Episode 189: Popchip Away

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:02: Time Crisis, back again.
00:02 - 00:04: The hiatus is over.
00:04 - 00:09: The boys are back in town, and we got quite a bit to talk about.
00:09 - 00:17: Popchips, the cardigans, Mike and the Mechanics, and so much more.
00:17 - 00:25: This is the first Time Crisis of 2023, so buckle up and
00:25 - 00:27: grab a beverage
00:28 - 00:32: for Time Crisis with Ezra Koenig.
00:32 - 00:34: Let's begin.
00:44 - 00:50: The war I felt, robbing me of my rightful chances.
00:50 - 00:58: My picture clear, everything seemed so easy.
00:58 - 01:05: And so I dealt you the blow, one of us had to go.
01:05 - 01:09: Now it's different, I want you to know.
01:09 - 01:15: One of us is crying, one of us is lying.
01:15 - 01:20: Leave it only there.
01:20 - 01:22: Time Crisis back again.
01:22 - 01:23: Feeling good.
01:23 - 01:26: Feeling good, back in the studio, everybody's here.
01:26 - 01:28: It's been a while.
01:28 - 01:29: I'm gonna refrain.
01:29 - 01:35: After Jake's two months suspension for saying that BTS sucked,
01:35 - 01:38: I'm trying to think, what would Jake get suspended for?
01:38 - 01:43: Suspended by the Apple Corporation or by the Time Crisis corporate board?
01:43 - 01:44: By the FCC.
01:44 - 01:45: Oh, okay.
01:45 - 01:48: The government which regulates communications.
01:48 - 01:54: Jake said, quote unquote, "Not feeling this new BTS track. They suck."
01:54 - 01:56: Are we talking built to spill or are we talking BTS?
01:56 - 01:57: What are we talking?
01:57 - 02:00: They weren't sure. They couldn't risk it.
02:00 - 02:02: So two months off the air.
02:02 - 02:03: How's everybody doing?
02:03 - 02:05: How are you doing, Seinfeld?
02:05 - 02:06: Yeah, I'm good. What's up?
02:06 - 02:08: What's new?
02:08 - 02:09: Not much.
02:09 - 02:10: I missed you guys.
02:10 - 02:12: Yeah, I missed you too.
02:12 - 02:14: What's going on in the online Seinfeld community?
02:14 - 02:17: Oh, I put out a tweet today.
02:17 - 02:22: I did one of those, like, one's gotta go, like, which one are you eliminating from Seinfeld?
02:22 - 02:25: You know what I mean? I put the picture of each cast member.
02:25 - 02:26: The consensus is Jerry.
02:26 - 02:27: Really?
02:27 - 02:29: Yeah, people don't want him.
02:29 - 02:31: I mean, if they had to eliminate one.
02:31 - 02:32: He's suffering from success.
02:32 - 02:35: I mean, he is kind of like the least interesting character.
02:35 - 02:37: But then a lot of people are like, you need a straight man.
02:37 - 02:38: Like, you need the one. He's the glue.
02:38 - 02:41: He's the apartment. Without him, there's no Kramer.
02:41 - 02:43: Oh, yeah, absolutely.
02:43 - 02:46: Somebody was like, without Jerry's food, Kramer dies.
02:46 - 02:47: That's right.
02:47 - 02:48: Straight up.
02:48 - 02:49: I got a real question for you.
02:49 - 02:51: Real question? That was real?
02:51 - 02:53: [laughs]
02:53 - 02:56: Do you think, is Seinfeld getting more popular?
02:56 - 02:58: Because when I heard that Netflix was going to buy it,
02:58 - 03:01: there was a small part of me that felt like,
03:01 - 03:06: we all love Seinfeld, but is it too weird for Gen Z to get into?
03:06 - 03:07: You know?
03:07 - 03:08: Here's what I'll say.
03:08 - 03:14: I've noticed a lot of more international quote tweets on the timeline
03:14 - 03:16: since the Netflix acquisition.
03:16 - 03:19: So I'll see a lot of South American tweets.
03:19 - 03:22: I'll see a lot of stuff in foreign languages.
03:22 - 03:24: I see a lot of Arabic tweets.
03:24 - 03:27: So I'm thinking that might be the Netflix global effect.
03:27 - 03:31: But I think, to your point, there's also a bit of like,
03:31 - 03:35: Gen Z, this show is actually super problematic in all these different ways.
03:35 - 03:36: So I don't know.
03:36 - 03:39: Anecdotally, I could see some international--
03:39 - 03:41: I feel like maybe it's growing a bit.
03:41 - 03:43: It's weird when you think of the timing.
03:43 - 03:45: I think about when I was a kid,
03:45 - 03:49: it would be like being into I Love Lucy or something, in a way,
03:49 - 03:50: based on the timeline.
03:50 - 03:54: So it's kind of, you know, it seems like it still has this timeless appeal.
03:54 - 03:55: Anyway.
03:55 - 03:56: It's an old weird show.
03:56 - 03:58: Anyway, Seinfeld, check it out.
03:58 - 03:59: It's streaming on Netflix.
04:11 - 04:12: What's up with you, Nick?
04:12 - 04:13: You still watch Seinfeld?
04:13 - 04:15: Not joking, every night.
04:15 - 04:16: Really?
04:16 - 04:17: Every single night.
04:17 - 04:22: When we go to bed, throw on Netflix, one, two episodes.
04:22 - 04:25: Max watches it, we all watch one episode, and that sort of gets us.
04:25 - 04:27: Right, that's your son.
04:27 - 04:27: Yeah.
04:27 - 04:28: And how old is he?
04:28 - 04:29: Eleven.
04:29 - 04:31: And he gets it?
04:31 - 04:32: Oh, yeah.
04:32 - 04:33: I mean, we've watched it for a long time.
04:33 - 04:34: Right.
04:34 - 04:35: I mean, we got a new dog.
04:35 - 04:36: He got to name it.
04:36 - 04:37: Dog watches it.
04:38 - 04:41: Dog's named Jerry, after Jerry Seinfeld.
04:41 - 04:42: Not Garcia.
04:43 - 04:44: No.
04:44 - 04:47: I mean, it sort of cuts both ways, but no, he named it.
04:47 - 04:48: Let's be honest.
04:48 - 04:49: Let's be honest, not Seinfeld.
04:49 - 04:50: Yeah.
04:51 - 04:52: Okay.
04:52 - 04:54: But no, we watch it every night, and it's, yeah.
04:55 - 05:01: And it holds up in a way where we've seen every episode thousands of times, and you
05:01 - 05:05: will sort of dip into seasons and go, "I've seen this one too many times."
05:05 - 05:10: What I can say, I don't know, and I had this conversation maybe yesterday, is I don't
05:10 - 05:16: know if television has just gotten so much worse or if Seinfeld's just aged very well,
05:16 - 05:20: but at the time, if you remember, people really did not like the last season.
05:20 - 05:22: They thought that it had jumped the shark.
05:22 - 05:24: They thought the ending was awful.
05:24 - 05:27: You know where they all go to, no spoiler alerts, but where they all go to jail at the
05:27 - 05:28: end.
05:28 - 05:29: Yeah, yeah.
05:29 - 05:30: It is so good.
05:30 - 05:34: I would totally ride for the last season of Seinfeld in a way where everybody hates it,
05:34 - 05:38: but I think in the context of the culture now, you go, "Damn, that was good."
05:38 - 05:40: There's some really classic episodes.
05:40 - 05:45: Yeah, but people, I will say, Seinfeld probably knows much more than I do, but I don't know.
05:45 - 05:50: The community in general does not seem to really get behind the last season.
05:50 - 05:56: They say, "Larry David left," but something about it, it really just hits on all cylinders
05:56 - 06:02: still and maybe just culture's gotten so insane that that season doesn't feel insane anymore,
06:02 - 06:04: but I'll watch it every night.
06:04 - 06:05: I think you're both right.
06:05 - 06:09: I think there are a lot of classic episodes, and I think it also went into some very surreal
06:09 - 06:12: territory that the show was very grounded before.
06:12 - 06:18: Then you've got Kramer putting human blood in his oil tank of his car to keep it powered
06:18 - 06:22: and stuff that just has no logical application anymore.
06:22 - 06:23: Yeah, I don't know.
06:23 - 06:25: There's a range of perspectives.
06:25 - 06:28: I think it holds up, and I think it did get better over time.
06:28 - 06:32: I also wanted to say I was in Baltimore last week, Charm City.
06:32 - 06:34: I put on the TV late at night.
06:34 - 06:39: Seinfeld was on television, linear, classic style, and it hit different.
06:39 - 06:40: It was so nice to watch.
06:40 - 06:44: I will say, you stay in a hotel room, and it just happens to be on.
06:44 - 06:46: There's no better feeling.
06:46 - 06:47: Right.
06:47 - 06:51: The commercial breaks, you can send a text or something, and then you can go to the bathroom.
06:51 - 06:55: You get a Seinfeld or an Impractical Jokers on linear TV in a hotel room.
06:55 - 07:01: I mean, Impractical Jokers, that's whenever I do actually watch regular TV and you go
07:01 - 07:07: to True TV, I'm not kidding, they play 12 hours of Impractical Jokers a day, maybe 24 hours.
07:07 - 07:08: True TV is the impact.
07:08 - 07:10: Yeah, it's the Impractical Jokers Network.
07:10 - 07:14: Do you remember when we went to the Adult Swim up front?
07:14 - 07:16: I took you to the Adult Swim up front.
07:16 - 07:17: I forget who was playing.
07:17 - 07:23: I don't think it was Jay-Z, but it was years ago, and the Impractical Jokers were there.
07:23 - 07:24: Vega.
07:24 - 07:26: You were so excited.
07:26 - 07:27: I had never seen Impractical Jokers.
07:27 - 07:28: I was a big fan.
07:28 - 07:30: But I couldn't believe it.
07:30 - 07:33: People were pretty surprised that you were like, "Oh, wow."
07:33 - 07:36: I mean, it's a star-studded event, this Adult Swim party.
07:36 - 07:40: I guess I'm kind of like an indie snob, because when I first saw Impractical Jokers, I was
07:40 - 07:44: on True TV, season one or something.
07:44 - 07:46: I was like, "This is basically public access."
07:46 - 07:48: I was like, "This is very low production quality."
07:48 - 07:50: But I felt like, "I love this.
07:50 - 07:52: Four lifelong friends from Staten Island.
07:52 - 07:54: I like their energy.
07:54 - 07:59: Obviously, this is not ready for primetime, but I like four local guys doing something
07:59 - 08:00: on local TV.
08:00 - 08:01: Good for them."
08:01 - 08:08: Then I go live my life, five years later, they're basically Justin Bieber.
08:08 - 08:09: These guys are huge.
08:09 - 08:11: They're making movies.
08:11 - 08:14: They're paid tens of millions of dollars.
08:14 - 08:17: They might be billionaires if you put all four of them together.
08:17 - 08:21: I guess that's how sometimes people feel about music.
08:21 - 08:23: You see somebody play a club, you go live your life.
08:23 - 08:25: Next thing you know, they're playing arenas.
08:25 - 08:27: You feel like, A, where did the time go?
08:27 - 08:32: B, you get to have that little proprietary feeling like maybe it's a bad thing.
08:32 - 08:34: I want to keep them in their place.
08:34 - 08:38: I want them to be living in Staten Island and just be four local guys.
08:38 - 08:41: I want them to be a local secret for the tri-state area.
09:49 - 09:50: Never seen it.
09:50 - 09:53: Even just the name, the name is so bad.
09:53 - 09:56: When you really think about it, Impractical Jokers,
09:56 - 10:00: that it really just had that low budget local flavor.
10:00 - 10:01: It's a prank show?
10:01 - 10:02: Yes.
10:02 - 10:03: It's for lifelong...
10:03 - 10:05: Is it like a punk?
10:05 - 10:06: You're saying the opening sequence.
10:06 - 10:07: Punk? That kind of thing?
10:07 - 10:09: Well, except that they're...
10:09 - 10:12: The interesting thing is that it's for lifelong friends from Staten Island.
10:12 - 10:14: These guys literally went to high school together.
10:14 - 10:20: They're an improv troupe, but they're daring each other to do embarrassing things.
10:20 - 10:24: So they're kind of pranking other people, but they're mostly embarrassing each other.
10:24 - 10:25: Actually, there's four of us.
10:25 - 10:26: Is it...
10:26 - 10:27: It's sort of...
10:27 - 10:29: I mean, like a jackass thing, but not as physical?
10:29 - 10:31: Yeah, it's very not physical.
10:31 - 10:36: So a classic example, it would be that the guy's wearing a little like earbud,
10:36 - 10:37: and he's getting fed lines, and they'll say,
10:37 - 10:40: "All right, Sal, you're going to sit down in Washington Square Park."
10:40 - 10:41: And he's like...
10:41 - 10:42: And he's sitting there, and you're kind of...
10:42 - 10:43: And he's like...
10:43 - 10:45: And they're like in a truck or something.
10:45 - 10:46: And he's like, "All right, guys."
10:46 - 10:48: And they're like, "Here's what you're going to do.
10:48 - 10:53: "The next guy who walks by, you got to ask him for help.
10:53 - 10:56: "And when he says, 'What's your problem?' you got to say, 'My butt hurts.'"
10:56 - 10:58: It's like something like that.
10:58 - 11:01: And he's like, "Oh, my God, this is going to be so embarrassing."
11:01 - 11:04: And they're like, "But if you get the guy to actually sit down next to you
11:04 - 11:06: "and pat you on the back, you win a point."
11:06 - 11:08: Okay. Wow.
11:08 - 11:09: Yeah.
11:09 - 11:12: And anyway, this show became like an empire.
11:12 - 11:14: Yeah. I mean, I think there's--
11:14 - 11:16: Literally on TruTV-- Have you ever heard of TruTV?
11:16 - 11:18: Heard of it, never seen it.
11:18 - 11:19: Don't have linear cable.
11:19 - 11:22: No, but there's two-- There's sort of culture--
11:22 - 11:24: Like, within the TV landscape,
11:24 - 11:27: there's two kind of things that people talk about being pretty crazy.
11:27 - 11:32: And one is that TruTV is now basically a 24-hour network of impractical jokers.
11:32 - 11:35: It, like, keeps the lights on for Tru-- There's almost no other shows.
11:35 - 11:40: Similarly, on MTV, too, has become the Ridiculousness Network.
11:40 - 11:41: Oh, yeah.
11:41 - 11:43: Where all they show is this show, Ridiculous.
11:43 - 11:44: Have you ever heard of that?
11:44 - 11:45: No.
11:45 - 11:46: Oh, Rob Drydak?
11:46 - 11:47: It's on 24 hours a day.
11:47 - 11:48: Damn, I'm out of the loop here.
11:48 - 11:49: Yeah.
11:49 - 11:51: Well, it's very debatable, all this stuff.
11:51 - 11:53: Are you out of the loop or this channel's out of the loop?
11:53 - 11:55: It's hard to say.
11:55 - 11:56: There's a lot of loops.
11:56 - 11:57: There's a lot of loops, folks.
11:57 - 11:58: There's a lot of loops.
11:58 - 12:00: Well, so, just so you know,
12:00 - 12:03: I feel like we've talked about this gentle jesters thing for a while.
12:03 - 12:06: Right, that was our concept, was to do--
12:06 - 12:07: Low stakes.
12:07 - 12:09: Yeah, even as we discussed it, you might not have been aware,
12:09 - 12:12: that it was kind of based on impractical jokers, but--
12:12 - 12:14: Well, I'm familiar with the prank show format.
12:14 - 12:15: Yeah.
12:15 - 12:19: So I understood the whole setup of, I'm working at a coffee shop.
12:19 - 12:20: Right.
12:20 - 12:21: I'm playing Neil Young.
12:21 - 12:22: Yeah.
12:22 - 12:25: Someone walks in, they say, "Oh, I love this record."
12:25 - 12:27: And I say, "Yeah, I love Bob Dylan, too."
12:27 - 12:28: Or something like that.
12:28 - 12:29: Right.
12:29 - 12:30: What was-- There was something like that.
12:30 - 12:31: I've never heard of Neil Young.
12:31 - 12:35: It was actually like that, but it was the same where we're kind of putting you in a situation,
12:35 - 12:40: just like the jokers do to each other, where you're going to be really embarrassed.
12:40 - 12:43: And because they know each other so well, they can sometimes really embarrass each other.
12:43 - 12:45: Like, one of the guys used to be a firefighter.
12:45 - 12:49: So maybe he loses all the pranks or something,
12:49 - 12:54: and then at the end he has to do some sort of humiliation ritual because he lost that day's show.
12:54 - 12:56: And they're saying, "All right, here's the thing.
12:56 - 13:00: You're going to have to dress up like a ballerina and perform swan leg."
13:00 - 13:01: And you're like, "Oh, my God."
13:01 - 13:03: And they're like, "Get him on stage."
13:03 - 13:05: And then they open the curtains, and guess what?
13:05 - 13:08: It's all the guys from the station, all your old firefighter friends.
13:08 - 13:11: He's like, "Oh, my God!"
13:11 - 13:14: Anyway, so because they know each other well, they know what would particularly--
13:14 - 13:15: The pressure points.
13:15 - 13:16: Right.
13:16 - 13:21: So that's why I think you mistaking Neil Young for Bob Dylan would be perfect for gentle gestures.
13:21 - 13:25: I think actually we could pitch this because you bring up Jackass.
13:25 - 13:27: Someone could say, "Now, Jackass was big.
13:27 - 13:29: That's a cultural touchstone.
13:29 - 13:32: But then MTV never--they didn't really know how to follow that up
13:32 - 13:37: because the next huge prank show was Impractical Jokers on True TV.
13:37 - 13:42: MTV got their lunch eaten, and that's because people wanted to move towards gentleness.
13:42 - 13:43: Wait, what about Punk'd?
13:43 - 13:44: Was that pre-Jackass?
13:44 - 13:45: That was concurrent.
13:45 - 13:46: It was kind of around the same time.
13:46 - 13:49: What I'm saying is Impractical Jokers took over,
13:49 - 13:53: and it's because people--they don't want all the violence of Jackass.
13:53 - 13:56: They wanted something a little more down to earth, chilled out,
13:56 - 13:58: and we can say, "Let's continue that.
13:58 - 13:59: Let's go even further.
13:59 - 14:01: Let's go more gentle than Impractical Jokers."
14:01 - 14:03: It's like slow TV, almost.
14:03 - 14:05: Just sit back.
14:05 - 14:06: Nobody gets hurt.
14:06 - 14:08: No one gets humiliated.
14:08 - 14:12: It's almost--at this point, not even practical jokes at this point.
14:12 - 14:14: It's sort of minor embarrassment.
14:14 - 14:17: It's gentle gestures.
14:17 - 14:19: It's just no cuts.
14:19 - 14:25: Just two hours of Jake at a coffee shop that's playing nothing but Neil Young,
14:25 - 14:29: continually making conversation with people, just saying,
14:29 - 14:31: "Now, I love Bob Dylan, but for the life of me,
14:31 - 14:33: I can't remember which album this is.
14:33 - 14:35: Is this '70s Bob?"
14:35 - 14:38: And half the people are just like, "I don't know."
14:38 - 14:45: How many roads must a man walk down
14:45 - 14:53: before they call him a man?
14:53 - 15:00: And how many seas must a white dove sail
15:00 - 15:08: before she sleeps in the sand?
15:08 - 15:15: And how many times must a cannonball fly
15:15 - 15:23: before they are forever banned?
15:23 - 15:31: The answer, my friend, is blowing in the wind.
15:31 - 15:39: The answer is blowing in the wind.
15:39 - 15:42: I'm on CelebrityNetWorth.com,
15:42 - 15:46: and I'm going to be talking about the new season of "The New Yorker."
15:46 - 15:49: I'm going to be talking about the new season of "The New Yorker."
18:25 - 18:29: That sounds low to me. I guess we also got it like I said, true TV.
18:29 - 18:33: It's possible that the first season of "Impractical Jokers,"
18:33 - 18:36: they were paying each guy 200 bucks an episode.
18:36 - 18:39: Clearly there was a tipping point where they renegotiated.
18:39 - 18:41: - And the film rights too. - Yeah, they made a movie.
18:41 - 18:44: - And then also these guys can tour. - They were doing a lot of touring.
18:44 - 18:46: - Merch. - Yeah, merch.
18:46 - 18:50: So I'm on Celeb's Age Wiki and there is a Jake Longstreth net worth.
18:50 - 18:52: Okay, um...
18:52 - 18:56: We can bleep it out if it's too accurate.
18:56 - 19:00: - I want to guess it. - It's up to date as of 2022.
19:00 - 19:04: - Jake Longstreth net worth? - That's a wide range.
19:04 - 19:07: I usually feel like they're way high.
19:07 - 19:09: I'm going to say like $3 million.
19:09 - 19:13: Oh yeah, you're right in the middle. You're worth $1 to $5 million.
19:13 - 19:16: - $1 to $5 million. - $1 to $5 million. That's a pretty big range.
19:16 - 19:19: - That's a huge range. - And then there's salary in 2022 is another category
19:19 - 19:22: and it says under review.
19:22 - 19:26: - They're still chipping away. - Well, I'm self-employed.
19:26 - 19:29: - So I don't draw a salary. - Which website are you on?
19:29 - 19:31: It's called Celeb's Age Wiki.
19:31 - 19:36: Celeb's Age Wiki has three of their top analysts
19:36 - 19:41: working around the clock to review Jake's 2022 income.
19:41 - 19:45: - Burning the midnight oil. - Yep.
19:45 - 19:48: Oh, this is deep. I mean, there's a wiki component to this
19:48 - 19:52: where they're talking about all the different means of income that you might have.
19:52 - 19:54: - What does it say? - I mean, it goes in.
19:54 - 19:57: It said time crisis is the first bullet point on there.
19:57 - 20:00: It talks about your brother.
20:00 - 20:04: Oh yeah, Dave pays me out. Royalties.
20:04 - 20:08: You got something in 2008 called the Pollack-Krasner Foundation Grant. Is that true?
20:08 - 20:12: Oh yeah, that was a one-time grant for $12,000.
20:12 - 20:15: Well, compounded with interest. That's like what happened to him right there.
20:15 - 20:19: Yeah, no. The $12,000 in '08, that made my whole year, man.
20:19 - 20:22: - And you bought-- - Paints.
20:22 - 20:26: So you bought about 10,000 Bitcoins back in '08.
20:26 - 20:28: That's most of it.
20:28 - 20:34: He was supposed to buy paint, and he bought Bitcoin.
20:34 - 20:40: So that's just like some sort of computer aggregator that's just--
20:40 - 20:43: - Oh yeah, it's AI. - Why? What is that?
20:43 - 20:48: - There's a lot of ads on it. - Has anyone ever looked at that page?
20:48 - 20:51: - Are we the first? - Yeah, I can't see the back end.
20:51 - 20:54: - I bet we're the first. - I mean, sometimes you come,
20:54 - 21:00: you see truly the most uninteresting, not useful YouTube video.
21:00 - 21:03: And sometimes you just see like 89 views.
21:03 - 21:07: And even then you're like, this should be two, max.
21:07 - 21:09: And I guess sometimes it's by accident, but yeah.
21:09 - 21:13: So I bet something like that probably got 125 views, you know?
21:13 - 21:15: People start snooping around.
21:15 - 21:17: But yeah, all these websites are--
21:17 - 21:21: I feel like half the internet is just bots making stuff up now.
21:21 - 21:25: Just taking news articles and trying to repackage it.
21:25 - 21:28: Somebody was telling me recently, someone that was kind of dark about,
21:28 - 21:31: they found out that a friend of a friend had died.
21:31 - 21:35: Total tragedy. And then they couldn't reach out to the--
21:35 - 21:37: They were trying to confirm it, but they didn't know who to hit up,
21:37 - 21:39: and they Googled it.
21:39 - 21:42: And they said you get all these weird search results
21:42 - 21:46: that some sort of bot or AI that's probably going through death certificates
21:46 - 21:48: and creating weird websites.
21:48 - 21:52: How did John Goldstein die on March 25th?
21:52 - 21:56: Can't you just picture it and then it's like, click here for more.
21:56 - 21:59: And then it's just like, is your testosterone getting low?
21:59 - 22:03: Just imagine you're trying to actually find some real information about something
22:03 - 22:05: and you're like, what is this website?
22:05 - 22:07: Is it like an older person?
22:07 - 22:09: Enter your zip code.
22:09 - 22:13: These single women are ready to--
22:13 - 22:17: And then you scroll to the bottom and there's zero information, actually.
22:17 - 22:21: Right. All this old guy wanted to know is Jake Longstreet's net worth.
22:21 - 22:23: Now he's signed up for--
22:23 - 22:28: I think the impractical jokers are sitting on more money.
22:28 - 22:31: You're thinking eight figures.
22:31 - 22:37: I assume these net worths are not accounting for investments, properties,
22:37 - 22:39: NFTs, that sort of thing.
22:39 - 22:43: It's just based entirely on salary, income.
22:43 - 22:45: There's a lot of private stuff that they can't account for.
22:45 - 22:49: I make between $1 and $5 million a year in time crisis.
22:49 - 22:52: Salary. That's my W-2.
22:52 - 22:59: There's an Apple Music salary cap, which is $5 million for all hosts.
22:59 - 23:02: So yeah, it varies, but within that range.
23:16 - 23:19: ♪ Wanna turn around ♪
23:19 - 23:21: ♪ Like you got me figured out ♪
23:21 - 23:26: ♪ But girl what I can't promise is I let you down ♪
23:26 - 23:29: ♪ So don't put up a fight ♪
23:29 - 23:32: ♪ You'll get lost in the light ♪
23:32 - 23:34: ♪ If you keep staring at the sun ♪
23:34 - 23:37: ♪ You won't see what you have become ♪
23:37 - 23:40: ♪ It's gonna be everything you thought it was ♪
23:40 - 23:42: ♪ Blinded by the thought of us ♪
23:42 - 23:44: ♪ So give me interest ♪
23:44 - 23:47: ♪ I will look up again ♪
23:47 - 23:50: ♪ I want you in advance ♪
23:50 - 23:53: ♪ But you just keep on staring at the sun ♪
23:53 - 23:55: - Anyway, Shep, it's The Impractical Jokers.
