That was the crazy horse.
01:06:02 - 01:06:04: So it does have like a cool history.
01:06:04 - 01:06:06: - Well, and you're working on a story
01:06:06 - 01:06:08: about Philip Kramer, right?
01:06:08 - 01:06:09: - Yeah.
01:06:09 - 01:06:11: I just found a couple of really amazing producers
01:06:11 - 01:06:13: to work on this project with.
01:06:13 - 01:06:16: I'm doing a story about this guy, Philip Taylor Kramer
01:06:16 - 01:06:19: from the band Iron Butterfly,
01:06:19 - 01:06:22: and he disappeared in Malibu in 1995.
01:06:22 - 01:06:23: - Ah.
01:06:23 - 01:06:27: - He was also a rocket scientist and a electrical engineer.
01:06:27 - 01:06:29: And a couple of weeks before he disappeared,
01:06:29 - 01:06:32: he claimed that he invented teleportation.
01:06:32 - 01:06:33: So it's a crazy story,
01:06:33 - 01:06:36: and I've been talking to all kinds of scientists
01:06:36 - 01:06:40: and his family, and yeah, I'm pretty excited about it.
01:06:40 - 01:06:41: We're gonna have it out pretty soon.
01:06:41 - 01:06:42: - Oh, sick.
01:06:42 - 01:06:43: That's amazing.
01:06:43 - 01:06:45: - Yeah, it's a wild one for sure.
01:06:45 - 01:06:48: - One random question, and I imagine at a high end bar
01:06:48 - 01:06:50: in Malibu, this might not have come up too often,
01:06:50 - 01:06:54: but are you familiar with Jolly Rancher-based
01:06:54 - 01:06:56: alcoholic drinks?
01:06:56 - 01:06:59: It's a thing, I believe, maybe not at a nice bar,
01:06:59 - 01:07:02: but is it like a high school kid thing
01:07:02 - 01:07:04: or vodka with Jolly Ranchers?
01:07:04 - 01:07:07: Did you know anything about this?
01:07:07 - 01:07:09: - The only thing I know that's called a Jolly Rancher
01:07:09 - 01:07:13: is it's often, I also worked at like kind of a more divy bar
01:07:13 - 01:07:14: in San Pedro for a while,
01:07:14 - 01:07:17: and like if people were ordering like a bunch of shots,
01:07:17 - 01:07:19: they would order a Jolly Rancher,
01:07:19 - 01:07:23: which would be like vodka, lime, simple syrup,
01:07:23 - 01:07:26: and some sort of red curacao or something like that,
01:07:26 - 01:07:27: and then you'd shake it up super cold
01:07:27 - 01:07:29: and take it as a shot,
01:07:29 - 01:07:31: but I don't know specifically like a Jolly Rancher cocktail.
01:07:31 - 01:07:32: - In the course of bartending,
01:07:32 - 01:07:36: you've never had to melt down a pot of Jolly Ranchers?
01:07:36 - 01:07:37: - No, but the bar I worked in,
01:07:37 - 01:07:40: I had drinks that had like 16 ingredients in them,
01:07:40 - 01:07:43: and I would have to melt sugar into glass sculptures
01:07:43 - 01:07:46: to put across the top of glasses and stuff like that.
01:07:46 - 01:07:47: - Oh my God.
01:07:47 - 01:07:48: - So I'm used to a little bit of that kind of stuff,
01:07:48 - 01:07:50: but the Jolly Rancher does not,
01:07:50 - 01:07:52: I don't know if there's a lot of Jolly Rancher
01:07:52 - 01:07:53: metal do crossover.
01:07:53 - 01:07:56: - You basically know how to make everything now?
01:07:56 - 01:07:57: - I do, yeah.
01:07:57 - 01:08:01: And I'm a level one certified sommelier too from that job,
01:08:01 - 01:08:02: which is kind of cool.
01:08:02 - 01:08:04: - Well, and we were all talking off mic,
01:08:04 - 01:08:06: we were talking with Daniel
01:08:06 - 01:08:08: about pursuing the Sweet Chili Heat idea.
01:08:08 - 01:08:10: - Yeah, dudes, I've got bottles sitting here.
01:08:10 - 01:08:11: Anytime you want to take it.
01:08:11 - 01:08:13: - All right, we got it.
01:08:13 - 01:08:15: - We were cooking that idea up and then COVID hit,
01:08:15 - 01:08:19: but we have a top tier bartender here.
01:08:19 - 01:08:20: - I do actually miss bartending a lot.
01:08:20 - 01:08:22: I hope that I get to do it again someday.
01:08:22 - 01:08:24: There's no bars open here now, unfortunately.
01:08:24 - 01:08:27: - Right, I mean, the social aspect of it,
01:08:27 - 01:08:30: it's like, obviously it's very meaningful
01:08:30 - 01:08:33: to a lot of people to just have a place to go.
01:08:33 - 01:08:36: - Yeah, I always had Mondays and Tuesdays off
01:08:36 - 01:08:37: 'cause of my work schedule.
01:08:37 - 01:08:39: And I was always, I went to a karaoke thing
01:08:39 - 01:08:41: every Monday night for like two years
01:08:41 - 01:08:42: with one of my buddies.
01:08:42 - 01:08:44: So yeah, it's like, that's all gone.
01:08:44 - 01:08:47: We've tried to do a Zoom karaoke thing
01:08:47 - 01:08:49: and it's been depressing, so.
01:08:49 - 01:08:50: - God.
01:08:50 - 01:08:52: - This is about the kind of social interactions
01:08:52 - 01:08:54: I have for the most part is this kind of stuff.
01:08:54 - 01:08:55: I don't head out that much.
01:08:55 - 01:08:58: - Well, hopefully soon we'll be bringing back the bars.
01:08:58 - 01:08:59: - One quick question.
01:08:59 - 01:09:02: When Rod Stewart would sing your name,
01:09:02 - 01:09:03: would he sing it in the,
01:09:03 - 01:09:06: would he sing the Elton John song?
01:09:06 - 01:09:07: - That's exactly what happened.
01:09:07 - 01:09:09: He walked in one day and went,
01:09:09 - 01:09:12: ♪ Daniel, my brother, you are older than me ♪
01:09:12 - 01:09:16: And then I remember the same day when he left,
01:09:16 - 01:09:18: he answered the lobby phone.
01:09:18 - 01:09:19: He just picked it up and went,
01:09:19 - 01:09:21: "Malibu and Rod Stewart speaking,"
01:09:21 - 01:09:22: and then hung up the phone.
01:09:22 - 01:09:23: (laughing)
01:09:23 - 01:09:26: - God, that rules.
01:09:26 - 01:09:27: - Yeah.
01:09:27 - 01:09:28: - That was Rod Stewart.
01:09:28 - 01:09:29: - Yeah, and actually I was gonna tell you guys,
01:09:29 - 01:09:31: one of the other cool ones was
01:09:31 - 01:09:33: I got to talk to Lior Cohen.
01:09:33 - 01:09:35: He came into the, he's like a musical,
01:09:35 - 01:09:37: he came into the bar one night at like nine o'clock
01:09:37 - 01:09:41: and he was the only person there for the last three hours.
01:09:41 - 01:09:42: And we just shot the (beep)
01:09:42 - 01:09:45: and he was telling me about working with Willie Nelson
01:09:45 - 01:09:46: and all this crazy stuff.
01:09:46 - 01:09:48: It was like, those were the nights where I was,
01:09:48 - 01:09:50: I felt so lucky to have that job.
01:09:50 - 01:09:51: - Yeah, that seems like best case scenario
01:09:51 - 01:09:54: is just like you and one person
01:09:54 - 01:09:59: make a drink every like 30 minutes, just talk.
01:09:59 - 01:10:00: - Yeah.
01:10:00 - 01:10:01: - Are there a lot of nights like that?
01:10:01 - 01:10:03: - Yeah, out there, there were.
01:10:03 - 01:10:05: - Well, hopefully we'll all be having a drink
01:10:05 - 01:10:07: in the not so distant future,
01:10:07 - 01:10:09: pounding some sweet chili heat.
01:10:09 - 01:10:10: - Oh yeah.
01:10:10 - 01:10:12: - Not a Hershey.
01:10:12 - 01:10:14: (laughing)
01:10:14 - 01:10:17: - Yeah, or a Dodger Stadium margarita.
01:10:17 - 01:10:18: - Right.
01:10:18 - 01:10:21: - You just had the worst yingling of your life.
01:10:21 - 01:10:23: - I did just have the worst yingling of my life.
01:10:23 - 01:10:27: - Like verse one is like, let's be clear.
01:10:27 - 01:10:29: I'm a Pennsylvania through and through.
01:10:29 - 01:10:31: I love my home state.
01:10:31 - 01:10:32: - And I love my home bro.
01:10:32 - 01:10:34: - Yeah, and I love my home bro, but.
01:10:34 - 01:10:35: - Yeah.
01:10:35 - 01:10:40: - Well, thanks so much, dude.
01:10:40 - 01:10:42: - Guys, thank you so much.
01:10:42 - 01:10:43: Yeah, you know I'm a big TC fan,
01:10:43 - 01:10:45: so thanks for having me on.
01:10:45 - 01:10:47: - Oh, we'll definitely be having you back.
01:10:47 - 01:10:48: Broke the seal now.
01:10:48 - 01:10:49: All right, have a good one, dude.
01:10:49 - 01:10:51: - Talk to you guys later.
01:10:51 - 01:10:52: - Bye.
01:10:52 - 01:10:52: - Peace.
01:10:52 - 01:10:53: - Bye.
01:10:53 - 01:10:57: ♪ Well, we're living here in Allentown ♪
01:10:57 - 01:11:01: ♪ And they're closing all the factories down ♪
01:11:01 - 01:11:05: ♪ Out in Bethlehem, they're killing time ♪
01:11:05 - 01:11:10: ♪ Filling out forms, spatting the line ♪
01:11:10 - 01:11:14: ♪ Well, our fathers fought the Second World War ♪
01:11:14 - 01:11:18: ♪ Spent their weekends on the Jersey Shore ♪
01:11:18 - 01:11:22: ♪ Then our mothers took the U.S.O. ♪
01:11:22 - 01:11:27: ♪ Asked them to dance, dance with us, oh ♪
01:11:27 - 01:11:31: ♪ And we're living here in Allentown ♪
01:11:31 - 01:11:35: ♪ But the restlessness was handed down ♪
01:11:35 - 01:11:40: ♪ And it's catching very hard to stand ♪
01:11:40 - 01:11:47: ♪ And to stand ♪
01:11:47 - 01:11:53: - You're listening to Time Crisis.
01:11:53 - 01:11:56: - Thank you, Daniel.
01:11:56 - 01:11:58: And to the Hershey's Company, don't worry, Jake,
01:11:58 - 01:12:00: and I still will try our Hershey's Younglings
01:12:00 - 01:12:02: with open minds.
01:12:02 - 01:12:03: But we cannot be bought.
01:12:03 - 01:12:05: Just like Daniel, we will be honest
01:12:05 - 01:12:07: about what we think about it.
01:12:07 - 01:12:08: So stay tuned.
01:12:08 - 01:12:11: That'll be in the next seven episodes.
01:12:11 - 01:12:15: We'll be the unfolding saga of the Hershey's England Porter.
01:12:15 - 01:12:18: All right, Seinfeld, we got a little social media report
01:12:18 - 01:12:19: coming from you.
01:12:19 - 01:12:23: - Yeah, we received an email to our fan email address,
01:12:23 - 01:12:25: which is 8minutecapecod@gmail.com.
01:12:25 - 01:12:28: That's the numeral, not the word eight.
01:12:28 - 01:12:31: 8minutecapecod@gmail.com.
01:12:31 - 01:12:34: From fan of the show, Camelia Munoz.
01:12:34 - 01:12:38: - Let's go to the Time Crisis mailbag.
01:12:38 - 01:12:41: - Hey, TC, I don't know if you've all
01:12:41 - 01:12:42: been made aware of it yet,
01:12:42 - 01:12:47: but "Campus" by Vampire Weekend has become a TikTok song
01:12:47 - 01:12:50: within a trend/challenge on the app.
01:12:50 - 01:12:51: Basically, people play the song
01:12:51 - 01:12:55: while showing clips of their college campuses as follows.
01:12:55 - 01:12:58: And then she's sent a link to an example
01:12:58 - 01:13:00: of what she's talking about.
01:13:00 - 01:13:05: Also, this particular one, where the girl taking the video
01:13:05 - 01:13:06: actually goes to Columbia.
01:13:06 - 01:13:08: - And even before we got this email, Seinfeld,
01:13:08 - 01:13:11: you were maybe sharing some tweets or something.
01:13:11 - 01:13:12: - It's one of those things
01:13:12 - 01:13:15: that I've received several DMs about.
01:13:15 - 01:13:18: - And first question is, is there a Seinfeld 2000 TikTok?
01:13:18 - 01:13:19: Do you have an account?
01:13:19 - 01:13:22: - There is, I think I have one thing on it.
01:13:22 - 01:13:23: Just 'cause when TikTok, and we're talking about
01:13:23 - 01:13:27: the start of this year, when it started to become a thing,
01:13:27 - 01:13:30: typically what I'll do is I'll just make sure
01:13:30 - 01:13:33: that I have Seinfeld 2000 on any platform
01:13:33 - 01:13:37: so someone else doesn't try to be an imposter.
01:13:37 - 01:13:41: And I did post one thing, didn't really do that hot.
01:13:41 - 01:13:43: Maybe I was too ahead of the game
01:13:43 - 01:13:44: and I was kind of turned off forever.
