Episode 183: That 90s Show

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:02: Pearl Jam
00:02 - 00:04: Alice in Chains
00:04 - 00:07: Horse meat sashimi
00:07 - 00:10: It's a very 90s episode of time crisis
00:10 - 00:15: We got some great guests and some great conversation
00:15 - 00:19: Stick around you're not gonna want to miss this one
00:19 - 00:22: here on
00:22 - 00:25: Crisis with Ezra Koenig
00:25 - 00:27: *music*
00:35 - 00:45: All of those great romances they were a threat, robbing me of my rightful chances.
00:45 - 00:53: My picture clear, everything seemed so easy.
00:53 - 01:04: And so I dealt to the blow. One of us had to go. Now it's different, I want you to know.
01:04 - 01:15: One of us is crying, one of us is lying. Leave it on me babe.
01:15 - 01:21: Time crisis back again. How many time zones are we in today? I'm in the Japanese countryside.
01:21 - 01:25: You got three guys in LA and we got Matt in Brooklyn.
01:25 - 01:27: Oh, you're not still on Martha's Vineyard Jake?
01:27 - 01:30: No, I bounced. I bounced yesterday, flew back.
01:30 - 01:31: Welcome back.
01:31 - 01:33: Thank you. Feels great to be back.
01:33 - 01:35: You're spiritually West Coast.
01:35 - 01:38: Dipped through Boston very briefly because we flew out of Logan.
01:38 - 01:39: Oh, how was that?
01:39 - 01:43: I haven't been there a long time. I'll keep it quick because we have a call that we have
01:43 - 01:44: to get to very quickly.
01:44 - 01:45: Yes.
01:45 - 01:50: We ate lunch at the Rock Bottom Brewery in Boston. Maybe we could circle back to that.
01:50 - 01:53: I'd love to hear about the Rock Bottom Brewery.
01:53 - 01:54: Let's just table that.
01:54 - 01:55: Not at the airport?
01:55 - 02:00: No, no. It was in downtown Boston, which is even weirder. I would love to just walk you
02:00 - 02:04: through our whole two hour adventure in Boston.
02:04 - 02:05: In real time.
02:05 - 02:06: But we have two hours.
02:06 - 02:11: Well, okay. Let's just scratch the itinerary for the show.
02:11 - 02:16: Okay. But yeah, we're about to get a friend of the show, Alex Skordelis on to tell us
02:16 - 02:23: about how somehow time crisis figures into this NBA scandal, which I know very little
02:23 - 02:24: about.
02:24 - 02:25: Boston Celtics actually.
02:25 - 02:28: Oh, Boston Celtics. Right. Head coach being suspended.
02:28 - 02:33: Yeah. When I was in Martha's Vineyard, I got a bunch of texts from Alex. He's basically
02:33 - 02:37: like, "Has this crossed your desk? The head coach has been suspended for a year. The story
02:37 - 02:43: broke on Twitter about an hour before it did officially from this obscure account that
02:43 - 02:48: only follows 34 people." And they couldn't figure out who this person was that broke
02:48 - 02:54: the story early. And they follow 34 people and they follow me, you, Seinfeld, and the
02:54 - 03:00: official time crisis account. Sorry, Nick. I don't think you were in the mix on this
03:00 - 03:01: one, but you will be shortly.
03:01 - 03:07: I better be. You know, I'm still... Pumpkin Spice Latte official account still won't accept
03:07 - 03:12: my... I don't even know what you call it. My submission to follow them? My request to
03:12 - 03:13: follow them?
03:13 - 03:20: Yeah. That's horse crap. But anyway, so there's some deep secret TC head that broke this.
03:20 - 03:24: That's also very connected to the Celtics organization.
03:24 - 03:28: We'll get Alex on the phone just to explain this to us. Yeah, because I remember I was
03:28 - 03:33: waking up in Japan, seeing a bunch of texts about the economic heads or tails of it. And
03:33 - 03:37: I didn't even put it together later that the coach, I guess there's this whole other element
03:37 - 03:40: that he was married to the famous actress, Nia Long.
03:40 - 03:42: Okay, news to me.
03:42 - 03:44: So we're never getting her on Time Crisis now.
03:44 - 03:47: Now, let's go to the Time Crisis hotline.
03:47 - 03:49: Hey, guys.
03:49 - 03:50: Hey.
03:50 - 03:55: What's up, Alex? Welcome back to the show.
03:55 - 03:56: Thank you for having me back.
03:56 - 04:01: I was just trying to catch the boys up on this whole backstory of you texting me of
04:01 - 04:06: all this, you know, has this crossed your desk yet? Do you know what's going on?
04:06 - 04:09: Let me just try to summarize quickly. You just tell me if this is right. Head coach
04:09 - 04:16: of the Celtics suspended for having an inappropriate relationship, affair, something with somebody
04:16 - 04:22: who worked at the organization. He suspended on top of that. He's married to the actress
04:22 - 04:29: Nia Long. So there's this whole other element of people being dismayed that he would violate
04:29 - 04:32: the sanctity of their marriage. So this is a big news story because the Celtics are a
04:32 - 04:39: major organization in the National Basketball Association. So he's a famous coach. If you
04:39 - 04:40: follow basketball, this guy's famous.
04:40 - 04:45: Extremely. Yeah, he was. I mean, he was the first year coach last year at Udoka, but took
04:45 - 04:50: the Celtics to the finals in his first season as a coach, which was incredible.
04:50 - 04:52: Oh, so this is bad timing for Boston.
04:52 - 04:57: Yeah. Boston's got a young team. They've got this hot coach who's in his first season,
04:57 - 05:02: almost took them to win the title. And then the scandal, it blows up and breaks up the
05:02 - 05:05: team a little bit or sets the team back for sure.
05:05 - 05:10: Oh, dear. OK, so now I understand the magnitude of it because at first I was hearing like
05:10 - 05:14: coach of the Celtics suspended. You know, if you don't follow basketball that closely
05:14 - 05:16: at first, I was like, who gives a ****?
05:16 - 05:20: Yeah, the specifics of the allegations weren't what caught my interest. I mean, it is a one
05:20 - 05:25: year suspension, which is pretty unprecedented for a coach. And the details of the allegations,
05:25 - 05:30: they're not out there yet entirely. So people don't know what we're talking about.
05:30 - 05:36: Yeah, yeah, exactly. But what caught my attention was the story obviously came out of nowhere.
05:36 - 05:42: There's an ESPN reporter, Adrian Wojnarowski, who goes by Woj. His thing is that he drops
05:42 - 05:49: big NBA news stories on Twitter and those tweets are called Woj bombs. So, yeah, he
05:49 - 05:55: dropped a Woj bomb a week ago last Wednesday that this was happening. Twitter freaks out.
05:55 - 06:01: But then people pointed to a tweet that predated the Woj bomb by one hour. A burner account
06:01 - 06:04: beat him to the story by one hour.
06:04 - 06:09: Ah, OK. So I'm starting to understand this better. So not only was this a big story and
06:09 - 06:13: this burner account, because even something happening an hour early, sometimes you're
06:13 - 06:18: almost like, well, OK, maybe they read something somebody else didn't read. I don't know. But
06:18 - 06:23: now I understand that when Woj drops a Woj bomb. Yes. A big part of it is that he got
06:23 - 06:30: the story first. He always gets it first. So this is a really big deal that this burner
06:30 - 06:33: account beat the Woj bomb.
06:33 - 06:37: It's historic. I mean, to beat Woj to a Woj bomb. I don't recall something like that happening.
06:37 - 06:43: Someone getting scooped by a burner. And so immediately all the Boston sports world focuses
06:43 - 06:48: on this burner and starts throwing around guesses as to who this could be. Is it a member
06:48 - 06:52: of the Celtics who didn't like the coach? Is it somebody from an opposing team like
06:52 - 06:56: Kevin Durant plays on the Nets? He famously has a lot of burner accounts. So a lot of
06:56 - 07:00: people are like, is this Kevin Durant? Is this the spouse of somebody on the Celtics?
07:00 - 07:06: So there's all these wild guesses going around. And I think of myself as somewhat of an Internet
07:06 - 07:10: detective. So I'm like, I want to look into this. And this tweet that broke the story
07:10 - 07:17: is blowing up. And I go to look at the account and the burner account follows 34 people.
07:17 - 07:21: So I'm like, oh, I can look at who they follow to get a better sense of who this is. Is it
07:21 - 07:26: KD? Is it a Celtics player? So I click on who this burner follows. And the first names
07:26 - 07:28: that pop up are @Dongstreath.
07:28 - 07:37: This is for Canaic Time Crisis Seinfeld 2000 in winter. I was like, oh, in winter? The
07:37 - 07:43: burner is a deep TC head. I'm like, whoever is behind this is a TC head.
07:43 - 07:47: Yet they don't follow me. Yeah, they will.
07:47 - 07:52: They will. And so, yeah, I was, you know, to me, because everyone is guessing like,
07:52 - 07:57: yeah, is it somebody on the Celtics? And so it's like, clearly it's a TC head. I don't
07:57 - 08:00: know if there's an NBA player who listens to TC.
08:00 - 08:01: Not that we know.
08:01 - 08:06: There's no chance that it's someone who's separately a fan of Starbucking, painting.
08:06 - 08:09: Wait, hold on. And Vampire Weekend.
08:09 - 08:15: Wait, I just realized, I just realized who it is. It's Nick. That's why. Oh, damn. It
08:15 - 08:16: was you?
08:16 - 08:17: That's why Nick.
08:17 - 08:20: The call was coming from inside the house.
08:20 - 08:26: His name was Nick too. Oh, it was you. Now we know from a couple episodes ago that Nick
08:26 - 08:30: has is a deep state operative and he has a lot of connections in national security agencies.
08:30 - 08:35: He used to work at the Pentagon. So, of course, he could beat a Woj bomb.
08:35 - 08:36: Imagine.
08:36 - 08:39: The one thing I never thought was to follow myself.
08:39 - 08:40: Sorry.
08:40 - 08:44: And that I was really undone because I just didn't think to follow myself.
08:44 - 08:47: Oh, I love this. It's like Columbo.
08:47 - 08:48: Oh, it's.
08:48 - 08:54: Just one more thing. Why did that account not follow you, Mr. Weidenfeld?
08:54 - 09:05: Last night I met a woman. You recognize her name. Who in our conversation told me you
09:05 - 09:14: were her old flame. Well, I didn't want to listen, but as she told me more, I learned
09:14 - 09:25: more about you than I ever knew before. You're keeping too many secrets from me. But baby,
09:25 - 09:36: I'm wise too. You fool me like the others and I know what you'll do. You'll find yourself
09:36 - 09:40: a new love and give me a secret too.
09:40 - 09:45: So in a way, as you look through all these people, the fact that there were four or five
09:45 - 09:50: TC related accounts, this actually might be the biggest clue for an Internet detective
09:50 - 09:51: out of all these accounts.
09:51 - 09:57: It's a huge clue. And yeah, the other things somebody found, I can't verify this, but this
09:57 - 10:03: burner account posted a receipt to a donation to Nithya Raman, who's an L.A. politician.
10:03 - 10:07: And so when people start to make very specific guesses as to who it could be, I don't want
10:07 - 10:12: to name names, but some of these people were friends of mine who were being guessed as
10:12 - 10:15: behind the burner account. And they were kind of freaked out by how much attention this
10:15 - 10:16: was getting.
10:16 - 10:20: Sorry, what did the account actually tweet? They just said, big story about to drop.
10:20 - 10:25: It was a kind of a cryptic tweet. It was, if there's one person who will never get fired
10:25 - 10:30: for sleeping around, it's M.A. Udoka. So they're accurate and that he didn't get fired. The
10:30 - 10:36: accusation was that he was sleeping around. So it was very cryptic, but like specific
10:36 - 10:37: at the same time.
10:37 - 10:42: So that almost sounds insider-y because it would be one thing if somebody heard, oh,
10:42 - 10:47: the coach of the Celtics got in trouble. Then you could just tweet coach of the Celtics,
10:47 - 10:51: big story coming. They even knew that he wouldn't be fired. I guess that could be a guess, but
10:51 - 10:55: that almost sounds like somebody who was aware of the decision the organization made already.
10:55 - 10:56: Right.
10:56 - 10:57: Like kind of deep.
10:57 - 11:01: Yeah, this is a TC head with top level Boston Celtics intel.
11:01 - 11:04: Yeah, it's an accurate.
11:04 - 11:09: This be a coincidence, like, like somebody just earnestly loves this coach and was just
11:09 - 11:13: like keeping praise on their integrity kind of thing.
11:13 - 11:19: That thought did cross my mind. Is this coincidence that you would put like one hour before this
11:19 - 11:20: major story drops?
11:20 - 11:23: And also this account doesn't post much.
11:23 - 11:28: Doesn't post that often. The previous tweet was something about Mitski and Weezer. So
11:28 - 11:32: that to me immediately ruled out like a Kevin Durant or a best Celtics player. So they seem
11:32 - 11:37: like they're interested in indie rock, rock and roll, basketball. They seem to be a fan
11:37 - 11:41: of the Denver Nuggets, interestingly. So there's a few clues out there.
11:41 - 11:45: Are you sure that Kevin Durant is not a Mitski or Weezer fan?
11:45 - 11:50: He's very, no, actually, I stand corrected. I've seen Kevin Durant will practice like
11:50 - 11:55: wearing a Pearl Jam t-shirt or a Kurt Cobain t-shirt. So he's, he's into rock and roll
11:55 - 11:58: for sure. So it could be, I won't rule it out.
11:58 - 11:59: He likes the Blue Album.
11:59 - 12:07: Yeah, he tapped out after that. This account hasn't tweeted since they broke this story.
12:07 - 12:11: So to me, like, obviously this person is a TC head. They're probably listening right
12:11 - 12:17: now. So to me, it's like just send up some kind of signal, like to confirm.
12:17 - 12:21: So they're trying to, I mean, do you get the sense that it's important to them that they
12:21 - 12:23: maintain their secrecy?
12:23 - 12:24: Unclear.
12:24 - 12:27: Are people still digging into trying to figure out who this person is or?
12:27 - 12:31: Well, yeah, maybe at this point they are just freaked out. You're saying your other friends
12:31 - 12:36: got freaked out. Maybe they don't want the whole, and also as I've put it together over
12:36 - 12:42: the weeks, this is, this story turned so big because obviously Boston fans are very passionate.
12:42 - 12:46: Now you've given us some much needed context about why they're particularly passionate.
12:46 - 12:50: They probably thought they were going to go to the, win the finals this year if they went
12:50 - 12:57: last year. But then on top of that, there's this, the amount of discussion about the other
12:57 - 13:02: side of it. Nia Long finding out that her husband was cheating on her in apparently
13:02 - 13:09: in real time. She found out as the story broke. That created a whole storm. There was a sitting
13:09 - 13:14: congressman from the Bronx, Jamal Bowman, tweeting his support for her and how they
13:14 - 13:20: should establish a national holiday to honor her. So this is, this story, I guess it really
13:20 - 13:25: had it all. So it is a big story. So I could imagine if there's just a humble TC head who
13:25 - 13:31: just, you know, maybe they're a hacker. They hacked into some of the Celtics emails or
13:31 - 13:35: something. They didn't mean for it to get this big. So they probably should lay low.
13:35 - 13:39: Yeah. Like I said, they haven't tweeted since. You would think that if they were that freaked
13:39 - 13:43: by it, that you would delete the tweet or delete the account. They've left it up. Somebody
13:43 - 13:47: did some kind of reconnaissance and found out that this account before the tweet had
13:47 - 13:51: five followers and followed 34. Now I think they have over 2000 now.
13:51 - 13:57: What? Wow. So who was like, how strange. And maybe it's not that deep. Maybe it really
13:57 - 14:04: is like, you know, within the Celtics organization, the day they're about to announce the suspension,
14:04 - 14:09: by that point you have to imagine at least like 20 or 30 people know about it. One of
14:09 - 14:13: them is on the phone that morning with his cousin saying, don't say anything, but pretty
14:13 - 14:17: soon they're going to announce that the coach is getting suspended and something like that.
14:17 - 14:21: And then they're like, okay, to me, that's the most accurate theory. I feel like it's
14:21 - 14:24: a, cause this person has tweeted a lot about the Denver Nuggets. To me, I feel like it's
14:24 - 14:29: somebody in Denver who probably like has a cousin that works for the Celtics who sort
14:29 - 14:33: of let it slip. Like, Hey, the story is going to break. And this guy's like, I'm going to
14:33 - 14:39: drop this bomb on Twitter. Big TC head, big mountain bruise fan. TC head making waves.
14:39 - 14:43: I wonder if this person came to the vampire weekend show at red rocks and saw us perform
14:43 - 14:49: mountain bruise. I'd bet money on it. That's what they should confirm or deny. If you saw
14:49 - 14:54: the performance that you were at, they might be one of those TC heads is not a VW fan,
14:54 - 15:00: right? Could be real deep as discussed. They exist.
15:05 - 15:10: ♪ Meet in the trailhead light around a quarter to three ♪
15:10 - 15:16: ♪ Me and Bobby stayed out late last night ♪
15:16 - 15:22: ♪ Get on the trail, shake the cobwebs free ♪
15:22 - 15:27: ♪ As we get to the top of the mountain there's a view ♪
15:27 - 15:33: ♪ Take a load off and crack a few mountain brews ♪
15:35 - 15:42: ♪ Mountain brews ♪
15:42 - 15:47: ♪ Sweet mountain brews ♪
15:47 - 15:53: ♪ Mountain brews ♪
15:53 - 15:56: ♪ Sweet as morning dew ♪
15:56 - 16:01: - So what's the fallout with this story now?
16:01 - 16:03: So who's going to be the coach now?
16:03 - 16:05: - They have an interim head coach announced.
16:05 - 16:07: I think it was an assistant coach,
16:07 - 16:08: blanking on his name.
16:08 - 16:09: They're kind of like, yeah,
16:09 - 16:11: not letting a lot more information out,
16:11 - 16:14: trying to let the story lose oxygen.
16:14 - 16:17: But yeah, TC had really dropped the bomb.
16:17 - 16:19: - Well, thanks for doing that,
16:19 - 16:22: or like getting that scoop for us, man.
16:22 - 16:23: That was a-
16:23 - 16:24: - Yeah, no, I said to text Jake,
16:24 - 16:25: I'm like, are you aware of this?
16:25 - 16:26: I have a, you know, like,
16:26 - 16:29: I'm on text threads with friends who are NBA fans
16:29 - 16:30: and everyone's talking about it.
16:30 - 16:34: - Wow. Anything else cool happening in the sports world?
16:34 - 16:35: - One more thing, yes.
16:35 - 16:37: There is, there's one more thing
16:37 - 16:39: that I want to drop on you guys real quick,
16:39 - 16:42: which is that on Sunday night,
16:42 - 16:46: NBC aired a promo for next week's Sunday Night Game,
16:46 - 16:48: the Buccaneers versus the Chiefs.
16:48 - 16:51: So it's Patrick Mahomes versus Tom Brady.
16:51 - 16:52: - Major.
16:52 - 16:55: - In the promo, they had Beck covering
16:55 - 16:57: Old Man by Neil Young.
16:57 - 16:58: I'm in a Neil Young cover band,
16:58 - 17:00: so this caught my attention.
17:00 - 17:01: It made sense to do Old Man
17:01 - 17:04: because it has the line in the song about being 24.
17:04 - 17:08: And Brady and Mahomes each both won their first Super Bowl
17:08 - 17:09: when they were 24.
17:09 - 17:12: Mahomes is still young, Brady's the old man.
17:12 - 17:13: - Brady's the old man.
17:13 - 17:16: So this is like Mahomes talking to Brady.
17:16 - 17:16: - Yes.
17:16 - 17:17: - Old man.
17:17 - 17:19: - So Beck dropped it as a single
17:19 - 17:21: and it came out in the promo,
17:21 - 17:22: but as soon as it came out,
17:22 - 17:26: Neil Young posted on Instagram
17:26 - 17:27: a still from his music video,
17:27 - 17:28: This Note's For You,
17:28 - 17:30: where he's holding up the beer bottles
17:30 - 17:31: that's sponsored by no one.
17:31 - 17:33: So he's throwing shade.
17:33 - 17:34: - Love it.
17:34 - 17:35: - Saying, you know, like, middle finger,
17:35 - 17:38: you guys are using my song as promo.
17:38 - 17:40: I don't approve.
17:40 - 17:41: But then--
17:41 - 17:41: - Neil's got to chill, man.
17:41 - 17:42: - Back it up for a second.
17:42 - 17:47: In 2021, he sold 50% of his catalog for $150 million.
17:47 - 17:48: To me, it's like--
17:48 - 17:49: - You pay the piper, right.
17:49 - 17:51: - Yeah, it's a you already,
17:51 - 17:51: you sold it off already,
17:51 - 17:54: you have no say anymore over how this is used.
17:54 - 17:55: - I dig it.
17:55 - 17:57: I like Neil going old school.
17:57 - 17:58: He's a crotchety old dude.
17:58 - 18:00: He's like, I'm a rock star.
18:00 - 18:05: I don't chill for Coca-Cola and the NFL and Budweiser.
18:05 - 18:06: I love that.
18:06 - 18:09: - And let's not forget that Neil's Canadian.
18:09 - 18:10: He likes Canadian football.
18:10 - 18:14: What's the Canadian Super Bowl called again?
18:14 - 18:14: - The Grey Cup, I think.
18:14 - 18:16: - The Grey Cup, yeah.
18:16 - 18:19: - Yeah, I still have a good memory of watching that
18:19 - 18:21: with everybody on the,
18:21 - 18:25: I think we watched the 2019 Grey Cup on the bus,
18:25 - 18:28: the whole band, I was like, whoa, alternate universe.
18:28 - 18:31: - Those CFL players, they have full-time jobs.
18:31 - 18:33: They have other nine to fives.
18:33 - 18:35: - I love it. - That's old school.
18:35 - 18:37: - I know Neil can get behind that.
18:37 - 18:40: - But yeah, I guess if you sell your catalog,
18:40 - 18:42: you kind of lose the right to complain.
18:42 - 18:43: I don't know, I kind of like it.
18:43 - 18:46: - Look, I don't find it coherent,
18:46 - 18:47: but I'm with you, Jake,
18:47 - 18:52: in that I support Neil's right as a legend--
18:52 - 18:53: - Well put.
18:53 - 18:55: - As one of the GOATs to be a crotchety
18:55 - 18:58: incoherent old hippie rocker.
18:58 - 18:59: Just like with the Joe Rogan thing,
18:59 - 19:02: I thought that did not totally make sense,
19:02 - 19:06: but I do support his right to be slightly incoherent
19:06 - 19:09: and angry and you know, that's cool.
19:09 - 19:12: - You support his right to be old.
19:12 - 19:13: - I support his right to be an old man.
19:13 - 19:16: Wow, this is also very,
19:16 - 19:18: this is very Borghese and multi-layered too
19:18 - 19:22: with the young quarterback and the old quarterback
19:22 - 19:25: and the relatively much younger Beck
19:25 - 19:27: and the old Neil Young.
19:27 - 19:29: Beck's gotta make a music video
19:29 - 19:33: that's just him doing yet another cover of old man
19:33 - 19:35: talking to Neil Young about how this made him feel.
19:35 - 19:37: - I felt bad for Beck in all this.
19:37 - 19:39: Like Beck just did a straightforward cover,
19:39 - 19:41: drops his cover and he all of a sudden
19:41 - 19:42: gets shaved to Neil Young.
