Episode 38: The Rock vs

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:04: Time Crisis, Sunday, March 12th.
00:04 - 00:07: There's a lot to discuss.
00:07 - 00:11: Jake made a Home Depot playlist, a dream playlist.
00:11 - 00:16: Vin Diesel sang a Kygo and Selena Gomez song.
00:16 - 00:23: All this, plus Dwayne "The Rock" Johnson, Dave Longstreth as our guest,
00:23 - 00:28: and the top five hits of 2017 and 1981.
00:28 - 00:37: This is... Time Crisis, with Ezra Keenan. B-b-b-b-b-beastz. 1.
00:38 - 00:44: They passed me by, all of those great romances.
00:44 - 00:51: The war I felt, robbing me of my rightful chances.
00:51 - 00:58: My picture clear, everything seemed so easy.
00:58 - 01:05: And so I delved to the floor, when a bus had to go.
01:05 - 01:10: Now it's different, I want you to know.
01:10 - 01:15: One of us is crying, one of us is lying.
01:15 - 01:26: Leave her lonely there, staring at the ceiling.
01:26 - 01:32: Wishing she was somewhere else instead.
01:32 - 01:41: 2.
01:41 - 01:48: How do you feel? Is it loneliness?
01:48 - 01:55: Is there shining in your heart, but no gloss on your lips?
01:55 - 02:06: Do you sail alone, round the island with a silhouette of a shark beneath the skin?
02:06 - 02:08: And then you say...
02:08 - 02:12: Wanna be where you are, you're the right one.
02:12 - 02:15: Wanna be where you are, you're the right one.
02:15 - 02:19: Wanna be where you are, you're the right one.
02:19 - 02:21: The right one, the right one.
02:21 - 02:27: 3.
02:27 - 02:36: You've been waiting for your love in me.
02:36 - 02:40: And there's been waters and deep.
02:40 - 02:48: We've been hanging tight for all the things we would have loved.
02:48 - 02:54: So wait, but if only I was there.
02:54 - 02:57: Wanna be where you are, you're the right one.
02:57 - 03:00: Wanna be where you are, you're the right one.
03:00 - 03:04: Wanna be where you are, you're the right one.
03:04 - 03:07: The right one, the right one.
03:07 - 03:10: Wanna be where you are, you're the right one.
03:13 - 03:17: Wanna be where you are, you're the right one.
03:17 - 03:19: The right one, the right one.
03:19 - 03:26: Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
03:26 - 03:28: Time Crisis, Sunday, March 12th.
03:28 - 03:30: We're back.
03:30 - 03:31: I'm here with Jake.
03:31 - 03:31: What's up, Jake?
03:31 - 03:33: Hey.
03:33 - 03:34: But this time we got a bonus.
03:34 - 03:36: We got a bonus Longstreth in the building.
03:36 - 03:37: Dave Longstreth.
03:37 - 03:38: What's up, Dave?
03:38 - 03:39: What's up?
03:39 - 03:41: So Dave, you've been on the show before.
03:41 - 03:42: Yeah.
03:42 - 03:46: Dave is the guy behind the group Dirty Projectors.
03:46 - 03:47: Known him for a long time.
03:47 - 03:48: He's also Jake's brother.
03:48 - 03:53: Just dropped a new album, but we've known each other too long
03:53 - 03:55: for me to ask you questions about your new album.
03:55 - 03:59: So we're just gonna talk about more like Time Crisis type stuff.
03:59 - 04:00: Although it is out.
04:00 - 04:01: Check it out.
04:01 - 04:06: You can stream it on Apple Music and you can buy it on vinyl at your local record store.
04:06 - 04:07: Oh, yeah, I do.
04:07 - 04:09: I do want to say, wow, the vinyl looks sick.
04:09 - 04:10: Yeah.
04:10 - 04:11: Oh, cool.
04:11 - 04:15: 'Cause you actually printed it on, it's like a gray cloudy vinyl.
04:15 - 04:21: It's that stuff, duvetyne, that like weird black light absorbing fabric.
04:21 - 04:23: People use it in like theater productions.
04:23 - 04:23: Yeah, yeah.
04:23 - 04:28: And then the things are like black plexiglass reflecting a ceiling.
04:28 - 04:28: It looks really...
04:28 - 04:30: It's not printed on duvetyne.
04:30 - 04:31: No, no, no.
04:31 - 04:31: Oh, yeah, yeah.
04:31 - 04:32: I haven't seen it.
04:32 - 04:34: Domino hasn't sent me one.
04:34 - 04:34: I literally have...
04:34 - 04:35: You only seen pictures?
04:35 - 04:37: I've only seen pictures.
04:37 - 04:37: Damn.
04:37 - 04:39: I don't have a copy of the album.
04:39 - 04:42: You gotta pick one up, man.
04:42 - 04:43: Swing by Amoeba.
04:43 - 04:45: I know, I should.
04:45 - 04:45: Gimme, gimme.
04:45 - 04:49: Mom and dad asked for one too, Jake.
04:49 - 04:50: Hook 'em up.
04:50 - 04:50: I know, I got some.
04:50 - 04:52: It's so funny when you're around siblings,
04:52 - 04:56: 'cause your siblings are the only people you can talk about your parents as mom and dad.
04:56 - 05:00: In fact, it's really hilarious and a very weird character trait
05:00 - 05:02: when people say that to people who aren't their siblings.
05:02 - 05:06: So for instance, you guys together, you would say,
05:06 - 05:09: "Oh, by the way, mom said, dad said."
05:09 - 05:11: Or M, M and D.
05:11 - 05:13: Wait, you call your parents M and D?
05:13 - 05:13: Yeah.
05:13 - 05:14: Frequently.
05:15 - 05:16: In text or in language?
05:16 - 05:17: Like verbal language.
05:17 - 05:19: Mom and dad, this seems long.
05:19 - 05:23: M and D is a little bit shorter.
05:23 - 05:24: Wait, so you'll just be like...
05:24 - 05:29: So M and D said they were gonna come visit in mid-April.
05:29 - 05:29: Yep.
05:29 - 05:30: Yeah.
05:30 - 05:32: It's like not even a joke at this point.
05:32 - 05:36: M said she wanted to definitely go check out the museum while she was here,
05:36 - 05:39: while D said it'd be cool maybe to go down to Marina del Rey and do some fishing.
05:39 - 05:42: That's like an actual conversation?
05:43 - 05:45: M and D, it sounds like R and D.
05:45 - 05:56: Huh.
08:56 - 08:59: So two weeks ago we did the show and it was Oscars day.
08:59 - 09:04: So when you do a show every two weeks, it's always kind of hard to know,
09:04 - 09:07: like should you cover stuff that happened in the past two weeks?
09:07 - 09:09: Like should we talk about the Oscars right now?
09:09 - 09:13: Right, because we did the Grammys recap, which was great because you were there,
09:14 - 09:17: and so there were a lot of anecdotes to relay.
09:17 - 09:17: Right.
09:17 - 09:22: We probably have a lot of new insightful things to say about the Grammys.
09:22 - 09:24: Oh, he's still talking about the Grammys.
09:24 - 09:27: That's funny, why don't we just keep talking about the Grammys after all the award shows?
09:27 - 09:28: Oscars were cool.
09:28 - 09:33: Oh yeah, well one thing I can say is I've met that guy, the producer before.
09:33 - 09:35: Which producer?
09:35 - 09:38: The producer who said, "Stop, Moonlight, you won."
09:38 - 09:39: Oh, this is not a joke.
09:39 - 09:40: This is not a joke.
09:40 - 09:42: His wife, who he referred to-
09:42 - 09:43: Yeah, why didn't you call her?
09:43 - 09:44: As his blue-eyed wife.
09:44 - 09:45: That was so strange.
09:45 - 09:47: For anybody who didn't see or doesn't remember that part,
09:47 - 09:51: when the La La Land people thought they'd won and they were giving their speeches,
09:51 - 09:53: which is the most brutal part of all of it,
09:53 - 09:57: is just being like, "Believe in your dreams," and then you find out it didn't happen.
09:57 - 10:00: One of the producers referred to his blue-eyed wife.
10:00 - 10:03: He said, "I've got a great baby," and you know, "Julia, you have a blue-eyed-"
10:03 - 10:04: My beautiful blue-eyed wife.
10:04 - 10:07: Well anyway, his blue-eyed wife went to Columbia.
10:07 - 10:11: She actually directed Rostam and I in a production of Romeo and Juliet.
10:12 - 10:13: Whoa.
10:13 - 10:16: So, we got a connection to this whole fiasco.
10:16 - 10:18: Wait, you guys both acted in a production?
10:18 - 10:21: We were like the bottom of the barrel, like the dudes had a couple lines.
10:21 - 10:23: We were the night watchmen.
10:23 - 10:24: You both were?
10:24 - 10:24: Yeah.
10:24 - 10:25: Together?
10:25 - 10:26: Before Vampire.
10:26 - 10:29: Yeah, this was like freshman year, night watchman number one and two.
10:29 - 10:29: Maybe sophomore year.
10:29 - 10:36: But anyway, the director was Julia Hart, who was the blue-eyed wife of the speech.
10:36 - 10:41: And then once I'd met him, I met that guy via her.
10:41 - 10:46: He was casting a movie that was like about- that involved like an indie band in Chicago.
10:46 - 10:49: Like a struggling indie band in Chicago.
10:49 - 10:55: And like to his credit, he was trying to cast real musicians to play the roles.
10:55 - 10:57: Although this is one thing that I will say.
10:57 - 11:03: I do believe in myself and I believe I could learn a lot of things.
11:03 - 11:05: But one thing that I just am not good at is acting.
11:05 - 11:06: I feel the same.
11:06 - 11:08: You know, we both come from music.
11:08 - 11:14: There's so many things that, you know, a musician's ear could translate into.
11:14 - 11:18: Or like the way you put together an album is not dissimilar from a lot of other art forms.
11:18 - 11:19: But acting, acting and singing.
11:19 - 11:20: I've always had this theory, actually.
11:20 - 11:23: Rappers are good actors.
11:23 - 11:25: Singers are terrible actors.
11:25 - 11:29: And people are going to think, am I trying to make like a racial point?
11:29 - 11:30: No.
11:30 - 11:33: You're not?
11:33 - 11:34: Obviously not.
11:34 - 11:36: Because this crosses racial lines.
11:37 - 11:39: Eminem, white rapper.
11:39 - 11:40: Great actor.
11:40 - 11:41: Crushed it.
11:41 - 11:41: 8 mile.
11:41 - 11:46: Mariah Carey, biracial singer.
11:46 - 11:51: This is not my opinion, but generally she was regarded as a poor actress.
11:51 - 11:53: Although she wasn't, she was good and precious.
11:53 - 11:54: But what's your theory?
11:54 - 11:54: Why?
11:54 - 11:55: Here's why I would guess.
11:55 - 11:56: I've thought about it before.
11:56 - 12:00: I think if you're good at rapping, you're good at expressing yourself that way.
12:00 - 12:04: You'll probably be good at conveying reality via the dramatic arts.
12:04 - 12:10: Whereas if you sing and you get the things that are valued in a sink and being a good
12:10 - 12:12: singer to me are like antithetical to being a good actor.
12:12 - 12:15: Now I'm thinking of great singers that were great actors.
12:15 - 12:16: Like who?
12:16 - 12:17: Chris Christopherson.
12:17 - 12:17: Debatable.
12:17 - 12:20: He was the lead in Heaven's Gate.
12:20 - 12:22: Incredible film.
12:22 - 12:23: Bombed, but incredible film.
12:23 - 12:25: And then Frank Sinatra.
12:25 - 12:26: Okay.
12:26 - 12:27: Manchurian candidate.
12:27 - 12:29: Frank Sinatra is like a weird one because he's like.
12:29 - 12:30: He's kind of like a rapper, right?
12:30 - 12:32: His vibe.
12:32 - 12:33: In a way.
12:33 - 12:34: I'm just trying to think like.
12:34 - 12:40: This is again, not my opinion.
12:40 - 12:42: Because as you know, I'm a huge Beyonce fan.
12:42 - 12:44: She was robbed at the Grammys.
12:44 - 12:48: However, for someone who's considered one of the most talented people on planet Earth
12:48 - 12:55: right now, even many of her biggest supporters don't consider her to be a great actress.
12:55 - 12:56: Yeah.
12:56 - 12:57: She's a good actress.
12:57 - 12:58: She's not great.
12:58 - 13:01: Whereas like Ice Cube is a great actor.
13:01 - 13:02: Yeah, he does it.
13:02 - 13:05: Eminem was a great actor in the one movie he ever was in.
13:05 - 13:07: And there was one role that he was born to play.
13:07 - 13:09: Rabbit.
13:09 - 13:11: Himself.
13:11 - 13:12: Himself, the character.
13:12 - 13:36: I don't know.
13:36 - 13:37: Maybe this is a half-baked theory.
13:37 - 13:40: I've just always thought that the rap community has produced.
13:40 - 13:43: Some very, very high caliber actors.
13:43 - 13:47: Yeah, and the singing community has been and singers always want to try acting.
13:47 - 13:49: It's classic and they almost always fail.
13:49 - 13:51: Yeah, and it goes to Madonna.
13:51 - 13:52: That's a classic one.
13:52 - 13:52: Oh, yeah.
13:52 - 13:53: She's always.
13:53 - 13:56: And you know, I think she gets a better body of evidence, dude.
13:56 - 13:59: People are always really hard on Madonna as an actress.
13:59 - 14:00: Maybe she's not terrible.
14:00 - 14:02: She's just sort of maybe people.
14:02 - 14:03: I don't know.
14:03 - 14:04: People like to tear it out.
14:04 - 14:04: Yeah.
14:04 - 14:07: The 1987 Bruce Willis album.
14:09 - 14:13: Yeah, that's a fascinating period because he is coming off of moonlighting.
14:13 - 14:15: It's right before his cast and die hard.
14:15 - 14:18: Cuts this like pop album.
14:18 - 14:19: Very bizarre.
14:19 - 14:22: It was kind of well, it was kind of bluesy.
14:22 - 14:25: It was kind of like, Jake, I've heard you talk about this album.
14:25 - 14:28: We pull it up, but I haven't ever heard it.
14:28 - 14:31: Just like the first track of the 87 Bruce Willis album.
14:31 - 14:33: Guys, I think we just figured out that this show.
14:33 - 14:36: We can talk about Oscars and the Grammys by talking about.
14:36 - 14:37: There you go.
