Episode 148: Flamin’ Hot Chaos

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:04: Through the steam of the sauna, a familiar voice greets me.
00:04 - 00:09: I rise and look at the man who just spoke to me.
00:09 - 00:13: On this episode, we talk montañas,
00:13 - 00:15: flaming hot Cheetos,
00:15 - 00:18: screaming hot garden veggie straws,
00:18 - 00:23: all of this, plus the top five hits of 1990 and today.
00:23 - 00:24: Leave the door open.
00:24 - 00:26: You're gonna want to see what's going on inside on
00:26 - 00:30: Time Crisis with Ezra Koenig.
01:20 - 01:22: Time Crisis back again.
01:22 - 01:23: Jake, how are you?
01:23 - 01:26: Doing well. Doing well.
01:26 - 01:28: Just wrapped up a long day of work.
01:28 - 01:29: Yeah.
01:29 - 01:30: In the same room.
01:30 - 01:32: Yeah, exactly.
01:32 - 01:36: I just moved over 10 feet and plugged in my computer.
01:36 - 01:37: How are you?
01:37 - 01:38: I'm not bad.
01:38 - 01:40: I got a cold glass of wine today.
01:40 - 01:41: Nice.
01:41 - 01:42: Orange wine?
01:42 - 01:45: I believe this is orange wine.
01:45 - 01:47: It was just whatever was in the fridge.
01:47 - 01:50: But I think, as I said on the last episode,
01:50 - 01:53: I was pretty sure I drank my last beer in the fridge.
01:53 - 01:55: And you haven't restocked?
01:55 - 01:56: Have not restocked.
01:56 - 01:58: It's been two weeks.
01:58 - 02:02: You know, it's like, with beer, I like it.
02:02 - 02:03: I'm not gonna buy.
02:03 - 02:05: If you're holding, I'll have some.
02:05 - 02:08: Get some leftover at the house, you know, after a party.
02:08 - 02:12: That's cool, but I've just never been in that buying zone.
02:12 - 02:14: Not a grocery item.
02:14 - 02:16: How often would you have zero beers in your fridge?
02:16 - 02:19: It happens.
02:19 - 02:20: I mean, it'll happen frequently.
02:20 - 02:22: And then, you know, a few days I'll go by and I'll be like,
02:22 - 02:24: "Oh, I should pick up some brew."
02:24 - 02:26: I'll be in the mood for one and I'll--
02:26 - 02:28: There's like a corner store like a block from my house.
02:28 - 02:29: Okay, right, so you're never far.
02:29 - 02:32: So if we have no brew in the fridge and I'm in the mood,
02:32 - 02:34: I'll walk down and get one.
02:34 - 02:36: It looks like you're sitting on a little something over there.
02:36 - 02:37: Pretty simple.
02:37 - 02:38: A little tequila.
02:38 - 02:40: You know, it's the evening.
02:40 - 02:41: We tape at 6 p.m.
02:41 - 02:42: It's at the end of the day.
02:42 - 02:44: Speaking of alcohol talk.
02:44 - 02:45: Yeah.
02:45 - 02:49: That's the alternate universe of time crisis is it's cars,
02:49 - 02:51: trees, and alcohol.
02:51 - 02:52: We hit it occasionally.
02:52 - 02:55: That's the yin-yang version of time crisis where that's most of it
02:55 - 02:59: and then occasionally corporate food and occasionally classic rock.
02:59 - 03:03: But I went with the family to a little get-together somewhere.
03:03 - 03:06: These were more like, you know, Rashida's friends, nice people,
03:06 - 03:10: but, you know, not people I knew super well,
03:10 - 03:13: but they were making margaritas and asked me if I wanted one.
03:13 - 03:16: And probably the first time I had a margarita in a minute.
03:16 - 03:18: I wasn't slamming too many during COVID.
03:18 - 03:19: Sure.
03:19 - 03:21: And as soon as it hit my lips--
03:21 - 03:22: And it was an excellent margarita.
03:22 - 03:24: The host worked really hard, clearly had a knack for it.
03:24 - 03:26: Only one thing could come to mind.
03:26 - 03:28: I really had to like stop myself.
03:28 - 03:32: I was having intrusive thoughts about the worst margarita of my life.
03:32 - 03:35: Like truly I was like sip it and I'd like start humming it a little bit.
03:35 - 03:38: And I was just like, I don't want to have to like explain that.
03:38 - 03:39: I don't want to give off bad energy.
03:39 - 03:41: This guy worked really hard to make a great margarita.
03:41 - 03:42: And here I am.
03:42 - 03:44: What's that song you're singing?
03:44 - 03:46: I've had a few moments like that in life where, you know,
03:46 - 03:48: something pops into your head.
03:48 - 03:51: The classic example, you might have versions of this.
03:51 - 03:54: Maybe everybody does like run into a musician.
03:54 - 03:57: You're near them and you look at them and you think,
03:57 - 03:59: "Oh, who's that person? What band are they in?"
03:59 - 04:01: And then just like you start thinking of one of their songs.
04:01 - 04:03: And like this would be some like, to me,
04:03 - 04:07: I picture being like catering at a festival in 2008.
04:07 - 04:10: And just like seeing somebody just like starting to like hum it to myself.
04:10 - 04:13: Oh my God, I don't even know this person.
04:13 - 04:15: I actually remember one notable time.
04:15 - 04:18: I think I was behind a member of the Ting Tings.
04:18 - 04:20: They did some huge songs at the time.
04:20 - 04:22: So they were like ubiquitous.
04:22 - 04:25: One of them was like, "That's not my name. That's not my..."
04:25 - 04:27: And I just remember like, I think I literally,
04:27 - 04:29: something like that happened where I was like, "Oh God, I hope I..."
04:29 - 04:31: Like I walked past somebody.
04:31 - 04:32: I'm always like humming to myself and stuff.
04:32 - 04:35: And I was like, "Oh man, what do they think I was like doing?"
04:35 - 04:38: Trying to do some kind of prank or something.
04:38 - 04:40: Hopefully they didn't hear.
04:40 - 04:42: But anyway, I was sipping a great margarita,
04:42 - 04:45: but my brain is now wired when I think about margaritas
04:45 - 04:48: to exclusively think about the worst margarita in my life.
04:48 - 04:50: And I was like, "What's that song you're singing?"
04:50 - 04:52: And you're like, "It's a song called 'The Best Margarita of My Life.'"
04:52 - 04:53: Right.
04:53 - 04:57: A friend of mine went to a Dodger game a few weeks ago
04:57 - 05:01: and sent me a photograph of them standing in front of the margarita stand
05:01 - 05:03: at Dodger Stadium.
05:03 - 05:05: And I was like, "Did the song teach you nothing?"
05:05 - 05:11: You know, I feel like we should probably get some Dodgers fans on one of these days.
05:11 - 05:16: Because I know at least once I was talking to some like old school LA person.
05:16 - 05:18: And who could this have been?
05:18 - 05:19: I don't know.
05:19 - 05:23: I know at least once I had a conversation about Dodger Stadium and I said,
05:23 - 05:26: "Oh, have you heard this Mountain Brews song? It's a great song."
05:26 - 05:28: And at least once somebody said to me,
05:28 - 05:30: "Okay, but that doesn't make any sense.
05:30 - 05:33: The margaritas are excellent at Dodger Stadium."
05:33 - 05:35: Wow.
05:35 - 05:38: Well, maybe that person is like VIP and they're in that weird like--
05:38 - 05:40: That was exactly my thought.
05:40 - 05:41: That was exactly-- Yeah.
05:41 - 05:44: Because there is, for listeners, there is like--
05:44 - 05:50: I went once, someone I knew had tickets that were like these close in box seats basically.
05:50 - 05:54: And included with the ticket is access to a sort of like--
05:54 - 05:56: The players club.
05:56 - 05:59: Yeah, like a buffet basically of like really nice food.
05:59 - 06:02: Probably everything you could think of, sushi, crab legs.
06:02 - 06:05: Yeah, enchiladas, whatever.
06:05 - 06:08: And I bet they got a good Marg down there.
06:08 - 06:09: Oh, I bet.
06:09 - 06:12: But just like mezzanine level, like dude, come on.
06:12 - 06:15: It's literally flat Mountain Brew.
06:15 - 06:17: Mixed with tequila for a noxious brew.
06:17 - 06:19: No, maybe this is something.
06:19 - 06:22: There actually could be a sequel called The Best Margarita of My Life.
06:22 - 06:29: And it's about, you know, like a prominent Angeleno businessman invites you to the game.
06:29 - 06:31: How about this? He's an art collector.
06:31 - 06:33: He's a billionaire art collector.
06:33 - 06:35: And he's just like-- This is how I roll.
06:35 - 06:38: "I love your work and it'd be my honor to take you to the game."
06:38 - 06:41: And then you go to the game and he's like,
06:41 - 06:42: "Let's go get some margaritas."
06:42 - 06:43: And you're like, record scratch.
06:43 - 06:45: And you're just like, "Not a fan."
06:45 - 06:48: He's like, "Oh, you're talking about that dog s*** there? No, no.
06:48 - 06:50: We're going to the players club."
06:50 - 06:51: You guys roll in.
06:51 - 06:52: You take a sip.
06:52 - 06:54: And you're like, "This is the best margarita of my life."
06:54 - 06:59: But then maybe like verse three is like, "You really have to sit with that."
06:59 - 07:01: Man, what a country.
07:01 - 07:04: I've had the best margarita of my life and the worst margarita of my life
07:04 - 07:06: in the same baseball stadium.
07:06 - 07:07: What does that say about us?
07:07 - 07:10: It's all about, you know, access and who you know, man.
07:10 - 07:11: That's right.
07:11 - 07:15: It's really a perfect metaphor for America, dude, right?
07:15 - 07:16: That's right.
07:16 - 07:21: Which is, you know, not to jump the gun, is a great segue towards
07:21 - 07:28: some pretty earth-shadowing, earth-shattering news within the TC world.
07:28 - 07:33: Now, I got a little heads up that somebody told me,
07:33 - 07:37: somebody who had some connection to the journalist or something,
07:37 - 07:42: told me the day before there's going to be some piece dropping tomorrow
07:42 - 07:46: that's going to be very interesting to the TC community.
07:46 - 07:48: And I was like, "I wonder what that could be."
07:48 - 07:52: And it was a piece that probably a lot of people have at least heard about
07:52 - 07:57: if you're remotely a TC head that basically makes the explosive claim
07:57 - 08:01: that Richard Montanez, who we've been talking about for years here,
08:01 - 08:04: as the inventor of Flaming Hot Cheetos,
08:04 - 08:07: pretty amazing rags to riches story.
08:07 - 08:09: A Frito-Lay employee who started as a janitor,
08:09 - 08:11: worked his way up to an executive.
08:11 - 08:15: A Mexican-American man, didn't finish high school,
08:15 - 08:17: believed in himself, worked hard.
08:17 - 08:20: He still kind of is a motivational speaker.
08:20 - 08:24: He posts motivational quotes and videos on Instagram.
08:24 - 08:26: Kind of a beloved dude.
08:26 - 08:31: And this article says that he didn't actually invent Flaming Hot Cheetos.
08:31 - 08:35: And there's been a lot of back and forth in the past week.
08:35 - 08:37: I mean, first of all, so Nick,
08:37 - 08:39: you were starting to say to us before the show
08:39 - 08:43: that you received six telephone calls about this?
08:43 - 08:48: Yeah. I mean, I'm surprised that you guys didn't.
08:48 - 08:50: Calls or texts? I got texts.
08:50 - 08:53: Texts, calls. No, I got a couple of phone calls.
08:53 - 08:56: Just, you know, I think people wanting to check it.
08:56 - 08:58: Maybe it was from closer friends.
08:58 - 09:01: But people, you know, just the idea that at some point
09:01 - 09:07: the show has become so associated with, I think, this story.
09:07 - 09:11: But also just the food, corporate food stuff,
09:11 - 09:15: that I feel like people really, when they read this,
09:15 - 09:18: their first thought was, "I want to tell you about it
09:18 - 09:20: because I think you need to cover it."
09:20 - 09:23: And that, you know, yeah, some people called and were like,
09:23 - 09:25: "Whoa, it's pretty heavy."
09:25 - 09:30: You know, it just is strange to me
09:30 - 09:33: that that is how they think of us.
09:33 - 09:35: I like it.
09:35 - 09:37: And I just feel like, you know, there's certain stories
09:37 - 09:39: where you start getting lots of texts or calls
09:39 - 09:41: and you're like, "Dude, you're like the 10th person
09:41 - 09:42: to tell me about this."
09:42 - 09:44: But it's only been this story.
09:44 - 09:47: And one of those people, and I'll throw back to you,
09:47 - 09:50: was friend of the show, Jonah Weiner,
09:50 - 09:52: who immediately was like, "You got to see this
09:52 - 09:54: because my friend wrote this article."
09:54 - 09:56: He is the one who's debunked.
09:56 - 09:59: Yeah, and so he's the one who introduced us.
09:59 - 10:02: And we were talking about having the journalist on the show.
10:02 - 10:04: He's clearly a very talented journalist.
10:04 - 10:05: I just had this feeling where I was like,
10:05 - 10:07: "You know what? We got so much to talk about.
10:07 - 10:09: We got to wait until we can get Montaigne's on
10:09 - 10:11: to have equal time."
10:11 - 10:13: Although, I will say, we've been trying to get him
10:13 - 10:15: on the show for a while and he's refused.
10:15 - 10:16: But no hard feelings.
10:16 - 10:19: But maybe now, maybe that'll be some of our
10:19 - 10:21: banked episodes for the summer.
10:21 - 10:25: It's just a five-part Flamin' Hot series.
10:25 - 10:27: I already said that for the documentary
10:27 - 10:28: we're going to make about it,
10:28 - 10:30: it's going to be called Flamin' Hot Mess.
10:30 - 10:32: We're going to give equal time to all sides.
10:32 - 10:37: ♪ Sometimes I feel like I just want to go back to my old ways ♪
10:37 - 10:41: ♪ You're telling me I'm silly, it's no fun in the old days ♪
10:41 - 10:44: ♪ I'm such a romantic, I never remember ♪
10:44 - 10:46: ♪ But things really happen ♪
10:46 - 10:50: ♪ I guess you're attractive or something ♪
10:50 - 10:53: ♪ Live in the moment, that's what they tell me ♪
10:53 - 10:56: ♪ But whatever happened to when you would hold me ♪
10:56 - 10:59: ♪ And hold me and hold me ♪
10:59 - 11:01: ♪ Girlfriend or girl that's a friend ♪
11:01 - 11:05: ♪ It's easy just to pretend that we don't have something real ♪
11:05 - 11:08: ♪ It's just how we feel ♪
11:08 - 11:13: ♪ We feel ♪
11:13 - 11:17: ♪ Oh, it's just how we feel ♪
11:17 - 11:21: ♪ How we feel ♪
11:21 - 11:23: Also, just to clarify, it's interesting to work backwards
11:23 - 11:26: because I'm pretty sure that, Jake, you're the first person
11:26 - 11:28: who mentioned this story to me.
11:28 - 11:29: Maybe on the show.
11:29 - 11:30: I was trying to remember.
11:30 - 11:33: I feel like it might have just come up spontaneously on the show.
11:33 - 11:34: But you knew it.
11:34 - 11:35: Did I know it?
11:35 - 11:38: I was wondering if it was like the kind of classic TC
11:38 - 11:40: where we're kind of Googling on air.
11:40 - 11:42: And we're like, "Oh, dude, look at this."
11:42 - 11:45: My memory is that we're talking about Flamin' Hot Cheetos or something
11:45 - 11:47: and you're like, "You know what's tight?
11:47 - 11:49: Actually, a janitor invented that."
11:49 - 11:50: You knew that somehow.
11:50 - 11:52: Okay, yeah, I didn't remember.
11:52 - 11:54: We got to find out how you knew that
11:54 - 11:57: because this might actually be the key to cracking the case
11:57 - 11:58: because I was reading the article.
11:58 - 12:00: There's a lot of talk about, "Well, hold on.
12:00 - 12:03: Montaigne's didn't do this until '93.
12:03 - 12:05: It was already in development by '89."
12:05 - 12:08: Maybe, Jake, you have some deep memory where you're like,
12:08 - 12:11: "You know what, dude? '88, that's when I found out."
12:11 - 12:16: I've been a Montaigne's head for 30 years.
12:16 - 12:20: I was 11 years old on a family trip to SoCal.
12:20 - 12:26: I'm on the TCU Wiki and episode 28, October 9, 2016.
12:26 - 12:27: Early.
12:27 - 12:31: Yeah, it looks like a listener sends Jake an email
12:31 - 12:35: about Hot Cheetos' history and controversial presence.
12:35 - 12:37: I think it was a listener email that might have alerted us.
12:37 - 12:41: Really? I feel like Jake just knew the janitor thing.
12:41 - 12:43: Well, anyway, just so people know,
12:43 - 12:47: it's like since that era, Flamin' Hot Cheetos,
12:47 - 12:51: probably because of Richard Montaigne's really being out there
12:51 - 12:54: telling his story, becoming an interesting mix
12:54 - 13:00: of a motivational speaker, corporate food marketer,
13:00 - 13:04: somebody who had a story to tell about life in America.
13:04 - 13:08: I think because of him, Flamin' Hot Cheetos just only grew bigger.
13:08 - 13:10: Maybe he was already on that path. I don't know.
13:10 - 13:13: But I think it already felt like a big deal in 2016.
13:13 - 13:15: By 2021, it feels like--
13:15 - 13:19: Obviously, I'm a little biased because we talk about it on TC so much,
13:19 - 13:22: but it felt like Flamin' Hot Cheetos is the most talked-about
13:22 - 13:24: snack food in America.
13:24 - 13:29: Well, and I feel like his profile has definitely risen
13:29 - 13:31: in the last five years.
13:31 - 13:32: Oh, absolutely.
13:32 - 13:35: I feel like when we first covered the story back in 2016,
13:35 - 13:37: it was a bit of an obscure find.
13:37 - 13:39: And I guess a listener maybe clued us in.
13:39 - 13:43: And it was sort of like, "Wow, what a fun, cool little nugget of history."
13:43 - 13:46: But now I feel like when that story broke,
13:46 - 13:48: a lot of people were like, "Oh, yeah, I know that story.
13:48 - 13:49: Of course, Richard Montaigne."
13:49 - 13:50: Right, Richard Montaigne.
13:50 - 13:51: They're making a movie about him.
13:51 - 13:52: Yes.
13:52 - 13:53: He's a fraud? What is this?
13:53 - 13:56: In the past couple years, there was--
13:56 - 13:58: I think he already self-published one book.
13:58 - 14:00: He's about to release--
14:00 - 14:01: Multiple books.
14:01 - 14:03: He's about to release another book about his story.
14:03 - 14:07: And yes, Eva Longoria is set to direct a movie about his story
14:07 - 14:11: that takes place-- or that's going to film this summer.
14:11 - 14:14: So, yeah, all those things, I think, really raised his profile.
14:14 - 14:17: So, you know, maybe it was a matter of time
14:17 - 14:20: that somebody wanted to look under the hood and see what's up.
14:20 - 14:22: So, basically, the story says--
14:22 - 14:24: Well, and here's the facts.
14:24 - 14:29: It's like Richard Montaigne was a low-level worker at Frito-Lay.
14:29 - 14:31: He was like-- worked at one of the machines.
14:31 - 14:33: In Rancho Cucamonga.
14:35 - 14:39: And he definitely did go from being a low-level employee
14:39 - 14:42: to being a pretty high-up marketing executive
14:42 - 14:48: who specifically helped create brands targeted at the Latino community.
14:48 - 14:53: According to the article, a few years before Richard Montaigne's story
14:53 - 14:55: that he pitched this idea to--
14:55 - 14:57: 'cause also just to remind people,
14:57 - 14:59: the story, I think, as we knew it,
14:59 - 15:01: was kind of that he was a janitor,
15:01 - 15:03: they were throwing out some Cheetos,
15:03 - 15:05: and he said, "You know what? I got an idea.
15:05 - 15:08: Let me take this s--t home, get him a little spicy,
15:08 - 15:09: put a little lime on him."
15:09 - 15:11: Then he brought it back in a big bag
15:11 - 15:14: and started giving them out and said to an executive,
15:14 - 15:16: "I think this could really go."
15:16 - 15:18: And maybe even made up the name.
15:18 - 15:20: That's the story as we knew it.
15:20 - 15:23: According to the article,
15:23 - 15:26: there was a team of marketing executives
15:26 - 15:28: already working in the Midwest.
15:28 - 15:29: And food scientists.
15:30 - 15:31: And the way--
15:31 - 15:32: Chemists.
15:32 - 15:34: There are a lot of cool little nuggets in the story.
15:34 - 15:36: You know, whatever the truth is,
15:36 - 15:37: I learned some interesting things.
15:37 - 15:42: One is, you know who supplies the flavoring for Frito-Lay?
15:42 - 15:43: McCormick.
15:43 - 15:44: I don't. I mean--
15:44 - 15:45: Oh, right.
15:45 - 15:46: McCormick, which is kind of like
15:46 - 15:49: the supermarket brand of herbs and spices.
15:49 - 15:51: And they make the Flamin' Hot dust.
15:51 - 15:52: That'd be pretty tight.
15:52 - 15:53: You know how like--
15:53 - 15:55: It's like some classic thing that
15:55 - 15:56: somebody has a little spice cabinet
15:56 - 15:59: and they have just all the McCormick products, nutmeg.
15:59 - 16:01: And you know, it's kind of classy,
16:01 - 16:02: or at least homey.
16:02 - 16:06: They should just be selling McCormick Presents Flamin' Hot
16:06 - 16:08: right next to the nutmeg and the sage.
16:08 - 16:09: Oh, yeah.
16:09 - 16:11: Do you throw that on some mac and cheese?
16:11 - 16:12: Oh, yeah.
16:12 - 16:14: I can't believe they don't do that.
16:14 - 16:15: I can't--
16:15 - 16:18: Even saying it's dust as a spice.
16:18 - 16:19: Right.
16:19 - 16:22: I mean, where are these marketing people?
16:22 - 16:23: That is such a good idea.
16:23 - 16:24: Yeah, wait.
16:24 - 16:27: You can't buy official McCormick X Frito-Lay
16:27 - 16:30: Flamin' Hot dust anywhere?
16:30 - 16:32: I can already picture the television ad.
16:32 - 16:34: They'd license Gold Dust Woman.
16:34 - 16:38: And did she make you cry?
16:38 - 16:40: Make you break down?
16:40 - 16:43: Pick up the pieces of your illusion?
16:44 - 16:47: Yeah, because that song already has some kind of cowboy energy.
16:47 - 16:49: And it's like some weird Bae style dudes
16:49 - 16:51: who get off on spice.
16:51 - 16:52: Oh, yeah.
16:52 - 16:55: Just like [bleep] their mac and cheese
16:55 - 16:58: or their pizza crust or whatever
16:58 - 17:01: with just coating it in Gold Dust Woman.
17:01 - 17:03: And as the ad is just like,
17:03 - 17:05: "Did she make you cry?
17:05 - 17:07: Make you break down?"
17:07 - 17:09: And dudes are just like, "Oh, my God, dude!"
17:09 - 17:10: So hot.
17:10 - 17:11: Yeah, how is that not--
17:11 - 17:12: So stupid.
17:12 - 17:14: That should be right there next to the cinnamon.
17:14 - 17:17: That should be like a top five spice to have it on.
17:17 - 17:20: How about like kind of like Coca-Cola style?
17:20 - 17:23: You just randomly decide it's a Christmas product
17:23 - 17:25: just to get that end of the year boost.
17:25 - 17:27: And you're just like--
17:27 - 17:28: You just start--
17:28 - 17:31: Every year after Halloween, you just start doing Flamin' Hot ads.
17:31 - 17:33: It's like, "It's that--"
17:33 - 17:34: It's like Jingle Bells.
17:34 - 17:35: Ding, ding, ding, ding, ding, ding.
17:35 - 17:37: And it's just like, "It's that time of year again.
17:37 - 17:40: Get ready for a red Christmas."
17:40 - 17:43: And it's like a snow globe, but the snow is like red.
17:43 - 17:46: And just for whatever reason, we're just kind of like--
17:46 - 17:48: It wouldn't be Christmas time without Coca-Cola
17:48 - 17:52: or Flamin' Hot dust from McCormick.
17:52 - 17:53: You put it on your popcorn.
17:53 - 17:56: People are putting it on their sweet potatoes and stuff.
17:56 - 17:57: Why not?
17:57 - 17:58: Christmas yams.
17:58 - 18:02: ♪ Rack on, Gold Dust Woman ♪
18:02 - 18:05: ♪ Take your silver spoon ♪
18:05 - 18:07: ♪ Take your friend ♪
18:10 - 18:17: ♪ Heartless challenge ♪
18:17 - 18:21: ♪ Pick your friend and outbreak ♪
18:21 - 18:32: ♪ Wake up in the morning ♪
18:32 - 18:35: ♪ See your sun rise ♪
18:35 - 18:38: ♪ Let love go down ♪
18:38 - 18:40: Anyway, that's pretty cool.
18:40 - 18:43: I didn't know that McCormick and Frida Lay had that alliance.
18:43 - 18:44: I love that.
18:44 - 18:45: It's great to know.
18:45 - 18:48: So, you know, the true story, honestly, it's so dry.
18:48 - 18:49: Or the supposedly true story--
18:49 - 18:50: Oh, my God.
18:50 - 18:51: It's really dry.
18:51 - 18:55: My first thought when I heard someone say
18:55 - 18:59: that they're poking holes in Montaigne's story,
18:59 - 19:00: he lied, he didn't--
19:00 - 19:03: Like, look, people lie, it's true.
