Episode 190: - The Banshees of Inishiddily

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:04: Time Crisis, back again.
00:04 - 00:11: On this week's TC, we talk about Fairport Convention.
00:11 - 00:17: We also listen to music from the old days and the new.
00:17 - 00:23: We'll hear great songs from the B-52s, Alana Miles and Janet Jackson.
00:23 - 00:28: This is Time Crisis with Ezra Koenig.
00:28 - 00:33: Time Crisis with Ezra Koenig.
00:34 - 00:40: They passed me by, all of those great romances
00:40 - 00:47: You were a belt from a knee, all my rightful chances
00:47 - 00:55: My picture clear, everything seemed so easy
00:55 - 01:02: And so I dealt you the blow, when a bus had to go
01:02 - 01:06: Now it's different, I want you to know
01:06 - 01:12: One of us is crying, one of us is lying
01:12 - 01:17: Keep an eye on me babe
01:17 - 01:19: Time Crisis, back again.
01:19 - 01:21: Gentlemen.
01:21 - 01:24: Hell of a winner. Hell of a winner.
01:24 - 01:29: I've been obsessed with my Twitter feed looking at the
01:29 - 01:33: historic snowpack that has accumulated in the Sierra Nevada.
01:33 - 01:37: Oh right, and that's the one that a few years ago they were like, "There's nothing there."
01:37 - 01:42: Well, it'll all melt this year. I mean, it's not like a glacier, but it snows every winter up there.
01:42 - 01:46: But this is like one of the, depending on what source you're looking at,
01:46 - 01:50: one of the top three snowpacks ever recorded.
01:50 - 01:51: Wow.
01:51 - 01:55: '52 was a big year. '82-'83 winter was huge.
01:55 - 01:56: Mm.
01:56 - 01:58: 2023 winter, massive.
01:58 - 02:01: Interesting. So that's just because of all this precipitation?
02:01 - 02:09: Yeah. Just all these atmospheric rivers that, you know, manifest as rain in the lower elevations, but massive.
02:09 - 02:13: For people who don't live in Southern California, it's been a very cold, rainy winter.
02:13 - 02:19: I've been feeling it. I've been listening to Fairport Convention, which I think is the greatest winter band.
02:19 - 02:22: Interesting. I didn't know you were a Fairport head.
02:22 - 02:27: That's winter music for me. I couldn't imagine listening to it in the summer, but I don't know.
02:27 - 02:29: I don't know. Just it's raining outside.
02:29 - 02:30: What?
02:30 - 02:32: I don't know. It's something about that sort of...
02:32 - 02:33: You're really surprising me here.
02:33 - 02:34: All right.
02:34 - 02:38: I'm a massive Fairport fan as well. I don't know if we've ever gotten deep on it,
02:38 - 02:43: but the fact that you said you couldn't imagine listening to them in the summer, I respect it,
02:43 - 02:48: but it's kookier of a position than I associate with you.
02:48 - 02:55: I mean, most bands I feel like you can listen to all year round, but some bands just have like a summery vibe,
02:55 - 03:00: and some bands have a wintry vibe, and I would say Fairport Convention is as wintry as it gets.
03:00 - 03:06: Something about that kind of English folk rock frog with the Sandy Denny vocals.
03:06 - 03:09: I was about to say the Sandy Denny vocals, the cold, distant voices.
03:09 - 03:10: And the lyrics.
03:10 - 03:11: Sandy Denny.
03:11 - 03:14: Reinterpreting these old English folk songs.
03:14 - 03:18: Although I think one of their classic albums is called What We Did on Our Summer Holidays.
03:18 - 03:20: Yeah, but I don't care.
03:20 - 03:26: Interesting. I'm a massive Fairport fan. I'm sure we must have talked about them over the years, but like...
03:26 - 03:27: I think they've come up.
03:27 - 03:31: Yeah, they're great. What's your favorite Fairport song?
03:31 - 03:34: I've been really into Percy's song recently.
03:34 - 03:35: Oh, the Bob Dylan song.
03:35 - 03:36: Yeah.
03:36 - 03:41: Yeah, that's an interesting one too, because Bob Dylan wrote Percy's song,
03:41 - 03:46: and I think it was only available as a bootleg, probably.
03:46 - 03:47: It's not on an album.
03:47 - 03:49: And it's not from the basement tapes either, I don't think.
03:49 - 03:50: No.
03:50 - 03:52: I don't know what era that would be from.
03:52 - 03:55: I guess people talk about he's the original bootleg artist that...
03:55 - 03:58: Kind of pretty similar to Kanye now.
03:58 - 04:02: I'm not trying to talk about all the other Kanye stuff, but just like, there's Kanye fans
04:02 - 04:07: who have over the years heard like almost albums worth of leaked material.
04:07 - 04:10: Songs that never came out, verses, whatever.
04:10 - 04:13: And I think the same was true for Bob Dylan in the 60s.
04:13 - 04:17: So Fairport probably heard Percy's song on a bootleg,
04:17 - 04:21: and then they did a cover of it for their album.
04:21 - 04:24: Maybe he made a writing demo and sent it out,
04:24 - 04:27: because he also was kind of just like a working songwriter.
04:27 - 04:30: Yeah, because there's a lot of that stuff that's on like,
04:30 - 04:33: Sweetheart of the Rodeo and stuff that if you were like a good band...
04:33 - 04:34: You ain't going nowhere. Yeah.
04:34 - 04:37: You probably like maybe had access to those tapes.
04:37 - 04:41: But was his Percy song like a rewrite of an old song?
04:41 - 04:46: I think it's similar to a lot of, you know, 60s Dylan,
04:46 - 04:51: where he's totally using folk form that comes from an old folk song.
04:51 - 04:55: So my understanding is, because this song, for people who don't know it,
04:55 - 04:59: it has this refrain where he's telling a story.
04:59 - 05:01: And then, you know, he says something like,
05:01 - 05:04: I sat down and wrote the best words I could write.
05:04 - 05:07: Turn, turn, turn again.
05:07 - 05:10: And I turned to the air on Wednesday night.
05:10 - 05:13: Turn, turn to the rain and the wind.
05:13 - 05:15: Rain and the wind, dude.
05:15 - 05:16: Yeah, I've looked it up before.
05:16 - 05:19: Yeah, you're right. That is a very wintry song.
05:19 - 05:20: I've looked it up before.
05:20 - 05:23: And yeah, that turn to the rain and the wind.
05:23 - 05:27: And even that structure has its roots in a bunch of old folk songs
05:27 - 05:30: where you say something and then turn to the rain and the wind.
05:30 - 05:32: It's also interesting because it's like,
05:32 - 05:35: when I think of Bob Dylan's story songs from this era,
05:35 - 05:37: I think of like the lonesome death of Hattie Carroll
05:37 - 05:39: or things about these like civil rights issues.
05:39 - 05:44: And this one, it's still about pain and suffering and death,
05:44 - 05:46: but it's just like a little more mundane.
05:46 - 05:50: My understanding of the song is that a guy hears his buddy got in a car accident.
05:50 - 05:52: He's like, oh man, what happened?
05:52 - 05:55: He's like, yeah, he wasn't drunk or anything.
05:55 - 05:57: It was just kind of one of those situations,
05:57 - 05:59: but the people in the other car died.
05:59 - 06:02: Like, oh my God, that's crazy. Is he okay?
06:02 - 06:03: He's like, he's actually in jail.
06:03 - 06:06: It's like, really? It's like, yeah.
06:06 - 06:08: There's like a real hard ass judge trying to lock him up.
06:08 - 06:10: He really didn't do anything wrong.
06:10 - 06:12: Could have been you or me, just like one of these things.
06:12 - 06:14: It's like, wrong place, wrong time.
06:14 - 06:16: I'm writing a letter to the judge. I'm going to come.
06:16 - 06:19: It's also like a bit of a shaggy dog story.
06:19 - 06:21: Not trying to spoil it, but it's like,
06:21 - 06:24: it doesn't particularly end in some like big dramatic way, right?
06:24 - 06:28: You're so much more the lyricist guy than I am.
06:28 - 06:29: You're just vibing. I'm vibing.
06:29 - 06:30: Enjoying those beautiful harmonies.
06:30 - 06:32: Yeah. And just the feel.
06:32 - 06:33: All right, let's throw it on.
06:33 - 06:39: Bad news, bad news, come to me where I sleep.
06:39 - 06:42: Turn, turn, turn again.
06:42 - 06:44: Yeah, Sandy Denny, just one of the all-time great singers.
06:44 - 06:49: Say one of your friends is in trouble deep.
06:49 - 06:56: Turn, turn to the rain and the wind.
06:56 - 06:59: You got the message, one of your friends is in trouble deep.
06:59 - 07:04: Tell me the trouble, tell me once to my ear.
07:04 - 07:09: Turn, turn, turn again.
07:09 - 07:14: Joliet prison, I'm 99 years.
07:14 - 07:15: Okay, Joliet prison, Illinois.
07:15 - 07:16: 99 years, yeah, all right.
07:16 - 07:17: Okay.
07:17 - 07:19: Turn to the rain and the wind.
07:19 - 07:24: Okay, so yeah, these British folk rock musicians singing about Joliet, Illinois.
07:24 - 07:29: Oh, what's the charge of how this came to be?
07:29 - 07:30: Turn, turn, turn again.
07:30 - 07:34: Pictures just like Bob Dylan being like undergrad at University of Minnesota.
07:34 - 07:37: Some of the homies road tripping in Illinois.
07:37 - 07:39: Got in a car accident.
07:39 - 07:41: Yeah, heard a story.
07:41 - 07:44: Your boy's looking down at 99 years.
07:44 - 07:48: For manslaughter?
07:48 - 07:54: I sat down and wrote the best words I could write.
07:54 - 07:58: Turn, turn, turn again.
07:58 - 08:03: I also do love this song too because it's like there just aren't that many songs about friends.
08:03 - 08:11: Of course, there's plenty, but obviously you got the love, romance, takes the biggest piece of the pie.
08:11 - 08:15: And this is a song just about like, damn, your buddy's in prison.
08:15 - 08:18: All right. I'm worried about my homie.
08:18 - 08:19: Right, yeah.
08:19 - 08:22: Just like my friend. Dude, my friend's in trouble deep.
08:22 - 08:23: Yeah.
08:23 - 08:28: I was in his chambers by the next stop of his.
08:28 - 08:34: Turn, turn to the rain and the wind.
08:34 - 08:37: Yeah, I listen to this song on repeat when I'm working.
08:37 - 08:38: Yeah.
08:38 - 08:41: Tell me the facts. I said without a doubt.
08:41 - 08:44: Then that like 12th string electric comes in.
08:44 - 08:47: Tell me the facts. I said without fear.
08:47 - 08:53: That a friend of mine would get 99 years.
08:53 - 08:55: A friend of mine could get 99 years.
08:55 - 08:56: Messed up.
08:56 - 09:01: Turn, turn to the rain and the wind.
09:01 - 09:07: A crash on the highway blew the car to a fear.
09:07 - 09:10: Turn, turn, turn again.
09:10 - 09:12: That reminds me of that Bruce song too, Wrecking the Highway.
09:12 - 09:13: Oh, right.
09:13 - 09:15: He finds that guy dying on the side of the road.
09:15 - 09:18: And then he goes home and sees his baby in the crib.
09:18 - 09:21: I think he just sees his, he refers to his wife as his baby.
09:21 - 09:23: Oh, okay.
09:23 - 09:24: And he's just like, the baby's sleeping.
09:24 - 09:25: Right, I see.
09:25 - 09:26: That's how I do it.
09:26 - 09:31: But I knew him I could as I knowing myself.
09:31 - 09:35: Turn, turn, turn again.
09:35 - 09:40: And he wouldn't harm a life that belonged to someone else.
09:40 - 09:45: He wouldn't harm a life that belonged to someone else.
09:45 - 09:50: Just like, I get a call from Nick like, dude, Ezra's in prison right now, man.
09:50 - 09:51: No, he like, he wasn't drunk.
09:51 - 09:54: He like was driving.
09:54 - 09:57: It's unclear what happened, but like the other people in the other car are dead.
09:57 - 09:59: He's looking at time.
09:59 - 10:02: I was just road tripping in Illinois.
10:02 - 10:03: That's really intense.
10:03 - 10:09: And then you're like, just call me back in the morning.
10:09 - 10:10: And then you're like, dude, I'm on a road trip.
10:10 - 10:12: You're sick in the Champaign-Urbana area.
10:12 - 10:14: Damn.
10:14 - 10:16: That may be true.
10:16 - 10:19: He's got a sentence to serve.
10:19 - 10:24: Turn, turn, turn again.
10:24 - 10:29: But 99 years he just don't deserve.
10:29 - 10:35: Turn, turn, too late and the wind.
10:35 - 10:36: I'm really curious.
10:36 - 10:37: How does this end?
10:37 - 10:40: This like ends on some like, oh wait, we're coming down.
10:40 - 10:43: For his case to seal.
10:43 - 10:45: Turn, turn, turn again.
10:45 - 10:46: He got there too late.
10:46 - 10:48: I mean, what was Bob Dylan going to do to the judge anyway?
10:48 - 10:53: His sentence, it is passed and cannot be revealed.
10:53 - 11:02: Turn, turn, to the right and the left.
11:02 - 11:07: But he ain't no criminal and his crime it is love.
11:07 - 11:12: Turn, turn, turn again.
11:12 - 11:17: What happened to him could happen to anyone.
11:17 - 11:26: Turn, turn, to the right and the left.
11:26 - 11:31: And that the judge jerked forward and his case it did approve.
11:31 - 11:36: Turn, turn, turn again.
11:36 - 11:41: Said could you kindly leave my office now please.
11:41 - 11:42: Judge, get the hell out of here.
11:42 - 11:44: Get the hell out of here.
11:44 - 11:46: Case closed.
11:46 - 11:47: I got a lot of cases today.
11:47 - 11:49: I don't have time for--
11:49 - 11:51: My docket is full.
11:51 - 11:53: The docket's crazy right now.
11:53 - 11:55: I can't talk to everybody's buddy.
11:55 - 12:00: Turn, turn, turn again.
12:00 - 12:07: With no other choice except for to turn, turn,
12:07 - 12:10: turn to the right and the left.
12:10 - 12:19: I walked down the hallway and I heard him moan and slam.
12:19 - 12:24: Turn, turn, turn again.
12:24 - 12:29: I walked down the cold hard stairs and did not understand.
12:29 - 12:33: Turn, turn, to the right and the left.
12:33 - 12:35: Oh, I remember how it ends now.
12:35 - 12:38: It's a beautiful ending, haunting ending.
12:38 - 12:43: And I played my guitar through the night to the day.
12:43 - 12:44: I played my guitar.
12:44 - 12:46: He left the court out, didn't understand,
12:46 - 12:48: played my guitar through the night and the day.
12:48 - 12:49: Writing the song?
12:49 - 12:54: But the only tune my guitar could play was the old--
12:54 - 12:55: The old sad--
12:55 - 12:59: Oh, the cruel rain and the wind.
12:59 - 13:01: So whatever song this is like semi-based on,
13:01 - 13:04: it's he's being meta, he's referencing it.
13:04 - 13:05: Very Bob.
13:06 - 13:10: Whether he's writing about the Titanic or, you know,
13:10 - 13:12: the actor in Brownsville Girl.
13:12 - 13:14: Yep, 'cause when you really think about that song,
13:14 - 13:18: it's interesting because he's telling the story,
13:18 - 13:19: and because it's a folk song,
13:19 - 13:21: you don't think too much that there's a refrain,
13:21 - 13:23: turn, turn to the rain and the wind,
13:23 - 13:25: which would totally make sense.
13:25 - 13:27: You know, you're basically like, got a call.
13:27 - 13:28: Right.
13:28 - 13:29: My buddy's in trouble.
13:29 - 13:30: I wrote to the judge.
13:30 - 13:32: I'm heading there.
13:32 - 13:33: It's chaotic.
13:33 - 13:34: What happened?
13:34 - 13:35: What's going on?
13:35 - 13:36: I finally get there.
13:36 - 13:37: And just throughout, he's going,
13:37 - 13:40: turn, turn to the rain and the wind.
13:40 - 13:42: And you're kind of like, what does that mean?
13:42 - 13:43: In this--
13:43 - 13:44: Turning into harshness.
13:44 - 13:45: Right.
13:45 - 13:49: I think it is just kind of about accepting the harshness of life,
13:49 - 13:50: but you're kind of like, well, yeah,
13:50 - 13:51: where are you going with this?
13:51 - 13:54: Both buddies are turning to the rain and the wind.
13:54 - 13:56: Actually, I think we've got to kind of look up
13:56 - 13:58: the old cruel rain and the wind,
13:58 - 14:01: because whatever that song is actually saying,
14:01 - 14:04: just the refrain of the old cruel rain and the wind,
14:04 - 14:07: I mean, you're just talking about nature,
14:07 - 14:09: the cruelty of nature.
14:09 - 14:11: Obviously, in this circumstance, you could say,
14:11 - 14:12: well, it's the cruelty of man.
14:12 - 14:15: Why is this judge such a hard on?
14:15 - 14:16: 99 years?
14:16 - 14:17: Come on, man.
14:17 - 14:19: Could have happened to you or me.
14:19 - 14:20: Nobody did it on purpose.
14:20 - 14:21: How could you be so harsh?
14:21 - 14:23: You know, Bob could have taken that--
14:23 - 14:28: his kind of righteous indignation '60s energy about the judge,
14:28 - 14:30: but it's almost more like it happened.
14:30 - 14:31: He walks out bewildered.
14:31 - 14:33: Buddy's going down for 99 years.
14:33 - 14:34: He's just standing there on the courthouse steps,
14:34 - 14:36: and all he can think about is this old folk song
14:36 - 14:38: about the old cruel rain and the wind.
14:38 - 14:41: Just nature, man, the harshness of life.
14:41 - 14:42: Simple twist of fate.
14:42 - 14:43: Yeah.
14:43 - 14:45: Cold rain and snow.
14:45 - 14:46: Yeah, right.
14:46 - 14:48: I wonder if he ever did a version of that.
14:48 - 14:53: Obviously, the famously folk song, "The Dead," played a lot.
14:53 - 14:55: Yeah, Fairport, great band.
14:55 - 14:57: Incredible arrangement, too.
14:57 - 15:01: I mean, it's this incredibly repetitive structure,
15:01 - 15:06: and the lyrics are so repetitive as well that to make that really dynamic
15:06 - 15:09: and kind of crescendo and come down and then crescendo again
15:09 - 15:11: and come back down, it's--
15:11 - 15:14: I just love that recording being able to just like, oh,
15:14 - 15:15: they're bringing in the organ here.
15:15 - 15:16: The organ cuts out.
15:16 - 15:18: Oh, they're bringing in the--
15:18 - 15:20: Richard Thompson's going off on the acoustic.
15:20 - 15:23: Oh, now they're bringing in the electric.
15:23 - 15:25: Yeah, and it follows the narrative, like what's happening?
15:25 - 15:26: It's like--
15:26 - 15:27: Chills out.
15:27 - 15:28: Nothing's happening.
15:28 - 15:30: Got there too late.
15:30 - 15:32: This is one of my favorite Fairports.
15:32 - 15:35: And they have some like bangers, too, but like a truly beautiful one.
15:35 - 15:37: You know this one, "Farewell, Farewell"?
15:37 - 15:38: Of course.
15:38 - 15:39: Love it.
15:39 - 15:42: [MUSIC - "FAREWELL, FAREWELL"]
15:42 - 15:55: (SINGING) Farewell, farewell to you who'd hit.
15:55 - 15:56: Did they write this one?
15:56 - 15:59: (SINGING) You lonely traveler's own.
15:59 - 16:00: That's the thing I like about this band.
16:00 - 16:03: I don't even know what songs they write, what songs they don't.
16:03 - 16:06: (SINGING) The cold north wind will blow again.
16:06 - 16:07: See, this is what I'm saying.
16:07 - 16:08: It's a winter band.
16:08 - 16:11: (SINGING) The winding road.
16:11 - 16:12: It's pouring rain outside.
16:12 - 16:14: I'm just like, I'm throwing up.
16:14 - 16:15: Airport, dude, I'm making a cup of tea.
16:15 - 16:16: "Withered and Died."
16:16 - 16:18: Dude, well, that's on the--
16:18 - 16:20: That's Richard Thatcher and Linda Thompson.
16:20 - 16:24: That song, but "Withered and Died" is one of the ultimate winter songs.
16:24 - 16:25: Gonna say so.
16:25 - 16:26: Yeah.
16:26 - 16:27: I love this part.
16:27 - 16:30: (SINGING) Oh, I would.
16:30 - 16:32: I would.
16:32 - 16:36: If welcome I was.
16:36 - 16:39: Oh, they would loathe me.
16:39 - 16:41: My understanding, because I've heard of--
16:41 - 16:42: This is traditional.
16:42 - 16:43: This is?
16:43 - 16:44: Yeah.
16:44 - 16:45: What's your understanding?
16:45 - 16:46: There's another song.
16:46 - 16:48: I guess this happens a lot with folk songs
16:48 - 16:51: that I thought maybe they wrote the lyrics to this
16:51 - 16:54: because this is this beautiful goodbye song.
16:54 - 16:57: Also, this is-- the vibe of this, too.
16:57 - 16:59: Obviously, Sandy Denny's voice is so distinct
16:59 - 17:02: and makes it very wintry England.
17:02 - 17:04: But couldn't you totally picture Lou Reed singing on this?
17:04 - 17:06: This should be like a Velvet song.
17:06 - 17:07: Totally.
17:07 - 17:09: Or Mo Tucker.
17:09 - 17:11: Or yeah, I could see Yola Tango covering this.
17:11 - 17:12: Oh, yeah.
17:12 - 17:23: (SINGING) We will never cut the cloth or drink the light to be.
17:23 - 17:30: But I'll swear ye to wander lies.
17:30 - 17:34: Asleep along the side of the pond.
17:34 - 17:36: There's another band from this era called Pentangle.
17:36 - 17:37: Have you ever gone deep on this stuff?
17:37 - 17:38: Oh, yeah.
17:38 - 17:39: Pentangle.
17:39 - 17:43: My parents loved Pentangle, so I listened to them a ton growing up.
17:43 - 17:45: For some reason, they didn't know it was Fairport.
17:45 - 17:46: Interesting.
17:46 - 17:52: (SINGING) The king has been a prisoner.
17:52 - 17:53: It's called Willie of Winsbury.
17:53 - 18:00: (SINGING) And a prisoner long in Spain.
18:00 - 18:11: And Willie of the Winsbury has lain long with his daughter.
18:11 - 18:14: The Fairport arrangements, they just make these songs their own.
18:14 - 18:16: Well, this is '90s Pentangle.
18:16 - 18:17: This is probably a different recording.
18:17 - 18:20: Oh, wow.
18:20 - 18:21: Oh, yeah.
18:21 - 18:22: I'm hearing that.
18:22 - 18:25: It's a '90s piano tone.
18:25 - 18:28: Do you know that Pentangle song, "Trees They Do Grow High"?
18:28 - 18:29: No.
18:29 - 18:30: Oh, man.
18:30 - 18:37: Yeah, there's a beautiful video of Pentangle doing a late '60s English TV recording.
18:37 - 18:38: They sound so good.
18:38 - 18:40: I watch that all the time.
18:40 - 18:43: I believe that guy Bert Janch was in Pentangle, right?
18:43 - 18:44: Yes, right.
18:44 - 18:45: Yeah.
18:45 - 18:47: OK, and then he made some great records in the '70s.
18:47 - 18:56: I saw Bert Janch play, opening for Neil Young in Connecticut with my brother.
18:56 - 18:57: He played in Wallingford.
18:57 - 18:59: I think it was Wallingford, Connecticut, a little theater.
18:59 - 19:02: Was that the show that Joe Rogan worked security at?
19:02 - 19:03: No, that's Massachusetts.
19:03 - 19:05: Do you remember that game?
19:05 - 19:09: Yes, Rogan worked security at Neil Young in 1990 or something.
19:09 - 19:10: Yeah.
19:10 - 19:15: Anyway, Bert Janch, he died a little bit, within a year of that show.
19:15 - 19:17: It was awesome.
19:17 - 19:21: Just like dense, heady, acoustic music.
19:21 - 19:23: All this music, it has so much in common with Neil Young.
19:23 - 19:28: It hits so different because he's got his Americana or Canadian Americana.
19:28 - 19:30: But the drumming is so similar.
19:30 - 19:32: That kind of simple--
19:32 - 19:37: This might be an interesting turn for us.
19:37 - 19:41: Is that line, if we go back to Percy's song for a second,
19:41 - 19:43: the line, "Oh, the cruel rain and the wind"?
19:43 - 19:44: Yeah.
19:44 - 19:49: That's based on a traditional song, the Twa Sisters,
19:49 - 19:52: is one of the-- a bunch of different names that it's known.
19:52 - 19:58: The other one is "Wind and Rain," which Jerry Garcia did cover.
19:58 - 20:00: Different from the "Cold Rain and Snow."
20:00 - 20:04: Right, but if the song that they're talking about in Percy's song,
20:04 - 20:06: when he says there's a song in their head,
20:06 - 20:09: the rain and the wind, that is the specific song.
20:09 - 20:10: That's a song.
20:10 - 20:11: That's a specific song.
20:11 - 20:12: Let's find that Jerry "Wind and Rain."
20:12 - 20:13: So we have it here.
20:13 - 20:14: "The Rain and the Wind"?