14:37 - 14:41: That rare breed of person who can elegantly slide between.
14:41 - 14:45: I was about to say the stage, but they're both there.
14:45 - 14:46: The stage is stage in the stage.
14:46 - 14:53: The recording studio in the movie set can elegantly slide between the silver screen.
14:53 - 14:55: And the stream.
14:55 - 14:57: I'm a holes in tree.
14:57 - 15:01: I'm not a music stream that period of Bruce Willis doing die hard and then making this
15:01 - 15:02: record like within the same year.
15:02 - 15:03: Also, how funny is it?
15:03 - 15:05: Bruce Springsteen, Bruce Willis.
15:06 - 15:08: You guys from South Jersey.
15:08 - 15:10: Wait, Bruce, I didn't know that about Bruce Willis.
15:10 - 15:11: Yeah, he's from South Jersey.
15:11 - 15:11: Wow.
15:11 - 15:14: I wonder if he's a Springsteen head.
15:14 - 15:15: Seems like he would be, but.
15:15 - 15:19: Wait, this is Willis?
15:19 - 15:22: Yeah, this is Bruce Willis is and I think it did OK.
15:22 - 15:25: That Phil was so Max Weinberg.
15:25 - 15:26: Yeah, yeah, super important.
15:26 - 15:29: The USA, whose production is super like darkness on the other town.
15:29 - 15:32: Well, I think it more like a tunnel of love.
15:35 - 15:36: So kind of a.
15:36 - 15:40: I'm a Huey Lewis, but yeah.
15:40 - 15:49: See, he's like trying to be somebody else or trying to be like Kenny Rogers or something.
15:49 - 15:52: Don't give a don't give a heck.
15:52 - 15:56: It's kind of like Eagles.
15:56 - 16:10: It is drummer's a shredder, very technical drummer.
16:10 - 16:19: I feel like he makes the vocals too low.
16:19 - 16:28: It's a real thin vocal.
16:28 - 16:28: Yeah.
16:28 - 16:44: Compellingly, though.
16:44 - 17:08: It go down in the DM time crisis with Ezra Koenig on beats one.
17:08 - 17:10: I wonder what the backstory in that record is.
17:10 - 17:14: Maybe he was like a music, you know, this is like a guy that liked
17:14 - 17:18: to meet to do music, but was like not particularly talented.
17:18 - 17:19: I don't know.
17:19 - 17:22: I mean, it's just like I'm kind of famous, but it was before he was really famous.
17:22 - 17:23: That's what's weird to me.
17:23 - 17:26: It was before he was a big action star.
17:26 - 17:29: I mean, on a TV show, it's really weird.
17:29 - 17:30: You know what?
17:30 - 17:35: I think we forget most artists are multifaceted or at least they have multiple interests.
17:35 - 17:38: You know, when it works, we really remember.
17:38 - 17:38: Yeah.
17:38 - 17:43: And we're like, wow, Kanye made his sneakers and albums and
17:43 - 17:44: fashion and all these things.
17:44 - 17:48: And when it doesn't work, it becomes like a funny footnote.
17:48 - 17:49: Right.
17:49 - 17:50: Or, you know, I think it worked okay.
17:50 - 17:53: So you're just kind of like, you know, Bruce Springsteen made an album.
17:53 - 17:53: Willis.
17:53 - 17:55: Oh, right.
17:55 - 17:56: I mean, that's just tough.
17:56 - 17:58: Like mid eighties, Jersey guy named Bruce.
17:58 - 18:02: That's an uphill battle coming out.
18:02 - 18:06: Well, actually, this segues very nicely into something I wanted to talk about with you guys
18:06 - 18:07: today.
18:07 - 18:08: Okay.
18:08 - 18:12: There's a new song by Kygo and Selena Gomez called It Ain't Me.
18:12 - 18:15: I don't think it's been hanging on the top five, so we're not going to get to talk about
18:15 - 18:15: it later.
18:15 - 18:18: So I'm making an executive decision to talk about it now.
18:18 - 18:18: Okay.
18:18 - 18:19: First question.
18:19 - 18:21: Do either of you know who Kygo is?
18:21 - 18:22: No.
18:22 - 18:23: Dave?
18:23 - 18:26: Vaguely.
18:26 - 18:26: All right.
18:26 - 18:27: What's your impression of Kygo?
18:27 - 18:35: Maybe he dates someone from a reality show.
18:35 - 18:35: What?
18:35 - 18:37: Oh, you're thinking of Tyga.
18:37 - 18:39: Oh, right.
18:40 - 18:43: Yeah, Tyga is like a secondary character on Keeping Up With The Kardashians.
18:43 - 18:43: Okay.
18:43 - 18:44: He's a rapper.
18:44 - 18:46: Okay.
18:46 - 18:46: Kygo.
18:46 - 18:47: Any more guesses?
18:47 - 18:48: KYGO.
18:48 - 18:52: He comes from the land of Scandinavia.
18:52 - 18:53: I'm not sure which country.
18:53 - 18:55: So he's a singer.
18:55 - 18:56: No.
18:56 - 18:57: Okay.
18:57 - 18:58: He is a musician.
18:58 - 18:59: Bass player?
18:59 - 19:02: Yes.
19:02 - 19:02: Percussionist.
19:02 - 19:06: He's the hottest five string fretless bass player.
19:06 - 19:08: The kids are going bananas for him.
19:09 - 19:13: Not since Jaco has there been a basis with this kind of heat on them.
19:13 - 19:14: No.
19:14 - 19:15: Kygo is a DJ.
19:15 - 19:16: Duh.
19:16 - 19:17: Of course.
19:17 - 19:19: He's associated with the genre Tropical House.
19:19 - 19:22: I love that genre.
19:22 - 19:24: Which is, you know, it's a little slower.
19:24 - 19:26: It's about 100 BPM.
19:26 - 19:27: Usually.
19:27 - 19:28: Do you guys know who Selena Gomez is?
19:28 - 19:30: Vaguely.
19:30 - 19:32: Oh, she's an actress, right?
19:32 - 19:33: Yeah, right.
19:33 - 19:34: She's an actress singer.
19:34 - 19:35: Was she in Spring Breakers?
19:35 - 19:36: Yeah, she was in Spring Breakers.
19:36 - 19:37: She was the girl in the movie.
19:37 - 19:38: She was the girl on the bus.
19:38 - 19:39: Yeah.
19:39 - 19:40: She was like, I'm out of here.
19:40 - 19:40: Right.
19:40 - 19:43: She made the good call.
19:43 - 19:43: I don't know her music.
19:43 - 19:46: I think she started out on Nickelodeon or Disney Channel.
19:46 - 19:49: Then she has become a successful singer.
19:49 - 19:51: Anyway, they did a song together and it's called It Ain't Me.
19:51 - 19:54: What I like about the song, it's kind of Tropical House meets.
19:54 - 20:00: Remember like a few years ago when there's all that like, kind of like EDM folk country stuff.
20:00 - 20:02: Oh yeah.
20:02 - 20:02: Like what?
20:02 - 20:05: Avicii and Alla Black.
20:05 - 20:05: Yeah.
20:05 - 20:06: What was that song called?
20:06 - 20:07: Timber.
20:07 - 20:09: Oh no, Timber was Kesha.
20:09 - 20:10: Yeah.
20:10 - 20:11: There were a couple of them.
20:11 - 20:12: There was a moment.
20:12 - 20:16: It was kind of like this post Mumford and Sons meets dance music thing.
20:16 - 20:19: And so this song, it's interesting.
20:19 - 20:19: I like it.
20:19 - 20:19: It has.
20:19 - 20:21: So let me just play it for you guys.
20:21 - 20:21: Okay.
20:21 - 20:22: And the lyrics.
20:22 - 20:26: Is this similarly like Capitalism at Work in terms of cross branding these two?
20:26 - 20:30: Oh, you mean like did the A&R guy be like Kygo and Selena Gomez match made in heaven.
20:30 - 20:32: We're going to hit all the target demos.
20:32 - 20:32: Right.
20:32 - 20:33: I mean, maybe.
20:33 - 20:35: It's win-win.
20:35 - 20:38: It's pairing a hot DJ with like a hot pop star.
20:38 - 20:39: It's a no brainer.
20:49 - 20:57: I had a dream we were sipping whiskey need highest floor the bowery and I was high enough
20:57 - 21:06: somewhere along the lines we stopped seeing eye to eye you were staying out all night and I had
21:06 - 21:15: enough no I don't want to know where you've been or where you're going but I know I won't be home
21:15 - 21:21: and you'll be on your own who's gonna walk you through the dark side of the morning
21:21 - 21:29: who's gonna rock you in the sun room where you sleep who's waking up to drop you home
21:29 - 21:33: when you're drunk and all alone who's gonna walk you through the dark side of the morning
21:33 - 21:34: Like that little gospel chord.
21:34 - 21:36: Yeah, I saw that.
21:36 - 21:38: I heard this song on the way here.
21:38 - 21:38: Oh, really?
21:38 - 21:39: Yeah, yeah.
21:39 - 21:42: And then the drop that just goes on forever.
21:43 - 21:47: Like in another song, it'd be like and we're back at the verse in two, four.
21:47 - 21:48: Yeah.
21:48 - 21:48: Nope.
21:48 - 21:51: Sticking with the drop for a second.
21:51 - 21:57: All right, and we're gonna bring back in Selena with verse two right about.
21:57 - 21:59: Okay, now we're gonna keep going with the drop.
21:59 - 22:04: America loves drops now.
22:04 - 22:11: Letting it breathe.
22:11 - 22:16: Letting it breathe.
22:16 - 22:18: The opening lines of the song, I don't know if you caught them.
22:18 - 22:18: Yeah.
22:18 - 22:22: I had a dream we were sipping whiskey neat.
22:22 - 22:23: Right.
22:23 - 22:25: Which is not something you're in a country song, sure.
22:25 - 22:33: But like I had a dream we were sipping whiskey neat highest floor the Bowery nowhere's high
22:33 - 22:33: enough.
22:33 - 22:35: So I love that.
22:35 - 22:36: I love that detail.
22:36 - 22:41: And also for anybody doesn't know the Bowery is like a fancy hotel in downtown Manhattan.
22:41 - 22:44: We should try to get Selena Gomez on the show.
22:44 - 22:48: I'd love to know how she feels about the lyrics because I believe she did not write any of them.
22:48 - 22:52: I do think they're good lyrics, actually, though, because it really it sets it up,
22:52 - 22:53: paints a picture.
22:53 - 22:57: Yeah, I don't know if I've ever heard the phrase whiskey neat in a song.
22:57 - 22:59: We were sipping whiskey neat.
22:59 - 23:01: Actually, that's or maybe that's like some Sinatra.
23:01 - 23:06: We were sipping whiskey neat highest floor the Bowery.
23:06 - 23:09: You know, it's similar when we listen to Chainsmokers Coldplay song and the lyrics just
23:09 - 23:11: jumped out is not typical pop lyrics.
23:11 - 23:12: Right.
23:12 - 23:12: For better or for worse.
23:12 - 23:17: But basically, she's getting the end of a relationship with some guy who sounds like
23:17 - 23:17: he's drunk.
23:17 - 23:19: He's selfish.
23:19 - 23:21: He just parties all the time.
23:21 - 23:26: And she says, and I like the pre-chorus, who's going to take you home when you're drunk and
23:26 - 23:27: all alone?
23:27 - 23:29: Who's going to do all this stuff that I do?
23:29 - 23:30: Who's going to do it?
23:30 - 23:32: Well, not her problem.
23:32 - 23:32: It ain't me.
23:32 - 23:35: And then when you listen to the drop, you very clear.
23:35 - 23:39: It's a funny job because you very clearly just hear the words whiskey, neat and Bowery.
23:39 - 23:43: So I wonder people hear this and just like whiskey, neat and Bowery.
23:43 - 23:43: It's so random.
23:43 - 23:59: You guys catch that summer nights in the where Libertine, the Libertines was that the Libertines
23:59 - 24:01: are like the English strokes.
24:01 - 24:02: Do you remember that?
24:02 - 24:04: No, I never heard of them.
24:04 - 24:04: They've heard of them.
24:04 - 24:05: Yeah.
24:05 - 24:07: The singer was named Pete Doherty.
24:07 - 24:08: There's some debate in the room.
24:08 - 24:12: If it's Doherty or Doherty, it's hard to tell what the English English last name sounds
24:12 - 24:14: at very surprising pronunciations.
24:14 - 24:19: They never were huge in America, but in England, they truly were like a big phenomenon.
24:19 - 24:21: Same time as the strokes early twos.
24:21 - 24:24: Yeah, right after just after.
24:24 - 24:25: So they were compared to them a lot.
24:25 - 24:28: But so, so the second verse is I had a dream.
24:28 - 24:32: We were back at 17 summer nights.
24:32 - 24:35: The Libertines never growing old.
24:35 - 24:37: And, you know, I like it.
24:37 - 24:41: It's like about thinking back to your youth, how you felt differently.
24:41 - 24:48: Then I wonder if Selena Gomez is Libertines fan, if she related to the line or if she
24:48 - 24:50: was just like, all right, who's that?
24:50 - 24:51: I mean, she might know them.
24:51 - 24:54: It's certainly not impossible, but like that's like 15 years ago, dude.
24:54 - 24:54: How old is she?
24:54 - 24:55: Like 18?
24:55 - 24:57: No, she's older than that.
24:57 - 24:57: 22.
24:57 - 25:00: My call is that she didn't know who the Libertines were.
25:00 - 25:01: Well, one thing's for sure.
25:01 - 25:03: She wasn't 17 when they came out, right?
25:03 - 25:07: Back in the summer of 69.
25:07 - 25:07: Yeah, she's 24.
25:07 - 25:12: So she, you know, we all listen to music from before we were there.
25:12 - 25:18: But again, the reference of the Libertines as like, man, when we were 17, that was our.
25:18 - 25:22: I imagine she probably doesn't feel that way.
25:22 - 25:28: This is a stark example of a singer that's clearly not the writer of the lyrics just
25:28 - 25:29: because of the references being made.
25:30 - 25:33: I mean, I'm not going to go as far as to say that.
25:33 - 25:34: It's not even a problem.
25:34 - 25:42: Selena Gomez is incapable of writing a song where she embodies the viewpoint of a 39 year
25:42 - 25:43: old.
25:43 - 25:46: I just don't think she's credited as the lyric writer.
25:46 - 25:46: We know it.
25:46 - 25:47: But usually it's interesting.