19:42 - 19:44: It's like Beck caught a stray in all this.
19:44 - 19:46: - What was his angle though?
19:46 - 19:47: - I think a check.
19:47 - 19:48: - Yeah.
19:48 - 19:50: - Beck got a check and I don't know,
19:50 - 19:53: maybe he's a passionate football fan.
19:53 - 19:56: - The Beck part was like the weirdest part of it for me.
19:56 - 19:58: Like back in the NFL,
19:58 - 20:03: those are two American icons that do not blend.
20:03 - 20:06: - They really should have gotten Greta Van Fleet.
20:06 - 20:07: - Yeah.
20:07 - 20:08: - That would have ruled because it's truly,
20:08 - 20:12: it's like the young Bucks keeping the flame of rock alive.
20:12 - 20:13: I know you just would have killed it.
20:13 - 20:16: Old man, live your life.
20:16 - 20:19: Just like a heavy Led Zeppelin revival version.
20:19 - 20:20: - I'm a lot like you.
20:20 - 20:22: - I think this just smacks of like,
20:22 - 20:26: there's some Gen X,
20:26 - 20:29: Wyden Kennedy,
20:29 - 20:29: who just, you know,
20:29 - 20:31: exact who loves Beck.
20:31 - 20:34: And he's just, Beck's like, okay.
20:34 - 20:37: They're just like, you know what we could do for the football?
20:37 - 20:38: We could, you know, let's get Beck to do that.
20:38 - 20:40: I mean, there's just no-
20:40 - 20:42: - I don't like the sincere singer songwriter
20:42 - 20:44: mode of Beck at all.
20:44 - 20:48: I don't like it in the context of shilling for the NFL.
20:48 - 20:49: - But he didn't write the song.
20:49 - 20:50: - What are you doing, dude?
20:50 - 20:52: - You prefer Beck's more fun, ironic.
20:52 - 20:55: But I can also see, let's say you're Beck.
20:55 - 20:57: And as a professional musician, I can say,
20:57 - 20:59: sometimes you get all sorts of offers.
20:59 - 21:01: Use your song this way, that way.
21:01 - 21:03: At a certain point, it's like, you know,
21:03 - 21:04: you got to make some money.
21:04 - 21:07: You say no to the things that are egregious.
21:07 - 21:10: The rest of it, you know, is just showbiz.
21:10 - 21:12: So I picture your Beck every once in a while,
21:12 - 21:15: somebody's like, hey Beck, you want,
21:15 - 21:18: somebody wants to use loser in this kind of derogatory way
21:18 - 21:21: to like, in a commercial to make fun of another brand.
21:21 - 21:23: And Beck's like, no way, man.
21:23 - 21:24: That's not what loser's all about.
21:24 - 21:26: And they're, you know, you probably get some,
21:26 - 21:27: a hundred grand, you know,
21:27 - 21:30: you play at a Jared Kushner's birthday party.
21:30 - 21:32: And Beck's like, nah, man, I'm not about that.
21:32 - 21:34: Nah, I don't care how good the money is.
21:34 - 21:35: All right.
21:35 - 21:37: And then they're like, all right, Beck, we got one.
21:37 - 21:41: This one, you're going to cover a very tasteful song
21:41 - 21:43: by beloved singer songwriter, Neil Young.
21:43 - 21:44: So when Beck said first, he's thinking,
21:44 - 21:46: well, I guess Neil signed off on it,
21:46 - 21:50: which in a way he did by taking that big fat check.
21:50 - 21:52: So Beck's thinking, all right, Neil signed off on it.
21:52 - 21:55: He technically, and what's this all about?
21:55 - 21:58: He's like, well, actually it's for the NFL.
21:58 - 22:01: Beck's like, I got no real problem with football.
22:01 - 22:03: And then they say, and actually the reason they chose
22:03 - 22:05: this song is because it makes so much sense
22:05 - 22:07: because it's the young quarterback, 24 years old,
22:07 - 22:08: the old one, Tom Brady.
22:08 - 22:11: And Beck's like, oh, this is, this is God's plan.
22:11 - 22:13: This makes so much sense.
22:13 - 22:15: This is not some weird stretch.
22:15 - 22:18: This is not some misuse of one of my songs.
22:18 - 22:19: Everything's lining up.
22:19 - 22:22: And they say, you know what, and you know what else Beck?
22:22 - 22:24: The money's not bad.
22:24 - 22:25: All right. I love that song.
22:25 - 22:26: All I got to do is record a cover.
22:26 - 22:28: - It's not great, but it's not bad.
22:28 - 22:29: - It's not great, but it's not bad.
22:29 - 22:32: - I like this idea that Jared Kushner wants Beck
22:32 - 22:34: to play loser at a birthday party.
22:34 - 22:37: (laughing)
22:37 - 22:39: - I won't do it.
22:39 - 22:41: So I just, yeah, I really feel for Beck in the sense
22:41 - 22:43: that he probably does ask all these questions
22:43 - 22:45: and it probably did seem like it all lined up
22:45 - 22:48: where Beck's like, it's football, American is apple pie.
22:48 - 22:49: Neil signed off on it.
22:49 - 22:52: It actually makes sense for once, you know?
22:52 - 22:55: - Do you think Neil can name one Beck song?
22:55 - 22:58: - Oh yeah. I've actually seen Neil and Beck play together.
22:58 - 23:00: - Oh wow. Oh, another ring.
23:00 - 23:01: - Where?
23:01 - 23:03: - I grew up in the Bay area and every October
23:03 - 23:05: I would go to the Bridge School benefit.
23:05 - 23:08: And I think Beck played it a couple of times
23:08 - 23:11: and yeah, Neil would come out and play a song with Beck.
23:11 - 23:13: - A Beck song?
23:13 - 23:14: - Usually a Neil song, I think.
23:14 - 23:15: - Okay.
23:15 - 23:20: My question today is, can Neil name one Beck song?
23:20 - 23:21: I'm going to guess no.
23:21 - 23:23: - One time at the Bridge School benefit,
23:23 - 23:25: they had some banter and Beck said,
23:25 - 23:27: Neil, not to put you on the spot,
23:27 - 23:29: but could you name any of my songs?
23:29 - 23:31: It was a painful 10 minutes, but Neil got three.
23:34 - 23:38: - Guys, I'm on the official NFL eShop
23:38 - 23:43: where they sell a Ed Sheeran starter jacket,
23:43 - 23:46: NFL starter jacket.
23:46 - 23:49: So it is pretty sick.
23:49 - 23:52: It looks like it's the Cowboys colors
23:52 - 23:57: and it just says, "Sheeran 2021 NFL kickoff."
23:57 - 24:00: So they could have gone, that strikes me,
24:00 - 24:02: he strikes me as a fan of football.
24:02 - 24:04: - They're casting a wide net there.
24:04 - 24:06: - They needed an American to sing it.
24:06 - 24:08: I think they should have gone with Greta Van Fleet
24:08 - 24:11: because if Neil Young hated on Greta Van Fleet,
24:11 - 24:12: they'd just be like, "With all due respect, sir,
24:12 - 24:14: your time has passed.
24:14 - 24:15: You've inspired us,
24:15 - 24:17: but we are the new generation of rock and roll."
24:17 - 24:20: All right, Alex, we got to let you go, dude.
24:20 - 24:22: - Yeah, I got a bail.
24:22 - 24:23: Thanks for having me.
24:23 - 24:24: - All right, thanks for explaining that to us, Alex.
24:24 - 24:26: - Of course, good talking to you guys.
24:26 - 24:26: - Talk soon.
24:26 - 24:27: Great reporting.
24:27 - 24:28: - Thanks.
24:28 - 24:30: - Great reporting, peace.
24:30 - 24:32: ♪ Old man, look at my life ♪
24:32 - 24:37: ♪ I'm a lot like you ♪
24:37 - 24:41: ♪ Old man, look at my life ♪
24:41 - 24:44: ♪ I'm a lot like you ♪
24:44 - 24:59: ♪ Old man, look at my life ♪
24:59 - 25:03: ♪ I'm 24 and there's so much more ♪
25:03 - 25:05: ♪ Live alone in a paradise ♪
25:05 - 25:09: ♪ It makes me think of two ♪
25:09 - 25:12: ♪ Love costs such a cost ♪
25:12 - 25:16: ♪ Give me things that won't get lost ♪
25:16 - 25:19: ♪ Like a coin that won't get tossed ♪
25:19 - 25:22: ♪ Rolling home to you ♪
25:29 - 25:31: ♪ Old man, take a look at my life ♪
25:31 - 25:35: ♪ I'm a lot like you ♪
25:35 - 25:40: ♪ I need someone to love me the whole day through ♪
25:40 - 25:44: ♪ I wanna look in your eyes ♪
25:44 - 25:48: ♪ And you can tell it's true ♪
25:48 - 25:50: - You know, there's another bit of sports news.
25:50 - 25:51: I don't want to go too deep into it
25:51 - 25:53: 'cause actually I had a thought saying it on air
25:53 - 25:54: just so you remember.
25:54 - 25:56: We haven't had Bayo on the show in a while
25:56 - 26:00: and I'd love for him to come on the show soon
26:00 - 26:04: and talk about his cousin, Harrison Bader,
26:04 - 26:05: plays for the Yankees now.
26:05 - 26:07: - Oh wow, he got traded?
26:07 - 26:09: - Yeah, I can't remember if we ever talked about this
26:09 - 26:13: but we'll go into detail hopefully with Chris.
26:13 - 26:15: So Bayo has a little cousin named Harrison Bader.
26:15 - 26:19: He grew up in the same town as Bayo in Westchester County.
26:19 - 26:21: I must've met him very briefly
26:21 - 26:24: when he was like 13 or 14 years old
26:24 - 26:28: because he came and was in the Oxford Comma video.
26:28 - 26:29: We had like a lot of our friends in it.
26:29 - 26:32: It's a single shot video directed by Richard Ayoade
26:32 - 26:36: and there's a lot of people jumping out and random people
26:36 - 26:38: and like my sister's friend from college
26:38 - 26:40: who went on to be on that show, Pen15 is in it
26:40 - 26:45: and that guy Hamilton Morris who has that show about drugs.
26:45 - 26:46: All these people just popping up.
26:46 - 26:48: - Damn, a lot of heavyweights.
26:48 - 26:50: - Yeah, people pop, I didn't really know these people
26:50 - 26:52: but you know, just like we asked friends and family,
26:52 - 26:53: you got some friends, everybody come through
26:53 - 26:55: and dressed up, it's a fun video.
26:55 - 26:58: And at the end, there's like a bunch of kids running,
26:58 - 27:00: little kids, some older kids.
27:00 - 27:02: And so, you know, we're in upstate New York
27:02 - 27:03: so of course Bayo said,
27:03 - 27:05: "Oh, maybe like some of my little cousins can come."
27:05 - 27:08: So Harrison is in that video somewhere
27:08 - 27:10: and then a few years ago,
27:10 - 27:11: Bayo was saying that his cousin is playing
27:11 - 27:13: for the St. Louis Cardinals.
27:13 - 27:14: - I remember that.
27:14 - 27:16: - You know, we were on tour during the season
27:16 - 27:19: so there's a lot of like, he's watching the games
27:19 - 27:20: and keeping us in the loop about it.
27:20 - 27:23: And we've even happened to play in St. Louis on that tour
27:23 - 27:28: and Bayo wore a Bader St. Louis Cards jersey on stage.
27:28 - 27:31: So, you know, I've been like pretty aware of it.
27:31 - 27:33: So I was already like, "Oh, that's awesome."
27:33 - 27:34: Always kind of curious,
27:34 - 27:36: even though I don't particularly follow baseball,
27:36 - 27:37: curious to hear from Chris.
27:37 - 27:38: "Oh, how's your cousin doing?"
27:38 - 27:39: All that stuff.
27:39 - 27:42: And then anyway, he got traded to the Yankees
27:42 - 27:46: a couple months ago and Bayo will loop us in more
27:46 - 27:49: but I know his first game was a week or two ago,
27:49 - 27:50: we were texting about it
27:50 - 27:53: and you know, you can imagine that for a guy
27:53 - 27:57: grew up Westchester County, Stone's Throat from the Bronx,
27:57 - 28:00: real kind of like New York kid,
28:00 - 28:04: like his mom is Bayo's aunt, grew up in Brooklyn.
28:04 - 28:07: I assume his dad's a New Yorker guy.
28:07 - 28:10: He's like part Jewish, part Italian,
28:10 - 28:12: real East Coast type dude.
28:12 - 28:15: And then you end up on the Yankees, the magnitude of that.
28:15 - 28:17: - And the Yankees are good this year.
28:17 - 28:18: - Yeah, I've been hearing that.
28:18 - 28:20: And they have this guy,
28:20 - 28:22: the guy breaking the home run record.
28:22 - 28:23: - Aaron Judge.
28:23 - 28:24: - It's major.
28:24 - 28:26: Anyway, we should have Bayo on to tell us more about it
28:26 - 28:30: but I just wanted to end our sports roundup
28:30 - 28:32: with a little bit of that.
28:32 - 28:34: I might have to follow, really start following the Yankees
28:34 - 28:36: 'cause you know, I feel like with a lot of sports,
28:36 - 28:39: I don't truly follow it but I do have these teams.
28:39 - 28:41: It's like, if I'm gonna have a donut,
28:41 - 28:42: I'm gonna go to Dunkin' Donuts.
28:42 - 28:45: If I'm gonna follow baseball,
28:45 - 28:46: I'm gonna support the Yankees.
28:46 - 28:48: - Let's get in man, it's the very end of the season,
28:48 - 28:50: there's like a week left of the regular season
28:50 - 28:51: and then the playoffs start.
28:51 - 28:52: - Wait, but Jake, I always forget,
28:52 - 28:55: were you a Yankees fan or a Mets fan?
28:55 - 28:56: You're a Yankees fan.
28:56 - 28:58: - Diehard Yankees when they were terrible.
28:58 - 28:59: - All right.
28:59 - 29:00: - Late 80s, early 90s.
29:00 - 29:02: They lost over 100 games in 1990.
29:02 - 29:04: (laughing)
29:04 - 29:05: Mattingly had a back injury,
29:05 - 29:07: he was out for most of the year, it was heartbreaking.
29:07 - 29:08: - All right, let's get in.
29:08 - 29:10: - I'd love to talk about that
29:10 - 29:12: but let's get into some Allison Shane's talk.
29:12 - 29:14: - All right, shifting gears.
29:14 - 29:15: Shifting gears.
29:15 - 29:18: - Well, I know we're on a tight schedule tonight.
29:18 - 29:19: We're trying to get in and out.
29:19 - 29:21: - I overbooked the show, my apologies.
29:21 - 29:23: - Jake did a great job booking the show.
29:23 - 29:25: - We got a hard out for you
29:25 - 29:28: and we got three different calls to do.
29:28 - 29:31: - That's right, I'm on vacation in the Japanese countryside.
29:31 - 29:33: Oh, but real quick, before Allison Shane's,
29:33 - 29:35: I just have to say, I ate horse yesterday.
29:35 - 29:38: (gunshot)
29:38 - 29:40: I ate horse sashimi yesterday.
29:40 - 29:42: We went to a restaurant that has like some type
29:42 - 29:45: of kind of regional big udon noodles
29:45 - 29:47: and get a big bowl of that.
29:47 - 29:49: And they had horse sashimi on the menu.
29:49 - 29:51: I thought, all right, got to try it.
29:51 - 29:53: It came out very cold.
29:53 - 29:55: I talked to a person I was with
29:55 - 29:56: who actually lives in Japan
29:56 - 29:58: and I was like, "It's supposed to be this cold."
29:58 - 29:59: And they were kind of like, "I don't know.
29:59 - 30:01: "Have you let it chill out?"
30:01 - 30:04: It felt like almost like fresh out of the freezer.
30:04 - 30:06: With the soy sauce and they had like some kind
30:06 - 30:10: of spicy things to mix it with, the sauce was excellent.
30:10 - 30:13: Once it kind of got a little less cold,
30:13 - 30:16: it tasted very close to like a really dark,
30:16 - 30:19: rich tuna sashimi.
30:19 - 30:20: It tasted good.
30:20 - 30:23: Nobody else at the table wanted to partake,
30:23 - 30:26: but I did feel, I weirdly felt like I needed it.
30:26 - 30:28: (horse neighing)
30:28 - 30:30: - When nobody wanted to partake, were they grossed out?
30:30 - 30:35: Did you feel shunned or was it just sort of a neutral?
30:35 - 30:37: None for me, thank you.
30:37 - 30:39: - It was more like a none for me.
30:39 - 30:42: Also, I'd ridden a horse earlier in the day.
30:42 - 30:45: So there was a bit of like conversation about that.
30:45 - 30:48: Full circle and I said, "Yes, circle life is what it is."
30:48 - 30:49: People weren't grossed out.
30:49 - 30:50: 'Cause when I sent you guys a picture,
30:50 - 30:52: when you looked at it, truly,
30:52 - 30:54: if I told you that was salmon sashimi,
30:54 - 30:58: it's that same rich, kind of dark purplish red color.
30:58 - 30:58: - Tuna, yeah.
30:59 - 31:02: It doesn't look, there's nothing about it look gross.
31:02 - 31:03: And I would say nothing about it tasted gross,
31:03 - 31:05: but I think people just felt a little bit like,
31:05 - 31:09: "Eh, they made it this far without eating horse.
31:09 - 31:11: "Why start now?"
31:11 - 31:12: - I would think the opposite.
31:12 - 31:14: - Yeah, that's true.
31:14 - 31:14: - This is a coincidence,
31:14 - 31:18: you didn't seek out this restaurant because you heard it.
31:18 - 31:18: - That was the thing.
31:18 - 31:21: It was just, suddenly saw it on the menu
31:21 - 31:23: and felt like now's the time.
31:23 - 31:25: ♪ Well my heart knows it better than I know myself ♪
31:25 - 31:28: ♪ So I'm gonna let her do all the talking ♪
31:28 - 31:30: ♪ Woo hoo ♪
31:30 - 31:32: ♪ Woo hoo ♪
31:32 - 31:35: ♪ I came across a place in the middle of nowhere ♪
31:35 - 31:37: ♪ With a big black horse and a cherry tree ♪
31:37 - 31:39: ♪ Woo hoo ♪
31:39 - 31:42: ♪ Woo hoo ♪
31:42 - 31:44: ♪ I felt a little fear upon my back ♪
31:44 - 31:46: ♪ I said don't look back, just keep on walking ♪
31:46 - 31:48: ♪ Woo hoo ♪
31:48 - 31:50: ♪ Woo hoo ♪
31:50 - 31:53: ♪ And the big black horse said, "Look this way" ♪
31:53 - 31:55: ♪ He said, "Hey lady, will you marry me?" ♪
31:55 - 31:57: ♪ Woo hoo ♪
31:57 - 31:59: ♪ Woo hoo ♪
31:59 - 32:04: ♪ But I said, "No, no, no, no, no, no" ♪
32:04 - 32:09: ♪ I said, "No, no, you're not the one for me" ♪
32:09 - 32:13: ♪ No, no, no, no, no, no ♪
32:13 - 32:18: ♪ I said, "No, no, you're not the one for me" ♪
32:18 - 32:20: - So anyway, let's get back to Alice in Chains,
32:20 - 32:22: but I did feel like I just needed to...
32:22 - 32:24: - No, that's huge, that's a huge...
32:24 - 32:25: - There's a lot of...
32:25 - 32:26: - It's almost like a drop.
32:26 - 32:29: - There's a lot of grade A reporting happening today
32:29 - 32:30: on the show, so...
32:30 - 32:33: - We got, Tom Chris has a lot of people in the field.
32:33 - 32:35: We've got our hands deep into the sports world,
32:35 - 32:37: deep into the horse world,
32:37 - 32:40: and now deep into the Alice in Chains world.
32:40 - 32:44: So Jake, it's the 30th anniversary of Dirt.
32:44 - 32:46: - Yes, it's the 30th anniversary of Dirt.
32:46 - 32:49: Tomorrow, 'cause we're taping this on the 28th.
32:49 - 32:53: It came out on September 29th, 1992.
32:53 - 32:57: And Dirt and Soundgarden's Bad Motorfinger
32:57 - 33:00: are my favorite grunge albums.
33:00 - 33:02: - Whoa, more than any Nirvana albums?
33:02 - 33:04: - Somehow I don't really think of Nevermind
33:04 - 33:05: as a grunge album.
33:05 - 33:07: Maybe that's ridiculous.
33:07 - 33:10: But yeah, they're albums I spend more time with
33:10 - 33:12: than Nevermind, for sure.
33:12 - 33:15: I return to Dirt and Bad Motorfinger
33:15 - 33:17: more than Nevermind.
33:17 - 33:18: - Interesting.
33:18 - 33:18: - I love Nevermind.
33:18 - 33:21: I just feel like the weight of history
33:21 - 33:22: when I listen to Nevermind.
33:22 - 33:24: It's kind of like listening to Sergeant Peppins
33:24 - 33:25: or something.
33:25 - 33:27: - Right, rather than the White Album.
33:27 - 33:30: - Exactly.
33:30 - 33:34: But yeah, Dirt came out in '92, incredible record.
33:34 - 33:36: And I wanted to have,
33:36 - 33:37: well, I've been on a text thread
33:37 - 33:41: for the last six months with Aaron Olson and Ryan Adlaff,
33:41 - 33:44: who are from Richard Pictures and Mountain Bruce,
33:44 - 33:45: and my brother, Dave.
33:45 - 33:48: We have a four-person text about Alice in Chains.
33:48 - 33:51: Because several years ago,
33:51 - 33:55: Aaron had a one-off Alice in Chains cover band
33:55 - 33:57: called Five Lane Blacktop,
33:57 - 34:00: where there were five different people who sang lead.
34:00 - 34:06: And so, there was discussion of maybe resurrecting
34:06 - 34:07: that band for this Halloween.
34:07 - 34:09: Although I said that I would just serve
34:09 - 34:10: in a management role.
34:10 - 34:13: That I actually don't have the musical chops
34:13 - 34:17: to participate in a revival of Five Lane Blacktop.
34:17 - 34:19: - Was Dave in Five Lane?
34:19 - 34:21: - No, Dave was not in the original Five Lane Blacktop,
34:21 - 34:25: but we did a hangout for my birthday earlier this year,
34:25 - 34:27: and there was kind of like an impromptu jam session
34:27 - 34:32: in my living room with a bunch of detuned acoustic guitars.
34:32 - 34:35: Take that down to drop D, with Aaron and Ryan.
34:35 - 34:39: And then Dave doing, Dave knows Dirt incredibly well.
34:39 - 34:41: And he was gonna call in today, but he got tied up.
34:41 - 34:42: He can't call in today.
34:42 - 34:45: Dave knows every little vocal nuance
34:45 - 34:48: that Layne Staley performed on that record.
34:48 - 34:50: - Major influence on Dirty Projectors.
34:50 - 34:52: - I mean, in a way, in a roundabout way.
34:52 - 34:53: - Not, not, not.
34:53 - 34:55: - Not, not, exactly.
34:55 - 34:57: But anyway, we were texting today and I was just like,
34:57 - 34:59: "Wow, let's just like have the guys call in
34:59 - 35:01: "and talk about Dirt a little bit."
35:01 - 35:02: - Absolutely.
35:02 - 35:03: - Ezra, are you a fan of Dirt?
35:03 - 35:06: - You know, I don't know, is the truth.