20:14 - 20:16: They're calling it "Dreadful Wind and Rain,"
20:16 - 20:18: but it's the same traditional song.
20:18 - 20:19: Oh, this is like Jerry acoustic.
20:19 - 20:25: I've also been on a very heavy Jerry acoustic kick.
20:25 - 20:26: Like live shows?
20:26 - 20:27: Yeah, I got this record.
20:27 - 20:29: There's a Jerry acoustic version.
20:29 - 20:32: Okay, let's check-- yeah, with David Grisman, the mandolinist.
20:32 - 20:34: [laughs]
20:34 - 20:36: I thought it was my fault.
20:36 - 20:37: No, I think it's my fault.
20:37 - 20:38: Okay.
20:38 - 20:39: [laughs]
20:39 - 20:40: My fault.
20:45 - 20:47: So Linda and Richard, this is the song in their head.
20:47 - 20:51: "There were two sisters game walking down the street,
20:51 - 20:55: oh, the wind and rain.
20:55 - 20:58: The one behind pushed the other one in,
20:58 - 21:00: crying, oh, the dreadful wind and rain."
21:00 - 21:02: What year is this, you say?
21:02 - 21:03: This feels like a '90s recording.
21:03 - 21:06: "Johnny gave the young just a gay gold ring,
21:06 - 21:10: oh, the wind and rain.
21:10 - 21:13: Didn't give the oldest one anything,
21:13 - 21:15: crying, oh, the dreadful wind and rain."
21:15 - 21:17: Well, they did another band like Fairport,
21:17 - 21:20: where it's like the songs they write and the songs they cover,
21:20 - 21:22: you can't really tell.
21:22 - 21:24: Like if you were like, "Jerry wrote this," I'd be like, "Okay."
21:24 - 21:26: Right, yeah.
21:26 - 21:29: "Marched her as she floated down the river,
21:29 - 21:31: crying, oh, the dreadful wind and rain."
21:31 - 21:32: This is kind of dark.
21:32 - 21:33: Someone's drowning.
21:33 - 21:39: [playing guitar]
21:39 - 21:44: Murder Ballads, they're the original true crime podcast.
21:44 - 21:49: Because you always find that era of Bob Dylan's Woody Guthrie's,
21:49 - 21:51: these people got obsessed with folk music,
21:51 - 21:53: they're always talking about murder ballads,
21:53 - 21:59: because that was such a classic pillar of the genre.
21:59 - 22:05: So you could totally picture somebody pre-radio, pre-TV,
22:05 - 22:08: and just being at some group gathering or pub or something,
22:08 - 22:10: and say, "Anybody got a good song?"
22:10 - 22:12: People probably did want to hear one with a story.
22:12 - 22:13: You're on the edge of your seat.
22:13 - 22:14: Right.
22:14 - 22:17: Yeah, you could see people don't care that much.
22:17 - 22:18: It's like quaint.
22:18 - 22:21: I feel like Taylor Swift dropped a murder ballad a few years ago.
22:21 - 22:23: They come out, people still like them,
22:23 - 22:27: but probably back then if you just picked a really generalized love song,
22:27 - 22:29: it probably wouldn't be quite as interesting.
22:29 - 22:31: It's just you're really listening to it, and then what happened?
22:31 - 22:33: I'm picturing the bar in Banshee's of Inisheeran.
22:33 - 22:34: Oh, yeah, totally.
22:34 - 22:37: You know there's those scenes when they're kind of jamming at the bar?
22:37 - 22:38: Yeah, yeah.
22:38 - 22:39: And I'm like, "Give me more of that."
22:39 - 22:40: Oh, yeah, totally.
22:40 - 22:42: And then just picturing someone coming out
22:42 - 22:44: and just dropping an eight-minute murder ballad.
22:44 - 22:45: Yeah.
22:45 - 22:48: I bet you could hear a pin drop in there.
22:48 - 22:52: 1920, rural Ireland bar.
22:52 - 22:54: Yeah, and even further back.
22:54 - 22:56: Yeah, 1820.
22:56 - 22:57: Who knows?
22:57 - 23:00: Even 13th century medieval times.
23:00 - 23:04: Yeah, because probably back then somebody would just roll up and--
23:04 - 23:08: even a great song like "Take On Me" by A-ha.
23:08 - 23:11: Beautiful song, but I could see if you never heard it before
23:11 - 23:13: and you're passing around the guitar and someone's like,
23:13 - 23:17: "Needless to say, done, done, done, passed away."
23:17 - 23:19: Yeah, I could see you'd probably be way more engaged
23:19 - 23:20: where you're just like--
23:20 - 23:23: It opens with, "Come on, gather round ye.
23:23 - 23:24: Hear ye, hear ye.
23:24 - 23:27: I'm going to tell you a story," and then the repetitive nature
23:27 - 23:30: would draw you in.
23:30 - 23:33: Nobody's looking for a perfect three-minute pop song.
23:33 - 23:35: She loves you, yeah, yeah, yeah.
23:35 - 23:37: I just had this funny Bill and Ted fantasy
23:37 - 23:40: happening in my head right now where you have access to--
23:40 - 23:43: It's sort of like "Yesterday," the movie, but weirder.
23:43 - 23:46: You have access to a time machine and you go back to the year 1400
23:46 - 23:49: and you're just playing "Take On Me"
23:49 - 23:52: or you're playing Green Day songs to people in a bar.
23:52 - 23:55: And they're just like, "Cool."
23:55 - 23:58: Right, and then you bust out Percy's song.
23:58 - 23:59: Okay.
23:59 - 24:02: Yeah, and I feel like that does happen in those movies.
24:02 - 24:05: Famously in "Black Knight" with Martin Lawrence.
24:05 - 24:08: I feel like at some point they start playing a modern song.
24:08 - 24:09: Most famously, "Back to the Future."
24:09 - 24:10: Sure.
24:10 - 24:11: Oh, right, yeah.
24:11 - 24:13: He plays the Van Halen version of "Time to Be Good."
24:13 - 24:15: Yeah, you're not ready for this, but your kids will love it.
24:15 - 24:19: Yeah, just dropping--
24:19 - 24:20: Yeah, that's so funny.
24:20 - 24:23: Just imagine a dude who only knows two or three songs on guitar.
24:23 - 24:27: He knows "Wonderwall" by Oasis and "Time of Your Life" by Green Day,
24:27 - 24:30: and he gets brought back to the Middle Ages.
24:30 - 24:34: ♪ I hope you had the time of your life ♪
24:34 - 24:36: And they're just like, "What? My life sucks."
24:36 - 24:38: What are you talking about? "Time of my life."
24:38 - 24:40: Also, who is this song about?
24:40 - 24:42: I'm shoveling manure 18 hours a day.
24:42 - 24:45: You haven't named a single character in your song.
24:45 - 24:47: What is happening?
24:47 - 24:48: Nobody got murdered?
24:48 - 24:50: You're like, "You guys may not like this,
24:50 - 24:54: but your 20th great-grandchildren are going to love it."
24:54 - 24:58: Dude, throw in "Wonderwall," and let's just pretend we're in a bar
24:58 - 25:03: in Ireland in the year 1422.
25:03 - 25:05: Today.
25:05 - 25:08: You're just like, "What?"
25:08 - 25:10: Okay, so there's a six-string guitar there.
25:10 - 25:12: You're like, "So far, so good."
25:12 - 25:15: I got to tune it, the standard tuning.
25:15 - 25:18: Interesting suspended chords.
25:18 - 25:21: Haven't quite heard anything exactly like that.
25:21 - 25:29: ♪ Today is going to be the day ♪
25:29 - 25:32: ♪ That they're going to throw it back to you ♪
25:32 - 25:33: Already weird.
25:33 - 25:37: ♪ By now you should have somehow realized what you got to do ♪
25:37 - 25:39: Huh? I don't have any choices.
25:39 - 25:42: ♪ I don't believe that anybody feels the way I do ♪
25:42 - 25:44: That's really cool.
25:44 - 25:47: No, but I was just like-- I married my cousin.
25:47 - 25:49: That was the only option. I didn't have any feelings.
25:49 - 25:51: ♪ Backbeat, the word is on the street ♪
25:51 - 25:54: ♪ That the fire in your heart is out ♪
25:54 - 25:56: ♪ I'm sure you've heard it all before ♪
25:56 - 25:59: ♪ But you never really had a doubt ♪
25:59 - 26:04: ♪ I don't believe that anybody feels the way I do ♪
26:04 - 26:07: Also, maybe I'm wrong, but back then,
26:07 - 26:11: the songs tended not to have the second "U," right?
26:11 - 26:12: Probably not.
26:12 - 26:16: Yeah, that's like a real hallmark of modernity,
26:16 - 26:17: is this idea that--
26:17 - 26:18: Century of the Self.
26:18 - 26:19: Right, Century of the Self.
26:19 - 26:21: I'm talking to you.
26:21 - 26:23: Everybody in the pub is like,
26:23 - 26:25: "You're making us feel very uncomfortable."
26:25 - 26:29: ♪ Who likes to say to you, but I don't know how ♪
26:29 - 26:31: "But I don't know how." Maybe that's me, man.
26:31 - 26:37: ♪ Because maybe ♪
26:37 - 26:42: ♪ You're gonna be the one that saves me ♪
26:42 - 26:47: ♪ And after all ♪
26:47 - 26:52: ♪ You're my wonderwall ♪
26:52 - 26:55: You're losing 'em.
26:55 - 26:57: You're losing 'em.
26:57 - 26:59: Some of them, they're stepping outside.
26:59 - 27:02: Yeah, I guess this is a very basic observation,
27:02 - 27:03: but I never really thought about it,
27:03 - 27:06: that traditional folk music,
27:06 - 27:11: at least the Anglo-Gaelic, Anglo-Celtic tradition
27:11 - 27:13: that filtered into America,
27:13 - 27:15: they never say "U," right?
27:15 - 27:18: I mean, I'm not an expert in that field of music,
27:18 - 27:21: but it rings true.
27:21 - 27:22: You're singing third person,
27:22 - 27:24: and you're singing first person.
27:24 - 27:26: No, you could sing-- you could say first person.
27:26 - 27:28: There might be like, "I did this, I did that."
27:28 - 27:29: Yeah.
27:29 - 27:30: Like--
27:30 - 27:31: "I killed my brother."
27:31 - 27:32: Right.
27:32 - 27:33: You could tell everybody, "This is your song."
27:33 - 27:35: No, it's very 20th century.
27:35 - 27:37: It'd probably make people very uncomfortable
27:37 - 27:39: that you just start talking about you.
27:39 - 27:42: ♪ You got a lot of nerve ♪
27:42 - 27:44: ♪ To say you are my friend ♪
27:44 - 27:46: Were they saying "thou"?
27:46 - 27:48: Would they be doing "thou"? "Thy"?
27:48 - 27:49: "Thine"?
27:49 - 27:50: Were they doing "thine" back then?
27:50 - 27:51: Well, it may be in--
27:51 - 27:54: ♪ Thine my wonderwall ♪
27:54 - 27:55: I mean, maybe I'm wrong.
27:55 - 27:56: I could very well be wrong.
27:56 - 27:57: A lot of like--
27:57 - 27:58: I mean, it's a different--
27:58 - 27:59: a whole different medium,
27:59 - 28:02: but a lot of the Shakespearean sonnets,
28:02 - 28:05: as I recall from my studies,
28:05 - 28:07: are directed to you.
28:07 - 28:09: A lot of times he's talking about
28:09 - 28:11: this and that about you.
28:11 - 28:12: Here's a time for--
28:12 - 28:13: Can you get a number--
28:13 - 28:15: Can you read one of the Shakespeare sonnets?
28:15 - 28:19: Maybe, um, 21 and 47.
28:19 - 28:22: I don't think we've gotten into Shakespeare on the show yet.
28:22 - 28:24: Very little Shakespeare discussion.
28:24 - 28:25: You a fan, Jake?
28:25 - 28:26: Not really.
28:26 - 28:28: See, that one I could see going either way with you.
28:28 - 28:30: Similar to like the David being like--
28:30 - 28:32: I'm gonna call for the greatest work of art.
28:32 - 28:34: Like, I could either see you just being like,
28:34 - 28:36: "Yeah, I was never really feeling that in high school.
28:36 - 28:37: I never really followed up."
28:37 - 28:39: Or you could just be like--
28:39 - 28:40: It's a foundation of storytelling.
28:40 - 28:42: Foundation of storytelling.
28:42 - 28:44: My top five works of dramatic art?
28:44 - 28:46: Three out of the five Shakespeare plays.
28:46 - 28:47: Like, damn, Jake!
28:47 - 28:49: "Hamlet," "Othello," "Macbeth."
28:49 - 28:51: I mean, top that. Top that.
28:51 - 28:53: Number four is "Big Lebowski."
28:53 - 28:55: Number five, "Pulp Fiction."
28:55 - 28:56: All right, Jake.
28:56 - 28:58: Shall I compare thee to--
28:58 - 28:59: "A Summer's Day."
28:59 - 29:00: Oh, yeah.
29:00 - 29:02: Thou art more lovely--
29:02 - 29:04: Than a rose bouquet.
29:04 - 29:05: That's cool.
29:05 - 29:06: Close.
29:06 - 29:08: And more temperate.
29:08 - 29:10: I mean, there's some "thee" and "thou."
29:10 - 29:11: Yeah, right.
29:11 - 29:13: A lot of those are directed towards--
29:13 - 29:14: Thou my wonder wall.
29:14 - 29:17: [laughter]
29:17 - 29:20: No, I'm an idiot with stuff,
29:20 - 29:22: so I can't read Shakespeare.
29:22 - 29:26: Like, the English language is mutated too far
29:26 - 29:28: from where he was at.
29:28 - 29:29: Oh, yeah.
29:29 - 29:31: 500 years ago. I just can't follow it.
29:31 - 29:32: Of course you're not alone.
29:32 - 29:34: Obviously, as a guy that created
29:34 - 29:36: all these classic plot archetypes,
29:36 - 29:38: you gotta give it up.
29:38 - 29:39: Right.
29:39 - 29:41: But if I see a production--
29:41 - 29:42: It's probably the same way you feel
29:42 - 29:43: about Woody Guthrie.
29:43 - 29:45: A little bit. I'm not throwing on the Woody.
29:45 - 29:47: I'm not throwing on Woody at the studio, man.
29:47 - 29:49: What are your thoughts on the Baz Luhrmann
29:49 - 29:50: "Romeo and Juliet"?
29:50 - 29:51: You throwing that on?
29:51 - 29:52: Not a fan of Baz.
29:52 - 29:53: Okay.
29:53 - 29:54: Hannah's a big fan of that.
29:54 - 29:55: Elvis?
29:55 - 29:57: Did you ever see Elvis?
29:57 - 29:59: A good chunk of it.
29:59 - 30:01: Shout out to Austin Butler,
30:01 - 30:02: friend of the show, because--
30:02 - 30:04: Is he a friend of the show?
30:04 - 30:05: No, but we've talked about him.
30:05 - 30:06: Oh, we have talked about him.
30:06 - 30:08: I like you're like, "Dude, did he call in?"
30:08 - 30:10: I could be led to believe he'd been on the show once.
30:10 - 30:12: No, I mean, his performances.
30:12 - 30:13: He's a great actor.
30:13 - 30:15: The first scene where you see him play,
30:15 - 30:18: the movie really did viscerally represent
30:18 - 30:20: how shocking and exciting that music
30:20 - 30:22: would have been at the time
30:22 - 30:24: for the teen audiences.
30:24 - 30:25: Yeah.
30:25 - 30:26: Which is such a cliche that we've seen
30:26 - 30:28: so many times.
30:28 - 30:30: So it is like a testament to the movie
30:30 - 30:33: that I kind of got excited watching
30:33 - 30:35: the musical portions.
30:35 - 30:37: I just didn't like all the stylistic
30:37 - 30:38: kind of window dressing.
30:38 - 30:39: Did you watch it?
30:39 - 30:41: I watched it, and yeah, it's insane,
30:41 - 30:43: but it's also kind of good.
30:43 - 30:44: I want to get to the--
30:44 - 30:46: I should just go back to it
30:46 - 30:49: and get to the Elvis in Vegas period.
30:49 - 30:51: My favorite Elvis period.
30:51 - 30:53: Elvis crushed it in Vegas.
30:53 - 30:55: I've watched the videos of him many times.
30:55 - 30:57: They're super tight.
30:57 - 30:59: Those shows would have been sick.
30:59 - 31:01: And you got to sit down.
31:01 - 31:03: It's kind of cool that there's a trend
31:03 - 31:05: back towards the--
31:05 - 31:06: Seated?
31:06 - 31:07: Well, actually, what's going on
31:07 - 31:09: at these residencies in Vegas
31:09 - 31:13: when you go see Katy Perry or Adele?
31:13 - 31:15: Are you seated and you're ordering
31:15 - 31:18: lobster Thermidor and stuff to your table?
31:18 - 31:19: No.
31:19 - 31:21: But I think it's--but it's seated.
31:21 - 31:23: Not table service.
31:23 - 31:25: But seated the way an arena show is seated
31:25 - 31:27: and everybody stands up the whole time.
31:27 - 31:28: A theater show.
31:28 - 31:30: I mean, from anything I've seen in Vegas
31:30 - 31:31: and these shows, I think--
31:31 - 31:32: What have you seen?
31:32 - 31:34: Shania Twain or something?
31:34 - 31:35: Did you see Morrissey?
31:35 - 31:36: Saw Morrissey.
31:36 - 31:38: That's at Caesar's Theater.
31:38 - 31:39: Any of the elegant--
31:39 - 31:41: No, but that's not a residency.
31:41 - 31:42: He was just on tour, right?
31:42 - 31:43: He did a couple days,
31:43 - 31:44: but the long residencies, I think,
31:44 - 31:46: are in theaters that are already built.
31:46 - 31:48: That sort of coppa, whatever idea
31:48 - 31:50: that we have of the elegance of old--
31:50 - 31:52: you know, where everyone's at the tables.
31:52 - 31:53: The 50s, like Copacabana.
31:53 - 31:54: I just don't think--
31:54 - 31:56: Billy Rose's magic horseshoe.
31:56 - 31:59: My guess is that it's to pack--
31:59 - 32:00: it's a numbers game.
32:00 - 32:02: It's just to make as much money as possible
32:02 - 32:03: to make these affordable.
32:03 - 32:04: In Vegas?
32:04 - 32:05: Yeah.
32:05 - 32:07: [laughs]
32:07 - 32:08: No, but you know what I mean?
32:08 - 32:10: That there's this idea of having a table
32:10 - 32:11: where you got your six people
32:11 - 32:12: and then over there, it's like,
32:12 - 32:13: no, they've just packed it in.
32:13 - 32:14: No, and that is what's funny.
32:14 - 32:16: When you see the actual footage
32:16 - 32:17: of Elvis performing,
32:17 - 32:20: or even in the movie, the recreation,
32:20 - 32:22: there is something about watching
32:22 - 32:25: the biggest artist on the planet,
32:25 - 32:28: one of the most famous people on the planet,
32:28 - 32:32: performing, and rather than looking out
32:32 - 32:35: and just seeing a stadium or an arena,
32:35 - 32:38: you see some older people
32:38 - 32:39: just sitting at a table
32:39 - 32:40: with food in front of them.
32:40 - 32:41: Yeah.
32:41 - 32:42: Lobster.
32:42 - 32:44: Yeah, The Weeknd's not doing that,
32:44 - 32:47: but it is such a better way to enjoy a show.
32:47 - 32:48: Yeah, it also feels like--
32:48 - 32:50: You're packing way less bodies in the room.
32:50 - 32:51: Yeah.
32:51 - 32:52: I mean, I think we've talked about
32:52 - 32:53: going to the Usher residency.
32:53 - 32:54: Yeah, that's probably just,
32:54 - 32:56: you're just standing up.
32:56 - 32:58: Or you're seated in a theater,
32:58 - 32:59: but how great would it be if, yeah,
32:59 - 33:01: you were able to order a steak,
33:01 - 33:03: loaded potato, baked potato.
33:03 - 33:04: Now I'm interested.
33:04 - 33:05: And you're watching Usher.
33:05 - 33:06: Yeah, see, also,
33:06 - 33:08: and the nature of the show is different,
33:08 - 33:10: because I've heard the Usher show is great,
33:10 - 33:14: but it's kind of like an arena-level spectacle
33:14 - 33:15: with dancing and stuff.
33:15 - 33:17: I'm sure he's such a charismatic guy.
33:17 - 33:19: I'm sure he probably talks to the audience
33:19 - 33:21: a little bit, but back then,
33:21 - 33:23: it probably was such a treat
33:23 - 33:24: that suddenly here you are.
33:24 - 33:26: You got a fully loaded baked potato,
33:26 - 33:28: lobster steak in front of you.
33:28 - 33:31: You're on your third martini with the missus.
33:31 - 33:32: Hide of the empire.
33:32 - 33:33: Having a great time.
33:33 - 33:34: And Elvis is there,
33:34 - 33:35: and he's just kind of like looking around.
33:35 - 33:38: He probably was making small talk with everybody.
33:38 - 33:39: You know?
33:39 - 33:40: It's the same when you see--
33:40 - 33:41: It's intimate.
33:41 - 33:42: It's the same when you see old pan and--
33:42 - 33:43: And I think also the lights were on, too.
33:43 - 33:44: I get that impression, too.
33:44 - 33:45: It wasn't that dark in the room.
33:45 - 33:46: Bright room.
33:46 - 33:47: Yeah, you know, you guys know,
33:47 - 33:50: I saw David Blaine in Vegas not so long ago.
33:50 - 33:51: Great show.
33:51 - 33:52: But if you had been at a table--
33:52 - 33:53: Amazing magician.
33:54 - 33:56: I mean, truly magical.
33:56 - 33:58: He would walk through the audience.
33:58 - 33:59: But you're in little seats.
33:59 - 34:00: You're in a stadium.
34:00 - 34:01: It's a theater situation.
34:01 - 34:03: He's going up and trying to do magic with you
34:03 - 34:04: and walk through the seating.
34:04 - 34:05: And if you were at a table,
34:05 - 34:07: and he's walking through the tables
34:07 - 34:08: and able to talk to people.
34:08 - 34:09: You know, when you see Sinatra,
34:09 - 34:12: and he walks down, he's able to lean in.
34:12 - 34:14: Any of that magic's gone.
34:14 - 34:16: Can you order a drink?
34:16 - 34:17: No, outside.
34:17 - 34:19: You have to get up and go to the bar.
34:19 - 34:20: Yeah.
34:20 - 34:21: You know, it's the same thing when you see the old,
34:21 - 34:23: you know, how you used to fly.
34:23 - 34:26: Pan Am, you know, where you'd see people at tables.
34:26 - 34:27: Right.
34:27 - 34:29: You know, and they're smoking a cigarette at a table.
34:29 - 34:30: Right.
34:30 - 34:33: With, you know, someone coming and bringing them a martini.
34:33 - 34:35: Those tables became four chairs.
34:35 - 34:38: Can you order martinis on planes still?
34:38 - 34:39: Like, if you're flying first class?
34:39 - 34:40: Do they have a--
34:40 - 34:43: I mean, obviously, you can order booze on a plane.
34:43 - 34:44: They're not mixing any drinks for you.
34:44 - 34:47: Even first class on a U.S. airline,
34:47 - 34:49: if they make you a martini,
34:49 - 34:51: you're definitely going to be drinking out of, like,
34:51 - 34:53: one of those little ridged plastic cups.
34:53 - 34:54: Right.
34:54 - 34:56: Delta does espresso martinis.
34:56 - 34:58: Are you into those?
34:58 - 34:59: I'm not a martini guy.
34:59 - 35:01: Oh.
35:01 - 35:02: A little too hard for me.
35:02 - 35:05: Doesn't an espresso martini count as, like, a legit martini,
35:05 - 35:07: or is that, like, a newfangled?
35:07 - 35:09: Sounds pretty newfangled.
35:09 - 35:11: No, but some people are very into them.
35:11 - 35:13: They really wake you up.
35:13 - 35:15: Wow, this is a real soft show so far,
35:15 - 35:18: but covering some interesting stuff.
35:18 - 35:21: Matt texted saying that the Percy song
35:21 - 35:23: was probably one of our best flights of fancy.
35:23 - 35:24: Oh, good.
35:24 - 35:27: Oh, yeah, no, I like the oasis in the bar.
35:27 - 35:30: We went off the rails with the Vegas stuff, Matt, so just--
35:30 - 35:32: Hey, you know one thing that gave me pause?
35:32 - 35:33: Banshees?
35:33 - 35:35: That's set in 1920?
35:35 - 35:36: I think so.
35:36 - 35:37: I thought that was modern day.
35:37 - 35:38: Yes, we talked about this.
35:38 - 35:39: Did we?
35:39 - 35:40: Oh, yeah, no, no.
35:40 - 35:42: Multiple people have said that to me.
35:42 - 35:43: That's what's cool about it.
35:43 - 35:45: It feels contemporary or timeless.
35:45 - 35:47: Timeless is a better way to put it.
35:47 - 35:49: Oh, yeah, I think that's also because--
35:49 - 35:52: well, we'd have to ask a rural Irish person.
35:52 - 35:55: I feel like not all the language was period.
35:55 - 35:58: They would say a couple things that are just kind of like--
35:58 - 35:59: Well, they're referencing--
35:59 - 36:01: there's, like, an Irish Civil War happening,
36:01 - 36:03: and there's a few shots of the calendar,
36:03 - 36:05: and it says 1923 or something.
36:05 - 36:07: I just Googled it. It's 1923.
