Episode 134: Frederic Remington: Cancelled

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:03: Time Crisis back once again.
00:03 - 00:06: After many weeks with not a lot of guests,
00:06 - 00:09: we come hard with two.
00:09 - 00:14: Legendary uncle of Jake and musician Uncle Ted.
00:14 - 00:19: We'll also be joined by legendary writer, talk show
00:19 - 00:21: host, and podcaster Spike Ferencton.
00:21 - 00:27: All this plus art talk and the great music of today in 1995.
00:27 - 00:31: Time Crisis with Ezra Koenig.
00:31 - 00:37: [MUSIC - EZRA KOENIG, "TIME CRISIS"]
00:37 - 00:43: They passed me by, all of those great romances.
00:43 - 00:50: They were a friend, warming me, all my rightful chances.
00:50 - 00:57: But picture clear, everything seemed so easy.
00:57 - 01:01: And so I dealt you the blow.
01:01 - 01:04: One of us had to go.
01:04 - 01:09: Now it's different, I want you to know.
01:09 - 01:11: One of us is crying.
01:11 - 01:14: One of us is lying.
01:14 - 01:19: Leave the lonely man.
01:19 - 01:22: All right, Time Crisis back once again.
01:22 - 01:23: What's up, Jake?
01:23 - 01:24: Not much, man.
01:24 - 01:25: How are you?
01:25 - 01:27: You know, business as usual.
01:27 - 01:27: Yeah.
01:27 - 01:31: I guess since the last episode, we became candy influencers.
01:31 - 01:33: So we should probably talk about that.
01:33 - 01:34: That is true.
01:34 - 01:39: And also that's going to lead into our Hershey's Yingling
01:39 - 01:40: taste test.
01:40 - 01:41: Yeah.
01:41 - 01:43: I bet there probably is like a podcast, maybe not
01:43 - 01:45: an internet radio show, but I can
01:45 - 01:47: imagine there's a podcast somewhere that's
01:47 - 01:48: about beer and candy.
01:48 - 01:53: And then when the Yingling Hershey's comes out,
01:53 - 01:54: that's a big deal.
01:54 - 01:56: And they get to finally talk about both.
01:56 - 01:59: But I can totally see that person who's a candy
01:59 - 02:01: enthusiast and a beer enthusiast.
02:01 - 02:04: Well, I'm sorry, but there is one podcast called
02:04 - 02:07: It's the Beer Talking.
02:07 - 02:10: They do a Halloween candy and beer pairing episode.
02:10 - 02:11: There you go.
02:11 - 02:14: It's not a whole pod dedicated to it,
02:14 - 02:18: but it's definitely a hard 41 minutes about Halloween candy
02:18 - 02:19: and beer pairing.
02:19 - 02:21: Well, as a beer and candy enthusiast,
02:21 - 02:24: I only check in with that podcast for the Halloween app,
02:24 - 02:25: but it is good.
02:25 - 02:26: I do recommend it.
02:26 - 02:30: But I only listen once a year for the candy and beer app.
02:30 - 02:33: I wonder if you could do a study and be
02:33 - 02:36: like kids who are really into candy become adults who are
02:36 - 02:41: really into beer, if there's a connection there.
02:41 - 02:44: I feel like now it'd be like kids who are really into candy
02:44 - 02:46: become adults who are really into candy.
02:46 - 02:47: Yeah, you're right.
02:47 - 02:49: There's no you don't have to give it up.
02:49 - 02:53: And I feel like maybe back a generation or two prior,
02:53 - 02:54: you would have had to give it up.
02:54 - 02:55: Right.
02:55 - 02:57: And you shift to alcohol or something.
02:57 - 02:59: Yeah, like the Mad Men era.
02:59 - 02:59: Yeah.
02:59 - 03:06: Don Draper's not wailing on peanut M&Ms.
03:06 - 03:09: There's like a whole episode of that.
03:09 - 03:12: Don's just stress eating peanut M&Ms.
03:12 - 03:15: He has like this huge bowl of Skittles.
03:15 - 03:19: He has a beautiful mid-century modern coffee table
03:19 - 03:20: in his office.
03:20 - 03:22: And he's wearing this like tailored suit.
03:22 - 03:25: He sits down for the meeting with the big account.
03:25 - 03:28: And he pours two glasses of scotch.
03:28 - 03:31: And then there's like just a big bowl of Skittles.
03:31 - 03:33: Gentlemen, can I offer you a now and later?
03:33 - 03:35: Can I offer you some Sour Punch straws?
03:35 - 03:38: Or it's like he's lying on the mid-century couch
03:38 - 03:39: with his hat on his head.
03:39 - 03:41: Like 3 PM, the secretary comes.
03:41 - 03:42: It's like Mr. Draper.
03:42 - 03:44: And he's just like, leave me alone.
03:44 - 03:47: I had way too many Butterfingers.
03:47 - 03:49: Me and Roger had a three Butterfinger lunch.
03:49 - 03:49: Oh.
03:49 - 03:57: Well, so Jake, walk me through your--
03:57 - 03:59: I think we had slightly different experiences
03:59 - 04:02: as we became candy influencers last week.
04:02 - 04:06: Because I saw a big box delivered to my home.
04:06 - 04:07: And I opened it.
04:07 - 04:09: And there's this giant Kit Kat thing.
04:09 - 04:10: And I'm like, wait.
04:10 - 04:13: First of all, immediately, I go to Wikipedia.
04:13 - 04:15: And I'm like, who owns Kit Kat?
04:15 - 04:19: And it turns out Hershey's owns Kit Kat only in the US.
04:19 - 04:22: The rest of the world, Kit Kat is a Nestle product.
04:22 - 04:23: So I was like, OK.
04:23 - 04:25: Maybe it's our friends at Hershey's.
04:25 - 04:27: But then I hit up the TC people.
04:27 - 04:28: I hit up my manager.
04:28 - 04:30: Nobody had actually communicated with them.
04:30 - 04:36: So I guess they just used the CIA to just get to me direct.
04:36 - 04:37: Wait, Jake, you're already drinking the beer?
04:37 - 04:38: Yeah, sorry.
04:38 - 04:39: I had to get going.
04:39 - 04:40: What?
04:40 - 04:43: What are you-- this whole thing.
04:43 - 04:44: Jake's just making a-- all right.
04:44 - 04:44: Well, Jake already made--
04:44 - 04:46: I didn't want you to blow up my spot.
04:46 - 04:48: But when we got to the beer tasting episode,
04:48 - 04:49: I would have--
04:49 - 04:50: or portion of the episode, I would
04:50 - 04:52: have faked opening the beer.
04:52 - 04:53: And then I would have been like, oh, yeah.
04:53 - 04:54: I'm taking my first sip.
04:54 - 04:55: All right, well, you know what?
04:55 - 04:56: I got it out of the freezer.
04:56 - 04:57: It's freezing cold.
04:57 - 04:58: I want to take a sip right now.
04:58 - 04:59: [BLEEP]
04:59 - 04:59: We'll do it live.
04:59 - 05:03: Everybody just drink your beer at your pleasure.
05:03 - 05:06: This yingling Hershey's chocolate porter is nasty.
05:06 - 05:07: I'm going to agree with Daniel.
05:07 - 05:08: It's very chocolatey.
05:08 - 05:09: It's a bummer.
05:09 - 05:10: OK, well, hold on.
05:10 - 05:11: Anyway.
05:11 - 05:13: Yeah, let's get back to the Kit Kat.
05:13 - 05:14: So I got this big box.
05:14 - 05:16: And I was like, I guess it came from Hershey's.
05:16 - 05:19: But it wasn't totally arranged.
05:19 - 05:20: I wasn't expecting it.
05:20 - 05:21: And then I opened the box.
05:21 - 05:25: And there's a bunch of Kit Kats, a bunch of Mocha Kit Kats.
05:25 - 05:29: And then there's-- it's a very well-made, high-quality
05:29 - 05:31: cardboard box.
05:31 - 05:33: I'm sure producing each box--
05:33 - 05:35: you're using the really high-grade cardboard
05:35 - 05:36: to make it.
05:36 - 05:40: I'm sure producing each one of those is maybe $14 a unit.
05:40 - 05:42: Pretty good guess.
05:42 - 05:44: And there's a pair of socks, a mug,
05:44 - 05:47: and then a bunch of mint Kit Kats.
05:47 - 05:48: But I was still a little bit baffled
05:48 - 05:49: because there was no context.
05:49 - 05:52: But then I hear that you got one too, Jake,
05:52 - 05:54: but yours came with a card.
05:54 - 05:55: Somehow my card--
05:55 - 05:56: OK, yeah.
05:56 - 05:57: Walk through your experience.
05:57 - 06:00: I mean, yeah, I saw the big box.
06:00 - 06:03: And I thought-- I was like, oh, I ordered some shoes last week.
06:03 - 06:04: I bet they're here.
06:04 - 06:06: Because it's like-- it looked like a shoe box,
06:06 - 06:07: but even bigger.
06:07 - 06:08: And I'm sort of like--
06:08 - 06:12: And then I opened it up, and it was like this lush, gorgeous,
06:12 - 06:15: high-production-value box with just that beautiful,
06:15 - 06:18: kind of rich red, just a Jake category.
06:18 - 06:19: And I was like, what is this?
06:19 - 06:21: And then, yeah, opened it up.
06:21 - 06:23: Same experience with the shelving and the socks.
06:23 - 06:24: But then there was two postcards.
06:24 - 06:28: And one said, welcome to the Kit Kat Flavor Club.
06:28 - 06:33: You are one of the first 200 members of the Kit Kat Flavor
06:33 - 06:34: Club.
06:34 - 06:36: And then there was another card.
06:36 - 06:37: So I felt great about that.
06:37 - 06:38: I love being--
06:38 - 06:40: So there's only 200 people.
06:40 - 06:42: If I had seen that, I would have felt--
06:42 - 06:45: I would have understood the importance of the moment more.
06:45 - 06:47: So you're telling me there's only 200 people in the Kit Kat
06:47 - 06:48: Flavor Club?
06:48 - 06:50: Yeah, so that feels great for us to be all included in that.
06:50 - 06:55: I like to be involved in exclusive clubs.
06:55 - 06:58: And then there was another postcard, which I love,
06:58 - 07:01: that said, it's the Hershey Company Social Media
07:01 - 07:03: Guidelines.
07:03 - 07:06: And there's eight rules that we have to follow since we're now
07:06 - 07:07: members of the club.
07:07 - 07:09: Because if we're going to join the club,
07:09 - 07:12: we have to play ball.
07:12 - 07:13: This isn't just a free lunch.
07:13 - 07:14: Fair enough.
07:14 - 07:15: What is a club without rules?
07:15 - 07:17: So please abide by the following guidelines
07:17 - 07:21: when posting about incentives, such as free samples, premiums,
07:21 - 07:22: or prizes on social media.
07:22 - 07:24: Oh, [BLEEP] I posted about this.
07:24 - 07:25: I really looked.
07:25 - 07:26: I didn't see my card.
07:26 - 07:29: You must disclose your connection to Hershey.
07:29 - 07:30: Well, I would say your connection to Hershey
07:30 - 07:31: is tenuous.
07:31 - 07:33: What is our connection to Hershey?
07:33 - 07:35: We're public critics of the company.
07:35 - 07:37: We're basically journalists.
07:37 - 07:39: Oh, wait, did we compromise our journalistic values?
07:39 - 07:41: Let's get Glenn Greenwald on the next episode
07:41 - 07:45: of talking about candy and ethics and journalism.
07:45 - 07:47: Well, OK, we're going to have to unpack
07:47 - 07:49: a lot of the ethics of what it means that we're now
07:49 - 07:50: candy influencers.
07:50 - 07:52: We're journalists and candy influencers.
07:52 - 07:53: But go on.
07:53 - 07:53: What are the other rules?
07:53 - 07:55: Yeah, let me just run through these fast.
07:55 - 07:56: Number two is statements should be
07:56 - 08:01: honest and truthful opinions and actual experiences.
08:01 - 08:02: OK.
08:02 - 08:02: I like that.
08:02 - 08:06: Statements should be factual and able to be verified.
08:06 - 08:09: I will verify to you right now that this beer is terrible.
08:09 - 08:13: Number four, you must not disclose any Hershey
08:13 - 08:14: confidential information.
08:14 - 08:15: Do we have any?
08:15 - 08:19: Will we ever be given any?
08:19 - 08:23: You guys didn't get that other envelope of their stock?
08:23 - 08:25: We're arrested on insider trading
08:25 - 08:29: because we got to taste the mint Kit Kat early.
08:29 - 08:32: We're just like, this is a winner right here.
08:32 - 08:34: I have to say that mint Kit Kat was great.
08:34 - 08:36: Did you like it?
08:36 - 08:37: I really liked it.
08:37 - 08:39: Respect intellectual property rights.
08:39 - 08:41: You are personally liable under federal and state
08:41 - 08:45: law for your actions with respect to your social media.
08:45 - 08:46: That's a little scary.
08:46 - 08:49: That's a little scary.
08:49 - 08:50: Oh my god.
08:50 - 08:53: We reserve the right to ask you to remove content.
08:53 - 08:56: Lastly, you must follow the Hershey Company integration
08:56 - 08:57: guidelines.
08:57 - 08:58: Not sure what that is.
08:58 - 09:00: Sounds weighty.
09:00 - 09:03: Maybe they didn't send me the guidelines on purpose.
09:03 - 09:07: Maybe they were like, Jake's more of a loose cannon.
09:07 - 09:09: We could see him really going off the reservation
09:09 - 09:11: writing some wild [BLEEP] and maybe they
09:11 - 09:13: knew like Ezra's a little more respectful.
09:13 - 09:15: We don't need to like throw all the--
09:15 - 09:17: we literally don't need to throw the rule book at him.
09:17 - 09:18: [MUSIC - "HERSHEY"]
09:18 - 09:19: [RAPPING]
09:21 - 09:24: I came up in this bitch tongue, got wet out her front tooth
09:24 - 09:28: Now who they say is number one and flowing so he number two?
09:28 - 09:30: Yeah he dance good but guess where he got the moves?
09:30 - 09:33: But compared to me, look like he wear two left shoes
09:33 - 09:36: Boy I treat them love verses like the restrooms
09:36 - 09:39: Take my hand and dance with the devil
09:39 - 09:41: Oh boy you in trouble, rattle the lion cage
09:41 - 09:44: Oh gosh, break it down while you're praying on stage
09:44 - 09:47: Shit at your burial, smoke squares at your grave
09:47 - 09:50: Then repent for my sins like God I'm saved
09:50 - 09:53: He always forgive, later on I forget
09:53 - 09:56: I had my fingers crossed, so I'm back on that
09:56 - 09:59: Catch another body but a song didn't make
09:59 - 10:02: The ballets is the lyrics, turn the rapper to a spirit
10:02 - 10:04: Sing it with the angels, long gone
10:04 - 10:08: The songs like Bishop Eddie Long, where the thorns gone?
10:08 - 10:12: I'm the wrong one to run on, my mother's on her gig
10:12 - 10:14: Jack Nines, she playing bing bong
10:14 - 10:15: Seinfeld, he did?
10:15 - 10:18: I was gonna ask Seinfeld if he's looked up any
10:18 - 10:21: Online reviews of the Hershey's Yingling beer
10:21 - 10:23: I haven't, but I can look it up
10:23 - 10:26: But I have my own review, it's delicious
10:26 - 10:30: And I know that, I see that you liked it when you took a sip
10:30 - 10:31: I think this is disgusting
10:31 - 10:34: It's like normal beer but somebody put like a Hershey
10:34 - 10:37: No, I was gonna say the opposite
10:37 - 10:40: I feel it's a candy bar that people have poured beer on top of
10:40 - 10:41: Six of one
10:41 - 10:42: It's a little bit
10:42 - 10:44: Yeah, I can't finish it, I gotta switch gears
10:44 - 10:46: I'm gonna make a margarita
10:46 - 10:47: Ezra, weigh in
10:47 - 10:51: I legitimately enjoyed the mustard beer last time
10:51 - 10:53: Yeah, I wouldn't say this is great but I don't
10:53 - 10:55: I can't bring myself to hate it
10:55 - 10:57: I'm also wondering too like
10:57 - 11:00: This is a very naive question but
11:00 - 11:02: Very prominently on the upper label
11:02 - 11:03: On the beer
11:03 - 11:07: It says, very prominently, 21+ to enjoy
11:07 - 11:11: Does all beer say 21+?
11:11 - 11:12: No, no
11:12 - 11:13: I don't think so
11:13 - 11:16: No, I'm looking at a Pacifico
11:16 - 11:19: I think it's because it's candy
11:19 - 11:22: I didn't think I'd seen that before, 21+ to enjoy
11:22 - 11:24: Yeah, I wouldn't say it's great but at the same time
11:24 - 11:26: I'm legitimately curious
11:26 - 11:30: If I went to a bar and I wasn't staring at the Hershey's logo
11:30 - 11:31: And somebody was just like
11:31 - 11:34: I'm gonna get like a porter
11:34 - 11:36: Like some sh*t, I don't even really know what it means
11:36 - 11:40: Like I know a porter I assume is like richer than a pale ale
11:40 - 11:42: Than an IPA
11:42 - 11:44: If I was at a bar and some people were like
11:44 - 11:46: This round we're gonna get some porters, you want one?
11:46 - 11:48: And I'll say sure, I'll get whatever you guys get
11:48 - 11:52: And then somebody came down and plopped this in front of me in a glass
11:52 - 11:53: And I sipped it
11:53 - 11:55: I don't even know what I would think
11:55 - 11:56: I don't know if I'd be like
11:56 - 11:58: Damn, this is chocolatey and sweet
11:58 - 12:00: I think I'd just kind of like take it down
12:00 - 12:02: And barely even think about it
12:02 - 12:03: Like the first few sips I'd be like
12:03 - 12:04: God, this is nasty
12:04 - 12:05: But then I'd just be like
12:05 - 12:07: Well, I'm just gonna like adjust to it
12:07 - 12:09: And like, this is what I'm drinking
12:09 - 12:12: I don't think I would get to the point where I'm like
12:12 - 12:13: You know what? F this
12:13 - 12:14: I would just be like
12:14 - 12:16: Someone bought a round
12:16 - 12:17: It looks like Guinness or something
12:17 - 12:18: It's like really dark
12:18 - 12:19: You know?
12:19 - 12:19: Right
12:19 - 12:23: BeerAdvocate.com gives it an overall score of 88%
12:23 - 12:24: Very good
12:24 - 12:25: Damn
12:25 - 12:29: That's 138 reviews they've averaged that out of
12:29 - 12:30: The first comment says
12:30 - 12:32: Pours deep copper with a half inch tan head
12:32 - 12:34: Which dissipates moderate lacing
12:34 - 12:35: Aroma
12:35 - 12:37: Wait, what the f***
12:37 - 12:39: What is this psycho?
12:39 - 12:41: The top review says
12:41 - 12:43: Pours deep copper with a half inch tan head
12:43 - 12:44: Which dissipates moderate lacing
12:44 - 12:45: Hold on, what is this?
12:45 - 12:46: Wait, hold on
12:46 - 12:47: You gotta slow down, man
12:47 - 12:49: I don't even understand the syntax
12:49 - 12:51: Pours deep copper?
12:51 - 12:54: So it pours, the way it pours is like a deep copper
12:54 - 12:55: The color
12:55 - 12:58: Yeah, then the head is a half inch tan
12:58 - 13:02: Then aroma of dark cocoa, light roast malt
13:02 - 13:04: Taste follows nose
13:04 - 13:06: Dark cocoa, light roast malt
13:06 - 13:08: Also a bit of caramel
13:08 - 13:09: Thin body
13:09 - 13:11: Why does it sound like slam poetry?
13:12 - 13:15: The way you're reading it, it's like total slam poetry
13:15 - 13:18: Moderate lacing, pours deep copper
13:18 - 13:24: Hey, I completely agree with Peach63 on this one
13:24 - 13:25: Thin bodied, a bit sticky
13:25 - 13:28: Moderate carbonation, semi-sweet finish
13:28 - 13:31: Then they go on to say thin bodied for a porter
13:31 - 13:32: It is pretty good though
13:32 - 13:35: And I think they took the words right out of my mouth
13:35 - 13:36: Were the lacing?
13:36 - 13:39: Well, the lacing is really where I started to resonate
13:39 - 13:41: Wait, so what do you think lacing means?
13:41 - 13:44: Lacing is the residue left from the foam beer head
13:44 - 13:45: As you drink beer
13:45 - 13:48: If you pour this beer into a glass, you take a sip
13:48 - 13:51: The head is going to stick to the side of the glass
13:51 - 13:54: And if it sticks to the side of the glass
13:54 - 13:56: I guess that's a thick lacing
13:56 - 13:59: If it's lighter, if the residue is lighter
13:59 - 14:01: I guess that's a lighter lacing
14:01 - 14:02: Okay
14:02 - 14:04: Pours deep copper
14:04 - 14:06: That just makes me think of
14:06 - 14:08: Throwing copper
14:08 - 14:09: Dick, you know what throwing copper is?
14:09 - 14:11: Is that a live album?
14:11 - 14:13: Yes
14:13 - 14:15: Alright, I figured you'd get that
14:15 - 14:18: And for anybody who's not familiar with the band Live
14:18 - 14:21: This is not a live recording of some other band
14:21 - 14:23: This is a band called Live
14:23 - 14:25: It's actually a studio album
14:25 - 14:26: And you know what's cool?
14:26 - 14:28: That band is from Pennsylvania
14:28 - 14:29: Oh really?
14:29 - 14:30: Mm-hmm
14:30 - 14:32: Are they from like Philadelphia?
14:32 - 14:34: York, Pennsylvania
14:34 - 14:36: Yeah, like more rural
14:36 - 14:38: I feel like York is like greater Philly
14:38 - 14:39: Okay
14:39 - 14:40: That's not even that close
14:40 - 14:41: Interesting
14:41 - 14:43: Well shout out to Live
14:43 - 14:44: Ed Kowalczyk
14:44 - 14:47: When the rain crashes
14:47 - 14:51: Oh mother cry
14:51 - 15:01: This moment she's been waiting for
15:01 - 15:13: The angel opens her eyes
15:13 - 15:18: Pale blue colored eyes
15:18 - 15:20: Presents the circle
15:20 - 15:23: Puts the glory up to hide
15:23 - 15:25: Hide
15:27 - 15:30: Oh my feeling
15:30 - 15:33: Coming back again
15:33 - 15:35: Like a roller
15:35 - 15:38: Thunder chasing the wind
15:38 - 15:40: Force is pulling
15:40 - 15:43: From the center of the earth I guess
15:43 - 15:48: I can feel it
15:48 - 15:54: I can feel it
15:54 - 15:56: Alright, well enough about the beer
15:56 - 16:00: So Jake, have you just been eating the Kit Kats?
16:00 - 16:02: Have you worn the socks?
16:02 - 16:06: What's your relationship been like with this box?
16:06 - 16:11: I've made coffee using a pour over into the Kit Kat coffee mug
16:11 - 16:12: In my studio
16:12 - 16:13: Worked out great
16:13 - 16:15: Starting to cool down a little bit
16:15 - 16:18: So I'm starting to have hot coffee in the morning there
16:18 - 16:20: And so that's been great
16:20 - 16:22: I have not worn the socks yet
16:22 - 16:23: I'm loving the mint
16:23 - 16:24: I've had a few of those
16:24 - 16:29: And then the rest of them I dropped off at the art gallery that represents me
16:29 - 16:33: I dropped the box off with the rest of the Mocha Kit Kats
16:33 - 16:36: For the people that work there to enjoy
16:36 - 16:40: Because I don't need, you know, 20 Kit Kats in my house
16:40 - 16:41: Don't need it
16:41 - 16:43: You weren't interested in the Mocha flavor at all?
16:43 - 16:44: I tried it
16:44 - 16:45: Wait, you got it too?
16:45 - 16:47: Yeah, I'm part of the flavor club too
16:47 - 16:49: I think we all are
16:49 - 16:51: We're a majority of the flavor club
16:51 - 16:53: All four of us got it?
16:53 - 16:55: And Matt, the producer
16:55 - 16:56: Oh, you guys
16:56 - 16:59: There's five TC related people
16:59 - 17:00: Oh, I didn't understand this
17:00 - 17:01: Oh, I thought it was just me and Jake
17:01 - 17:02: I'm sorry
17:02 - 17:06: I didn't realize I was talking to fellow members of the Kit Kat flavor club
17:06 - 17:07: So, okay
17:07 - 17:09: So if it really is only 200 people
17:09 - 17:13: And five are part of the TC crew
17:13 - 17:15: Then let me get an actual number crunch
17:15 - 17:20: I think that makes us 2.5% of the KKFC
17:20 - 17:22: You are absolutely right, yeah
17:22 - 17:24: We're 2.5%?