35:06 - 35:08: Like, when I think about Alice in Chains,
35:08 - 35:11: they always seemed a little random to me,
35:11 - 35:15: but I always did, you know, I liked Man in the Box,
35:15 - 35:18: Rooster, are any of these songs on Dirt?
35:18 - 35:20: - Rooster's on Dirt.
35:20 - 35:23: Man in the Box was on their first record, Facelift.
35:23 - 35:24: - You know, I don't know them well enough,
35:24 - 35:27: but I always thought Alice in Chains was interesting.
35:27 - 35:29: I'm looking at the Japanese listing,
35:29 - 35:32: it might be the same as in the US,
35:32 - 35:34: but the description is for Dirt is,
35:34 - 35:36: "Alice in Chains were initially tagged
35:36 - 35:38: "with the grunge moniker, when in fact,
35:38 - 35:41: "their haunting, ponderous sound was far closer
35:41 - 35:44: "to the progressive rock of Queensryche."
35:44 - 35:46: Their haunting, ponderous sound.
35:46 - 35:47: I don't know if anybody wants their music
35:47 - 35:50: to be described as ponderous, but I like that.
35:50 - 35:52: And I like their general vibe.
35:52 - 35:56: - Now, let's go to the Time Crisis Hotline.
35:56 - 35:58: (phone ringing)
35:58 - 36:00: - Hey, Aaron.
36:00 - 36:01: - Hey.
36:01 - 36:02: - What's up?
36:02 - 36:03: Welcome to TC.
36:03 - 36:04: Welcome back.
36:04 - 36:05: - Thank you.
36:05 - 36:07: - Happy 30th anniversary.
36:07 - 36:10: - Thank you.
36:10 - 36:10: Finally.
36:10 - 36:14: - My first question for you and Jake is,
36:14 - 36:17: did you guys buy Dirt on release day?
36:17 - 36:22: So is this actually your 30th anniversary with this album?
36:22 - 36:23: - I'll go first, I guess.
36:23 - 36:26: I was seven when it came out.
36:26 - 36:28: I don't think I bought it the day it came out,
36:28 - 36:32: but I think I bought it within the year or two
36:32 - 36:34: that it came out, probably.
36:34 - 36:35: - On cassette?
36:35 - 36:37: - It was an early CD for me.
36:37 - 36:40: I was really anti-CD for a long time,
36:40 - 36:44: as like a little kid, 'cause I thought it was like lame
36:44 - 36:46: to be able to skip songs.
36:46 - 36:47: - That tracks for you.
36:47 - 36:48: - Yeah.
36:48 - 36:49: (laughing)
36:49 - 36:51: - As a seven-year-old?
36:51 - 36:52: - Yeah, as a seven-year-old.
36:52 - 36:56: I remember friends were getting CDs
36:56 - 36:58: and I was like, "That's lame."
36:58 - 36:59: But, you know what I mean.
36:59 - 37:01: (laughing)
37:01 - 37:04: Yeah, I probably picked it up in '93.
37:04 - 37:05: - At age eight.
37:05 - 37:06: - At age eight, yes.
37:06 - 37:08: - At the tender age of eight.
37:08 - 37:09: - Yes.
37:09 - 37:11: - Hold on, Mac, let's just put on our calendar.
37:11 - 37:13: We gotta have Aaron back next year
37:13 - 37:17: for his 30th anniversary of owning the CD of Dirt.
37:17 - 37:20: Ryan, how about you?
37:20 - 37:25: - I got Dirt for Christmas in 1993 from my grandmother.
37:25 - 37:26: - So the album had been out.
37:26 - 37:27: Wow.
37:27 - 37:29: (laughing)
37:29 - 37:30: Cool grandma.
37:30 - 37:31: - You will, it's one of those things
37:31 - 37:33: where my mom would ask like,
37:33 - 37:35: "Ryan, your grandma needs to get you a Christmas gift.
37:35 - 37:35: "What do you want?"
37:35 - 37:38: And I said, "I want Blood Sugar Sex Magic
37:38 - 37:39: "and I want Alice in Chains Dirt."
37:39 - 37:42: And then my grandma had to like give those to me.
37:42 - 37:45: But, you know, what is Alice in Chains Dirt?
37:45 - 37:47: I had to try to explain it, she didn't care.
37:47 - 37:48: - Thanks, grandma.
37:48 - 37:49: - Yeah, exactly.
37:49 - 37:51: I love you, grandma.
37:51 - 37:52: (laughing)
37:52 - 37:57: I had a cassette tape of it, which I probably got in '93.
37:57 - 37:59: 'Cause it, wait, yeah, 'cause it came out in the fall of '92.
37:59 - 38:03: I bet the singles, you know, I wasn't up on AIC before Dirt.
38:03 - 38:05: And the singles started rolling out.
38:05 - 38:08: And yeah, at some point I purchased the cassette
38:08 - 38:11: at the Wall, which is the local kind of
38:11 - 38:14: New England record store chain
38:14 - 38:16: that was in the shopping center near my house.
38:16 - 38:18: - All right, so you were a bit older, Jake.
38:18 - 38:19: You were like, you were 14.
38:19 - 38:21: - Well, Ryan and I are 10 days apart.
38:21 - 38:23: We're both February of '77.
38:23 - 38:26: So we were the right age.
38:26 - 38:27: - Yeah, wheelhouse.
38:27 - 38:30: - What'd you guys think of that haunting ponderous sound?
38:30 - 38:31: (laughing)
38:31 - 38:32: - I loved it.
38:32 - 38:35: - But Aaron, you as a small child,
38:35 - 38:38: you were ready for the haunting ponderous sound of...
38:38 - 38:41: - Yeah, I was so, so down.
38:41 - 38:44: I have an older brother, three years older.
38:44 - 38:47: So he was, you know, I was getting stuff
38:47 - 38:49: funneling from him.
38:49 - 38:50: - So he was 11.
38:50 - 38:54: - Yeah, I mean, I don't think, we were,
38:54 - 38:57: and still are, like, really into music, I guess.
38:57 - 39:01: Like, yeah, my mom always had music on.
39:01 - 39:04: Or I don't know, there's just, that's like all I knew.
39:04 - 39:06: - But an 11-year-old saying to an eight-year-old,
39:06 - 39:09: like, dude, check out this song, "Junkhead."
39:09 - 39:10: (laughing)
39:10 - 39:12: - Well, okay, so that's the thing is,
39:12 - 39:14: my brother did like Alice in Chains,
39:14 - 39:16: but you know when you're, maybe again,
39:16 - 39:19: maybe this is me and my weird, like,
39:19 - 39:22: fanaticism as a kid or whatever,
39:22 - 39:25: but Alice in Chains was like my band,
39:25 - 39:26: away from my brother.
39:26 - 39:28: Like, I think he kind of liked it,
39:28 - 39:30: and then I like latched on, and I was like,
39:30 - 39:32: I'm the Alice in Chains guy.
39:32 - 39:34: And like, you know, you really ride hard
39:34 - 39:36: for specific things when you're a little kid,
39:36 - 39:38: I find, or I found in my life.
39:38 - 39:40: - And especially in that era,
39:40 - 39:41: where it'd be such a big deal to like,
39:41 - 39:44: invest in a t-shirt or a poster.
39:44 - 39:46: - Which I had two of.
39:46 - 39:47: - Even the CDs were expensive,
39:47 - 39:48: so it's like, if you're gonna start
39:48 - 39:50: buying someone's discography,
39:50 - 39:52: you kinda gotta be all in.
39:52 - 39:55: - Yeah, and yeah, I had two Alice in Chains posters
39:55 - 39:58: next to each other on my wall in my bedroom
39:58 - 39:59: when I was a kid.
39:59 - 40:00: - See, this is fascinating to me,
40:00 - 40:03: 'cause I don't know if I could even cobble together
40:03 - 40:07: a text thread of other people I know in my life
40:07 - 40:09: who are passionate about Alice in Chains,
40:09 - 40:12: or even know the album Dirt particularly well.
40:12 - 40:14: So I always thought Alice in Chains
40:14 - 40:15: seemed like pretty cool.
40:15 - 40:17: Explain to me a little bit,
40:17 - 40:21: in the early '90s rock universe,
40:21 - 40:23: so maybe on one side of the spectrum,
40:23 - 40:25: you know, you had Metallica,
40:25 - 40:27: like just like a straight up metal band
40:27 - 40:31: full of darkness, Black Album came out '91,
40:31 - 40:33: that still was looming large around this time.
40:33 - 40:34: So you have that side,
40:34 - 40:35: and then of course you have Pantera,
40:35 - 40:37: just like heavy, heavy music.
40:37 - 40:38: And then in the middle you have Grunge,
40:38 - 40:41: you have Nirvana, and Pearl Jam,
40:41 - 40:43: who maybe come across a bit punkier
40:43 - 40:45: than the Alice in Chains and the Soundguards,
40:45 - 40:48: and then you have like maybe the Chili Peppers
40:48 - 40:50: or something, a bit more of a sense of humor, fun.
40:50 - 40:55: What was Alice in Chains' lane in that landscape?
40:55 - 40:57: - Staley.
40:57 - 40:59: - I love the way you phrased that question.
40:59 - 41:02: - Yes, I really teed that one up.
41:02 - 41:06: So their lane was Lane Staley, their singer.
41:06 - 41:07: - For me it was like,
41:07 - 41:12: they had a very, very distinct, perfect ratio
41:12 - 41:15: between like metal, which I'm not a fan of,
41:15 - 41:18: hard rock, which I'm also not a fan of.
41:18 - 41:20: And then I don't want to say pop,
41:20 - 41:22: 'cause that's not the right word,
41:22 - 41:27: but some sort of like major key, melodic, sugary rock.
41:27 - 41:31: And like, there was like such a perfect mix with that,
41:31 - 41:34: where there'd be like this kind of sugar rush release
41:34 - 41:37: on some of their great songs and the choruses,
41:37 - 41:38: but they really worked for it.
41:38 - 41:40: So it didn't come off as like kind of too sweet,
41:40 - 41:42: too saccharine.
41:42 - 41:44: That tracks.
41:44 - 41:45: - I think it's the harmonies.
41:45 - 41:47: I think it's the harmonies really is the gateway.
41:47 - 41:48: If you're not a hard rock person,
41:48 - 41:51: the harmonies are so sweet and clear and smooth.
41:51 - 41:52: And they don't feel like metal.
41:52 - 41:54: They feel more like, I don't know,
41:54 - 41:56: a Crosby, Stills and Nash.
41:56 - 41:57: - And like, why?
41:57 - 42:00: 'Cause they have multi-part harmonies sometimes?
42:00 - 42:02: Did any of their, like how often was that happening?
42:02 - 42:04: - It was pretty distinct, I think.
42:04 - 42:06: - Oh yeah, it was very, it was like their signature.
42:06 - 42:09: And I'd extend that to the guitars too.
42:09 - 42:11: They had some guitar harmony stuff happening,
42:11 - 42:12: which wasn't as unique,
42:12 - 42:16: but it really mimics the vocal harmonies, I thought.
42:16 - 42:17: And like, I don't know,
42:17 - 42:20: it was very harmonically rich music,
42:20 - 42:22: I would say in general.
42:22 - 42:23: - Interesting.
42:23 - 42:24: What do you guys think are
42:24 - 42:27: Alice in Chains influences or origins?
42:27 - 42:29: Am I right to say that they seem like guys
42:29 - 42:31: who maybe didn't give a about punk rock?
42:31 - 42:32: That's interesting.
42:32 - 42:35: - I don't, I wouldn't think that.
42:35 - 42:36: - We've talked about this on the show before,
42:36 - 42:38: when everybody would talk about,
42:38 - 42:38: we're the same age, Aaron,
42:38 - 42:40: just like, you know, maybe you could see it
42:40 - 42:42: step in my shoes, growing up in the nineties,
42:42 - 42:44: I wasn't that passionate about grunge,
42:44 - 42:45: but then I got really into punk,
42:45 - 42:47: including like the whole history of punk.
42:47 - 42:48: And then people are like, well, you know,
42:48 - 42:50: grunge is kind of like, you know,
42:50 - 42:51: 91 is the year punk broke.
42:51 - 42:53: And I would like listen to the grunge bands.
42:53 - 42:54: I'd be like, what?
42:54 - 42:55: I couldn't see the,
42:55 - 42:57: because I was like so interested in the Clash
42:57 - 43:00: and the Ramones and even like Operation Ivy
43:00 - 43:01: and like local pop punk.
43:01 - 43:03: And I couldn't see the connection,
43:03 - 43:04: but then I was like, okay,
43:04 - 43:07: I can see Kurt Cobain kind of being like a dude
43:07 - 43:10: with a punk rock spirit that he's bringing into his music.
43:10 - 43:12: And then when I kind of found out, okay,
43:12 - 43:14: Eddie Vedder grew up loving punk rock,
43:14 - 43:15: I can kind of see it.
43:15 - 43:17: By the time I got to Alice in Chains and Soundgarden,
43:17 - 43:20: I was like, punk could not have happened.
43:20 - 43:22: And this still, music would still be a,
43:22 - 43:25: make sense coming out of the history of rock and roll.
43:25 - 43:26: - That's interesting.
43:26 - 43:29: I mean, I think it's there in sort of a backdoor way,
43:29 - 43:30: but yeah, I see what you're saying.
43:30 - 43:33: I mean, to me, there is like a direct lineage
43:33 - 43:36: from like Sabbath and Zeppelin.
43:36 - 43:38: - With those harmonies, which those bands have.
43:38 - 43:40: - Eagles are in there too, man.
43:40 - 43:41: - Yeah, totally.
43:41 - 43:42: - Eagles, CSNY.
43:42 - 43:43: - Yeah.
43:43 - 43:44: - Well, yeah.
43:44 - 43:44: - Totally.
43:44 - 43:48: - I think that Alice in Chains getting lumped in as grunge
43:48 - 43:51: is, I mean, did them a lot of favors.
43:51 - 43:53: It put them across my seven-year-old desk,
43:53 - 43:55: but I don't think they're a grunge band.
43:55 - 43:58: I think if you listen to Dirt next to the Black Album,
43:58 - 44:02: it's just as metal as the Black Album is.
44:02 - 44:07: And it's so just dour and bleak lyrically
44:07 - 44:09: that it's its own thing.
44:09 - 44:11: - The lyrics go so much harder than Metallica.
44:11 - 44:13: I mean, I like Metallica,
44:13 - 44:16: but like the lyrics in Metallica
44:16 - 44:18: are generally pretty terrible.
44:18 - 44:19: - They write songs about werewolves.
44:19 - 44:20: - Yeah.
44:20 - 44:23: - Alice in Chains writes songs about real problems.
44:23 - 44:24: - Wait, hold on a second.
44:24 - 44:25: I don't really know what I'm talking about,
44:25 - 44:29: but like I know Alice in Chains, Rooster's about Vietnam.
44:29 - 44:32: Couldn't you put that next to like one song
44:32 - 44:33: about the horrors of war?
44:33 - 44:36: - Rooster's about Jerry Cantrell's dad,
44:36 - 44:37: whose nickname was the Rooster.
44:37 - 44:38: - Ah.
44:38 - 44:41: - And who he was estranged from.
44:41 - 44:42: And then like half the album is about like-
44:42 - 44:43: - More personal.
44:43 - 44:45: - Half the album is basically about heroin,
44:45 - 44:47: like doing heroin.
44:47 - 44:47: - Definitely.
44:47 - 44:48: - And like being tor-
44:48 - 44:50: Not in like, and I was reading some stuff today
44:50 - 44:52: about how like Layne Staley was saying
44:52 - 44:54: how like fans would come up to him and be like,
44:54 - 44:56: "Yo, dude, I'm like messed up right now."
44:56 - 44:58: And Layne was like, "I'm sorry."
44:58 - 44:59: Like, that's not,
44:59 - 45:01: this is not meant to celebrate doing heroin.
45:01 - 45:03: This is, these songs are about like
45:03 - 45:06: the torment I feel that I'm an addict.
45:06 - 45:08: But like anything where like
45:08 - 45:10: an artist takes troubling subject matter
45:10 - 45:14: and makes it aesthetic and makes it like exciting,
45:14 - 45:15: people kind of misinterpret.
45:15 - 45:18: Like people would think Tony Soprano's a cool guy.
45:18 - 45:20: It's a little bit like people,
45:20 - 45:22: I think a lot of, or at least according to Layne Staley,
45:22 - 45:25: people seem to like think that Dirt was a glorification
45:25 - 45:27: of like shooting heroin.
45:27 - 45:28: - Well, it's like they say,
45:28 - 45:32: you can't make an anti-war war movie, right?
45:32 - 45:35: 'Cause it's, it instantly is like glorifying it
45:35 - 45:35: or whatever.
45:35 - 45:36: And it's kind of, I think it's kind of the same
45:36 - 45:38: with drug songs.
45:38 - 45:40: - And this, these songs go hard.
45:40 - 45:41: - They are dark.
45:41 - 45:42: They're really dark.
45:42 - 45:44: Like they're, they don't, if you listen to the lyrics,
45:44 - 45:46: it doesn't sound fun to do heroin.
45:48 - 45:53: ♪ They found a way to kill me yet ♪
45:55 - 46:00: ♪ I've burned with sting and sweat ♪
46:00 - 46:07: ♪ Seems every path leads me to nowhere ♪
46:07 - 46:20: ♪ Wife and kids, household pet ♪
46:22 - 46:27: ♪ Mom ain't green, what she does ain't bad ♪
46:27 - 46:34: ♪ A bullet scream to me from Southward ♪
46:34 - 46:47: ♪ Yeah, they come to snuff the rooster ♪
46:48 - 46:53: ♪ Yeah ♪
46:53 - 47:00: ♪ Yeah, here come the rooster ♪
47:00 - 47:06: ♪ Yeah ♪
47:06 - 47:11: ♪ You know we ain't gonna die ♪
47:15 - 47:19: ♪ No, no, no ♪
47:19 - 47:23: ♪ You know we ain't gonna die ♪
47:23 - 47:28: - So this album came out in '92.
47:28 - 47:30: His addiction and his problems made it
47:30 - 47:33: so he couldn't be in the band relatively soon after this.
47:33 - 47:35: And then obviously he died.
47:35 - 47:39: When was the original first classic
47:39 - 47:41: Alice in Chains era over by?
47:41 - 47:42: - Like Dirt, basically.
47:42 - 47:44: - Well, there was one more studio record.
47:44 - 47:47: The self-titled from like '94, '95.
47:47 - 47:49: - I know, but it was, so by '96,
47:49 - 47:51: he was having so many problems he couldn't--
47:51 - 47:52: - That's when they did Unplugged.
47:52 - 47:55: And he's like half asleep the whole time,
47:55 - 47:57: probably nodding off, I mean, yeah.
47:57 - 47:59: - So he was in bad shape by '96.
47:59 - 48:00: And when did he die?
48:00 - 48:02: - 2002 or--
48:02 - 48:03: - Yeah, '02.
48:03 - 48:06: Right, so between '96 and '02,
48:06 - 48:08: he was estranged from the band
48:08 - 48:11: and probably living a difficult life,
48:11 - 48:13: struggling with addiction.
48:13 - 48:14: So when you think about it,
48:14 - 48:16: he was having big problems even as this album was made
48:16 - 48:20: and the life of the band did not extend too much past this.
48:20 - 48:22: - No, this was undoubtedly the peak.
48:22 - 48:24: - Right, heavy.
48:24 - 48:26: - A short trajectory for the band.
48:26 - 48:28: - What are the best songs on Dirt?
48:28 - 48:30: Everybody's got to pick one favorite.
48:30 - 48:31: How about that?
48:31 - 48:34: Everybody on the AIC text group chat.
48:34 - 48:37: - Okay, Aaron, what are your three?
48:37 - 48:38: - I can get it down to three.
48:38 - 48:40: "Rain When I Die," which my wife,
48:40 - 48:42: we were just listening to it, was like,
48:42 - 48:44: I think I actually like this song.
48:44 - 48:45: And I was like, yeah.
48:45 - 48:46: - That's incredible.
48:46 - 48:48: - And "Junkhead."
48:48 - 48:52: And I'll just leave it at those two, actually.
48:52 - 48:53: Keep it with two.
48:53 - 48:54: - Ryan?
48:54 - 48:57: - Oh wait, actually, "Damn That River," sorry.
48:57 - 48:59: - "Damn That River" goes hard.
48:59 - 48:59: - Yeah.
48:59 - 49:02: - I'm gonna jump on "Wood" before anybody else takes it.
49:02 - 49:04: The single soundtrack, that song was really,
49:04 - 49:06: it really jumped out for me.
49:06 - 49:07: - Incredible.
49:07 - 49:08: - Jake?
49:08 - 49:12: - I'm gonna go album opener, "Them Bones."
49:12 - 49:14: Just like that opening with him going, "Ah!"
49:14 - 49:15: (laughing)
49:15 - 49:17: In that weird time signature.
49:17 - 49:21: - Because that's track one, throw that on for a second.
49:21 - 49:21: - Throw on "Wood."
49:21 - 49:22: I mean, "Them Bones."
49:22 - 49:23: - Can I wait, before you start it,
49:23 - 49:25: can I just say, I was just talking
49:25 - 49:30: with our mutual friend, Nick Kurgovich, about "Dirt."
49:30 - 49:32: And he said when he bought this album when it came out,
49:32 - 49:35: because he bought it 'cause he had the single soundtrack,
49:35 - 49:38: like "Wood," that he put this on
49:38 - 49:40: and he actually had a jump scare.
49:40 - 49:43: And he vividly remembers it, that it frightened him.
49:43 - 49:46: - The beginning of this record is a perfect,
49:46 - 49:48: it's the perfect start to this record.
49:48 - 49:51: - Everybody listening, it's 1992.
49:51 - 49:53: (rock music)
49:53 - 49:57: Driving home from the CD store.
49:57 - 50:06: ♪ I believe ♪
50:06 - 50:11: ♪ In them bones ♪
50:11 - 50:16: ♪ Some say ♪
50:16 - 50:18: - Some say.
50:18 - 50:22: ♪ We're born into the grave ♪
50:22 - 50:24: ♪ I feel so alone ♪
50:24 - 50:29: ♪ Gonna end up a big old pile of them bones ♪
50:29 - 50:32: ♪ Ah ♪
50:32 - 50:35: ♪ Ah ♪
50:35 - 50:37: ♪ Ah ♪
50:37 - 50:38: ♪ Ah ♪
50:38 - 50:38: - Yeah, I see what you mean.
50:38 - 50:40: It really is the harmonies.
50:40 - 50:42: And I don't know, I'm ashamed to say,
50:42 - 50:44: I may have never even heard this song,
50:44 - 50:48: and yet having a vague, just like '90s kid familiarity
50:48 - 50:50: with Alice in Chains, I know these harmonies.
50:50 - 50:53: I know this vibe so well.
50:53 - 50:55: - I feel like they use very distinct intervals.
50:55 - 50:57: I don't know what they are, but they have a very distinct--
50:57 - 50:59: - Yeah, it's kind of like vocal--
50:59 - 51:02: - It's in weird medieval (beep)
51:02 - 51:03: - Yeah.
51:03 - 51:06: - There's a lot of harmonies that are kind of
51:06 - 51:09: totally different melodic lines from each other.
51:09 - 51:11: Like they're not always in--
51:11 - 51:12: - Like counterpoint?
51:12 - 51:13: - Yeah, kind of, yeah.
51:13 - 51:14: They're not crossing over.