36:07 - 36:09: A hundred years ago just blows my mind.
36:09 - 36:10: That's really cool.
36:10 - 36:13: Until you see the calendar in Colin Farrell's house,
36:13 - 36:14: you don't realize.
36:14 - 36:16: It is funny that multiple people have that feeling
36:16 - 36:19: because there's absolutely nothing that makes it present day.
36:19 - 36:21: Yeah, it's kind of obvious when you think about it.
36:21 - 36:22: Like the donkey.
36:22 - 36:24: That must have been deliberate, I would think,
36:24 - 36:26: on the director's part.
36:26 - 36:28: Or I think what Ezra was about to point out
36:28 - 36:30: was maybe our ignorance.
36:30 - 36:31: You know, you watch this.
36:31 - 36:33: You're looking at Ireland, and you're going,
36:33 - 36:34: "Oh, small town.
36:34 - 36:36: They probably don't have Wi-Fi.
36:36 - 36:37: They probably still use donkeys."
36:37 - 36:39: I mean, if you-- I'm watching that movie.
36:39 - 36:41: If I'm watching that movie,
36:41 - 36:43: and I'm thinking it's 2023, I'm like,
36:43 - 36:46: "Of course they have Wi-Fi, and they have phones,
36:46 - 36:49: but, like, they're not on them in the pub."
36:49 - 36:51: No, they might be in the pub,
36:51 - 36:54: and they probably have, like, a digital jukebox
36:54 - 36:56: blasting Ariana Grande.
36:56 - 36:58: Yes, in reality--
36:58 - 37:00: After the first 20 minutes of that movie,
37:00 - 37:01: they go into the pub.
37:01 - 37:03: You think it's, you know--
37:03 - 37:05: and then they go in, and they play Ariana Grande
37:05 - 37:07: on the digital jukebox.
37:08 - 37:12: ♪ Breakfast at Tiffany's and bottles of bubbles ♪
37:12 - 37:15: ♪ Girls with tattoos who like getting in trouble ♪
37:15 - 37:19: ♪ Lashes and diamonds, ATM machines ♪
37:19 - 37:22: ♪ Buy myself all of my favorite things ♪
37:22 - 37:26: ♪ Been through some bad, but I should be a savage ♪
37:26 - 37:29: ♪ Who would've thought it'd turn me to a savage ♪
37:29 - 37:32: ♪ Rather be tied up with calls and not strings ♪
37:32 - 37:36: ♪ Write my own checks like I write what I sing ♪
37:36 - 37:39: ♪ I'm a mess, stop watching, my neck is frozen ♪
37:39 - 37:42: ♪ Make big deposits, my gloss is proper ♪
37:42 - 37:46: ♪ You like my hair? Gee, thanks, just rub it ♪
37:46 - 37:49: ♪ I see it, I like it, I want it, I got it ♪
37:49 - 37:51: I guess also some of the--
37:51 - 37:53: I feel like they're always, like, trudging back and forth
37:53 - 37:56: to the pub and, like, seeing who's there.
37:56 - 37:58: There would've been a little more texting.
37:58 - 38:01: I feel like their pub day started pretty early,
38:01 - 38:03: like at, like, two or three.
38:03 - 38:04: Yeah, I think that's how it used to be.
38:04 - 38:07: So they, like, work from, like, 5.30 to, like--
38:07 - 38:10: I feel like they were, like, settling in at the bar at, like, three.
38:10 - 38:12: But then the night's over at, like, eight.
38:12 - 38:13: Right.
38:13 - 38:14: You're getting up at five.
38:14 - 38:15: Then you wake up with the dawn.
38:15 - 38:16: Yeah.
38:16 - 38:18: Yeah, but there would've been a lot more texting.
38:18 - 38:20: If that took place in present day, they'd just be like--
38:20 - 38:21: "Bro, where you at?"
38:21 - 38:24: Yeah, Colin Farrell looking out at the sea,
38:24 - 38:27: and then just, like, overlaid on his face would be, like, the text.
38:27 - 38:30: Just, like, him just, like, "For real?
38:30 - 38:32: We're seriously not friends anymore?"
38:32 - 38:33: "Dude, are we good?"
38:33 - 38:35: And then you just, like, see that other dude, like,
38:35 - 38:37: the Brendan Gleeson, the "pop, pop, pop."
38:37 - 38:39: Then he doesn't actually write anything.
38:39 - 38:42: "If you talk to me, I'm going to chop my finger off."
38:42 - 38:43: And then it's, like--
38:43 - 38:44: LOL.
38:44 - 38:47: It's an iPhone pic with, like, the finger chopped off.
38:47 - 38:49: That's the reveal.
38:49 - 38:51: Instead of passing each other on the trail
38:51 - 38:54: with his bloody stump dripping,
38:54 - 38:56: you just hear, like, "Whoop."
38:56 - 38:57: [laughter]
38:57 - 38:58: "Whoosh."
38:58 - 39:00: That's a cool idea because so many people clearly--
39:00 - 39:03: there's a deep desire that "Fancies of Innocent"
39:03 - 39:05: take place in modern day.
39:05 - 39:08: What if we do a version of it where it's entirely on screens?
39:08 - 39:09: One of those movies.
39:09 - 39:12: Oh, like, one of those, like, they're trying to find, like,
39:12 - 39:13: the daughter gets kidnapped or something?
39:13 - 39:14: Yeah, there's ones like that.
39:14 - 39:16: I've seen some horror movies like that.
39:16 - 39:20: And, yeah, nobody actually, like, lives together.
39:20 - 39:23: A lot of it takes place in a Discord server.
39:23 - 39:26: That's nice, the entire movie.
39:26 - 39:27: Yeah.
39:27 - 39:29: What's nice about that is it would be a much shorter film.
39:29 - 39:31: It would be, like, a 20-minute film
39:31 - 39:33: because all the walking would be eliminated
39:33 - 39:35: and conversations would get, like, collapsed.
39:35 - 39:37: Yeah, enough of these long--
39:37 - 39:39: and these shots of quaint little--
39:39 - 39:41: No beautiful landscapes.
39:41 - 39:43: Don't need any of that.
39:43 - 39:44: More efficient.
39:44 - 39:45: That's a cool movie.
39:45 - 39:48: It's about a friendship that falls apart
39:48 - 39:50: because one guy's self-harming,
39:50 - 39:52: and it's just called "Discord."
39:52 - 39:55: Fully takes place on a Discord server.
39:55 - 39:56: In rural Ireland.
39:57 - 40:00: Yeah, maybe they have a Discord server just for the island.
40:00 - 40:01: Everybody gets on it.
40:01 - 40:03: It's a lot of gossip and stuff,
40:03 - 40:05: and there's probably, like, some sidebars,
40:05 - 40:07: and there could be a little bit of FaceTiming.
40:07 - 40:08: You could see the pastoral images.
40:08 - 40:09: It's on a Slack channel.
40:09 - 40:10: Oh, yeah.
40:10 - 40:13: The pastoral images are, like, screensavers and stuff.
40:13 - 40:15: Like, you could still catch some of that, like--
40:15 - 40:16: Good stuff.
40:16 - 40:18: We just started to start a company
40:18 - 40:20: that really cheaply produces movies
40:20 - 40:23: for people who hate things that are set in the past.
40:23 - 40:25: We're just constantly banging it out and just, like--
40:25 - 40:26: We just hire--
40:26 - 40:28: We probably just use AI at this point.
40:28 - 40:29: Just, like, we're bus--
40:29 - 40:31: Just, like, rewrite the script for "Banshees of Innistrand,"
40:31 - 40:35: but it totally takes place on a Slack channel.
40:35 - 40:37: It's called "Banshees of Something."
40:37 - 40:38: Can you see if you can do that right now?
40:38 - 40:40: I was just about to, yeah.
40:40 - 40:42: Sometimes you meet people who--
40:42 - 40:43: I've definitely met people who are just like,
40:43 - 40:45: "I don't like old movies."
40:45 - 40:46: Like, "Really? Where do you tap out?"
40:46 - 40:48: Like, "Mm, early 2000s."
40:48 - 40:49: I've met people like that.
40:49 - 40:50: Oh, wow.
40:50 - 40:53: I tap out a little bit, like, in the '60s.
40:53 - 40:55: Like, I have trouble watching movies
40:55 - 40:57: from the '50s and earlier.
40:57 - 40:59: But '70s, you're psyched?
40:59 - 41:00: Oh, I'm all in.
41:00 - 41:01: In '60s, I'm in.
41:01 - 41:03: The tasteful palate of the 1970s cinema?
41:03 - 41:04: Of course.
41:04 - 41:06: Some '50s stuff I'll get into.
41:06 - 41:08: Pre-World War II is tough.
41:08 - 41:10: That's a different America.
41:10 - 41:11: Silent era?
41:11 - 41:13: Well, I've never seen a silent film.
41:13 - 41:14: I have no interest.
41:14 - 41:15: In your whole life?
41:15 - 41:16: Well, you know, one funny thing--
41:16 - 41:18: They're not actually silent.
41:18 - 41:19: They always have somebody playing
41:19 - 41:21: some kind of depressing piano music.
41:21 - 41:23: [Hums "Silent Night"]
41:23 - 41:24: Yeah.
41:24 - 41:26: You never watched a Charlie Chaplin movie?
41:26 - 41:27: No.
41:27 - 41:28: Never?
41:28 - 41:29: No.
41:29 - 41:30: In your life?
41:30 - 41:31: Not interested.
41:31 - 41:32: Have you guys?
41:32 - 41:33: Yes.
41:33 - 41:34: No.
41:34 - 41:35: You've never seen a Charlie Chaplin film?
41:35 - 41:36: Where have you watched it?
41:36 - 41:37: I mean--
41:37 - 41:38: Just looking at your house
41:38 - 41:39: with, like, your parents when you were a kid?
41:39 - 41:42: I threw one on for my son, like, a month ago.
41:42 - 41:43: Really?
41:43 - 41:44: The Great Dictator.
41:44 - 41:46: Yeah, it was The Great Dictator.
41:46 - 41:48: No, I think I threw it on Modern Times.
41:48 - 41:50: I have-- I had a vague memory.
41:50 - 41:52: I was just getting, like, a little bit fed up
41:52 - 41:54: with, like, some of the junk
41:54 - 41:56: that clogs up the streamers.
41:56 - 41:57: No disrespect to the people
41:57 - 41:58: making great children's programming,
41:58 - 41:59: of which there's plenty,
41:59 - 42:01: but sometimes when you're going through
42:01 - 42:03: the various streamers,
42:03 - 42:05: and you're on, like, kids,
42:05 - 42:06: there are all these, like, brightly colored ones,
42:06 - 42:07: and you watch--
42:07 - 42:08: And some of those look like--
42:08 - 42:09: And then you throw it on,
42:09 - 42:11: and you're like, "Oh, this looks cool,"
42:11 - 42:13: or, like, your kid wants to watch it,
42:13 - 42:14: and you're watching, and you're like,
42:14 - 42:16: "This is written by AI.
42:16 - 42:17: This is nonsensical.
42:17 - 42:19: Nobody put any time into this.
42:19 - 42:20: Looks like sh--."
42:20 - 42:21: And there are these shows
42:21 - 42:23: that a lot of people love now,
42:23 - 42:24: like Bluey.
42:24 - 42:25: I don't know if you're aware of this one, Jake.
42:25 - 42:26: Heard of it. Heard of it.
42:26 - 42:27: It's an Australian show,
42:27 - 42:28: and you can tell that the people
42:28 - 42:31: who make it care about--
42:31 - 42:32: I don't know, what do you--
42:32 - 42:34: Like, the interior world of children
42:34 - 42:35: or what matters to them,
42:35 - 42:37: and they built their whole world
42:37 - 42:39: of what Australia would look like
42:39 - 42:42: if it was run by humanoid dogs.
42:42 - 42:44: They put thought and feeling into it.
42:44 - 42:45: But so anyway, it was like
42:45 - 42:46: we were, like, watching some junk,
42:46 - 42:47: and I was like, "Oh, God,"
42:47 - 42:49: and I was just like, "Enough of this
42:49 - 42:51: endless cartoons kind of thing."
42:51 - 42:52: And I had the vague memory
42:52 - 42:54: that when I was a teacher,
42:54 - 42:57: somebody told me to, for some lesson,
42:57 - 42:59: "Oh, you should show them Charlie Chaplin."
42:59 - 43:00: And I really remember this
43:00 - 43:01: throwing--
43:01 - 43:02: For my eighth-grade class,
43:02 - 43:05: when I was a teacher in Bed-Stuy, Brooklyn,
43:05 - 43:06: almost none of the kids
43:06 - 43:07: seemed to have much awareness
43:07 - 43:08: of Charlie Chaplin,
43:08 - 43:09: and I remember, like,
43:09 - 43:10: throwing on one of those movies,
43:10 - 43:12: and everybody was loving it.
43:12 - 43:14: Wow. Okay. I'm interested.
43:14 - 43:15: Charlie Chaplin movies
43:15 - 43:16: are pretty watchable.
43:16 - 43:17: So anyway, I had a feeling,
43:17 - 43:18: I was like, I kind of remember,
43:18 - 43:20: like, the eighth graders liking it,
43:20 - 43:22: well, like, a little kid like it,
43:22 - 43:26: and the beginning of modern times
43:26 - 43:28: is he's working in a factory.
43:28 - 43:30: It's just, like, full of hijinks.
43:30 - 43:33: ♪ Don't be city lights ♪
43:33 - 43:36: ♪ Life is street to life ♪
43:36 - 43:39: ♪ Mouth is crazy nice ♪
43:39 - 43:42: ♪ Bring us together ♪
43:42 - 43:45: ♪ In a rainy day ♪
43:45 - 43:49: ♪ You can dance your blues away ♪
43:49 - 43:52: ♪ Don't be city lights ♪
43:52 - 43:55: ♪ Bring us together ♪
43:55 - 43:58: ♪ Charlie Chaplin's kid ♪
43:58 - 44:01: ♪ Well, it flicked away in the rain ♪
44:01 - 44:04: ♪ Things weren't quite the same ♪
44:04 - 44:07: ♪ After he came here ♪
44:07 - 44:10: ♪ But then when he left ♪
44:10 - 44:13: ♪ Upon our own request ♪
44:13 - 44:16: ♪ Things weren't quite the same ♪
44:16 - 44:19: ♪ After he came here ♪
44:19 - 44:20: I just got to know,
44:20 - 44:22: were you able to have AI rated Banshees
44:22 - 44:24: done in the Slack channel?
44:24 - 44:25: I'm not super impressed
44:25 - 44:27: with what they're delivering.
44:27 - 44:28: Shocker.
44:28 - 44:29: I'll tell you.
44:29 - 44:30: It's kind of wordy,
44:30 - 44:31: so what I'll tell you is basically
44:31 - 44:33: they've reset it in 2023
44:33 - 44:34: where the lead characters,
44:34 - 44:37: Padraic and Calm, have grown apart.
44:37 - 44:39: One of them moved to the city
44:39 - 44:41: to pursue a career in finance
44:41 - 44:43: and the other stayed on the island
44:43 - 44:44: in the fishing industry.
44:44 - 44:45: So far, so good.
44:45 - 44:46: And then it's sort of like
44:46 - 44:48: very clunkily frozen.
44:48 - 44:49: Despite their distance,
44:49 - 44:51: the two characters remain in touch
44:51 - 44:53: through communication tools
44:53 - 44:55: like iPhone, Slack, text messages,
44:55 - 44:57: emails, and Discord forums.
44:57 - 45:00: And then one of them returns
45:00 - 45:01: to whoever returns to the island
45:01 - 45:04: and then the one feels too modern
45:04 - 45:05: and so they reconnect.
45:05 - 45:07: They reconcile their differences.
45:07 - 45:08: It's not great.
45:08 - 45:09: Here's what I'll say.
45:09 - 45:10: It's not great.
45:10 - 45:11: You know, I trust everybody
45:11 - 45:13: who says that AI technology
45:13 - 45:15: is reaching this tipping point
45:15 - 45:17: and soon we're not going to recognize
45:17 - 45:19: the world we live in.
45:19 - 45:21: But when you see all this stuff,
45:21 - 45:23: so often when people have any kind of,
45:23 - 45:25: I hear people doing any kind of
45:25 - 45:28: sophisticated idea like that
45:28 - 45:30: for Chat GPT,
45:30 - 45:32: it often seems like it just repeats back at you
45:32 - 45:33: a longer version.
45:33 - 45:35: It kind of seems like a kid writing,
45:35 - 45:36: where you're like,
45:36 - 45:38: "Your assignment is to write a version
45:38 - 45:39: of Banshees of Innistrand,
45:39 - 45:42: but it all takes place on a Slack server."
45:42 - 45:43: And it's like,
45:43 - 45:45: "The film Banshees of Innistrand
45:45 - 45:46: takes place in Ireland,
45:46 - 45:50: a gorgeous country across the Irish Sea
45:50 - 45:52: from the other country, England.
45:52 - 45:55: In this film, we will have our characters
45:55 - 45:57: be communicating primarily through
45:57 - 45:58: the wonderful world of Slack."
45:58 - 45:59: What is Slack?
45:59 - 46:00: Just like describing what you said
46:00 - 46:01: in a longer way.
46:01 - 46:02: You are right,
46:02 - 46:04: except you're not giving this AI credit.
46:04 - 46:07: Banshees takes place now
46:07 - 46:10: with one of the guys moving to the big city
46:10 - 46:12: to take a job in finance,
46:12 - 46:13: and then when he comes back home,
46:13 - 46:16: they fight because one of them is too modern.
46:16 - 46:17: That is great.
46:17 - 46:18: Yeah, you're right.
46:18 - 46:19: That is pretty good.
46:19 - 46:21: Like he's become alienated
46:21 - 46:24: because he's in the financial fintech world.
46:24 - 46:26: Jake's not sold.
46:26 - 46:27: No, I agree.
46:27 - 46:28: I think that people are
46:28 - 46:30: shitting their pants over Chat GPT.
46:30 - 46:31: I'm just like, "Why?"
46:31 - 46:34: It's just literally just like taking snippets
46:34 - 46:36: from other texts and just kind of like
46:36 - 46:37: recontextualizing them.
46:37 - 46:39: I guess because they see the...
46:39 - 46:40: There's no thought.
46:40 - 46:42: I guess the people who really know about this stuff,
46:42 - 46:43: they know the growth rate.
46:43 - 46:44: Right.
46:44 - 46:46: So we're seeing this like cheap version
46:46 - 46:47: for everybody to use,
46:47 - 46:49: and maybe they're more familiar with
46:49 - 46:51: how quickly it's growing,
46:51 - 46:53: so they can see how, you know,
46:53 - 46:54: today it's like that,
46:54 - 46:56: next year it's writing, you know,
46:56 - 46:59: pitch perfect Fairport Convention songs.
46:59 - 47:02: I've had a few people over the last few months
47:02 - 47:05: send me like Vampire Weekend lyrics,
47:05 - 47:07: and I've been very unimpressed.
47:07 - 47:08: And not even unimpressed,
47:08 - 47:10: but also just a tiny bit hurt
47:10 - 47:12: because clearly there's not enough
47:12 - 47:14: discussion on the internet about
47:14 - 47:16: what makes Vampire Weekend lyrics
47:16 - 47:19: remotely notable because they're so boring.
47:19 - 47:20: It's not even like I hear it,
47:20 - 47:22: I'm just like, "No, this sounds more like
47:22 - 47:23: Jonathan Richman."
47:23 - 47:24: It's not even like that.
47:24 - 47:26: It's just like very generic.
47:26 - 47:28: Okay, I guess we got to do this.
47:28 - 47:32: Seinfeld, ask it to do a Vampire Weekend song
47:32 - 47:34: about Banshees of Innistrand.
47:34 - 47:35: About Banshees of Innistrand,
47:35 - 47:36: although that's already giving it a...
47:36 - 47:37: That's too weird.
47:37 - 47:38: It's giving it a leg up
47:38 - 47:39: because Banshees of Innistrand is like
47:39 - 47:40: an interesting film.
47:40 - 47:41: Like about summer?
47:41 - 47:42: A Vampire Weekend song about summer.
47:42 - 47:43: Yeah, great, great call.
47:43 - 47:44: Verse one,
47:44 - 47:46: "The summer sun is shining bright."
47:46 - 47:48: Actually, maybe you should read this.
47:48 - 47:49: Okay.
47:49 - 47:51: It's your In the Band Vampire Weekend.
47:51 - 47:53: "The summer sun is shining bright.
47:53 - 47:55: The waves are crashing at our feet.
47:55 - 47:57: We're sipping on our drinks and living life.
47:57 - 47:59: As we soak up the summer heat."
47:59 - 48:01: Sounds like a Katy Perry song.
48:01 - 48:02: Not a Vampire Weekend song.
48:02 - 48:05: Not even one of the great Katy Perry songs.
48:05 - 48:07: Chorus, "Summer, oh summer,
48:07 - 48:08: the season of love and light.
48:08 - 48:12: We dance under the stars as the moon rises high."
48:12 - 48:13: Verse two,
48:13 - 48:16: "We'll ride our bikes down to the shore.
48:16 - 48:19: Our skin kissed by the salty breeze.
48:19 - 48:23: We'll make memories that will last forever more."
48:23 - 48:24: I mean...
48:24 - 48:26: This would be great for writing Hallmark cards.
48:26 - 48:28: "As we take in the sights and sounds with ease.
48:28 - 48:29: Summer, oh summer,
48:29 - 48:30: the season of love and light.
48:30 - 48:33: We dance under the stars as the moon rises high.
48:33 - 48:34: The firefly..."
48:34 - 48:35: This is the bridge.
48:35 - 48:37: I like that they made a bridge.
48:37 - 48:39: "The fireflies light up the night
48:39 - 48:41: as we sing and dance with all our might.
48:41 - 48:44: Our hearts beat as one underneath the summer sun."
48:44 - 48:46: And then one more chorus.
48:46 - 48:47: I'm not even trying to say that
48:47 - 48:51: there's anything special about Vampire Weekend lyrics.
48:51 - 48:54: You could even hate Vampire Weekend lyrics, but like...
48:54 - 48:55: And Love Time Crisis.
48:55 - 48:57: You could hate Vampire Weekend and Love Time Crisis,
48:57 - 48:58: of which we know there's a few.
48:58 - 49:01: But if I made a totally neutral evaluation
49:01 - 49:03: of Vampire Weekend lyrics,
49:03 - 49:06: generally, even if somebody was doing a parody...
49:06 - 49:08: And in fact, I kind of remember, of course,
49:08 - 49:11: over the years I've come across somebody doing a parody
49:11 - 49:13: or in the early days of Twitter, whatever.
49:13 - 49:14: And when they would do parodies,
49:14 - 49:16: of course, the low-hanging fruit,
49:16 - 49:18: especially for early Vampire Weekend,
49:18 - 49:22: would just be these funny names,
49:22 - 49:24: these proper nouns.
49:24 - 49:27: The Oxford comma or Mansard roof
49:27 - 49:29: or Cape Cod, Quasiquas.
49:29 - 49:31: So even if people would make up...
49:31 - 49:33: Even if they hated Vampire Weekend
49:33 - 49:35: and they were just making up dumb Vampire Weekend lyrics,
49:35 - 49:38: they would probably call it like...
49:38 - 49:40: Something, I don't know, Palm Beach Fiesta.
49:40 - 49:43: Or like, you know, the lyrics would be,
49:43 - 49:45: "I tore my polo shirt."
49:45 - 49:47: And my brand new townhouse.
49:47 - 49:48: And my new townhouse.
49:48 - 49:51: Anyway, again, I'm not saying
49:51 - 49:52: our lyrics are anything special,
49:52 - 49:55: but it just feels like they didn't even try.
49:55 - 49:58: Do a Bob Dylan song about summer.
49:58 - 49:59: 'Cause you'd also imagine for Bob Dylan,
49:59 - 50:03: there's much more text on the internet about his lyrics.
50:03 - 50:05: He has more lyrics.
50:05 - 50:08: More discussion about his lyrics, more history.
50:08 - 50:09: Here we go.
50:09 - 50:11: All right, let's see. Maybe they can bring it for Bob.
50:11 - 50:14: The summer breeze is blowing strong.
50:14 - 50:15: All right, so far they're doing "blowing"
50:15 - 50:18: with the B-L-O-W-I-N apostrophe.
50:18 - 50:20: That's more Bob.
50:20 - 50:21: The summer breeze is blowing strong.
50:21 - 50:23: The trees are swaying to the song.
50:23 - 50:25: The sun is high up in the sky,
50:25 - 50:27: and everything just feels so right.
50:27 - 50:28: (imitates buzzer)
50:28 - 50:30: Feels so right?
50:30 - 50:31: Chorus.
50:31 - 50:34: Everything feels so right.
50:34 - 50:36: Summer days, they come and go,
50:36 - 50:37: but memories, they last forever more.
50:37 - 50:38: Come on!
50:38 - 50:41: Why do they gotta use "forever more"?
50:41 - 50:43: The warm sun upon my face
50:43 - 50:46: and the sweet smell of summer grace.
50:46 - 50:48: We take a walk down by the lake,
50:48 - 50:50: watch the boats sail and the ducks swim.
50:50 - 50:51: The laughter and the joy we share,
50:51 - 50:53: our memories will always hold dear.
50:53 - 50:55: See, in both songs, they're just taking the most
50:55 - 50:58: hackneyed summer...
50:58 - 51:00: -Imagery? -Imagery.
51:00 - 51:01: And they're not even differentiating.