23:55 - 23:56: I'd love to have 'em on.
23:56 - 23:58: - I gotta check it out.
23:58 - 24:00: - I wonder what you'd think of it.
24:00 - 24:02: It's not for everybody, but it's a very casual show.
24:02 - 24:03: - But it's for most people.
24:03 - 24:04: - It's for most people.
24:04 - 24:08: - Yeah, I mean, I don't love, but I like those prank shows.
24:08 - 24:10: - You have to like the guys.
24:10 - 24:11: - Yeah, yeah, I can see that.
24:11 - 24:13: - As a tri-state area guy,
24:13 - 24:15: I think you might enjoy the concept.
24:15 - 24:17: Four lifelong friends, their names are,
24:17 - 24:19: well, there's Joe, who's gone,
24:19 - 24:22: and then Sal, Murr.
24:22 - 24:23: - Short for Murray.
24:23 - 24:24: - Does that sound appealing to you, Jake?
24:24 - 24:26: Four lifelong friends from Staten Island,
24:26 - 24:27: one of them's name is Murray,
24:27 - 24:29: and the guy's always like, "Hey, Murr.
24:29 - 24:30: "Okay, Murr."
24:30 - 24:31: - No, I'm down.
24:31 - 24:32: - All right, you're sold?
24:32 - 24:33: - I'm open to it.
24:33 - 24:34: - Murr, come on, Murr.
24:34 - 24:36: If you like that, you'll enjoy it.
24:36 - 24:39: So what else has been going on the last couple months?
24:39 - 24:40: - There was a Super Bowl.
24:40 - 24:42: Thanks for coming to my Super Bowl party.
24:42 - 24:43: - Yeah, it was fun.
24:43 - 24:44: - Thanks for having us.
24:44 - 24:45: - It was great.
24:45 - 24:45: - Yeah.
24:45 - 24:46: - Hell of a spread.
24:46 - 24:47: - True.
24:47 - 24:48: - Yeah.
24:48 - 24:49: - So many wings.
24:49 - 24:50: - There were a lot of wings.
24:50 - 24:51: - Chips and guac.
24:51 - 24:53: - A lot of subs.
24:53 - 24:55: One thing that I don't love about throwing
24:55 - 24:59: an annual Super Bowl party is I miss all the commercials.
24:59 - 24:59: - You're hosting.
24:59 - 25:00: - I'm hosting.
25:00 - 25:02: I'm looking around, you know,
25:02 - 25:05: tiny bit stressed, is everything okay?
25:05 - 25:07: Were there good commercials?
25:07 - 25:09: - Yeah, I caught the Duncan, the Ben Affleck one
25:09 - 25:10: out of the corner of my eye,
25:10 - 25:12: and I think I ran up to one of you guys,
25:12 - 25:15: and I was like, hey, Ben Affleck was a Duncan commercial.
25:15 - 25:16: But it was very like,
25:16 - 25:18: the game was very secondary to the party, I felt.
25:18 - 25:21: - There was also a lot of children there.
25:21 - 25:22: - Oh, at the party?
25:22 - 25:24: - So it would be like, oh, there's a, yeah, at the party.
25:24 - 25:27: They'd be like, oh, that's the Ben Affleck Duncan ad.
25:27 - 25:29: Oh, well, my kid just crapped her pants.
25:29 - 25:33: - Yeah, and the kids, they don't know who Ben Affleck is.
25:33 - 25:34: They might not even know what Duncan is.
25:34 - 25:36: Probably have some idea what a donut is.
25:36 - 25:38: But yeah, none of these kids have seen Breaking Bad,
25:38 - 25:41: for instance, so the idea of a Breaking Bad reunion,
25:41 - 25:43: what were they selling?
25:43 - 25:44: - Doritos.
25:44 - 25:45: - Was it though?
25:45 - 25:47: - No, it was a chip, Pop Chips.
25:47 - 25:48: - Pop Chips, yeah.
25:48 - 25:50: - Not familiar with that product.
25:50 - 25:52: - Okay, what's actually, I'm glad I brought this up.
25:52 - 25:55: What's the deal with Pop Chips?
25:55 - 25:57: Because I feel Pop Chips, they've been throwing--
25:57 - 25:58: - I feel they're the healthy alternative.
25:58 - 25:59: - They've been throwing so much money
25:59 - 26:01: at Pop Chips for a decade.
26:01 - 26:05: I've never seen anybody outside of some sort of like,
26:05 - 26:07: sponsored green room situation eating Pop Chips.
26:07 - 26:09: - I think Jet Blue will have it.
26:09 - 26:10: Jet Blue will give you them.
26:10 - 26:12: - Okay, wait, clarification first of all.
26:12 - 26:13: It was actually Pop Corners,
26:13 - 26:16: which I think is like a competitor to Pop Chips.
26:16 - 26:17: Same idea.
26:17 - 26:18: - Wait, Pop Chips got big enough
26:18 - 26:21: that there's a competitor spending,
26:21 - 26:23: and also to get the two leads from Breaking Bad
26:23 - 26:25: and by the Super Bowl,
26:25 - 26:27: that's a minimum $20 million investment.
26:27 - 26:29: Maybe it's more like 30.
26:29 - 26:30: - For sure, yeah.
26:30 - 26:33: But I think Doritos owns, hang on a second.
26:33 - 26:36: Doritos, what?
26:36 - 26:37: It's so weird.
26:37 - 26:38: I think Doritos--
26:38 - 26:39: - Crunch those, you're a little rusty.
26:39 - 26:40: I haven't crunched the numbers in a while.
26:40 - 26:41: - It's been a minute.
26:41 - 26:43: Oh, it is Frito-Lay product.
26:43 - 26:45: - Okay, but just to explain.
26:45 - 26:45: - Wait, wait.
26:45 - 26:47: - Explain the commercial to me.
26:47 - 26:48: - It's like the--
26:48 - 26:49: - Jesse and Walter White.
26:49 - 26:51: - Jesse and Walter are in the trailer.
26:51 - 26:53: - They're in the trailer cooking up meth.
26:53 - 26:55: - But now they're cooking up Pop Corners.
26:55 - 26:56: And it's the purity, right?
26:56 - 26:58: It's like, "Oh, we made the perfect Pop Corner,"
26:58 - 26:59: or whatever.
26:59 - 27:00: - And they're just like, "They went corporate."
27:00 - 27:02: - Yeah, corporate.
27:02 - 27:05: - Jesse, remember what I taught you.
27:05 - 27:07: Mr. White, these Pop Corners are gonna be,
27:07 - 27:08: I can't even remember.
27:08 - 27:09: (Jesse laughing)
27:09 - 27:11: Suck my (beep), Mr. White.
27:11 - 27:14: These Pop Corners are gonna be fire.
27:14 - 27:15: - This is gripping.
27:15 - 27:19: - So Pop Corners, it's a triangular chip
27:19 - 27:23: shaped like a Dorito, but it's air-infused.
27:23 - 27:25: - And it's a Frito-Lay product.
27:25 - 27:26: And I think what I'm getting confused
27:26 - 27:28: is that there was also a Doritos commercial
27:28 - 27:29: during the Super Bowl.
27:29 - 27:31: And so there were a lot of press releases
27:31 - 27:34: about Doritos, like Frito-Lay having a couple
27:34 - 27:36: of different spots in the Super Bowl.
27:36 - 27:38: But I guess there's no real association
27:38 - 27:40: between the two products.
27:40 - 27:42: - Where were you seeing these press releases?
27:42 - 27:43: - Well, I just looked it up again.
27:43 - 27:45: So the thing is, when I looked it up at first,
27:45 - 27:47: whenever it came out, I saw a lot of Doritos talk
27:47 - 27:49: among the Pop Corners.
27:49 - 27:51: And then I just looked it up again,
27:51 - 27:53: and there's like a USA Today article
27:53 - 27:56: where it's clearly a rewrite of a press release
27:56 - 27:58: where it's like, "Doritos and Pop Corners are both,"
27:58 - 28:00: anyway, it doesn't matter.
28:00 - 28:02: - Okay, but what about Pop Chips?
28:02 - 28:03: Pop Chips have been out for a while.
28:03 - 28:07: I kind of remember like Katy Perry was always selling them.
28:07 - 28:08: - Pop Chips is an American brand
28:08 - 28:10: of Pop Potato and Corn products.
28:10 - 28:14: Marketing is similar to Potato Chips.
28:14 - 28:16: They are manufactured by processing potato starch
28:16 - 28:18: at high pressure and temperature
28:18 - 28:22: in a process similar to that used for puffed rice cakes.
28:22 - 28:22: - Okay, right.
28:22 - 28:26: That's what gives it that puffy, airy, crunchy vibe.
28:26 - 28:28: - And Pop Corners is the same thing,
28:28 - 28:30: same manufacturing process.
28:30 - 28:33: - Pop Chips just seemed like such a failure to me.
28:33 - 28:34: It just seemed like something
28:34 - 28:36: that they were trying to make happen.
28:36 - 28:40: And clearly, they had big celebrity spokespeople.
28:40 - 28:42: Did like Pharrell own 25% of it or something?
28:42 - 28:44: - God, how did that happen?
28:44 - 28:45: That's amazing.
28:45 - 28:47: - But Pop Chips was just like massive,
28:47 - 28:50: using big celebrities, and just felt like,
28:50 - 28:52: I don't know anybody who's buying Pop Chips.
28:52 - 28:54: - Oh, okay, investors in Pop Chips,
28:54 - 28:57: Ashton Kutcher, punked callback here.
28:57 - 28:57: - There you go.
28:57 - 29:02: - David Ortiz, Puff Daddy, Sean Combs, and Jillian Michaels.
29:02 - 29:04: So that's probably-
29:04 - 29:06: - Wait, is Jillian Michaels our friend from Diet Coke?
29:06 - 29:06: - No.
29:06 - 29:07: - And it's Gillian Jacobs.
29:07 - 29:08: - Oh, my bad.
29:08 - 29:09: Who's Jillian Michaels?
29:09 - 29:10: - Jillian Michaels.
29:10 - 29:12: - Jillian, I think you'd recognize her if you saw her.
29:12 - 29:13: She's a personal trainer.
29:13 - 29:14: I think she's in reality.
29:14 - 29:19: - Dude, I love that David Ortiz is an investor.
29:19 - 29:20: That rules.
29:20 - 29:21: - Big poppy.
29:21 - 29:21: - Yeah.
29:21 - 29:23: Puff Daddy and Big Poppy.
29:23 - 29:24: - Ay.
29:24 - 29:26: - Going in.
29:26 - 29:27: - Right?
29:27 - 29:29: - So Jillian Michaels was on The Biggest Loser.
29:29 - 29:32: - Okay, yeah, she's a fitness influencer.
29:32 - 29:32: - Yeah.
29:32 - 29:33: - So when did-
29:33 - 29:34: - I just wanna say-
29:34 - 29:36: - But when did Pop Chips drop?
29:36 - 29:37: When did that hit the scene?
29:37 - 29:40: - 2007.
29:40 - 29:42: - Oh, it's been around, God, it's been around 16 years.
29:42 - 29:46: - And from an article in Entrepreneur Magazine in 2019,
29:46 - 29:48: the result, "Pop Chips became a hit snack
29:48 - 29:51: under Keith Belling's leadership
29:51 - 29:53: and has sold in more than 30,000 stores
29:53 - 29:57: and has generated more than $100 million in revenue."
29:57 - 29:58: - Huge.
29:58 - 30:00: - That sounds like a fail to me.
30:00 - 30:01: (laughing)
30:01 - 30:02: Sorry.
30:02 - 30:03: - Why?
30:03 - 30:05: - So that's 16 years.
30:05 - 30:07: - Generated $100 million?
30:07 - 30:09: I mean, don't you think-
30:09 - 30:13: - So it's like, yeah, it's like six or $7 million a year
30:13 - 30:14: in revenue.
30:14 - 30:15: - It's-
30:15 - 30:16: - How much are they spent on advertising?
30:16 - 30:17: - Right.
30:17 - 30:18: - Oh, yeah, well.
30:18 - 30:20: - I don't know, that doesn't sound like a big win for me.
30:20 - 30:21: - I mean, let's just do the, what is that?
30:21 - 30:22: - Wait, wait, wait, what did you say?
30:22 - 30:24: $6 million a year?
30:24 - 30:25: - That's off the top of the head.
30:25 - 30:27: - It's an impractical joke or a year.
30:27 - 30:29: To be honest, I think the fact that you've even heard of it
30:29 - 30:31: makes it successful.
30:31 - 30:33: - Yeah, it's six and a quarter million a year.
30:33 - 30:34: - Okay.
30:34 - 30:37: - 16 years divided by 100 mil.
30:37 - 30:38: - So the creator of-
30:38 - 30:39: - But that's revenue.
30:39 - 30:40: - Yeah, exactly.
30:40 - 30:41: They're spending more than that on ads.
30:41 - 30:43: So that's a loss leader.
30:43 - 30:45: - But they're not doing so much advertising.
30:45 - 30:45: I feel like you don't really see it.
30:45 - 30:47: - They just dropped $30 million on a-
30:47 - 30:49: - Keith, I mean, that was Pop Corners.
30:49 - 30:51: - Right, but Doritos probably makes
30:51 - 30:53: like billions and billions.
30:53 - 30:53: - Yeah.
30:53 - 30:55: - Are we talking about Pop Chips or Pop Corners
30:55 - 30:56: at this point?
30:56 - 30:57: - Who cares?
30:57 - 30:58: - Pop Corners is new.
30:58 - 30:59: Pop Corners is brand new.
30:59 - 31:00: - Something's off here.
31:00 - 31:02: This thing stinks to high hell.
31:02 - 31:04: - Getting something into the national conversation
31:04 - 31:05: seems so hard.
31:05 - 31:07: Look, here's the article.
31:07 - 31:08: - But not if you're not selling anything.
31:08 - 31:10: - The entrepreneur behind Pop Chips
31:10 - 31:14: hopes to have another hit with rice made from vegetables.
31:14 - 31:16: Keith Belling's Right Rice, made of lentils, chickpeas,
31:16 - 31:18: and peas will be available today nationwide
31:18 - 31:21: on Amazon and Whole Foods stores.
31:21 - 31:21: - I've seen that stuff.
31:21 - 31:22: I've seen Right Rice.
31:22 - 31:23: - You've seen this?
31:23 - 31:24: - I've never seen that before.
31:24 - 31:25: - I've never seen that either.
31:25 - 31:26: - Are you sure?
31:26 - 31:27: - I've seen it, yeah.
31:27 - 31:28: - Have you had it?
31:28 - 31:29: - Never had one.
31:29 - 31:31: What am I gonna do with that Right Rice?
31:31 - 31:35: - It reminds me of when IHOP flipped the P,
31:35 - 31:36: turned into IHOP.
31:36 - 31:39: Were they selling more burgers or pancakes?
31:39 - 31:39: - Doubt it.
31:39 - 31:40: - No, no.
31:40 - 31:41: - You guys remember this?
31:41 - 31:43: Pop Chips received widespread criticism
31:43 - 31:47: in a 2012 ad campaign where Ashton Kutcher
31:47 - 31:49: pretended to be an Indian man looking for love
31:49 - 31:51: in a dating ad style spoof.
31:51 - 31:52: Do you remember that?
31:52 - 31:53: - It was explosive.
31:53 - 31:56: - And he was doing an Indian, like a Apu voice?
31:56 - 31:57: - He had dark makeup on.
31:57 - 32:00: - Oh, because it was curry flavored or something?
32:00 - 32:01: - Good question.
32:01 - 32:06: No, I don't think it had anything to do with flavor.
32:06 - 32:08: - A white guy putting on makeup.
32:08 - 32:10: - I think it was years beyond.
32:10 - 32:12: It was already like--
32:12 - 32:14: - I mean, 2012 sounds very late, but.
32:14 - 32:17: - Yeah, I think it was very questionable,
32:17 - 32:18: even at the time.
32:18 - 32:19: - That does sound familiar.
32:19 - 32:20: Okay, here's my thing.
32:20 - 32:23: All due respect to Keith Bellinger,
32:23 - 32:25: the creator of Pop Chips.
32:25 - 32:30: If you told me, okay, there's a guy
32:30 - 32:34: from Rancho Cucamonga in his garage,
32:34 - 32:36: whatever, he was a chemistry teacher,
32:36 - 32:38: a Walter White type chemistry teacher,
32:38 - 32:41: got laid off, sitting around at home,
32:41 - 32:44: and he had this, started experimenting in the garage,
32:44 - 32:49: and he figured out how to air infuse potato starch,
32:49 - 32:50: and it was kinda crunchy,
32:50 - 32:52: and he was selling them at the farmer's market, whatever.
32:52 - 32:54: Next thing you know, it's a company
32:54 - 32:56: that does $100 million in revenue,
32:56 - 32:58: which maybe they meant per year,
32:58 - 32:59: which would be a different story.
32:59 - 33:00: I would be like, that's an amazing story.
33:00 - 33:04: That sounds like the Cliff guy who started Cliff Bar.
33:04 - 33:09: We love the story, just somebody cooking it up
33:09 - 33:10: in the kitchen.
33:10 - 33:11: - Big League Chew. - Big League Chew.
33:11 - 33:13: The controversial Big League Chew.
33:13 - 33:15: So if you told me that, I would say,
33:15 - 33:19: this is a great story of American ingenuity,
33:19 - 33:22: and although you have not remotely come close
33:22 - 33:26: to creating a product as iconic as Doritos,
33:26 - 33:29: Cheetos, or even Ruffles, my hat's off to you,
33:29 - 33:32: because you did something.
33:32 - 33:34: You went from being an unemployed chemistry teacher
33:34 - 33:38: to a very wealthy man, but the reason I don't feel that way
33:38 - 33:40: is because my memory of Popchips
33:40 - 33:41: is that it came out of the gate
33:41 - 33:44: with the big celebrity sponsors.
33:44 - 33:48: So that makes it feel like a PSYOP.
33:48 - 33:51: That's a psychological operation for people who don't know.
33:51 - 33:53: Because, or what would you call it?
33:53 - 33:54: You know what it really is?
33:54 - 33:56: It's not a PSYOP, it's an industry plant.
33:56 - 33:58: You know?
33:58 - 34:02: - I think you're right about the PSYOP.
34:02 - 34:06: In an article from, when is this article?
34:06 - 34:07: 2013 about Popchips.
34:07 - 34:09: This is a great line.
34:09 - 34:11: Popchips started with a distinctive edge.
34:11 - 34:16: Quote, "Popping was a breakthrough," says Kara Nelson.
34:16 - 34:21: Food trendologist from CCD Innovation.
34:21 - 34:25: Food trendologist.
34:25 - 34:27: I mean, this is real.
34:27 - 34:31: - We're scraping the bottom of the barrel here.
34:31 - 34:33: - We should get some food trendologists on.
34:33 - 34:35: - Wait, when you say that,
34:35 - 34:37: are you saying what we're talking about or the show?
34:37 - 34:38: - Both.
34:38 - 34:42: ♪ The last leaf falling ♪
34:42 - 34:45: ♪ There an earth where green ♪
34:45 - 34:50: ♪ The water's bone ♪
34:50 - 34:59: ♪ Above Madonna ♪
34:59 - 35:01: ♪ Two eagles hang ♪
35:01 - 35:04: ♪ Against a cloud ♪
35:07 - 35:20: ♪ Sun comes up blood red ♪
35:20 - 35:24: ♪ Wind yields among the stone ♪
35:31 - 35:36: ♪ And the days for the past are gone ♪
35:36 - 35:46: - The idea that there's Doritos,
35:46 - 35:50: the Frito-Lay company wanted to make a Popchips competitor
35:50 - 35:54: and dump $30 million or more to kick it off.
35:54 - 35:56: It just doesn't compute.
35:56 - 35:58: Maybe it's really doing $100 million a year,
35:58 - 36:01: which I guess is pretty good.
36:01 - 36:03: - I do remember the Katy Perry.
36:03 - 36:04: - It didn't say that.
36:04 - 36:05: - The Katy Perry placement, I mean,
36:05 - 36:08: when she was at the peak of her popularity,
36:08 - 36:09: she was like number one,
36:09 - 36:10: three number one albums back to back,
36:10 - 36:11: then she was heavy on the Popchips.
36:11 - 36:13: I remember that very well.
36:13 - 36:15: Going to a grocery store, cardboard cutout,
36:15 - 36:18: Katy Perry, TV commercials, social media.
36:18 - 36:20: I remember even at the time, it felt like this is a lot.
36:20 - 36:21: - The only other thing that I could think of
36:21 - 36:24: is that they launched in this era
36:24 - 36:26: when you were starting to have
36:26 - 36:29: the multi-hyphenate entertainer business person.
36:29 - 36:33: I don't know if anybody saw the new Shaq documentary.
36:33 - 36:36: It's a four-part series on HBO Max.
36:36 - 36:36: I enjoyed it.
36:36 - 36:38: I'm a lifelong Shaq fan.
36:38 - 36:42: And they kind of cover the basketball,
36:42 - 36:44: and then once he retired,
36:44 - 36:46: they're kind of just like talk about
36:46 - 36:49: how much he loved to work and make money.
36:49 - 36:51: And the documentary, I mean,
36:51 - 36:53: obviously it's a bit of a puff piece.
36:53 - 36:57: They kind of imply that Shaq is the one who, right,
36:58 - 37:00: that Shaq kind of paved the way.
37:00 - 37:03: He took what Michael Jordan did as being a spokesman
37:03 - 37:04: and took it to the next level.
37:04 - 37:07: He creates his own brand early, and he's out there,
37:07 - 37:12: and he's often foregoing a payday for equity in the company.
37:12 - 37:14: He says, "People think I'm an athlete
37:14 - 37:15: "who got into business.
37:15 - 37:18: "I'm a businessman who happens to be athletic."
37:18 - 37:19: It's deep.
37:19 - 37:21: And I thought, right on.
37:21 - 37:25: And so anyway, I think in the post-Shaq universe
37:25 - 37:26: and just in the 2000s,
37:26 - 37:29: I guess it's possible that some of these celebrities,
37:29 - 37:30: somebody goes in and says,
37:30 - 37:33: "This is gonna be the next Doritos."
37:33 - 37:34: I could totally picture it.
37:34 - 37:37: In 2007, you're going on a road show
37:37 - 37:39: meeting all these big Hollywood managers and stuff
37:39 - 37:41: and music industry people,
37:41 - 37:44: and you say, "Guys, Doritos, it's so '90s.
37:44 - 37:46: "You're getting the cheese dust on your fingers.
37:46 - 37:48: "People today want something new,
37:48 - 37:51: "and this is like a trillion-dollar market,
37:51 - 37:53: "and we have something that could change the game
37:53 - 37:58: "with our patented air infusion technology.
37:58 - 37:59: "It's different, it's modern.
37:59 - 38:01: "This is what people want now.
38:01 - 38:02: "It's light.
38:02 - 38:04: "We can pretend that it's healthier.
38:04 - 38:05: "All those things that you grew up eating,
38:05 - 38:07: "the greasy lays, all that stuff,
38:07 - 38:09: "is gonna be left in the dustbin of history."
38:09 - 38:12: This company, especially if it goes global,
38:12 - 38:16: we get to dial in the flavors for Southeast Asia,
38:16 - 38:18: South America, if we dial that in,
38:18 - 38:21: this company easily is doing,
38:21 - 38:22: just like very confidently be like,
38:22 - 38:27: "4.7 billion a year in revenue in five years."
38:27 - 38:29: And maybe you can go to the Katy Perry's
38:29 - 38:31: and the Puffy's and say,
38:31 - 38:34: "We're prepared to offer you 1.5% of this company."
38:34 - 38:36: They're doing the math, and they're like,
38:36 - 38:39: "Four billion, 1.5%?"
38:39 - 38:40: What is that, Seinfeld?
38:40 - 38:42: - Oh yeah, that's like--
38:42 - 38:44: - 600 million? - 600 million, yeah.
38:44 - 38:47: - Wait, no, that's not-- - 60 million.
38:47 - 38:49: - 60 million. - 50, 60 million.
38:49 - 38:53: - Yeah, so you pick four celebrities,
38:53 - 38:56: Katy Perry, Ashton Kutcher, Puffy, David Ortiz,
38:56 - 38:59: and you promise each of them 1.5% and say,
38:59 - 39:00: "I know that's a small number,
39:00 - 39:04: "but please, our projections say 4.8 billion."
39:04 - 39:04: Yeah, and then they're starting to think,
39:04 - 39:09: "I'm making 60 to 80 million a year for doing very little?"
39:09 - 39:10: And then it's like, "No, no, but hold on,
39:10 - 39:12: "we'll make sure you like the product."
39:12 - 39:13: Hold on a second.
39:13 - 39:15: Take a bite.
39:15 - 39:18: I do like it, this is exactly the type of,
39:18 - 39:20: first you talk the money, then you offer them the product.
39:20 - 39:22: - So 1.5-- - I wanna get into this world,
39:22 - 39:23: it's kind of exciting to me.
39:23 - 39:26: - It is. - I wanna go pre-sell shares
39:26 - 39:28: of a lame snack company and see
39:28 - 39:30: what the biggest celebrity we can get is.
39:30 - 39:35: Just go and just be like, some terrible Puffy chip,
39:35 - 39:38: just see, can we make it to Bruno Mars,
39:38 - 39:41: and just be like, "Bruno, all the money's gone into R&D.
39:41 - 39:44: "If you're with us," I can't believe I'm saying this,
39:44 - 39:45: "20% of the company."
39:45 - 39:48: - What about this, you know, most chips are dry.
39:48 - 39:51: What about a moist, like a soggy chip?
39:51 - 39:51: You know what I mean?
39:51 - 39:53: - A wet chip. - A wet chip.
39:53 - 39:56: Like, it's not oily, it's H2O infused.
39:56 - 40:00: And it's got a certain sort of liquid viscous.
40:00 - 40:02: Anyway, Ezra, you nailed it.
40:02 - 40:04: - Wet chips.
40:04 - 40:07: - It's like when you have your chips on a plate
40:07 - 40:09: and you accidentally spill some water on it.