51:14 - 51:16: Yeah, it's counterpoint.
51:16 - 51:20: They're not parallel or in similar motion always.
51:20 - 51:23: (upbeat rock music)
51:23 - 51:29: I love this solo too, by the way.
51:29 - 51:30: - Yeah.
51:30 - 51:33: But I feel like the verse is in like a weird time signature,
51:33 - 51:35: and then the chorus, they go into like straight 4/4.
51:35 - 51:37: And it's like, that's kind of what I'm talking about.
51:37 - 51:40: That like sugary kind of release.
51:40 - 51:41: - Yeah.
51:41 - 51:43: - I mean, the choruses in this band are so amazing.
51:43 - 51:46: Like I said, I don't like metal really,
51:46 - 51:49: and I'm not a huge fan of hard rock,
51:49 - 51:51: which is a broad genre admittedly.
51:51 - 51:56: But I love this band, and it's because of like those choruses.
51:56 - 51:59: - It's, God, one of the like least accessible songs
51:59 - 52:02: on the album has one of the poppiest choruses.
52:02 - 52:04: It's like basically a Weezer chorus or something,
52:04 - 52:05: but it's-
52:05 - 52:06: - Oh, "Angry Chair"?
52:06 - 52:08: - Yeah, it's "Angry Chair."
52:08 - 52:10: Yeah, I don't mind that one.
52:10 - 52:13: - Throw in "Down in a Hole."
52:13 - 52:16: You can go out on "Down in a Hole."
52:16 - 52:17: - This is the single, right?
52:17 - 52:18: "Down in a Hole."
52:18 - 52:19: - Yeah, this was like a ballad,
52:19 - 52:21: but this was my other favorite.
52:21 - 52:24: - I have nothing to confirm this,
52:24 - 52:27: but I think that Jerry Cantrell
52:27 - 52:30: must've grown up listening to Boston.
52:30 - 52:31: - Yes.
52:31 - 52:34: - And this, like the guitar. - Very true.
52:34 - 52:36: - Think of this song as a Boston song.
52:36 - 52:38: - Absolutely, great call.
52:38 - 52:39: - Oh, totally.
52:39 - 52:44: This is funny too, because they famously say
52:44 - 52:48: that Kurt was inspired by Boston more than a feeling
52:48 - 52:50: for "Smells Like Teen Spirit."
52:50 - 52:51: - Funny.
52:51 - 52:52: - "Godfather's a Grunge."
52:52 - 52:53: - Yeah, man.
52:53 - 52:57: - How is "Smells Like Teen Spirit" related to?
52:57 - 53:00: - Well, just like, (imitates guitar)
53:00 - 53:02: the same kind of riff.
53:02 - 53:04: Time for a critical reappraisal of Boston.
53:04 - 53:06: ♪ Here I sit ♪
53:06 - 53:10: ♪ Holding red flowers in my soul ♪
53:10 - 53:23: ♪ Down in a hole ♪
53:23 - 53:27: - That's another AIC move of like harmonies in the verses
53:27 - 53:28: and then the huge chorus.
53:28 - 53:29: It's just lame.
53:30 - 53:32: - Very dynamic. - Interesting.
53:32 - 53:32: - Yeah, yeah, yeah.
53:32 - 53:35: - Incredible, incredible dynamics in this band.
53:35 - 53:40: ♪ I've been raised ♪
53:40 - 53:45: ♪ I don't understand who they thought I was supposed to be ♪
53:45 - 53:52: ♪ Look at me now ♪
53:52 - 53:54: - This is a real '90s episode,
53:54 - 53:57: 'cause our next guest is this guy, Stephen Hyden, who,
53:57 - 53:59: oh, Ryan knows Stephen Hyden.
53:59 - 54:01: We went to the Goose Show with him.
54:01 - 54:02: - Absolutely. - Pre-pandemic.
54:02 - 54:04: - That's right.
54:04 - 54:04: He's got a new book about Pearl Jam.
54:04 - 54:06: - He wrote a book on Pearl Jam
54:06 - 54:08: that just came out this week.
54:08 - 54:10: - One thing I wanna ask Stephen about is,
54:10 - 54:11: in the Pearl Jam book,
54:11 - 54:15: he talks quite a bit about Stone Temple Pilots,
54:15 - 54:17: who he likes and has a lot of compassion for.
54:17 - 54:19: And it's funny, listening to Alice in Chains,
54:19 - 54:21: 'cause people always said Stone Temple Pilots
54:21 - 54:23: were a Pearl Jam ripoff,
54:23 - 54:26: I weirdly hear more Alice in Chains.
54:26 - 54:28: And of course, they were doing their own thing.
54:28 - 54:31: - Wait, you mean you hear Pearl Jam in Alice in Chains,
54:31 - 54:32: or you hear Alice in Chains in Pearl Jam?
54:32 - 54:37: - I hear more Alice in Chains in STP than I do Pearl Jam.
54:37 - 54:38: - Oh, interesting. - Yes, absolutely.
54:38 - 54:41: - Especially when we were listening to Them Bones,
54:41 - 54:44: I was like, okay, I could see Stone Temple Pilots
54:44 - 54:46: take a lot of inspiration from the dynamics
54:46 - 54:47: and the chords of that song.
54:47 - 54:49: - Think about this song,
54:49 - 54:52: and then Stone Temple Pilots' song "Creep."
54:52 - 54:53: - Yeah.
54:53 - 54:55: - Half the man I used to be.
54:55 - 54:57: - Yeah. - Oh, yeah, yeah, totally.
54:57 - 55:02: 'Cause even lyrically, the Scott Weiland archetype
55:02 - 55:05: is more similar to Layne Staley than it is to Eddie Vedder.
55:05 - 55:09: - And I feel like Cantrell and the DeLeo brothers
55:09 - 55:13: are more Zeppelin heads than Mike McReady.
55:13 - 55:16: Mike McReady to me is straight Lynyrd Skynyrd.
55:16 - 55:18: He doesn't have the sophistication of Page.
55:18 - 55:20: - Jake has no respect for Mike. - I hate McReady.
55:20 - 55:22: I have zero patience for him.
55:22 - 55:25: But he doesn't have the sophistication of Page.
55:25 - 55:28: But I feel like Cantrell and the DeLeo brothers,
55:28 - 55:33: they tap into that like houses of the holy era Zeppelin energy
55:33 - 55:38: which Pearl Jam never touched to their detriment.
55:38 - 55:43: - Also, there's something else that STP and Chains
55:43 - 55:45: have in common, and that's, it's a minor thing,
55:45 - 55:48: but there's like this, I don't even know what you'd call it,
55:48 - 55:50: I guess like turns of phrase
55:50 - 55:53: that are very working man things.
55:53 - 55:56: There's an Allison Chain song where he says,
55:56 - 56:01: like never wanted to end up like my old man or something.
56:01 - 56:04: That's very like 70s, like, oh man, I'm working for county,
56:04 - 56:06: gonna end up like my old man.
56:06 - 56:10: And then STP is like all I got is time.
56:10 - 56:14: I don't know, there's like this weird,
56:14 - 56:16: I feel like it's something very 70s
56:16 - 56:18: working class thing or something.
56:18 - 56:22: I don't know where it's coming from or what it's doing,
56:22 - 56:24: but I remember it distinctly as a kid
56:24 - 56:28: and thinking it was very cool to talk like that.
56:28 - 56:31: Talking about my old man and like all I got is like
56:31 - 56:32: five bucks, man.
56:32 - 56:33: - Right.
56:33 - 56:35: - Or I says to the guys, yeah, I don't know.
56:35 - 56:38: - Kurt would never, Eddie probably not.
56:38 - 56:41: (rock music)
56:41 - 56:50: It's very interesting to think of them
56:50 - 56:53: as being kind of like the 90s CSNY.
56:53 - 56:55: Just to break it down, you guys have been talking
56:55 - 56:56: about everybody in the band so far,
56:56 - 56:59: but just for me and the listeners.
56:59 - 57:03: So you had Layne Staley, the brilliant but doomed singer.
57:03 - 57:06: Jerry Cantrell was the lead guitarist
57:06 - 57:10: and kind of a co-songwriter or what was Jerry Cantrell's?
57:10 - 57:13: - I think the primary songwriter as far as I understand.
57:13 - 57:14: - Yeah, primary songwriter.
57:14 - 57:15: - He also sang quite a bit.
57:15 - 57:16: - He was the harmony.
57:16 - 57:17: - Yeah.
57:17 - 57:18: - So he was singing a lot of those harmonies.
57:18 - 57:20: And then you have bass and rhythm section
57:20 - 57:22: was the DeLeo brothers.
57:22 - 57:24: (laughing)
57:24 - 57:25: That was STP, dude.
57:25 - 57:26: - And it was-
57:26 - 57:27: - Oh, okay.
57:27 - 57:30: - Dean and Robert DeLeo were the-
57:30 - 57:31: - The bassist and guitarist.
57:31 - 57:32: - Yeah.
57:32 - 57:34: - Wait, is it like Don DeLeo?
57:34 - 57:35: - Yeah.
57:35 - 57:36: - Spelled differently.
57:36 - 57:37: - No, no, no, spelled differently.
57:37 - 57:38: It's D-E-L-E-O.
57:38 - 57:42: Who are the two brothers on bass and drums in Alice in Chains?
57:42 - 57:44: - Honestly, couldn't tell you.
57:44 - 57:46: - Mike Starr is the bass player.
57:46 - 57:48: - Mike and Ricky Starr, the Starr brothers.
57:48 - 57:50: - Mike and Spike Starr.
57:50 - 57:54: And he left, I think,
57:54 - 57:56: 'cause he had a crippling heroin addiction.
57:56 - 57:57: - He was kicked out.
57:57 - 57:57: - Yeah.
57:57 - 57:59: - In early '93.
57:59 - 58:00: - Damn.
58:00 - 58:03: - And then the drummer is Mike.
58:03 - 58:06: - I'm not wild about the drummer, I gotta say.
58:06 - 58:08: I'm not wild about the bass playing and the drumming
58:08 - 58:09: in this band.
58:09 - 58:11: It's really about Lane and Jerry.
58:11 - 58:14: - I can't remember the drummer's name.
58:14 - 58:17: - Speaking of, I've always said
58:17 - 58:20: how there's something about all these early '90s guys,
58:20 - 58:23: their names just sounded grunge.
58:23 - 58:24: There were names that you would not have seen
58:24 - 58:26: in a different era of rock.
58:26 - 58:29: Eddie Vedder, Kurt Cobain, Chris Novoselic,
58:29 - 58:31: especially Nirvana, Dave Grohl.
58:31 - 58:33: There's names, you would not have seen them pop up
58:33 - 58:35: in the '60s or the '70s.
58:35 - 58:37: But I can tell you, Jerry Cantrell,
58:37 - 58:40: that actually sounds like a dude playing guitar
58:40 - 58:42: on a record from 1968.
58:42 - 58:43: - Oh yeah, for sure.
58:43 - 58:44: - That's an old school name.
58:44 - 58:46: - Yeah, Jerry Cantrell, he played with Ellis Presley.
58:46 - 58:47: - Yeah.
58:47 - 58:48: - Exactly.
58:48 - 58:50: (laughing)
58:50 - 58:55: - He was in the Las Vegas Review Band.
58:55 - 58:58: - And on guitar, on guitar, got my main man.
58:58 - 58:59: Put your hands together for Jerry Cantrell.
58:59 - 59:00: Woo!
59:00 - 59:03: - Jerry, his name's Jerry for Christ's sake.
59:03 - 59:04: It's soft.
59:04 - 59:06: - Yeah, the Jerry already obviously
59:06 - 59:07: is like a classic rock name,
59:07 - 59:09: and then the Cantrell just takes it to the next level.
59:09 - 59:12: What's Jerry Cantrell been doing since--
59:12 - 59:14: - He's continuing Alice in Chains.
59:14 - 59:16: - Right, who sings in Alice in Chains now?
59:16 - 59:19: They have a guy that sounds exactly like Lane.
59:19 - 59:20: - Yep.
59:20 - 59:22: Can I speak to how much you hate the drummer real quick,
59:22 - 59:23: Jake?
59:23 - 59:24: - Sure.
59:24 - 59:25: - Have you ever listened to Jar of Flies,
59:25 - 59:26: the follow-up EP?
59:26 - 59:28: - Yeah, I know those songs.
59:28 - 59:30: - Is it possible to throw on
59:30 - 59:32: just the beginning of No Excuses?
59:32 - 59:36: 'Cause I think that encapsulates why he is not to like.
59:36 - 59:40: - It's stiff, it's technical, and it's got a bad tone.
59:40 - 59:41: - It's got too many cymbals.
59:41 - 59:43: - And this says it all.
59:43 - 59:46: (drumming)
59:46 - 59:47: - Thank you, Aaron.
59:47 - 59:49: (drumming)
59:49 - 59:54: - I'm not mad at that.
59:54 - 59:56: Wait, that's from 1993?
59:56 - 59:57: - It sounds like Dave Matthews Band.
59:57 - 01:00:02: - Yeah, I enjoy the Dave Matthews Band element.
01:00:02 - 01:00:04: - Here we go, the verses on the harmony.
01:00:04 - 01:00:07: (drumming)
01:00:07 - 01:00:12: ♪ It's all right ♪
01:00:12 - 01:00:13: ♪ There comes a time ♪
01:00:13 - 01:00:15: - They really have a signature harmony.
01:00:15 - 01:00:17: - They really do.
01:00:17 - 01:00:20: ♪ Got no patience ♪
01:00:20 - 01:00:22: ♪ To search for peace of mind ♪
01:00:22 - 01:00:24: - That's great, I mean, it really is interesting.
01:00:24 - 01:00:26: - Yeah, this is totally D&B.
01:00:26 - 01:00:31: - It just needs a bit of a ♪ Wanna take it slow ♪
01:00:31 - 01:00:33: - Wait, can we hear that intro one more time, though?
01:00:33 - 01:00:34: I wanna hear that drum intro.
01:00:34 - 01:00:35: - It just gives like a chill drum vibe.
01:00:35 - 01:00:38: (drumming)
01:00:38 - 01:00:41: - It almost sounds like the beginning
01:00:41 - 01:00:44: of a Peter Gabriel song from like So, too.
01:00:44 - 01:00:47: - Or it almost has like Tunnel of Love, Springsteen,
01:00:47 - 01:00:48: almost like--
01:00:48 - 01:00:50: - It sounds like '86, kind of.
01:00:50 - 01:00:53: If you had some slight sample, like an ork stab or something.
01:00:56 - 01:01:02: - Yeah, I actually think that Mike Starr was fine on bass,
01:01:02 - 01:01:04: and then when they got the other guy,
01:01:04 - 01:01:08: like Mike Inez, he's all busy.
01:01:08 - 01:01:11: He's like the equivalent of the drummer, but on bass.
01:01:11 - 01:01:13: - Right, too technical.
01:01:13 - 01:01:13: - Yeah.
01:01:13 - 01:01:16: - There's something about those harmonies that also,
01:01:16 - 01:01:19: when you hear like kind of haunting field recordings
01:01:19 - 01:01:22: of like regional folk music from like the '50s,
01:01:22 - 01:01:26: like somebody goes to like an Irish pub somewhere,
01:01:26 - 01:01:28: and these people have like,
01:01:28 - 01:01:29: they've just been like,
01:01:29 - 01:01:30: they've never heard a record in their life,
01:01:30 - 01:01:32: and they've just been like,
01:01:32 - 01:01:33: there's like a darkness to it.
01:01:33 - 01:01:35: - Weird droney harmonies.
01:01:35 - 01:01:40: - ♪ As I went a-rambling one morning ♪
01:01:40 - 01:01:43: I'd love to get a genealogy of Lane Staley
01:01:43 - 01:01:46: and see if I can trace his heritage back to--
01:01:46 - 01:01:48: - It's probably Irish back there.
01:01:48 - 01:01:50: - Yeah, it's probably Scott's Irish.
01:01:50 - 01:01:51: - Lane Staley.
01:01:51 - 01:01:53: - Oh, Lane Staley.
01:01:53 - 01:01:55: - It is also the 30th anniversary
01:01:55 - 01:01:58: of Peter Gabriel's album, "Us."
01:01:58 - 01:01:59: - Okay.
01:01:59 - 01:02:01: - Which has the song "Digging in the Dirt,"
01:02:01 - 01:02:02: which is really--
01:02:02 - 01:02:03: - Oh, I've heard that song before.
01:02:03 - 01:02:06: He was tearing it up on the modern rock charts.
01:02:06 - 01:02:07: Right here.
01:02:07 - 01:02:12: We've done a couple different 1992 top fives where--
01:02:13 - 01:02:15: - Singles from Peter Gabriel were in there.
01:02:15 - 01:02:16: - Steam.
01:02:16 - 01:02:18: - ♪ I'm digging in the dirt ♪
01:02:18 - 01:02:19: - Give me steam.
01:02:19 - 01:02:20: - Well, that's weird, Aaron,
01:02:20 - 01:02:22: 'cause you've also done a Peter Gabriel cover band.
01:02:22 - 01:02:23: You've done--
01:02:23 - 01:02:24: - This is true.
01:02:24 - 01:02:26: - You've done "Five Lane Block Top."
01:02:26 - 01:02:29: What was the name of the Peter Gabriel band?
01:02:29 - 01:02:30: - It was just LA Takedown.
01:02:30 - 01:02:32: Oh, no, it was Red Rain.
01:02:32 - 01:02:34: - Okay, Red Rain, and you've done Richard Pictures.
01:02:34 - 01:02:36: - But yeah, I feel like there's something cosmic
01:02:36 - 01:02:38: happening there where, you know--
01:02:38 - 01:02:39: - Wait, and the doors.
01:02:39 - 01:02:41: - Well, yeah, we did the doors, yeah.
01:02:41 - 01:02:42: I mean, we also--
01:02:42 - 01:02:44: I'm also in a Bob Dylan cover band.
01:02:44 - 01:02:46: I mean, it just keeps going and going.
01:02:46 - 01:02:48: But yeah, the fact that Peter Gabriel released a song
01:02:48 - 01:02:50: called "Digging in the Dirt,"
01:02:50 - 01:02:53: like pretty much the day that Alice in Chains put out "Dirt."
01:02:53 - 01:02:54: I don't know.
01:02:54 - 01:02:55: - "Zeitgeist."
01:02:55 - 01:02:56: - Yeah, "Dirt."
01:02:56 - 01:02:58: - I mean, it totally makes, yeah, too.
01:02:58 - 01:03:00: And also, if you had to pick a word
01:03:00 - 01:03:04: to associate with a year like '92, dirt.
01:03:04 - 01:03:05: Makes sense.
01:03:05 - 01:03:08: - I wonder if them calling it dirt
01:03:08 - 01:03:11: was like a grab at being more grunge.
01:03:11 - 01:03:14: Like dirt, grunge, there's an association,
01:03:14 - 01:03:16: I would say, like just dirty, grungy.
01:03:16 - 01:03:19: - It's the perfect record album title for this.
01:03:19 - 01:03:20: - Maybe somewhere deep in their hearts,
01:03:20 - 01:03:23: they wanted to call it like "Ascension of the Phoenix."
01:03:23 - 01:03:25: And someone was like, "No, dude.
01:03:25 - 01:03:26: (laughs)
01:03:26 - 01:03:28: "Guys, it's '92.
01:03:28 - 01:03:30: "It's just dirt."
01:03:30 - 01:03:32: - Actually, Ezra, to answer your earlier question,
01:03:32 - 01:03:37: dirt to me, that has some punk ethos to it.
01:03:37 - 01:03:38: - Yeah, I know what you mean.
01:03:38 - 01:03:40: - Instead of naming it like a typical
01:03:40 - 01:03:43: dumb metal album name, like "Ascension of the Phoenix."
01:03:43 - 01:03:45: No, dude, it's dirt.
01:03:45 - 01:03:46: - Dirt.
01:03:46 - 01:03:49: - Yeah, it's like, there's a band called Pavement.
01:03:49 - 01:03:51: We're gonna name our album just dirt.
01:03:51 - 01:03:51: It's raw.
01:03:51 - 01:03:55: - The most punk thing on the album is the joke song.
01:03:55 - 01:03:58: - Do you know who the vocal is in the joke song?
01:03:58 - 01:03:59: - I do.
01:03:59 - 01:04:00: (laughs)
01:04:00 - 01:04:01: - Oh, it's not them.
01:04:01 - 01:04:02: - It's Tom Mariah from "Slayer."
01:04:02 - 01:04:06: - Oh, okay, so they were friends with Slayer?
01:04:06 - 01:04:07: All right, well, let's throw that on.
01:04:07 - 01:04:08: - I guess the most metal thing about them.
01:04:08 - 01:04:10: - Oh, God, this is not the song to throw on.
01:04:10 - 01:04:11: - All right, we're gonna throw on
01:04:11 - 01:04:15: the Alice in Chains joke song featuring Tom from Slayer.
01:04:15 - 01:04:17: All right, thanks so much, guys.
01:04:17 - 01:04:19: Great to have you on, as always.
01:04:19 - 01:04:21: Everybody go throw on "Dirt"
01:04:21 - 01:04:22: in honor of the 30th anniversary.
01:04:22 - 01:04:25: (rock music)
01:04:25 - 01:04:31: ♪ I am ♪
01:04:31 - 01:04:33: ♪ I am dirt ♪
01:04:33 - 01:04:36: (roaring)
01:05:03 - 01:05:05: - Jake, you did a great job booking this episode.
01:05:05 - 01:05:07: Like you said, very '90s.
01:05:07 - 01:05:09: Our next guest is Stephen Hyden,
01:05:09 - 01:05:12: legendary rock journalist, friend of the show.
01:05:12 - 01:05:14: He's got a new book, which I was lucky enough
01:05:14 - 01:05:15: to read earlier this year.
01:05:15 - 01:05:17: I know I talked about it on the show.
01:05:17 - 01:05:18: It's called "Long Road, Pearl Jam
01:05:18 - 01:05:20: and the Soundtrack of a Generation."
01:05:20 - 01:05:22: It's out now.
01:05:22 - 01:05:22: It's cool.
01:05:22 - 01:05:25: It's like, you know, he's got his kind of idiosyncratic
01:05:25 - 01:05:28: personal take on Pearl Jam and their career,
01:05:28 - 01:05:30: but it's also like very factual.
01:05:30 - 01:05:32: He's always great at kind of contextualizing
01:05:32 - 01:05:33: when things are happening.
01:05:33 - 01:05:35: I think it's a great book,
01:05:35 - 01:05:39: especially for the kind of marginal Pearl Jam fan like me.
01:05:39 - 01:05:40: - And me.
01:05:40 - 01:05:41: - Or Jake.
01:05:41 - 01:05:43: People who are like, you know, like kind of in,
01:05:43 - 01:05:44: maybe just like curious.
01:05:44 - 01:05:47: People are always like, "Yeah, I like Pearl Jam, okay.
01:05:47 - 01:05:48: "What's the deal with them?"
01:05:48 - 01:05:50: - Pearl Jam, curious.
01:05:50 - 01:05:52: - If you're PJ curious, it's a great book
01:05:52 - 01:05:55: because you probably know many of the songs
01:05:55 - 01:05:56: and you've probably been like, "Wow,
01:05:56 - 01:05:58: "people are really passionate about that band.
01:05:58 - 01:06:01: "People are out there like throwing on flannel shirts
01:06:01 - 01:06:03: "and following them in a van like the Grateful Dead.