51:01 - 51:03: It's total hallmark.
51:03 - 51:05: I like the line about the ducks.
51:05 - 51:08: Yeah, I mean, Bob would say something about ducks.
51:08 - 51:11: Okay, how about a Kendrick Lamar song about summer?
51:11 - 51:13: (laughter)
51:13 - 51:17: I'll die if he says "forever more."
51:17 - 51:20: Can we add a little bit of nuance to it?
51:20 - 51:22: Like something that happens in the summer?
51:22 - 51:24: No, no, first, just to do--
51:24 - 51:26: -Keep it consistent. -Just to keep it consistent.
51:26 - 51:28: -We're practicing science here. -All right, fair.
51:28 - 51:31: This is a Kendrick Lamar song about summer.
51:31 - 51:34: The sun is blazing, the block is hot.
51:34 - 51:36: (laughter)
51:36 - 51:39: Summer's here, and we're living nonstop.
51:39 - 51:42: Kids are playing in the fire hydrant,
51:42 - 51:44: barbecues, and the smell of the grill,
51:44 - 51:45: it's vibrant.
51:45 - 51:48: It's a vibrant urban community.
51:48 - 51:50: Actually, I could kind of hear the word "vibrant" in his voice.
51:50 - 51:53: Sure, you'd say "vibrant," but the computer is just like,
51:53 - 51:54: "This song is in a city."
51:54 - 51:55: And here's the chorus.
51:55 - 51:59: "Summertime and the living's easy," quote.
51:59 - 52:00: "Summertime and the living's easy,
52:00 - 52:03: "everybody's out here getting tipsy.
52:03 - 52:06: "We take it slow, we take it easy,
52:06 - 52:10: "living life like it's always been breezy."
52:10 - 52:14: Verse two, "Hit the beach, let your toes in the sand,
52:14 - 52:17: "got your girl by your side holding hands.
52:17 - 52:19: "Listen to the waves, let them soothe your mind.
52:19 - 52:22: "Sun kissed, feel like we're out of time."
52:22 - 52:24: There was something pretty subtle in there,
52:24 - 52:28: that specifically, "I got your girl holding hands."
52:28 - 52:30: Well, but he might be talking about you.
52:30 - 52:32: I don't know, that's like a pretty,
52:32 - 52:33: I don't know if it's Kendrick,
52:33 - 52:35: but that certainly feels like Drake.
52:35 - 52:36: You think he's stealing your girl?
52:36 - 52:37: He's like, "I stole your girl."
52:37 - 52:38: No, no, he's saying, 'cause he said,
52:38 - 52:40: "Hit the beach, let your toes in the sand,
52:40 - 52:41: "got your girl by your side holding hands."
52:41 - 52:42: Second Poe.
52:42 - 52:43: Yeah, he's talking about you.
52:43 - 52:45: He's talking about you and your wife, Nick.
52:45 - 52:46: Toes in the sand.
52:46 - 52:48: I guess I would say that this song,
52:48 - 52:50: their Kendrick Lamar song about summer,
52:50 - 52:53: is 10% more Kendrick Lamar than it is Bob Dylan,
52:53 - 52:55: if I had to compare them.
52:55 - 52:57: And one thing's for sure, is like,
52:57 - 52:59: forget about Vampire, Bob Dylan and Kendrick Lamar,
52:59 - 53:02: you'd think they'd be able to figure something out
53:02 - 53:04: that would be a tiny bit surprising,
53:04 - 53:07: the way that those artists are a tiny bit surprising.
53:07 - 53:10: Like, you know, that doesn't seem like
53:10 - 53:12: you need a supercomputer just to analyze
53:12 - 53:14: Bob Dylan lyrics and say, like,
53:14 - 53:17: he juxtaposes these types of images.
53:17 - 53:18: That's part of what makes Bob,
53:18 - 53:21: he would use a folkism and then maybe have
53:21 - 53:23: a line or a word you wouldn't expect,
53:23 - 53:26: or Kendrick Lamar might use a word you wouldn't expect.
53:26 - 53:28: There's none of that.
53:28 - 53:30: Well, that's 'cause they're writing their songs
53:30 - 53:33: based on their personal idiosyncratic histories
53:33 - 53:35: and tastes, which the computer doesn't have.
53:35 - 53:38: All it is doing is just, you know,
53:38 - 53:40: aggregating all of the text.
53:40 - 53:42: And I have a feeling if we put in like other rappers,
53:42 - 53:43: well, first of all, I'm sure if we put in
53:43 - 53:45: Neil Young versus Bob Dylan's song about summer,
53:45 - 53:46: it's going to be not different.
53:46 - 53:49: If we put in like Jay-Z's song about summer,
53:49 - 53:51: it's not going to be any different.
53:51 - 53:53: This has me thinking though, I'm surprised
53:53 - 53:56: there's like no beach imagery that I can think of
53:56 - 53:58: in any Southern California rap.
53:58 - 54:01: I'm sure it must happen, but considering
54:01 - 54:04: all those classic rappers are from Hawthorne,
54:04 - 54:07: Inglewood, Compton, Long Beach,
54:07 - 54:10: pretty close to the beach, all those towns.
54:10 - 54:11: Can you think of one?
54:11 - 54:14: Dr. Dre references palm trees in...
54:14 - 54:16: Well, it's not the beach, palm trees.
54:16 - 54:18: Oh, you want specific...
54:18 - 54:22: I'm saying specifically like a SoCal rap beach song.
54:22 - 54:25: There's a lot of talk about Nobu in Malibu.
54:25 - 54:26: Nobu in Malibu?
54:26 - 54:28: Which has a view of the beach.
54:28 - 54:29: I was thinking like 90s...
54:29 - 54:31: But I'm saying that even has a view of the beach
54:31 - 54:32: and they're not talking about the beach.
54:32 - 54:34: But also I think, yeah, I'm sure the answer
54:34 - 54:36: a lot of people would give is you're talking
54:36 - 54:39: about the world of NWA and what they were describing.
54:39 - 54:42: And the beach probably felt like a...
54:42 - 54:44: Not an NWA record, but yeah.
54:44 - 54:45: Maybe like a Warren G record.
54:45 - 54:48: NWA, Straight Outta Compton is like the original
54:48 - 54:50: Southern California rap record.
54:50 - 54:51: It's possible that those guys,
54:51 - 54:52: first of all, what they're talking about...
54:52 - 54:53: Check Left Off The Record.
54:53 - 54:57: Could you look up an AI song about NWA song about the beach?
54:57 - 55:00: And who knows, maybe with everything going on
55:00 - 55:01: in their lives at that moment,
55:01 - 55:02: maybe they barely got to the beach.
55:02 - 55:03: They weren't getting over there.
55:03 - 55:04: I mean...
55:04 - 55:05: 10 minute drive to the beach.
55:05 - 55:06: Is it only 10 minutes?
55:06 - 55:07: I don't know.
55:07 - 55:08: It depends where you are.
55:08 - 55:10: It could have felt a world away with everything going on.
55:10 - 55:14: Or maybe there was a song that their manager said...
55:14 - 55:16: Guys, Dr. Dre was like,
55:16 - 55:19: "We gotta have at least one fun at the beach song."
55:19 - 55:20: Come on, guys.
55:20 - 55:22: You know, Paul Giamatti is like...
55:22 - 55:23: Yeah, Paul Giamatti.
55:23 - 55:24: Come on, guys.
55:25 - 55:26: You're the new beach boys.
55:26 - 55:30: It's all about cops and violence and gang banging.
55:30 - 55:31: Don't you ever take a day off?
55:31 - 55:32: It's only 10 minutes away.
55:32 - 55:34: A Sunday afternoon with the family?
55:34 - 55:36: Man, you don't understand where we're from at all.
55:36 - 55:38: You know, the other thing about...
55:38 - 55:39: You guys never go surfing?
55:39 - 55:41: What are you talking about?
55:41 - 55:44: You could be in Malibu in an hour.
55:44 - 55:46: You guys...
55:46 - 55:49: You guys never been surfing?
55:49 - 55:51: I've never heard of...
55:51 - 55:52: Boogie boarding at least?
55:52 - 55:54: Boogie boarding.
55:54 - 55:56: Just Ice Cube quietly raging.
55:56 - 55:59: And he's just like, "Come on, hear him out, man."
55:59 - 56:01: "Hear him out."
56:01 - 56:04: Can I add a bit of a twist just to keep this interesting?
56:04 - 56:05: Sure.
56:05 - 56:07: I said write an NWA song about the summer,
56:07 - 56:10: but being mad that they have never had time to visit the beach.
56:10 - 56:11: Okay.
56:11 - 56:12: Just to give it some of that aggression.
56:12 - 56:13: Sure, sure.
56:13 - 56:15: Keep it consistent with their body of work.
56:15 - 56:16: Okay, hang on a second.
56:16 - 56:17: Is it writing it?
56:17 - 56:19: It's the Kendrick Lamar lyrics, though.
56:19 - 56:22: "Summertime and the livin's easy" is the first line here.
56:22 - 56:24: Although, the one thing I'll say that it deserves some credit for
56:24 - 56:28: is that as it writes it out, it says, "Verse 1, MC Ren,"
56:28 - 56:29: and then, "Verse 2, EZ."
56:29 - 56:31: So at least it like--
56:31 - 56:37: So the computer can correctly name the members of a very famous historical group.
56:37 - 56:38: I'm impressed.
56:38 - 56:40: Okay, I'm just looking through it.
56:40 - 56:43: It's pretty dumb, but okay.
56:43 - 56:45: This Dr. Dre verse is kind of interesting.
56:45 - 56:47: "I see the pictures, all my friends at the shore,
56:47 - 56:50: and I can't help but feel like I'm missing out on more.
56:50 - 56:52: The waves crashing, the sand between my toes,
56:52 - 56:55: but instead I'm stuck in the studio making flows."
56:55 - 56:57: That's kind of amazing.
56:57 - 56:58: That's workaholic.
56:58 - 56:59: This is Ice Cube's verse.
56:59 - 57:01: "I'm sick of this hustle, I need a break.
57:01 - 57:03: I want to hit the beach and feel the waves shake,
57:03 - 57:06: but until then I'll keep grinding and working hard
57:06 - 57:09: until I can finally let down my guard."
57:09 - 57:10: "Let down my guard."
57:10 - 57:14: I mean, even in that classic Ice Cube song, "Today was a good day."
57:14 - 57:15: No beach.
57:16 - 57:17: Didn't drop by the beach.
57:17 - 57:19: I'm sure Ice Cube would probably give you--
57:19 - 57:23: he probably maybe didn't feel welcome at the beach in '90s LA.
57:23 - 57:25: Does he say where he is in that song?
57:25 - 57:28: People have spent a lot of time trying to figure out the--
57:28 - 57:29: Well, the geography?
57:29 - 57:31: Somebody claims that they--
57:31 - 57:32: we ought to throw this on.
57:32 - 57:35: We've never really--we're so classic rock oriented,
57:35 - 57:38: we don't talk enough about classic rap on this show.
57:44 - 57:47: Were you loving this in the '90s when it came out, Jake?
57:47 - 57:49: Or did you not hear it that much because you were on the East Coast?
57:49 - 57:50: No, I heard it.
57:50 - 57:51: Yeah, no, I dug it.
57:51 - 57:53: I didn't love it initially, but then--I don't know.
57:53 - 57:56: Within a few years, I dug it.
57:56 - 57:58: Such a haunting beat.
57:58 - 58:00: It had Doggystyle on tape.
58:00 - 58:01: Oh, really?
58:01 - 58:02: Yeah.
58:02 - 58:04: You showed some love to the West Coast?
58:04 - 58:05: Big time.
58:05 - 58:06: Almost preferred West Coast rap.
58:06 - 58:07: Really?
58:07 - 58:08: Yeah.
58:08 - 58:09: Never was in the tribe.
58:09 - 58:10: Wow.
58:11 - 58:12: Jake, what about that--
58:12 - 58:13: No shots fired.
58:13 - 58:14: I just--I don't know.
58:14 - 58:15: I just--
58:15 - 58:17: What about that high-pitched synth sound that they always use?
58:17 - 58:18: Love that.
58:18 - 58:19: Oh, really?
58:19 - 58:20: Well, I guess we've talked about this.
58:20 - 58:22: Jake, born and raised in Connecticut, but always--
58:22 - 58:23: Spiritually West Coast.
58:25 - 58:27: I gotta go 'cause I got me a drop top
58:27 - 58:31: And if I hit the switch, I can make the ass drop
58:31 - 58:33: Had to stop at a red light
58:33 - 58:36: Looking in my mirror, not a jacker in sight
58:36 - 58:38: And everything is alright
58:38 - 58:40: I got a beat from Kim
58:40 - 58:42: And she could do it all night
58:42 - 58:45: Called up the homies and I'm asking y'all
58:45 - 58:48: Which part are y'all playing basketball?
58:48 - 58:51: Get me on the court and I'm troubled
58:51 - 58:53: Last week, messed around and got a triple-double
58:53 - 58:55: Freaking brothers every day
58:55 - 58:57: Like it's just a game, buddy
58:57 - 58:59: To me, it's just a game
59:01 - 59:13: Drove to the pad and hit the showers
59:13 - 59:16: Didn't even get no static from the cowards
59:16 - 59:19: 'Cause just yesterday, them booze tried to blast me
59:19 - 59:23: Saw the police and they rode right past me
59:23 - 59:25: No flexing, didn't even look in the mirror
59:25 - 59:27: He's a 26-minute drive from the closest beach
59:27 - 59:29: Yeah, that probably felt a world away
59:29 - 59:31: What are you saying his location is?
59:31 - 59:33: I just typed in South Central Los Angeles
59:33 - 59:34: Uh-huh
59:34 - 59:37: Shake 'em up, shake 'em up, shake 'em up, shake 'em
59:37 - 59:39: Roll 'em in a circle, our homies, and watch me break 'em
59:39 - 59:45: With a 7, 7-11, 7-11, 7-11 back door
59:45 - 59:48: Little jump, I picked up the cash from
59:48 - 59:51: Then we played balls, and I'm yelling domino
59:51 - 59:55: Plus nobody I know got killed in South Central LA
59:55 - 59:58: Today was a good day
59:58 - 01:00:07: That had a touch of record executive being like
01:00:07 - 01:00:10: "I gotta say, Cube, doesn't sound like that good of a day"
01:00:10 - 01:00:15: "You mean go to Universal Studios or?"
01:00:15 - 01:00:19: It's ironic, I had the booze, she had the chronic
01:00:19 - 01:00:21: The Lakers beat the Supersonics
01:00:21 - 01:00:23: See, I gotta remember there was some thing years ago
01:00:23 - 01:00:25: where somebody figured out what day
01:00:25 - 01:00:27: Of course, it wasn't actually a day
01:00:27 - 01:00:29: He's just an artist painting a picture
01:00:29 - 01:00:31: But there was a day
01:00:31 - 01:00:33: There's only so many days in the early 90s
01:00:33 - 01:00:35: when the Lakers beat the Supersonics
01:00:35 - 01:00:37: and there was no smog
01:00:37 - 01:00:39: I think those are like the primary things
01:00:39 - 01:00:40: that helped that out
01:00:40 - 01:00:42: I miss the smog part
01:00:42 - 01:00:43: Yeah, no smog
01:00:43 - 01:00:44: Okay
01:00:44 - 01:00:48: I was glad everything had worked out
01:00:48 - 01:00:51: Dropped the vert off and then chirped out
01:00:51 - 01:00:53: Today was like one of those fine dreams
01:00:53 - 01:00:57: Didn't even see a berry flashing those high beams
01:00:57 - 01:01:00: No helicopter looking for the murder
01:01:00 - 01:01:02: Two in the morning got the fat burger
01:01:02 - 01:01:03: Got the fat burger
01:01:03 - 01:01:05: Even saw the lights of the Goodyear blitz
01:01:05 - 01:01:07: And it read "Ice Cube's a pimp"
01:01:07 - 01:01:09: I always love that part
01:01:09 - 01:01:12: It is so amazingly simple
01:01:12 - 01:01:16: He's basically telling a pretty normal story
01:01:16 - 01:01:18: He wants a fat burger
01:01:18 - 01:01:22: And also, there's the emotional, sociopolitical element
01:01:22 - 01:01:25: No cops doing anything bad
01:01:25 - 01:01:27: Nobody got murdered
01:01:27 - 01:01:28: It's a mellow day
01:01:28 - 01:01:30: But in a way, it's very small and human
01:01:30 - 01:01:34: The small wins of living in a place like that
01:01:34 - 01:01:37: Dealing with life as Ice Cube in the early 90s
01:01:37 - 01:01:39: And then out of nowhere he looks up at the Goodyear blimp
01:01:39 - 01:01:42: And it says "Ice Cube's a pimp"
01:01:42 - 01:01:44: Magic realism
01:01:44 - 01:01:47: It's pure magic realism
01:01:47 - 01:01:57: Hold up, Poop, stop this, man
01:01:57 - 01:01:59: Yeah, and then the flight of fantasy was over
01:01:59 - 01:02:00: He couldn't just leave it
01:02:00 - 01:02:05: As this kind of nostalgic, dreamy, Proustian reverie
01:02:05 - 01:02:07: So basically at the end he's saying it didn't happen
01:02:07 - 01:02:09: He had to unplug
01:02:09 - 01:02:11: Actually, that is kind of dark
01:02:11 - 01:02:15: Especially, this album is famously a pretty hard album
01:02:15 - 01:02:16: Ice Cube, The Predator
01:02:16 - 01:02:18: This is pure gangster rap
01:02:18 - 01:02:20: Ice Cube, early 90s
01:02:20 - 01:02:21: Very angry
01:02:21 - 01:02:23: Had left NWA
01:02:23 - 01:02:25: And this is one of the bigger hits
01:02:25 - 01:02:27: But it's this mellow song
01:02:27 - 01:02:30: And it is kind of funny
01:02:30 - 01:02:32: Kind of funny, kind of sad
01:02:32 - 01:02:34: That it's this reverie
01:02:34 - 01:02:35: And it's almost like some Matrix thing
01:02:35 - 01:02:37: Where he wakes up and he's like
01:02:37 - 01:02:38: Man, I have a really stressful life
01:02:38 - 01:02:41: With the police and crime
01:02:41 - 01:02:43: And my feud with EZE
01:02:43 - 01:02:44: But I woke up today and actually everything's pretty good
01:02:44 - 01:02:45: Look at that
01:02:45 - 01:02:47: No real smog today
01:02:47 - 01:02:48: Things are going pretty good
01:02:48 - 01:02:50: Oh, mom didn't put any bacon in breakfast
01:02:50 - 01:02:52: That's good, I'm trying not to eat pigs
01:02:52 - 01:02:53: And then just walk around like
01:02:53 - 01:02:54: Things are going pretty good
01:02:54 - 01:02:56: Oh, I got a beep from Kim
01:02:56 - 01:02:57: That'll be fun
01:02:57 - 01:02:59: But something's not quite right
01:02:59 - 01:03:00: Something's not quite right
01:03:00 - 01:03:01: But he's having such a good day
01:03:01 - 01:03:03: He doesn't really think about it too much
01:03:03 - 01:03:05: And then it is like the weird Truman Show moment
01:03:05 - 01:03:07: Is actually when he looks up at the blimp
01:03:07 - 01:03:08: And it says Ice Cube is a pimp
01:03:08 - 01:03:10: And he's thinking, that's pretty cool
01:03:10 - 01:03:13: Wait, why would they say that on the Goodyear blimp?
01:03:13 - 01:03:14: And then he hears the alarm
01:03:14 - 01:03:15: Beep, beep
01:03:15 - 01:03:17: And he's like, what?
01:03:17 - 01:03:19: He was in the Matrix
01:03:19 - 01:03:20: Spooky
01:03:20 - 01:03:22: Just having a great dream
01:03:22 - 01:03:23: Wait, actually, this makes me curious
01:03:23 - 01:03:27: On the album, what happens right after that song
01:03:27 - 01:03:29: I was just wondering that too
01:03:29 - 01:03:32: Peace, quiet, and good order
01:03:32 - 01:03:34: Will be maintained in our city
01:03:34 - 01:03:37: To the best of our ability
01:03:37 - 01:03:42: Riots, melees, and disturbances of the peace
01:03:42 - 01:03:45: Are against the interest of all our people
01:03:45 - 01:03:47: And therefore cannot be permitted
01:03:47 - 01:03:48: This is probably from the 60s
01:03:48 - 01:03:49: Talking about
01:03:49 - 01:03:50: Not guilty, not guilty, not guilty
01:03:50 - 01:03:51: I've been told all along
01:03:51 - 01:03:52: That it's not not guilty
01:03:52 - 01:03:53: There's a series of fires
01:03:53 - 01:03:54: I'm not talking about Rodney King
01:03:54 - 01:03:55: And the things going on
01:03:55 - 01:03:57: In the disaster area, obviously
01:03:57 - 01:03:59: The jury found that they were all not guilty
01:03:59 - 01:04:00: Not guilty, not guilty, not guilty
01:04:00 - 01:04:01: Make it rough
01:04:01 - 01:04:05: A lot of activity continues here in this cabaret
01:04:05 - 01:04:06: Make it rough
01:04:06 - 01:04:07: We have sporadic fires
01:04:07 - 01:04:08: And guilty, not guilty, not guilty
01:04:08 - 01:04:09: I'm not saying it's not guilty
01:04:09 - 01:04:10: Not guilty, not guilty, not guilty
01:04:10 - 01:04:11: Not guilty, the filthy
01:04:11 - 01:04:12: Devil's trying to kill me
01:04:12 - 01:04:14: When the news get to the hood
01:04:14 - 01:04:15: The brothers will be
01:04:15 - 01:04:17: Hotter than cayenne pepper
01:04:17 - 01:04:19: Cuss, bust, kicking up dust
01:04:19 - 01:04:21: Is a must, I can't trust
01:04:21 - 01:04:23: A cracker in a blue uniform
01:04:23 - 01:04:25: Stick a brother like a unicorn
01:04:25 - 01:04:27: Born wicked, Lawrence
01:04:27 - 01:04:29: Pow, foul, cut his damn throat
01:04:29 - 01:04:30: And I smile
01:04:30 - 01:04:31: Go to Simi Valley
01:04:31 - 01:04:33: And surely somebody knows the address
01:04:33 - 01:04:35: Simi Valley, yeah, that's where all the cops live
01:04:35 - 01:04:37: And where they did the trial
01:04:37 - 01:04:40: Oh, right, yeah, that's where the, yeah, you're right
01:04:40 - 01:04:42: That provides quite a bit of context
01:04:42 - 01:04:44: He wakes up from the reverie of it was a good day
01:04:44 - 01:04:46: And immediately the news is on
01:04:46 - 01:04:47: Talking about riots
01:04:47 - 01:04:49: And the first line he says after
01:04:49 - 01:04:50: Today was a good day
01:04:50 - 01:04:53: Not guilty, the filthy devil's trying to kill me
01:04:53 - 01:04:54: Back to reality
01:04:54 - 01:04:56: A little further number crunching
01:04:56 - 01:04:59: Reveals two songs that I found
01:04:59 - 01:05:02: Where they talk about going to the beach
01:05:02 - 01:05:04: Two rap songs, going to the beach
01:05:04 - 01:05:06: But interestingly, so there's going back to Cali
01:05:06 - 01:05:08: Biggie's, going back to Cali
01:05:08 - 01:05:11: Where he talks about spending a week on Venice Beach
01:05:11 - 01:05:13: And then LL Cool
01:05:13 - 01:05:14: Yeah, well, he's a tourist
01:05:14 - 01:05:15: Well, that's what I was gonna say
01:05:15 - 01:05:18: But LL Cool J's, going back to Cali
01:05:18 - 01:05:20: Also spending time on the beach
01:05:20 - 01:05:21: Point being is that I think if you're here
01:05:21 - 01:05:23: Maybe you just don't even appreciate it
01:05:23 - 01:05:24: You know what I mean?
01:05:24 - 01:05:25: I mean, I don't go to the beach that often
01:05:25 - 01:05:28: But I also live, like, much farther away
01:05:28 - 01:05:31: Yeah, but again, I think the answer is like, you know
01:05:31 - 01:05:35: Living in this era, underserved community
01:05:35 - 01:05:38: It's not necessarily the most welcoming, easy thing
01:05:38 - 01:05:39: To go to the beach
01:05:39 - 01:05:41: But your colleague from New York flies in
01:05:41 - 01:05:43: They're going to the beach
01:05:43 - 01:05:44: You know what I mean?
01:05:44 - 01:05:46: I'm sure people went to the beach
01:05:46 - 01:05:48: It just doesn't fit into the image
01:05:48 - 01:05:50: That the albums are projecting
01:05:50 - 01:05:52: How often did MC Ren go to the beach growing up?
01:05:52 - 01:05:55: Yeah, MC Ren in like 1979
01:05:55 - 01:05:56: When he was a kid
01:05:56 - 01:05:57: How often does he go to the beach?
01:05:57 - 01:05:58: It's funny talking about 90s rap
01:05:58 - 01:06:00: Because I did have an idea a while back
01:06:00 - 01:06:02: That we could talk about this song
01:06:02 - 01:06:04: I just don't know how often we've talked about
01:06:04 - 01:06:05: Big Pun
01:06:05 - 01:06:06: Never
01:06:06 - 01:06:07: Now Jake, what do you think about Big Pun?
01:06:07 - 01:06:08: Not a fan of East Coast rap?
01:06:08 - 01:06:09: No opinion
01:06:09 - 01:06:11: Do you know where he's from?