19:03 - 19:07: But also this feeling of like, we don't have a lot of heroes.
19:07 - 19:09: And it seems like so far a lot of people,
19:09 - 19:13: including the screenwriter of the movie and the publisher,
19:13 - 19:14: and even Frida Lay,
19:14 - 19:19: they don't seem that interested in destroying his story.
19:19 - 19:23: Because you know what's not a feel-good story?
19:23 - 19:27: What's not a feel-good story is a bunch of well-paid
19:27 - 19:31: marketing execs in the Midwest came up with the flaming hot,
19:31 - 19:32: you know, in a corporate--
19:32 - 19:34: I mean, although that's a good story for me.
19:34 - 19:36: I mean, I'd watch that movie.
19:36 - 19:39: I don't think that's the feel-good story that people care about.
19:39 - 19:42: Yeah, it sounds like the real story is--
19:42 - 19:45: The way they describe it is also just like so corporate
19:45 - 19:49: that a bunch of marketing executives would go drive around the Midwest
19:49 - 19:52: and go pick up like snack foods they'd never heard of
19:52 - 19:53: at little mini-marts,
19:53 - 19:55: then bring them back and look at them,
19:55 - 19:59: and just be like, "Are we getting beat by any of this bulls**t?"
19:59 - 20:00: It seems like the consensus was like,
20:00 - 20:05: "Yeah, we need some spicy red b**t because people are buying these weird brands."
20:05 - 20:08: It's such like a Mike Judge movie or something.
20:08 - 20:09: Yeah.
20:09 - 20:11: Mike Judge could make the counterpart.
20:11 - 20:14: I also think of like Mike Judge teamed up with like Adam Curtis
20:14 - 20:15: and would make this.
20:15 - 20:17: Because it's also very Adam Curtis where it's like
20:17 - 20:19: there's a mythology that we love,
20:19 - 20:20: and then we like learn the truth,
20:20 - 20:22: and we're just like, "No, no, no, no, no."
20:22 - 20:24: Everyone just buries their head in the sand and is like,
20:24 - 20:26: "No, no, no, no. We like the story better."
20:26 - 20:27: Right.
20:27 - 20:30: So it sounds like there's a couple people who take credit,
20:30 - 20:32: who are part of the team.
20:32 - 20:35: Well, and also there's a classic thing here where the--
20:35 - 20:37: it sounds like the Frito-Lay story is basically,
20:37 - 20:38: yeah, there's a team,
20:38 - 20:40: a team of R&D people put it together.
20:40 - 20:43: This woman named Lynn Greenfeld,
20:43 - 20:45: who had recently got her MBA.
20:45 - 20:48: Sounds like she kind of spearheaded it.
20:48 - 20:49: Somebody else maybe named it.
20:49 - 20:50: I don't know.
20:50 - 20:52: But then as I read the whole article,
20:52 - 20:55: it's a little strange because there's one dude
20:55 - 20:59: who was the CEO of Frito-Lay for a while
20:59 - 21:01: who says, "No, I remember.
21:01 - 21:03: Richard Montanez came in and pitched this to me."
21:03 - 21:04: Right.
21:04 - 21:05: Al Carey.
21:05 - 21:06: Right.
21:06 - 21:08: But then the opposing side of that was that
21:08 - 21:10: in Montanez's book, he had--
21:10 - 21:12: there was like 60 references he pitched
21:12 - 21:15: to this other CEO in Ricoh or something
21:15 - 21:19: who didn't start working for Frito-Lay until like '91,
21:19 - 21:23: which was like a year after Flamin' Hot was on the market
21:23 - 21:24: or something like that.
21:24 - 21:26: So the timelines were just--
21:26 - 21:29: I mean, it's so funny that it's only 30 years ago
21:29 - 21:30: and it's still like--
21:30 - 21:33: it just goes to show the fallibility of memory
21:33 - 21:36: and even like people can't even agree on
21:36 - 21:38: a story that really doesn't matter
21:38 - 21:40: in the grand scheme of things.
21:40 - 21:43: It sounds like basically as Montanez's profile grew,
21:43 - 21:45: this one woman was kind of like, "What?"
21:45 - 21:46: Yeah, there's another thing that kind of cracked me up
21:46 - 21:48: reading the article, which was,
21:48 - 21:50: you know, like Flamin' Hot was sort of like
21:50 - 21:52: big on the internet with like the kids.
21:52 - 21:58: It was sort of like a meme object for younger people
21:58 - 22:01: and everyone that had worked on the original product
22:01 - 22:03: were like retired and like not hanging out
22:03 - 22:05: on that part of the internet.
22:05 - 22:07: So this is only crossing their desk recently.
22:07 - 22:08: Right.
22:08 - 22:09: Kind of what we were saying,
22:09 - 22:11: like as Montanez's profile grew,
22:11 - 22:13: that's when they sort of like finally started
22:13 - 22:15: interacting with the story.
22:15 - 22:16: Even though like Flamin' Hot had been
22:16 - 22:18: like sort of like a meme for years.
22:18 - 22:20: Yeah, they had been checked out on the rise.
22:20 - 22:21: Yeah.
22:21 - 22:23: So what was Frito-Lay's actual statement about it?
22:23 - 22:24: Something to the effect of like,
22:24 - 22:27: while we still celebrate Richard,
22:27 - 22:29: we can't verify that he,
22:29 - 22:31: there's like our records indicate
22:31 - 22:34: he did not work on the development of Flamin' Hot,
22:34 - 22:36: but we still celebrate Richard.
22:36 - 22:39: My theory, we haven't talked this,
22:39 - 22:41: my sort of QAnon theory about this
22:41 - 22:45: is that he is sort of a creation of the company.
22:45 - 22:48: Like he's Fred the Baker, IRL.
22:48 - 22:51: Like they want him to be the guy.
22:51 - 22:55: And so they're mortified anyone is saying that he's not.
22:55 - 22:57: Like he's the story.
22:57 - 23:00: He's the, he's, and they did it in a way that's like,
23:00 - 23:01: would you ever be like Fred the Baker
23:01 - 23:03: doesn't really make the donuts?
23:03 - 23:05: Yeah, but we understand that Fred the Baker
23:05 - 23:09: is like an actor playing like a fictional character.
23:09 - 23:10: Yeah, we think, we think.
23:10 - 23:11: Colonel Sanders might be a good.
23:11 - 23:12: Or Colonel Sanders.
23:12 - 23:13: I just think that like,
23:13 - 23:17: but no, of course this is the Adam Curtis, you know.
23:17 - 23:19: We need the story, like this is real.
23:19 - 23:21: But I think that there's something,
23:21 - 23:23: so, you know, I think they were like,
23:23 - 23:25: here's this guy there and he just sort of was like,
23:25 - 23:27: I'll go along with this story.
23:27 - 23:29: And he's essentially the mascot.
23:29 - 23:30: It's a psy-op.
23:30 - 23:32: So it's a psy-op and they're celebrating him
23:32 - 23:35: the way you'd celebrate your mascot.
23:35 - 23:38: But it's too probably problematic.
23:38 - 23:39: You can't call a real person.
23:39 - 23:40: Well, hold on a second,
23:40 - 23:43: because there was something interesting in the article.
23:43 - 23:46: Obviously, you get stories like this all the time,
23:46 - 23:47: especially in America,
23:47 - 23:51: where somebody will like fully fabricate an identity,
23:51 - 23:52: something like that,
23:52 - 23:55: some like P.T. Barnum or, you know,
23:55 - 23:57: just somebody coming out of nowhere being like,
23:57 - 24:00: yeah, I invented this and they can make it pretty far
24:00 - 24:02: until somebody's like, no, you didn't.
24:02 - 24:03: You weren't, what are you even talking about?
24:03 - 24:07: It's not quite that cut and dry with Mr. Montanez
24:07 - 24:10: because he truly did have a remarkable story.
24:10 - 24:13: He did, and I think does still work for Frito-Lay.
24:13 - 24:14: And here's the thing.
24:14 - 24:15: I think he's retired now.
24:15 - 24:16: Oh, he's retired,
24:16 - 24:18: but he's still pulling in the big bucks with the speaking piece.
24:18 - 24:19: I think they were like, yeah,
24:19 - 24:21: if you're doing the like motivational speaking,
24:21 - 24:22: you need to retire.
24:22 - 24:24: He's out there hanging out with his good friend,
24:24 - 24:26: Oscar De La Hoya, just killing it.
24:26 - 24:28: There's a lot of Oscar De La Hoya on his Instagram.
24:28 - 24:29: Hell yeah.
24:29 - 24:31: But here's the thing, which they say in the article,
24:31 - 24:35: at the very least, he did develop sabrositas.
24:35 - 24:36: Is that what they're called?
24:36 - 24:38: Is that the Flamin' Hot popcorn?
24:38 - 24:41: No, but he was instrumental in the Flamin' Hot popcorn.
24:41 - 24:45: So he is part of the Flamin' Hot story no matter what.
24:45 - 24:47: Is that what it's called, sabrositas?
24:47 - 24:49: Yeah, it's under the Fritos umbrella.
24:49 - 24:54: It's a Fritos sort of parallel to the Flamin' Hot.
24:54 - 24:56: So it's almost like a Flamin' Hot Frito.
24:56 - 24:57: Yeah.
24:57 - 25:00: You know, maybe it's like Flamin' Hot is Fleetwood Mac
25:00 - 25:03: and he's like Stevie Nicks or Lindsey Buckingham.
25:03 - 25:04: And they're just like,
25:04 - 25:07: "I know we weren't around for the first five albums,
25:07 - 25:10: the Peter Green era, but you know what?
25:10 - 25:13: When we came on, we made it Fleetwood Mac.
25:13 - 25:15: And I don't care who started this band,
25:15 - 25:18: Fleetwood Mac is about Stevie Nicks
25:18 - 25:19: and Lindsey Buckingham or something."
25:19 - 25:20: You know what I mean?
25:20 - 25:21: It might be something like that,
25:21 - 25:26: where he really did do something so important for the brand
25:26 - 25:29: that he wanted to just simplify the story by saying,
25:29 - 25:31: "Well, look, that's human nature.
25:31 - 25:35: People want to simplify stories just to make their story simpler,
25:35 - 25:38: just to make their story more straightforward,
25:38 - 25:40: perhaps for reasons of self-aggrandizing."
25:40 - 25:43: And if you tell that, that becomes your reality.
25:43 - 25:46: I mean, it reminded me of the Brian Williams story.
25:46 - 25:50: Remember, he was like,
25:50 - 25:53: he said he was in like a helicopter they got shot at,
25:53 - 25:55: like over Afghanistan or Iraq or something.
25:55 - 25:56: Right.
25:56 - 25:58: He'd been telling that story for a while
25:58 - 26:00: as like a wartime correspondent.
26:00 - 26:02: And then someone was like, "No, you weren't, dude."
26:02 - 26:05: And he got fired and it became this whole thing.
26:05 - 26:07: I remember listening to this special,
26:07 - 26:09: his interview with him years later,
26:09 - 26:12: and he was talking about the fallibility of memory.
26:12 - 26:15: He's like, "Yeah, I guess I wasn't.
26:15 - 26:20: I did report from Iraq, Afghanistan,
26:20 - 26:22: and I saw tons of crazy stuff,
26:22 - 26:27: but I guess somehow things got screwy in my head as time went on."
26:27 - 26:29: And that's the story I told myself.
26:29 - 26:31: And then that became the reality.
26:31 - 26:33: I mean, there's so many studies on memory.
26:33 - 26:36: The things that you recall the most are the things,
26:36 - 26:39: like the memories in your head that you recall the most
26:39 - 26:42: are probably the farthest from actual reality
26:42 - 26:44: because it's like a tape that you play over and over again.
26:44 - 26:46: And each time you play it in your head,
26:46 - 26:48: it gets a little degraded.
26:48 - 26:52: And so I could see it being a situation like that.
26:52 - 26:54: Can I posit a different theory?
26:54 - 26:55: Sure.
26:55 - 27:00: He came up with his version of a similar Flaming Hot thing
27:00 - 27:01: and brought it there.
27:01 - 27:02: And they'd already had,
27:02 - 27:05: there's like this kind of idea is out in the zeitgeist.
27:05 - 27:08: As ideas are, and they're looking at other products,
27:08 - 27:10: he comes up with something and he says,
27:10 - 27:11: "I think I have something good."
27:11 - 27:14: The test markets are already out for these Flaming Hot Cheetos,
27:14 - 27:17: and it's actually Frito-Lay that looks at this guy
27:17 - 27:20: and they tell him he invented it.
27:20 - 27:23: So you're going like full CIA.
27:23 - 27:27: Yeah, I think that I was thinking when I was reading
27:27 - 27:29: in my version of what this movie would be,
27:29 - 27:31: and I wanted to pitch it to you guys,
27:31 - 27:34: is that we actually go with the LA Times story
27:34 - 27:37: and that guy's like, what is it, Pat O'Neill?
27:37 - 27:38: Tom O'Neill.
27:39 - 27:42: He's chaos and he's looking at all the timelines
27:42 - 27:45: and what did this and really, yeah, it's full on.
27:45 - 27:48: He's like, he's saying he was here at this point,
27:48 - 27:50: but he didn't graduate college or high school
27:50 - 27:52: and he's putting it all together.
27:52 - 27:54: And really what we learn is that you have these
27:54 - 27:57: high-level executives at Frito-Lay who are basically like,
27:57 - 27:59: "This guy's going to be our patsy.
27:59 - 28:00: We're going to make tell..."
28:00 - 28:02: So he thinks he invented it.
28:02 - 28:05: Well, Montaigne has made a statement that sort of supports your theory.
28:05 - 28:09: He said that at the time Frito-Lay had five divisions.
28:09 - 28:12: He doesn't know what the other parts of the company were doing
28:12 - 28:14: and he'd never heard of Greenfeld.
28:14 - 28:15: And he's quoted saying,
28:15 - 28:17: "I'm not even going to try to dispute that lady
28:17 - 28:18: because I don't know.
28:18 - 28:20: All I can tell you is what I did,
28:20 - 28:22: all I have is my history, what I did,
28:22 - 28:24: what I didn't like."
28:24 - 28:26: "Which was given to me by a strange gentleman."
28:26 - 28:28: Well, he didn't talk about acid.
28:28 - 28:30: I mean, he's...
28:30 - 28:33: "All I can tell you is I was doing a lot of acid on the time,
28:33 - 28:37: given to me by a military doctor."
28:37 - 28:39: To Frito-Lay.
28:39 - 28:40: Okay, sorry.
28:40 - 28:42: Frito-Lay brought in a military doctor.
28:42 - 28:43: It wasn't an acid then.
28:43 - 28:46: I mean, he didn't speak explicitly about the acid,
28:46 - 28:47: but he just said,
28:47 - 28:50: "All I have is my history and what I did in my kitchen."
28:50 - 28:52: Well, you know, I seem to recall,
28:52 - 28:53: I might have the number wrong,
28:53 - 28:57: but reading that written language,
28:57 - 28:59: which didn't exist in every culture,
28:59 - 29:01: not every culture had written language,
29:01 - 29:03: but it was, I don't know who you call it,
29:03 - 29:07: linguists or whoever studies the written language,
29:07 - 29:08: orthographists, whatever,
29:08 - 29:11: they can say that written language was invented,
29:11 - 29:14: they know for a fact it was invented like five times
29:14 - 29:16: in different parts of the world.
29:16 - 29:17: Wow, independently.
29:17 - 29:20: Independently, and that they can say,
29:20 - 29:23: like basically all written language stems from one of these,
29:23 - 29:25: I might have the number wrong, but five times,
29:25 - 29:30: like Arabic and somewhere in what's now called the Americas,
29:30 - 29:33: maybe like the Aztecs had a version of written language,
29:33 - 29:35: but that they can kind of trace written language
29:35 - 29:37: to a few separate places.
29:37 - 29:41: So if, you know, human beings invented writing,
29:41 - 29:43: essentially five different times,
29:43 - 29:46: totally different styles, unrelated cultures,
29:46 - 29:47: not in contact with each other,
29:47 - 29:50: who's to say that in a big organization like Frito-Lay
29:50 - 29:51: in the late '80s, early '90s,
29:51 - 29:55: it could not have been invented different times.
29:55 - 29:57: I also feel like that's some human nature (beep)
29:57 - 30:00: where like if people had an idea for something,
30:00 - 30:02: even if they didn't get to market first,
30:02 - 30:04: they'll still kind of be like, yeah, but you know,
30:04 - 30:05: I was there first.
30:05 - 30:06: Yeah.
30:06 - 30:09: Maybe it's not that crazy that the Midwestern division
30:09 - 30:13: could have been researching and starting to put out
30:13 - 30:14: Flamin' Hot Cheetos.
30:14 - 30:19: It's not, is it impossible that Montañez could have been saying,
30:19 - 30:23: we need some more spicy products, did do a big pitch.
30:23 - 30:25: And somebody was like, well, you know,
30:25 - 30:27: we've been rolling out these Flamin' Hot Cheetos.
30:27 - 30:28: And he was like, let me try these.
30:28 - 30:29: And he was like, okay,
30:29 - 30:31: this is exactly what I'm talking about anyway.
30:31 - 30:33: Here's my, I don't know.
30:33 - 30:34: It's not impossible.
30:34 - 30:35: I like that.
30:35 - 30:37: It's a more generous read.
30:37 - 30:39: It's more ambiguous.
30:39 - 30:40: Cause it'd be easy for, yeah.
30:40 - 30:44: I mean like the headline was like Richard Montanez is a fraud,
30:44 - 30:46: which is like too hard.
30:46 - 30:48: I didn't like that energy at all, which is tough,
30:48 - 30:49: which is real rough.
30:49 - 30:54: And I like this more ambiguous kind of messy version or
30:54 - 30:59: convergent evolution with the Flamin' Hot product idea.
30:59 - 31:01: ♪ Hot Cheetos and Takis ♪
31:03 - 31:06: ♪ I can't get enough of these Hot Cheetos and Takis ♪
31:06 - 31:08: ♪ Got my fingers stained red ♪
31:08 - 31:10: ♪ And I can't not get 'em on me ♪
31:10 - 31:11: ♪ You can catch me in my groove ♪
31:11 - 31:13: ♪ Eating Hot Cheetos and Takis ♪
31:13 - 31:14: ♪ Pow ♪
31:14 - 31:16: ♪ Snack, snack, snack ♪
31:16 - 31:20: ♪ Crunch, snack, snack, snack ♪
31:20 - 31:22: ♪ Hot Cheetos and Takis ♪
31:22 - 31:23: ♪ Hot Cheetos and Takis ♪
31:23 - 31:25: ♪ You can catch me in my groove ♪
31:25 - 31:27: ♪ Eating Hot Cheetos and Takis ♪
31:27 - 31:28: - You know what, I guess, well,
31:28 - 31:31: we need some insight from some other people on this,
31:31 - 31:35: but I have seen people reference the racial angle of all this.
31:35 - 31:40: That these Flamin' Hot products were often marketed
31:40 - 31:43: to people of Hispanic descent.
31:43 - 31:46: And the story that of Richard Montaigne is being like,
31:46 - 31:51: I brought my culture to this big white owned corporation
31:51 - 31:54: and I changed culture and I did something.
31:54 - 31:56: And he does talk about that a lot.
31:56 - 31:59: Like he's involved in Mexican American charities
31:59 - 32:01: and foundations and stuff.
32:01 - 32:02: And he, it's important to him.
32:02 - 32:04: He's very proud of where he comes from
32:04 - 32:05: and he talks about it a lot.
32:05 - 32:07: So there is this like funny angle too,
32:07 - 32:11: where obviously that story probably feels
32:11 - 32:12: a little bit better to imagine.
32:12 - 32:16: All right, this like giant company actually allowed somebody
32:16 - 32:19: from like a different group to rise through the ranks
32:19 - 32:21: because they had a great idea and they brought their culture.
32:21 - 32:24: Like that's kind of like some American dream type (beep)
32:24 - 32:26: But think about this, maybe in his head, he's like,
32:26 - 32:29: you know what, I (beep) invented Sabrositas.
32:29 - 32:32: And that's just as important as Flamin' Hot Cheetos.
32:32 - 32:35: But you know what, because it has more of a Spanish sounding name.
32:35 - 32:41: These (beep) white meme Lords don't talk about it as much.
32:41 - 32:42: So you know what, (beep) it.
32:42 - 32:46: I'm backwards engineering Flamin' Hot into my story
32:46 - 32:49: because the gringos are never going to talk about Sabrositas
32:49 - 32:51: the same way they talk about Flamin' Hot
32:51 - 32:53: because it's simply not in English, you know?
32:53 - 32:56: - The writer of the film Flamin' Hot,
32:56 - 32:58: I think, you know, he's captured that spirit.
32:58 - 33:00: He spoke to Variety and he said,
33:00 - 33:02: I think enough of the story is true.
33:02 - 33:05: The heart and soul and spirit of the story is true.
33:05 - 33:09: He's a guy who should remain the face of Flamin' Hot Cheetos.
33:09 - 33:10: Ultimately it doesn't matter.
33:10 - 33:13: - I was reading a column right before we started taping
33:13 - 33:15: in the LA Times by Gustavo Arellano.
33:15 - 33:19: And he was saying why people were so upset about this story.
33:19 - 33:21: And it was sort of like, he outlined a brief history
33:21 - 33:26: of like gringo corporate world taking over Mexican food.
33:26 - 33:29: There was Arch West who created the Dorito.
33:29 - 33:33: He went down to Mexico for vacation in the 1950s or '60s.
33:33 - 33:35: And he's like had tortilla chips,
33:35 - 33:36: which I guess were maybe a little novel
33:36 - 33:38: in the United States in the 1950s.
33:38 - 33:41: And he's like, oh, we should take this tortilla chip idea
33:41 - 33:44: and make it corporate and put it in grocery stores
33:44 - 33:45: and call it Doritos.
33:45 - 33:47: And then of course, famously Glenn Bell.
33:47 - 33:48: - Glenn Bell, Taco Bell.
33:48 - 33:52: - You know, would visit this taqueria in San Bernardino
33:52 - 33:54: near the original McDonald's location
33:54 - 33:57: and would grill this family
33:57 - 33:59: about how they were making their tacos
33:59 - 34:01: and then open Taco Bell.
34:01 - 34:04: And so, you know, the story of Montaigne
34:04 - 34:06: is kind of flipping the script a little bit.
34:06 - 34:07: People found some satisfaction in that.
34:07 - 34:09: And then, so that's why I think there's a,
34:09 - 34:10: in this column he was writing,
34:10 - 34:12: that's why people were so upset
34:12 - 34:14: about the kind of reversal of it.
34:14 - 34:16: - That happens a lot, strong emotions on both sides
34:16 - 34:18: and the truth might be a casualty,
34:18 - 34:20: but people wanna believe what they wanna believe.
34:20 - 34:23: This is a tweet somebody sent me.
34:23 - 34:25: Somebody named Rodrigo Nunez wrote,
34:25 - 34:28: "Richard Montaigne might not have invented hot Cheetos,
34:28 - 34:30: "but he got away with claiming he did
34:30 - 34:31: "and made a living off of that.
34:31 - 34:33: "First Mexican to pull off a white man move
34:33 - 34:35: "with such efficacy.
34:35 - 34:36: "A true pioneer."
34:36 - 34:37: So that's a take.
34:37 - 34:39: - That's also a very American story.
34:39 - 34:41: - Yeah, what if Montaigne came out and was just like,
34:41 - 34:43: "What did I do that's any different
34:43 - 34:45: "than what Glenn (beep) Bell did?
34:45 - 34:47: "And you (beep) people eating your Taco Bell.
34:47 - 34:48: "Go to hell.
34:48 - 34:50: "I invented this (beep)."
34:50 - 34:52: The movie's coming out next year.
34:52 - 34:53: (laughing)
34:53 - 34:55: - I mean, Jake, you wrote to the text thread
34:55 - 34:57: that the movie just got a whole lot more interesting.
34:57 - 35:01: And the reality is, I mean, the reality is like,
35:01 - 35:03: what kind of movie is it without this?
35:03 - 35:05: Like, this is a real third actor.
35:05 - 35:06: - No, I know.
35:06 - 35:07: This would be amazing.
35:07 - 35:09: And this would be like making it into like a,
35:09 - 35:11: like a Steven Soderbergh or, you know,
35:11 - 35:12: Fincher kind of film.
35:12 - 35:15: I mean, I hope that they address this in an upcoming film.
35:15 - 35:16: I doubt it.
35:16 - 35:18: Maybe, maybe they'll like rewrite the script.
35:18 - 35:19: - That would be amazing.
35:19 - 35:20: - Take it down to the studs.
35:20 - 35:21: - You can make such a,
35:21 - 35:23: taking it down to the studs.
35:23 - 35:24: That's a new Mountain Bruce song.
35:24 - 35:25: - Yeah.
35:25 - 35:26: - No, that'd be amazing.
35:26 - 35:29: But one thing I've learned from reading more about the movie
35:29 - 35:30: and hearing from the screenwriter
35:30 - 35:34: is this movie is being produced by a well-known producer
35:34 - 35:36: of Christian films.
35:36 - 35:38: And obviously there's many films that have Christian themes,
35:38 - 35:40: but when they say Christian films,
35:40 - 35:43: they mean specifically type of like inspirational,
35:43 - 35:45: feel good stories.
35:45 - 35:47: - Aspirational family.
35:47 - 35:48: - So.
35:48 - 35:49: - (beep) that.
35:49 - 35:50: - Yeah.
35:50 - 35:52: - So the rights may come back to market
35:52 - 35:55: because they may say we can't do this story the way it is,
35:55 - 35:57: in which case maybe we all pool our money
35:57 - 35:59: and try to buy the rights to this.