01:06:03 - 01:06:05: "Like what are they buying into?"
01:06:05 - 01:06:06: And this book really explains it
01:06:06 - 01:06:08: and gives you a history of the band dynamics
01:06:08 - 01:06:10: and all that stuff.
01:06:10 - 01:06:13: - Are they buying into those Mike McReady guitar solos?
01:06:13 - 01:06:14: - I wanna start with that.
01:06:14 - 01:06:16: All right, so let's get Steven on the phone.
01:06:16 - 01:06:20: - Now let's go to the Time Crisis Hotline.
01:06:20 - 01:06:22: (phone ringing)
01:06:22 - 01:06:25: - Hey.
01:06:25 - 01:06:25: - Hey, Steven, what's up?
01:06:25 - 01:06:27: Welcome back to Time Crisis.
01:06:27 - 01:06:29: - Oh my God, I'm thrilled.
01:06:29 - 01:06:31: It's been way too long.
01:06:31 - 01:06:34: I feel like it's been like a few years at this point.
01:06:34 - 01:06:38: - In the COVID era, but yeah, time flies.
01:06:38 - 01:06:39: Time flies when you're having fun.
01:06:39 - 01:06:41: We were just hyping up the book.
01:06:41 - 01:06:43: I've actually been talking about this book since I read it,
01:06:43 - 01:06:47: which was, I don't know, seven months ago or something.
01:06:47 - 01:06:50: - You were one of the first people to read it.
01:06:50 - 01:06:51: - I'm so glad.
01:06:51 - 01:06:53: I really appreciate you giving me the early copy
01:06:53 - 01:06:55: because I was able to read it
01:06:55 - 01:06:59: before I saw my first Pearl Jam show
01:06:59 - 01:07:01: with Jake at the Forum.
01:07:01 - 01:07:04: - Yeah, and you did that episode about it
01:07:04 - 01:07:07: and you were with Adam from the War on Drugs.
01:07:07 - 01:07:10: - Oh yeah, Adam from the War on Drugs came to the show.
01:07:10 - 01:07:12: Actually, that's another thing, Jake.
01:07:12 - 01:07:13: It's not very popping, but after that show,
01:07:13 - 01:07:16: we did have a little bit of a Pearl Jam text thread.
01:07:16 - 01:07:17: - That's true.
01:07:17 - 01:07:20: 'Cause Steven, before you came on,
01:07:20 - 01:07:22: I had some friends on discussing the 30th anniversary
01:07:22 - 01:07:25: of Alice in Chains Dirt album.
01:07:25 - 01:07:25: - Oh.
01:07:25 - 01:07:29: - We had a discreet Alice in Chains text thread.
01:07:29 - 01:07:31: And now, as Ezra brings this up, it's right.
01:07:31 - 01:07:36: We have a very sporadically used Pearl Jam text thread.
01:07:36 - 01:07:38: Me, Ezra, Adam from War on Drugs,
01:07:38 - 01:07:41: and Ezra's tour manager, Brian.
01:07:41 - 01:07:42: - Is that Alice in Chains thread?
01:07:42 - 01:07:44: Is that like really grim?
01:07:44 - 01:07:47: I just feel like if you're talking about Dirt,
01:07:47 - 01:07:48: it's a brilliant record,
01:07:48 - 01:07:51: but it's like one of the most depressing albums
01:07:51 - 01:07:52: of all time.
01:07:52 - 01:07:55: - It's mostly texts about when can we get together
01:07:55 - 01:07:56: and drink and listen to Dirt?
01:07:56 - 01:07:59: (laughing)
01:07:59 - 01:08:00: And it's mostly like, I'm out of town,
01:08:00 - 01:08:03: the 10th to the 18th, I can't make it then.
01:08:03 - 01:08:05: That's mostly what the text thread is.
01:08:05 - 01:08:06: Although today was very active,
01:08:06 - 01:08:09: 'cause I was trying to wrangle up some guests for the show,
01:08:09 - 01:08:11: and my brother Dave was gonna come on,
01:08:11 - 01:08:12: and he had to bail last minute,
01:08:12 - 01:08:14: 'cause he's a huge Dirt head.
01:08:14 - 01:08:15: Anyway.
01:08:15 - 01:08:17: - What are you guys drinking on Dirt night?
01:08:17 - 01:08:19: - Hard, hard stuff.
01:08:19 - 01:08:19: - Whiskey, bourbon.
01:08:19 - 01:08:21: - Whiskey, tequila.
01:08:21 - 01:08:22: - Everclear.
01:08:22 - 01:08:24: (laughing)
01:08:24 - 01:08:26: - As long as it's not heroin.
01:08:26 - 01:08:27: You know, as long as you're not
01:08:27 - 01:08:28: like shooting heroin together,
01:08:28 - 01:08:29: 'cause I feel like that would be
01:08:29 - 01:08:33: the ultimate Dirt night expression.
01:08:33 - 01:08:36: I feel like if you're just drinking Miller High Life
01:08:36 - 01:08:39: or something, that's like the safe Dirt night.
01:08:39 - 01:08:41: - That's the dad's Dirt night.
01:08:41 - 01:08:42: - Yeah, exactly.
01:08:42 - 01:08:45: - That's like safe suburban dad's Dirt night.
01:08:45 - 01:08:46: - When you're hanging out on Dirt night,
01:08:46 - 01:08:48: are you trying to discern like,
01:08:48 - 01:08:50: is this Layne Staley singing?
01:08:50 - 01:08:53: Is this Jerry Cantrell singing?
01:08:53 - 01:08:54: 'Cause I always feel like that is,
01:08:54 - 01:08:59: if you're trying to dissect Alice in Chains sonically,
01:08:59 - 01:09:02: 'cause there is like this thing with Alice in Chains,
01:09:02 - 01:09:04: I feel like where people feel like,
01:09:04 - 01:09:07: well, maybe Jerry Cantrell is like actually
01:09:07 - 01:09:09: the actual lead singer of that band,
01:09:09 - 01:09:11: because they're always singing together.
01:09:11 - 01:09:13: Layne Staley gets so much credit as a great lead singer,
01:09:13 - 01:09:17: and he is, but I feel like especially as he faltered,
01:09:17 - 01:09:19: it was like Jerry Cantrell was almost like
01:09:19 - 01:09:21: the secret lead singer of that band.
01:09:21 - 01:09:26: - Well, okay, I don't know their career very much after Dirt.
01:09:26 - 01:09:29: Like Dirt is the height of the band.
01:09:29 - 01:09:30: - Jake's a Dirt guy.
01:09:30 - 01:09:31: - Yeah, I'm a Dirt guy, hey.
01:09:31 - 01:09:33: (laughing)
01:09:33 - 01:09:38: On the song "Wood" and on the song "Down in a Hole,"
01:09:38 - 01:09:40: that's Cantrell on the verses.
01:09:40 - 01:09:41: - Right.
01:09:41 - 01:09:43: - Maybe Layne is in there a little bit
01:09:43 - 01:09:46: on the harmonies with him, and they're gentle, they're soft.
01:09:46 - 01:09:51: And then when the choruses just go off, huge choruses,
01:09:51 - 01:09:53: Layne comes in, we were just talking about this,
01:09:53 - 01:09:56: Layne comes in with no harmonies.
01:09:56 - 01:09:56: - Right.
01:09:56 - 01:09:59: - Like on "Them Bones," it's like weird harmonies,
01:09:59 - 01:10:03: which is a really cool reversal of the classic
01:10:03 - 01:10:07: solo vocal verse, and then someone comes in on the chorus
01:10:07 - 01:10:08: just to beef it up a bit.
01:10:08 - 01:10:11: - Well, if I may make a recommendation
01:10:11 - 01:10:14: for post-Dirt, Allison Chains.
01:10:14 - 01:10:15: - Please.
01:10:15 - 01:10:19: - The "Jar of Flies" EP is arguably as good as Dirt,
01:10:19 - 01:10:21: and it's a little more melodic, you know,
01:10:21 - 01:10:24: 'cause that's like the unplugged version of Allison Chains.
01:10:24 - 01:10:26: - Yeah, we were just listening to that
01:10:26 - 01:10:26: and making fun of the drum tone.
01:10:26 - 01:10:28: - Jake can't stand the drummer.
01:10:28 - 01:10:32: - I can't deal with, okay, here's the transition for you.
01:10:32 - 01:10:34: I can't deal with the drummer of Allison Chains,
01:10:34 - 01:10:36: and I can't deal with the lead guitar player in Pearl Jam.
01:10:36 - 01:10:37: So--
01:10:37 - 01:10:39: - Oh, what, McCready?
01:10:39 - 01:10:40: - I can't deal.
01:10:40 - 01:10:40: - You're taking shots at McCready?
01:10:40 - 01:10:41: - Jake has been hating on McCready.
01:10:41 - 01:10:42: - I can't deal with him.
01:10:42 - 01:10:43: - Oh my God.
01:10:43 - 01:10:47: - He's the most like hard rock cafe dude ever.
01:10:47 - 01:10:47: (laughing)
01:10:47 - 01:10:51: He's the most awkward lead guitar player
01:10:51 - 01:10:53: of a major band I can think of.
01:10:53 - 01:10:55: - Oh my God.
01:10:55 - 01:10:56: - There's 10,000 guys like him.
01:10:56 - 01:10:58: - I can't believe you're going that hard on him, Jake.
01:10:58 - 01:11:01: Even at the show, Jake was just standing there
01:11:01 - 01:11:03: just being like, not feeling McCready.
01:11:03 - 01:11:06: - I feel like this is like "Saving Private Ryan,"
01:11:06 - 01:11:08: and like they're taking shots,
01:11:08 - 01:11:12: I'm taking bullets coming out on the beach immediately,
01:11:12 - 01:11:14: taking shots at McCready, 'cause like,
01:11:14 - 01:11:15: I mean, I write about this in the book,
01:11:15 - 01:11:17: he's my favorite member of the band.
01:11:17 - 01:11:18: - Oh, wow.
01:11:18 - 01:11:20: - So now like we're really throwing it down here.
01:11:20 - 01:11:21: - We're at laundry heads.
01:11:21 - 01:11:22: - I mean, I'll throw this out there
01:11:22 - 01:11:24: just like as an alternative thing,
01:11:24 - 01:11:25: maybe this will change your mind.
01:11:25 - 01:11:29: I think that if you look at Pearl Jam
01:11:29 - 01:11:31: from a jam band perspective,
01:11:31 - 01:11:34: and if you're looking at the live recordings,
01:11:34 - 01:11:36: that McCready is the one who is bringing
01:11:36 - 01:11:40: the improvisational aspect to the live stuff.
01:11:40 - 01:11:43: So like, if you're listening to like "Even Flow,"
01:11:43 - 01:11:47: for instance, the like thousandth live version
01:11:47 - 01:11:49: of that song, the only reason why it's different
01:11:49 - 01:11:52: is what McCready is bringing to the table,
01:11:52 - 01:11:56: because he is playing a different solo every single time.
01:11:56 - 01:11:59: Like he's the one who, I think especially live,
01:11:59 - 01:12:01: I mean, it's funny that you say this,
01:12:01 - 01:12:03: 'cause like I went to go see Pearl Jam
01:12:03 - 01:12:07: with my friend Rob, who I did the "36 From the Vault"
01:12:07 - 01:12:08: podcast with.
01:12:08 - 01:12:09: - Oh, right, right.
01:12:09 - 01:12:11: - And he was rolling his eyes at McCready a lot,
01:12:11 - 01:12:12: because he's very hammy live.
01:12:12 - 01:12:15: He's like stalking around the stage,
01:12:15 - 01:12:19: he's like doing a lot of the rock theatric type stuff.
01:12:19 - 01:12:23: But I think musically, he's the one who's like
01:12:23 - 01:12:27: bringing different things to every live performance
01:12:27 - 01:12:28: that they do.
01:12:28 - 01:12:32: So that is part of like what I really like about him.
01:12:32 - 01:12:34: If you wanna say there's a Jerry,
01:12:34 - 01:12:35: you wanna say Eddie is the Jerry,
01:12:35 - 01:12:38: but in a way, musically speaking,
01:12:38 - 01:12:41: McCready is the Jerry of Pearl Jam
01:12:41 - 01:12:43: in the sense of the guitar player
01:12:44 - 01:12:47: changing up the live versions every time they play live.
01:12:47 - 01:12:48: - How about this?
01:12:48 - 01:12:49: There's no Jerry in Pearl Jam.
01:12:49 - 01:12:51: (laughing)
01:12:51 - 01:12:53: Pearl Jam is Pearl Jam.
01:12:53 - 01:12:55: The Grateful Dead are the Grateful Dead.
01:12:55 - 01:12:57: - There's not even a Jerry Cantrell.
01:12:57 - 01:13:00: - There's not even a Cantrell.
01:13:00 - 01:13:02: He plays a different guitar solo every night
01:13:02 - 01:13:03: and they're all bad.
01:13:03 - 01:13:04: I'm sorry.
01:13:04 - 01:13:06: He can just be the weak guy.
01:13:06 - 01:13:08: He can be like the SNL. - Jake is hating.
01:13:08 - 01:13:09: - I'm sorry.
01:13:09 - 01:13:11: Just sub him in for the guy that played
01:13:11 - 01:13:13: for the SNL band for 10 years.
01:13:13 - 01:13:15: - I just like haven't played--
01:13:15 - 01:13:16: - Whoa, whoa, whoa, wait.
01:13:16 - 01:13:18: You're taking shots at G.E. Smith now?
01:13:18 - 01:13:19: - Absolutely.
01:13:19 - 01:13:22: - We're taking G.E. Smith shots?
01:13:22 - 01:13:27: - I'm taking shots at Hard Rock Cafe blues guitar players.
01:13:27 - 01:13:28: Not interesting.
01:13:28 - 01:13:29: - Oh dear.
01:13:29 - 01:13:30: - I'm sorry, Steve.
01:13:30 - 01:13:30: We're getting off on the wrong foot here.
01:13:30 - 01:13:32: - First of all, I didn't know.
01:13:32 - 01:13:34: - The only way to settle this is,
01:13:34 - 01:13:37: Steven, can you make Jake a playlist
01:13:37 - 01:13:40: of your top 25 even flows?
01:13:40 - 01:13:42: Try to spread them out over the last 30 years.
01:13:42 - 01:13:45: - Your top 25 even flows.
01:13:45 - 01:13:46: Jake.
01:13:46 - 01:13:48: (laughing)
01:13:48 - 01:13:50: ♪ Freezing ♪
01:13:50 - 01:13:55: ♪ Rest his head on a pillow made of concrete ♪
01:13:55 - 01:14:00: ♪ Oh, feeling ♪
01:14:00 - 01:14:01: ♪ Maybe he'll feel a little better ♪
01:14:01 - 01:14:06: ♪ Saturdays are ♪
01:14:06 - 01:14:09: ♪ Hell now ♪
01:14:09 - 01:14:14: ♪ He says he sees them again ain't that familiar ♪
01:14:14 - 01:14:20: ♪ No friend he can't have when he's happy ♪
01:14:20 - 01:14:22: ♪ Looks insane ♪
01:14:22 - 01:14:37: ♪ Even so ♪
01:14:37 - 01:14:42: ♪ He's on the run like a motorbike ♪
01:14:42 - 01:14:46: ♪ All he don't know ♪
01:14:46 - 01:14:51: ♪ Is how he chases them away ♪
01:14:51 - 01:14:56: ♪ Something here ♪
01:14:56 - 01:15:00: ♪ He'll begin his life again ♪
01:15:00 - 01:15:02: ♪ Life again ♪
01:15:04 - 01:15:06: - When we saw Pearl Jam at the forum,
01:15:06 - 01:15:08: I had never seen Pearl Jam before.
01:15:08 - 01:15:10: And I gotta say, I was so charmed with Vedder.
01:15:10 - 01:15:13: I mean, to me Vedder is the band.
01:15:13 - 01:15:16: He was such an incredible front man, great banter.
01:15:16 - 01:15:18: I think we covered this on the show.
01:15:18 - 01:15:20: He told this whole story about going,
01:15:20 - 01:15:22: trying to go see Pink Floyd and the wall era.
01:15:22 - 01:15:24: His buddy lost one of the tickets.
01:15:24 - 01:15:27: He just sat in his parking lot stoned all night.
01:15:27 - 01:15:28: And then when he told it,
01:15:28 - 01:15:31: this like nice kind of drawn out five minute anecdote,
01:15:31 - 01:15:32: he won me over.
01:15:32 - 01:15:33: I mean, hell of a front man.
01:15:33 - 01:15:35: There's no band without Vedder.
01:15:35 - 01:15:38: That to me, Vedder is the Jerry, even though there's no Jerry.
01:15:38 - 01:15:41: - Well, can I just say too that because of Vedder,
01:15:41 - 01:15:43: I'll give Vedder credit for this.
01:15:43 - 01:15:47: I think it was like '06 when Pearl Jam played,
01:15:47 - 01:15:49: I think it was Columbus, Ohio.
01:15:49 - 01:15:52: Robert Pollard opened for,
01:15:52 - 01:15:56: the Robert Pollard Solar Band opened for Pearl Jam.
01:15:56 - 01:15:58: And they played Bob O'Reilly together.
01:15:58 - 01:16:01: Like Robert Pollard sang it with Pearl Jam.
01:16:01 - 01:16:03: So because of Eddie Vedder,
01:16:03 - 01:16:05: Robert Pollard, guided by voices,
01:16:05 - 01:16:09: got to sing Bob O'Reilly in an arena.
01:16:09 - 01:16:12: So I feel like any Pearl Jam skeptic
01:16:12 - 01:16:16: from an indie rock world ought to be able to recognize,
01:16:16 - 01:16:18: we all want to hear Robert Pollard sing Bob O'Reilly
01:16:18 - 01:16:22: in a huge room and it's because of Eddie Vedder.
01:16:22 - 01:16:25: So that's another thing that you,
01:16:25 - 01:16:27: just to tie the worlds together.
01:16:27 - 01:16:28: - Now you're just brown.
01:16:28 - 01:16:33: - Well, I'm trying to bring Jake back here
01:16:33 - 01:16:34: because, okay.
01:16:34 - 01:16:37: - This is one of the funniest situations.
01:16:37 - 01:16:39: This is the worst first date.
01:16:39 - 01:16:40: I know it's not a first date.
01:16:40 - 01:16:41: (laughing)
01:16:41 - 01:16:42: - It's all love.
01:16:42 - 01:16:43: - It's a really sit down.
01:16:43 - 01:16:44: - It's all love.
01:16:44 - 01:16:44: - We haven't even started the top five guys.
01:16:44 - 01:16:46: - That's funny too.
01:16:46 - 01:16:48: That's such like a genre of like,
01:16:48 - 01:16:51: kind of like a tweet or like a social media post
01:16:51 - 01:16:52: where somebody's like,
01:16:52 - 01:16:54: "I think I'm sitting next to the worst Tinder date
01:16:54 - 01:16:55: of all time."
01:16:55 - 01:16:56: (laughing)
01:16:56 - 01:16:58: You know, like the girl's vegan
01:16:58 - 01:17:01: and the guys just told her she just got back
01:17:01 - 01:17:03: from a hunting in the woods.
01:17:03 - 01:17:05: And he took down a 5.0.
01:17:05 - 01:17:06: It's like that.
01:17:06 - 01:17:07: It's like, "Hey guys,
01:17:07 - 01:17:09: I think I'm at the worst Tinder date of all time.
01:17:09 - 01:17:12: This dude just opened with how much he hates
01:17:12 - 01:17:13: Mike McCready of Pearl Jam.
01:17:13 - 01:17:14: And the girl just said,
01:17:14 - 01:17:17: "That's actually my favorite member of the band."
01:17:17 - 01:17:20: And they're both 22, which is pretty cool.
01:17:20 - 01:17:22: 22 year olds talking PJ on the first date.
01:17:22 - 01:17:25: - It's two 45 year old guys talking PJ.
01:17:25 - 01:17:27: We're both 77, I think, right, Seton?
01:17:27 - 01:17:28: - Yeah, yeah.
01:17:28 - 01:17:30: You're February 77.
01:17:30 - 01:17:31: - Yeah.
01:17:31 - 01:17:32: - I'm September.
01:17:32 - 01:17:34: - So I'm English town.
01:17:34 - 01:17:35: - Nice.
01:17:35 - 01:17:36: - 77.
01:17:36 - 01:17:38: In February, you would have been like,
01:17:38 - 01:17:41: you know, Madison, Wisconsin, probably.
01:17:41 - 01:17:43: And February 77.
01:17:43 - 01:17:46: I just brought up the power of the dead.
01:17:46 - 01:17:47: I'm trying to bring you back here.
01:17:47 - 01:17:49: - No, we're good, we're good, man.
01:17:49 - 01:17:50: - Jake likes Pearl Jam, right?
01:17:50 - 01:17:51: - I do.
01:17:51 - 01:17:52: I like Pearl Jam.
01:17:52 - 01:17:54: - I mean, I feel bad that McCready's taking so much ire,
01:17:54 - 01:17:55: but okay, well, Stephen,
01:17:55 - 01:17:57: you can definitely speak to this
01:17:57 - 01:18:00: because I think one thing I love about the book,
01:18:00 - 01:18:02: I was saying this earlier,
01:18:02 - 01:18:04: is, and why I think your book is great
01:18:04 - 01:18:05: for even Pearl Jam skeptics,
01:18:05 - 01:18:07: maybe especially for Pearl Jam skeptics,
01:18:07 - 01:18:11: just 'cause it's like, you give people lots of context.
01:18:11 - 01:18:12: Like you'll go off on a whole thing
01:18:12 - 01:18:14: about Stone Temple Pilots
01:18:14 - 01:18:16: or what was happening in the larger music world.
01:18:16 - 01:18:19: You also really are interested in the band dynamics
01:18:19 - 01:18:20: and stuff like that.
01:18:20 - 01:18:22: So you kind of keep it interesting
01:18:22 - 01:18:23: from a human perspective.
01:18:23 - 01:18:26: Can you just give us your general take
01:18:26 - 01:18:28: about the humans in this band,
01:18:28 - 01:18:31: the elements of this band that come together,
01:18:31 - 01:18:32: Vetter is the type,
01:18:32 - 01:18:33: "Oh guys, it'd be cool to get Robert Power
01:18:33 - 01:18:35: to come sing Bob O'Reilly with us."
01:18:35 - 01:18:36: What are the other people,
01:18:36 - 01:18:38: such as the Mike McCready represent,
01:18:38 - 01:18:40: 'cause obviously it's only Pearl Jam
01:18:40 - 01:18:42: with all of these people.
01:18:42 - 01:18:44: Can you just give us your kind of bird's eye view
01:18:44 - 01:18:47: of how Pearl Jam reached this kind of the harmony
01:18:47 - 01:18:49: that makes them them?
01:18:49 - 01:18:51: What are the elements, the people, the influences?
01:18:51 - 01:18:55: - Yeah, so there's a phrase that I seize upon
01:18:55 - 01:18:58: early in the book that came from Matt Cameron,
01:18:58 - 01:19:02: where he described Pearl Jam as punk rock, arena rock,
01:19:02 - 01:19:06: which in my interpretation is this idea
01:19:06 - 01:19:08: of simultaneously being a band
01:19:08 - 01:19:10: that can play arenas and stadiums
01:19:10 - 01:19:14: and sort of be reminiscent of the bands of the past
01:19:14 - 01:19:16: that would play those types of rooms.
