Episode 155: Do the Flamin’ Hot Brew

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:10: Time Crisis, back again. On this episode we talk about the Eagles in China, the
00:10 - 00:24: Burger King, Chicken, Seal, Beach Boys, TLC and so much more. This is Time Crisis with
00:24 - 00:31: Ezra Koenig.
01:11 - 01:17: Time Crisis, back again. The boys are back in town. Now I guess for the listeners it's only been two
01:17 - 01:21: weeks but for us we used to banked up last week so this is it's been a while.
01:21 - 01:28: Long time no. When I got on it sounds like Jake you were trying to remember if
01:28 - 01:33: you knew anything about that episode. Oh yeah I have zero recollection of the
01:33 - 01:37: bank episode. I remember we talked about Neil Young. Yeah there's some Neil Young
01:37 - 01:42: talk. Jake do you remember what your soul movie is? I don't even remember, no.
01:42 - 01:47: What a soul movie is? What is that? That's weird how little I remember. A soul movie
01:47 - 01:53: if I recall correctly is the movie that was number one at the box office on your
01:53 - 01:58: 10th birthday. Hmm. Seinfeld is that correct? I mean per Time Crisis that's
01:58 - 02:02: the definition of a soul movie. Yeah that's that's how we did it. Do you even
02:02 - 02:07: remember having this conversation Jake? Very vaguely. Somebody's soul movie was
02:07 - 02:12: Platoon. I remember that. Probably mine then. That kind of makes sense.
02:12 - 02:16: Oh yeah because that's probably like 87 that sounds right. Yeah. It's fine that
02:16 - 02:19: you don't remember the episode but just one thing that we uncovered is that
02:19 - 02:24: there is a mandate similar to the vaccine mandate that you have to watch
02:24 - 02:28: your soul movie by the end of this calendar year and that comes straight
02:28 - 02:32: from Joe Biden. Again doesn't matter if you forgot the episode but Joe Biden said
02:32 - 02:37: every American citizen vaccinated or unvaccinated he honestly doesn't give a
02:37 - 02:41: sh*t. Either way you have to watch your soul movie by the end of the year so
02:41 - 02:44: anyway just make sure you throw in Platoon sometime in the next four and a
02:44 - 02:48: half months. I'm happy to do that. You got a good one. That's your soul movie
02:48 - 02:56: brother. Brother that's your soul movie. Do you remember what year it was? It's wild to me how
02:56 - 03:00: little I remember of episodes. People will bring things up like that bit on
03:00 - 03:06: that show and I'm just like what show? I don't remember that at all. What show? I do a show.
03:06 - 03:10: I always tell people when they ask me about doing time crisis I said anything
03:10 - 03:15: you do bi-weekly it's just like the the subtlest imprint. Mm-hmm. You know it's
03:15 - 03:19: just like just enough to forget it exists. Well but we also taped that show
03:19 - 03:24: like what a good six eight weeks ago. This one is particularly deep. All bets are
03:24 - 03:28: off. Any conversation I've had over a month ago is like I'm unlikely to be
03:28 - 03:32: able to recall that. I really can't remember my soul movie. I feel like Nick's was Black
03:32 - 03:38: Rain. That is deep. The Michael Douglas movie. What was my soul movie? It was D2 the
03:38 - 03:44: Mighty Ducks. Oh okay I'll watch that by the end of the year. Listen Jack you got
03:44 - 03:48: to watch your soul movie. Okay and same goes to anybody listening and anybody
03:48 - 03:53: who missed last week's episode or two weeks ago's episode just again you don't
03:53 - 03:56: have to listen to it just look up what the number one movie was on your 10th
03:56 - 03:59: birthday that's your soul movie. Joe Biden says you have to watch it. It's
03:59 - 04:06: more important than getting vaccinated. Just go go go go. Run. Do not walk. Live
04:06 - 04:12: Nation AEG just announced that you can't go to any Goose shows unless you've seen
04:12 - 04:19: your soul movie and you can't fake the card. It's very official. You're gonna have to
04:19 - 04:25: take a quiz. If you want to go see shout out to Goose they just did a festival and
04:25 - 04:30: I also just read that they're putting up their first arena show in Connecticut.
04:30 - 04:36: Oh where? The Mohegan Sun arena. Is that outdoors or indoors? That's a good
04:36 - 04:40: question. I guess it's part of the whole Mohegan Sun casino complex but anyway
04:40 - 04:45: any Connecticut Jam band heads if you want to go to that show you need to see
04:45 - 04:50: your soul you need to see your soul movie. Bouncers at the venue are ready
04:50 - 04:57: with questions trivia questions about every conceivable film. I mean they have
04:57 - 05:03: the internet you know they just look up Mighty Ducks part 2 D2 Mighty Ducks. They
05:03 - 05:12: bring up the Wikipedia page. Mr. Koenig. When Emilio Estevez first met Kenan
05:12 - 05:16: Thompson's character what was he doing? It's and people say how is this feasible?
05:16 - 05:20: How's this gonna work? You can't control people like that. It infringes on our
05:20 - 05:23: civil liberties. I've heard all the arguments but here's the thing with
05:23 - 05:27: lightning-fast internet which they're gonna have at most venues each
05:27 - 05:32: interrogation session takes about a minute. They pull up the Wikipedia page
05:32 - 05:37: they look at the plot they ask you a simple question no big deal. Show them
05:37 - 05:42: your driver's license it's actually really easy and also this is that
05:42 - 05:45: there's so many people who love to take this kind of security job because
05:45 - 05:50: imagine you're a big movie buff and somebody said to you hey you want to
05:50 - 05:54: make an extra 75 bucks this weekend well what do I have to do? Ask a few hundred
05:54 - 05:58: Jam band fans about their soul movie. Yeah I think a lot of people gonna take
05:58 - 06:04: that job so we have to we just hire I don't know two three hundred people we
06:04 - 06:10: can organize it well. Anyway you're not gonna like life if you haven't seen your
06:10 - 06:13: soul movie let's put it that way. You're not gonna have too much fun if you
06:13 - 06:18: haven't seen if you haven't seen your soul movie.
06:18 - 06:32: I was melting like ice on the back of my spot where we going tonight
06:32 - 06:44: you know it's all that I in the corner of the night playing games with my mind
06:44 - 06:49: it's going down tonight.
06:49 - 06:55: We got a jam-packed show Jake I really like you took the initiative you booked
06:55 - 07:02: the whole show. I booked the whole show tonight this morning. Local promoter Jake
07:02 - 07:06: Longstreth booked the whole show. That's right we haven't had guests in a minute
07:06 - 07:12: I feel like. Yeah not since Bruce Hornsby. Oh wow. Round two. No probably some other
07:12 - 07:16: people but so we got Aaron from Mountain Brews coming through and Richard
07:16 - 07:21: Pictures and LA Takedown and then we also got some actor director writers.
07:21 - 07:29: Yeah we got some multi-hyphenates Carson Mell novelist screenwriter songwriter
07:29 - 07:37: director actor and then Al D music promoter movie producer and actor and
07:37 - 07:42: they made a movie together called Some of Our Stallions. Music promoter movie
07:42 - 07:47: producer and actor. That's a pretty good one. I'm very intrigued so we're gonna be
07:47 - 07:51: talking to them shortly I guess we got I mean we we got a month's worth of stuff
07:51 - 07:56: to get through I mean first of all rest in peace to Charlie Watts. Yep. That's a
07:56 - 08:01: sad one. Yep. The one and only drummer of the Rolling Stones. Yeah I guess he Mick
08:01 - 08:08: and Keith were the only guys to play on all the records. Right yeah wow the three
08:08 - 08:14: amigos just a great drummer with a with a light touch excellent feel. A dapper
08:14 - 08:20: gentleman. And a dapper gentleman. I mean a nice counterpoint to the wild rock and
08:20 - 08:25: roll excess of Mick and Keith. I mean if he was also kind of like a Keith Moon
08:25 - 08:30: kind of John Bonham wild man. No totally yeah and he famously like wasn't as into
08:30 - 08:35: partying as everybody else and. Yeah. Just a mellow dude with a light touch.
08:35 - 08:41: Everyone throw on side two of Tattoo You just vibe out. Interesting call you know
08:41 - 08:44: I actually it went through my mind I was like oh should we make like a Charlie
08:44 - 08:46: Watts playlist and I was like people just gotta go listen to whatever
08:46 - 08:50: Rolling Stones they want it's yeah also he because he wasn't a flashy drummer
08:50 - 08:53: it's not like there's some songs are just like oh dude you know there's no
08:53 - 09:01: like when the levy breaks. Yeah. Or like oh there's a 10 minute solo um what's on side two of Tattoo
09:01 - 09:06: You is that with like heaven. It's got worried about you. It's got a take you to
09:06 - 09:12: the top. It's got waiting on a friend. Oh beautiful song. It's just this like all
09:12 - 09:15: five songs kind of just like blend together in this really cool way. It's
09:15 - 09:21: just like this chill kind of minimalist vibe. It's a very kind of unique
09:21 - 09:27: little palette that they touched on briefly and I don't know that's my go-to
09:27 - 09:33: if I'm throwing on stones I'm throwing on side two of Tattoo You. Side two.
09:33 - 09:38: I don't need to hear start. Oh yeah no it does have heaven I love that song.
09:38 - 09:46: Is that really vibe one? Oh yeah. Like kind of like psychedelic like 80
09:46 - 09:50: psychedelic oh yeah that is a great side oh yeah and to end the album with
09:50 - 09:54: waiting on a friend. Waiting on a friend is top five stones for me. Yeah cause side one
09:54 - 09:57: there's a couple like kind of like boogie numbers that you know I don't
09:57 - 10:02: need I don't need start me up but like side two is just all like they're not
10:02 - 10:07: ballads per se but they're sort of this like kind of mid-tempo like chill
10:07 - 10:13: minimalists stone. It's like a weird period. A lot of people say that that was
10:13 - 10:19: that Tattoo You is their last great album. Yeah. Although I think there is good
10:19 - 10:23: stuff after there. Tattoo You is maybe their last like just classic album that
10:23 - 10:27: produced like a big hit single like start me up and also like cool songs.
10:27 - 10:33: Yeah I'm pretty into mixed emotions they're single off steel wheels. Not
10:33 - 10:40: familiar. Alright let's throw on mixed emotions. Mixed emotions from like '89.
10:40 - 10:47: That's a classic Watts groove right there.
10:51 - 10:56: I was really into this when when this was a new single when I was a kid. Were
10:56 - 11:03: you like seeing it on MTV? Yeah. Wow. I was like surprised with myself that I
11:03 - 11:08: would like this new stone song. Chorus is just great.
11:11 - 11:36: Got some rare harmonies for the Stones. They don't really do like two-part
11:36 - 11:41: harmony on a chorus very often. Keith comes in a lot on the chorus like. Yeah I
11:41 - 11:45: feel like he comes in to like give a little emphasis on like the third verse
11:45 - 11:50: of the song or something. Yeah that is a good. Just like straight up like two-part
11:50 - 11:52: on the chorus.
11:58 - 12:16: I like this idea that you're surprised that you were into a new Stone single
12:16 - 12:20: because I feel like you would have been 12 when this came out. So you're just like at
12:20 - 12:25: the lunch table like middle school just be like guys call me crazy but the new
12:25 - 12:29: Stone single is actually pretty good. I know we haven't been getting a lot of
12:29 - 12:33: like excellent work from any of the 60s dudes. Certainly not since Tattoo You
12:33 - 12:37: but I would say this is some of their best work in years. You already had that
12:37 - 12:41: kind of like just rock fan feeling. Yeah no I think like you know in the late 80s
12:41 - 12:46: I was sort of like I knew who the Stones were but they were a 60s band in my book.
12:46 - 12:50: That's a sophisticated understanding for a 12 year old. I was like why would I
12:50 - 12:56: like this? You know it's like I was into like Motley Crue and like Def Leppard
12:56 - 13:02: and stuff and I liked like Ruby Tuesday and some of the like 60s singles. I don't
13:02 - 13:07: think I really liked the like 70s stuff yet. That came later. Interesting. But just
13:07 - 13:10: from like either my parents record collection or just like the classic rock
13:10 - 13:15: radio or the oldies radio I was into like their poppier 60s stuff and I just
13:15 - 13:19: remember being like yeah I mean these guys are old. Right. Why would I like this?
13:19 - 13:24: I felt the same way when in the 90s when people started loving those Bob Dylan
13:24 - 13:29: records like Time Out of Mind and I was like I'm not gonna listen to that.
13:29 - 13:34: Yeah but I'm just saying like at least by the 90s you were like in your teens
13:34 - 13:39: or 20s. I'm just saying you were young to even have a conception of like this is
13:39 - 13:44: an old band putting out new material which is generally considered treacherous
13:44 - 13:48: territory and even though I'm into more of the current wave of American hair
13:48 - 13:53: metal I do really respect. I'm just picturing like a little 12 year old
13:53 - 13:57: like American psycho just like hey dad have you heard the new Stones single?
13:57 - 14:03: Like what? You're just like I gotta say that it's some of their best works and
14:03 - 14:08: some girls. Now yes I am more interested in a lot of the music coming out of LA
14:08 - 14:13: or England at this point or some of the English new wave but I gotta say the
14:13 - 14:16: Stones hold their own. They're just a classic band. It's a back to basic sound
14:16 - 14:21: just like I think this is excellent work. Easily their best singles since Start Me Up.
14:21 - 14:26: I gotta say dad Mick kind of lost his way in the mid 80s. The attempted
14:26 - 14:31: solo career, the Harlem Shuffle cover. I wasn't feeling it but this proves that
14:31 - 14:34: there's still more gas in the tank with the Stones. Best singles since Start Me Up
14:34 - 14:40: and you can quote me on that. Anyway I'm going to school. Have a good day at work.