01:06:11 - 01:06:12: New York?
01:06:12 - 01:06:13: Yeah, what part of New York?
01:06:13 - 01:06:14: Brooklyn?
01:06:14 - 01:06:15: Nope
01:06:15 - 01:06:16: Queens?
01:06:16 - 01:06:17: Nope
01:06:17 - 01:06:18: Close
01:06:18 - 01:06:19: Bronx?
01:06:19 - 01:06:20: Yes, Bronx
01:06:20 - 01:06:21: What about you, Seinfeld?
01:06:21 - 01:06:22: Do you a Big Pun fan?
01:06:22 - 01:06:23: I used to love Big Pun
01:06:23 - 01:06:24: That Capital Punishment album is just like a straight
01:06:24 - 01:06:25: It's his one and only album
01:06:25 - 01:06:26: And you know, the thing about him
01:06:26 - 01:06:28: Is that he died very young
01:06:28 - 01:06:30: He came out as this huge album
01:06:30 - 01:06:33: But then his friend and producer
01:06:33 - 01:06:36: And fellow rapper Fat Joe
01:06:36 - 01:06:38: Went on to have a very illustrious career
01:06:38 - 01:06:40: But of course you remember this song
01:06:41 - 01:06:46: Oh, yeah
01:06:46 - 01:06:49: Yeah, I know this
01:06:49 - 01:06:53: This is Big Pun
01:06:53 - 01:06:54: Yeah
01:06:54 - 01:06:55: I didn't know that
01:06:55 - 01:06:56: Did you like this song?
01:06:56 - 01:06:57: Love it
01:06:57 - 01:06:58: Yeah, this is a great song
01:06:58 - 01:07:02: So this song is so huge
01:07:02 - 01:07:03: I even remember
01:07:03 - 01:07:06: So I was like 13, 14 when this came out
01:07:06 - 01:07:07: Just like
01:07:07 - 01:07:09: Just being at like an awkward school dance
01:07:09 - 01:07:11: And then just like blasting this
01:07:11 - 01:07:13: Since the birth of New Jersey
01:07:13 - 01:07:14: Just kind of like
01:07:14 - 01:07:17: Great song
01:07:17 - 01:07:18: Where did you pick this song?
01:07:18 - 01:07:20: Okay, no, but I wasn't thinking about this song
01:07:20 - 01:07:22: Everybody knows that song
01:07:22 - 01:07:25: There was another single from this album called Twins
01:07:25 - 01:07:28: Which was essentially a cover of
01:07:28 - 01:07:30: The Snoop Dogg and Dr. Dre song
01:07:30 - 01:07:31: Deep Cover
01:07:31 - 01:07:33: They took the same beat
01:07:33 - 01:07:34: And they wanted to do a similar
01:07:34 - 01:07:36: Kind of like gangster storytelling thing
01:07:36 - 01:07:38: Anyway, I was just thinking about this because
01:07:38 - 01:07:40: I was having a conversation
01:07:40 - 01:07:42: And a lyric from this popped into my head
01:07:42 - 01:07:43: And I wondered
01:07:43 - 01:07:45: We do talk about lyrics on this show a lot
01:07:45 - 01:07:47: Of course, as you know, we always veer to classic rock
01:07:47 - 01:07:50: But this is a very classic line
01:07:50 - 01:07:53: And I thought it's worth discussing on the show
01:07:53 - 01:07:59: Does the beat sound familiar?
01:07:59 - 01:08:01: Because before this it was also Deep Cover
01:08:01 - 01:08:02: Deep Cover
01:08:02 - 01:08:09: So it's him and the beat
01:08:09 - 01:08:10: It's definitely familiar
01:08:10 - 01:08:11: I don't know if I know this song though
01:08:11 - 01:08:18: This is the classic line coming up
01:08:18 - 01:08:25: You guys know that line?
01:08:25 - 01:08:26: It's incredible, yeah
01:08:26 - 01:08:27: No, what's that line from?
01:08:27 - 01:08:29: It's, no, no, it's from this song
01:08:29 - 01:08:31: I'm just saying this is like
01:08:31 - 01:08:32: Maybe, I don't know
01:08:32 - 01:08:34: I feel like maybe just like some of my
01:08:34 - 01:08:37: New York friends have always talked about like
01:08:37 - 01:08:39: That was a legendary line
01:08:39 - 01:08:41: Or at least a famous line
01:08:41 - 01:08:44: Because of the really extreme wordplay
01:08:44 - 01:08:47: In Montreal, are people talking about that line, Seinfeld?
01:08:47 - 01:08:49: This is a legendary lyric
01:08:49 - 01:08:50: The internal rhyme is
01:08:51 - 01:08:54: That in the middle of little, little, little
01:08:54 - 01:08:56: Did we know that we riddled some middle men
01:08:56 - 01:08:57: Who didn't do diddly
01:08:57 - 01:08:59: Here to be a cold day in Ravendale
01:08:59 - 01:09:00: And actually in the video, it does
01:09:00 - 01:09:01: There's like a close up
01:09:01 - 01:09:03: There's a close up of his mouth
01:09:03 - 01:09:05: Because it is kind of legendary
01:09:05 - 01:09:06: And then I was like looking it up
01:09:06 - 01:09:08: And on Genius they had like a quote
01:09:08 - 01:09:10: From Fat Joe who basically said
01:09:10 - 01:09:13: That Big Pun was such a wordsmith
01:09:13 - 01:09:14: He was always coming up with
01:09:14 - 01:09:16: These crazy tongue twisters like that
01:09:16 - 01:09:18: And that because this song
01:09:18 - 01:09:20: Takes place in Little Italy
01:09:20 - 01:09:22: Probably Bronx, Little Italy
01:09:22 - 01:09:24: Not Manhattan, Little Italy
01:09:24 - 01:09:25: That Joe said to him
01:09:25 - 01:09:28: Oh you gotta do that crazy tongue twister rap
01:09:28 - 01:09:30: And that Pun said
01:09:30 - 01:09:31: No, no, no, come on
01:09:31 - 01:09:32: That's like a joke
01:09:32 - 01:09:33: And he said no, no, no
01:09:33 - 01:09:34: It's incredible
01:09:34 - 01:09:35: And he said people are going to make fun of me
01:09:35 - 01:09:36: It's so stupid
01:09:36 - 01:09:39: And that Fat Joe being a great producer
01:09:39 - 01:09:40: Was like no, no, you gotta put it in
01:09:40 - 01:09:42: And convinced him to
01:09:42 - 01:09:43: I wonder why he thought it was stupid
01:09:43 - 01:09:44: It's like over the top
01:09:44 - 01:09:45: Yeah, it's over the top
01:09:45 - 01:09:46: And it does, you know
01:09:46 - 01:09:48: There is a way in which it just sounds like
01:09:48 - 01:09:50: Diddle, diddle, diddle, diddle, diddle, diddle
01:09:50 - 01:09:51: Diddly
01:09:51 - 01:09:53: Maybe not the coolest word
01:09:53 - 01:09:55: Diddly
01:09:55 - 01:09:57: I do kind of love it
01:09:57 - 01:09:59: And then I can't help but
01:09:59 - 01:10:01: It's dead in the middle of Little Italy
01:10:01 - 01:10:05: DWLP5
01:10:05 - 01:10:09: Yeah, I should do a tribute to Big Pun
01:10:09 - 01:10:11: Album title?
01:10:11 - 01:10:12: Yeah, album title
01:10:12 - 01:10:13: Just diddly
01:10:13 - 01:10:14: Where'd you come up with that?
01:10:14 - 01:10:16: It's a tribute to deceased rapper Big Pun
01:10:16 - 01:10:18: I think the reason I thought of this is because
01:10:18 - 01:10:22: I randomly said something about being in the middle of Little Italy
01:10:22 - 01:10:24: And then just like instantly took me back to this
01:10:24 - 01:10:27: But it's dead in the middle of Little Italy
01:10:27 - 01:10:31: Little did we know that we riddled some middle men
01:10:31 - 01:10:32: Who didn't do diddly
01:10:32 - 01:10:34: So not only is it like a tongue twister
01:10:34 - 01:10:36: But he's really like telling the story here
01:10:36 - 01:10:37: Because in the beginning
01:10:37 - 01:10:39: Didn't do diddly
01:10:39 - 01:10:41: Diddly squat
01:10:41 - 01:10:42: He said, he basically
01:10:42 - 01:10:44: They were hired by some dirty cops
01:10:44 - 01:10:46: That were gonna help
01:10:46 - 01:10:47: He says that'll get us in
01:10:47 - 01:10:49: I don't know if that means like get them in with like the
01:10:49 - 01:10:51: The police organization or help them somehow
01:10:51 - 01:10:52: Give them money
01:10:52 - 01:10:54: But some dirty cops
01:10:54 - 01:10:56: Asked them to go kill somebody
01:10:56 - 01:10:57: So this is a real murder ballad
01:10:57 - 01:10:58: Oh this is a murder ballad
01:10:58 - 01:11:00: Yeah, okay, it comes full circle
01:11:00 - 01:11:02: So these dirty cops hired
01:11:02 - 01:11:05: Big Pun and Fat Joe to go kill some Italians
01:11:05 - 01:11:07: I'm just picturing Michael Rappaport
01:11:07 - 01:11:09: Oh he's a dirty cop
01:11:09 - 01:11:10: Yeah
01:11:10 - 01:11:12: No totally, somebody could make a
01:11:12 - 01:11:14: I wonder if one day there will be a movie
01:11:14 - 01:11:16: Just called Dead in the Middle of Little
01:11:16 - 01:11:19: Dead in the Middle of Little Italy
01:11:19 - 01:11:21: That almost seems like something could happen
01:11:21 - 01:11:22: That could happen
01:11:22 - 01:11:24: Netflix presents an eight part mini series
01:11:24 - 01:11:27: Based on this one big pun line
01:11:27 - 01:11:30: Just an egregious Scorsese rip off
01:11:30 - 01:11:31: Yeah that'd be cool
01:11:31 - 01:11:33: It could be Scorsese's next movie
01:11:33 - 01:11:35: So then they hop in the Hummer
01:11:35 - 01:11:37: The Punisher's ready
01:11:37 - 01:11:38: He's the Punisher
01:11:38 - 01:11:40: And then he says meet me at Vito's with noodles
01:11:40 - 01:11:43: We'll do this dude while he's slurping spaghetti
01:11:43 - 01:11:44: I think in The Godfather
01:11:44 - 01:11:46: Doesn't that iconic scene in the bathroom
01:11:46 - 01:11:48: Take place in the Bronx?
01:11:48 - 01:11:49: That does ring true
01:11:49 - 01:11:52: Yeah, it'd be a Coppola film
01:11:52 - 01:11:54: So then they go in
01:11:54 - 01:11:56: They start yelling at everybody
01:11:56 - 01:11:59: Presumably they kill a bunch of people
01:11:59 - 01:12:00: And then he says
01:12:00 - 01:12:02: Dead in the middle of little Italy
01:12:02 - 01:12:04: Little do we know that we riddled some middle men
01:12:04 - 01:12:06: Who didn't do diddly
01:12:06 - 01:12:09: I guess the cops told him to kill these guys
01:12:09 - 01:12:11: And who knows, maybe Michael Rappaport was like
01:12:11 - 01:12:15: Guys, these are some bad dudes
01:12:15 - 01:12:18: Rappaport owed those guys like 50 grand for gambling
01:12:18 - 01:12:19: Right
01:12:19 - 01:12:20: Yeah, right, and he spins it
01:12:20 - 01:12:21: And he's like
01:12:21 - 01:12:22: You know I'm a cop
01:12:22 - 01:12:23: You know what I could do to you?
01:12:23 - 01:12:24: But I'm telling you
01:12:24 - 01:12:25: I'll be your friend
01:12:25 - 01:12:27: You kill this guy who's a really bad guy
01:12:27 - 01:12:29: I'll give you 50k
01:12:29 - 01:12:31: Turns out he was lying through his teeth
01:12:31 - 01:12:32: He owed these middle men something
01:12:32 - 01:12:34: They didn't do anything bad
01:12:34 - 01:12:37: And now it's going to be pinned on Big Pun and Fat Joe
01:12:37 - 01:12:40: So it is pretty impressive that it's like
01:12:40 - 01:12:44: Insane wordplay that somehow tells the story
01:12:44 - 01:12:46: It sometimes just gets stuck in my head
01:12:46 - 01:12:47: Dead in the middle of little Italy
01:12:47 - 01:12:49: Little do we know that we
01:12:49 - 01:12:50: Dead in the middle of little Italy
01:12:50 - 01:12:51: Little do we know that we riddled some middle men
01:12:51 - 01:12:52: Who didn't do diddly
01:12:52 - 01:12:54: It's like a children's limerick
01:12:54 - 01:12:56: Dead in the middle of little Italy
01:12:56 - 01:12:57: Little do we know that we riddled some middle men
01:12:57 - 01:12:58: Who didn't do diddly
01:12:58 - 01:13:01: I can almost do like Micro Machine Guy
01:13:01 - 01:13:02: Oh, Micro Machine Guy
01:13:02 - 01:13:03: Hold on
01:13:03 - 01:13:06: Dead in the middle of little Italy
01:13:06 - 01:13:07: Little do we know that we riddled some middle men
01:13:07 - 01:13:08: Who didn't do diddly
01:13:08 - 01:13:09: Dead in the middle of little Italy
01:13:09 - 01:13:10: Little do we know that we riddled some middle men
01:13:10 - 01:13:11: Who didn't do diddly
01:13:11 - 01:13:12: He does it about this
01:13:12 - 01:13:16: (singing)
01:13:16 - 01:13:17: Dead in the middle of little Italy
01:13:17 - 01:13:19: Little do we know that we riddled some middle men
01:13:19 - 01:13:20: Who didn't do diddly
01:13:20 - 01:13:22: That's about how fast he does it
01:13:22 - 01:13:23: Dead in the middle of little Italy
01:13:23 - 01:13:24: Little do we know that we riddled some middle men
01:13:24 - 01:13:25: Who didn't do diddly
01:13:25 - 01:13:26: Dead in the middle of little Italy
01:13:26 - 01:13:27: Little do we know that we riddled some middle men
01:13:27 - 01:13:28: Who didn't do diddly
01:13:28 - 01:13:30: This is starting to sound like Primus
01:13:30 - 01:13:32: (laughing)
01:13:32 - 01:13:35: Actually this would be a great Primus cover
01:13:35 - 01:13:38: (singing)
01:13:38 - 01:13:39: Dead in the middle of little Italy
01:13:40 - 01:13:41: Now dead in the middle of little Italy
01:13:41 - 01:13:42: Little do we know that we riddled some middle men
01:13:42 - 01:13:43: Who didn't do diddly
01:13:43 - 01:13:44: Dead in the middle of little Italy
01:13:44 - 01:13:45: Little do we know that we riddled some middle men
01:13:45 - 01:13:46: Who didn't do diddly
01:13:46 - 01:13:47: Let's do it again
01:13:47 - 01:13:52: (singing)
01:13:52 - 01:13:53: Every word does make sense
01:13:53 - 01:13:54: Like on the one hand you're like
01:13:54 - 01:13:55: We riddled some middle men
01:13:55 - 01:13:56: Yeah
01:13:56 - 01:13:57: They were riddled with bullets
01:13:57 - 01:13:58: Also the worst kind of
01:13:58 - 01:13:59: Well you followed the logic
01:13:59 - 01:14:01: And also the worst kind of middle man
01:14:01 - 01:14:03: Would be the one that didn't do anything
01:14:03 - 01:14:04: That didn't do diddly
01:14:04 - 01:14:05: Yeah like you're thinking
01:14:05 - 01:14:07: We're about to get paid 500k
01:14:07 - 01:14:08: We took out a mob boss
01:14:08 - 01:14:09: Like what are you talking about?
01:14:09 - 01:14:10: These guys were just middle men
01:14:10 - 01:14:11: They were nobodies
01:14:11 - 01:14:12: But they were bad guys
01:14:12 - 01:14:13: Nah
01:14:13 - 01:14:15: They were taking some action on the side
01:14:15 - 01:14:16: Big Punisher
01:14:16 - 01:14:17: These guys didn't do diddly
01:14:17 - 01:14:19: Whoa!
01:14:19 - 01:14:21: Diddly?
01:14:21 - 01:14:23: You're telling me they didn't do diddly?
01:14:23 - 01:14:24: Diddly
01:14:24 - 01:14:25: They didn't do squat
01:14:25 - 01:14:26: They didn't
01:14:26 - 01:14:28: They didn't?
01:14:28 - 01:14:30: It's like a Killer Brothers movie at that point
01:14:30 - 01:14:31: They didn't
01:14:31 - 01:14:32: They didn't do diddly
01:14:32 - 01:14:33: They didn't do squat
01:14:33 - 01:14:35: They didn't do diddly or squat
01:14:35 - 01:14:36: Okay
01:14:36 - 01:14:37: It's time for the top 5
01:14:37 - 01:14:40: It's time for the top 5
01:14:40 - 01:14:44: 5 on iTunes
01:14:44 - 01:14:50: This week we'll be comparing the top 5 iTunes songs of today
01:14:50 - 01:14:53: With the top 5 songs this week in 1990
01:14:53 - 01:14:54: Very weird year
01:14:54 - 01:14:57: I've always considered 1990 a really weird year
01:14:57 - 01:15:00: Why do you think 1990 is a weird year Jake?
01:15:00 - 01:15:01: You were kind of more
01:15:01 - 01:15:02: Let's see
01:15:02 - 01:15:03: You were 13
01:15:03 - 01:15:04: I was tapped in
01:15:04 - 01:15:05: Yes you were more tapped in than I was
01:15:05 - 01:15:07: I was very tapped in on MTV in 1990
01:15:07 - 01:15:08: Which was a funny time to be like
01:15:08 - 01:15:09: Obsessively watching MTV
01:15:09 - 01:15:11: So even as a 13 year old you're like
01:15:11 - 01:15:13: This is neither here nor there
01:15:13 - 01:15:15: Nirvana hasn't arrived yet
01:15:15 - 01:15:17: But the hair metal era feels tapped out
01:15:17 - 01:15:18: What's going on?
01:15:18 - 01:15:19: Yeah I mean
01:15:19 - 01:15:20: Who's big?
01:15:20 - 01:15:21: Like Slaughter
01:15:21 - 01:15:22: And like
01:15:22 - 01:15:23: I mean yeah
01:15:23 - 01:15:24: It was still hair metal
01:15:24 - 01:15:25: But it felt
01:15:25 - 01:15:29: They were still rolling out singles from the Dr. Feelgood album
01:15:29 - 01:15:30: Motley Crue
01:15:30 - 01:15:32: And maybe some Poison
01:15:32 - 01:15:33: In 1990
01:15:33 - 01:15:34: Very innocuous pop
01:15:34 - 01:15:37: Were you aware of like the Pixies and Sonic Youth
01:15:37 - 01:15:38: No
01:15:38 - 01:15:39: No not at all
01:15:39 - 01:15:43: I was not aware of any kind of underground cool music
01:15:43 - 01:15:47: In 1990 were you aware of the band Bad English?
01:15:47 - 01:15:48: I think so
01:15:48 - 01:15:50: I think I'm looking at this now
01:15:50 - 01:15:51: And I'm like that rings a bell
01:15:51 - 01:15:53: It was a super group
01:15:53 - 01:15:54: That formed in '87 and featured
01:15:54 - 01:15:56: Journey's keyboardist Jonathan Cain
01:15:56 - 01:15:58: Guitarist Neil Schon
01:15:58 - 01:15:59: Schon
01:15:59 - 01:16:01: And drummer Dean Castronova
01:16:01 - 01:16:04: As well as vocalist John Waite of the Babies
01:16:04 - 01:16:06: And Ricky Phillips of Styx
01:16:06 - 01:16:10: This is Price of Love
01:16:10 - 01:16:13: I'll be curious if I
01:16:13 - 01:16:15: If this like
01:16:15 - 01:16:17: Stirs a deep memory within
01:16:17 - 01:16:19: Because I probably haven't heard it since
01:16:19 - 01:16:21: Cain takes you right back
01:16:21 - 01:16:28: I do love these hair metal ballads
01:16:28 - 01:16:37: Girl
01:16:37 - 01:16:40: Sometimes it seems to me
01:16:40 - 01:16:41: Okay
01:16:41 - 01:16:45: That I don't say the things I should
01:16:45 - 01:16:49: To you I act like I'm no good
01:16:49 - 01:16:51: And you
01:16:51 - 01:16:52: Who wrote the lyrics?
01:16:52 - 01:16:53: Jetman EP 2
01:16:53 - 01:16:55: Wait for me
01:16:55 - 01:17:00: This house is not a home without you
01:17:00 - 01:17:02: It takes two hearts to show
01:17:02 - 01:17:03: I like the chords
01:17:03 - 01:17:06: Your eyes will always see through me
01:17:06 - 01:17:09: And bring me to my knees
01:17:09 - 01:17:13: And I will always turn to you
01:17:13 - 01:17:17: You're everything I need
01:17:17 - 01:17:20: And through the good and bad times
01:17:20 - 01:17:24: You have always been there
01:17:24 - 01:17:27: We hold each other close
01:17:27 - 01:17:31: You're the sand between our toes
01:17:31 - 01:17:34: The nights we fight about it
01:17:34 - 01:17:39: Never dream of giving up
01:17:39 - 01:17:41: I feel like they're trying to write a Peter Sotero song
01:17:41 - 01:17:43: Yeah but it's just not, not hitting
01:17:43 - 01:17:46: That's the price of love
01:17:46 - 01:17:48: I just feel bad, it's just like
01:17:48 - 01:17:52: Listening to a hit song from 1990 as if it's like a demo tape
01:17:52 - 01:17:54: Just like, sorry fellas
01:17:54 - 01:17:55: Yeah
01:17:55 - 01:17:56: You don't have it
01:17:56 - 01:17:57: It's not gelling quite yet
01:17:57 - 01:17:59: Yeah, I would go work on
01:17:59 - 01:18:00: Guys my advice
01:18:00 - 01:18:01: Too many chord changes
01:18:01 - 01:18:06: My advice, go re-simplify the song, re-work on the lyrics a bit
01:18:06 - 01:18:08: It's also funny this era
01:18:08 - 01:18:09: It sounds like a demo tape
01:18:09 - 01:18:10: Yeah
01:18:10 - 01:18:11: We can see what you're going for
01:18:11 - 01:18:13: Like kind of a Peter Sotero thing
01:18:13 - 01:18:16: But really listen to his greatest songs
01:18:16 - 01:18:20: There's a level of craft that you guys are missing
01:18:20 - 01:18:21: So this is something funny about this era
01:18:21 - 01:18:24: Where there are all these like supergroups
01:18:24 - 01:18:25: Because when you think of a supergroup
01:18:25 - 01:18:28: You imagine just like a group of people from bands
01:18:28 - 01:18:30: That either just like love playing so much
01:18:30 - 01:18:34: And want to do something maybe really technical they can't do
01:18:34 - 01:18:37: Or just something unique that their skills bring together
01:18:37 - 01:18:39: And this picture like all these dudes come together
01:18:39 - 01:18:41: Let's do something together
01:18:41 - 01:18:42: And they're just like yeah
01:18:42 - 01:18:44: Let's try like a middle of the road power ballad
01:18:44 - 01:18:49: Yeah, this feels like a very contrived project
01:18:49 - 01:18:53: A lot of A&R guys with a lot of flop sweat
01:18:53 - 01:18:54: Getting this project together
01:18:54 - 01:18:55: Yeah
01:18:55 - 01:18:57: Actually I don't remember that song
01:18:57 - 01:19:00: Because I probably at age 13 if that came out
01:19:00 - 01:19:02: I was probably like this sucks
01:19:02 - 01:19:03: Right
01:19:03 - 01:19:04: I'm changing the channel
01:19:04 - 01:19:06: I'll cruise back to MTV in a little bit
01:19:06 - 01:19:07: The number 5 song on
01:19:07 - 01:19:09: We're going back to the iTunes chart this week
01:19:09 - 01:19:10: Just so people understand
01:19:10 - 01:19:12: iTunes chart is a little different than Apple Music
01:19:12 - 01:19:14: Sometimes Apple Music because if like a big album comes out
01:19:14 - 01:19:15: It's all one artist
01:19:15 - 01:19:16: Right, right
01:19:16 - 01:19:17: Sometimes you get a little more variety
01:19:17 - 01:19:19: When we look at the iTunes chart
01:19:19 - 01:19:23: For the people who still buy songs on iTunes
01:19:23 - 01:19:24: We salute you
01:19:24 - 01:19:26: This is Lady Gaga with Hold My Hand
01:19:26 - 01:19:28: From the great film Top Gun Maverick
01:19:28 - 01:19:39: Hold my hand
01:19:39 - 01:19:41: Is this the one that she did at the Oscars?
01:19:41 - 01:19:43: I miss that part of the Oscars
01:19:43 - 01:19:47: It lost to Not Too Not Too from RRR
01:19:47 - 01:19:49: Have any of you guys seen that movie?