01:19:16 - 01:19:20: You know, The Who, Zeppelin, Bruce Springsteen,
01:19:20 - 01:19:24: and at the same time operate like a band
01:19:24 - 01:19:27: that comes from the punk rock world.
01:19:27 - 01:19:30: You know, specifically like the '80s indie world
01:19:30 - 01:19:33: that certainly people like Jeff Amitt
01:19:33 - 01:19:35: and Stone Gossard came from,
01:19:35 - 01:19:37: you know, playing in Green River,
01:19:37 - 01:19:42: you know, very sort of early Seattle punk band,
01:19:42 - 01:19:44: you know, from the mid '80s into the late '80s.
01:19:44 - 01:19:48: And I think that that's a big part
01:19:48 - 01:19:50: of like why they've been able to stick around
01:19:50 - 01:19:52: for a long time.
01:19:52 - 01:19:56: They can be a band that if you wanna see
01:19:56 - 01:19:58: The Who or Aerosmith or, you know,
01:19:58 - 01:20:01: like a band like that in a big room
01:20:01 - 01:20:05: and that can hit like that and deliver like that,
01:20:05 - 01:20:06: even in ways that like, you know,
01:20:06 - 01:20:09: like Jake was talking about, like the House of Rock thing,
01:20:09 - 01:20:12: I mean, that is part of the rock and roll tree, you know?
01:20:12 - 01:20:13: And I wouldn't say House of Rock.
01:20:13 - 01:20:15: I would say Mike McCready is more of like
01:20:15 - 01:20:19: the Jimi Hendrix, Stevie Ray Vaughan type style
01:20:19 - 01:20:21: of guitar playing, and maybe Stevie Ray Vaughan
01:20:21 - 01:20:23: would fall more into that House of Rock thing,
01:20:23 - 01:20:26: but that is part of like the arena rock tree.
01:20:26 - 01:20:29: So they can be that, but they can also be a band
01:20:29 - 01:20:31: that has a lineage that does come from
01:20:31 - 01:20:32: like the indie rock world,
01:20:32 - 01:20:35: and maybe they carry themselves more
01:20:35 - 01:20:38: like a band that would be from there.
01:20:38 - 01:20:43: And it seems like an impossible combination to pull off.
01:20:43 - 01:20:45: And I think Pearl Jam over the course of their career,
01:20:45 - 01:20:47: it was always about trying to figure out a way
01:20:47 - 01:20:52: to pull that off, 'cause it is a really hard balancing act
01:20:52 - 01:20:55: to execute, but I think they really did figure it out
01:20:55 - 01:20:57: in the long run, 'cause like you look at them now,
01:20:57 - 01:21:01: and you just saw them at the, was it at the Forum in LA?
01:21:01 - 01:21:02: - Yeah, Forum.
01:21:02 - 01:21:05: - So the Forum, they can play the Forum,
01:21:05 - 01:21:07: they can sell it out, but at the same time,
01:21:07 - 01:21:10: they're like, they have like really no media profile at all.
01:21:10 - 01:21:12: You know, like when I've been talking about this book,
01:21:12 - 01:21:16: I often compare Eddie Vedder to Dave Grohl, you know,
01:21:16 - 01:21:19: and no shots at Dave Grohl, I mean, he's great,
01:21:19 - 01:21:21: but like Dave Grohl, like when they promote,
01:21:21 - 01:21:23: whenever there's like a new Foo Fighters record,
01:21:23 - 01:21:24: he's like all over the place.
01:21:24 - 01:21:28: He's on award shows, he's on talk shows, very ubiquitous,
01:21:28 - 01:21:31: whereas Eddie Vedder has really avoided that
01:21:31 - 01:21:34: for a long time, and yet he still has the same
01:21:34 - 01:21:37: rockstar friends, you know, he can still play
01:21:37 - 01:21:39: the same big places, but it's like,
01:21:39 - 01:21:43: it can be invisible and very visible simultaneously.
01:21:43 - 01:21:46: And again, that's a really hard thing to do,
01:21:46 - 01:21:48: but they've been able to pull it off for a long time.
01:21:48 - 01:21:52: And I think that's the key to like their long-term survival.
01:21:52 - 01:21:54: - And it is interesting, like,
01:21:54 - 01:21:56: I feel like I've noticed more people,
01:21:56 - 01:21:59: maybe it's just a natural function of time,
01:21:59 - 01:22:01: becoming kind of interested in Pearl Jam,
01:22:01 - 01:22:04: maybe just because they're hitting that 30 year mark
01:22:04 - 01:22:06: and people get interested in stuff
01:22:06 - 01:22:08: when it's been around 30 years and start to be like,
01:22:08 - 01:22:10: whether you like them back in the day,
01:22:10 - 01:22:12: were agnostic, disliked them,
01:22:12 - 01:22:15: I feel like there's been some growing energy lately.
01:22:15 - 01:22:17: Maybe I'm just speaking about myself,
01:22:17 - 01:22:18: but we're just kind of like, oh yeah, Pearl Jam,
01:22:18 - 01:22:20: I'll go see Pearl Jam.
01:22:20 - 01:22:21: Oh yeah, I've got a buddy, they go see Pearl Jam
01:22:21 - 01:22:23: every time they come to town.
01:22:23 - 01:22:25: As you promote this book and talk about it,
01:22:25 - 01:22:28: is there a bit of a Pearl Jam renaissance happening?
01:22:28 - 01:22:31: - I don't know, I mean, there are really interesting
01:22:31 - 01:22:33: battle in that regard because,
01:22:33 - 01:22:35: and I don't want to put too much weight on this,
01:22:35 - 01:22:39: but like Pitchfork just put out a new list
01:22:39 - 01:22:43: of like the best albums of the 90s, 150 albums.
01:22:43 - 01:22:43: - Oh, oh, I haven't seen that.
01:22:43 - 01:22:45: - Very controversial.
01:22:45 - 01:22:47: And there's like no Pearl Jam albums on there.
01:22:47 - 01:22:48: I think-
01:22:48 - 01:22:49: - Zero Pearl Jam.
01:22:49 - 01:22:50: - Zero Pearl Jam.
01:22:50 - 01:22:51: - Really?
01:22:51 - 01:22:52: - Zero Pearl Jam.
01:22:52 - 01:22:53: - Versus?
01:22:53 - 01:22:55: - Nothing from Pearl Jam.
01:22:55 - 01:22:59: They did put Corduroy on their songs list this week,
01:22:59 - 01:23:01: which actually I was kind of surprised by
01:23:01 - 01:23:05: because Pitchfork generally,
01:23:05 - 01:23:06: if you look at their archives,
01:23:06 - 01:23:09: like they're not very positive toward that band,
01:23:09 - 01:23:11: but it is interesting.
01:23:11 - 01:23:13: I don't feel like they've really,
01:23:13 - 01:23:16: they don't seem like the band that is like canonical
01:23:16 - 01:23:17: like to like younger generations yet
01:23:17 - 01:23:19: in the way that like Nirvana is.
01:23:19 - 01:23:22: - And I'm curious about this, not having seen this list,
01:23:22 - 01:23:24: like for instance, is Nevermind in the top 10?
01:23:24 - 01:23:26: - It is in the top 10,
01:23:26 - 01:23:30: but like Holes lived through this as like two spots higher,
01:23:30 - 01:23:31: which was interesting to me.
01:23:31 - 01:23:32: - Oh my God.
01:23:32 - 01:23:33: - Like Nevermind-
01:23:33 - 01:23:35: - That is so funny.
01:23:35 - 01:23:36: - Nevermind was number 10.
01:23:36 - 01:23:39: It's an interesting top 10 list for the albums
01:23:39 - 01:23:41: because like Loveless,
01:23:41 - 01:23:43: My Bloody Valentine record was number one,
01:23:43 - 01:23:45: which actually surprised me a little bit.
01:23:45 - 01:23:46: - That's kind of old school.
01:23:46 - 01:23:47: - Exactly.
01:23:47 - 01:23:50: And then like Lauryn Hill was number two.
01:23:50 - 01:23:51: Okay, Computer was number three.
01:23:51 - 01:23:54: I forget what comes after that, but so-
01:23:54 - 01:23:56: - Okay, so those are all like,
01:23:56 - 01:23:58: none of those are surprises that they'd be in the top 10.
01:23:58 - 01:24:01: Again, perhaps the particular order is irrelevant.
01:24:01 - 01:24:03: It's more like, all right, what's top 10?
01:24:03 - 01:24:04: What's top 50?
01:24:07 - 01:24:09: ♪ Don't be mad ♪
01:24:09 - 01:24:13: ♪ You're finally here and I'm a mess ♪
01:24:13 - 01:24:16: ♪ I take your interest back ♪
01:24:16 - 01:24:21: ♪ Can't let you roam inside my head ♪
01:24:21 - 01:24:24: ♪ I don't wanna take what you can't give ♪
01:24:24 - 01:24:28: ♪ I'd rather starve than eat your bread ♪
01:24:28 - 01:24:31: ♪ I'd rather run but I can't walk ♪
01:24:31 - 01:24:36: ♪ Guess I'll lie alone just like before ♪
01:24:36 - 01:24:37: - Where's Dirt?
01:24:37 - 01:24:39: - I don't know if Dirt made it, actually.
01:24:39 - 01:24:42: It's funny 'cause like you see these lists and like,
01:24:42 - 01:24:47: and I hate that I do this because it annoys me.
01:24:47 - 01:24:49: Like if I make my own list and people do this,
01:24:49 - 01:24:51: but like you do the control F
01:24:51 - 01:24:54: and you put in the thing that you are curious,
01:24:54 - 01:24:55: where did this land?
01:24:55 - 01:24:57: I think I looked up like Siamese Dream.
01:24:57 - 01:25:00: - I mean, I was half kidding you by suggesting that.
01:25:00 - 01:25:03: I assume Dirt is not on the list, if I had to guess.
01:25:03 - 01:25:06: - They recently did like a Pitchfork review on Dirt.
01:25:06 - 01:25:09: They did like a, it's funny that we're doing so much Dirt talk.
01:25:09 - 01:25:11: - Dirt is not on the list.
01:25:11 - 01:25:12: - Oh, no Dirt? - Dirt is not on the list.
01:25:12 - 01:25:15: - Nick, do you think of B-1000 and Alien Lanes?
01:25:15 - 01:25:17: - I can tell you. - Okay, thank you, Steven.
01:25:17 - 01:25:20: - I can tell you, Alien Lanes is not on the list.
01:25:20 - 01:25:22: B-1000, I believe is about 129.
01:25:22 - 01:25:24: Maybe we can confirm that, but I think it was about--
01:25:24 - 01:25:27: - We're talking about the most underrated rock bands
01:25:27 - 01:25:29: of all time, Alice in Chains and GBB.
01:25:29 - 01:25:31: (laughing)
01:25:31 - 01:25:33: - AIC and GBB.
01:25:33 - 01:25:34: - How about this?
01:25:34 - 01:25:37: - B-1000, yeah, B-1000, 123.
01:25:37 - 01:25:41: - GBB, underrated, MBV, overrated.
01:25:41 - 01:25:43: - Can I just say too, since we're talking
01:25:43 - 01:25:46: about the Pitchfork list here,
01:25:46 - 01:25:48: Octoon Baby was like 118.
01:25:48 - 01:25:49: I think that's way too low.
01:25:49 - 01:25:51: Can we talk about U2 for a second?
01:25:51 - 01:25:54: - Sure. - I think they're way underrated.
01:25:54 - 01:25:59: I think Octoon Baby is for sure at least a top five album
01:25:59 - 01:26:02: of the '90s, as far as I'm concerned.
01:26:02 - 01:26:05: - Well, I wouldn't go top five, but I would--
01:26:05 - 01:26:07: - I would for sure for myself.
01:26:07 - 01:26:10: I think that album is a masterpiece.
01:26:10 - 01:26:11: - No, I love it. - It's very good,
01:26:11 - 01:26:14: but I mean, I guess as, I know this is the exact type
01:26:14 - 01:26:15: of thing that you talked-- - Guys, just want you
01:26:15 - 01:26:16: to take a guess. - Yeah.
01:26:16 - 01:26:20: - Steven, you do not get to answer since you know the list.
01:26:20 - 01:26:22: Where do you think Dookie falls?
01:26:22 - 01:26:25: - Beautiful album.
01:26:25 - 01:26:27: Okay, it was a number one, it was a number two,
01:26:27 - 01:26:29: and it was a number three, so I'm guessing four.
01:26:29 - 01:26:30: - I'm gonna guess-- - Just kidding.
01:26:30 - 01:26:33: - I'm gonna guess 115.
01:26:33 - 01:26:35: - I'm gonna say not on the list.
01:26:35 - 01:26:37: - I mean, that would be incredible if I did,
01:26:37 - 01:26:39: if it was a trick question.
01:26:39 - 01:26:41: No, it's, what did you say, Jake?
01:26:41 - 01:26:44: - 115. - Ooh, it's 111.
01:26:44 - 01:26:46: - Wow, good guess. - Ooh, wow.
01:26:46 - 01:26:47: - Really good, Jake. - Thank you.
01:26:47 - 01:26:48: - Wow. - I think like--
01:26:48 - 01:26:52: - Arthur Russell's "Another Thought," that's 115.
01:26:52 - 01:26:53: - That's '90s?
01:26:53 - 01:26:56: - Wait, was that like the '80s?
01:26:56 - 01:26:57: - That doesn't count.
01:26:57 - 01:27:00: - '94. - It's like a reissue?
01:27:00 - 01:27:02: - Where is "Siamese Dream?"
01:27:02 - 01:27:04: - It's like '98, I believe.
01:27:04 - 01:27:09: - Damn, you're so good, I mean, you're, yes, it's '98.
01:27:09 - 01:27:10: - Well, because this was something I looked up--
01:27:10 - 01:27:12: - It's incredible, Steven.
01:27:12 - 01:27:15: - I looked that up specifically because I felt like,
01:27:15 - 01:27:18: again, as a aging music writer,
01:27:18 - 01:27:22: I felt like that was way too low on the list
01:27:22 - 01:27:25: 'cause I was DMing with various people about this list.
01:27:25 - 01:27:26: Someone brought up Dookie,
01:27:26 - 01:27:28: and someone brought up the self-titled
01:27:28 - 01:27:30: "Rage Against the Machine."
01:27:30 - 01:27:31: - That album, like the self-titled?
01:27:31 - 01:27:34: - Sure, where do you think that fell?
01:27:34 - 01:27:36: - I'm gonna guess 43. - I looked that one up.
01:27:36 - 01:27:38: - Yeah, I was gonna say 40-something.
01:27:38 - 01:27:40: - 120.
01:27:40 - 01:27:42: - Ouch, oh, deep.
01:27:42 - 01:27:45: - Which I'm not even a huge "Rage Against the Machine" fan,
01:27:45 - 01:27:47: but that seems way too low for me.
01:27:47 - 01:27:50: - Okay, I remember the last time, like two years ago,
01:27:50 - 01:27:53: during COVID, Rolling Stone did the top 500 albums
01:27:53 - 01:27:57: of all time, and the top indie rock album,
01:27:57 - 01:27:58: do you guys remember what it was?
01:27:58 - 01:27:59: - Top indie rock album?
01:27:59 - 01:28:01: - It was a Matador release in the '90s,
01:28:01 - 01:28:03: and it wasn't "Pavement," and it wasn't "GBV."
01:28:03 - 01:28:04: - What'd be "Liz Phair" and "Sebastian"?
01:28:04 - 01:28:06: - Yes, it was "Liz Phair."
01:28:06 - 01:28:07: - Yeah, yeah, "Exile" and "Guy-Ville."
01:28:07 - 01:28:08: - "Liz Phair" was the top indie rock album
01:28:08 - 01:28:11: on the top 500 list two years ago.
01:28:11 - 01:28:15: I'm gonna guess "Exile" and "Guy-Ville" is number nine.
01:28:15 - 01:28:16: - Number four.
01:28:16 - 01:28:17: - Oh! - That was number four?
01:28:17 - 01:28:19: - Ooh, it took the Dookie slot.
01:28:19 - 01:28:24: - It took Dookie, and they threw Dookie all the way to 111.
01:28:24 - 01:28:26: - This is gonna be so all over the place.
01:28:26 - 01:28:27: It's possible that we're done talking about "Pearl Jam."
01:28:27 - 01:28:29: Maybe that's a good thing.
01:28:29 - 01:28:30: You've been talking about "Pearl Jam"
01:28:30 - 01:28:32: so much lately, right, Stephen?
01:28:32 - 01:28:36: - I mean, I'm happy to talk about "Pearl Jam"
01:28:36 - 01:28:37: till the cows come home, but-
01:28:37 - 01:28:40: - Well, everybody, look, check out the book, everybody.
01:28:40 - 01:28:42: - I love all of Stephen's books.
01:28:42 - 01:28:43: I haven't got the PJ book yet.
01:28:43 - 01:28:44: I'm gonna get it.
01:28:44 - 01:28:48: I'm gonna read it, despite my misgivings of Mike McReady.
01:28:48 - 01:28:50: I'm psyched to read this book.
01:28:50 - 01:28:52: Stephen's a great writer, iconic band.
01:28:52 - 01:28:54: I'll hit up the PJ thread,
01:28:54 - 01:28:56: and we'll add Stephen to that thread if he wants.
01:28:56 - 01:28:58: Maybe he's PJ'd out.
01:28:58 - 01:28:59: I don't know.
01:28:59 - 01:29:00: - I mean, the thread, man.
01:29:00 - 01:29:02: I mean, the Alice in Chains thread.
01:29:02 - 01:29:03: - Oh, you know what I was gonna say?
01:29:03 - 01:29:07: Jake, Jake, we should buy it for Brian and Adam,
01:29:07 - 01:29:08: the other two guys on the list.
01:29:08 - 01:29:11: We should buy them Stephen's book as a group chat present.
01:29:11 - 01:29:12: - That's a great call.
01:29:12 - 01:29:14: - Before I click out of this window.
01:29:14 - 01:29:15: - Yeah, yeah.
01:29:15 - 01:29:16: - Time out of mind.
01:29:16 - 01:29:18: - Ooh, I was just thinking about that.
01:29:18 - 01:29:19: - Is it on the list?
01:29:19 - 01:29:20: And if so, where does it fall?
01:29:20 - 01:29:22: - Well, I think it's gonna be high.
01:29:22 - 01:29:23: I think it's gonna be high.
01:29:23 - 01:29:26: It's gonna be, well, I think, first of all,
01:29:26 - 01:29:27: Bob Dylan's Greatest Hits Volume 3,
01:29:27 - 01:29:29: which came out in the '90s.
01:29:29 - 01:29:30: That's probably number five.
01:29:30 - 01:29:33: And then I think Time Out of Mind, an actual studio album.
01:29:33 - 01:29:35: I think it's gonna be like 28.
01:29:35 - 01:29:38: - Because I follow the Jokerman Podcast Twitter feed,
01:29:38 - 01:29:40: it's pretty much my entire Twitter feed
01:29:40 - 01:29:43: is basically just Bob Dylan at this point.
01:29:43 - 01:29:45: Not on the list.
01:29:45 - 01:29:46: - 68.
01:29:46 - 01:29:46: - Oh, I guess I was wrong.
01:29:46 - 01:29:47: I guess I misread the tweets.
01:29:47 - 01:29:49: - So you were, yeah.
01:29:49 - 01:29:50: - But I was a bit close.
01:29:50 - 01:29:51: I mean, I just wanted to-
01:29:51 - 01:29:52: - You were very close.
01:29:52 - 01:29:53: - Not as close as Jake and Dookie,
01:29:53 - 01:29:54: but it's interesting.
01:29:54 - 01:29:56: - I think you know it's in the top 100.
01:29:56 - 01:29:58: - Yeah, we were talking about a lot of records
01:29:58 - 01:30:00: that were falling outside the top 100.
01:30:00 - 01:30:01: I do think Time Out of Mind's having a moment.
01:30:01 - 01:30:04: And I wanted to say, just speaking of Steven's writing
01:30:04 - 01:30:06: and the fact that we went so deep on Bob Dylan
01:30:06 - 01:30:08: recently on the program,
01:30:08 - 01:30:11: one piece of Steven's writing that I really enjoy
01:30:11 - 01:30:13: and that I found myself returning to a lot
01:30:13 - 01:30:17: in my post Bob Dylan Greatest Hits Volume 3 mania
01:30:17 - 01:30:21: was Steven's Every Bob Dylan Studio Album Ranked,
01:30:21 - 01:30:22: which he wrote for Uproxx.
01:30:22 - 01:30:23: - Yes.
01:30:23 - 01:30:26: - And that to all of the Time Crisis fans
01:30:26 - 01:30:30: who got into middle period Bob Dylan via our two-parter,
01:30:30 - 01:30:33: and maybe you're interested in going through because-
01:30:33 - 01:30:34: - Can I just say, by the way,
01:30:34 - 01:30:39: that I love that you did a middle period Bob Dylan
01:30:39 - 01:30:40: like two-parter?
01:30:40 - 01:30:42: That's so inspiring to me.
01:30:42 - 01:30:45: I love that this has become so normalized.
01:30:45 - 01:30:46: I was just gonna say too,
01:30:46 - 01:30:49: I mean, I was joking about this with the Joker Men guys
01:30:49 - 01:30:53: that Froggy K McCorton from Good As I've Been To You
01:30:53 - 01:30:56: should have been on the songs list for-
01:30:56 - 01:30:57: - Some of his early 90s work.
01:30:57 - 01:31:01: - His cover of Froggy K McCorton
01:31:01 - 01:31:04: that was woefully underappreciated
01:31:04 - 01:31:08: on the best songs list of the 90s.
01:31:08 - 01:31:10: - Where's Wiggle Wiggle?
01:31:10 - 01:31:10: I mean, come on.
01:31:10 - 01:31:11: - Right.
01:31:11 - 01:31:14: Well, I mean, all kidding aside,
01:31:14 - 01:31:15: you could have put Lovesick
01:31:15 - 01:31:20: or Standing In The Doorway on that songs list
01:31:20 - 01:31:21: as legit great songs.
01:31:21 - 01:31:24: But anyway, Ezra, I'm sorry.
01:31:24 - 01:31:25: Sorry to interrupt you.
01:31:25 - 01:31:26: - Well, I was just saying, it's a great piece of writing,
01:31:26 - 01:31:27: but one thing I should say,
01:31:27 - 01:31:29: and I don't know if Jake, if you've seen it,
01:31:29 - 01:31:33: but because via Bob Dylan's career since volume three,
01:31:33 - 01:31:36: me and Jake got so deep into Brownsville Girl,
01:31:36 - 01:31:39: I was a little bit sad to see that you put
01:31:39 - 01:31:42: knocked out, loaded, dead last
01:31:43 - 01:31:45: on your list number 39.
01:31:45 - 01:31:48: And you give it up for Brownsville Girl.
01:31:48 - 01:31:50: And to be fair, I do have to say Stephen's writing,
01:31:50 - 01:31:52: it really comes from a fan place.
01:31:52 - 01:31:53: Over and over again in the list,
01:31:53 - 01:31:56: you make it clear that you love all Bob Dylan's music.
01:31:56 - 01:31:59: And it's kind of a matter of which day you make the list,
01:31:59 - 01:32:01: but you did put knocked out, loaded, dead last.
01:32:01 - 01:32:03: - And I love knocked out, loaded.
01:32:03 - 01:32:05: You know, I mean, it's like not a knock on that album.
01:32:05 - 01:32:07: It's like, if you're gonna rank Bob Dylan albums,
01:32:07 - 01:32:08: something has to be last.