01:13:44 - 01:13:48: I was like, this is not going immediately viral.
01:13:48 - 01:13:49: And really, I don't have the energy
01:13:49 - 01:13:52: to maintain yet another account on another platform.
01:13:52 - 01:13:54: So I just kind of let it sit.
01:13:54 - 01:13:54: - Well, hold on a second.
01:13:54 - 01:13:56: Sounds like you've been a little bit spoiled
01:13:56 - 01:13:57: by Twitter and Instagram.
01:13:57 - 01:14:00: I mean, I remember when I first started
01:14:00 - 01:14:02: following you on Twitter, man, you'd be lucky
01:14:02 - 01:14:04: if you had 5,000 followers.
01:14:04 - 01:14:07: You know, like you got to put in the work, Seinfeld.
01:14:07 - 01:14:09: - It's a lot of maintenance.
01:14:09 - 01:14:10: It's a lot of upkeep.
01:14:10 - 01:14:13: You know, I stopped posting on Facebook for that reason.
01:14:13 - 01:14:15: 'Cause it's just like, you know, it's okay.
01:14:15 - 01:14:16: It's okay, guys.
01:14:16 - 01:14:19: Just like, anyway, why are we talking about this?
01:14:19 - 01:14:20: Right, so I am on TikTok.
01:14:20 - 01:14:22: - Have you watched some of these?
01:14:22 - 01:14:24: - Yeah, I've watched a few of them.
01:14:24 - 01:14:28: - Generally speaking, is there like a joke or a dance
01:14:28 - 01:14:31: or people just like show around their campus?
01:14:31 - 01:14:35: - I would say there isn't really an explicit joke to it.
01:14:35 - 01:14:37: I would say there's a structure to it
01:14:37 - 01:14:41: that I guess once replicated, starts to feel like a joke,
01:14:41 - 01:14:44: as these memes, you know, typically are.
01:14:44 - 01:14:48: But it seems like once the refrain of the song starts,
01:14:48 - 01:14:51: people start to show their campus.
01:14:51 - 01:14:54: And in the best ones, there's something a little,
01:14:54 - 01:14:56: you know, a little unique to that.
01:14:56 - 01:14:57: - Weird happening?
01:14:57 - 01:14:58: - Weird happening.
01:14:58 - 01:15:00: Yeah, I see one where there's a bear
01:15:00 - 01:15:02: roaming around on campus.
01:15:02 - 01:15:03: - Uh-oh.
01:15:03 - 01:15:05: - I think that's kind of all there is to it, really.
01:15:05 - 01:15:07: - Well, it seems harmless.
01:15:07 - 01:15:08: I mean, I made a joke on the thread
01:15:08 - 01:15:09: when you said this was going viral,
01:15:09 - 01:15:13: and I said, "12 years of corrective PR down the drain."
01:15:13 - 01:15:16: Just because, obviously.
01:15:16 - 01:15:18: I think it's a great song, and I love anything
01:15:18 - 01:15:21: that gets people back into the early stuff.
01:15:21 - 01:15:23: The only thing though is that,
01:15:23 - 01:15:25: and I think within the song "Campus,"
01:15:25 - 01:15:26: there's some complexity,
01:15:26 - 01:15:29: because that originally started with a demo Rostam made,
01:15:29 - 01:15:31: and that's the, I think that might be
01:15:31 - 01:15:32: the only Vampire Weekend song
01:15:32 - 01:15:36: that lyrically didn't start with my words or ideas.
01:15:36 - 01:15:38: So I added a few things here and there to the song,
01:15:38 - 01:15:42: and I think we came together to give it something.
01:15:42 - 01:15:44: And the parts that I added, as I recall,
01:15:44 - 01:15:46: were like, I added the cruel professor part,
01:15:46 - 01:15:47: 'cause I just wanted to make sure
01:15:47 - 01:15:49: that it had a little bit of,
01:15:49 - 01:15:52: I don't know what to say, not darkness,
01:15:52 - 01:15:54: but just a little bit of uneasiness.
01:15:54 - 01:15:56: And I wrote the line about the person
01:15:56 - 01:15:58: who spilled kefir on their keffiyeh,
01:15:58 - 01:15:59: because that was an era,
01:15:59 - 01:16:01: which definitely would not happen in 2020,
01:16:01 - 01:16:04: but where a lot of non-Palestinian,
01:16:04 - 01:16:06: left-leaning activist types
01:16:06 - 01:16:09: would wear the traditional Palestinian scarf.
01:16:09 - 01:16:11: I think sometimes it shows solidarity
01:16:11 - 01:16:13: with the Palestinian struggle,
01:16:13 - 01:16:14: but it also very quickly became
01:16:14 - 01:16:16: just this kind of fashion-y thing,
01:16:16 - 01:16:20: and kind of made me think of some of the empty posturing
01:16:20 - 01:16:23: that you occasionally encounter on a college campus.
01:16:23 - 01:16:25: So it was always important to me,
01:16:25 - 01:16:27: and I think to everybody in the band,
01:16:27 - 01:16:30: that because "Vampire Weekend" in the early days
01:16:30 - 01:16:32: came across so strongly
01:16:32 - 01:16:36: with our semi-satirical Ivy League preppy thing,
01:16:36 - 01:16:38: it was important that within the songs,
01:16:38 - 01:16:39: especially a song called "Campus,"
01:16:39 - 01:16:41: that there were a few elements,
01:16:41 - 01:16:43: and I think the way everybody plays on it,
01:16:43 - 01:16:45: giving it this kind of more jagged punk feel
01:16:45 - 01:16:47: than the way Rossin originally had it
01:16:47 - 01:16:48: mocked up with strings,
01:16:48 - 01:16:50: I think all that stuff kind of combined it
01:16:50 - 01:16:53: to fit a tone, you know,
01:16:53 - 01:16:56: similar to like the Oxford commas in these songs
01:16:56 - 01:17:00: that are a little bit about grappling with elitism.
01:17:00 - 01:17:02: So anyway, that's all to say that,
01:17:02 - 01:17:03: because in the early days,
01:17:03 - 01:17:07: people came so hard for us as being like,
01:17:07 - 01:17:11: are you guys just some like stuck-up rich kids,
01:17:11 - 01:17:13: and your music is literally just about showing off
01:17:13 - 01:17:15: that you went to an Ivy League school?
01:17:15 - 01:17:17: I gotta say, when you first told me about the challenge,
01:17:17 - 01:17:20: you know, it triggered some old trauma
01:17:20 - 01:17:20: where I'm just like,
01:17:20 - 01:17:23: "Ugh, is this literally just people
01:17:23 - 01:17:24: "showing off their campuses?"
01:17:24 - 01:17:28: And look, I'm sure there's all sorts of different schools,
01:17:28 - 01:17:30: but I would just hope that within the trend,
01:17:30 - 01:17:32: there is a little bit of a,
01:17:32 - 01:17:34: if it's truly in the Vampire Weekend spirit,
01:17:34 - 01:17:36: you know, I hope there's a little bit of satire,
01:17:36 - 01:17:38: but at the same time,
01:17:38 - 01:17:40: once you make music and you release a song,
01:17:40 - 01:17:42: it's in the hands of the world now.
01:17:42 - 01:17:43: - Ezra, how did it strike you that,
01:17:43 - 01:17:48: you know, I feel like there's so many record labels,
01:17:48 - 01:17:50: music marketing people, artists,
01:17:50 - 01:17:53: trying to force their way into the mainstream
01:17:53 - 01:17:56: through the TikTok platform
01:17:56 - 01:17:59: as a means of generating the next Old Town Road
01:17:59 - 01:18:00: or what have you,
01:18:00 - 01:18:02: and you've just sort of like organically
01:18:02 - 01:18:06: had some old material just sort of naturally become
01:18:06 - 01:18:08: part of the fabric of this platform.
01:18:08 - 01:18:10: - I think when we first talked about TikTok on the show,
01:18:10 - 01:18:13: I got a DM or two where somebody said
01:18:13 - 01:18:16: that Apunk once had a little moment on TikTok,
01:18:16 - 01:18:19: maybe, but it was kind of before TikTok was quite so huge,
01:18:19 - 01:18:22: so it couldn't have made the same impact as Campus.
01:18:22 - 01:18:24: But so like, you know, I'd heard about it,
01:18:24 - 01:18:27: but look, outside of my own personal fears
01:18:27 - 01:18:29: about people misinterpreting our first album,
01:18:29 - 01:18:31: which I'll probably have for the rest of my life,
01:18:31 - 01:18:35: I will say that any time anything bubbles up
01:18:35 - 01:18:37: with old music, I love it,
01:18:37 - 01:18:38: because it's like,
01:18:38 - 01:18:40: there's only so much you can do in the moment
01:18:40 - 01:18:43: to like promote your new music, right?
01:18:43 - 01:18:45: Like, you know, we put out an album last year,
01:18:45 - 01:18:46: and of course we went on tour,
01:18:46 - 01:18:48: made, you know, all the things that you do.
01:18:48 - 01:18:52: But after that, your catalog, you know,
01:18:52 - 01:18:53: kind of just sits there,
01:18:53 - 01:18:55: and every once in a while you get a call like,
01:18:55 - 01:18:58: oh, they want to use a song from Contra in a commercial,
01:18:58 - 01:19:00: and you're like, oh, interesting.
01:19:00 - 01:19:04: Or suddenly you'll get a nice note from somebody
01:19:04 - 01:19:06: who's just listened to like Modern Vampires
01:19:06 - 01:19:07: for the first time or something.
01:19:07 - 01:19:10: But anyway, because as a musician,
01:19:10 - 01:19:12: you've got to be so focused on like the present
01:19:12 - 01:19:12: and what comes next,
01:19:12 - 01:19:15: it's always nice to get these little reminders
01:19:15 - 01:19:18: that everything your band has ever done
01:19:18 - 01:19:21: is still reaching new people.
01:19:21 - 01:19:24: So in that sense, I love hearing stories like this.
01:19:24 - 01:19:25: - Hey, I'm so sorry.
01:19:25 - 01:19:27: I had to step out for one second.
01:19:27 - 01:19:29: So you might've mentioned this.
01:19:29 - 01:19:33: In the article I'm reading, @goblin_influencer,
01:19:33 - 01:19:35: in her campus video,
01:19:35 - 01:19:38: her caption says, "Love your school,
01:19:38 - 01:19:39: and it should be a place where you're happy,
01:19:39 - 01:19:41: but keep this in mind,
01:19:41 - 01:19:42: because some of these vids are missing the point.
01:19:42 - 01:19:44: #VampireWeekend."
01:19:44 - 01:19:45: - Ooh.
01:19:45 - 01:19:48: - And in her TikTok,
01:19:48 - 01:19:50: the text at the top says,
01:19:50 - 01:19:52: "This is a reminder that all of Vampire Weekend's music
01:19:52 - 01:19:54: is about feeling alienated from the elitist class
01:19:54 - 01:19:57: society culture while still wanting to be validated by it.
01:19:57 - 01:20:00: Ezra Koenig has mentioned that all of the members
01:20:00 - 01:20:01: went to Columbia on scholarships
01:20:01 - 01:20:03: and didn't fit with the traditional WASP mold.
01:20:03 - 01:20:05: Campus was literally written
01:20:05 - 01:20:08: by an Iranian-American gay guy about his experiences."
01:20:08 - 01:20:09: So whether or not all that's true,
01:20:09 - 01:20:13: there are people who are reclaiming your feelings
01:20:13 - 01:20:15: of this is not just to celebrate one thing.
01:20:15 - 01:20:16: So outside of the-
01:20:16 - 01:20:18: - Yeah, she didn't get all her facts straight.
01:20:18 - 01:20:19: (laughs)
01:20:19 - 01:20:21: Not everybody went to Columbia,
01:20:21 - 01:20:23: but I like the spirit of it.
01:20:23 - 01:20:24: Well, one thing I've always said is,
01:20:24 - 01:20:26: I might've been the only member of the band
01:20:26 - 01:20:28: who had any scholarship or student loans thing,
01:20:28 - 01:20:31: but everybody did come from different backgrounds
01:20:31 - 01:20:33: and I think didn't exactly,
01:20:33 - 01:20:34: I think the other part of it is true,
01:20:34 - 01:20:37: that not everybody fit the kind of WASP mold.
01:20:37 - 01:20:39: And I think it's important to recognize
01:20:39 - 01:20:42: the extent to which many, many people do feel,
01:20:42 - 01:20:44: I would imagine a school like Columbia,
01:20:44 - 01:20:46: if you really said, "What percentage of people here
01:20:46 - 01:20:49: feel like they 100% fit into the history
01:20:49 - 01:20:51: of these old Ivy League schools?"
01:20:51 - 01:20:52: It's a very low percentage.
01:20:52 - 01:20:55: Most people feel alienated in some way.
01:20:55 - 01:21:00: And I think that's why an album that on its face,
01:21:00 - 01:21:02: like our first album,
01:21:02 - 01:21:07: seemed so, was so easy to deride because,
01:21:07 - 01:21:09: and of course, obviously things went well.
01:21:09 - 01:21:10: People were into it when it came out,
01:21:10 - 01:21:12: but for a lot of people, they had questions.
01:21:12 - 01:21:14: They were like, "Is this just some rich kid (beep)?"