17:24 - 17:25: Yeah
17:25 - 17:26: That's solid
17:26 - 17:28: We're the vocal minority
17:28 - 17:30: Wait, also, by the way
17:30 - 17:33: The Kit Kat club is a place
17:33 - 17:35: I guess there's a lot of places
17:35 - 17:39: There's a club in Berlin called the Kit Kat club
17:39 - 17:44: Opened in 1994 by Austrian pornographic filmmaker Simon Thor
17:44 - 17:46: And his life partner Kirsten Kruger
17:46 - 17:50: The Kit Kat club is said to attract patrons from all over Europe
17:50 - 17:53: And other parts of the world because of its music selection
17:53 - 17:54: Techno and trance music
17:54 - 17:57: And its sexually uninhibited parties
17:57 - 17:58: The motto of the club is
17:58 - 18:00: Do what you want but stay in communication
18:00 - 18:04: Guests are allowed to engage in sexual intercourse openly at the venue
18:04 - 18:06: Yeah, I'm just saying, Hershey's
18:06 - 18:08: You might wanna
18:08 - 18:09: I've never been there
18:09 - 18:10: I do remember being in Berlin
18:10 - 18:12: And hearing people talk about the Kit Kat club
18:12 - 18:13: I think also
18:13 - 18:14: Also famously
18:14 - 18:15: Okay, the Kit Kat club
18:15 - 18:17: In New York where Trump met Melania
18:17 - 18:18: In New York City
18:18 - 18:19: There's a Kit Kat
18:19 - 18:21: So there's Kit Kat clubs all over the place, huh?
18:21 - 18:23: I guess they're all named after
18:23 - 18:26: That's the name of the nightclub
18:26 - 18:28: In the musical Cabaret
18:28 - 18:30: Which I've never actually seen
18:30 - 18:31: I kinda wanna see it
18:31 - 18:33: But there's a burlesque theater
18:33 - 18:36: In Berlin in the 1930s during the ascent of the Nazi party
18:36 - 18:38: Also called the Kit Kat club
18:38 - 18:40: Okay, the original Kit Kat club
18:40 - 18:44: Was an early 18th century English club in London
18:44 - 18:47: With strong political and literary associations
18:47 - 18:50: Okay, so actually this raises a question for me
18:50 - 18:52: What does Kit Kat actually mean?
18:52 - 18:54: In 1705 Thomas Hurn wrote
18:54 - 18:57: The Kit Kat club got its name from Christopher Catling
18:57 - 19:00: Um, doesn't totally explain it
19:00 - 19:02: Oh, and I guess the nickname for Christopher is Kit
19:02 - 19:06: So, his name was Chris Kat
19:06 - 19:08: So his name was Kit Kat
19:08 - 19:09: So it's just somebody's name, I guess
19:09 - 19:10: Kit Kat
19:10 - 19:12: It sounds like you know what it means
19:12 - 19:14: Maybe because Kat is a word
19:14 - 19:16: I mean, this might be
19:16 - 19:18: For another episode we have to draw this out
19:18 - 19:20: I mean, what's the connection
19:20 - 19:22: Between the club and the candy?
19:22 - 19:24: Just real quick, I'm on the Kit Kat
19:24 - 19:26: For a type of food
19:26 - 19:28: Goes back to the 18th century when mutton pies
19:28 - 19:30: Known as Kit Kat were served at meetings
19:30 - 19:32: Of the Kit Kat club in London
19:32 - 19:34: And then Roundtree's
19:34 - 19:36: A confectionary company based in York
19:36 - 19:38: Whoa, this is getting weird
19:38 - 19:39: York, England
19:39 - 19:42: Not York, Pennsylvania where Live and Ed Kowalczyk are from
19:42 - 19:45: In 1911 a British company based in York
19:45 - 19:47: Trademarked the terms Kit Kat
19:47 - 19:49: And made the first Kit Kat bar
19:49 - 19:51: So Kit Kat comes from England
19:51 - 19:53: And it was a mutton pie?
19:53 - 19:55: The first food ever called a Kit Kat
19:55 - 19:57: Was a mutton pie served at the Kit Kat club
19:57 - 19:59: I love that
19:59 - 20:01: I guess that kind of makes sense
20:01 - 20:03: Like in the 18th century
20:03 - 20:05: We have a mutton pie called Kit Kat
20:05 - 20:07: And then 200 years later somebody's like
20:07 - 20:09: Kit Kat, it's like a fun name for a food
20:09 - 20:11: And now it's a candy
20:11 - 20:12: I love that
20:12 - 20:14: Does the Kit Kat flavor club
20:14 - 20:16: Go back to the original Kit Kat club?
20:16 - 20:18: Like have we come full circle?
20:18 - 20:20: Do you think that was an inspiration?
20:20 - 20:22: Oh yeah, no for sure
20:22 - 20:24: It's definitely like a literary political society
20:24 - 20:27: It says that members of the original Kit Kat club
20:27 - 20:30: In 18th century London
20:30 - 20:32: Were committed Whigs
20:32 - 20:34: Which was a political party
20:34 - 20:36: That actually existed in the US at some point
20:36 - 20:38: So the Whigs' origin
20:38 - 20:40: In constitutional monarchism
20:40 - 20:42: And opposition to absolute monarchy
20:42 - 20:44: I don't think that's true of all of us
20:44 - 20:46: I don't think any of us are absolute monarchists
20:46 - 20:48: Well Seinfeld, you're Canadian
20:48 - 20:50: So your relationship to the crown
20:50 - 20:52: Is a little different than us
20:52 - 20:54: But you're not an absolute monarchist, are you?
20:54 - 20:56: No, but I certainly feel an allegiance to the Commonwealth
20:56 - 20:58: Do you consider the Queen
20:58 - 21:00: To be your kind of like
21:00 - 21:02: Spiritual head of state or whatever?
21:02 - 21:04: Yeah, definitely
21:04 - 21:06: I mean she's on all the money
21:06 - 21:08: So it makes sense
21:08 - 21:10: Do you recognize her divine tower?
21:10 - 21:12: Okay, you're a constitutional monarchist
21:12 - 21:14: Maybe it isn't that
21:14 - 21:16: A million miles away
21:16 - 21:18: Alright, maybe we should hit up Hershey's and say
21:18 - 21:20: We've uncovered some sh*t
21:20 - 21:22: You guys starting a Kit Kat club
21:22 - 21:24: Is actually taking the whole Kit Kat journey full circle
21:24 - 21:26: And we'd like to do
21:26 - 21:28: A kind of literary salon
21:28 - 21:30: Pop-up in London
21:30 - 21:32: And we can invite
21:32 - 21:34: A lot of intellectuals and stuff
21:34 - 21:36: Wait, what if we found out
21:36 - 21:38: What if we found out
21:38 - 21:40: That the Kit Kat club
21:40 - 21:42: Is like five members of the Crisis crew
21:42 - 21:44: Salman Rushdie
21:44 - 21:46: [Laughter]
21:46 - 21:48: Carl Noseguard
21:48 - 21:50: Maybe the Queen
21:50 - 21:52: Prince William
21:52 - 21:54: When Prince Harry and Meghan Markle
21:54 - 21:56: Like renounced their titles
21:56 - 21:58: And moved to California
21:58 - 22:00: I think they also renounced their membership
22:00 - 22:02: In the Kit Kat Flavor Club
22:02 - 22:04: Interestingly
22:04 - 22:06: Ghislaine Maxwell's still a member though
22:06 - 22:08: [Laughter]
22:10 - 22:12: But I will say
22:12 - 22:14: That I
22:14 - 22:16: As far as these things go
22:16 - 22:18: Obviously outside of Seinfeld
22:18 - 22:20: None of us are huge fans of the beer
22:20 - 22:22: But I was very impressed
22:22 - 22:24: When we talked to Ryan Reese
22:24 - 22:26: Even though he wouldn't give us all the secrets
22:26 - 22:28: Of the Hershey's Corporation
22:28 - 22:30: You know I liked the way he thought it
22:30 - 22:32: Actually that conversation made me way more interested
22:32 - 22:34: In Hershey's as a company
22:34 - 22:36: And I gotta say the Kit Kat Flavor Club
22:36 - 22:38: As far as these kind of just like mail out things go
22:38 - 22:40: I think it was a very well made box
22:40 - 22:42: And the idea of being a member
22:42 - 22:44: Of a flavor club
22:44 - 22:46: Is exciting
22:46 - 22:48: Now I don't know if this is a one time thing
22:48 - 22:50: Being a member of a club
22:50 - 22:52: That kind of implies to me
22:52 - 22:54: That we're you know
22:54 - 22:56: Going to be regularly receiving
22:56 - 22:58: New Kit Kat boxes with different flavors
22:58 - 23:00: I posted about it
23:00 - 23:02: I didn't know that there were guidelines
23:02 - 23:04: I hope my post
23:04 - 23:06: On my Instagram story didn't break
23:06 - 23:08: Any of the guidelines I tried to keep it simple
23:08 - 23:10: But it definitely got me talking about Kit Kats
23:10 - 23:12: I did two stops
23:12 - 23:14: In my neighborhood
23:14 - 23:16: With people I knew
23:16 - 23:18: I did reverse trick or treating
23:18 - 23:20: Where I dropped off Kit Kats at their homes
23:20 - 23:22: So they basically got me
23:22 - 23:24: Poundin' the pavement now
23:24 - 23:26: Because I didn't want to eat all the Kit Kats
23:26 - 23:28: Because I try not to eat that much candy
23:28 - 23:30: That is the tough part of being a candy influencer
23:30 - 23:32: Is that we receive such a high volume
23:32 - 23:34: Of candy and we need to eat the candy
23:34 - 23:36: So that we can comment on it
23:36 - 23:38: And you know have hot takes
23:38 - 23:40: About the candy news of the day
23:40 - 23:42: But also as an influencer we have to look good
23:42 - 23:44: You know if you eat too many Kit Kats
23:44 - 23:46: You eat too much sugar
23:46 - 23:48: You can get kind of a bloated look
23:48 - 23:50: Your face doesn't look camera ready
23:50 - 23:52: So you know I've always been a little bit jealous
23:52 - 23:54: Of beauty influencers
23:54 - 23:56: Because everything's going in the same direction there
23:56 - 23:58: You're a beauty influencer
23:58 - 24:00: Your brand is beauty
24:00 - 24:02: You have to look good for the videos
24:02 - 24:04: It's all pushing in the same direction
24:04 - 24:06: Candy influencer you're being pulled in two different directions
24:06 - 24:08: You know what I mean?
24:08 - 24:10: It's hard work
24:10 - 24:12: And there are times that I regret becoming a candy influencer
24:12 - 24:14: You know I used to have a pretty good job
24:14 - 24:16: But uh
24:16 - 24:18: This is the life that we all chose
24:18 - 24:20: And honestly I'm very grateful
24:20 - 24:22: I feel like you could
24:22 - 24:24: I'm grateful too
24:24 - 24:26: You could easily use the candy influencer thing
24:26 - 24:28: To pivot into music
24:28 - 24:30: Or something though
24:30 - 24:32: If you wanted to use it as a springboard into entertainment
24:32 - 24:34: Just like the next time
24:34 - 24:36: There's a Vampire Weekend song
24:36 - 24:38: That is always a difficult one
24:38 - 24:40: We've all seen an influencer try to do it
24:40 - 24:42: Where I'm just like
24:42 - 24:44: Hey guys I know you mostly follow me for my candy
24:44 - 24:46: But some of you might know I'm also pretty passionate about music
24:46 - 24:48: Anyway my band's got a new single
24:48 - 24:50: Coming out
24:50 - 24:52: Please check it out
24:52 - 24:54: We'd really appreciate that
24:54 - 24:56: Stick to candy influencing dumbass
24:56 - 24:58: And then some people are trying to be nice
24:58 - 25:00: And they're like
25:00 - 25:02: Honestly I hear some Kit Kat influence in the music
25:02 - 25:04: And I'm just like
25:04 - 25:06: Uh well it's kind of a different part of my life
25:06 - 25:08: No totally
25:08 - 25:10: This is great music for when you're eating candy
25:10 - 25:12: And I'm like no
25:12 - 25:14: It's kind of it's own thing guys
25:14 - 25:16: And just like painfully trying to establish
25:16 - 25:18: Something outside of my life as a candy influencer
26:00 - 26:06: - You're listening to Time Crisis.
26:06 - 26:10: - All right, so we got some great guests today.
26:10 - 26:12: And the first one is somebody
26:12 - 26:14: who's loomed large on the program.
26:14 - 26:18: We've heard his name before, and this is Jake's Uncle Ted.
26:18 - 26:18: - That's right.
26:18 - 26:20: - And we were talking about him most recently,
26:20 - 26:23: I think because we were mourning the passing
26:23 - 26:24: of rock legend Eddie Van Halen.
26:24 - 26:26: You were talking Jake about the fact
26:26 - 26:29: that your Uncle Ted grew up in Pasadena
26:29 - 26:30: around the same time.
26:30 - 26:32: - And is about the same age as those guys.
26:32 - 26:35: And I definitely saw them play some early shows.
26:35 - 26:37: - So let's get Uncle Ted on the phone.
26:37 - 26:40: - Now let's go to the Time Crisis hotline.
26:40 - 26:43: (phone ringing)
26:43 - 26:45: - Yes, mom.
26:45 - 26:46: - Ted.
26:46 - 26:47: - Yes, hi.
26:47 - 26:48: - What's up, man?
26:48 - 26:49: Welcome to Time Crisis.
26:49 - 26:51: - (laughs) Thank you.
26:51 - 26:52: - How's it going, Ted?
26:52 - 26:53: This is Ezra.
26:53 - 26:54: - I'm good, man.
26:54 - 26:56: - I guess my first question, you know,
26:56 - 26:57: and I'm sure the audience wants to know too,
26:57 - 27:00: is how exactly are you guys related?
27:00 - 27:04: - Jake and Dave are both my sister's kids.
27:04 - 27:09: She had these amazing two monster kids.
27:09 - 27:10: I'm very proud of both of them.
27:10 - 27:11: - Thanks, Ted, that's sweet.
27:11 - 27:14: - And how old were you when Jake was born?
27:14 - 27:19: - I was 16 in 1974 when Van Halen came out.
27:19 - 27:20: Let's put it there.
27:20 - 27:23: - So Jake was born in '77, so you were probably 19.
27:23 - 27:25: - I was born in '58.
27:25 - 27:27: - So you were growing up in Pasadena,
27:27 - 27:28: in the city of Pasadena?
27:28 - 27:29: - Absolutely.
27:29 - 27:32: Hold on a second, I gotta plug this phone in.
27:32 - 27:36: Power.
27:36 - 27:37: All right, yeah, yes.
27:37 - 27:40: The whole Van Halen thing was so cool.
27:40 - 27:41: I mean, Eddie was a legend,
27:41 - 27:44: and we had all kind of guitar players
27:44 - 27:48: that were in his league that he pretty much blew away,
27:48 - 27:51: and they destroyed their careers.
27:51 - 27:52: - You were like in high school,
27:52 - 27:56: and you were just hearing about this dude, Eddie Van Halen?
27:56 - 27:59: Did he like go to your high school?
27:59 - 28:01: - This is the bottom line with Van Halen.
28:01 - 28:02: Quote me on this.
28:02 - 28:04: They were the kings of the kegger.
28:04 - 28:06: The best parties I've ever been to.
28:06 - 28:11: Giant, monstrous, thousands of people parked for blocks.
28:11 - 28:14: Then the police could do nothing about it.
28:14 - 28:16: It was just insane.
28:16 - 28:17: - I mean, this is the impression
28:17 - 28:19: that you always get from movies, like "Dazed and Confused."
28:19 - 28:22: In the '70s, high school kids could basically
28:22 - 28:25: just throw gigantic parties with alcohol,
28:25 - 28:26: and it was kind of like,
28:26 - 28:28: it wasn't some huge scandalous thing.
28:28 - 28:29: - For real.
28:29 - 28:31: - And it didn't get shut down very often?
28:31 - 28:32: - Oh, it got shut down.
28:32 - 28:35: The party would go on for like an hour,
28:35 - 28:37: and then the helicopters would show up,
28:37 - 28:41: and the cops would show up, and the kids would scatter.
28:41 - 28:42: We did it every weekend.
28:42 - 28:44: - And there would be live music?
28:44 - 28:46: You're saying Van Halen actually performed?
28:46 - 28:48: - Pretty much.
28:48 - 28:50: I never saw Van Halen in a club.
28:50 - 28:53: I always saw them in backyards,
28:53 - 28:58: at very large mansions, very expensive properties,
28:58 - 29:00: and they probably made a lot of money.
29:00 - 29:01: The keggers were just ridiculous.
29:01 - 29:05: They'd have 10 kegs and 1,000 people.
29:05 - 29:06: It was ridiculous.
29:06 - 29:08: And they charged five bucks a head to get in,
29:08 - 29:10: and guys would, you know,
29:10 - 29:12: they'd stamp your hand at the gate, right?
29:12 - 29:15: And then guys would go out and wet their finger
29:15 - 29:20: and try to transfer their stamp to the guy in the line
29:20 - 29:24: to get 'em for free, and then they'd both get thrown out.
29:24 - 29:25: It was just, you know,
29:25 - 29:30: teenage monstrous ridiculousness.
29:30 - 29:32: - And so you said that a lot of these parties
29:32 - 29:33: were happening at mansions.
29:33 - 29:36: So Pasadena's generally a pretty wealthy town,
29:36 - 29:38: or is there like a right and wrong side
29:38 - 29:40: of the tracks kind of thing?
29:40 - 29:42: - Well, there's tracks in every town.
29:42 - 29:45: Okay, there's one guy, his parents' house
29:45 - 29:49: was monstrous, and he had a Van Halen party
29:49 - 29:54: on their tennis court, and they put up a huge stage.
29:54 - 29:56: And, you know, the tennis court has a gate,
29:56 - 29:59: a fence around it so the balls don't get up.
29:59 - 30:01: But you could fit probably 300 people
30:01 - 30:04: into the tennis court area where the stage was,
30:04 - 30:07: and Van Halen was throwing down.
30:07 - 30:09: But the party was going on outside the gate,
30:09 - 30:13: and there was, I'm 16 years old, I'm 17 years old.
30:13 - 30:16: There was just chicks everywhere.
30:16 - 30:20: Everybody's free beer, Van Halen.
30:20 - 30:21: It's ridiculous.
30:21 - 30:25: It's like Woodstock in a really rich neighborhood
30:25 - 30:26: for a (beep) free.
30:26 - 30:27: (laughs)
30:27 - 30:28: It was great.
30:28 - 30:29: - Damn.
30:29 - 30:31: - I love the idea of Van Halen just performing
30:31 - 30:33: on a tennis court.
30:33 - 30:34: - Yeah, man.
30:34 - 30:35: - Tennis court metal.
30:35 - 30:39: - They put up a pretty legit stage on a tennis court.
30:39 - 30:41: ♪ Jump in ♪
30:41 - 30:43: ♪ What's that sound ♪
30:43 - 30:44: ♪ Here she comes ♪
30:44 - 30:46: ♪ Full blast from top down ♪
30:46 - 30:48: ♪ Hot shoe ♪
30:48 - 30:50: ♪ Burning down the avenue ♪
30:50 - 30:51: ♪ Model citizen ♪
30:51 - 30:53: ♪ Zero disobey ♪
30:53 - 30:56: ♪ Don't you know she's coming home to me ♪
30:56 - 30:59: ♪ You lose her in the turn ♪
30:59 - 31:04: ♪ I'll get her ♪
31:04 - 31:09: ♪ Panama ♪
31:09 - 31:12: ♪ Panama ♪
31:12 - 31:15: ♪ Panama ♪
31:15 - 31:17: ♪ Panama ♪
31:17 - 31:21: - So let's fast forward six, eight years.
31:21 - 31:23: It's the '80s.
31:23 - 31:25: You're in your mid-20s.
31:25 - 31:29: And you're seeing the video for Jump on MTV.
31:29 - 31:30: Do you have a sense of pride?
31:30 - 31:32: You're like, "My boys made it."
31:32 - 31:33: Or are you done at that point?
31:33 - 31:36: - By that time, I'm in my band, The Pimps.
31:36 - 31:38: And we're doing funk music.
31:38 - 31:39: - Great band.
31:39 - 31:41: - So you were done with rock by that era?
31:41 - 31:43: - Oh yeah, we all grew up, right?
31:43 - 31:45: - Ted, I feel like you cycled through rock
31:45 - 31:46: into punk briefly,
31:46 - 31:50: and then you got really into like funk and like jocko.
31:50 - 31:54: - I was, while people were doing all the rock and roll,
31:54 - 31:58: I was kind of in the fusion jazz scene.
31:58 - 31:59: - Yeah.
31:59 - 32:01: - And I was like, Mahavishnu Orchestra
32:01 - 32:04: and John LuPonte.
32:04 - 32:07: That came out of my love from Frank Zappa.
32:07 - 32:09: Quick brush with greatness.
32:09 - 32:11: I got to sit in a box at the Hollywood Bowl
32:11 - 32:14: with George Duke and eat dinner.
32:14 - 32:15: (laughs)
32:15 - 32:16: - Legend.
32:16 - 32:18: - I will never forget that night.
32:18 - 32:21: - So as you're getting into all this fusion music and stuff,
32:21 - 32:23: were you not in to Van Halen anymore?
32:23 - 32:27: Or would you be buying like a 1986 Van Halen record?
32:27 - 32:30: - Okay, my father worked for Warner Brothers Records.
32:30 - 32:33: Actually, he worked for Warner Brothers Studios.
32:33 - 32:38: But he brought home boxes of records every month.
32:38 - 32:41: So we had every Warner Brothers release
32:41 - 32:46: that was ever released from like 1970 to 1990.
32:46 - 32:50: Yeah, I take that to 80.
32:50 - 32:52: But anyway, yeah, I had all the LPs.
32:52 - 32:54: - So you would keep up to some extent with Van Halen.
32:54 - 32:56: - Yeah, but the thing is,
32:56 - 32:58: I was exposed to all kinds of music.
32:58 - 33:00: My dad was a jazz lover.
33:00 - 33:02: You know, he was from South Africa.
33:02 - 33:04: Then I got interested in African music
33:04 - 33:07: and King Sunny a Day and Fela and all that (beep)
33:07 - 33:10: and then Jocko was all part of that too.
33:10 - 33:14: And so it's just my world opened up as a bass player
33:14 - 33:18: 'cause it's so many things to be fascinated by.
33:18 - 33:18: - Sure.
33:18 - 33:21: - Ted, when did you first play the Old Town Pub?
33:21 - 33:22: - Okay, let's see.
33:22 - 33:25: Early 80s probably.
33:25 - 33:28: - Like did the Pimps?
33:28 - 33:30: - Oh, the Pimps, definitely playing there, yeah.
33:30 - 33:31: - Okay.
33:31 - 33:32: - Yeah, it's so much fun.
33:32 - 33:33: They're a great bar.
33:33 - 33:36: And I played there for many, many years
33:36 - 33:39: for many, many different bar owners.
33:39 - 33:41: - And now you come and see Richard Pictures there
33:41 - 33:42: when we play.
33:42 - 33:46: - And oh, sheesh, man.
33:46 - 33:48: The backyard at the pub when you guys play there,
33:48 - 33:51: it just turns into ganja central.
33:51 - 33:51: - Yeah.
33:51 - 33:54: - And I have to brag at this point in the conversation,
33:54 - 33:58: Uncle Ted has grown a beautiful crop this year.
33:58 - 33:59: - Nice, dude.
33:59 - 34:03: - Where do you grow it, inside or outside?
34:03 - 34:04: - Outside, yeah.
34:04 - 34:06: Yeah, in fabric pots.
34:06 - 34:08: - And just so everybody knows,
34:08 - 34:09: especially if you're a California resident,
34:09 - 34:12: I always forget, but in California,
34:12 - 34:14: you're allowed to grow weed.
34:14 - 34:16: What's the maximum number of plants?
34:16 - 34:17: - Six.
34:17 - 34:18: - Okay.
34:18 - 34:19: - I grew seven.
34:19 - 34:21: (laughing)
34:21 - 34:23: - Nice, dude.
34:23 - 34:24: - You're a rebel.
34:24 - 34:27: - We've also adopted chickens.
34:27 - 34:29: We're getting eggs every morning.
34:29 - 34:30: - Whoa.
34:30 - 34:33: - And we've got green onions going.
34:33 - 34:34: We've got peppers.
34:34 - 34:38: We're growing, it's like farmer Ted over here.
34:38 - 34:40: - Dude, I gotta pop by and check this out.
34:40 - 34:41: - You should.
34:41 - 34:43: - I love the idea of just a functional farm
34:43 - 34:48: where it is chickens, vegetables, and weed.
34:48 - 34:49: - But back to rock and roll.