01:32:08 - 01:32:11: It doesn't mean you don't like it in a way.
01:32:11 - 01:32:15: If you had to make your top 200 albums of all time,
01:32:15 - 01:32:18: knocked out and loaded would be number 39, number 40.
01:32:18 - 01:32:20: - Right, exactly.
01:32:20 - 01:32:23: - Okay, computer, number 41, Sergeant Pepper.
01:32:23 - 01:32:27: But it's just, every Bob Dylan album is one through 39.
01:32:27 - 01:32:29: - Exactly, I mean, 'cause you know,
01:32:29 - 01:32:33: the thing with Bob is that every album of his
01:32:33 - 01:32:36: that you think is bad will become your favorite album
01:32:36 - 01:32:37: in like five years.
01:32:37 - 01:32:39: Like that's the thing I realized with him.
01:32:39 - 01:32:42: Because honestly, like the thing I would be least interested
01:32:42 - 01:32:46: in putting on is, you know, something like "Triplicate,"
01:32:46 - 01:32:51: you know, which is his triple album of standards.
01:32:51 - 01:32:53: And like each album is like a half hour long
01:32:53 - 01:32:56: and it's the same tempo.
01:32:56 - 01:33:01: But I know that at some point that is going to be the album
01:33:01 - 01:33:03: I am most obsessed with,
01:33:03 - 01:33:05: because that's just how Bob Dylan is.
01:33:05 - 01:33:07: - That was "Evans Doesn't Miss."
01:33:07 - 01:33:09: Wasn't that "Evans" number one?
01:33:09 - 01:33:11: - Yes, yeah.
01:33:11 - 01:33:12: - He was trolling, I mean.
01:33:12 - 01:33:15: - But he may not be though.
01:33:15 - 01:33:18: - No, I mean, "Jokerman" mindset is deep.
01:33:18 - 01:33:22: It affects, it's like a zombie apocalypse.
01:33:22 - 01:33:23: - It affects us all eventually.
01:33:23 - 01:33:26: - I really tried to get into "Tempest"
01:33:26 - 01:33:28: based on the "Jokerman's" recommendation.
01:33:28 - 01:33:30: And it definitely has its moments.
01:33:30 - 01:33:33: - Well, there was this movie I seen one time
01:33:33 - 01:33:37: about a man riding across the desert
01:33:37 - 01:33:39: and it starred Gregory Peck.
01:33:39 - 01:33:44: He was shot down by a hungry kid
01:33:44 - 01:33:47: trying to make a name for himself.
01:33:47 - 01:33:51: The townspeople wanted to dress that kid down
01:33:51 - 01:33:53: and string him up by the neck.
01:33:53 - 01:33:58: Well, the marshal, now he beat that kid to a bloody pulp.
01:33:58 - 01:34:05: As the dying gunfighter lay under sun and gas
01:34:05 - 01:34:07: for his last breath.
01:34:07 - 01:34:10: Turn him loose, let him go,
01:34:10 - 01:34:13: let him say he'll do me fair and square.
01:34:13 - 01:34:17: I want him to feel what it's like
01:34:17 - 01:34:20: to every moment face his death.
01:34:20 - 01:34:24: Well, I keep seeing this stuff
01:34:24 - 01:34:26: and it just comes a-rollin' in.
01:34:26 - 01:34:33: And you know it blows right through me like a ball of chain.
01:34:35 - 01:34:37: You know, I can't believe we've lived so long
01:34:37 - 01:34:40: and are still so far apart.
01:34:40 - 01:34:45: The memory of you keeps calling after me
01:34:45 - 01:34:48: like a rolling train.
01:34:48 - 01:34:52: - I will say, and I know Jake, you can relate to this
01:34:52 - 01:34:53: 'cause we talk about it a lot.
01:34:53 - 01:34:55: Like, what records are you actually gonna throw on?
01:34:55 - 01:34:57: And Steven, before you came on, Jake was saying
01:34:57 - 01:34:59: he listens to "Dirt" a lot more
01:34:59 - 01:35:01: than he listens to "Nevermind"
01:35:01 - 01:35:03: because the weight of history on "Nevermind"
01:35:03 - 01:35:05: just makes it, you're just less likely
01:35:05 - 01:35:06: to wanna throw it on than you,
01:35:06 - 01:35:08: at least for Jake, you'd want to "Dirt."
01:35:08 - 01:35:10: And I wonder if you ever feel this way
01:35:10 - 01:35:13: and this might be different than your top Bob albums list.
01:35:13 - 01:35:18: I've just found lately, I'd rather listen to "Shot of Love"
01:35:18 - 01:35:20: and Fidel's "Knocked Out, Loaded"
01:35:20 - 01:35:23: than any of the classic '60s stuff.
01:35:23 - 01:35:25: And I've been feeling that way kind of for a long time.
01:35:25 - 01:35:27: I'm sure it'll go back later.
01:35:27 - 01:35:29: I'd rather listen to '80s or '90s, Bob,
01:35:29 - 01:35:33: than the objectively more classic,
01:35:33 - 01:35:35: tasteful '60s and '70s stuff.
01:35:35 - 01:35:36: You ever feel that way?
01:35:36 - 01:35:37: - Oh, absolutely.
01:35:37 - 01:35:40: And that's like what is so great about Bob Dylan
01:35:40 - 01:35:45: is that he has so many albums in his catalog
01:35:45 - 01:35:48: that still feel unclaimed in a way.
01:35:48 - 01:35:51: And, you know, like for people like us,
01:35:51 - 01:35:54: "Shot of Love" or "Empire Burlesque"
01:35:54 - 01:35:58: or even an album like "Street Legal" or something,
01:35:58 - 01:36:00: they feel like classics already,
01:36:00 - 01:36:02: but in the larger scheme of things,
01:36:02 - 01:36:04: they're still under-discussed.
01:36:04 - 01:36:06: Whereas an album like "Blonde on Blonde,"
01:36:06 - 01:36:09: I mean, we've all read-
01:36:09 - 01:36:10: - It's a museum piece.
01:36:10 - 01:36:13: - Yeah, we've all, and look, "Blonde on Blonde,"
01:36:13 - 01:36:15: if I had, you know, to me,
01:36:15 - 01:36:17: that's the greatest album ever made.
01:36:17 - 01:36:19: Like, and I will say that.
01:36:19 - 01:36:20: - That's your number one?
01:36:20 - 01:36:23: - Yeah, if you're asking me to pick
01:36:23 - 01:36:24: the greatest album of all time,
01:36:24 - 01:36:26: I would say "Blonde on Blonde."
01:36:26 - 01:36:28: And if you put it on, I would enjoy it.
01:36:28 - 01:36:32: Like, I still listen to the classics too,
01:36:32 - 01:36:36: but, you know, when you listen to "Shot of Love,"
01:36:36 - 01:36:39: there's just not as much like narrative baggage
01:36:39 - 01:36:40: attached to an album like that.
01:36:40 - 01:36:43: Like, you don't hear like Grail Marcus's voice
01:36:43 - 01:36:47: in your head commenting on it as you're listening to it.
01:36:47 - 01:36:48: And this is true of like other, you know,
01:36:48 - 01:36:52: sort of like canonical, like classic rock people,
01:36:52 - 01:36:55: like someone like Van Morrison, for instance.
01:36:55 - 01:36:57: There's like this Grail Marcus book
01:36:57 - 01:37:00: where he writes about all the Van Morrison albums.
01:37:00 - 01:37:02: And he's basically, he writes at one point,
01:37:02 - 01:37:07: like every Van Morrison album from like 1980s, 1995,
01:37:07 - 01:37:09: you don't need to listen to those at all.
01:37:09 - 01:37:12: Like, they're all basically garbage.
01:37:12 - 01:37:14: And I'm like, that's like one of my favorite periods
01:37:14 - 01:37:16: of Van Morrison.
01:37:16 - 01:37:16: Like, I love that period.
01:37:16 - 01:37:19: ♪ Beautiful vision ♪
01:37:19 - 01:37:20: - "Beautiful Vision."
01:37:20 - 01:37:21: - Yeah.
01:37:21 - 01:37:25: - And like, "Hymns to the Silence," "Common One,"
01:37:25 - 01:37:28: and there's so many just beautiful records from then.
01:37:28 - 01:37:32: And, you know, that's one of the very attractive things
01:37:32 - 01:37:35: about these sort of like big time artists
01:37:35 - 01:37:37: is that they have so many albums
01:37:37 - 01:37:39: and they have like entire decades of their career
01:37:39 - 01:37:43: that have been dismissed by experts.
01:37:43 - 01:37:45: - It's like, almost like you're getting
01:37:45 - 01:37:47: multiple artists in one.
01:37:47 - 01:37:48: - Right.
01:37:48 - 01:37:48: - The same way that there might be one person
01:37:48 - 01:37:51: who's like, "Yeah, I love the Beatles,
01:37:51 - 01:37:55: but then, you know, you also catch me listening
01:37:55 - 01:37:57: to West Coast Experimental Pop Group
01:37:57 - 01:38:00: or whatever, like obscure, weirder '60s stuff."
01:38:00 - 01:38:01: But with Bob Dylan or Van Morrison,
01:38:01 - 01:38:04: it's both are within the same artist.
01:38:04 - 01:38:05: You can be like, "Oh yeah, I'll listen.
01:38:05 - 01:38:07: I'll throw Freewheel in on 'Once in a Blue Moon,'"
01:38:07 - 01:38:09: but like, you have this whole decade of them.
01:38:09 - 01:38:10: It's almost like being into,
01:38:10 - 01:38:13: even though of course there's so much continuity,
01:38:13 - 01:38:16: to be into it and finding people to talk about it with
01:38:16 - 01:38:19: is almost like being into a semi-obscure artist.
01:38:19 - 01:38:20: - Totally.
01:38:20 - 01:38:22: - To talk about Empire Burlesque with somebody.
01:38:22 - 01:38:23: - Well, I was gonna say,
01:38:23 - 01:38:28: it's like being into historically significant visual artists
01:38:28 - 01:38:32: that have different phases of their career.
01:38:32 - 01:38:34: You can say like Picasso.
01:38:34 - 01:38:36: The Blue Period is only like five, six years.
01:38:36 - 01:38:37: - Right.
01:38:37 - 01:38:38: - The work he was doing in the '30s was much different
01:38:38 - 01:38:41: than the work he was doing in the '70s.
01:38:41 - 01:38:43: If you wanna go deep, you can.
01:38:43 - 01:38:43: - I agree.
01:38:43 - 01:38:45: I think there's something interesting though about,
01:38:45 - 01:38:48: 'cause I always think of like Tunnel of Love
01:38:48 - 01:38:50: as this like very important,
01:38:50 - 01:38:53: I think when it's music, if you're from a certain era,
01:38:53 - 01:38:55: at some point, that's our nostalgia.
01:38:55 - 01:38:57: Like even if it wasn't at the, you know,
01:38:57 - 01:39:01: it somehow connects us very specifically
01:39:01 - 01:39:02: to when we were growing up.
01:39:02 - 01:39:06: I mean, my parents listened to Bob Dylan pretty religiously,
01:39:06 - 01:39:10: like, but at some point that '60s, '70s
01:39:10 - 01:39:12: is not my experience at all.
01:39:12 - 01:39:15: And even those later albums, which were not on as much,
01:39:15 - 01:39:18: became much more of my childhood.
01:39:18 - 01:39:20: - Just 'cause they were new when you came out, they came.
01:39:20 - 01:39:21: - Yeah.
01:39:21 - 01:39:21: - Yeah, that's cool.
01:39:21 - 01:39:23: - And like you'd even hear it on MTV even.
01:39:23 - 01:39:24: I mean, there's just something about
01:39:24 - 01:39:26: the connection at this age. - Yeah, watch 'em unplugged.
01:39:26 - 01:39:27: - Totally.
01:39:27 - 01:39:29: - Oh yeah, I like that, that there's two different ways
01:39:29 - 01:39:31: you can approach like a deep career artist like that.
01:39:31 - 01:39:33: You can either start getting into the albums
01:39:33 - 01:39:36: that come out in real time, like when you're,
01:39:36 - 01:39:38: you know, if you're like 17 and 97,
01:39:38 - 01:39:40: like check out Time Out of Mind.
01:39:40 - 01:39:42: You can do it that way.
01:39:42 - 01:39:45: Or you can kind of just grow up with the records.
01:39:45 - 01:39:48: And actually I have a memory of being in college
01:39:48 - 01:39:50: when I definitely was listening to Blonde on Blonde
01:39:50 - 01:39:52: all the time and Highway 61 Revisited,
01:39:52 - 01:39:55: just all like the classic, classic '60s stuff.
01:39:55 - 01:39:58: And I remember hanging out with,
01:39:58 - 01:40:01: he's an interesting filmmaker, very talented guy,
01:40:01 - 01:40:02: Eugene Kotularenko.
01:40:02 - 01:40:03: - Oh, hell yeah.
01:40:03 - 01:40:05: - I went to college with him.
01:40:05 - 01:40:09: And I remember being like 19 or 20
01:40:09 - 01:40:12: and him just being like, "You ever listen to Infidels?"
01:40:12 - 01:40:14: And I was like, "What is that, like '80s, Bob?"
01:40:14 - 01:40:17: And he was like, "Oh yeah, you should listen to it.
01:40:17 - 01:40:18: Great record."
01:40:18 - 01:40:19: And I just remember at the time being just like,
01:40:19 - 01:40:22: I remember kind of bookmarking it and I was just like,
01:40:22 - 01:40:24: and I think I tried, I was like, I cannot.
01:40:24 - 01:40:28: - Eugene was at Infidels head at age 18 or 19.
01:40:28 - 01:40:29: - Respect.
01:40:29 - 01:40:30: - He's like, "You gotta listen, there's a song about Israel.
01:40:30 - 01:40:33: You're gonna, it's like, it's crazy."
01:40:33 - 01:40:35: And he's like, "You gotta check it out."
01:40:35 - 01:40:37: But I really have this feeling where I'm like,
01:40:37 - 01:40:40: and you know, when Bob would have been,
01:40:40 - 01:40:41: when Infidels came out,
01:40:41 - 01:40:43: he would have been in his early 40s or something.
01:40:43 - 01:40:45: So a little bit older than me.
01:40:45 - 01:40:47: I can't even fully put it into words.
01:40:47 - 01:40:48: It would be almost be too simple to say,
01:40:48 - 01:40:49: "Well, you know, you grow up,
01:40:49 - 01:40:51: you have more experiences, you relate more."
01:40:51 - 01:40:54: But it's like, I can feel my center of gravity
01:40:54 - 01:40:55: going more towards Infidels.
01:40:55 - 01:40:56: There's something about it.
01:40:56 - 01:40:58: I just understand it more.
01:40:58 - 01:41:02: I feel more comfortable listening to it or something.
01:41:02 - 01:41:05: And I really have a feeling.
01:41:05 - 01:41:07: Now I've thrown on Tempest, I like it,
01:41:07 - 01:41:10: but I do have a feeling when I'm like old,
01:41:10 - 01:41:11: Tempest will be hitting.
01:41:11 - 01:41:13: When I'm Bob's age, when he made Tempest,
01:41:13 - 01:41:15: I think I'll understand something deeper about it.
01:41:15 - 01:41:17: I love that, having that too.
01:41:17 - 01:41:19: - Yeah, I was just gonna say that.
01:41:19 - 01:41:21: I think there is something to be said too
01:41:21 - 01:41:25: about how, you know, we're talking about "Knocked Out Loaded"
01:41:25 - 01:41:29: and he was like 45 when that record came out
01:41:29 - 01:41:31: and I'm 45 now.
01:41:31 - 01:41:34: So I feel like that makes me like that record more
01:41:34 - 01:41:37: because there's something about me being the same age
01:41:37 - 01:41:38: as Bob when he made that record.
01:41:38 - 01:41:40: It's like, I kind of understand.
01:41:40 - 01:41:45: Although his experience was obviously much different
01:41:45 - 01:41:49: than mine when he was 45 because he had this entire,
01:41:49 - 01:41:53: I mean, he was still having to reckon
01:41:53 - 01:41:56: with his younger self at that point.
01:41:56 - 01:41:58: I mean, I feel like he's gotten beyond that now.
01:41:58 - 01:42:01: Like where people, certainly people who love Bob Dylan,
01:42:01 - 01:42:05: they're not comparing him to who he was when he was 25.
01:42:05 - 01:42:08: But like when he was making records in the 80s,
01:42:08 - 01:42:12: like that was still something he had to react against.
01:42:12 - 01:42:15: And it just made those records sound worse,
01:42:15 - 01:42:16: I think, to people at the time.
01:42:16 - 01:42:18: Whereas we can listen to those records now
01:42:18 - 01:42:21: and we have the benefit of just appreciating it
01:42:21 - 01:42:24: as like part of an unfolding story, you know?
01:42:24 - 01:42:26: - Yes. - Like where we're not
01:42:26 - 01:42:28: comparing it to what he was in the 60s.
01:42:28 - 01:42:30: We can just kind of appreciate like,
01:42:30 - 01:42:34: oh, this is like the flavor of Bob in the 80s, you know?
01:42:34 - 01:42:36: But I gotta say, you know, to go back to Van Morrison,
01:42:36 - 01:42:40: Van Morrison is like, I feel like his legacy is in flux
01:42:40 - 01:42:43: just because he's like a lunatic
01:42:43 - 01:42:47: and he's said a lot of stupid things in recent years.
01:42:47 - 01:42:51: His 80s period, I think is the best 80s period
01:42:51 - 01:42:54: of all the 60s like singer-songwriters.
01:42:54 - 01:42:56: Like if you're gonna compare him.
01:42:56 - 01:43:00: And I love 80s Bob, but like I think 80s Van,
01:43:00 - 01:43:03: that might be my favorite decade for Van.
01:43:03 - 01:43:06: - What's your number one song from 80s Van?
01:43:06 - 01:43:07: (inhales)
01:43:07 - 01:43:11: - Man, "Cleaning Windows" is a great song.
01:43:11 - 01:43:12: - All right, I'm gonna start there.
01:43:12 - 01:43:13: - I think that one, I mean, "Common One,"
01:43:13 - 01:43:14: "Common One" is great.
01:43:14 - 01:43:16: "Summertime in England,"
01:43:16 - 01:43:18: actually "Summertime in England" probably
01:43:18 - 01:43:22: from "Common One" is a great song.
01:43:22 - 01:43:23: - I love the song "Beautiful Vision."
01:43:23 - 01:43:26: Like, yeah, like the song "Beautiful Vision,"
01:43:26 - 01:43:28: the song "Dweller on the Threshold."
01:43:28 - 01:43:29: - I was gonna say "Dweller on the Threshold,"
01:43:29 - 01:43:31: that's a great song too.
01:43:31 - 01:43:34: That album with the Cheapkins he did is really beautiful.
01:43:34 - 01:43:36: - Oh yeah, actually, I know that one.
01:43:36 - 01:43:37: And I've always loved that,
01:43:37 - 01:43:40: 'cause I've always loved that kind of traditional Irish stuff.
01:43:40 - 01:43:41: - Actually, I'll say-
01:43:41 - 01:43:43: - We gotta do an 80s Van episode soon.
01:43:43 - 01:43:47: - I was gonna say "In the Garden," actually from,
01:43:47 - 01:43:49: "No Guru, No Method, No Teacher,"
01:43:49 - 01:43:51: which is like one of my favorite Van records.
01:43:51 - 01:43:53: "In the Garden," beautiful song.
01:43:53 - 01:43:55: - Okay, all right, I'm starting with "In the Garden."
01:43:55 - 01:43:59: - Steven's making the time crisis
01:43:59 - 01:44:01: number one live even flows.
01:44:01 - 01:44:05: - All right, and 80s Van Morrison.
01:44:05 - 01:44:09: - Well, we decided on 25 even flows for Jake, right?
01:44:09 - 01:44:10: - We'll share them with the audience.
01:44:10 - 01:44:11: - Top 25 even flows.
01:44:11 - 01:44:12: And then with the Van thing,
01:44:12 - 01:44:16: you need to imagine that it's 1994,
01:44:16 - 01:44:20: and Van Morrison is making "His Greatest Hits," volume three
01:44:20 - 01:44:22: at the time, a la Bob.
01:44:22 - 01:44:24: And he has to dig into that material,
01:44:24 - 01:44:27: and he has to tell his own idiosyncratic story
01:44:27 - 01:44:28: of what he's been up to.
01:44:28 - 01:44:31: And he did have some actual, like, pretty big songs,
01:44:31 - 01:44:33: at least in the late 80s, right?
01:44:33 - 01:44:34: - There's that song, "Have I Told You Lately,"
01:44:34 - 01:44:37: that, like, Rod Stewart covered.
01:44:37 - 01:44:39: - Right, so that became like a,
01:44:39 - 01:44:41: yeah, that became almost like a standard.
01:44:41 - 01:44:46: ♪ The field I roam was wet with rain ♪
01:44:46 - 01:44:50: ♪ After a summer shower ♪
01:44:50 - 01:44:54: ♪ When I saw you standing ♪
01:44:54 - 01:44:57: ♪ Standing in the garden ♪
01:44:57 - 01:45:00: ♪ In the garden ♪
01:45:00 - 01:45:05: ♪ Wet with rain ♪
01:45:05 - 01:45:14: ♪ You wiped the teardrops from your eyes in sorrow ♪
01:45:14 - 01:45:21: ♪ Yeah, we watched the petals fall down to the ground ♪
01:45:21 - 01:45:25: ♪ And then I sat beside you ♪
01:45:25 - 01:45:28: ♪ I felt the great sadness that day ♪
01:45:28 - 01:45:30: ♪ In the garden ♪
01:45:30 - 01:45:31: - Stephen, do you want to just do a speed run
01:45:31 - 01:45:33: through the top five songs
01:45:33 - 01:45:35: on the Alternative Airplay chart right now?
01:45:35 - 01:45:37: - Yeah, I'd love to.
01:45:37 - 01:45:42: - It's time for the top five on iTunes.
01:45:42 - 01:45:45: - Okay, number five right now
01:45:45 - 01:45:47: on the Alternative Airplay chart,
01:45:47 - 01:45:49: Vance Joy with "Clarity."
01:45:49 - 01:45:51: You know Vance Joy?
01:45:51 - 01:45:53: Vance Joy, he had a really big song.
01:45:53 - 01:45:56: He's an Australian artist.
01:45:56 - 01:45:58: He had a big song called "Riptide."
01:45:59 - 01:46:00: - No, I don't know this at all.
01:46:00 - 01:46:03: I feel like I'm being exposed for my lack of--
01:46:03 - 01:46:05: - It's produced by Joel Little,
01:46:05 - 01:46:08: who famously produced the first "Lorde" album.
01:46:08 - 01:46:09: - Okay.
01:46:09 - 01:46:13: ♪ Strictly lost but not in game ♪
01:46:13 - 01:46:15: - Vance Joy's a really big artist.
01:46:15 - 01:46:20: He's got a little bit of an Australia surfer, maybe like--
01:46:20 - 01:46:23: - Sort of like Australian Jack Johnson type vibe
01:46:23 - 01:46:25: with a little bit of a--
01:46:25 - 01:46:26: - But poppier.
01:46:26 - 01:46:27: - Yeah.
01:46:27 - 01:46:30: ♪ I'm gonna fall right out in the sky ♪
01:46:30 - 01:46:32: - Is this Alternative?