01:21:14 - 01:21:15: As I was saying before,
01:21:15 - 01:21:19: I'd like to think that the alienation part of it
01:21:19 - 01:21:22: and the questioning and the wondering how you fit in
01:21:22 - 01:21:24: and all those things,
01:21:24 - 01:21:26: I would like to think that part of the reason
01:21:26 - 01:21:28: that album has an enduring appeal to this day
01:21:28 - 01:21:30: is because most people,
01:21:30 - 01:21:32: whether they went to an Ivy League school,
01:21:32 - 01:21:34: even if they didn't go to college period,
01:21:34 - 01:21:36: those feelings are something
01:21:36 - 01:21:38: that almost every human being experiences,
01:21:38 - 01:21:41: those feelings of questioning, belonging, alienation.
01:21:41 - 01:21:44: And I'd like to think that that's why our audience
01:21:44 - 01:21:49: is not just like New York rich kids or Ivy League people,
01:21:49 - 01:21:51: which would be very distressing if it was.
01:21:51 - 01:21:54: So yeah, anyway, shout out to Goblin Influencer.
01:21:54 - 01:21:57: I like the spirit of what you're saying.
01:21:57 - 01:21:59: Yeah, I mean, it's,
01:21:59 - 01:22:03: whenever people point back to anything on the first album,
01:22:03 - 01:22:06: I think we've done enough with albums two through four
01:22:06 - 01:22:07: that we're definitely not in a position
01:22:07 - 01:22:10: where we'll always live in the shadow of that record.
01:22:10 - 01:22:12: Like, I'm not gonna name names, but some people,
01:22:12 - 01:22:16: it's very hard to beat your first record, famously, right?
01:22:16 - 01:22:17: But I think we've done enough
01:22:17 - 01:22:20: that we've had these distinct eras since then
01:22:20 - 01:22:23: that the fact that people still find something
01:22:23 - 01:22:26: to get into or share with music
01:22:26 - 01:22:29: that a lot of which was written when we were students,
01:22:29 - 01:22:33: a lot of which was made before we had any idea
01:22:33 - 01:22:36: that we could ever play a venue bigger
01:22:36 - 01:22:38: than the Mercury Lounge.
01:22:38 - 01:22:41: I love that, when people kind of get back into it.
01:22:41 - 01:22:43: ♪ I wake up, my shoulders cold ♪
01:22:43 - 01:22:46: ♪ I've got to leave here before I go ♪
01:22:46 - 01:22:49: ♪ I pull my shirt on, walk out the door ♪
01:22:49 - 01:22:52: ♪ Drag my feet along the floor ♪
01:22:52 - 01:22:55: ♪ I pull my shirt on, walk out the door ♪
01:22:55 - 01:22:58: ♪ Drag my feet along the floor ♪
01:22:58 - 01:23:01: ♪ Then I see you, you're walking 'cross the campus ♪
01:23:01 - 01:23:04: ♪ Old professors studying romances ♪
01:23:04 - 01:23:07: ♪ How am I supposed to pretend ♪
01:23:07 - 01:23:10: ♪ I never want to see you again ♪
01:23:10 - 01:23:13: ♪ How am I supposed to pretend ♪
01:23:13 - 01:23:16: ♪ I never want to see you again ♪
01:23:16 - 01:23:18: - Anyway, shout out to TikTok,
01:23:18 - 01:23:21: and I hope the next time that there is a TC-related song
01:23:21 - 01:23:24: that goes viral, as discussed on the show,
01:23:24 - 01:23:25: it should be "Mountain Breeze,"
01:23:25 - 01:23:27: because that one writes itself.
01:23:27 - 01:23:30: You and your friends, Sunday morning, you go for a hike,
01:23:30 - 01:23:32: and then, you know, whatever,
01:23:32 - 01:23:33: like, you guys get in the car or whatever,
01:23:33 - 01:23:35: then you start hiking,
01:23:35 - 01:23:37: and then right when the chorus hits,
01:23:37 - 01:23:39: it's you guys cracking a brew on the top of the mountain
01:23:39 - 01:23:41: with a beautiful vista behind you.
01:23:41 - 01:23:44: - Can I actually jump in here and make a call to action?
01:23:44 - 01:23:47: If anybody does make that TikTok,
01:23:47 - 01:23:49: tweet it at us @TimeCrisis2000,
01:23:49 - 01:23:51: we will automatically retweet.
01:23:51 - 01:23:52: Let's get this trending, guys.
01:23:52 - 01:23:54: Let's make this a real thing.
01:23:54 - 01:23:59: Let's bring Jake Longstreth to his natural habitat, TikTok.
01:23:59 - 01:24:02: - So far, there's six "Mountain Breeze" TikToks.
01:24:02 - 01:24:03: They're all for "Sweet Chili Heat."
01:24:03 - 01:24:05: - They're all for the song "Sweet Chili Heat"?
01:24:05 - 01:24:07: - Yeah, I think that, yeah,
01:24:07 - 01:24:10: the TC TikTok challenge should be to make--
01:24:10 - 01:24:11: - Yeah, wait, what's some of them?
01:24:11 - 01:24:14: What's happening in the "Sweet Chili Heat" ones?
01:24:14 - 01:24:16: - Honestly, it's just somebody shooting videos
01:24:16 - 01:24:18: of their "Vampire Weekend" posters,
01:24:18 - 01:24:21: some Bernie, Larry David merchandise.
01:24:21 - 01:24:22: They got their dog in it.
01:24:22 - 01:24:24: It's unfocused.
01:24:24 - 01:24:26: Here's another one. - That's cool.
01:24:26 - 01:24:27: - It's cool, I mean, no, it's got a vibe.
01:24:27 - 01:24:29: This is the TC challenge.
01:24:29 - 01:24:31: You throw on "Sweet Chili Heat"
01:24:31 - 01:24:33: and shoot your "Vampire Weekend" and Bernie posters.
01:24:33 - 01:24:36: - And then this guy is doing Kyle's,
01:24:36 - 01:24:39: he's mouthing first one of the evening,
01:24:39 - 01:24:44: and then he's taking a shot of sort of a hot sauce
01:24:44 - 01:24:48: as "Sweet Chili Heat" comes on,
01:24:48 - 01:24:49: and it seems hot for him.
01:24:49 - 01:24:50: It's a red-hot wing sauce.
01:24:50 - 01:24:53: I mean, that's interesting. - Damn.
01:24:53 - 01:24:55: See, the song "Mountain Breeze" requires people
01:24:55 - 01:24:56: to actually hike up a hill.
01:24:57 - 01:24:59: - Right. - This one shot a little,
01:24:59 - 01:25:01: yeah, this one shot a little more sort of artsy.
01:25:01 - 01:25:02: It has a filter on it.
01:25:02 - 01:25:04: It's in black and white and says,
01:25:04 - 01:25:06: "When that quarantine panic attack hits,"
01:25:06 - 01:25:08: and you're on him for a minute,
01:25:08 - 01:25:10: and then it just says, "First one of the evening,"
01:25:10 - 01:25:12: and the music comes on, you know, the guitar comes in,
01:25:12 - 01:25:15: and you just sort of slowly pan into his face.
01:25:15 - 01:25:17: It's just more vibey.
01:25:17 - 01:25:21: And then another one is just an artist's rendition
01:25:21 - 01:25:24: of Jake standing in front of one of his paintings.
01:25:24 - 01:25:26: You see him standing in front of it,
01:25:26 - 01:25:29: hanging a painting, and then the Pizza Hut comes in.
01:25:29 - 01:25:30: It sort of is, you know what it is?
01:25:30 - 01:25:31: It's a collage. - Oh, oh, no.
01:25:31 - 01:25:33: - It's a collage of your paintings.
01:25:33 - 01:25:36: - That guy may have, like, a "Mountain Breeze" cover.
01:25:36 - 01:25:37: I know what you're talking about.
01:25:37 - 01:25:39: He posted that on Instagram and tagged me.
01:25:39 - 01:25:41: He was a- - Oh, yeah,
01:25:41 - 01:25:42: that was really good. - A collage of an image
01:25:42 - 01:25:46: of me painting with the Pizza Hut and some tree paintings,
01:25:46 - 01:25:47: and he was like, "This is, like,
01:25:47 - 01:25:49: the 'Mountain Breeze' vinyl cover."
01:25:49 - 01:25:53: - So that is just sort of an animated version of that
01:25:53 - 01:25:55: to the beginning of "Sweet Chili Heat."
01:25:55 - 01:25:56: So that challenge hasn't taken a while.
01:25:56 - 01:25:59: - Also, "Sweet Chili Heat," you know what?
01:25:59 - 01:26:00: I've got a good one for when
01:26:00 - 01:26:03: "Worst Margarita in My Life" comes out,
01:26:03 - 01:26:05: because I've noticed this trend.
01:26:05 - 01:26:07: I see a lot of them on Instagram.
01:26:07 - 01:26:09: I mean, I kind of hate it.
01:26:09 - 01:26:11: I don't want to encourage it, but it's out there.
01:26:11 - 01:26:14: There's this trend of, like, couples pulling pranks
01:26:14 - 01:26:16: on each other on TikTok.
01:26:16 - 01:26:17: I guess couples pranking each other.
01:26:17 - 01:26:20: Seinfeld, you're our social media expert.
01:26:20 - 01:26:21: Back me up.
01:26:21 - 01:26:22: This has been going on for years,
01:26:22 - 01:26:25: is couples pranking each other on the internet.
01:26:25 - 01:26:27: - Yeah, and I think there's a degree of, like,
01:26:27 - 01:26:29: stagedness to some of them.
01:26:29 - 01:26:31: - That's the thing that I hate, is that it's like,
01:26:31 - 01:26:33: we're approaching, as we've discussed on this show
01:26:33 - 01:26:37: many times, just that we live in this weird spectacle.
01:26:37 - 01:26:41: So there's these couples, and all they do is make TikToks
01:26:41 - 01:26:43: where they do the newest prank, which is like,
01:26:43 - 01:26:45: oh, somebody gets out of the car,
01:26:45 - 01:26:47: get the, you know, your girlfriend gets in the car,
01:26:47 - 01:26:51: and you say something like, "Babe, you don't look good today."
01:26:51 - 01:26:54: And she's like, "Why would you say that?"
01:26:54 - 01:26:56: Or it's like, you get out of the car,
01:26:56 - 01:26:59: like, you're like, "Hold on, I gotta finish this phone call.
01:26:59 - 01:27:00: Yeah, I love her so much."
01:27:00 - 01:27:04: Like, whatever, it's these jokes about the relationship,
01:27:04 - 01:27:06: or sometimes they're like sweet pranks,
01:27:06 - 01:27:08: like where you say something really nice,
01:27:08 - 01:27:11: and they're not supposed to hear it or something.
01:27:11 - 01:27:12: But the thing that's so annoying about them
01:27:12 - 01:27:15: is that it's like, a lot of times there's couples
01:27:15 - 01:27:17: that just do these every single day,
01:27:17 - 01:27:20: and they probably don't stage it, is the funny thing.
01:27:20 - 01:27:21: Like, they're staged, of course,
01:27:21 - 01:27:23: but it's probably not even like, "Hey, should we do this?
01:27:23 - 01:27:25: Oh, yeah, let's go out to the car,
01:27:25 - 01:27:27: and I'm gonna do this, and you're gonna do that."
01:27:27 - 01:27:29: It's probably more just that the fabric of their lives
01:27:29 - 01:27:33: is so TikTok-oriented that they just kind of roll with it.
01:27:33 - 01:27:35: It's like, every time you get in the car,
01:27:35 - 01:27:37: your boyfriend says some dumb (beep) with you,
01:27:37 - 01:27:39: and as you respond to it,
01:27:39 - 01:27:41: you basically already know it's a TikTok.
01:27:41 - 01:27:43: If anything, it's probably harder,
01:27:43 - 01:27:45: rather than having to performatively
01:27:45 - 01:27:47: do the TikTok challenge,
01:27:47 - 01:27:50: you probably have to sometimes get out of that gear.
01:27:50 - 01:27:51: So probably you get into the car, and he's like,
01:27:51 - 01:27:53: "Where do you wanna eat today, babe?"
01:27:53 - 01:27:56: And you're just like, "Uh, I don't know."
01:27:56 - 01:27:59: And he's like, "Do you wanna go to Arby's?"
01:27:59 - 01:28:00: "I don't know."
01:28:00 - 01:28:02: And then he's kinda like, "No, no, I'm serious."
01:28:02 - 01:28:03: And you're like, "Oh, it's not a TikTok challenge?"
01:28:03 - 01:28:05: Like, probably you just live
01:28:05 - 01:28:07: in a permanent TikTok challenge.
01:28:07 - 01:28:10: But anyway, even though I think that's kind of
01:28:10 - 01:28:12: a disturbing new element to our society,
01:28:12 - 01:28:14: you know, you can't fight progress,
01:28:14 - 01:28:16: I think one could be, for a couple,
01:28:16 - 01:28:17: and this is actually a real prank, by the way,
01:28:17 - 01:28:18: it's not one of these dumb, like,
01:28:18 - 01:28:20: get in the car and say some weird (beep).
01:28:20 - 01:28:23: So this one is, your partner comes home
01:28:23 - 01:28:25: from a long day of work, and you say,
01:28:25 - 01:28:27: "Hey, I've been working hard all day,
01:28:27 - 01:28:29: "looking up margarita recipes,
01:28:29 - 01:28:31: "and I think I finally cracked it,
01:28:31 - 01:28:34: "and I think I know how to make the best margarita on earth."
01:28:34 - 01:28:36: Except then you put stale Mountain Dew in it.
01:28:36 - 01:28:37: And then you're like, "Hold on one second."
01:28:37 - 01:28:39: You bring it out to them, and then they sip it,
01:28:39 - 01:28:41: and then you gotta see how they react.