01:19:49 - 01:19:50: Not yet
01:19:50 - 01:19:52: I've seen most of it
01:19:52 - 01:19:53: It's a long one
01:19:53 - 01:19:54: It's long, it rules
01:19:54 - 01:19:55: Yeah, it's great
01:19:55 - 01:19:57: Never quite seen anything like it
01:19:57 - 01:19:59: Yeah, it's cool
01:19:59 - 01:20:02: It's the best of all types of action movies together
01:20:02 - 01:20:04: In a very unique package
01:20:04 - 01:20:15: I caught this part of the Oscars actually
01:20:15 - 01:20:17: And it was sort of like a stripped down
01:20:17 - 01:20:19: She even said at the beginning
01:20:19 - 01:20:21: She's like we're doing kind of like a
01:20:21 - 01:20:23: A basement rock
01:20:23 - 01:20:24: Kind of performance here
01:20:24 - 01:20:25: Okay
01:20:25 - 01:20:27: She's just wearing like a black t-shirt
01:20:27 - 01:20:28: No makeup
01:20:28 - 01:20:30: Close up shot of her face
01:20:30 - 01:20:32: Kind of like Ally from Stars Born
01:20:32 - 01:20:33: Yeah
01:20:33 - 01:20:34: Which is my favorite Gaga
01:20:34 - 01:20:35: I thought it was great
01:20:35 - 01:20:36: It's pretty funny
01:20:36 - 01:20:38: This song has 1990 energy
01:20:38 - 01:20:41: It does have 1990 energy
01:20:41 - 01:20:44: Didn't Blood Pop produce this?
01:20:44 - 01:20:45: Who's Blood Pop?
01:20:45 - 01:20:49: Blood Pop is a legendary producer
01:20:49 - 01:20:51: He's well known for working with Lady Gaga
01:20:51 - 01:20:53: The first thing that was like
01:20:53 - 01:20:55: He kind of came up with grimes
01:20:55 - 01:20:56: In that universe
01:20:56 - 01:20:58: But the thing he's probably best known for is the
01:20:58 - 01:21:00: Justin Bieber song Sorry
01:21:00 - 01:21:03: Is it too late now to say sorry?
01:21:03 - 01:21:04: He's worked with everybody
01:21:04 - 01:21:06: We've worked together
01:21:06 - 01:21:07: What did you guys work on?
01:21:07 - 01:21:08: Was he on Father of the Bride?
01:21:08 - 01:21:09: Yeah, he's on Father of the Bride a little bit
01:21:09 - 01:21:10: What song?
01:21:10 - 01:21:12: He
01:21:12 - 01:21:13: Some of the deeper cuts
01:21:13 - 01:21:16: Like we started
01:21:16 - 01:21:18: I think a somewhat slept on song on that album
01:21:18 - 01:21:20: Although there are a lot of songs
01:21:20 - 01:21:21: If I could call it a deep cut
01:21:21 - 01:21:23: He worked with you on Neo Yokio
01:21:23 - 01:21:25: On
01:21:25 - 01:21:26: What is it? Friend Like You?
01:21:26 - 01:21:27: Oh right!
01:21:27 - 01:21:28: I forgot about that
01:21:28 - 01:21:29: Yeah, yeah
01:21:29 - 01:21:30: So he helped out with that
01:21:30 - 01:21:31: He's also just like a
01:21:31 - 01:21:33: Very smart, interesting guy
01:21:33 - 01:21:35: What do you think the slept on songs
01:21:35 - 01:21:37: On Father of the Bride are?
01:21:37 - 01:21:38: Okay
01:21:38 - 01:21:40: What's the Chet Bakery one?
01:21:40 - 01:21:42: That one popped into my head
01:21:42 - 01:21:43: Oh, my mistake
01:21:43 - 01:21:44: Yes
01:21:44 - 01:21:45: That one popped into my head
01:21:45 - 01:21:46: A week or two ago
01:21:46 - 01:21:47: That's exactly the type of slept on one
01:21:47 - 01:21:48: Because I feel like
01:21:48 - 01:21:50: That one
01:21:50 - 01:21:51: You know
01:21:51 - 01:21:53: Because that one's kind of like a genre-y
01:21:53 - 01:21:54: Like Chet Baker
01:21:54 - 01:21:56: Kind of throwback
01:21:56 - 01:21:57: I feel like people are kind of like
01:21:57 - 01:21:58: Eh, you know like
01:21:58 - 01:22:00: It's not like a classic vampire ballad
01:22:00 - 01:22:02: Nor is it like a high energy song
01:22:02 - 01:22:04: And it's pretty like washy
01:22:04 - 01:22:05: It's washy and weird
01:22:05 - 01:22:06: And
01:22:06 - 01:22:07: But I felt even more
01:22:07 - 01:22:08: I always liked that song
01:22:08 - 01:22:09: I felt even more confident
01:22:09 - 01:22:10: When we started playing it live
01:22:10 - 01:22:12: Because we did like kind of a cool arrangement
01:22:12 - 01:22:14: Without all like the weird sounds
01:22:14 - 01:22:15: And
01:22:15 - 01:22:17: I remember even getting a few like messages
01:22:17 - 01:22:18: Or some reviews
01:22:18 - 01:22:19: Or people were like
01:22:19 - 01:22:21: What song actually really stood out?
01:22:21 - 01:22:22: My mistake
01:22:22 - 01:22:24: It's a little like jazzy moment
01:22:24 - 01:22:25: One song that I think is
01:22:25 - 01:22:27: Was slept on is Spring Snow
01:22:27 - 01:22:29: It's another like vibey little ballad
01:22:29 - 01:22:30: Deep in the album
01:22:31 - 01:22:32: So like understandably
01:22:32 - 01:22:33: Third to last
01:22:33 - 01:22:34: Yeah, yeah
01:22:34 - 01:22:35: Way towards the end
01:22:35 - 01:22:36: And I think naturally
01:22:36 - 01:22:39: Those are the types of songs that are like
01:22:39 - 01:22:40: Fall by the wayside
01:22:40 - 01:22:41: Because they're like slow
01:22:41 - 01:22:42: Like I meet people who like
01:22:42 - 01:22:44: Love like Rich Man
01:22:44 - 01:22:46: Which is like kind of another short weird song
01:22:46 - 01:22:48: But you know even that's like
01:22:48 - 01:22:49: That stands out maybe
01:22:49 - 01:22:51: On first listen compared to
01:22:51 - 01:22:52: The lyric
01:22:52 - 01:22:53: Yeah, the lyrics
01:22:53 - 01:22:55: And it's like a little more energy
01:22:55 - 01:22:56: Number four
01:22:56 - 01:22:57: Back to 1990
01:22:57 - 01:22:58: Taylor Dane
01:22:58 - 01:23:00: Love Will Lead You Back
01:23:00 - 01:23:03: Love will lead you back
01:23:03 - 01:23:04: So 1990
01:23:04 - 01:23:06: Yeah, 1990 is very weird
01:23:06 - 01:23:10: Very liminal spaces
01:23:10 - 01:23:12: Wow, weird album title
01:23:12 - 01:23:13: Can't Fight
01:23:13 - 01:23:15: Oh
01:23:15 - 01:23:16: Can't Fight Fate
01:23:16 - 01:23:17: I thought it said
01:23:17 - 01:23:18: Hate
01:23:18 - 01:23:20: I was like, "Dang it"
01:23:20 - 01:23:21: You can't fight hate
01:23:21 - 01:23:22: 1990 was weird
01:23:22 - 01:23:23: Yeah
01:23:23 - 01:23:24: Okay, Can't Fight Hate
01:23:24 - 01:23:25: Can't Fight Hate
01:23:25 - 01:23:27: Saying goodbye
01:23:27 - 01:23:29: Is never a need
01:23:29 - 01:23:30: Who's Diane Warren?
01:23:30 - 01:23:31: She's the songwriter
01:23:31 - 01:23:32: Yeah, she was like at the Oscars
01:23:32 - 01:23:34: Because she's written so many huge songs
01:23:34 - 01:23:35: Right
01:23:35 - 01:23:37: I mean she wrote this song
01:23:37 - 01:23:39: Oh, she had Whitney Houston in mind
01:23:39 - 01:23:43: But darling I set you free
01:23:43 - 01:23:46: But I know in time
01:23:47 - 01:23:50: We'll be together
01:23:50 - 01:23:54: I will try
01:23:54 - 01:23:57: To stop you now from leaving
01:23:57 - 01:23:59: This is so 90
01:23:59 - 01:24:00: Like just ballads
01:24:00 - 01:24:01: Yeah
01:24:01 - 01:24:03: So far two power ballads
01:24:03 - 01:24:05: Love will lead you back
01:24:05 - 01:24:08: I definitely remember watching this on MTV in 1990
01:24:08 - 01:24:10: In like four in the afternoon
01:24:10 - 01:24:13: And just being so depressed
01:24:13 - 01:24:15: It is depressing
01:24:15 - 01:24:16: This also just feels so like
01:24:16 - 01:24:18: This is Eileen's car to the full extent
01:24:18 - 01:24:20: Yeah, and I can just totally picture like
01:24:20 - 01:24:22: Working at an office
01:24:22 - 01:24:24: In an office building in 1990
01:24:24 - 01:24:26: It's like working at like a dentist's office
01:24:26 - 01:24:27: You're the receptionist
01:24:27 - 01:24:28: Just like zoning out
01:24:28 - 01:24:29: This is playing
01:24:29 - 01:24:31: You get in your car, it's playing
01:24:31 - 01:24:32: It's still playing
01:24:32 - 01:24:34: You stop off at the CVS to get your
01:24:34 - 01:24:36: Prescription, it's playing there
01:24:36 - 01:24:38: You stop home off at the grocery store
01:24:38 - 01:24:39: Right, it's still playing
01:24:39 - 01:24:40: Still playing
01:24:40 - 01:24:41: Love will lead you back
01:24:41 - 01:24:43: You get home
01:24:43 - 01:24:44: You put it on
01:24:44 - 01:24:45: Yeah
01:24:45 - 01:24:48: Then you drive down to the Coconut's
01:24:48 - 01:24:51: Say, you guys have the new Taylor Dance CD?
01:24:51 - 01:24:53: Purchase it for
01:24:53 - 01:24:55: 1990, what do you think?
01:24:55 - 01:24:56: 1099?
01:24:56 - 01:24:58: Oh, CD or tape?
01:24:58 - 01:25:00: Oh, I was thinking CD
01:25:00 - 01:25:02: Yeah, what would tape be?
01:25:02 - 01:25:03: 799?
01:25:03 - 01:25:04: Yeah
01:25:04 - 01:25:06: You going for a nightcap later?
01:25:06 - 01:25:07: It's Love Will Lead You Back
01:25:07 - 01:25:08: Playing at the bar
01:25:08 - 01:25:10: Bar's empty
01:25:10 - 01:25:11: It's also a depressing concept
01:25:11 - 01:25:13: Because I think she's basically saying
01:25:13 - 01:25:14: Alright, you want to leave?
01:25:14 - 01:25:15: Go ahead, leave
01:25:15 - 01:25:17: But love will lead you back
01:25:17 - 01:25:19: You're going to come back to my arms
01:25:19 - 01:25:20: You're not going anywhere
01:25:20 - 01:25:21: And I'm sure
01:25:21 - 01:25:22: I'm sure as the stars are shining
01:25:22 - 01:25:23: One day you'll find me again
01:25:23 - 01:25:24: It won't be long
01:25:24 - 01:25:26: You sure about that, Taylor?
01:25:26 - 01:25:28: Sure about that?
01:25:28 - 01:25:29: Won't be long?
01:25:29 - 01:25:31: Alright
01:25:31 - 01:25:32: There's other fish in the sea
01:25:32 - 01:25:33: Yeah, let's not
01:25:33 - 01:25:35: Let's don't wait too long for this guy
01:25:35 - 01:25:37: Okay
01:25:37 - 01:25:39: The number four song this week
01:25:39 - 01:25:42: Back on the iTunes chart of 2023
01:25:42 - 01:25:45: Morgan Wallen with Last Night
01:25:45 - 01:25:47: Think it's going to be a Strokes cover?
01:25:47 - 01:25:49: Last night
01:25:49 - 01:25:51: Last night she said
01:25:51 - 01:25:52: Picturing again
01:25:52 - 01:25:53: Just going back to medieval times
01:25:53 - 01:25:55: Last night she said
01:25:55 - 01:25:56: Grabbing the guitar
01:25:56 - 01:25:57: Oh yeah
01:25:57 - 01:25:58: I got a song
01:25:58 - 01:26:02: Last night she said
01:26:02 - 01:26:03: Baby don't
01:26:03 - 01:26:05: Baby don't you feel so bad
01:26:05 - 01:26:07: When you put me down
01:26:07 - 01:26:09: People at the pub just like
01:26:09 - 01:26:11: What the f*** are you talking about?
01:26:11 - 01:26:12: Speaking of Strokes covers
01:26:12 - 01:26:13: Yeah
01:26:13 - 01:26:14: We saw one this weekend
01:26:14 - 01:26:15: Oh that's true
01:26:15 - 01:26:16: We didn't talk about this earlier
01:26:16 - 01:26:17: But Nick and I went to the
01:26:17 - 01:26:19: Indian Wells
01:26:19 - 01:26:21: Tennis tournament
01:26:21 - 01:26:22: I wanted to say conference
01:26:22 - 01:26:24: It's a conference too
01:26:24 - 01:26:26: So we're checking out
01:26:26 - 01:26:28: Some of the matches
01:26:28 - 01:26:29: Learning about
01:26:29 - 01:26:31: Who plays tennis these days
01:26:31 - 01:26:33: Cause that's not Andre Agassi anymore
01:26:33 - 01:26:34: I'll tell you that much
01:26:34 - 01:26:35: Not even Federer
01:26:35 - 01:26:37: And Djokovic wasn't even allowed to play
01:26:37 - 01:26:38: So
01:26:38 - 01:26:40: We caught a lot of these younger cats
01:26:40 - 01:26:41: But
01:26:41 - 01:26:43: We're sitting there watching
01:26:43 - 01:26:44: This match
01:26:44 - 01:26:45: And then up on the screen it says
01:26:45 - 01:26:47: Don't forget at 4.30
01:26:47 - 01:26:50: Catch the Johnny Smith Band
01:26:50 - 01:26:51: And again this is a tennis tournament
01:26:51 - 01:26:52: But then you look
01:26:52 - 01:26:54: And it's a picture of John McEnroe
01:26:54 - 01:26:55: And his wife is Patti Smith
01:26:55 - 01:26:56: Not that one
01:26:56 - 01:26:57: Right
01:26:57 - 01:26:58: The other one
01:26:58 - 01:26:59: So he called himself the Johnny Smith Band
01:26:59 - 01:27:01: So then later we walk over
01:27:01 - 01:27:02: And he's playing
01:27:02 - 01:27:03: For like
01:27:03 - 01:27:04: You know
01:27:04 - 01:27:06: I would say like maybe a thousand people
01:27:06 - 01:27:07: Easily
01:27:07 - 01:27:08: That's
01:27:08 - 01:27:09: Easily?
01:27:09 - 01:27:10: Wait in the arena?
01:27:10 - 01:27:11: No it's kind of like
01:27:11 - 01:27:13: Over where people like buy drinks
01:27:13 - 01:27:14: Okay
01:27:14 - 01:27:15: They set up a little stage
01:27:15 - 01:27:17: It wasn't a main attraction
01:27:17 - 01:27:18: No cause there's constant
01:27:18 - 01:27:19: Playing happening
01:27:19 - 01:27:20: Okay
01:27:20 - 01:27:21: Right so people are going between different
01:27:21 - 01:27:22: Courts
01:27:22 - 01:27:23: Yeah because
01:27:23 - 01:27:24: And there's a huge like
01:27:24 - 01:27:25: Food court area
01:27:25 - 01:27:26: And
01:27:26 - 01:27:28: A lot of people hanging out
01:27:28 - 01:27:29: Yeah
01:27:29 - 01:27:30: Certainly hundreds of people watching
01:27:30 - 01:27:32: And he's up there with his band
01:27:32 - 01:27:34: Just ripping covers
01:27:34 - 01:27:36: And I don't know what I expected him to cover
01:27:36 - 01:27:37: But as we walked up
01:27:37 - 01:27:38: I just hear
01:27:38 - 01:27:43: (Humming)
01:27:43 - 01:27:45: And just like a truly wild
01:27:45 - 01:27:48: Raucous messy cover of The Strokes' Reptilia
01:27:48 - 01:27:49: Wow
01:27:49 - 01:27:52: Sixty something year old John McEnroe
01:27:52 - 01:27:53: And then at the end he was just like
01:27:53 - 01:27:55: Love The Strokes
01:27:55 - 01:27:57: I mean it makes sense cause then later he played
01:27:57 - 01:27:59: Let The Good Times Roll by The Cars
01:27:59 - 01:28:00: And he was just like
01:28:00 - 01:28:02: I loved this band growing up
01:28:02 - 01:28:03: And then of course in my number crunch head
01:28:03 - 01:28:04: I'm thinking like
01:28:04 - 01:28:06: I mean you weren't growing up when The Cars were out
01:28:06 - 01:28:08: You were in your twenties
01:28:08 - 01:28:09: Well
01:28:09 - 01:28:10: I guess when you're in your sixties
01:28:10 - 01:28:11: You're still growing up
01:28:11 - 01:28:12: Yeah I don't know
01:28:12 - 01:28:13: Growing up
01:28:13 - 01:28:15: Yeah I may be halfway there
01:28:15 - 01:28:16: At my age
01:28:16 - 01:28:17: I still think a little bit
01:28:17 - 01:28:18: Someone's talking to me like
01:28:18 - 01:28:19: Yeah you know when I was growing up
01:28:19 - 01:28:22: I'd think about like being eight
01:28:22 - 01:28:23: But fair enough you're in your sixties
01:28:23 - 01:28:25: What year was McEnroe born?
01:28:25 - 01:28:26: Can I get a real number crunch?
01:28:26 - 01:28:28: So John McEnroe
01:28:28 - 01:28:30: Was born in 1959
01:28:30 - 01:28:32: February 16th
01:28:32 - 01:28:33: He's 64
01:28:33 - 01:28:34: Oh okay
01:28:34 - 01:28:35: He's a little
01:28:35 - 01:28:36: Slightly younger than I thought
01:28:36 - 01:28:37: So he would have been
01:28:37 - 01:28:38: Cars came out like '79
01:28:38 - 01:28:39: He's 20
01:28:39 - 01:28:40: Yeah
01:28:40 - 01:28:41: Okay fair enough
01:28:41 - 01:28:42: Although
01:28:42 - 01:28:43: Yeah I guess I don't know
01:28:43 - 01:28:44: Maybe if I was talking to a
01:28:44 - 01:28:46: To a child
01:28:46 - 01:28:47: When I was 20
01:28:47 - 01:28:49: It was 2004
01:28:49 - 01:28:51: What came out in 2004?
01:28:51 - 01:28:52: The Killers first album
01:28:52 - 01:28:53: White Stripes or something?
01:28:53 - 01:28:54: Yeah
01:28:54 - 01:28:56: I definitely wouldn't say to somebody
01:28:56 - 01:28:57: Oh yeah
01:28:57 - 01:28:58: When I was growing up
01:28:58 - 01:28:59: There was this band The Killers
01:28:59 - 01:29:00: And they came out
01:29:00 - 01:29:01: And we said okay
01:29:01 - 01:29:02: This song called Mr. Brightside
01:29:02 - 01:29:03: I didn't know it was gonna be a big song
01:29:03 - 01:29:04: I thought it was a good song
01:29:04 - 01:29:05: I didn't know it was gonna be a big song
01:29:05 - 01:29:06: But you know when I was growing up
01:29:06 - 01:29:08: We had bands like The Killers
01:29:08 - 01:29:09: White Stripes
01:29:09 - 01:29:10: Yeah it's funny
01:29:10 - 01:29:11: For me when I was growing up
01:29:11 - 01:29:12: Was still
01:29:12 - 01:29:14: I just pictured being a kid
01:29:14 - 01:29:15: I was like when I was growing up
01:29:15 - 01:29:17: Was like the
01:29:17 - 01:29:18: The 90s
01:29:18 - 01:29:20: By the time I was 20
01:29:20 - 01:29:21: Anyway
01:29:21 - 01:29:22: When I was growing up
01:29:22 - 01:29:23: It was you know Taylor Dayne and
01:29:23 - 01:29:24: Right
01:29:24 - 01:29:25: Wait
01:29:25 - 01:29:26: Cause you were born in '77
01:29:26 - 01:29:27: Yeah
01:29:27 - 01:29:28: So you were
01:29:28 - 01:29:29: When I was growing up
01:29:29 - 01:29:30: It was like G&R
01:29:30 - 01:29:31: Yeah no exactly
01:29:31 - 01:29:32: So imagine if
01:29:32 - 01:29:33: Mali Crew then Nirvana
01:29:33 - 01:29:34: What bands came out in like
01:29:34 - 01:29:35: The late 90s
01:29:35 - 01:29:36: Like '97
01:29:36 - 01:29:37: Spice Girls
01:29:37 - 01:29:38: Third Eye Blind
01:29:39 - 01:29:41: Yeah so if Jake ever was
01:29:41 - 01:29:42: Out there
01:29:42 - 01:29:43: You're playing
01:29:43 - 01:29:44: Oh look what I'm playing
01:29:44 - 01:29:45: Yeah I'm just saying
01:29:45 - 01:29:46: You're out there playing
01:29:46 - 01:29:47: Richard Pictures
01:29:47 - 01:29:48: And you say you know guys
01:29:48 - 01:29:49: We're mostly known as
01:29:49 - 01:29:50: The Grateful Dead cover band
01:29:50 - 01:29:51: But this is a song I always really liked
01:29:51 - 01:29:53: From when I was growing up
01:29:53 - 01:29:55: Here's a Third Eye Blind with
01:29:55 - 01:29:56: I Wish You Would Step Back
01:29:56 - 01:29:57: From That Ledge My Friend
01:29:57 - 01:29:59: I'd be like what do you mean growing up
01:29:59 - 01:30:01: You're in college
01:30:01 - 01:30:02: We're splitting hairs
01:30:03 - 01:30:04: But anyway
01:30:04 - 01:30:05: These are things that I was thinking
01:30:05 - 01:30:07: As I watched John Maxon Rose
01:30:07 - 01:30:08: So how was the cover?
01:30:08 - 01:30:10: What else did he do?
01:30:10 - 01:30:11: Alright here's his set list
01:30:11 - 01:30:12: He's got the set list
01:30:12 - 01:30:13: Set list FM
01:30:13 - 01:30:14: Alright so he opened with
01:30:14 - 01:30:16: Jumping Jack Flash
01:30:16 - 01:30:17: Okay
01:30:17 - 01:30:18: Missed that one
01:30:18 - 01:30:19: I mean that's what I would have guessed
01:30:19 - 01:30:20: Is this a power trio?
01:30:20 - 01:30:22: I think there was
01:30:22 - 01:30:23: Four?
01:30:23 - 01:30:24: No there were at least four people on stage
01:30:24 - 01:30:25: And I think he brought his daughter out
01:30:25 - 01:30:26: To sing at some point
01:30:26 - 01:30:28: But yeah the core crew was four
01:30:28 - 01:30:30: And then he goes into
01:30:30 - 01:30:32: Just Like Heaven The Cure
01:30:32 - 01:30:34: I wish I caught that
01:30:34 - 01:30:35: Okay
01:30:35 - 01:30:36: Glory Days
01:30:36 - 01:30:38: Okay that's exactly what I'm expecting
01:30:38 - 01:30:39: Glory Days
01:30:39 - 01:30:40: By Bruce
01:30:40 - 01:30:41: Yeah by Bruce
01:30:41 - 01:30:43: Glory Days
01:30:43 - 01:30:44: Slides into
01:30:44 - 01:30:45: Beds Are Burning
01:30:45 - 01:30:46: Midnight Oil
01:30:46 - 01:30:48: So he has a taste for like
01:30:48 - 01:30:50: Kind of alternative indie rock
01:30:50 - 01:30:51: Yeah
01:30:51 - 01:30:52: He did Plush Stone Tone
01:30:52 - 01:30:53: STP
01:30:53 - 01:30:54: Oh wow
01:30:54 - 01:30:55: Okay Curveball
01:30:55 - 01:30:57: And by the way he goes
01:30:57 - 01:30:58: So much depends
01:30:58 - 01:31:00: And he goes from STP into the Strokes
01:31:00 - 01:31:02: So we just missed Plush
01:31:02 - 01:31:03: I like that
01:31:03 - 01:31:05: And then he goes into
01:31:05 - 01:31:06: Let The Good Times Roll
01:31:06 - 01:31:07: And then
01:31:07 - 01:31:08: That sounded pretty good
01:31:08 - 01:31:09: Cause Reptilia was like
01:31:09 - 01:31:10: And also by the way
01:31:10 - 01:31:11: I just also wanted to say
01:31:11 - 01:31:12: He did have a sense of humor
01:31:12 - 01:31:13: He was kind of like
01:31:13 - 01:31:14: Guys we're up here having fun basically
01:31:14 - 01:31:16: And then like he broke a guitar string
01:31:16 - 01:31:18: And he's like any questions
01:31:18 - 01:31:19: And he's kind of like
01:31:19 - 01:31:20: Razzing the audience a bit
01:31:20 - 01:31:21: He was good natured
01:31:21 - 01:31:23: And he goes from
01:31:23 - 01:31:24: Let The Good Times Roll
01:31:24 - 01:31:25: And you'll remember this
01:31:25 - 01:31:27: He goes into this song
01:31:27 - 01:31:29: And it says unknown here
01:31:29 - 01:31:31: Whoever, they couldn't pinpoint it either
01:31:31 - 01:31:32: It sounded like Johnny B. Goode
01:31:32 - 01:31:33: But it had like
01:31:33 - 01:31:35: Jonathan Richman type vocals
01:31:35 - 01:31:37: Very different vocals and weird lyrics
01:31:37 - 01:31:38: They didn't know what it was?