40:09 - 40:10: - Yeah, and be like, "And people,
40:10 - 40:13: "and yeah, you think that people don't want that anymore,
40:13 - 40:15: "but Mr. Obama, I'm sorry,
40:15 - 40:16: "but since you left the White House,
40:16 - 40:19: "doesn't culture feel kind of dry?"
40:19 - 40:20: You know what I mean?
40:20 - 40:22: - They want it wet.
40:22 - 40:23: - I can't believe I'm saying this, Brock,
40:23 - 40:26: but if you get on board for this
40:26 - 40:29: and you film two to seven commercials,
40:29 - 40:31: we'll give you 99% of the company.
40:31 - 40:33: I mean, we're nuts, we're nuts,
40:33 - 40:35: but that's how much we believe in this.
40:35 - 40:39: - I mean, Michelle Obama was very pro-hydration, pro-health.
40:39 - 40:40: You know, you could just like,
40:40 - 40:42: "We need more water in our chips."
40:42 - 40:45: Katy Perry was an investor in pop chips.
40:45 - 40:48: LA Times 2012 reports that,
40:48 - 40:49: it all started with a tweet.
40:49 - 40:51: She was promoting part of me.
40:51 - 40:51: I don't know if you remember, Jake,
40:51 - 40:55: her concert documentary part of me.
40:55 - 40:56: - Sure, of course. - Oh yeah, it was very good.
40:56 - 40:59: - I think she broke up with Russell Brand in that one.
40:59 - 41:00: Anyway. - I saw that in the theater.
41:00 - 41:03: - Yeah. - Twice.
41:03 - 41:04: - I was on tour and I caught it.
41:04 - 41:07: Yeah, it was cool. - It seemed spectacular.
41:07 - 41:11: So she says she found this in a mini bar in a hotel
41:11 - 41:12: when she was promoting the film.
41:12 - 41:13: She read the back of the label,
41:13 - 41:14: saw that it was a healthy choice.
41:14 - 41:16: She was hooked after her first bite.
41:16 - 41:17: When I discover something good,
41:17 - 41:18: I wanna share it with everyone.
41:18 - 41:21: So I tweeted about it and the rest is history.
41:21 - 41:22: - Very organic.
41:22 - 41:26: - She just, an unsolicited promotional tweet.
41:26 - 41:26: - So when it says she's an investor,
41:26 - 41:28: that implies she put in her own money.
41:28 - 41:29: So that is pretty different.
41:29 - 41:31: - And she became a spokesperson for it.
41:31 - 41:34: - Well, yeah, maybe we gotta steal the actual deal points.
41:34 - 41:35: Maybe she just reached out to them
41:35 - 41:37: and said, "I'll be a spokesperson."
41:37 - 41:39: - And just kick in 1.5.
41:39 - 41:41: - I'm sure it worked out for her.
41:41 - 41:43: Okay, but why was it in the hotel in the first place?
41:43 - 41:44: It was just like a regional snack?
41:44 - 41:46: - It does feel like something that would be in a mini bar
41:46 - 41:47: where you're like, "I have a--"
41:47 - 41:48: - I don't believe any of that.
41:48 - 41:49: - Yeah, after that.
41:49 - 41:50: - I don't believe any of that.
41:50 - 41:51: - You think Katie's lying?
41:51 - 41:52: - I mean, no, I think that--
41:52 - 41:53: - So cynical, Nick.
41:53 - 41:54: - Well, I'm reading this article,
41:54 - 41:56: which is essentially that they brought on the guy
41:56 - 41:59: that did Vitamin Water to basically be the consultant
41:59 - 42:00: or partner in Popchips.
42:00 - 42:03: And this says he did exactly what he did
42:03 - 42:04: with Vitamin Water, which was bring on--
42:04 - 42:05: - Go to the celebs.
42:05 - 42:09: - Yep, you know, 50 Cent, famous Vitamin Water owner,
42:09 - 42:11: sold out for however many hundreds of millions of dollars.
42:11 - 42:13: So they first went to Ashton Kutcher.
42:13 - 42:14: The funny part is, is they said,
42:14 - 42:16: "You create any kind of chip you want."
42:16 - 42:19: It seems here he created the Bombay chip.
42:19 - 42:20: (all laughing)
42:20 - 42:21: - Oh no.
42:21 - 42:22: - I swear to God.
42:22 - 42:24: - So it was Bombay flavored.
42:24 - 42:26: And then he was like, "Yeah, and then I'll do," I mean.
42:26 - 42:28: - It's possible that the entire thing,
42:28 - 42:31: it's not just an accident that Ashton Kutcher
42:31 - 42:35: ended up doing this brown face Indian character.
42:35 - 42:38: It's actually when they asked him what flavor he wanted,
42:38 - 42:40: he said, "Anything that allows me to do this character
42:40 - 42:42: "I've been working on."
42:42 - 42:45: - Yeah, and then two months after that,
42:45 - 42:47: Katy Perry signs on.
42:47 - 42:48: - I'm with you, I don't--
42:48 - 42:49: - To do Katy's kettle corn,
42:49 - 42:52: and then immediately after that, it's--
42:52 - 42:53: - Puffy?
42:53 - 42:55: - Well, yep, it's, well, here are the rest of them.
42:55 - 42:57: It's gonna say that it's
42:57 - 42:59: Jillian Michaels, Heidi Klum, and Diddy.
42:59 - 43:00: - Heidi Klum.
43:00 - 43:03: - So, I mean, this is, there's just no,
43:03 - 43:04: this isn't an organic--
43:04 - 43:05: - Yeah.
43:05 - 43:06: - How did David Ortiz get--
43:06 - 43:07: (laughing)
43:07 - 43:08: - He's passionate about snack food.
43:08 - 43:09: - That's a weird one.
43:09 - 43:10: - Well, yeah, no, I hate to say it
43:10 - 43:13: because I'm a Katy Perry fan.
43:13 - 43:14: I think she's cool.
43:14 - 43:17: But, you know, hopefully she wouldn't mind us
43:17 - 43:19: just kicking the tires.
43:19 - 43:20: It's just business.
43:20 - 43:24: All I'm saying is that I think Katy's a savvy businesswoman,
43:24 - 43:26: and it's possible that she sat down
43:26 - 43:28: with the Vitamin Water guy.
43:28 - 43:31: They said, "Listen, we got Ashton Kutcher on board,
43:31 - 43:32: "and no, we're not punking you.
43:32 - 43:34: "You're about to be a billionaire."
43:34 - 43:35: And she said, "Okay, I like what I hear."
43:35 - 43:36: And then they gave her the product,
43:36 - 43:38: and they said, "But here's the thing.
43:38 - 43:40: "Vitamin Water, people saw it in stores first.
43:40 - 43:42: "They kind of half felt like they discovered it
43:42 - 43:45: "by the time they heard 50 Cent was a big investor.
43:45 - 43:47: "They kind of felt like they were all in on it together.
43:47 - 43:49: "We don't want this to feel top-down.
43:49 - 43:53: "Help us craft a narrative that feels like you
43:53 - 43:55: "that kind of makes it sound like you discovered it."
43:55 - 44:00: Because, also, so you said this was all happening in 2007?
44:00 - 44:02: - Well, the PopChip was created in 2007.
44:02 - 44:04: I think it became a business then,
44:04 - 44:07: but 2012 was when Katy Perry, I think, came into the fold.
44:07 - 44:09: - Oh, so it's exactly the Obama era.
44:09 - 44:11: So they're probably talking to her
44:11 - 44:14: about how the Obama campaign had a feeling
44:14 - 44:15: of being grassroots, even though
44:15 - 44:17: there was also big money behind it.
44:17 - 44:20: So I bet they said, "Just when you announced it,
44:20 - 44:22: "let's make it seem like you discovered it,
44:22 - 44:25: "not that we came to you selling you on it."
44:25 - 44:27: And then she says, "I just happened to find this
44:27 - 44:30: "in my hotel room, and I love it,
44:30 - 44:31: "and I wanna share it with you."
44:31 - 44:34: It's a good grassroots rollout campaign.
44:34 - 44:37: - Does the Four Seasons stock that chip in their minibar?
44:37 - 44:39: - Yeah, we gotta find out, we gotta do some digging.
44:39 - 44:42: - I do feel like PopChips does have a minibar feel to it,
44:42 - 44:44: because you open that minibar,
44:44 - 44:45: and it's sort of like seven out of the 10 things,
44:45 - 44:46: you're like, "What, I'm not, what?"
44:46 - 44:47: - Absolutely, but--
44:47 - 44:50: - But at a fancy hotel, I'm thinking Kettle Chip.
44:50 - 44:52: - But Kettle Chip is not as healthy as--
44:52 - 44:53: - I mean, at a really fancy hotel,
44:53 - 44:55: they're gonna take the products sometimes
44:55 - 44:57: and put them in their own packaging.
44:57 - 44:59: So you get your little Four Seasons gummy bears
44:59 - 45:01: or something, your Four Seasons salted cashews.
45:01 - 45:05: Also, the way that PopChips look is so slick and corporate
45:05 - 45:07: that just the, it'd be one thing if you found
45:07 - 45:10: some mom and pop fudge company,
45:10 - 45:14: you're just like, "Guys, next time you're in
45:14 - 45:17: "Youngstown, Ohio, you gotta try this.
45:17 - 45:18: "It's such a cool little place."
45:18 - 45:21: They're just thinking about picking up PopChips,
45:21 - 45:25: and then just being like, "I need to share this with people."
45:25 - 45:28: - It doesn't track.
45:28 - 45:29: - It doesn't track.
45:29 - 45:34: - It's not, yeah, it's not a Sweet Martha's cookie, you know?
45:34 - 45:35: - Oh, not at all.
45:35 - 45:36: I mean, it would be like--
45:36 - 45:38: - I mean, even the packaging looks so corporate.
45:38 - 45:40: It just looks, like I'm reading here--
45:40 - 45:42: - Maybe that's her aesthetic.
45:42 - 45:43: - Yeah.
45:43 - 45:45: - Maybe that really spoke to her.
45:45 - 45:46: - It's possible, it's possible.
45:46 - 45:48: - Very cold corporate packaging.
45:48 - 45:50: She was just like, "Damn."
45:50 - 45:52: - It's late at night, she's on the promotional circuit.
45:52 - 45:54: She's had a few drinks in her.
45:54 - 45:56: She's come across the PopChips,
45:56 - 45:58: and she's tweeting without--
45:58 - 45:59: - She's looking at the calorie count
45:59 - 46:02: on the back of each one of these things, right?
46:02 - 46:05: - She goes, "This seems like the healthiest alternative."
46:05 - 46:07: - It's 20 less calories--
46:07 - 46:08: (laughing)
46:08 - 46:09: - It's 4 a.m.
46:09 - 46:11: - Than the KettleChips.
46:11 - 46:13: - Right, it's 3 to 4 a.m., you know?
46:13 - 46:15: - Been traveling all day, skipped dinner.
46:15 - 46:17: - Judgment is way off.
46:17 - 46:20: - Her social media managers, there she goes,
46:20 - 46:21: writing about PopChips again.
46:21 - 46:24: - Katie, not for free, come on.
46:24 - 46:26: - This is the most I've ever thought about Katie Perry.
46:26 - 46:28: - Really, are you a fan?
46:28 - 46:30: - No, not a fan.
46:30 - 46:32: I like Teenage Dream.
46:32 - 46:32: - Yeah, it's a good song.
46:32 - 46:34: How many songs can you name?
46:34 - 46:35: - That's it.
46:35 - 46:36: - Really?
46:36 - 46:37: - No.
46:37 - 46:38: - How about, Jake, can you finish this?
46:38 - 46:41: ♪ 'Cause baby you're a ♪
46:41 - 46:41: - Firefly?
46:41 - 46:42: - Close.
46:42 - 46:43: - Oh.
46:43 - 46:44: ♪ Baby you're a ♪
46:44 - 46:45: - Firecracker?
46:45 - 46:46: - Close.
46:46 - 46:46: - Doesn't roll off the tongue.
46:46 - 46:47: - Yeah.
46:47 - 46:48: - Fire--
46:48 - 46:49: ♪ 'Cause baby you're a ♪
46:49 - 46:50: - Firebrand.
46:50 - 46:51: ♪ Firebrand ♪
46:51 - 46:52: (laughing)
46:52 - 46:53: - You're so close, Jake.
46:53 - 46:55: - You're a fire...
46:55 - 46:56: - Work.
46:56 - 46:57: - Oh, okay.
46:57 - 46:59: - Firecracker.
46:59 - 47:02: - What about, ♪ I'm coming at you like a ♪
47:02 - 47:04: ♪ Audi S5 Series 3 ♪
47:04 - 47:05: - Okay, wait.
47:05 - 47:07: ♪ I'm coming at you like a dark ♪
47:07 - 47:09: ♪ Comet ♪
47:09 - 47:11: ♪ I'm coming at you like a dark ♪
47:11 - 47:14: ♪ Fantasy ♪
47:14 - 47:15: - That's actually the better,
47:15 - 47:17: that's the better lyric.
47:17 - 47:20: - That's, ♪ I'm coming at you like a dark horse ♪
47:20 - 47:21: - Okay.
47:21 - 47:22: - Remember that one?
47:22 - 47:23: - Let's keep doing this one.
47:23 - 47:23: I like this game.
47:23 - 47:24: - That was a cool--
47:24 - 47:25: - Let's keep going.
47:25 - 47:26: - All right, let me see which ones I know
47:26 - 47:27: off the top of my head.
47:27 - 47:28: - What about the one with Snoop Dogg?
47:28 - 47:29: It seemed like you know her--
47:29 - 47:29: - Oh.
47:29 - 47:30: - Her catalog pretty well.
47:30 - 47:33: ♪ I'm coming at you like a dark fantasy ♪
47:33 - 47:34: ♪ Like a dark fantasy ♪
47:34 - 47:35: - Okay, she has a well-known song
47:35 - 47:37: where that's California somethings.
47:37 - 47:38: - Raisins?
47:38 - 47:40: No, I'm joking.
47:40 - 47:41: How's it go?
47:41 - 47:41: Sing it.
47:41 - 47:43: ♪ California ♪
47:43 - 47:45: - It's not "Amy Lynn."
47:45 - 47:48: ♪ California ♪
47:48 - 47:48: - I think if you look here--
47:48 - 47:49: - No, that's not, it goes like--
47:49 - 47:51: - If you look up just the lyrics on it,
47:51 - 47:52: I think you'll know the--
47:52 - 47:53: - Okay.
47:53 - 47:54: - The thing for him.
47:54 - 47:56: - I mean, these were like number one,
47:56 - 47:57: just like, she was like,
47:57 - 47:59: she owned the charts for like five years straight.
47:59 - 48:01: - She was crushing at it.
48:01 - 48:03: Oh, okay, this is how the pre-chorus goes.
48:03 - 48:05: ♪ You could travel the world ♪
48:05 - 48:09: ♪ But nothing comes close to the golden coast ♪
48:09 - 48:11: ♪ Once you party with us ♪
48:11 - 48:13: ♪ You'll be falling in love ♪
48:13 - 48:15: ♪ Oh, oh, oh, oh, oh, oh ♪
48:15 - 48:17: ♪ California girls ♪
48:17 - 48:18: - Yeah.
48:18 - 48:20: ♪ We're on for ♪
48:20 - 48:21: (laughing)
48:21 - 48:22: - Wait, say it again.
48:22 - 48:23: ♪ California girls ♪
48:23 - 48:24: - What?
48:24 - 48:25: - What's the next line?
48:25 - 48:26: - I might have the melody wrong.
48:26 - 48:27: ♪ California girls ♪
48:27 - 48:29: ♪ We're on ♪
48:29 - 48:30: - I wanna rhyme it with girls and I'm struggling.
48:30 - 48:32: - No, no, no, this part doesn't rhyme.
48:32 - 48:33: ♪ California girls ♪
48:33 - 48:34: ♪ We're on for ♪
48:34 - 48:35: ♪ Beatable ♪
48:35 - 48:36: ♪ We're unforgettable ♪
48:36 - 48:38: ♪ Daisy dukes ♪
48:38 - 48:40: ♪ Bikinis ♪
48:40 - 48:40: ♪ Tops ♪
48:40 - 48:41: ♪ On top, yeah ♪
48:41 - 48:42: - Yeah.
48:42 - 48:44: ♪ A cooler full of brew ♪
48:44 - 48:45: - Okay, how about,
48:45 - 48:49: ♪ Sun kissed skin so hot will melt your ♪
48:49 - 48:53: ♪ Sun kissed skin so hot will melt your ♪
48:53 - 48:54: ♪ Ice ♪
48:54 - 48:55: (laughing)
48:55 - 48:58: ♪ Sun kissed skin so hot will melt your ♪
48:58 - 49:00: - Mind.
49:00 - 49:01: ♪ Popsicle ♪
49:01 - 49:02: ♪ Oh ♪
49:02 - 49:04: - Okay.
49:04 - 49:05: I'll melt your mind.
49:05 - 49:08: - Wow, you're really not a Katy fan.
49:08 - 49:10: ♪ Will melt your mind ♪
49:10 - 49:11: - What are her other big songs?
49:11 - 49:12: - Roar.
49:12 - 49:13: - Oh yeah.
49:13 - 49:16: - So that was a rewrite of California girls, basically.
49:16 - 49:17: - Well, it was.
49:17 - 49:18: ♪ Well, these girls ♪
49:18 - 49:19: ♪ Girls ♪
49:19 - 49:22: - Also the title, they spelled girls G-U-R-L-S.
49:22 - 49:25: - Okay, that's a fun update.
49:25 - 49:26: - What about her breakout?
49:26 - 49:27: I mean, when she first came on the scene,
49:27 - 49:29: it was like, I kissed a--
49:29 - 49:30: - I kissed a--
49:30 - 49:31: - Girl?
49:31 - 49:32: - Yeah.
49:32 - 49:33: - Yeah.
49:33 - 49:35: - I thought that was a Jill Sobiel song from the early '90s.
49:35 - 49:38: - Yeah, that's two different songs with the same concept.
49:38 - 49:40: All right, but you know, Firework, I think,
49:40 - 49:42: that's like her signature song, right?
49:42 - 49:43: - I feel like it's Teenage Dream.
49:43 - 49:45: That's the one I know.
49:45 - 49:46: - That's a big one.
49:46 - 49:47: - That's a big two.
49:47 - 49:49: - What's this other, I kissed a girl?
49:49 - 49:50: I didn't know there was another one.
49:50 - 49:51: What's that?
49:51 - 49:51: - It's in the '90s.
49:51 - 49:52: ♪ I kissed a girl ♪
49:52 - 49:53: - Throw it down.
49:53 - 49:54: Or not, whatever.
49:54 - 49:56: (laughing)
49:56 - 49:57: - I wanna hear it.
49:57 - 49:58: - You wanna hear it?
49:58 - 49:59: - Yeah, I've never--
49:59 - 50:00: - It's defeated.
50:00 - 50:02: It's J.K. Hercules.
50:02 - 50:02: - Same concept?
50:02 - 50:03: - I'm in a weird mood, guys.
50:03 - 50:05: I'm out of practice with TC.
50:05 - 50:07: - Right.
50:07 - 50:08: - I feel like--
50:08 - 50:08: - I'm easing in here.
50:08 - 50:10: - I'm hoping the audience in general
50:10 - 50:12: gives us a little latitude.
50:12 - 50:14: - We're in the studio for the first time in a while.
50:14 - 50:16: I feel like that's, that gets us some points.
50:16 - 50:18: - We're drinking Modellos, we're eating pizza.
50:18 - 50:20: It's old school, but I'm--
50:20 - 50:21: - It's a classic.
50:21 - 50:24: - I'm just kind of struggling to kind of find my footing.
50:24 - 50:27: I'm a little out of practice.
50:27 - 50:28: - This is Jill Sobule?
50:28 - 50:29: Okay.
50:29 - 50:30: So this is Jill Sobule.
50:30 - 50:33: So this is from the '90s.
50:35 - 50:40: Kind of folk rock.
50:40 - 50:40: - Yeah.
50:40 - 50:43: ♪ Jenny came over and told me about Brett ♪
50:43 - 50:45: ♪ He's such a hairy behemoth ♪
50:45 - 50:48: ♪ She said, "Dumb as a box of hammers ♪
50:48 - 50:51: ♪ But he's such a handsome guy" ♪
50:51 - 50:53: ♪ And I opened up and I told her about Larry ♪
50:53 - 50:56: ♪ And yesterday how he asked me to marry ♪
50:56 - 50:59: ♪ And I'm not giving him an answer yet ♪
50:59 - 51:01: ♪ I think it could do better ♪
51:01 - 51:04: ♪ So we laughed ♪
51:04 - 51:07: ♪ Compared notes ♪
51:07 - 51:10: ♪ We had a drink, we had a smoke ♪
51:10 - 51:12: ♪ She took off her overcoat ♪
51:12 - 51:13: - Oh.
51:13 - 51:17: ♪ I kissed a girl ♪
51:17 - 51:17: - Bam, bam.
51:17 - 51:21: - See, this is the era of like Ellen DeGeneres coming out.
51:21 - 51:24: It was like mid '90s mainstream culture
51:24 - 51:26: where like this was pretty novel.
51:26 - 51:28: ♪ She called on to say she'd be late ♪
51:28 - 51:29: ♪ He said he worried ♪
51:29 - 51:30: ♪ But now he feels safe ♪
51:30 - 51:33: ♪ I'm glad you're with your girlfriend ♪
51:33 - 51:35: - Song was kind of better than I remember it.
51:35 - 51:36: - Yeah, this is good.
51:36 - 51:37: - I like that bridge.
51:37 - 51:39: - You never heard this Seinfeld?
51:39 - 51:40: - In this, no.
51:40 - 51:41: - No.
51:41 - 51:42: - This is a total blank for me.
51:42 - 51:44: This is my Katy Perry.
51:44 - 51:47: - This part's dope.
51:47 - 51:49: ♪ And we laughed ♪
51:49 - 51:52: ♪ At the world ♪
51:52 - 51:54: ♪ They can have their diamonds ♪
51:54 - 51:59: ♪ And we'll have our pearls ♪
51:59 - 52:01: ♪ I kissed a girl ♪
52:01 - 52:02: - Bam, bam.
52:02 - 52:09: ♪ I kissed a girl ♪
52:09 - 52:12: ♪ I kissed a girl, her lips were sweet ♪
52:12 - 52:13: - Okay.
52:13 - 52:14: - Bridge.
52:14 - 52:16: ♪ She was just like kissing me ♪
52:16 - 52:18: ♪ Kiss the girl, won't change the world ♪
52:18 - 52:20: ♪ But I'm so glad ♪
52:20 - 52:23: ♪ I kissed a girl ♪
52:23 - 52:26: - Whoa, Jay Maskis out of nowhere.
52:26 - 52:28: - Yeah, I don't remember that.
52:28 - 52:31: - Tight tone.
52:31 - 52:35: - A&R guy was begging to change the tone on that part.
52:35 - 52:38: (laughing)
52:38 - 52:39: - Well, it's the edgy part, it keeps it, you know.
52:39 - 52:41: - Yeah, maybe they liked it.
52:41 - 52:42: We can get on K-Rock with that.
52:42 - 52:47: ♪ I kissed a girl ♪
52:47 - 52:49: ♪ For the first time ♪
52:49 - 52:50: ♪ I kissed a girl ♪
52:50 - 52:53: - Yeah, this slots nicely in that kind of '90s folk rock,
52:53 - 52:54: like--
52:54 - 52:55: - Lisa Loeb.
52:55 - 52:56: - Della Metri.
52:56 - 52:58: - Uh-huh.
52:58 - 52:59: - Rembrandt's a little bit.
52:59 - 53:00: - Oh yeah.
53:00 - 53:02: I'm kind of curious to hear the Katy Perry now.
53:02 - 53:04: - Yeah, it's funny because--
53:04 - 53:06: - So wait, what year was the Sobule?
53:06 - 53:08: - Yeah, what year is this?
53:08 - 53:09: '95?
53:09 - 53:11: - Yeah, I'm gonna guess, yeah, mid '90s.
53:11 - 53:13: ♪ I kissed a girl ♪
53:13 - 53:17: ♪ I kissed a girl ♪
53:17 - 53:17: ♪ I kissed a girl ♪
53:17 - 53:18: ♪ Won't you come ♪
53:18 - 53:19: - Oh yeah, some tasty licks.
53:19 - 53:20: ♪ Where the arms go flat ♪
53:20 - 53:23: ♪ I kissed a girl ♪
53:23 - 53:24: - Kind of split the difference
53:24 - 53:26: between Jay Maskis and Lindsey Buckingham.
53:26 - 53:29: - Yeah, it's actually a really tight 11 minute,
53:29 - 53:32: "I kissed a girl" from Lollapalooza '96.
53:32 - 53:34: (laughing)
53:34 - 53:38: - It's actually a top played track on the streaming services.
53:38 - 53:41: - Yeah, I used to have that on a tape, on a cassette.
53:41 - 53:43: Shout out to Jill Sobule, that sounded great.
53:43 - 53:44: - That was nice.
53:44 - 53:46: - And also, yeah, it's kind of sweet,
53:46 - 53:49: very '90s, kind vibe.
53:49 - 53:50: And then the Katy Perry one,
53:50 - 53:52: we haven't heard it in a while.
53:52 - 53:55: As I recall, this one's very, like, almost like spooky.
53:55 - 53:56: (laughing)
53:56 - 53:57: Let's see how this one sounds.
53:57 - 53:58: - Well, at this point, it's no longer, like,
53:58 - 54:02: novel subject matter, so she has to have a different approach.
54:02 - 54:04: - There was some backlash to this, I recall,
54:04 - 54:05: as far as, like, her-- - Was there?
54:05 - 54:07: 'Cause she's not gay, or?
54:07 - 54:08: - I think so, yeah.
54:08 - 54:10: - Well, let's see.
54:10 - 54:13: - A person can be a character in a song, right?
54:13 - 54:14: - Yeah, I mean, I'm--
54:14 - 54:17: I'm writing for Bruce Springsteen's first gay song.
54:17 - 54:19: - He might have one.
54:19 - 54:19: No, he does.
54:19 - 54:20: - He has a gay song?
54:20 - 54:22: - "Streets of Philadelphia."