01:28:41 - 01:28:42: Are they gonna spit it out, and be like,
01:28:42 - 01:28:45: "This is disgusting, this tastes like flat Mountain Dew,
01:28:45 - 01:28:47: "mixed with tequila for a noxious brew."
01:28:47 - 01:28:50: Or are they gonna, you know, try to be nice,
01:28:50 - 01:28:52: and be like, "Oh, that's really good."
01:28:52 - 01:28:54: Anyway, then you got Worst Margarita in My Life
01:28:54 - 01:28:57: by Mountain Brews playing during it.
01:28:57 - 01:28:59: So when that drops, I really encourage people
01:28:59 - 01:29:00: to do that one.
01:29:00 - 01:29:02: All right, should we get into the top five?
01:29:02 - 01:29:06: - It's time for the top five, five, five, five, five, five,
01:29:06 - 01:29:09: five on iTunes.
01:29:09 - 01:29:11: - On this week's top five, we're gonna be comparing
01:29:11 - 01:29:15: the top Billboard hits of 2020
01:29:15 - 01:29:18: with the top Billboard hits of 2008.
01:29:18 - 01:29:20: Why 2008?
01:29:20 - 01:29:22: - Is that when Campus came out?
01:29:22 - 01:29:24: - Yeah, 2008 is the official release of Campus,
01:29:24 - 01:29:27: 'cause our first album came out January 2008.
01:29:27 - 01:29:29: Although Campus and all those other songs,
01:29:29 - 01:29:33: they were floating around in the previous year.
01:29:33 - 01:29:35: But that's interesting, this'll really take me back,
01:29:35 - 01:29:39: 'cause I feel like this is a year I remember well.
01:29:39 - 01:29:43: And the number five song is a song I remember well,
01:29:43 - 01:29:45: M.I.A., Paper Planes.
01:29:45 - 01:29:47: - Well, she had the top five hit.
01:29:47 - 01:29:48: - I'm kinda surprised.
01:29:48 - 01:29:50: I mean, this is a big hit.
01:29:50 - 01:29:53: It made it to number five, it's big.
01:29:53 - 01:29:54: - I thought of her as more of like,
01:29:54 - 01:29:58: kind of like a B-org kind of figure, where it's like--
01:29:58 - 01:30:01: - I think this was in the Pineapple Express trailer,
01:30:01 - 01:30:02: and that sort of like-- - That took it
01:30:02 - 01:30:03: to another level.
01:30:03 - 01:30:04: - Yeah.
01:30:04 - 01:30:04: - But you know what I mean?
01:30:04 - 01:30:07: I thought of her as like, elite indie,
01:30:07 - 01:30:09: but not actually having any mainstream.
01:30:09 - 01:30:11: - This was her big song.
01:30:11 - 01:30:14: - She's on the new Travis Scott single, "Franchise."
01:30:14 - 01:30:15: - Are you serious? - Oh, right.
01:30:15 - 01:30:17: - Yeah, she's verse three.
01:30:17 - 01:30:19: - Again, I've said it on a previous episode,
01:30:19 - 01:30:22: but "Franchise" is a great song title.
01:30:22 - 01:30:24: And honestly, it sounds like it could have been
01:30:24 - 01:30:26: a song title on the first "Vampire Weekend."
01:30:26 - 01:30:27: - That just gave me an idea, Jake,
01:30:27 - 01:30:30: for another TikTok challenge,
01:30:30 - 01:30:33: is that if you're a McDonald's franchisee,
01:30:33 - 01:30:37: and you own any McDonald's, you play the song "Franchise,"
01:30:37 - 01:30:40: and you show off clips of your McDonald's,
01:30:40 - 01:30:41: of your franchise.
01:30:41 - 01:30:42: - Hell yeah.
01:30:42 - 01:30:44: - Just throwing that out there.
01:30:44 - 01:30:45: ♪ I own a franchise ♪
01:30:45 - 01:30:48: (laughing)
01:30:48 - 01:30:51: - Try to write an early "Vampire Weekend" song.
01:30:51 - 01:30:54: ♪ I see you, you're walking in my franchise ♪
01:30:54 - 01:30:57: (laughing)
01:30:57 - 01:31:00: - I mean, it ties right in with the mansard roof, right?
01:31:00 - 01:31:01: - Yeah.
01:31:01 - 01:31:04: - Well, weren't we gonna do the "Vampire Weekend" meal?
01:31:04 - 01:31:06: - Oh, the "Vampire Weekend" meal at McDonald's?
01:31:06 - 01:31:08: Did we ever come up with it?
01:31:08 - 01:31:09: - Or it was the Mountain Brew.
01:31:09 - 01:31:11: I know Jake had a great Mountain Brews.
01:31:11 - 01:31:13: - We had the, yeah, that kind of went off on Twitter,
01:31:13 - 01:31:14: the Mountain Brews meal.
01:31:14 - 01:31:16: - That was great.
01:31:16 - 01:31:19: - Any burger you want with fries, no drink, plus six pack.
01:31:19 - 01:31:20: (laughing)
01:31:20 - 01:31:21: - In the car, right?
01:31:21 - 01:31:21: Six pack.
01:31:21 - 01:31:23: (laughing)
01:31:23 - 01:31:25: - The key is the no drink.
01:31:25 - 01:31:27: (laughing)
01:31:27 - 01:31:31: - Sir, you'd actually be saving a little bit of money
01:31:31 - 01:31:33: if you ordered the value meal,
01:31:33 - 01:31:34: and it comes with a drink.
01:31:34 - 01:31:37: As opposed to ordering the fries and the burger a la carte,
01:31:37 - 01:31:39: you're gonna actually pay a little more.
01:31:39 - 01:31:40: I don't care.
01:31:40 - 01:31:42: (laughing)
01:31:42 - 01:31:44: - You said it was a watery beer, or a light beer?
01:31:44 - 01:31:46: - I said it was a watery domestic,
01:31:46 - 01:31:48: which is a low-key pavement reference.
01:31:48 - 01:31:51: And I did see people on Twitter being like, "Mudolo!"
01:31:51 - 01:31:53: But I was like, it's a McDonald's meal,
01:31:53 - 01:31:55: it's gotta be American through and through.
01:31:55 - 01:31:58: - Oh no, I've missed this.
01:31:58 - 01:31:59: - It's gotta be.
01:31:59 - 01:32:00: - I've been on Twitter.
01:32:00 - 01:32:01: - Somebody made a poster.
01:32:01 - 01:32:05: Somebody made the Cactus Jake meal poster.
01:32:05 - 01:32:06: - Cactus Jake.
01:32:06 - 01:32:08: (laughing)
01:32:08 - 01:32:10: - What's the "Vampire Weekend" meal?
01:32:10 - 01:32:12: - I mean, definitely not gonna be able to top that.
01:32:12 - 01:32:13: This is perfect.
01:32:13 - 01:32:17: - I love this idea that when you order it
01:32:17 - 01:32:18: and they say, "Any burger you want,"
01:32:18 - 01:32:20: you go, "Well, which ones?"
01:32:20 - 01:32:21: I don't, it's up to you.
01:32:21 - 01:32:24: Well, I just ordered the, I ordered the Jake meal.
01:32:24 - 01:32:27: What is it, any one you want.
01:32:27 - 01:32:29: Well, I want you to make the decision for me.
01:32:29 - 01:32:30: Can't.
01:32:30 - 01:32:33: - If you get a really annoying customer
01:32:33 - 01:32:34: who's not willing to pick the burger,
01:32:34 - 01:32:37: the McDonald's employee, all McDonald's employees
01:32:37 - 01:32:39: nationwide will have Jake's cell phone.
01:32:39 - 01:32:41: Give him a quick buzz.
01:32:42 - 01:32:44: All right, Jake, just pick a burger.
01:32:44 - 01:32:47: The Time Crisis meal would definitely be
01:32:47 - 01:32:48: an off-season McRib.
01:32:48 - 01:32:50: - Oh, hell yeah.
01:32:50 - 01:32:52: - 'Cause you roll up when they don't have the McRib.
01:32:52 - 01:32:54: But if you order the Time Crisis meal,
01:32:54 - 01:32:57: they're legally obligated to go defrost a McRib for you.
01:32:57 - 01:33:00: Even when it's not the season.
01:33:00 - 01:33:02: Here's my idea for the "Vampire Weekend" meal.
01:33:02 - 01:33:04: It's the Travis Scott meal,
01:33:04 - 01:33:07: because obviously I wanna piggyback off of what he's doing.
01:33:07 - 01:33:11: And I think where he sits as a musician
01:33:11 - 01:33:13: and all these things he's bringing together,
01:33:13 - 01:33:15: I legitimately do find fascinating.
01:33:15 - 01:33:17: So I don't wanna start from scratch.
01:33:17 - 01:33:19: We need to be tied to his heat.
01:33:19 - 01:33:21: So it's the Travis Scott meal,
01:33:21 - 01:33:23: except instead of barbecue sauce for the fries,
01:33:23 - 01:33:25: you get ketchup.
01:33:25 - 01:33:28: And on the quarter pounder, there's no bacon.
01:33:28 - 01:33:30: (laughing)
01:33:30 - 01:33:32: And the beverage instead of being a Sprite is a Coke.
01:33:32 - 01:33:36: - So that's it.
01:33:36 - 01:33:37: It's the quarter pounder meal.
01:33:37 - 01:33:39: You've rebranded.
01:33:40 - 01:33:42: - And the soda is up to you.
01:33:42 - 01:33:45: - Yeah, and the soda's up to you.
01:33:45 - 01:33:48: We recommend Coke, but if you wanna get Sprite,
01:33:48 - 01:33:50: diet Coke, you know, that's all fine.
01:33:50 - 01:33:51: I was thinking about this more
01:33:51 - 01:33:53: because we were called Travis Scott.
01:33:53 - 01:33:57: He was like the inverted negative spectacle,
01:33:57 - 01:33:59: poor hazy and whatever.
01:33:59 - 01:33:59: It made me think,
01:33:59 - 01:34:01: have we ever talked about this on Time Crisis?
01:34:01 - 01:34:05: 'Cause I always think about this and it always comes up.
01:34:05 - 01:34:05: I feel like we were just talking about it
01:34:05 - 01:34:07: in the studio the other day.
01:34:07 - 01:34:09: I guess it was a meme, whatever.
01:34:09 - 01:34:11: It was something being passed around on the internet
01:34:11 - 01:34:13: where somebody wrote,
01:34:13 - 01:34:14: I don't know if they're a gamer or what,
01:34:14 - 01:34:16: but they wrote a thing about Waluigi.
01:34:16 - 01:34:18: It's kind of like an internet classic
01:34:18 - 01:34:19: 'cause they really broke it down
01:34:19 - 01:34:21: in this deeply philosophical way
01:34:21 - 01:34:23: where they're basically saying how
01:34:23 - 01:34:25: there's Mario and Luigi, right?
01:34:25 - 01:34:26: Mario's the hero
01:34:26 - 01:34:29: and Luigi is kind of his random ass sidekick.
01:34:29 - 01:34:33: He represents this kind of complimentary nobody,
01:34:33 - 01:34:38: but who exists to kind of provide a context for Mario.
01:34:38 - 01:34:42: And then you have Wario, who's the evil Mario,
01:34:42 - 01:34:43: the inverted Mario.
01:34:43 - 01:34:44: And we can understand that.
01:34:44 - 01:34:45: What's the opposite of a hero?
01:34:45 - 01:34:47: It's a villain.
01:34:47 - 01:34:51: But then there's also this character called Waluigi,
01:34:51 - 01:34:54: who's as Wario is to Mario, Waluigi is to Luigi.
01:34:54 - 01:34:56: And so somebody wrote this thing.
01:34:56 - 01:34:58: I always used to see it getting passed around
01:34:58 - 01:35:00: that was this kind of brilliant take
01:35:00 - 01:35:03: that Luigi already is this nobody man.
01:35:03 - 01:35:07: So Waluigi truly represents inverted negative space.
01:35:07 - 01:35:09: He's like the opposite of nothing.
01:35:09 - 01:35:11: He's like the double nothing man.
01:35:11 - 01:35:13: And they made a joke about how
01:35:13 - 01:35:15: he doesn't even get an elegant name like Wario.
01:35:15 - 01:35:18: They just stick the Wa on top of the Luigi.
01:35:18 - 01:35:20: Later people said that in Japanese,
01:35:20 - 01:35:22: Waluigi actually is kind of witty or something.
01:35:22 - 01:35:24: I don't know.
01:35:24 - 01:35:27: But anyway, this idea of in this meme or whatever,
01:35:27 - 01:35:29: it was like this, you know,
01:35:29 - 01:35:31: a kind of like brilliant philosophical treatise
01:35:31 - 01:35:35: about how Waluigi is like the opposite of nothing.
01:35:35 - 01:35:37: And you know, it struck a chord with people.
01:35:37 - 01:35:40: It's inverted negative space, whatever you want to call it.
01:35:40 - 01:35:43: It's like that deep chasm.
01:35:43 - 01:35:45: And I think a lot of us feel like Waluigi sometimes.
01:35:45 - 01:35:48: We already feel like we're not the main character.
01:35:48 - 01:35:50: And sometimes we even feel like the opposite
01:35:50 - 01:35:53: of the guy who's not the main character.
01:35:53 - 01:35:54: You know what I mean?
01:35:54 - 01:35:56: It's like a black hole of identity.
01:35:56 - 01:35:57: - Damn.
01:35:57 - 01:35:58: - And I kind of like the idea that the
01:35:58 - 01:36:01: Vampire Weekend meal is like the Waluigi
01:36:01 - 01:36:03: to the Travis Scott's Mario.