01:31:38 - 01:31:39: And they didn't know what it was either
01:31:39 - 01:31:40: Oh maybe it was an original
01:31:40 - 01:31:42: And then Walking on Sunshine
01:31:42 - 01:31:43: Katrina and the Wave
01:31:43 - 01:31:44: Wait that was his daughter came out for that?
01:31:44 - 01:31:45: Yeah
01:31:45 - 01:31:46: And then that's sort of when we left
01:31:46 - 01:31:48: And then we missed Bad Reputation
01:31:48 - 01:31:49: Joan Jett
01:31:49 - 01:31:51: That's exactly what I would have expected
01:31:51 - 01:31:52: This is pretty interesting
01:31:52 - 01:31:53: And he goes
01:31:53 - 01:31:54: He probably relates to that song
01:31:54 - 01:31:56: I don't give a damn about my bad reputation
01:31:56 - 01:31:57: Yeah
01:31:57 - 01:31:58: I mean that sort of seems like
01:31:58 - 01:31:59: In the movie
01:31:59 - 01:32:00: That's what he's walking out to
01:32:00 - 01:32:01: Oh yeah totally
01:32:01 - 01:32:02: You could just
01:32:02 - 01:32:03: I mean they probably
01:32:03 - 01:32:04: Didn't they literally make this movie?
01:32:04 - 01:32:05: Which is Shia LaBeouf
01:32:05 - 01:32:06: No I just pictured
01:32:06 - 01:32:07: I told you
01:32:07 - 01:32:08: That's a good movie
01:32:08 - 01:32:09: Yeah right
01:32:09 - 01:32:10: It's like somebody plays
01:32:10 - 01:32:11: Becker
01:32:11 - 01:32:12: Somebody plays Boris Becker
01:32:12 - 01:32:13: Or whatever
01:32:13 - 01:32:14: Yeah that is a cool movie
01:32:14 - 01:32:15: It is
01:32:15 - 01:32:16: It's a weird vibey movie
01:32:16 - 01:32:17: And then it's just like
01:32:17 - 01:32:18: Everybody's like
01:32:18 - 01:32:19: McEnroe's coming
01:32:19 - 01:32:20: Like Shia LaBeouf walks out
01:32:20 - 01:32:22: I don't give a damn about my bad reputation
01:32:22 - 01:32:23: Yeah
01:32:23 - 01:32:24: And then
01:32:24 - 01:32:25: So he goes from Joan Jett
01:32:25 - 01:32:26: Into Go With The Flow
01:32:26 - 01:32:27: Queens of the Stone Age
01:32:27 - 01:32:28: Okay
01:32:28 - 01:32:29: And then into
01:32:29 - 01:32:30: And he ends
01:32:30 - 01:32:33: With the Foo Fighters learn to fly
01:32:33 - 01:32:34: Okay
01:32:34 - 01:32:35: Wow
01:32:35 - 01:32:36: It's really covering this
01:32:36 - 01:32:37: And he's covering a lot of ground
01:32:37 - 01:32:38: Yeah spanning some eras
01:32:38 - 01:32:39: I mean I guess it does make
01:32:39 - 01:32:41: The Plush one is so real
01:32:41 - 01:32:43: Bummed
01:32:43 - 01:32:44: Left turn there
01:32:44 - 01:32:46: One time Richard Pictures did
01:32:46 - 01:32:47: At the pub
01:32:47 - 01:32:49: We did Althea into Plush
01:32:49 - 01:32:50: Back into Althea
01:32:50 - 01:32:51: Whoa
01:32:51 - 01:32:52: Yeah
01:32:52 - 01:32:53: Is there a tape?
01:32:53 - 01:32:54: I don't think so
01:32:55 - 01:32:56: But anyway
01:32:56 - 01:32:57: People were loving it
01:32:57 - 01:32:58: It was a great vibe
01:32:58 - 01:32:59: Sounds awesome
01:32:59 - 01:33:01: Yeah they weren't taking themselves too seriously
01:33:01 - 01:33:02: Anyway
01:33:02 - 01:33:03: Here's Morgan Wallen
01:33:03 - 01:33:04: With his
01:33:04 - 01:33:05: His take on the strokes
01:33:05 - 01:33:07: Sorry I have to just interrupt that
01:33:07 - 01:33:08: Uh
01:33:08 - 01:33:09: Eddie Van Halen
01:33:09 - 01:33:10: And Eric Clapton
01:33:10 - 01:33:12: Taught McEnroe to play guitar
01:33:12 - 01:33:13: Really?
01:33:13 - 01:33:14: According to McEnroe
01:33:14 - 01:33:15: Interesting
01:33:15 - 01:33:16: That's so funny
01:33:16 - 01:33:18: What does that even mean?
01:33:18 - 01:33:19: I mean yeah
01:33:19 - 01:33:20: They sat down for 40 minutes once
01:33:20 - 01:33:21: And like hey
01:33:21 - 01:33:22: He paid them for lessons?
01:33:22 - 01:33:23: I don't know
01:33:23 - 01:33:24: He paid them?
01:33:24 - 01:33:25: I was
01:33:25 - 01:33:26: When he was growing up
01:33:26 - 01:33:27: I brought
01:33:27 - 01:33:29: When he was just growing up
01:33:29 - 01:33:31: We were just like doing an interview
01:33:31 - 01:33:32: Like I can just picture this
01:33:32 - 01:33:33: It's like so random
01:33:33 - 01:33:34: This is John McEnroe
01:33:34 - 01:33:35: Sits down with Larry King
01:33:35 - 01:33:37: I understand you got a band
01:33:37 - 01:33:38: Oh that's right
01:33:38 - 01:33:39: Who taught you to play guitar?
01:33:39 - 01:33:41: Eddie Van Halen
01:33:41 - 01:33:42: And Eric Clapton
01:33:42 - 01:33:43: Pretty impressive
01:33:43 - 01:33:44: Yeah
01:33:44 - 01:33:46: They're my friends
01:33:46 - 01:33:48: Yeah how many lessons were they like
01:33:48 - 01:33:49: So did you pay them?
01:33:49 - 01:33:50: Right
01:33:50 - 01:33:52: Are you buying 10 lessons at a time?
01:33:52 - 01:33:54: Maybe it was like a master class situation
01:33:54 - 01:33:55: Like an online
01:33:55 - 01:33:59: Between 1995 and 2000
01:33:59 - 01:34:02: Eddie Van Halen was giving him weekly lessons
01:34:02 - 01:34:05: He actually toured with Van Halen as a roadie
01:34:05 - 01:34:09: Okay here's Morgan Wallen
01:34:09 - 01:34:11: With his cover of The Strokes "Last Night"
01:34:11 - 01:34:14: Okay actually
01:34:14 - 01:34:15: I don't think it's a cover
01:34:21 - 01:34:24: Last night we let the liquor talk
01:34:24 - 01:34:27: I can't remember everything we said
01:34:27 - 01:34:29: But we said it all
01:34:29 - 01:34:34: You told me that you wish I was somebody you never met
01:34:34 - 01:34:35: But baby baby
01:34:35 - 01:34:38: Something's telling me this ain't over yet
01:34:38 - 01:34:40: No way it was
01:34:40 - 01:34:42: Last night I kissed your lips
01:34:42 - 01:34:44: Make you grip your sheets with your fingertips
01:34:44 - 01:34:47: Last bottle of Jack we split a fifth
01:34:47 - 01:34:49: Just talking 'bout life going sip for sip
01:34:49 - 01:34:52: Yeah you, you know you love to fight
01:34:52 - 01:34:54: And I say that only
01:34:54 - 01:34:55: Oh interesting
01:34:55 - 01:34:57: He's not credited as a songwriter on this
01:34:57 - 01:34:58: Really?
01:34:58 - 01:34:59: I guess it's just real Nashville stuff
01:34:59 - 01:35:01: This song is written by
01:35:01 - 01:35:07: John Byron, Ashley Gourley, Jacob Kasher, Hendlin, and Ryan Wojcik
01:35:07 - 01:35:10: I sent a Morgan Wallen song to Jake over text the other day
01:35:10 - 01:35:11: Did you?
01:35:11 - 01:35:12: Yep
01:35:12 - 01:35:13: What'd you send?
01:35:13 - 01:35:14: 98 Braves
01:35:14 - 01:35:15: Oh right
01:35:15 - 01:35:16: That's a good title
01:35:16 - 01:35:17: It's a great title
01:35:17 - 01:35:18: And it's a great song
01:35:18 - 01:35:19: Is it a rocker?
01:35:19 - 01:35:20: Yeah
01:35:20 - 01:35:23: It's sort of a metaphor comparing his relationship to this woman
01:35:23 - 01:35:24: To the 98 Braves
01:35:24 - 01:35:26: They were so close
01:35:26 - 01:35:28: But they couldn't make it
01:35:28 - 01:35:30: Could've been 96 Braves too
01:35:30 - 01:35:33: Up 2-0 in the World Series and they blow it
01:35:33 - 01:35:34: 98 Braves
01:35:34 - 01:35:36: Let me just see
01:35:36 - 01:35:38: Not a fan
01:35:38 - 01:35:43: The Stroke song's better
01:35:43 - 01:35:46: If it's performed by John McEnroe
01:35:46 - 01:35:48: I can go
01:35:48 - 01:35:51: My number one is John McEnroe doing the Strokes
01:35:51 - 01:35:54: Then Morgan Wallen, then the Strokes
01:35:54 - 01:35:57: The number three song back in 1990
01:35:57 - 01:35:58: Okay, here's a great
01:35:58 - 01:36:02: This is the best of what '89-'90 had to offer
01:36:02 - 01:36:04: This is the B-52s with Rome
01:36:04 - 01:36:05: Great song
01:36:05 - 01:36:08: I hear a wind
01:36:08 - 01:36:12: Through southern air
01:36:12 - 01:36:19: Whispering in my ear
01:36:19 - 01:36:29: Oh, Mercury
01:36:29 - 01:36:33: Shoots through every degree
01:36:33 - 01:36:38: Oh, girl dancing down those dirty and dusty trails
01:36:38 - 01:36:41: B-52s are such a great collection of voices
01:36:41 - 01:36:44: Lots of idiosyncratic but great singers
01:36:44 - 01:36:47: Around the world
01:36:47 - 01:36:49: Around the world
01:36:49 - 01:36:55: The trip begins with a kiss
01:36:55 - 01:36:58: Rome if you want to
01:36:58 - 01:37:02: Rome around the world
01:37:02 - 01:37:05: Rome if you want to
01:37:05 - 01:37:09: Without wings, without wheels
01:37:09 - 01:37:12: Rome if you want to
01:37:12 - 01:37:16: Rome around the world
01:37:16 - 01:37:19: Rome if you want to
01:37:19 - 01:37:23: Without wings, without love with me
01:37:23 - 01:37:26: He knew they didn't need him on this one
01:37:26 - 01:37:27: Rome!
01:37:28 - 01:37:30: Come on, Rome!
01:37:30 - 01:37:33: It's pretty tight that the B-52s are like
01:37:33 - 01:37:35: decade plus into their career
01:37:35 - 01:37:37: You know, totally like
01:37:37 - 01:37:40: cool 70s punk adjacent band
01:37:40 - 01:37:42: and they just come back hard with this album
01:37:42 - 01:37:44: with Love Shack and Rome
01:37:44 - 01:37:46: Just two all-timers
01:37:46 - 01:37:51: B-52s with a wildness
01:37:51 - 01:37:53: Around the world
01:37:53 - 01:37:58: The trip begins with a kiss
01:37:58 - 01:38:02: Rome if you want to
01:38:02 - 01:38:05: Rome around the world
01:38:05 - 01:38:08: Rome if you want to
01:38:08 - 01:38:12: Without wings, without wheels
01:38:12 - 01:38:15: Rome if you want to
01:38:15 - 01:38:18: Rome around the world
01:38:18 - 01:38:21: Rome if you want to
01:38:21 - 01:38:24: Without wings, without love with me
01:38:24 - 01:38:27: He knew they didn't need him on this one
01:38:27 - 01:38:28: Rome!
01:38:29 - 01:38:31: Come on, Rome!
01:38:31 - 01:38:34: It's pretty tight that the B-52s are like
01:38:34 - 01:38:35: decade plus into their career
01:38:35 - 01:38:36: Wow, wow
01:38:36 - 01:38:37: And her brother Ricky
01:38:37 - 01:38:39: who was an original member of the B-52s
01:38:39 - 01:38:41: died in '85 of AIDS
01:38:41 - 01:38:42: So this is only
01:38:42 - 01:38:44: they're probably working on the song
01:38:44 - 01:38:45: only a few years after that
01:38:45 - 01:38:47: Whoa, deep, I never thought about that
01:38:47 - 01:38:54: B-52s, excellent
01:38:54 - 01:38:55: Great song
01:38:55 - 01:38:56: The next song
01:38:56 - 01:38:57: I can't remember if we
01:38:57 - 01:38:58: Oh yeah, we did talk about this
01:38:58 - 01:38:59: because I said this song is
01:38:59 - 01:39:01: kind of funky uncle
01:39:01 - 01:39:03: This is Miley Cyrus with Flowers
01:39:03 - 01:39:04: Hit
01:39:04 - 01:39:05: Off the hit album
01:39:05 - 01:39:06: Endless Summer Vacation
01:39:06 - 01:39:07: Oh, this album's called
01:39:07 - 01:39:08: Endless Summer Vacation?
01:39:08 - 01:39:09: Sick
01:39:09 - 01:39:13: I think last show I was like
01:39:13 - 01:39:14: the title's
01:39:14 - 01:39:15: Endless Summer Vacation
01:39:15 - 01:39:18: We were right
01:39:18 - 01:39:20: 'til we weren't
01:39:20 - 01:39:24: Built a home and watched it burn
01:39:24 - 01:39:26: I didn't want to leave you
01:39:26 - 01:39:28: I didn't want to lie
01:39:28 - 01:39:30: Started to cry
01:39:30 - 01:39:33: But then remembered that I
01:39:33 - 01:39:37: I can buy myself flowers
01:39:37 - 01:39:39: Write my name in the sand
01:39:39 - 01:39:41: This was number one last week
01:39:41 - 01:39:42: 'cause then it sent us down that
01:39:42 - 01:39:43: Right
01:39:43 - 01:39:45: Cardigans
01:39:45 - 01:39:46: Yeah, yeah, right
01:39:46 - 01:39:49: So if you don't understand
01:39:49 - 01:39:52: I can take myself dancing
01:39:52 - 01:39:53: Wow, you really hear
01:39:53 - 01:39:55: her voice is aged
01:39:55 - 01:39:57: Yeah, I love this kind of smoky
01:39:57 - 01:39:58: Like a fine wine
01:39:58 - 01:39:59: Yeah
01:39:59 - 01:40:00: A fine Tennessee whiskey
01:40:00 - 01:40:01: It does sound like
01:40:01 - 01:40:03: whiskey and cigarettes
01:40:03 - 01:40:05: I can love me better, baby
01:40:05 - 01:40:07: Can love me better
01:40:07 - 01:40:09: I can love me better, baby
01:40:09 - 01:40:12: Paint my nails cherry red
01:40:12 - 01:40:16: Match the roses that you lay
01:40:16 - 01:40:20: No remorse, no regret
01:40:20 - 01:40:24: I forget every word you say
01:40:24 - 01:40:27: Ooh, I didn't want to leave, babe
01:40:27 - 01:40:29: I didn't want to fight
01:40:29 - 01:40:31: Started to cry
01:40:31 - 01:40:34: But then remembered I
01:40:34 - 01:40:38: I can buy myself flowers
01:40:38 - 01:40:41: Write my name in the sand
01:40:41 - 01:40:43: It's also got kind of like, yeah
01:40:43 - 01:40:45: I will survive energy
01:40:45 - 01:40:47: Serious Bee- I was just gonna say
01:40:47 - 01:40:48: Yeah
01:40:48 - 01:40:49: Bee-Gee's energy
01:40:49 - 01:40:50: Yeah
01:40:50 - 01:40:51: With those strings
01:40:51 - 01:40:54: I can take myself dancing
01:40:54 - 01:40:57: It's also very fastball
01:40:57 - 01:40:58: That's a good call
01:40:58 - 01:41:01: Deep hole there
01:41:01 - 01:41:02: Yeah, fastball
01:41:02 - 01:41:04: That's some real funky uncle
01:41:04 - 01:41:06: Slightly generic
01:41:06 - 01:41:08: Slightly throwback
01:41:08 - 01:41:11: Very like proficient pop song writing
01:41:11 - 01:41:13: Director of public reception
01:41:13 - 01:41:14: Or a 299-
01:41:14 - 01:41:15: Is available only at the
01:41:15 - 01:41:16: Is this fastball?
01:41:16 - 01:41:17: Yeah
01:41:17 - 01:41:19: There's no alternative
01:41:19 - 01:41:20: Okay
01:41:21 - 01:41:22: Yes
01:41:22 - 01:41:27: Na na na na na na na na
01:41:27 - 01:41:30: They made up their minds
01:41:30 - 01:41:32: And they started packing
01:41:32 - 01:41:34: This band has always been
01:41:34 - 01:41:35: Fascinating to me
01:41:35 - 01:41:36: It's like
01:41:36 - 01:41:37: Did you like this song?
01:41:37 - 01:41:38: No
01:41:38 - 01:41:40: It was too throwback
01:41:40 - 01:41:41: Yeah
01:41:41 - 01:41:48: And exit to eternal summer slacking
01:41:48 - 01:41:51: Kind of like- I like like some squeeze songs a lot
01:41:51 - 01:41:53: Oh yeah, I love squeeze
01:41:53 - 01:41:54: I like squeeze
01:41:54 - 01:41:55: What about Cake?
01:41:55 - 01:41:58: I can get down with Cake
01:41:58 - 01:42:02: Is this same year as Sex and Candy?
01:42:02 - 01:42:04: This is like '90
01:42:04 - 01:42:06: Yeah, exact same era
01:42:06 - 01:42:07: When I was growing up
01:42:07 - 01:42:09: When Jake was growing up
01:42:09 - 01:42:16: Mackerel, when you were growing up
01:42:16 - 01:42:17: It was like the monkeys
01:42:17 - 01:42:18: That would be-
01:42:18 - 01:42:20: I love the monkeys when I was growing up
01:42:20 - 01:42:21: Then as I got older
01:42:21 - 01:42:22: I got into some new-
01:42:22 - 01:42:24: I got into some new wave stuff
01:42:24 - 01:42:25: I would have loved it if
01:42:25 - 01:42:27: Mack and Rowe just dropped some monkeys
01:42:27 - 01:42:28: Yeah, that'd be sick
01:42:28 - 01:42:29: All sixies
01:42:29 - 01:42:31: When did John Mack and Rowe go professional?
01:42:31 - 01:42:33: Like when did he go pro?
01:42:33 - 01:42:35: He's born in '58, we said?
01:42:35 - 01:42:37: I just feel like if he's already pro
01:42:37 - 01:42:38: Late '70s?
01:42:38 - 01:42:39: Yeah
01:42:39 - 01:42:42: He can't say he's growing up
01:42:42 - 01:42:43: If he's already a professional
01:42:43 - 01:42:45: He probably feels like he's grown up in public
01:42:45 - 01:42:46: '78
01:42:47 - 01:42:49: That's when the cars came out, so
01:42:49 - 01:42:53: Yeah, but he's already got a full-time job
01:42:53 - 01:42:54: Maybe the timeline's boring, man
01:42:54 - 01:42:57: He's 65, 64
01:42:57 - 01:42:59: Maybe he just believes that he never stopped growing
01:42:59 - 01:43:00: That's right
01:43:00 - 01:43:01: Yeah, he's just like
01:43:01 - 01:43:03: And this is another song from when I was growing up
01:43:03 - 01:43:05: It's by The Strokes, Reptilia
01:43:05 - 01:43:09: But back to Miley Cyrus for a second
01:43:09 - 01:43:10: I just-
01:43:10 - 01:43:12: Is this supposed to be kind of like a single anthem?
01:43:12 - 01:43:14: Or is it supposed to be-
01:43:14 - 01:43:16: Is she an unreliable narrator in the song?
01:43:16 - 01:43:19: 'Cause it doesn't feel very cheerful
01:43:19 - 01:43:21: It feels kind of sad
01:43:21 - 01:43:23: I didn't want you to go
01:43:23 - 01:43:25: I haven't tapped into the lyrics yet
01:43:25 - 01:43:27: Okay, we were right 'til we weren't
01:43:27 - 01:43:31: Built a home and watched it burn
01:43:31 - 01:43:33: Damn, harsh
01:43:33 - 01:43:35: I didn't want to leave you
01:43:35 - 01:43:37: I didn't want to lie
01:43:37 - 01:43:38: Started to remember
01:43:38 - 01:43:39: Oh, started to cry
01:43:40 - 01:43:44: I can buy myself flowers
01:43:44 - 01:43:45: I can promise?
01:43:45 - 01:43:47: I can buy myself flowers
01:43:47 - 01:43:49: Write my name in the sand
01:43:49 - 01:43:52: Talk to myself for hours
01:43:52 - 01:43:56: Say things you don't understand
01:43:56 - 01:44:00: I can take myself dancing
01:44:00 - 01:44:04: And I can hold my own hand
01:44:04 - 01:44:08: I can love me better than you can
01:44:08 - 01:44:10: See, to me, it's-
01:44:10 - 01:44:12: Because it has this kind of sad French-
01:44:12 - 01:44:14: French blues chords
01:44:14 - 01:44:16: It's similar to
01:44:16 - 01:44:18: It Was a Good Day by Ice Cube
01:44:18 - 01:44:20: This is a fantasy
01:44:20 - 01:44:22: But this was a fantasy
01:44:22 - 01:44:24: It's a bit of a-
01:44:24 - 01:44:25: My take is that it's a delusion
01:44:25 - 01:44:27: That's why the song is so bittersweet
01:44:27 - 01:44:28: It's basically like
01:44:28 - 01:44:29: I didn't want you to leave
01:44:29 - 01:44:30: I didn't want you to go
01:44:30 - 01:44:32: But then I really desperately
01:44:32 - 01:44:33: Had to craft a narrative
01:44:33 - 01:44:35: To make myself feel good about this
01:44:35 - 01:44:36: 'Cause I was falling into a pit of despair
01:44:36 - 01:44:38: And then I realized something
01:44:38 - 01:44:40: I can buy myself flowers
01:44:40 - 01:44:41: Yeah, that might not be
01:44:41 - 01:44:42: Most people's top three things
01:44:42 - 01:44:44: That they value in a relationship
01:44:44 - 01:44:45: But you're right
01:44:45 - 01:44:46: You can buy yourself flowers
01:44:46 - 01:44:48: You don't need a boyfriend
01:44:48 - 01:44:50: Or a girlfriend to buy you flowers
01:44:50 - 01:44:52: I can write my name in the sand
01:44:52 - 01:44:53: Okay, you get a little random
01:44:53 - 01:44:55: You're pretty low-stakes there
01:44:55 - 01:44:56: Get a little-
01:44:56 - 01:44:57: Okay, you're right
01:44:57 - 01:44:58: You could have written your name in the sand before
01:44:58 - 01:45:00: Talk to myself for hours
01:45:00 - 01:45:01: Sure
01:45:01 - 01:45:02: Yeah
01:45:02 - 01:45:03: We all do that to some extent
01:45:03 - 01:45:04: That's not-
01:45:04 - 01:45:05: That sounds kind of sad
01:45:05 - 01:45:07: Say things you don't understand
01:45:07 - 01:45:09: Yeah, we're all-
01:45:09 - 01:45:10: Many of us are trapped in our heads
01:45:10 - 01:45:12: Saying things incomprehensible to other people
01:45:12 - 01:45:13: For most of our lives
01:45:13 - 01:45:15: Which is part of why
01:45:15 - 01:45:17: Those moments when you can connect with somebody else
01:45:17 - 01:45:19: Can feel like a relief
01:45:19 - 01:45:21: And then
01:45:21 - 01:45:23: I can take myself dancing
01:45:23 - 01:45:24: Eh
01:45:24 - 01:45:25: Try and-
01:45:25 - 01:45:26: Yeah, I mean
01:45:26 - 01:45:28: Say I could go dancing with my friends
01:45:28 - 01:45:29: I could understand that more
01:45:29 - 01:45:30: If you're like, you know what?
01:45:30 - 01:45:31: I don't need you
01:45:31 - 01:45:32: It's time to just focus on
01:45:32 - 01:45:33: Me and my friends
01:45:33 - 01:45:34: And then
01:45:34 - 01:45:35: I can hold my own hand
01:45:35 - 01:45:36: That's when I'm starting to be like
01:45:36 - 01:45:38: Okay, this is a sad person
01:45:38 - 01:45:40: Just trying
01:45:40 - 01:45:42: I can hold my own hand
01:45:42 - 01:45:43: What do you mean?