34:49 - 34:50: - Yes.
34:50 - 34:52: - There were several cats in Pasadena
34:52 - 34:55: that were guitar player that sort of rivals
34:55 - 34:57: to Eddie Van Halen.
34:57 - 35:02: They kind of warped, ruined their careers.
35:03 - 35:07: Terry Kilgore had a band called Ready Killer Watt,
35:07 - 35:09: and they were just smoking.
35:09 - 35:14: They played reggae music before it was even known here.
35:14 - 35:19: And they had a cool chick singer named Debbie Diamond,
35:19 - 35:24: and they played just the same kind of backyard parties
35:24 - 35:25: that Van Halen did.
35:25 - 35:28: But Eddie just killed them.
35:28 - 35:30: (laughing)
35:30 - 35:33: But Eddie and Terry were good friends.
35:33 - 35:37: And then there was another guy, a guy named Tom Tortomasi,
35:37 - 35:40: who I played with in SVDB.
35:40 - 35:44: And Tom and Eddie were good friends.
35:44 - 35:46: He was friends with Kilgore as well.
35:46 - 35:50: And that was like kind of a guitar triumvirate
35:50 - 35:52: in Pasadena in the early '70s.
35:52 - 35:54: Those guys were badasses.
35:54 - 35:58: And so it was cool to sort of know some of them.
35:58 - 35:59: - Yeah, man.
35:59 - 36:02: I mean, I guess that's kind of just like, you know,
36:02 - 36:04: growing up in the same high school league
36:04 - 36:05: as like Michael Jordan.
36:05 - 36:07: - Had to mention them, man.
36:07 - 36:10: They were formative influences.
36:10 - 36:12: - Are those guys still out there?
36:12 - 36:15: - Terry, no, not really.
36:15 - 36:17: - Well, Ted, thanks so much for calling in.
36:17 - 36:18: We gotta wrap it up 'cause we got our next guest.
36:18 - 36:22: But where can people hear your music?
36:22 - 36:23: You got any new stuff up?
36:23 - 36:28: - T-E-D-K-N-E-C-H-T.
36:28 - 36:31: And yeah, SoundCloud, Tech Connect.
36:31 - 36:33: And I got some dubs up there.
36:33 - 36:34: I've been working on 'em.
36:34 - 36:37: I'm trying to learn Ableton and stuff
36:37 - 36:40: and working with some cats all over the world.
36:40 - 36:42: It's kind of fun.
36:42 - 36:43: - All right, sick.
36:43 - 36:45: Well, we'll post the link on the Time Crisis Twitter.
36:45 - 36:48: - Yeah, Ted, the stuff you sent today sounded sick.
36:48 - 36:50: - Yeah, man, pump that link.
36:50 - 36:53: - Will do, man.
36:53 - 36:56: - Well, great to finally have you on the show, Ted.
36:56 - 36:58: We hope you're calling again.
36:58 - 37:00: - I appreciate you calling me, man.
37:00 - 37:01: - All right, man.
37:01 - 37:02: Ted, have a good one.
37:02 - 37:04: - Uncle Ted, thanks.
37:04 - 37:06: ♪ Take one, let's do this right ♪
37:06 - 37:09: ♪ No, I'm not a pilot, but I'm taking flight ♪
37:09 - 37:11: ♪ Take two, let's do this, boo ♪
37:11 - 37:13: ♪ Hitting like a fighter with a first name, Foon ♪
37:13 - 37:16: ♪ Now take three, rewind, repeat ♪
37:16 - 37:18: ♪ Feeling like the fire when I zipping on the beat ♪
37:18 - 37:21: ♪ Now take four, let's do this, yo ♪
37:21 - 37:23: ♪ Hop into it, come on, let's go ♪
37:23 - 37:25: ♪ Let's ride, let's bounce, let's move ♪
37:25 - 37:27: ♪ Let's dip, let's slide, let's pounce ♪
37:27 - 37:28: ♪ Let's groove, let's trip, let's ♪
37:28 - 37:30: ♪ A hot tooth spit on a mother (beep) beat ♪
37:30 - 37:33: ♪ Yo, stack that money like I'm Black Swan Shmino ♪
37:33 - 37:36: ♪ Solo on the beat, then shoot you down like you Grito ♪
37:36 - 37:38: ♪ Go, go, got your speed, I'm blasting off like Torpedo ♪
37:38 - 37:40: ♪ I'm 21st century, it's Cuban Missile Crisis ♪
37:40 - 37:42: ♪ Dropping bombs on all my songs ♪
37:42 - 37:43: ♪ I'm packed with powder spices, whoa ♪
37:43 - 37:46: ♪ Stunt in the band with the saxes, whoa ♪
37:46 - 37:48: ♪ Just to spend a band on some taxes, whoa ♪
37:48 - 37:51: ♪ Ride or spend a ride, got some new shoes ♪
37:51 - 37:53: ♪ And 23 glasses, whoa ♪
37:53 - 37:56: ♪ Jump on the 'Gran like I'm Baskin, whoa ♪
37:56 - 37:58: ♪ Hunt for the 'Gran like a captain, whoa ♪
37:58 - 38:01: ♪ Batter in the back with the blues tones ♪
38:01 - 38:03: ♪ The melody magic ♪
38:03 - 38:05: - All right, well, back to back guests.
38:05 - 38:07: Now we have the legendary Spike Ferristein.
38:07 - 38:10: He's written on all the legendary shows.
38:10 - 38:14: Letterman, SNL, The Simpsons, and most notably Seinfeld,
38:14 - 38:16: where he wrote some very famous episodes,
38:16 - 38:21: including The Soup Nazi, The Muffin Tops, The Little Kicks,
38:21 - 38:24: which is the one where Elaine dances at her company party.
38:24 - 38:26: He also hosted the late night talk show
38:26 - 38:29: with Spike Ferristein on Fox from 2006 to 2009.
38:29 - 38:31: He's got a podcast, Spike's Car Radio,
38:31 - 38:35: and he also hosts a TV show, Car Matchmaker,
38:35 - 38:36: on Esquire Network.
38:36 - 38:37: Let's get him on the horn.
38:37 - 38:39: Oh, and of course, as Seinfeld pointed out,
38:39 - 38:43: he co-wrote Bee Movie with Jerry, absolute legend.
38:43 - 38:46: - Now let's go to the Time Crisis Hotline.
38:46 - 38:49: (phone ringing)
38:49 - 38:51: - Hey, Spike.
38:51 - 38:52: - Hey, guys.
38:52 - 38:53: - Welcome to Time Crisis.
38:53 - 38:54: We're so happy to have you on.
38:54 - 38:56: We really appreciate you taking the time.
38:56 - 38:57: We always record late,
38:57 - 38:59: and you're in the middle of watching the World Series.
38:59 - 39:01: So what's going on?
39:01 - 39:03: - Dodgers are down by a couple runs,
39:03 - 39:06: but this is my adopted team.
39:06 - 39:08: I'm really a Boston Red Sox fan.
39:08 - 39:09: You know, I like the Dodgers
39:09 - 39:12: 'cause this is where my kids are growing up.
39:12 - 39:13: - I've always wondered about that.
39:13 - 39:16: Isn't it very easy to tell your children
39:16 - 39:18: your heritage lies in Boston,
39:18 - 39:20: and that's who you're gonna support,
39:20 - 39:21: that's who dad likes?
39:21 - 39:22: - It doesn't work.
39:22 - 39:24: They are Red Sox fans
39:24 - 39:27: because they know my heart is with the Red Sox.
39:27 - 39:29: But I do love the LA fans.
39:29 - 39:30: I've lived in Los Angeles now longer
39:30 - 39:33: than I've lived anywhere else in the world.
39:33 - 39:34: And I've seen the Red Sox win.
39:34 - 39:36: You know, I've seen them do it a bunch of times
39:36 - 39:37: after not winning for decades.
39:37 - 39:41: So I really want LA and the Dodgers
39:41 - 39:43: to have that win for all the folks
39:43 - 39:45: who've been waiting for the Dodgers to get it again.
39:45 - 39:46: - And this could be their year.
39:46 - 39:49: - It could be, but isn't a weird year to win anything?
39:49 - 39:51: (laughing)
39:51 - 39:53: - Yeah, I mean, will there literally be an asterisk
39:53 - 39:55: in the history books?
39:55 - 39:57: - No, but when they win,
39:57 - 39:59: I've been wondering, will the cardboard cutouts move
39:59 - 40:01: and go, "Yay, up and down,"
40:01 - 40:02: and will they throw them off the field?
40:02 - 40:05: I mean, how is that celebrated?
40:05 - 40:08: I know that the writing will probably be real.
40:08 - 40:10: (laughing)
40:10 - 40:12: But it's just such a, I don't know.
40:12 - 40:15: I don't know that I'd wanna win the World Series this year.
40:15 - 40:16: You know what I mean?
40:16 - 40:18: - I'm not a huge baseball guy,
40:18 - 40:20: but I think there should be an asterisk
40:20 - 40:24: because part of the stress of playing the World Series
40:24 - 40:26: in any baseball game is being surrounded
40:26 - 40:28: by tens of thousands of hardcore fans.
40:28 - 40:29: - That is true.
40:29 - 40:33: I know this guy, CJ Wilson, who pitched for the Angels,
40:33 - 40:35: and I ask him all sorts of questions like that,
40:35 - 40:37: but one of the things I asked him was,
40:37 - 40:40: out of all the kids who finally make it to the majors,
40:40 - 40:43: what percentage gets onto that mound?
40:43 - 40:46: And this is right after I had thrown a first pitch
40:46 - 40:48: at an Angels game and felt the weight
40:48 - 40:50: of being at the center of something like that
40:50 - 40:52: and how stressful it was.
40:52 - 40:54: What percentage of guys get to the mound
40:54 - 40:55: and then fall apart?
40:55 - 40:58: And he said a very high percentage of guys do,
40:58 - 40:59: that they may have the talent,
40:59 - 41:02: but they just don't have the psychology to pull it off.
41:02 - 41:04: Have you ever thrown out a first pitch?
41:04 - 41:05: - I'm sad to say the offers
41:05 - 41:07: never even come across my desk.
41:07 - 41:08: - It's not a big deal,
41:08 - 41:10: but they have usually a bunch of guys.
41:10 - 41:12: I did it once for a small game.
41:12 - 41:13: It wasn't like the crowd,
41:13 - 41:16: but when I walked out there and I look,
41:16 - 41:18: and my friend CJ was catching,
41:18 - 41:22: it's like you're in a zoo and everybody's staring at you
41:22 - 41:24: in that cage and the fans,
41:24 - 41:29: you're at the center and the stress point of the whole game,
41:29 - 41:30: and you feel it.
41:30 - 41:31: And I threw this, whatever,
41:31 - 41:33: I threw a strike or a ball, I don't even remember.
41:33 - 41:34: I just remember going,
41:34 - 41:36: "God, I really wanna see my family right now.
41:36 - 41:38: "I wanna get off this mound.
41:38 - 41:39: "I wanna get off this field."
41:39 - 41:41: - I can only imagine.
41:41 - 41:43: - Yeah, I just wanna eat a hot dog.
41:43 - 41:44: - Oh, I bet.
41:44 - 41:45: Anyway, that's enough sports talk.
41:45 - 41:47: (laughing)
41:47 - 41:50: - Do you know that a member of our crew on the show
41:50 - 41:52: is named Seinfeld 2000?
41:52 - 41:54: - I did know that, yes,
41:54 - 41:56: but I don't know which box it is.
41:56 - 41:57: - It's me in the box.
41:57 - 41:59: I don't know, I might be in the bottom corner
41:59 - 42:00: of your screen.
42:00 - 42:01: Spike, thanks for coming on Time Crisis.
42:01 - 42:03: - Oh, that's the little box, okay.
42:03 - 42:05: - Yeah, hi, how you doing?
42:05 - 42:06: (laughing)
42:06 - 42:07: - Oh, there you are.
42:07 - 42:08: - Hi.
42:08 - 42:09: - You're Seinfeld 2000.
42:09 - 42:12: I can never tell what's real Seinfeld Twitter feeds
42:12 - 42:13: and what's fake Seinfeld.
42:13 - 42:15: I assume you might be even a real guy.
42:15 - 42:17: I know there's another guy.
42:17 - 42:19: Are you the guy who's writing the new stories,
42:19 - 42:21: the new modern stories?
42:21 - 42:23: - I mean, that's part of what it is.
42:23 - 42:24: It's kinda like--
42:24 - 42:25: - Well, I'll chime in.
42:25 - 42:26: - Oh, thanks, Ezra.
42:26 - 42:29: - The fastest way to describe where Seinfeld 2000 comes from
42:29 - 42:34: is that there was a guy who started doing the modern stories
42:34 - 42:37: and Seinfeld, as a deep Seinfeld fan,
42:37 - 42:40: found that to be so corny and disrespectful
42:40 - 42:43: of the source material that he started a kind of
42:43 - 42:48: unhinged Twitter persona that became its own thing,
42:48 - 42:49: but started out making fun
42:49 - 42:52: of the new Seinfeld Twitter account
42:52 - 42:54: and eventually became a kind of meme,
42:54 - 42:58: bizarre meme account that created its own universe.
42:58 - 43:01: And he was the first person ever to take footage
43:01 - 43:03: from the real world, like Chris Christie
43:03 - 43:05: sitting next to Seinfeld
43:05 - 43:07: and do the curb your enthusiasm push.
43:08 - 43:11: - Are you @Seinfeld2000?
43:11 - 43:12: - Yeah, that's me.
43:12 - 43:15: Spike, you retweeted me, I think a few days ago.
43:15 - 43:17: - Oh, the little kicks.
43:17 - 43:18: - The little kicks, which you wrote.
43:18 - 43:21: - I can't believe how my episodes are turning up
43:21 - 43:22: with the Lincoln Project.
43:22 - 43:24: You know, the soup Nazi was the other day,
43:24 - 43:26: then the little kicks.
43:26 - 43:29: It's so odd to keep seeing this stuff happen.
43:29 - 43:31: - Let's break this down for the listeners.
43:31 - 43:32: So the little kicks,
43:32 - 43:37: Elaine goes to her company party with George
43:37 - 43:41: and he sees that she's an insanely terrible dancer,
43:41 - 43:44: which is what the little kicks refer to one of her moves.
43:44 - 43:46: She's doing these little kicks
43:46 - 43:49: and she doesn't realize what a terrible dancer she is
43:49 - 43:51: and George cannot believe it.
43:51 - 43:53: Seinfeld, you're kind of our meme correspondent.
43:53 - 43:54: The reason that this is back out
43:54 - 43:56: in the public consciousness
43:56 - 43:58: is because people are comparing Trump's dance moves
43:58 - 44:00: to Elaine's little kicks.
44:00 - 44:02: - Yeah, yeah, President Donald J. Trump
44:02 - 44:04: has recently been like doing,
44:04 - 44:06: pulling out the-
44:06 - 44:07: - I still laugh when people say that,
44:07 - 44:08: but go ahead.
44:08 - 44:10: (laughing)
44:10 - 44:11: - I don't know what's going on,
44:11 - 44:13: but there's some sort of collapse happening
44:13 - 44:14: where recently at rallies,
44:14 - 44:19: he's been doing these very unusual dances to YMCA.
44:19 - 44:22: It seems like some sort of sign that, I don't know,
44:22 - 44:23: maybe the end is near.
44:23 - 44:26: I don't know, but I guess it had been remarked on
44:26 - 44:28: that some of these moves that he was doing
44:28 - 44:30: were very like herky-jerky
44:30 - 44:32: and seemed very much like the motions
44:32 - 44:36: that Elaine was doing when she did the little kicks.
44:36 - 44:38: And so I had tweeted out a split screen
44:38 - 44:41: of the two things happening simultaneously.
44:41 - 44:43: And then the Lincoln Project, as you said,
44:43 - 44:46: kind of like did the thing where they tweet the video.
44:46 - 44:49: And then Julia Louis-Dreyfus, the queen herself,
44:49 - 44:50: added her own commentary.
44:50 - 44:52: And it was like a big-
44:52 - 44:52: - Yeah, it was a big moment.
44:52 - 44:54: - Oh wait, so the Lincoln Project
44:54 - 44:56: was kind of retweeting you, Seinfeld?
44:56 - 44:58: - Yeah, I mean it's- - Or they stole your content?
44:58 - 45:00: - No, they do steal a lot of content,
45:00 - 45:01: but this time they did the thing
45:01 - 45:04: where you can kind of like sample the original video
45:04 - 45:06: so that the credit still goes to the original.
45:06 - 45:08: It's very tedious to talk about.
45:08 - 45:10: - Okay, all right. - But I have no qualms
45:10 - 45:13: with the way the Lincoln Project handled this one.
45:13 - 45:15: But yeah, it's sort of like,
45:15 - 45:17: it got pushed through the Lincoln Project
45:17 - 45:20: and then Julia Louis-Dreyfus retweeted it.
45:20 - 45:22: And it was, you know, it really made my week.
45:22 - 45:24: It really made my- - Yeah, well, all right.
45:24 - 45:26: Shout out to the Lincoln Project,
45:26 - 45:27: a group of Republicans who are-
45:27 - 45:29: (laughing)
45:29 - 45:30: They were cool with-
45:30 - 45:32: - They do the best ads. - George W. Bush.
45:32 - 45:33: - They're so good.
45:33 - 45:36: - Ronald Reagan, the, you know, the Rack Lord.
45:36 - 45:37: - What is it?
45:37 - 45:40: It's like the enemy of my enemy is my friend kind of thing.
45:40 - 45:42: I think that's kind of what's going on.
45:42 - 45:43: - All we have right now.
45:43 - 45:45: - Right, exactly. (laughing)
45:45 - 45:47: - You just gotta hold onto 'em.
45:47 - 45:49: - Right, so Spike, this is,
45:49 - 45:50: I'm sure you've answered this a million times,
45:50 - 45:53: but this is kind of a basic question is,
45:53 - 45:55: let's use the little kicks, for instance.
45:55 - 45:57: On a TV show like "Seinfeld,"
45:57 - 45:59: and you came in in the last two seasons
45:59 - 46:00: or last three seasons, something like that.
46:00 - 46:01: - Three, season seven.
46:01 - 46:05: - When you write an episode, like how does that come about?
46:05 - 46:07: Does that mean that, did you get to write it
46:07 - 46:09: because you threw out the original idea?
46:09 - 46:13: Was it assigned to you 'cause it was your turn to do it?
46:13 - 46:15: Did it all get cooked up together,
46:15 - 46:16: but you're the one who put words to paper
46:16 - 46:19: and kind of formalized it?
46:19 - 46:20: What was going on back then?
46:20 - 46:22: - No, we would come in with the stories.
46:22 - 46:23: - Okay. - It's pretty much
46:23 - 46:24: the qualification.
46:24 - 46:27: You had to come in with stories, ideally from your life,
46:27 - 46:31: things that had happened to you that you thought were odd
46:31 - 46:32: or perhaps made you mad,
46:32 - 46:35: and maybe you didn't say what you wanted to say,
46:35 - 46:37: but you're telling Larry and Jerry,
46:37 - 46:39: but here's what I wanted to do.
46:39 - 46:42: She said this to me, and here's what I wanted to do.
46:42 - 46:43: So the very first story I was telling
46:43 - 46:45: was the story of this guy who sold soup
46:45 - 46:47: and everybody called him the Soup Nazi,
46:47 - 46:49: and if you didn't follow the rules,
46:49 - 46:50: he would scream at you,
46:50 - 46:52: and then Larry started laughing right away.
46:52 - 46:53: He goes, "The Soup Nazi?
46:53 - 46:55: "What did they, is it a guy they called?"
46:55 - 46:56: You know, and he goes, "This is your first story."
46:56 - 46:57: And I go, "I'm not pitching.
46:57 - 47:00: "I was just telling you what's going on in New York
47:00 - 47:01: "where we got lunch every day."
47:01 - 47:03: That's your first story, and they throw you out.
47:03 - 47:05: So you would then take that and go,
47:05 - 47:08: "All right, well, whose story is it?
47:08 - 47:11: "Out of these four characters, who's who?"
47:11 - 47:13: Well, George is gonna be arrogant enough to go,
47:13 - 47:14: "Look, I know how to order soup, right?"
47:14 - 47:16: Which really is me.
47:16 - 47:18: That's what I did when someone told me about it.
47:18 - 47:20: I'm George, and then I became Jerry, which is,
47:20 - 47:24: "Look, trust me, you gotta know what you're doing here."
47:24 - 47:27: And you know, Elaine, of course, the guy's a misogynist.
47:27 - 47:28: She wouldn't put up with it,
47:28 - 47:31: and Kramer, a kindred spirit, right?
47:31 - 47:33: He's a misunderstood genius, this guy.
47:33 - 47:35: You would start with those ideas
47:35 - 47:38: and see if you could get to the act break, right?
47:38 - 47:40: And in this particular case,
47:40 - 47:43: the act break bumped into the other story, "Shmoopy,"
47:43 - 47:46: and all I knew was that Jerry has to make a choice,
47:46 - 47:49: the soup or the girl, and he chooses the soup.
47:49 - 47:51: So that's where I knew I was going.
47:51 - 47:54: And then you would map out act one and the scenes
47:54 - 47:55: and the basic idea of what's gonna happen in it.
47:55 - 47:57: You're not typing.
47:57 - 47:58: Dry erase boards.
47:58 - 48:00: And then you'd bring Larry and Jerry in and go,
48:00 - 48:01: "Here's what I've got."
48:01 - 48:04: And they would throw in ideas.
48:04 - 48:06: Before that, you'd bring in the other writers,
48:06 - 48:08: you know, guys, Gamble and Pross,
48:08 - 48:09: Berg and Schaefer, those guys.
48:09 - 48:11: It was very collaborative in that way.
48:11 - 48:13: They'd hang out in my office for an hour.
48:13 - 48:16: I'd go into somebody else's office, help them with theirs,
48:16 - 48:17: and we'd talk out these stories
48:17 - 48:22: until you had a solid act one approved by Larry and Jerry
48:22 - 48:24: and a direction for act two.
48:24 - 48:25: And who cares about the ending?
48:25 - 48:27: Nobody cares right now.
48:27 - 48:29: And then if you had that,
48:29 - 48:31: and Larry and Jerry liked where it was going,
48:31 - 48:33: they would send you to script and you'd do a first draft.
48:33 - 48:37: Second draft, they'd keep reading, they'd keep noting.
48:37 - 48:39: And then eventually they'd go, "You know what?
48:39 - 48:41: "Close enough.
48:41 - 48:42: "We're gonna shoot it.
48:42 - 48:44: "Let us do our pass."
48:44 - 48:49: And that's where it went from, you know, 75% to 110%,
48:49 - 48:51: if there's such a thing, right?
48:51 - 48:54: The real Jerry and George would take it by themselves
48:54 - 48:57: and jam on it in that, that's how season seven worked.
48:57 - 49:00: In season eight, it became more collaborative.
49:00 - 49:03: We would have teams of four writers working on a script
49:03 - 49:06: and whoever's script it was would EP it.
49:06 - 49:08: So essentially, if it was my script,
49:08 - 49:10: I would be the EP for that week
49:10 - 49:12: and I would, you know, pick my little team of writers
49:12 - 49:14: and Jerry and I would do it.
49:14 - 49:16: - It changed because Larry was gone.
49:16 - 49:18: - Larry took off, yeah, yeah.
49:18 - 49:20: He left after season seven.
49:20 - 49:23: So, you know, again, the guiding principle though
49:23 - 49:26: that Larry and Jerry put out was really amazing,
49:26 - 49:29: which was we don't want you to make up stupid stories
49:29 - 49:32: about who dates who or what happened.
49:32 - 49:35: We want you to bring in real stories from your life,
49:35 - 49:38: ideally from New York, where I had just moved from,
49:38 - 49:40: and just tell us those stories
49:40 - 49:42: and let us decide whether it's something or not.
49:42 - 49:45: I mean, you could exact revenge on friends.
49:45 - 49:48: You could have so much fun with that thing that,
49:48 - 49:51: you know, I remember the minute Jeff Schafer's like,
49:51 - 49:52: "You gotta listen to my friends."
49:52 - 49:53: - Yeah, yeah.
49:53 - 49:54: - And I was like, "I'm gonna listen to you."
49:54 - 49:55: And then we would play it.
49:55 - 49:57: We were like, "Play the answering machine message."
49:57 - 50:00: And it was that, "Believe it or not, I'm not gonna be home."
50:00 - 50:01: Some girly dude.
50:01 - 50:02: - Classic.
50:02 - 50:05: - And we would play it, you know, every day before we wrote,
50:05 - 50:07: we were like, "Play the answering machine message."
50:07 - 50:09: And eventually we were so entertained, you know,
50:09 - 50:11: "George, let's give that to George."
50:11 - 50:12: Look at how small that is.