14:40 - 14:48: My dad just turns to my mom we need to call a psychologist. Stat. Can I talk to
14:48 - 14:56: you? Jake's really into like the new Stones single that's very strange. Just a
14:56 - 15:01: little more housekeeping. On the TC text thread we were remembered that during
15:01 - 15:05: Pride Month Burger King made a big announcement that they were gonna donate
15:05 - 15:11: a bunch of money to I don't even remember Seinfeld remind me about this
15:11 - 15:15: what was the Burger King they had a new sandwich called the Chick King and they
15:15 - 15:19: were kind of trolling their biggest competition Chick-fil-a which is the
15:19 - 15:24: biggest chicken sandwich in America because Chick-fil-a notoriously in the
15:24 - 15:29: past has given money to anti LGBT hate groups even though they claim they're
15:29 - 15:33: done with it a lot of people are skeptical Chick-fil-a organization says
15:33 - 15:36: that's in the past we don't mess with that stuff anymore but people are
15:36 - 15:40: skeptical and Burger King was sticking it to them saying hey if you want to
15:40 - 15:44: support a non-homophobic chicken sandwich try the Chick King they put
15:44 - 15:48: their money where their mouth was they said they were gonna give what was the
15:48 - 15:53: promotion yeah so on June 3rd of this year a Burger King tweeted the hashtag
15:53 - 16:01: Chick King says LGBTQ+ rights during hashtag Pride Month even on Sundays and
16:01 - 16:06: then the eyes looking to the left emoji your chicken sandwich craving can do
16:06 - 16:12: good we are making a donation to HRC that's human rights campaign for every
16:12 - 16:17: Chick King sold BK will contribute 40 cents to the human rights campaign
16:17 - 16:22: brackets max donation 250 K I forgot about that aspect that they made a
16:22 - 16:26: little joke about even on Sundays yeah that's getting kind of spicy because I
16:26 - 16:30: bet there probably are some Christian people who say I don't like this
16:30 - 16:35: anti-LGBT bullsh*t but I do respect the closed on Sundays elements and now
16:35 - 16:40: they're getting in the closed on Sundays thing it would also I'm also just
16:40 - 16:46: picturing an alternate universe where rather than get into the hate stuff
16:46 - 16:50: Burger King was like hey we got a new chicken sandwich and guess what you can
16:50 - 16:53: get it on Sundays we're doing a promotion for the first month of the
16:53 - 16:57: Chick King for every Chick King we sell we're donating a dollar to the atheists
16:57 - 17:04: foundation of America hashtag God isn't real like whoa shots fired from Burger
17:04 - 17:09: King really coming for the Chick-fil-a organization Burger King on their social
17:09 - 17:14: media announced that God isn't real they're welcoming atheists to come
17:14 - 17:18: through and they're saying please come on Sunday it's just another day okay
17:18 - 17:21: interesting move I'm surprised that corporate approved that one I mean talk
17:21 - 17:25: about false idols right like Burger King is the new God essentially I feel like
17:25 - 17:28: that's what they'd be maybe implying I mean Burger King is basically saying
17:28 - 17:33: that they're like the John Lennon of fast food that's right and even the
17:33 - 17:39: Burger King this character this guy with this giant head this kind of hubristic
17:39 - 17:44: you know what's a burger a burger is meat so essentially it's a meat King
17:44 - 17:49: it's saying that the kind of spiritual realm the energetic spiritual realm
17:49 - 17:54: which is where the true king of the universe resides they're saying that
17:54 - 18:00: doesn't exist they're saying all that exists is in meat meat King you think
18:00 - 18:04: about Adam and Eve Garden of Eden you know God creating Eve out of the rib of
18:04 - 18:09: Adam I feel like there's a parallel to be drawn from Burger King creating a new
18:09 - 18:14: God from the from the meat of the land meat of a cow the meat of a cow yeah no
18:14 - 18:18: it's very good point and they're also saying that by having this name Burger
18:18 - 18:22: King they're saying meat is all there is they're saying that there's no soul
18:22 - 18:27: essentially the soul doesn't exist the soul doesn't exist we're just meat that
18:27 - 18:32: moves around heavy stuff guys heavy stuff that would be funny if a fast food
18:32 - 18:36: chain really did double that like just went that way I mean honestly we're all
18:36 - 18:42: just meat you have human or a cow you're just meat on a skeleton there's not all
18:42 - 18:47: there is you're a meat puppet you're a meat puppet the bolt goes into your
18:47 - 18:55: brain the lights go out you're done cows have no souls and neither do you they're
18:55 - 19:00: taking on vegans Chick-fil-a organized religion all at the same time I don't
19:00 - 19:05: buy it personally that's an uphill battle from a marketing perspectives I
19:05 - 19:09: mean there's a lot of people there like what their rational materialists they
19:09 - 19:14: don't believe in a soul they believe we're all meat puppets okay
19:14 - 19:16: Burger King
19:32 - 19:36: but anyway so Burger King they were doing a whole campaign they're trying to take down
19:36 - 19:41: Chick-fil-a with the Chick King we talked about it a bunch and it kind of popped
19:41 - 19:45: in my head again I and I thought I wonder how that went and so Seinfeld
19:45 - 19:49: when we first asked you to go check in on how many Chick Kings were sold how
19:49 - 19:52: much money got donated was there anything in the media about it that was
19:52 - 19:57: the frustrating part about it that there was a lot of reporting on the initial
19:57 - 20:02: tweet and the and the offer and a lot of fanfare about ooh you know Burger King
20:02 - 20:07: you know clapping back Chick-fil-a giving the money all the you know the
20:07 - 20:11: right thing and then now here we are at the end of August a month out from the
20:11 - 20:16: end of pride and not a single report and I'm telling you I scoured the internet I
20:16 - 20:22: went 10 pages deep on Google I'm talking like a deep scour here and you know I
20:22 - 20:26: gotta say I gotta hold these food publications to account because you know
20:26 - 20:32: Bon Appetit where were you on this eater right grub street food network like
20:32 - 20:36: where were you on this where you can just report on ooh you know you can
20:36 - 20:39: anybody can say anything and then nobody's gonna follow up so I don't want
20:39 - 20:44: to get all righteous but I feel like TC is really you know doing our due
20:44 - 20:48: diligence here we might be the only news outfit on planet earth who actually
20:48 - 20:53: followed up about this it seems that way um you know I don't want to ruin the
20:53 - 20:57: end of the story but it felt like when we did make contact with the right
20:57 - 21:02: people about this it took a few days to formulate a statement so I think this
21:02 - 21:06: might be a TC exclusive what we're about to reveal here okay so so you actually
21:06 - 21:12: got in touch with Burger King PR I did but I have to also say that I reached
21:12 - 21:17: out initially to HRC because I thought who's gonna be the most honest or the
21:17 - 21:21: most direct about this but the recipient yes right right mm-hmm so I reach out to
21:21 - 21:26: HRC don't hear anything back actually called HRC a few times their press phone
21:26 - 21:32: number goes to a dial tone and so that that sort of went nowhere so somebody
21:32 - 21:36: on the thread had the suggestion to go directly to the source go to BK and you
21:36 - 21:40: know it took a few days but somebody yes somebody in BK sort of corporate comms
21:40 - 21:46: department did did respond and the question was you know was the money you
21:46 - 21:50: know from the chicken initiative actually donated to HRC and I got an
21:50 - 21:54: email from someone named Molly at Burger King and she said see below for a
21:54 - 21:59: statement from Burger King the statement was we are excited to share that the
21:59 - 22:05: sales of the chicken sandwich met the goal and the full 250 K donation has
22:05 - 22:10: been made to HRC on behalf of Burger King well that's great so first of all
22:10 - 22:17: congratulations to Burger King congratulations to all chicken eaters
22:17 - 22:23: who helped raise this money and congratulations HRC but I guess okay so
22:23 - 22:26: just to rewind I think it is a little bit crazy that we're the only news
22:26 - 22:30: outfit that followed up on the story I guess that doesn't reflect poorly on
22:30 - 22:37: Burger King right it more just goes to show that the media they make a big fuss
22:37 - 22:41: about the announcement but they don't want to follow up and they think all
22:41 - 22:44: right we already covered this once who cares that they actually raised the
22:44 - 22:48: money is that fair to say Seinfeld it's the it's the media I would say so I
22:48 - 22:52: think it's also a little curious that Burger King neither Burger King nor the
22:52 - 22:57: HRC thought to issue I mean this seems like classic press release fodder you
22:57 - 23:03: know cause and effect like I'd love to know when that money was donated oh I
23:03 - 23:08: wonder if if they were like oh interesting huh crisis is looking into
23:08 - 23:13: this and that explains the sort of five day long lull between the interesting
23:13 - 23:16: they were like we got went up the flagpole like listen we got Seinfeld
23:16 - 23:19: 2000 breathing down our necks just cut the check and they're like but we only
23:19 - 23:25: sold 30 two Kings just cut the check all right the guy in accounting is just
23:25 - 23:29: like I can't make the numbers work the chicken was a flop I can't make the
23:29 - 23:33: work and they're just like you take Whopper money I don't care just cut the
23:33 - 23:40: check all right he could yeah we actually got to open up the books of
23:40 - 23:44: course I believe that they donated the money but I was actually frankly a
23:44 - 23:47: little more curious about how many two Kings they sold well you know it's funny
23:47 - 23:51: that you mentioned that because you know you brought that up and I did actually
23:51 - 23:55: follow up with a friend of the show Molly and I and I said well okay thank
23:55 - 23:59: you and how many two Kings were sold in the month that was probably three four
23:59 - 24:04: days ago no response so I don't know if they're like you're like you're lucky
24:04 - 24:08: that we even said and he acknowledged you I don't know what what the deal is
24:08 - 24:12: or if we'll hear something you know after the show is recorded but but we
24:12 - 24:17: did some number crunching ourselves and we determined that at minimum BK's
24:17 - 24:24: sold six hundred twenty five thousand two Kings if the 40 cents right we
24:24 - 24:27: multiplied the 40 they didn't use Whopper money right exactly if they
24:27 - 24:30: weren't dipping into the Whopper account did they really sell six hundred twenty
24:30 - 24:35: five thousand god I have no concept of that and by the way shout out to Molly I
24:35 - 24:40: know that you probably got a thankless job working in PR I'm just visualizing a
24:40 - 24:45: scenario that's like the White House press room and it's like Jen Psaki is up
24:45 - 24:50: there she sees like Seinfeld and she just looks at you like your Fox News and
24:50 - 24:55: she's like oh my god and you're just like um Jen yeah one question I'm about
24:55 - 24:59: the chicken and she was just like we're dealing with Afghanistan please no more
24:59 - 25:02: questions about your king and just like all the other reporters is like groaning
25:02 - 25:07: you're like um no I think the American people deserve to know I just want to
25:07 - 25:11: say for me and my interest in this story I never doubted that Burger King is
25:11 - 25:16: gonna give 250 grand to HRC that's chump change and they get to write that off
25:16 - 25:20: too so I never doubted that Burger King wouldn't give the money I really was
25:20 - 25:24: just curious about if they would actually sell enough to Kings to make
25:24 - 25:29: that donation according to their own rules I just did a very cursory number
25:29 - 25:35: crunch there's a about 18,000 Burger Kings globally so so to sell six
25:35 - 25:40: hundred thousand sandwiches it's about a little less than 30 sandwiches per
25:40 - 25:44: restaurant pretty do any reasonable pretty do any doable except this is
25:44 - 25:49: probably a US only initiative okay well it's probably I'm not we can look number
25:49 - 25:54: of locations US I'm gonna guess it's well over 10,000 I don't think they have
25:54 - 25:58: two Kings that like Burger King in Germany it looks like there are seven
25:58 - 26:03: seventy two hundred seventy two fifty Burger King locations the US so they
26:03 - 26:07: gotta sell like what 60 or 70 per location yeah that sounds right in a
26:07 - 26:13: month two or three a day yeah come on 2.6 a day per location you know what I
26:13 - 26:18: would really love I would just love to pick a random Burger King somewhere just
26:18 - 26:23: like a Davenport Iowa Burger King yeah and just say guys just just for that
26:23 - 26:27: month can we just see the numbers I just want to see a spreadsheet like a
26:27 - 26:32: Davenport Iowa Burger King during Pride Month is there a day where they sell
26:32 - 26:37: zero to Kings or they pump that they do in like 10 a day I'm just curious like a
26:37 - 26:43: new product obviously there lots of Whoppers lots of fries but they sell a
26:43 - 26:46: lot at the beginning of the month and then it kind of the enthusiasm wanes
26:46 - 26:49: because the word of mouth wasn't good I just want to know that kind of stuff I
26:49 - 26:54: could see that week one hot out of the gates if anybody listening works at a
26:54 - 26:59: Burger King we'd love some just you know anecdotal evidence of like what was that
26:59 - 27:03: month like was it crazy were you getting slammed with chicken requests throughout
27:03 - 27:08: was there a buzz at the location but anyway thank you thank you to Burger
27:08 - 27:12: King for your transparency if you could follow up with the answering the other
27:12 - 27:17: questions we'd love just to know the raw numbers but anyway good for you donating
27:17 - 27:20: the money to the HRC
27:20 - 27:30: you might chick-fil-a clothes on Sunday you might chick-fil-a hold the selfies
27:30 - 27:40: put the gram away get your family y'all hands and pray when you get daughters
27:40 - 27:47: always keep them safe watch out for vipers don't let them indoctrinate
27:47 - 27:57: clothes on Sunday you might chick-fil-a you're my number one with the lemonade
27:57 - 28:06: raise our sons train them in the faith through temptations make sure they're
28:06 - 28:16: wide away follow Jesus listen and obey no more living for the culture we nobody
28:16 - 28:22: slave okay so the new movie Jake I gotta admit I haven't seen the movie yet I saw
28:22 - 28:25: the trailer it looks excellent Jake have you seen the film I've seen it twice
28:25 - 28:31: well it's called some of our stallions and what's the basic well it's it's kind
28:31 - 28:36: of a two-hander it stars Carson Mel and Al D who will be joining us shortly they
28:36 - 28:41: have just been released from an involuntary stint at a menstrual
28:41 - 28:45: hospital and their best friends their doctor is played by friend of the show
28:45 - 28:50: Tim Heidecker excellent and they try to go out in the world and find their way
28:50 - 28:55: well we should let them maybe describe it okay let's get him on the horn all
28:55 - 29:05: right let's go to the time crisis hotline hello hello
29:05 - 29:11: Carson now welcome to time crisis yeah very lucky to be on this show with all
29:11 - 29:15: my favorite people oh we're very happy to have you um so first of all we're
29:15 - 29:20: this is truly a time crisis we got all sorts of time zones represented on this
29:20 - 29:26: episode Carson where are you I'm in Los Angeles okay so you're on Pacific time
29:26 - 29:33: and Al where you I'm in mysterious Asian country Beijing so I have to open beer
29:33 - 29:38: because our culture we have to think of beer after 12 o'clock it's our religion
29:38 - 29:44: after which 12 o'clock midnight midnight so after midnight 12 o'clock we have to
29:44 - 29:49: think of beer it's our religion our religion is that a real thing it's beer
29:49 - 29:55: o'clock over there oh yeah nice wait but so how does that work as soon as the
29:55 - 30:00: clock strikes midnight if you're up you're grabbing a brew yeah IPA even
30:00 - 30:06: children right yes little kid beers oh that's a good idea for a mountain breeze
30:06 - 30:12: album midnight Bruce kind of like your slick LA kind of album right right kind
30:12 - 30:18: of mid 80s it's the remix album it's like the the Dua Lipa remix album oh
30:18 - 30:22: it's all it's all house remixes of Mountain Bruce let's get a little
30:22 - 30:26: background for our listeners about both you guys because you're both multi
30:26 - 30:33: hyphenates so Carson you act and directed the film and wrote it yes and
30:33 - 30:37: edited it also just to give the listeners some more your background
30:37 - 30:42: you've written on a bunch of TV shows made the great cartoon give us your CV
30:42 - 30:50: real quick yeah mostly a writer and that landed me in TV so I could make a living
30:50 - 30:56: but I've self-published a bunch of novels for the last 15 16 years I put
30:56 - 31:02: out three I actually have a one one novel on audible that's only an audio
31:02 - 31:08: novel you can't read it not yet at least well yeah so just mostly a writer and
31:08 - 31:14: then I acted out of convenience you know when I was making my cartoons and stuff
31:14 - 31:18: it was easier to just do the voices then call people or try to track down actors
31:18 - 31:23: so that's how I started acting it's become part of what I do and so Al you're
31:23 - 31:30: a movie producer music promoter and actor yes also I'm a little bird I'm a
31:30 - 31:34: sensei I'm a lover all right I'd love to hear that so what's your story man
31:34 - 31:40: wait how have you brought the Eagles over to China this is one thing I wanted
31:40 - 31:45: to ask you about you're a correct that's correct you brought the band the Eagles
31:45 - 31:52: to China yes after you goes I did the Bob Dylan I did the Eagles you March 2011
31:52 - 31:59: and I did the Bob Dylan April 2011 Wow you brought Bob Dylan to China yeah
31:59 - 32:03: after Eagles okay so what are these shows like are these like giant shows
32:03 - 32:07: yeah it's all our shows just getting some word-of-mouth out there I know it's
32:07 - 32:12: a back then it was very legendary shows we did like arena show ten thousand
32:12 - 32:19: people ten thousand people seat it was a big media media was like a pirate it was
32:19 - 32:24: a well for the most legendary tour in China we were very lucky to receive all
32:24 - 32:29: this big legendary American band American legendary musician to China to
32:29 - 32:33: perform with us it was a very good moment okay this is the one music really
32:33 - 32:36: connected the people music really connected people from different
32:36 - 32:41: background different religion different culture to become one and are those
32:41 - 32:46: artists like the Eagles and Bob Dylan well-known in China these were their
32:46 - 32:51: first shows ever there right yeah I mean of course not like everyone though with
32:51 - 32:56: Bob Dylan with the Eagles but the people who got Western music education people
32:56 - 33:00: who grew up with the Western music education who listen to rock and roll
33:00 - 33:05: all know who they are so let's back up a little bit has your main job been a
33:05 - 33:11: music promoter for a long time how did you end up doing such like a giant shows
33:11 - 33:14: actually I'm one of the people who listen to rock and roll grow up I'm a
33:14 - 33:20: well for the rocket so I become a guitar player I play a bunch of heavy metal
33:20 - 33:27: and but slowly you know what clear rock and roll band nobody take me seriously
33:27 - 33:31: people think oh I would use a crazy out is madness I'll do don't work hard I
33:31 - 33:36: don't know I was like how can I prove myself with hard-working people so I got
33:36 - 33:41: a job again in universal music for a couple of years but I hated the people I
33:41 - 33:45: work with the universal music bunch of Miley Cyrus no no Miley Cyrus so I
33:45 - 33:50: decided to work with the people who I love so I work I become a concert
33:50 - 33:55: promoters Wow whoa okay so you were you're in a heavy metal band you get a
33:55 - 34:00: job at universal and they're making you work on pop music although I have heard
34:00 - 34:04: that Miley actually loves rock music too and she's had a harder rock sound on
34:04 - 34:07: some of her recent work so I'd encourage you to check it out so you I will you
34:07 - 34:10: might have more in common with Miley than you think but okay so so yeah you
34:10 - 34:14: didn't enjoy working at a label so you got into promotion so what kind of
34:14 - 34:19: shows are you putting on before you made it to Eagles and Bob Dylan status I did
34:19 - 34:24: a bunch of like a black rebel motorcycle club and Jesus and Mary chain the
34:24 - 34:30: Raven Lance the Cocoa Rosie a bunch of like a bunch of a lot of Indie rocks
34:30 - 34:35: the secret machines the killing jokes a lot of Indie band until I I decided to
34:35 - 34:40: do Eagles Bob Dylan okay so it sounds like your taste you're in a metal band
34:40 - 34:45: then you're bringing over black rebel motorcycle club Jesus Mary chain you
34:45 - 34:49: like the kind of heavier stuff and the darker stuff yeah did you always like
34:49 - 34:51: the Eagles or did you actually hit a certain age and you're like you know
34:51 - 34:54: what the Eagles are all right because I feel like a lot of heavy metal dudes
34:54 - 35:03: wouldn't admit that they like the Eagles oh yeah that's a great song I tried to
35:03 - 35:09: bring your band to China a couple of times but really I tried to so hard to
35:09 - 35:13: bring your band to China but what vampire weekend yeah I tried a couple of
35:13 - 35:18: times yeah now you go by the house to the following here okay have you been
35:18 - 35:22: to China Ezra has a band played there no no I've never been to China I kind of
35:22 - 35:29: remember once once we got an offer for a festival but the timing didn't work out
35:29 - 35:34: but maybe that was our next year yes yeah maybe you all right well not wet
35:34 - 35:38: now that we know each other please send another offer I will send you an offer
35:38 - 35:44: your country feels okay excellent
35:44 - 35:50: now we find ourselves in late December
35:50 - 35:57: I believe that New Year's Eve will be the perfect time for their great
35:57 - 36:02: surrender but they don't remember
36:02 - 36:10: anger once a voice voices one sing singers harmonize did it can't hit
36:10 - 36:15: anything thought that I was free from all that
36:15 - 36:23: questioning but every time a problem is another one begins and the stone walls
36:23 - 36:27: of our own bad witness
36:27 - 36:35: never forgive the side we get snakes inside a place
36:35 - 36:41: I don't wanna live like this but I don't wanna die
37:00 - 37:06: okay so then now we got both of your backstories how do you guys meet and end
37:06 - 37:14: up making a movie together we met through my manager who yeah basically
37:14 - 37:20: said I met a cool financier and you guys should get lunch together it was kind of
37:20 - 37:24: that simple and then we were working on trying to put like some bigger movie
37:24 - 37:27: together that you always need a celebrity for a bigger movie so like
37:27 - 37:34: unlock the cash you know so that people aren't scared and we I still am not
37:34 - 37:38: really good at that like attracting a celebrity and I have like us I think
37:38 - 37:43: part of it is I have a short list of celebrities I like and I find most of
37:43 - 37:50: them like not compelling enough to want to work with or look at so anyway Al was
37:50 - 37:55: like in this we were in this process of waiting for people to read our script
37:55 - 38:00: for this other movie and then Al asked me if I had like a smaller movie that we
38:00 - 38:04: could make in the meantime that we could both act in together because he knew I
38:04 - 38:08: acted and and it was one of those funny things where like the idea of your
38:08 - 38:13: financier like saying they want to be in the movie would usually like to be
38:13 - 38:17: something you don't do but then I just like I mean I'm sure you're already
38:17 - 38:21: sensing the Al has so much charisma so I was like well if I can bottle that
38:21 - 38:26: lightning it'll work you know absolutely as long as he doesn't get scared in
38:26 - 38:30: front of the camera and clam up like if he can just be himself and remain
38:30 - 38:35: confident and and just be let his personality shine then we'll we'll have
38:35 - 38:41: something worth watching so so I was into it and we spent a couple years then
38:41 - 38:45: making the movie it's interesting hearing a little bit about Al's life
38:45 - 38:51: because a lot of that is in his character in the movie his character is
38:51 - 38:56: describing how he grew up in China and that he felt alienated from his friends
38:56 - 38:59: because no one understood the Grateful Dead and the Allman Brothers and he came
38:59 - 39:03: over to America he started weeping because everyone was just listening to
39:03 - 39:09: EDM is that part of the dialogue? Yeah yeah yeah that's from the heart but it's
39:09 - 39:14: funny Jake you also you have a Grateful Dead cover band right? You're right so
39:14 - 39:18: that really piqued my interest when your character starts talking about the dead
39:18 - 39:23: wait Al are you a deadhead? He's a deadhead he's a deadhead yeah so there
39:23 - 39:28: are very few deadheads in China where you grew up? Actually it is there's so
39:28 - 39:33: many people listen to them but that's the funny thing a lot of Western band
39:33 - 39:38: maybe including you like a Vampire Awakened have so many fans in China but
39:38 - 39:42: maybe you guys don't think about this but actually you guys have very
39:42 - 39:47: good music very good performance your music can spread into other side of the
39:47 - 39:52: world easily so that's why music is so magical you don't need the media you
39:52 - 39:57: don't need a record label your music can naturally connect you to people from
39:57 - 40:00: other side of the world. And that's a really beautiful thing when that happens
40:00 - 40:04: so this part of the movie that Jake's talking about was that your real
40:04 - 40:08: experience that you loved you loved American rock music like the Grateful
40:08 - 40:12: Dead and the Allmans and then when you came to the US everybody was listening
40:12 - 40:16: to EDM and it made you sad is that true or is that kind of like you played it up
40:16 - 40:21: for the movie? Half and half I mean I'm a big rock and roll fan I listen to the
40:21 - 40:26: Canadian progressive band called Rush I mean in China nobody around me listen to
40:26 - 40:30: Rush all this band and I'm young American all my friends in Los Angeles
40:30 - 40:36: nobody listen to Rush nobody listen to Grateful Dead everybody listen to Radiohead
40:36 - 40:43: you know I'm a grr. Listen I like Radiohead but anybody who loves Radiohead but
40:43 - 40:48: doesn't respect Rush is a real ass. They need to open a history book. I've been
40:48 - 40:53: listening to Eddie Money lately you guys listening to Eddie Money at all? A
40:53 - 41:00: classic American rocker. Yeah he's great. Hell yeah. One thing is for sure I don't
41:00 - 41:04: I've never been to China I don't know that much about it but I've always said
41:04 - 41:10: that like the place where rock is really still alive in this world is Mexico and
41:10 - 41:15: other countries in Latin America. In Mexico when you see the some of the size
41:15 - 41:20: venues that some like older rockers come play people are still flying the flag
41:20 - 41:25: for rock and roll music and it's really cool obviously Mexico is a beautiful
41:25 - 41:30: country but yeah America is no longer the rock country that's okay things
41:30 - 41:35: change but that means that the rock nation is international and it's people
41:35 - 41:40: like Jake, Al all over the world who keep the rock flag flying doesn't matter
41:40 - 41:45: where you're from because the world didn't to large extent has turned its
41:45 - 41:50: back on rock music so anybody who's listening to rock music anywhere is part
41:50 - 41:53: of a fraternity.