25:47 - 25:51: I just have never thought about that before, because usually you're like, you're pairing
25:51 - 25:56: a singer with songs that seem appropriate, whether sort of thematically for them to sing.
25:56 - 25:59: And this is like a funny disconnect.
25:59 - 26:00: Here's the way it makes sense.
26:00 - 26:04: Maybe like she's, you know, she's dating like Colin Farrell.
26:04 - 26:05: That's too funny.
26:05 - 26:08: So let's say like Selena Gomez is dating Colin Farrell.
26:08 - 26:11: And at first she's like, oh, he's like this suave older actor.
26:11 - 26:13: And then she's and it's like really cool.
26:13 - 26:14: She's staying at a fancy hotel with him.
26:14 - 26:18: And then little by little, she's like, no, dude, you have a substance abuse problem.
26:18 - 26:23: And if I don't break up with you, this is really unfair to all parties involved, by
26:23 - 26:23: the way.
26:23 - 26:26: But she's like, I got to get away from you, man.
26:26 - 26:28: I thought you were a fun, youthful actor.
26:29 - 26:30: Turns out you're just a drunk man.
26:30 - 26:35: And so she's like, I remember I was drinking whiskey neat with this dude.
26:35 - 26:37: He was telling me about how fancy the whiskey is.
26:37 - 26:38: And I just and that's when it clicked.
26:38 - 26:39: And I was like, I don't care.
26:39 - 26:42: I don't care, man.
26:42 - 26:44: I want to date Kygo.
26:44 - 26:45: And then maybe in the second verse.
26:45 - 26:48: Actually, it doesn't really hold up.
26:48 - 26:53: It doesn't hold up the perspective anyway, but I don't care about your 90s British alt
26:53 - 26:54: rock either, dude.
26:54 - 26:58: Yeah, he was always talking about the liberties.
26:58 - 27:00: Oh, would you guys like the song?
27:00 - 27:01: I like it.
27:01 - 27:05: I like the folky melodies.
27:05 - 27:10: I like the phrase, dark side of the morning is good.
27:10 - 27:10: Oh, yeah.
27:10 - 27:11: Dark side of the morning.
27:11 - 27:15: Which is a subtle Floyd reference.
27:15 - 27:16: I mean, I couldn't help it.
27:16 - 27:18: It's so subtle.
27:18 - 27:19: It has to be.
27:19 - 27:19: It has to be.
27:19 - 27:23: Well, I mean, I was like, oh, I thought she was going to say moon, like dark side of the
27:23 - 27:24: moon.
27:24 - 27:25: Oh, morning.
27:26 - 27:27: Wait, I just want to point out.
27:27 - 27:30: I also really like that.
27:30 - 27:31: That is I can.
27:31 - 27:33: Dave, would you consider that a gospel move?
27:33 - 27:34: The major three?
27:34 - 27:35: Or like stepping the chords up?
27:35 - 27:39: That's gospel, right?
27:39 - 27:42: I've heard you play that on the piano before.
27:42 - 27:42: Yeah.
27:42 - 27:43: And be like the major three.
27:43 - 27:44: That's that kind of gospel thing.
27:44 - 27:44: I'm like a word.
27:44 - 27:45: I guess it is.
27:45 - 27:48: Oh, because your vibe is like, I don't know.
27:48 - 27:49: I don't know.
27:49 - 27:52: It's also very killers.
27:52 - 27:54: That pass, like a passing chord or like a.
27:55 - 27:59: To me, it sounds like a gospel passing court, but I guess maybe in this context, because
27:59 - 28:01: Brandon Flowers and the Killers uses it a lot.
28:01 - 28:05: Oh, what's that killer song that uses that about being a.
28:05 - 28:09: To take you home when you're broke.
28:09 - 28:12: Very killers movement.
28:12 - 28:12: Right.
28:12 - 28:14: Right.
28:14 - 28:16: This song is kind of like, are we human?
28:16 - 28:23: So anyway, it ain't me.
28:24 - 28:27: An endlessly fascinating song from Kygo and Selena Gomez.
28:27 - 28:28: I like it.
28:28 - 28:31: The guitar in the beginning reminds me of the guitar from.
28:31 - 28:33: Sorry, actually.
28:33 - 28:37: Yeah, like the Bieber ballad.
28:37 - 28:40: Love yourself.
28:40 - 28:41: Oh, yeah, yeah.
28:41 - 28:42: I had the same thought.
28:42 - 28:44: Same kind of voice.
28:44 - 28:45: The two notes.
28:45 - 28:47: Maybe the same person.
28:47 - 28:49: Well, I also just like the sentiment.
28:49 - 28:50: It's a classic sentiment.
28:50 - 28:51: Bob Dylan.
28:51 - 28:52: It ain't me, babe.
28:52 - 28:53: NWA.
28:53 - 28:53: I ain't the one.
28:54 - 28:55: You know what, Kygo?
28:55 - 29:00: You could probably find a girl who loves the Libertines and fancy whiskey and stand at the
29:00 - 29:01: Bowery, but it ain't me.
29:01 - 29:04: I want to stay at the standard.
29:04 - 29:05: I'm not knocking it.
29:05 - 29:07: I want to drink gin.
29:07 - 29:10: No, it's call and I want to listen to Bach party.
29:10 - 29:12: It ain't me.
30:10 - 30:16: You're listening to Time Crisis on Beat 1.
30:16 - 30:19: I'm not the only Jack dude who loved that song.
30:19 - 30:21: Yeah?
30:21 - 30:22: Another Jack dude.
30:22 - 30:24: Great lead in.
30:24 - 30:27: Sorry, what is this phrase?
30:27 - 30:28: Jack dude?
30:28 - 30:29: Jack just means like muscular.
30:29 - 30:30: It was Jack.
30:30 - 30:31: Oh, you're referring to yourself?
30:31 - 30:33: Right, because the people at home probably don't know that I'm Jack now.
30:33 - 30:37: Wearing your blind melon tea, dude.
30:37 - 30:38: I'm wearing a blind melon tea.
30:39 - 30:41: Did you end up wearing that to the Grammys?
30:41 - 30:42: No, I kept it real mellow.
30:42 - 30:45: More mellow than a blind melon tea?
30:45 - 30:53: I just wore like kind of a boring, dark, you know, like a dress shirt and jacket ensemble.
30:53 - 30:55: So that's that.
30:55 - 31:00: Another Jack muscular kind of macho guy who loved that song was Vin Diesel.
31:00 - 31:01: You hear about this?
31:01 - 31:02: No.
31:02 - 31:03: No.
31:03 - 31:08: I was kind of like researching the song, you know, just like normal.
31:08 - 31:12: Like music nerd stuff like who wrote it, how's it doing?
31:12 - 31:13: What label did it come out on?
31:13 - 31:19: And then so when I searched Kygo It Ain't Me, one of the first like news suggestions in Google
31:19 - 31:23: was like, "Hear Vin Diesel's take on Kygo It Ain't Me."
31:23 - 31:24: And I was like, "Click."
31:24 - 31:29: The bait has been laid and the fish has been cooked.
31:29 - 31:31: "Hear Vin Diesel's take."
31:31 - 31:33: That is so random.
31:33 - 31:38: I don't have all the info, but there was like a picture of Vin Diesel and Kygo together
31:38 - 31:38: in the studio.
31:38 - 31:42: Vin Diesel obviously is like, he's a man about town.
31:42 - 31:44: You know, it's not surprising.
31:44 - 31:45: Vin Diesel knows everybody.
31:45 - 31:47: He's the fricking man.
31:47 - 31:51: So I see this picture of them in the studio and I'm like, "Wow, that's wild.
31:51 - 31:55: Maybe Vin teamed up with Kygo to do an alternate version."
31:55 - 32:01: And then I listened to it and it sounds more like, I guess Vin Diesel knows Kygo, but he
32:01 - 32:05: posted this version and he like wrote on the internet, "Hey guys."
32:05 - 32:06: He has like a very deep voice.
32:07 - 32:11: "Hey guys, you know, I'm really nervous about, you know, I don't sing, but this song really
32:11 - 32:13: moved me and I want to do something."
32:13 - 32:13: So anyway.
32:13 - 32:14: Is he from South Jersey too?
32:14 - 32:17: I think he's from New York.
32:17 - 32:24: So Vin Diesel posts this song and I was kind of expecting, okay, maybe Kygo gave him the
32:24 - 32:25: instrumental.
32:25 - 32:29: Maybe he's like doing his own take, maybe did an alternate version, but then this is
32:29 - 32:30: what it sounds like.
32:30 - 32:30: This is so weird.
32:30 - 32:30: I know.
32:30 - 32:36: Whistle.
32:36 - 32:37: Okay, cool.
32:37 - 32:40: That's delicate.
32:40 - 32:44: ♪ I had a dream we were sipping whiskey neat ♪
32:44 - 32:46: ♪ Highest floor of the Bowery ♪
32:46 - 32:48: ♪ And I was high enough ♪
32:48 - 32:55: All right, so right off the bat, I just got to point out, first of all, all respect to
32:55 - 33:01: Mr. Diesel, because as Dave and I know, putting yourself out there as a singer, it's a messed
33:01 - 33:02: up life.
33:02 - 33:03: Everybody's criticizing you.
33:03 - 33:05: Some people like it, some people hate it.
33:05 - 33:11: We're out there bearing our souls on cassette, vinyl, CD, and the stage.
33:11 - 33:16: So anybody who steps into the arena to put out a recording of them singing, I respect.
33:16 - 33:19: But I was very surprised that he couldn't even get the instrumental.
33:19 - 33:22: He's just doubling Selena Gomez.
33:22 - 33:24: That just surprised me.
33:24 - 33:27: He's using a lot of auto-tune, which is par for the course these days.
33:27 - 33:31: And occasionally I feel like the auto-tune is taking it to not the note in the melody,
33:31 - 33:32: but it's kind of interesting.
33:32 - 33:33: Let's listen to some more.
33:33 - 33:37: ♪ Somewhere along the lines ♪
33:37 - 33:39: ♪ We stopped seeing eye to eye ♪
33:39 - 33:42: ♪ You were staying out all night ♪
33:42 - 33:44: ♪ And I had enough ♪
33:44 - 33:46: ♪ Oh, I don't wanna know ♪
33:46 - 33:48: ♪ Where you've been or where you go ♪
33:48 - 33:49: He relates to the lyrics, dude.
33:49 - 33:50: He's the right age.
33:50 - 33:53: He's actually too old.
33:53 - 33:53: He's the 30--
33:53 - 33:59: He's the 44-year-old guy staying at the Bowery with the $30 whiskey.
33:59 - 34:02: Huge Libertines head, too.
34:02 - 34:04: ♪ And I'm waking up ♪
34:04 - 34:06: Oh, damn, he went down so high.
34:06 - 34:08: ♪ And all the lovers ♪
34:08 - 34:10: ♪ And I walk you through the door ♪
34:10 - 34:13: ♪ And I'm waking up in the morning ♪
34:13 - 34:14: ♪ Today ♪
34:14 - 34:17: ♪ Give me your name ♪
34:17 - 34:18: All right, now he's having some fun.
34:18 - 34:21: ♪ And I moved on ♪
34:21 - 34:24: ♪ Today ♪
34:24 - 34:25: Oh, he's ad-libbing.
34:25 - 34:27: ♪ Give me your name ♪
34:35 - 34:35: Pretty tight.
34:35 - 34:39: ♪ And I'm waking up ♪
34:39 - 34:39: I respect that.
34:39 - 34:40: Yeah, he sounds good.
34:40 - 34:42: ♪ And I'm waking up ♪
34:42 - 34:44: He's got a low voice.
34:44 - 34:45: Oh, he's got a very deep voice.
34:45 - 34:48: ♪ And I'm walking ♪
34:48 - 34:50: I think his upper register is like--
34:50 - 34:53: He's got something cool about it.
34:53 - 34:55: Yeah, he should have gone high for the chorus.
34:55 - 34:56: ♪ I had a dream ♪
34:56 - 34:58: ♪ We went back to 17 ♪
34:58 - 35:01: ♪ Summer nights, the Libertines ♪
35:01 - 35:03: ♪ Never growing up ♪
35:03 - 35:04: Love that.
35:04 - 35:05: ♪ I'll take me ♪
35:05 - 35:08: ♪ The Polaroids and the memories ♪
35:08 - 35:09: What did he say?
35:09 - 35:10: Oh, the Polaroids and the memories.
35:10 - 35:14: I heard that as just "roids" and "memories."
35:14 - 35:17: I'll take the roids.
35:17 - 35:19: ♪ Who's gonna rock you ♪
35:19 - 35:21: ♪ In the summer nights ♪
35:21 - 35:22: He's having fun with the autotune now.
35:22 - 35:23: ♪ Who's waking up ♪
35:23 - 35:25: ♪ To drive you home ♪
35:25 - 35:27: ♪ When you're talking on the line ♪
35:27 - 35:28: ♪ Who's gonna walk you ♪
35:28 - 35:29: ♪ Through the dark ♪
35:29 - 35:30: So weird.
35:30 - 35:32: ♪ The warm moons ♪
35:32 - 35:35: ♪ The lips we show ♪
35:35 - 35:36: Oh, you get the idea.
35:36 - 35:37: Wow.
35:37 - 35:42: So Vin Diesel, we found out he's just a huge Kygo fan.
35:42 - 35:43: So maybe this was like,
35:43 - 35:44: he's not trying to do anything professional.
35:44 - 35:46: He was just like, "I love this song,
35:46 - 35:47: "and here's me singing over it."
35:47 - 35:51: Just kind of like a sweet gesture to a DJ he respects.
35:51 - 35:54: So I was kind of like, I heard that,
35:54 - 35:55: and I was like, "All right, me and Vin,
35:55 - 35:59: "just two jack dudes who both like--"
35:59 - 36:00: You're on the same page.
36:00 - 36:00: We're on the same page.
36:00 - 36:01: I was with him.
36:01 - 36:07: And then I'm basically describing an internet rabbit hole.
36:07 - 36:07: Yeah.
36:07 - 36:09: Or K-hole, I don't know what people call it.
36:09 - 36:10: 'Cause basically I was like,
36:10 - 36:11: "I wanna learn about the song."
36:11 - 36:12: And then I see this clickbait.
36:12 - 36:15: "Hear Vin Diesel sing the new Kygo Selene Gomez song."
36:15 - 36:16: Then I click on that.
36:16 - 36:18: Now I'm thinking about Vin Diesel.