50:12 - 50:14: That's just a girl living in Sherman Oaks
50:14 - 50:17: who made a bad decision for her answering machine.
50:17 - 50:19: And then we shoot the episode
50:19 - 50:21: and Schafer and I close the door
50:21 - 50:23: off "Seinfeld" tonight and just hang the phone up.
50:23 - 50:25: (laughing)
50:25 - 50:28: She had, you know, her mind was blown, of course,
50:28 - 50:32: but, you know, it was a really fun little environment
50:32 - 50:33: to work in, you know,
50:33 - 50:36: I've never worked on anything like it since, really.
50:36 - 50:39: ♪ Desperado ♪
50:39 - 50:44: ♪ Why don't you come to your senses ♪
50:44 - 50:49: ♪ You've been out riding fences ♪
50:49 - 50:53: ♪ So long now ♪
50:53 - 50:56: ♪ Oh, you're a hard one ♪
50:56 - 51:01: ♪ I know it, you got your reasons ♪
51:01 - 51:05: ♪ These things that are pleasing you ♪
51:05 - 51:08: ♪ Can hurt you somehow ♪
51:08 - 51:11: - So with "The Little Kicks," is there also like a story?
51:11 - 51:12: - Yeah, it's Lorne Michaels.
51:12 - 51:15: It's Lorne Michaels when I was working at Saturday Night Live.
51:15 - 51:16: I was an intern there
51:16 - 51:18: and he was a very intimidating character to me,
51:18 - 51:20: not because of how he acted,
51:20 - 51:22: just because I had grown up watching the show
51:22 - 51:26: and I was, you know, if he's the guy running the show,
51:26 - 51:29: I'm the intern and the receptionist.
51:29 - 51:30: So it's like, you know,
51:30 - 51:33: and I'd never seen anybody in show business
51:33 - 51:35: and he was, I just, I couldn't even look at him.
51:35 - 51:36: I was intimidated.
51:36 - 51:40: And then one night I saw him at the party dancing,
51:40 - 51:42: doing the dance that Elaine is doing.
51:42 - 51:44: Very accurate.
51:44 - 51:48: With these little kicks and-
51:48 - 51:50: - Like that extreme, that ridiculous?
51:50 - 51:53: - The kicks were the primary,
51:53 - 51:55: those were in the script, the kicks.
51:55 - 51:55: That's what it's called.
51:55 - 51:57: - Specifically the kicks.
51:57 - 51:59: - He was doing this little kick thing.
51:59 - 52:01: Julia, of course, took it to a new level,
52:01 - 52:03: but she didn't take it that much higher
52:03 - 52:05: than it already was.
52:05 - 52:06: You know, I kind of admired Lorne
52:06 - 52:08: that he was just out there.
52:08 - 52:09: He may or may not know,
52:09 - 52:11: but probably knew he wasn't that great of a dancer.
52:11 - 52:13: And he was just, who cares?
52:13 - 52:14: Having a good time out there.
52:14 - 52:17: But, you know, right away when I saw him
52:17 - 52:19: and some of the other, you know, PAs were like,
52:19 - 52:20: oh, he's not so scary anymore.
52:20 - 52:21: He's human, right?
52:21 - 52:23: It kind of humanized him.
52:23 - 52:25: And for the story with Elaine,
52:25 - 52:28: she at the time was running, you know, was a boss.
52:28 - 52:30: And we thought that'll be an interesting thing
52:30 - 52:31: for her to play.
52:31 - 52:34: She's got control and then she loses control.
52:34 - 52:35: And we changed it.
52:35 - 52:36: We exaggerated it a little bit,
52:36 - 52:38: but that was the basic idea.
52:38 - 52:41: - Spike, were there any stories from like your real life
52:41 - 52:43: that you thought, oh, this is really like a gold,
52:43 - 52:45: like this is perfect fodder for a plot line
52:45 - 52:47: that you pitched to Larry and Jerry
52:47 - 52:49: and they just weren't feeling it at all?
52:49 - 52:50: - Oh yeah, yeah.
52:50 - 52:51: - What could have been?
52:51 - 52:52: - The little kicks was the,
52:52 - 52:53: I pitched that in the first season
52:53 - 52:55: and Larry didn't understand it.
52:55 - 52:57: And it, you know, I get, it's hard.
52:57 - 52:59: These stories are really hard
52:59 - 53:02: to see how they're going to be funny, right?
53:02 - 53:03: And Larry would do the same for me.
53:03 - 53:05: I remember a story falling out and he goes,
53:05 - 53:08: he goes, you know what, just come up with a blazer story.
53:08 - 53:10: And I was like, what the (beep) are you talking about?
53:10 - 53:12: What is a blazer story?
53:12 - 53:14: He goes, all right, I don't know what this is,
53:14 - 53:16: but I think it's going to be funny.
53:16 - 53:19: I went to Barney's and I tried on this crested blazer
53:19 - 53:20: and I thought it was cool.
53:20 - 53:22: And then I realized it wasn't cool.
53:22 - 53:23: And I said, you know what, I don't want this.
53:23 - 53:26: And the guy made me feel like I couldn't afford it.
53:26 - 53:27: So I bought it out of spite.
53:27 - 53:29: (laughing)
53:29 - 53:31: And then I had this expensive blazer I didn't want
53:31 - 53:33: and I wanted to return it,
53:33 - 53:34: but I was too afraid to return it,
53:34 - 53:36: but I wanted to return it.
53:36 - 53:39: And that became that crested blazer story of his.
53:39 - 53:40: And I was dubious.
53:40 - 53:44: I did not believe that he had a real story,
53:44 - 53:47: but yet when we shot it, I was like, right,
53:47 - 53:50: you know, the smaller these things are, the better,
53:50 - 53:53: but they're really difficult to see.
53:53 - 53:55: You know, it's hard to put your faith
53:55 - 53:57: in a little story like that.
53:57 - 53:59: So, you know, I didn't blame Larry at all for that.
53:59 - 54:01: And I was happy to kind of repitch it.
54:01 - 54:04: You know, I can't take my mind off Jeffrey Toobin right now.
54:04 - 54:05: You know, that's the one.
54:05 - 54:07: (laughing)
54:07 - 54:08: - I bet.
54:08 - 54:11: - Boy, Zoom and those etiquettes,
54:11 - 54:14: and here's a guy who's touching himself.
54:14 - 54:18: It's, you know, that's a great little story area.
54:18 - 54:20: I'm guessing Curb is gonna hit this stuff,
54:20 - 54:22: you know, every which way.
54:22 - 54:24: The name, the unfortunate name, Toobin.
54:24 - 54:25: (laughing)
54:25 - 54:26: - Right.
54:26 - 54:28: - You know, we thought Anthony Weiner was the end of it.
54:28 - 54:30: Now we've got Toobin.
54:30 - 54:32: I've been thinking a lot about harebrained kind of,
54:32 - 54:35: you know, these scooter sharing programs
54:35 - 54:36: really make me laugh
54:36 - 54:38: as they're handing things
54:38 - 54:40: that people are killing themselves on,
54:40 - 54:42: just going, "Hey, it's Silicon Valley.
54:42 - 54:44: We don't have to follow the rules."
54:44 - 54:46: You know, it never turns off.
54:46 - 54:48: - There's a great, really small moment
54:48 - 54:49: in the new season of Curb
54:49 - 54:52: where Larry is just like strolling down the street with Leon
54:52 - 54:54: and there are those scooter shares
54:54 - 54:57: and he just knocks over a whole rack of them.
54:57 - 55:00: It was such a small thing that they don't even comment on.
55:00 - 55:02: - There are a lot of guys on Instagram
55:02 - 55:05: who that's their whole feed.
55:05 - 55:05: It's great.
55:05 - 55:06: It's just people,
55:06 - 55:08: scooters behaving badly is one of them
55:08 - 55:11: and they're just kicking scooters over all day long.
55:11 - 55:12: It's really wonderful.
55:12 - 55:13: But you know,
55:13 - 55:16: it's more about the arrogance of Silicon Valley
55:16 - 55:17: and just doing (beep)
55:17 - 55:19: we don't have to follow the rules, right?
55:19 - 55:22: That hasn't been written about enough, comedically.
55:22 - 55:24: - That is also one of the things you're just like,
55:24 - 55:25: "Why is this allowed?"
55:25 - 55:27: - It's not.
55:27 - 55:29: Their whole attitude is it's not.
55:29 - 55:31: They just do it
55:31 - 55:33: and hope that we'll love the stuff enough
55:33 - 55:35: that later when the fines come,
55:35 - 55:37: that the cities will negotiate.
55:37 - 55:39: - And they'll have so much money,
55:39 - 55:41: they can pay the fines and pay the politicians.
55:41 - 55:43: - Yeah, but I was talking to Jerry just today
55:43 - 55:44: and he was like,
55:44 - 55:47: "Do you have these motorized or electric scooters?
55:47 - 55:48: These ride on ones?"
55:48 - 55:49: He said, he goes,
55:49 - 55:51: "I saw like a dad with two kids,
55:51 - 55:54: no helmets, just whizzing in and out of traffic."
55:54 - 55:55: And I'm like, "How does it happen?"
55:55 - 55:56: He goes, "I don't know.
55:56 - 55:57: I don't know what's happened.
55:57 - 56:00: They just dumped the scooters in Times Square, Spike.
56:00 - 56:01: What are they doing?"
56:01 - 56:04: And that's where it starts.
56:04 - 56:06: And then we went on a long Tubin.
56:06 - 56:08: We were talking about Tubin
56:08 - 56:10: and how the funny part of,
56:10 - 56:15: is it okay to speak however I wish to speak here?
56:15 - 56:16: Do you have any sort of censorship?
56:16 - 56:17: - Yeah, yeah, no, no, no.
56:17 - 56:21: - We're talking about the fallout from (beep) to Zoom
56:21 - 56:24: when Russ from accounting suddenly comes full on your screen
56:24 - 56:25: at a peak moment.
56:25 - 56:27: (laughing)
56:27 - 56:30: Tubin, how is he timing stuff out?
56:30 - 56:33: (laughing)
56:33 - 56:35: - Do you think Tubin comes back from this?
56:35 - 56:37: Is there a Tubin comeback or is Tubin done?
56:37 - 56:38: - No, Tubin's done.
56:38 - 56:39: Tubin's a meme at this point.
56:39 - 56:41: - So Spike, now you have a podcast
56:41 - 56:43: and a TV show about cars.
56:43 - 56:44: - Yes.
56:44 - 56:46: That show is no longer on the air
56:46 - 56:47: 'cause the network got canceled.
56:47 - 56:48: (laughing)
56:48 - 56:49: - Oh, they canceled the whole network?
56:49 - 56:50: - They canceled the network.
56:50 - 56:53: The show's fine, but there's no network.
56:53 - 56:56: You know, I thought I had seen everything in entertainment,
56:56 - 56:58: but I've never seen the show be a hit
56:58 - 56:59: and the network get canceled.
56:59 - 57:01: That's a first for me.
57:01 - 57:02: - Where can one watch it now?
57:02 - 57:05: - We have three seasons up, you know, on whatever sites.
57:05 - 57:07: It's still shown around the world and stuff,
57:07 - 57:11: but you know, the whole car thing is just a hobby of mine.
57:11 - 57:14: I'm, you know, still in entertainment.
57:14 - 57:17: I have a scripted, an unscripted TV company.
57:17 - 57:18: I'm writing scripted comedy.
57:18 - 57:20: I'm working on a movie right now.
57:20 - 57:23: The car thing is just a distraction
57:23 - 57:25: that started back when I was writing for Letterman.
57:25 - 57:27: Dave likes cars and that's what we were kind of doing
57:27 - 57:29: in our downtime, just looking at cars
57:29 - 57:30: 'cause you never leave the office.
57:30 - 57:33: And then when I went to Seinfeld, it was the same thing.
57:33 - 57:36: Who drove it in the old Porsche?
57:36 - 57:38: Hi, new writer, Spike Fersen.
57:38 - 57:39: Oh, great, come here.
57:39 - 57:40: You gotta get rid of that car though.
57:40 - 57:41: It's a piece of (beep)
57:41 - 57:42: Like what?
57:42 - 57:45: Just don't fire me, dude.
57:45 - 57:48: So, you know, the whole car thing
57:48 - 57:50: looks bigger than it actually is.
57:50 - 57:51: Let me just put it that way, but I love it.
57:51 - 57:53: It's my golf.
57:53 - 57:57: - On this show, I don't think anybody is truly a car guy,
57:57 - 58:00: but we have talked about cars once or twice.
58:00 - 58:02: We don't know what we're talking about at all.
58:02 - 58:03: We're definitely out of our depth,
58:03 - 58:08: but I've always felt like I'm missing a well of experience
58:08 - 58:10: or information to make like, you know,
58:10 - 58:13: I got strong opinions about music and movies
58:13 - 58:16: and I can compare things and say, well, that sucks.
58:16 - 58:19: But when it comes to cars, I feel like it's a language
58:19 - 58:20: I don't totally understand.
58:20 - 58:21: I'll throw something at you.
58:21 - 58:23: Lately, I've met a couple of cool people
58:23 - 58:28: who are very into vintage land cruisers.
58:28 - 58:29: And there's something about that there.
58:29 - 58:31: I was like, oh, that's interesting.
58:31 - 58:32: Being into a Toyota Land Cruiser.
58:32 - 58:33: Then you look at them,
58:33 - 58:35: they kind of have an interesting history.
58:35 - 58:38: So I'm curious, to you, what does it connote
58:38 - 58:42: to be into a vintage Toyota Land Cruiser,
58:42 - 58:44: like a 60s or 70s Land Cruiser?
58:44 - 58:45: - Those are great.
58:45 - 58:47: I mean, they're very popular trucks.
58:47 - 58:49: - What's different about them and a Range Rover?
58:49 - 58:51: - Well, Land Rover, I have an old Land Rover.
58:51 - 58:53: It's like any guitar that someone chooses.
58:53 - 58:55: There's so much great stuff.
58:55 - 58:59: Like for me, the car thing is not, I like Jay Leno a lot.
58:59 - 59:00: I'm not a car guy like Jay Leno.
59:00 - 59:02: I'm not interested in how engines work
59:02 - 59:05: and I get bored during these technical presentations.
59:05 - 59:09: I'm more interested in the experience of using the vehicle.
59:09 - 59:12: Like the car thing for me began when I had a vehicle
59:12 - 59:16: to drive away from my parents and to put my friends in
59:16 - 59:20: and smoke a little weed and listen to Led Zeppelin
59:20 - 59:23: and Madison Square Garden on the radio
59:23 - 59:24: in the middle of the woods.
59:24 - 59:26: Like to me, that was like, wow, cars.
59:26 - 59:27: (laughing)
59:27 - 59:29: Right, 'cause I get away.
59:29 - 59:31: And then later on, it became a way to just be
59:31 - 59:33: with your friends and get out of the house.
59:33 - 59:36: So I've always just loved vehicles
59:36 - 59:38: because they do things like that.
59:38 - 59:42: The car community wraps its arms around pretty much anybody
59:42 - 59:44: at any level, whatever car they like.
59:44 - 59:47: If you like driving around in your Prius, that's cool.
59:47 - 59:50: Whatever, man, whatever you like.
59:50 - 59:53: The Land Cruiser guys, those do really well at auction
59:53 - 59:55: and they have a big audience around the world.
59:55 - 59:58: - What's like the (beep) car that you're into?
59:58 - 59:59: - That I'm into?
59:59 - 01:00:01: Then it wouldn't be a (beep) car.
01:00:01 - 01:00:02: Like, what do you mean?
01:00:02 - 01:00:04: - What's like the lowest level, least fancy,
01:00:04 - 01:00:08: least celebrated car that you have a personal affinity for?
01:00:08 - 01:00:11: The cars that don't do well at auction,
01:00:11 - 01:00:12: that don't even go to auction.
01:00:12 - 01:00:13: Is there, you know?
01:00:13 - 01:00:16: - I don't know that I like cars like that.
01:00:16 - 01:00:19: I can't remember posting something
01:00:19 - 01:00:22: that people were actually upset about.
01:00:22 - 01:00:23: (laughing)
01:00:23 - 01:00:25: - Or just like, I mean, is there like--
01:00:25 - 01:00:28: - Like a '92 Mercury Sable.
01:00:28 - 01:00:29: Is that when you're like, you know,
01:00:29 - 01:00:29: say what you will, but like--
01:00:29 - 01:00:30: - I would not be passionate,
01:00:30 - 01:00:32: no, I wouldn't be passionate about that.
01:00:32 - 01:00:34: I might buy a Ford Granada
01:00:34 - 01:00:36: because my dad had one growing up
01:00:36 - 01:00:38: that was filled with cigarette butts
01:00:38 - 01:00:39: and had cigarette holes in the seats.
01:00:39 - 01:00:41: And that would be personal to me
01:00:41 - 01:00:43: and I would get made fun of for that.
01:00:43 - 01:00:46: It's not at all collectible in any way.
01:00:46 - 01:00:47: And it's a horrific vehicle.
01:00:47 - 01:00:50: There is a car that I owned in New York
01:00:50 - 01:00:53: that is laughed at now, the Maserati Bi-Turbo
01:00:53 - 01:00:55: that Chrysler was involved in.
01:00:55 - 01:00:58: It was a horrible, horrible car
01:00:58 - 01:00:59: that broke down constantly.
01:00:59 - 01:01:03: And I am made fun of for that, owning that car.
01:01:03 - 01:01:06: - Isn't Maserati like super high-end?
01:01:06 - 01:01:09: - No, not necessarily. - No.
01:01:09 - 01:01:11: - Not at that period when they were making these things.
01:01:11 - 01:01:14: - Is there a minivan that people covet?
01:01:14 - 01:01:18: - Yeah, people like the Honda Odyssey a lot.
01:01:18 - 01:01:20: They're pretty passionate about that.
01:01:20 - 01:01:21: - I've had two of those.
01:01:21 - 01:01:23: But yeah, but those aren't collectibles.
01:01:23 - 01:01:26: - No, collectible things tend to be something
01:01:26 - 01:01:28: that numbers in the, let's say,
01:01:28 - 01:01:33: let's just call this line 1,500 made per year, right?
01:01:33 - 01:01:37: And ideally, you're talking about cars
01:01:37 - 01:01:40: one to maybe 20 were made are the most collectible things.
01:01:40 - 01:01:42: Anything that's a production car
01:01:42 - 01:01:44: where they're making tens of thousands,
01:01:44 - 01:01:45: then you're talking about,
01:01:45 - 01:01:48: you have to have the best of the best
01:01:48 - 01:01:52: with the lowest mileage, perfect condition deal
01:01:52 - 01:01:53: for it to be collectible.
01:01:53 - 01:01:55: But they're out there, right?
01:01:55 - 01:01:57: But it's never gonna happen with like Toyotas
01:01:57 - 01:02:00: and Hondas, Celicas, things like that.
01:02:00 - 01:02:05: Honda Accords, those are just cars that we buy to use
01:02:05 - 01:02:08: to get on with life and they get stolen a lot.
01:02:08 - 01:02:11: - Right, there's never been like a surprise comeback
01:02:11 - 01:02:13: in the car community, the way that somebody's like,
01:02:13 - 01:02:14: are you kidding me?
01:02:14 - 01:02:16: All those comic books,
01:02:16 - 01:02:18: I threw out all my kids' comic books from the '60s.
01:02:18 - 01:02:20: Now you're telling me this is worth,
01:02:20 - 01:02:21: well, who would have thought that cost a nickel?
01:02:21 - 01:02:23: There's no car version of that?
01:02:23 - 01:02:25: - No, there is. - Like a Mazda Miata?
01:02:25 - 01:02:29: - A Miata's have a pretty healthy, they're raced a lot.
01:02:29 - 01:02:30: And so people make fun of them,
01:02:30 - 01:02:32: but they're the most raced car in the world.
01:02:32 - 01:02:35: So for instance, my 12 year old right now is like,
01:02:35 - 01:02:37: dad, we have to get a '94 Miata.
01:02:37 - 01:02:40: So I can hot rod it, maybe we can race it.
01:02:40 - 01:02:43: I'm like, yeah, okay, I'll go right upstairs after this
01:02:43 - 01:02:44: and try to find you one.
01:02:44 - 01:02:46: ♪ I got a phone to pick something ♪
01:02:46 - 01:02:50: ♪ I started noticing about you ♪
01:02:51 - 01:02:53: ♪ I get suspicious ♪
01:02:53 - 01:02:58: ♪ You switched up all your lipsticks for something new ♪
01:02:58 - 01:03:01: ♪ You claim you're innocent ♪
01:03:01 - 01:03:06: ♪ You say I'm losing it and you're right ♪
01:03:06 - 01:03:12: ♪ I saw you getting out of the Mazda Miata last night ♪
01:03:12 - 01:03:15: ♪ And ain't you right ♪
01:03:15 - 01:03:19: ♪ I'll never get by on just enough ♪
01:03:19 - 01:03:21: ♪ I'm still reaching out ♪
01:03:21 - 01:03:23: ♪ He gets the touch ♪
01:03:23 - 01:03:28: ♪ You got me on the side with half the love ♪
01:03:28 - 01:03:32: ♪ But now I can see that it's you and me ♪
01:03:32 - 01:03:34: ♪ And somebody else ♪
01:03:34 - 01:03:36: ♪ Is it two or three ♪
01:03:36 - 01:03:39: ♪ I never can tell ♪
01:03:39 - 01:03:42: ♪ Sometimes just not enough ♪
01:03:42 - 01:03:44: ♪ Between you and me ♪
01:03:44 - 01:03:46: ♪ And somebody else ♪
01:03:46 - 01:03:47: ♪ Somebody else ♪
01:03:47 - 01:03:48: ♪ Count me out ♪
01:03:54 - 01:03:56: - What's your take on the PT Cruiser?
01:03:56 - 01:03:58: (laughing)
01:03:58 - 01:03:59: - It's a good comedy car.
01:03:59 - 01:04:01: - I always thought it was funny because the Volkswagen,
01:04:01 - 01:04:03: they had the new Beetle.
01:04:03 - 01:04:05: And then I felt like Chrysler,
01:04:05 - 01:04:07: I think Chrysler makes the PT Cruiser.
01:04:07 - 01:04:09: They decided we're going to take the 1920s
01:04:09 - 01:04:14: sort of Model T style and smooth it out for the '90s.
01:04:14 - 01:04:15: Am I way off on that?
01:04:15 - 01:04:18: - If you were an overweight family of five in Iowa
01:04:18 - 01:04:21: that was looking for something to drive to the buffet in,
01:04:21 - 01:04:25: I would say the PT Cruiser is for you.
01:04:25 - 01:04:28: It is a very, it's a much maligned vehicle,
01:04:28 - 01:04:31: almost as maligned as the Prius,
01:04:31 - 01:04:32: which I think is unfairly maligned.
01:04:32 - 01:04:35: It's a comedy vehicle for sure, like the PT Cruiser.
01:04:35 - 01:04:37: That's, if you're going to use it in comedy,
01:04:37 - 01:04:38: I would say use the PT Cruiser.
01:04:38 - 01:04:42: - We've talked on this show about how Grateful Dead T-shirts
01:04:42 - 01:04:47: probably one of the most produced band shirts ever
01:04:47 - 01:04:49: because they played such big shows or whatever,
01:04:49 - 01:04:54: that suddenly the value for real vintage Grateful Dead shirts
01:04:54 - 01:04:57: skyrocketed because of renewed interest in the band.
01:04:57 - 01:04:59: And I'm sure you had all sorts of people being like,
01:04:59 - 01:05:01: "Oh my God, I had this smelly old shirt.
01:05:01 - 01:05:03: You're telling me now I can sell it for $350."
01:05:03 - 01:05:05: I threw that out because at the time,
01:05:05 - 01:05:09: as far as shirts went, this held negligible value.
01:05:09 - 01:05:13: So with the PT Cruiser, you just can't see.
01:05:13 - 01:05:16: There's no version where in 30 years,
01:05:16 - 01:05:18: somebody's like, "You know, it's funny."
01:05:18 - 01:05:21: Like back in the day, everybody was talking about,
01:05:21 - 01:05:24: you know, Porsches and Ferraris.
01:05:24 - 01:05:25: And they're all talking about European cars.
01:05:25 - 01:05:28: But actually the taste of the car community
01:05:28 - 01:05:31: has really come around and a PT Cruiser, you know,
01:05:31 - 01:05:36: if you had bought 10 PT Cruisers in good shape in 2020,
01:05:36 - 01:05:37: right now you would be a billionaire.
01:05:37 - 01:05:42: There's no world where what you just said will ever happen.
01:05:42 - 01:05:46: I don't think anybody's ever floated that theory before
01:05:46 - 01:05:48: with PT Cruisers.
01:05:48 - 01:05:50: No, it's the car. Here are the cars.
01:05:50 - 01:05:53: There's the cars where they only made 20 of them.