35:59 - 36:01: 'Cause I think that making that sort of
36:01 - 36:05: lifetime inspirational movie up into the third act
36:05 - 36:09: when then the wheels fall off is a great movie.
36:09 - 36:10: - I think we, yeah,
36:10 - 36:12: I think it's a time crisis presents
36:12 - 36:15: in association with Mike Judge and Adam Curtis.
36:15 - 36:16: Those are the people I want to work with.
36:16 - 36:17: - And Sunderbergh.
36:17 - 36:19: (laughing)
36:19 - 36:21: - Well, also I kind of remember seeing a trailer
36:21 - 36:25: for a kind of inspirational Christian movie
36:25 - 36:27: that took place at a college.
36:27 - 36:29: And I'm pretty sure, you know,
36:29 - 36:31: just like any kind of movie with an agenda,
36:31 - 36:33: they portray certain people
36:33 - 36:35: as these like really 2D caricatures.
36:35 - 36:37: And as I recall in this movie,
36:37 - 36:41: it's a professor who's giving a lecture at a college
36:41 - 36:44: and going like, just like some smug
36:44 - 36:45: kind of like caricature of like,
36:45 - 36:48: just like a terrible liberal atheist.
36:48 - 36:49: And this person goes,
36:49 - 36:52: and that is why we conclusively know
36:52 - 36:54: that God does not exist.
36:54 - 36:57: And then there's like a Christian student who stands up
36:57 - 36:59: and is like, "Um, professor?"
36:59 - 37:00: And he's like, "Yes."
37:00 - 37:03: And the kid's like, "Uh, can I ask you a question?"
37:03 - 37:05: And I think that's what the movie is.
37:05 - 37:08: Is like basically this kid just like owning
37:08 - 37:12: this piece of (beep) smug atheist professor.
37:12 - 37:15: And then like, I imagine in the movie by the end of it,
37:15 - 37:17: the professor's probably like down on his knees
37:17 - 37:20: just like, "Please forgive me, Lord."
37:20 - 37:21: And it's not hard to imagine
37:21 - 37:23: what the atheist liberal version of that would be too,
37:23 - 37:26: where they would have a two-dimensional Christian character
37:26 - 37:27: just being like, you know.
37:27 - 37:28: - Yeah, yeah.
37:28 - 37:30: - But anyway, I could, if we went that route,
37:30 - 37:32: I could also picture they create,
37:32 - 37:35: and no disrespect to the talented journalist
37:35 - 37:36: who wrote this story,
37:36 - 37:39: but I could imagine they create this like weird caricature
37:39 - 37:41: of like a smug journalist
37:41 - 37:43: who comes to the Montanhas family home
37:43 - 37:45: and is just like, "Open up, man.
37:45 - 37:47: "I'm gonna take you down.
37:47 - 37:48: "You better sit and talk to me."
37:48 - 37:50: And then like the door opens
37:50 - 37:52: and Montanhas is just like,
37:52 - 37:54: "You've been harassing my family for weeks now,
37:54 - 37:56: "but if you insist, come in.
37:56 - 37:57: "I'll tell you my real story."
37:57 - 37:59: And the guy's like, "Hell yeah."
37:59 - 38:00: And you see, he sits down on his couch
38:00 - 38:02: and this guy like texts his like friend,
38:02 - 38:05: just like, "This chump just opened the door for me.
38:05 - 38:06: "Scoop of a lifetime."
38:06 - 38:09: And then we cut back to him as he tells the story.
38:09 - 38:10: And then by the end of it,
38:10 - 38:12: the journalist is just like a puddle
38:12 - 38:16: and is just like, "I'm so (beep) sorry, Mr. Montanhas."
38:16 - 38:18: And he's like, "It's all right, man.
38:18 - 38:21: "Maybe you give them some Flamin' Hot Cheetos or something."
38:21 - 38:25: That would be like the really beautiful inspirational film.
38:25 - 38:26: - Yeah, I mean, that's the ones
38:26 - 38:28: they're gonna probably make.
38:28 - 38:29: - If they reference this at all.
38:29 - 38:30: - Yeah, yeah, yeah, yeah.
38:30 - 38:34: I would love just some serious, like just ambiguous,
38:34 - 38:36: just what the hell happened.
38:36 - 38:38: Paul Thomas Anderson.
38:38 - 38:39: (laughing)
38:39 - 38:40: Directs.
38:40 - 38:42: - Well, I think that's the--
38:42 - 38:43: - Flamin' Hot.
38:43 - 38:45: Flamin' Hot Mess, directed by Paul Thomas Anderson.
38:45 - 38:46: And then by the end, you're just like,
38:46 - 38:48: "What the hell even happened?"
38:48 - 38:49: - 8/24.
38:49 - 38:50: I'm in 8/4 production.
38:50 - 38:52: - Just like three hours and 40 minutes.
38:52 - 38:55: - What was the one he did, like Inherent Vice style,
38:55 - 38:57: where you're just like, "What even was that?"
38:57 - 39:01: - How great a scene is it in the boardroom
39:01 - 39:03: where they're like, someone's like,
39:03 - 39:04: "But the story broke.
39:04 - 39:06: "We're (beep)."
39:06 - 39:07: And he didn't create it.
39:07 - 39:09: And another executive's like,
39:09 - 39:10: "Yeah, he did."
39:10 - 39:11: And he's like, "No, he didn't."
39:11 - 39:15: "Well, not really, but why, he could've."
39:15 - 39:17: And you're just having this crazy conversation.
39:17 - 39:20: And at the end, he goes, "He needs to,
39:20 - 39:21: "like he's the creator.
39:21 - 39:22: "That's it."
39:22 - 39:24: And he just is allowed to live his life
39:24 - 39:26: as reaping the rewards,
39:26 - 39:30: because as far as the last 20 years of his life is concerned,
39:30 - 39:31: he's the creator.
39:31 - 39:34: - It's like that scene from the first episode of Chernobyl.
39:34 - 39:38: Excellent miniseries, where like all these Frito-Lay people
39:38 - 39:39: are like freaking out,
39:39 - 39:40: and then they're just like,
39:40 - 39:42: "Wait, hold on a second."
39:42 - 39:47: The rarely seen kind of like executive major OG dude
39:47 - 39:49: from Rancho Cucamonga's coming in.
39:49 - 39:50: He sits down, he's like,
39:50 - 39:51: "What seems to be the problem here?"
39:51 - 39:52: And they're just like,
39:52 - 39:55: "LA Times is calling Montaigne's a fraud."
39:55 - 39:58: And he's just like, "Well, that's silly.
39:58 - 39:59: "He invented Flamin' Hot Cheetos."
39:59 - 40:00: And they're like, "No, sir.
40:00 - 40:03: "According to the article, he in fact did not."
40:03 - 40:05: "Well, that's strange, because he did."
40:05 - 40:07: "No, even our internal investigation
40:07 - 40:09: "is showing that a woman named Lynn Greenfeld,"
40:09 - 40:13: and he's like, "Well, you better go check again,
40:13 - 40:16: "because Richard Montaigne has invented Flamin' Hot Cheetos."
40:16 - 40:18: "Well, sir, we did check.
40:18 - 40:21: "If I was you, I would go check again."
40:21 - 40:22: And they like start to get it,
40:22 - 40:24: and he's just like, "Because of course,
40:24 - 40:27: "he invented Flamin' Hot Cheetos."
40:27 - 40:28: "Of course, sir.
40:28 - 40:30: "Maybe somebody got it wrong."
40:30 - 40:34: - Fully Soviet, fully corporate group think.
40:34 - 40:36: I love it, I love it.
40:36 - 40:38: - And then he doses the meeting.
40:38 - 40:41: "Everybody, have a cup of this tea."
40:41 - 40:44: I really wonder if there's a little bit more to the story,
40:44 - 40:49: where Montaigne's actually had been dreaming of a spicy,
40:49 - 40:52: we need to know how widespread Flamin' Hot Cheetos were
40:52 - 40:54: in the first few years.
40:54 - 40:55: I don't know, man.
40:55 - 40:58: But that's cool that they're still making the movie.
40:58 - 41:00: At least they seem to be right now,
41:00 - 41:01: the screenwriters out there.
41:01 - 41:03: Eva Longoria's probably not trying to comment
41:03 - 41:05: on this too soon, but--
41:05 - 41:07: - If it comes out in theaters,
41:07 - 41:10: needless to say, we're all going.
41:10 - 41:11: - Oh yeah.
41:11 - 41:12: - TC Field Trip.
41:12 - 41:14: Even though the Arc Light's closed,
41:14 - 41:17: we'll go to the AMC and Burbank or whatever.
41:17 - 41:19: - Sorry, this is an important event.
41:19 - 41:20: We're driving out to Rancho.
41:20 - 41:21: - Oh, yeah.
41:21 - 41:23: - We're doing a Cucamonga field trip for this.
41:23 - 41:24: - True, true.
41:24 - 41:25: - We're paying our respects.
41:25 - 41:26: - You know who else would kill this?
41:26 - 41:27: Charlie Kaufman.
41:27 - 41:28: - Oh yeah.
41:28 - 41:30: - Yeah, I was just thinking,
41:30 - 41:32: the line, 'cause I was just thinking of it,
41:32 - 41:34: I wrote myself a good line for this movie,
41:34 - 41:35: but it was almost too comical.
41:35 - 41:37: It would have to be if Charlie Kaufman did it,
41:37 - 41:41: which is, I like Ezra's take on that sort of exact,
41:41 - 41:43: you know, the head of Frito-Lay coming in.
41:43 - 41:45: After that whole conversation, he says,
41:45 - 41:46: "Because do you know what happens
41:46 - 41:49: "if Montana did not create the Flaming Hot Cheeto?"
41:49 - 41:52: And the junior exec is like, "No, I don't."
41:52 - 41:55: And his response is, "That's right, because he did."
41:55 - 41:56: (laughs)
41:56 - 41:58: Like some kind of like, it's dark,
41:58 - 42:02: but then the guy, it's just diluted, kind of surreal.
42:02 - 42:04: You don't want to live in a world
42:04 - 42:08: where Richard Montanez did not invent the Flaming Hot Cheeto.
42:08 - 42:11: That, my friend, is a frightening world.
42:11 - 42:12: That's a dark world.
42:12 - 42:14: It's a violent world.
42:14 - 42:17: Luckily for us, it's a world that doesn't exist.
42:17 - 42:18: Do you understand?
42:18 - 42:19: (laughs)
42:19 - 42:21: - Who are you guys picturing as Montanez?
42:21 - 42:24: 'Cause I'm kind of liking John Leguizamo for this one.
42:24 - 42:26: I feel like he could get an Oscar out of this role.
42:26 - 42:27: - I mean, I thought of Louise Guzman.
42:27 - 42:29: - Well, I guess he probably is the right age.
42:29 - 42:30: - Guzman is good.
42:30 - 42:33: - But Louise Guzman has a lot of,
42:33 - 42:35: there's a lot of pathos in him too.
42:35 - 42:36: - Oh yeah.
42:36 - 42:38: - Well, I think they said they already casted.
42:38 - 42:39: I don't know if they announced the names.
42:39 - 42:42: They might not be super well-known actors.
42:42 - 42:44: - Maybe someone younger than Guzman or-
42:44 - 42:46: - Well, also, yeah, no, it has to be,
42:46 - 42:48: 'cause also we're going back to the beginning.
42:48 - 42:49: We might need three different actors.
42:49 - 42:50: - Early '80s.
42:50 - 42:51: - It might be like a millennial pitch.
42:51 - 42:54: - I mean, Louise Guzman, I bet Guzman's in his 50s.
42:54 - 42:57: - Last pitch also is that it seems like
42:57 - 43:00: he and Lynn Greenfeld have no personal interaction,
43:00 - 43:04: but there's also the Fincher version, Social Network,
43:04 - 43:07: where the whole thing is framed by an arbitration
43:07 - 43:09: with lawyers, where,
43:09 - 43:11: because I was just thinking of the iconic line
43:11 - 43:13: from Social Network, which is like,
43:13 - 43:15: "If those guys invented Facebook,
43:15 - 43:16: they would have invented Facebook,"
43:16 - 43:18: which is also like that kind of weird,
43:18 - 43:21: like, "I own the narrative, and you know what?
43:21 - 43:22: Whatever they might've done before me,
43:22 - 43:24: I did enough that I do own this,
43:24 - 43:26: because I'm here," right?
43:26 - 43:27: You know, which is like,
43:27 - 43:29: probably a lot of people feel that way.
43:29 - 43:30: People buy into their own reality,
43:30 - 43:32: and certainly when it comes to business or anything
43:32 - 43:34: that could benefit somebody personally,
43:34 - 43:35: even more reason to buy into it.
43:35 - 43:38: So that idea of like Zuckerberg just being like,
43:38 - 43:41: "Whatever you guys f***ing came up with before me,
43:41 - 43:43: the reason I'm here and you're there
43:43 - 43:45: is because I invented Facebook,
43:45 - 43:47: and if not, you would have been there."
43:47 - 43:48: So you could imagine Montaigne is just like
43:48 - 43:50: saying to like Lynn Greenfeld, just like,
43:50 - 43:52: although he's got a real cool demeanor
43:52 - 43:53: compared to Zuckerberg,
43:53 - 43:57: he'd just be like, "Lynn, if you invented Flamin' Hot,
43:57 - 43:59: you would have invented Flamin' Hot.
43:59 - 44:02: There'd be a movie directed by..."
44:02 - 44:06: It wouldn't be Eva Longoria if it was Lynn Greenfeld.
44:06 - 44:08: "There'd be a movie about you.
44:08 - 44:11: There'd be a book about you.
44:11 - 44:12: But you didn't.
44:12 - 44:14: There isn't, because you didn't."
44:14 - 44:15: Just like that kind of like...
44:15 - 44:16: - He's got the shades on.
44:16 - 44:17: - Well, here's the thing.
44:17 - 44:19: It seems like his book is still coming out.
44:19 - 44:21: Penguin is gonna release it,
44:21 - 44:23: so we gotta read it.
44:23 - 44:24: We gotta find out more.
44:24 - 44:26: I wonder how doggedly the journalist
44:26 - 44:27: is gonna pursue this,
44:27 - 44:29: and maybe we will do a follow-up with him.
44:29 - 44:31: I think it's good that we just kind of
44:31 - 44:33: hashed it out TC style today
44:33 - 44:34: before having any guests,
44:34 - 44:37: because I think there's more to learn, but...
44:37 - 44:39: - And I like this journalist being
44:39 - 44:40: sort of a part of that story.
44:40 - 44:42: I think that that's gonna be really fun.
44:42 - 44:44: I can see this,
44:44 - 44:47: 'cause driven to take down this guy,
44:47 - 44:48: that's also complicated.
44:48 - 44:50: That Zodiac, like having the Zodiac element.
44:50 - 44:52: - Okay, so I think we decided
44:52 - 44:55: we're gonna offer the picture to Fincher.
44:55 - 44:56: - I think so.
44:56 - 45:00: - Fincher would absolutely crush this.
45:00 - 45:03: - He just did Manc,
45:03 - 45:05: kind of black and white throwback.
45:05 - 45:09: - Yeah, just even more esoteric and obscure,
45:09 - 45:11: the Flamin' Hot story.
45:11 - 45:13: - I mean, he's...
45:13 - 45:14: - I think it's very broad.
45:14 - 45:16: - Now, people are gonna love it,
45:16 - 45:18: and yeah, it's gonna look like the social network.
45:18 - 45:20: It's gonna be kind of moody.
45:20 - 45:25: - ♪ Lately things don't seem the same ♪
45:25 - 45:30: ♪ I can't focus on anything ♪
45:30 - 45:35: ♪ Sure I'll go to the baseball game ♪
45:35 - 45:40: ♪ I'll watch the players, I don't know their names ♪
45:40 - 45:45: ♪ But I think I know what'll cheer me up ♪
45:45 - 45:50: ♪ It's a sweet chili heat in a cup ♪
45:50 - 45:54: ♪ Mix it with a sweet and salty brew ♪
45:54 - 46:00: ♪ For $15 it oughta do ♪
46:00 - 46:06: ♪ But it was the worst margarita ♪
46:06 - 46:11: ♪ The worst margarita ♪
46:11 - 46:18: ♪ It was the worst margarita of my life ♪
46:18 - 46:21: - Okay, Jake, after we write that 800-page oral history
46:21 - 46:23: of Whole Foods,
46:23 - 46:26: we're gonna do our chaos-type book
46:26 - 46:28: about Flamin' Hot Cheetos.
46:28 - 46:30: Maybe we just call it Flamin' Hot Chaos.
46:30 - 46:32: (laughing)
46:32 - 46:34: - Didn't we have a theory that Whole Foods
46:34 - 46:36: was actually like a CIA op?
46:36 - 46:38: - I think so.
46:38 - 46:40: I'll just leave you with one more quote from Montaignez.
46:40 - 46:42: He said, talking about Frito-Lay,
46:42 - 46:44: he said, "I was their greatest ambassador,
46:44 - 46:46: "but I will say this.
46:46 - 46:47: "You're going to love your company
46:47 - 46:49: "more than they will ever love you.
46:49 - 46:51: "Keep that in perspective."
46:51 - 46:52: Damn. - Oof.
46:52 - 46:54: - It's kinda hurt. - True words.
46:54 - 46:56: - Although, it does seem like Frito-Lay
46:56 - 46:58: is being pretty mellow about it.
46:58 - 47:00: I'm sure from Frito-Lay's perspective,
47:00 - 47:01: they're just like, "Who cares?
47:01 - 47:03: "We like the story, we like Richard.
47:03 - 47:05: "Whatever." - Yeah.
47:05 - 47:07: They interviewed people that worked for Frito-Lay
47:07 - 47:09: like 30 years ago, who were like,
47:09 - 47:11: "I don't remember Richard."
47:11 - 47:13: You know the current management at Frito-Lay,
47:13 - 47:15: when they caught wind of the story,
47:15 - 47:17: they were just like, "Oh my God.
47:17 - 47:19: "Really, LA Times?"
47:19 - 47:21: - Well, actually, a friend of the show,
47:21 - 47:23: she was on five years ago, Jennifer Sines,
47:23 - 47:25: I saw her name pop up.
47:25 - 47:26: She was the CMO.
47:26 - 47:28: She's really tight with Montaignez.
47:28 - 47:29: She popped up in the article,
47:29 - 47:31: and she shouted him out,
47:31 - 47:33: and she's like, I don't know if she blurbed his book
47:33 - 47:36: or something, or, you know, they're tight.
47:36 - 47:38: - I mean, look, the guy who wrote this
47:38 - 47:40: is clearly a very talented journalist,
47:40 - 47:43: and he did, by interviewing all those people,
47:43 - 47:45: piece out one significant thread of the story,
47:45 - 47:48: which Frito-Lay would say is the real story.
47:48 - 47:49: He interviewed those people,
47:49 - 47:51: and he found out the Lynn Greenfields
47:51 - 47:53: and the Midwestern marketing people,
47:53 - 47:54: he did piece that together.
47:54 - 47:56: So now it is a question of,
47:56 - 47:58: can all these things be true?
47:58 - 48:01: And we're gonna spend the next 20 years of our life
48:01 - 48:02: figuring that out.
48:02 - 48:05: We're not disputing his journalism.
48:05 - 48:07: We're just asking, you know, that's one article.
48:07 - 48:09: We're asking in a book-length form,
48:09 - 48:11: what else can we find?
48:11 - 48:14: In 2041, Flamin' Hot Chaos is gonna drop.
48:14 - 48:17: Maybe Tom O'Neill's serve as kind of like an advisor to us.
48:17 - 48:18: We'll get him back on the--
48:18 - 48:19: - He's like, guys, don't do it.
48:19 - 48:20: Don't do it!
48:20 - 48:22: - Guys, it's not worth it.
48:22 - 48:24: You're gonna lose 20 years of your life.
48:24 - 48:26: - Your marriages and your happiness are more important.
48:26 - 48:27: - Oh, God.
48:27 - 48:29: - 2041.
48:29 - 48:31: - 2040.
48:31 - 48:34: Me and Jake just like sharing like a studio apartment.
48:34 - 48:37: We alternate who gets to like--
48:37 - 48:39: Like every other night, it's just like,
48:39 - 48:41: all right, it's Thursday.
48:41 - 48:42: Jake, you get the bed tonight,
48:42 - 48:43: and you're like, hell yeah!
48:43 - 48:45: I'll crash out on the sleeping bag.
48:45 - 48:49: - Apple canceled time crisis 10 years prior.
48:49 - 48:52: (laughing)
48:52 - 48:55: You guys would not stop talking about
48:55 - 48:57: this Flamin' Hot origin story.
48:57 - 49:00: I mean, listenership eventually just plummeted.
49:00 - 49:02: - It's like once every few months,
49:02 - 49:05: we roll up just like unshaven, hair all (beep) up.
49:05 - 49:07: We have brunch with Rashida, Hannah,
49:07 - 49:08: and our adult children.
49:08 - 49:09: They're just like--
49:09 - 49:12: (laughing)
49:12 - 49:13: - Remarried.
49:13 - 49:14: - Oh, yeah.
49:14 - 49:18: They're like super cool, like buff, slick new husbands
49:18 - 49:21: who actually like work in corporate PR.
49:21 - 49:22: (laughing)
49:22 - 49:23: - Yeah.
49:23 - 49:27: - Just, he's like very like on edge,
49:27 - 49:30: like disheveled losers.
49:30 - 49:32: - Rolling up.
49:32 - 49:33: Oh my God.
49:33 - 49:34: - Flamin' Hot chaos.
49:34 - 49:36: I mean, that's a movie there too.
49:36 - 49:39: I feel like we came up with five movies today.
49:39 - 49:41: - That's pure Zodiac.
49:41 - 49:45: That's pure Gyllenhaal and Downey in Zodiac,
49:45 - 49:48: just like losing it.
49:48 - 49:49: - Oh, boy.
49:49 - 49:51: Now for something completely different.
49:51 - 49:53: Seinfeld, when we were texting
49:53 - 49:55: about all this Flamin' Hot chaos,
49:55 - 49:58: you hit the thread with an interesting product
49:58 - 50:02: that you had seen just doing your usual grocery shopping.
50:02 - 50:03: You want to tell us a little bit about that?
50:03 - 50:04: - Yeah, sure.
50:04 - 50:06: It was a few weeks ago, as I recall,
50:06 - 50:07: and I was in the grocery store,
50:07 - 50:10: just getting food products for my house,
50:10 - 50:11: and I happened across--
50:11 - 50:12: - Getting what?
50:12 - 50:15: - Food products for my house, for our pantry.
50:15 - 50:16: - Okay, food products.
50:16 - 50:19: - It was a Saturday night in the grocery store
50:19 - 50:21: getting food products for my house.
50:21 - 50:22: (imitates gun firing)
50:22 - 50:23: (laughing)
50:23 - 50:26: - So there I am in the chip section,
50:26 - 50:30: and I happened across a product called Veggie Straws,
50:30 - 50:32: but what really drew my eye to it
50:32 - 50:33: was that it was an edition of,
50:33 - 50:37: it was a version of Veggie Straws called Screamin' Hot.
50:37 - 50:38: I just thought it was funny
50:38 - 50:40: because obviously they're drafting off
50:40 - 50:41: of the Flamin' Hot name,
50:41 - 50:43: but the best that they could come up with
50:43 - 50:44: was Screamin' Hot,
50:44 - 50:46: which doesn't really, to me,
50:46 - 50:49: sound like an idiom in the vernacular.
50:49 - 50:50: I've never heard anybody say,
50:50 - 50:52: "Oh, that was Screamin' Hot,"
50:52 - 50:54: and then I started thinking about,
50:54 - 50:56: well, you're eating it and then you're screamin'
50:56 - 50:57: 'cause it's so hot,
50:57 - 51:00: or is the veggie straw itself so hot
51:00 - 51:02: that it's making a sound?
51:02 - 51:03: So I took a picture,
51:03 - 51:06: and the conversation just reminded me,
51:06 - 51:08: and then Ezra, you went on this whole tear
51:08 - 51:11: about how unhealthy veggie straws are.
51:11 - 51:13: - That was like a classic kind of thread moment
51:13 - 51:17: when, kind of similar to some Zodiac/Flamin' Hot Chaos thing,
51:17 - 51:20: where a thread goes a little bit dead
51:20 - 51:22: except for two guys doggedly pursuing it.
51:22 - 51:23: (laughing)
51:23 - 51:24: - Well, I was completely tapped out.
51:24 - 51:25: - Jake was tapped out.
51:25 - 51:28: Everybody, it was like kind of bedtime,
51:28 - 51:31: and me and Seinfeld were just going back about veggie straws
51:31 - 51:32: because when you sent that,
51:32 - 51:35: I think I was very interested in the Screamin' Hot angle
51:35 - 51:36: 'cause it's kind of lame.
51:36 - 51:38: Oh, you gotta have your Flamin' Hot,
51:38 - 51:39: it's gotta be Screamin' Hot, I agree.
51:39 - 51:41: Kind of a strange word choice,
51:41 - 51:43: but then also just made me think about veggie straws
51:43 - 51:46: and specifically, well, this is something I found out.
51:46 - 51:48: If you had asked me before yesterday,
51:48 - 51:52: I would have said that veggie straws is a brand.
51:52 - 51:56: Now, it turns out, veggie straws is like Frosted Flakes.
51:56 - 51:58: So to anybody listening at home,
51:58 - 52:00: anybody in the TC community,
52:00 - 52:02: go ahead and make your own veggie straws.
52:02 - 52:03: You can.
52:03 - 52:06: I looked it up, you can find all sorts of off-brand veggie straws.
52:06 - 52:08: The one that most of us are familiar with,
52:08 - 52:11: the brand is Garden Veggie Straws.