01:36:03 - 01:36:05: Vampire Weekend had a taco once
01:36:05 - 01:36:09: to raise money for the homeless at Home State Tacos.
01:36:09 - 01:36:10: - Oh yeah.
01:36:10 - 01:36:10: - In LA.
01:36:10 - 01:36:12: And it was a great taco.
01:36:12 - 01:36:15: They're really nice people who run Home State,
01:36:15 - 01:36:15: shout out to them.
01:36:15 - 01:36:18: And they do a kind of a program where,
01:36:18 - 01:36:19: I don't know if it's a monthly thing or what,
01:36:19 - 01:36:21: but they always team up with artists
01:36:21 - 01:36:23: and they design a taco.
01:36:23 - 01:36:25: You have to sign off on it though.
01:36:25 - 01:36:26: Somehow it came up recently and somebody's asking me,
01:36:26 - 01:36:29: do you like really R&D that taco?
01:36:29 - 01:36:30: I was like, nah.
01:36:30 - 01:36:30: I think we might've said,
01:36:30 - 01:36:33: let's make it vegetarian or vegan.
01:36:33 - 01:36:35: Even though I'm not vegan.
01:36:35 - 01:36:35: I was just kind of like,
01:36:35 - 01:36:37: we're gonna throw our name on something.
01:36:37 - 01:36:40: You know, maybe get a good vegan taco out there.
01:36:40 - 01:36:41: And then they came up with it and it tasted great.
01:36:41 - 01:36:45: And it's a program they do to raise money
01:36:45 - 01:36:48: for an organization that helps the homeless in LA.
01:36:48 - 01:36:51: So that's the only time we've done a food thing like that.
01:36:51 - 01:36:53: But I would like to do more.
01:36:53 - 01:36:55: I mean, I always felt more passionately
01:36:55 - 01:36:57: about Taco Bell than McDonald's.
01:36:57 - 01:36:59: Maybe Taco Bell would be down for a Vampire Weekend meal.
01:36:59 - 01:37:00: - Oh, for sure.
01:37:00 - 01:37:02: - Maybe you gotta start feeling it out.
01:37:02 - 01:37:05: Like if there's any people who work in the fast food
01:37:05 - 01:37:08: industry, especially on the marketing PR side,
01:37:08 - 01:37:12: and you're looking to compete with Travis Scott.
01:37:12 - 01:37:15: I mean, we could really make something special
01:37:15 - 01:37:18: because not only does Vampire Weekend have four albums
01:37:18 - 01:37:20: in stores now, we could use the musical side.
01:37:20 - 01:37:24: If we really kind of call in the power of time crisis,
01:37:24 - 01:37:26: we could be talking about this for months.
01:37:26 - 01:37:28: Anyway, that was MIA with Paper Planes.
01:37:28 - 01:37:29: Great song.
01:37:29 - 01:37:30: Moving on.
01:37:30 - 01:37:35: The number five song right now is 24K Golden,
01:37:35 - 01:37:37: Mood featuring Ian Dior.
01:37:37 - 01:37:41: Wait, I feel like we heard this before.
01:37:41 - 01:37:43: Oh yeah, guitar.
01:37:43 - 01:37:44: - Wait, who's the artist?
01:37:44 - 01:37:46: - 24K Golden.
01:37:46 - 01:37:50: His real name is Golden Landis Von Jones from SF.
01:37:50 - 01:37:52: ♪ I'ma tell you what to do ♪
01:37:52 - 01:37:53: ♪ But try to play it cool ♪
01:37:53 - 01:37:55: ♪ Baby I ain't playing by your rules ♪
01:37:55 - 01:37:57: ♪ Everything look better with a view ♪
01:37:57 - 01:37:59: ♪ Why you always in the mood ♪
01:37:59 - 01:38:00: ♪ Now I can brand new ♪
01:38:00 - 01:38:02: ♪ I ain't trying to tell you what to do ♪
01:38:02 - 01:38:04: ♪ But try to play it cool ♪
01:38:04 - 01:38:06: ♪ Baby I ain't playing by your rules ♪
01:38:06 - 01:38:07: ♪ Everything look better with a view ♪
01:38:07 - 01:38:09: ♪ I can never get attached ♪
01:38:09 - 01:38:11: ♪ When I start to feel unattached ♪
01:38:11 - 01:38:13: ♪ Somehow I always end up feeling bad ♪
01:38:13 - 01:38:14: ♪ Baby I am not your dad ♪
01:38:14 - 01:38:17: - Are you saying I'm not your dad?
01:38:17 - 01:38:21: I can never get attached when I start to feel unattached.
01:38:21 - 01:38:24: Somehow, always end up feeling bad.
01:38:24 - 01:38:25: Baby, I am not your dad.
01:38:25 - 01:38:28: No, it's not all you want from me.
01:38:28 - 01:38:30: I just want your company.
01:38:30 - 01:38:32: Girl, it's obvious elephant in the room.
01:38:32 - 01:38:33: And we're, what does that part mean?
01:38:33 - 01:38:34: I'm not your dad.
01:38:34 - 01:38:37: I guess just, I'm not your dad.
01:38:37 - 01:38:39: I'm not trying to like control you.
01:38:39 - 01:38:41: I'm not trying to give you a set of rules.
01:38:41 - 01:38:42: Somebody chime in here.
01:38:42 - 01:38:48: - Is she saying that your dad's too attached to you?
01:38:48 - 01:38:49: - No, no, no.
01:38:49 - 01:38:51: He's just like, what is it?
01:38:51 - 01:38:52: I'm not here to order you around.
01:38:52 - 01:38:55: I'm not here to like constrict you in your lifestyle.
01:38:55 - 01:38:57: Like we're supposed to be boyfriend and girlfriend
01:38:57 - 01:39:00: and you're like assuming I have this like
01:39:00 - 01:39:02: patriarchal relationship with you.
01:39:02 - 01:39:06: - I didn't impregnate your mother and give birth to you.
01:39:06 - 01:39:12: - Yeah, I mean, maybe there's also an age gap.
01:39:12 - 01:39:16: Maybe he's like, you know, in his mid late thirties
01:39:16 - 01:39:19: and he's dating someone that's, you know, 22.
01:39:19 - 01:39:21: - He's 60.
01:39:21 - 01:39:23: She's like.
01:39:23 - 01:39:26: - In his narrative, this 18 year old singer
01:39:26 - 01:39:27: in his mid thirties.
01:39:27 - 01:39:32: I like that.
01:39:32 - 01:39:33: - He's friendly with the dad.
01:39:33 - 01:39:36: - He bears an uncanny resemblance to the dad
01:39:36 - 01:39:38: that are often getting mixed up.
01:39:38 - 01:39:40: - It's funny too, because the hook is
01:39:40 - 01:39:42: why you always in a mood.
01:39:42 - 01:39:45: That actually sounds like something that a parent might say.
01:39:45 - 01:39:47: - So yeah, like you're in a mood to this.
01:39:47 - 01:39:49: - Oh, don't mind them.
01:39:49 - 01:39:50: They're just going through.
01:39:50 - 01:39:51: This is how they are now.
01:39:51 - 01:39:52: Okay.
01:39:52 - 01:39:54: What's the latest drama?
01:39:54 - 01:39:56: - Why you always in a mood?
01:39:56 - 01:39:58: - I'm always like, God, you're in a mood today.
01:39:58 - 01:40:00: - Aren't you in a mood?
01:40:00 - 01:40:02: - So this guy's acting an awful lot like her dad.
01:40:02 - 01:40:04: - Maybe he's just saying, I know I'm acting like your dad.
01:40:04 - 01:40:05: I just want to clarify.
01:40:05 - 01:40:06: I'm not your dad.
01:40:06 - 01:40:08: - I like my theory that he's like doing
01:40:08 - 01:40:09: like a Springsteen thing.
01:40:09 - 01:40:12: He's assuming the character.
01:40:12 - 01:40:13: - Right.
01:40:13 - 01:40:14: But I'm not your dad.
01:40:14 - 01:40:16: I might look like your dad, but I'm not your dad.
01:40:16 - 01:40:20: The number four song in 2008, Rihanna, Disturbia.
01:40:20 - 01:40:23: - Was this related to that movie?
01:40:23 - 01:40:25: - I've always wondered that.
01:40:25 - 01:40:27: It must be like inspired by it.
01:40:27 - 01:40:28: - Yeah.
01:40:28 - 01:40:29: I think they came out around the same time.
01:40:29 - 01:40:30: - What year is that movie?
01:40:33 - 01:40:38: - Wait, Disturbia was 2007.
01:40:38 - 01:40:41: Early Shia.
01:40:41 - 01:40:43: - So Chris Brown wrote this song.
01:40:43 - 01:40:45: Is this when they were a couple?
01:40:45 - 01:40:47: - Is this one of Rihanna's first big hits?
01:40:47 - 01:40:49: - Well, Umbrella was before this.
01:40:49 - 01:40:52: That was her first like massive hit, but yeah.
01:40:52 - 01:40:53: This is like when she was becoming
01:40:53 - 01:40:55: one of the biggest artists in the world.
01:40:55 - 01:40:57: - Yeah, I don't think she really crossed my desk
01:40:57 - 01:40:59: till like 2010.
01:40:59 - 01:41:02: - You don't remember when Umbrella dropped?
01:41:02 - 01:41:03: - Impossible.
01:41:03 - 01:41:06: - I probably heard the song, but I don't think I rec,
01:41:06 - 01:41:10: I don't think she as a pop star like entered my consciousness
01:41:10 - 01:41:12: until the song that was,
01:41:12 - 01:41:17: the one about falling in love in an office space.
01:41:17 - 01:41:20: ♪ We fell in love in an office space ♪
01:41:20 - 01:41:21: - Jake.
01:41:21 - 01:41:23: (laughing)
01:41:23 - 01:41:28: - I guess this is like a thriller type song
01:41:28 - 01:41:30: using kind of like horror imagery.
01:41:30 - 01:41:34: I'm just curious how they use the word Disturbia.
01:41:34 - 01:41:37: - Inspired by the word Disturbia.
01:41:37 - 01:41:39: - When also Disturbia is by the way,
01:41:39 - 01:41:43: a portmanteau of disturbing and suburbia.
01:41:43 - 01:41:47: So like in any ways, the song related to like the concept
01:41:47 - 01:41:50: of like the dark side of suburbia.
01:41:50 - 01:41:52: Your mind is in Disturbia.
01:41:52 - 01:41:54: It's like the darkness is the light Disturbia.
01:41:54 - 01:41:56: Am I scaring you tonight?
01:41:56 - 01:41:57: Your mind is in Disturbia.
01:41:57 - 01:41:58: Ain't used to what you like.
01:41:58 - 01:42:00: Disturbia, Disturbia.
01:42:00 - 01:42:03: - I think they're just using the word as a way to say
01:42:03 - 01:42:07: like psychosis or some form of dementia.
01:42:07 - 01:42:10: I don't think they've stuck to the Shia LaBeouf
01:42:10 - 01:42:12: definition at all.
01:42:12 - 01:42:13: - It's a thief in the night to come and get.
01:42:13 - 01:42:15: Yeah, it's just like a kind of a spooky song.
01:42:15 - 01:42:18: The number four song right now,
01:42:18 - 01:42:22: Drake, "Laugh Now, Cry Later" featuring Lil' Jerk.
01:42:22 - 01:42:24: Since the first time this was on the show,
01:42:24 - 01:42:26: I actually watched the video.
01:42:26 - 01:42:28: That's him just horsing around at the Nike headquarters
01:42:28 - 01:42:29: in Beaverton, Oregon.
01:42:29 - 01:42:31: It's a good video.
01:42:31 - 01:42:32: It's fun.
01:42:32 - 01:42:37: And there's a lot of him just looking at the camera
01:42:37 - 01:42:38: and going, "Baby."
01:42:38 - 01:42:43: ♪ Baby ♪
01:42:43 - 01:42:44: ♪ We took a trip, now we on your block ♪
01:42:44 - 01:42:48: ♪ And it's like a ghost town ♪
01:42:48 - 01:42:50: ♪ Baby ♪
01:42:50 - 01:42:51: ♪ Where did these (beep) be at ♪
01:42:51 - 01:42:54: ♪ When they said they doing all this and all that ♪
01:42:54 - 01:42:55: ♪ Tired of beefing you moms ♪
01:42:55 - 01:42:57: ♪ You can't even pay me enough to react ♪
01:42:57 - 01:42:58: ♪ Been waking up in the crib ♪
01:42:58 - 01:42:59: - This is a good song.
01:42:59 - 01:43:01: I recommend the video.
01:43:01 - 01:43:03: I watched it and it like,
01:43:03 - 01:43:05: now I find the song much more charming.
01:43:05 - 01:43:08: Like the very simple hook of just like saying baby
01:43:08 - 01:43:11: like three times in the last song going, "Baby."
01:43:11 - 01:43:12: When you see it in the video,
01:43:12 - 01:43:14: like really kind of comes together.
01:43:14 - 01:43:15: - I just want to go full circle.
01:43:15 - 01:43:20: Disturbia was recorded in Denver, Colorado in April, 2008.
01:43:20 - 01:43:21: - Really?
01:43:21 - 01:43:22: I wonder why Denver?
01:43:22 - 01:43:23: I wonder if they're on tour.
01:43:23 - 01:43:24: - I bet.
01:43:24 - 01:43:26: - And also the first song we listened to,
01:43:26 - 01:43:28: that guy's first name was Golden.
01:43:28 - 01:43:30: This is getting spooky, like Golden, Colorado.