01:05:53 - 01:05:55: The first part of it, you do have right.
01:05:55 - 01:05:58: That so many people in the past have had these cars
01:05:58 - 01:06:01: and have owned them for years and let them go.
01:06:01 - 01:06:03: And then they suddenly just pop out of nowhere.
01:06:03 - 01:06:06: Race cars from the '60s and '70s
01:06:06 - 01:06:08: are a really good example of that.
01:06:08 - 01:06:09: Because they were raced a lot,
01:06:09 - 01:06:11: they had different engines thrown in them.
01:06:11 - 01:06:13: Because they were raced a lot, they were crashed.
01:06:13 - 01:06:16: So right up until as recently as the '90s,
01:06:16 - 01:06:19: there was no market for used race cars.
01:06:19 - 01:06:21: And then, you know, people were like,
01:06:21 - 01:06:25: "Well, hey, that's Steve McQueen's race car from Le Mans,
01:06:25 - 01:06:27: and it's got a camera mount still on it.
01:06:27 - 01:06:29: That's a pretty cool thing, maybe."
01:06:29 - 01:06:33: And suddenly these people started buying these race cars
01:06:33 - 01:06:35: that had been passed around for next to nothing.
01:06:35 - 01:06:37: And now they're worth, you know,
01:06:37 - 01:06:41: like that Steve McQueen 917 is a $30 million car.
01:06:41 - 01:06:45: Whereas, you know, maybe in the '80s and '90s,
01:06:45 - 01:06:48: you might be getting that for nine or ten grand, right?
01:06:48 - 01:06:49: Right. Oh, my God.
01:06:49 - 01:06:50: So there's stuff.
01:06:50 - 01:06:51: The market does change,
01:06:51 - 01:06:54: but it always tends to go towards
01:06:54 - 01:06:58: the low-number rare vehicles.
01:06:58 - 01:07:00: Was there ever like a limited edition,
01:07:00 - 01:07:02: like Eddie Bauer edition PT Cruiser type thing
01:07:02 - 01:07:04: that had a low...
01:07:04 - 01:07:06: [laughter]
01:07:06 - 01:07:08: You're going to keep going now.
01:07:08 - 01:07:11: Okay, we can try the PT Cruiser thing.
01:07:11 - 01:07:12: Do you?
01:07:12 - 01:07:15: [laughter]
01:07:15 - 01:07:17: Did you corner the market in PT Cruisers?
01:07:17 - 01:07:18: Do you need me?
01:07:18 - 01:07:19: I'll change what I have to say.
01:07:19 - 01:07:21: I suck my legs for collecting PT Cruisers.
01:07:21 - 01:07:22: I really thought this conversation
01:07:22 - 01:07:24: was going to go a different way.
01:07:24 - 01:07:26: One actual question I have, though.
01:07:26 - 01:07:29: I'm interested in like what holds value and stuff.
01:07:29 - 01:07:31: And I know a lot of people are into Porsches,
01:07:31 - 01:07:34: and objectively, it's a beautiful car.
01:07:34 - 01:07:36: And yeah, when I've hung out with my friend
01:07:36 - 01:07:38: as a 1969 911,
01:07:38 - 01:07:39: and I'm like, I get it.
01:07:39 - 01:07:40: Like we're driving around,
01:07:40 - 01:07:42: and also like the conversations people strike up.
01:07:42 - 01:07:45: I'm like, oh, this is kind of like a cool community.
01:07:45 - 01:07:46: Just like at Dunkin' Donuts,
01:07:46 - 01:07:47: there's always like somebody's like,
01:07:47 - 01:07:48: oh, what year is that?
01:07:48 - 01:07:50: And I'm like, okay, this is like a secret society
01:07:50 - 01:07:52: that you guys are a part of.
01:07:52 - 01:07:54: But one question that I have is,
01:07:54 - 01:07:56: does the focus of the community
01:07:56 - 01:07:59: still stay pretty like zoomed in
01:07:59 - 01:08:01: on like the 50s through the 70s?
01:08:01 - 01:08:03: Or is like now that we're 20 years out
01:08:03 - 01:08:05: from the year 2000,
01:08:05 - 01:08:06: are they starting to be like,
01:08:06 - 01:08:09: you know, a 2003 911,
01:08:09 - 01:08:11: like that's actually skyrocketing value?
01:08:11 - 01:08:13: Or does everybody still kind of keep focusing
01:08:13 - 01:08:15: similar to, you know,
01:08:15 - 01:08:18: Rolling Stone just dropped their top 500 albums
01:08:18 - 01:08:19: of all time.
01:08:19 - 01:08:21: The highest percentage was the 70s.
01:08:21 - 01:08:22: Even though, you know,
01:08:22 - 01:08:24: now we're 50 years out from the 70s.
01:08:24 - 01:08:26: There's, you know, like in music,
01:08:26 - 01:08:29: there's still is a disproportionately
01:08:29 - 01:08:31: huge focus on the 60s and 70s.
01:08:31 - 01:08:33: Is there a similar thing with the car community?
01:08:33 - 01:08:36: - Yeah, but getting back to the PT Cruiser.
01:08:36 - 01:08:37: - Yes.
01:08:37 - 01:08:38: - In 2006,
01:08:38 - 01:08:41: they announced that they had made a million,
01:08:41 - 01:08:43: a million, think of this.
01:08:43 - 01:08:44: There are a million PT Cruisers
01:08:44 - 01:08:46: out there in the world right now.
01:08:46 - 01:08:48: All right, which means any one of us this evening
01:08:48 - 01:08:51: can probably go get one for a few hundred dollars
01:08:51 - 01:08:53: because there are a million of them out there.
01:08:53 - 01:08:54: - What about if you could get one
01:08:54 - 01:08:56: in truly mint condition?
01:08:56 - 01:08:58: That this has zero miles on it?
01:08:58 - 01:08:59: - Yeah, but it doesn't matter.
01:08:59 - 01:09:01: - That wouldn't matter to a collector?
01:09:01 - 01:09:02: That wouldn't matter to you?
01:09:02 - 01:09:03: If I told you right now,
01:09:03 - 01:09:05: I had it at $1598. - Yes, it would.
01:09:05 - 01:09:06: - It had zero miles on it.
01:09:06 - 01:09:09: - Yeah, but you're talking about a premium of what?
01:09:09 - 01:09:11: Maybe 10% above what they're worth?
01:09:11 - 01:09:12: So yeah, okay, instead of 700,
01:09:12 - 01:09:14: I'm going to give you 1,200 for it.
01:09:14 - 01:09:16: It just doesn't have value
01:09:16 - 01:09:17: because there's no market for it.
01:09:17 - 01:09:18: But getting back to your question,
01:09:18 - 01:09:21: after that, there are a couple of things
01:09:21 - 01:09:22: that I've noticed.
01:09:22 - 01:09:23: These are just my observations.
01:09:23 - 01:09:26: One, when you were in high school,
01:09:26 - 01:09:28: the car that you may have had on your wall
01:09:28 - 01:09:30: or the wallpaper on your computer
01:09:30 - 01:09:31: is generally the one that later on,
01:09:31 - 01:09:34: when you're successful in your 30s and you have money,
01:09:34 - 01:09:35: that's the car you buy.
01:09:35 - 01:09:39: So right now, it was 60s and 70s cars,
01:09:39 - 01:09:43: but I'm noticing lots of 80s cars and 90s cars
01:09:43 - 01:09:45: are doing really well in the market
01:09:45 - 01:09:48: because that group of guys and girls
01:09:48 - 01:09:50: now have a little money to spend.
01:09:50 - 01:09:51: Maybe they're settled in their family
01:09:51 - 01:09:53: and they want something cool.
01:09:53 - 01:09:55: And it's the thing they looked at
01:09:55 - 01:09:56: when they were 12 on the road
01:09:56 - 01:09:58: that they go, "Oh, now I want to have that."
01:09:58 - 01:10:00: And then there's, you know,
01:10:00 - 01:10:03: you see these old Bentleys and things,
01:10:03 - 01:10:06: the Rolls Royces that, I don't know,
01:10:06 - 01:10:07: they never really appealed to me,
01:10:07 - 01:10:09: but I find as I'm getting older,
01:10:09 - 01:10:11: I really liked brand new cars
01:10:11 - 01:10:13: and then suddenly I was looking at the 80s
01:10:13 - 01:10:15: and then suddenly the 70s and the 60s
01:10:15 - 01:10:18: and now I'm really interested in the 50s.
01:10:18 - 01:10:19: I keep suddenly going back.
01:10:19 - 01:10:21: - Ah, you go further and further.
01:10:21 - 01:10:25: - Yeah, and smaller and smaller and more mechanical.
01:10:25 - 01:10:27: No computers, no power, anything.
01:10:27 - 01:10:28: I really like that experience
01:10:28 - 01:10:30: more than anything else right now.
01:10:30 - 01:10:32: So that also, I've noticed,
01:10:32 - 01:10:34: happens with Friends of Mine.
01:10:34 - 01:10:35: - Is there a thing like with watches
01:10:35 - 01:10:37: where people want to get something
01:10:37 - 01:10:39: from the year they were born?
01:10:39 - 01:10:42: - Yes, that's very big in the car world
01:10:42 - 01:10:43: and the watch world.
01:10:43 - 01:10:44: It doesn't work.
01:10:44 - 01:10:45: It doesn't do anything.
01:10:45 - 01:10:47: It will not enhance your enjoyment.
01:10:47 - 01:10:49: It's a trap that we get.
01:10:49 - 01:10:51: We think I've done it
01:10:51 - 01:10:55: and I have a car right now that is '82
01:10:55 - 01:10:56: that I didn't buy
01:10:56 - 01:10:58: because it's the year I graduated high school,
01:10:58 - 01:11:01: but when it was offered to me,
01:11:01 - 01:11:02: I went, "Oh, absolutely.
01:11:02 - 01:11:04: "I've got to get it for that reason."
01:11:04 - 01:11:08: It does not figure into my driving pleasure in any way.
01:11:08 - 01:11:12: It's the car, the preservation example,
01:11:12 - 01:11:14: the way it drives is all that matters.
01:11:14 - 01:11:16: It's a very funny little trap
01:11:16 - 01:11:18: and it's a very funny question.
01:11:18 - 01:11:19: It does not work.
01:11:19 - 01:11:22: Here's what does work in the watch community.
01:11:22 - 01:11:23: I just find with people,
01:11:23 - 01:11:27: buying something to commemorate a moment in your life
01:11:27 - 01:11:30: or giving a gift to someone you care about
01:11:30 - 01:11:32: in a big moment in their life,
01:11:32 - 01:11:36: that I find enriches the ownership experience.
01:11:36 - 01:11:38: Your son's graduating high school
01:11:38 - 01:11:40: and you give him something he can appreciate.
01:11:40 - 01:11:43: He will remember that when he looks at that watch.
01:11:43 - 01:11:44: - You mean give him a watch
01:11:44 - 01:11:45: from the year he was born
01:11:45 - 01:11:48: or just give him a watch for a new watch or whatever,
01:11:48 - 01:11:49: just that it commemorates that moment.
01:11:49 - 01:11:52: - My personal experience with my watch collection
01:11:52 - 01:11:54: is the stuff in my collection,
01:11:54 - 01:11:56: I can look at it and tell you exactly what was going on
01:11:56 - 01:11:58: and why I have that watch.
01:11:58 - 01:12:02: It was never just like, "Oh, I want a shiny thing."
01:12:02 - 01:12:06: It was like, "Here's the first year of Seinfeld
01:12:06 - 01:12:10: "and I want to commemorate not getting fired."
01:12:10 - 01:12:13: So I bought that Tag Heuer watch.
01:12:13 - 01:12:15: And I remember it when I wear it.
01:12:15 - 01:12:18: I'm like, "Oh, I know what that watch means."
01:12:18 - 01:12:21: That's a good thing to do.
01:12:21 - 01:12:22: - It seems like cars and watches,
01:12:22 - 01:12:25: there's a huge overlap in terms of interest.
01:12:25 - 01:12:28: I can imagine for a variety of reasons,
01:12:28 - 01:12:31: you can get into the technical side if you wanted to,
01:12:31 - 01:12:35: the mechanics, just the design element, the history.
01:12:35 - 01:12:37: It makes sense that people would be interested
01:12:37 - 01:12:38: in both of them.
01:12:38 - 01:12:40: Do you find that it's like almost everybody
01:12:40 - 01:12:42: who's into one is into the other
01:12:42 - 01:12:46: or do you ever find, "I'm a watch guy
01:12:46 - 01:12:49: "and I look down on car guys," or vice versa?
01:12:49 - 01:12:50: - That's hilarious.
01:12:50 - 01:12:52: No, watch guys and car guys,
01:12:52 - 01:12:55: they're very closely related in their stupidity
01:12:55 - 01:12:57: and their addiction to these things.
01:12:57 - 01:12:59: Very closely related.
01:12:59 - 01:13:02: - Once somebody told me that they were like
01:13:02 - 01:13:05: a classic path for a guy, gets into cars
01:13:05 - 01:13:07: and then gets into watches
01:13:07 - 01:13:10: and then finally gets into guns.
01:13:10 - 01:13:12: And I was like, "Whoa, really?"
01:13:12 - 01:13:15: And he's like, "Yeah, but you know."
01:13:15 - 01:13:16: - Not in some creepy way,
01:13:16 - 01:13:18: they're just in that sense of being interested
01:13:18 - 01:13:21: in the mechanics of objects and the history
01:13:21 - 01:13:22: and the collectible nature.
01:13:22 - 01:13:24: Is that true?
01:13:24 - 01:13:25: - No, I don't see that.
01:13:25 - 01:13:26: - No.
01:13:26 - 01:13:27: (laughing)
01:13:27 - 01:13:30: - I see cars, there's kind of an Esquire,
01:13:30 - 01:13:34: kind of a European James Bond-y gentleman
01:13:34 - 01:13:36: kind of aspect to it.
01:13:36 - 01:13:39: I'll tell you what, cigars, I would put in that category.
01:13:39 - 01:13:40: - Right.
01:13:40 - 01:13:44: - Bourbons, specific alcohols,
01:13:44 - 01:13:46: they're all kind of in that world.
01:13:46 - 01:13:48: - And maybe guitars, if you like music.
01:13:48 - 01:13:49: - Oh, definitely.
01:13:49 - 01:13:52: I mean, I try and I've just broken my own rule,
01:13:52 - 01:13:56: but I try to avoid guitars and motorcycles
01:13:56 - 01:13:57: 'cause I'll go down a similar road
01:13:57 - 01:13:59: and suddenly I'll end up having 10 guitars.
01:13:59 - 01:14:02: Now, I'm saying that to you as I now have five guitars
01:14:02 - 01:14:04: in my house all of a sudden
01:14:04 - 01:14:06: 'cause my 10-year-old just started taking lessons
01:14:06 - 01:14:09: and that started me up playing again
01:14:09 - 01:14:10: and then I called up Taylor and I said,
01:14:10 - 01:14:14: "Hey, send me one of those 717E Builder Editions acoustics.
01:14:14 - 01:14:16: "I want a real acoustic guitar."
01:14:16 - 01:14:18: 'Cause I've been playing my same guitar
01:14:18 - 01:14:20: I've been playing since I was 12 years old,
01:14:20 - 01:14:25: which was a Lark that I think my parents paid $28 for.
01:14:25 - 01:14:28: So I went from that old guitar to this one.
01:14:28 - 01:14:29: I'm like, "Oh my God, this is great."
01:14:29 - 01:14:30: And they go, "You know what?
01:14:30 - 01:14:31: "Let's go get the Telecasters
01:14:31 - 01:14:33: "and the Stratocasters out of storage."
01:14:33 - 01:14:37: And so now every room just got guitars and stands on it
01:14:37 - 01:14:38: and I've lost my mind.
01:14:38 - 01:14:41: I have to stop myself from asking you, "What's next?"
01:14:41 - 01:14:43: What do I get next?
01:14:43 - 01:14:44: - Art.
01:14:44 - 01:14:45: - What is it?
01:14:45 - 01:14:46: - Oh, art.
01:14:46 - 01:14:48: - No, I mean, what kind of guitar?
01:14:48 - 01:14:49: - No, do you collect?
01:14:49 - 01:14:51: No, I mean, what's next is collecting art.
01:14:51 - 01:14:53: - Yeah, no, that's it.
01:14:53 - 01:14:54: - Oh, that's nice to know.
01:14:54 - 01:14:56: - No, and also, clearly I have a contrarian streak.
01:14:56 - 01:15:00: I like PT Cruisers and for guitars,
01:15:00 - 01:15:03: probably like the guitar, I own very few guitars.
01:15:03 - 01:15:06: I mean, you know, like I played an Epiphone Sheridan
01:15:06 - 01:15:08: on stage a lot, I like Strats,
01:15:08 - 01:15:12: but I really love Silvertones and that was a cheap guitar.
01:15:12 - 01:15:15: But I really think that the Silvertones made by Sears,
01:15:15 - 01:15:18: Silvertone amps, Silvertone guitars from the late '60s.
01:15:18 - 01:15:19: - That's cool.
01:15:19 - 01:15:21: - I like how they look and I like how they sound,
01:15:21 - 01:15:23: but yeah, but guitars are,
01:15:23 - 01:15:25: yeah, it is kind of different than cars.
01:15:25 - 01:15:27: The experience of playing a guitar,
01:15:27 - 01:15:30: it can be so idiosyncratic versus like driving a car
01:15:30 - 01:15:33: where your life is in the hands of the machine.
01:15:33 - 01:15:36: You want something that's like really technically well-built.
01:15:36 - 01:15:37: Sometimes with the guitar,
01:15:37 - 01:15:39: you want something (beep) up and weird sounding.
01:15:39 - 01:15:41: I don't know if that's true with cars.
01:15:41 - 01:15:43: - This is exactly, your guitars are exactly the same.
01:15:43 - 01:15:45: It's what I call crow behavior.
01:15:45 - 01:15:47: You know how the crow sees the shiny thing
01:15:47 - 01:15:50: and every day it brings the shiny thing back to the nest?
01:15:50 - 01:15:52: That's what collecting is, really.
01:15:52 - 01:15:55: You know, you get the thing, you enjoy it,
01:15:55 - 01:15:57: the novelty wears off and you're like,
01:15:57 - 01:15:58: "Where's the next one?"
01:15:58 - 01:16:00: And you know, I could do that with guitars.
01:16:00 - 01:16:02: I could do it with motorcycles.
01:16:02 - 01:16:03: I've done it with cars.
01:16:03 - 01:16:06: Watches is way out of control for people.
01:16:06 - 01:16:08: You should see what people are doing with watches.
01:16:08 - 01:16:11: They're just acquiring and you know, you really have to,
01:16:11 - 01:16:15: and this is really where Spikes Car Radio is at its best.
01:16:15 - 01:16:19: It's discussing this thing we do
01:16:19 - 01:16:21: and the ups and downs of it
01:16:21 - 01:16:22: and the traps and everything else.
01:16:22 - 01:16:24: That's what we really, you know,
01:16:24 - 01:16:27: Gary comes on and I'm with Paul, my co-host.
01:16:27 - 01:16:31: We like to talk about situations like the lose-win,
01:16:31 - 01:16:33: when you're overheated about a car
01:16:33 - 01:16:35: and you don't win the bid
01:16:35 - 01:16:37: and the relief you feel
01:16:37 - 01:16:39: and the loss you feel at the same time.
01:16:39 - 01:16:41: Like, "Oh, I lost that thing I really wanted,
01:16:41 - 01:16:45: but it's a win because I didn't spend the money."
01:16:45 - 01:16:46: And then three days later, you're like,
01:16:46 - 01:16:48: "Why was I even thinking about that?"
01:16:48 - 01:16:49: Right?
01:16:49 - 01:16:51: Or we have this thing called Carnesia
01:16:51 - 01:16:53: where you get into a car
01:16:53 - 01:16:56: you haven't driven for six months
01:16:56 - 01:16:58: and you're like, "Oh my God, this thing is great.
01:16:58 - 01:17:00: Why have I not been driving this?"
01:17:00 - 01:17:01: Right?
01:17:01 - 01:17:04: That's, you know, the fun of collecting
01:17:04 - 01:17:07: is the psychology and the weirdness of it.
01:17:07 - 01:17:09: And I think guitars are exactly the same.
01:17:09 - 01:17:10: Everything you just said about your guitars
01:17:10 - 01:17:11: and the reasons why you love them
01:17:11 - 01:17:13: is exactly what I've heard
01:17:13 - 01:17:15: with people talking about their cars,
01:17:15 - 01:17:16: whatever they might be.
01:17:16 - 01:17:18: Spike, I don't want to interrupt the flow here,
01:17:18 - 01:17:21: but can I ask a question that's off topic a little bit?
01:17:21 - 01:17:23: As long as it's about Jeffrey Toobin.
01:17:23 - 01:17:25: It's...
01:17:25 - 01:17:29: I mean, unless he has a cameo for the B-movie sequel,
01:17:29 - 01:17:31: I just wanted to know what's happening with the...
01:17:31 - 01:17:32: That's funny.
01:17:32 - 01:17:33: What's happening with the B-quel?
01:17:33 - 01:17:34: The B-quel?
01:17:34 - 01:17:36: Did you think there was a B-quel?
01:17:36 - 01:17:39: Well, I know that Jerry tweeted, you know,
01:17:39 - 01:17:42: a bit of like a teasing thing a couple of years ago,
01:17:42 - 01:17:44: "Should I do a B-movie too?"
01:17:44 - 01:17:45: And people got very excited
01:17:45 - 01:17:49: because the B-movie has taken on a new cultural significance.
01:17:49 - 01:17:51: Can you tell me what that is?
01:17:51 - 01:17:55: Because we're just not understanding it.
01:17:55 - 01:17:57: I think it's reached a new generation.
01:17:57 - 01:17:59: Maybe there's some nostalgia built in.
01:17:59 - 01:18:01: It's been filtered through the prism of the internet.
01:18:01 - 01:18:02: I just want to know,
01:18:02 - 01:18:04: has there ever been any earnest conversation
01:18:04 - 01:18:07: about actually following up that film?
01:18:07 - 01:18:11: There has, but it's mostly been fun and joking around.
01:18:11 - 01:18:14: So in 2016, I think, is the year you're talking about.
01:18:14 - 01:18:16: And if I'm wrong, forgive me.
01:18:16 - 01:18:18: But in 2016, I believe, for some reason,
01:18:18 - 01:18:21: B-movie, which came out in 2006,
01:18:21 - 01:18:25: in 2016, B-movie was the biggest movie on social media.
01:18:25 - 01:18:27: And it was because kids and teenagers
01:18:27 - 01:18:30: were putting the entire script on their social media,
01:18:30 - 01:18:32: on T-shirts, and, you know,
01:18:32 - 01:18:34: we're just sitting here watching this thing going,
01:18:34 - 01:18:37: "Are they making fun of us? Do they love it?"
01:18:37 - 01:18:39: We still don't understand what it was
01:18:39 - 01:18:42: and why it was happening.
01:18:42 - 01:18:43: But I said to Jerry, I go,
01:18:43 - 01:18:45: "Look, let's just have some fun with it."
01:18:45 - 01:18:47: He go, "Are we going to do one?"
01:18:47 - 01:18:48: I go, "No, we're not going to do one.
01:18:48 - 01:18:50: We already did it. We did one."
01:18:50 - 01:18:52: He goes, "I don't want to go through that again."
01:18:52 - 01:18:54: And I said, "All right, here's what I want you to do.
01:18:54 - 01:18:56: I'm going to have a B-movie 2 script printed up,
01:18:56 - 01:18:58: just something that says 'B-movie 2,
01:18:58 - 01:19:01: do not distribute some stuff on it.
01:19:01 - 01:19:03: I just want to arrange for you to come out of your apartment building,
01:19:03 - 01:19:05: and I'll have a paparazzi there,
01:19:05 - 01:19:08: and just kind of incidentally shoot the script in your head."
01:19:08 - 01:19:09: Oh, my God.
01:19:09 - 01:19:11: So it'll be small, but people will be able to see it,
01:19:11 - 01:19:13: and they'll go, "Geez, that's this B-movie 2.
01:19:13 - 01:19:14: They are doing it."
01:19:14 - 01:19:19: We've talked about lots of like pranky things like that very seriously,
01:19:19 - 01:19:21: as recently as yesterday,
01:19:21 - 01:19:25: as I was doing an interview with a Yahoo Entertainment reporter two days ago,
01:19:25 - 01:19:28: and he asked the same exact question.
01:19:28 - 01:19:31: "Do you ever talk to the B-movie writers about doing something?"
01:19:31 - 01:19:33: And we did talk about briefly--
01:19:33 - 01:19:36: and again, this is just like you and us talking right here.