41:54 - 42:01: The world of rock. The world of rock. The rock frat.
42:29 - 42:33: Wait so Al I'm just missing one part of the story though when did you become a
42:33 - 42:39: film financier? So when I was booking for music festival in China because Vampire
42:39 - 42:54: Awakens was busy and I was like oh I need to work with somebody else so I brought this American band from Los Angeles called Rooney so I brought Rooney to China so the frontman of Rooney called Robert Schwartzman
42:54 - 43:01: he's a younger brother of Jason Schwartzman, the cousin of Soviet Coppola and yeah so I
43:01 - 43:05: became a very good friend of Robert Schwartzman so after we become very good
43:05 - 43:10: friends one day Robert is like "I'm going to direct my first movie you should
43:10 - 43:17: produce with me" and that's the moment I set up my foot in Hollywood to become
43:17 - 43:21: movie producer with Robert Schwartzman and then I
43:21 - 43:26: produced the two movies for Robert. Wow okay so it was it was music brought you
43:26 - 43:31: to the film world via Robert Schwartzman. Yes. So Al is this the first acting you've
43:31 - 43:38: ever done? Yes I'm really a first-time actor in this movie with the cast so I'm
43:38 - 43:43: very lucky to be in a movie with my very very very good friends so I feel in my
43:43 - 43:48: comfortable zone I feel very relaxed. Dude you're very natural you're very
43:48 - 43:53: good in the movie Al. Thank you because I'm very comfortable with the Carson and
43:53 - 43:59: Olivia. We did the old trick of rehearsing it like endlessly like oh wow
43:59 - 44:05: probably like rehearsed like every scene like 60 times 70 times. Wow. Because we were
44:05 - 44:10: living together so every night we got home we'd rehearse and almost all of it's
44:10 - 44:14: scripted I know it's I hope hopefully it seems like it's not but it is. Yeah it
44:14 - 44:20: doesn't seem scripted. Yeah. In a cool way it feels like you know kind of loose.
44:20 - 44:25: Yeah my friend Graham he had this he's like a writer on it was a writer on
44:25 - 44:29: Silicon Valley with me and he had this theory that like if you rehearse
44:29 - 44:34: something zero times it can be good and then if you rehearse it like five times
44:34 - 44:39: it's gonna be bad and then if you rehearse it like 70 times you can make
44:39 - 44:45: it now feel normal you know or natural. So I had that in my head. Horseshoe theory.
44:45 - 44:50: Is that the horse I like that yeah it's the shape of it. Or a bell curve. I think that's like a bunch of
44:50 - 44:53: things that like the extremes have something in common. Yeah horseshoe
44:53 - 44:57: theory is that the extremes politically bend towards each other. Yeah that makes sense.
44:57 - 45:02: Same as like zero and a hundred times of doing something. Man I can't wait to see
45:02 - 45:07: this movie. I haven't Carson what's the best way for people to watch it? I bought
45:07 - 45:13: it on my Apple TV because I'm a company man. There you go. This is an Apple program
45:13 - 45:18: that we're on. It's right there. So how long were you in the US Al when you guys
45:18 - 45:22: were living together and rehearsing and shooting the movie? It was 10 days. Oh
45:22 - 45:28: well so we yeah cuz sorry just because we shot it in Canada but Al came and
45:28 - 45:33: lived with me for 10 days too where we practiced. And then you rolled up to
45:33 - 45:37: Canada to shoot. Mm-hmm. So it sounds like Al you've been to the US many times and
45:37 - 45:42: so we heard this little that anecdote that's in the movie about being a little
45:42 - 45:46: depressed at the EDMification of the US but generally what have your
45:46 - 45:53: impressions been spending time in the US? It's very great. Also feel you know it's
45:53 - 45:59: not just me also my other friends. Everybody wants. The flight, the plane
45:59 - 46:05: arrive American to Los Angeles. When we walk out you see welcome to Los Angeles.
46:05 - 46:10: The mayor of Los Angeles. Welcome to Los Angeles. We always head down. We always
46:10 - 46:15: take our hat. You are welcome. We are happy to be in Los Angeles. It's just
46:15 - 46:19: another once we walk out from the customs gate. You know it's funny people say
46:19 - 46:24: Los Angeles the air is so no good. It's polluted. It's California air. It would be
46:24 - 46:28: great for you living in California in Los Angeles. That's the wonderful. All the
46:28 - 46:33: palm trees, the taco, the people, beautiful people. It's a great freedom.
46:33 - 46:40: It's just a catchy vibe. You're making me kind of excited about going back to Los
46:40 - 46:44: Angeles. Have you ever done like a deep American road trip? Have you ever like
46:44 - 46:51: you know been like Texas, Midwest, South? I only did a road trip from Los Angeles to
46:51 - 46:56: San Francisco. It was beautiful. The ocean was really beautiful. So you've
46:56 - 47:03: really seen California? Yeah, Seattle. Okay. Okay, all right. Yeah. So yeah you've seen
47:03 - 47:07: the whole West Coast. All right. Well there's a lot more to love. Next
47:07 - 47:10: time you come to the US you got to give us another report. Yeah. What's the live
47:10 - 47:14: music scene like in China right now or at least where you are? It's the same as
47:14 - 47:19: American and other countries. That's the same because rock and roll, also the pop
47:19 - 47:25: music, pop music, rock and roll, jazz, blues, all from western countries. So from us
47:25 - 47:30: it's all I don't know how to say the proper word. It's like a copycat. It's
47:30 - 47:34: like it's not from this. It's not from our culture. So I think the rock and roll
47:34 - 47:39: here, the blues, jazz, we have to learn from the western countries. So it's of
47:39 - 47:44: course as good as western rock and roll. But at this moment because nobody can do
47:44 - 47:50: international touring. So people for me I have this international ears. I have to
47:50 - 47:55: put up with all the **** band. At this moment my ears have to just listen to
47:55 - 48:01: some not very great musicians play music. I can't wait one day the gate
48:01 - 48:06: open. Everybody can do international travel. I can listen to some very, very
48:06 - 48:11: good musicians do live music again. Are there indoor shows happening? Like
48:11 - 48:15: because in the US it seems like I can't make heads or tails of it. Tours are
48:15 - 48:19: getting pushed or canceled. Then you see pictures of like some packed club. I just
48:19 - 48:24: don't know what's going on. But is it basically like a post-COVID music scene
48:24 - 48:29: now? Yeah but we have to do social distance. Also when we go to a live show
48:29 - 48:34: like club shows, we have to wear a mask. All these things. It's a kind of
48:34 - 48:39: sadness because that's the beauty of to see live music. Everybody laughing.
48:39 - 48:44: Everybody have this exciting face. But at this moment everybody wear a mask.
48:44 - 48:50: You know it's a happiness but also feel a little bit of sadness because of
48:50 - 48:55: the mask. But it's important to wear a mask. Right. Yeah. Kind of between a rock and a
48:55 - 49:00: hard place on that one. Well it seems like you're a little bit harsh on
49:00 - 49:06: the Chinese rock scene but is there any bright lights that you know that
49:06 - 49:11: you're excited about of Chinese rock bands? Maybe a little bit but that's the
49:11 - 49:15: thing man. This rock and roll culture is not from here. It's really from
49:15 - 49:20: Western countries. So no matter how great we are we still have missing something.
49:20 - 49:24: You know it's like we have a Chinese medicine. It's from our country. We have a
49:24 - 49:29: Chinese opera. No matter how hard, how many efforts, Western people try to sing
49:29 - 49:33: very good Chinese opera, doing Chinese medicine, Chinese martial art. But still
49:33 - 49:37: you guys missing something. I think this kind of thing, rock and roll, is really in
49:37 - 49:42: Western cultures a lot. It's tough times for rock and Western culture so I think
49:42 - 49:47: you got to be more optimistic. We need a Chinese rock band to save rock. Okay I
49:47 - 49:52: will quit my movie career. I will go back to play heavy metal. You might have to be
49:52 - 49:56: the one. Well thanks so much guys. I really I can't wait to see the movie.
49:56 - 50:01: Yeah there's a lot of heart in the movie. Yeah it's very the character. It was when
50:01 - 50:05: once Al D signed up to play Andy I rewrote the whole script with him in
50:05 - 50:11: mind. Oh wow. I can see that. There was even a guitar part that I cut out. Oh man.
50:11 - 50:16: We had a scene like it was sort of a montage of Al D playing guitar and then
50:16 - 50:20: the characters dancing and it was feeling really like an indie movie and
50:20 - 50:25: not in a good way. Right. So I had to cut it out but it was an impressive
50:25 - 50:30: performance. Yeah it's funny I like this movie a lot. It is a small movie but it
50:30 - 50:37: does not have the aspirational charms of many a Sundance film. It's a little blue.
50:37 - 50:41: A little yeah it's just you know they're trying to get by. I feel like if these
50:41 - 50:46: characters can survive that that's their success. So yeah it ain't easy for
50:46 - 50:51: everybody you know. Well and I was gonna say also listeners of the show are
50:51 - 50:56: familiar with The Long Dumb Road which you co-wrote and I would say that the
50:56 - 51:00: character that you play Carson is reminiscent of the Manzuka's character
51:00 - 51:08: Richard but with kind of a lot more edge. Yeah I'd say that's a fair assessment of
51:08 - 51:12: it. Yeah Richard never really feels dangerous in The Long Dumb Road whereas
51:12 - 51:17: your character beautiful Bill it has a lot of the same kind of philosophical
51:17 - 51:25: outlooks as Richard but is just unhinged shall we say. Yeah yeah I like movies
51:25 - 51:28: where it feels like people might get hurt in any moment you know what I mean.
51:28 - 51:32: Mm-hmm. I think that's what I was trying to where I was trying to get with that
51:32 - 51:37: guy so I'm glad you say that. You got to see some of our Stallions before the
51:37 - 51:42: end of the summer that's Joe Biden mandate. You gotta see some of our
51:42 - 51:46: Stallions. You gotta see some of our Stallions you're not gonna be able to
51:46 - 51:49: get into restaurants if you haven't seen it. Just on the topic of rock and roll
51:49 - 51:54: just because of the week that we're in as we end this anybody want to say
51:54 - 51:58: anything about Charlie Watts legendary drummer of the Rolling Stones who passed
51:58 - 52:03: away at age 80 this week. Long live rock and roll. Yep. There you go. Hell yeah.
52:03 - 52:10: Maybe that's the right note to end on. I feel that. Well thanks so much guys yeah
52:10 - 52:13: everybody see the movie and I hope you guys come back soon I hope we all can
52:13 - 52:17: hang out sometime. Yeah thanks for letting us talk about it I'm glad.
52:17 - 52:22: Oh absolutely. I never knew all that about Albee's rock and roll career so it's
52:22 - 52:27: good to hear. Fascinating lives. You know Carson and me we only talk about love all the time.
52:27 - 52:36: Love talks. Alright guys see you later. Alright thanks so much guys have a good one.
52:36 - 52:42: Thank you guys so much. Peace. Bye bye.
52:46 - 52:50: tearing our love apart
52:50 - 53:00: Aren't we the same two people who lived through years in the dark?
53:00 - 53:03: Ah, ah, ah
53:03 - 53:08: Every time I try to walk away
53:08 - 53:14: something makes me turn around and stay
53:14 - 53:19: And I can't tell you why
53:19 - 53:27: So just real quick before we move on to our next guest out of the long-stretch Rolodex hot off the presses
53:27 - 53:34: Yeah, just now the press releases come out saying that Mountain Dew has partnered with
53:34 - 53:39: Flamin' Hot Cheetos to make a Flamin' Hot Mountain Dew
53:39 - 53:46: Sounds real nasty just like all the other
53:47 - 53:49: Flamin' Hot combos they all they all sound disgusting
53:49 - 53:54: This is what the press release says. I just this is a great use of language
53:54 - 53:57: This is one of our most provocative beverages yet
53:57 - 54:03: And we're excited for Doonation and for Doonation to taste the unique blend of spicy and classy
54:03 - 54:05: Doonation
54:05 - 54:12: Flavor of Mountain Dew. I just provocative and Doonation. Sorry guys, but nothing's shocking at this point, right?
54:12 - 54:16: I mean, this is one of those things where it's just like if you told me they already did it
54:16 - 54:22: I'd be like, oh, I guess we missed that one. Yeah, it's just like we just kind of live in a world where
54:22 - 54:29: Nothing special. So it's you know, somebody anything you could think of if somebody are there Flamin' Hot Twinkies
54:29 - 54:32: Is there Mountain Dew flavored?
54:32 - 54:34: shredded wheat
54:34 - 54:40: Probably also it's a soda looking glass. I don't want provocative. I'm just trying to crack a can of soda
54:40 - 54:46: This isn't like a Lars van Trier movie. I don't and we I don't need provocative
54:46 - 54:50: Doesn't it feel like we're like two years from do you remember Nathan Fielder's?
54:50 - 54:53: excrement flavored frozen yogurt
54:53 - 54:58: Oh, yeah, the poo flavored fro-yo. I feel like that's like on a horizon like that
54:58 - 55:04: That's that's like gonna be prophetic at this bit. Oh, this also linked we talked about the Mountain Dew
55:04 - 55:11: Alcoholic beverage. Is it called Mountain Brew? No, but the title of the lawsuit Brew the Dew is
55:12 - 55:16: The sort of Mountain Dew beer. Yeah, it's Mountain Dew a hard
55:16 - 55:23: Said a hard seltzer alcohol. I mean, I just assume they infused alcohol into the gross
55:23 - 55:25: Yeah
55:25 - 55:31: Drink, it's hard Mountain Dew Mountain spelled MTN. No caffeine 5% alcohol
55:31 - 55:34: I also say like for that for this one
55:34 - 55:37: I mean mark it not that I'm into design of it
55:37 - 55:40: But you know since we talked about the sort of beverage bottle design
55:40 - 55:42: I guess I'd have to send it to you
55:42 - 55:49: I'm sort of into it in that it feels like really dark like it feels like not like abject
55:49 - 55:51: But like it is sort of like I think I brought up on the show
55:51 - 55:58: Remember Harley Davidson cigarettes when I was growing up. That was like they were if they were Davidson cigarettes. I don't remember those
55:58 - 56:01: There was a kid has never come up on the show before
56:01 - 56:06: I thought I had so when I when I was in high school Harley Davidson released cigarettes
56:06 - 56:12: this is gonna be sort of mid 90s, and I remember there was this one kid a non sing and
56:12 - 56:18: He smoked Harley Davidson was on the debate team and he smoked Harley Davidson cigarettes
56:18 - 56:22: It was a very small guy, but I just remember he'd pull out like it was already sort of like
56:22 - 56:26: Badass enough that he smoked and sort of out of character enough
56:26 - 56:33: They smoked but that he'd pull out the Harley Davidson cigarettes was amazing and the packaging was that it was black
56:33 - 56:38: It was a black box. That's hard with the like the eagle on it
56:38 - 56:42: I believe or the Harley Davidson logo and so yeah, but it was like very scary
56:42 - 56:49: I mean it was a you know cigarettes that just come in a black box. It's funny that there was Harley Davidson
56:49 - 56:53: Cigarettes because I'm sure I've referenced this on the show at some point in the last
56:53 - 56:59: 500 episodes, but there's a movie that I've never actually seen but I know is there's an infamous movie
56:59 - 57:04: I think it's from the 80s that was called Harley Davidson meets the Marlboro man
57:04 - 57:11: And it was like an early branded film for two different brands where there's a guy who became the personification of Harley Davidson
57:11 - 57:17: There's a character named Harley Davidson, and he somehow met the Marlboro man
57:17 - 57:23: And they go on an adventure some shit actually Seinfeld pull that up cuz is it like a film like some sort of like Richard
57:23 - 57:26: Prince kind of like I don't know no this is like trash
57:26 - 57:32: This is a trash film Wow you never heard of Harley Davidson meets the Marlboro man. I've heard of it, but I
57:32 - 57:41: It's very dim. Yeah, Don Johnson Mickey Rourke race onto the screen is to modern-day Robin Hood. Oh, it's big. Whoa actors
57:41 - 57:44: Mickey Rourke and is that
57:44 - 57:51: Right it's called Harley Davidson and the Marlboro man also starring Giancarlo Esposito Gus spring. Oh breaking bad
57:51 - 57:56: What year did this movie come out
57:56 - 58:00: 1991 okay, so this might be somebody's soul movie
58:00 - 58:04: I don't know if it was number one at the box office, but anybody who's born in 1981
58:04 - 58:06: I want you to double-check that Harley Davidson the Marlboro man is
58:06 - 58:09: your soul movie the film
58:09 - 58:15: Cost 23 million dollars to make and grossed seven million dollars at the domestic box office
58:15 - 58:22: Flop size more also in the film who great character act wait, so this is this is a big budget big name movie
58:24 - 58:29: Evidently. Whoa. Yeah, I mean these are two huge brands
58:29 - 58:35: I think they're definitely not going for an arthouse movie. I mean, it's no but
58:35 - 58:39: Fields character so
58:39 - 58:43: Fields character is named after the cigarette brand of Virginia Slims
58:43 - 58:47: Big John Studd's character is named after the whiskey brand Jack Daniels and
58:47 - 58:51: Eloy Casado's characters named after the tequila brand Jose Cuervo
58:51 - 58:55: So it's kind of like a Avengers an Avengers of
58:55 - 59:00: Ventures of
59:00 - 59:05: MCU this is yeah this universe
59:05 - 59:11: This is actually the time crisis soul movie, yeah, this is
59:11 - 59:14: TC movie club everyone
59:14 - 59:17: If time crisis was a person
59:17 - 59:22: They probably would have been born in 1981 right in between me and Jake and this would be their soul movie
59:22 - 59:27: Hell, yeah, the TC man was born in 81 and this is a soul movie Wow
59:27 - 59:28: Yeah
59:28 - 59:30: I'm so curious what the tone is if it's just like
59:30 - 59:36: It sounds like they just probably made a movie about a bunch of tough people and they just use the names or I wonder if
59:36 - 59:41: There's like a lot of reference to like the actual products. Yeah, like I wonder what era is
59:41 - 59:48: It said is like a Western is it like a motorcycle gang and like kind of proto sons of anarchy kind of situation
59:48 - 59:54: I mean, I'm just now I'm intrigued Kevin Thomas of the LA Times called it a mindless cobbling from countless buddy movies
59:54 - 01:00:00: Whereas Owen Gleiberman Entertainment Weekly called it a kinetic formula shoot-em-up nice
01:00:00 - 01:00:02: It sounds like it was set present-day
01:00:02 - 01:00:04: like
01:00:04 - 01:00:06: 1991 I don't think it was a period
01:00:06 - 01:00:09: Whatever it is. We should just
01:00:09 - 01:00:11: take the plot and
01:00:11 - 01:00:15: Just make it about like all our favorite brands
01:00:15 - 01:00:21: Mountain Dew and Flamin Hot Cheetos and just like Ansel Elgort as Mountain Dew
01:00:21 - 01:00:25: Timothy Chalamet as Flamin Hot Cheetos
01:00:25 - 01:00:28: Sidney Sweeney is Wendy
01:00:28 - 01:00:30: Colin Farrell as the Burger King
01:00:34 - 01:00:39: Wait, so it's like about the brands and it's like shut up and see the movie
01:00:39 - 01:00:44: It's a kinetic fast-paced shoot-em-up. They climb Mountain Dew. Yeah
01:00:44 - 01:00:51: Sort of like a holy mountain. Yeah, they go to mountain. Oh, it's like so this is actually the hero film Al Pacino is
01:00:51 - 01:00:57: McDonald. Oh, wait a second. Okay, so Matt sent over the synopsis
01:00:57 - 01:01:02: It's a daring heist to save their favorite saloon set in the near future
01:01:02 - 01:01:09: The biker and his cowboy pal knock over an armored car only to discover its payload is a new synthetic drug
01:01:09 - 01:01:14: That the bad guys will stop at nothing to get back. It's on HBO max. Oh
01:01:14 - 01:01:17: Wait, what the so wait, so
01:01:17 - 01:01:24: So Harley Davidson and Marlboro man are just two guys just two kind of like bar flies at a local saloon
01:01:24 - 01:01:30: I wonder if it opens is like the bartender comes like bad news guys. We got it closed and Harley Davidson's like no way
01:01:30 - 01:01:34: This is my favorite bar and he's like my good friend Marlboro man
01:01:34 - 01:01:38: Are we gonna stand for this and he's just like absolutely not
01:01:38 - 01:01:45: Let's figure something out. Is this guy's name Marlboro man? I'm just I bought the Harley Davidson could be a person's name
01:01:45 - 01:01:53: Yeah, I think what's happening is that they are these people have been named after the thing that they're associated with maybe so like Mickey
01:01:53 - 01:01:56: Mickey's character drives a Harley
01:01:56 - 01:01:59: Don Johnson's character smokes and then so they call them
01:01:59 - 01:02:04: They just leave those are their nicknames. It has a Dick Tracy vibe
01:02:04 - 01:02:12: Okay. Oh Tia Carreras in this Oh tight all-star. They should have had a the camel from camel cigarettes
01:02:12 - 01:02:15: bad guy
01:02:15 - 01:02:18: Joe camel just like this disgusting
01:02:18 - 01:02:20: weird
01:02:20 - 01:02:22: Camelman, that would be like Dick Tracy
01:02:22 - 01:02:26: It's just like this weird-ass camel man rolls into town and he's selling a synthetic
01:02:26 - 01:02:32: Drug to all the kids in the city and the Marlboro man Harley Davidson need to stop him
01:02:32 - 01:02:37: Are you picturing like practical latex effects or like CG like early proto CG?