52:11 - 52:14: And anyway, the reason I was thinking about it is like,
52:14 - 52:16: that's just such a bad snack.
52:16 - 52:18: And I'll admit, there's been times I've been starving
52:18 - 52:21: and I ate it and I kind of liked it,
52:21 - 52:25: but it's like, the fact that it's portrayed as being healthy,
52:25 - 52:27: they're so ugly.
52:27 - 52:29: It's such like a styrofoam vibe.
52:29 - 52:31: And there's something just truly,
52:31 - 52:34: I know this is overused in culture in general
52:34 - 52:36: and probably especially on TC,
52:36 - 52:38: but there's something about Garden Veggie Straws
52:38 - 52:40: that I truly find dystopian.
52:40 - 52:42: It's like some Wally (beep).
52:42 - 52:45: It makes me imagine just like the remnants of human civilization
52:45 - 52:47: are living on a space station.
52:47 - 52:49: Somebody's like, "Time for your veggie straws."
52:49 - 52:51: They're sad, they're dry.
52:51 - 52:54: The packaging always has so much air.
52:54 - 52:57: The individual serving of veggie straws,
52:57 - 52:59: I'll admit, I've housed them.
52:59 - 53:02: I've even semi-enjoyed them in moments of extreme hunger,
53:02 - 53:04: but there's something about it.
53:04 - 53:07: It's just like, oh man, (beep) veggie straws.
53:07 - 53:08: - The bag is full of air.
53:08 - 53:10: The straws themselves are quite porous
53:10 - 53:12: and full of air as well.
53:12 - 53:14: And also, why is it a straw?
53:14 - 53:16: - Yeah, why is it a straw? - I have a few questions.
53:16 - 53:17: - Yeah.
53:17 - 53:19: - I'm not familiar with this product.
53:19 - 53:21: - At all? You've never had veggie straws?
53:21 - 53:23: - First of all, never heard of it or seen it.
53:23 - 53:26: So is it literally a straw that you could drink V8 through?
53:26 - 53:28: (laughs)
53:28 - 53:30: And secondly-- - Great question.
53:30 - 53:33: - Ezra, is this a regular grocery item at your house?
53:33 - 53:35: - No, where am I having these-- - What are you having
53:35 - 53:36: on these veggie straws?
53:36 - 53:37: You don't have beer in your house,
53:37 - 53:39: but you have veggie straws?
53:39 - 53:40: - Just like 11 p.m., just like,
53:40 - 53:42: "Babe, I'm doing a veggie straw run."
53:42 - 53:44: - Babe, I'm starving.
53:44 - 53:45: I need some veggie straws.
53:45 - 53:46: - Oh, maybe there's some veggie straws in the pantry.
53:46 - 53:48: - Who the (beep) ate my screaming hots?
53:48 - 53:49: (laughs)
53:49 - 53:51: - You're down there just throwing them.
53:51 - 53:54: - All this in the (beep) damn pantry is veggie straws.
53:54 - 53:56: (laughs)
53:56 - 53:58: - This strikes me as like a green room type of item.
53:58 - 54:00: - Yeah, maybe it's a green room item.
54:00 - 54:02: Although maybe we did have veggie straws
54:02 - 54:03: in the house for a while,
54:03 - 54:05: and that's how I grew to hate them.
54:05 - 54:07: Maybe we did end up with a big box
54:07 - 54:09: of individually wrapped veggie straws.
54:09 - 54:10: God knows why.
54:10 - 54:12: It seems like a green room thing.
54:12 - 54:13: It just feels like a real sad,
54:13 - 54:15: kind of like waiting room vibe.
54:15 - 54:16: Just like...
54:16 - 54:20: - Do, do, do, do, do, do, do, do, do, do, do, do, do, do, do,
54:20 - 54:22: do, do, do, do, do, do, do, do, do, do, do, do.
54:22 - 54:24: (laughs)
54:24 - 54:25: Matt, cue up "Waiting Room."
54:25 - 54:26: - That's Fugazi?
54:26 - 54:27: - Oh, yeah.
54:27 - 54:28: - Tight.
54:28 - 54:31: ♪ I am a patient boy ♪
54:31 - 54:34: ♪ I wait, I wait, I wait, I wait ♪
54:34 - 54:39: ♪ My time's the one that's gotta train ♪
54:39 - 54:42: ♪ Everybody move it, everybody move it ♪
54:42 - 54:45: ♪ Everybody move it, move it, move it, move it ♪
54:45 - 54:49: ♪ Please don't leave me to remain ♪
54:49 - 54:52: ♪ Live away from all the noise ♪
54:52 - 54:53: ♪ All the noise ♪
54:56 - 54:58: ♪ In that side of town ♪
54:58 - 55:00: ♪ Everybody's always down ♪
55:00 - 55:01: ♪ To the ground ♪
55:01 - 55:04: ♪ Because they can't get up ♪
55:04 - 55:07: ♪ Come on and get up ♪
55:07 - 55:08: ♪ Come on and get up ♪
55:08 - 55:10: - Nick, are you familiar with veggie straws?
55:10 - 55:12: - Yeah, I am, 'cause I think that
55:12 - 55:15: it's sort of a standard kid's thing.
55:15 - 55:17: - Right, and you have like a nine-year-old son.
55:17 - 55:18: - I have a nine-year-old son.
55:18 - 55:19: You know--
55:19 - 55:20: - Is he in the room?
55:20 - 55:21: - You don't keep him in the house.
55:21 - 55:22: - Is he in the room?
55:22 - 55:23: - I'll get him in the room.
55:23 - 55:24: I'll pull up a photo,
55:24 - 55:27: and he can say what his sort of immediate take on it.
55:27 - 55:28: You know, I think with a nine-year-old,
55:28 - 55:30: he doesn't really have a food that he likes.
55:30 - 55:31: Do you know what I mean?
55:31 - 55:32: I think it's just sort of like--
55:32 - 55:33: - Kind of like a picky age?
55:33 - 55:34: - Nothing?
55:34 - 55:35: - Chicken fingers?
55:35 - 55:36: - No, no, no, he'll sort of basically,
55:37 - 55:39: there's things he likes and things he doesn't.
55:39 - 55:41: Do you know, I don't think that, you know,
55:41 - 55:42: and for the most part, it's like chicken fingers
55:42 - 55:47: and probably these veggie straws all fall into a similar,
55:47 - 55:49: like, they're getting the job done.
55:49 - 55:52: They're calories, but I don't think he's,
55:52 - 55:54: you know, if it's not dessert, to be honest,
55:54 - 55:55: he really doesn't, you know,
55:55 - 55:58: if it's not dessert or spaghetti, does he really care?
55:58 - 56:01: I don't keep veggie straws in the house, though,
56:01 - 56:05: but I don't have what I imagine Ezra might have.
56:05 - 56:08: We don't have like that drawer of snacks.
56:08 - 56:09: Do you know, that just sort of like,
56:09 - 56:11: even if they're in the healthy, we just don't have that.
56:11 - 56:12: That's just not--
56:12 - 56:14: - Trail mix? No?
56:14 - 56:18: - No, I keep trail mix 'cause I like trail mix.
56:18 - 56:19: - Oh, hell yeah.
56:19 - 56:20: - So you gotta have a snack drawer.
56:20 - 56:21: - But I don't really have a snack drawer.
56:21 - 56:22: Like, I remember growing up,
56:22 - 56:25: like Jordan Stein had just a sick snack drawer.
56:25 - 56:27: - Shout out to Jordan Stein.
56:27 - 56:29: - You know Jordan, you know--
56:29 - 56:32: - Mutual friend Jordan Stein.
56:32 - 56:35: - As I said, I forgot, I think that Jake knows Jordan Stein.
56:35 - 56:37: - Wait, Jake, you know this guy, Jordan Stein?
56:37 - 56:38: This is a real person?
56:38 - 56:40: - Yeah, small world style.
56:40 - 56:41: I know him from San Francisco.
56:41 - 56:42: - Well, yeah, but you know,
56:42 - 56:46: he had that sort of late '80s, early '90s snack drawer
56:46 - 56:48: that had like ho-ho, like, you know,
56:48 - 56:50: he had just like a lot of the snacks
56:50 - 56:53: that like my family would never keep, you know?
56:53 - 56:55: - Wow. - Like little Debbie's.
56:55 - 56:58: - Wow, like just a decadent snack drawer.
56:58 - 56:59: - A very decadent snack drawer.
56:59 - 57:01: So, but I do think that I know
57:01 - 57:04: that there's a certain kind of snack drawers now
57:04 - 57:09: that will have like the individual like Annie's, you know,
57:09 - 57:11: or a big thing that I think kids eat now
57:11 - 57:14: is like the Pirate's Booty, like popcorn.
57:14 - 57:16: Like that, I guess we do have,
57:16 - 57:18: there must have been a time with the veggie straws.
57:18 - 57:20: - I mean, I was kind of looking it up,
57:20 - 57:22: like it looked like a dude named,
57:22 - 57:25: I think his name was Rick Bellow invented them,
57:25 - 57:26: but of course at this point
57:26 - 57:28: they're owned by a giant company,
57:28 - 57:31: Heinz Celestial Group, which is the same company
57:31 - 57:34: that Celestial is talking about, Celestial Seasonings Tea.
57:34 - 57:37: So it's kind of like a vaguely health,
57:37 - 57:40: healthy-ish brand, they own Celestial Seasonings.
57:40 - 57:41: - Have we covered Celestial?
57:41 - 57:43: - Yeah, yeah, we talked about their origin,
57:43 - 57:46: which I feel like was some Colorado hippies, I think.
57:46 - 57:48: - Yeah, but I think it took a left turn.
57:48 - 57:49: - Like they were members
57:49 - 57:51: of a kind of religious cult or something.
57:51 - 57:52: - Yeah.
57:52 - 57:54: - Although I'm sure at this point, you know,
57:54 - 57:55: it's owned by a giant company.
57:55 - 57:56: Celestial Seasonings Tea,
57:56 - 57:58: Linda McCartney Foods,
57:58 - 58:00: Ella's Kitchen, Empire Kosher,
58:00 - 58:02: Terra Chips, Terra Chips,
58:02 - 58:05: also just like a funny, funny brand
58:05 - 58:06: and also veggie straws.
58:06 - 58:09: All right, so we got an actual nine-year-old.
58:09 - 58:10: Hey, what's up, Max?
58:10 - 58:11: Welcome to Time Crisis.
58:11 - 58:12: - What's up, Max?
58:12 - 58:13: - Hello.
58:13 - 58:14: - So you're nine?
58:14 - 58:15: - Yes.
58:15 - 58:17: - You know what the kids are eating
58:17 - 58:18: in terms of snacks, right?
58:18 - 58:21: - Yes, garden veggie straws.
58:21 - 58:24: So they're meant for,
58:24 - 58:27: you blow through them and drink things through it.
58:27 - 58:28: That's what you do.
58:28 - 58:29: - Wait, really?
58:29 - 58:30: - Wow, good call, James.
58:30 - 58:33: - Would you ever actually drink something through it?
58:33 - 58:34: Or have you?
58:34 - 58:36: - I have before.
58:36 - 58:38: I did it with water,
58:38 - 58:40: but then the bottom got all soggy
58:40 - 58:41: and it was terrible.
58:41 - 58:44: - Wait, and so when are you and your peers
58:44 - 58:47: drinking beverages through garden veggie straws?
58:47 - 58:49: Where is this happening, at school?
58:49 - 58:51: - No, it happens at home.
58:51 - 58:53: - Have we ever had these in our house?
58:53 - 58:54: - Yeah, we have.
58:54 - 58:56: - Oh, so that's news to me.
58:56 - 58:57: - Max, with you and your friends,
58:57 - 59:01: I imagine Flamin' Hot Cheetos are pretty cool, right?
59:01 - 59:02: That's a cool snack.
59:02 - 59:03: - Yeah.
59:03 - 59:05: - Invented, of course, by Richard Montanez.
59:05 - 59:06: - Yeah, cool.
59:06 - 59:07: (laughing)
59:07 - 59:09: - But you know, it's interesting.
59:09 - 59:12: It's a cool snack 'cause it's like the bad boy of snacks.
59:12 - 59:13: - It's a bad boy snack
59:13 - 59:15: and invented by a very cool guy, Richard Montanez.
59:15 - 59:18: (laughing)
59:18 - 59:22: But Max, are garden veggie straws considered cool
59:22 - 59:24: when you and your friends are playing
59:24 - 59:26: League of Legends or whatever
59:26 - 59:29: and you're chatting with each other on the headset,
59:29 - 59:30: would you just be like,
59:30 - 59:32: "All right, fellas, who's eating what?"
59:32 - 59:34: Somebody be like, "I'm crushing some veggie straws."
59:34 - 59:36: You guys would be like, "Oh, jealous."
59:36 - 59:39: Is that what's happening in your community?
59:39 - 59:40: - No.
59:40 - 59:44: I imagine this would happen in the 1990s,
59:44 - 59:46: but not in the 2000s.
59:46 - 59:47: That's not what kids are like now.
59:47 - 59:50: - Okay, but so when you and your boys are gaming,
59:50 - 59:53: what's a cool snack to be crushing?
59:53 - 59:54: - Cheetos.
59:54 - 59:55: - Okay.
59:55 - 59:56: - Hands down.
59:56 - 59:57: Regular Cheetos or Flamin' Hot?
59:57 - 59:58: - Flamin' Hot.
59:58 - 59:59: - But also, part of my question
59:59 - 01:00:01: is not just what you would enjoy eating,
01:00:01 - 01:00:05: but I know when people are playing video games together,
01:00:05 - 01:00:07: there's a lot of teasing,
01:00:07 - 01:00:10: a lot of competitive talk.
01:00:10 - 01:00:13: - That doesn't happen to the people on the team.
01:00:13 - 01:00:16: It happens to the people playing against us.
01:00:16 - 01:00:19: - So if someone were playing against you,
01:00:19 - 01:00:21: if you were playing a game and they were like,
01:00:21 - 01:00:24: "Oh yeah, I'm over here and I'm eating these veggie straws,"
01:00:24 - 01:00:27: are you roasting that person?
01:00:27 - 01:00:31: - Um, I mean, I guess.
01:00:31 - 01:00:32: I guess.
01:00:32 - 01:00:33: - This is what I think.
01:00:33 - 01:00:36: This is a pretty esoteric conversation
01:00:36 - 01:00:37: for a nine-year-old, I think.
01:00:37 - 01:00:40: You know, I have a feeling.
01:00:40 - 01:00:41: I can see it now.
01:00:41 - 01:00:44: No one wants the veggie straws.
01:00:44 - 01:00:46: - They have the word veggie in their name.
01:00:46 - 01:00:47: - Right.
01:00:47 - 01:00:48: - Veggie sort.
01:00:48 - 01:00:49: - True.
01:00:49 - 01:00:50: - Great point.
01:00:50 - 01:00:51: - That is a good point.
01:00:51 - 01:00:52: I think that--
01:00:52 - 01:00:53: - Strike one.
01:00:53 - 01:00:54: - Yeah, strike one.
01:00:54 - 01:00:56: Look, I'm looking at the thing right now.
01:00:56 - 01:00:58: This has a whole lot of strikes going on.
01:00:58 - 01:01:02: It's got the word garden, got the word veggie,
01:01:02 - 01:01:05: and it's being sold by 30% less fat.
01:01:05 - 01:01:07: I mean, that's like on the, you know--
01:01:07 - 01:01:10: - The I in veggie is a tomato.
01:01:10 - 01:01:12: - Four strikes.
01:01:12 - 01:01:16: - I mean, who invented this, Michelle Obama?
01:01:16 - 01:01:19: But you know, the thing I think it has going for it
01:01:19 - 01:01:23: now that I can feel, it is sort of tactile.
01:01:23 - 01:01:26: I can feel that you would blow through it.
01:01:26 - 01:01:28: Like when I asked Max, yeah, you would--
01:01:28 - 01:01:31: - Sorry, Max, have you actually drank a liquid
01:01:31 - 01:01:33: through a veggie straw?
01:01:33 - 01:01:34: - Yes.
01:01:34 - 01:01:35: - Water.
01:01:35 - 01:01:36: - Yeah.
01:01:36 - 01:01:38: - 'Cause I can't think of another beverage
01:01:38 - 01:01:40: that would work well with that.
01:01:40 - 01:01:42: Chocolate milk would be disgusting.
01:01:42 - 01:01:43: - Right.
01:01:43 - 01:01:45: - Mountain dew would be disgusting.
01:01:45 - 01:01:47: V8 would work.
01:01:47 - 01:01:49: - Oh, brown celery soda.
01:01:49 - 01:01:50: You ever had that?
01:01:50 - 01:01:52: - No, not familiar.
01:01:52 - 01:01:55: - It's like an old school Jewish deli soda
01:01:55 - 01:01:58: called Cel-Ray, and I guess it's made out of celery somehow.
01:01:58 - 01:01:59: - Clamato.
01:01:59 - 01:02:01: - Oh, clamato, that'd be good.
01:02:01 - 01:02:02: - Clam juice?
01:02:02 - 01:02:04: - Clam juice would work.
01:02:04 - 01:02:05: - (beep)
01:02:05 - 01:02:07: - I'm interested, do you--
01:02:07 - 01:02:08: - It's a weird product.
01:02:08 - 01:02:10: - Is there a flavor profile to these two,
01:02:10 - 01:02:11: or do they all basically take--
01:02:11 - 01:02:13: - No, they're all the same.
01:02:13 - 01:02:15: They're just different colors.
01:02:15 - 01:02:16: They just wanted to rebrand,
01:02:16 - 01:02:18: and they just made them different colors.
01:02:18 - 01:02:19: That's all they did.
01:02:19 - 01:02:20: - But they're selling it as though,
01:02:20 - 01:02:23: like, one, I assume, is a carrot?
01:02:23 - 01:02:24: - No, it's not.
01:02:24 - 01:02:25: It's completely the same.
01:02:25 - 01:02:27: It's just bread.
01:02:27 - 01:02:28: - Well, listen to this, Max.
01:02:28 - 01:02:29: - It's made of bread.
01:02:29 - 01:02:30: - Max, you probably already know this,
01:02:30 - 01:02:33: but in November 2013, Heinz Celestial,
01:02:33 - 01:02:35: the parent company of veggie straws,
01:02:35 - 01:02:38: Garden Veggie Straws, was targeted
01:02:38 - 01:02:40: in a class action lawsuit claiming
01:02:40 - 01:02:43: that they falsely labeled their products as organic
01:02:43 - 01:02:46: to mislead consumers into purchasing them,
01:02:46 - 01:02:47: and they settled.
01:02:47 - 01:02:48: - Who has the time to sue them?
01:02:48 - 01:02:49: - And then in 2017--
01:02:49 - 01:02:50: - That's a great question.
01:02:50 - 01:02:52: - They were sued by two men after discovering
01:02:52 - 01:02:56: there are no actual vegetables in the veggie straws,
01:02:56 - 01:02:57: although the bag contains photos
01:02:57 - 01:02:59: of spinach, tomatoes, and potatoes on the front.
01:02:59 - 01:03:01: So you're absolutely right that
01:03:01 - 01:03:05: it doesn't actually contain any of the vegetables,
01:03:05 - 01:03:09: although it contains something called spinach powder.
01:03:09 - 01:03:10: I don't know.
01:03:10 - 01:03:11: Maybe these guys--
01:03:11 - 01:03:14: - It just doesn't contain meat.
01:03:14 - 01:03:15: (laughing)
01:03:15 - 01:03:16: - Right.
01:03:16 - 01:03:18: - Therefore, it's veggie.
01:03:18 - 01:03:19: (laughing)
01:03:19 - 01:03:21: - Well, apparently this is a huge thing
01:03:21 - 01:03:22: I was reading about,
01:03:22 - 01:03:24: that there's been a lot of lawsuits with companies
01:03:24 - 01:03:27: where they label their product not as organic,
01:03:27 - 01:03:30: not as veggie, but merely as natural.
01:03:30 - 01:03:31: (laughing)
01:03:31 - 01:03:33: And there's been a lot of ink spilled
01:03:33 - 01:03:38: with court opinions, lawyers, corporate PR statements.
01:03:38 - 01:03:43: Basically, because natural is such a vague term
01:03:43 - 01:03:45: that you can kind of like,
01:03:45 - 01:03:47: you can call almost anything natural.
01:03:47 - 01:03:49: - You could call anything natural because--
01:03:49 - 01:03:50: - Literally anything.
01:03:50 - 01:03:53: - Humans are a product of the natural environment
01:03:53 - 01:03:57: and anything that humans make, therefore, is natural.
01:03:57 - 01:04:00: - And anything on Earth is made in some way
01:04:00 - 01:04:02: from what God gave us.
01:04:02 - 01:04:03: - Building blocks.
01:04:03 - 01:04:06: ♪ I'm gonna be around my vegetables ♪
01:04:06 - 01:04:10: ♪ I'm gonna chop down my vegetables ♪
01:04:10 - 01:04:15: ♪ I love you most of all ♪
01:04:15 - 01:04:18: ♪ My favorite vegetable ♪
01:04:23 - 01:04:29: ♪ If you brought a big brown bag of them home ♪
01:04:29 - 01:04:35: ♪ I'd jump up and down and hope you'd toss me a carrot ♪
01:04:35 - 01:04:38: ♪ I'm gonna keep well my vegetables ♪
01:04:38 - 01:04:42: ♪ Cart off and sell my vegetables ♪
01:04:42 - 01:04:47: ♪ I love you most of all ♪
01:04:47 - 01:04:50: ♪ My favorite vegetable ♪
01:04:50 - 01:04:51: ♪ Oh, oh, oh, oh ♪
01:04:51 - 01:04:54: ♪ Tape a veggie on a joint ♪
01:04:54 - 01:04:57: ♪ I tried to kick the ball ♪
01:04:57 - 01:05:00: ♪ But my tenny flew right off ♪
01:05:00 - 01:05:03: ♪ I'm red as a beet ♪
01:05:03 - 01:05:07: ♪ 'Cause I'm so embarrassed ♪
01:05:07 - 01:05:09: - Nick, shout out to your son, Max.
01:05:09 - 01:05:14: When I was nine, I certainly would never use the word rebrand
01:05:14 - 01:05:15: (laughing)
01:05:15 - 01:05:19: or have an opinion about a lawsuit.
01:05:19 - 01:05:22: - Yeah, he said, yeah, 'cause that may have gone over--
01:05:22 - 01:05:23: - Very savvy young man.
01:05:23 - 01:05:25: - Just like 20 years from now, just like,
01:05:25 - 01:05:27: "So Max, what made you wanna become a lawyer?"
01:05:27 - 01:05:31: He's like, "Well, when I was nine, I did a guest appearance
01:05:31 - 01:05:34: "on an internet radio show my father was a part of,
01:05:34 - 01:05:36: "and something that they told me about
01:05:36 - 01:05:37: "just really got my goat.
01:05:37 - 01:05:41: "It was a frivolous lawsuit that two scumbags
01:05:41 - 01:05:44: "waged against garden veggie straws."
01:05:44 - 01:05:48: And you know, I was a relative fan of the brand.
01:05:48 - 01:05:50: I would occasionally drink water through the straw,
01:05:50 - 01:05:52: using it as if it was a plastic straw,
01:05:52 - 01:05:53: you know, things of that nature.
01:05:53 - 01:05:56: And there's something about hearing that there are people
01:05:56 - 01:05:58: who would sue over something like that.
01:05:58 - 01:06:01: It just, I realized I needed to study the law
01:06:01 - 01:06:05: to prevent travesties like this from happening.
01:06:05 - 01:06:08: - Expert in tort reform, Max Weidenfeld.
01:06:08 - 01:06:09: (laughing)
01:06:09 - 01:06:11: - Wait, so the court dismissed the case stating,
01:06:11 - 01:06:14: "Plaintiffs must allege more than a mere possibility
01:06:14 - 01:06:17: "that the advertisement might conceivably be misunderstood
01:06:17 - 01:06:19: "by some few consumers," blah, blah, blah.
01:06:19 - 01:06:22: The court also said that it was not misleading
01:06:22 - 01:06:24: to call the product veggie straws,
01:06:24 - 01:06:26: since Hein does use vegetable-based ingredients
01:06:26 - 01:06:27: in the product.
01:06:27 - 01:06:29: Okay, that's not crazy.
01:06:29 - 01:06:32: They use tomato paste and spinach powder.
01:06:32 - 01:06:34: And then they said--
01:06:34 - 01:06:36: - I want there to be a band called Spinach Powder.
01:06:36 - 01:06:37: - Spinach Powder.
01:06:37 - 01:06:40: I think there was a '60s psychedelic band
01:06:40 - 01:06:41: called Ultimate Spinach.
01:06:41 - 01:06:42: - That's a good name.
01:06:42 - 01:06:43: - From Boston.
01:06:43 - 01:06:44: And they also said--
01:06:44 - 01:06:45: - Ultimate Spinach.
01:06:45 - 01:06:47: - That was Ultimate Spinach out of Boston.
01:06:47 - 01:06:49: "Since vegetables grow in a garden,
01:06:49 - 01:06:51: "the court also said it wasn't misleading
01:06:51 - 01:06:53: "to characterize the product as coming from
01:06:53 - 01:06:54: "a garden."
01:06:54 - 01:06:55: You heard it here, folks.
01:06:55 - 01:06:57: Throw a little bit of spinach powder in your product,
01:06:57 - 01:07:01: and you can call that (beep) garden veggie whatever.
01:07:01 - 01:07:04: - Yeah, technically, this plant material
01:07:04 - 01:07:07: was grown out of the earth.
01:07:07 - 01:07:09: So that is a garden.
01:07:09 - 01:07:12: - Butterfingers rolls out these green butterfingers
01:07:12 - 01:07:14: called garden veggie butterfingers.