01:19:36 - 01:19:38: We did get together and just chat about the idea
01:19:38 - 01:19:43: of some sort of eight-episode arc on a Netflix or something like that,
01:19:43 - 01:19:49: and just had a lot more fun with some of the ideas that we generated that we didn't do.
01:19:49 - 01:19:53: But again, it was just talk, just fun, right?
01:19:53 - 01:19:59: We were not, and I don't believe, are seriously pursuing it.
01:19:59 - 01:20:01: The fact that it comes up so often, you know.
01:20:01 - 01:20:05: Here's the reason we want to do it, so we can write Jeff Bezos.
01:20:05 - 01:20:07: [laughter]
01:20:07 - 01:20:11: We were dying to have a character Jeff Bezos.
01:20:11 - 01:20:14: If that continues to entertain us, maybe.
01:20:14 - 01:20:17: But I don't know, is DreamWorks Animation still even in business?
01:20:17 - 01:20:19: Nobody even knows who owns it.
01:20:19 - 01:20:21: We don't even know how to even approach anything like this.
01:20:21 - 01:20:23: Go straight to Amazon.
01:20:23 - 01:20:24: That's right.
01:20:24 - 01:20:26: Who owns the rights to B-movie?
01:20:26 - 01:20:28: Oh, who owns the rights to B-movie?
01:20:28 - 01:20:29: Who owns them?
01:20:29 - 01:20:31: Is DreamWorks Animation still in business?
01:20:31 - 01:20:32: It's a mess.
01:20:32 - 01:20:34: [laughter]
01:20:34 - 01:20:36: All right, we'll do some research and get--
01:20:36 - 01:20:38: We'll try to make this happen. Why not?
01:20:38 - 01:20:41: Come back to me with your thoughts, and we'll talk.
01:20:41 - 01:20:44: Well, thanks so much, Spike. We hope you'll come back again.
01:20:44 - 01:20:45: We covered a lot of ground.
01:20:45 - 01:20:48: And I don't know, it sounds like for your podcast,
01:20:48 - 01:20:51: you probably wouldn't do a PT Cruiser episode.
01:20:51 - 01:20:54: But if you-- I don't know if you're already into it, but--
01:20:54 - 01:20:55: [laughter]
01:20:55 - 01:20:57: If you do, we'd be happy.
01:20:57 - 01:21:00: And we'll really research, and we'll come correct.
01:21:00 - 01:21:02: Yeah, that would be good.
01:21:02 - 01:21:04: No, I would be happy to do that.
01:21:04 - 01:21:08: The show is mostly the intersection of entertainment and cars.
01:21:08 - 01:21:12: And sometimes it's just comedians coming on and promoting their specials.
01:21:12 - 01:21:16: And we're out there every Wednesday with a new show.
01:21:16 - 01:21:19: We had Jerry on last week, and this fella who's got a new book,
01:21:19 - 01:21:22: A Man and His Cars, on today's show.
01:21:22 - 01:21:25: But we've had Jason Bateman, Matt Damon come on,
01:21:25 - 01:21:28: lots of big stars, and then lots of folks you don't know
01:21:28 - 01:21:30: who we just think are great.
01:21:30 - 01:21:32: Well, everybody check it out.
01:21:32 - 01:21:35: And even though the Esquire network's been canceled,
01:21:35 - 01:21:40: check out the pre-season car matchmaker, which you can still stream.
01:21:40 - 01:21:42: Yeah, it's still there.
01:21:42 - 01:21:45: Well, great talking to you, Spike. Thanks so much for coming on.
01:21:45 - 01:21:46: Very nice to meet you guys.
01:21:46 - 01:21:48: Yeah, nice to meet you too. Have a good one.
01:21:48 - 01:21:50: All right, take care now.
01:21:50 - 01:21:51: Let's get into the top five.
01:21:52 - 01:21:58: It's time for the top five on iTunes.
01:21:58 - 01:22:01: This week on the top five, we're going to be comparing
01:22:01 - 01:22:04: the top five songs on Apple Music right now
01:22:04 - 01:22:08: with the top five Billboard hits of 1995.
01:22:08 - 01:22:10: Why 1995, Jake?
01:22:10 - 01:22:12: I was hoping Seinfeld could jump in here.
01:22:12 - 01:22:14: Oh, yeah, Seinfeld. Maybe this one's better for you.
01:22:14 - 01:22:18: Wasn't this the year that the Soup Nazi episode of Seinfeld debuted?
01:22:18 - 01:22:20: Yes, and actually very close to--
01:22:20 - 01:22:22: it's almost exactly 25 years ago.
01:22:22 - 01:22:26: That was November 2, 1995.
01:22:26 - 01:22:30: You know what's also wild is I graduated high school in '95.
01:22:30 - 01:22:33: Was there a big Seinfeld head at that era, Jake?
01:22:33 - 01:22:36: I wouldn't say it was a head. I was definitely a fan.
01:22:36 - 01:22:39: But I still have not seen every episode.
01:22:39 - 01:22:42: What the f***?
01:22:42 - 01:22:44: Is there going to be a problem?
01:22:44 - 01:22:45: No, I mean, it's cool.
01:22:45 - 01:22:46: Is there going to be a problem?
01:22:46 - 01:22:49: No, I mean, it's all on DVD. It's coming to Netflix next year.
01:22:49 - 01:22:53: Seinfeld just cannot control himself.
01:22:53 - 01:22:58: I would watch Seinfeld episodes on rerun after Yankees games.
01:22:58 - 01:23:01: WPIX at like 11.
01:23:01 - 01:23:06: I wouldn't watch when they were airing Thursdays at 8 or whatever.
01:23:06 - 01:23:09: I saw most of them in the late night ones.
01:23:09 - 01:23:14: I almost envy you because you still have unseen episodes.
01:23:14 - 01:23:16: I wish I was in that position.
01:23:16 - 01:23:17: I mean, definitely a fan.
01:23:17 - 01:23:24: It definitely was the only sitcom that I thought had any sort of voice or vision or anything.
01:23:24 - 01:23:26: It changed the game.
01:23:26 - 01:23:27: It changed the game, exactly.
01:23:27 - 01:23:30: Influential television program.
01:23:30 - 01:23:34: The number five song, Michael Jackson, "You Are Not Alone."
01:23:34 - 01:23:40: I remember this song well.
01:23:40 - 01:23:43: I can't believe 1995 was 25 years ago.
01:23:43 - 01:23:45: I know.
01:23:45 - 01:23:48: You know what? I was 25 years ago in October.
01:23:48 - 01:23:50: I saw Fish.
01:23:50 - 01:23:51: Oh, really?
01:23:51 - 01:23:54: At the Rose Garden in Portland, Oregon.
01:23:54 - 01:23:56: Fall of my freshman year.
01:23:56 - 01:23:57: Oh, this is a good song.
01:23:57 - 01:23:59: Yeah, this is a classic.
01:23:59 - 01:24:04: This song is produced by R. Kelly and written by R. Kelly and Michael Jackson.
01:24:04 - 01:24:07: So you saw it 25 years ago.
01:24:07 - 01:24:09: Yeah, I went to a Fish show 25 years ago.
01:24:09 - 01:24:11: It's the only Fish show I've ever seen.
01:24:11 - 01:24:20: And I went with my mom's college friend who was a college professor in Portland at a different school than I went to.
01:24:20 - 01:24:25: It was like she and her daughter, who were a few years older than me, they were like huge fish heads.
01:24:25 - 01:24:27: Wait, was it at the Memorial Coliseum?
01:24:27 - 01:24:29: Oh, maybe that's where it was.
01:24:29 - 01:24:30: I thought it was the Rose Garden.
01:24:30 - 01:24:31: Wherever.
01:24:31 - 01:24:36: Do you think it was Thursday, October 5th?
01:24:36 - 01:24:37: Yeah, that sounds about right.
01:24:37 - 01:24:39: I mean, definitely October.
01:24:39 - 01:24:40: I'm looking at the set list.
01:24:40 - 01:24:42: Shock, dust, torture opener.
01:24:42 - 01:24:44: A lot of classic stuff.
01:24:44 - 01:24:47: I do remember they played "While My Guitar Gently Weeps."
01:24:47 - 01:24:49: Yes, that was the encore.
01:24:49 - 01:24:50: They closed it out.
01:24:50 - 01:24:51: I remember that.
01:24:51 - 01:24:52: You stayed through the whole show.
01:24:52 - 01:25:02: Yeah, and my mom's college friend and her daughter were like, they're like classic Portland hippies, like '90s Portland hippies with tie-dye dresses.
01:25:02 - 01:25:03: They were just like twirling.
01:25:03 - 01:25:05: I was a little more uptight then.
01:25:05 - 01:25:07: Were they people passing you joints?
01:25:07 - 01:25:08: Probably.
01:25:08 - 01:25:09: I don't think I partook.
01:25:09 - 01:25:13: But I remember, here's the thing.
01:25:13 - 01:25:15: I remember I loved the dead.
01:25:15 - 01:25:21: And I remember, of course, and I remember asking Martha, my mom's friend, like, yeah, this is cool.
01:25:21 - 01:25:22: Do you like the dead?
01:25:22 - 01:25:25: She's like, oh, man, the dead were political, man.
01:25:25 - 01:25:30: She's like, I didn't like the dead back in the '60s.
01:25:30 - 01:25:31: The dead were political.
01:25:31 - 01:25:32: Interesting.
01:25:32 - 01:25:33: And I was like, what do you mean?
01:25:33 - 01:25:36: She's like, no, the stones were political, man.
01:25:36 - 01:25:37: Let it flee.
01:25:37 - 01:25:40: Jerry was famously kind of like, listen, do your own thing.
01:25:40 - 01:25:42: We're not here to judge.
01:25:42 - 01:25:43: Yeah.
01:25:43 - 01:25:49: I love that we've just had like a three-minute conversation about Jake's first and only fish show just over.
01:25:49 - 01:25:51: You are not alone.
01:25:51 - 01:25:53: That is a good song, by the way.
01:25:53 - 01:25:54: It is a good song.
01:25:54 - 01:25:58: When you find out R. Kelly wrote it, it makes a lot of sense.
01:25:58 - 01:25:59: It sounds like an R. Kelly song.
01:25:59 - 01:26:04: But I'm speaking as somebody who's-- I've seen one fish show and one Tray Anastasio band show.
01:26:04 - 01:26:11: But I think next time, when COVID's over and people are back on the road, we should all go to a fish show together.
01:26:11 - 01:26:12: It's a very fun show.
01:26:12 - 01:26:13: Oh, yeah.
01:26:13 - 01:26:14: No, dude, we roll.
01:26:14 - 01:26:16: We get the Richard Pictures guys to go.
01:26:16 - 01:26:17: Oh, yeah.
01:26:17 - 01:26:18: We get the Vampire guys to go.
01:26:18 - 01:26:19: We get CT in the mix.
01:26:19 - 01:26:20: Oh, yeah.
01:26:20 - 01:26:21: That's a fun night.
01:26:21 - 01:26:22: Let's roll deep.
01:26:22 - 01:26:23: We're at a party bus.
01:26:23 - 01:26:24: I'm in.
01:26:24 - 01:26:25: Oh, hell yeah, dude.
01:26:25 - 01:26:27: Apple's paying for it, right?
01:26:27 - 01:26:29: Apple will not pay.
01:26:29 - 01:26:33: Like, legally speaking, Apple cannot pay for shrooms in the lot.
01:26:33 - 01:26:37: However, Apple can purchase you items to trade.
01:26:37 - 01:26:42: And if you choose to trade them for shrooms in the lot, that's technically your call.
01:26:42 - 01:26:45: The number five song right now is called "Mr. Right Now."
01:26:45 - 01:26:47: Whoa.
01:26:47 - 01:26:48: Trippy.
01:26:48 - 01:26:52: It's 21 Savage and Metro Boomin, "Mr. Right Now" featuring Drake.
01:26:52 - 01:26:53: Let's check it out.
01:26:53 - 01:26:54: [MUSIC - 21 SAVAGE, "MR. RIGHT NOW"]
01:26:54 - 01:26:55: Whoa.
01:26:55 - 01:26:56: This is, like, beautiful.
01:26:56 - 01:26:57: I actually haven't heard this.
01:26:57 - 01:27:06: I've heard about this mixtape because I know Morgan Freeman narrates the mixtape.
01:27:06 - 01:27:07: Oh, really?
01:27:07 - 01:27:08: Yeah.
01:27:08 - 01:27:09: [MUSIC - 21 SAVAGE, "MR.
01:27:09 - 01:27:10: RIGHT NOW"]
01:27:10 - 01:27:11: Oh, yeah.
01:27:11 - 01:27:17: I've heard about this mixtape because I know Morgan Freeman narrates the mixtape.
01:27:17 - 01:27:18: Oh, really?
01:27:18 - 01:27:19: Yeah.
01:27:19 - 01:27:20: [MUSIC - 21 SAVAGE, "MR.
01:27:20 - 01:27:21: RIGHT NOW"]
01:27:21 - 01:27:27: I love 21 Savage.
01:27:27 - 01:27:36: He really is, like, one of my favorite current popular rappers.
01:27:36 - 01:27:38: I just love his delivery.
01:27:38 - 01:27:39: [MUSIC - 21 SAVAGE, "MR.
01:27:39 - 01:27:40: RIGHT NOW"]
01:27:40 - 01:27:49: What did he say about quarantine?
01:27:49 - 01:27:53: This might be the first song on the top five we've heard that directly references quarantine.
01:27:53 - 01:27:56: We're in quarantine.
01:27:56 - 01:27:57: On God.
01:27:57 - 01:27:58: But my Ms are long.
01:27:58 - 01:27:59: On God.
01:27:59 - 01:28:00: What does he mean by Ms?
01:28:00 - 01:28:01: Money?
01:28:01 - 01:28:02: Millions?
01:28:02 - 01:28:06: When this song was released, the world was in the midst of the coronavirus pandemic.
01:28:06 - 01:28:07: Fascinating.
01:28:07 - 01:28:12: Well, they're-- you know, I guess on Genius, they're creating it for posterity.
01:28:12 - 01:28:14: They don't want to have to revise it.
01:28:14 - 01:28:18: This negatively affected the financial situation of millions of Americans.
01:28:18 - 01:28:21: Singers like Savage were forced to postpone or cancel their concerts.
01:28:21 - 01:28:26: However, Savage indicates that these restrictions did not limit or stop his inflow of wealth.
01:28:26 - 01:28:31: As of this song's release, Savage's net worth is approximated at over $12 million and still
01:28:31 - 01:28:32: growing.
01:28:32 - 01:28:33: OK.
01:28:33 - 01:28:34: I understand.
01:28:34 - 01:28:37: He's saying it's a quarantine, but don't get it twisted.
01:28:37 - 01:28:38: I'm still rich.
01:28:38 - 01:28:40: Well, guess what, 21 Savage?
01:28:40 - 01:28:45: I read that this COVID pandemic created the greatest wealth transfer in history.
01:28:45 - 01:28:48: So you're in good company with many other rich people.
01:28:48 - 01:28:49: Nothing to be proud of.
01:28:49 - 01:28:50: Whoa.
01:28:50 - 01:28:51: Shots fired.
01:28:51 - 01:28:56: Getting more rich during a pandemic is nothing to be proud of.
01:28:56 - 01:28:59: I'm just going to throw that out there.
01:28:59 - 01:29:01: He's a savvy investor.
01:29:01 - 01:29:05: Look, that's just how Genius.com interpreted it.
01:29:05 - 01:29:10: He could also be like-- maybe he's saying-- well, because the line before is, "Got a pretty
01:29:10 - 01:29:15: girl that I'm feeling on. We in quarantine, but my M's long."
01:29:15 - 01:29:20: Maybe he's saying that he recently met a pretty girl and he wants to have her over to hang
01:29:20 - 01:29:23: out and we're in quarantine.
01:29:23 - 01:29:30: But given his wealth, which he acquired before the pandemic, he can afford rapid testing.
01:29:30 - 01:29:36: He could maybe even send a private jet so that this girl doesn't have to fly commercial
01:29:36 - 01:29:37: and be stressed out.
01:29:37 - 01:29:43: What was the futuristic treatment that Trump had that made him miraculously bounce back?
01:29:43 - 01:29:44: Regeneron.
01:29:44 - 01:29:46: He's flooded with Regeneron.
01:29:46 - 01:29:51: Right, because Regeneron is one of the best treatments, but apparently from what I've
01:29:51 - 01:29:55: heard, it's never going to be available to most people because it's incredibly expensive
01:29:55 - 01:29:57: and difficult to make.
01:29:57 - 01:29:58: Actually, that would rhyme.
01:29:58 - 01:29:59: It's experimental.
01:29:59 - 01:30:04: "Fridge full of Regeneron" is a great line.
01:30:04 - 01:30:05: That would even work here.
01:30:05 - 01:30:10: "Got a pretty girl that I'm feeling on. We in quarantine, but I got Regeneron."
01:30:10 - 01:30:15: He has a second fridge full of Regeneron.
01:30:15 - 01:30:17: The ultimate status symbol.
01:30:17 - 01:30:19: It's actually a third fridge.
01:30:19 - 01:30:22: "I got a third fridge full of Regeneron."
01:30:22 - 01:30:27: "I got a chest freezer full of Regeneron."
01:30:27 - 01:30:30: Regeneron is so RoboCop.
01:30:30 - 01:30:36: Yes. It's like unobtainium, that avatar chemical.
01:30:36 - 01:30:39: Wait, is it really called unobtainium?
01:30:39 - 01:30:42: Yes. The Regeneron Corporation.
01:30:42 - 01:30:45: Yeah, it's just like a movie made in 1989.
01:30:45 - 01:30:51: Ladies and gentlemen, welcome to the 2011 Conference of Robotics.
01:30:51 - 01:30:54: We are here to...
01:30:54 - 01:30:57: Ladies and gentlemen, the year is 2014.
01:30:57 - 01:31:00: Thank you for coming to meet on the moon.
01:31:00 - 01:31:04: [LAUGHTER]
01:31:04 - 01:31:06: It's always funny when you look back on those movies.
01:31:06 - 01:31:08: It's never even that far in the future.
01:31:08 - 01:31:11: They're always like, they're very sure of themselves just to be like,
01:31:11 - 01:31:14: "Yeah, 30 years, sure."
01:31:14 - 01:31:17: But I don't know if maybe a lot of people do,
01:31:17 - 01:31:20: but 21 Savage seems to talk about Ms a lot
01:31:20 - 01:31:24: because he had a great song called "Bank Account."
01:31:24 - 01:31:26: It was a really big hit a few years ago.
01:31:26 - 01:31:31: Where he went, "I got one, two, three, four, five, six, seven, eight Ms in my bank account."
01:31:31 - 01:31:36: And then he goes, "I got one, two, three, four, five, six, seven, eight shooters ready to gun you down."
01:31:36 - 01:31:43: Do we ever try to do a rap song that was about listing how many fridges you have?
01:31:43 - 01:31:45: [LAUGHTER]
01:31:45 - 01:31:47: Maybe that's a better idea to throw out there and not even try to do it.
01:31:47 - 01:31:54: But it's like, "I got one, two, three, four, five, six, seven, eight fridges in my garage."
01:31:54 - 01:31:56: Fridges in my residence.
01:31:56 - 01:31:58: In my residence.
01:31:58 - 01:32:00: I got fridges in my residence.
01:32:00 - 01:32:04: That could be a great verse, breaking down what you use every fridge for.
01:32:04 - 01:32:07: Oh, yeah. And then it's like, "Eight fridge household."
01:32:07 - 01:32:08: [LAUGHTER]
01:32:08 - 01:32:10: "Eight fridge household."
01:32:10 - 01:32:13: That kind of weirdly reminds me of, there's a Jay-Z lyric,
01:32:13 - 01:32:16: "Got a condo with nothing but condoms in it."
01:32:16 - 01:32:18: [LAUGHTER]
01:32:18 - 01:32:19: Do you remember that one?
01:32:19 - 01:32:23: I mean, he needs the storage.
01:32:23 - 01:32:25: [LAUGHTER]
01:32:25 - 01:32:26: It's just bizarre.
01:32:26 - 01:32:29: Also, maybe I'm picturing late period Jay-Z,
01:32:29 - 01:32:32: where the fact that he's an art collector,
01:32:32 - 01:32:34: everybody knows and he talked about it.
01:32:34 - 01:32:38: But the idea of a condo filled with condoms,
01:32:38 - 01:32:42: it's like in the early '90s at the height of the AIDS epidemic,
01:32:42 - 01:32:47: the Whitney Museum had an artist in residence program,
01:32:47 - 01:32:52: and a conceptual artist, whoever, take your pick.
01:32:52 - 01:32:54: Felix Gonzalez Torres.
01:32:54 - 01:32:55: Is that a real person?
01:32:55 - 01:32:56: Yes.
01:32:56 - 01:32:57: Does that kind of stuff.
01:32:57 - 01:33:00: It's like in Felix Gonzalez Torres actually purchased a condo,
01:33:00 - 01:33:02: which the Whitney still maintains.
01:33:02 - 01:33:03: It's on the Upper East Side.
01:33:03 - 01:33:06: It's at Lexington between 78th and 79th.
01:33:06 - 01:33:07: You could still visit.
01:33:07 - 01:33:10: You have to make an email appointment.
01:33:10 - 01:33:12: You can't just show up.
01:33:12 - 01:33:14: But they have a few visitors a day,
01:33:14 - 01:33:16: and the condo is full of condoms.
01:33:16 - 01:33:18: And it was a statement about AIDS.
01:33:18 - 01:33:19: Like, that's totally believable.
01:33:19 - 01:33:23: And then actually the Whitney was running into some financial trouble,
01:33:23 - 01:33:25: and they had to sell some of their works,
01:33:25 - 01:33:27: and Jay-Z bought the condo full of condoms.
01:33:27 - 01:33:30: It only makes sense as a conceptual art project.
01:33:30 - 01:33:34: Everything about it is just bizarre.
01:33:34 - 01:33:37: The number four song in '95, absolute classic,
01:33:37 - 01:33:39: Seal, "Kiss From a Rose."
01:33:39 - 01:33:40: Oh, hell yeah.
01:33:40 - 01:33:43: [MUSIC - SEAL, "KISS FROM A ROSE"]
01:33:43 - 01:33:45: It's from a Batman movie, if I recall.
01:33:45 - 01:33:47: Yeah, that's what I thought.
01:33:47 - 01:33:51: It clarifies here that it was first released as a single in '94,
01:33:51 - 01:33:55: and then came back on the charts a year later when it was on the soundtrack.
01:33:55 - 01:33:58: Whoa, cleaned up at the Grammys in '96.
01:33:58 - 01:34:01: Record of the Year, Song of the Year, and Best Pop Vocal Performance.
01:34:01 - 01:34:12: [MUSIC - SEAL, "KISS FROM A ROSE"]
01:34:12 - 01:34:14: Seal seems to be embarrassed by this song.
01:34:14 - 01:34:17: Have we ever talked Seal on the show?
01:34:17 - 01:34:18: Maybe.
01:34:18 - 01:34:21: Did we ever listen to, like, "Crazy?"
01:34:21 - 01:34:23: Oh, that's a good-- yeah.
01:34:23 - 01:34:26: Wait, so you just said Seal was embarrassed by it?
01:34:26 - 01:34:28: After writing the song, he was embarrassed by it.
01:34:28 - 01:34:34: And then even in 2015, he said, "To be honest, I was never really proud of that, of it.
01:34:34 - 01:34:37: Although I like what Trevor, the producer, did with the recording.
01:34:37 - 01:34:41: He turned that tape from my corner into another eight million record sales,
01:34:41 - 01:34:42: and my name became a household name."
01:34:42 - 01:34:47: I guess he recognizes that it's an important song, but it's just not his favorite.
01:34:47 - 01:34:57: [MUSIC - SEAL, "KISS FROM A ROSE"]
01:34:57 - 01:34:58: Mm.
01:34:58 - 01:34:59: Ooh, tasty.
01:34:59 - 01:35:03: Kind of prog rock.
01:35:03 - 01:35:05: [LAUGHS]
01:35:05 - 01:35:06: Yeah.
01:35:06 - 01:35:08: Harmonized riff.
01:35:08 - 01:35:09: Well, it's funny.
01:35:09 - 01:35:18: This is produced by Trevor Horn, who was briefly in "Yes."
01:35:18 - 01:35:19: Wait, really?
01:35:19 - 01:35:20: Yeah.
01:35:20 - 01:35:22: I mean, Trevor Horn, he's best known for--
01:35:22 - 01:35:25: like, he was in the Bugles, "Video Killed the Radio Star."
01:35:25 - 01:35:28: And then he became a really big producer.
01:35:28 - 01:35:31: And he had "Art of Noise" very ahead of their time.
01:35:31 - 01:35:33: But yeah, he was briefly in "Yes."
01:35:33 - 01:35:35: So this song is not a million.