54:22 - 54:24: - I guess you're right, 'cause he's singing first person.
54:24 - 54:25: - Oh, yeah.
54:25 - 54:25: - "I Was Bruised and Battered."
54:25 - 54:27: - So he's Tom Hanks in that song?
54:27 - 54:29: Is he the voice of Tom?
54:29 - 54:31: ♪ I was bruised and battered ♪
54:31 - 54:33: ♪ I don't know how I felt ♪
54:33 - 54:34: - Great song.
54:34 - 54:35: - I mean, he clearly was shown the film,
54:35 - 54:37: and then he wrote, of course--
54:37 - 54:39: - It's Bruce, so you're not, like, yeah.
54:39 - 54:40: - I guess, probably, back then,
54:40 - 54:41: Bruce could've played it either way,
54:41 - 54:43: if they said, "So, Bruce, you're writing
54:43 - 54:44: "from the perspective of the character."
54:44 - 54:45: Oh, no, no.
54:45 - 54:46: (laughing)
54:46 - 54:47: No, far from it.
54:47 - 54:48: No, this is--
54:48 - 54:49: I was touched by the film,
54:49 - 54:50: and it made me think about life.
54:50 - 54:53: But if he wanted to, he could say, "Absolutely."
54:53 - 54:56: I was so moved by the plight of Tom Hanks's character.
54:56 - 54:58: I don't know, yeah, he could go either way.
54:58 - 55:00: - What do you guys think of "Secret Garden"
55:00 - 55:01: from the Jerry Maguire soundtrack?
55:01 - 55:02: - Great song.
55:02 - 55:03: - Yeah, very good song. - Beautiful.
55:03 - 55:04: - Which one do you like more?
55:04 - 55:05: "Streets of Philadelphia." - "Streets of Philadelphia."
55:05 - 55:06: - Okay.
55:06 - 55:07: - Beautiful.
55:07 - 55:08: - Yeah. - Yeah, what a song.
55:08 - 55:10: Let's see how spooky this is.
55:10 - 55:13: Yeah, so this is, I think, like, 2008, 2009.
55:13 - 55:15: - Oh, okay, this is early in her career.
55:15 - 55:15: - Yeah, early Katie.
55:15 - 55:17: - So 13 years after Sobule.
55:20 - 55:21: - Shuffle beat.
55:21 - 55:25: ♪ This was never the way I planned ♪
55:25 - 55:28: ♪ Not my intention ♪
55:28 - 55:29: - Whoa. - Oh, yeah.
55:29 - 55:30: I forgot that she--
55:30 - 55:31: ♪ My intention ♪
55:31 - 55:32: - That she used to be a little, like--
55:32 - 55:34: - Like Killers? - Like emo.
55:34 - 55:36: This just sounds like the Killers meets Paramore.
55:36 - 55:39: ♪ It's not what I'm used to ♪
55:39 - 55:40: - What, did she cut her rock in the beginning?
55:40 - 55:41: (imitating guitar)
55:41 - 55:44: ♪ I don't wanna try you on ♪
55:44 - 55:48: ♪ I'm caring as for you ♪
55:48 - 55:51: ♪ Caught my attention ♪
55:51 - 55:54: ♪ I kissed a girl and I liked it ♪
55:54 - 55:58: ♪ The taste of her cherry chapstick ♪
55:58 - 56:02: ♪ I kissed a girl just to try it ♪
56:02 - 56:06: ♪ I hope my boyfriend don't mind it ♪
56:06 - 56:09: ♪ It felt so wrong, it felt so wrong ♪
56:09 - 56:13: ♪ Don't mean I end up tonight ♪
56:13 - 56:18: ♪ I kissed a girl and I liked it ♪
56:18 - 56:21: ♪ I liked it ♪
56:21 - 56:23: (imitating guitar)
56:23 - 56:24: - Yeah.
56:24 - 56:25: ♪ The beautiful people ♪
56:25 - 56:26: - Yeah.
56:26 - 56:28: ♪ I don't even know your name ♪
56:28 - 56:31: ♪ It doesn't matter ♪
56:31 - 56:33: - This doesn't sound like a fun make-out session.
56:33 - 56:35: (laughing)
56:35 - 56:36: - Well, actually, yeah. - It sounds--
56:36 - 56:37: - You hear those lines?
56:37 - 56:38: - Pretty severe.
56:38 - 56:40: - No, I don't even know your name.
56:40 - 56:41: It doesn't matter.
56:41 - 56:43: You're my experimental game.
56:43 - 56:45: - Co-written by Trent Reznor.
56:45 - 56:46: - What about, do you remember?
56:46 - 56:48: ♪ Last Friday night ♪
56:48 - 56:51: (imitating guitar)
56:51 - 56:52: - That's a great song.
56:52 - 56:53: - Is this another Katy song?
56:53 - 56:54: - Oh, you know what?
56:54 - 56:55: I really like this song.
56:55 - 56:57: This is from the same album as "I Kissed a Girl."
56:57 - 56:58: I always preferred this song.
56:58 - 57:00: - My experimental game.
57:00 - 57:02: - This song is called "Hot and Cold."
57:02 - 57:04: This is the first Katy Perry song I heard
57:04 - 57:04: where I was like,
57:04 - 57:06: ♪ You ♪
57:06 - 57:06: - I like her.
57:06 - 57:08: ♪ Take your mind ♪
57:08 - 57:09: ♪ Like a girl ♪
57:09 - 57:10: ♪ Changes clothes ♪
57:10 - 57:11: - This line's a little harsh.
57:11 - 57:13: ♪ Yeah, you ♪
57:13 - 57:15: ♪ P.M.S. ♪
57:15 - 57:17: ♪ Like a (audio cuts out) ♪
57:17 - 57:19: ♪ I would know ♪
57:19 - 57:20: - Fun video.
57:20 - 57:21: - Yeah.
57:21 - 57:22: ♪ How to think ♪
57:22 - 57:23: - '80s movie.
57:23 - 57:24: ♪ I would speak ♪
57:24 - 57:26: ♪ Critically ♪
57:26 - 57:28: ♪ I should know ♪
57:28 - 57:33: ♪ That you're no good for me ♪
57:33 - 57:35: ♪ 'Cause you're hot and you're cold ♪
57:35 - 57:37: ♪ You're yes, then you're no ♪
57:37 - 57:39: ♪ You're in, then you're out ♪
57:39 - 57:41: ♪ You're up, then you're down ♪
57:41 - 57:42: ♪ You're wrong when it's right ♪
57:42 - 57:44: ♪ It's black and it's white ♪
57:44 - 57:46: ♪ We fight, we break up ♪
57:46 - 57:48: - Her rhymes are rough.
57:48 - 57:50: To me, this is just good pop songwriting.
57:50 - 57:52: ♪ Say no ♪
57:52 - 57:53: ♪ You ♪
57:53 - 57:54: ♪ 'Cause you don't really like her ♪
57:54 - 57:55: ♪ Oh ♪
57:55 - 57:57: ♪ You're hot, then you're cold ♪
57:57 - 57:59: ♪ You're yes, then you're no ♪
57:59 - 58:01: ♪ You're in, then you're out ♪
58:01 - 58:03: ♪ You're up, then you're down ♪
58:03 - 58:04: - All right, well, Jake, so you're saying
58:04 - 58:06: your favorite Katy Perry song is "Teenage Dream."
58:06 - 58:07: Let's throw that on.
58:10 - 58:13: ♪ You think I'm pretty ♪
58:13 - 58:15: ♪ Without any makeup on ♪
58:15 - 58:17: ♪ You think I'm funny ♪
58:17 - 58:19: ♪ When I tell the punchline wrong ♪
58:19 - 58:21: ♪ I know you get me ♪
58:21 - 58:24: ♪ So I let my walls come down ♪
58:24 - 58:27: ♪ Down ♪
58:27 - 58:29: ♪ Before you met me ♪
58:29 - 58:30: ♪ I was all right ♪
58:30 - 58:33: ♪ But things were kinda heavy ♪
58:33 - 58:34: ♪ You brought me to life ♪
58:34 - 58:37: ♪ Now every February ♪
58:37 - 58:40: ♪ You'll be Valentine ♪ - February.
58:40 - 58:42: It's March right now, last month.
58:42 - 58:46: ♪ Let's go all the way tonight ♪
58:46 - 58:48: ♪ No regrets ♪
58:48 - 58:50: ♪ Just love ♪
58:50 - 58:52: ♪ We can dance ♪
58:52 - 58:54: ♪ Until we die ♪
58:54 - 58:56: ♪ You and I ♪
58:56 - 58:59: ♪ We'll be young forever ♪
58:59 - 59:03: ♪ You make me feel like I'm living a ♪
59:03 - 59:05: ♪ Teenage dream ♪
59:05 - 59:06: ♪ The way you turn me on ♪
59:06 - 59:08: - Bass playing is pretty Phoenix.
59:08 - 59:10: - Oh yeah, it is pretty Phoenix.
59:10 - 59:12: Yeah, this is sort of like 1901.
59:12 - 59:15: - Yeah, and that like guitar figure in the beginning.
59:15 - 59:17: ♪ My heart stops ♪
59:17 - 59:19: ♪ When you look at me ♪
59:19 - 59:21: - What year did "Teenage Dream" come out, Seinfeld?
59:21 - 59:24: - That was 2010.
59:24 - 59:27: - Oh yeah, one year after the big Phoenix album,
59:27 - 59:28: "Wolfgang Amadeus."
59:28 - 59:29: - Yeah.
59:29 - 59:30: - I have a theory about this.
59:30 - 59:32: I think that one of the references for the song was
59:32 - 59:34: "You get what you give, new radicals."
59:34 - 59:34: - Oh, love that song.
59:34 - 59:36: - Don't, right?
59:36 - 59:37: ♪ Don't let go ♪
59:37 - 59:38: - Yeah.
59:38 - 59:39: - I think it's the same, I don't know what you call it.
59:39 - 59:40: You're a musician.
59:40 - 59:43: - Plus a little Phoenix, like the cadence of the melody.
59:43 - 59:43: - Yeah, yeah.
59:43 - 59:46: - Plus a little bit of a Phoenix production.
59:46 - 59:49: But she even, Katie's been doing her thing.
59:49 - 59:51: This song, "Never Really Over."
59:51 - 59:53: I feel like this is a later single.
59:53 - 59:58: ♪ I'm losing my self-control ♪
59:58 - 01:00:00: - Okay, this is in the tropical house era.
01:00:00 - 01:00:01: - Yeah, this is recent.
01:00:01 - 01:00:04: You guys remember tropical, no, tropical house.
01:00:04 - 01:00:05: It was a long time ago.
01:00:05 - 01:00:06: - Oh, but this song.
01:00:06 - 01:00:08: - Like Bieber was kind of doing some tropical house.
01:00:08 - 01:00:08: - Yeah.
01:00:08 - 01:00:09: - Five years ago.
01:00:09 - 01:00:12: - Yeah, I just mean this is like latter period.
01:00:12 - 01:00:15: This is post, you remember that Hillary Clinton song
01:00:15 - 01:00:16: she did, the...
01:00:16 - 01:00:18: - Katy Perry?
01:00:18 - 01:00:19: - Katy Perry.
01:00:19 - 01:00:20: - This is Trump era.
01:00:20 - 01:00:21: - With the Marley.
01:00:21 - 01:00:23: Do you remember she did a song with one of the Marleys
01:00:23 - 01:00:25: that Sia wrote?
01:00:25 - 01:00:27: - I don't remember that song.
01:00:27 - 01:00:31: - It was very like, politically aware.
01:00:31 - 01:00:32: - This is like years after that.
01:00:32 - 01:00:34: - Oh, actually, no, I was wrong.
01:00:34 - 01:00:35: This is 2019.
01:00:35 - 01:00:36: Yeah, it's not that long ago.
01:00:36 - 01:00:37: It's Trump era.
01:00:37 - 01:00:41: ♪ I guess it's never really over ♪
01:00:41 - 01:00:43: ♪ Just because it's over doesn't mean it's really over ♪
01:00:43 - 01:00:44: ♪ And if I think it over ♪
01:00:44 - 01:00:46: ♪ Maybe you'll be coming over again ♪
01:00:46 - 01:00:50: ♪ And I'll have to get over you all over again ♪
01:00:50 - 01:00:53: ♪ Just because it's over doesn't mean it's really over ♪
01:00:53 - 01:00:54: ♪ And if I think it over ♪
01:00:54 - 01:00:58: - Are we going too deep on Katy Perry right now?
01:00:58 - 01:01:01: - 2019, Trump was in the White House.
01:01:01 - 01:01:03: - What in my neighborhood?
01:01:03 - 01:01:06: ♪ I guess it's time for therapy ♪
01:01:06 - 01:01:07: ♪ I gotta rewire this pain ♪
01:01:07 - 01:01:08: - This is pre or post COVID?
01:01:08 - 01:01:09: - Pre, don't worry.
01:01:09 - 01:01:10: - Pre.
01:01:10 - 01:01:12: - Well, it's kind of blowing my mind this is from 2019.
01:01:12 - 01:01:16: ♪ Just can't even go on the internet ♪
01:01:16 - 01:01:19: ♪ Without even checking your name ♪
01:01:19 - 01:01:20: ♪ Like you're also my sister ♪
01:01:20 - 01:01:23: ♪ Checking my net worth on the internet ♪
01:01:23 - 01:01:25: ♪ And I'll do whatever you want ♪
01:01:25 - 01:01:26: - Anyway.
01:01:26 - 01:01:27: - Dump her a crunch, Katy Perry net worth.
01:01:27 - 01:01:28: - Ooh, should we guess?
01:01:28 - 01:01:30: - Oh, I'm gonna say it's gonna be hundreds
01:01:30 - 01:01:32: of 400 million.
01:01:32 - 01:01:33: - Oh, I'm going.
01:01:33 - 01:01:35: - This is based on the dumb, the inaccurate.
01:01:35 - 01:01:38: - Yeah, that's a good guess.
01:01:38 - 01:01:40: - How much, 400?
01:01:40 - 01:01:41: I'm going 200.
01:01:41 - 01:01:43: - All right, then I'm gonna go 325.
01:01:43 - 01:01:44: - $1.
01:01:44 - 01:01:46: All right.
01:01:46 - 01:01:47: - New strategy.
01:01:47 - 01:01:50: - Ooh, okay, 330.
01:01:50 - 01:01:51: - Ooh, yeah.
01:01:51 - 01:01:53: - Yeah, what did you say?
01:01:53 - 01:01:54: - I said 325.
01:01:54 - 01:01:54: - Nice.
01:01:54 - 01:01:55: - I said 200.
01:01:55 - 01:01:57: - It's almost entirely pop chip money.
01:01:57 - 01:01:59: (laughing)
01:01:59 - 01:02:02: - None of these songs are actually particularly big.
01:02:02 - 01:02:04: That's why I wanna share them with our listeners.
01:02:04 - 01:02:07: (laughing)
01:02:07 - 01:02:10: Not a lot of people bought the Teenage Dream album,
01:02:10 - 01:02:14: but every one of them started an indie pop career
01:02:14 - 01:02:15: after that.
01:02:15 - 01:02:19: Very influential, not particularly a heard record.
01:02:19 - 01:02:21: Thank God for pop chips.
01:02:21 - 01:02:22: - No, it's cool to use our platform here
01:02:22 - 01:02:24: to really like expose the audience to music
01:02:24 - 01:02:25: they may not be familiar with.
01:02:25 - 01:02:26: - That's right.
01:02:26 - 01:02:27: Well, and also--
01:02:27 - 01:02:29: - Actually, I wasn't familiar with this music,
01:02:29 - 01:02:30: so I'm learning.
01:02:30 - 01:02:30: - No, you literally weren't.
01:02:30 - 01:02:32: Oh wait, sorry, I gotta play you.
01:02:32 - 01:02:33: Maybe we're going too far.
01:02:33 - 01:02:34: I kinda wanna play Jake Dark Horse
01:02:34 - 01:02:36: and then the song with Calvin Harris.
01:02:36 - 01:02:37: - He doesn't care.
01:02:37 - 01:02:38: - Let me Dark Horse.
01:02:38 - 01:02:39: - All right.
01:02:39 - 01:02:42: I just wanna see if you remember this at all.
01:02:42 - 01:02:42: - I won't.
01:02:44 - 01:02:45: - I love this song.
01:02:45 - 01:02:47: - Yeah, I remember when this came out,
01:02:47 - 01:02:49: it was like, it's a real moment.
01:02:49 - 01:02:51: What year did this come out, Seinfeld?
01:02:51 - 01:02:53: - Oh, this was off a huge album.
01:02:53 - 01:02:55: (laughing)
01:02:55 - 01:02:57: Also 2010, I wanna say.
01:02:57 - 01:02:58: Let me see.
01:02:58 - 01:03:00: - No, later. - Oh wait, 2013, yeah.
01:03:00 - 01:03:02: 2013 off of Prism,
01:03:02 - 01:03:04: which had
01:03:04 - 01:03:06: Roar,
01:03:06 - 01:03:09: This Is How We Do.
01:03:09 - 01:03:12: What a great song.
01:03:12 - 01:03:15: ♪ Make me a referee, daddy ♪
01:03:15 - 01:03:17: - I think this was a Max Martin.
01:03:17 - 01:03:19: - I don't like this.
01:03:19 - 01:03:20: - Hold on, just see if you like the chorus.
01:03:20 - 01:03:21: - Wait for that chorus.
01:03:21 - 01:03:24: - Wait until you hear Juicy J's full verse.
01:03:24 - 01:03:26: - Is it gonna go major key on the chorus?
01:03:26 - 01:03:31: ♪ So you wanna play with magic ♪
01:03:31 - 01:03:34: ♪ Boy you should know what you're falling for ♪
01:03:34 - 01:03:38: ♪ Baby do you dare to do this ♪
01:03:38 - 01:03:42: ♪ 'Cause I'm coming at you like a dark horse ♪
01:03:42 - 01:03:46: ♪ Are you ready for, ready for ♪
01:03:46 - 01:03:49: ♪ A perfect storm, a perfect storm ♪
01:03:49 - 01:03:54: ♪ 'Cause what's your mind, what's your mind ♪
01:03:54 - 01:03:55: ♪ There's no going back ♪
01:03:55 - 01:03:58: (beatboxing)
01:03:58 - 01:04:03: - My memory's that Juicy J says,
01:04:03 - 01:04:05: I'm gonna go to his rap.
01:04:05 - 01:04:08: My memory's that he says something about Jeffrey Dahmer,
01:04:08 - 01:04:09: which I remember being like,
01:04:09 - 01:04:12: that's a little too dark for a pop song.
01:04:12 - 01:04:16: ♪ She's a beast, I call her karma ♪
01:04:16 - 01:04:20: ♪ She eats your heart out like Jeffrey Dahmer ♪
01:04:20 - 01:04:22: ♪ Try not to leave the home ♪
01:04:22 - 01:04:24: ♪ Shorty heart is on steroids ♪
01:04:24 - 01:04:26: ♪ 'Cause her love is so strong ♪
01:04:26 - 01:04:27: ♪ You might fall in love when you meet her ♪
01:04:27 - 01:04:29: ♪ If you get the chance you better keep her ♪
01:04:29 - 01:04:31: ♪ She's sweet as pie but if you break her heart ♪
01:04:31 - 01:04:33: ♪ She turn cold as a freezer ♪
01:04:33 - 01:04:36: ♪ That fairy tale ending put a knight in shiny armor ♪
01:04:36 - 01:04:38: ♪ She can be my sleeping beauty ♪
01:04:38 - 01:04:40: ♪ I'm gonna put her in a coma ♪
01:04:40 - 01:04:41: ♪ Damn I think I love her ♪
01:04:41 - 01:04:43: ♪ Shorty so bad, she's buggin' ♪
01:04:43 - 01:04:45: - This is such an era.
01:04:45 - 01:04:46: - Damn I think I love her.
01:04:46 - 01:04:48: (laughing)
01:04:48 - 01:04:50: - Eat your heart out like Jeffrey Dahmer.
01:04:50 - 01:04:51: - Like Jeffrey Dahmer. - Literally.
01:04:51 - 01:04:54: - Not detailed, metaphorically I think.
01:04:54 - 01:04:57: - She'll eat your heart out like Jeffrey Dahmer.
01:04:57 - 01:05:01: An iconic, influential artist and--
01:05:01 - 01:05:04: - Smart investor. - And smart investor, perhaps.
01:05:04 - 01:05:06: - And I would say to connect it to the Super Bowl,
01:05:06 - 01:05:08: very strong halftime show.
01:05:08 - 01:05:10: - Oh yeah, she did a famous halftime show.
01:05:10 - 01:05:11: - One of the best.
01:05:11 - 01:05:15: - I think you can catch her hosting American Idol.
01:05:15 - 01:05:16: - Still?
01:05:16 - 01:05:18: - Yeah, 8 p.m. on Fox.
01:05:18 - 01:05:19: Well check your local listings.
01:05:19 - 01:05:22: - I wonder if she still rides for Popchips.
01:05:22 - 01:05:23: - Wow, still?
01:05:23 - 01:05:24: - No, I mean she's huge.
01:05:24 - 01:05:29: Also, those kind of gigs hosting American Idol,
01:05:29 - 01:05:31: I think the host, they're probably making more money
01:05:31 - 01:05:33: doing that than they made grinding it out
01:05:33 - 01:05:35: in their arena tours.
01:05:35 - 01:05:37: Okay.
01:05:37 - 01:05:39: Moving on.
01:05:39 - 01:05:40: - Deep sigh.
01:05:40 - 01:05:43: This is 25 minutes on Katy Perry.
01:05:43 - 01:05:44: - Oh man.
01:05:44 - 01:05:49: There was a Bob Dylan interview during our hiatus
01:05:49 - 01:05:50: that made some waves,
01:05:50 - 01:05:53: at least in the Bob Dylan fan community.
01:05:53 - 01:05:55: Bob sat down with the Wall Street Journal.
01:05:55 - 01:05:56: - Yeah.
01:05:56 - 01:05:58: - In the interview, people were excited
01:05:58 - 01:06:03: because Bob talked a bunch about music that he liked.
01:06:03 - 01:06:07: He was talking about younger musicians
01:06:07 - 01:06:09: that he's found interesting.
01:06:09 - 01:06:12: I know he said something about Grace Potter,
01:06:12 - 01:06:14: Julian Casablanca.
01:06:14 - 01:06:17: He very specifically wrote Julian Casablanca,
01:06:17 - 01:06:19: which I think knowing Bob is some,
01:06:19 - 01:06:21: I don't know why, somehow it's on purpose.
01:06:21 - 01:06:24: Jack White, Rag and Bone Man.
01:06:24 - 01:06:29: But also, he says something about a Duff McKagan solo song.
01:06:29 - 01:06:32: And you know, Duff McKagan famous as a member
01:06:32 - 01:06:34: of Guns N' Roses.
01:06:34 - 01:06:36: I'm sure he's got some cool solo music,
01:06:36 - 01:06:38: but it's not something I've heard
01:06:38 - 01:06:39: that many people talk about.
01:06:39 - 01:06:41: So to have the great Bob Dylan shout him out
01:06:41 - 01:06:42: was pretty interesting.
01:06:42 - 01:06:44: And he doesn't just shout him out as just like,
01:06:44 - 01:06:46: Bob, you know, who are some artists you like?
01:06:46 - 01:06:48: You know, Duff McKagan's doing his thing.
01:06:48 - 01:06:50: He really goes hard for him.
01:06:50 - 01:06:52: They ask, how do you discover new music?
01:06:52 - 01:06:54: This was the question Bob was asked.
01:06:54 - 01:06:58: Said, mostly by accident, by chance.
01:06:58 - 01:07:00: If I go looking for something, I usually don't find it.
01:07:00 - 01:07:01: In fact, I never find it.
01:07:01 - 01:07:03: I walk into things intuitively
01:07:03 - 01:07:06: when I'm most likely not looking for anything.
01:07:06 - 01:07:09: There's a Duff McKagan song called "Chip Away"
01:07:09 - 01:07:11: that has profound meaning for me.
01:07:11 - 01:07:14: It's a graphic song, chip away, chip away,
01:07:14 - 01:07:16: like Michelangelo breaking up solid marble stone
01:07:16 - 01:07:19: to discover the form of King David inside.
01:07:19 - 01:07:20: He didn't build him from the ground up.
01:07:20 - 01:07:24: He chipped away the stone until he discovered the king.
01:07:24 - 01:07:25: It's like my own songwriting.
01:07:25 - 01:07:28: I overwrite something, then I chip away lines and phrases
01:07:28 - 01:07:30: until I get to the real thing.
01:07:30 - 01:07:31: Shooter Jennings produced that record.
01:07:31 - 01:07:32: It's a great song.
01:07:32 - 01:07:34: - Duff was just like, oh, hell yeah.
01:07:34 - 01:07:36: - I mean, yeah. - Come in full circle too
01:07:36 - 01:07:38: after G&R covering, you know,
01:07:38 - 01:07:41: maybe this is Bob's way of paying back Duff
01:07:41 - 01:07:43: and Guns N' Roses.
01:07:43 - 01:07:46: After they covered "Knocking on Heaven's Door,"
01:07:46 - 01:07:47: we covered this on the show.
01:07:47 - 01:07:48: I mean, Bob was just sort of like--
01:07:48 - 01:07:50: - Kind of a breadhead at the time.
01:07:50 - 01:07:53: He just wanted the money and he made a lot of money.
01:07:53 - 01:07:56: - Hey, Axl, why don't you cover more of my songs?
01:07:56 - 01:07:58: - Yeah, wait, that was the real thing.
01:07:58 - 01:08:00: And then Axl said--
01:08:00 - 01:08:04: - Oh, actually, Bob, I gotta say, sir,
01:08:04 - 01:08:05: we, as you might've heard,
01:08:05 - 01:08:08: we've been covering "Knocking on Heaven's Door" in concert
01:08:08 - 01:08:11: and I hope you understand how much we look up to you
01:08:11 - 01:08:13: and how covering your song is our way of honoring you
01:08:13 - 01:08:16: and your contribution to American music.
01:08:16 - 01:08:19: And we actually do have plans on recording it in the studio.