36:18 - 36:19: So what's my next move?
36:19 - 36:20: What's his musical life?
36:20 - 36:22: I'm searching Vin Diesel, just seeing what he's up to.
36:22 - 36:25: It turns out when he was a teenager,
36:25 - 36:28: he wasn't listening to the Libertines.
36:28 - 36:30: He was growing up in the New York City area.
36:30 - 36:32: He was listening to early hip hop.
36:32 - 36:36: And I guess other kind of downtown music.
36:36 - 36:37: He was in the scene.
36:37 - 36:38: So when he was a teenager, it turns out--
36:38 - 36:40: What year was Vin Diesel born?
36:40 - 36:41: We gotta find that out.
36:41 - 36:43: I think probably early '70s.
36:43 - 36:46: I'm gonna say 1972.
36:46 - 36:47: Holy cow!
36:47 - 36:48: '67.
36:48 - 36:50: So he's 50.
36:50 - 36:51: He's 49.
36:51 - 36:52: He's gonna turn 50 this year.
36:52 - 36:57: So Vin Diesel was born in 1967 in Alameda County, California.
36:57 - 36:58: Oakland.
36:58 - 37:00: Diesel has stated that he's of ambiguous ethnicity.
37:00 - 37:03: His mother's background includes English, German, and Scottish.
37:03 - 37:06: Classic American mix.
37:06 - 37:08: But he's never met his biological father and has stated that,
37:08 - 37:11: "All I know from my mother is that I have connections to many different cultures."
37:11 - 37:15: Diesel has self-identified as definitely a person of color.
37:15 - 37:16: So that's interesting.
37:16 - 37:18: He doesn't really know much about his father's side.
37:18 - 37:23: But then they moved to New York and he was raised by his mom and his stepfather.
37:23 - 37:26: His African-American stepfather, Irving H. Vincent,
37:26 - 37:27: an acting instructor and theater manager.
37:27 - 37:29: So that's cool.
37:29 - 37:31: So he's kind of like growing up downtown New York.
37:31 - 37:33: Right, so he's 20 in '87.
37:33 - 37:34: So he's 20 in '87.
37:34 - 37:39: Some point when he's a teenager running around, you know, '80s New York,
37:39 - 37:42: got punk rock, hip hop, all these things,
37:42 - 37:45: he links up with a guy called Arthur Russell.
37:45 - 37:45: What?
37:45 - 37:46: You guys know Arthur Russell, right?
37:46 - 37:47: Of course.
37:47 - 37:48: Whoa.
37:48 - 37:48: Love Arthur Russell.
37:48 - 37:52: How would you guys describe Arthur Russell to the listeners who are not familiar?
37:52 - 37:54: He's like a Jack of all trades, kind of.
37:55 - 37:57: Because he was doing like dance music.
37:57 - 38:03: And he was also making like kind of sloppy lo-fi recordings of his songs.
38:03 - 38:03: Kind of like...
38:03 - 38:04: He's a great cello player.
38:04 - 38:05: Before indie was...
38:05 - 38:07: Well, also the cello too.
38:07 - 38:08: He's a cellist.
38:08 - 38:13: Yeah, so he was involved in like dance music, like '80s New York dance music.
38:13 - 38:17: But also, I guess what you could call indie post-punk something.
38:17 - 38:17: Yeah.
38:17 - 38:18: He kind of...
38:18 - 38:22: I think at the time he was a little bit slept on and he died tragically young.
38:22 - 38:24: So Arthur Russell is a super cool guy.
38:24 - 38:29: And maybe in the past 15 years, he's become even more influential
38:29 - 38:31: because of like compilations and reissues and stuff.
38:31 - 38:36: Like any indie musician is definitely like a fan or certainly familiar.
38:36 - 38:43: So we found evidence that Vin Diesel linked up with Arthur Russell as a teenager.
38:43 - 38:48: We got a shout out, Gary@garylucas.com, who's the dude who posted this on SoundCloud.
38:48 - 38:49: Whoa.
38:49 - 38:50: And this is how he described it.
38:50 - 38:56: "These are fragments of an aborted recording session at Battery Sound, New York City, 1986,
38:56 - 39:01: which brought together fledgling rapper Mark Sinclair, today better known as the actor Vin
39:01 - 39:07: Diesel, and avant composer/dance music maven Arthur Russell in a project midwifed by Gary
39:07 - 39:11: Lucas," oh, there you go, "who discovered Mark Sinclair rapping and break dancing on
39:11 - 39:12: the streets of the West Village.
39:12 - 39:20: This project was greenlighted by Jeff Travis of Rough Trade Records and Barry Feldman,
39:20 - 39:23: of Upside/Logarithm Records."
39:23 - 39:28: I'd be remiss not to point out that Jeff Travis, who I guess footed the bill for this,
39:28 - 39:31: kind of a well-known guy who ran Rough Trade Records in England, signed the Smiths,
39:31 - 39:37: also put out The Libertines about 20 years later.
39:37 - 39:43: So anyway, this guy Jeff Travis has had an eye for talent for 30 years, from Johnny Marr
39:43 - 39:48: and Morrissey to Vin Diesel to The Libertines and then The Strokes.
39:49 - 39:50: So let's listen to some of this.
39:50 - 39:51: This is like a weird tape.
39:52 - 39:55: Ha ha, ha ha, party people trying to get stupid.
39:55 - 39:57: Ha ha, sounds like him.
39:57 - 40:00: Ha ha, yeah, you're actually here, Sinclair.
40:00 - 40:04: So I'll tell you a little story here, it goes like, it goes like this.
40:04 - 40:18: You knew this girl from junior high, she was bordering and she was fly.
40:18 - 40:23: That's when I was kinda shy, chilling and moving a fabulous vibe.
40:23 - 40:28: Now I used to buy as you all know, my name Papa Papa was a city boy.
40:28 - 40:34: Well one night we were popping at DT and this girl told Ty that she liked me.
40:34 - 40:37: Hit it on the loop and I played it cool.
40:37 - 40:38: It was the same old old time.
40:38 - 40:41: Definitely the beat has some of that Arthur Russell, like, echoey flavor.
40:41 - 40:46: Let's skip around.
40:59 - 41:00: Okay.
41:00 - 41:03: Oh, he's getting directions.
41:17 - 41:19: Okay, we get the idea.
41:19 - 41:24: So anyway, to be fair to Vin Diesel, it's not just an actor who suddenly is getting
41:24 - 41:26: interested in music when he hears a good Kygo song.
41:26 - 41:30: This guy, music's been a part of his life since he was a teenager.
41:30 - 41:33: So weird, the Arthur Russell connection, that is so bizarre.
41:33 - 41:34: He connected with everybody.
41:34 - 41:36: Yeah, that's so cool.
41:36 - 41:40: So you're Vin Diesel, breakdancing in the West Village.
41:40 - 41:41: Fast and Furious 9.
41:41 - 41:48: But so, you know, after listening to the Kygo song and the Arthur Russell song, I was very
41:48 - 41:49: pro Vin Diesel.
41:49 - 41:50: Yeah.
41:50 - 41:52: But then as I'm continuing to research.
41:52 - 41:53: He's a Trump guy.
41:53 - 41:54: No, he's not a Trump guy.
41:54 - 41:57: But well, actually, I don't know.
41:57 - 41:58: I doubt it.
41:58 - 41:59: That'd be weird.
41:59 - 42:05: It kind of seems like as two of the biggest stars in the Fast and Furious franchise, it
42:05 - 42:08: seems like some people, you have to either like Vin Diesel or like The Rock.
42:08 - 42:12: And it turns out that they've had some skirmishes on the set.
42:12 - 42:12: Okay.
42:12 - 42:15: And The Rock's known to be a very level-headed guy, but he came out and made a statement
42:15 - 42:23: basically saying some people, I think he used the B word, are acting like bees on the set.
42:23 - 42:25: And a lot of people were like, oh, he's talking about Vin Diesel.
42:25 - 42:26: They don't like each other.
42:27 - 42:29: He thinks Vin Diesel's like a diva, annoying.
42:29 - 42:33: And The Rock is more like salt of the earth, knows how to treat people right.
42:33 - 42:36: But I guess they're kind of positioned against each other.
42:36 - 42:37: You like one or the other.
42:37 - 42:41: And then I was checking on some of the latest press that Vin Diesel did.
42:41 - 42:44: He was doing an interview in Brazil.
42:44 - 42:49: And I started to be like, man, Vin Diesel needs to get it together because this is not
42:49 - 42:49: cool.
42:49 - 42:54: So he was doing an interview in Brazil with a Brazilian female journalist.
42:54 - 42:54: Okay.
42:54 - 42:54: What year?
42:54 - 42:56: This year.
42:56 - 42:57: Very recently.
42:57 - 42:58: God, you're so beautiful.
42:58 - 43:00: My God, she's so beautiful.
43:00 - 43:02: Am I right or wrong?
43:02 - 43:03: Look at her.
43:03 - 43:05: How am I supposed to do this interview?
43:05 - 43:05: It's pretty drunk.
43:05 - 43:06: Look at this woman.
43:06 - 43:07: Yeah, it's pretty drunk.
43:07 - 43:09: She's so beautiful.
43:09 - 43:10: Cognou, man.
43:10 - 43:11: Talk to me, baby.
43:11 - 43:13: Tell me your story.
43:13 - 43:14: Tell me yours.
43:14 - 43:14: Let's get out of here.
43:14 - 43:15: Let's go.
43:15 - 43:16: Let's go have lunch.
43:16 - 43:18: My God, I love her.
43:18 - 43:19: Look how beautiful she is.
43:19 - 43:20: Thank you.
43:20 - 43:22: God, wow.
43:22 - 43:24: Also, I know this sounds like it's edited.
43:24 - 43:26: He was pushing the point so far.
43:26 - 43:29: I know it sounds like it's edited, but it's like when somebody's trying to do their job
43:29 - 43:34: interviewing you, I guess you could pay them a compliment about an article of clothing,
43:34 - 43:39: perhaps even to say that they're beautiful once is like unprofessional.
43:39 - 43:40: Yeah.
43:40 - 43:41: Did you?
43:41 - 43:43: I'm the Grouch.
43:43 - 43:43: I'm the Grouch.
43:43 - 43:47: I'm the Grouch.
43:47 - 43:50: I love her.
43:50 - 43:52: Man, she's so f****** sexy.
43:52 - 43:53: I can't do this interview.
43:53 - 43:53: Look at her.
43:54 - 43:56: Does anyone say this?
43:56 - 43:58: Guys, what's wrong?
43:58 - 43:59: Am I the only one that's saying it?
43:59 - 44:00: Look at her.
44:00 - 44:03: So Vin Diesel, man, apologize to that journalist.
44:03 - 44:07: Get back to rapping and get your act together, man.
44:07 - 44:10: People have joked about The Rock running for president.
44:10 - 44:15: What if there's Vin Diesel's running for the Republicans, obviously, and The Rock is for
44:15 - 44:16: the Democrats?
44:16 - 44:19: That would be insane.
44:19 - 44:20: The Rock is more jacked too.
44:20 - 44:21: Yeah.
44:22 - 44:29: Okay, so The Rock wrote a cryptic Instagram post because I hope people don't think I'm
44:29 - 44:34: just pulling out this beef out of thin air just because they're too bald headed jack
44:34 - 44:35: dudes in their 40s.
44:35 - 44:43: So The Rock, who's always been known as like this super chill dude, posted an Instagram
44:43 - 44:48: where he wrote, "This is my final week of shooting Fast and Furious 8.
44:48 - 44:52: There's no other franchise that gets my blood boiling more than this one."
44:52 - 44:54: I love that.
44:54 - 44:58: Then he went on to praise the crew and the female stars in the ensemble cast.
44:58 - 45:01: So right there, you know there's about to be a turn.
45:01 - 45:07: And then he turns around and says, "My male co-stars, however, are a different story.
45:07 - 45:15: Some conduct themselves as stand-up men and true professionals, while others don't.
45:16 - 45:21: The ones that don't are too chickens to do anything about it anyway."
45:21 - 45:23: Wow, he's going in.
45:23 - 45:24: Candy asses.
45:24 - 45:25: Dude.
45:25 - 45:30: When you watch this movie next April and it seems like I'm not acting in some of these
45:30 - 45:33: scenes and my blood is legit boiling, you're right.
45:33 - 45:39: Bottom line is it'll play great for the movie and fits this Hobbes character that's embedded
45:39 - 45:41: in my DNA extremely well.
45:41 - 45:44: The producer in me is happy about this part.
45:45 - 45:52: "Final week on Fast 8 and I'll finish strong," he wrote, adding the hashtag #ZeroTolerance
45:52 - 45:53: for candy asses.
45:53 - 45:56: I mean, shots fired.
45:56 - 45:58: That's a long hashtag.
45:58 - 45:59: Candy ass.
45:59 - 46:04: Candy ass is a weird one.
46:04 - 46:06: I think it's like you're soft.
46:06 - 46:08: You don't have strength in your buttocks.
46:08 - 46:10: I also like the part where he says chicken s--t.
46:10 - 46:13: Chicken s--t is such a funny phrase too.
46:13 - 46:15: He's too chicken s--t to do anything about it anyway.
46:15 - 46:17: I'm pretty into chicken s--t as a phrase.
46:17 - 46:22: I bet that Vin Diesel was kind of acting weird, maybe disrespecting the crew.
46:22 - 46:22: Maybe disrespecting--
46:22 - 46:24: Just being a punk, probably, dude.
46:24 - 46:27: Maybe disrespecting some of the female crew.
46:27 - 46:30: I'm picturing the craft services table.
46:30 - 46:32: Yeah, he's just getting some potato salad and just sees--
46:32 - 46:33: "Oh, you're beautiful.
46:33 - 46:34: You're beautiful.
46:34 - 46:36: How am I supposed to eat this potato salad?
46:36 - 46:37: Are you kidding me?
46:37 - 46:41: I'm supposed to eat this potato salad and go back and film Fast and Furious 8?
46:41 - 46:41: Look at her.
46:42 - 46:43: Are you kidding me?"
46:43 - 46:45: And then Rock hears that.
46:45 - 46:47: That is a candy ass move.
46:47 - 46:52: Yeah, Rock is like, "Do not disrespect the female crew!"
46:52 - 46:54: He's like, "I'm not disrespecting her, Rock.
46:54 - 46:54: Dwayne.
46:54 - 46:57: Dwayne, I'm not disrespecting her.
46:57 - 46:58: She's beautiful.