01:35:35 - 01:35:40: It's literally one degree of separation from "Yes."
01:35:40 - 01:35:44: Matt did a number crunch, and the only time we've played Seal on the show
01:35:44 - 01:35:47: was his "Fly Like an Eagle" cover.
01:35:47 - 01:35:51: And that was around when we disavowed Steve Miller's version.
01:35:51 - 01:35:52: Wow.
01:35:52 - 01:35:56: [MUSIC - SEAL, "FLY LIKE AN EAGLE"]
01:35:56 - 01:35:59: Are you a big Seal fan, Jake?
01:35:59 - 01:36:00: No.
01:36:00 - 01:36:02: I've always been intrigued by him.
01:36:02 - 01:36:06: I mean, a guy that has a really interesting, distinct vibe
01:36:06 - 01:36:11: and plays very soft rock is--
01:36:11 - 01:36:15: there's an interesting kind of collision of abilities.
01:36:15 - 01:36:16: But yeah.
01:36:16 - 01:36:21: [MUSIC - SEAL, "FLY LIKE AN EAGLE"]
01:36:21 - 01:36:24: This song is prog rock.
01:36:24 - 01:36:26: It could be an '80s "Yes" song.
01:36:26 - 01:36:29: Oh, and this part's kind of like Peter Gabriel.
01:36:29 - 01:36:30: Yeah, yeah.
01:36:30 - 01:36:35: Couldn't you have seen Rod Stewart doing this in the '70s?
01:36:35 - 01:36:36: Yeah.
01:36:36 - 01:36:38: I mean, it's a little schmaltzy.
01:36:38 - 01:36:41: But like-- or maybe Rod doing it in the '80s.
01:36:41 - 01:36:44: Or like-- it's got elements of Kate Bush.
01:36:44 - 01:36:47: I mean, I think everything that we're talking about is English.
01:36:47 - 01:36:48: Yeah.
01:36:48 - 01:36:49: And so I think maybe that's it.
01:36:49 - 01:36:51: This is just English.
01:36:51 - 01:36:52: English vibe.
01:36:52 - 01:36:53: Seal's English.
01:36:53 - 01:36:54: I dig it.
01:36:54 - 01:36:56: It's a little soft, but I dig it.
01:36:56 - 01:36:59: It is one of those songs that you might have heard on an easy-listening
01:36:59 - 01:37:00: radio station in the '90s.
01:37:00 - 01:37:03: And those weird little turns, you know, like catchier.
01:37:03 - 01:37:05: And be like, oh, this one's like--
01:37:05 - 01:37:06: Yeah.
01:37:06 - 01:37:07: --kind of tight.
01:37:07 - 01:37:08: You'd be like, what's up with that one?
01:37:08 - 01:37:10: Like, if you just didn't have any context for it.
01:37:10 - 01:37:16: The number four song on Apple Music right now, "24K Gold" and "Mood."
01:37:16 - 01:37:18: I think we heard this one a couple times.
01:37:18 - 01:37:21: [MUSIC - SEAL, "24K GOLD"]
01:37:21 - 01:37:23: Yeah, this song's tight.
01:37:23 - 01:37:25: Oh, yeah.
01:37:25 - 01:37:27: [MUSIC - SEAL, "24K GOLD"]
01:37:27 - 01:37:29: Why are you always in a mood?
01:37:29 - 01:37:30: Oh, yeah.
01:37:30 - 01:37:31: It's in my head now.
01:37:31 - 01:37:33: Does this strike you as a summer song?
01:37:33 - 01:37:35: It's summer-y.
01:37:35 - 01:37:38: I just think that with COVID, like, we're going to maybe hear a lot of
01:37:38 - 01:37:41: summer songs in the winter, you know?
01:37:41 - 01:37:42: Mm.
01:37:42 - 01:37:44: Like, I just think that there's some--
01:37:44 - 01:37:45: I don't know.
01:37:45 - 01:37:46: Not enough of a reset?
01:37:46 - 01:37:48: Yeah.
01:37:48 - 01:37:52: I think I said this last-- maybe an episode or two ago, but that guitar riff
01:37:52 - 01:37:55: really does remind me of "Built to Spill," the original BTS.
01:37:55 - 01:37:57: I don't remember if you said that.
01:37:57 - 01:37:58: Wait, play it again?
01:37:58 - 01:38:00: Let's hear the beginning again.
01:38:00 - 01:38:03: [MUSIC - SEAL, "BUILT TO SPILL"]
01:38:03 - 01:38:10: You know what a modest-- like, modest mouse or some shit?
01:38:10 - 01:38:11: Right.
01:38:11 - 01:38:13: When the beat drops in, it's like--
01:38:13 - 01:38:14: Yeah.
01:38:14 - 01:38:15: --really diptych.
01:38:15 - 01:38:19: But, like-- yeah, I feel like Doug and the boys rarely use trap beats.
01:38:19 - 01:38:20: Very rarely.
01:38:20 - 01:38:21: With some notable exceptions.
01:38:21 - 01:38:22: Yeah, I feel like--
01:38:22 - 01:38:25: [VOCALIZING]
01:38:25 - 01:38:27: Yeah.
01:38:27 - 01:38:30: [VOCALIZING]
01:38:30 - 01:38:34: And they have, like, another, like, guitar part come in over that
01:38:34 - 01:38:35: or something.
01:38:35 - 01:38:38: [VOCALIZING]
01:38:38 - 01:38:42: "Why you always in a mood?"
01:38:42 - 01:38:43: It's funny.
01:38:43 - 01:38:46: That's one of those things where it's like, even with no qualifier,
01:38:46 - 01:38:50: it's one of those phrases where you use the neutral term,
01:38:50 - 01:38:52: but we know it has negative connotations.
01:38:52 - 01:38:53: Yeah.
01:38:53 - 01:38:55: He's in a mood.
01:38:55 - 01:38:58: Like, imagine if you learned English as a second language.
01:38:58 - 01:39:00: That's just, like, a weird-ass phrase.
01:39:00 - 01:39:02: And you're just-- somebody's like, he's in a mood.
01:39:02 - 01:39:06: And you just be like, I guess all humans are in a mood at any given moment.
01:39:06 - 01:39:07: What type of mood?
01:39:07 - 01:39:08: It's like, well, he's in a mood.
01:39:08 - 01:39:09: Yeah.
01:39:09 - 01:39:10: Why you always in a mood?
01:39:10 - 01:39:12: It kind of sounds like-- maybe just for me,
01:39:12 - 01:39:17: it sounds like something an old generation would say.
01:39:17 - 01:39:20: Like a grandparent, oh, they're in a mood.
01:39:20 - 01:39:24: It is funny that it's a very popular song by a young dude.
01:39:24 - 01:39:27: Yeah, it totally reminds me of, like, grandma.
01:39:27 - 01:39:28: Yeah, I think it's something like--
01:39:28 - 01:39:29: Maybe it's a fifth generation or two.
01:39:29 - 01:39:30: Right.
01:39:30 - 01:39:34: I picture somebody from Brooklyn in the '40s or the '50s.
01:39:34 - 01:39:36: Why you always in a mood?
01:39:36 - 01:39:40: I go out, I work hard, I come home, you always in a [BLEEP] mood.
01:39:40 - 01:39:41: What am I going to do?
01:39:41 - 01:39:43: You're always in a [BLEEP] mood.
01:39:43 - 01:39:44: Now I'm in a mood.
01:39:44 - 01:39:46: Now because you're in a mood, now I'm in a mood.
01:39:46 - 01:39:51: And it's like, no, this is just like a hot song on TikTok
01:39:51 - 01:39:53: for 12-year-olds.
01:39:53 - 01:39:57: The number three song back in '95, "Year of the Supa Nazi,"
01:39:57 - 01:39:59: Janet Jackson, "Runaway."
01:39:59 - 01:40:02: [MUSIC - JANET JACKSON, "RUNAWAY"]
01:40:02 - 01:40:13: Oh, yeah, this sounds great.
01:40:13 - 01:40:16: [MUSIC - JANET JACKSON, "RUNAWAY"]
01:40:16 - 01:40:21: So we've got two Jacksons so far on the top five, Michael and Jen.
01:40:21 - 01:40:24: [MUSIC - JANET JACKSON, "RUNAWAY"]
01:40:24 - 01:40:33: This is kind of like a weird form of '90s psychedelia.
01:40:33 - 01:40:39: It's like that Fruitopia '90s, like, optimistic tech psychedelic.
01:40:39 - 01:40:41: This is a cool, weird song.
01:40:41 - 01:40:44: This reminds me of-- you guys know James Ferraro?
01:40:44 - 01:40:45: I don't know.
01:40:45 - 01:40:47: He's a musician.
01:40:47 - 01:40:50: You could call him maybe a conceptual artist.
01:40:50 - 01:40:53: And he's very ahead of his time.
01:40:53 - 01:40:54: I feel like, Jake, you could--
01:40:54 - 01:40:57: I could almost see you getting, like, deep into him.
01:40:57 - 01:41:01: So he made an album that's, like, kind of iconic in 2011
01:41:01 - 01:41:03: called "Farside Virtual."
01:41:03 - 01:41:05: I don't know what the right song to play is.
01:41:05 - 01:41:06: But it all kind of--
01:41:06 - 01:41:10: a lot of his music sounds a little bit like--
01:41:10 - 01:41:15: OK, like, track two on "Farside Virtual" is called "Global Lunch."
01:41:15 - 01:41:16: I love that title.
01:41:16 - 01:41:19: [MUSIC - JANET JACKSON, "GLOBAL LUNCH"]
01:41:19 - 01:41:27: Sir, would you like to receive a New Yorker directly on your iPad?
01:41:27 - 01:41:28: As you wish.
01:41:28 - 01:41:31: So the music, it almost sounds like library music
01:41:31 - 01:41:35: from, like, the late '80s, early '90s for, like, stuff that would--
01:41:35 - 01:41:37: we've talked about that kind of library music,
01:41:37 - 01:41:38: stuff that would be, like--
01:41:38 - 01:41:39: Yeah, yeah, yeah.
01:41:39 - 01:41:41: --information technology.
01:41:41 - 01:41:46: Like, play track one on this album, "Linden Dollars."
01:41:46 - 01:41:49: But just that song is called "Global Lunch."
01:41:49 - 01:41:50: Amazing title.
01:41:50 - 01:41:53: [MUSIC - JANET JACKSON, "GLOBAL LUNCH"]
01:41:53 - 01:42:03: Yeah, he's worth checking out.
01:42:03 - 01:42:05: He has another album called "Condo Pets."
01:42:05 - 01:42:08: This isn't a million miles away from the new Mountain Bruce.
01:42:08 - 01:42:14: He also has this crazy album from 2016 called "Human Story 3."
01:42:14 - 01:42:16: And the cover is, like--
01:42:16 - 01:42:18: it looks kind of like clip art, but it's just, like,
01:42:18 - 01:42:21: a businessman dude, and he's wearing an Amazon box on his head
01:42:21 - 01:42:22: with the Amazon logo.
01:42:22 - 01:42:25: And, like, these are some of the titles from that album.
01:42:25 - 01:42:26: Track three, "Individualism."
01:42:26 - 01:42:28: Track four, "Market Collapse."
01:42:28 - 01:42:31: Track five, "GPS and Cognition."
01:42:31 - 01:42:35: In 2009, his album was "KFC City."
01:42:35 - 01:42:36: Wow.
01:42:36 - 01:42:37: OK, so he's--
01:42:37 - 01:42:39: Vibing on a similar wavelength.
01:42:39 - 01:42:42: Very different music, but, like, not a million miles away
01:42:42 - 01:42:45: from, like, the GBV world of, like--
01:42:45 - 01:42:47: Or the TC--
01:42:47 - 01:42:49: the TC aesthetic.
01:42:49 - 01:42:52: He should be, like, getting, like, Whitney grants.
01:42:52 - 01:42:56: I don't know if he just focuses on music or what.
01:42:56 - 01:42:57: Anyway, that--
01:42:57 - 01:42:59: The art world is impenetrable.
01:42:59 - 01:43:00: Right.
01:43:00 - 01:43:01: Tough nut to crack.
01:43:01 - 01:43:03: That's a great name for your record.
01:43:03 - 01:43:05: "The Art World is Impenetrable."
01:43:05 - 01:43:08: The art world is impenetrable.
01:43:08 - 01:43:11: Impenetrable art world.
01:43:11 - 01:43:15: The number three song in 2020, "BTS Dynamite."
01:43:15 - 01:43:18: 'Cause I ain't a star tonight
01:43:18 - 01:43:22: So watch me bring the fire set the night alight
01:43:22 - 01:43:23: This is a good song.
01:43:23 - 01:43:27: First Korean band to ever hit number one on the Billboard Hot 100.
01:43:27 - 01:43:29: Right. They were-- Last show, they were number one.
01:43:29 - 01:43:30: Yeah.
01:43:30 - 01:43:33: Has Blackpink ever been on "Time Crisis"?
01:43:33 - 01:43:35: No, but I've watched a bunch of their videos.
01:43:35 - 01:43:37: It came up on YouTube.
01:43:37 - 01:43:38: "Blackpink in your area."
01:43:38 - 01:43:39: Yeah, that's a hit.
01:43:39 - 01:43:40: That's, like, their tagline.
01:43:40 - 01:43:41: Yeah, that's a catchy one.
01:43:41 - 01:43:42: Oh, do they say that in other songs?
01:43:42 - 01:43:44: No, I think they say that in every song.
01:43:44 - 01:43:45: It's, like, their tag.
01:43:45 - 01:43:46: Oh, [bleep]
01:43:46 - 01:43:47: Okay, I only know one of their songs, though.
01:43:47 - 01:43:49: I need some [bleep] like that.
01:43:49 - 01:43:52: "Vampire in your area."
01:43:52 - 01:43:53: Um...
01:43:53 - 01:43:54: The--
01:43:54 - 01:43:56: "The art world is impenetrable."
01:43:56 - 01:43:58: [laughing]
01:43:58 - 01:44:01: Like, "The art world is impenetrable."
01:44:01 - 01:44:03: [singing]
01:44:03 - 01:44:06: I just wanted to actually look at the lyrics to "Dynamite"
01:44:06 - 01:44:07: because it's interesting.
01:44:07 - 01:44:08: The songwriters--
01:44:08 - 01:44:11: I think a bunch of people in BTS are songwriters,
01:44:11 - 01:44:13: but this song was written by outsiders.
01:44:13 - 01:44:17: And I'm curious about what they're actually saying.
01:44:17 - 01:44:20: All right, 'cause I thought I heard the dude say, "Ding dong."
01:44:20 - 01:44:21: [laughing]
01:44:21 - 01:44:24: Okay, that's a little wild that they--
01:44:24 - 01:44:25: This is the line.
01:44:25 - 01:44:27: "Ding dong, call me on my phone,
01:44:27 - 01:44:29: iced tea and a game of ping pong."
01:44:29 - 01:44:31: Sounds like a cool hang.
01:44:31 - 01:44:32: Also, "Ding dong."
01:44:32 - 01:44:33: That's a doorbell.
01:44:33 - 01:44:35: Nobody says "Ding dong" on your phone.
01:44:35 - 01:44:36: Although, I love that.
01:44:36 - 01:44:37: I do kind of love it.
01:44:37 - 01:44:41: We have no reason to call Doug March from "Built to Spill."
01:44:41 - 01:44:42: Or Dewey.
01:44:43 - 01:44:46: Lil' Wings played a show with "Built to Spill"
01:44:46 - 01:44:48: in, like, 20--
01:44:48 - 01:44:51: I don't know, '15 or something, 2016.
01:44:51 - 01:44:54: If BTS, the Korean boy band, was, like, a big thing
01:44:54 - 01:44:56: at that point, if I had heard of them--
01:44:56 - 01:44:58: maybe they were a big thing, but they weren't--
01:44:58 - 01:45:00: they didn't cross my desk.
01:45:00 - 01:45:02: I would have definitely been like,
01:45:02 - 01:45:04: "Hey, Doug, how often does this come up?
01:45:04 - 01:45:06: I'm just curious."
01:45:06 - 01:45:08: Do people bring this up all the time to you?
01:45:08 - 01:45:09: Is this complete--
01:45:09 - 01:45:12: My apologies if this is completely whack
01:45:12 - 01:45:14: to bring this up backstage at this little show.
01:45:14 - 01:45:16: But I gotta know.
01:45:16 - 01:45:17: What's your-- You know.
01:45:17 - 01:45:20: How are you feeling about the global success of BTS?
01:45:20 - 01:45:22: Maybe we should try to get Doug March on.
01:45:22 - 01:45:23: Yeah, maybe.
01:45:23 - 01:45:25: We don't have to just talk about that.
01:45:25 - 01:45:27: We could also talk about "Built to Spill."
01:45:27 - 01:45:29: Of course. I would love to talk about "Built to Spill."
01:45:29 - 01:45:31: -Legendary band. -Of course.
01:45:31 - 01:45:33: All right, should we go the official route,
01:45:33 - 01:45:36: or should we-- Can, like, Kyle reach out?
01:45:36 - 01:45:38: I don't know if this is just, like,
01:45:38 - 01:45:40: an embarrassing, dumb thing--
01:45:40 - 01:45:41: like, road to go down.
01:45:41 - 01:45:43: I'm just saying, like, if I ran into him,
01:45:43 - 01:45:45: like, you know, five years ago,
01:45:45 - 01:45:48: we were in the same little green room for ten minutes,
01:45:48 - 01:45:50: I would have been, like, big fan, by the way.
01:45:50 - 01:45:52: You know what? Let's put it this way.
01:45:52 - 01:45:54: You could say that, as I'm imagining
01:45:54 - 01:45:56: the awkwardness of, like, a publicist
01:45:56 - 01:45:58: from Apple or something, emailing Doug March's publicist
01:45:58 - 01:46:00: and just being like--
01:46:00 - 01:46:03: It's hosted by Ezra from Vampire Weekend,
01:46:03 - 01:46:05: American Painter, Jake Longstreet.
01:46:05 - 01:46:07: Previous guests have included
01:46:07 - 01:46:10: Ryan Reese, head of marketing for Hershey's,
01:46:10 - 01:46:12: Jamie Foxx.
01:46:12 - 01:46:15: Who are our most illustrious guests ever?
01:46:15 - 01:46:17: Alanis Morissette.
01:46:17 - 01:46:18: Oh, Alanis Morissette.
01:46:18 - 01:46:20: The guy that wrote the Seinfeld theme.
01:46:20 - 01:46:22: Jonathan Wolfe.
01:46:22 - 01:46:23: Larry David.
01:46:23 - 01:46:25: Oh, yeah, we did technically have Larry David on.
01:46:25 - 01:46:27: Bono Bayhurst.
01:46:27 - 01:46:30: Oh, yeah, honestly, we've had--
01:46:30 - 01:46:31: I guess I kind of forget.
01:46:31 - 01:46:33: Okay, if you really tried to be serious,
01:46:33 - 01:46:36: if you tried to be serious and don't throw in, like,
01:46:36 - 01:46:38: all, like, the corporate food people,
01:46:38 - 01:46:39: I'm sure we could--
01:46:39 - 01:46:41: Which is-- What would that mean to Doug March?
01:46:41 - 01:46:43: He said, "The guys have had Jamie Foxx,
01:46:43 - 01:46:45: "Justin Vernon, Alanis Morissette."
01:46:45 - 01:46:47: Jonah Hill.
01:46:47 - 01:46:48: Jonah Hill.
01:46:48 - 01:46:49: What other--
01:46:49 - 01:46:52: We haven't had a lot of musicians on the show.
01:46:52 - 01:46:54: Dude from Radiohead.
01:46:54 - 01:46:55: Ed O'Brien.
01:46:55 - 01:46:56: Right.
01:46:56 - 01:46:57: Chris Baio.
01:46:57 - 01:46:58: Huey Lewis.
01:46:58 - 01:46:59: Chris Baio, and Huey Lewis.
01:46:59 - 01:47:01: I mean, okay, come on, that's legit.
01:47:01 - 01:47:02: Oh, yeah.
01:47:02 - 01:47:06: You guys think Doug March is gonna take this much convincing?
01:47:06 - 01:47:08: Well...
01:47:08 - 01:47:12: You see, there's, like, an impetus for the call.
01:47:12 - 01:47:13: And I just--
01:47:13 - 01:47:15: If the impetus is, "Hey, it's funny that
01:47:15 - 01:47:17: "the acronym of your band is the same
01:47:17 - 01:47:20: "as this huge Korean boy band,"
01:47:20 - 01:47:22: that's not, like, a reason for it.
01:47:22 - 01:47:23: You know what I mean?
01:47:23 - 01:47:25: Especially, yeah, like, I don't know if--
01:47:25 - 01:47:27: Maybe Doug doesn't f--- with Vampire Weekend
01:47:27 - 01:47:29: and he doesn't understand that, like--
01:47:29 - 01:47:31: No, Doug, actually, this came from Jake,
01:47:31 - 01:47:33: you know, who's an old-school
01:47:33 - 01:47:35: Built to Spill fan.
01:47:35 - 01:47:38: Yeah, 'cause maybe he's just picturing it coming from me
01:47:38 - 01:47:40: and he's just like, "I never liked those guys anyway.
01:47:40 - 01:47:41: "I want to f--- it."
01:47:41 - 01:47:42: Like, I don't know.
01:47:42 - 01:47:43: Wait, wait, wait, wait.
01:47:43 - 01:47:46: Built to Spill had a new album this summer.
01:47:46 - 01:47:47: You could, like, reuse it as--
01:47:47 - 01:47:48: What's it called?
01:47:48 - 01:47:50: Built to-- It's a cover album.
01:47:50 - 01:47:52: Built to Spill plays the songs of Daniel Johnston.
01:47:52 - 01:47:54: Yeah, I listened to that. It's pretty good.
01:47:54 - 01:47:56: You know what else we could talk about
01:47:56 - 01:47:58: is that Built to Spill and Vampire Weekend
01:47:58 - 01:48:02: are-- whether he likes us or not,
01:48:02 - 01:48:04: we are in a brotherhood, a fraternity,
01:48:04 - 01:48:07: of bands that have covered Joker Man by Bob Dumb.
01:48:07 - 01:48:09: Oh, wow, that is a good in.
01:48:09 - 01:48:11: And say, like, these guys actually got the dude
01:48:11 - 01:48:13: who created the Joker Man font
01:48:13 - 01:48:15: and they did original research
01:48:15 - 01:48:18: and confirmed that it is named after the--
01:48:18 - 01:48:20: He's just like, "What the f---?"
01:48:20 - 01:48:22: How about this?
01:48:22 - 01:48:24: The tone of this show is strange,
01:48:24 - 01:48:27: and we actually have so much respect for Doug Marsh
01:48:27 - 01:48:29: that we don't want to-- How about this?
01:48:29 - 01:48:31: It wouldn't be unreasonable that somebody listening right now
01:48:31 - 01:48:33: might be, like, listening to this and be like,
01:48:33 - 01:48:35: "Guys, I'm best friends with Doug.
01:48:35 - 01:48:37: I know him. I worked with him in some capacity.
01:48:37 - 01:48:39: He's a totally easygoing guy.
01:48:39 - 01:48:42: He would totally be down with the tone of the show."
01:48:42 - 01:48:45: If anybody's listening and has that relationship with him,
01:48:45 - 01:48:47: then maybe you can hit us up
01:48:47 - 01:48:49: or just reach out yourself and just let them know.
01:48:49 - 01:48:51: They were kind of sheepish on the show.
01:48:51 - 01:48:53: They felt shy about it.
01:48:53 - 01:48:55: If it came via publicist, it might seem kind of bizarre.
01:48:55 - 01:48:57: But I vouch for these guys.
01:48:57 - 01:48:59: I've listened a lot.
01:48:59 - 01:49:01: Like, you'll feel right at home.
01:49:01 - 01:49:03: They're actually fans. I don't know.
01:49:03 - 01:49:05: The small impression that I have of him
01:49:05 - 01:49:07: is that he would obviously--
01:49:07 - 01:49:09: He's a low-key, down-to-earth guy with a good sense of humor
01:49:09 - 01:49:11: that would totally get the show.
01:49:11 - 01:49:13: But going through publicist seems hilarious.
01:49:13 - 01:49:15: I'm sure there's somebody listening
01:49:15 - 01:49:18: who's at least one degree of separation from Doug Marsh.
01:49:18 - 01:49:20: -Yep. -All right.
01:49:20 - 01:49:23: Energizing the fanbase with a task.
01:49:23 - 01:49:27: The number two song--
01:49:27 - 01:49:31: Oh, wow. This is a very strong top five from 1995.
01:49:31 - 01:49:34: The number two song this week in 1995,
01:49:34 - 01:49:36: "Coolio Gangsta's Paradise,"
01:49:36 - 01:49:39: which was on the soundtrack for "Dangerous Minds."