01:08:19 - 01:08:20: - You should put it on your next record.
01:08:20 - 01:08:22: - Actually, we're thinking about it
01:08:22 - 01:08:23: and it'd be so meaningful.
01:08:23 - 01:08:25: - You should make it a single.
01:08:25 - 01:08:27: - We might, Bob, but first and foremost,
01:08:27 - 01:08:29: we just want you to understand how much we look up to you,
01:08:29 - 01:08:32: admire your song craft, what you've done with your career,
01:08:32 - 01:08:34: everything you've contributed
01:08:34 - 01:08:36: to the American musical ecosystem.
01:08:36 - 01:08:39: - Well, if it makes me money, that sounds good to me, son.
01:08:39 - 01:08:40: - Oh, all right. - Maybe one of those
01:08:40 - 01:08:41: - Market clubs.
01:08:41 - 01:08:42: (laughing)
01:08:42 - 01:08:43: - All right, Bob.
01:08:43 - 01:08:45: - I don't work here.
01:08:45 - 01:08:46: - Yeah, I don't work here.
01:08:46 - 01:08:49: (laughing)
01:08:49 - 01:08:52: He's just like in their dressing room.
01:08:52 - 01:08:54: He just barged in.
01:08:54 - 01:08:55: - Sure.
01:08:55 - 01:08:56: - The last one.
01:08:56 - 01:08:58: - Bob, that is the last one.
01:08:58 - 01:08:59: I don't give a (beep)
01:08:59 - 01:09:02: - So he was a Duff guy.
01:09:02 - 01:09:03: - Duff head.
01:09:03 - 01:09:04: - But yeah, it's classic.
01:09:04 - 01:09:05: - Speaking of Duff.
01:09:05 - 01:09:07: (laughing)
01:09:07 - 01:09:10: - It's classic Bob to be,
01:09:10 - 01:09:12: well, first of all, let's throw it on because.
01:09:12 - 01:09:13: - Yeah, I've actually never heard the song.
01:09:13 - 01:09:17: I meant to look it up after we texted about this.
01:09:17 - 01:09:19: - So this is Duff McKagan, "Chip Away."
01:09:19 - 01:09:22: ♪ Talking heads ♪
01:09:22 - 01:09:24: ♪ I'm making dollars ♪
01:09:24 - 01:09:26: ♪ It's like doing a crack ♪
01:09:26 - 01:09:28: ♪ Day after day ♪
01:09:28 - 01:09:29: - It's like doing crack day after day.
01:09:29 - 01:09:32: ♪ Talking taxes ♪
01:09:32 - 01:09:34: ♪ I'm business fathers ♪
01:09:34 - 01:09:37: ♪ It'll work this time ♪
01:09:37 - 01:09:39: ♪ They say ♪
01:09:39 - 01:09:42: ♪ Gotta rise up ♪
01:09:42 - 01:09:45: ♪ Gotta keep on fighting ♪
01:09:45 - 01:09:49: ♪ You know we've seen this all before ♪
01:09:49 - 01:09:49: - This is real cool.
01:09:49 - 01:09:51: ♪ This too shall stop ♪
01:09:51 - 01:09:52: - It's not bad.
01:09:52 - 01:09:54: ♪ If we keep our heads down ♪
01:09:54 - 01:09:55: - Very stoned.
01:09:55 - 01:09:57: ♪ It'll work this time ♪
01:09:57 - 01:09:59: ♪ They say ♪
01:09:59 - 01:10:02: ♪ Chip away, chip away ♪
01:10:02 - 01:10:04: ♪ I'm gonna throw him ♪
01:10:04 - 01:10:07: ♪ Chip away, gonna crave ♪
01:10:07 - 01:10:09: ♪ For something new ♪
01:10:09 - 01:10:10: ♪ Chip away, chip away ♪
01:10:10 - 01:10:12: - Oh yeah, I like that fiddle.
01:10:12 - 01:10:12: Tasty.
01:10:12 - 01:10:15: ♪ Can you hear me calling ♪
01:10:15 - 01:10:19: ♪ Gonna wait 'til this is through ♪
01:10:19 - 01:10:22: ♪ Oh, history ♪
01:10:22 - 01:10:25: ♪ Has had some cravings ♪
01:10:25 - 01:10:27: ♪ Some bad ass mother (beep) ♪
01:10:27 - 01:10:29: ♪ Didn't give a (beep) ♪
01:10:29 - 01:10:30: - Whoa, okay.
01:10:30 - 01:10:32: ♪ If y'all would laugh ♪
01:10:32 - 01:10:35: ♪ Might lose the holler ♪
01:10:35 - 01:10:40: ♪ Oh, they put an end to this ♪
01:10:40 - 01:10:42: ♪ Chip away, chip away ♪
01:10:42 - 01:10:45: ♪ I'm gonna throw him ♪
01:10:45 - 01:10:47: ♪ Chip away, gonna crave ♪
01:10:47 - 01:10:50: ♪ For something new ♪
01:10:50 - 01:10:52: ♪ Chip away, chip away ♪
01:10:52 - 01:10:55: ♪ Can you hear me calling ♪
01:10:55 - 01:10:59: ♪ Gonna wait 'til this is through ♪
01:11:02 - 01:11:13: - Tasteful.
01:11:13 - 01:11:23: ♪ I hear it often nowadays ♪
01:11:23 - 01:11:25: ♪ The earth is flat ♪
01:11:25 - 01:11:26: ♪ Or so they say ♪
01:11:26 - 01:11:27: ♪ Living beings came to be ♪
01:11:27 - 01:11:29: ♪ I was sucked one day ♪
01:11:29 - 01:11:31: - Wait, Seinfeld.
01:11:31 - 01:11:32: I think it was Duff.
01:11:32 - 01:11:34: One of the guys from Guns N' Roses
01:11:34 - 01:11:35: was an early Starbucks investor.
01:11:35 - 01:11:38: - Well, Duff's from Seattle.
01:11:38 - 01:11:41: - Oh yes, I think he was an early Starbucks investor.
01:11:41 - 01:11:45: - Yeah, so in '94, Duff decided to invest 100K
01:11:45 - 01:11:47: in some local companies.
01:11:47 - 01:11:49: He chose Starbucks, Microsoft, and Amazon.
01:11:49 - 01:11:51: - Jesus Christ.
01:11:51 - 01:11:54: Rock and roll, baby.
01:11:54 - 01:11:56: - What is that worth today?
01:11:56 - 01:12:00: - That's like a full-on, you went back to the past
01:12:00 - 01:12:02: and told yourself what you're investing in.
01:12:02 - 01:12:05: - That's like outperforming Warren Buffett.
01:12:05 - 01:12:05: - Yeah.
01:12:05 - 01:12:10: - Like America's top investors by return percentage.
01:12:10 - 01:12:12: Warren Buffett, Duff McKagan.
01:12:12 - 01:12:13: - What's Duff's net worth?
01:12:13 - 01:12:15: - Yeah.
01:12:15 - 01:12:19: - Celebrity net worth, Duff McKagan, 79.
01:12:19 - 01:12:20: Right on, Duff.
01:12:20 - 01:12:21: - What's Slash?
01:12:21 - 01:12:23: - All right, here we go.
01:12:23 - 01:12:26: Slash celebrity net worth. - 130.
01:12:26 - 01:12:28: - 90 million, wait.
01:12:28 - 01:12:30: - Yeah, they're not taking into account
01:12:30 - 01:12:31: Duff's savvy investing.
01:12:31 - 01:12:32: - Oh wait, is that Axl Rose?
01:12:32 - 01:12:35: ♪ Chip away, chip away ♪
01:12:35 - 01:12:36: Oh yeah, 90 million.
01:12:36 - 01:12:37: Why does he?
01:12:37 - 01:12:38: - You know what? - I love the thing
01:12:38 - 01:12:39: about Bob sitting in the back of the tour bus,
01:12:39 - 01:12:40: earbuds in, hoodie up.
01:12:40 - 01:12:43: - Just listening to "Chip Away" over and over again.
01:12:43 - 01:12:45: Actually, "Chip Away" is the type of song,
01:12:45 - 01:12:46: this might be hard to describe,
01:12:46 - 01:12:48: but it's exactly the type of song
01:12:48 - 01:12:50: that I feel like we all might get into,
01:12:50 - 01:12:53: like listening to kind of like a late record
01:12:53 - 01:12:54: by like a famous dude,
01:12:54 - 01:12:56: nobody else is checking it out that much.
01:12:56 - 01:12:56: You're like, I wanna listen to that,
01:12:56 - 01:12:58: and you throw it on, and you're just like,
01:12:58 - 01:13:00: honestly, I really like track five.
01:13:00 - 01:13:01: It'd totally be a song like this.
01:13:01 - 01:13:02: - Yeah. - You'd just be like,
01:13:02 - 01:13:04: ♪ Chip away, chip away ♪
01:13:04 - 01:13:06: - Yeah, the next day you're singing it,
01:13:06 - 01:13:06: you're like, what is it?
01:13:06 - 01:13:07: Oh yeah, that's that Duff song.
01:13:07 - 01:13:09: - Yeah, it's actually pretty good.
01:13:09 - 01:13:11: Okay, all right, Bob.
01:13:11 - 01:13:12: It's a solid song.
01:13:12 - 01:13:17: So, you know, like we said, Bob described
01:13:17 - 01:13:20: when he hears the song, Duff McKagan's song, "Chip Away,"
01:13:20 - 01:13:22: he thinks about Michelangelo breaking up
01:13:22 - 01:13:25: the solid marble stone to discover the form of King David.
01:13:25 - 01:13:27: And actually, I have some old texts
01:13:27 - 01:13:30: from the TC Text thread where Jake said,
01:13:30 - 01:13:34: "Amazing, first episode of 2023, Duff McKagan deep dive."
01:13:34 - 01:13:35: - Okay, we're doing it.
01:13:35 - 01:13:36: - And then Jake said, "Also, the David
01:13:36 - 01:13:38: "is maybe the greatest artwork of all time.
01:13:38 - 01:13:40: "Just saying, I'm right there with Bob."
01:13:40 - 01:13:42: And then I said, "Didn't know you were David head.
01:13:42 - 01:13:45: "Is it number one across all art forms for you?"
01:13:45 - 01:13:48: Jake said, "Generally not a huge sculpture fan,
01:13:48 - 01:13:50: "but it's the scale of David that makes it so amazing.
01:13:50 - 01:13:52: "Like, I don't understand how he did it.
01:13:52 - 01:13:54: "It seems otherworldly.
01:13:54 - 01:13:56: "In terms of iconic world historical art pieces,
01:13:56 - 01:13:58: "it's a funny conversation to have.
01:13:58 - 01:13:59: "David is the goat, bro."
01:13:59 - 01:14:02: So Jake says, "Greatest work of art, the David.
01:14:02 - 01:14:04: "Greatest rock song, Bob O'Reilly."
01:14:04 - 01:14:06: But by work of art, you mean anything
01:14:06 - 01:14:11: that a human being made to express themselves with.
01:14:11 - 01:14:13: - I think I meant greatest work of art in this context,
01:14:13 - 01:14:14: visual art.
01:14:14 - 01:14:15: - Okay, but--
01:14:15 - 01:14:17: - You know, like a painting or a sculpture.
01:14:17 - 01:14:18: - All right, but like, you know,
01:14:18 - 01:14:20: this is single elimination.
01:14:20 - 01:14:22: It's March Madness time.
01:14:22 - 01:14:25: You got it down to the David on one conference,
01:14:25 - 01:14:28: in the Eastern Conference, Bob O'Reilly in the Western.
01:14:28 - 01:14:29: Now let's get serious.
01:14:29 - 01:14:32: Which is better, the David or Bob O'Reilly?
01:14:32 - 01:14:33: - Damn.
01:14:33 - 01:14:35: You stumped me on this one, man.
01:14:35 - 01:14:37: - I would just, yeah, that was interesting to me.
01:14:37 - 01:14:37: - You stumped me.
01:14:37 - 01:14:39: - That you love the David so much.
01:14:39 - 01:14:40: So you like the David more than--
01:14:40 - 01:14:43: - Well, it's just like one of those things
01:14:43 - 01:14:46: where you're just like, it's so huge.
01:14:46 - 01:14:48: Yeah, so I asked if you guys had seen it in person.
01:14:48 - 01:14:48: - No, I've never been to Florence.
01:14:49 - 01:14:51: - It's at the Uffizi Gallery in Florence.
01:14:51 - 01:14:55: It's okay, we've all seen old classical sculptures
01:14:55 - 01:14:57: of the naked male form.
01:14:57 - 01:14:58: - Sure.
01:14:58 - 01:14:59: - They're everywhere.
01:14:59 - 01:15:00: You go to a museum, you go to the Getty.
01:15:00 - 01:15:01: - Sure.
01:15:01 - 01:15:02: - There's a bunch of them there.
01:15:02 - 01:15:04: But this thing is like, Seinfeld number crunch?
01:15:04 - 01:15:06: What's the height of the David?
01:15:06 - 01:15:08: It's immense.
01:15:08 - 01:15:09: It's on a pedestal.
01:15:09 - 01:15:12: I mean, basically the toes start at like,
01:15:12 - 01:15:13: where your eye level is.
01:15:13 - 01:15:14: - Jake?
01:15:14 - 01:15:15: - And then, yeah.
01:15:15 - 01:15:15: - 17 feet.
01:15:15 - 01:15:16: - Okay, I was gonna guess 20.
01:15:16 - 01:15:18: - Oh, that's a big boy.
01:15:18 - 01:15:19: - It doesn't sound like a lot, but when you see it--
01:15:19 - 01:15:20: - It's larger than life.
01:15:20 - 01:15:25: - It's this immense, perfect sculpture of a man
01:15:25 - 01:15:28: out of one, it wasn't like, put together like Bob was saying.
01:15:28 - 01:15:31: It was one giant block of marble.
01:15:31 - 01:15:34: I just don't understand, I guess I like it so much
01:15:34 - 01:15:36: 'cause I just don't understand how he did it.
01:15:36 - 01:15:40: A painting, 'cause I'm a painter, I've done a lot of it.
01:15:40 - 01:15:41: There are paintings I see where I'm just like,
01:15:41 - 01:15:42: I don't know how they did that.
01:15:42 - 01:15:44: But I kinda still maybe can figure it out.
01:15:44 - 01:15:46: - Even some of the greatest paintings of all time.
01:15:46 - 01:15:47: - You're just like, okay, I can kind of see how they did that.
01:15:47 - 01:15:50: - And also, with the painting, no disrespect to the art form,
01:15:50 - 01:15:52: but you can do a lot of cheating.
01:15:52 - 01:15:56: So, you know, like sometimes the X-ray, Leonardo da Vinci,
01:15:56 - 01:15:58: he's considered, he's a top guy.
01:15:58 - 01:15:59: He's big in that world.
01:15:59 - 01:16:02: - Top guy, top guy, nick ratings.
01:16:02 - 01:16:04: - Then they look through it, turns out,
01:16:04 - 01:16:07: he was painting over little flubs, he was using a pencil.
01:16:07 - 01:16:08: - He'd make mistakes.
01:16:08 - 01:16:10: - Do you respect that?
01:16:10 - 01:16:11: When a guy uses a pencil?
01:16:11 - 01:16:12: - Absolutely.
01:16:12 - 01:16:13: - You respect that?
01:16:13 - 01:16:14: - Oh, yeah.
01:16:14 - 01:16:15: - It's not cheating?
01:16:15 - 01:16:15: - Not cheating.
01:16:15 - 01:16:18: - One thing they should have to say at the gallery, though.
01:16:18 - 01:16:20: You know, when I paint a picture of like a Pizza Hut
01:16:20 - 01:16:22: or Cheesecake Factory, I'm free-handing.
01:16:22 - 01:16:25: I'm not using any sort of pencils or rulers
01:16:25 - 01:16:26: or any sort of rejection system.
01:16:26 - 01:16:27: - See, that's what I'm talking about.
01:16:27 - 01:16:30: - I just know intuitively the perfect shape
01:16:30 - 01:16:32: of every little piece of tile and shingle.
01:16:32 - 01:16:33: - 'Cause you studied the--
01:16:33 - 01:16:35: - I can just do that first time out.
01:16:35 - 01:16:35: - Because you're a pro.
01:16:35 - 01:16:37: - No, and also, that's right,
01:16:37 - 01:16:39: because you're out here selling paintings.
01:16:39 - 01:16:40: - Paintings.
01:16:40 - 01:16:41: - Paint.
01:16:41 - 01:16:44: - Not pencilings, not rulerings.
01:16:44 - 01:16:44: - Not sketches.
01:16:44 - 01:16:46: - Not sketches.
01:16:46 - 01:16:47: Right, 'cause you haven't worked with that.
01:16:47 - 01:16:48: Sketches, that's when you take a pencil--
01:16:48 - 01:16:50: - It's oil and canvas, that's all it is.
01:16:50 - 01:16:51: - Projection system, that's interesting,
01:16:51 - 01:16:54: 'cause there are a lot of hacky, lesser artists
01:16:54 - 01:16:56: using projection systems to--
01:16:56 - 01:16:57: - You're looking at 'em.
01:16:57 - 01:16:58: - Oh.
01:16:58 - 01:16:59: (laughing)
01:16:59 - 01:17:00: - You don't use a projection system?
01:17:00 - 01:17:03: - I'll use an Epson digital projector
01:17:03 - 01:17:07: to transfer the information that I plan out.
01:17:07 - 01:17:08: - See, this is the thing.
01:17:08 - 01:17:10: - I transfer the information onto the canvas.
01:17:10 - 01:17:11: - I took you at face value,
01:17:11 - 01:17:14: just like I took Katy Perry's mini fridge, mini bar store.
01:17:14 - 01:17:15: - Okay, but you always paint them.
01:17:15 - 01:17:18: You're not using 3D printers yet.
01:17:18 - 01:17:18: - They are painted.
01:17:18 - 01:17:20: - Okay, by hand.
01:17:20 - 01:17:21: - By hand.
01:17:21 - 01:17:22: - Your hand.
01:17:22 - 01:17:23: - My hand.
01:17:23 - 01:17:23: - It's a mechanical hand.
01:17:23 - 01:17:25: (laughing)
01:17:25 - 01:17:26: Actually, you know, Bob--
01:17:26 - 01:17:28: - Yeah, quote unquote, my hand.
01:17:28 - 01:17:30: - Bob, yes, it's my hand.
01:17:30 - 01:17:32: It belongs to nobody else.
01:17:32 - 01:17:37: I paid $25,999 for it from a Korean robotics company,
01:17:37 - 01:17:40: and it's mine.
01:17:40 - 01:17:42: And when I said it was my hand, I meant it was my hand.
01:17:42 - 01:17:46: You know, Bob got in trouble because when the book came out,
01:17:46 - 01:17:49: the song book, he, I don't wanna say he,
01:17:49 - 01:17:52: I don't wanna put it all on the great Bob, but--
01:17:52 - 01:17:52: - The publisher.
01:17:52 - 01:17:56: - The publisher was selling these expensive signed copies
01:17:56 - 01:17:59: as is typical, and I guess they found out
01:17:59 - 01:18:02: that a lot of them were signed,
01:18:02 - 01:18:04: they kind of used some fancy word,
01:18:04 - 01:18:08: like using some kind of like auto signer.
01:18:08 - 01:18:08: - Right.
01:18:08 - 01:18:09: - What am I, you mean a printer?
01:18:09 - 01:18:10: You mean just like a stamp?
01:18:10 - 01:18:11: I don't know what they mean.
01:18:11 - 01:18:14: But, and then, you know, you gotta feel for Bob.
01:18:14 - 01:18:18: Man's in his 80s, and he said he did start to sign them,
01:18:18 - 01:18:20: and then he had like vertigo or some kind of health issue
01:18:20 - 01:18:22: that made it impossible, and there was a deadline,
01:18:22 - 01:18:24: and he was assured by people who worked with him,
01:18:24 - 01:18:27: like this is done, this still counts as your signature.
01:18:27 - 01:18:29: Like literally, it is like my hand.
01:18:29 - 01:18:31: No, no, Bob, this still counts.
01:18:31 - 01:18:31: This is not fake.
01:18:31 - 01:18:36: This is still a one of a kind printed Bob Dylan signature
01:18:36 - 01:18:38: that you authorized, so that's the same.
01:18:38 - 01:18:39: And then people found out, they were upset,
01:18:39 - 01:18:41: and he, clearly he felt bad.
01:18:41 - 01:18:42: He went, he put out a press release saying,
01:18:42 - 01:18:44: "I was assured that this was normal.
01:18:44 - 01:18:45: "It's only because I had vertigo."
01:18:45 - 01:18:50: - Anyway, I love that you're writing for the David so hard.
01:18:50 - 01:18:51: - Well, yeah, so you're subtracting,
01:18:51 - 01:18:53: you have this huge block of marble.
01:18:53 - 01:18:54: - Right. - You're subtracting.
01:18:54 - 01:18:56: And I just, I can't even imagine just like--
01:18:56 - 01:18:58: - Do you think he used pencils?
01:18:58 - 01:19:01: - I have no idea how he does it, how he did it.
01:19:01 - 01:19:02: Any of those, any of that sort of art form,
01:19:02 - 01:19:04: but at that scale, I mean--
01:19:04 - 01:19:05: - It was aliens.
01:19:05 - 01:19:07: It was ancient aliens.
01:19:07 - 01:19:08: I mean, all the, and that's how they--
01:19:08 - 01:19:09: - One mistake.
01:19:09 - 01:19:10: Also, it's marble.
01:19:10 - 01:19:11: I mean, you're chipping away.
01:19:11 - 01:19:14: It's like, what if it like breaks in a weird way?
01:19:14 - 01:19:17: Or like, I just don't understand how you would do that.
01:19:17 - 01:19:18: I just don't understand.
01:19:18 - 01:19:19: - I mean, all, and does Bernini,
01:19:19 - 01:19:21: I've seen some of the Berninis.
01:19:21 - 01:19:22: Those are incredible too.
01:19:22 - 01:19:23: - Yeah.
01:19:23 - 01:19:25: - How could you even figure that out
01:19:25 - 01:19:28: and have it so hyper-realistic and--
01:19:28 - 01:19:30: - That's one thing that, yeah, I don't think people,
01:19:30 - 01:19:32: I'm sure there are people who are doing it,
01:19:32 - 01:19:33: but you just don't see, like,
01:19:33 - 01:19:35: you know, you go into a gallery in Chelsea,
01:19:35 - 01:19:38: and you're like, "Oh, marble sculpture."
01:19:38 - 01:19:38: - Right.
01:19:38 - 01:19:39: - You just don't see it.
01:19:39 - 01:19:40: I don't know.
01:19:40 - 01:19:42: - And if somebody was doing it now,
01:19:42 - 01:19:43: you could totally picture a young artist.
01:19:43 - 01:19:44: - Machine routered.
01:19:44 - 01:19:47: - Yeah, it would totally be 3D printed, machine cut,
01:19:47 - 01:19:50: and it would be some sort of, it'd be like a bit.
01:19:50 - 01:19:51: - Right, all this stuff I found,
01:19:51 - 01:19:53: like this internet porn, and they're turning to--
01:19:53 - 01:19:54: - Yeah. - Yeah.
01:19:54 - 01:19:58: - This is Mayor Hamburger had (beep) his own (beep)
01:19:58 - 01:19:59: in marble.
01:19:59 - 01:20:00: Did you carve it by hand?
01:20:00 - 01:20:03: It's like, no, I sent an email to a factory in China,
01:20:03 - 01:20:07: said, "I need a three-foot high Mr. Mayor Hamburger's
01:20:07 - 01:20:07: "(beep) his own (beep)."
01:20:07 - 01:20:11: Can you send it to this gallery in Chelsea?
01:20:11 - 01:20:12: Get it by next month?
01:20:12 - 01:20:13: I mean, does that ever, actually,
01:20:13 - 01:20:15: does that ever happen in the art world, Jake,
01:20:15 - 01:20:18: where it's like, because you have the people
01:20:18 - 01:20:20: who still enjoy, I know there's a lot of people,
01:20:20 - 01:20:23: like you paint by hand, you're interested
01:20:23 - 01:20:25: in like the history of painting,
01:20:25 - 01:20:28: you might have some slight different tools
01:20:28 - 01:20:29: at your disposal, but in a way,
01:20:29 - 01:20:31: you are doing what people have been doing
01:20:31 - 01:20:34: for hundreds of years, and kind of an ancient tradition.
01:20:34 - 01:20:35: - Thousands.
01:20:35 - 01:20:36: - Thousands of years.
01:20:36 - 01:20:40: - Going back to the cave paintings in Lascaux in France.
01:20:40 - 01:20:41: - Absolutely.
01:20:41 - 01:20:44: - An unbroken tradition, whereas today,
01:20:44 - 01:20:47: that you also get these big conceptual artists, right?
01:20:47 - 01:20:52: Basically the idea guys who might come in and just,
01:20:52 - 01:20:53: and maybe their ideas are great,
01:20:53 - 01:20:55: maybe it's some exciting thing,
01:20:55 - 01:20:56: people are gonna walk in the gallery
01:20:56 - 01:20:58: and the first thing you see is the,
01:20:58 - 01:21:02: are there situations where somebody who's studied,
01:21:02 - 01:21:05: painstakingly learned how to sculpt or paint,
01:21:05 - 01:21:08: ends up just kind of like working for,
01:21:08 - 01:21:10: like just an ideas guy?
01:21:10 - 01:21:11: Is that, that happens all the time?
01:21:11 - 01:21:12: - For sure.
01:21:12 - 01:21:13: - Like you're somebody who's been like,
01:21:13 - 01:21:16: studying the greats, painting since childhood,
01:21:16 - 01:21:18: went to art school, you're so concerned,
01:21:18 - 01:21:19: then you just get like--
01:21:19 - 01:21:19: - You're working for Jeff Koons,
01:21:19 - 01:21:21: or I mean that's probably a good gig,
01:21:21 - 01:21:23: but yeah, you're working for, absolutely.
01:21:23 - 01:21:24: - And maybe they're cool,
01:21:24 - 01:21:26: but maybe it could also just be like a bozo,
01:21:26 - 01:21:29: just being like, "I need an exact replica of the Mona Lisa."