01:45:43 - 01:45:44: No, you can't hold your own hand
01:45:44 - 01:45:45: You could put your hands together
01:45:45 - 01:45:46: You could clap
01:45:46 - 01:45:47: You could rub your hands together
01:45:47 - 01:45:49: You could do the money thing
01:45:49 - 01:45:50: Or like you're hungry
01:45:50 - 01:45:51: You could rub your hands together
01:45:51 - 01:45:53: You're not holding
01:45:53 - 01:45:54: That's not what it means
01:45:54 - 01:45:55: You can't hold your own hand
01:45:55 - 01:45:56: And then it says
01:45:56 - 01:45:58: And I can love me better than you can
01:45:58 - 01:45:59: Which
01:45:59 - 01:46:00: I understand the sentiment
01:46:00 - 01:46:02: Because of course
01:46:02 - 01:46:04: It's a concept in popular culture
01:46:04 - 01:46:06: Which I think has real meaning
01:46:06 - 01:46:07: If you don't love yourself
01:46:07 - 01:46:09: And you're not okay with yourself
01:46:09 - 01:46:11: You can't accept other people's love
01:46:11 - 01:46:12: And you might not be able to love them
01:46:12 - 01:46:13: I understand what you're saying
01:46:13 - 01:46:15: Loving myself is important
01:46:15 - 01:46:16: Being okay with yourself
01:46:16 - 01:46:17: Liking yourself
01:46:17 - 01:46:18: These are all really important things
01:46:18 - 01:46:20: But now in the context of this song
01:46:20 - 01:46:23: This sounds kind of like sad
01:46:23 - 01:46:25: I can love me better than you can
01:46:25 - 01:46:27: Maybe she doesn't really believe it
01:46:27 - 01:46:28: That's my take
01:46:28 - 01:46:29: This is a sad song
01:46:29 - 01:46:30: It's not empowering
01:46:30 - 01:46:31: Is it supposed to be?
01:46:31 - 01:46:32: Yeah, I take it
01:46:32 - 01:46:34: It seems very straightforwardly sad
01:46:34 - 01:46:35: And like
01:46:35 - 01:46:36: I don't know
01:46:36 - 01:46:37: Seinfeld
01:46:37 - 01:46:38: You're out there on social media
01:46:38 - 01:46:40: I don't know how much people are talking about it
01:46:40 - 01:46:41: In the kind of Seinfeld space
01:46:41 - 01:46:43: But in the larger social media world
01:46:43 - 01:46:45: Is this song seen as empowering
01:46:45 - 01:46:47: Or sort of like about the
01:46:47 - 01:46:49: The delusional bargaining
01:46:49 - 01:46:50: Some person might do
01:46:50 - 01:46:52: If their heart is broken
01:46:52 - 01:46:53: Yeah, the second one
01:46:53 - 01:46:55: That's how people are interpreting it
01:46:55 - 01:46:56: In the Seinfeld space?
01:46:56 - 01:46:57: No, the Twitter sphere in general
01:46:57 - 01:46:59: That's kind of what it boils down to
01:46:59 - 01:47:00: Okay, so it is accepted
01:47:00 - 01:47:01: This is a sad song
01:47:01 - 01:47:02: 100%
01:47:02 - 01:47:03: Okay
01:47:03 - 01:47:04: With a deceptive title
01:47:04 - 01:47:05: Correct
01:47:05 - 01:47:06: Flowers
01:47:06 - 01:47:07: Yeah
01:47:07 - 01:47:08: Like sort of ironically
01:47:08 - 01:47:10: Like a deliberately deceptive title
01:47:10 - 01:47:11: Yeah
01:47:11 - 01:47:13: She's in on it
01:47:13 - 01:47:14: Because in fact
01:47:14 - 01:47:15: It brings to mind the classic line
01:47:15 - 01:47:16: Written by Prince
01:47:16 - 01:47:18: In the Sinead O'Connor hit
01:47:18 - 01:47:20: "Nothing compares to you"
01:47:20 - 01:47:21: I could eat my dinner
01:47:21 - 01:47:22: At a fancy restaurant
01:47:22 - 01:47:23: But
01:47:23 - 01:47:25: What did they say?
01:47:25 - 01:47:26: I could eat my dinner
01:47:26 - 01:47:29: At a fancy restaurant
01:47:29 - 01:47:31: That only remind me of you
01:47:31 - 01:47:32: Yeah, something like that
01:47:32 - 01:47:33: Yeah
01:47:33 - 01:47:36: I go out every day
01:47:36 - 01:47:38: Yeah, so maybe the songs
01:47:38 - 01:47:39: Are saying the same thing
01:47:39 - 01:47:41: This one's just more
01:47:41 - 01:47:42: It's interesting
01:47:42 - 01:47:43: It's just more delusional
01:47:43 - 01:47:44: Yeah, the Prince song
01:47:44 - 01:47:47: It's a much more jarring image
01:47:47 - 01:47:48: Eating by yourself
01:47:48 - 01:47:50: At a fancy restaurant
01:47:50 - 01:47:51: Yeah, right
01:47:51 - 01:47:52: That's a much more
01:47:52 - 01:47:53: Viscerally emo
01:47:53 - 01:47:55: I could buy myself flowers
01:47:55 - 01:47:56: Sure you could
01:47:56 - 01:47:57: I could go
01:47:57 - 01:47:58: You're at the Vons
01:47:58 - 01:47:59: You're picking up a pint of ice cream
01:47:59 - 01:48:00: Yeah
01:48:00 - 01:48:01: I'll get some flowers
01:48:01 - 01:48:02: What the hell
01:48:02 - 01:48:03: For sure
01:48:03 - 01:48:04: It's like whatever
01:48:04 - 01:48:05: Why not?
01:48:05 - 01:48:06: I could go eat my dinner
01:48:06 - 01:48:07: At a fancy restaurant
01:48:07 - 01:48:08: You're like
01:48:08 - 01:48:09: Yeah, you could
01:48:09 - 01:48:10: You're starting to lose
01:48:10 - 01:48:11: Table for one?
01:48:11 - 01:48:12: You're starting to lose
01:48:12 - 01:48:13: 80% of the listeners
01:48:13 - 01:48:14: Because they're just like
01:48:14 - 01:48:15: I would not want to go
01:48:15 - 01:48:16: Eat my dinner
01:48:16 - 01:48:17: At a fancy restaurant
01:48:17 - 01:48:18: By myself
01:48:18 - 01:48:19: And then it's kind of like
01:48:19 - 01:48:20: You know what?
01:48:20 - 01:48:21: I could go on a romantic trip
01:48:21 - 01:48:22: By myself
01:48:22 - 01:48:23: And props to people
01:48:23 - 01:48:24: Who do stuff by themselves
01:48:24 - 01:48:25: I like to do stuff
01:48:25 - 01:48:26: By myself sometimes
01:48:26 - 01:48:27: Some people don't even like
01:48:27 - 01:48:28: To go to the movies
01:48:28 - 01:48:29: By themselves
01:48:29 - 01:48:30: Oh, I love doing that
01:48:30 - 01:48:31: Yeah, I like to do that
01:48:31 - 01:48:33: Fascinating song
01:48:33 - 01:48:34: And moving
01:48:34 - 01:48:38: Very convincing
01:48:38 - 01:48:39: And moving
01:48:39 - 01:48:40: No, no
01:48:40 - 01:48:41: I'm giving up for this song
01:48:41 - 01:48:42: That it is deep
01:48:42 - 01:48:43: And clearly
01:48:43 - 01:48:44: This is the
01:48:44 - 01:48:45: As Seinfeld's telling me
01:48:45 - 01:48:46: This is how everybody's
01:48:46 - 01:48:47: Interpreting it
01:48:47 - 01:48:48: I mean, it's pretty
01:48:48 - 01:48:49: Straightforward to me
01:48:49 - 01:48:50: That it's a sad breakup song
01:48:50 - 01:48:51: It's sad, but I guess
01:48:51 - 01:48:52: When I first heard it
01:48:52 - 01:48:53: Maybe this is just
01:48:53 - 01:48:54: My own naivete
01:48:54 - 01:48:55: I just assumed that
01:48:55 - 01:48:56: It was turning a little bit
01:48:56 - 01:48:57: To be like
01:48:57 - 01:48:58: But you know what?
01:48:58 - 01:48:59: I can buy myself flowers
01:48:59 - 01:49:01: Because it doesn't go quite as hard
01:49:01 - 01:49:02: They don't go for the jugular
01:49:02 - 01:49:03: And then like
01:49:03 - 01:49:04: And I could eat my dinner
01:49:04 - 01:49:05: At a fancy restaurant
01:49:05 - 01:49:06: But
01:49:06 - 01:49:07: There's never a but
01:49:07 - 01:49:08: The hook goes
01:49:08 - 01:49:10: Yeah, I can love me better
01:49:10 - 01:49:12: I can love me better
01:49:12 - 01:49:13: So it's like
01:49:13 - 01:49:14: You really have to sit with it
01:49:14 - 01:49:16: To interpret it as
01:49:16 - 01:49:17: I don't believe you
01:49:17 - 01:49:18: I think you guys should try
01:49:18 - 01:49:20: To patch things up
01:49:20 - 01:49:21: Yeah, I don't know
01:49:21 - 01:49:22: I don't know exactly
01:49:22 - 01:49:23: What the problem is
01:49:23 - 01:49:24: I don't know why this guy
01:49:24 - 01:49:25: Was leaving
01:49:25 - 01:49:26: But
01:49:26 - 01:49:28: Things don't seem good over there
01:49:28 - 01:49:31: In the Cyrus House household
01:49:31 - 01:49:32: Next song
01:49:32 - 01:49:34: I've always wondered about this song actually
01:49:34 - 01:49:35: Because I don't know it very well
01:49:35 - 01:49:37: Lana Miles with Black Velvet
01:49:37 - 01:49:40: This is the most 1990 thing ever
01:49:40 - 01:49:41: Yeah, this is pure 90
01:49:41 - 01:49:42: I hated this song
01:49:42 - 01:49:43: Oh, I loved it
01:49:43 - 01:49:44: So this is kind of like
01:49:44 - 01:49:46: This is kind of like a rootsy song
01:49:46 - 01:49:48: Like a Texas Roadhouse
01:49:48 - 01:49:50: Blues rock song
01:49:50 - 01:49:51: Did you
01:49:51 - 01:49:52: I heard it for the first time
01:49:52 - 01:49:53: See, I only know the chorus
01:49:53 - 01:49:54: With the video
01:49:54 - 01:49:55: Yeah, but
01:49:55 - 01:49:58: And I remember it being pretty horny
01:49:58 - 01:49:59: Oh, it's a horny video?
01:49:59 - 01:50:00: Oh, for sure
01:50:00 - 01:50:01: Yeah
01:50:01 - 01:50:03: So
01:50:03 - 01:50:05: Probably why I love this song
01:50:05 - 01:50:07: So her boyfriend wrote this song
01:50:07 - 01:50:09: Christopher Ward
01:50:09 - 01:50:16: The sun is setting like molasses in the sky
01:50:16 - 01:50:18: The sun is setting like molasses in the sky
01:50:18 - 01:50:21: Everything
01:50:21 - 01:50:23: Always wanted more
01:50:23 - 01:50:25: This song was written about Elvis Presley
01:50:25 - 01:50:27: Whose portrait was often painted on black velvet
01:50:27 - 01:50:28: Oh, right
01:50:28 - 01:50:32: Black velvet and that little boy's smile
01:50:32 - 01:50:37: Black velvet with that slow southern style
01:50:37 - 01:50:39: She's a Canadian icon
01:50:39 - 01:50:40: Oh, she's Canadian too?
01:50:40 - 01:50:41: Oh, yeah
01:50:41 - 01:50:42: So is she like huge in Canada?
01:50:42 - 01:50:45: This is like one of many hits
01:50:45 - 01:50:46: I wouldn't
01:50:46 - 01:50:49: I would say this was her biggest hit
01:50:49 - 01:50:50: She wasn't really on my radar
01:50:50 - 01:50:53: Is Elvis the little boy in the song?
01:50:53 - 01:50:55: I guess so
01:50:55 - 01:50:56: Sick bass
01:50:56 - 01:51:01: She's referring to just like a 25 year old Elvis as a little boy
01:51:01 - 01:51:07: White lightning bound to glide you wild
01:51:07 - 01:51:09: I guess I always heard it
01:51:09 - 01:51:11: When I would see this in like those ads
01:51:11 - 01:51:12: They're just like
01:51:12 - 01:51:14: The greatest hits of the 80s and 90s
01:51:14 - 01:51:15: And I would just hear the chorus
01:51:15 - 01:51:16: Black velvet
01:51:16 - 01:51:19: I always thought it was black velvet in that little boy's smile
01:51:19 - 01:51:20: I was like what does that mean?
01:51:20 - 01:51:22: Wait, what is the lyric?
01:51:22 - 01:51:26: It's black velvet and that little boy's smile
01:51:26 - 01:51:27: Little boy?
01:51:27 - 01:51:28: Yeah, I don't know
01:51:28 - 01:51:29: The little boy's Elvis?
01:51:29 - 01:51:30: No, that doesn't make sense
01:51:30 - 01:51:31: It's too weird to call him
01:51:31 - 01:51:32: No, that doesn't work
01:51:32 - 01:51:34: What's going on Seinfeld?
01:51:34 - 01:51:35: Anybody help us out here?
01:51:35 - 01:51:36: Looking it up on
01:51:36 - 01:51:37: But then she says
01:51:37 - 01:51:39: It's black velvet and that little boy's smile
01:51:39 - 01:51:42: Black velvet and that slow southern style
01:51:42 - 01:51:44: A new religion that'll bring you to your knees
01:51:44 - 01:51:46: Black velvet if you please
01:51:46 - 01:51:47: I'm with it
01:51:47 - 01:51:48: Oh, velvet Elvis
01:51:48 - 01:51:49: Yeah, that's what, yeah
01:51:49 - 01:51:51: But what's the little boy's smile?
01:51:51 - 01:51:53: Who's the little boy?
01:51:53 - 01:51:54: Elvis?
01:51:54 - 01:51:56: No, I don't know
01:51:56 - 01:52:00: A new religion that'll bring you to your knees
01:52:00 - 01:52:03: He's a little boy the way McEnroe is growing up at 20
01:52:03 - 01:52:04: Right, right
01:52:04 - 01:52:07: You know, so maybe he's, you know
01:52:07 - 01:52:08: Yeah, and I guess
01:52:08 - 01:52:09: How old was Elvis?
01:52:09 - 01:52:10: Like 19 or something when he
01:52:10 - 01:52:14: He died in his like early 40s I think
01:52:14 - 01:52:15: Yeah, he was like 42
01:52:15 - 01:52:20: But I'm saying when he blew up in like 1957 or whatever that was, 56
01:52:20 - 01:52:23: What year was Elvis born in Seinfeld?
01:52:23 - 01:52:27: Elvis was born 1935
01:52:27 - 01:52:33: Okay, so he was like 21 or something when he became a huge deal
01:52:33 - 01:52:38: Nothing about Elvis' persona evokes little boy
01:52:38 - 01:52:39: His little boy
01:52:39 - 01:52:40: No
01:52:40 - 01:52:42: Yeah, he was like a young man
01:52:42 - 01:52:43: Yeah, I think it's
01:52:43 - 01:52:44: They just did their best
01:52:44 - 01:52:46: They just couldn't figure it out
01:52:46 - 01:52:50: Black velvet and that young man's smile
01:52:50 - 01:52:52: Black velvet and that
01:52:52 - 01:52:56: Black velvet and that cool dude's smile
01:52:56 - 01:52:59: Black velvet and that little boy
01:52:59 - 01:53:02: Yeah, they wanted to be little boy
01:53:02 - 01:53:05: Black velvet and that little man's smile
01:53:05 - 01:53:07: He was a little man
01:53:07 - 01:53:11: Black velvet and that Elvis Presley smile
01:53:11 - 01:53:14: Black velvet and that Presley man's smile
01:53:14 - 01:53:17: Black velvet and that southern man's smile
01:53:17 - 01:53:21: Black velvet and that slow southern style
01:53:21 - 01:53:24: Okay, so that's what we got there
01:53:24 - 01:53:25: A lot of miles
01:53:25 - 01:53:27: I do feel like I learned a little something today
01:53:27 - 01:53:29: Pretty rough, 1990 so far
01:53:29 - 01:53:30: I do like the dunk
01:53:30 - 01:53:32: I like the shuffle
01:53:32 - 01:53:36: Okay, the number two song on the iTunes chart right now
01:53:36 - 01:53:39: Smoke Sprite featuring RM
01:53:39 - 01:53:43: I know, we all know RM is from BTS
01:53:43 - 01:53:44: Built to Spill?
01:53:44 - 01:53:47: Yeah, okay, no, the band is So Youn
01:53:47 - 01:53:49: And then we got RM from Built to Spill
01:53:49 - 01:53:51: And the song is called Smoke Sprite
01:53:51 - 01:53:56: It's a typo, it should be featuring DM, Doug Marsh
01:53:56 - 01:54:03: Okay, we found one more layer to the Built to Spill joke
01:54:03 - 01:54:07: Take all my needs
01:54:07 - 01:54:10: Struck you in the deep
01:54:10 - 01:54:14: Time flow like a tide
01:54:14 - 01:54:17: Take all I could be
01:54:17 - 01:54:20: It hurts, it hurts, it hurts
01:54:20 - 01:54:23: So all the members of BTS have put out solo records? Is that right?
01:54:23 - 01:54:29: This is RM from BTS is just a guest on So Youn's song
01:54:29 - 01:54:34: So Youn is the leader and front person of Korean-based band See So Neon
01:54:34 - 01:54:39: I don't wanna come back
01:54:39 - 01:54:42: If I can't make you my friend
01:54:42 - 01:54:44: What does it sound like? It's a little Kanye with a big synth
01:54:44 - 01:54:48: I like that bass synth
01:54:48 - 01:54:50: I just know
01:54:50 - 01:54:54: And there's still your body and soul
01:54:54 - 01:54:56: All in English so far
01:54:56 - 01:55:03: Does it sound like that Donald Glover, that Childish Gambino song, Redbone a little bit?
01:55:03 - 01:55:06: Yeah, a little bit. What else am I thinking?
01:55:06 - 01:55:11: And definitely, I'm still thinking of Kanye
01:55:11 - 01:55:14: I'm good
01:55:14 - 01:55:17: Welcome to Good Life with Michael Jackson sample
01:55:17 - 01:55:21: But yeah, it does sound like a lot of modern R&B, American R&B
01:55:21 - 01:55:31: I wonder why this song is called Smoke Sprite
01:55:31 - 01:55:33: What do you think that means?
01:55:33 - 01:55:34: I'm feeling that song
01:55:34 - 01:55:37: It was pretty good though, yes
01:55:37 - 01:55:38: Let's finish this
01:55:38 - 01:55:41: The number one song back in 90, Escapade by Janet Jackson
01:55:41 - 01:55:47: Classic
01:55:47 - 01:55:52: This is from the Rhythm Nation 1814 album
01:55:52 - 01:55:55: Is 1814 a reference to something?
01:55:55 - 01:55:58: Yeah, actually, every time I hear that album name, I always think that and I never look it up
01:55:58 - 01:56:01: Why was it called Rhythm Nation 1814?
01:56:01 - 01:56:04: Rhythm Nation 1814
01:56:28 - 01:56:31: Feels like it's going to Prince 1999
01:56:31 - 01:56:43: 1814 is the year the national anthem was written
01:56:44 - 01:56:47: I'm feeling that
01:56:47 - 01:57:08: Thanks Janet
01:57:08 - 01:57:11: That's a little chat GBT, but the Janet delivery is so cool
01:57:11 - 01:57:17: R&N Rhythm Nation are the 18th and 14th letters of the alphabet
01:57:17 - 01:57:20: Jackson said this was coincidental
01:57:38 - 01:57:47: I do think with so many songs, every song needs some kind of regular lyrics to tell the story
01:57:47 - 01:57:52: So she's saying, "We'll have a good time, leave your worries behind"
01:57:52 - 01:57:57: That's pretty chat GBT, but in between she's saying, "Es-ca-pade"
01:57:57 - 01:57:59: And that makes all the difference
01:57:59 - 01:58:03: So I feel like chat GBT, if they write a Janet Jackson song about having fun
01:58:03 - 01:58:06: They might say, "We're going to have a good time, leave your worries behind"
01:58:06 - 01:58:10: But what we really need from chat GBT is to say, "Here's the idea, the song is called Escapade"
01:58:10 - 01:58:12: Yeah, we need a title
01:58:12 - 01:58:15: We need that word that's a little bit weird
01:58:15 - 01:58:19: That's just one degree off and that's what can often make a great pop song
01:58:19 - 01:58:22: Do those chat GBT lyrics have titles?
01:58:22 - 01:58:23: They do not
01:58:23 - 01:58:25: That's also some bullsh*t
01:58:25 - 01:58:28: Title is like 50% of the songwriting
01:58:28 - 01:58:30: Yeah, ask it to come up with a title
01:58:30 - 01:58:36: Give me the title for a Janet Jackson song about summer
01:58:36 - 01:58:39: It's going to say, "Endless Summer Vacation"
01:58:39 - 01:58:41: "Summertime Magic"
01:58:41 - 01:58:44: No! Come on man
01:58:44 - 01:58:46: Endless...
01:58:46 - 01:58:49: So you can't do the left field non-secondary thinking
01:58:49 - 01:58:52: Wait, the Miley Cyrus album is called Endless Summer Vacation?
01:58:52 - 01:58:55: You know what would actually be a sick name that's also one word too many?
01:58:55 - 01:58:57: Endless Summer Rental
01:58:57 - 01:58:59: Because that actually gets you thinking
01:58:59 - 01:59:02: That could be like a Mountain Breeze album, Endless Summer Rental
01:59:02 - 01:59:06: I also love that idea about just saying
01:59:06 - 01:59:08: Not even just like
01:59:08 - 01:59:10: Imagine if the vacation went on forever
01:59:10 - 01:59:13: Or imagine if we owned our own summer house
01:59:13 - 01:59:16: Like Brooke, can you imagine if we could rent this place forever?
01:59:16 - 01:59:18: The rental never ended?
01:59:18 - 01:59:22: It's an endless summer rental!
01:59:22 - 01:59:25: The rental never ends!
01:59:25 - 01:59:28: I told it to try another one, it said "All Night Summer"
01:59:28 - 01:59:30: Then I said, "Another please"
01:59:30 - 01:59:32: It said "Sun Kissed Summer Love"
01:59:32 - 01:59:34: Then I said, "Make it weirder"
01:59:34 - 01:59:36: "Neon Beach Party Nights"
01:59:36 - 01:59:38: Oh god, that's not Janet
01:59:38 - 01:59:39: Get out of here
01:59:39 - 01:59:40: It's pretty good
01:59:40 - 01:59:41: It's not weird
01:59:41 - 01:59:42: Neon Beach Party Nights?
01:59:42 - 01:59:43: No, that's...
01:59:43 - 01:59:45: Neon Beach Party Nights is if like you're like
01:59:45 - 01:59:49: Come up with like a song about summer
01:59:49 - 01:59:53: By like a really generic indie band from the early 2010s
01:59:53 - 01:59:56: I was going to say it sounds like a Miley Cyrus song about summer
01:59:56 - 01:59:58: Alright
01:59:58 - 02:00:01: Well Miley could, yeah, "Neon Summer"
02:00:01 - 02:00:03: It paints a picture of the beach
02:00:03 - 02:00:05: Neon Summer, what is Neon Summer?
02:00:05 - 02:00:07: Neon Beach Party Nights
02:00:07 - 02:00:09: Yeah, but that's not Janet Jackson
02:00:09 - 02:00:13: If you told me that there was a band from the early 2010s
02:00:13 - 02:00:16: Called Sad Beach Monkey or something
02:00:16 - 02:00:21: And their album was called Neon Beach Party Nights
02:00:21 - 02:00:22: Fair
02:00:22 - 02:00:25: Yeah, I mean we're getting away from Janet Jackson territory, I agree
02:00:25 - 02:00:27: Very disappointed with the chat, GPT
02:00:27 - 02:00:28: Come on, get your stuff together
02:00:28 - 02:00:30: The number one song
02:00:30 - 02:00:33: Which probably deserves a bit of discussion but
02:00:33 - 02:00:36: Here we are at the end, I don't know if we're going to talk about it that much
02:00:36 - 02:00:37: This is pretty weird
02:00:37 - 02:00:38: What is this?
02:00:38 - 02:00:40: The number one song on iTunes right now
02:00:40 - 02:00:42: Is Donald J. Trump
02:00:42 - 02:00:45: And the J6 prison choir
02:00:45 - 02:00:46: Justice for All
02:00:46 - 02:00:47: What?
02:00:47 - 02:00:53: I pledge allegiance to the flag of the United States of America
02:00:53 - 02:00:54: This is deep
02:00:54 - 02:00:56: This is bizarre
02:00:56 - 02:01:00: This is a charity record by Donald Trump and the J6 prison choir
02:01:00 - 02:01:03: A choir of about 20 men in prison for their involvement
02:01:03 - 02:01:07: In the January 6th United States Capitol attack
02:01:07 - 02:01:09: Justice for All
02:01:09 - 02:01:12: Consists of Trump reciting the Pledge of Allegiance
02:01:12 - 02:01:14: Interspersed with the J6 prison choir
02:01:14 - 02:01:18: Singing the Star Spangled Banner with an ambient backing track
02:01:18 - 02:01:23: Oh say can you see
02:01:23 - 02:01:24: This was planned
02:01:24 - 02:01:27: This wasn't just like audio from his presidency
02:01:27 - 02:01:28: It's original
02:01:28 - 02:01:29: He recorded it
02:01:29 - 02:01:32: I think they said, Donald we need you on the charity single
02:01:32 - 02:01:36: And he said, I got a home studio, Mar-a-Lago, come through
02:01:36 - 02:01:38: Strange stuff
02:01:38 - 02:01:40: We'll see you guys next time
02:01:40 - 02:01:41: Bye bye

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