01:43:30 - 01:43:31: The number two song--
01:43:31 - 01:43:34: - She said the song, sorry, I just wanted to,
01:43:34 - 01:43:36: it's not about a specific personal experience,
01:43:36 - 01:43:38: but rather the general feelings of mental anguish,
01:43:38 - 01:43:40: anxiety, and confusion.
01:43:40 - 01:43:42: - Yeah, Disturbia.
01:43:42 - 01:43:44: - No references to the film.
01:43:44 - 01:43:45: - Right.
01:43:45 - 01:43:46: - Anyway.
01:43:46 - 01:43:48: - Another kind of spooky song in 2008.
01:43:48 - 01:43:50: I guess 2008 was still kind of a spooky year
01:43:50 - 01:43:54: 'cause that M.I.A. Paper Planes,
01:43:54 - 01:43:55: we didn't really talk about it,
01:43:55 - 01:43:57: but it's got that Clash Straight to Hell sample,
01:43:57 - 01:44:01: which is kind of like sad and weird and eerie,
01:44:01 - 01:44:02: Disturbia, spooky.
01:44:02 - 01:44:04: And then this song was very spooky.
01:44:04 - 01:44:07: Kanye West, Love Lockdown
01:44:07 - 01:44:09: of the seminal album, 808s and Heartbreak.
01:44:13 - 01:44:15: I remember when this came out,
01:44:15 - 01:44:17: just being like, this is cool.
01:44:17 - 01:44:20: - Did these songs come out post your recession,
01:44:20 - 01:44:22: market crash?
01:44:22 - 01:44:23: - I don't think so,
01:44:23 - 01:44:25: 'cause I think the market crash turns like that.
01:44:25 - 01:44:27: Well, when did the market crash?
01:44:27 - 01:44:28: Right around now.
01:44:28 - 01:44:29: - That was late September.
01:44:29 - 01:44:31: I wanna say late September.
01:44:31 - 01:44:34: - So these songs are probably all pretty new.
01:44:34 - 01:44:37: ♪ Never know, never, never know ♪
01:44:37 - 01:44:39: ♪ Never know enough ♪
01:44:39 - 01:44:41: ♪ 'Til it's over, love ♪
01:44:41 - 01:44:43: ♪ 'Til we lose control ♪
01:44:43 - 01:44:45: ♪ System overload ♪
01:44:45 - 01:44:49: ♪ Screaming no, no, no, no, no ♪
01:44:49 - 01:44:50: ♪ I'm not loving you ♪
01:44:50 - 01:44:52: - This song always made me think of
01:44:52 - 01:44:56: the theme from the X-Men cartoon.
01:44:56 - 01:45:00: - Lehman Brothers went bankrupt September 15th, 2008.
01:45:00 - 01:45:03: - Whoa, and this song came out three days later.
01:45:03 - 01:45:04: - That was weird at the time.
01:45:04 - 01:45:07: It was like, what's happening?
01:45:07 - 01:45:09: - Well, and especially because
01:45:09 - 01:45:11: his first three albums were just like hip hop,
01:45:11 - 01:45:14: with like soul samples and rapping.
01:45:14 - 01:45:16: And this song just like was kind of different,
01:45:16 - 01:45:18: vocally, beat-wise.
01:45:18 - 01:45:22: - I was talking about the financial crisis.
01:45:22 - 01:45:24: - What were you saying about the financial crisis?
01:45:24 - 01:45:26: - I was just saying like, at the time,
01:45:26 - 01:45:27: I was just reflecting on it.
01:45:27 - 01:45:29: I was just like, at the time,
01:45:29 - 01:45:31: I was sort of like, what the hell's happening?
01:45:31 - 01:45:33: - Oh, I thought you just meant as a Kanye fan
01:45:33 - 01:45:34: when "Love Lockdown" dropped.
01:45:34 - 01:45:36: - We hadn't seen the big short yet.
01:45:36 - 01:45:37: They were throwing around terms,
01:45:37 - 01:45:39: like we were joking about this last episode.
01:45:39 - 01:45:41: They were throwing around terms like
01:45:41 - 01:45:44: tranches and bundling these,
01:45:44 - 01:45:47: mortgages broken up into millions of pieces,
01:45:47 - 01:45:49: that whole concept.
01:45:49 - 01:45:51: But it was sort of just like, what?
01:45:51 - 01:45:54: - Yeah, Jim Cramer slamming buttons
01:45:54 - 01:45:57: and screaming at you through the TV.
01:45:57 - 01:46:00: - It was just like, it's such esoteric knowledge.
01:46:00 - 01:46:00: How this even happened. - It was just like,
01:46:00 - 01:46:02: what the hell is happening?
01:46:02 - 01:46:05: - I mean, I remember when Lehman Brothers went under,
01:46:05 - 01:46:07: there were like some disturbing images of like,
01:46:07 - 01:46:09: the office being kind of (beep) up and in disarray.
01:46:09 - 01:46:10: And you were just like, oh, (beep)
01:46:10 - 01:46:13: this is about to turn into something big.
01:46:13 - 01:46:16: And, you know, in classic American fashion,
01:46:16 - 01:46:20: they always know how to keep things at like that low boil.
01:46:20 - 01:46:21: - The cusp, right.
01:46:21 - 01:46:24: - The cusp, where disturbing things are happening,
01:46:24 - 01:46:26: everybody feels uneasy,
01:46:26 - 01:46:28: and you're waiting for it to fully boil over.
01:46:28 - 01:46:31: Maybe a little bit of water here or there happens,
01:46:31 - 01:46:33: but it's never like the full pot goes crazy
01:46:33 - 01:46:36: and the flame gets it and everything, you know?
01:46:36 - 01:46:38: Constantly at that low boil.
01:46:38 - 01:46:39: And I think Kanye really tapped into that
01:46:39 - 01:46:41: with "Love Lockdown."
01:46:41 - 01:46:41: - I mean, you're totally right.
01:46:41 - 01:46:43: I remember at the time,
01:46:43 - 01:46:44: I had been a fan of the first two records.
01:46:44 - 01:46:47: I was not down with 808s.
01:46:47 - 01:46:48: - Same.
01:46:48 - 01:46:49: - Oh, really? - I was like,
01:46:49 - 01:46:51: this sucks.
01:46:51 - 01:46:52: Like, I just.
01:46:52 - 01:46:53: - It took me a while.
01:46:53 - 01:46:54: It took me a while to come around to it.
01:46:54 - 01:46:55: - Same.
01:46:55 - 01:46:56: - Very acquired taste, yeah.
01:46:56 - 01:46:57: - Oh, really?
01:46:57 - 01:46:58: All three of you guys?
01:46:58 - 01:47:00: - I've never felt more wrong in hindsight.
01:47:00 - 01:47:03: - Wow, I'm feeling a lot of disturbia to know that
01:47:03 - 01:47:05: the whole TC crew was like that
01:47:05 - 01:47:09: because I was a big Kanye fan since the first album.
01:47:09 - 01:47:11: And when that came out, I was like,
01:47:11 - 01:47:12: I knew I bet on the right horse.
01:47:12 - 01:47:15: (laughing)
01:47:15 - 01:47:17: I remember when the third album came out,
01:47:17 - 01:47:18: you would still get people just being like,
01:47:18 - 01:47:20: oh, that guy's annoying.
01:47:20 - 01:47:21: He's so full of himself.
01:47:21 - 01:47:24: Why is he so much better than anybody else?
01:47:24 - 01:47:26: And I remember just being like, come on.
01:47:26 - 01:47:26: These albums are like great.
01:47:26 - 01:47:29: And when that, I really felt when that came out,
01:47:29 - 01:47:32: maybe because it reminded me of the X-Men theme song,
01:47:32 - 01:47:34: ♪ Diddly-loo-loo-loo ♪
01:47:34 - 01:47:35: Which in a very oblique way,
01:47:35 - 01:47:37: it doesn't actually sound like it.
01:47:37 - 01:47:40: I really felt like, oh yeah, he is the chosen one.
01:47:40 - 01:47:43: But yeah, that was his big classic fourth album leap.
01:47:43 - 01:47:47: Like he was on some different (beep)
01:47:47 - 01:47:47: You know what?
01:47:47 - 01:47:51: I saw him on tour on that album was the glow in the dark tour
01:47:51 - 01:47:53: and Rihanna opened for him.
01:47:53 - 01:47:55: - Oh, wow.
01:47:55 - 01:47:57: - Maybe like Pharrell was there too.
01:47:57 - 01:47:58: Definitely Rihanna was there.
01:47:58 - 01:48:00: - I thought that was his third album.
01:48:00 - 01:48:01: - No, this is his fourth.
01:48:01 - 01:48:05: He had his trilogy of college, dropout,
01:48:05 - 01:48:07: late registration and graduation.
01:48:07 - 01:48:09: - Oh, that's right.
01:48:09 - 01:48:12: - And then there was the long rumored fourth album,
01:48:12 - 01:48:14: which would have continued the trajectory
01:48:14 - 01:48:16: that was called good-ass job.
01:48:16 - 01:48:19: Because after you graduate, then you get a good-ass job.
01:48:19 - 01:48:20: That's how Kanye said it.
01:48:20 - 01:48:23: But then he decided to cut it off as a trilogy
01:48:23 - 01:48:25: and not take us towards that good-ass job place.
01:48:25 - 01:48:28: And instead take us to the austere,
01:48:28 - 01:48:31: disturbed world of Veda Waites and Heartbreak,
01:48:31 - 01:48:33: which was very jarring.
01:48:33 - 01:48:34: But then that was a cool tour.
01:48:34 - 01:48:38: He was alone on stage on like this Martian terrain.
01:48:38 - 01:48:40: And he was like talking to a robot the whole time
01:48:40 - 01:48:42: on like some 2001 (beep)
01:48:42 - 01:48:44: And also I feel like when I saw that,
01:48:44 - 01:48:46: it really came together that I was like, oh yeah.
01:48:46 - 01:48:48: Like I really did have that feeling of like, oh yeah,
01:48:48 - 01:48:50: this guy's on some wild (beep)
01:48:50 - 01:48:54: Because Rihanna performed kind of like,
01:48:54 - 01:48:56: she's cool, super cool, but like a pretty normal pop show.
01:48:56 - 01:48:58: And then he came on, he's alone.
01:48:58 - 01:49:01: And he's like stumbling around on the Martian territory.
01:49:01 - 01:49:03: And then this thing comes down and it's like,
01:49:03 - 01:49:07: Mr. West, your spaceship has crash landed on Mars.
01:49:07 - 01:49:08: There's not enough.
01:49:08 - 01:49:10: And he's like, I gotta get back to Earth.
01:49:10 - 01:49:12: They're like, there's not enough fuel to get back.
01:49:12 - 01:49:14: He's like, what am I gonna do?
01:49:14 - 01:49:15: Dun-dun-dun-dun-dun.
01:49:15 - 01:49:17: And like the songs would come in.
01:49:17 - 01:49:19: It was this bizarre one man show.
01:49:19 - 01:49:22: And I was like, this is some wild (beep)
01:49:22 - 01:49:26: Next song, number three right now
01:49:26 - 01:49:29: is Justin Bieber, "Holy" featuring Chance the Rapper.
01:49:29 - 01:49:32: Well, I watched the video for this recently.
01:49:32 - 01:49:34: I was just kind of like catching up on music videos.
01:49:34 - 01:49:37: ♪ I hear a lot about sinners ♪
01:49:37 - 01:49:40: In the video for this, I don't quite remember it,
01:49:40 - 01:49:43: but I feel like Justin's got like a working man's job.
01:49:43 - 01:49:45: He's like working in like an oil field or something.
01:49:45 - 01:49:48: Like he's outside just like shoveling something maybe.
01:49:48 - 01:49:53: ♪ 'Cause the way that the sky opens up when we touch it ♪
01:49:53 - 01:49:55: ♪ It's making me say ♪
01:49:55 - 01:50:00: ♪ That the way you hold me, hold me, hold me, hold me, hold me ♪
01:50:00 - 01:50:02: ♪ Feels so holy ♪
01:50:02 - 01:50:03: - Oh yeah, this is a pretty good song.
01:50:03 - 01:50:06: It's like kind of a sweet gospel love song.
01:50:06 - 01:50:08: ♪ Oh God ♪
01:50:08 - 01:50:10: ♪ Run into the altar like a track star ♪
01:50:10 - 01:50:12: ♪ Can't wait another second ♪
01:50:12 - 01:50:15: ♪ 'Cause the way you hold me, hold me, hold me, hold me, hold me ♪
01:50:15 - 01:50:18: ♪ Feels so holy ♪
01:50:18 - 01:50:22: ♪ I don't do well with the drama ♪
01:50:22 - 01:50:26: ♪ And no, I can't stand it ♪
01:50:26 - 01:50:27: - Wait, that reminds me of some,
01:50:27 - 01:50:28: ♪ Da, na, na, na ♪
01:50:28 - 01:50:29: Like some 90s song.
01:50:29 - 01:50:33: ♪ I don't believe in nirvana ♪
01:50:33 - 01:50:36: - I don't believe in nirvana.
01:50:36 - 01:50:38: - It's very John Lennon.
01:50:38 - 01:50:41: ♪ I don't believe in nirvana ♪
01:50:41 - 01:50:44: ♪ I'm a Foo Fighters fan ♪
01:50:44 - 01:50:46: ♪ They're just playing punk rock ♪
01:50:46 - 01:50:48: (laughing)
01:50:48 - 01:50:51: - Is this one of his overtly Christian numbers?
01:50:51 - 01:50:54: - He's using Christian stuff as just like a metaphor here.
01:50:54 - 01:50:56: He's talking about marriage.