46:58 - 46:58: Look at her.
46:58 - 47:02: She might be an attractive woman, man, but you can't talk to her that way."
47:02 - 47:04: And then Vin Diesel probably--
47:04 - 47:06: Because Vin Diesel maybe just walked away and was like, "Whatever.
47:06 - 47:07: I could kick your ass."
47:07 - 47:08: And the Rock is like, "Oh, yeah?
47:08 - 47:09: Then why are you walking away?"
47:10 - 47:14: He's too much of a smooth operator businessman to just come out and be like, "You know what,
47:14 - 47:14: guys?
47:14 - 47:19: I just rapped on Fast and Furious 8, and I gotta say, it was an awful experience, and
47:19 - 47:20: I don't know if I can do it anymore.
47:20 - 47:23: Particularly because of the actions of some of my male co-stars who don't know how to
47:23 - 47:26: treat people, who are rude, arrogant, whatever.
47:26 - 47:27: Honestly, it was--
47:27 - 47:29: Instead, he flips it into a positive.
47:29 - 47:32: He's like, "Some of these punks don't know how to act.
47:32 - 47:39: And when you go see FF8 in theaters, and you see my incredible performance full of passion
47:39 - 47:41: and rage, it's real."
47:41 - 47:45: And then he goes, "The producer in me loves it."
47:45 - 47:46: "The producer in me."
48:00 - 48:02: Complex plans and high ideals
48:02 - 48:05: But he treats people poorly
48:05 - 48:11: Is his ceaseless ambitiousness proxy for reward?
48:11 - 48:12: He's ignoring
48:12 - 48:18: How good we could have it if we were together
48:18 - 48:24: I feel love should be enough to get it easily done
48:25 - 48:32: Maybe love is competition that makes us raise the bar and better ourselves
48:32 - 48:36: We could be so good if we work together
48:36 - 48:42: Work together
48:42 - 48:43: Work together
48:43 - 48:45: Work together
48:45 - 48:48: Work together
48:48 - 48:50: Work together
48:50 - 48:51: Work together
48:53 - 48:55: Crippling fear, a selling doubt
48:55 - 48:58: So she blankers her vision
48:58 - 49:05: Is the life she's living not the one she dreamt of and envisioned?
49:05 - 49:11: How good we could have it if we were together
49:11 - 49:17: I feel love should be enough to get it easily done
49:18 - 49:25: Maybe love is competition that makes us raise the bar and better ourselves
49:25 - 49:31: I'm just here for the reciprocity to drop now we won't see
49:31 - 49:35: Work together
49:35 - 49:36: Work together
49:36 - 49:38: Work together
49:38 - 49:41: Work together
49:41 - 49:42: Work together
49:42 - 49:44: Work together
49:44 - 49:47: Work together
49:48 - 49:49: Work together
49:49 - 49:50: Work together
49:50 - 49:53: Work together
49:53 - 49:55: Work together
49:56 - 50:03: We haven't talked about politics in the past few weeks. I'm glad that we reminded people a little
50:03 - 50:09: bit that we're living in a fascist state. It's getting worse. It's horrible. And that if we don't
50:09 - 50:16: do more, we might be looking at a diesel presidency. It could happen. I wonder if we'll get a truly I'm
50:16 - 50:22: not kidding at all. If we truly will get a celebrity versus celebrity. I think so. Presidential race,
50:22 - 50:26: because you know how like there's been this stuff with like Trump and Schwarzenegger, like Trump is
50:26 - 50:31: still tweeting about the ratings. Yeah, yeah. I mean, to be fair, Schwarzenegger is no hero. He's
50:31 - 50:36: a Republican, but I get a picture that now based on what we know now, how horrible things are.
50:36 - 50:42: Imagine if Trump had come out and instead of the Democrats being like, well, we're gonna run a
50:42 - 50:48: well-known kind of moderate Democrat who kind of has a lot of experience, who's been in the White
50:48 - 50:53: House, you know, like reasonable things. Yeah. We can critique Hillary all we want, but like they
50:53 - 51:01: tried to counter the madness of Trump, the celebrity with like a true civil servant. And maybe
51:01 - 51:05: now they'll be like next time there's like a Trump, they'd be like, can we get Schwarzenegger?
51:06 - 51:14: Can we get Alec Baldwin? Oh my, yo, that's crazy. Could you imagine? Honestly, I can imagine. That
51:14 - 51:18: would be like, we are living in a simulation. If Alec Baldwin threw his hat in the ring.
51:18 - 51:22: And he's like really serious during the debate and then just out of nowhere, he just busts out
51:22 - 51:26: the impression. And then Trump's like, okay, very funny. It doesn't even sound like me. And he's
51:26 - 51:30: like, okay, very funny. Doesn't like that could happen on the national stage. I know you are,
51:30 - 51:34: but what am I? Exactly. Like what are some other ones besides Diesel and The Rock? It could be
51:34 - 51:40: the Republicans are like, we're running Garth Brooks. We're going to clean up. We're going to
51:40 - 51:45: mop the floor with you losers. And then Garth comes out and it's just like, oh, don't worry.
51:45 - 51:51: I'm not as crazy as a, as Trump, but then like Loki he's doing like, and then the Democrats are
51:51 - 51:55: like, who do we run against Garth Brooks? I bet the first name that comes up Springsteen. Oprah
51:55 - 52:00: or Oprah. Oh yeah. That's come up. No, but I'm saying like, I want to like keeping it in like
52:00 - 52:08: the genre. This is a funny fantasy. I mean, Bruce would never do it, but draft Bruce, the great
52:08 - 52:13: draft Bruce campaign of 2023. So I feel like a lot of the democratic celebrities are they're like,
52:13 - 52:17: they're rational and they're not crazy. So they're like, yeah, I'm not going to run.
52:17 - 52:20: Well, they're rational because they never would have thought they could have won. Now they might
52:20 - 52:26: think they could win. We're going to get more kind of like narcissistic Democrat celebrities
52:26 - 52:31: throwing their hat in the ring. Oh, yo kid rock versus the rock. Wow. Yeah. Republicans,
52:31 - 52:37: Republicans, 2024. Oh, kid. Rock's a huge Republican. Marley man. What's his problem?
52:37 - 52:43: Yo. All right. How about this kid rock? There's Eminem governor of Michigan. Oh,
52:43 - 52:49: it may be like depressing. I'm just picturing like Michigan becomes like this real, like
52:49 - 52:54: battleground for some reason. Well, it is, it already is. Oh yeah. No, I mean, it already is
52:54 - 52:59: like what's happening in Flint. So, so Michigan become, there's like, there's like a civil war
52:59 - 53:04: in Michigan. The whole nation's eyes are on who's going to become the governor of Michigan.
53:04 - 53:08: Kid rocks running. He's leading in the polls. The Democrats are running like
53:08 - 53:14: Todd Williamson, like a local Congressman or something. And he's just like getting crushed.
53:14 - 53:21: And then just one day out of nowhere, a new song comes on soundcloud and it's Eminem
53:21 - 53:30: announcing his candidacy for governor of Michigan in a speed rap. The Democrat bows out and then
53:30 - 53:36: it's just kid rock versus Eminem. It's really going to happen. It's hard to imagine that. Yeah.
53:36 - 53:44: The celebrity won't that strain won't go further. Oh yeah. Trump broke the seal on that. I mean,
53:44 - 53:49: Reagan broke the seal. Right. Right. But he had to take it so slow. You'd have like decades.
53:50 - 53:56: I wonder if we'll ever get a truly jacked president. Dude, Obama. Obama was in great
53:56 - 53:59: shape. I want a president. Obama was more jacked than you dude. Yeah, debatable.
53:59 - 54:06: Now that's, that's debatable. I want a president with a good team. Is Obama more jacked than me?
54:06 - 54:12: Not really. No. Okay. Obama's in great shape. Obama's probably the, in the best shape of any
54:12 - 54:18: president ever. Dude, don't sleep on W. Dude worked out for an hour a day. Really? I guess.
54:18 - 54:25: W was older, but dude was like, was he had some guns under there? Yeah. He was toned bro. Really?
54:25 - 54:32: Yeah. When I picture like, like president era W with his shirt off. Dude, I don't think he's
54:32 - 54:38: pretty. He's like going down his clearing brush and cross. He's like working on his core, dude.
54:38 - 54:43: Do you think he had like visible abs? Yeah, I do. I really do. Really?
54:46 - 54:52: W side. There's never been a president with the, with like, say like the bulk of,
54:52 - 54:56: of a rock of like the rock. Well, most of the time they're old, but yeah.
54:56 - 54:59: Yeah. Maybe they're just too old. I mean, yeah. Schwarzenegger was governor.
54:59 - 55:06: Right. Yeah. Schwarzenegger. That's funny that he was governor. Dude. And Jesse Ventura was governor.
55:06 - 55:12: Oh, well, Jesse Ventura is, I don't even know. Dude, groundwork's been laid. Ventura, Schwarzenegger.
55:13 - 55:16: Wrestler slash action. Maybe it will be the rock.
55:16 - 55:22: It's just been eight for the eight days since our restart went.
55:22 - 55:37: Thought we'd invest and say, but it's all rigged a gamble.
55:37 - 55:42: Oh, no way. Fighting. We can't.
55:42 - 55:58: Cause you and me are the same. Now I'm shining. And you're shining.
55:58 - 56:00: And you're shining.
56:01 - 56:10: But our diamonds blooded. Nickel, diamond, silver. No trophy, no cake. Winner take not fair.
56:10 - 56:22: I want it all. And I want it more.
56:23 - 56:27: Maybe I want it all. And when you no longer.
56:27 - 56:38: I built my life around our love to ground your dream.
56:38 - 56:45: I am so tired, but I never could give you enough.
56:48 - 56:55: Fighting. We can only lose. Winner take nothing.
56:55 - 57:01: Killing me and killing you. Cause you and me are the same.
57:01 - 57:06: Now I'm shining like tears in the rain. And you're shining like the fear of fate.
57:06 - 57:16: But our diamonds blooded. Nickel, diamond, silver. No trophy, no cake. Winner take nothing.
57:17 - 57:25: Winner take nothing. Winner take nothing.
57:25 - 57:38: Winner take. You're listening to Time Crisis on Beat One.
57:38 - 57:41: On the last episode, we had a fascinating conversation with some of the good folks at
57:41 - 57:49: Play Network. These are the people who help craft playlists for retail spaces. And Jake,
57:49 - 57:52: you had some pretty critical things to say about the music that you hear when you're
57:52 - 57:58: shopping at Home Depot. It's just basically like the top five of iTunes. It's Chainsmokers.
57:58 - 58:03: It's like Justin Timberlake song from the Troll soundtrack. Oh, that's a good song. It's
58:03 - 58:10: just like, you know, the same pop music you hear everywhere. And for some reason, in my mind,
58:10 - 58:16: Home Depot is like something special. You're like a 40 year old dude buying a toilet seat, right?
58:16 - 58:22: It's not Chainsmokers, dude. It's like it's like the tasteful side of contractor rock.
58:22 - 58:29: OK, well, I made my own playlist for which I think we should send on. OK, but wait, have we talked
58:29 - 58:34: about contractor rock as a genre yet? No, you're you're getting way ahead. So the reason we're
58:34 - 58:39: talking about this is because Jake made a Home Depot playlist that you can listen to via Apple
58:39 - 58:44: Music on the Time Crisis show page. Yeah. On Time Crisis, we post the playlist of what we played on
58:44 - 58:49: the show. But, you know, there's a super random show. Yeah. So a Time Crisis playlist is like
58:49 - 58:56: probably not good just to throw on like at a barbecue or something. If you're going to Lowe's.
58:56 - 59:00: Yeah, definitely not if you're going to Lowe's. So Jake made a Home Depot playlist. So OK, so you
59:00 - 59:07: this is what you wrote for the website. Jake's Dream, colon Home Depot playlist,
59:08 - 59:13: the tasteful side of contractor rock music that could theoretically be played in Home Depot
59:13 - 59:17: and dramatically improve the shopping experience in keeping with the Play Network concept of upbeat,
59:17 - 59:23: relatively positive vibes. OK, so Dave asked a great question. What is contractor rock?
59:23 - 59:32: OK, a.k.a. like job site rock. So like there's there's some dudes putting up like the Tyvek
59:32 - 59:36: wrapping on the side of like a new house that they've just framed out. Right. There's like
59:36 - 59:44: a boom box as blasting like Van Halen and ACDC, KLOS and GNR Metallica. Exactly. You're
59:44 - 59:50: picturing like a suburban white, like middle aged contractor. Yeah. And just straight up classic rock.
59:50 - 59:54: That's not what I want played at the Home Depot. What I want is something a little gentler,
59:54 - 01:00:00: something that's a little more tasteful. You don't want to hear something that's not hard rock
01:00:00 - 01:00:06: because like you don't want to hear like ACDC and Guns N' Roses. That's hard rock. That's too heavy.
01:00:06 - 01:00:10: I don't want to hear hard rock. I don't want to hear metal, but I don't want to hear soft rock
01:00:10 - 01:00:14: either. I want to hear just Christopher Cross. I just want to hear like rock,
01:00:14 - 01:00:24: sort of like fairly melodic, sort of mid-tempo, tasteful, classy rock. So let me see. So
01:00:24 - 01:00:28: you started with Badfinger. So you enter Home Depot.
01:00:31 - 01:00:38: The guy smiles at you. Mr. Longstrip, welcome back. This sounds kind of British.
01:00:38 - 01:00:46: Yeah, I think we're British. That doesn't get me. British bands are like 2x4s. British bands are,
01:00:46 - 01:00:51: they're just rock bands from Britain. Yeah, but isn't Home Depot like all American? That sounds
01:00:51 - 01:00:56: like that Tom Hanks movie. Which one? It's where he plays the manager. Oh, that thing you do? Yeah.
01:00:57 - 01:01:03: It's Badfinger. So you also picked Big Star. They're American. Relatively obscure. Yeah,
01:01:03 - 01:01:09: I wanted to sneak in a few gems that you wouldn't hear. I don't know why Big Star's not on classic
01:01:09 - 01:01:14: rock radio. They should be. Yeah, it's one of those weird things. It's like, in what aisle
01:01:14 - 01:01:21: would I find the grout? That would totally work. I feel this. Look, I'm trying to mount like a
01:01:21 - 01:01:25: metal shelving bracket to like a concrete pillar. Do I need like a masonry bit for that? You know
01:01:25 - 01:01:30: what? I'm going to refer you to my associate Marsha. She will have better information on that.