01:07:14 - 01:07:17: It's like, we just put in a tiny bit of spinach powder.
01:07:17 - 01:07:19: - Green fingers.
01:07:19 - 01:07:21: - Oh, green fingers, that's a good one.
01:07:21 - 01:07:22: Green thumbs.
01:07:22 - 01:07:23: - By the way, Matt just texted me.
01:07:23 - 01:07:25: I was like, 'cause I know when I started,
01:07:25 - 01:07:27: when Max was talking, I was looking at the photos,
01:07:27 - 01:07:29: I was like, I do feel I've eaten these.
01:07:29 - 01:07:33: It felt like, Matt texted, and he was like,
01:07:33 - 01:07:35: "Yeah, we kept those in the Apple studio
01:07:35 - 01:07:36: "when we would do this IRL."
01:07:36 - 01:07:37: - There you go.
01:07:37 - 01:07:41: - And there would be times when we'd be doing
01:07:41 - 01:07:44: our three-hour sessions, and we wouldn't have
01:07:44 - 01:07:45: to eat something and be like,
01:07:45 - 01:07:47: "I don't really want a Kind bar."
01:07:47 - 01:07:49: - And I will say, I would think,
01:07:49 - 01:07:51: "Oh, I want something that is remotely healthy."
01:07:51 - 01:07:52: - But these aren't healthy.
01:07:52 - 01:07:55: And I would go for the, like, it tricked you,
01:07:55 - 01:07:57: and I would have the sort of, yeah,
01:07:57 - 01:08:00: I can sort of remember that taste.
01:08:00 - 01:08:02: - Now, there's something about garden veggie straws
01:08:02 - 01:08:05: that I think feel like a collective delusion,
01:08:05 - 01:08:09: where even if you ate it, you're not sure you ever had it.
01:08:09 - 01:08:12: Even if you've seen it, you're not sure you ever saw it.
01:08:12 - 01:08:14: Like, Jake, you probably crushed 50 bags of them
01:08:14 - 01:08:16: over your lifetime.
01:08:16 - 01:08:17: - I'm sure you're right.
01:08:17 - 01:08:20: This is the next Adam Curtis documentary.
01:08:20 - 01:08:21: (laughs)
01:08:21 - 01:08:23: Eight hours on veggie straws.
01:08:23 - 01:08:25: But this was a collective delusion.
01:08:25 - 01:08:27: The veggie straw paradox.
01:08:27 - 01:08:29: It's Mandela effect.
01:08:29 - 01:08:31: That would be like a good one to say to people like,
01:08:31 - 01:08:34: "Do you remember a product called garden veggie straws?"
01:08:34 - 01:08:36: "Uh, yeah, I think I ate that a lot."
01:08:36 - 01:08:38: Never existed.
01:08:38 - 01:08:39: "No, no, you're kidding me."
01:08:39 - 01:08:41: "No, no, literally, Google it.
01:08:41 - 01:08:44: "Garden veggie straws, it's not a product."
01:08:44 - 01:08:46: "No, I remember, I drank water through one of them
01:08:46 - 01:08:48: "when I was nine."
01:08:48 - 01:08:51: "No, dude, there literally is nothing called veggie straws."
01:08:51 - 01:08:54: "You're probably remembering Pirate's Booty or something,
01:08:54 - 01:08:56: "or Taro Chips."
01:08:56 - 01:08:57: - I love that.
01:08:57 - 01:08:59: - Veggie straws did not exist.
01:08:59 - 01:09:02: And it's the Berenstain Bears, not the Berenstein Bears.
01:09:02 - 01:09:04: - I mean, this is just circling back
01:09:04 - 01:09:07: to the fallibility of human memory.
01:09:07 - 01:09:09: - We also gotta get into the multiverse theory.
01:09:09 - 01:09:11: Alternate timelines.
01:09:11 - 01:09:12: (laughs)
01:09:12 - 01:09:14: - I'm on the Sensible Portions website here,
01:09:14 - 01:09:19: and if you're looking for a snack to consume this July 4th,
01:09:19 - 01:09:23: Veggie Straws has the Stars and Stripes edition.
01:09:23 - 01:09:24: - Oh, no.
01:09:24 - 01:09:25: Red, white, and blue?
01:09:25 - 01:09:27: - Veggie straws with, it's red, white, and blue.
01:09:27 - 01:09:29: Actually, it's orange, purple, and white.
01:09:29 - 01:09:33: But they have little star-shaped,
01:09:33 - 01:09:35: almost like a Chex Mix style.
01:09:35 - 01:09:38: - Oh, so it's like the classic veggie straws
01:09:38 - 01:09:41: is the stripes, and then they have the stars.
01:09:41 - 01:09:43: - They got the stars thrown in.
01:09:43 - 01:09:44: Seems like a missed opportunity
01:09:44 - 01:09:48: to not call it Straws and Stripes,
01:09:48 - 01:09:49: but there you have it.
01:09:49 - 01:09:50: - All right, well, I guess that could be
01:09:50 - 01:09:52: the TC July 4th challenge this year.
01:09:52 - 01:09:55: Invite everybody over for a barbecue,
01:09:55 - 01:09:57: and the only snacks you have
01:09:57 - 01:10:00: are these Stars and Stripes veggie straws.
01:10:00 - 01:10:02: And just use it as a conversation starter.
01:10:02 - 01:10:03: See how people react.
01:10:03 - 01:10:05: See who brings it up to you.
01:10:05 - 01:10:07: See who's familiar with the product.
01:10:07 - 01:10:10: And then also check in next day after
01:10:10 - 01:10:12: and see if anybody remembers it.
01:10:12 - 01:10:14: - I think I've brought this up on the show before,
01:10:14 - 01:10:16: but there's a movie that I think
01:10:16 - 01:10:18: would be a good TC movie called
01:10:18 - 01:10:21: Led Zeppelin Played Here, about a show.
01:10:21 - 01:10:22: - Not familiar.
01:10:22 - 01:10:23: - It's a documentary.
01:10:23 - 01:10:25: Maybe we should have this guy call in.
01:10:25 - 01:10:27: It's a documentary by the guy
01:10:27 - 01:10:29: that made Heavy Metal Parking Lot.
01:10:29 - 01:10:32: And it's about a show that Led Zeppelin played
01:10:32 - 01:10:34: in Maryland in 1969,
01:10:34 - 01:10:35: but there's no actual record of it.
01:10:35 - 01:10:38: - Like it could be a collective delusion?
01:10:38 - 01:10:40: - Yes, people remembering seeing Led Zeppelin
01:10:40 - 01:10:44: in 1969 playing at a high school auditorium in Maryland,
01:10:44 - 01:10:47: but it's actually not on their itinerary.
01:10:47 - 01:10:49: - And there's no surviving posters
01:10:49 - 01:10:50: or anything like that?
01:10:50 - 01:10:52: - No, there's no documentation of the show.
01:10:52 - 01:10:54: There's no, yeah, exactly,
01:10:54 - 01:10:57: like official documentation of the show.
01:10:57 - 01:10:58: But people swear they saw,
01:10:58 - 01:11:01: like many people in Maryland
01:11:01 - 01:11:03: swear that they saw Led Zeppelin play
01:11:03 - 01:11:05: at this specific, yeah, anyway,
01:11:05 - 01:11:07: I think we should watch that as a,
01:11:07 - 01:11:09: I think it should be a TC movie club.
01:11:09 - 01:11:10: - Okay, let's watch that for next time.
01:11:10 - 01:11:13: - On the steam of like collective memory
01:11:13 - 01:11:14: and collective delusion.
01:11:14 - 01:11:16: - And then we'll make a follow-up,
01:11:16 - 01:11:18: another film from TC Films.
01:11:18 - 01:11:20: - Oh, the I Ate Veggie Straws.
01:11:20 - 01:11:22: - Veggie straws were eaten here.
01:11:22 - 01:11:23: No, they weren't.
01:11:23 - 01:11:26: Anyway, if anybody has any good veggie straws stories,
01:11:26 - 01:11:28: please let us know.
01:11:28 - 01:11:29: I feel like we barely scratched the surface
01:11:29 - 01:11:30: with veggie straws.
01:11:30 - 01:11:32: Although maybe we got to try these screaming hots.
01:11:32 - 01:11:34: It sounds pretty good.
01:11:34 - 01:11:36: All right, should we get into the top five?
01:11:36 - 01:11:39: - It's time for the top five.
01:11:39 - 01:11:42: Five on iTunes.
01:11:42 - 01:11:43: - It's been a long time
01:11:43 - 01:11:45: since we've done a true comparative top five,
01:11:45 - 01:11:47: but we're going for it today.
01:11:47 - 01:11:49: Getting back to our roots.
01:11:49 - 01:11:50: And we're going to be comparing
01:11:50 - 01:11:53: the top five Billboard hits this week,
01:11:53 - 01:11:58: 2021 to the top five in 1990.
01:11:58 - 01:11:59: Why 1990?
01:11:59 - 01:12:02: - That was the year that Frito-Lay
01:12:02 - 01:12:04: released a test version of Flamin' Hot.
01:12:04 - 01:12:07: - So this was the year that they first tested them,
01:12:07 - 01:12:10: unbeknownst to Mr. Montaignez,
01:12:10 - 01:12:12: who half a country away
01:12:12 - 01:12:15: was dreaming of a similar product.
01:12:15 - 01:12:17: Doesn't prove anything.
01:12:17 - 01:12:18: We should also point out,
01:12:18 - 01:12:21: a lot of times we'll do the top five songs
01:12:21 - 01:12:25: on Apple Music, the streaming charts,
01:12:25 - 01:12:27: but we chose not to this week
01:12:27 - 01:12:30: because all five of them are dominated by one artist.
01:12:30 - 01:12:31: That artist is J. Cole.
01:12:31 - 01:12:33: We got nothing against him.
01:12:33 - 01:12:34: People don't need to hear us
01:12:34 - 01:12:37: hear five J. Cole songs for the first time.
01:12:37 - 01:12:39: And you know, like, it's not good radio.
01:12:39 - 01:12:42: - But Jake, do you know who J. Cole is?
01:12:42 - 01:12:44: - No, I mean, I've heard of him.
01:12:44 - 01:12:45: Because I do this show.
01:12:45 - 01:12:47: I've been doing this show
01:12:47 - 01:12:49: that sort of will occasionally
01:12:49 - 01:12:51: delve into contemporary music.
01:12:51 - 01:12:53: - Have we talked about J. Cole before?
01:12:53 - 01:12:55: - I've heard of him only because of this show.
01:12:55 - 01:12:57: - His full name is Jake Colestreth.
01:12:57 - 01:12:58: - Oh!
01:12:58 - 01:13:00: - John Jake Colestreth.
01:13:00 - 01:13:02: (laughing)
01:13:02 - 01:13:05: He's an American painter and rapper.
01:13:05 - 01:13:07: I think he's from, where's he from, North Carolina?
01:13:07 - 01:13:08: - Yeah.
01:13:08 - 01:13:09: - I don't know that much about him,
01:13:09 - 01:13:11: but he always seemed like an interesting dude to me
01:13:11 - 01:13:13: because he's like, really popular rapper,
01:13:13 - 01:13:16: but like, truly on his own trip.
01:13:16 - 01:13:17: - What do you mean?
01:13:17 - 01:13:20: - Well, there used to be a meme, kind of,
01:13:20 - 01:13:23: that was based in truth,
01:13:23 - 01:13:26: that was kind of making fun of passionate J. Cole fans.
01:13:26 - 01:13:28: And as I recall, and Seinfeld,
01:13:28 - 01:13:30: you might remember this better than me,
01:13:30 - 01:13:32: you're a meme expert,
01:13:32 - 01:13:34: basically the meme was,
01:13:34 - 01:13:35: it would be used in different contexts,
01:13:35 - 01:13:37: but basically it was poking fun
01:13:37 - 01:13:40: at the J. Cole fans' obsession with the fact
01:13:40 - 01:13:43: that he had gone double platinum with no features.
01:13:43 - 01:13:45: - He didn't have any, like,
01:13:45 - 01:13:47: other famous rappers' gaslighting songs.
01:13:47 - 01:13:50: - Exactly, no features, and obviously,
01:13:50 - 01:13:52: hip hop, often, you know,
01:13:52 - 01:13:54: a lot of great music comes about through features.
01:13:54 - 01:13:56: I guess a hater might say that
01:13:56 - 01:13:58: some albums have too many features
01:13:58 - 01:14:03: or they feel kind of like, a little bit R&D'd
01:14:03 - 01:14:05: in a corporate way, it's like,
01:14:05 - 01:14:06: let's get that guy on that song,
01:14:06 - 01:14:08: and that guy, that person on that song,
01:14:08 - 01:14:11: you know, just to kind of spread your chips out on the table.
01:14:11 - 01:14:14: I think that's the kind of, like, cynical view
01:14:14 - 01:14:16: of an album with a lot of features.
01:14:16 - 01:14:18: And also, I think they're also just saying,
01:14:18 - 01:14:20: he did it by himself.
01:14:20 - 01:14:22: This is truly a man apart.
01:14:22 - 01:14:24: And this man didn't need anybody else,
01:14:24 - 01:14:27: any other rappers to feature on his album,
01:14:27 - 01:14:29: it was him speaking his truth,
01:14:29 - 01:14:31: and he went double platinum.
01:14:31 - 01:14:33: So it is, you know, people might have joked about it,
01:14:33 - 01:14:35: but it is something to be proud of.
01:14:35 - 01:14:37: So he weirdly is like this huge,
01:14:37 - 01:14:39: I know this is gonna sound just like,
01:14:39 - 01:14:41: almost like, groan-worthy TC type (beep)
01:14:41 - 01:14:43: He's almost like on some Grateful Dead (beep)
01:14:43 - 01:14:45: where, truly on his own trip--
01:14:45 - 01:14:46: (laughing)
01:14:46 - 01:14:48: - First time they've come up this episode.
01:14:48 - 01:14:50: - All right, yeah, so we're doing pretty good.
01:14:50 - 01:14:52: But like, truly on his own trip,
01:14:52 - 01:14:53: this is my understanding, and again,
01:14:53 - 01:14:54: I've never gone really deep,
01:14:54 - 01:14:56: but it's somebody's on their own trip,
01:14:56 - 01:14:58: really has a big audience,
01:14:58 - 01:15:01: and other people don't quite get it sometimes,
01:15:01 - 01:15:03: and are even harsh about it,
01:15:03 - 01:15:05: but truly built something of their own.
01:15:05 - 01:15:07: You know, the Grateful Dead are on some
01:15:07 - 01:15:09: double platinum with no features (beep)
01:15:09 - 01:15:10: - For sure.
01:15:10 - 01:15:12: - So anyway, that's J. Cole,
01:15:12 - 01:15:14: and we don't need to listen to five J. Cole songs,
01:15:14 - 01:15:17: although we encourage you to go check out his new album,
01:15:17 - 01:15:19: I just don't think you need to hear us--
01:15:19 - 01:15:20: - Yeah.
01:15:20 - 01:15:22: - Even by the second one, we'd already be like,
01:15:22 - 01:15:24: what are we talking about?
01:15:24 - 01:15:26: But somebody was just saying that,
01:15:26 - 01:15:28: speaking of being on his own trip,
01:15:28 - 01:15:30: he's not even in America right now.
01:15:30 - 01:15:32: Seinfeld, you said he's in Rwanda?
01:15:32 - 01:15:36: - Yeah, he's signed with this Rwandan basketball team,
01:15:36 - 01:15:40: the Rwandan Nationals, I think?
01:15:40 - 01:15:42: Let's see.
01:15:42 - 01:15:44: Oh, it's the Patriots, the Rwanda Patriots.
01:15:44 - 01:15:45: - The Pats.
01:15:45 - 01:15:47: - Pats, yeah, the Rwanda Pats,
01:15:47 - 01:15:49: and I was seeing on Twitter the other night
01:15:49 - 01:15:51: that they won their first,
01:15:51 - 01:15:53: whatever game they were playing, they won.
01:15:53 - 01:15:56: So it looks like J. Cole is definitely an asset to the team.
01:15:56 - 01:15:58: Congratulations, J. Cole.
01:15:58 - 01:16:02: - I hope someone makes this sort of J. Cole Rwanda,
01:16:02 - 01:16:04: Grateful Dead Lithuania shirt.
01:16:04 - 01:16:09: - Ooh, like a tie-dye shorts and jersey combo.
01:16:09 - 01:16:10: - Yeah.
01:16:10 - 01:16:11: - That's pretty tight.
01:16:11 - 01:16:12: - That's wild.
01:16:12 - 01:16:14: Is he a starter on that Rwandan team,
01:16:14 - 01:16:17: or is he like the 11th man on the bench?
01:16:17 - 01:16:19: That's crazy.
01:16:19 - 01:16:21: - That'd be pretty brutal if J. Cole flew to Rwanda,
01:16:21 - 01:16:23: and he didn't get any game time.
01:16:23 - 01:16:26: - Right, I mean, it's just like--
01:16:26 - 01:16:28: - He's a shooting guard,
01:16:28 - 01:16:30: and he's a big basketball fan.
01:16:30 - 01:16:32: Actually, all his albums have a basketball theme.
01:16:32 - 01:16:35: - Well, clearly he's a big basketball fan.
01:16:35 - 01:16:37: - But I mean, to the extent that it's made its way
01:16:37 - 01:16:40: into his music and to the iconography of his--
01:16:40 - 01:16:41: - Wow.
01:16:41 - 01:16:42: - But yeah, you're right.
01:16:42 - 01:16:44: I mean, if he's on a professional basketball team,
01:16:44 - 01:16:47: yeah, he must like the sport.
01:16:47 - 01:16:50: - This is like when the dead played Egypt, man.
01:16:50 - 01:16:52: Not a lot of people going to play in front of the pyramids.
01:16:52 - 01:16:54: - Have you read a lot about that?
01:16:54 - 01:16:56: The dead playing at the pyramids?
01:16:56 - 01:16:57: - A decent amount.
01:16:57 - 01:16:59: - Who was at those shows?
01:16:59 - 01:17:01: Like people that lived in Cairo?
01:17:01 - 01:17:03: Like deadheads, like Egyptian deadheads,
01:17:03 - 01:17:07: or like French deadheads that came over for the weekend?
01:17:07 - 01:17:09: - I think a lot of American deadheads made the trek.
01:17:09 - 01:17:11: - That went all the way over.
01:17:11 - 01:17:13: - Yeah, and I don't think it was like a huge audience
01:17:13 - 01:17:15: by dead standards.
01:17:15 - 01:17:17: - Yeah, I've heard those shows weren't very good.
01:17:17 - 01:17:19: - That's what they say.
01:17:19 - 01:17:21: I'm sure they're just being hard on themselves, but you know.
01:17:21 - 01:17:23: - That's really trippy to think about.
01:17:23 - 01:17:25: Can you imagine now just like,
01:17:25 - 01:17:27: didn't go with John Mayer,
01:17:27 - 01:17:29: or like Fish playing at the pyramids.
01:17:29 - 01:17:31: It's like, it's hard to picture.
01:17:31 - 01:17:33: - And they had to really work hard to get over there,
01:17:33 - 01:17:34: as I recall reading.
01:17:34 - 01:17:36: Like, you know, they had to get like
01:17:36 - 01:17:37: the State Department involved.
01:17:37 - 01:17:39: - Oh, I'm sure.
01:17:39 - 01:17:40: - It's also pretty amazing,
01:17:40 - 01:17:42: 'cause if something like that happened now,
01:17:42 - 01:17:44: it would obviously be for the 'gram.
01:17:44 - 01:17:46: You know, like it would be,
01:17:46 - 01:17:48: you'd have this audience for social media.
01:17:48 - 01:17:50: Doing it then was literally
01:17:50 - 01:17:54: for no one outside of the company there.
01:17:54 - 01:17:57: Like, there's no marketing element around it.
01:17:57 - 01:17:59: - I mean, yeah, rock shows in front of the pyramids
01:17:59 - 01:18:01: is like a,
01:18:01 - 01:18:02: I guess depending on the band,
01:18:02 - 01:18:04: it's like a cool idea.
01:18:04 - 01:18:05: If it's sort of like Limp Bizkit's
01:18:05 - 01:18:07: playing in front of the pyramids,
01:18:07 - 01:18:10: I'd just be like, oh man, that's rough.
01:18:10 - 01:18:11: - I'd watch that.
01:18:11 - 01:18:13: - I'd check it out.
01:18:13 - 01:18:15: - By the way, J. Cole was not a starter.
01:18:15 - 01:18:17: Matt did some number crunching,
01:18:17 - 01:18:18: and he came off the bench.
01:18:18 - 01:18:20: In the final minute of the first quarter,
01:18:20 - 01:18:22: he got three points, three rebounds,
01:18:22 - 01:18:24: and two assists in 17 minutes.
01:18:24 - 01:18:26: Is that good?
01:18:26 - 01:18:29: - Sorry, so he played 17 minutes total.
01:18:29 - 01:18:30: - Yeah, Matt--
01:18:30 - 01:18:32: - So he sounds like he's like a sixth or seventh man.
01:18:32 - 01:18:34: - Yeah, I think so.
01:18:34 - 01:18:35: - Okay, so--
01:18:35 - 01:18:37: - This is real love of the game (beep)
01:18:37 - 01:18:39: - It's not go to Rwanda so you can start.
01:18:39 - 01:18:42: It's go to Rwanda so you can like
01:18:42 - 01:18:44: play like a third of the game.
01:18:44 - 01:18:47: - Maybe he's killing two birds with one stone.
01:18:47 - 01:18:48: - Respect.
01:18:48 - 01:18:50: - Maybe he wanted to go to Rwanda,
01:18:50 - 01:18:52: spend some time there, get to know the country,
01:18:52 - 01:18:54: and he wanted to play basketball,
01:18:54 - 01:18:57: and it's like, it's not about starting.
01:18:57 - 01:18:59: - Love of the game.
01:18:59 - 01:19:01: - And also, as I recall, with the Dead show,
01:19:01 - 01:19:03: I think they filmed it,
01:19:03 - 01:19:05: and they were planning on making the money back,
01:19:05 - 01:19:07: 'cause it must have been extremely expensive
01:19:07 - 01:19:10: to schlep all that stuff for a one-off show.
01:19:10 - 01:19:13: I think they were planning on filming it,
01:19:13 - 01:19:15: releasing a record and a movie
01:19:15 - 01:19:17: to kind of make their money back,
01:19:17 - 01:19:19: and they just didn't think they played that well,
01:19:19 - 01:19:20: so they're just kind of like,
01:19:20 - 01:19:22: "All right, (beep) it, man."
01:19:22 - 01:19:24: I don't know, like late '70s,
01:19:24 - 01:19:27: just like, "We're $975,000 in the hole.
01:19:27 - 01:19:28: "It is what it is."
01:19:28 - 01:19:30: - Those must have been some bad shows,
01:19:30 - 01:19:32: 'cause like, I mean,
01:19:32 - 01:19:36: we're all familiar with like the dregs
01:19:36 - 01:19:38: of like the live catalog of the Dead.
01:19:38 - 01:19:39: It can get pretty--
01:19:39 - 01:19:40: - How bad could it be?
01:19:40 - 01:19:42: - It can get pretty gnarly,
01:19:42 - 01:19:43: as a guy that's been listening to--
01:19:43 - 01:19:45: - Maybe like "Piano" was out of tune or something.
01:19:45 - 01:19:47: - Yeah, like as someone that's been looking
01:19:47 - 01:19:48: at like the weird desert,
01:19:48 - 01:19:50: like, "Oh man, when the sun set,
01:19:50 - 01:19:52: "the temperature dropped like crazy,
01:19:52 - 01:19:54: "and everything went out of tune."
01:19:54 - 01:19:58: - Jake, we gotta call into Steve Parish's radio show
01:19:58 - 01:20:00: next time, just be like,
01:20:00 - 01:20:02: "Steve, how bad were those shows really?
01:20:02 - 01:20:03: "What was the problem?"
01:20:03 - 01:20:06: Just like, "Well, Jake, I'm glad you asked that, man.
01:20:06 - 01:20:08: "When the sun sets in the desert,
01:20:08 - 01:20:09: "boy, does it get cold.
01:20:09 - 01:20:11: "We had some serious tuning issues."
01:20:11 - 01:20:15: - It dropped 25 degrees in the course of 15 minutes.
01:20:15 - 01:20:16: - No, 'cause I mean,
01:20:16 - 01:20:17: as someone that's been listening
01:20:17 - 01:20:20: to the Dead series station pretty consistently
01:20:20 - 01:20:22: for like five or six years,
01:20:22 - 01:20:25: and they play some absolute dog (beep) station,
01:20:25 - 01:20:30: I've never once encountered a track
01:20:30 - 01:20:32: from the Egypt shows.
01:20:32 - 01:20:33: Never once.
01:20:33 - 01:20:35: I've never heard a single track.
01:20:35 - 01:20:37: - I don't think I've ever heard, wait.
01:20:37 - 01:20:40: - Can you just bring it up?
01:20:40 - 01:20:42: - Is it on archive.org?
01:20:42 - 01:20:43: - Matt, can we play this?
01:20:43 - 01:20:45: - I love how this is how we're starting the top five,
01:20:45 - 01:20:46: by the way.
01:20:46 - 01:20:47: - I think Richard Pictures--
01:20:47 - 01:20:48: - Yeah, it's on Apple Music, guys.
01:20:48 - 01:20:49: - Oh, it is?
01:20:49 - 01:20:50: - Do you wanna hear it?
01:20:50 - 01:20:51: - Okay, so--
01:20:51 - 01:20:52: - Yeah, yeah, I wanna hear it.
01:20:52 - 01:20:53: - It looks like maybe--
01:20:53 - 01:20:54: - Richard Pictures in front of the pyramid?