01:50:56 - 01:50:57: He's talking about being in love with somebody.
01:50:57 - 01:51:01: So he's, it's got the trappings of Christian stuff,
01:51:01 - 01:51:04: but I think it's just a regular love song.
01:51:04 - 01:51:07: ♪ Da, da, na, na, na, na, na, na ♪
01:51:07 - 01:51:08: ♪ Of unconditional ♪
01:51:08 - 01:51:09: Oh, that's what I'm thinking.
01:51:09 - 01:51:11: - Ah, yeah, yeah.
01:51:11 - 01:51:14: - Canadians are allowed to share melodies, right, Seinfeld?
01:51:14 - 01:51:15: - Yeah, it's part of our--
01:51:15 - 01:51:16: - It's one big family.
01:51:16 - 01:51:18: - Constitution, yeah, yeah, yeah.
01:51:18 - 01:51:20: - I feel like Bieber needs to take a left turn.
01:51:20 - 01:51:22: - You want the 808s and heartbreak?
01:51:22 - 01:51:26: - Yeah, I want the metal machine music from Bieber.
01:51:26 - 01:51:28: The okay, yeah.
01:51:28 - 01:51:30: I know, I want something.
01:51:30 - 01:51:31: - Okay computer.
01:51:31 - 01:51:33: - Something, just show me something.
01:51:33 - 01:51:36: I don't know, just like some sort of left turn.
01:51:36 - 01:51:38: He's got all these resources at his disposal.
01:51:38 - 01:51:39: He can work with anyone he wants to.
01:51:39 - 01:51:42: - Machine Gun Kelly just made a pop punk album
01:51:42 - 01:51:45: right on Bieber, okay, a little punk rock.
01:51:45 - 01:51:46: - I feel like Katy Perry was really due
01:51:46 - 01:51:50: for a crazy left turn with this new album,
01:51:50 - 01:51:52: but she kind of stayed the course.
01:51:52 - 01:51:54: - She has a new album out?
01:51:54 - 01:51:57: - I think she had a new album come out, what,
01:51:57 - 01:51:59: a couple months ago or something.
01:51:59 - 01:52:00: - I feel like she has some roots in pop punk.
01:52:00 - 01:52:02: That could be cool.
01:52:02 - 01:52:05: Maybe there'll be all the pop stars that go pop punk next.
01:52:05 - 01:52:09: The number two song in 2008, "Pink", "So What".
01:52:20 - 01:52:22: - Ezra, what's the time signature
01:52:22 - 01:52:24: on this drum programming?
01:52:24 - 01:52:26: - I mean, it's four, four, which is typical,
01:52:26 - 01:52:28: but I guess you'd call that like,
01:52:28 - 01:52:29: it's like a kind of shuffle.
01:52:29 - 01:52:33: Like Gary Glittery.
01:52:33 - 01:52:36: - Do you know that song by Outkast, "The Whole World",
01:52:36 - 01:52:37: featuring Killer Mike?
01:52:37 - 01:52:39: - ♪ And the whole world ♪
01:52:39 - 01:52:41: - Yeah, yeah, yeah, yeah, yeah, yeah, right.
01:52:41 - 01:52:42: It's got a similar shuffle.
01:52:42 - 01:52:45: - And her thing is a bit of a, I mean, it's circusy,
01:52:45 - 01:52:46: which is her thing, right?
01:52:46 - 01:52:49: She's a trapeze artist, isn't she?
01:52:49 - 01:52:50: - Well, yeah.
01:52:50 - 01:52:51: Whenever she performs in an award show,
01:52:51 - 01:52:53: there's always a trapeze.
01:52:53 - 01:52:54: - Yeah, I feel like in this era,
01:52:54 - 01:52:56: there's a lot of circus stuff.
01:52:56 - 01:53:00: Britney Spears had a album called "Circus" in the 2000s.
01:53:00 - 01:53:02: There were a lot of top hats,
01:53:02 - 01:53:05: a lot of burlesque, pussycat dolls.
01:53:05 - 01:53:08: - Eminem had a very circusy type of...
01:53:08 - 01:53:11: I worked with T-Pain on his "Circus" record.
01:53:11 - 01:53:13: - Oh yeah.
01:53:13 - 01:53:15: - I feel like there's also kind of a sailor vibe
01:53:15 - 01:53:16: to this somehow.
01:53:16 - 01:53:18: - Oh yeah, I feel that. - Kind of a shanty vibe.
01:53:18 - 01:53:20: - Circus is just land sailors.
01:53:20 - 01:53:23: There's like something in common.
01:53:23 - 01:53:26: Sailors are also up climbing poles
01:53:26 - 01:53:28: and swinging from things.
01:53:28 - 01:53:32: And also, I think, well, if you're into circus vibes,
01:53:32 - 01:53:34: you're also into like pirate vibes.
01:53:34 - 01:53:38: I think also like the "Pirates of the Caribbean" movies
01:53:38 - 01:53:40: were really big in this era.
01:53:40 - 01:53:44: And I bet for a lot of people who wanted to go full
01:53:44 - 01:53:45: Captain Jack Sparrow,
01:53:46 - 01:53:48: might've felt like a pirate. - Or landlocked.
01:53:48 - 01:53:50: - Yeah, they were landlocked.
01:53:50 - 01:53:52: So they're like, "I can't go full pirate.
01:53:52 - 01:53:53: How am I gonna pull this off?"
01:53:53 - 01:53:55: And then they're like, "Oh, I could go kind of circus."
01:53:55 - 01:53:58: It weirdly presses, you know,
01:53:58 - 01:53:59: hits a lot of the same notes.
01:53:59 - 01:54:01: - Are you saying that there's a kinship
01:54:01 - 01:54:03: between pirates and clowns
01:54:03 - 01:54:06: versus like the animosity between like
01:54:06 - 01:54:07: policemen and firemen?
01:54:07 - 01:54:10: - Policemen and firefighters owe deeply.
01:54:10 - 01:54:12: Yeah, I think they're natural allies.
01:54:12 - 01:54:14: They're almost like, I feel like this would be
01:54:14 - 01:54:15: some kind of like "Game of Thrones"
01:54:15 - 01:54:17: or "Lord of the Rings" type thing
01:54:17 - 01:54:19: where there's two groups who are kind of like
01:54:19 - 01:54:23: ancient allies and they don't call on each other very often.
01:54:23 - 01:54:26: But if they do, it's kind of understood
01:54:26 - 01:54:29: that there's like a sacred pact going back generations
01:54:29 - 01:54:32: that's like, my great-grandchildren,
01:54:32 - 01:54:34: let's say great-great-grandchildren,
01:54:34 - 01:54:36: we're all gone from the face of this earth.
01:54:36 - 01:54:41: It's whatever kind of hellscape, you know, 2150 US is.
01:54:42 - 01:54:45: But if my great-great-grandchildren
01:54:45 - 01:54:48: somehow tracked down Jake's great-great-grandchildren
01:54:48 - 01:54:51: and said like, I wanna do an internet radio show with you,
01:54:51 - 01:54:54: there would be that kind of like ancient obligation
01:54:54 - 01:54:57: where they might be like, whoa, what's this all about?
01:54:57 - 01:54:58: And then they might be like, oh yeah, I've heard about this.
01:54:58 - 01:55:01: I've heard that our ancestors, you know.
01:55:01 - 01:55:02: Anyway, so that always happens
01:55:02 - 01:55:04: in these kinds of like fantasy things.
01:55:04 - 01:55:06: If pirates ever needed to come to land,
01:55:06 - 01:55:09: I think the circus folk would be obligated
01:55:09 - 01:55:12: to give them a hot meal and a warm bed, you know?
01:55:13 - 01:55:17: So we're on the number two song of 2020 now, right?
01:55:17 - 01:55:20: Cardi B featuring Megan Thee Stallion, "WAP."
01:55:20 - 01:55:24: So this song's still doing really big things.
01:55:24 - 01:55:25: ♪ There's some whores in this house ♪
01:55:25 - 01:55:27: ♪ There's some whores in this house ♪
01:55:27 - 01:55:29: ♪ I said, certified free ♪
01:55:29 - 01:55:31: Seven days a week.
01:55:31 - 01:55:32: ♪ Wet and gushy ♪
01:55:32 - 01:55:34: ♪ Make that blow out game weak ♪
01:55:34 - 01:55:36: I mean, this kind of song just gets better and better
01:55:36 - 01:55:37: every time you hear it.
01:55:37 - 01:55:41: I've been seeing tweets sort of with time that have said,
01:55:41 - 01:55:43: well, this song isn't that dirty.
01:55:43 - 01:55:45: That doesn't seem true to me.
01:55:45 - 01:55:47: - I haven't heard it that many times
01:55:47 - 01:55:50: just 'cause I haven't, I've not been riding in Ubers
01:55:50 - 01:55:51: or Lyfts or anything.
01:55:51 - 01:55:53: - What an aggressive song to play in an Uber.
01:55:53 - 01:55:56: - Well, but it would be like classic.
01:55:56 - 01:55:57: - Right.
01:55:57 - 01:55:59: ♪ I wanna ride, I do a keegoo ♪
01:55:59 - 01:55:59: ♪ I'm kinda wild ♪
01:55:59 - 01:56:01: ♪ Look at my mouth, look at my thighs ♪
01:56:01 - 01:56:03: ♪ Sweater is wet, come take a dive ♪
01:56:03 - 01:56:05: - Ezra, how many times have you heard this song?
01:56:05 - 01:56:06: And in what context?
01:56:06 - 01:56:09: - I probably haven't heard the whole thing
01:56:09 - 01:56:10: in a long since we listened to it,
01:56:10 - 01:56:13: but I just, clips always popping up, you know?
01:56:13 - 01:56:14: - Yeah. - Often on Instagram.
01:56:14 - 01:56:15: ♪ Cook, I don't clean ♪
01:56:15 - 01:56:17: ♪ But let me tell you I got this ring ♪
01:56:17 - 01:56:19: ♪ Gobble me, swallow me, drip down the side of me ♪
01:56:19 - 01:56:20: ♪ Catch 'em, I'll pay you later ♪
01:56:20 - 01:56:21: ♪ Get inside of me ♪
01:56:21 - 01:56:22: ♪ So don't worry, put it in the ground ♪
01:56:22 - 01:56:25: - I mean, what else is there to say about this song?
01:56:25 - 01:56:28: I love that it dropped in 2020.
01:56:28 - 01:56:28: - Yeah.
01:56:28 - 01:56:30: - 'Cause also, you know, I think there's sometimes
01:56:30 - 01:56:32: a feeling like there's a lot of talk about
01:56:32 - 01:56:35: in the Trump era, like about the protest music
01:56:35 - 01:56:39: was gonna come back and people wondering
01:56:39 - 01:56:40: how artists were gonna react.
01:56:40 - 01:56:41: This is this real ass (beep)
01:56:41 - 01:56:44: you know, maybe in 30 years,
01:56:44 - 01:56:47: I mean, Jake's children might be doing, you know,
01:56:47 - 01:56:49: TC Jr. and they'll be looking back and being like,
01:56:49 - 01:56:52: "Well, you gotta understand, picture this,
01:56:52 - 01:56:54: "you know, it's 2020, there's a worldwide pandemic,
01:56:54 - 01:56:57: "wet-ass (beep) number two on the charts,
01:56:57 - 01:57:00: "Trump just, you know, got out of the hospital,
01:57:00 - 01:57:01: "he had COVID and they're trying to draw
01:57:01 - 01:57:02: "all these connections."
01:57:02 - 01:57:05: And the truth is, you know, just the world is just chaos.
01:57:05 - 01:57:06: But you know, the world keeps turning.
01:57:06 - 01:57:08: People keep having sex.
01:57:08 - 01:57:11: People keep making songs about sex and, you know.
01:57:11 - 01:57:13: - That song would have come out
01:57:13 - 01:57:16: regardless of whether Hillary or Trump won.
01:57:16 - 01:57:17: - Yeah, probably.
01:57:17 - 01:57:21: - That's dealing with timeless human themes.
01:57:21 - 01:57:23: It's beyond politics.
01:57:23 - 01:57:26: - As long as the human race exists on this planet,
01:57:26 - 01:57:28: there's gonna be wet-ass (beep)
01:57:28 - 01:57:30: doesn't matter who's president.
01:57:30 - 01:57:33: - I really like, I like that it's wet-ass.
01:57:33 - 01:57:34: (laughing)
01:57:34 - 01:57:35: - Right.
01:57:35 - 01:57:37: - That's such a funny expression,
01:57:37 - 01:57:39: like, I'm trying to remember
01:57:39 - 01:57:41: if I've ever used the term wet-ass.
01:57:41 - 01:57:44: Like, oh man, this burrito is like,
01:57:44 - 01:57:45: it's like a wet-ass burrito.
01:57:45 - 01:57:48: (laughing)
01:57:48 - 01:57:49: - Right.
01:57:49 - 01:57:51: - Like a runny burrito or something.
01:57:51 - 01:57:54: - Well, I mean, it's very worst margarita in my life.
01:57:54 - 01:57:58: Like, just like, oh dude, I had the worst dinner last night.
01:57:58 - 01:57:59: They had this place, (beep)
01:57:59 - 01:58:01: margarita tastes like flat Mountain Dew.
01:58:01 - 01:58:03: Then they bring out this (beep)
01:58:03 - 01:58:05: wet-ass burrito that's just falling apart.
01:58:05 - 01:58:06: (laughing)
01:58:06 - 01:58:07: - I can totally see that.
01:58:07 - 01:58:11: That's gonna be on the next, next Mountain Brews EP
01:58:11 - 01:58:12: is wet-ass burrito.