01:02:37 - 01:02:42: It's gonna look like kangaroo jack
01:02:42 - 01:02:46: Yeah, actually, you know what fine you guys up you didn't put Joe Camel in Joe
01:02:46 - 01:02:51: Camel is gonna be in Mountain Dew and the Flamin' Hot Cheetos. Timothy Chalamet is Flamin' Hot Cheeto
01:02:51 - 01:02:56: Timothy Chalamet is Cheeto and he just wears sort of like that
01:02:56 - 01:02:59: Kanye just like a red
01:02:59 - 01:03:03: It's like a big red hoodie. Yeah, like a red leather
01:03:03 - 01:03:09: Suit, wait, is it a guy whose name is Cheeto or is he literally playing like a large?
01:03:15 - 01:03:19: No, we're gonna be like we're gonna go meet with the studio executives
01:03:19 - 01:03:23: We're gonna ask exactly that question Jake and we're just gonna say can you just shut the fuck up?
01:03:23 - 01:03:27: It's a kinetic shoot-'em-up. Yeah, it's a kinetic shooter. No. No, can I just stop you right there?
01:03:27 - 01:03:33: It really pisses me off when people ask these kind of questions. It's a kinetic shoot-'em-up
01:03:33 - 01:03:38: The guy's name is Cheeto. You don't have to explain this to people people are smarter than you give them credit for
01:03:38 - 01:03:41: Well, I'm funding the movie. I want to know if he's playing a human or not
01:03:42 - 01:03:46: He's gonna wear a red Yeezy sweatshirt and his name is Flamin' Hot Cheeto
01:03:46 - 01:03:49: Actually now I'm thinking of a totally different movie. That's just
01:03:49 - 01:03:52: Chester Cheeto versus Joe Camel
01:03:52 - 01:03:58: This is actually a CG. Yeah a children's animated film. Late period Tim Burton
01:03:58 - 01:04:01: Yeah
01:04:01 - 01:04:07: Johnny Depp is Johnny. Oh Johnny Depp is Chester Cheeto. That sounds like it actually happened. That definitely happened
01:04:07 - 01:04:12: Oh, yeah, like it's just called Chester. That's a good Mandela effect one
01:04:12 - 01:04:15: Just start saying the next time anybody ever brings up the Mandela effect to you
01:04:15 - 01:04:19: Like yeah when I always thought that it was Berenstain Bears
01:04:19 - 01:04:23: But it's Berenstain Bears and a lot of people remember it that way be like, yo, I'm with you
01:04:23 - 01:04:29: Like for instance, I thought that Johnny Depp as Chester Cheeto never happened, but actually that's a real film
01:04:29 - 01:04:35: No, no, no, I don't think that ever happened. No, it did. No, no millions of people remember seeing
01:04:35 - 01:04:40: Johnny Depp in the Chester Cheeto movie Tim Burton directed it it came out in
01:04:40 - 01:04:46: 2017 it's kind of underwhelming at the box office, but they made up for it with merch
01:04:46 - 01:04:53: No, no millions of people remember seeing this movie. It was so huge in China. There's nothing on IMDB
01:04:53 - 01:04:57: I've talked with thousands of people we get together at conferences and we all remember
01:04:57 - 01:05:03: It was the fourth most successful movie in the Chinese box office of all time. Yeah. Yeah, Johnny Depp as Chester Cheeto
01:05:03 - 01:05:09: Uh-huh. No, no, trust me. They memory hold it. They don't want people to know about it, but millions of us saw it
01:05:09 - 01:05:10: Did we lose those guys?
01:05:10 - 01:05:15: He lost the guys everyone cut out for a second on me. I got Matt and Ezra
01:05:15 - 01:05:17: Yep, me too
01:05:17 - 01:05:20: Those guys got trapped in the matrix. They went into the universe
01:05:20 - 01:05:25: Where the Chester Cheeto Johnny Depp film was actually made
01:05:25 - 01:05:54: *music*
01:05:54 - 01:06:01: All right, so now we've got Mountain Brews and Richard Pictures and LA Takedown
01:06:01 - 01:06:06: Collaborator Aaron Olsen back on the program. Let's get him on the horn
01:06:06 - 01:06:10: Now let's go to the time crisis hotline
01:06:10 - 01:06:18: Hey Aaron, welcome back to time crisis. Hi. Thanks first question for you
01:06:18 - 01:06:24: Do you remember did you ever see that that late Tim Burton Johnny Depp Chester Cheeto movie?
01:06:24 - 01:06:26: Where Johnny Depp played Chester Cheeto?
01:06:26 - 01:06:33: It was after Alice in Wonderland and after Big Eyes. It was in that same run where they did Big Eyes
01:06:33 - 01:06:38: Yeah, after Big Eyes Alice in Wonderland, they did the will the new Willy Wonka. They did a Chester Cheeto movie
01:06:38 - 01:06:42: No, is this real? What's happened? Do you tell me? It's like a
01:06:42 - 01:06:45: 2017 Tim Burton film
01:06:45 - 01:06:49: It's actually one of the better of that kind of late period Tim Burton CG movies
01:06:49 - 01:06:53: Have you ever seen a Harley Davidson in the Marlboro Man movie?
01:06:53 - 01:06:56: No, but I'm familiar with it that has the Dice Man in it, right?
01:06:56 - 01:07:03: Well, that's Andrew Dice Clay's in that too. I knew Aaron would be familiar with this movie. I think he plays a bouncer in it
01:07:03 - 01:07:05: I don't know. I mean
01:07:05 - 01:07:08: Is this correct? I don't know. I don't see Andrew Dice Clay
01:07:08 - 01:07:12: It seems like something you did
01:07:12 - 01:07:18: No, that'd be perfect. Maybe it's an uncredited cameo. I've heard of the film, but I can't say I've heard of this Chester Cheeto
01:07:18 - 01:07:21: Film, but I wouldn't be surprised
01:07:21 - 01:07:23: if they donned
01:07:23 - 01:07:28: Johnny Depp in some like orange cake dust and yeah, I don't do that
01:07:28 - 01:07:35: What won't he do? It's actually a really cool movie and Johnny had a lot of fun with it. He based a lot of his
01:07:35 - 01:07:38: character on kind of like early Ozzy Osbourne
01:07:39 - 01:07:43: because he just gets like real kind of like wild and crazy and he kind of felt like
01:07:43 - 01:07:46: Ozzy was like a cool person to pull from and
01:07:46 - 01:07:52: Anyway, welcome back to the show. How's it going? Thanks. It's good. Things are fine
01:07:52 - 01:07:57: How you guys doing doing great over here? Not bad Aaron your band le takedown
01:07:57 - 01:08:03: released an album called our feeling of natural high in March of
01:08:03 - 01:08:07: 2020 yes, you were slated to play a
01:08:08 - 01:08:12: record release show doing exclusively doors covers on
01:08:12 - 01:08:14: like
01:08:14 - 01:08:18: Friday March 13th or something. Is that right? That's all correct
01:08:18 - 01:08:25: And yeah, if we're lucky it'll get canceled again, and then I'll get back on time crisis again after that to talk about it
01:08:25 - 01:08:30: That's what I was gonna say because you have a you've rescheduled the gig for a year and a half later
01:08:30 - 01:08:34: It's scheduled for what day September something September 10th
01:08:34 - 01:08:38: But you know it does it I was wondering about this as I you know
01:08:38 - 01:08:46: The Delta very and all this kind of stuff. I feel like there's I don't know what 50% chance this gets canceled again
01:08:46 - 01:08:53: There's a chance, you know, I'm in general, you know, I'm I have a lot of things coming up like live various
01:08:53 - 01:08:56: performances and I'm just taking the attitude of
01:08:56 - 01:09:01: saying yes, and then not trying to not be disappointed when they get canceled, but
01:09:02 - 01:09:07: Yeah, there's a chance and then there's a chance. I'll come back on time crisis and talk about how it got canceled again
01:09:07 - 01:09:11: And then we can just keep doing this for years to come I think
01:09:11 - 01:09:15: The doors show that never happened if this one gets canceled
01:09:15 - 01:09:21: I mean we've talked at length on time crisis about how the people kind of turned their back on the doors in
01:09:21 - 01:09:27: The 90s the doors were considered one of the major classic rock bands people like Jim Morrison
01:09:27 - 01:09:32: They had posters of him and then people really turned their back on the doors if this show gets canceled
01:09:32 - 01:09:38: I think that's definitive proof that not only have rock fans turn their backs on the doors the universe has
01:09:38 - 01:09:42: Hmm on the quantum level if this one gets canceled again
01:09:42 - 01:09:46: I'm sorry doors fans like that's that the Lord on the towel
01:09:46 - 01:09:50: Crosby wins
01:09:50 - 01:09:53: They don't swing man, they do not swing
01:09:56 - 01:09:58: I'm just picturing like
01:09:58 - 01:10:06: Crosby like overlaid with the like the clouds in the sky and he's just like laughing his ass off laughs like evil Crosby laugh
01:10:06 - 01:10:08: He's dead
01:10:08 - 01:10:13: No, he's just he's not dead he's just he just represents like
01:10:13 - 01:10:19: The Godhead I'm picturing a situation like someone tweets at him like doors cover band show canceled
01:10:19 - 01:10:22: And then he's kind of by himself in his house nodding
01:10:22 - 01:10:25: smiling and doing a
01:10:25 - 01:10:30: Good man, just clapping by himself. Yeah, you know, that would be a classic Crosby treat
01:10:30 - 01:10:34: Yeah, just he quote tweets it just like some rando just treats it him. Hey cross
01:10:34 - 01:10:40: There's been a doors cover band in LA that just had their second show in a row get canceled and cross
01:10:40 - 01:10:43: You just quote read that above it, right good
01:10:43 - 01:10:47: Good period
01:10:47 - 01:10:54: Serves them right. What's the name of the doors cover band again writers on the doors a the doors
01:10:54 - 01:10:56: experience
01:10:56 - 01:11:07: I think we have John Nixon Richard pictures and Mountain Bruce to thank for that one writers on the doors
01:11:07 - 01:11:10: Colors experience. Yes
01:11:10 - 01:11:14: Experience a the doors
01:11:14 - 01:11:16: I
01:11:16 - 01:11:19: Like the wordy names. It kind of reminds me a little bit of our
01:11:20 - 01:11:25: Eagles band that never played a gig where it was dick pics presents. No wait, what was it?
01:11:25 - 01:11:29: barely Eagles, right, right I
01:11:29 - 01:11:39: Don't want to get too contentious here, but I just got asked I'm hearing that John from Richard pictures is involved in this was
01:11:39 - 01:11:44: The offer ever extended to Jake was there a lack of interest?
01:11:44 - 01:11:48: I'm not trying to stir shit up in the organization, but is it possible?
01:11:48 - 01:11:52: Did you feel like you know what Jake maybe Jake swings too hard?
01:11:52 - 01:11:55: - that's not a nice cover band. I
01:11:55 - 01:12:03: Definitely have the least amount of swing of any of the people that we play music with I can I can vouch for that
01:12:03 - 01:12:08: Not my foot but I
01:12:08 - 01:12:16: Don't know. I mean Jake was there when the initial when the genesis of this happened. Yeah, I don't know what I would do
01:12:16 - 01:12:22: That's more the thing, you know, there's no I mean the doors was a pretty minimalist outfit
01:12:22 - 01:12:26: So I there's just not a lot for me to do with the doors cover band
01:12:26 - 01:12:30: Like it's Richard pictures and Mountain Brews. My plate is full
01:12:30 - 01:12:35: I think that might have been the thing too is like you were just I can imagine the situation having gone
01:12:35 - 01:12:41: Like oh, that's cool guys. Like miss it this out or like I'm just out. I mean to be honest
01:12:41 - 01:12:43: I never received an offer. Okay?
01:12:43 - 01:12:46: But that's okay
01:12:46 - 01:12:50: No offense taken. I don't think there'd be much for me to do. Yeah, one question
01:12:50 - 01:12:57: I have is when you do touch me how big is the horn section and string section that you're bringing with you huge
01:12:57 - 01:13:03: We got the the Phil harmonic. So for touch me you're gonna have about 40 people on stage
01:13:03 - 01:13:05: Yeah at the permanent records Road
01:13:05 - 01:13:10: No, yeah, we're just doing it it's gonna be
01:13:10 - 01:13:15: Keys Ryan's gonna be playing keys. There's we're not gonna have any horns or anything
01:13:15 - 01:13:19: And then I think John even learned the sax solo on the guitar
01:13:19 - 01:13:21: Of course he did. Yeah
01:13:21 - 01:13:28: So yeah, it's we're not having any horns. We're keeping it, you know Roadhouse II and this shows on September 10th
01:13:28 - 01:13:31: Do you think you're gonna make it to midnight? And if so
01:13:31 - 01:13:35: Are you gonna say anything about the 20th anniversary of 9/11?
01:13:35 - 01:13:40: You know, you've given me an idea, but I don't know what I could possibly say or what you know
01:13:40 - 01:13:45: Our Jim could you know, maybe he could recite a poem like an American prayer
01:13:45 - 01:13:50: Excerpts at the stroke of midnight. Isn't there a Dora song called the end?
01:13:50 - 01:13:57: Yes. Oh, yeah, you could go into the end and when you do the kind of spoken word you can say something about
01:13:57 - 01:14:00: 9/11 or something kind of serious
01:14:00 - 01:14:07: We can go into the inside job angle and like, you know, just this will be the perfect. Oh, yeah a tower 7 monologue
01:14:07 - 01:14:14: Yeah, exactly. Yeah, Jessica who's our Jim can just totally go off on a do her Crosby actually Crosby at Monterey
01:14:14 - 01:14:19: And do the whole conspiracy rant and it'll be great. All right. Well, that's something to look forward to
01:14:19 - 01:14:22: So yeah, just at least say hey guys
01:14:22 - 01:14:25: I know some of you in the crowd are probably expecting we're gonna do a whole
01:14:25 - 01:14:33: 9/11 20th anniversary rap tonight because it's the night before we just wanted to say we don't think that's appropriate
01:14:34 - 01:14:38: If anybody wants to come rap with us after the show, we'll be at the merch table
01:14:38 - 01:14:47: Yeah, what as you're saying it might be weirder if you don't do it right I just gotta say that sucks
01:14:47 - 01:14:53: The last the last thing I want is people to come up to me at a merch table
01:14:53 - 01:15:01: Ready to talk about 9/11 like one in the morning. Yeah, I will say I do you gotta say something
01:15:01 - 01:15:06: Yeah, okay. I get that. Yeah, you know, it'll be the elephant in the room if we don't address it
01:15:06 - 01:15:14: Everyone's gonna be just because it's the 20th anniversary. Is that why yes, I do think that somewhere out there
01:15:14 - 01:15:21: there is someone who a thinks the doors are the quintessential American band and
01:15:21 - 01:15:26: Then thus is gonna be like listening to the doors
01:15:26 - 01:15:28: commemorating the 20th
01:15:28 - 01:15:34: Year anniversary of 9/11. I feel like in someone's head out there that makes sense. Yes
01:15:34 - 01:15:40: They're definitely over the age of 50. I think the doors might be the quintessential American band
01:15:40 - 01:15:42: But something you know, what's weird about it?
01:15:42 - 01:15:47: I got to think more about this, but I remember the doors being very big in the 90s
01:15:47 - 01:15:52: They were considered one of the most important American classic rock bands and then in the following decades that changed
01:15:52 - 01:15:56: Did 9/11 have something to do with it in some weird way?
01:15:57 - 01:16:03: I'm being serious like they're really I mean anybody who was actually alive during 9/11 and certainly in the years that followed
01:16:03 - 01:16:06: remember there was so much talk about
01:16:06 - 01:16:11: Irony is dead and this changes everything and this is like a watershed moment for culture
01:16:11 - 01:16:16: People said a lot of stuff like that. Was there something about the post 9/11 era?
01:16:16 - 01:16:22: That was unfavorable to the doors in their legacy. I feel like they would have thrived like they represent a
01:16:22 - 01:16:24: bold
01:16:24 - 01:16:27: American bravado in a way that
01:16:27 - 01:16:34: Probably would have resonated with people at the time who are getting amped up about America or are they too far out?