01:46:32 - 01:46:33: - I don't even know what that means.
01:46:33 - 01:46:36: I'm surprised that that's still a format for 2022.
01:46:36 - 01:46:38: - I feel like I'm in a CVS.
01:46:38 - 01:46:39: - Yeah, he might be going a little,
01:46:39 - 01:46:41: he's going a little bit poppier now.
01:46:41 - 01:46:42: - This sucks.
01:46:42 - 01:46:44: - All right, number four.
01:46:44 - 01:46:46: - Jake's buying cold medicine and hearing this song.
01:46:46 - 01:46:49: - I wish we had more time
01:46:49 - 01:46:52: 'cause I'd play you guys his earlier hit, "Riptide,"
01:46:52 - 01:46:55: which is a little, slightly crunchier, less poppy.
01:46:55 - 01:46:56: I wonder what you'd think of that.
01:46:56 - 01:46:58: But the number four song right now,
01:46:58 - 01:47:00: oh, we know these guys, Red Hot Chili Peppers,
01:47:00 - 01:47:01: "Tip of My Tongue."
01:47:01 - 01:47:02: - Ooh.
01:47:02 - 01:47:06: - Off of their next album, "Return of the Dream Canteen."
01:47:06 - 01:47:07: Great title.
01:47:07 - 01:47:12: ♪ Return of the dream canteen ♪
01:47:12 - 01:47:13: - Pretty GBV.
01:47:13 - 01:47:15: - Wait, is this the same record
01:47:15 - 01:47:18: with the weird Irish ballad?
01:47:18 - 01:47:21: - No, they're doing back-to-back double albums.
01:47:21 - 01:47:22: - What?
01:47:22 - 01:47:23: - Yes.
01:47:24 - 01:47:26: - That's like the John Frusciante effect.
01:47:26 - 01:47:28: They just, uh...
01:47:28 - 01:47:29: - The floodgates open.
01:47:29 - 01:47:31: - They're totally on fire. - Back-to-back doubles?
01:47:31 - 01:47:34: - Red Hot Chili Peppers is releasing 30 albums this year.
01:47:34 - 01:47:37: - This sounds like blood, sugar, sex, magic.
01:47:37 - 01:47:39: - I mean, I can't be mad at this.
01:47:39 - 01:47:41: ♪ Tell me, can you stand this ♪
01:47:41 - 01:47:42: ♪ I'm on the brink of this ♪
01:47:42 - 01:47:43: ♪ And tell me what you think of this ♪
01:47:43 - 01:47:48: - I like this more than that pirate song that they put out.
01:47:48 - 01:47:49: - Irish Black Summer.
01:47:49 - 01:47:50: - Irish Sea Shanty.
01:47:50 - 01:47:51: - Yeah, I wasn't a huge fan of that.
01:47:52 - 01:47:54: - Wait, Stephen, so I remember you wrote a piece
01:47:54 - 01:47:59: about Red Hot Chili Peppers ranking their albums.
01:47:59 - 01:48:01: Did you get deep into the last,
01:48:01 - 01:48:02: what was the last album called?
01:48:02 - 01:48:03: Love Unlimited.
01:48:03 - 01:48:04: Did you spend any significant time
01:48:04 - 01:48:06: with that last RHCP record?
01:48:06 - 01:48:08: - Not a huge amount of time.
01:48:08 - 01:48:10: It didn't make a huge impression on me,
01:48:10 - 01:48:15: but I'll admit that I was excited to hear
01:48:15 - 01:48:17: a Chili Peppers record that John Frusciante plays on,
01:48:17 - 01:48:20: because I do like him a lot as a guitar player.
01:48:20 - 01:48:21: - Yeah.
01:48:21 - 01:48:23: - It was interesting doing that list,
01:48:23 - 01:48:25: because the thing I realized is that
01:48:25 - 01:48:28: people's favorite Chili Peppers albums
01:48:28 - 01:48:30: are the ones that came out between,
01:48:30 - 01:48:34: whatever albums came up between the ages of 12 and 17,
01:48:34 - 01:48:36: for whatever reader it was, those were the favorites.
01:48:36 - 01:48:39: So for me, it was like Mother's Milk
01:48:39 - 01:48:42: and Blood Sugar Sex Magic.
01:48:42 - 01:48:44: And then for the next generation,
01:48:44 - 01:48:49: it was Stadium Arcadium, tons of Stadium Arcadium fans.
01:48:49 - 01:48:51: Which I think that album,
01:48:51 - 01:48:52: that album, I said that was like their worst album.
01:48:52 - 01:48:54: - It had huge songs.
01:48:54 - 01:48:55: - Yeah, it had huge songs on it.
01:48:55 - 01:48:56: - It had massive, massive songs.
01:48:56 - 01:48:58: - Lots of songs on it.
01:48:58 - 01:48:59: - And it's funny that you say that,
01:48:59 - 01:49:03: because for my 12 to 17 era, it's kind of true.
01:49:03 - 01:49:05: I don't know what, if I was ranking them,
01:49:05 - 01:49:07: if I'd put them top, but of course,
01:49:07 - 01:49:08: oh wait, I'm blanking.
01:49:08 - 01:49:10: What, Californication, what's that album called?
01:49:10 - 01:49:11: - Yeah, that's it.
01:49:11 - 01:49:13: - Yeah, it's Californication.
01:49:13 - 01:49:15: I thought that was great when it came out.
01:49:15 - 01:49:18: But I also have a really soft spot for By The Way.
01:49:18 - 01:49:18: - Right.
01:49:18 - 01:49:20: - I remember even at the time being kind of like,
01:49:20 - 01:49:23: wow, strong followup.
01:49:23 - 01:49:25: There are some really good songs on it.
01:49:25 - 01:49:26: All right, let's keep moving.
01:49:26 - 01:49:28: I mean, that's just some classic Red Hot Chili Peppers.
01:49:28 - 01:49:30: You know what, it's funny,
01:49:30 - 01:49:31: Colin, another producer on the show,
01:49:31 - 01:49:33: emailed us about this song a while ago.
01:49:33 - 01:49:34: I guess it's doing pretty well.
01:49:34 - 01:49:36: This is Dirty Heads.
01:49:36 - 01:49:38: I don't know how much you guys know about them.
01:49:38 - 01:49:40: I associate them with like slightly stupid,
01:49:40 - 01:49:45: kind of like Southern California, reggae-ish.
01:49:45 - 01:49:46: Jam band adjacent, right?
01:49:46 - 01:49:47: Is that fair?
01:49:47 - 01:49:50: Steven, are they jam band adjacent?
01:49:50 - 01:49:50: - Dirty Heads?
01:49:50 - 01:49:52: - Are they outside your beat?
01:49:52 - 01:49:54: - I mean, I don't go deep on Dirty Heads,
01:49:54 - 01:49:57: but like the slightly stupid reference
01:49:57 - 01:49:59: makes me feel like you're probably right.
01:49:59 - 01:50:03: 'Cause slightly stupid would be definitely jam band adjacent.
01:50:03 - 01:50:05: - They're blowing out Red Rocks.
01:50:05 - 01:50:06: - Yeah.
01:50:06 - 01:50:09: - They got a bit of like a follow, you know.
01:50:09 - 01:50:10: - Any kind of like-- - A little show to show.
01:50:10 - 01:50:12: - Yeah, like lightly reggae stuff.
01:50:12 - 01:50:15: Like you're gonna have some jam band people
01:50:15 - 01:50:16: in there for sure.
01:50:16 - 01:50:18: - Well, you guys are gonna like this,
01:50:18 - 01:50:20: like Jake's gonna love this.
01:50:20 - 01:50:23: This is Dirty Heads with their hit cover.
01:50:23 - 01:50:25: I think it's fair to say it's number three
01:50:25 - 01:50:26: on the Alternative Airplay chart.
01:50:26 - 01:50:30: This is their hit cover of Joe Walsh's "Life's Been Good."
01:50:30 - 01:50:31: - Oh no.
01:50:31 - 01:50:32: - Wow.
01:50:34 - 01:50:35: - Oh no.
01:50:35 - 01:50:39: - Steven, what are you drinking there?
01:50:39 - 01:50:42: - Just water, water and coffee.
01:50:42 - 01:50:43: - Coffee?
01:50:43 - 01:50:45: - Yeah.
01:50:45 - 01:50:45: - What is it?
01:50:45 - 01:50:47: - Are you in Japan too, Steven?
01:50:47 - 01:50:50: (laughing)
01:50:50 - 01:50:52: - I had another interview before this.
01:50:52 - 01:50:53: - Wow.
01:50:53 - 01:50:54: - Such.
01:50:54 - 01:50:55: - Wow.
01:50:55 - 01:50:57: Coffee at home at nine at night.
01:50:57 - 01:50:59: - I know, I might be paying for it later.
01:50:59 - 01:51:00: Hopefully not so much.
01:51:00 - 01:51:01: - Some people can just do it.
01:51:01 - 01:51:02: That sucks.
01:51:02 - 01:51:05: - This is honestly, "Life's Been Good"
01:51:05 - 01:51:07: is like one of my favorite songs of all time.
01:51:07 - 01:51:11: I think the lyrics of the song are brilliant.
01:51:11 - 01:51:12: Like every lyric is very quotable.
01:51:12 - 01:51:13: - It's a great song.
01:51:13 - 01:51:17: - And this cover of it just makes me,
01:51:17 - 01:51:19: it makes my heart hurt a little bit.
01:51:19 - 01:51:20: ♪ Should've complained ♪
01:51:20 - 01:51:21: ♪ But sometimes I do ♪
01:51:21 - 01:51:23: ♪ 'Cause it comes with the fame ♪
01:51:23 - 01:51:25: ♪ They say I'm crazy ♪
01:51:25 - 01:51:25: ♪ But I have a reason ♪
01:51:25 - 01:51:27: - Because I feel like the Joe Walsh version
01:51:27 - 01:51:30: has like a layer of irony to it
01:51:30 - 01:51:31: that makes it really work.
01:51:31 - 01:51:32: - Of course.
01:51:32 - 01:51:33: - And there's no irony here at all.
01:51:33 - 01:51:36: It just feels like it's total bro rock.
01:51:36 - 01:51:39: - It's Tony Soprano's "A Cool Guy."
01:51:39 - 01:51:41: (laughing)
01:51:41 - 01:51:44: - Although the one thing, "Life's Been Good"
01:51:44 - 01:51:45: is mostly a reggae song.
01:51:45 - 01:51:49: - Yeah, musically it's like not a stretch at all.
01:51:49 - 01:51:50: - What is this band?
01:51:50 - 01:51:53: Okay, but I didn't, yeah, but they're rapping about,
01:51:53 - 01:51:54: okay, all right, let's move on.
01:51:54 - 01:51:56: I'd love to go deeper on "Dirty Heads,"
01:51:56 - 01:51:59: but yeah, starting with a cover of a beloved song
01:51:59 - 01:52:01: is always gonna be a tough way.
01:52:01 - 01:52:02: - It just makes you like wonder,
01:52:02 - 01:52:05: like what is the alternative audience in 2022?
01:52:05 - 01:52:07: Because you talk about,
01:52:07 - 01:52:09: alternative was always like a weird term in the '90s,
01:52:09 - 01:52:12: but you felt like there was some unifying aesthetic
01:52:12 - 01:52:14: that defined what it was.
01:52:14 - 01:52:16: And I don't know what this aesthetic is.
01:52:16 - 01:52:17: - Now it's truly bizarre.
01:52:17 - 01:52:21: And I mean, it's only gonna get more bizarre
01:52:21 - 01:52:24: with number two, "Imagine Dragons," "Bones."
01:52:24 - 01:52:28: I mean, I do understand how they're alternative,
01:52:28 - 01:52:30: but they also are in a sense,
01:52:30 - 01:52:34: one of the biggest pop artists of the past five, 10 years.
01:52:34 - 01:52:36: Let's see what this one sounds like.
01:52:36 - 01:52:37: - Is this new?
01:52:37 - 01:52:40: Steve, are you an "Imagine Dragons" defender?
01:52:40 - 01:52:41: - I'm not a defender necessarily.
01:52:41 - 01:52:43: I was just gonna shout out
01:52:43 - 01:52:46: a old school "Time Crisis" episode.
01:52:46 - 01:52:48: I think that's like one of the great episodes
01:52:48 - 01:52:51: in the catalog where you talk about
01:52:51 - 01:52:54: "Imagine Dragons" in the 1975.
01:52:54 - 01:52:55: - Oh, right.
01:52:55 - 01:52:57: The singer from 1975 was hating on them.
01:52:57 - 01:53:00: - Yeah, that's a great riff.
01:53:00 - 01:53:01: I love that episode.
01:53:01 - 01:53:03: ♪ Patience is waning ♪
01:53:03 - 01:53:05: ♪ Is this entertaining ♪
01:53:05 - 01:53:07: ♪ I-E-I-E-I ♪
01:53:07 - 01:53:10: - I'm not a defender, but I'm not a hater of "Imagine Dragons."
01:53:10 - 01:53:12: I understand why they're popular
01:53:12 - 01:53:15: and where they fit in the world.
01:53:15 - 01:53:17: And Dan Reynolds, lead singer,
01:53:17 - 01:53:22: seems like he's a legitimately positive guy.
01:53:22 - 01:53:23: - Dude.
01:53:23 - 01:53:23: - Yeah, like a positive good force.
01:53:23 - 01:53:26: - And there's something too where it's like,
01:53:26 - 01:53:29: you know, I can understand there's this kind of mix of rock
01:53:29 - 01:53:33: and this type of pop production is not for everybody.
01:53:33 - 01:53:36: I do think though, if you could take a step back,
01:53:36 - 01:53:38: like you could just tell that "Imagine Dragons"
01:53:38 - 01:53:40: are doing it right.
01:53:40 - 01:53:42: You know, you might not like it.
01:53:42 - 01:53:43: I've just always had that vibe off them.
01:53:43 - 01:53:45: It's like, they're doing it right.
01:53:45 - 01:53:47: They seem like a likely candidate for a band
01:53:47 - 01:53:50: that in 10 or 20 years, somebody with no baggage
01:53:50 - 01:53:52: could go back and like, you know,
01:53:52 - 01:53:56: shock their aging hipster parents by finding inspiration in.
01:53:56 - 01:53:59: - Yeah, and if you're at an NBA game
01:53:59 - 01:54:03: and it's a timeout and Radioactive comes on,
01:54:03 - 01:54:05: you're gonna probably enjoy it.
01:54:05 - 01:54:08: You know, it's like a good song for that environment.
01:54:08 - 01:54:11: It's jock jams type music.
01:54:11 - 01:54:12: - And they have a lot of them.
01:54:12 - 01:54:13: - Exactly. - They got a lot of those songs.
01:54:13 - 01:54:17: - Where if I'm just hanging out in my office,
01:54:17 - 01:54:18: I'm not gonna put it on,
01:54:18 - 01:54:20: but if it comes on in the right environment,
01:54:20 - 01:54:22: I'm not gonna hate it.
01:54:22 - 01:54:22: - Right.
01:54:22 - 01:54:24: - Yeah, that's a good point.
01:54:24 - 01:54:27: - I'm psyched in 20 years when our kids start a band
01:54:27 - 01:54:29: and the major touchstone is "Imagine Dragons."
01:54:29 - 01:54:32: - Well, you know, I will say one of the things that maybe--
01:54:32 - 01:54:33: - Come on guys, no GBV?
01:54:33 - 01:54:36: - One of the things that made me appreciate Radioactive
01:54:36 - 01:54:38: is that years ago I was in my hometown
01:54:38 - 01:54:42: and we were at this like church picnic
01:54:42 - 01:54:45: and there was a teenage band on stage
01:54:45 - 01:54:49: and they played Radioactive and it was very charming.
01:54:49 - 01:54:50: That was probably one of the first songs
01:54:50 - 01:54:52: they ever learned to play and I was like,
01:54:52 - 01:54:54: okay, I actually kind of like this song now
01:54:54 - 01:54:55: 'cause I saw 14 year olds playing it.
01:54:55 - 01:54:56: - I can see that sounding great,
01:54:56 - 01:54:58: just like kind of a garage band.
01:54:58 - 01:55:00: ♪ Radioactive ♪
01:55:00 - 01:55:04: - And they had this like teenage girl lead singer
01:55:04 - 01:55:06: and she was singing it kind of off key,
01:55:06 - 01:55:07: but it was great.
01:55:07 - 01:55:11: It was like the best possible version of that song.
01:55:11 - 01:55:14: So, yeah, exactly.
01:55:14 - 01:55:15: - There's definitely something to it.
01:55:15 - 01:55:18: Okay, and then the number one, I guess in a way,
01:55:18 - 01:55:20: the number one song is by The Killers.
01:55:20 - 01:55:22: It's a new song called "Boy."
01:55:22 - 01:55:24: We've had "Imagine Dragons," "Dirty Heads,"
01:55:24 - 01:55:27: "Red Hot Chili Peppers," and "Vance Joy."
01:55:27 - 01:55:30: I mean, in a way, The Killers are the most like
01:55:30 - 01:55:32: classically modern alternative band.
01:55:32 - 01:55:33: 'Cause even, I mean, of course,
01:55:33 - 01:55:35: "Red Hot Chili Peppers" are alternative,
01:55:35 - 01:55:37: but that's their funky side.
01:55:37 - 01:55:38: That's kind of its own thing.
01:55:38 - 01:55:41: I'm curious what this song sounds like.
01:55:41 - 01:55:42: Steven, you've been writing for kind of like
01:55:42 - 01:55:44: late period Killers, right?
01:55:44 - 01:55:46: You're a Pressure Machine fan?
01:55:46 - 01:55:49: - Pressure Machine and "Floating in the Mirage,"
01:55:49 - 01:55:50: I think especially the singles from that album.
01:55:50 - 01:55:52: - Oh yeah, "Floating in the Mirage," that was strong, yeah.
01:55:52 - 01:55:54: - There's some good songs from there.
01:55:54 - 01:55:57: And yeah, I think they've had like a pretty good
01:55:57 - 01:55:59: late career resurgence.
01:56:01 - 01:56:03: - Oh, this is getting back into some of that
01:56:03 - 01:56:05: kind of dance music Killers.
01:56:05 - 01:56:06: - Oh yeah.
01:56:06 - 01:56:14: I feel like this is gonna explode at some point.
01:56:14 - 01:56:17: ♪ Dead down ♪
01:56:17 - 01:56:21: ♪ Wrong fit ♪
01:56:21 - 01:56:25: ♪ Big deal ♪
01:56:25 - 01:56:29: ♪ That's just growing up ♪
01:56:29 - 01:56:30: ♪ Untouched ♪
01:56:30 - 01:56:31: - I mean, I like this mode of the Killers,
01:56:31 - 01:56:34: but we can officially say in the five alternative songs
01:56:34 - 01:56:36: we've heard so far,
01:56:36 - 01:56:39: none of them are really doing a rock thing.
01:56:39 - 01:56:41: You can make a case of doing an alternative type of thing.
01:56:41 - 01:56:43: We've heard reggae, we've heard funk,
01:56:43 - 01:56:46: we've heard pop, we've heard dance music,
01:56:46 - 01:56:47: very little rock.
01:56:47 - 01:56:48: - Yeah, this is like--
01:56:48 - 01:56:50: - This is kind of '80s, like, you know,
01:56:50 - 01:56:52: New Order or some (beep)
01:56:52 - 01:56:55: - No, totally, but it's not guitar-based rock or whatever.
01:56:55 - 01:56:57: - Right, right.
01:56:57 - 01:56:59: - Yeah, it's like, yeah, like that New Order thing
01:56:59 - 01:57:02: with like a little bit of like a Joshua Tree
01:57:02 - 01:57:04: sense of uplift to it.
01:57:04 - 01:57:06: ♪ Go away ♪
01:57:06 - 01:57:10: ♪ There is a place that exists ♪
01:57:10 - 01:57:12: ♪ Just give it some time ♪
01:57:12 - 01:57:13: - I haven't heard this song.
01:57:13 - 01:57:14: - I like this song.
01:57:14 - 01:57:15: - Yeah.
01:57:15 - 01:57:17: - I wonder what that hot sauce is doing.
01:57:17 - 01:57:18: - Oh yeah.
01:57:18 - 01:57:19: I wonder if it's still in production
01:57:19 - 01:57:21: or if that was kind of like a one-off thing.
01:57:21 - 01:57:24: - We had two members of the Killers call in
01:57:24 - 01:57:24: a couple of years ago
01:57:24 - 01:57:28: 'cause they were promoting a hot sauce that they made,
01:57:28 - 01:57:31: a four-pack, which actually I went through all of it.
01:57:31 - 01:57:35: I enjoyed, I eventually used all four bottles
01:57:35 - 01:57:39: of the hot sauce on various homemade breakfast burritos.
01:57:39 - 01:57:40: - Yeah, it was great.
01:57:40 - 01:57:42: We really didn't talk, we didn't talk music with them.
01:57:42 - 01:57:44: - Hardly at all. - Just hot sauce.
01:57:44 - 01:57:45: - Mostly hot sauce, yeah.
01:57:45 - 01:57:50: - I recently went to Utah for the first time and--
01:57:50 - 01:57:51: - Great state.
01:57:51 - 01:57:54: - Yeah, I think it deepened my appreciation
01:57:54 - 01:57:56: of Brandon Flowers.
01:57:56 - 01:57:59: He still lives, or I think he's moved back there
01:57:59 - 01:58:00: and it's such a--
01:58:00 - 01:58:02: - Oh yeah, I'm pretty sure he's a Utah resident.
01:58:02 - 01:58:04: - What town is he in?
01:58:04 - 01:58:06: - He's like in some small town.
01:58:06 - 01:58:08: He's not in Salt Lake City.
01:58:08 - 01:58:09: - I think he's out in the mountains.
01:58:09 - 01:58:13: 'Cause it's such an unlikely place for him to live
01:58:13 - 01:58:17: as one of the reigning rock front men of the time.
01:58:17 - 01:58:19: - I also gotta point out that the Killers
01:58:19 - 01:58:23: and Imagine Dragons are number one and number two bands.
01:58:23 - 01:58:25: They both have origins in Las Vegas.
01:58:25 - 01:58:30: They both have origins in the Mormon church.
01:58:30 - 01:58:32: They probably might have different relationships
01:58:32 - 01:58:34: with the religion they were raised in.
01:58:34 - 01:58:37: And I think actually Brandon's brother
01:58:37 - 01:58:39: is Imagine Dragons' manager or something.
01:58:39 - 01:58:43: So it's like a real, it's like a very close connection.
01:58:43 - 01:58:45: Shout out to Nevada and Utah.
01:58:45 - 01:58:46: - Yeah.
01:58:46 - 01:58:48: - Shaping the sound of modern alternative music.
01:58:48 - 01:58:51: All right guys, thank you so much, Stephen,
01:58:51 - 01:58:52: for coming through.
01:58:52 - 01:58:56: Check out the book in stores now.
01:58:56 - 01:58:58: Check out the Killers hot sauce.
01:58:58 - 01:59:00: Make sure you call.
01:59:00 - 01:59:02: Call your close friends and loved ones
01:59:02 - 01:59:04: because it's really important that sometime in the next,
01:59:04 - 01:59:06: let's say two weeks, you do a Dirt Night.
01:59:06 - 01:59:09: Bye everybody, bye Stephen.
01:59:09 - 01:59:11: - Time Crisis.
01:59:11 - 01:59:13: - With Ezra Koenig.
01:59:13 - 01:59:14: - Great.

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