01:58:12 - 01:58:16: But also, isn't that a thing that there's like,
01:58:16 - 01:58:20: there's places that specialize in wet burritos.
01:58:20 - 01:58:21: - It's called the Burrito Mojado.
01:58:21 - 01:58:23: I love a wet burrito,
01:58:23 - 01:58:25: what they put the ranchero sauce,
01:58:25 - 01:58:28: the enchilada sauce or whatever on the burrito.
01:58:28 - 01:58:28: But W-A-Z--
01:58:28 - 01:58:30: - You can actually just use the beat.
01:58:30 - 01:58:32: Yeah, like the flow is just like,
01:58:32 - 01:58:34: this burrito mojado.
01:58:34 - 01:58:36: (humming)
01:58:36 - 01:58:39: Take that ranchero, put it, yeah, all right.
01:58:39 - 01:58:42: Something to look forward to, wet-ass burrito.
01:58:42 - 01:58:47: The number one song on the Billboard charts in 2008.
01:58:47 - 01:58:48: Ah, yes.
01:58:48 - 01:58:51: All these songs, I spent a lot of time in fans
01:58:51 - 01:58:54: and traveling this era.
01:58:54 - 01:58:56: I remember these songs very well on the radio.
01:58:56 - 01:58:58: T.I., "Whatever You Like."
01:58:58 - 01:59:01: - Hey Jim, you know the old sugar daddy.
01:59:01 - 01:59:02: They be tricking, they tell them girls.
01:59:02 - 01:59:04: ♪ See you can have whatever you like ♪
01:59:04 - 01:59:07: - It's funny because, so this came out in 2008,
01:59:07 - 01:59:10: leading up to the big election that year.
01:59:10 - 01:59:11: And there's a part where it sounded like
01:59:11 - 01:59:13: he was saying Joe Biden.
01:59:13 - 01:59:14: And Joe Biden was--
01:59:14 - 01:59:15: - Sure.
01:59:15 - 01:59:17: - The vice presidential candidate with Obama.
01:59:17 - 01:59:21: So I remember just like constantly this song being like,
01:59:21 - 01:59:22: oh, it sounds like he's saying Joe Biden.
01:59:22 - 01:59:24: I want Joe Biden.
01:59:24 - 01:59:25: - I need Joe Biden.
01:59:25 - 01:59:26: - Yeah.
01:59:26 - 01:59:31: T.I. had just so many great singles in the 2000s.
01:59:31 - 01:59:33: From "Rubber Band Man" to this one.
01:59:33 - 01:59:34: He was just on fire.
01:59:34 - 01:59:35: - "Paper Trail" with the,
01:59:35 - 01:59:38: it had the Rihanna collaboration on it too.
01:59:38 - 01:59:39: - Yeah, that had the,
01:59:39 - 01:59:41: ♪ Yeah, yeah, hee ♪
01:59:41 - 01:59:42: - Yeah, yeah, yeah.
01:59:42 - 01:59:43: Live your life.
01:59:43 - 01:59:44: - And I remember, you know,
01:59:44 - 01:59:46: what was so great about this is, you know,
01:59:46 - 01:59:48: it was used as this sort of like,
01:59:48 - 01:59:50: it's such a beautiful song, you know,
01:59:50 - 01:59:51: and it's such a, you know,
01:59:51 - 01:59:54: such a, almost a romantic song.
01:59:54 - 01:59:57: But the first line of the song is,
01:59:57 - 02:00:00: you know how everybody lies to their girl and says this.
02:00:00 - 02:00:02: So none of the, it's an insincere song.
02:00:02 - 02:00:03: I mean, it's such a clever song.
02:00:03 - 02:00:05: - Oh, oh, right.
02:00:05 - 02:00:07: - T.I. is like something special.
02:00:07 - 02:00:10: And this idea that he made a like a love song
02:00:10 - 02:00:12: and it was critical, you know, at this time.
02:00:12 - 02:00:14: But then if you, the first line is,
02:00:14 - 02:00:18: hey, you know how the sugar daddies say this to girls?
02:00:18 - 02:00:19: - Yeah.
02:00:19 - 02:00:20: - It's really clever.
02:00:20 - 02:00:20: It's like-
02:00:20 - 02:00:22: - You can take it on two levels.
02:00:22 - 02:00:23: - Yeah, it's sort of like, I remember,
02:00:23 - 02:00:25: I think a lot about how you said that thing
02:00:25 - 02:00:27: as a way to go about the Lil Wayne song,
02:00:27 - 02:00:29: where he's like, I stay on,
02:00:29 - 02:00:30: or stay up all night like,
02:00:30 - 02:00:32: or stay on all night like porch lights.
02:00:32 - 02:00:32: - Oh yeah.
02:00:32 - 02:00:34: - It's like, oh, such a clever,
02:00:34 - 02:00:36: like they just have like such a full command
02:00:36 - 02:00:39: of their image and the songs that they'll be like,
02:00:39 - 02:00:40: I'm gonna make a love song.
02:00:40 - 02:00:41: But I also know that I'm gonna add this thing
02:00:41 - 02:00:43: at the beginning of a love song
02:00:43 - 02:00:44: that undermines the whole love song.
02:00:44 - 02:00:46: - Kind of undermines the whole thing.
02:00:46 - 02:00:48: Also, I'd be remiss not to note that there,
02:00:48 - 02:00:50: when he's talking about all the great things
02:00:50 - 02:00:53: that you can have, champagne on ice, whatever,
02:00:53 - 02:00:57: he also says late night sex, so wet and so tight.
02:00:57 - 02:01:00: So, you know, people have been talking about,
02:01:00 - 02:01:01: he didn't say wet ass,
02:01:01 - 02:01:04: but he's talking about wet sex, implying.
02:01:04 - 02:01:07: - This is gonna be tough for the Apple radio broadcast.
02:01:07 - 02:01:08: (laughing)
02:01:08 - 02:01:10: - Oh yeah, there's gonna be a lot of beeps,
02:01:10 - 02:01:12: but just anybody's listening at home.
02:01:12 - 02:01:14: I don't think we curse that much in this show.
02:01:14 - 02:01:17: So just assume that almost every time there's a beep,
02:01:17 - 02:01:19: we're talking about something related
02:01:19 - 02:01:24: to the Cardi B song called wet ass.
02:01:24 - 02:01:26: - For parents that are driving around with their children,
02:01:26 - 02:01:28: listening to TC, this is--
02:01:28 - 02:01:29: - It's a family show.
02:01:29 - 02:01:31: - It's a tougher segment right now.
02:01:31 - 02:01:35: - The number one song on the Billboard charts right now,
02:01:35 - 02:01:38: BTS, okay, this is a history making.
02:01:38 - 02:01:39: BTS--
02:01:39 - 02:01:40: - Good for Doug.
02:01:40 - 02:01:41: Good for Doug.
02:01:41 - 02:01:45: - Became the first Korean band slash band from Idaho
02:01:45 - 02:01:48: to debut at number one on the Billboard Hot 100.
02:01:48 - 02:01:49: Here's their song Dynamite.
02:01:49 - 02:01:51: And also this is their first single
02:01:51 - 02:01:52: to be released completely in English.
02:01:52 - 02:01:54: ♪ 'Cause I'm home, home, home ♪
02:01:54 - 02:01:56: ♪ Ain't no stars tonight ♪
02:01:56 - 02:01:58: - Oh yeah, I watched the video for this too.
02:01:58 - 02:01:58: It's fun.
02:01:58 - 02:02:01: ♪ It's at the night light ♪
02:02:01 - 02:02:03: ♪ Shoes on, get up in the morn' ♪
02:02:03 - 02:02:05: ♪ Cup of milk, let's rock and roll ♪
02:02:05 - 02:02:07: ♪ King Kong, kick the drum ♪
02:02:07 - 02:02:10: ♪ Rollin' on like I'm Rolling Stone ♪
02:02:10 - 02:02:11: ♪ Sing song when I'm walkin' home ♪
02:02:11 - 02:02:14: ♪ Jump up to the top of the throne ♪
02:02:14 - 02:02:15: ♪ Ding dong, call me on my phone ♪
02:02:15 - 02:02:17: - Ding dong.
02:02:17 - 02:02:19: - It's funny, this song reminds me of 2008.
02:02:19 - 02:02:22: Like maybe because there was also
02:02:22 - 02:02:25: that other big Dynamite song back then.
02:02:25 - 02:02:29: ♪ We gonna light it up like it's dynamite ♪
02:02:29 - 02:02:30: - Oh yeah.
02:02:30 - 02:02:33: ♪ I'm dynamite, you know I go hard ♪
02:02:33 - 02:02:34: ♪ Hot as Alaska ♪
02:02:34 - 02:02:36: ♪ It's at the night light ♪
02:02:36 - 02:02:39: - Yeah, it's like a Bruno Mars kind of feel.
02:02:39 - 02:02:40: - Yeah.
02:02:40 - 02:02:43: - Do you think that the BTS organization
02:02:43 - 02:02:45: is aware of Guilty's Filth?
02:02:45 - 02:02:51: - It's maybe like one of the dudes is.
02:02:51 - 02:02:53: - How many people do you think
02:02:53 - 02:02:57: have made the BTS joke to Doug Marsh to his face?
02:02:57 - 02:03:00: - It's funny because somebody tagged us
02:03:00 - 02:03:03: in a meme where somebody just put a picture of BTS,
02:03:03 - 02:03:07: the Korean band, and wrote "Built to Spill"
02:03:07 - 02:03:09: with a picture of the band from Idaho.
02:03:09 - 02:03:13: So I think the sad truth is probably that it's possible
02:03:13 - 02:03:15: that nobody in the BTS organization
02:03:15 - 02:03:17: knows who Built to Spill is,
02:03:17 - 02:03:19: but you damn well know that everybody in Built to Spill
02:03:19 - 02:03:22: knows who BTS is.
02:03:22 - 02:03:23: - Oh, absolutely.
02:03:23 - 02:03:24: - And might weigh heavily on them.
02:03:24 - 02:03:26: - Does BTS stand for something?
02:03:26 - 02:03:28: - That's a great question.
02:03:28 - 02:03:31: And it's amazing that it took us this long to come to it.
02:03:31 - 02:03:33: Seinfeld, let's get a number crunch.
02:03:33 - 02:03:35: Does BTS stand for anything?
02:03:35 - 02:03:38: - Now, now, now, now, now, now, now, now, now, now, now.
02:03:38 - 02:03:39: Let's get a number crunch.
02:03:39 - 02:03:43: Brought to you by Seinfeld 2000.
02:03:43 - 02:03:47: - BTS is short for the Bangtan Boys.
02:03:47 - 02:03:49: - What's Bangtan?
02:03:49 - 02:03:50: Is that a place? - That's a good question too.
02:03:50 - 02:03:53: - Oh, there's seven guys in this band.
02:03:53 - 02:03:53: - Let's find out.
02:03:53 - 02:03:55: - Oh, yeah.
02:03:55 - 02:03:58: - Or in Korean, I'm not gonna try to say this actually,
02:03:58 - 02:04:03: but there's another phrase that, let's see, Bangtan.
02:04:03 - 02:04:09: It seems like it's a word that's specific to,
02:04:09 - 02:04:11: I can't find any other context for this word.
02:04:11 - 02:04:14: - Okay, but something about Bangtan Boys
02:04:14 - 02:04:16: and Bangtan might be a place.
02:04:16 - 02:04:18: Bangtan is a Korean word to describe
02:04:18 - 02:04:23: kind of people who are very big fans of 90s indie rock.
02:04:23 - 02:04:25: - Yeah.
02:04:25 - 02:04:27: - So weirdly, there is a built-to-spell connection,
02:04:27 - 02:04:28: but it's not what you think.
02:04:28 - 02:04:29: - Oh, wait, wait, wait, wait, wait, wait.
02:04:29 - 02:04:32: Wait, I've looked it up again.
02:04:32 - 02:04:36: Okay, the literal translation of BTS,
02:04:36 - 02:04:39: the Korean, like the full word of Korean BTS
02:04:39 - 02:04:42: means Bulletproof Boy Scouts.
02:04:42 - 02:04:43: - That's sick.
02:04:43 - 02:04:44: That sounds like a punk band.
02:04:44 - 02:04:45: - Yeah, it's kind of,
02:04:45 - 02:04:48: or a little bit Ghostface Killah somehow.
02:04:48 - 02:04:49: - Right, that could be like Ghostface Killah,
02:04:49 - 02:04:54: like epic song from 2007.
02:04:54 - 02:04:56: - Yeah, yeah.
02:04:56 - 02:04:58: - Well, congratulations to BTS
02:04:58 - 02:05:00: on being the first Korean band in history
02:05:00 - 02:05:02: to debut at number one on the Billboard Hot 100.
02:05:02 - 02:05:03: It's a good song.
02:05:03 - 02:05:06: Well, that about does it for this week's TC.
02:05:06 - 02:05:07: We'll see you in two weeks,
02:05:07 - 02:05:10: and hopefully by then we'll have some
02:05:10 - 02:05:12: Hershey's Yinglings in our possession.
02:05:12 - 02:05:14: Many thanks to Daniel Ralston,
02:05:14 - 02:05:16: our Pennsylvania correspondent,
02:05:16 - 02:05:18: our Pennsylvania/Malibu correspondent.
02:05:18 - 02:05:19: Great having you on the program.
02:05:19 - 02:05:21: We'll see everybody in two weeks, peace.
02:05:21 - 02:05:25: - [Announcer] "Time Crisis" with Ezra Koenig.

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