01:16:34 - 01:16:38: Are they like, you know, they had a song called 20th Century Fox
01:16:38 - 01:16:42: Well, they were 20th century band man, because they got left in the 20th century
01:16:42 - 01:16:47: We're trying to change all that here at the Roadhouse by playing to 50 people
01:16:47 - 01:16:54: I'm very curious to see a if this show happens and be how that affects the trajectory of the doors because the last 20 years
01:16:54 - 01:17:01: Have been very anti doors. Are you gonna play any LA takedown material or is it only doors? It's only doors
01:17:01 - 01:17:05: I respect the conceptual tightness of that Ryan Weinstein
01:17:05 - 01:17:11: Who will be DJing the show will be playing songs from our album throughout the night
01:17:11 - 01:17:17: He also hopefully will play I made a years ago a light my fire
01:17:17 - 01:17:18: house
01:17:18 - 01:17:19: mix
01:17:19 - 01:17:25: Based off of a note. I left myself that just said light my fire house mix, but it's just a house
01:17:25 - 01:17:31: Version of light my fire and I had it cut for him a long time ago on a record
01:17:31 - 01:17:34: And so hopefully he'll be playing that but it's just the opening riff
01:17:34 - 01:17:41: Okay, so even there's something for dance music fans
01:17:41 - 01:17:48: Oh, yeah, anybody who lives within 500 miles of Los Angeles get your ass to the permanent records Roadhouse
01:17:49 - 01:17:51: on September 10th to see
01:17:51 - 01:17:54: riders on the doors a the doors
01:17:54 - 01:17:57: Experience did I get it right? You got it, right?
01:17:57 - 01:18:01: Okay. Yeah, I'm gonna add to that. Please get vaccinated
01:18:01 - 01:18:06: Before you come to our show. Oh, yeah that too. We just throw that in there and
01:18:06 - 01:18:13: Make sure you've seen your soul movie. You can't get into the show or any gathering until you've seen your soul movie
01:18:13 - 01:18:17: Also true. I think I listened to the episode where you talked about soul movies
01:18:17 - 01:18:20: We did one episode of a of time crisis
01:18:20 - 01:18:27: but you also might have heard about it on the daily or pod save America because Joe wrote or Joe Rogan because
01:18:27 - 01:18:31: Joe Biden was doing kind of a press tour to talk about soul movies
01:18:31 - 01:18:38: Because he's serious about it. Yeah, that was a great episode of the Joe Rogan experience when President Biden went on and talked about soul movies
01:18:38 - 01:18:42: Racked up like 10 million views in the first week
01:18:42 - 01:18:48: Jeez, okay, you guys clearly know what I'm what I'm listening to in my spare time
01:18:48 - 01:18:50: I
01:18:58 - 01:19:24: You know Aaron
01:19:24 - 01:19:27: I was thinking about you the other day because I came across this
01:19:27 - 01:19:35: This gentle giant album cover, you know gentle giant I do they have one of the great mascots of rock
01:19:35 - 01:19:39: Do you know this it's called acquiring the taste. Can you see it at all?
01:19:39 - 01:19:42: It's so similar to your dad's airbrushed painting that you used
01:19:42 - 01:19:46: It's like I don't know if you could really see the texture like yeah
01:19:46 - 01:19:53: Yeah cover and then it's it has that same look of like kind of 70s air and it's just such a crazy cover to acquiring
01:19:53 - 01:19:57: The taste yes, and is that a it's a tongue-licking a peach
01:19:57 - 01:20:03: Yeah, it's so graphic. That is a great album title to acquiring the taste
01:20:03 - 01:20:08: Acquiring the taste and honestly, I'm not a big gentle giant head or anything
01:20:08 - 01:20:13: But that is the that is a good entry point for the band. So it is aptly that album in particular
01:20:13 - 01:20:21: Yeah, also I should point out gentle Giants mascot is like a bald guy with the beard. I don't know if you've ever seen that
01:20:22 - 01:20:29: No, he's the gentle giant. I guess he's just a human as far as I can tell this cover is psycho
01:20:29 - 01:20:36: It's amazing. I'm honored that that gross man looking at peaches cracked made you think of me
01:20:36 - 01:20:41: We got to start a gentle giant cover band
01:20:41 - 01:20:48: It's the band is called acquiring the taste a gentle giant tribute that probably exists
01:20:48 - 01:20:51: probably doesn't
01:20:52 - 01:20:54: Okay, let's get into the top five
01:20:54 - 01:21:06: Okay, so this week for the top five we're comparing the top five hits of two different years
01:21:06 - 01:21:09: 1965 and
01:21:09 - 01:21:15: 1995 30 years apart but a lot changed in those 30 years. So Aaron you pick these years, right?
01:21:15 - 01:21:19: Yeah, how'd you come up with 65 and 95?
01:21:21 - 01:21:27: I couldn't decide between 65 or 95 just because I thought you know, those are okay
01:21:27 - 01:21:34: 95 is probably my peak of paying attention to current music. Hmm. How old I was 10
01:21:34 - 01:21:36: I still have a VHS tape
01:21:36 - 01:21:39: That's your peak Wow. I think so
01:21:39 - 01:21:40: I kept it
01:21:40 - 01:21:42: you know VHS tape in the VCR and I
01:21:42 - 01:21:49: Record every time a music video came on that I liked and I still have the tape and it's like pretty sure that's from 95
01:21:49 - 01:21:52: 95 is also the year your soul movie came out. What kind of
01:21:52 - 01:21:58: Videos, would you have been recording in 95? What would come on like TV that you'd be like, oh, yeah
01:21:58 - 01:22:04: There were like some kind of grail videos that I was like waiting for and that I never got I remember really wanting to catch
01:22:04 - 01:22:06: So what you want? Oh
01:22:06 - 01:22:14: It was all like they're in a forest and it's all fish. I yeah. Yeah, there's like back loser is on there twice for some reason
01:22:14 - 01:22:17: Mother
01:22:17 - 01:22:22: I think it's called mother 95. It's the day Rollins band the
01:22:22 - 01:22:26: Right, but it's like a different version of mother
01:22:26 - 01:22:33: But it has a lot of concert footage and I always thought it was really hilarious like how well shampooed his hair was
01:22:33 - 01:22:39: You thought this was funny when you were 10. Yeah, I thought Danzig was pretty funny when I was 10
01:22:39 - 01:22:44: He's also wearing a mesh tank top. I thought all these things were I remember that video?
01:22:44 - 01:22:47: Yeah, and it like has all these cuts it like cuts to him. He's shaking his head really
01:22:47 - 01:22:51: I don't know worth watching that video. Yeah, that stuff's on there. There's
01:22:51 - 01:22:58: This letter song. I know that's actually not on there some Nirvana. There's like the interstitials
01:22:58 - 01:23:01: That they had like it was like a guy
01:23:01 - 01:23:04: Spinning a globe picking a place to move to I don't know
01:23:04 - 01:23:10: It was just the weird but 95 was my peak of being interested in MTV at least and then 65
01:23:10 - 01:23:13: I love the music of the 60s. So I thought
01:23:13 - 01:23:16: No, let's try that
01:23:16 - 01:23:21: Roughly, we're 30 years apart. We're in yeah, roughly. We're 30 years from 95
01:23:21 - 01:23:23: We're getting there
01:23:23 - 01:23:24: pretty close
01:23:24 - 01:23:30: All right. Well the number five song this week in 1965 was the four tops with it's the same old song a
01:23:30 - 01:23:33: classic
01:23:33 - 01:23:35: Holland dozer Holland song
01:23:35 - 01:23:39: ♪ ♪
01:23:39 - 01:23:42: ♪ You're sweet as a honeybee ♪
01:23:42 - 01:23:44: ♪ But like a honeybee sings ♪
01:23:44 - 01:23:46: ♪ You're gonna let my heart in pain ♪
01:23:46 - 01:23:50: ♪ All you left is my favorite song ♪
01:23:50 - 01:23:54: ♪ The one you dance to all night long ♪
01:23:54 - 01:23:57: ♪ Used to bring sweet memories ♪
01:23:57 - 01:24:01: ♪ Of a tender love that used to be ♪
01:24:01 - 01:24:05: ♪ Now it's the same old song ♪
01:24:05 - 01:24:07: ♪ But with a different meaning ♪
01:24:07 - 01:24:08: ♪ Since you've been gone ♪
01:24:08 - 01:24:11: The drums are really hypnotic on this song.
01:24:11 - 01:24:13: I remember having a Casio keyboard
01:24:13 - 01:24:14: and that was the Motown beat.
01:24:14 - 01:24:15: Oh, really?
01:24:15 - 01:24:16: Oh, was this?
01:24:16 - 01:24:17: Yeah, preset beats.
01:24:17 - 01:24:20: It's just snare on every beat.
01:24:20 - 01:24:21: And then the kick comes in
01:24:21 - 01:24:24: between the last two snares, usually.
01:24:24 - 01:24:27: It's worth noting that this is 32 years later
01:24:27 - 01:24:28: after this song came out,
01:24:28 - 01:24:31: the Four Tops starred in a commercial for Velveeta
01:24:31 - 01:24:33: where they reworked this song
01:24:33 - 01:24:35: as not the same old side.
01:24:35 - 01:24:38: Sample lyric, "For a side dish made to please,
01:24:38 - 01:24:41: you only want Velveeta shells and cheese."
01:24:41 - 01:24:44: It's not the same old side.
01:24:44 - 01:24:46: Okay.
01:24:46 - 01:24:49: That doesn't feel like clear,
01:24:49 - 01:24:51: like that needs explanation.
01:24:51 - 01:24:53: Like would you, a side?
01:24:53 - 01:24:56: Yeah, it's a little side dish, but yeah.
01:24:56 - 01:24:57: I know, I understand.
01:24:57 - 01:25:00: No, no, it's like a mixed metaphor.
01:25:00 - 01:25:05: Like usually I think with like fun marketing,
01:25:05 - 01:25:07: you'd want to take something familiar
01:25:07 - 01:25:08: and change one thing about it.
01:25:08 - 01:25:10: Like if you were,
01:25:10 - 01:25:12: I don't know why you'd be selling a song,
01:25:12 - 01:25:15: but you might say, "It's not the same old song."
01:25:15 - 01:25:17: That sounds like some morning radio thing
01:25:17 - 01:25:19: where they're like, "Andy and Debra,
01:25:19 - 01:25:21: it's not the same old song.
01:25:21 - 01:25:22: We're playing all the new music."
01:25:22 - 01:25:24: That would make sense, straightforward.
01:25:24 - 01:25:25: They do a twist.
01:25:25 - 01:25:27: It's not the same old song.
01:25:27 - 01:25:30: Or you could do, "It's the same old side."
01:25:30 - 01:25:31: You know, you just change one thing.
01:25:31 - 01:25:33: They've done too much to it.
01:25:33 - 01:25:35: They might as well have changed every word in that.
01:25:35 - 01:25:37: Yeah, right.
01:25:37 - 01:25:39: Very forced.
01:25:39 - 01:25:40: But I like to think in '97,
01:25:40 - 01:25:43: the four tops still had like cultural cache to be like,
01:25:43 - 01:25:45: "Let's get the four tops."
01:25:45 - 01:25:48: There's a lot of boomers who are now in their fifties
01:25:48 - 01:25:50: who are buying mac and cheese for their kids.
01:25:50 - 01:25:51: Yep.
01:25:51 - 01:25:52: Divorced dads.
01:25:52 - 01:25:56: A lot of divorced dads listening to oldies radio.
01:25:56 - 01:25:58: Or popping by the Vons on their way home from work,
01:25:58 - 01:26:00: picking up a boxed mac.
01:26:00 - 01:26:01: You wanna know something?
01:26:01 - 01:26:03: I think it might've been, yeah.
01:26:03 - 01:26:07: Well, I'm also thinking mac and cheese is an aside.
01:26:07 - 01:26:08: I mean, I know it's a side.
01:26:08 - 01:26:10: I know you can get it if you get like a meat and three,
01:26:10 - 01:26:13: but especially for kids, it's the meal.
01:26:13 - 01:26:14: That is the main.
01:26:14 - 01:26:15: But also--
01:26:15 - 01:26:16: I'm just like, none of this is,
01:26:16 - 01:26:17: none of this works. Yeah, you know what?
01:26:17 - 01:26:18: This is funny.
01:26:18 - 01:26:19: This is like bringing back memories
01:26:19 - 01:26:24: 'cause I very rarely had Velveeta shells and cheese.
01:26:24 - 01:26:25: Yeah, Kraft.
01:26:25 - 01:26:27: Yeah, you'd have Kraft mac and cheese is the classic.
01:26:27 - 01:26:30: So my question is, I mean,
01:26:30 - 01:26:31: I don't wanna derail the whole show,
01:26:31 - 01:26:34: but like is Velveeta some like,
01:26:34 - 01:26:36: even that name, when you actually look at it,
01:26:36 - 01:26:38: what the (beep) is that Velveeta?
01:26:38 - 01:26:40: I mean, I'm guessing, I'm going out on,
01:26:40 - 01:26:41: Seinfeld, can you start looking it up?
01:26:41 - 01:26:42: 'Cause I'm gonna go out on a limb here
01:26:42 - 01:26:45: and guess that some execs somewhere
01:26:45 - 01:26:47: probably were like mac and cheese is seen
01:26:47 - 01:26:50: as like kinda like a (beep) kid food,
01:26:50 - 01:26:53: but it tastes really good and people love it.
01:26:53 - 01:26:56: Let's make a version that sounds kinda classy
01:26:56 - 01:26:59: for divorced dads, older people,
01:26:59 - 01:27:02: and let's change something about it.
01:27:02 - 01:27:04: Going back to the rule about you change one thing.
01:27:04 - 01:27:06: Let's change one thing about mac and cheese
01:27:06 - 01:27:08: to make it feel more grown up.
01:27:08 - 01:27:09: Let's change the pasta.
01:27:09 - 01:27:10: What else could it be?
01:27:10 - 01:27:11: What's something that sounds classy?
01:27:11 - 01:27:13: How about shells and cheese?
01:27:13 - 01:27:16: Shells makes you think about a beach vacation.
01:27:16 - 01:27:18: Something like, okay, I like that.
01:27:18 - 01:27:20: So what are we gonna call the shells and cheese?
01:27:20 - 01:27:23: Now that's something a 50 year old divorced dad can have.
01:27:23 - 01:27:25: That's a dignified meal for that guy.
01:27:25 - 01:27:29: Kraft mac and cheese at the condo does not feel good.
01:27:29 - 01:27:32: Now shells and cheese, it's simple, but it's dignified.
01:27:32 - 01:27:34: All right, so what do we call this?
01:27:34 - 01:27:36: Let's come up with a word that almost sounds like
01:27:36 - 01:27:40: it could be like a European perfume.
01:27:40 - 01:27:42: Let's do like a fake word.
01:27:42 - 01:27:44: Okay, but let's base it off something classy.
01:27:44 - 01:27:45: How about velvet?
01:27:45 - 01:27:46: Classy, all right.
01:27:46 - 01:27:47: Velveeta.
01:27:47 - 01:27:49: That's how I think this came about.
01:27:49 - 01:27:51: Seinfeld, any truth to that?
01:27:51 - 01:27:52: None.
01:27:52 - 01:27:53: - No, yeah.
01:27:53 - 01:27:54: - None.
01:27:54 - 01:27:56: - Velveeta, so shells and cheese.
01:27:56 - 01:27:57: - Great theory though.
01:27:57 - 01:28:00: - It's a great theory, it's a great story.
01:28:00 - 01:28:03: The Velveeta shells and cheese came out in '84,
01:28:03 - 01:28:07: decades after Velveeta was founded in 1918
01:28:07 - 01:28:11: by Emil Frey of the Monroe Cheese Company.
01:28:11 - 01:28:14: - Emil Velveeta, an immigrant from Italy.
01:28:14 - 01:28:17: - It's Vemley.
01:28:17 - 01:28:18: Velveeta is owned by Kraft.
01:28:18 - 01:28:21: So it's Kraft Velveeta shells and cheese.
01:28:21 - 01:28:23: - Okay, so if it's owned by the same company,
01:28:23 - 01:28:25: there's definitely been a conversation somewhere
01:28:25 - 01:28:27: where somebody was like, all right,
01:28:27 - 01:28:30: so we're talking about the guy who's ready to move up
01:28:30 - 01:28:32: to Velveeta shells and cheese from Kraft Mac and Cheese.
01:28:32 - 01:28:35: What's going on with that guy in his life?
01:28:35 - 01:28:38: You know, who is he or she?
01:28:38 - 01:28:39: What are they doing?
01:28:39 - 01:28:40: - Little older.
01:28:40 - 01:28:43: - Like graduating to this involves getting divorced.
01:28:43 - 01:28:45: - Yeah.
01:28:45 - 01:28:47: - Well, yeah, I mean, I think who's the guy--
01:28:47 - 01:28:48: - You win some, you lose some.
01:28:48 - 01:28:50: - That ate it growing up
01:28:50 - 01:28:54: and now it would feel too regressive to continue to eat it.
01:28:54 - 01:28:55: - 100%.
01:28:55 - 01:28:58: - So we just need to spin it, but it's got, you know,
01:28:58 - 01:29:01: we got to spin it, but we don't want to lose,
01:29:01 - 01:29:03: we don't want to lose that buyer.
01:29:03 - 01:29:05: - It's not the same old sad.
01:29:05 - 01:29:09: - Sound like you said sad.
01:29:09 - 01:29:11: It's a new kind of sad.
01:29:11 - 01:29:12: - Yeah.
01:29:12 - 01:29:14: Are you over the age of 30 and find it depressing
01:29:14 - 01:29:17: when you cook up some Mac and Cheese for your dinner?
01:29:17 - 01:29:18: Well, guess what?
01:29:18 - 01:29:19: You're in luck.
01:29:19 - 01:29:20: - It's not the same.
01:29:20 - 01:29:23: (Jared humming)
01:29:23 - 01:29:26: Even if I'm wrong about the Velveeta origin story,
01:29:26 - 01:29:30: 100%, at least once Kraft acquired it,
01:29:30 - 01:29:32: it became part of like the life cycle.
01:29:32 - 01:29:34: - Well, you didn't want to derail the whole show,
01:29:34 - 01:29:35: but you did.
01:29:35 - 01:29:39: - Just rolling over to some dude's house
01:29:39 - 01:29:41: and just like looking in the cupboard,
01:29:41 - 01:29:45: just like, bro, you still eat Mac and Cheese?
01:29:45 - 01:29:47: Come on, man, let's go get you some Velveeta.
01:29:48 - 01:29:49: Come on, bro.
01:29:49 - 01:29:51: - I'd be remiss if I didn't point out
01:29:51 - 01:29:55: that I tried Cheetos brand Mac and Cheese a few days ago.
01:29:55 - 01:29:58: And at first I was delighted,
01:29:58 - 01:30:01: and then I was disgusted by the end of the meal.
01:30:01 - 01:30:02: It made me feel very sick.
01:30:02 - 01:30:05: - Wait, it was Flamin' Hot Cheetos Mac and Cheese?
01:30:05 - 01:30:07: - No, just not, no Flamin' Hot,
01:30:07 - 01:30:09: just straight up Cheetos Mac and Cheese.
01:30:09 - 01:30:10: The powder looked like Cheetos dust.
01:30:10 - 01:30:12: - That's a missed opportunity.
01:30:12 - 01:30:15: - I think the Flamin' Hot version does exist,
01:30:15 - 01:30:17: but I've always been a classic Cheetos fan.
01:30:17 - 01:30:19: - It's better probably.
01:30:19 - 01:30:22: - Seinfeld was updating the thread in real time.
01:30:22 - 01:30:23: - It was a journey.
01:30:23 - 01:30:26: - And it went from good to bad to worse
01:30:26 - 01:30:29: in the course of about 90 minutes.