01:21:29 - 01:21:30: - I'm sure.
01:21:30 - 01:21:33: - Except you can write like, "She sucks," on the bottom.
01:21:33 - 01:21:34: - There definitely are fine artists
01:21:34 - 01:21:37: that have stuff painted for them in China.
01:21:37 - 01:21:39: I mean, it's part of the like conceptual,
01:21:39 - 01:21:43: kind of rigor or story of the art.
01:21:43 - 01:21:46: - Like they're making commentary on the global marketplace.
01:21:46 - 01:21:47: - Yeah.
01:21:47 - 01:21:49: - Capitalism.
01:21:49 - 01:21:49: - Yeah.
01:21:49 - 01:21:50: And then you're like, "Okay,
01:21:50 - 01:21:53: "well I have this kind of mediocre painting to show for it.
01:21:53 - 01:21:54: "Awesome."
01:21:54 - 01:21:54: - Right.
01:21:54 - 01:21:55: - But yeah, I mean, yeah, that's--
01:21:55 - 01:21:56: - More of the story.
01:21:56 - 01:21:57: - That's definitely a thing.
01:21:57 - 01:21:59: - Okay, but I can see in this context,
01:21:59 - 01:22:01: that the sheer ingenuity of like,
01:22:01 - 01:22:03: "How was the David made?"
01:22:03 - 01:22:06: And why that over any other sculpture you've ever seen?
01:22:06 - 01:22:07: - Just the scale.
01:22:07 - 01:22:09: The size of it is just like,
01:22:09 - 01:22:10: you walk into the room and you're just like,
01:22:10 - 01:22:13: "Oh my God, that's crazy."
01:22:13 - 01:22:15: - But you must've seen some other big,
01:22:15 - 01:22:16: what about the Statue of Liberty?
01:22:16 - 01:22:18: Why's it gotta be something Italian?
01:22:18 - 01:22:20: - That's not hand carved out of a piece of marble.
01:22:20 - 01:22:23: Although that's true, I don't know how they made that.
01:22:23 - 01:22:25: I mean, honestly, Mount Rushmore is pretty impressive.
01:22:25 - 01:22:28: (laughing)
01:22:28 - 01:22:29: It's a mountain.
01:22:29 - 01:22:31: - James is like, "Big stuff."
01:22:31 - 01:22:33: - I mean, it's like, if you're Michelangelo
01:22:33 - 01:22:34: and you mess up the David, and maybe he did.
01:22:34 - 01:22:37: Maybe this is his third try and he nailed it.
01:22:37 - 01:22:39: Mount Rushmore, you kind of only have one shot.
01:22:39 - 01:22:41: No, I don't understand that.
01:22:41 - 01:22:44: I don't understand how you do that kind of stuff.
01:22:44 - 01:22:45: It's wild to me.
01:22:45 - 01:22:47: - Has there ever been a movie like,
01:22:47 - 01:22:48: like, you know, Ghostbusters style,
01:22:48 - 01:22:50: where like, the David gets like haunted
01:22:50 - 01:22:52: or like struck by like a lightning
01:22:52 - 01:22:54: or like come to life, kind of like walk around.
01:22:54 - 01:22:55: - He gets a big (beep)
01:22:55 - 01:22:56: - Yeah, like gets a big (beep)
01:22:56 - 01:22:58: Has it ever happened?
01:22:58 - 01:23:00: I feel like I've seen it with Mount Rushmore in movies.
01:23:00 - 01:23:03: Like George Washington's like, "Ooh."
01:23:03 - 01:23:05: But like, do you know what I'm talking about?
01:23:05 - 01:23:06: - Oh, you're like a knight at the museum?
01:23:06 - 01:23:08: - Like a knight at the museum style.
01:23:08 - 01:23:08: There's Mount Rushmore.
01:23:08 - 01:23:11: - That'd be fun to make like a real cheap indie versions,
01:23:11 - 01:23:14: Jake's a knight at the Uffizi Gallery.
01:23:14 - 01:23:15: - Yeah, there we go.
01:23:15 - 01:23:17: (laughing)
01:23:17 - 01:23:21: - When an American painter finds himself
01:23:21 - 01:23:25: accidentally locked in the Uffizi Gallery
01:23:25 - 01:23:26: in Florence late at night.
01:23:26 - 01:23:29: (laughing)
01:23:29 - 01:23:32: He goes face to face with his all time favorite work of art,
01:23:32 - 01:23:35: except the David's like really pissed off or something.
01:23:35 - 01:23:36: - Not favorite, greatest.
01:23:36 - 01:23:38: - Greatest, I see.
01:23:38 - 01:23:39: Now, but I'm with you.
01:23:39 - 01:23:43: There have been times when I've seen large scale,
01:23:43 - 01:23:45: like for instance, in Japan,
01:23:45 - 01:23:50: there's a whole bunch of these famous, like huge Buddhas.
01:23:50 - 01:23:53: Some of which were made in like around the year 700,
01:23:53 - 01:23:56: for instance, and you see these like really old,
01:23:56 - 01:23:58: sometimes they're made out of bronze or something.
01:23:58 - 01:24:01: And just to be like kind of confronted by that.
01:24:01 - 01:24:05: Yeah, the scale, it is, it kind of knocks you out.
01:24:05 - 01:24:06: - Yeah, I can picture that.
01:24:06 - 01:24:08: - Just holding up like a huge hand
01:24:08 - 01:24:09: and in this like beautiful space
01:24:09 - 01:24:12: that was just made for people to come from far and wide,
01:24:12 - 01:24:13: just to like sit and look up
01:24:13 - 01:24:15: at this representation of the Buddha.
01:24:15 - 01:24:17: - That reminds me when I went to Mexico City,
01:24:17 - 01:24:19: like five or six years ago,
01:24:19 - 01:24:22: went to the big museum there and there's this huge,
01:24:22 - 01:24:23: I don't know the name of it,
01:24:23 - 01:24:27: but this huge sculpture of like the sun god.
01:24:27 - 01:24:29: It's just like mounted onto the wall,
01:24:29 - 01:24:32: but it's all stone, it must weigh like some ungodly amount.
01:24:32 - 01:24:34: - Like from the pre-Columbian times, like on Mayans.
01:24:34 - 01:24:37: - Yeah, yeah, it's not by like a famous artist.
01:24:37 - 01:24:38: - Big sculptures rule.
01:24:38 - 01:24:42: And actually, how about down in Rio, the Cristo?
01:24:42 - 01:24:44: - Never seen it, but yeah.
01:24:44 - 01:24:45: - But it's like, it's iconic.
01:24:45 - 01:24:46: - Yeah, absolutely.
01:24:46 - 01:24:48: - It's sick, arms out.
01:24:48 - 01:24:49: How big is that boy?
01:24:49 - 01:24:50: Is that a big boy?
01:24:50 - 01:24:53: - Shout out to the Statue of Liberty.
01:24:53 - 01:24:55: - Statue of Liberty?
01:24:55 - 01:24:56: How tall is it?
01:24:56 - 01:24:59: - Oh no, no, the one down in Rio.
01:24:59 - 01:25:00: - Oh, the Jesus?
01:25:00 - 01:25:02: - Yeah, I always call it the Cristo.
01:25:02 - 01:25:03: - Oh yeah, yeah, the Cristo.
01:25:03 - 01:25:07: That is 98 feet.
01:25:07 - 01:25:08: - Oh, it's massive.
01:25:08 - 01:25:11: Right, yeah, 'cause when you see it in like a movie,
01:25:11 - 01:25:13: it's like a helicopter shot, you could be like,
01:25:13 - 01:25:15: what's that, 10 feet?
01:25:15 - 01:25:15: 10, 15 feet?
01:25:15 - 01:25:17: - Yeah, yeah, I wouldn't have thought it was that big.
01:25:17 - 01:25:18: - Yeah, massive.
01:25:18 - 01:25:21: - I mean, it's almost verges sort of
01:25:21 - 01:25:23: into like the seven wonders of the world.
01:25:23 - 01:25:24: - Oh yeah.
01:25:24 - 01:25:25: - And I went to the--
01:25:25 - 01:25:26: - Colossus of Rhodes.
01:25:26 - 01:25:26: - Colossus of Rhodes, yeah.
01:25:26 - 01:25:29: - I've been to China once and I went to the Great Wall,
01:25:29 - 01:25:31: which is insane, but I couldn't help but just think
01:25:31 - 01:25:33: of like the slave labor that went into making the--
01:25:33 - 01:25:34: - Right.
01:25:34 - 01:25:35: - The Great Wall is sort of beautiful
01:25:35 - 01:25:38: and it's breathtaking and again, it's scale.
01:25:38 - 01:25:39: - Right.
01:25:39 - 01:25:42: - But it's not like aesthetic in the way that like
01:25:42 - 01:25:45: the sun god, Mexico City, or the David is.
01:25:45 - 01:25:46: - Right.
01:25:46 - 01:25:47: - It's just like brutal.
01:25:47 - 01:25:49: - Last question, you Grand Canyon fan?
01:25:49 - 01:25:51: - This is a great shame.
01:25:51 - 01:25:52: I've never been.
01:25:52 - 01:25:53: And I need to go. - Oh, interesting.
01:25:53 - 01:25:54: - It's on my list.
01:25:54 - 01:25:55: Have you been?
01:25:55 - 01:25:56: - No, I've never been.
01:25:56 - 01:25:57: In fact, there was--
01:25:57 - 01:25:58: - Road trip.
01:25:58 - 01:25:59: - T.C., road trip.
01:25:59 - 01:26:01: - I had the chance to go when Vampire Weekend was on tour
01:26:01 - 01:26:05: and I felt like, eh, I don't need to see that.
01:26:05 - 01:26:05: - Really, dude?
01:26:05 - 01:26:06: You do.
01:26:06 - 01:26:07: - And that's why I'm trying to like reconnect.
01:26:07 - 01:26:08: - Let's go.
01:26:08 - 01:26:11: - That's why I like that you're ranking the David
01:26:11 - 01:26:13: as the goat because I do feel like there's a lot
01:26:13 - 01:26:16: of just things that feel so familiar to me
01:26:16 - 01:26:18: that I probably would pass up the chance.
01:26:18 - 01:26:21: Like I've never gone up to the Statue of Liberty.
01:26:21 - 01:26:23: And now I kind of understand as I get older,
01:26:23 - 01:26:25: like no, it's cool to go see these things,
01:26:25 - 01:26:27: even if they seem basic.
01:26:27 - 01:26:30: Like I told you how we were in Japan spending time
01:26:30 - 01:26:31: at Mount Fuji.
01:26:31 - 01:26:32: - Oh yeah, yeah.
01:26:32 - 01:26:33: - And I'd seen it from the plane before,
01:26:33 - 01:26:35: but to actually go right up to it,
01:26:35 - 01:26:38: to go up it a bit, climb up,
01:26:38 - 01:26:38: there was something about it.
01:26:38 - 01:26:41: You're like, this is the best mountain in the world.
01:26:41 - 01:26:42: (laughing)
01:26:42 - 01:26:43: No, there's a reason.
01:26:43 - 01:26:44: - Greatest mountain in the world.
01:26:44 - 01:26:46: - Greatest mountain in the world, Mount Fuji.
01:26:46 - 01:26:47: Greatest regard, the David.
01:26:47 - 01:26:49: Greatest rock song?
01:26:49 - 01:26:50: - Bob O'Reilly.
01:26:50 - 01:26:54: - Greatest pop song, "Hot and Cold" by Katy Perry.
01:26:54 - 01:26:54: All right.
01:26:54 - 01:26:56: - Teenage Dream.
01:26:56 - 01:26:58: - Let's get into the top five.
01:26:59 - 01:27:01: - It's time for the top five.
01:27:01 - 01:27:06: Five on iTunes.
01:27:06 - 01:27:08: - We're gonna be comparing the top five hits right now
01:27:08 - 01:27:09: with 1989.
01:27:09 - 01:27:10: Why 1989?
01:27:10 - 01:27:11: I actually have no idea.
01:27:11 - 01:27:13: - 'Cause this is episode 189.
01:27:13 - 01:27:15: - Okay, wow.
01:27:15 - 01:27:17: That's crazy.
01:27:17 - 01:27:19: We've created hundreds of hours of content.
01:27:19 - 01:27:21: - Top shelf content.
01:27:21 - 01:27:22: - That's right.
01:27:22 - 01:27:24: - Greatest internet radio show.
01:27:24 - 01:27:27: - Time crisis, hands down.
01:27:27 - 01:27:30: The number five song this week in 1989,
01:27:30 - 01:27:32: speaking of Duff McKagan,
01:27:32 - 01:27:35: it's his band, Guns N' Roses with "Paradise City."
01:27:37 - 01:27:45: - Jake, do you remember where you were
01:27:45 - 01:27:48: when you first saw this music video?
01:27:48 - 01:27:50: - Probably in my living room.
01:27:50 - 01:27:51: - Do you remember it?
01:27:51 - 01:27:53: I remember it vividly. - Yeah, I remember it.
01:27:53 - 01:27:54: - Yeah.
01:27:54 - 01:27:55: - Jordan Stein's basement.
01:27:55 - 01:27:57: - Oh, nice, dude.
01:27:57 - 01:27:58: Right at the show.
01:27:58 - 01:27:59: - I don't know if I've ever seen the video.
01:27:59 - 01:28:00: Is there something special about it?
01:28:00 - 01:28:01: - No, it's just cool concert footage,
01:28:01 - 01:28:03: or them on tour.
01:28:03 - 01:28:03: - Yeah.
01:28:03 - 01:28:06: - Like sound checking in an empty arena.
01:28:06 - 01:28:06: - Yeah.
01:28:06 - 01:28:09: - Like an intimate kind of view of the tour.
01:28:09 - 01:28:11: - Like real rock star (beep) though.
01:28:11 - 01:28:12: Like.
01:28:12 - 01:28:13: - Yeah.
01:28:13 - 01:28:14: - Very cool.
01:28:19 - 01:28:24: - The beginning of the song is awesome.
01:28:24 - 01:28:25: Like this part rules.
01:28:25 - 01:28:25: - This synth is pretty.
01:28:25 - 01:28:28: - He's also doing a lot of his snake dancing.
01:28:28 - 01:28:29: - Yeah.
01:28:29 - 01:28:30: - With the synth, they thought it was kind of like
01:28:30 - 01:28:32: a 70s, proggy synth.
01:28:32 - 01:28:33: (imitates synth)
01:28:35 - 01:28:39: Okay, yeah, this part was so sick.
01:28:40 - 01:28:42: Also, this is a pretty wild song.
01:28:42 - 01:28:43: Just like does the chorus,
01:28:43 - 01:28:45: and then just like. - Yeah.
01:28:45 - 01:28:47: - Another minute of instrumentalist jamming.
01:28:47 - 01:28:48: (imitates drum roll)
01:28:48 - 01:28:49: - Kind of.
01:28:51 - 01:28:53: And then they go to the like,
01:28:53 - 01:28:54: riff rock part.
01:28:54 - 01:28:55: - The whistle?
01:28:55 - 01:28:56: - The whistle's tight.
01:28:56 - 01:29:00: I picture Axl on like the catcher's protective gear
01:29:00 - 01:29:01: with the whistle.
01:29:04 - 01:29:10: This song was number,
01:29:10 - 01:29:12: peaked at number five on the Billboard 100.
01:29:12 - 01:29:15: ♪ Number five ♪
01:29:15 - 01:29:16: (imitates drum roll)
01:29:18 - 01:29:27: I wonder if like when this came out,
01:29:27 - 01:29:29: it felt a little bit throwback.
01:29:29 - 01:29:31: - I think G and R kind of did, in general.
01:29:31 - 01:29:33: - Yeah, 'cause it is hair metal,
01:29:33 - 01:29:34: but it's also like,
01:29:34 - 01:29:36: I bet this felt a little more 70s
01:29:36 - 01:29:38: than some of their contemporaries.
01:29:38 - 01:29:40: - Definitely that intro.
01:29:40 - 01:29:42: ♪ Take me down to a paradise city ♪
01:29:42 - 01:29:43: ♪ Where the grass is green ♪
01:29:43 - 01:29:45: ♪ And the girls are pretty ♪
01:29:45 - 01:29:48: ♪ Oh won't you please take me home ♪
01:29:48 - 01:29:49: - Well, I remember like,
01:29:49 - 01:29:51: watching, like seeing an interview with Axl on MTV
01:29:51 - 01:29:53: when I was a kid,
01:29:53 - 01:29:54: and him being like,
01:29:54 - 01:29:56: "We're just like a great 70s band."
01:29:56 - 01:29:56: - Oh, really?
01:29:56 - 01:29:58: - And I was, I remember being really confused.
01:29:58 - 01:29:59: I was like, "What?
01:29:59 - 01:30:00: Like it's 1988.
01:30:00 - 01:30:01: What are you talking about?"
01:30:01 - 01:30:03: Like, "You're like the best band in 1988.
01:30:03 - 01:30:04: Why do you mean you're..."
01:30:04 - 01:30:06: And I didn't know, like,
01:30:06 - 01:30:07: I couldn't parse out like,
01:30:07 - 01:30:09: "Oh, this is early 70s Stones,"
01:30:09 - 01:30:11: or like, "Skinnerd."
01:30:11 - 01:30:13: - And he was probably just looking around
01:30:13 - 01:30:14: at his contemporaries, like,
01:30:14 - 01:30:16: Miley Crue and Poison,
01:30:16 - 01:30:16: and I bet he was just like,
01:30:16 - 01:30:17: "This sucks."
01:30:17 - 01:30:18: - Yeah, yeah.
01:30:18 - 01:30:21: ♪ Hey, tell me what you're gonna believe ♪
01:30:21 - 01:30:23: ♪ Take me down to a paradise city ♪
01:30:23 - 01:30:25: ♪ Where the grass is green ♪
01:30:25 - 01:30:25: ♪ And the girls are pretty ♪
01:30:25 - 01:30:28: - Yeah, Stones, Skinnerd, then Lizzy.
01:30:28 - 01:30:29: - Yeah.
01:30:29 - 01:30:32: But what was Joe Walsh's band?
01:30:32 - 01:30:34: Like, Funk 49?
01:30:34 - 01:30:34: - Uh-huh.
01:30:34 - 01:30:35: Oh, for sure.
01:30:35 - 01:30:36: - What's that band called?
01:30:36 - 01:30:37: - James Gang?
01:30:37 - 01:30:38: - Oh, James Gang.
01:30:38 - 01:30:39: - Yeah.
01:30:39 - 01:30:39: - Cool dudes in the 80s are always like,
01:30:39 - 01:30:41: "It's all about James Gang."
01:30:41 - 01:30:41: - Yeah.
01:30:41 - 01:30:44: (upbeat rock music)
01:30:44 - 01:30:57: - Yeah, this structure.
01:30:57 - 01:31:00: What else was happening like this?
01:31:00 - 01:31:00: - This part?
01:31:00 - 01:31:05: ♪ So far away ♪
01:31:10 - 01:31:14: ♪ So far away ♪
01:31:14 - 01:31:19: ♪ So far away ♪
01:31:19 - 01:31:20: ♪ Can't see the end ♪
01:31:20 - 01:31:22: ♪ Can't see the road up on high ♪
01:31:22 - 01:31:25: ♪ Oh, just a little broken heart, yeah ♪
01:31:25 - 01:31:27: ♪ Turn me around and take me back to the start ♪
01:31:27 - 01:31:29: ♪ I must feel the roots of my heart ♪
01:31:29 - 01:31:30: ♪ Heart of mine ♪
01:31:30 - 01:31:32: ♪ I'll sing it over and over again ♪
01:31:32 - 01:31:34: - What is this song about?
01:31:34 - 01:31:36: 'Cause it kind of seems like,
01:31:36 - 01:31:37: obviously he's talking about the paradise city
01:31:37 - 01:31:39: and the choruses,
01:31:39 - 01:31:41: but then in some of the verses,
01:31:41 - 01:31:44: he's describing a more dystopian environment.
01:31:44 - 01:31:46: - Axl Rose told Hit Parader
01:31:46 - 01:31:49: that the verses are more about being in the jungle.
01:31:49 - 01:31:50: So LA.
01:31:50 - 01:31:51: - Right.
01:31:51 - 01:31:52: - And the chorus is more like being
01:31:52 - 01:31:53: in the Midwest or somewhere.
01:31:53 - 01:31:54: - Indiana.
01:31:54 - 01:31:56: It's pretty sick.
01:31:56 - 01:31:58: Welcome to the jungle in Paradise City.
01:31:58 - 01:32:00: It's two sides of the same coin.
01:32:00 - 01:32:03: ♪ Yeah, take me down to the city ♪
01:32:03 - 01:32:06: ♪ Where the grass is green and the moon is bright red ♪
01:32:06 - 01:32:11: ♪ Oh, won't you take me home ♪
01:32:11 - 01:32:14: ♪ Home ♪
01:32:14 - 01:32:17: ♪ Home ♪
01:32:17 - 01:32:20: - Sounds like they wrote this in the back of a tour bus
01:32:20 - 01:32:22: coming back from San Francisco
01:32:22 - 01:32:23: before Appetite got this.
01:32:23 - 01:32:26: (rock music)
01:32:26 - 01:32:30: Very cinematic.
01:32:30 - 01:32:32: Picturing them driving down I-5.
01:32:32 - 01:32:35: - This double time, this is so '70s.
01:32:35 - 01:32:37: I mean, this is so Skinner.
01:32:37 - 01:32:38: - Yeah, right.
01:32:38 - 01:32:39: Yeah, no, exactly.
01:32:39 - 01:32:41: Yeah, this is like the end of Freebird, right?
01:32:41 - 01:32:42: - Yeah.
01:32:42 - 01:32:43: ♪ I wanna go home ♪
01:32:43 - 01:32:45: ♪ I want to be ♪
01:32:45 - 01:32:48: - Picture the white Econoline pulling into the Taco Bell
01:32:48 - 01:32:52: in and out in Kettleman City, 1985, '86.
01:32:52 - 01:32:53: - Yeah.
01:32:53 - 01:32:55: - Let me get the double double.
01:32:55 - 01:32:58: Slashers in the backseat working out the riffs.
01:32:58 - 01:32:59: - What a time.
01:32:59 - 01:33:00: - They're looking for a place
01:33:00 - 01:33:02: that'll sell them another bottle of Jack.
01:33:02 - 01:33:03: - Yeah.
01:33:03 - 01:33:05: - Just trying to keep the party going.
01:33:05 - 01:33:09: Paradise City got a renewed boost in 2022
01:33:09 - 01:33:11: after being included in the trailer and film,
01:33:11 - 01:33:13: Thor, Love and Thunder.
01:33:13 - 01:33:13: - Oh.
01:33:13 - 01:33:16: - Missed that one.
01:33:16 - 01:33:17: - Thank you, Marvel.
01:33:17 - 01:33:18: - And you guys see it?
01:33:18 - 01:33:19: - Yeah.
01:33:19 - 01:33:20: - You saw it?
01:33:20 - 01:33:21: - I did.
01:33:21 - 01:33:22: - With your son?
01:33:22 - 01:33:23: - With my son.
01:33:23 - 01:33:23: - Did it roll?
01:33:23 - 01:33:25: Everybody says the Thor movies are the best ones.
01:33:25 - 01:33:26: - The Thor movies are the best ones.
01:33:26 - 01:33:28: I'm not a Marvel guy.
01:33:28 - 01:33:30: If you're gonna do superheroes, make it fun.
01:33:30 - 01:33:31: - Yeah.
01:33:31 - 01:33:32: - Make it funny.
01:33:32 - 01:33:34: - Deadpool, the Thor movies.
01:33:34 - 01:33:35: - Uh-huh.
01:33:35 - 01:33:37: - So this one, and these are Taika Waititi ones,
01:33:37 - 01:33:39: so they already have a sense of humor.
01:33:39 - 01:33:43: - I'm excited for the Thor reimagined, the dark Thor.
01:33:43 - 01:33:45: (laughing)
01:33:45 - 01:33:46: - But it's not just-
01:33:46 - 01:33:47: - Enough jokes, Thor.
01:33:47 - 01:33:49: - I'll say what's interesting about it
01:33:49 - 01:33:51: is that it's not just used.
01:33:51 - 01:33:52: It's integral.
01:33:52 - 01:33:57: The Guns N' Roses catalog is very fundamental
01:33:57 - 01:33:59: to that whole movie.
01:33:59 - 01:34:00: - Is Thor a GNR fan?
01:34:00 - 01:34:02: - Either they say he's a GNR fan
01:34:02 - 01:34:03: or it's just-
01:34:03 - 01:34:05: - Every time Thor hears Paradise City, he goes Goblin Mode?
01:34:05 - 01:34:07: - Yes, it is like that.
01:34:07 - 01:34:09: So it's not just like, oh, they use it at a cool moment.
01:34:09 - 01:34:13: The way, you know, the Metallica, that Metallica song,
01:34:13 - 01:34:14: which one is it, is using Stranger Things
01:34:14 - 01:34:16: and it had a huge boost from-
01:34:16 - 01:34:17: - Master of Puppets.
01:34:17 - 01:34:18: - Yeah, Master of Puppets.
01:34:18 - 01:34:18: It's like, that's just sort of like,
01:34:18 - 01:34:19: oh, it's a cool moment.
01:34:19 - 01:34:20: This is very much a part of it.
01:34:20 - 01:34:24: - Thor's like, Loki, play Appetite for Destruction,
01:34:24 - 01:34:26: my Appetite for Destruction tape.
01:34:26 - 01:34:29: And he's like, psh, and he's like, Goblin Mode!
01:34:29 - 01:34:34: ♪ We've been dancing with Mr. Brownstone ♪
01:34:34 - 01:34:35: - And Gen Z.
01:34:35 - 01:34:36: - All the deep album cuts.
01:34:36 - 01:34:38: - Gen Z's just loving it.
01:34:38 - 01:34:39: - Full Rocket Queen.
01:34:39 - 01:34:43: - The Zoomers had not heard of Guns N' Roses.
01:34:43 - 01:34:46: - Guns N' Roses, it's like the David, you know?
01:34:46 - 01:34:48: Seems basic, but once you actually-
01:34:48 - 01:34:49: - No, that's real.