01:49:39 - 01:49:41: Is that the Michelle Pfeiffer movie?
01:49:41 - 01:49:43: -Mm-hmm. -Yes.
01:49:43 - 01:49:45: Don't think I ever saw it.
01:49:47 - 01:49:50: ♪ As I walk through the valley of the shadow of death ♪
01:49:50 - 01:49:54: ♪ I take a look at my life and realize there's nothing left ♪
01:49:54 - 01:49:57: Sampling a song that was 19 years old.
01:49:57 - 01:49:59: "Pastime Paradise," Stevie Wonder.
01:49:59 - 01:50:02: Right. This song is closer to "Pastime Paradise"
01:50:02 - 01:50:05: than we are to this song.
01:50:05 - 01:50:07: Yeah.
01:50:07 - 01:50:09: ♪ And where you're walking ♪
01:50:09 - 01:50:11: ♪ You and your homies might be lying in chalk ♪
01:50:11 - 01:50:13: ♪ I really hate to trip, but I gotta look ♪
01:50:13 - 01:50:17: This was, like, a very moving song when I was 11.
01:50:17 - 01:50:19: It's so dark and eerie.
01:50:19 - 01:50:24: Yeah. What's another example of a song from a movie
01:50:24 - 01:50:27: that's, like, fully eclipsed the movie?
01:50:27 - 01:50:29: I think we talked about once how--
01:50:29 - 01:50:31: and this is a strange one.
01:50:31 - 01:50:34: I think we talked about "Never Got to the Bottom of It."
01:50:34 - 01:50:36: I think "Tears in Heaven,"
01:50:36 - 01:50:38: the famous Eric Clapton song that's written
01:50:38 - 01:50:40: about the tragic death of his son,
01:50:40 - 01:50:43: was on, like, a random movie soundtrack.
01:50:43 - 01:50:44: Oh, really?
01:50:44 - 01:50:46: I'm gonna do my own number crunch on this one.
01:50:46 - 01:50:49: I think of that as an MTV Unplugged hit.
01:50:49 - 01:50:51: No, originally it was on the soundtrack
01:50:51 - 01:50:54: for a movie called "Rush" from 1992.
01:50:54 - 01:50:56: Like, do you guys know the 1992 movie "Rush"?
01:50:56 - 01:50:58: Oh, I remember that movie. Yeah, Jason Patrick and--
01:50:58 - 01:51:00: Jennifer Jason Leigh.
01:51:00 - 01:51:03: Yeah, they play, like, undercover, like, DEA agents
01:51:03 - 01:51:06: that get hooked on heroin or some [bleep]
01:51:06 - 01:51:09: Yep. Oh, it's a period piece in the '70s.
01:51:09 - 01:51:11: So I always kind of wondered, like, not judging,
01:51:11 - 01:51:14: but I'm just like, the song "Tears in Heaven"
01:51:14 - 01:51:17: is about, like, truly, probably,
01:51:17 - 01:51:20: one of the most brutal things a human being could go through.
01:51:20 - 01:51:24: Just, like, absolutely terrible, heartbreaking story.
01:51:24 - 01:51:26: And I've just always been--
01:51:26 - 01:51:27: maybe it says on Wikipedia--
01:51:27 - 01:51:29: I've always been curious about, like,
01:51:29 - 01:51:32: I guess maybe he was assigned to write music
01:51:32 - 01:51:35: for this movie, and his son had just died.
01:51:35 - 01:51:37: Assigned?
01:51:37 - 01:51:39: Yeah, maybe he already, like, said he would.
01:51:39 - 01:51:41: Just, like-- And then he's like--
01:51:41 - 01:51:44: One of the most famous rock stars ever, like,
01:51:44 - 01:51:46: "Oh, dude, you have to write a song
01:51:46 - 01:51:49: for this random-ass, like, movie."
01:51:49 - 01:51:52: Oh, wait, I guess maybe he scored the movie, too.
01:51:52 - 01:51:54: Okay, all right, so this makes sense.
01:51:54 - 01:51:56: So basically, this is what it says.
01:51:56 - 01:51:59: So even before his son died, in 1990,
01:51:59 - 01:52:02: two of his roadies and his friend and fellow musician,
01:52:02 - 01:52:04: Stevie Ray Vaughan, SRV,
01:52:04 - 01:52:06: were killed in a helicopter accident.
01:52:06 - 01:52:08: And then, less than a year later,
01:52:08 - 01:52:10: his 4-year-old son, Connor, died,
01:52:10 - 01:52:12: falling out of a window, tragic story.
01:52:12 - 01:52:13: Jesus.
01:52:13 - 01:52:15: Yeah, like, f---, how heavy does it get?
01:52:15 - 01:52:16: Like, terrible.
01:52:16 - 01:52:18: So he was in a real f---ed-up period.
01:52:18 - 01:52:19: He was isolated.
01:52:19 - 01:52:21: And I guess he had already been--
01:52:21 - 01:52:23: he was supposed to score this movie.
01:52:23 - 01:52:25: And he said of the song, "It was in the back of my head,
01:52:25 - 01:52:27: but it didn't really have a reason for being
01:52:27 - 01:52:28: until I was scoring this movie.
01:52:28 - 01:52:30: Then it sort of had a reason to be.
01:52:30 - 01:52:32: It is a little ambiguous, because it could be taken
01:52:32 - 01:52:34: to be about Connor, but it is also meant
01:52:34 - 01:52:36: to be part of the film."
01:52:36 - 01:52:38: So maybe he was in this weird f---ed-up place,
01:52:38 - 01:52:41: and he was like, just wanted to get back to work,
01:52:41 - 01:52:42: and he starts writing a song.
01:52:42 - 01:52:44: And he's, of course, like, thinking about death,
01:52:44 - 01:52:46: and he's trying to make it about the movie,
01:52:46 - 01:52:47: but it also makes him think of his son.
01:52:47 - 01:52:49: All right, so that makes sense.
01:52:49 - 01:52:53: It is like a strange place it ended up, but--
01:52:53 - 01:52:55: I only know the MTV Unplugged version.
01:52:55 - 01:52:57: I guess there's probably a studio version
01:52:57 - 01:53:00: that was originally on that soundtrack.
01:53:00 - 01:53:02: Which I've never heard.
01:53:02 - 01:53:03: Never heard?
01:53:03 - 01:53:06: I think I've only heard that song on the radio,
01:53:06 - 01:53:10: because it's been on the radio constantly for decades.
01:53:10 - 01:53:12: And I feel like the definitive version
01:53:12 - 01:53:14: is that Unplugged version.
01:53:14 - 01:53:15: Well, throw this one on.
01:53:15 - 01:53:17: I think it's not that different.
01:53:17 - 01:53:19: [playing guitar]
01:53:19 - 01:53:20: It's still acoustic.
01:53:20 - 01:53:22: Yeah, the studio version?
01:53:22 - 01:53:24: Oh, it's the studio? Okay.
01:53:24 - 01:53:30: [playing guitar]
01:53:30 - 01:53:35: ♪ Would you know my name? ♪
01:53:35 - 01:53:36: Ooh, tender.
01:53:36 - 01:53:37: Yeah, very similar.
01:53:37 - 01:53:43: ♪ If I saw you in heaven ♪
01:53:43 - 01:53:47: ♪ Would it be the same? ♪
01:53:47 - 01:53:49: That's a wild lyric.
01:53:49 - 01:53:50: Yeah.
01:53:50 - 01:53:54: ♪ If I saw you in heaven ♪
01:53:54 - 01:53:57: All right, well, we're not gonna listen to the whole thing,
01:53:57 - 01:53:59: but we're about to change gears hardcore.
01:53:59 - 01:54:05: The next song is Cardi B featuring Megan Thee Stallion with "WAP."
01:54:05 - 01:54:06: Hell yeah.
01:54:06 - 01:54:07: Oh, wait.
01:54:07 - 01:54:10: We have to play the Patrick World "Wet-Ass Burritos."
01:54:10 - 01:54:11: Oh, yeah.
01:54:11 - 01:54:13: Did you hear that again, Ezra?
01:54:13 - 01:54:14: No, I didn't hear that.
01:54:14 - 01:54:15: Throw it on.
01:54:15 - 01:54:17: Okay, so Patrick World--
01:54:17 - 01:54:20: 'cause last show we did his riff about wet-ass burritos,
01:54:20 - 01:54:23: and Patrick World--
01:54:23 - 01:54:25: I mean, he really went above and beyond.
01:54:25 - 01:54:30: Patrick World, bless his heart, sent us a new song called "Wet-Ass Burrito."
01:54:30 - 01:54:36: I was like, "Is this the Sweet Chili Heat world premiere of 'Wet-Ass Burrito' by Patrick World?"
01:54:36 - 01:54:40: ♪ Time crisis ♪
01:54:40 - 01:54:41: ♪ This is the time crisis ♪
01:54:41 - 01:54:42: ♪ Sweet Chili Heat ♪
01:54:42 - 01:54:44: ♪ Sweet Chili Heat world premiere ♪
01:54:44 - 01:54:46: ♪ Brought to you by Doritos ♪
01:54:46 - 01:54:47: ♪ Sweet Chili Heat ♪
01:54:47 - 01:54:50: ♪ There's some corn in the ground ♪
01:54:53 - 01:54:55: ♪ I said certified beef ♪
01:54:55 - 01:54:57: ♪ Seven days a week ♪
01:54:57 - 01:54:58: ♪ Ranchero sauce treats ♪
01:54:58 - 01:54:59: Perfect.
01:54:59 - 01:55:01: ♪ All up in your bed sheets ♪
01:55:01 - 01:55:02: [laughs]
01:55:02 - 01:55:04: ♪ Yeah, yeah, fricking random ♪
01:55:04 - 01:55:08: ♪ Yeah, yeah, you eating a wet-ass burrito ♪
01:55:08 - 01:55:11: ♪ Bring your beer from your crib for this wet-ass burrito ♪
01:55:11 - 01:55:15: ♪ Wipe your chin, ten napkins for this wet-ass burrito ♪
01:55:15 - 01:55:17: ♪ Went out to dinner, just me and my wife ♪
01:55:17 - 01:55:19: ♪ Where's margarita? I had 'em all night ♪
01:55:19 - 01:55:20: ♪ Wet-ass margarita was dripping with goo ♪
01:55:20 - 01:55:22: ♪ Gave it a two and a bad yelp review ♪
01:55:22 - 01:55:24: ♪ Stain on my shirt, stain on my jeans ♪
01:55:24 - 01:55:26: ♪ Loaded with cheese and with too many beans ♪
01:55:26 - 01:55:28: ♪ Mushy tomatoes, too much sour cream ♪
01:55:28 - 01:55:29: ♪ A whole lot of guac coming out of the seams ♪
01:55:29 - 01:55:31: ♪ Something is off, the burrito was funky ♪
01:55:31 - 01:55:33: ♪ Don't let it drip on my new chunky donkeys ♪
01:55:33 - 01:55:35: ♪ Swing by, lawn, knees, dads ♪
01:55:35 - 01:55:37: ♪ DeFrosted McRibs 'cause we're hungry ♪
01:55:37 - 01:55:38: Wow.
01:55:38 - 01:55:39: [laughs]
01:55:39 - 01:55:40: Whoa.
01:55:40 - 01:55:41: Fire.
01:55:41 - 01:55:42: I got a...
01:55:42 - 01:55:43: That's really good.
01:55:43 - 01:55:46: I mean, yeah, he has a very high batting average
01:55:46 - 01:55:51: of like deep TC references per like measure, you know?
01:55:51 - 01:55:52: I mean, like...
01:55:52 - 01:55:53: [laughs]
01:55:53 - 01:55:56: Without ever breaking theme.
01:55:56 - 01:55:57: Yeah, no.
01:55:57 - 01:55:58: Ever.
01:55:58 - 01:55:59: Yeah.
01:55:59 - 01:56:00: He's a master. I mean...
01:56:00 - 01:56:01: It's never a forced reference.
01:56:01 - 01:56:02: [laughs]
01:56:02 - 01:56:03: No.
01:56:03 - 01:56:05: Getting the wet burrito beans on your chunky donkeys.
01:56:05 - 01:56:06: [laughs]
01:56:06 - 01:56:09: And of course, he had the worst margarita of his life.
01:56:09 - 01:56:10: Yeah.
01:56:10 - 01:56:11: It all makes sense.
01:56:11 - 01:56:13: At this Mexican restaurant eating the wet-ass burrito.
01:56:13 - 01:56:14: [laughs]
01:56:14 - 01:56:16: You know how Ezra always talks about like the perfect
01:56:16 - 01:56:18: sort of narrative and never sort of forcing it?
01:56:18 - 01:56:19: [laughs]
01:56:19 - 01:56:22: This is, I think, yeah.
01:56:22 - 01:56:23: It's amazing.
01:56:23 - 01:56:24: It's putting it together.
01:56:24 - 01:56:26: Well done, Patrick World.
01:56:26 - 01:56:30: The number one song this week in 1995,
01:56:30 - 01:56:32: I guess, you know, I'm realizing something.
01:56:32 - 01:56:34: It's like, I guess this is obvious.
01:56:34 - 01:56:36: We've talked about it before, but it's like,
01:56:36 - 01:56:39: when we do mid to late '90s top fives,
01:56:39 - 01:56:40: I know it so well.
01:56:40 - 01:56:44: I know it even better than like when I was like college age later.
01:56:44 - 01:56:45: I don't know it quite as well.
01:56:45 - 01:56:49: But these songs, like there's something about being 11
01:56:49 - 01:56:52: where you just like, you absorb these songs.
01:56:52 - 01:56:55: So they all like strike a chord in me.
01:56:55 - 01:56:58: And number one, this is just a total classic.
01:56:58 - 01:56:59: Mariah Carey fantasy.
01:56:59 - 01:57:02: It's built on the Tom Tom Club sample.
01:57:02 - 01:57:03: Love this.
01:57:03 - 01:57:04: Hell yeah.
01:57:04 - 01:57:07: I feel like, Jake, when we first met on tour with Dirty Projectors,
01:57:07 - 01:57:12: I had like a big brick iPod and I remember this song was on it.
01:57:12 - 01:57:14: I feel like we listened to this a lot.
01:57:14 - 01:57:16: I remember, yeah.
01:57:16 - 01:57:19: This, you know, '95 is a funny days between
01:57:19 - 01:57:21: because you were 11, I was 18.
01:57:21 - 01:57:23: That's a weird days between moment.
01:57:23 - 01:57:24: That's a funny hang.
01:57:24 - 01:57:26: I mean, yeah, I was a freshman in college.
01:57:26 - 01:57:27: Yeah.
01:57:52 - 01:57:53: Incredible.
01:57:53 - 01:57:55: Such a feel good song.
01:57:55 - 01:57:57: Yep.
01:58:37 - 01:58:39: So it's not the remix with ODB.
01:58:39 - 01:58:40: Straight up original.
01:58:40 - 01:58:42: That was also such a classic verse.
01:58:42 - 01:58:46: It was still kind of novel at the time to have like Mariah Carey,
01:58:46 - 01:58:49: this kind of like, at the time her image was still pretty like prim,
01:58:49 - 01:58:52: you know, like, and then ODB,
01:58:52 - 01:58:55: obviously his name is old dirty bastard.
01:58:55 - 01:58:57: Just like bad boy.
01:58:57 - 01:58:59: Just come up, me, I'm a Raya.
01:58:59 - 01:59:01: Go back like baby just pass the fire.
01:59:01 - 01:59:02: This is incredible.
01:59:02 - 01:59:05: I remember even like when she put out Heartbreaker,
01:59:05 - 01:59:08: which was like, I don't know, late nineties or something.
01:59:08 - 01:59:09: And Jay-Z was on there.
01:59:09 - 01:59:10: Yeah.
01:59:10 - 01:59:11: I was like, oh, cool.
01:59:11 - 01:59:13: Like that's an interesting combo.
01:59:13 - 01:59:15: And he had a great verse on that.
01:59:15 - 01:59:18: It was like the perfect verse for like everybody.
01:59:18 - 01:59:21: You could be like a 10 year old, you know.
01:59:21 - 01:59:24: Kid just like rapping along everywhere.
01:59:24 - 01:59:26: All right.
01:59:26 - 01:59:27: Shout out to Mariah Carey.
01:59:27 - 01:59:30: You're an absolute legend, mate.
01:59:30 - 01:59:33: The number one song right now on Apple music,
01:59:33 - 01:59:35: Pop Smoke, Rest in Peace,
01:59:35 - 01:59:37: Four of the Night featuring Lil Baby and Da Baby.
01:59:37 - 01:59:40: This is the song with both babies.
02:00:04 - 02:00:05: Oh yeah.
02:00:05 - 02:00:06: I'm a thief in the night.
02:00:06 - 02:00:10: I did some wrong, but I'm always right.
02:00:10 - 02:00:13: Said I know how to shoot and I know how to fight.
02:00:13 - 02:00:17: If I tell you once, I'ma tell you twice.
02:00:17 - 02:00:21: I'm real discreet like a thief in the night.
02:00:21 - 02:00:25: If I call you babe, you'll be babe for the day
02:00:25 - 02:00:27: or a babe for the night.
02:00:27 - 02:00:31: You're not my wife, she want a killer.
02:00:31 - 02:00:33: So f*** four nine.
02:00:33 - 02:00:35: I want a f*** on a d***.
02:00:35 - 02:00:37: Four nine.
02:00:37 - 02:00:39: AP, Big Rocks.
02:00:39 - 02:00:41: In the hood with the realest.
02:00:41 - 02:00:43: 5K on the dinner.
02:00:45 - 02:00:46: Damn.
02:00:46 - 02:00:47: I wonder where they went.
02:00:47 - 02:00:49: In LA?
02:00:49 - 02:00:51: I'm going to assume so.
02:00:51 - 02:00:53: Is there a place you could drop 5K on dinner
02:00:53 - 02:00:55: for two people in LA?
02:00:55 - 02:00:58: I think the thing with really expensive dinners
02:00:58 - 02:01:01: is it's always the alcohol that puts it over the top.
02:01:01 - 02:01:04: You get like a thousand dollar bottle of wine or something?
02:01:04 - 02:01:08: I mean, you could get probably a four thousand dollar bottle of wine.
02:01:08 - 02:01:09: Right.
02:01:09 - 02:01:11: Jake, what's the most you ever spent on a bottle of wine?
02:01:11 - 02:01:13: I don't know, man.
02:01:13 - 02:01:14: Not a lot.
02:01:14 - 02:01:17: I mean, 20 or 30.
02:01:17 - 02:01:21: We went to some nicer event and we bought a 40 dollar bottle of wine.
02:01:21 - 02:01:25: You end up just putting on the kitchen counter
02:01:25 - 02:01:28: and it just ends up sitting there being unopened.
02:01:28 - 02:01:29: Right.
02:01:29 - 02:01:30: That kind of vibe.
02:01:30 - 02:01:35: I don't just buy a 50 dollar bottle of wine to drink by myself.
02:01:35 - 02:01:37: We should have talked about that with Spike.
02:01:37 - 02:01:38: That's another thing.
02:01:38 - 02:01:39: Maybe I should.
02:01:39 - 02:01:40: He's getting into wine.
02:01:40 - 02:01:42: Yeah, he shut down the art vibe pretty hard,
02:01:42 - 02:01:46: but he definitely seemed in on expensive booze.
02:01:46 - 02:01:49: There's something about that that's a type of dude.
02:01:49 - 02:01:53: You know, there's a magazine called Guitar Aficionado.
02:01:53 - 02:01:56: I always heard about it from Dave Maklovich from Chromio.
02:01:56 - 02:01:58: He was always obsessed with that magazine he sang
02:01:58 - 02:02:01: because their thing is that their world view
02:02:01 - 02:02:03: or what they describe, what they write about,
02:02:03 - 02:02:05: is called the deluxe life.
02:02:05 - 02:02:10: I think it basically is like whiskey, guitars, and cars.
02:02:10 - 02:02:12: And I'm sure watches a little bit.
02:02:12 - 02:02:13: Motorcycles.
02:02:13 - 02:02:15: Maybe motorcycles.
02:02:15 - 02:02:16: Deluxe life.
02:02:16 - 02:02:19: So he kind of uses deluxe life as a shorthand sometimes
02:02:19 - 02:02:21: to describe that universe.
02:02:21 - 02:02:24: And maybe art is not totally--
02:02:24 - 02:02:27: I can imagine some art is deluxe life, but not all of it.
02:02:27 - 02:02:29: Art is too prissy.
02:02:29 - 02:02:30: I guess it depends.
02:02:30 - 02:02:34: What's that Western guy who made the sculptures of cowboys
02:02:34 - 02:02:37: that George W. Bush had in the Oval Office?
02:02:37 - 02:02:38: I don't know, man.
02:02:38 - 02:02:42: Remember every president brings one thing to the Oval Office?
02:02:42 - 02:02:43: Oh, yeah.
02:02:43 - 02:02:46: I feel like every president redecorates the entire White
02:02:46 - 02:02:50: House with art from the National Gallery's collection.
02:02:50 - 02:02:51: Oh, OK.
02:02:51 - 02:02:57: So like Carol Walker and more contemporary artists,
02:02:57 - 02:02:59: a lot of African-American artists.
02:02:59 - 02:03:02: I'm sure Trump was like full kitsch.
02:03:02 - 02:03:03: OK.
02:03:03 - 02:03:05: You know what he's been like?
02:03:05 - 02:03:08: If Trump had like Jeff Koons everywhere in the White House,
02:03:08 - 02:03:09: that would be amazing.
02:03:09 - 02:03:11: I'm sure he doesn't, but that would be perfect.
02:03:11 - 02:03:14: OK, so the thing that George W. Bush had in the Oval Office
02:03:14 - 02:03:18: was a Frederick Remington.
02:03:18 - 02:03:19: He's a fan.
02:03:19 - 02:03:22: He's like a 19th century artist.
02:03:22 - 02:03:23: He's a painter.
02:03:23 - 02:03:24: Yeah, great painter.
02:03:24 - 02:03:26: His sculptures are pretty interesting.
02:03:26 - 02:03:27: They're well made.
02:03:27 - 02:03:29: Like this one's called the Rattlesnake.
02:03:29 - 02:03:32: He had another famous one called the Bronco Buster.
02:03:32 - 02:03:35: You know, it's like these dramatic cowboys and the horses
02:03:35 - 02:03:37: like rearing up.
02:03:37 - 02:03:39: Anyway, they can kind of be deluxe.
02:03:39 - 02:03:40: Yeah, but I don't know.
02:03:40 - 02:03:41: It is like a funny thing.
02:03:41 - 02:03:44: Just like, oh, yeah, I just paid $800,000.
02:03:44 - 02:03:45: I don't even know.
02:03:45 - 02:03:47: Millions for a Frederick Remington?
02:03:47 - 02:03:48: No idea.
02:03:48 - 02:03:49: That's a good question.
02:03:49 - 02:03:51: I don't know.
02:03:51 - 02:03:53: The secondary market.
02:03:53 - 02:03:57: The lowest price you can pay for a Remington is $75,000.
02:03:57 - 02:03:58: Oh, really?
02:03:58 - 02:04:00: For a painting or for an etching?
02:04:00 - 02:04:02: For a bronze sculpture.
02:04:02 - 02:04:04: Cheaper than a Ferrari.
02:04:04 - 02:04:05: That's a good question.
02:04:05 - 02:04:07: How big?
02:04:07 - 02:04:09: Seems like they're kind of small.
02:04:09 - 02:04:10: Yeah.
02:04:10 - 02:04:11: That's the lowest price.
02:04:11 - 02:04:13: That's the bottom end.
02:04:13 - 02:04:16: You know, I think this is so deep that we're in the end of the
02:04:16 - 02:04:18: episode, we're talking about Frederick Remington.
02:04:18 - 02:04:20: He's definitely known more as a painter.
02:04:20 - 02:04:21: Okay.
02:04:21 - 02:04:25: He's an incredible painter, but it's real cowboys and Indians.
02:04:25 - 02:04:29: It's definitely the myth of like Manifest Destiny.
02:04:29 - 02:04:30: Right.
02:04:30 - 02:04:32: And like cowboys shooting guns at Indians.
02:04:32 - 02:04:37: I mean, he nails the dust and the sunlight and the heat.
02:04:37 - 02:04:40: But it's weird to see.
02:04:40 - 02:04:42: It's like a John Wayne movie.
02:04:42 - 02:04:43: I see.
02:04:43 - 02:04:44: Problematic.
02:04:44 - 02:04:48: Well, on that note, Frederick Remington, you're canceled.
02:04:48 - 02:04:55: This is the end of Time Crisis.
02:04:55 - 02:04:58: Thank you to our guests, Uncle Ted and Spike.
02:04:58 - 02:05:03: We'll see you in two weeks.
02:05:03 - 02:05:06: Time Crisis with Ezra Koenig.

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