01:30:29 - 01:30:31: - It tasted just like Cheetos,
01:30:31 - 01:30:34: and I thought that was great upon first bite,
01:30:34 - 01:30:36: and then, I mean, I just felt so queasy by the end.
01:30:36 - 01:30:39: But now we're really, we're so far off topic.
01:30:39 - 01:30:41: - No, that's actually a big part
01:30:41 - 01:30:44: of the Johnny Depp Chester Cheeto movie.
01:30:44 - 01:30:48: He's trying to launch a mac and cheese brand.
01:30:48 - 01:30:50: It's the day of the big launch,
01:30:50 - 01:30:54: and then Joe Camel comes to town and kidnaps him,
01:30:54 - 01:30:58: and a whole, you know, hijinks ensue.
01:30:58 - 01:31:00: All right, the number five song in 1995,
01:31:00 - 01:31:01: we're gonna make up for lost time.
01:31:01 - 01:31:04: All for One, "I Can Love You Like That,"
01:31:04 - 01:31:05: produced by David Foster.
01:31:05 - 01:31:06: - Oh, hell yeah.
01:31:19 - 01:31:22: - That's classic '90s, "Nehu."
01:31:22 - 01:31:23: - Yeah.
01:31:23 - 01:31:27: - This is interesting.
01:31:27 - 01:31:31: So, All for One, they had a bigger hit than this,
01:31:31 - 01:31:32: which was "I Swear."
01:31:32 - 01:31:34: That was a massive song.
01:31:34 - 01:31:38: And both "I Swear" and this song, "I Can Love You Like That,"
01:31:38 - 01:31:42: are covers of John Michael Montgomery,
01:31:42 - 01:31:43: who's a country guy.
01:31:43 - 01:31:44: - Interesting.
01:31:44 - 01:31:47: ♪ Found me a kiss, Juliet ♪
01:31:47 - 01:31:52: ♪ And all this time that you've been waiting ♪
01:31:52 - 01:31:58: ♪ You don't have to wait no more ♪
01:31:58 - 01:32:02: ♪ I can love you like that ♪
01:32:02 - 01:32:04: ♪ I would make you my world ♪
01:32:04 - 01:32:05: - Oh yeah, I remember this song.
01:32:05 - 01:32:07: So Montgomery's version of this song
01:32:07 - 01:32:09: reached number one on the country charts.
01:32:09 - 01:32:10: Wow.
01:32:10 - 01:32:13: - Country and R&B, two sides of the same coin, man.
01:32:13 - 01:32:15: Oh yeah, you could hear it so clearly.
01:32:15 - 01:32:17: ♪ I can love you like that ♪
01:32:17 - 01:32:19: ♪ I can love you like that ♪
01:32:19 - 01:32:20: - Okay, just for the hell of it,
01:32:20 - 01:32:22: we gotta hear the country version.
01:32:22 - 01:32:24: (gentle music)
01:32:34 - 01:32:37: ♪ They read you Cinderella ♪
01:32:37 - 01:32:39: ♪ You hoped it would come true ♪
01:32:39 - 01:32:44: ♪ That one day your prince charming would come rescue you ♪
01:32:44 - 01:32:48: ♪ You like romantic movies ♪
01:32:48 - 01:32:50: ♪ You never will forget ♪
01:32:50 - 01:32:55: ♪ The way you felt when Romeo kissed Juliet ♪
01:32:55 - 01:33:01: ♪ All this time that you've been waiting ♪
01:33:01 - 01:33:02: ♪ You don't have to wait no more ♪
01:33:02 - 01:33:04: - I can hear Don Henley singing this too.
01:33:04 - 01:33:05: ♪ Oh ♪
01:33:05 - 01:33:08: - Oh yeah, that raspy.
01:33:08 - 01:33:10: ♪ I can love you like that ♪
01:33:10 - 01:33:13: ♪ I would make you my world ♪
01:33:13 - 01:33:16: ♪ Move heaven and earth ♪
01:33:16 - 01:33:18: ♪ If you were my girl ♪
01:33:18 - 01:33:21: ♪ I would give you my heart ♪
01:33:21 - 01:33:24: ♪ Be all that you need ♪
01:33:24 - 01:33:29: ♪ Show you you're everything that's precious to me ♪
01:33:30 - 01:33:34: ♪ If you give me a chance ♪
01:33:34 - 01:33:35: - Okay.
01:33:35 - 01:33:38: A good song works in different contexts.
01:33:38 - 01:33:42: Okay, the number four song back in '65.
01:33:42 - 01:33:44: Oh, this is a major song.
01:33:44 - 01:33:47: The Righteous Brothers with "Unchained Melody."
01:33:47 - 01:33:49: ♪ Oh my love ♪
01:33:49 - 01:33:52: - Love it.
01:33:52 - 01:33:54: - Such a beautiful song.
01:33:54 - 01:33:55: I love this song.
01:33:55 - 01:33:57: ♪ My darling ♪
01:33:57 - 01:34:01: ♪ I've hungered for your touch ♪
01:34:01 - 01:34:03: - I've actually gone deep on this song before.
01:34:03 - 01:34:07: It was written for a movie in the '50s
01:34:07 - 01:34:10: that was like a prison break movie called "Unchained."
01:34:10 - 01:34:11: - Wow.
01:34:11 - 01:34:13: - And I think it was originally like
01:34:13 - 01:34:15: the composer wrote an instrumental piece
01:34:15 - 01:34:16: called "Unchained Melody,"
01:34:16 - 01:34:19: which is why the title has nothing to do with the words.
01:34:19 - 01:34:21: - It was just like an instrumental,
01:34:21 - 01:34:23: like orchestral piece or something?
01:34:23 - 01:34:25: - I think maybe the composer wrote it
01:34:25 - 01:34:27: and then they got a lyricist in,
01:34:27 - 01:34:30: and maybe in the movie a guy sings it on guitar or something
01:34:30 - 01:34:31: but it's like basically the title
01:34:31 - 01:34:34: is just the name of the movie, "Unchained Melody."
01:34:34 - 01:34:37: Just some guy in prison like missing his girl.
01:34:37 - 01:34:38: - Oh, this is interesting too.
01:34:38 - 01:34:41: This is one of these examples where the B-side,
01:34:41 - 01:34:43: it was released as a B-side originally
01:34:43 - 01:34:45: with the Righteous Brothers.
01:34:45 - 01:34:47: - What was the A-side?
01:34:47 - 01:34:49: - "Hung On You," which I don't know.
01:34:49 - 01:34:51: But I feel like that's a thing that you hear about
01:34:51 - 01:34:52: every now and then where like,
01:34:52 - 01:34:54: it's the B-side that takes off.
01:34:54 - 01:34:57: Some DJ somewhere preferred the B-side
01:34:57 - 01:34:58: and played the (beep) out of it.
01:34:58 - 01:35:03: - I'm pretty sure that "Great Chicago Ballad" was a B-side.
01:35:03 - 01:35:04: - "If You Leave Me Now?"
01:35:04 - 01:35:07: - Yeah, and I think Rod Stewart, Maggie Mae
01:35:07 - 01:35:08: was also a B-side.
01:35:08 - 01:35:11: - Well, for reason to believe, I think.
01:35:11 - 01:35:12: - Yes.
01:35:12 - 01:35:15: - There was a cover of the song performed by Elvis
01:35:15 - 01:35:18: that was released like a month before he died.
01:35:18 - 01:35:20: - Oh, that's an amazing version.
01:35:20 - 01:35:22: - Yeah, I've definitely heard Elvis sing this.
01:35:22 - 01:35:23: - Yeah, live.
01:35:23 - 01:35:26: - Have you heard the Fleetwoods version?
01:35:26 - 01:35:26: - Oh, I bet that's good.
01:35:26 - 01:35:30: - Oh yeah, I love the Fleetwoods, Mr. Blue.
01:35:30 - 01:35:33: I feel like once we did a whole bit about the Fleetwoods,
01:35:33 - 01:35:34: I cannot remember it.
01:35:34 - 01:35:37: But they were an Olympia, Washington-based outfit.
01:35:37 - 01:35:39: - Right, right, we talked about them.
01:35:39 - 01:35:41: - Remember when we were like talking about the Fleetwoods
01:35:41 - 01:35:43: being a local Olympia band in the '50s?
01:35:43 - 01:35:44: - Right.
01:35:44 - 01:35:46: - But yeah, I remember I always like,
01:35:46 - 01:35:48: this song loomed very large also in the '90s
01:35:48 - 01:35:53: because it was in "Ghost," which I think came out in like 1990
01:35:53 - 01:35:55: and I just remember always like hearing this big,
01:35:55 - 01:35:58: beautiful, like old song in the '90s and being like,
01:35:58 - 01:36:00: "Whoa," and be like, "What's this song called?"
01:36:00 - 01:36:03: And having no access to the Wikipedia yet
01:36:03 - 01:36:05: and being like, "It's called 'Unchained Melody'"
01:36:05 - 01:36:06: and I was like, "Damn, these guys just like write
01:36:06 - 01:36:09: "this beautiful, powerful song."
01:36:09 - 01:36:11: And they were just like, "What do we call this song?"
01:36:11 - 01:36:11: And they're just like,
01:36:11 - 01:36:14: "I mean, this melody is unchained, bro.
01:36:14 - 01:36:16: "Let's just (beep) call it 'Unchained Melody.'"
01:36:16 - 01:36:18: I mean, how else could you describe
01:36:18 - 01:36:19: this powerful piece of music?
01:36:19 - 01:36:21: I feel you, man, "Unchained Melody."
01:36:21 - 01:36:22: Who gives a (beep)?
01:36:22 - 01:36:23: - All right.
01:36:23 - 01:36:26: - Could so easily be a nu metal song.
01:36:26 - 01:36:27: - Unchained.
01:36:27 - 01:36:28: - Yeah, like.
01:36:28 - 01:36:32: I mean, the Righteous Brothers had a kind of a moment
01:36:32 - 01:36:35: around that time 'cause it's also Top Gun, right?
01:36:35 - 01:36:36: - '80s, yeah.
01:36:36 - 01:36:38: - I mean, that's like turn of the '90s.
01:36:38 - 01:36:40: I mean, late '80s. - Years apart, yeah.
01:36:40 - 01:36:42: - Wait, what song do they have in Top Gun?
01:36:42 - 01:36:46: ♪ You never close your eyes ♪
01:36:46 - 01:36:48: - You lost that love and feeling.
01:36:48 - 01:36:49: - Oh, yeah. - Cruz sings it.
01:36:49 - 01:36:52: - Oh, right, Cruz sings it at the karaoke.
01:36:52 - 01:36:52: - Oh, yeah.
01:36:52 - 01:36:54: Shout out to the Righteous Brothers.
01:36:54 - 01:36:59: The number four song in 1995, also a song from a film.
01:36:59 - 01:37:01: This one's "Pocahontas."
01:37:01 - 01:37:01: - Oh, hell yeah.
01:37:01 - 01:37:02: - I remember this movie coming.
01:37:02 - 01:37:04: I mean, I'm sure you do too, Aaron,
01:37:04 - 01:37:05: 'cause we're about the same age.
01:37:05 - 01:37:07: "Pocahontas" might act, what's your birthday?
01:37:07 - 01:37:09: - April 85.
01:37:09 - 01:37:09: - What's the date?
01:37:09 - 01:37:10: - First.
01:37:10 - 01:37:12: - Seinfeld, can you just double check
01:37:12 - 01:37:15: what movie was number one at the box office
01:37:15 - 01:37:17: April 1st, 1995?
01:37:17 - 01:37:18: All right, let's throw in "Colors of the Wind"
01:37:18 - 01:37:22: while Seinfeld looks up Aaron's soul movie.
01:37:22 - 01:37:24: - It's all about the blue corn moon, right?
01:37:24 - 01:37:38: - This is a good song.
01:37:38 - 01:37:41: It's not the best '90s Disney ballad.
01:37:41 - 01:37:46: It's not as good as "I Can Show You the World."
01:37:46 - 01:37:49: - Oh, this is very low key.
01:37:49 - 01:37:59: - From what I can tell, the film was "Outbreak,"
01:37:59 - 01:38:02: which had been riding high at number one since mid-March,
01:38:02 - 01:38:07: and then it was replaced by "Bad Boys" a week later.
01:38:07 - 01:38:11: So April 7th, "Bad Boys," "Outbreak."
01:38:11 - 01:38:13: - Okay, so it sounds like "Outbreak"
01:38:13 - 01:38:15: is your soul movie, brother.
01:38:15 - 01:38:16: - All right, thank you.
01:38:16 - 01:38:18: - That's your soul movie, brother.
01:38:18 - 01:38:20: Make sure you watch it.
01:38:20 - 01:38:23: - Seen it, but maybe it's time to re-watch.
01:38:23 - 01:38:26: - You gotta re-watch it by the end of the calendar year.
01:38:26 - 01:38:27: - It's very relevant,
01:38:27 - 01:38:31: especially considering the plight of your "Doors" show.
01:38:31 - 01:38:32: - Yeah.
01:38:32 - 01:38:35: ♪ Have you ever heard the wolf cry ♪
01:38:35 - 01:38:38: ♪ To the blue corn moon ♪
01:38:38 - 01:38:41: - That's all I remember about this song
01:38:41 - 01:38:42: is the blue corn moon.
01:38:42 - 01:38:44: - The blue corn moon, yes.
01:38:44 - 01:38:45: I've never heard this song.
01:38:45 - 01:38:47: - Really?
01:38:47 - 01:38:49: This was inescapable for me.
01:38:49 - 01:38:52: - Is "Beauty and the Beast" early '90s?
01:38:52 - 01:38:53: - Yeah, that was that Disney run.
01:38:53 - 01:38:57: It's like "Beauty and the Beast," "Lion King,"
01:38:57 - 01:38:59: "Pocahontas," and "Aladdin."
01:38:59 - 01:39:02: You know, it's a crazy run for Disney.
01:39:02 - 01:39:03: Okay, let's move on.
01:39:03 - 01:39:07: The number three song this week in '65,
01:39:07 - 01:39:10: "The Beach Boys" with "California Girls."
01:39:10 - 01:39:12: - Man, '65 doesn't quit.
01:39:12 - 01:39:14: - Brian Wilson was inspired to write this song
01:39:14 - 01:39:17: during his first time taking LSD.
01:39:17 - 01:39:19: Wow, don't really think of this as a very psychedelic song.
01:39:19 - 01:39:20: - Wait, really?
01:39:20 - 01:39:23: - I think it's more this intro.
01:39:23 - 01:39:25: That's how I've always read that.
01:39:25 - 01:39:27: - The music was the psychedelic part?
01:39:27 - 01:39:31: - Yeah, I don't think naming all the kinds of girls.
01:39:31 - 01:39:33: I mean, maybe.
01:39:33 - 01:39:35: - Maybe, dude, that is pretty trippy.
01:39:35 - 01:39:40: - He's like, "Oh my God, there are so many kinds of girls."
01:39:40 - 01:39:40: - Right.
01:39:40 - 01:39:43: Here's the quote from Brian Wilson's memoir.
01:39:43 - 01:39:45: "The idea of 'California Girls' is that there's this guy
01:39:45 - 01:39:47: "who thinks about girls all the time,
01:39:47 - 01:39:50: "so much that he starts to imagine all kinds.
01:39:50 - 01:39:52: "But there's only one kind he really wants,
01:39:52 - 01:39:54: "and that's right there at home.
01:39:54 - 01:39:56: "The music started off like those old cowboy movies
01:39:56 - 01:39:59: "when the hero's riding slowly into town.
01:39:59 - 01:40:02: "I was playing that at the piano after an acid trip.
01:40:02 - 01:40:04: "I played it until I almost couldn't hear what I was playing
01:40:04 - 01:40:08: "and then I saw the melody hovering over the piano part."
01:40:08 - 01:40:12: Okay, yeah, so I guess it is kind of trippy.
01:40:12 - 01:40:13: - Oh, I love this postscript.
01:40:13 - 01:40:17: Mike Love was not originally listed as the song's co-writer
01:40:17 - 01:40:22: but was awarded a credit after his successful 1990s lawsuit
01:40:22 - 01:40:23: for songwriting credits.
01:40:23 - 01:40:25: - Oh, of course.
01:40:25 - 01:40:25: - Perfect.
01:40:25 - 01:40:29: ♪ The West Coast has the sunshine ♪
01:40:29 - 01:40:34: ♪ And the girls are gets a tan ♪
01:40:34 - 01:40:36: ♪ I dig a friend's body ♪
01:40:36 - 01:40:38: - Mike Love has such a funny voice.
01:40:38 - 01:40:39: - Yes.
01:40:39 - 01:40:41: - All time.
01:40:41 - 01:40:42: - I guess it is kind of trippy
01:40:42 - 01:40:45: when you actually think about the phrase,
01:40:45 - 01:40:48: "I wish they all could be California girls."
01:40:48 - 01:40:50: 'Cause it is a little bit like, what do you mean by that?
01:40:50 - 01:40:53: Do you wish that all the girls in the world
01:40:53 - 01:40:56: had the same, looked like California girls?
01:40:56 - 01:40:59: Or do you wish that all girls lived in California?
01:40:59 - 01:41:03: Do you wish that California was like population,
01:41:03 - 01:41:04: I mean, this isn't the '60s,
01:41:04 - 01:41:06: that the population of California
01:41:06 - 01:41:08: was like 3 billion people.
01:41:08 - 01:41:10: Do you wish that the whole world was California?
01:41:10 - 01:41:14: - So this is actually like deep Cold War propaganda.
01:41:14 - 01:41:16: - Has this come up on the show before?
01:41:16 - 01:41:19: I feel like this conversation has been had.
01:41:19 - 01:41:20: - I think it did come up on the show
01:41:20 - 01:41:21: like four or five years ago.
01:41:21 - 01:41:24: And for the longest time, I thought it was,
01:41:24 - 01:41:27: I wish they could all beat California girls.
01:41:27 - 01:41:29: - Violent.
01:41:29 - 01:41:31: - Well, no, but they like could best them.
01:41:31 - 01:41:33: - Top, like best them, top them.
01:41:33 - 01:41:37: - Yeah, I wish, he feels bad for like other girls.
01:41:37 - 01:41:39: That's what I always thought.
01:41:39 - 01:41:40: - It's funny that you talk about this
01:41:40 - 01:41:42: being Cold War propaganda.
01:41:42 - 01:41:44: We're gonna do a 10-part podcast series
01:41:44 - 01:41:46: where we talk about the CIA connections
01:41:46 - 01:41:48: to California girls by the Beach Boys.
01:41:48 - 01:41:49: That Brian Wilson Adson trip
01:41:49 - 01:41:53: was actually part of the MKUltra series of experiments.
01:41:53 - 01:41:55: - We're gonna get Tom O'Neill to call back in.
01:41:55 - 01:41:57: - We're gonna get Tom O'Neill back on the show.
01:41:57 - 01:41:59: But it's funny that you talk about it
01:41:59 - 01:42:00: being Cold War propaganda
01:42:00 - 01:42:02: because maybe Paul McCartney perceived that
01:42:02 - 01:42:05: when he wrote "Back in the USSR,"
01:42:05 - 01:42:07: which three years after this song,
01:42:07 - 01:42:09: which is basically a parody of this song.
01:42:09 - 01:42:11: - There is a Manson connection
01:42:11 - 01:42:13: through the Wilson brothers.
01:42:13 - 01:42:14: - Whoa.
01:42:14 - 01:42:15: - It all connects, man.