01:20:54 - 01:20:55: - It looks like they didn't release it
01:20:55 - 01:20:57: until 30 years later.
01:20:57 - 01:20:58: So I don't think it came,
01:20:58 - 01:21:00: it did not come out in Jerry's lifetime.
01:21:00 - 01:21:03: - What year was this that they did this?
01:21:03 - 01:21:04: '78?
01:21:04 - 01:21:06: - Is there a track you wanna hear, Jake?
01:21:06 - 01:21:07: - Read the set list.
01:21:07 - 01:21:08: - What's the track listing?
01:21:08 - 01:21:09: - Yeah.
01:21:09 - 01:21:13: - Jack Straw, Roe Jimmy,
01:21:13 - 01:21:14: Nu Nu Mingle with Blues,
01:21:14 - 01:21:16: Candyman Looks Like Rain,
01:21:16 - 01:21:18: Stagger Leaves, I Need a Miracle.
01:21:18 - 01:21:20: - It's a good set list, except for Miracle.
01:21:20 - 01:21:22: Throw in Roe Jimmy.
01:21:22 - 01:21:25: (chuckles)
01:21:29 - 01:21:32: (smooth jazz music)
01:21:53 - 01:21:58: Julie catch a rabbit
01:21:58 - 01:22:00: by his head
01:22:00 - 01:22:03: It's a little slow.
01:22:03 - 01:22:08: Come back stepful
01:22:08 - 01:22:11: like you walk on air
01:22:11 - 01:22:18: Back to where you belong
01:22:18 - 01:22:23: Don't you come up no more
01:22:23 - 01:22:29: - What's interesting is Jerry put out
01:22:29 - 01:22:32: Cats Under the Stars, I think in '78,
01:22:32 - 01:22:36: which has that sort of Egyptian iconography
01:22:36 - 01:22:37: on the cover.
01:22:37 - 01:22:40: I think Richard Pictures is gonna do a version
01:22:40 - 01:22:41: of Cats Under the Stars.
01:22:41 - 01:22:42: - Oh, great song.
01:22:42 - 01:22:44: - We were just talking the other day about like,
01:22:44 - 01:22:47: oh man, quarantine's over.
01:22:47 - 01:22:48: - Time to get back on the road.
01:22:48 - 01:22:49: - Let's start rehearsing.
01:22:49 - 01:22:51: Let's get some shows on the books
01:22:51 - 01:22:54: for like Q3, Q4.
01:22:54 - 01:22:58: - Gonna let it go
01:22:58 - 01:23:03: When I say Roe
01:23:03 - 01:23:06: Jimmy Roe
01:23:06 - 01:23:08: - I mean, this sounds pretty on point.
01:23:08 - 01:23:09: - Yeah, it's just slow.
01:23:09 - 01:23:13: But maybe you know that out there in the desert wind
01:23:13 - 01:23:15: in front of the pyramids?
01:23:15 - 01:23:19: Felt right just to take it slow.
01:23:19 - 01:23:23: Seems to come on
01:23:23 - 01:23:26: Way to go
01:23:26 - 01:23:28: - Their voices sound good.
01:23:28 - 01:23:31: Get down the road
01:23:31 - 01:23:33: - I mean, but we're gonna listen to like
01:23:33 - 01:23:37: a full Jerry solo to really judge?
01:23:41 - 01:23:43: - It's weird to think about people just like
01:23:43 - 01:23:46: standing in like sand.
01:23:46 - 01:23:51: - Lesh recalled that through the shows he observed
01:23:51 - 01:23:54: quote, an increasing number of shadowy figures
01:23:54 - 01:23:56: gathering just at the edge of the illuminated area
01:23:56 - 01:23:59: at the stage and audience, not locals,
01:23:59 - 01:24:01: as they all seem to be wearing the same garment,
01:24:01 - 01:24:02: a dark hooded robe.
01:24:02 - 01:24:04: These it turned out are the Bedouin,
01:24:04 - 01:24:06: the nomadic horsemen of the desert
01:24:06 - 01:24:08: drawn in by the music and lights.
01:24:08 - 01:24:11: Each night they've remained to dance and sway rhythmically
01:24:11 - 01:24:13: for the duration of the show.
01:24:13 - 01:24:14: End quote.
01:24:14 - 01:24:15: Kretzmann recalls, quote,
01:24:15 - 01:24:17: Egypt instantly became the biggest, baddest,
01:24:17 - 01:24:19: and most legendary field trip that we took
01:24:19 - 01:24:21: during our entire 30 years as a band.
01:24:21 - 01:24:24: It was priceless and perfect at half a million dollars
01:24:24 - 01:24:28: a bargain in the end, albeit a very expensive bargain.
01:24:28 - 01:24:30: - Bedouin community was feeling it.
01:24:30 - 01:24:34: - Oh yeah.
01:24:34 - 01:24:35: - That sounds sick.
01:24:35 - 01:24:37: I'm feeling it.
01:24:37 - 01:24:39: - I wonder if Jerry was sober for these shows.
01:24:39 - 01:24:41: He couldn't score heroin.
01:24:41 - 01:24:44: Didn't hook up in Egypt.
01:24:44 - 01:24:46: - I wonder about that.
01:24:46 - 01:24:47: - Who knows?
01:24:47 - 01:24:48: - We got to bang out this top five.
01:24:48 - 01:24:50: We got a comparative top five coming now.
01:24:50 - 01:24:51: - Let's do this.
01:24:51 - 01:24:52: Let's do this.
01:24:52 - 01:24:55: 1990, May of 1990.
01:24:55 - 01:24:59: - The number five song this week in 1990,
01:24:59 - 01:25:01: Janet Jackson, "All Right."
01:25:01 - 01:25:04: Had a lot of Janet Jackson over the years.
01:25:17 - 01:25:19: - Is that sampling her brother?
01:25:19 - 01:25:21: - No, I think that's like a drum break.
01:25:21 - 01:25:24: Yeah, classic Jimmy Jam, Terry Lewis,
01:25:24 - 01:25:26: and Janet Jackson production.
01:25:26 - 01:25:29: - That recurring, like, is crazy.
01:25:29 - 01:25:31: - Yeah.
01:25:31 - 01:25:32: I wonder if that's from--
01:25:32 - 01:25:34: - I think that's one of the songs early '90s that did that.
01:25:34 - 01:25:35: Reminds me of "House of Pain."
01:25:35 - 01:25:37: - Well, they had the girl who goes, "Rrrr."
01:25:37 - 01:25:38: - "Rrrr."
01:25:38 - 01:25:39: - And then of course there was,
01:25:39 - 01:25:43: even before this era was the, "Hoo, rrr."
01:25:43 - 01:25:45: - Oh, "It Takes Two."
01:25:45 - 01:25:47: - ♪ It takes two to make a thing go right ♪
01:25:47 - 01:25:48: - Oh yeah.
01:25:48 - 01:25:49: - "Rrrr."
01:25:49 - 01:25:51: Might even be the same drum break.
01:25:51 - 01:25:53: All right, classic Janet Jackson production.
01:25:53 - 01:25:55: I say let's keep moving.
01:25:55 - 01:25:58: The number five song this week in our time,
01:25:58 - 01:26:01: Doja Cat featuring SZA, "Kiss Me More."
01:26:01 - 01:26:03: It's a song about kissing.
01:26:03 - 01:26:06: [upbeat music]
01:26:06 - 01:26:15: - ♪ We hug and yes, we make love ♪
01:26:15 - 01:26:16: ♪ And always just say goodnight ♪
01:26:16 - 01:26:20: - I'm already kind of intrigued by that guitar part.
01:26:20 - 01:26:22: - Is that a cardigan sample?
01:26:22 - 01:26:23: - It is pretty cardigans.
01:26:23 - 01:26:24: I was thinking that.
01:26:24 - 01:26:25: - Oh, good call.
01:26:25 - 01:26:27: - ♪ 'Cause I need your lips on mine ♪
01:26:27 - 01:26:30: ♪ Can you kiss me more? ♪
01:26:30 - 01:26:31: ♪ We're so young, boy ♪
01:26:31 - 01:26:34: ♪ We ain't got nothing to lose ♪
01:26:34 - 01:26:36: ♪ Oh, oh, oh, oh ♪
01:26:36 - 01:26:38: ♪ It's just principle ♪
01:26:38 - 01:26:43: ♪ Baby, hold me 'cause I like the way you move ♪
01:26:43 - 01:26:46: ♪ Oh, oh, oh, oh ♪
01:26:46 - 01:26:48: - ♪ Love, love, when you're so sweet ♪
01:26:48 - 01:26:50: - And I guess they credited the writers
01:26:50 - 01:26:52: of Olivia Newton-John's physical.
01:26:52 - 01:26:54: - ♪ I love my tongue, I want it ♪
01:26:54 - 01:26:56: - ♪ I love your eyes, your name ♪
01:26:56 - 01:26:57: ♪ I can never say ♪
01:26:57 - 01:27:00: ♪ I love your taste, la, la, la, la ♪
01:27:00 - 01:27:03: - ♪ All along, my tongue, I want it ♪
01:27:03 - 01:27:05: ♪ I be like coffee, something ♪
01:27:05 - 01:27:06: ♪ But we could be corny ♪
01:27:06 - 01:27:09: ♪ Okay, sugar, I ain't no dummy, dummy ♪
01:27:09 - 01:27:12: ♪ I like to say what if, but if we could kiss ♪
01:27:12 - 01:27:13: ♪ And just cut the rubbish ♪
01:27:13 - 01:27:15: ♪ Then I might be onto something ♪
01:27:15 - 01:27:18: ♪ I ain't giving you one in public ♪
01:27:18 - 01:27:20: ♪ I'm giving you hundreds, come get it ♪
01:27:20 - 01:27:22: ♪ Something we just gotta get into ♪
01:27:22 - 01:27:24: - The guitar part also kind of reminds me
01:27:24 - 01:27:26: of like "In Rainbows" or something.
01:27:26 - 01:27:28: I can see that a little bit.
01:27:28 - 01:27:30: Get Tom York on the remix.
01:27:30 - 01:27:32: - ♪ When we French, we fresh, give me two ♪
01:27:32 - 01:27:34: ♪ When I bite that lip, come get me too ♪
01:27:34 - 01:27:36: ♪ You want lipstick, lip gloss, hickeys too ♪
01:27:36 - 01:27:39: ♪ Oh, kiss my boy, we're so young, boy ♪
01:27:39 - 01:27:41: ♪ We ain't got nothing to lose ♪
01:27:41 - 01:27:43: - I'm surprised they had to give physical credit.
01:27:43 - 01:27:46: - I don't even hear it. - It's just that rhythm.
01:27:46 - 01:27:49: ♪ Let's get physical ♪
01:27:49 - 01:27:50: Pretty different.
01:27:50 - 01:27:52: - But yeah, I hear the cardigans more
01:27:52 - 01:27:54: than I hear the Olivia Newton-John.
01:27:54 - 01:27:56: - Yeah, maybe it was just to distract you
01:27:56 - 01:27:58: from the cardigans thing.
01:27:58 - 01:28:00: All right, solid.
01:28:00 - 01:28:03: The number four song this week in 1990.
01:28:03 - 01:28:04: Big song.
01:28:04 - 01:28:07: "Wilson Phillips, Hold On."
01:28:07 - 01:28:10: [upbeat music]
01:28:10 - 01:28:17: ♪ ♪
01:28:17 - 01:28:19: This is a big song.
01:28:19 - 01:28:22: - So is Wilson Phillips the offspring
01:28:22 - 01:28:24: of Brian Wilson?
01:28:24 - 01:28:27: - And John Phillips from Mamas and Papas?
01:28:27 - 01:28:29: - So, okay, it is like the offspring
01:28:29 - 01:28:31: of the Beach Boys and the Mamas and Papas.
01:28:31 - 01:28:34: - And wait, Carney Wilson's dad is Brian Wilson
01:28:34 - 01:28:35: or one of the other Wilsons?
01:28:35 - 01:28:36: - I don't know, that's what I'm asking.
01:28:36 - 01:28:37: - Oh, yeah, no, no, her--okay.
01:28:37 - 01:28:40: Her father is Brian Wilson.
01:28:40 - 01:28:41: - China Phillips.
01:28:41 - 01:28:43: - Was John and Michelle Phillips' daughter
01:28:43 - 01:28:44: from Mamas and Papas.
01:28:44 - 01:28:48: So, and then the other two were Carney and Wendy Wilson,
01:28:48 - 01:28:50: two daughters of Brian Wilson.
01:28:50 - 01:28:52: - Wow. - And they wrote this song
01:28:52 - 01:28:53: with Glenn Ballard.
01:28:53 - 01:28:55: - Who would go on to work with friend of the show
01:28:55 - 01:28:56: Alanis Morissette.
01:28:56 - 01:29:00: - That's right, and who also wrote--co-wrote
01:29:00 - 01:29:03: "Man in the Mirror" for Michael Jackson.
01:29:03 - 01:29:04: - Oh, wow.
01:29:04 - 01:29:06: ♪ Don't you know things will change ♪
01:29:06 - 01:29:07: ♪ Things will go your way ♪
01:29:07 - 01:29:12: ♪ If you hold on for one more day ♪
01:29:12 - 01:29:17: ♪ Can you hold on for one more day ♪
01:29:17 - 01:29:21: ♪ Things will go your way ♪
01:29:21 - 01:29:23: ♪ Hold on for one more day ♪
01:29:23 - 01:29:25: - China Phillips wrote the song's lyrics
01:29:25 - 01:29:26: while battling substance abuse
01:29:26 - 01:29:28: as well as being in a really bad relationship,
01:29:28 - 01:29:31: and she based the lyrics off of the principles taught in AA,
01:29:31 - 01:29:34: specifically the idea that things had to be taken
01:29:34 - 01:29:35: one day at a time.
01:29:35 - 01:29:37: Heavy. That's true.
01:29:37 - 01:29:40: It's the only way to take life, one day at a time.
01:29:40 - 01:29:45: - It's really odd to think about the children of big rock stars
01:29:45 - 01:29:49: from generations prior, like, forming bands.
01:29:49 - 01:29:51: - They really probably understood each other.
01:29:51 - 01:29:53: - It'd just be, like, funny if you, like--
01:29:53 - 01:29:54: it was just, like--
01:29:54 - 01:29:57: there was a band, like, in, like, eight years
01:29:57 - 01:29:58: that's sort of like--
01:29:58 - 01:30:01: "Julie Casablanca's kid and, uh,
01:30:01 - 01:30:04: one of the Destner Brothers kids from the National."
01:30:04 - 01:30:06: Or it's just, like, a little more random.
01:30:06 - 01:30:09: It's like, "His kid and, um,
01:30:09 - 01:30:12: Fieldy from 'Corn Sun.'"
01:30:12 - 01:30:13: And they're just like, "You know,
01:30:13 - 01:30:14: the old folks don't get it,"
01:30:14 - 01:30:15: but then they do an interview and they're like,
01:30:15 - 01:30:17: "Listen, man, both of our dads are just, like,
01:30:17 - 01:30:19: some old-ass dudes in bands, and, like,
01:30:19 - 01:30:21: we understand each other.
01:30:21 - 01:30:23: It's all the same, man."
01:30:23 - 01:30:25: We don't hold those weird biases of, like,
01:30:25 - 01:30:28: an early 2000s rock fan, you know?
01:30:28 - 01:30:30: We're, like, a different generation.
01:30:30 - 01:30:32: - ♪ I'm ready to go your way ♪
01:30:32 - 01:30:33: - Hold on!
01:30:33 - 01:30:35: - ♪ For one more day ♪
01:30:35 - 01:30:37: - ♪ I know that there is pain ♪
01:30:37 - 01:30:39: ♪ But you hold on for one more day ♪
01:30:39 - 01:30:43: - ♪ Break free from the chains ♪
01:30:43 - 01:30:45: - ♪ Yeah, I know that there is pain ♪
01:30:45 - 01:30:48: ♪ But you hold on for one more day ♪
01:30:48 - 01:30:52: ♪ And you break free, break from the chains ♪
01:30:52 - 01:30:55: - ♪ Someday somebody's gonna make you ♪
01:30:55 - 01:30:57: ♪ Want to turn around and say goodbye ♪
01:30:57 - 01:30:59: - Oh, yeah. This is what it's all about.
01:30:59 - 01:31:02: The just drums and vocals part of this song.
01:31:02 - 01:31:04: - ♪ Don't you know, don't you know ♪
01:31:04 - 01:31:06: ♪ There's a chain, oh, you should go your way ♪
01:31:06 - 01:31:08: - Do you think Wilson Phillips still plays shows?
01:31:08 - 01:31:11: - They might get together every now and then.
01:31:11 - 01:31:14: Wilson Phillips is an American pop group
01:31:14 - 01:31:16: formed in Los Angeles in 1989.
01:31:16 - 01:31:19: So they made an album-- this album in 1990.
01:31:19 - 01:31:22: Then they followed up with one in '92.
01:31:22 - 01:31:24: Then nothing until 2004.
01:31:24 - 01:31:25: - Wow.
01:31:25 - 01:31:28: - And then in 2010, they did a Christmas album.
01:31:28 - 01:31:30: And 2012, one more.
01:31:30 - 01:31:31: - Wow.
01:31:31 - 01:31:34: - In 2017, the group performed on the season finale
01:31:34 - 01:31:37: of NBC's "The New Celebrity Apprentice."
01:31:37 - 01:31:39: - Okay, so they're still out there.
01:31:39 - 01:31:42: Whoa, this album had three number-one hits.
01:31:42 - 01:31:43: - Wow, really?
01:31:43 - 01:31:45: - This is the biggest, but yeah.
01:31:45 - 01:31:47: Also, "Release Me" and "You're in Love."
01:31:47 - 01:31:51: Okay, number four, back in our time,
01:31:51 - 01:31:53: The Weeknd and Ariana Grande teamed up
01:31:53 - 01:31:56: for a song together called "Save Your Tears."
01:31:56 - 01:31:59: [upbeat music]
01:31:59 - 01:32:03: ♪ ♪
01:32:03 - 01:32:08: - ♪ I saw you dancing in a crowded room ♪
01:32:08 - 01:32:12: ♪ You looked so happy when I'm not with you ♪
01:32:12 - 01:32:13: ♪ But the news-- ♪
01:32:13 - 01:32:14: - Oh, wait, is this The Killers' one?
01:32:14 - 01:32:16: - The Weeknd's on his '80s tip still.
01:32:16 - 01:32:19: - Yeah, this--oh, he did this at the Super Bowl.
01:32:19 - 01:32:20: Obviously, it's '80s,
01:32:20 - 01:32:22: but it also just really reminds me of The Killers.
01:32:22 - 01:32:26: Maybe 'cause he says "run away," and that's a Killers song.
01:32:26 - 01:32:27: - Yeah.
01:32:27 - 01:32:34: - ♪ I'll make you cry when I run away ♪
01:32:34 - 01:32:37: - It'd be interesting if they brought in, like,
01:32:37 - 01:32:39: Adam from the War on Drugs.
01:32:39 - 01:32:41: It's not that far off.
01:32:41 - 01:32:43: - Oh, no, yeah.
01:32:43 - 01:32:47: - If he added some just, like, weird guitar parts.
01:32:47 - 01:32:49: War on Drugs remix.
01:32:49 - 01:32:50: I'm down with this.
01:32:50 - 01:32:52: - Yeah, I remember this from the Super Bowl.
01:32:52 - 01:32:53: I think it's pretty good.
01:32:53 - 01:32:54: - Real throwback.
01:32:54 - 01:32:57: - Back in '90, the number three song,
01:32:57 - 01:32:58: absolutely beautiful song,
01:32:58 - 01:33:01: Sinead O'Connor, "Nothing Compares to You."
01:33:01 - 01:33:04: - Holy cow.
01:33:04 - 01:33:06: Oh, man.
01:33:06 - 01:33:09: Is this an Eileen Scarf song?
01:33:09 - 01:33:11: "A Little Late"-- or "You're a Little Too Old."
01:33:11 - 01:33:12: When this came out.
01:33:12 - 01:33:14: - Yeah, this is a little too late.
01:33:14 - 01:33:17: This is a little too real.
01:33:17 - 01:33:25: - ♪ Since you took your love away ♪
01:33:25 - 01:33:33: ♪ I go out every night and sleep all day ♪
01:33:33 - 01:33:35: ♪ Since you took your love away ♪
01:33:35 - 01:33:37: - Famously written by Prince.
01:33:37 - 01:33:40: - ♪ Every night and sleep all day ♪
01:33:40 - 01:33:43: - We were talking last time about "Red Red Wine."
01:33:43 - 01:33:45: This song also kind of goes in that category
01:33:45 - 01:33:47: that's, like, that kind of just, like,
01:33:47 - 01:33:50: deeply, like, hopeless vibe of just, like,
01:33:50 - 01:33:53: it's a rap, I'm never gonna get over this breakup.
01:33:53 - 01:33:54: - Yeah.
01:33:54 - 01:33:57: - And, like, trying to have some fake fun.
01:33:57 - 01:33:58: - You go to a restaurant.
01:33:58 - 01:34:00: - I can go to-- I can have dinner wherever I want.
01:34:00 - 01:34:04: - ♪ I can't go to a fancy restaurant ♪
01:34:04 - 01:34:07: ♪ But nothing, I said nothing to you ♪
01:34:07 - 01:34:10: - The ex was just knocked down to fancy restaurants.
01:34:10 - 01:34:13: - You know, the last-- this first Sinead record,
01:34:13 - 01:34:15: I mean, this whole thing hits heavy.
01:34:15 - 01:34:17: Like, the last track on this record is--
01:34:17 - 01:34:19: - This is the second Sinead record, I think.
01:34:19 - 01:34:20: - Oh, is it? - Yeah.
01:34:20 - 01:34:21: - Well, I remember on this record--
01:34:21 - 01:34:23: - Early Sinead.
01:34:23 - 01:34:24: - Okay.
01:34:24 - 01:34:25: I thought this was a first.
01:34:25 - 01:34:26: My bad.
01:34:26 - 01:34:29: But I remember this record, the last song is--
01:34:29 - 01:34:32: is, um, the last time I ever saw--
01:34:32 - 01:34:34: basically, the last I ever saw you.
01:34:34 - 01:34:36: It's about, like-- it's like a divorce song.
01:34:36 - 01:34:37: - Wow.
01:34:37 - 01:34:39: - Which is a nice compliment to this.
01:34:39 - 01:34:41: - ♪ Without you, son ♪
01:34:41 - 01:34:46: ♪ Oh, oh, oh ♪
01:34:46 - 01:34:52: ♪ Nothing can stop these lonely tears from falling ♪
01:34:52 - 01:34:55: ♪ Tell me, baby ♪
01:34:55 - 01:34:59: ♪ Where did I go wrong? ♪
01:34:59 - 01:35:02: ♪ ♪
01:35:02 - 01:35:10: ♪ I've put my arms around every boy I see ♪
01:35:10 - 01:35:14: ♪ It only reminded me ♪
01:35:14 - 01:35:18: ♪ Oh, oh, oh ♪
01:35:18 - 01:35:20: ♪ I went to the doctor ♪
01:35:20 - 01:35:22: ♪ And guess what he told me ♪
01:35:22 - 01:35:25: ♪ Guess what he told me ♪
01:35:25 - 01:35:28: ♪ He said, "Girl, you better try to have fun ♪
01:35:28 - 01:35:31: ♪ No matter what you do ♪
01:35:31 - 01:35:33: ♪ But he's a fool ♪
01:35:33 - 01:35:38: ♪ 'Cause nothing compares ♪
01:35:38 - 01:35:41: ♪ Nothing compares to you ♪
01:35:41 - 01:35:44: - Did you guys ever listen to Sinead O'Connor's reggae album?
01:35:44 - 01:35:45: - No.
01:35:45 - 01:35:46: - No, man.
01:35:46 - 01:35:50: - 2005, produced by Sly and Robbie.
01:35:50 - 01:35:52: - Oh. Major.
01:35:52 - 01:35:57: ♪ ♪
01:35:57 - 01:36:01: - It's a classic, minimalist, powerful, beautiful song.
01:36:01 - 01:36:05: - Sounds like she got into kind of a dust-up with Prince.
01:36:05 - 01:36:07: - She said they had a punch-up.
01:36:07 - 01:36:08: - Yeah.
01:36:08 - 01:36:10: They didn't get along.
01:36:10 - 01:36:13: They hung out a few times, and it didn't go well.
01:36:13 - 01:36:17: - Now, did he write this for her, or there's, like, a Prince version?
01:36:17 - 01:36:19: - No, he's--this is on her record.
01:36:19 - 01:36:22: I feel like this is on "Sign of the Times" or something.
01:36:22 - 01:36:25: - No, he wrote it in '84. - No, he wrote this for her.
01:36:25 - 01:36:27: - No, he didn't write it for her?
01:36:27 - 01:36:30: - No, it says he wrote it in '84. - It was on her record.
01:36:30 - 01:36:33: - And he gave it to the family, a band that was signed
01:36:33 - 01:36:35: to his Paisley Park record label.
01:36:35 - 01:36:37: They recorded the song in '85 for their debut album,
01:36:37 - 01:36:39: but it was not released as a single.
01:36:39 - 01:36:42: - Hold on. This wasn't on a Prince record?
01:36:42 - 01:36:45: - It wasn't released by Prince until 2018, a live--
01:36:45 - 01:36:46: - My bad.
01:36:46 - 01:36:48: - Okay, there's a live version on his '93 album,
01:36:48 - 01:36:51: the hit "/b-side," so maybe he was just doing it live a lot.
01:36:51 - 01:36:54: - Were you listening to some Prince live bootlegs
01:36:54 - 01:36:56: back in the day?