01:01:30 - 01:01:35: Okay, so I have like a Nikita impact driver. Do you think if I just put a masonry bit in that I
01:01:35 - 01:01:40: could... Oh Nikita, that's a hell of an impact. Oh, do I have to actually rent a hammer drill from you?
01:01:40 - 01:01:42: Okay, you got some Bob Dylan Man in me.
01:01:42 - 01:01:50: Isn't this more like, this is more like local hardware store. This is more like... Exactly.
01:01:51 - 01:02:00: Hey, this is like small town. Hey Fred, hey Jake, how did that wall mounted...
01:02:00 - 01:02:08: How did the wall mounting work out? It's like a dream Fred, this new, my new Nikita...
01:02:08 - 01:02:11: Oh, Nikita impact driver?
01:02:25 - 01:02:34: I'd like you to get through to the man in me.
01:02:34 - 01:02:41: Storm clouds are raging all around my door.
01:02:41 - 01:02:47: I think to myself I might not take it anymore.
01:02:47 - 01:02:55: Take a woman like your kind to find the man in me.
01:02:55 - 01:03:23: If never I met you,
01:03:23 - 01:03:27: If never I met you,
01:03:27 - 01:03:30: If not for a first hello,
01:03:30 - 01:03:35: We never have to say goodbye.
01:03:35 - 01:03:39: If never I met you,
01:03:39 - 01:03:42: My baby's a blue-blue man.
01:03:42 - 01:03:45: It's how my stars were born.
01:03:45 - 01:03:49: That's so much you'll never know.
01:03:49 - 01:03:55: I think to myself I might not take it anymore.
01:03:55 - 01:04:01: Take a woman like your kind to find the man in me.
01:04:01 - 01:04:05: If never I met you,
01:04:05 - 01:04:09: If not for a first hello,
01:04:09 - 01:04:13: We never have to say goodbye.
01:04:13 - 01:04:18: Take a woman like your kind to find the man in me.
01:04:18 - 01:04:22: If never I met you,
01:04:22 - 01:04:26: My baby's a blue-blue man.
01:04:26 - 01:04:30: It's how my stars were born.
01:04:30 - 01:04:34: That's so much you'll never know.
01:04:34 - 01:04:38: It's how my stars were born.
01:04:54 - 01:04:58: There were beverages
01:04:58 - 01:05:01: Laid out for the party.
01:05:01 - 01:05:04: There were candy and spices
01:05:04 - 01:05:07: And tricolor costumes.
01:05:07 - 01:05:13: Cork was drunk from succulent juices.
01:05:13 - 01:05:17: So I had to turn around.
01:05:17 - 01:05:21: And go to the home depot.
01:26:49 - 01:26:51: Sam Hunt, "Body Like a Back Road"
01:26:51 - 01:26:55: I'll give you one guess what genre.
01:26:55 - 01:26:57: Sam Hunt, "Body Like a Back Road"
01:26:57 - 01:26:59: Body like a back road.
01:26:59 - 01:27:01: No, it's actually a tropical house. Back road is like a Swedish...
01:27:01 - 01:27:03: No, I'm just kidding. Of course it's country.
01:27:05 - 01:27:07: Ooh, I already like this.
01:27:07 - 01:27:09: It's got those snaps.
01:27:13 - 01:27:15: Got a girl from the south side.
01:27:15 - 01:27:17: Got braids in her hair.
01:27:17 - 01:27:19: First time I seen her walk by.
01:27:19 - 01:27:21: And I about fell up out my chair.
01:27:21 - 01:27:23: Had to get her number.
01:27:23 - 01:27:25: It took me like six weeks.
01:27:25 - 01:27:27: Oh, he's got a rapper.
01:27:27 - 01:27:29: To get her go way back.
01:27:29 - 01:27:31: Like Cadillac seats.
01:27:31 - 01:27:33: Body like a back road.
01:27:33 - 01:27:35: Driving with my eyes closed.
01:27:35 - 01:27:37: I know every curve.
01:27:37 - 01:27:39: Like the back of my hand.
01:27:39 - 01:27:41: Gotcha.
01:27:41 - 01:27:43: I was like, what do you mean backward?
01:27:43 - 01:27:45: Like kind of dusty and gravelly?
01:27:45 - 01:27:47: Real coarse.
01:27:49 - 01:27:51: Just as fast as I can.
01:27:51 - 01:27:53: Oh, I should bring them blue jeans.
01:27:53 - 01:27:55: She don't need no help.
01:27:55 - 01:27:57: Oh, nice tambo.
01:27:57 - 01:27:59: Second verse.
01:27:59 - 01:28:01: But I can turn them inside out.
01:28:01 - 01:28:03: I don't need no help.
01:28:05 - 01:28:07: So thick and so sweet.
01:28:07 - 01:28:09: So sweet.
01:28:09 - 01:28:11: Ain't no curves like hers.
01:28:11 - 01:28:13: Down town streets.
01:28:13 - 01:28:15: Body like a back road.
01:28:15 - 01:28:17: Driving with my eyes closed.
01:28:17 - 01:28:19: I know every curve.
01:28:19 - 01:28:21: Like the back of my hand.
01:28:21 - 01:28:23: Going 15 in a 30.
01:28:23 - 01:28:25: I ain't in no hurry.
01:28:25 - 01:28:27: I'm gonna take it slow.
01:28:27 - 01:28:29: Just as fast as I can.
01:28:29 - 01:28:31: Okay, I'm starting to see a theme
01:28:31 - 01:28:33: in the 2017 songs.
01:28:33 - 01:28:35: Yeah?
01:28:35 - 01:28:37: They're both kind of like
01:28:37 - 01:28:39: small moments about
01:28:39 - 01:28:41: personal connection.
01:28:41 - 01:28:43: Like the Coldplay one is about like,
01:28:43 - 01:28:45: "Hey, I'm nothing fancy,
01:28:45 - 01:28:47: but it really means a lot to me
01:28:47 - 01:28:49: that I'm what you need."
01:28:49 - 01:28:51: Maybe it's like in this big crazy world
01:28:51 - 01:28:53: we're looking for little stories
01:28:53 - 01:28:55: of people who can just come together
01:28:55 - 01:28:57: in small ways.
01:28:57 - 01:28:59: Like the Coldplay song to me
01:28:59 - 01:29:01: very clearly takes place in like a
01:29:01 - 01:29:03: ranch house. Like a suburban ranch house.
01:29:03 - 01:29:05: It's just like, it doesn't take place
01:29:05 - 01:29:07: at a nightclub. It's just kind of like
01:29:07 - 01:29:09: reading the books of old and then
01:29:09 - 01:29:11: the girlfriend comes in and she's like,
01:29:11 - 01:29:13: "Hey man, don't be hard on yourself.
01:29:13 - 01:29:15: I love you."
01:29:15 - 01:29:17: Let's see what's on TV. And then this song
01:29:17 - 01:29:19: by the Lake of Backroad, which is classic country,
01:29:19 - 01:29:21: is kind of like, "You're in an F-150."
01:29:21 - 01:29:23: But it's also like, it's not epic.
01:29:23 - 01:29:25: It's just like,
01:29:25 - 01:29:27: it's about intimacy, I guess.
01:29:27 - 01:29:29: I know your body as well as I know
01:29:29 - 01:29:31: the streets of my neighborhood.
01:29:31 - 01:29:33: Nothing fancy.
01:29:33 - 01:29:35: In the second verse he says,
01:29:35 - 01:29:37: "There are no curves like those
01:29:37 - 01:29:39: on a downtown city street."
01:29:39 - 01:29:41: Oh, okay.
01:29:41 - 01:29:43: Alright, so maybe he's saying like,
01:29:43 - 01:29:45: "We grow 'em thick out here."
01:29:45 - 01:29:47: What about like the washboarding
01:29:47 - 01:29:49: on a dirt road?
01:29:49 - 01:29:51: I don't know, but I--
01:29:51 - 01:29:53: My interpretation of the song,
01:29:53 - 01:29:55: he's saying "body like a backroad."
01:29:55 - 01:29:57: But primarily what he's saying is--
01:29:57 - 01:29:59: Oh, he also might be saying with the city thing,
01:29:59 - 01:30:01: he's not saying that
01:30:01 - 01:30:03: your body is so much
01:30:03 - 01:30:05: better than everybody else's and you're so fine.
01:30:05 - 01:30:07: He's basically saying,
01:30:07 - 01:30:09: "I love your body. You know why?
01:30:09 - 01:30:11: Because I'm familiar with it.
01:30:11 - 01:30:13: Because we have a true personal connection."
01:30:13 - 01:30:15: It's not somebody you just met at the club.
01:30:15 - 01:30:17: This is somebody you probably see in the living room.
01:30:17 - 01:30:19: You know what I'm saying?
01:30:19 - 01:30:21: This is a great theme. 15 into 30.
01:30:21 - 01:30:23: Wait, what is the 15 into 30?
01:30:23 - 01:30:25: He's not in a hurry.
01:30:25 - 01:30:27: He's taking it slow.
01:30:27 - 01:30:29: Oh, wait, that's what he's saying?
01:30:29 - 01:30:31: Yeah. He's doing 15 into 30.
01:30:31 - 01:30:33: Yeah. Oh.
01:30:33 - 01:30:35: He's not in a hurry. He's taking it slow.
01:30:35 - 01:30:37: Okay. He knows where he's going.
01:30:37 - 01:30:39: Right. He's not like some--
01:30:39 - 01:30:41: Savor it a little bit. That's what he's saying.
01:30:41 - 01:30:43: That's kind of nice. All right. Shout out to Sam Hunt.
01:30:43 - 01:30:45: Number three song
01:30:45 - 01:30:47: this week in 1981 was John Lennon,
01:30:47 - 01:30:49: who we talked about would have been
01:30:49 - 01:30:51: recently deceased. Right. Died in December
01:30:51 - 01:30:53: of '80. So this would have been three months after
01:30:53 - 01:30:55: he died and he was still on the charts
01:30:55 - 01:30:57: with "Woman." Ooh.
01:30:57 - 01:30:59: Great song.
01:30:59 - 01:31:01:
01:31:09 - 01:31:11: This is also
01:31:11 - 01:31:13: in that key of like in between the '70s
01:31:13 - 01:31:15: and the '80s. Right.
01:31:15 - 01:31:17: This is fully soft rock.
01:31:17 - 01:31:19:
01:32:03 - 01:32:05: It's a nice sentiment.
01:32:05 - 01:32:07: I guess it's kind of what you were just riffing on.
01:32:07 - 01:32:09: Yeah, a little bit. I mean, John Lennon was always good at that
01:32:09 - 01:32:11: between "Jealous Guy" and "Woman."
01:32:11 - 01:32:13: Such a spectrum.
01:32:13 - 01:32:15: But he's good at the self-critical song.
01:32:15 - 01:32:17: Like the song that's like
01:32:17 - 01:32:19: a few days after everybody cooled down,
01:32:19 - 01:32:21: he's like-- I'm just a child.
01:32:21 - 01:32:23: You know what? Yeah, acted like a child.
01:32:23 - 01:32:25: But he's good. He's like--
01:32:25 - 01:32:27: he's expressing thankfulness.
01:32:27 - 01:32:29: ♪ Poor woman ♪
01:32:29 - 01:32:31: ♪ Forever in your day ♪
01:32:31 - 01:32:33: I remember when I first got to know
01:32:33 - 01:32:35: Double Fantasy,
01:32:35 - 01:32:37: I think I was in high school. Yeah.
01:32:37 - 01:32:39: And I thought the craziest
01:32:39 - 01:32:41: part of that song is the way he's like
01:32:41 - 01:32:43: the meaning of success.
01:32:43 - 01:32:45: What did he say? You taught me the meaning of success?
01:32:45 - 01:32:47: Yeah. He's thankful because
01:32:47 - 01:32:49: she showed him the meaning of success.
01:32:49 - 01:32:51: I mean, this is almost like the opposite of the Coldplay
01:32:51 - 01:32:53: and Smoker song, 'cause that's about a guy
01:32:53 - 01:32:55: who's like
01:32:55 - 01:32:57: maybe
01:32:57 - 01:32:59: knows he's nothing special.
01:32:59 - 01:33:01: And then the woman says, "Well, that's cool.
01:33:01 - 01:33:03: I'm cool with that." He was nervous about it.
01:33:03 - 01:33:05: This maybe seems more like a guy--
01:33:05 - 01:33:07: the woman stayed home,
01:33:07 - 01:33:09: and the guy went out to the club,
01:33:09 - 01:33:11: and he was chasing
01:33:11 - 01:33:13: all the wrong things, and he was flirting
01:33:13 - 01:33:15: with other
01:33:15 - 01:33:17: people, and he was like looking for
01:33:17 - 01:33:19: validation some other ways.
01:33:19 - 01:33:21: And he came home, she gave him an earful.
01:33:21 - 01:33:23: And then he realized, "You know what?
01:33:23 - 01:33:25: I messed up.
01:33:25 - 01:33:27: I'm a moron. You're cool."
01:33:27 - 01:33:29: And you--
01:33:29 - 01:33:31: real success is having
01:33:31 - 01:33:33: a kind person in your life
01:33:33 - 01:33:35: like you, woman. I also think
01:33:35 - 01:33:37: that John Lennon is singing this
01:33:37 - 01:33:39: as John Lennon to Yoko Ono.
01:33:39 - 01:33:41: Just straight up. I don't think it's
01:33:41 - 01:33:43: like a metaphor of all men.
01:33:43 - 01:33:45: Well, that's what's weird about why he's
01:33:45 - 01:33:47: just calling her woman.
01:33:47 - 01:33:49: Yeah. Well, it's good because he already
01:33:49 - 01:33:51: made a song called "Oh Yoko."
01:33:51 - 01:33:53: Oh Yoko!
01:33:53 - 01:33:55: I mean, yeah, maybe he's trying to have
01:33:55 - 01:33:57: this broader
01:33:57 - 01:33:59: metaphorical thing. And it does. It does. It works.
01:33:59 - 01:34:01: He was known to not be the best
01:34:01 - 01:34:03: husband. Right. They took
01:34:03 - 01:34:05: a year off because he was wild and so hard.
01:34:05 - 01:34:07: And she was like, "You know what, man? Go move to LA
01:34:07 - 01:34:09: and get a girlfriend if you can."