01:42:15 - 01:42:17: - Okay, let's put the lid back on this, man.
01:42:17 - 01:42:19: We don't want any trouble.
01:42:19 - 01:42:23: The number three song back in 1995.
01:42:23 - 01:42:26: Ooh, this is a classic, "Shaggy" with "Boombastic."
01:42:26 - 01:42:27: - Oh, yeah.
01:42:29 - 01:42:32: ♪ Mr. Boombastic ♪
01:42:32 - 01:42:37: ♪ My heart is a boombastic romantic fantastic lover ♪
01:42:37 - 01:42:38: - How much did it blow your mind
01:42:38 - 01:42:41: when you found out he didn't have a Jamaican accent?
01:42:41 - 01:42:43: - See, I've heard this.
01:42:43 - 01:42:45: - Is this a Mandela effect?
01:42:45 - 01:42:48: - I've heard this story that Shaggy's from New York,
01:42:48 - 01:42:50: but the thing I never understood is like,
01:42:50 - 01:42:53: is Shaggy a Jamaican dude
01:42:53 - 01:42:56: who maybe he moved to New York when he was like 10?
01:42:56 - 01:42:59: Does he maybe have Jamaican heritage?
01:42:59 - 01:43:00: What's the Shaggy story?
01:43:00 - 01:43:01: 'Cause I've heard this.
01:43:01 - 01:43:04: - Is he the guy that did the record with Sting?
01:43:04 - 01:43:05: - Yes.
01:43:05 - 01:43:08: - Also, I think I just found that out when you said that.
01:43:08 - 01:43:09: (laughing)
01:43:09 - 01:43:10: So, I don't know how I feel about this.
01:43:10 - 01:43:12: - I've always been hearing this.
01:43:12 - 01:43:13: - Well, you know what's weird?
01:43:13 - 01:43:15: I'm noticing in the producer credits,
01:43:15 - 01:43:18: Robert Livingston and Sting International.
01:43:18 - 01:43:19: Is that a coincidence?
01:43:19 - 01:43:21: - Yeah, I think it's a coincidence.
01:43:21 - 01:43:23: He worked with a producer named Sting International,
01:43:23 - 01:43:27: and then 20 years later, he made an album with Sting.
01:43:27 - 01:43:29: - I'm watching an interview with him
01:43:29 - 01:43:32: where he begins with a,
01:43:32 - 01:43:35: it's in a recent one around the Sting stuff.
01:43:35 - 01:43:37: And he starts off with, you know,
01:43:37 - 01:43:41: I'm Shaggy, you know, Mr. Boombastic, heavy patois.
01:43:41 - 01:43:42: And then he immediately is like,
01:43:42 - 01:43:45: so let me tell you about this Sting collab.
01:43:45 - 01:43:47: It is a full on-
01:43:47 - 01:43:48: - Really?
01:43:48 - 01:43:48: - Yes.
01:43:48 - 01:43:51: - Matt, can you play us a little bit of this?
01:43:51 - 01:43:53: - Yo, this is Mr. Love-a-love-a-Boombastic
01:43:53 - 01:43:54: up front and personal.
01:43:54 - 01:43:56: Atta Shaggy!
01:43:56 - 01:43:58: - So that's the Shaggy we know.
01:43:59 - 01:44:01: - I think that being an ambassador for reggae,
01:44:01 - 01:44:03: it doesn't just fall in my hands.
01:44:03 - 01:44:06: I think any artist that brings this music
01:44:06 - 01:44:08: of dancehall or reggae outside-
01:44:08 - 01:44:09: - No, that's-
01:44:09 - 01:44:10: - Now I'm hearing something.
01:44:10 - 01:44:11: Now I'm hearing something.
01:44:11 - 01:44:13: - Yeah, yeah, he has an accent.
01:44:13 - 01:44:14: - Shaggy is Jamaican.
01:44:14 - 01:44:16: He was born in Kingston.
01:44:16 - 01:44:17: - Okay, I see.
01:44:17 - 01:44:19: This is a conspiracy theory.
01:44:19 - 01:44:20: - How old was he when he moved?
01:44:20 - 01:44:22: - He was 17 years old.
01:44:22 - 01:44:23: He moved to Brooklyn.
01:44:23 - 01:44:25: Then he joined the military.
01:44:25 - 01:44:28: Then he was stationed in North Carolina for a while.
01:44:28 - 01:44:31: And then he started making music.
01:44:31 - 01:44:33: - Okay, so that explains it.
01:44:33 - 01:44:35: Shaggy, you're a stand-up guy.
01:44:35 - 01:44:37: Yeah, I've always, 'cause I remember people
01:44:37 - 01:44:40: always telling me, "Oh, you know, Shaggy's a fake-in-Jamaican."
01:44:40 - 01:44:43: That's a term that people used to use a lot.
01:44:43 - 01:44:44: And this makes sense.
01:44:44 - 01:44:48: When he speaks, he's got, he lived in two places,
01:44:48 - 01:44:50: so he's got like a slight accent,
01:44:50 - 01:44:53: a kind of unusual mix of two accents.
01:44:53 - 01:44:57: He turns it up to 11 for the music, that's true.
01:44:57 - 01:44:59: But it's not quite as wild as if you're like,
01:44:59 - 01:45:02: this guy has no connection to Jamaica.
01:45:02 - 01:45:03: That would be insane.
01:45:03 - 01:45:04: But as I've always--
01:45:04 - 01:45:07: - Well, I stand relatively corrected.
01:45:07 - 01:45:09: But that is how I remember it growing up, you're right.
01:45:09 - 01:45:10: The basic rumor--
01:45:10 - 01:45:13: - No, right, people were very concerned
01:45:13 - 01:45:15: with fake-in-Jamaicans in the '90s.
01:45:15 - 01:45:19: The number two song, 1965, again, 1965,
01:45:19 - 01:45:21: just won't quit, The Beatles.
01:45:21 - 01:45:23: Back to back with the Beach Boys.
01:45:23 - 01:45:24: The Beatles with "Help."
01:45:24 - 01:45:27: ♪ Help, I need somebody ♪
01:45:27 - 01:45:29: ♪ Help, not just anybody ♪
01:45:29 - 01:45:32: ♪ Help, you know I need someone ♪
01:45:32 - 01:45:34: ♪ Help ♪
01:45:34 - 01:45:39: ♪ When I was younger, so much younger than today ♪
01:45:39 - 01:45:44: ♪ I never needed anybody's help in any way ♪
01:45:44 - 01:45:46: ♪ Now, but now these days are gone ♪
01:45:46 - 01:45:49: ♪ I'm not so self-assured ♪
01:45:49 - 01:45:51: - Is there a cowbell in that?
01:45:51 - 01:45:53: What's that snare?
01:45:53 - 01:45:54: Or is it just a snare?
01:45:54 - 01:45:55: - I feel like we're getting--
01:45:55 - 01:45:57: - Is he hitting the rim?
01:45:57 - 01:46:00: - Oh, maybe that's what it is.
01:46:00 - 01:46:03: It's also super trebly in my earbuds.
01:46:03 - 01:46:09: ♪ Help me get my feet back on the ground ♪
01:46:09 - 01:46:12: ♪ Won't you please, please help me ♪
01:46:12 - 01:46:13: - John Lennon said "Help" is one
01:46:13 - 01:46:15: of his favorite Beatles records
01:46:15 - 01:46:17: because I meant it, it's real.
01:46:17 - 01:46:20: The lyric is as good now as it was then, it's no different.
01:46:20 - 01:46:21: And it makes me feel secure to know
01:46:21 - 01:46:23: that I was that aware of myself then.
01:46:23 - 01:46:25: It was just me singing "Help" and I meant it.
01:46:25 - 01:46:28: - Yeah, I guess "Help" is when they kind of started
01:46:28 - 01:46:31: doing the more like kind of self-reflective.
01:46:31 - 01:46:32: - Self-aware.
01:46:32 - 01:46:34: - Yeah, that's-- - Art rock.
01:46:34 - 01:46:36: - In the movie, they have the scene
01:46:36 - 01:46:39: where they're sitting in that like recessed living room
01:46:39 - 01:46:42: doing, God, what song?
01:46:42 - 01:46:45: One of those, one of the folky like Post Dillon songs.
01:46:45 - 01:46:47: - Oh, like "Hide Your Love Away" or something?
01:46:47 - 01:46:49: - Yeah, it's "Hide Your Love Away," yeah.
01:46:49 - 01:46:51: There's a very subpar cover of this
01:46:51 - 01:46:56: from some TV show of Jerry Lewis and son, Gary Lewis,
01:46:56 - 01:46:58: of Gary Lewis and the Playboys.
01:46:58 - 01:46:59: - Wow.
01:46:59 - 01:47:00: - Doing-- - Covering "Help"?
01:47:00 - 01:47:02: - Wow. - Covering "Help," yeah.
01:47:02 - 01:47:04: - Classic Beatles song, and I think you're right, Jake.
01:47:04 - 01:47:06: This "Help" is kind of like a turning point record
01:47:06 - 01:47:08: of them becoming more self-aware.
01:47:08 - 01:47:10: It's funny, like I feel like there's been a bunch
01:47:10 - 01:47:14: of records in this year, in the past few years
01:47:14 - 01:47:18: that people talk about like self-aware pop stars
01:47:18 - 01:47:21: writing songs about having a compromised life
01:47:21 - 01:47:24: or feeling like they made a deal with the devil
01:47:24 - 01:47:26: for the fame and all that stuff.
01:47:26 - 01:47:31: I wonder if, is "Help" the first stressed out pop star song?
01:47:31 - 01:47:32: That's somebody who became really famous
01:47:32 - 01:47:35: in the years before the song, and they drop a song.
01:47:35 - 01:47:38: Like Michael Jackson, he had "Leave Me Alone"
01:47:38 - 01:47:39: in the '80s, right?
01:47:39 - 01:47:40: ♪ Leave me alone ♪
01:47:40 - 01:47:42: - Great song, great video.
01:47:42 - 01:47:43: - Yeah.
01:47:43 - 01:47:44: - My God.
01:47:44 - 01:47:46: - Was "Help" the first stressed out pop star
01:47:46 - 01:47:49: being just like, "This (beep) is too much, leave me alone"?
01:47:49 - 01:47:52: - This media circus, overwhelming, yeah, maybe.
01:47:52 - 01:47:53: - Yeah.
01:47:53 - 01:47:56: - I mean, the Beatles were like the first band
01:47:56 - 01:47:58: for that to happen, right?
01:47:58 - 01:47:59: - To have Beatlemania?
01:47:59 - 01:48:04: - Yeah, I mean, they invented modern pop music.
01:48:04 - 01:48:07: I mean, well, the cult of the Beatles became
01:48:07 - 01:48:08: what we know as like--
01:48:08 - 01:48:09: - Yeah.
01:48:10 - 01:48:13: - You got your 19th century "Lista-mania,"
01:48:13 - 01:48:14: people freaking out for Franz Liszt.
01:48:14 - 01:48:17: ♪ Lista-mania ♪
01:48:17 - 01:48:19: I'm trying to think if there's earlier Beatles songs
01:48:19 - 01:48:21: that touch on that, I guess.
01:48:21 - 01:48:23: - No, but no, of course, Aaron, you're totally right
01:48:23 - 01:48:25: that there's something, the Beatles,
01:48:25 - 01:48:28: there was fan hysteria before the Beatles,
01:48:28 - 01:48:30: but the Beatles were the first like modern,
01:48:30 - 01:48:35: global pop star fan hysteria thing.
01:48:35 - 01:48:37: That's why they got their own term, Beatlemania.
01:48:37 - 01:48:42: The number two song, oh wow, 1995 is some good ones too.
01:48:42 - 01:48:44: This is such an evocative song of this era.
01:48:44 - 01:48:48: The number two song in 1995, TLC, "Waterfalls."
01:48:48 - 01:48:49: - Oh wow.
01:48:49 - 01:48:59: Covered this in a band once.
01:48:59 - 01:48:59: - Really?
01:48:59 - 01:49:01: - Oh yeah.
01:49:01 - 01:49:03: - This actually would be a great song to noodle over,
01:49:03 - 01:49:04: like in the beginning, that,
01:49:04 - 01:49:06: ♪ Do do do do do do do ♪
01:49:06 - 01:49:09: Yeah, this could be like a good Richard Pictures cover.
01:49:12 - 01:49:26: - So much yellow.
01:49:26 - 01:49:27: - Look at that raspy voice.
01:49:27 - 01:49:28: - Oh yeah.
01:49:28 - 01:49:31: ♪ A son that she just can't touch ♪
01:49:31 - 01:49:35: ♪ If any time he's in the jam ♪
01:49:35 - 01:49:37: ♪ She'll be by his side ♪
01:49:37 - 01:49:42: ♪ But he doesn't realize he hurts her so much ♪
01:49:42 - 01:49:44: - Well, speaking of the Beatles too,
01:49:44 - 01:49:46: there's that Paul McCartney solo song.
01:49:46 - 01:49:47: - Right.
01:49:47 - 01:49:49: - "Don't Go Chasing Waterfalls."
01:49:49 - 01:49:53: ♪ Don't go chasing waterfalls ♪
01:49:53 - 01:49:55: - Yeah, great song.
01:49:55 - 01:49:57: ♪ He goes out and he makes his money ♪
01:49:57 - 01:50:00: ♪ The best way he knows how ♪
01:50:00 - 01:50:04: ♪ Another body laying cold in the garter ♪
01:50:04 - 01:50:05: ♪ Listen to me ♪
01:50:05 - 01:50:08: - Produced by the great Organized Confusion.
01:50:08 - 01:50:09: - Who's that?
01:50:09 - 01:50:11: - They were like kind of in Atlanta in this era
01:50:11 - 01:50:13: and they had connections to like the outcast world.
01:50:13 - 01:50:14: I mean, when you really listen to this,
01:50:14 - 01:50:16: this sounds like an outcast song too.
01:50:16 - 01:50:20: Can you picture like Andre 3000 on this?
01:50:20 - 01:50:22: - Which singer is the really raspy one?
01:50:22 - 01:50:23: - I think T-Boz.
01:50:23 - 01:50:28: She's definitely in the pantheon of raspy voice singers.
01:50:28 - 01:50:29: I've never considered that before,
01:50:29 - 01:50:34: but she's up there with Henley, Ryan Adams, Rod Stewart,
01:50:34 - 01:50:37: all the greats.
01:50:40 - 01:50:45: ♪ She gives him loving that his body can handle ♪
01:50:45 - 01:50:48: ♪ But all he can say is baby it's okay ♪
01:50:48 - 01:50:52: - So this is the 19th biggest single of the whole decade.
01:50:52 - 01:50:55: - Isn't this video feature some like pretty
01:50:55 - 01:50:58: cutting edge computer graphics?
01:50:58 - 01:50:59: - Computer graphics, yeah.
01:50:59 - 01:51:02: - Liquid Terminator style.
01:51:02 - 01:51:05: - Yeah, they all become water versions of themselves.
01:51:05 - 01:51:07: ♪ And he doesn't know why ♪
01:51:07 - 01:51:10: ♪ Three letters took him to his spine ♪
01:51:10 - 01:51:14: ♪ No rest in place, you don't hear me ♪
01:51:14 - 01:51:17: - I feel like a deadhead could really get into this song.
01:51:17 - 01:51:22: Picture like 1995, some old dude like working
01:51:22 - 01:51:25: at a coffee shop in Vermont,
01:51:25 - 01:51:27: and like some young kids put this on.
01:51:27 - 01:51:28: I could just like picture like the old head
01:51:28 - 01:51:30: just being kind of like,
01:51:30 - 01:51:32: now this is what I'm talking about.
01:51:32 - 01:51:33: All right, okay, I see.
01:51:33 - 01:51:35: Yeah, this is good music, man.
01:51:35 - 01:51:38: Like this would sound great next to like,
01:51:38 - 01:51:40: I don't know, like Fire on the Mountain.
01:51:40 - 01:51:43: I could make a mixtape between like Blind Melon,
01:51:43 - 01:51:48: this into Fire on the Mountain, Ruben and Cherise.
01:51:48 - 01:51:50: - Yeah, into some Jagger, Seal Band stuff.
01:51:50 - 01:51:52: - Yeah.
01:51:52 - 01:51:53: - Cats Under the Stars.
01:51:53 - 01:51:55: - They love each other.
01:51:55 - 01:51:57: - Oh, totally. - Oh, totally.
01:51:57 - 01:52:00: - Yeah, Jerry Garcia band live, 11 Minute, Shining Star.
01:52:00 - 01:52:05: - I mean, we've kind of touched on a concept
01:52:05 - 01:52:07: that this is making me think of,
01:52:07 - 01:52:11: of pics kind of covering songs as if--
01:52:11 - 01:52:12: - Jake told me about this.
01:52:12 - 01:52:14: - Like as if the dead were still going,
01:52:14 - 01:52:17: or well, I don't know, stirring and (beep)
01:52:17 - 01:52:20: - We did Althea into Plush once.
01:52:21 - 01:52:23: - (laughs) Star Temple Pilots?
01:52:23 - 01:52:26: - Yeah, we did Althea into Plush back into Althea.
01:52:26 - 01:52:27: - I think we back into Althea.
01:52:27 - 01:52:29: - It was sick.
01:52:29 - 01:52:34: - You know, there are like Joe Russo's Almost Dead.
01:52:34 - 01:52:38: They do J-Rad, they'll do stuff like that.
01:52:38 - 01:52:42: They'll like go into a Radiohead song back into the dead.
01:52:42 - 01:52:44: But I like the idea of just like a band,
01:52:44 - 01:52:46: and maybe this is part of the idea,
01:52:46 - 01:52:47: a band that just gets up on stage.
01:52:47 - 01:52:49: You don't play any dead songs.
01:52:49 - 01:52:52: You only do cover songs in the style of the Grateful Dead.
01:52:52 - 01:52:56: - And everyone's like, I thought this was a dead cover band.
01:52:56 - 01:52:59: No, we are, we are, but hear me out.
01:52:59 - 01:53:02: And then you have to explain this concept.
01:53:02 - 01:53:05: - You know how the dead would cover songs?
01:53:05 - 01:53:06: We're doing an all covers night.
01:53:06 - 01:53:07: We're a dead cover band,
01:53:07 - 01:53:10: and we're doing an all covers night.
01:53:10 - 01:53:12: Opening with Waterfalls by TLC.
01:53:12 - 01:53:16: - Waterfalls into Plush, into Salisbury Hill.
01:53:16 - 01:53:20: (imitates waterfalls)
01:53:20 - 01:53:23: Oh yeah, that'd be perfect.
01:53:23 - 01:53:24: - Yeah.
01:53:24 - 01:53:26: - The number one song in 1965,
01:53:26 - 01:53:28: 1965 really coming strong.
01:53:28 - 01:53:30: Actually both years, good choices, Aaron.
01:53:30 - 01:53:31: - Thanks.
01:53:31 - 01:53:34: - The number one song this week in 1965,
01:53:34 - 01:53:37: the beautiful I Got You Babe, Sonny and Cher.
01:53:37 - 01:53:39: Written and produced by Sonny Bono.
01:53:39 - 01:53:44: - I didn't know he wrote and produced, that's cool.
01:53:44 - 01:53:46: - Yeah, I didn't know that either.
01:53:46 - 01:53:48: - Wasn't he like Lee Hazelwood's guy?
01:53:48 - 01:53:49: - Phil Spector.
01:53:49 - 01:53:52: - I thought he was Lee Hazelwood's guy or something.
01:53:52 - 01:53:53: - Oh, I think he did work with him.