01:36:56 - 01:36:58: - Absolutely not.
01:36:58 - 01:37:02: - You know, Prince does have a dead, like, following.
01:37:02 - 01:37:04: People who are, like, obsessed with him.
01:37:04 - 01:37:06: - Oh, absolutely. Oh, yeah.
01:37:06 - 01:37:08: - Well, 'cause, you know, he famously had an album
01:37:08 - 01:37:10: that, like, wasn't released or something
01:37:10 - 01:37:12: called "The Black Album" in the '80s,
01:37:12 - 01:37:14: so I think there was this-- - Wow.
01:37:14 - 01:37:16: - There really is a thing with Princeheads
01:37:16 - 01:37:18: where people are just like, "Oh, you like Prince?
01:37:18 - 01:37:20: You haven't heard this sh--."
01:37:20 - 01:37:22: And it's just this weird vibe of, like, really having,
01:37:22 - 01:37:24: like, the works.
01:37:24 - 01:37:26: - Maya Rudolph is a huge Princehead, right?
01:37:26 - 01:37:28: She's in a Prince cover band. - Yeah, I've heard that.
01:37:28 - 01:37:30: - She is? - Yeah, she's a major Princehead.
01:37:30 - 01:37:32: - Do they play around? - She probably has, like,
01:37:32 - 01:37:35: hand-labeled tapes of just, like,
01:37:35 - 01:37:37: "Oh, you gotta catch that '87 show, man."
01:37:37 - 01:37:40: - Any band with, like, super prolific output,
01:37:40 - 01:37:42: there's those crazy heads.
01:37:42 - 01:37:45: Does Maya Rudolph's cover band play around L.A.?
01:37:45 - 01:37:47: - I'm trying to find-- - Yeah, that sounds familiar.
01:37:47 - 01:37:49: - They're called Princess. It's a great name.
01:37:49 - 01:37:51: - I was gonna actually suggest, I think,
01:37:51 - 01:37:55: a Richard Pichard's Princess show.
01:37:55 - 01:37:57: - Did you catch that, uh... - Pretty tight.
01:37:57 - 01:37:59: - That Princess Richard Pichard show?
01:37:59 - 01:38:01: That was really wild.
01:38:01 - 01:38:04: - When Maya got on stage to sing "To Lay Me Down,"
01:38:04 - 01:38:07: I mean... [laughter]
01:38:07 - 01:38:11: Jake and Maya duetting "To Lay Me Down" was fierce.
01:38:11 - 01:38:14: - Now, I do feel like, in that era,
01:38:14 - 01:38:16: I bet some deadheads liked Prince.
01:38:16 - 01:38:19: I bet a lot of Prince heads did not like the dead.
01:38:19 - 01:38:21: I just feel like if you're a hardcore Prince head
01:38:21 - 01:38:23: in, like, the Touch of Grey era,
01:38:23 - 01:38:25: you're probably like, "What?" - Yeah.
01:38:25 - 01:38:28: - I'll tell you one thing about Jerry Garcia and Prince--
01:38:28 - 01:38:31: two excellent guitarists. - Yeah.
01:38:31 - 01:38:33: Although I don't think Prince has his own--
01:38:33 - 01:38:36: he doesn't have his own voice on the guitar.
01:38:36 - 01:38:39: He shreds, but it's, like, it's generic shredding.
01:38:39 - 01:38:41: - Right. What makes him amazing
01:38:41 - 01:38:43: is as a vocalist, songwriter, and producer.
01:38:43 - 01:38:44: - Yeah.
01:38:44 - 01:38:46: - Was Maya Rudolph in The Rentals?
01:38:46 - 01:38:48: I think she was.
01:38:48 - 01:38:50: - Oh, she was a member of The Rentals?
01:38:50 - 01:38:51: - Yeah, do you remember that band?
01:38:51 - 01:38:53: - Yeah, that was the dude from Weezer.
01:38:53 - 01:38:54: - Matt Sharp.
01:38:54 - 01:38:56: - Rentals, were they Friends of P?
01:38:56 - 01:38:58: - Yes, Friends of P.
01:38:58 - 01:38:59: - Friends with P?
01:38:59 - 01:39:02: - And the first song on that record's really good.
01:39:02 - 01:39:04: - I don't think she played on the record,
01:39:04 - 01:39:06: according to Wikipedia.
01:39:06 - 01:39:09: - I'm really curious about this Prince cover band now.
01:39:09 - 01:39:11: I wonder what she does in it.
01:39:11 - 01:39:13: - I think sing.
01:39:13 - 01:39:14: - Vocals?
01:39:14 - 01:39:15: - Yeah.
01:39:15 - 01:39:17: All right.
01:39:17 - 01:39:18: We're gonna speed run.
01:39:18 - 01:39:19: - Where are we?
01:39:19 - 01:39:21: - We gotta speed run through the rest of this top five.
01:39:21 - 01:39:23: The number three song
01:39:23 - 01:39:25: in our current moment.
01:39:25 - 01:39:27: I've heard about this song,
01:39:27 - 01:39:28: I don't think I've actually heard it.
01:39:28 - 01:39:32: Justin Bieber, Peaches, featuring Daniel Caesar.
01:39:32 - 01:39:33: And then--
01:39:33 - 01:39:34: - Giveon?
01:39:34 - 01:39:35: - Giveon.
01:39:35 - 01:39:40: [piano music]
01:39:40 - 01:39:43: - I know this is an old man thing to say,
01:39:43 - 01:39:46: but all these songs have like nine songwriters.
01:39:46 - 01:39:47: - That's what's going on.
01:39:47 - 01:39:49: Oh, no, I have heard this.
01:39:49 - 01:39:56: [upbeat music]
01:39:56 - 01:40:01: - This is not a presidency of the United States of America cover.
01:40:01 - 01:40:02: - Damn.
01:40:02 - 01:40:04: - That would've been cool.
01:40:04 - 01:40:31: [upbeat music]
01:40:31 - 01:40:32: - So what's he saying?
01:40:32 - 01:40:33: I get my peaches out in Georgia,
01:40:33 - 01:40:35: I get my weed in California.
01:40:35 - 01:40:36: - Where, Justin?
01:40:36 - 01:40:38: Humboldt?
01:40:38 - 01:40:41: - I want more specifics.
01:40:41 - 01:40:43: - You know that Med Men on Melrose?
01:40:43 - 01:40:44: - Yeah.
01:40:44 - 01:40:45: - What's the sourcing?
01:40:45 - 01:40:47: - He's just hitting some plastic vape.
01:40:47 - 01:40:49: Could be from anywhere, man.
01:40:49 - 01:40:51: I've never been to Med Men.
01:40:51 - 01:40:53: - I go whenever my dad's in town.
01:40:53 - 01:40:54: - Just go check it out.
01:40:54 - 01:40:55: - Your dad's a big weed head.
01:40:55 - 01:40:57: - That's right, I forgot that.
01:40:57 - 01:41:18: [upbeat music]
01:41:18 - 01:41:20: - Wait, what's the third and fourth line?
01:41:20 - 01:41:22: - I take my chick up to the North, yeah,
01:41:22 - 01:41:24: and then he goes, "Badass, f---."
01:41:24 - 01:41:27: - So he takes his girlfriend up to Canada?
01:41:27 - 01:41:29: - Oh, probably. That makes sense.
01:41:29 - 01:41:32: - To visit his family, that badass, f---.
01:41:32 - 01:41:34: - This is a pretty good song.
01:41:34 - 01:41:35: Pretty good.
01:41:35 - 01:41:39: [upbeat music]
01:41:39 - 01:41:41: - I got my peaches out in Georgia,
01:41:41 - 01:41:44: I get my weed from California.
01:41:44 - 01:41:47: I took my chick up to the North, yeah.
01:41:47 - 01:41:49: I get my life right from the source, yeah.
01:41:49 - 01:41:50: Yeah, that's it.
01:41:50 - 01:41:52: - I get my life right from the source?
01:41:52 - 01:41:54: - It's not that interesting a lyric
01:41:54 - 01:41:56: to repeat this many times.
01:41:56 - 01:41:58: It's an opener to a song.
01:41:58 - 01:42:01: You don't need to repeat that like nine times.
01:42:01 - 01:42:03: Very half-baked.
01:42:03 - 01:42:04: - Wait, but hold on.
01:42:04 - 01:42:06: I might have to look at the lyrics real quick.
01:42:06 - 01:42:08: - There's nine people writing this song
01:42:08 - 01:42:10: and none of them are like, "Okay,
01:42:10 - 01:42:14: "can we write some other lyrics here?"
01:42:14 - 01:42:15: - I mean, this may be my dream talking,
01:42:15 - 01:42:17: but I do feel I've thought this in the car
01:42:17 - 01:42:19: when it comes on, "I think I get my life
01:42:19 - 01:42:23: "from the source," is beautiful.
01:42:23 - 01:42:25: I just think he's talking about his girl,
01:42:25 - 01:42:26: but there's something about saying,
01:42:26 - 01:42:28: "I get my life from the source" that I find--
01:42:28 - 01:42:29: - He's talking about JC.
01:42:29 - 01:42:30: - He's a man of God, yeah.
01:42:30 - 01:42:31: He's a man of faith.
01:42:31 - 01:42:33: - Or JC, or a girl, or the son.
01:42:33 - 01:42:35: There's something about, "I get my life from the source,"
01:42:35 - 01:42:37: that I do think is more poetic
01:42:37 - 01:42:40: than maybe the other ones that come before it.
01:42:40 - 01:42:43: - He says, "Peaches from Georgia, shocker.
01:42:43 - 01:42:46: "Weed from Cali."
01:42:46 - 01:42:47: Okay, cool.
01:42:47 - 01:42:49: I want some more specifics on that.
01:42:49 - 01:42:50: - Okay, wait, hold on.
01:42:50 - 01:42:53: He doesn't say, "I got my peaches out in Georgia."
01:42:53 - 01:42:56: Is that, he's referring to women or something?
01:42:56 - 01:42:58: - No, he means specifically the produce.
01:42:58 - 01:43:00: - Well, Justin could be alluding
01:43:00 - 01:43:02: to the connotations of the peach emoji,
01:43:02 - 01:43:05: which represents a butt in sexual context.
01:43:05 - 01:43:08: "Georgia peach" describes an attractive female.
01:43:08 - 01:43:09: All right.
01:43:09 - 01:43:12: And then, obviously, California's got weed.
01:43:12 - 01:43:14: "I took my chick up to the North, yeah."
01:43:14 - 01:43:16: As to where Justin gets his light,
01:43:16 - 01:43:18: we have seen him profess his Christianity in recent memory,
01:43:18 - 01:43:20: so we can assume he is talking about God,
01:43:20 - 01:43:22: the source of light in his life.
01:43:22 - 01:43:24: That's some hippie Christian (beep).
01:43:24 - 01:43:27: All I need is some good fruit, some good weed,
01:43:27 - 01:43:32: a nice camping trip up into kind of like
01:43:32 - 01:43:36: deeper British Columbia, and the light of God.
01:43:36 - 01:43:40: - I don't know if I've ever told you guys
01:43:40 - 01:43:42: in private any of this story,
01:43:42 - 01:43:45: but I was at a sauna, like a public,
01:43:45 - 01:43:47: you know, like a-- - Oh, I've heard this story.
01:43:47 - 01:43:48: - You've told me this story, but--
01:43:48 - 01:43:50: - Oh, you did tell TC?
01:43:50 - 01:43:51: - No, not-- - I don't think
01:43:51 - 01:43:52: I've ever told it on air. - All right,
01:43:52 - 01:43:53: you should tell it on air.
01:43:53 - 01:43:54: It's a good story.
01:43:54 - 01:43:55: - Well, I was at this--
01:43:55 - 01:43:58: It's sort of like a spa, sauna,
01:43:58 - 01:44:00: you know, anyone can go to.
01:44:00 - 01:44:01: It's not private.
01:44:01 - 01:44:04: I was laying in the, you know, in the sauna.
01:44:04 - 01:44:06: It was very, very hot,
01:44:06 - 01:44:08: and I sort of was laying out sweating,
01:44:08 - 01:44:10: and eyes were closed, and then I was hearing
01:44:10 - 01:44:13: this kind of like pretty, like, interesting conversation
01:44:13 - 01:44:15: between two other guys that were there,
01:44:15 - 01:44:17: and it started with, I believe,
01:44:17 - 01:44:19: I mean, it's been a while since I told this,
01:44:19 - 01:44:20: but I remember just hearing, like,
01:44:20 - 01:44:22: "Yeah, God's awesome, right?"
01:44:22 - 01:44:24: And I was like, "Hmm." - Hell yeah.
01:44:24 - 01:44:25: - Hell yeah.
01:44:25 - 01:44:27: And it was like, "I know, God's the best."
01:44:27 - 01:44:29: And then I was just listening to this conversation
01:44:29 - 01:44:31: about how great God is.
01:44:31 - 01:44:33: I mean, it was really, there wasn't a lot of substance.
01:44:33 - 01:44:36: It was just two guys talking about God.
01:44:36 - 01:44:37: - I was just talking to them the other day.
01:44:37 - 01:44:39: - Did these guys seem to know each other?
01:44:39 - 01:44:40: - Talking to God, like, on Tuesday.
01:44:40 - 01:44:41: - No, they didn't.
01:44:41 - 01:44:45: It seemed as though they didn't know each other.
01:44:45 - 01:44:46: And they were just-- - Interesting.
01:44:46 - 01:44:48: How did that conversation start?
01:44:48 - 01:44:49: - Well, I don't know.
01:44:49 - 01:44:50: I was there when it started,
01:44:50 - 01:44:51: and it started sort of like this,
01:44:51 - 01:44:52: but my eyes were closed.
01:44:52 - 01:44:54: I was really trying to sort of breathe myself
01:44:54 - 01:44:56: through the heat of this sauna.
01:44:56 - 01:45:01: And then I sat up, and I really came sort of face to face
01:45:01 - 01:45:05: with, I was like, "Oh, sh*t.
01:45:05 - 01:45:07: "You're Justin Bieber."
01:45:08 - 01:45:12: And then he sort of asked me where I was from.
01:45:12 - 01:45:14: - So he's just being like real kind vibe,
01:45:14 - 01:45:16: just you're another dude in the sauna.
01:45:16 - 01:45:18: He wanted to include you in the conversation.
01:45:18 - 01:45:20: - Yes, he wanted to include me in the conversation,
01:45:20 - 01:45:21: and maybe so I couldn't immediately--
01:45:21 - 01:45:22: - Hey, stranger.
01:45:22 - 01:45:23: - Yeah, hey, stranger.
01:45:23 - 01:45:24: - Hey, stranger, where are you from?
01:45:24 - 01:45:26: - Maybe you can't immediately, yeah.
01:45:26 - 01:45:28: And maybe you can't immediately get involved
01:45:28 - 01:45:29: in this God conversation,
01:45:29 - 01:45:31: so I'll just ask you where you're from.
01:45:31 - 01:45:32: - That's classy.
01:45:32 - 01:45:33: - And I was like, "Oh."
01:45:33 - 01:45:34: I thought it was very classy,
01:45:34 - 01:45:35: and I said, "I'm from here."
01:45:35 - 01:45:36: He goes, "You're always from here?"
01:45:36 - 01:45:38: And I was like, "No, no, I lived in Atlanta before."
01:45:38 - 01:45:39: And he said--
01:45:39 - 01:45:41: - Oh, he said, "Oh, I get my peaches out there."
01:45:41 - 01:45:42: - He actually said, saying better, he goes,
01:45:42 - 01:45:44: "I think I still own a house there."
01:45:44 - 01:45:46: (laughing)
01:45:46 - 01:45:47: - I think.
01:45:47 - 01:45:48: - I think, I think as well.
01:45:48 - 01:45:49: And I was like, "Oh, yeah."
01:45:49 - 01:45:51: And obviously I know you famously lived there
01:45:51 - 01:45:54: when you moved from Canada to work with Usher
01:45:54 - 01:45:55: in your teens.
01:45:55 - 01:45:58: And I was like, "Oh, yeah, that's cool."
01:45:58 - 01:46:00: And then the guy, you know,
01:46:00 - 01:46:05: we talked a bit more about sort of top level sort of stuff,
01:46:05 - 01:46:09: and then that guy left who was talking about God.
01:46:09 - 01:46:12: And then Justin Bieber says to me, he goes,
01:46:12 - 01:46:14: "Man, that guy was wild."
01:46:14 - 01:46:16: (laughing)
01:46:16 - 01:46:17: And I was like, "What?
01:46:17 - 01:46:19: "Like you didn't, you weren't part of that?"
01:46:19 - 01:46:21: Like actually that's when I first realized,
01:46:21 - 01:46:23: like, "Oh, you didn't know that guy."
01:46:23 - 01:46:24: - Well--
01:46:24 - 01:46:25: - You're just spreading kind vibes.
01:46:25 - 01:46:26: That guy wanted to come here,
01:46:26 - 01:46:28: he recognized you were Justin Bieber
01:46:28 - 01:46:29: in a sort of a public space.
01:46:29 - 01:46:30: - Well, it's probably that guy,
01:46:30 - 01:46:32: that guy knew that Justin Bieber is Christian,
01:46:32 - 01:46:34: and maybe that guy was like trying to think,
01:46:34 - 01:46:36: "What's a cool thing to say to Bieber
01:46:36 - 01:46:37: "if I hit him with some like,
01:46:37 - 01:46:40: "'Oh, dude, your first album changed my life.'"
01:46:40 - 01:46:42: He might be like a little bit,
01:46:42 - 01:46:46: "So let me just connect with him on love of God."
01:46:46 - 01:46:47: - On a God level.
01:46:47 - 01:46:49: And then after this whole thing,
01:46:49 - 01:46:51: there was a couple other moments
01:46:51 - 01:46:52: where I could just sort of,
01:46:52 - 01:46:53: it really did click to me.
01:46:53 - 01:46:56: I was like, "Oh, Bieber is doing what you said.
01:46:56 - 01:46:58: "He's spreading, he's connecting,
01:46:58 - 01:46:59: "and he knows what people want from him,
01:46:59 - 01:47:01: "and he's gonna give it to them."
01:47:01 - 01:47:03: And then I left, I took a shower,
01:47:03 - 01:47:04: and I was leaving, and I was like,
01:47:04 - 01:47:06: "Oh, s--t, I forgot something back inside."
01:47:06 - 01:47:07: So I had gone out to my car,
01:47:07 - 01:47:08: and I ran back inside,
01:47:08 - 01:47:10: and Bieber at this point was leaving,
01:47:10 - 01:47:11: and I was describing something,
01:47:11 - 01:47:13: and he said, "Oh, hey," to me.
01:47:13 - 01:47:14: And I was like, "Oh, yeah?"
01:47:14 - 01:47:16: And he goes, and he came to give me a hug,
01:47:16 - 01:47:18: and he goes, "That was really fun."
01:47:18 - 01:47:19: - Aw.
01:47:19 - 01:47:20: - And he gave me a hug,
01:47:20 - 01:47:22: and I realized, oh, for him,
01:47:22 - 01:47:24: yeah, this was probably like a night out.
01:47:24 - 01:47:26: Like, this was a connecting with the people moment
01:47:26 - 01:47:27: in a sauna.
01:47:27 - 01:47:29: - So he rolled to a sauna by himself.
01:47:29 - 01:47:30: - In West Hollywood.
01:47:30 - 01:47:31: Yes.
01:47:31 - 01:47:33: - Did you see any big dudes?
01:47:33 - 01:47:35: - No, no, I do, no.
01:47:35 - 01:47:38: I think that there was one big dude who I'd,
01:47:38 - 01:47:39: you know, it's a Russian bath,
01:47:39 - 01:47:41: so it's kind of hard to know exactly
01:47:41 - 01:47:43: who's with Bieber and who's with not,
01:47:43 - 01:47:45: but I did see someone there that I was like,
01:47:45 - 01:47:47: "I think this guy's with Bieber."
01:47:47 - 01:47:48: But he was in there alone.
01:47:48 - 01:47:50: Like, he was...
01:47:50 - 01:47:52: LARPing as a normie.
01:47:52 - 01:47:54: - This story makes Bieber sound chill as hell.
01:47:54 - 01:47:57: - I honestly, like, it really endeared me to him.
01:47:57 - 01:47:59: - All right, well, that definitely contextualizes
01:47:59 - 01:48:02: the "I get my light from the source."
01:48:02 - 01:48:05: Like, Bieber's tapped in.
01:48:05 - 01:48:07: - He did say, "Maybe I'll get a small peach
01:48:07 - 01:48:09: on my body somewhere."
01:48:09 - 01:48:13: I promised myself I didn't want to get tattoos on my hands,
01:48:13 - 01:48:16: and so I don't think I'm going to get tattoos on my hands.
01:48:16 - 01:48:18: Something about just being able to wear a suit
01:48:18 - 01:48:20: and not having tattoos on my hands.
01:48:20 - 01:48:21: I agree, Justin.
01:48:21 - 01:48:24: So maybe he's out of room, is what he's saying?
01:48:24 - 01:48:25: - Right, I mean, Justin is, you know,
01:48:25 - 01:48:26: let's say one of these days,
01:48:26 - 01:48:28: you want to give up the music stuff,
01:48:28 - 01:48:31: you want to get a job at a bank,
01:48:31 - 01:48:32: something like that,
01:48:32 - 01:48:35: they're not going to look too kindly on hand tattoos.
01:48:35 - 01:48:37: So, you know, do whatever you want on your chest,
01:48:37 - 01:48:38: your back, whatever.
01:48:38 - 01:48:40: But when you want to put a suit on,
01:48:40 - 01:48:41: keep the hands clean.
01:48:41 - 01:48:43: - That's a wild story, Nick.
01:48:43 - 01:48:45: - Yeah, it was really great.
01:48:45 - 01:48:47: - Okay, the number...
01:48:47 - 01:48:48: I'm going to burn through the rest of this.
01:48:48 - 01:48:49: - Where are we?
01:48:49 - 01:48:50: - Number two song, 1990, "Heart."
01:48:50 - 01:48:52: All I want to do is make love to you.
01:48:52 - 01:48:55: [upbeat music]
01:48:55 - 01:48:56: - Oh, interesting.
01:48:56 - 01:48:58: - Written by Mutt Lang.
01:48:58 - 01:49:01: - "Heart" just churning out hits through the decades.
01:49:01 - 01:49:04: - Initially had written the song for Don Henley,
01:49:04 - 01:49:05: but he declined.
01:49:05 - 01:49:06: - Whoa.
01:49:06 - 01:49:10: [upbeat music]
01:49:10 - 01:49:15: ♪ It was a rainy night ♪
01:49:15 - 01:49:20: ♪ When he came into sight ♪
01:49:20 - 01:49:22: ♪ Standing by the road ♪
01:49:22 - 01:49:23: - Well, the original version of the song
01:49:23 - 01:49:26: was released in '79 by Dobie Gray.
01:49:26 - 01:49:27: - Oh.
01:49:27 - 01:49:28: Oh.
01:49:28 - 01:49:29: - Just picking.
01:49:29 - 01:49:30: - You know what Dobie Gray most famously did?
01:49:30 - 01:49:31: - What?
01:49:31 - 01:49:32: - ♪ Give me the beat, boys ♪
01:49:32 - 01:49:33: ♪ And play me my song ♪
01:49:33 - 01:49:34: - Oh, really?
01:49:34 - 01:49:35: - Whoa, classic.
01:49:35 - 01:49:38: - ♪ Give me a ride ♪
01:49:38 - 01:49:42: ♪ He accepted with a smile ♪
01:49:42 - 01:49:47: ♪ So we drove for a while ♪
01:49:47 - 01:49:48: - I remember this song.
01:49:48 - 01:49:49: This song was very depressing.
01:49:49 - 01:49:52: ♪ And he asked me his name ♪
01:49:52 - 01:49:53: - Oh, yeah.
01:49:53 - 01:49:54: - Not feeling it.
01:49:54 - 01:49:58: - It's like a weird one-night stand story.
01:49:58 - 01:50:01: - This is a very Eileen's Car song.
01:50:01 - 01:50:02: - Also worth pointing out.
01:50:02 - 01:50:04: - I feel...
01:50:04 - 01:50:05: - This is it.
01:50:05 - 01:50:06: - Go ahead.
01:50:06 - 01:50:07: - Incorrect.
01:50:07 - 01:50:08: All right, we've heard enough.
01:50:08 - 01:50:10: This is "Conjuring Something Dark" and Jake.
01:50:10 - 01:50:14: Interestingly, both "Heart" and "Wilson Phillips"
01:50:14 - 01:50:17: have a pair of Wilson sisters,
01:50:17 - 01:50:18: and they're both in the top five.
01:50:18 - 01:50:19: - Oh, true.
01:50:19 - 01:50:21: - Number two song.
01:50:21 - 01:50:23: - God, this song is depressing.
01:50:23 - 01:50:24: - There's some kind of sadness.
01:50:24 - 01:50:26: - Oh, like it's a one-night stand where they have a kid.
01:50:26 - 01:50:28: It's really, yeah, anyway.
01:50:28 - 01:50:29: Let's move on.
01:50:29 - 01:50:32: - This is a number two song right now.
01:50:32 - 01:50:35: Dua Lipa featuring DaBaby, "Levitating."
01:50:35 - 01:50:36: - ♪ Billboard, baby, Dua Lipa ♪
01:50:36 - 01:50:38: ♪ Make 'em dance when they come on ♪
01:50:38 - 01:50:40: ♪ Everybody looking for a dance floor to belong ♪
01:50:40 - 01:50:41: - ♪ If you wanna run away with me ♪
01:50:41 - 01:50:44: ♪ I know a galaxy and I can take you for a ride ♪
01:50:44 - 01:50:47: ♪ I had a premonition that we fell into a rhythm ♪
01:50:47 - 01:50:49: ♪ Where the music don't stop for life ♪
01:50:49 - 01:50:51: ♪ I hear the band start to play ♪
01:50:51 - 01:50:53: - Barack Obama included this
01:50:53 - 01:50:55: on his favorite song of 2020.