01:34:09 - 01:34:11: So maybe he felt like
01:34:11 - 01:34:13: I was looking for all the wrong things. I was looking
01:34:13 - 01:34:15: for other people, for
01:34:15 - 01:34:17: just being a
01:34:17 - 01:34:19: crazy rock star. And true success
01:34:19 - 01:34:21: is just
01:34:21 - 01:34:23: coming here and chilling with you, having somebody you can count
01:34:23 - 01:34:25: on. And I apologize. I'm in
01:34:25 - 01:34:27: your debt. That's the real meaning of success.
01:34:27 - 01:34:29: I'm forever
01:34:29 - 01:34:31: in your debt.
01:34:31 - 01:34:33: I've been
01:34:33 - 01:34:35: reading books of old.
01:34:35 - 01:34:37: Success just seemed like such an
01:34:37 - 01:34:39: un-rock and roll concept.
01:34:39 - 01:34:41: I think that's like Lennon
01:34:41 - 01:34:43: getting older.
01:34:43 - 01:34:45: What was he like? Probably like
01:34:45 - 01:34:47: early 40s by then?
01:34:47 - 01:34:49: Jake Sage. Yeah.
01:34:49 - 01:34:51: He has a kid kind of looking around
01:34:51 - 01:34:53: and being like, "I did the Beatles thing.
01:34:53 - 01:34:55: I did the post-Beatles
01:34:55 - 01:34:57: thing. Just getting wild, having fun."
01:34:57 - 01:34:59: Post-post-Beatles thing.
01:34:59 - 01:35:01: And now I look around and I'm like,
01:35:01 - 01:35:03: "You know what, man? I could go party
01:35:03 - 01:35:05: my ass off."
01:35:05 - 01:35:07: He's John Lennon. I could probably go get a lot of attention.
01:35:07 - 01:35:09: Go to the club.
01:35:09 - 01:35:11: Whatever. But if I
01:35:11 - 01:35:13: keep doing that, I'm
01:35:13 - 01:35:15: going to lose real success.
01:35:15 - 01:35:17: And that's having Yoko Ono as my
01:35:17 - 01:35:19: wife.
01:35:19 - 01:35:21: So brutal that he was murdered when this album
01:35:21 - 01:35:23: came out. Back to 2017.
01:35:23 - 01:35:25: The number three song on the iTunes
01:35:25 - 01:35:27: chart is "Clean Bandit." Rockabye.
01:35:29 - 01:35:31: Clean Bandit is the artist?
01:35:31 - 01:35:33: Yeah, but featuring Sean Paul
01:35:33 - 01:35:35: and Anne-Marie.
01:35:41 - 01:35:43: All the single moms.
01:35:59 - 01:36:01: This one's pretty strenuous.
01:36:29 - 01:36:31: Oh, you know, this song still fits.
01:36:31 - 01:36:33: I thought it wasn't going to fit with the theme.
01:36:33 - 01:36:35: This song is about a single mom
01:36:35 - 01:36:37: who works at night
01:36:37 - 01:36:39: by the water.
01:36:39 - 01:36:41: She's stressing, and the reason
01:36:41 - 01:36:43: she's working so hard is because she's got a baby at home.
01:36:43 - 01:36:45: And then she comes home
01:36:45 - 01:36:47: and tells him, "Ooh, love,
01:36:47 - 01:36:49: nobody's ever going to hurt you, love.
01:36:49 - 01:36:51: I'm going to give you all of my love.
01:36:51 - 01:36:53: Nobody matters like you. Your life ain't going to be
01:36:53 - 01:36:55: nothing like my life.
01:36:55 - 01:36:57: You're going to grow up and have a good life. I'm going to do what I've got to do."
01:36:57 - 01:36:59: So, "Rockabye Baby."
01:36:59 - 01:37:01: I actually sing to the baby.
01:37:01 - 01:37:03: Most songs, the baby is not a baby.
01:37:05 - 01:37:07: A literal baby. Did you guys know that?
01:37:07 - 01:37:09: [Laughter]
01:37:09 - 01:37:11: But in a way, we're talking about
01:37:11 - 01:37:13: the big songs right now
01:37:13 - 01:37:15: seem to be about intimate moments
01:37:15 - 01:37:17: versus splashing out
01:37:17 - 01:37:19: at the club.
01:37:19 - 01:37:21: What's more intimate than a hard-working mom
01:37:21 - 01:37:23: whispering to her baby, "I'm doing this for you.
01:37:23 - 01:37:25: I want to give you a good life." And at the same time,
01:37:25 - 01:37:27: it kind of reminds me of that,
01:37:27 - 01:37:29: "Once I was seven years."
01:37:29 - 01:37:31: In being this kind of
01:37:31 - 01:37:33: portrait or
01:37:33 - 01:37:35: generational in scope.
01:37:35 - 01:37:37: The scope of a lifetime
01:37:37 - 01:37:39: compressed into a song.
01:37:39 - 01:37:41: Right. Whether talking to your parents' generation
01:37:41 - 01:37:43: or the next
01:37:43 - 01:37:45: generation.
01:37:45 - 01:37:47: It's epic when you get into generational stuff.
01:37:47 - 01:37:49: Back to
01:37:49 - 01:37:51: 1981, Dolly Parton, "9 to 5."
01:37:51 - 01:37:53: I think we discussed this last time.
01:37:53 - 01:37:55: Just a great song.
01:37:55 - 01:37:57: This song is about working too.
01:37:57 - 01:37:59: But it's from a slightly more
01:37:59 - 01:38:01: you know,
01:38:01 - 01:38:03: you're talking about yourself.
01:38:03 - 01:38:09: Dolly is so good.
01:38:09 - 01:38:11: I feel like this is the song.
01:38:11 - 01:38:13: This isn't as maudlin and sentimental.
01:38:13 - 01:38:15: I think this is maybe a single person.
01:38:15 - 01:38:17: Maybe no kid.
01:38:17 - 01:38:19: You're just like, "I'm working just to make a life for myself."
01:38:19 - 01:38:27: Clearly, I was listening to
01:38:27 - 01:38:29: that album, "The Dude."
01:38:29 - 01:38:31: Quincy Jones' solo record from '81.
01:38:31 - 01:38:33: Yeah, from the same era.
01:38:33 - 01:38:35: With "I know Carita."
01:38:35 - 01:38:37: Yeah, exactly.
01:38:37 - 01:38:39: And that song, "I know Carita,"
01:38:39 - 01:38:41: I don't know if it opens,
01:38:41 - 01:38:43: but the way this song opens with the
01:38:43 - 01:38:45: piano doubling the bass.
01:38:45 - 01:38:47: That was in the era of 1981.
01:38:47 - 01:38:49: You know what? Another thing I just realized.
01:38:49 - 01:38:51: "9 to 5."
01:38:51 - 01:38:53: Obviously, not all "9 to 5" jobs are white collar.
01:38:53 - 01:38:55: But to me, it implies
01:38:55 - 01:38:57: an office job.
01:38:57 - 01:38:59: Yeah, it implies an office job.
01:38:59 - 01:39:01: I think in the movie, they work at an office.
01:39:01 - 01:39:03: So I feel like this is a stressed out...
01:39:03 - 01:39:05: I'm not saying she doesn't have her problems,
01:39:05 - 01:39:07: but this is a stressed out single person
01:39:07 - 01:39:09: working a decent office job.
01:39:09 - 01:39:11: Whereas "Rockabye,"
01:39:11 - 01:39:13: they clearly state she works nights.
01:39:13 - 01:39:15: By the water.
01:39:15 - 01:39:17: Yeah, like security gig
01:39:17 - 01:39:19: at a weird...
01:39:19 - 01:39:21: Or like some weird
01:39:21 - 01:39:23: waterfront warehouse
01:39:23 - 01:39:25: where the cleaning staff comes at night.
01:39:25 - 01:39:27: I'm just saying it's painting a much more brutal picture.
01:39:27 - 01:39:29: Much more bleak.
01:39:29 - 01:39:31: It's not like, "9 to 5, what a crazy day,
01:39:31 - 01:39:33: and then I come home and I gotta talk to the kids."
01:39:33 - 01:39:35: It's like you worked all night, and you come home,
01:39:35 - 01:39:37: and it's like 6am, the sun's starting to come in,
01:39:37 - 01:39:39: you gotta pull down the things,
01:39:39 - 01:39:41: and you just see your baby for a second.
01:39:41 - 01:39:43: And you're just like, "I'm doing this for you."
01:39:43 - 01:39:45: Shout out to "Rockabye."
01:39:45 - 01:39:47: Back to 2017. Bruno Mars, that's what I like.
01:39:53 - 01:39:55: Now we're back to just bragging.
01:39:55 - 01:39:57: This is what we were missing.
01:39:57 - 01:39:59: This song is tight, though.
01:39:59 - 01:40:01: This is an amazing song.
01:40:01 - 01:40:03: I remember watching the Grammys with you.
01:40:03 - 01:40:05: Oh man, the breakdown?
01:40:13 - 01:40:15: This is a very good song.
01:40:15 - 01:40:17: This is the second time we're talking about Julio.
01:40:17 - 01:40:19: In Uptown Funky today, it says, "Julio, get the stretch."
01:40:19 - 01:40:21: Julio, get the stretch.
01:40:21 - 01:40:23: Is Julio a real person?
01:40:23 - 01:40:25: I hope not.
01:40:25 - 01:40:27: That'd be kind of tight if he was.
01:40:27 - 01:40:29: Clearly Julio works for Bruno Mars.
01:40:39 - 01:40:41: Is it like a shrimp scampi?
01:40:41 - 01:40:43: Yeah.
01:40:43 - 01:40:45: As opposed to a roast beef scampi?
01:40:45 - 01:40:47: What are you thinking?
01:40:47 - 01:40:49: Wait, are there different kinds of scampi besides shrimp?
01:40:49 - 01:40:51: I thought it was a type of...
01:40:51 - 01:40:53: What is a shrimp scampi?
01:40:53 - 01:40:55: Why is it not scampi shrimp?
01:40:55 - 01:40:57: [laughter]
01:40:57 - 01:40:59: Julio, get that scampi.
01:41:01 - 01:41:03: Scampi includes various culinary preparations
01:41:03 - 01:41:05: of certain crustaceans.
01:41:05 - 01:41:07: Okay, so not exclusively shrimp.
01:41:07 - 01:41:09: Yeah, there's
01:41:09 - 01:41:11: a similar lobster.
01:41:11 - 01:41:13: You have a clam.
01:41:13 - 01:41:15: So scampi is a preparation.
01:41:15 - 01:41:17: That's why it comes at the end.
01:41:17 - 01:41:19: It's like a European preparation.
01:41:19 - 01:41:21: Like chicken a la king.
01:41:21 - 01:41:23: Like a white wine sauce or something?
01:41:23 - 01:41:25: Yeah, but then they have
01:41:25 - 01:41:27: like a fried scampi.
01:41:27 - 01:41:29: I just gotta say,
01:41:29 - 01:41:31: the Bruno is the first one
01:41:31 - 01:41:33: where I'm kind of like, "Mm, you know,
01:41:33 - 01:41:35: that song was written in the Obama era."
01:41:35 - 01:41:37: You think these other songs were written
01:41:37 - 01:41:39: in the last two months?
01:41:39 - 01:41:41: Or I guess since the election, the last five months?
01:41:41 - 01:41:43: Maybe.
01:41:43 - 01:41:45: Yeah, maybe some of them.
01:41:45 - 01:41:47: I'm just saying, that's what I like. That's good times music.
01:41:47 - 01:41:49: And look, there's always use for good times music,
01:41:49 - 01:41:51: but it's the first song that we came to on the chart
01:41:51 - 01:41:53: where I'm just like,
01:41:53 - 01:41:55: it's a great song, but it doesn't have
01:41:55 - 01:41:57: the intimacy of the other ones.
01:41:57 - 01:41:59: The number one song this week in 1981,
01:41:59 - 01:42:01: Eddie Rabbit. That's one of those random
01:42:01 - 01:42:03: record store things
01:42:03 - 01:42:05: you see in the Cut Out Men.
01:42:05 - 01:42:07: Eddie Rabbit, "I Love a Rainy Night."
01:42:07 - 01:42:09: Oh, I know this song.
01:42:09 - 01:42:21: So do I.
01:42:21 - 01:42:25: All this 1981 stuff is so random.
01:42:25 - 01:42:27: It could have been from 1971.
01:42:27 - 01:42:29: Yeah, this feels real retro.
01:42:29 - 01:42:31: Like, trying to do
01:42:31 - 01:42:33: a Rick Nelson thing?
01:42:33 - 01:42:35: Yeah, I guess it was an Elvis thing.
01:42:35 - 01:42:37: Throwback songs, studio things.
01:42:37 - 01:42:39: Yeah, like a rockabilly.
01:42:39 - 01:42:43: Everyone was always
01:42:43 - 01:42:45: nostalgic about the '50s rock and roll.
01:42:45 - 01:42:47: As soon as it happened.
01:42:47 - 01:42:55: And then the '70s harmonies.
01:42:55 - 01:42:57: It sounds familiar.
01:42:57 - 01:42:59: Bass players getting on that falsetto harmony.
01:42:59 - 01:43:01: Oh, interesting.
01:43:03 - 01:43:05: You know what's funny?
01:43:05 - 01:43:07: Sometimes when it does rain in LA,
01:43:07 - 01:43:09: this song will pop into my head.
01:43:09 - 01:43:11: I will literally be like,
01:43:11 - 01:43:13: "Jake, how do you know this song?"
01:43:13 - 01:43:15: CVS, dude.
01:43:15 - 01:43:17: CVS in 1987?
01:43:17 - 01:43:19: Eileen's car, dude.
01:43:19 - 01:43:21: Eileen's car, word.
01:43:21 - 01:43:23: So, Eddie Rabbit had a collection of old tapes
01:43:23 - 01:43:25: he kept in the basement of his home.
01:43:25 - 01:43:27: While rummaging through the tapes one day in 1980,
01:43:27 - 01:43:29: he heard a fragment of a song he had recorded
01:43:29 - 01:43:31: one rainy night in the late 1960s.
01:43:31 - 01:43:33: Wow.
01:43:33 - 01:43:35: That's cool.
01:43:35 - 01:43:37: I like that.
01:43:37 - 01:43:39: That'd be the equivalent
01:43:39 - 01:43:41: of if one of us
01:43:41 - 01:43:43: found an old tape that we made
01:43:43 - 01:43:45: in 2004.