01:53:53 - 01:53:55: And it says he also worked for Phil Spector.
01:53:55 - 01:53:56: - Okay.
01:53:56 - 01:53:59: Phil Spector's main guy was Jack Nietzsche,
01:53:59 - 01:54:01: like for arranging and stuff.
01:54:01 - 01:54:09: ♪ I got you babe ♪
01:54:09 - 01:54:13: - Did Groundhog Day kind of ruin this song for you guys?
01:54:13 - 01:54:14: - Ruin?
01:54:14 - 01:54:15: - Well, not ruin, but like recontextualize
01:54:15 - 01:54:17: and like forever.
01:54:17 - 01:54:19: - And hear it over and over again?
01:54:19 - 01:54:22: - Like kind of change your association or?
01:54:22 - 01:54:25: - I haven't seen that movie in 30 years, so.
01:54:25 - 01:54:28: Is Sonny Bono the most accomplished,
01:54:28 - 01:54:31: artistically accomplished member of Congress ever?
01:54:31 - 01:54:34: - Was he a member of Congress or like?
01:54:34 - 01:54:37: - Yeah, I think he was a Congressman.
01:54:37 - 01:54:37: - He was a Senator.
01:54:37 - 01:54:40: - I thought he was the mayor of it, he wasn't.
01:54:40 - 01:54:41: I thought he was the mayor.
01:54:41 - 01:54:43: - Was the mayor of Palm Springs at some point?
01:54:43 - 01:54:44: Pretty sure he was a Congressman.
01:54:44 - 01:54:45: Okay, let's just.
01:54:45 - 01:54:48: - There's a, isn't there a highway out to the desert
01:54:48 - 01:54:53: that's like Congressman Sonny Bono, whatever.
01:54:53 - 01:54:56: - And then he died in a skiing accident, I think.
01:54:56 - 01:54:57: - Yeah. - Hold on.
01:54:57 - 01:54:59: He was the 16th mayor of Palm Springs.
01:54:59 - 01:55:02: And yeah, he was a member of the US House of Representatives.
01:55:02 - 01:55:03: - There you go.
01:55:03 - 01:55:04: - Wow.
01:55:04 - 01:55:08: ♪ You're always wrong ♪
01:55:08 - 01:55:11: ♪ Don't let them say your hair's too long ♪
01:55:11 - 01:55:16: ♪ 'Cause I don't care who you are and you're wrong ♪
01:55:16 - 01:55:21: ♪ Then put your little hand in mine ♪
01:55:21 - 01:55:26: ♪ There ain't no hill or mountain we can't climb ♪
01:55:26 - 01:55:28: - Hey.
01:55:28 - 01:55:30: - This is gonna be a non thing,
01:55:30 - 01:55:32: but I was thinking of you Jake recently.
01:55:32 - 01:55:36: There was some Senator, damn it, I can't even think.
01:55:36 - 01:55:40: There's a Senator who is in some like obscure
01:55:40 - 01:55:42: 70s, 60s band that had one hit
01:55:42 - 01:55:45: that like you're probably a fan of.
01:55:45 - 01:55:47: - Wait, is it the guy from Orleans?
01:55:47 - 01:55:49: - Yes, it is.
01:55:49 - 01:55:50: - A US Senator?
01:55:50 - 01:55:53: - Yes, it's the guy from Orleans.
01:55:53 - 01:55:55: - I think Orleans had multiple hits.
01:55:55 - 01:55:56: - Maybe two.
01:55:56 - 01:55:57: ♪ Dance with me ♪
01:55:57 - 01:56:01: ♪ I want to be your partner, can't you see ♪
01:56:01 - 01:56:04: - Wait, that guy's a US Senator now?
01:56:04 - 01:56:05: - Yeah. - From where?
01:56:05 - 01:56:06: - Democratic US Senator.
01:56:06 - 01:56:09: - Wow.
01:56:09 - 01:56:12: - Well, I'm still gonna give the edge to Sonny Bono.
01:56:12 - 01:56:13: - Still the one.
01:56:13 - 01:56:14: - From what?
01:56:14 - 01:56:15: - Still the one, that's their big thing.
01:56:15 - 01:56:16: - Oh yeah.
01:56:16 - 01:56:17: - I love that. - Oh yeah, so they had two hits.
01:56:17 - 01:56:20: ♪ I want you, babe ♪
01:56:20 - 01:56:25: - Okay, I have a question.
01:56:25 - 01:56:28: Do you think when this song came out in 1965
01:56:28 - 01:56:31: that babe was kind of like a cool word?
01:56:31 - 01:56:33: Like Sonny Bono had like heard
01:56:33 - 01:56:35: like some of those early Dylan songs,
01:56:35 - 01:56:37: like when Dylan's calling people babe
01:56:37 - 01:56:40: and was like, oh, that's pretty hip to call somebody babe.
01:56:40 - 01:56:42: And then this was like the mainstream version
01:56:42 - 01:56:44: of like the cool word.
01:56:44 - 01:56:45: - Definitely. - You know what I mean?
01:56:45 - 01:56:49: - Yeah, it ain't me babe to I got you babe.
01:56:49 - 01:56:51: - Yeah, he was listening to Dylan, it ain't me babe.
01:56:51 - 01:56:53: And he's like, yeah, you could literally picture Sonny Bono
01:56:53 - 01:56:56: like, yeah, I just think that's a pretty hip thing
01:56:56 - 01:56:58: to like to call your old lady babe.
01:56:58 - 01:57:01: You know, like baby, there's a million baby songs.
01:57:01 - 01:57:03: Babe is real hip, you know, you got Dylan saying it.
01:57:03 - 01:57:06: Like I'm gonna, that was kind of my inspiration.
01:57:06 - 01:57:08: - Where did babe come from?
01:57:08 - 01:57:09: And why was it hip?
01:57:09 - 01:57:12: - Yeah, it's less infantilizing than baby.
01:57:12 - 01:57:14: Baby is real like 50s, you know.
01:57:14 - 01:57:15: - Baby.
01:57:15 - 01:57:19: - And babe fit the Zeitgeist of the times or something.
01:57:19 - 01:57:20: You know, people.
01:57:20 - 01:57:23: - It's cool, yeah, I guess it's cool just to have just babe.
01:57:23 - 01:57:26: - I feel like Sonny Bono was more than just trying
01:57:26 - 01:57:27: to use the word babe.
01:57:27 - 01:57:30: I feel like he was just trying to rewrite, it ain't me babe.
01:57:30 - 01:57:33: And he was like, I can do something like this
01:57:33 - 01:57:35: and like flip it or something, you know,
01:57:35 - 01:57:37: and like I'm gonna do my version of that.
01:57:37 - 01:57:41: - Do you think it was like a 50s sort of more rat packy
01:57:41 - 01:57:46: baby then became sort of to babe?
01:57:46 - 01:57:49: I'm trying to find, yeah.
01:57:49 - 01:57:52: - I also wonder if men and women called each other babe.
01:57:52 - 01:57:54: It could go either way.
01:57:54 - 01:57:55: - Well, you got like Babe Ruth.
01:57:55 - 01:57:58: - Cher could call Sonny babe, hey babe.
01:57:58 - 01:58:01: - I guess babe also, it's at a certain point,
01:58:01 - 01:58:04: babe became a very West Coast thing to say.
01:58:04 - 01:58:06: Like almost like some Hollywood.
01:58:06 - 01:58:06: - Oh yeah.
01:58:06 - 01:58:10: - Babe, listen, then you flash forward to--
01:58:10 - 01:58:11: - Let's do lunch babe.
01:58:11 - 01:58:14: - Yeah, flash forward to Ellis and Die Hard, you got Bubby.
01:58:14 - 01:58:15: (laughing)
01:58:15 - 01:58:17: - To Ellis and Die Hard.
01:58:17 - 01:58:20: Babe, I mean, I negotiate with a fountain pen,
01:58:20 - 01:58:21: you're holding a machine gun, what's the difference?
01:58:21 - 01:58:22: - Yeah, exactly.
01:58:22 - 01:58:26: - But also now when I think of the word babe,
01:58:26 - 01:58:29: I think of it, it's something that like,
01:58:29 - 01:58:31: maybe like a slightly condescending,
01:58:31 - 01:58:34: older woman might say to a younger woman.
01:58:34 - 01:58:37: Oh babe, you got so much to learn babe.
01:58:37 - 01:58:38: Doesn't that sound like, oh yeah,
01:58:38 - 01:58:42: I work with this older woman and she's just like,
01:58:42 - 01:58:44: she gives me a lot of unasked for advice.
01:58:44 - 01:58:47: She's just like, Patricia, come here babe.
01:58:47 - 01:58:49: Oh babe, that is not how you use the label maker.
01:58:49 - 01:58:50: Come here babe.
01:58:50 - 01:58:52: What's up babe?
01:58:52 - 01:58:54: Boyfriend break up with you?
01:58:54 - 01:58:56: You can tell me, I've seen it all.
01:58:56 - 01:58:58: - I got you babe.
01:58:58 - 01:58:59: - I feel like when--
01:58:59 - 01:59:00: - I got you babe.
01:59:00 - 01:59:03: - The babe movie about the pig, the talking pigs,
01:59:03 - 01:59:04: babe, pig--
01:59:04 - 01:59:05: - Killed it for you?
01:59:05 - 01:59:07: - Yeah, it sort of changed the game.
01:59:07 - 01:59:09: Somebody's soul movie is babe.
01:59:09 - 01:59:11: - What year did babe come out?
01:59:11 - 01:59:12: Did babe come out in 1995?
01:59:12 - 01:59:15: - I want to guess '95.
01:59:15 - 01:59:18: Let's see here, feels like a '95, yeah, it is '95.
01:59:18 - 01:59:19: - Wow.
01:59:19 - 01:59:22: - Wow, that's weird.
01:59:22 - 01:59:23: That's weird.
01:59:23 - 01:59:24: - It's crazy dude.
01:59:24 - 01:59:29: - You guys watch swingers anytime recently?
01:59:29 - 01:59:30: - Couple years ago.
01:59:30 - 01:59:31: - Yeah, last five years.
01:59:31 - 01:59:33: - I watched it over quarantine.
01:59:33 - 01:59:34: - Lots of babes?
01:59:34 - 01:59:36: - Well, it's not the babe, it's not babes.
01:59:36 - 01:59:39: It's the, I mean, it actually so much more than I remember
01:59:39 - 01:59:43: the way that he says baby
01:59:43 - 01:59:45: and calls everyone beautiful babies.
01:59:45 - 01:59:47: And it's just like, it's like,
01:59:47 - 01:59:49: but it's not even just like three or four times
01:59:49 - 01:59:50: where I remembered it.
01:59:50 - 01:59:53: It's like hundreds of times in the movie.
01:59:53 - 01:59:54: He's like, look at all the beautiful babies.
01:59:54 - 01:59:56: Look at all, hey baby, baby, baby.
01:59:56 - 01:59:57: It's really--
01:59:58 - 02:00:01: - 'Cause they were trying to redo like a Rat Pack thing.
02:00:01 - 02:00:01: - Exactly.
02:00:01 - 02:00:06: - Hey baby, oh baby, what's the problem baby, baby.
02:00:06 - 02:00:08: We need a people's history of the word babe.
02:00:08 - 02:00:13: - Well, I'll tell you the first use of it was in 19,
02:00:13 - 02:00:16: the first use of baby was in 1839.
02:00:16 - 02:00:17: - Of babe?
02:00:17 - 02:00:20: - Using baby as a term of endearment.
02:00:20 - 02:00:24: That's the first sort of known use of it
02:00:24 - 02:00:29: where sugar appeared in 1930.
02:00:29 - 02:00:30: So--
02:00:30 - 02:00:32: - So baby predates sugar.
02:00:32 - 02:00:36: - Yeah, I'm sure that babe is just sort of a reaction
02:00:36 - 02:00:39: to that more Rat Packy baby, baby,
02:00:39 - 02:00:43: but yeah, something maybe hipper in the 60s.
02:00:43 - 02:00:44: - You guys, it's the 60s.
02:00:44 - 02:00:48: We're not calling chicks baby anymore, babe.
02:00:48 - 02:00:51: - We're not calling chicks baby anymore.
02:00:51 - 02:00:52: We're calling them chicks.
02:00:54 - 02:00:57: - We're calling chicks, chicks.
02:00:57 - 02:01:02: The number one song in 1995.
02:01:02 - 02:01:03: Oh, this is another big one.
02:01:03 - 02:01:05: I think these are both like very evocative
02:01:05 - 02:01:07: of the 60s and the 90s.
02:01:07 - 02:01:10: The number one song this week in 1995.
02:01:10 - 02:01:12: I think we've heard this on TC before.
02:01:12 - 02:01:12: - Yeah.
02:01:12 - 02:01:14: - Seal, "Kiss from a Rose."
02:01:14 - 02:01:18: (singing in foreign language)
02:01:23 - 02:01:25: - This song is kind of proggy, right?
02:01:25 - 02:01:26: - Oh yeah.
02:01:26 - 02:01:27: - There's a few surprising changes.
02:01:27 - 02:01:31: - Very Renaissance intro.
02:01:31 - 02:01:34: - Did I ever share my Seal story with you guys?
02:01:34 - 02:01:36: - I don't think so.
02:01:36 - 02:01:39: - So I was at this, it was an event,
02:01:39 - 02:01:41: but it was with like hundreds of people,
02:01:41 - 02:01:43: you know, like a few hundred people.
02:01:43 - 02:01:45: So it's almost like, it was like a TED talky type thing.
02:01:45 - 02:01:47: So it wasn't an intimate group
02:01:47 - 02:01:49: and he was one of the speakers
02:01:49 - 02:01:53: and he was sort of talking about his process.
02:01:53 - 02:01:57: At the end, he was like, you know,
02:01:57 - 02:01:59: to sort of think creatively, I go on a lot of hikes.
02:01:59 - 02:02:01: I hike Runyon Canyon.
02:02:01 - 02:02:04: And if anybody here wants to go on a hike with me,
02:02:04 - 02:02:07: just meet me after this.
02:02:07 - 02:02:08: I'll give you my phone number
02:02:08 - 02:02:10: and we can go on a hike together.
02:02:10 - 02:02:15: And obviously it's a huge regret I didn't do it,
02:02:15 - 02:02:17: but it wasn't an ironic,
02:02:17 - 02:02:20: like this is to hundreds of people, Seal was like,
02:02:20 - 02:02:23: see me after my speech, go on a hike with me
02:02:23 - 02:02:25: and we'll get creative.
02:02:25 - 02:02:26: - Whoa.
02:02:26 - 02:02:28: - And I did, I have to think about it.
02:02:28 - 02:02:30: I had this sort of moment with him afterwards
02:02:30 - 02:02:31: where we talked, he came up to me
02:02:31 - 02:02:33: 'cause I was, didn't really know anyone at this event
02:02:33 - 02:02:35: and I was alone and he came up and just was like,
02:02:35 - 02:02:37: what's up man?
02:02:37 - 02:02:39: That, and I know I've told that Bieber story
02:02:39 - 02:02:41: that people have brought up to me.
02:02:41 - 02:02:44: Those are two like super kind vibe guys.
02:02:44 - 02:02:47: But I mean, yeah, so if you want,
02:02:47 - 02:02:49: probably head out around 7.30 AM to Runyon Canyon,
02:02:49 - 02:02:51: you're gonna see Seal just on a hike.
02:02:51 - 02:02:54: - And Seal, he was at a TED Talk-esque event
02:02:54 - 02:02:57: with hundreds of people and he just saw you by yourself
02:02:57 - 02:03:00: and he just said, he just walked up to you and was like,
02:03:00 - 02:03:03: hey lonely man, what's your story?
02:03:03 - 02:03:04: - Yeah, yeah.
02:03:04 - 02:03:07: Everyone sort of, I did get the feeling,
02:03:07 - 02:03:09: I was invited sort of last minute to this event
02:03:09 - 02:03:11: and I really didn't know anybody
02:03:11 - 02:03:13: and maybe I just had that energy,
02:03:13 - 02:03:14: but he came up to me and he was like,
02:03:14 - 02:03:16: yeah, what's up lonely man?
02:03:16 - 02:03:17: But just the,
02:03:17 - 02:03:23: but the idea of telling a huge auditorium of people,
02:03:23 - 02:03:25: come see me, I'll give you my phone number
02:03:25 - 02:03:27: if you ever wanna go on a hike together.
02:03:27 - 02:03:31: I just, I never forget it.
02:03:31 - 02:03:33: - If you wanna talk about 9/11,
02:03:33 - 02:03:35: give me my phone number and give me a call.
02:03:35 - 02:03:37: We'll talk.
02:03:37 - 02:03:39: - That's how you end.
02:03:39 - 02:03:40: That's how you end.
02:03:40 - 02:03:42: You don't wanna talk at the merch table,
02:03:42 - 02:03:45: but give me your number and we'll go on a hike.
02:03:45 - 02:03:47: - We won't do it at 1am.
02:03:47 - 02:03:48: We'll wake up early.
02:03:48 - 02:03:49: - Then it busts into this part.
02:03:49 - 02:03:50: - Oh yeah.
02:03:52 - 02:03:57: ♪ I've been kissed by a rose on the bridge ♪
02:03:57 - 02:04:00: - I love that this beautiful song is attached
02:04:00 - 02:04:03: to Arnold Schwarzenegger as Mr. Freeze.
02:04:03 - 02:04:04: And like.
02:04:04 - 02:04:06: - No, no, it's a different movie.
02:04:06 - 02:04:07: That's Batman and Robin.
02:04:07 - 02:04:11: This is Batman Forever, which is Tommy Lee Jones.
02:04:11 - 02:04:14: And yes, and Jim Carrey as the Riddler.
02:04:14 - 02:04:16: - Yeah, well that's just as good.
02:04:16 - 02:04:19: I just saw a video of Jim Carrey singing,
02:04:19 - 02:04:23: I am the walrus with George Martin orchestrating.
02:04:23 - 02:04:25: - Wow.
02:04:25 - 02:04:27: It's like serious?
02:04:27 - 02:04:28: - It's hard to say.
02:04:28 - 02:04:28: I mean.
02:04:28 - 02:04:30: - Is it a live event?
02:04:30 - 02:04:33: - It's like in an in studio, like video.
02:04:33 - 02:04:35: It's (beep) up.
02:04:35 - 02:04:38: I don't know why George Martin did that.
02:04:38 - 02:04:41: - Should we just go out on this kiss from a rose?
02:04:41 - 02:04:42: Yeah, this is perfect.
02:04:43 - 02:04:45: All right.
02:04:45 - 02:04:49: Thanks to Al D Carson Mel Aaron Olson.
02:04:49 - 02:04:52: This has been another time crisis.
02:04:52 - 02:04:53: We'll see in two weeks.
02:04:53 - 02:04:58: ♪ Ooh, but I get a feelin' strange I was being ♪
02:04:58 - 02:05:03: ♪ Now that your rose is a blue ♪
02:05:03 - 02:05:07: ♪ A light hits the blue on the bridge ♪
02:05:07 - 02:05:12: ♪ It's like a baby to a kiss from a rose on the bridge ♪
02:05:12 - 02:05:17: ♪ Ooh, but I get a feelin' strange I'm being ♪
02:05:17 - 02:05:23: ♪ Now that your rose is a blue ♪
02:05:23 - 02:05:28: ♪ A light hits the blue on the bridge ♪
02:05:28 - 02:05:30: - Time Crisis with Ezra Koenig.
02:05:30 - 02:05:32: A cane egg.

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