01:34:49 - 01:34:51: - Spend some time with it, you're like, damn.
01:34:51 - 01:34:52: - Yeah.
01:34:52 - 01:34:53: I'm sure there's actually,
01:34:53 - 01:34:56: how many American kids do you think,
01:34:56 - 01:34:59: or young adults, do you think,
01:34:59 - 01:35:02: went on some sort of school trip or family trip to Italy,
01:35:02 - 01:35:04: dragged to Florence to go see the art,
01:35:04 - 01:35:07: jamming Appetite for Destruction on their-
01:35:07 - 01:35:08: - Oh, like in 1988?
01:35:08 - 01:35:09: - Yeah, on their headphones.
01:35:09 - 01:35:12: They get dragged into the Uffizi Gallery,
01:35:12 - 01:35:13: see the David, and they're like,
01:35:13 - 01:35:16: all right, that is pretty sick, actually.
01:35:16 - 01:35:16: - Yeah.
01:35:16 - 01:35:18: - And actually, this is like,
01:35:18 - 01:35:19: chocolate and peanut butter or whatever, man.
01:35:19 - 01:35:21: This is like, Appetite for Destruction,
01:35:21 - 01:35:23: and the David is like,
01:35:23 - 01:35:25: the height of Western civilization, bro.
01:35:25 - 01:35:26: - Absolutely.
01:35:26 - 01:35:30: - And here we are, 35 years later, being like,
01:35:30 - 01:35:34: ♪ Down, down, down, down, down, down, down, down, down ♪
01:35:34 - 01:35:38: - So, you know, there's like three big, pivotal moments
01:35:38 - 01:35:41: in Thor, Love and Thunder.
01:35:41 - 01:35:43: - Where they, where they, no, no, no.
01:35:43 - 01:35:45: - And they use, "Sweet child of mine,
01:35:45 - 01:35:46: "welcome to the jungle,"
01:35:46 - 01:35:48: and then the final one is "November rain."
01:35:48 - 01:35:50: - Whoa.
01:35:50 - 01:35:50: All right.
01:35:51 - 01:35:55: ♪ Do you need some time on your own ♪
01:35:55 - 01:35:57: - I guess why not?
01:35:57 - 01:36:00: All right, the number five song this week
01:36:00 - 01:36:01: in the modern times,
01:36:01 - 01:36:05: Metro Boomin featuring The Weeknd with "Creepin'."
01:36:05 - 01:36:06: No N21, Savage.
01:36:06 - 01:36:09: (soulful music)
01:36:09 - 01:36:11: ♪ Just can't believe this, man ♪
01:36:11 - 01:36:15: ♪ Metro Boomin wants some more ♪
01:36:15 - 01:36:19: ♪ Somebody said they saw you ♪
01:36:19 - 01:36:23: - So this is like, this is like the Fugees.
01:36:23 - 01:36:23: - No.
01:36:23 - 01:36:24: - Yeah, that's, this is--
01:36:24 - 01:36:25: ♪ Ready or not ♪
01:36:25 - 01:36:26: - But do you know the original sample?
01:36:26 - 01:36:27: - Oh, the original, it's a cover.
01:36:27 - 01:36:29: - Enya, Delfonics.
01:36:29 - 01:36:30: (laughing)
01:36:30 - 01:36:31: - Oh.
01:36:31 - 01:36:32: - Oh, the Delfonics had that song.
01:36:32 - 01:36:33: ♪ Ready or not ♪
01:36:33 - 01:36:33: - Yeah, yeah, yeah.
01:36:33 - 01:36:34: ♪ Year after ♪
01:36:34 - 01:36:35: - But the beat is an Enya sample.
01:36:35 - 01:36:37: - And somebody else did, "I Don't Wanna Know."
01:36:37 - 01:36:38: Was that like Mario?
01:36:38 - 01:36:39: - Yeah, this is J. Soul.
01:36:39 - 01:36:40: - J. Soul?
01:36:40 - 01:36:42: - Yeah, this is "Keep It on the Low," it's a cover.
01:36:42 - 01:36:44: - His name is J. Soul?
01:36:44 - 01:36:45: - Yeah.
01:36:45 - 01:36:48: - I don't remember J. Soul at all, sorry.
01:36:48 - 01:36:49: It's not Mario?
01:36:49 - 01:36:50: - Oh, no, no, it's Mario, sorry, no.
01:36:50 - 01:36:51: It's the Mario Wynard song,
01:36:51 - 01:36:53: and then P. Diddy did the cover of it.
01:36:53 - 01:36:54: - Wow.
01:36:54 - 01:36:56: - So wait, are the guys from the Delfonics
01:36:56 - 01:36:57: credited here in the songwriters?
01:36:57 - 01:37:00: - No, here's the thing, Jake.
01:37:00 - 01:37:01: Jake, here's the thing.
01:37:01 - 01:37:05: The Fugees song took a small piece of an Enya song.
01:37:05 - 01:37:08: ♪ You, when you, when you, when you ♪
01:37:08 - 01:37:11: They did their song and they sang Delfonics on top.
01:37:11 - 01:37:14: Subsequently, other people sampled the same Enya song
01:37:14 - 01:37:15: without using the Delfonics.
01:37:15 - 01:37:18: So in this song, they're not actually referencing
01:37:18 - 01:37:19: the "Ready or Not" part.
01:37:19 - 01:37:20: - They're not singing "Ready or Not."
01:37:20 - 01:37:24: - Yeah, but they're referencing this other song, "Mario."
01:37:24 - 01:37:28: - I have that so ingrained in my head, the Fugees version.
01:37:28 - 01:37:29: - Right.
01:37:29 - 01:37:30: - It didn't even occur to me.
01:37:30 - 01:37:32: I thought that Weeknd was singing "Ready or Not."
01:37:32 - 01:37:33: - Right, right, right.
01:37:33 - 01:37:36: But he's singing, ♪ I don't wanna know ♪
01:37:36 - 01:37:38: - And do you remember the Mario Wynand's Diddy version?
01:37:38 - 01:37:39: - Yeah.
01:37:39 - 01:37:40: - I feel like there was a good--
01:37:40 - 01:37:42: - ♪ If you're creepin' ♪
01:37:42 - 01:37:43: And that's why the song's called "Creepin',"
01:37:43 - 01:37:45: 'cause that comes from that Mario song.
01:37:45 - 01:37:47: ♪ If you're creepin' ♪
01:37:47 - 01:37:48: I kinda remember that song.
01:37:48 - 01:37:49: - It was a great song.
01:37:49 - 01:37:51: All right, the number four song in '89,
01:37:51 - 01:37:54: Bobby Brown with "Roni."
01:37:54 - 01:37:55: I mean, he's talking about tenderoni, right?
01:37:55 - 01:37:56: - Rice-a-roni.
01:37:56 - 01:37:58: - Rice-a-roni.
01:37:58 - 01:37:59: Right rice.
01:37:59 - 01:38:03: I like that that Rice-a-roni was branded
01:38:03 - 01:38:04: as that San Francisco treat.
01:38:04 - 01:38:05: - Yeah.
01:38:05 - 01:38:06: - San Francisco was just like--
01:38:06 - 01:38:07: - What does that mean?
01:38:07 - 01:38:08: - Yeah, man, like--
01:38:08 - 01:38:09: - On the trolley?
01:38:09 - 01:38:11: - I'm gonna eat some San Francisco food tonight.
01:38:11 - 01:38:13: You're like a housewife in Dallas
01:38:13 - 01:38:15: and you're like, you know what?
01:38:15 - 01:38:17: Let's give the kids something a little exotic tonight.
01:38:17 - 01:38:18: That San Francisco treat.
01:38:18 - 01:38:20: - Let's give 'em a treat.
01:38:20 - 01:38:21: Rice.
01:38:21 - 01:38:22: ♪ It's about a roni ♪
01:38:22 - 01:38:24: ♪ She's sweet and it's a good ♪
01:38:24 - 01:38:25: - Okay, so this song's actually--
01:38:25 - 01:38:26: - Rice-a-roni.
01:38:26 - 01:38:28: - This song was written by Babyface.
01:38:28 - 01:38:29: "Roni" is short for tenderoni,
01:38:29 - 01:38:31: which was a stovetop macaroni sold
01:38:31 - 01:38:33: from the 1950s to the 1980s.
01:38:33 - 01:38:35: I did not know that.
01:38:35 - 01:38:38: The first known usage of tenderoni as a term of affection
01:38:38 - 01:38:41: was the OJ song "She's Only a Woman" in 1975,
01:38:41 - 01:38:44: and of course, the great popularizer of the term,
01:38:44 - 01:38:46: Michael Jackson in PYT.
01:38:46 - 01:38:49: - He says tenderoni in PYT?
01:38:49 - 01:38:51: Must have been a pretty popular product.
01:38:51 - 01:38:52: - Actually, that kind of reminds me,
01:38:52 - 01:38:54: this is not exactly the same thing,
01:38:54 - 01:38:55: but it's like, of course, now looking back,
01:38:55 - 01:38:58: tenderoni, it makes sense that it would come from macaroni,
01:38:58 - 01:39:00: but I didn't know it was actually a macaroni,
01:39:00 - 01:39:03: and I found out a weird one too,
01:39:03 - 01:39:04: 'cause another kind of like suffix
01:39:04 - 01:39:08: that you take for granted is a dumpster.
01:39:08 - 01:39:10: So of course, we know what a dumpster is.
01:39:10 - 01:39:11: - Sure.
01:39:11 - 01:39:13: - And dumpster has led the stir suffix.
01:39:13 - 01:39:14: There's all sorts of like,
01:39:14 - 01:39:17: you could call something the something stir,
01:39:17 - 01:39:20: but dumpster's the original thing
01:39:20 - 01:39:21: that had stir at the end.
01:39:21 - 01:39:23: - What's another thing you call a stir?
01:39:23 - 01:39:25: - Well, you could call somebody by their name,
01:39:25 - 01:39:26: like the Nickster.
01:39:26 - 01:39:28: - No, but that's a good,
01:39:28 - 01:39:31: there are other versions, I can't think of it.
01:39:31 - 01:39:36: - So let me get a number crunch on hyphen stir suffix words.
01:39:36 - 01:39:39: But look, there's like the '90s SNL thing
01:39:39 - 01:39:40: of adding it as a joke.
01:39:40 - 01:39:41: The Nickster, the Jakester.
01:39:41 - 01:39:43: - Right, Buster.
01:39:43 - 01:39:46: - Yeah, that might predate it.
01:39:46 - 01:39:49: - Youngster, Huckster, Spinster, Teamster.
01:39:49 - 01:39:51: - Teamster may be post-dumpster.
01:39:51 - 01:39:54: Well, anyway, but this is focusing on the word dumpster.
01:39:54 - 01:39:57: I kind of thought like, great word.
01:39:57 - 01:39:58: And at the time I was kind of thinking,
01:39:58 - 01:40:00: well, like, yeah, it's like,
01:40:00 - 01:40:02: obviously you dump stuff into it,
01:40:02 - 01:40:03: and you call it a dumpster,
01:40:03 - 01:40:05: 'cause that's like what makes it a thing.
01:40:05 - 01:40:07: And I was kind of like, that vaguely made sense.
01:40:07 - 01:40:09: But actually the reason it's called a dumpster
01:40:09 - 01:40:11: is that the dumpsters, we know it,
01:40:11 - 01:40:14: was invented by the Dempster brothers.
01:40:14 - 01:40:15: - Oh, wow, okay.
01:40:15 - 01:40:18: And they just like, nah, it's a dumpster.
01:40:18 - 01:40:21: - No, like if they had been like the Kowalski brothers,
01:40:21 - 01:40:23: it'd be called the Dumpski.
01:40:23 - 01:40:26: - But their name sounds already like dumpster.
01:40:26 - 01:40:28: That's almost-- - No, no, that's my point.
01:40:28 - 01:40:30: Is that their last-- - Dempster's too Jewish.
01:40:30 - 01:40:32: - No, no. - We gotta go with dumpster.
01:40:32 - 01:40:35: - No, if they were Jewish, we'd be called Dumpstein.
01:40:38 - 01:40:39: - If they were Polish-- - Oh, man,
01:40:39 - 01:40:42: someone just dumped their trash in the dumpsteen again.
01:40:42 - 01:40:43: - In the dumpsteen.
01:40:43 - 01:40:48: - You gotta put a padlock on that dumpsteen, man,
01:40:48 - 01:40:51: otherwise this is gonna get crashed.
01:40:51 - 01:40:53: - 2020 is a dumpsteen fire.
01:40:53 - 01:40:58: If they were Polish, it would be a Dumpski.
01:40:58 - 01:41:00: And if they were Italian, it might've been like Dumpio.
01:41:00 - 01:41:04: - Okay, Dempster brothers wiki.
01:41:04 - 01:41:06: Dempster dumped, okay.
01:41:06 - 01:41:08: This is amazing.
01:41:08 - 01:41:10: The Dempster Dumpmaster.
01:41:10 - 01:41:11: - Dumpmaster?
01:41:11 - 01:41:14: - Dumpmaster is great.
01:41:14 - 01:41:17: The Dempster Dumpmaster introduced in the 1950s
01:41:17 - 01:41:20: was the first commercially successful
01:41:20 - 01:41:22: front-loading garbage truck in the United States.
01:41:22 - 01:41:24: It was a truck.
01:41:24 - 01:41:27: The product uses the Dempster dumpster system
01:41:27 - 01:41:33: of mechanically emptying standardized metal containers,
01:41:33 - 01:41:36: which had been patented by the company in 1937.
01:41:36 - 01:41:39: It had arms in the front to pick up the dumpster
01:41:39 - 01:41:42: and lifted it over the cab to tip it into the hopper.
01:41:42 - 01:41:43: - 'Cause that's what a dumpster is.
01:41:43 - 01:41:46: It's a big thing that a specialized truck
01:41:46 - 01:41:47: can pick up and dump.
01:41:47 - 01:41:48: - Exactly.
01:41:48 - 01:41:50: The rearward traveling compacting panel
01:41:50 - 01:41:53: compressed the garbage stored in the truck
01:41:53 - 01:41:56: and was also used to push it out the door at the back
01:41:56 - 01:41:57: when it was being emptied.
01:41:57 - 01:41:58: - But my point--
01:41:58 - 01:41:59: - That's a huge breakthrough.
01:41:59 - 01:42:00: - Yeah, so my point is that--
01:42:00 - 01:42:01: - The Dempster dumpster.
01:42:01 - 01:42:02: - It's called a dumpster,
01:42:02 - 01:42:04: not just 'cause you add stir to something.
01:42:04 - 01:42:06: You would only think to do that
01:42:06 - 01:42:08: if you were one of the Dempsters.
01:42:08 - 01:42:09: - Yes.
01:42:09 - 01:42:10: - And if they had had a different last name,
01:42:10 - 01:42:12: it could have had a totally different--
01:42:12 - 01:42:15: - The Longstreth brothers, it would have been--
01:42:15 - 01:42:16: - Wouldn't have worked.
01:42:16 - 01:42:17: - It would have been a dumpstreth.
01:42:17 - 01:42:20: - It just would have just faded into obscurity.
01:42:20 - 01:42:22: - Ezra, have you ever--
01:42:22 - 01:42:23: - The Dempster dumpmaster.
01:42:23 - 01:42:25: - Have you ever been referred to as a songster?
01:42:25 - 01:42:28: - Okay, yeah, songster, that is something people say.
01:42:28 - 01:42:30: I think that's a post-dumpster word.
01:42:30 - 01:42:32: And I guess you're right, when you say jester,
01:42:32 - 01:42:34: there are these words that obviously predate dumpster,
01:42:34 - 01:42:37: but I think the idea of you just add stir as a thing,
01:42:37 - 01:42:39: he's a songster.
01:42:39 - 01:42:40: Yeah, I think that's post-dumpster,
01:42:40 - 01:42:44: and we owe that to the Dempster brothers' last name.
01:42:44 - 01:42:45: - Thank you for your service.
01:42:45 - 01:42:49: - And I think actually the patent expired or something,
01:42:49 - 01:42:51: so they don't even own the word anymore.
01:42:51 - 01:42:53: - Oh, so the public domain?
01:42:53 - 01:42:54: - Yeah.
01:42:54 - 01:42:55: - Get ready for the dumpstreth.
01:42:55 - 01:42:57: (laughing)
01:42:57 - 01:43:00: - Using my patented dumpstreth technology.
01:43:02 - 01:43:05: Industrial waste management will never be the same.
01:43:05 - 01:43:10: The number four song in 2023, SZA with "Snooze."
01:43:14 - 01:43:15: Jake, you know who SZA is?
01:43:15 - 01:43:17: - I mean, I've heard of her.
01:43:17 - 01:43:19: - One of the biggest artists of the moment.
01:43:19 - 01:43:20: - This sounds cool.
01:43:20 - 01:43:21: - Out of New Jersey.
01:43:21 - 01:43:22: - I'm feeling it.
01:43:22 - 01:43:23: - Yeah, she's from very close to where I grew up
01:43:23 - 01:43:24: in New Jersey.
01:43:24 - 01:43:25: ♪ I testify for you ♪
01:43:25 - 01:43:27: ♪ I do that three more times again ♪
01:43:27 - 01:43:29: ♪ I testify for you ♪
01:43:29 - 01:43:30: ♪ I'm so that like you ♪
01:43:30 - 01:43:32: ♪ That I do it all and I'm over it ♪
01:43:32 - 01:43:33: ♪ You're scared to do it ♪
01:43:33 - 01:43:34: ♪ I'm not ♪
01:43:34 - 01:43:36: ♪ Long as you joking now with me ♪
01:43:36 - 01:43:38: ♪ I ain't got it ♪
01:43:38 - 01:43:41: - Whoa, Babyface is credited on this song.
01:43:41 - 01:43:44: Is it like a sample or did he actually work on it?
01:43:44 - 01:43:45: - Wow, 'cause--
01:43:45 - 01:43:46: - Yeah, he was on it.
01:43:46 - 01:43:47: - Weird how that lines up sometimes.
01:43:47 - 01:43:48: - Yeah.
01:43:48 - 01:43:50: - Babyface wrote "Roni" in '82.
01:43:50 - 01:43:51: - Yeah, Babyface--
01:43:51 - 01:43:52: - 40 years ago.
01:43:52 - 01:43:57: - Babyface had the number four song in '89 and 2023.
01:43:59 - 01:44:00: - All right, let's keep moving.
01:44:00 - 01:44:01: - This sounds good though.
01:44:01 - 01:44:02: - It's good.
01:44:02 - 01:44:06: The number three song in '89, "New Kids on the Block".
01:44:06 - 01:44:08: You've got it, "The Right Stuff".
01:44:08 - 01:44:14: - Oh yeah, this one.
01:44:14 - 01:44:17: - This is like one of the first pop songs
01:44:17 - 01:44:18: I was kind of aware of.
01:44:18 - 01:44:20: I was five in 1980.
01:44:20 - 01:44:22: I just kind of remember kids at school
01:44:22 - 01:44:25: like doing jokes about the right stuff.
01:44:25 - 01:44:28: - Weird Al Yankovic has a great parody of this song
01:44:28 - 01:44:29: called "The White Stuff" about the--
01:44:29 - 01:44:30: - That Oreos?
01:44:30 - 01:44:31: - Oreo cream filling, yeah.
01:44:31 - 01:44:33: Pretty good.
01:44:33 - 01:44:35: - That's pretty rough.
01:44:35 - 01:44:36: The white stuff.
01:44:36 - 01:44:38: - Yeah, it sounds like--
01:44:38 - 01:44:39: - Yikes.
01:44:39 - 01:44:39: - Sounds like something--
01:44:39 - 01:44:41: - That could go a lot of different directions.
01:44:41 - 01:44:45: - Well, he's very specific in the lyrics, so if you--
01:44:45 - 01:44:47: - This is written and produced by Maurice Starr,
01:44:47 - 01:44:50: who was also the architect of "New Edition",
01:44:50 - 01:44:53: who famously came out before "New Kids on the Block".
01:44:53 - 01:44:55: So I guess Maurice Starr was like,
01:44:55 - 01:44:58: "I'm gonna make essentially a white 'New Edition'".
01:44:58 - 01:45:00: - And Bobby Brown was from "New Edition", right?
01:45:00 - 01:45:01: - Exactly, yeah.
01:45:01 - 01:45:04: - So it's all lining up in '89.
01:45:04 - 01:45:06: - And in the weird way that things can work,
01:45:06 - 01:45:10: like this song, "Honey Success",
01:45:10 - 01:45:14: sort of leaves to Mark Wahlberg starring in "Boogie Nights".
01:45:14 - 01:45:15: - In a way.
01:45:15 - 01:45:16: - In a weird way.
01:45:16 - 01:45:17: If his brother, if Donnie Wahlberg--
01:45:17 - 01:45:19: - Had not been successful,
01:45:19 - 01:45:20: yeah, Mark might not have gotten signed.
01:45:20 - 01:45:21: - Yeah.
01:45:21 - 01:45:23: And then who stars in "Boogie Nights"?
01:45:23 - 01:45:25: If Leo turns it down,
01:45:25 - 01:45:28: and Mark Wahlberg is not a viable actor.
01:45:28 - 01:45:28: - Yeah.
01:45:28 - 01:45:29: - Someone else.
01:45:29 - 01:45:31: - Skeet Ulrich.
01:45:31 - 01:45:33: - Right, and maybe it's not as,
01:45:33 - 01:45:35: maybe it's a great movie still, I don't know.
01:45:35 - 01:45:36: I'm sure it is.
01:45:36 - 01:45:38: - Bottom line, if it wasn't for "Right Stuff",
01:45:38 - 01:45:41: PTA's working at a video store.
01:45:41 - 01:45:42: - Maybe, dude.
01:45:42 - 01:45:43: Sliding doors, man.
01:45:43 - 01:45:43: - Sliding doors.
01:45:43 - 01:45:48: The number three song in 2023,
01:45:48 - 01:45:51: "Pink Pantheras and Ice Spice", "Boys a Liar Part 2".
01:45:51 - 01:45:53: ♪ Take a look inside your heart ♪
01:45:53 - 01:45:55: ♪ Is there any room for me ♪
01:45:55 - 01:45:56: ♪ I won't have to hold my breath ♪
01:45:56 - 01:45:58: ♪ 'Til you get down on one knee ♪
01:45:58 - 01:45:59: ♪ Because you only want to hold me ♪
01:45:59 - 01:46:02: - At least on February 3rd, my birthday.
01:46:02 - 01:46:04: - Happy birthday, Jay.
01:46:04 - 01:46:04: - Thank you.
01:46:04 - 01:46:06: ♪ Would you ever picture us ♪
01:46:06 - 01:46:07: ♪ Every time I pull my hair out ♪
01:46:07 - 01:46:09: ♪ Was any outfit ♪
01:46:09 - 01:46:11: ♪ That you'll find me ugly ♪
01:46:11 - 01:46:12: ♪ And one day you'll disappear ♪
01:46:12 - 01:46:14: ♪ 'Cause what's the point of crying ♪
01:46:14 - 01:46:16: ♪ It was never even enough ♪
01:46:16 - 01:46:18: ♪ Did you ever want me ♪
01:46:18 - 01:46:20: ♪ Was I ever good enough ♪
01:46:20 - 01:46:22: ♪ But boys a liar ♪
01:46:22 - 01:46:25: - Is that kind of like Y2K sound
01:46:25 - 01:46:26: young people getting back into?
01:46:26 - 01:46:27: - Wait, what do you mean?
01:46:27 - 01:46:28: I don't know.
01:46:28 - 01:46:31: - Like early 2000s kind of like.
01:46:31 - 01:46:32: - Is that what this sounds like?
01:46:32 - 01:46:36: - Yeah, like kind of like UK pop radio garage,
01:46:36 - 01:46:41: like kind of like cheap keyboard sounds from that era.
01:46:41 - 01:46:42: - See, I'm so out of it.
01:46:42 - 01:46:44: I wouldn't associate this with.
01:46:44 - 01:46:46: - It's not retro to you at all?
01:46:46 - 01:46:49: - No, I don't get, whatever references they're throwing out,
01:46:49 - 01:46:50: they're over my head.
01:46:50 - 01:46:51: ♪ You say I'm good enough ♪
01:46:51 - 01:46:52: ♪ Go my third ♪
01:46:52 - 01:46:52: ♪ The shit I shoulda known ♪
01:46:52 - 01:46:54: ♪ So I tell him it's one of me ♪
01:46:54 - 01:46:55: ♪ He making fun of me ♪
01:46:55 - 01:46:56: ♪ His girl is above me ♪
01:46:56 - 01:46:57: ♪ Like that boy is a cop ♪
01:46:57 - 01:46:59: - This is cool, I like Pink Pantheress,
01:46:59 - 01:47:01: English, Ice Spice, American.
01:47:01 - 01:47:05: - Wait, so Pink Pantheress told NME,
01:47:05 - 01:47:07: even though Ice Spice does drill.
01:47:07 - 01:47:10: - Drill's a type of music.
01:47:10 - 01:47:12: - Her flows are super unique
01:47:12 - 01:47:15: and the beats she chooses are different.
01:47:15 - 01:47:16: What is drill?
01:47:16 - 01:47:18: - Drill's like a type of rap music.
01:47:18 - 01:47:20: - I mean, I gathered that.
01:47:20 - 01:47:21: - They're talking about Chicago drill
01:47:21 - 01:47:23: and then Brooklyn drill.
01:47:23 - 01:47:24: I feel like for a young person now,
01:47:24 - 01:47:26: this probably reminds them of music
01:47:26 - 01:47:30: like when they loaded up some PlayStation game
01:47:30 - 01:47:32: when they were three.
01:47:32 - 01:47:33: - Right.
01:47:33 - 01:47:36: - I think it has a touch of charming retro.
01:47:36 - 01:47:39: The number two song this week in 1989,
01:47:39 - 01:47:41: it's actually a song you introduced me to, Jake,
01:47:41 - 01:47:43: Mike and the Mechanics, The Living Years.
01:47:43 - 01:47:43: - Oh, really?
01:47:43 - 01:47:44: - Yeah.
01:47:44 - 01:47:45: - It was a real tearjerker.
01:47:45 - 01:47:46: - Yeah.