01:50:55 - 01:50:57: - All right.
01:50:57 - 01:50:58: - Hilarious.
01:50:58 - 01:51:00: - He's never heard this.
01:51:00 - 01:51:02: - I'm willing to believe he has.
01:51:02 - 01:51:05: - Maybe his daughters are playing it in the house.
01:51:05 - 01:51:07: What context would he hear this?
01:51:07 - 01:51:08: - I guess so.
01:51:08 - 01:51:09: - Just driving his car.
01:51:09 - 01:51:11: - Peloton class, yeah, the gym, working.
01:51:11 - 01:51:13: - Yeah, at the gym.
01:51:13 - 01:51:14: - Good call on the Peloton.
01:51:14 - 01:51:16: - Just sweating it out on the Peloton.
01:51:16 - 01:51:18: - Obama definitely does the Peloton, right?
01:51:18 - 01:51:20: - Yeah, seems like a Peloton guy.
01:51:20 - 01:51:23: - Interesting album title, "Future Nostalgia."
01:51:23 - 01:51:25: - Yeah.
01:51:25 - 01:51:27: Big album.
01:51:27 - 01:51:29: I mean, there's a lot of good things about this song.
01:51:29 - 01:51:31: You can cut it off, but I gotta say,
01:51:31 - 01:51:35: after recontextualizing Peaches
01:51:35 - 01:51:37: and rethinking of Bieber as this kind of, like,
01:51:37 - 01:51:39: hippie Christ figure,
01:51:39 - 01:51:42: this sounds a little corporate to me, I gotta say.
01:51:42 - 01:51:46: Especially the classic guest rapper
01:51:46 - 01:51:48: who kind of has, like, the--and DaBaby,
01:51:48 - 01:51:50: I love a lot of DaBaby songs.
01:51:50 - 01:51:53: Very talented. Success is well-deserved.
01:51:53 - 01:51:55: But, like, those moments in a remix
01:51:55 - 01:51:57: where the person says, like,
01:51:57 - 01:51:59: "I'm the rapper, and they're the pop star,
01:51:59 - 01:52:00: and here's our names again."
01:52:00 - 01:52:02: Obviously, that's a great tradition.
01:52:02 - 01:52:04: It can work a lot.
01:52:04 - 01:52:06: But I'm just not in the mood right now
01:52:06 - 01:52:07: because I'm picturing just--
01:52:07 - 01:52:10: I basically am in the zone where Justin Bieber is Jesus Christ
01:52:10 - 01:52:13: and his new song "Peaches" is the gospel,
01:52:13 - 01:52:14: and he's spreading the good word.
01:52:14 - 01:52:18: He's nude around a campfire in northern British Columbia.
01:52:18 - 01:52:21: Yep. He took his girl up north, badass b****.
01:52:21 - 01:52:22: [laughs]
01:52:22 - 01:52:25: Actually, so badass, dude, I took her on a plane.
01:52:25 - 01:52:26: She's so badass.
01:52:26 - 01:52:30: This is, like, maybe the worst top five we've ever done.
01:52:30 - 01:52:31: [laughs]
01:52:31 - 01:52:34: Usually, there's, like, one year that's good,
01:52:34 - 01:52:37: but, like, 1990 is, like, a real low point for pop music.
01:52:37 - 01:52:38: Well, okay, but--
01:52:38 - 01:52:41: And 2021 sucks, so it's just, like--
01:52:41 - 01:52:42: [laughs]
01:52:42 - 01:52:44: I think this is, like--
01:52:44 - 01:52:47: The 1990s stuff is so depressing.
01:52:47 - 01:52:48: Well, the Sinead is amazing.
01:52:48 - 01:52:50: Janet and Sinead were good.
01:52:50 - 01:52:51: No, the Janet was whatever.
01:52:51 - 01:52:53: The Sinead was solid.
01:52:53 - 01:52:55: I give it up for that Wilson Phillips song.
01:52:55 - 01:52:57: It's iconic. It's--
01:52:57 - 01:52:58: Depressing.
01:52:58 - 01:52:59: [laughs]
01:52:59 - 01:53:02: The palette is very depressing.
01:53:02 - 01:53:05: Weirdly, the modern top five was, like, very decent.
01:53:05 - 01:53:08: Like, the Doja Cat pointed at something we like.
01:53:08 - 01:53:10: The Weeknd pointed at something we like.
01:53:10 - 01:53:13: The Justin Bieber really felt like, you know,
01:53:13 - 01:53:16: a modern retelling of the gospel.
01:53:16 - 01:53:18: The Dua--
01:53:18 - 01:53:19: And that album--
01:53:19 - 01:53:22: The first single was, like, just, like, a great, modern,
01:53:22 - 01:53:25: kind of, like, funk disco song.
01:53:25 - 01:53:28: This one just had a feel a little bit of--
01:53:28 - 01:53:32: Honestly, the Obama on the Peloton was kind of a bummer image.
01:53:32 - 01:53:37: [laughs]
01:53:37 - 01:53:39: Michelle, you heard this song?
01:53:39 - 01:53:42: ♪ Obama on the Peloton ♪
01:53:42 - 01:53:44: That's a [bleep] vampire wig.
01:53:44 - 01:53:46: Maybe that's too on the nose for a vampire wig.
01:53:46 - 01:53:48: Yeah, maybe a little too on the nose.
01:53:48 - 01:53:50: If Pavement was still a band--
01:53:50 - 01:53:55: ♪ Danae, Obama on the Peloton ♪
01:53:55 - 01:53:58: I mean, obviously, Jigsaw are still putting out records,
01:53:58 - 01:54:00: like, every year, but I don't know.
01:54:00 - 01:54:02: It's a late Stephen Hawking song.
01:54:02 - 01:54:05: It's a little on the nose.
01:54:05 - 01:54:07: On the nose. That's a good song title.
01:54:07 - 01:54:09: That could be, like, a tight meta song
01:54:09 - 01:54:11: where it's, like, all a little too on the nose.
01:54:11 - 01:54:14: ♪ Obama on the Peloton listening to Dua Lipa ♪
01:54:14 - 01:54:16: It's such a good--
01:54:16 - 01:54:18: On the nose.
01:54:18 - 01:54:20: That's, like, somebody who's, like, trying to do Father John Misty,
01:54:20 - 01:54:22: but they can't quite--
01:54:22 - 01:54:23: [laughter]
01:54:23 - 01:54:25: They can't quite get it right.
01:54:25 - 01:54:28: Just--
01:54:28 - 01:54:29: Like--
01:54:29 - 01:54:31: ♪ Obama on the Peloton ♪
01:54:31 - 01:54:34: Father John is too witty for that one.
01:54:34 - 01:54:37: Josh Tillman really fell off his new record.
01:54:37 - 01:54:40: No, it would be, like, just, like, you know,
01:54:40 - 01:54:43: in the '90s, there's so many of those, like, brutal sub-sub bands
01:54:43 - 01:54:45: that were, like, doing some other [bleep]
01:54:45 - 01:54:47: It's like some Presidents of the USA [bleep]
01:54:47 - 01:54:49: A little bit.
01:54:49 - 01:54:51: ♪ I wrote a song ♪
01:54:51 - 01:54:53: ♪ Obama on the Peloton ♪
01:54:53 - 01:54:55: ♪ Played it for my mom ♪
01:54:55 - 01:54:57: ♪ She said that it sounded like Father John ♪
01:54:57 - 01:54:59: There's something there.
01:54:59 - 01:55:01: I played the song for my mom.
01:55:01 - 01:55:04: Father--I mean, Obama on the Peloton is, like,
01:55:04 - 01:55:07: if Beck was still in his '90s mode.
01:55:07 - 01:55:09: Well, if it was, like, '90s Beck rapping it
01:55:09 - 01:55:12: over, like, the "Loser" beat, I could maybe be on it.
01:55:12 - 01:55:13: Yeah.
01:55:13 - 01:55:15: Who, uh, Bloodhound Gang?
01:55:15 - 01:55:18: See, right, it's like, then you get into Bloodhound Gang territory,
01:55:18 - 01:55:20: and I respect them on some comedy [bleep]
01:55:20 - 01:55:24: but, like, "I asked Father John, 'What should I do for the song?'
01:55:24 - 01:55:26: "He said, 'Something about Obama on the Peloton.'"
01:55:26 - 01:55:28: Could be the--
01:55:28 - 01:55:31: the kind of laid-back white rapper.
01:55:31 - 01:55:32: Cake.
01:55:32 - 01:55:35: Yeah, dude, cake. I was just thinking cake.
01:55:35 - 01:55:36: No, but cake--
01:55:36 - 01:55:39: ♪ Obama on the Peloton ♪
01:55:39 - 01:55:40: Cake has some great songs.
01:55:40 - 01:55:41: I know.
01:55:41 - 01:55:42: Cake kind of rules.
01:55:42 - 01:55:44: I [bleep] with cake.
01:55:44 - 01:55:45: Yeah.
01:55:45 - 01:55:46: We'll save that for another episode.
01:55:46 - 01:55:48: Cake deep dive.
01:55:48 - 01:55:49: They had a trumpet.
01:55:49 - 01:55:51: You know what's funny about Obama on the Peloton?
01:55:51 - 01:55:53: It's like--I was just reminded of this book recently.
01:55:53 - 01:55:55: I have a copy--somebody gave me a copy.
01:55:55 - 01:55:57: I never actually read it, but I know it's considered, like,
01:55:57 - 01:56:01: an excellent piece of literature from the past ten years.
01:56:01 - 01:56:04: It's George Saunders' Lincoln and the Bardo,
01:56:04 - 01:56:05: which is about--
01:56:05 - 01:56:06: His first novel.
01:56:06 - 01:56:08: Yeah, because he normally writes short stories.
01:56:08 - 01:56:09: Yeah.
01:56:09 - 01:56:12: And, you know, people say it's a very powerful book,
01:56:12 - 01:56:14: and as I understand it, it's about Lincoln grieving--
01:56:14 - 01:56:17: he had a son who died young.
01:56:17 - 01:56:18: So it's about, like--
01:56:18 - 01:56:21: I think the Bardo refers to, like, a Buddhist concept
01:56:21 - 01:56:24: that has to do with the transition to death or grieving--
01:56:24 - 01:56:25: I don't know exactly.
01:56:25 - 01:56:28: But anyway, apparently, like, a very serious, beautiful book,
01:56:28 - 01:56:30: Lincoln and the Bardo,
01:56:30 - 01:56:32: and then, like, Obama on the Peloton
01:56:32 - 01:56:35: is just, like, this depressing modern version.
01:56:35 - 01:56:37: And by the way, I want to point out,
01:56:37 - 01:56:41: I'm absolutely not criticizing Obama, Peloton.
01:56:41 - 01:56:42: Or Peloton.
01:56:42 - 01:56:44: There's just something about--
01:56:44 - 01:56:46: after Nick's, you know, the beautiful story
01:56:46 - 01:56:48: of Bieber and the sauna,
01:56:48 - 01:56:50: there's just something about the Obama on the Peloton
01:56:50 - 01:56:52: that's just not hidden correctly.
01:56:52 - 01:56:54: All right, the number one song in 1990,
01:56:54 - 01:56:56: "Madonna Vogue."
01:56:56 - 01:56:58: - What are you looking at?
01:56:58 - 01:57:00: - Does this cheer you up, Jake?
01:57:00 - 01:57:03: That's my least favorite Madonna hit.
01:57:03 - 01:57:04: - Oh, God.
01:57:04 - 01:57:05: - "Madonna on the Peloton"?
01:57:05 - 01:57:08: - I think 1990 is just a terrible year.
01:57:08 - 01:57:10: I love the intro of this song.
01:57:10 - 01:57:12: It is very, like, ooh.
01:57:12 - 01:57:13: I like that.
01:57:13 - 01:57:16: - Obama on the Peloton could almost be a lyric in "Vogue."
01:57:16 - 01:57:18: - Credit Gar-- [laughs]
01:57:18 - 01:57:19: Credit Garbo.
01:57:19 - 01:57:22: You know, as a vowed Madonna head--
01:57:22 - 01:57:24: we've discussed this on the show.
01:57:24 - 01:57:26: I mean, this--I feel like this is the low point.
01:57:26 - 01:57:27: - Well...
01:57:27 - 01:57:28: - It's not a fun song.
01:57:28 - 01:57:29: It's not poppy.
01:57:29 - 01:57:31: - It's real dance music.
01:57:31 - 01:57:32: - I guess.
01:57:32 - 01:57:34: - Taking a long time for the vocals to come in.
01:57:34 - 01:57:35: - Respect.
01:57:35 - 01:57:38: - You don't like that spoken word rap part that she does?
01:57:38 - 01:57:40: - No, I do like--this song is cool.
01:57:40 - 01:57:42: I mean...
01:57:42 - 01:57:45: she helped popularize the concept of voguing.
01:57:45 - 01:57:47: Maybe people look back on it, and they're like,
01:57:47 - 01:57:49: "It's not cool that she did that."
01:57:49 - 01:57:50: I don't know.
01:57:50 - 01:57:53: [upbeat music]
01:57:53 - 01:57:57: ♪ ♪
01:57:57 - 01:57:59: - Okay, well, let's see.
01:57:59 - 01:58:01: The number one song. - Number one.
01:58:01 - 01:58:03: - Okay, so this is Silk Sonic,
01:58:03 - 01:58:07: which is Bruno Mars and Anderson...Pack.
01:58:07 - 01:58:10: And this is a-- - "Leave the Door Open."
01:58:10 - 01:58:11: That's a cool title.
01:58:11 - 01:58:12: ♪ ♪
01:58:12 - 01:58:14: - I've heard this song.
01:58:14 - 01:58:18: ♪ ♪
01:58:18 - 01:58:20: - This is their kind of, like, throwback.
01:58:20 - 01:58:22: They're getting into the tasteful palette
01:58:22 - 01:58:23: of the 1970s here.
01:58:23 - 01:58:24: - Seriously.
01:58:24 - 01:58:26: - ♪ What you doing? ♪
01:58:26 - 01:58:27: ♪ Where you at? ♪
01:58:27 - 01:58:29: ♪ Oh, you got plans? ♪
01:58:29 - 01:58:30: ♪ Don't say that ♪
01:58:30 - 01:58:32: ♪ I'm sipping wine ♪
01:58:32 - 01:58:34: ♪ In a robe ♪
01:58:34 - 01:58:35: ♪ I look too good ♪
01:58:35 - 01:58:37: ♪ To be alone ♪
01:58:37 - 01:58:39: ♪ My house clean ♪
01:58:39 - 01:58:40: ♪ My pool warm ♪
01:58:40 - 01:58:41: ♪ Just shame ♪
01:58:41 - 01:58:43: ♪ Smooth like a newborn ♪
01:58:43 - 01:58:46: ♪ We should be dancing, romancing ♪
01:58:46 - 01:58:48: ♪ In the east wing and the west wing ♪
01:58:48 - 01:58:49: ♪ Of this mansion ♪
01:58:49 - 01:58:51: ♪ What's happening? ♪
01:58:51 - 01:58:52: ♪ I ain't playing no games ♪
01:58:52 - 01:58:54: ♪ Every word that I say ♪
01:58:54 - 01:58:56: ♪ Is coming straight from my heart ♪
01:58:56 - 01:58:58: - Yeah, it's very, like, Philly sound.
01:58:58 - 01:59:01: - ♪ So why you trying to hang these up? ♪
01:59:01 - 01:59:05: - ♪ I'ma leave the door open ♪
01:59:05 - 01:59:08: - ♪ I'ma leave the door open ♪
01:59:08 - 01:59:11: - ♪ I'ma leave the door open, girl ♪
01:59:11 - 01:59:14: - ♪ I'ma leave the door open ♪
01:59:14 - 01:59:16: - ♪ Open ♪
01:59:16 - 01:59:18: - ♪ Let you feel the way I feel ♪
01:59:18 - 01:59:21: ♪ And you want me like I want you tonight, baby ♪
01:59:21 - 01:59:24: - ♪ Tell me that you're coming through ♪
01:59:24 - 01:59:29: - ♪ Ooh ♪
01:59:29 - 01:59:32: - ♪ You're so sweet, so sweet, so tight, so ♪
01:59:32 - 01:59:34: - It's also got the same vibe as that, uh,
01:59:34 - 01:59:37: Jackson 5 song we listened to last time.
01:59:37 - 01:59:39: - Yeah.
01:59:39 - 01:59:41: - ♪ And if you're hungry, girl, I got filets ♪
01:59:41 - 01:59:44: - Wait, did he say "the lays" or "filets"?
01:59:44 - 01:59:46: Hold on, pause it.
01:59:46 - 01:59:48: "If you smoke, I got the haze,
01:59:48 - 01:59:50: and if you're hungry, girl, I got filets."
01:59:50 - 01:59:52: Damn, I really thought he said, "I got the lays."
01:59:52 - 01:59:55: - If you're hungry, I've got,
01:59:55 - 01:59:58: top of the line, filets in the cooler.
01:59:58 - 02:00:01: - Just go over to somebody's house, get, like, super high
02:00:01 - 02:00:04: off their purple haze, and then they're just like,
02:00:04 - 02:00:06: you're like, "Yo, I'm so hungry, where's the snack drawer?"
02:00:06 - 02:00:08: And they're just like, "Don't worry about it,
02:00:08 - 02:00:10: let me just cook you a super filet mignon."
02:00:10 - 02:00:12: - I have veggie straws.
02:00:12 - 02:00:14: [laughter]
02:00:14 - 02:00:18: - Let me expertly grill you this filet mignon.
02:00:18 - 02:00:20: - This song is very well crafted.
02:00:20 - 02:00:22: - Yeah. - Very throwback.
02:00:22 - 02:00:24: - It's very, yeah.
02:00:24 - 02:00:26: - Can't be mad at it at all.
02:00:26 - 02:00:28: - Wait, keep going, I wanna keep hearing it.
02:00:28 - 02:00:30: Can you keep playing it? - Yeah, yeah.
02:00:30 - 02:00:34: - ♪ I'm talkin' kissin', cuddlin' ♪
02:00:34 - 02:00:37: ♪ Rose petals in the bathtub, girl, it's jumpin' ♪
02:00:37 - 02:00:39: - I do like the rhythm.
02:00:39 - 02:00:41: - Very delta.
02:00:41 - 02:00:44: - ♪ Every word that I say is comin' straight from the heart ♪
02:00:44 - 02:00:49: ♪ So if you're tryin' to lay me some ♪
02:00:49 - 02:00:53: ♪ I'ma leave the door open ♪
02:00:53 - 02:00:56: ♪ I'ma leave the door open ♪
02:00:56 - 02:00:59: ♪ I'ma leave the door open, girl ♪
02:00:59 - 02:01:03: ♪ I'ma leave the door open ♪
02:01:03 - 02:01:06: ♪ Let you feel the way I feel ♪
02:01:06 - 02:01:09: ♪ Like I want you to not feel alone ♪
02:01:09 - 02:01:15: ♪ Tell me that you're comin' through ♪
02:01:15 - 02:01:18: - I can't believe how throwback this is.
02:01:18 - 02:01:20: - It's the number one song.
02:01:20 - 02:01:22: We're at the end of history, man.
02:01:22 - 02:01:24: - It's totally end of history. - You can go full throwback now.
02:01:24 - 02:01:30: - You can go fully retro without being anxious about it.
02:01:30 - 02:01:32: - Right. - There's no anxiety of influence.
02:01:32 - 02:01:34: - History's over, baby.
02:01:34 - 02:01:36: - ♪ Girl, I'm tryin' to give you this ♪
02:01:36 - 02:01:43: ♪ Oh, hey, I'ma leave my door open ♪
02:01:43 - 02:01:45: - I love the drumming on this.
02:01:45 - 02:01:47: - Yeah, well, that probably is Anderson .Paak.
02:01:47 - 02:01:49: He's a great drummer.
02:01:49 - 02:01:52: - Wow, this is like the most retro number one ever because--
02:01:52 - 02:01:56: - I know. Wait, like, Matt, "Throw On Everybody Plays the Fool."
02:01:56 - 02:01:58: That's from 1972.
02:01:58 - 02:02:02: I'm just so curious about, like, the palette comparison.
02:02:02 - 02:02:09: ♪ ♪
02:02:09 - 02:02:11: - This could be, like, their follow-up single.
02:02:11 - 02:02:14: - Yeah. - It'd be like, "Hell yeah."
02:02:14 - 02:02:16: - ♪ Okay, so your heart broke ♪
02:02:16 - 02:02:19: ♪ ♪
02:02:19 - 02:02:21: - ♪ You sit around ♪ - Bruno Mars' spoken word.
02:02:21 - 02:02:23: - ♪ Cryin', cryin' ♪ - Yeah, just with, like,
02:02:23 - 02:02:25: just 10%, like, a little bit funnier,
02:02:25 - 02:02:28: doing the random modern reference.
02:02:28 - 02:02:31: - Yeah. - ♪ Well, before you do anything rash ♪
02:02:31 - 02:02:34: ♪ ♪
02:02:34 - 02:02:37: ♪ Dig this ♪
02:02:37 - 02:02:43: all: ♪ Everybody plays a fool sometimes ♪
02:02:43 - 02:02:46: ♪ There's no exception to the rule ♪
02:02:46 - 02:02:49: ♪ Listen, baby ♪
02:02:49 - 02:02:52: ♪ It may be factual, may be cruel ♪
02:02:52 - 02:02:55: ♪ I ain't lyin' ♪
02:02:55 - 02:02:59: ♪ Everybody plays a fool ♪
02:02:59 - 02:03:01: ♪ Ooh, ooh, ooh ♪
02:03:01 - 02:03:06: ♪ Falling in love is such an easy thing to do ♪
02:03:06 - 02:03:10: ♪ And there's no guarantee that the one you love ♪
02:03:10 - 02:03:13: ♪ Is gonna love you ♪
02:03:13 - 02:03:17: ♪ Oh, oh, a loving eye, they cannot see ♪
02:03:17 - 02:03:20: ♪ A certain person could never be ♪
02:03:20 - 02:03:23: ♪ Love runs deeper than any ocean ♪
02:03:23 - 02:03:27: ♪ It clouds your mind with emotion ♪
02:03:27 - 02:03:29: ♪ It's a shadow, it's a shadow ♪
02:03:29 - 02:03:31: - Yeah. - ♪ Everybody plays a fool ♪
02:03:31 - 02:03:33: - I love "Clouds Your Mind With Emotion."
02:03:33 - 02:03:36: - Yeah, but that Silk Sonic song really had, like,
02:03:36 - 02:03:38: so many changes, kind of like this one does.
02:03:38 - 02:03:41: - Yeah. - Anyway.
02:03:41 - 02:03:43: - Well, it's also-- there really is something, like--
02:03:43 - 02:03:45: I'll have to do some research, but it's like,
02:03:45 - 02:03:48: of course there's always, like, these retro movements,
02:03:48 - 02:03:50: like Lou Bega, Mambo No. 5,
02:03:50 - 02:03:53: where he's doing some kind of-- he's dressing like he's from,
02:03:53 - 02:03:55: like, the '40s or something, but there is--
02:03:55 - 02:03:57: there's something interesting about this song.
02:03:57 - 02:03:59: It's like a-- - Yeah.
02:03:59 - 02:04:02: - No anxiety trying to bring in some, like,
02:04:02 - 02:04:04: modern hand clap to give it, like,
02:04:04 - 02:04:07: "All right, this is, like, not like some early Meghan Trainor."
02:04:07 - 02:04:09: - Yeah. - Or it's doo-wop, but, you know,
02:04:09 - 02:04:12: with some-- truly, like, an attention to detail
02:04:12 - 02:04:15: and a sophistication that, in another era,
02:04:15 - 02:04:17: you would probably find more in, like,
02:04:17 - 02:04:21: some, like, nerdy hipster music,
02:04:21 - 02:04:25: which obviously these lines have been crossed.
02:04:25 - 02:04:27: Interesting moment. We might look back on this
02:04:27 - 02:04:29: as, like, a real landmark No. 1
02:04:29 - 02:04:32: with our Adam Curtis voiceover. - Yeah.
02:04:32 - 02:04:35: Absolutely. - It's old, but it's different.
02:04:35 - 02:04:38: - "There was no anxiety of influence."
02:04:38 - 02:04:40: - Vanished. - I can't do a British accent.
02:04:40 - 02:04:42: I wish I could do a British accent. - I like your--
02:04:42 - 02:04:44: that's-- that feels right.
02:04:44 - 02:04:46: Through the looking glass and a history,
02:04:46 - 02:04:49: but gonna leave the door open.
02:04:49 - 02:04:51: History's over, but we're gonna leave the door open.
02:04:51 - 02:04:53: Gonna think about what that means.
02:04:53 - 02:04:55: Anyway... - Damn.
02:04:55 - 02:04:58: - Good seeing everybody. Remember, God is awesome.
02:04:58 - 02:05:01: And if you see a stranger in the sauna,
02:05:01 - 02:05:03: treat 'em with kindness.
02:05:03 - 02:05:05: Whether your day makes you feel like Bieber in the sauna
02:05:05 - 02:05:07: or Obama on the Peloton,
02:05:07 - 02:05:10: just remember to hold on, Father John.
02:05:10 - 02:05:12: Um, all right. - Damn, dude.
02:05:12 - 02:05:14: - See you in two weeks. Peace!
02:05:14 - 02:05:18: - "Time Crisis" with Ezra Koenig.
02:05:18 - 02:05:19: [BURP]

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