01:47:46 - 01:47:48: (dramatic music)
01:47:48 - 01:47:49: Yeah, it's a really sad song.
01:47:49 - 01:47:51: (dramatic music)
01:47:51 - 01:48:06: - Kind of a-
01:48:06 - 01:48:07: - A muted guitar.
01:48:07 - 01:48:09: - Twin peaks vibe on that intro there.
01:48:09 - 01:48:10: - Yeah.
01:48:10 - 01:48:12: - Twin beaks.
01:48:12 - 01:48:15: - RIP to Angela Battel-Mente.
01:48:15 - 01:48:16: - Oh yeah.
01:48:16 - 01:48:17: - I feel like there were a few people that died,
01:48:17 - 01:48:21: like a lot of musicians died in our time crisis hiatus.
01:48:21 - 01:48:23: Or I'll explain the time crisis hiatus.
01:48:23 - 01:48:25: (laughing)
01:48:25 - 01:48:26: - I think there's another reason for us
01:48:26 - 01:48:27: to never be off the air.
01:48:27 - 01:48:28: - I think I'm allowed to say it.
01:48:28 - 01:48:30: The reason that we were off is 'cause Apple Music
01:48:30 - 01:48:33: was the sponsor of the Super Bowl halftime show.
01:48:33 - 01:48:34: - Yeah.
01:48:34 - 01:48:37: - So there was a lot of airtime was going towards
01:48:37 - 01:48:41: NFL related halftime show type stuff.
01:48:41 - 01:48:42: - Promo.
01:48:42 - 01:48:43: - Yeah.
01:48:43 - 01:48:45: - TC's happy to take a backseat.
01:48:45 - 01:48:49: - They leverage their resources against the Super Bowl.
01:48:49 - 01:48:50: - I get it.
01:48:50 - 01:48:52: And in a funny way, it's kind of cool
01:48:52 - 01:48:54: because as part of Apple Music,
01:48:54 - 01:48:57: that means we sponsored Rihanna's halftime Super Bowl show.
01:48:57 - 01:48:58: - That feels good.
01:48:58 - 01:49:00: - Brought to you by time crisis.
01:49:00 - 01:49:02: (laughing)
01:49:02 - 01:49:04: - Sort of hard for me to imagine this sound
01:49:04 - 01:49:06: making a comeback.
01:49:06 - 01:49:10: - I mean, there's elements of this in some 2010s,
01:49:10 - 01:49:13: maybe like indie music.
01:49:13 - 01:49:16: But also just such a straightforward song
01:49:16 - 01:49:18: about like regrets.
01:49:18 - 01:49:19: - Right.
01:49:19 - 01:49:20: - About conversations you didn't have
01:49:20 - 01:49:21: with your dad before he died.
01:49:21 - 01:49:23: - Right.
01:49:23 - 01:49:25: - It's like something that like Tim Heidecker.
01:49:25 - 01:49:28: It's like Tim Heidecker would do something like this,
01:49:28 - 01:49:31: but it would be tinged with irony, you know?
01:49:31 - 01:49:32: It would be nice.
01:49:32 - 01:49:34: - I mean, Caroline Polachek could have a song
01:49:34 - 01:49:36: sounded like this, right?
01:49:36 - 01:49:39: People still digging into 80s pop sounds.
01:49:39 - 01:49:41: - Or like Bon Iver.
01:49:41 - 01:49:43: - Just hammered in a cabin in Wisconsin,
01:49:43 - 01:49:45: just blasting like a mechanic.
01:49:45 - 01:49:47: - I'm sure this is his (beep) for sure.
01:49:47 - 01:49:50: - Jake, you bumping that new Caroline Polachek album?
01:49:50 - 01:49:51: - Haven't heard it.
01:49:51 - 01:49:52: - Do you know who that is?
01:49:52 - 01:49:53: - It's pretty good.
01:49:53 - 01:49:54: - I know the name.
01:49:54 - 01:49:57: Was she in like a band 15 years ago?
01:49:57 - 01:49:59: - Yeah, she was in an indie band called Chairlift.
01:49:59 - 01:50:00: - Okay, copy that.
01:50:00 - 01:50:02: - And this is her second album.
01:50:02 - 01:50:03: - Putting it together.
01:50:03 - 01:50:04: - Second solo album.
01:50:04 - 01:50:07: - Feel like she's had a lot of kind of media presence.
01:50:07 - 01:50:10: - Yeah, a lot of attention for this album.
01:50:10 - 01:50:11: - Have you heard it?
01:50:11 - 01:50:12: - Yeah, it's good.
01:50:12 - 01:50:13: - I've already worked on a song.
01:50:13 - 01:50:14: - Oh really?
01:50:14 - 01:50:15: - Yeah.
01:50:15 - 01:50:16: - And does it have some of that
01:50:16 - 01:50:17: Mike and the Mechanics kind of flavor?
01:50:17 - 01:50:19: - Hold on, let's do a really quick--
01:50:19 - 01:50:20: - Let's do a little bit of Caroline.
01:50:20 - 01:50:22: - A quick jog through.
01:50:22 - 01:50:25: See if I'm remotely on the money.
01:50:25 - 01:50:26: I mean, I know there's some songs that definitely don't.
01:50:26 - 01:50:28: There's like a cool Spanish guitar song.
01:50:28 - 01:50:31: (singer vocalizing)
01:50:31 - 01:50:33: It's track one.
01:50:33 - 01:50:36: (singer vocalizing)
01:50:39 - 01:50:46: - '80s, a bit of all those suspended chords.
01:50:46 - 01:50:49: - Yeah, like a bit of a Jack and Diane thing happening.
01:50:49 - 01:50:50: - But actually the reverb on that guitar
01:50:50 - 01:50:52: is a bit Mike and the Mechanics.
01:50:52 - 01:50:54: Not a million miles away.
01:50:54 - 01:50:56: ♪ Welcome to my island ♪
01:50:56 - 01:50:58: - Okay, that's going different.
01:50:58 - 01:51:01: (singer vocalizing)
01:51:05 - 01:51:06: - Some cranberries energy.
01:51:06 - 01:51:11: (singer vocalizing)
01:51:11 - 01:51:20: ♪ Time's running out ♪
01:51:20 - 01:51:22: - More groove oriented.
01:51:22 - 01:51:27: ♪ Draw the blinds ♪
01:51:27 - 01:51:29: ♪ Draw the back ♪
01:51:29 - 01:51:31: ♪ It's a mile ♪
01:51:31 - 01:51:33: - This has '80s atmosphere.
01:51:33 - 01:51:34: Kind of like Peter Gabriel.
01:51:34 - 01:51:37: - It's kind of Peter Gabriel.
01:51:37 - 01:51:38: - What was the song he did with Kate Bush?
01:51:38 - 01:51:39: Yeah, that kind of vibe.
01:51:39 - 01:51:40: - Yeah. - The Us album.
01:51:40 - 01:51:41: ♪ So that I can live ♪
01:51:41 - 01:51:44: - A very unfair way to listen to this person's album.
01:51:44 - 01:51:45: (laughing)
01:51:45 - 01:51:47: - Oh, are those some of those--
01:51:47 - 01:51:49: - Look, I proved my point with the first song.
01:51:49 - 01:51:50: I think Caroline--
01:51:50 - 01:51:51: - I wanna check the album out.
01:51:51 - 01:51:52: - It's cool.
01:51:52 - 01:51:53: No, you should.
01:51:53 - 01:51:54: I think she's the type of person
01:51:54 - 01:51:56: who would appreciate The Living Years
01:51:56 - 01:51:58: by Mike and the Mechanics.
01:51:58 - 01:51:59: - When you guys were in high school--
01:51:59 - 01:52:01: - I'd be very surprised if she didn't
01:52:01 - 01:52:02: at least respect the song.
01:52:02 - 01:52:03: - When you guys--
01:52:03 - 01:52:05: - Caroline, welcome to the show.
01:52:05 - 01:52:06: - We got one question for you today.
01:52:06 - 01:52:09: - Do you respect The Living Years?
01:52:09 - 01:52:10: - When you got a new compact disc,
01:52:10 - 01:52:13: like when you were younger, did you do the thing?
01:52:13 - 01:52:15: Did you do the thing where you put it in
01:52:15 - 01:52:16: and then you just skip through the tracks?
01:52:16 - 01:52:17: You're like, "Yeah, that sounds good.
01:52:17 - 01:52:19: "No, yeah, that's a hit."
01:52:19 - 01:52:20: Like, did you do that or did you just listen to--
01:52:20 - 01:52:21: - A little bit, yeah.
01:52:21 - 01:52:23: - No, man, I was reverent.
01:52:23 - 01:52:24: - Oh, really?
01:52:24 - 01:52:25: - It's just like, lying in my bed,
01:52:25 - 01:52:26: it's like vibe.
01:52:26 - 01:52:27: - Oh, okay.
01:52:27 - 01:52:28: - I'm more like that.
01:52:28 - 01:52:29: - Did you listen to a lot of hip hop?
01:52:29 - 01:52:32: - I listened exclusively to hip hop in high school.
01:52:32 - 01:52:33: - I think that that's more a--
01:52:33 - 01:52:34: - Okay.
01:52:34 - 01:52:35: - I think that that's an element
01:52:35 - 01:52:37: of buying a lot of hip hop CDs.
01:52:37 - 01:52:38: - Like get through the skits?
01:52:38 - 01:52:39: - Just like 10 seconds of music.
01:52:39 - 01:52:40: - Well, not just the skits.
01:52:40 - 01:52:42: I think that there's, you know right away if you're in.
01:52:42 - 01:52:45: There's not a lot of chord progression in 90s hip hop.
01:52:45 - 01:52:46: - Right.
01:52:46 - 01:52:47: - Do you like the beat?
01:52:47 - 01:52:48: Are you in, are you out, are you in, are you out?
01:52:48 - 01:52:50: - And then you can immediately get an assessment
01:52:50 - 01:52:51: of whether or not the album is good
01:52:51 - 01:52:53: within that first like five minutes, 'cause you're like--
01:52:53 - 01:52:57: - Yeah, you were just like ahead of the trend.
01:52:57 - 01:52:58: - Well, you know, like no internet.
01:52:58 - 01:53:00: - Sing it loud.
01:53:00 - 01:53:01: - Skip.
01:53:01 - 01:53:02: - Yeah, right?
01:53:02 - 01:53:02: - Skip.
01:53:02 - 01:53:04: ♪ Sit clear ♪
01:53:04 - 01:53:07: - But see, I grew up listening to music on tape.
01:53:07 - 01:53:08: So maybe that's what--
01:53:08 - 01:53:09: - It wasn't an option.
01:53:09 - 01:53:11: - Like just hang in, man.
01:53:11 - 01:53:12: Like--
01:53:12 - 01:53:13: - Yeah, you're not fast forwarding.
01:53:13 - 01:53:15: - This is a seven minute song, it's kind of a slog.
01:53:15 - 01:53:16: - Yeah.
01:53:16 - 01:53:17: - Hang in.
01:53:17 - 01:53:18: What are you gonna do, fast forward and go too far?
01:53:18 - 01:53:19: - Yeah, right.
01:53:19 - 01:53:21: - You have to, you know, there's no way.
01:53:21 - 01:53:22: - That makes sense.
01:53:22 - 01:53:24: - All right, the number two song on Apple Music right now,
01:53:24 - 01:53:25: SZA with "Kill Bill".
01:53:25 - 01:53:26: I actually have heard this song.
01:53:26 - 01:53:27: I threw on her album when it came out
01:53:27 - 01:53:29: and this is like track two, I think.
01:53:29 - 01:53:33: (upbeat hip hop music)
01:53:33 - 01:53:44: - That's pretty 90s hip hop.
01:53:44 - 01:53:45: - Yeah.
01:53:45 - 01:53:46: - Drums, kind of Wu-Tang.
01:53:58 - 01:54:02: - This is named after the Quentin Tarantino film, "Kill Bill".
01:54:02 - 01:54:12: - Is that a, that's a sample.
01:54:12 - 01:54:12: There's--
01:54:12 - 01:54:13: - A melody?
01:54:13 - 01:54:16: - Yeah, that's the melody from "Kill Bill".
01:54:16 - 01:54:16: - Oh, really?
01:54:16 - 01:54:17: - Yeah.
01:54:17 - 01:54:18: I gotta find it.
01:54:18 - 01:54:20: - I mean, it's just like a classic melody.
01:54:20 - 01:54:21: (hums melody)
01:54:21 - 01:54:23: - It almost sounds like Bach or something.
01:54:23 - 01:54:27: - It's that real like French chord progression.
01:54:27 - 01:54:28: - This sounds cool.
01:54:28 - 01:54:29: I'm liking this.
01:54:29 - 01:54:30: - That's a good song.
01:54:30 - 01:54:31: When I first heard this song
01:54:31 - 01:54:32: and I was just kind of casually listening,
01:54:32 - 01:54:33: I was like, "What's she saying?"
01:54:33 - 01:54:35: I just killed my ex.
01:54:35 - 01:54:37: And I was like, "All right, kind of hardcore."
01:54:37 - 01:54:39: And then the next line she says,
01:54:39 - 01:54:41: "His new girlfriend's next."
01:54:41 - 01:54:42: - Okay, Eminem.
01:54:42 - 01:54:44: - Yeah, then more I thought about it.
01:54:44 - 01:54:46: I was like, "Oh yeah, this is just Eminem."
01:54:46 - 01:54:49: Kind of performative, murderous stuff.
01:54:49 - 01:54:51: (sings melody)
01:54:51 - 01:55:09: - It's a very like 60s kind of pop melody.
01:55:09 - 01:55:11: - I bet there's like a Jacques Brel song.
01:55:11 - 01:55:12: - Yeah.
01:55:12 - 01:55:15: (hums melody)
01:55:18 - 01:55:21: - Number one song this week in '89,
01:55:21 - 01:55:22: Debbie Gibson, "Lost in Your Eyes."
01:55:22 - 01:55:24: I don't know if I know this.
01:55:24 - 01:55:25: Is this her ballad?
01:55:25 - 01:55:28: - Written and produced by Debbie Gibson.
01:55:28 - 01:55:29: - I like that.
01:55:29 - 01:55:31: Good for her.
01:55:31 - 01:55:32: Wow.
01:55:32 - 01:55:34: - I didn't know she had hits in '89.
01:55:34 - 01:55:37: - 'Cause this is like after she came out?
01:55:37 - 01:55:39: - Yeah, her big thing was like '87, I think.
01:55:39 - 01:55:41: That was this.
01:55:41 - 01:55:47: ♪ And I feel my spirit rise ♪
01:55:48 - 01:55:52: ♪ And soar like the wind ♪
01:55:52 - 01:55:56: ♪ Dancing through love that I am in ♪
01:55:56 - 01:56:05: ♪ I'm getting ♪
01:56:05 - 01:56:07: ♪ In the clouds ♪
01:56:07 - 01:56:11: - "Lost in Your Eyes" was Gibson's last top 10 single.
01:56:11 - 01:56:15: Second number one single following '87's "Foolish Beat."
01:56:15 - 01:56:17: - This feels kind of earlier than '89.
01:56:17 - 01:56:18: - It does.
01:56:18 - 01:56:20: I mean, it reminds me of like,
01:56:20 - 01:56:22: yeah, like Peter Cetera or like Eric Carman.
01:56:22 - 01:56:23: - Yeah.
01:56:23 - 01:56:24: - You know?
01:56:24 - 01:56:25: - This is depressing.
01:56:25 - 01:56:27: - For sure.
01:56:27 - 01:56:28: - No disrespect to Ms. Gibson.
01:56:30 - 01:56:32: ♪ I don't mind not knowing ♪
01:56:32 - 01:56:35: ♪ What I'm headed for ♪
01:56:35 - 01:56:39: - I guess she was 19 when this came out?
01:56:39 - 01:56:41: - Original Billie Eilish.
01:56:41 - 01:56:44: - But it is funny thinking about like a 19 year old
01:56:44 - 01:56:45: writing this.
01:56:45 - 01:56:46: - And producing it.
01:56:46 - 01:56:47: - And producing it too. - That's what's wild.
01:56:47 - 01:56:50: - Yeah, like a 45 year old like,
01:56:50 - 01:56:52: guy with like male pattern baldness like,
01:56:52 - 01:56:53: - That's who should write it.
01:56:53 - 01:56:54: - Producing it.
01:56:54 - 01:56:55: - Right.
01:56:55 - 01:56:57: - And then he just makes it sound like this.
01:56:57 - 01:57:00: And she's like, "Well, I was looking for something
01:57:00 - 01:57:01: a little more fresh, but the record company says
01:57:01 - 01:57:02: this sounds good."
01:57:02 - 01:57:04: - No, Debbie was in there dialing in that,
01:57:04 - 01:57:05: dude, that gated snare.
01:57:05 - 01:57:07: ♪ Tonight ♪
01:57:07 - 01:57:10: ♪ To an afternoon ♪
01:57:10 - 01:57:11: - I feel like this song should be in like
01:57:11 - 01:57:13: Romanian or something.
01:57:13 - 01:57:14: - When I hear, yeah.
01:57:14 - 01:57:15: - You know what I mean?
01:57:15 - 01:57:16: Don't you think this should?
01:57:16 - 01:57:16: - Yeah.
01:57:16 - 01:57:19: - This should be a man singing in Polish.
01:57:19 - 01:57:22: - You're in like an Eastern European grocery store.
01:57:22 - 01:57:24: (laughing)
01:57:24 - 01:57:27: - Gibson along with Bruce Springsteen
01:57:27 - 01:57:30: were named the ASCAP Songwriters of the Year in '89.
01:57:30 - 01:57:32: Which was also a very weird period for Bruce.
01:57:32 - 01:57:34: - Yeah, what was Bruce doing in '89?
01:57:34 - 01:57:36: - ASCAP with their fingers on the pulse.
01:57:36 - 01:57:40: - Yeah, because "Tunnel of Love" is '87.
01:57:40 - 01:57:41: - '87.
01:57:41 - 01:57:42: - And then he didn't come back till the '90s.
01:57:42 - 01:57:45: '90 or '91 with the,
01:57:45 - 01:57:46: - "Human Touch." - "Human Touch."
01:57:46 - 01:57:47: - '90, yeah '91, '92.
01:57:47 - 01:57:50: - I don't know what was going on over at ASCAP in '89, man.
01:57:50 - 01:57:52: - "Electric Youth" is a great name for an album.
01:57:52 - 01:57:54: - It is a cool album, yeah.
01:57:54 - 01:57:55: Album title, "Electric Youth."
01:57:55 - 01:57:57: The number one song,
01:57:57 - 01:58:00: this song has been heavily promoted through billboards.
01:58:00 - 01:58:01: It's already a TikTok hit.
01:58:01 - 01:58:03: I wonder if you've heard it, Jake.
01:58:03 - 01:58:04: And weirdly,
01:58:04 - 01:58:05: - I have not.
01:58:05 - 01:58:07: - It kind of goes along in a way with the,
01:58:07 - 01:58:08: this is a chord progression.
01:58:08 - 01:58:11: Miley Cyrus with "Flowers."
01:58:11 - 01:58:15: - The album title, "Endless Summer Vacation."
01:58:15 - 01:58:15: - That's, that's her album.
01:58:15 - 01:58:16: - One word too many there.
01:58:16 - 01:58:18: It should just be either,
01:58:18 - 01:58:22: summer vacation, endless summer, endless vacation.
01:58:22 - 01:58:23: It shouldn't,
01:58:23 - 01:58:25: - Endless vacation's a great name.
01:58:25 - 01:58:27: - Endless summer vacation.
01:58:27 - 01:58:29: - Not quite right.
01:58:29 - 01:58:32: - Oh yeah, I heard "Smoky."
01:58:32 - 01:58:35: ♪ Went home and watched it burn ♪
01:58:35 - 01:58:37: ♪ Mm, I didn't wanna leave you ♪
01:58:37 - 01:58:39: ♪ I didn't wanna lie ♪
01:58:39 - 01:58:44: ♪ Started to cry but then remembered I ♪
01:58:44 - 01:58:48: ♪ I can buy myself flowers ♪
01:58:48 - 01:58:51: ♪ Write my name in the sand ♪
01:58:51 - 01:58:54: - Oh, she was married to a Hemsworth.
01:58:54 - 01:58:54: - All right.
01:58:54 - 01:58:55: (laughing)
01:58:55 - 01:58:56: - She's changed.
01:58:56 - 01:58:57: - What does that mean to you?
01:58:57 - 01:58:59: - Late breaking gossip for Jake.
01:58:59 - 01:59:01: - Yeah, I'm just getting caught up here on the chicks.
01:59:01 - 01:59:02: - You're gonna get it, I'm gonna be like,
01:59:02 - 01:59:04: Hannah, you know Miley Cyrus
01:59:04 - 01:59:05: is married to one of those Hemworths,
01:59:05 - 01:59:06: the Hemworths guys?
01:59:06 - 01:59:07: (laughing)
01:59:07 - 01:59:08: - Yeah, I knew that.
01:59:08 - 01:59:09: They got divorced.
01:59:09 - 01:59:10: - Yeah.
01:59:10 - 01:59:12: I wonder if it was Thor.
01:59:12 - 01:59:13: - I don't know who Liam Hemsworth is.
01:59:13 - 01:59:14: - Nope, it wasn't him.
01:59:14 - 01:59:16: ♪ I can love you better, baby ♪
01:59:16 - 01:59:18: ♪ Can love you better ♪
01:59:18 - 01:59:20: ♪ I can love you better, baby ♪
01:59:20 - 01:59:23: ♪ Paint my nails cherry red ♪
01:59:23 - 01:59:28: ♪ Match the roses that you lay ♪
01:59:28 - 01:59:32: ♪ No remorse, no regret ♪
01:59:32 - 01:59:36: ♪ I forgive every word you say ♪
01:59:36 - 01:59:38: ♪ Ooh, I didn't wanna leave you, babe ♪
01:59:38 - 01:59:40: ♪ I didn't wanna fight ♪
01:59:40 - 01:59:45: ♪ I started to cry, but then remembered I ♪
01:59:45 - 01:59:48: ♪ I can buy myself flowers ♪
01:59:48 - 01:59:50: - Wait, this is also,
01:59:50 - 01:59:52: what, there's some other like 2000s pop song.
01:59:52 - 01:59:54: - I mean, it sounds a lot like the Cardigans.
01:59:54 - 01:59:55: - It sounds like the Cardigans, but also--
01:59:55 - 01:59:58: ♪ Love me, love me, say that you love me ♪
01:59:58 - 02:00:00: - Which is a great song, but also,
02:00:00 - 02:00:03: sounds like this Rob Thomas song.
02:00:03 - 02:00:04: - Runnin' the show.
02:00:04 - 02:00:05: - Oh!
02:00:05 - 02:00:07: Did Rob Thomas ever come on the show?
02:00:07 - 02:00:07: - No.
02:00:13 - 02:00:26: ♪ Now it seems to me that you know just what to say ♪
02:00:26 - 02:00:29: ♪ But words are only words ♪
02:00:29 - 02:00:32: ♪ Can you show me something else ♪
02:00:32 - 02:00:33: ♪ Can you swear to me ♪
02:00:33 - 02:00:35: - Yeah, obviously this is a very 2005 production here.
02:00:35 - 02:00:37: - With some heavy Backstreet Boys.
02:00:37 - 02:00:40: - It's not as Gen Z TikTok as the final set,
02:00:40 - 02:00:42: but it's a very 2005 production.
02:00:42 - 02:00:47: ♪ More than ever, baby ♪
02:00:47 - 02:00:50: ♪ I don't wanna be lonely no more ♪
02:00:50 - 02:00:53: ♪ I don't wanna have to pay for this ♪
02:00:53 - 02:00:55: ♪ I don't wanna know the love I have now ♪
02:00:55 - 02:00:56: - Is this new?
02:00:56 - 02:00:57: - No, this is from 2005.
02:00:57 - 02:00:58: - Are we going out with this?
02:00:58 - 02:01:01: - Oh shit, I was like, okay.
02:01:01 - 02:01:01: - No, I think--
02:01:01 - 02:01:02: - I thought this was from this year.
02:01:02 - 02:01:06: - Going out with that Rob Thomas would have been so strong.
02:01:06 - 02:01:07: Okay, we're back.
02:01:07 - 02:01:09: - Number one song, 2023.
02:01:09 - 02:01:10: - Rob Thomas in there,
02:01:10 - 02:01:11: but I think we're going out with Cardigans,
02:01:11 - 02:01:11: 'cause you guys are correct.
02:01:11 - 02:01:13: I think that's the primary influence for--
02:01:16 - 02:01:22: ♪ Dear, I fear we're facing a problem ♪
02:01:22 - 02:01:25: ♪ You love me no longer ♪
02:01:25 - 02:01:29: ♪ I know and maybe there is nothing ♪
02:01:29 - 02:01:34: ♪ That I can do to make you do ♪
02:01:35 - 02:01:39: ♪ Mama tells me I shouldn't bother ♪
02:01:39 - 02:01:44: ♪ That I ought to stick to another man ♪
02:01:44 - 02:01:48: ♪ A man that surely deserves me ♪
02:01:48 - 02:01:49: ♪ But I think I do ♪
02:01:49 - 02:01:51: - Time Crisis, back in the building.
02:01:51 - 02:01:53: We'll see you in two weeks.
02:01:53 - 02:01:54: Peace.
02:01:54 - 02:01:56: ♪ I cry and I cry and I think ♪
02:01:56 - 02:01:58: ♪ Love me, love me ♪
02:01:58 - 02:02:01: ♪ Say that you love me ♪
02:02:01 - 02:02:03: ♪ Fool me, fool me ♪
02:02:03 - 02:02:05: ♪ Go on and fool me ♪
02:02:05 - 02:02:07: ♪ Love me, love me ♪
02:02:07 - 02:02:09: ♪ Pretend that you love me ♪
02:02:09 - 02:02:11: ♪ Leave me, leave me ♪
02:02:11 - 02:02:14: ♪ Just say that you need me ♪
02:02:14 - 02:02:16: - Time Crisis.
02:02:16 - 02:02:18: - With Ezra Koenig.
02:02:18 - 02:02:21: (bells chiming)

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