01:43:45 - 01:43:47: What's funny is
01:43:47 - 01:43:49: one of the hooks in that Coldplay song
01:43:49 - 01:43:51: "Doo-doo-doo, doo-doo-doo"
01:43:51 - 01:43:53: was the hook of a song
01:43:53 - 01:43:55: of a band
01:43:55 - 01:43:57: that Jake and I were in.
01:43:57 - 01:43:59: Oh, really?
01:43:59 - 01:44:01: It was the hook of a song that we had called
01:44:01 - 01:44:03: "Palace of Versailles."
01:44:03 - 01:44:05: Oh, that's what you meant when you said "Palace of Versailles."
01:44:05 - 01:44:07: 20 years ago.
01:44:07 - 01:44:09: Are you going to sue the Chainsmokers?
01:44:09 - 01:44:11: Yeah.
01:44:11 - 01:44:13: We were working on an album called
01:44:13 - 01:44:15: "American People 3" in the summer of '97.
01:44:15 - 01:44:17: I was working on landscaping during the day.
01:44:17 - 01:44:19: But then we had a song that didn't make the album.
01:44:19 - 01:44:21: It was called "Palace of Versailles."
01:44:21 - 01:44:23: It was "Doo-doo-doo, doo-doo-doo."
01:44:23 - 01:44:25: Wait, how did it go?
01:44:25 - 01:44:27: "In the Palace of Versailles, I met you."
01:44:27 - 01:44:29: Yeah.
01:44:29 - 01:44:31: That's sick.
01:44:31 - 01:44:33: You guys must have been reading
01:44:33 - 01:44:35: some books of old back then.
01:44:35 - 01:44:37: Yeah.
01:44:37 - 01:44:39: How did we come up with "Palace of Versailles?"
01:44:39 - 01:44:41: "In the Palace of Versailles, I met you."
01:44:43 - 01:44:45: So the number one song in our era,
01:44:45 - 01:44:47: the "I Love a Rainy Night of 2017,"
01:44:47 - 01:44:49: this is a huge song.
01:44:49 - 01:44:51: "Ed Sheeran's Shape of You."
01:44:51 - 01:44:53: Oh, "Bedsheets."
01:44:53 - 01:44:55: The "Bedsheets" one.
01:44:55 - 01:44:57: We talked about the "Bedsheets."
01:44:57 - 01:44:59: Oh, yeah.
01:44:59 - 01:45:01: I'm so uncomfortable with that line.
01:45:01 - 01:45:03: It's a running theme.
01:45:03 - 01:45:05: I was hoping Ezra would have FaceTime
01:45:05 - 01:45:07: at the Grammys with Sheeran
01:45:07 - 01:45:09: and be able to be like, "Bro, what's up with the 'Bedsheets'?"
01:45:09 - 01:45:11: There was a moment where I was sitting
01:45:11 - 01:45:13: directly behind him.
01:45:13 - 01:45:15: I could have hit him with a double fish hook.
01:45:15 - 01:45:17: I could have wet-willed him.
01:45:17 - 01:45:19: I was right behind him.
01:45:19 - 01:45:21: He was sitting next to somebody that I vaguely knew.
01:45:21 - 01:45:23: But I was also like,
01:45:23 - 01:45:25: "There's no way that's not whack to be like..."
01:45:25 - 01:45:27: Is there any universe
01:45:27 - 01:45:29: where I could just genuinely ask him,
01:45:29 - 01:45:31: songwriter to songwriter,
01:45:31 - 01:45:33: he would have just been like,
01:45:33 - 01:45:35: "What, are you f***ing with me?"
01:45:35 - 01:45:37: You'd have to like...
01:45:37 - 01:45:39: "Alright, I get it. It's not the best line in the song.
01:45:39 - 01:45:41: Who cares?"
01:45:41 - 01:45:43: I'd be like, "No, dude, but I'm genuinely curious about when you were writing..."
01:45:43 - 01:45:45: He's talking about sniffing the "Bedsheets."
01:45:45 - 01:45:47: Yeah, you'd be like, "I'm genuinely curious.
01:45:47 - 01:45:49: Is that a British term?"
01:45:49 - 01:45:51: Somebody on Twitter tweeted at me
01:45:51 - 01:45:53: and said no.
01:45:53 - 01:45:55: Maybe I should have treated both of them.
01:45:55 - 01:45:57: You guys are just interested
01:45:57 - 01:45:59: in the phrase "Bedsheets."
01:45:59 - 01:46:01: It's a very formal phrase.
01:46:01 - 01:46:03: Very stiff.
01:46:03 - 01:46:05: "Bedsheets" just sounds so Victorian.
01:46:05 - 01:46:07: So we were kind of saying,
01:46:07 - 01:46:09: "Did he do it just because it was a syllable thing as a songwriter?"
01:46:09 - 01:46:11: I guess we were saying...
01:46:11 - 01:46:13: Is there a rhyme scheme?
01:46:13 - 01:46:15: To American...
01:46:15 - 01:46:17: Yeah, because you couldn't be like,
01:46:17 - 01:46:19: "And now my..."
01:46:19 - 01:46:21: "And now my bedsheets..."
01:46:21 - 01:46:23: It wouldn't work.
01:46:23 - 01:46:25: "And now my bedsheets..."
01:46:25 - 01:46:27: It doesn't sound that bad, actually.
01:46:27 - 01:46:29: I guess we were just saying, "To American ears..."
01:46:29 - 01:46:31: Very clinical.
01:46:31 - 01:46:33: "To American ears, 'Bedsheets' took us out of the song."
01:46:33 - 01:46:35: Because the song is a very sensual,
01:46:35 - 01:46:37: very sexy song.
01:46:37 - 01:46:39: Is it?
01:46:39 - 01:46:41: Yeah. It's kind of like everything that Sam Hunt...
01:46:41 - 01:46:43: Sam Hunt came up to the line
01:46:43 - 01:46:45: with "Body Like a Backroad,"
01:46:45 - 01:46:47: and Ed Sheeran just blasted right past it.
01:46:47 - 01:46:49: Sam Hunt is this kind of...
01:46:49 - 01:46:51: "Sam Hunt, Body Like a Backroad" is this humble song
01:46:51 - 01:46:53: about, "Baby,
01:46:53 - 01:46:55: I feel very comfortable."
01:46:55 - 01:46:57: At this point in our relationship,
01:46:57 - 01:46:59: I feel very comfortable with your body.
01:46:59 - 01:47:01: We have both seen each other nude many times.
01:47:01 - 01:47:03: We have made love many times.
01:47:03 - 01:47:05: And to me, your body has become familiar to me
01:47:05 - 01:47:07: in a comforting way.
01:47:07 - 01:47:09: And then Ed Sheeran is more just pure lust.
01:47:09 - 01:47:11: "I'm in love with the shape of you."
01:47:11 - 01:47:13: I see that shape.
01:47:13 - 01:47:15: I just can't get it out of my head.
01:47:15 - 01:47:17: Sam Hunt talks about the shapes as well.
01:47:17 - 01:47:19: Yeah, but the tone is different.
01:47:19 - 01:47:21: I'm not saying one's better than the other,
01:47:21 - 01:47:23: but Sam Hunt, to me, that's a relationship
01:47:23 - 01:47:25: a year or two in.
01:47:25 - 01:47:27: Five or ten in, dude.
01:47:27 - 01:47:29: I'm just saying when people are just walking around
01:47:29 - 01:47:31: naked and
01:47:31 - 01:47:33: feeling super comfortable...
01:47:33 - 01:47:37: That's five years in.
01:47:37 - 01:47:39: I'm just kidding.
01:47:39 - 01:47:41: I feel like Ed Sheeran is...
01:47:41 - 01:47:43: I think in the song, it's like they met two weeks ago.
01:47:43 - 01:47:45: They just had a second night together.
01:47:45 - 01:47:47: I think it's like two weeks when it's just
01:47:47 - 01:47:49: fully like...
01:47:49 - 01:47:51: We're just having so much sex.
01:47:51 - 01:47:53: And she's on a business trip now.
01:47:53 - 01:47:55: Unnerving about that image.
01:47:55 - 01:47:57: He's smelling the sheets after she's taken off.
01:47:57 - 01:47:59: That's weird.
01:47:59 - 01:48:01: I guess there's also something about saying bed sheets
01:48:01 - 01:48:03: that implies... I hope nobody finds this vulgar,
01:48:03 - 01:48:05: but I'm just saying he's implying
01:48:05 - 01:48:07: that he's smelling the sex.
01:48:07 - 01:48:09: I'm not going to say
01:48:09 - 01:48:11: any more than that, but he's...
01:48:11 - 01:48:13: I don't know.
01:48:13 - 01:48:15: Kanye talks about the spray tan on the sheets.
01:48:15 - 01:48:17: It could smell like her conditioner
01:48:17 - 01:48:19: or something like that.
01:48:19 - 01:48:21: I think if he wanted to say that...
01:48:21 - 01:48:23: See, there's something about bed sheets that also implies...
01:48:23 - 01:48:25: It's not like he said,
01:48:25 - 01:48:27: "And the pillowcase smells of herbal essences."
01:48:27 - 01:48:29: You know?
01:48:29 - 01:48:31: The pillowcase smells.
01:48:33 - 01:48:35: Michael K.
01:48:35 - 01:48:37: Michael...
01:48:37 - 01:48:39: The pillowcase...
01:48:39 - 01:48:41: The pillowcase smells...
01:48:41 - 01:48:43: Michael K.
01:48:43 - 01:48:45: Of herbal essences.
01:48:45 - 01:48:47: He didn't say anything about the pillowcase.
01:48:47 - 01:48:49: He didn't say anything about perfume.
01:48:49 - 01:48:51: He's like, "The bed sheets."
01:48:51 - 01:48:53: He's talking about the duvet.
01:48:53 - 01:48:55: He should've said the duvet.
01:48:55 - 01:48:57: That would've been sick.
01:48:57 - 01:48:59: "And now my duvet smells like you."
01:48:59 - 01:49:01: That's what I would've done.
01:49:01 - 01:49:03: And that's why he said Sharon and I'm not.
01:49:03 - 01:49:05: It's because I don't have the balls to go for it.
01:49:05 - 01:49:07: I would've just awkwardly been like,
01:49:07 - 01:49:09: "The pillowcase smells like you."
01:49:09 - 01:49:11: Not getting in the top five for that.
01:49:11 - 01:49:13: It doesn't land as much as bed sheets.
01:49:13 - 01:49:15: It sounds more like a Vampire Weekend lyric.
01:49:15 - 01:49:17: It really does.
01:49:17 - 01:49:19: I know, that's my problem.
01:49:19 - 01:49:21: That's not a problem, dude.
01:49:21 - 01:49:23: It's like, "Oh, Ezra referenced the duvet."
01:49:23 - 01:49:25: Maybe in 2008.
01:49:25 - 01:49:27: 2012 at best.
01:49:27 - 01:49:29: This is 2017, man.
01:49:29 - 01:49:31: The people want bed sheets.
01:49:31 - 01:49:33: It's Trump and bed sheets.
01:49:33 - 01:49:35: You're revealing your insecurities as an aging artist.
01:49:35 - 01:49:37: "And now my duvet..."
01:49:37 - 01:49:39: I really love it when...
01:49:39 - 01:49:41: This is off topic, but when...
01:49:41 - 01:49:43: There's that Arctic Monkey song
01:49:43 - 01:49:45: where he talks about a settee.
01:49:45 - 01:49:47: Oh, yeah, that song's sick.
01:49:47 - 01:49:49: Also because it's a super heavy song
01:49:49 - 01:49:51: and he just says "settee."
01:49:51 - 01:49:53: Wait, what's "settee"?
01:49:53 - 01:49:55: Is it like an ottoman or something?
01:49:55 - 01:49:57: Yeah, it's basically an ottoman.
01:49:57 - 01:49:59: I had to look it up, though.
01:49:59 - 01:50:01: I was like, "What the hell is he talking about?"
01:50:01 - 01:50:03: I feel like if Ed Sheeran talked about
01:50:03 - 01:50:05: a settee, it's like a little couch
01:50:05 - 01:50:07: or a bench.
01:50:07 - 01:50:09: "And now my settee smells like you."
01:50:09 - 01:50:11: A daybed?
01:50:11 - 01:50:13: That'd be sick if he was like,
01:50:13 - 01:50:15: "And now my daybed smells like you."
01:50:15 - 01:50:17: "I even had it on the daybed."
01:50:17 - 01:50:19: It wasn't me.
01:50:19 - 01:50:21: Or he's like...
01:50:21 - 01:50:23: Yeah, some technical aspect
01:50:23 - 01:50:25: of sheeting and bedding.
01:50:25 - 01:50:27: "And now my Eames chair
01:50:27 - 01:50:29: smells like you."
01:50:29 - 01:50:31: Bottom line,
01:50:31 - 01:50:33: Ed Sheeran, this is a lustful song.
01:50:33 - 01:50:35: I'm not judging it.
01:50:35 - 01:50:37: While we're here, I know that we're
01:50:37 - 01:50:39: blasting through the top five, but in the second
01:50:39 - 01:50:41: verse, he uses some language
01:50:41 - 01:50:43: that is real specific.
01:50:43 - 01:50:45: Okay, let's get on here.
01:51:07 - 01:51:09: That is a very specific verse.
01:51:09 - 01:51:11: I gotta say,
01:51:11 - 01:51:13: when he says, "We went to an all-you-can-eat place
01:51:13 - 01:51:15: and we talked about the sweet and the sour,"
01:51:15 - 01:51:17: that just makes me think about
01:51:17 - 01:51:19: being at some giant buffet.
01:51:19 - 01:51:21: Maybe this says more about me that I just
01:51:21 - 01:51:23: don't have good impulse control at buffets,
01:51:23 - 01:51:25: but I'm picturing
01:51:25 - 01:51:27: sitting down,
01:51:27 - 01:51:29: Ed Sheeran is just like
01:51:29 - 01:51:31: pork fried rice,
01:51:31 - 01:51:33: egg rolls, shrimp scampi,
01:51:33 - 01:51:35: sweet and sour chicken,
01:51:35 - 01:51:37: large fountain drink.
01:51:37 - 01:51:39: [laughter]
01:51:39 - 01:51:41: 64-ounce Pepsi.
01:51:41 - 01:51:43: Which, I'm saying, is a beautiful thing to share
01:51:43 - 01:51:45: with a loved one. All that sounds good.
01:51:45 - 01:51:47: But then getting in-- -It's like the second date.
01:51:47 - 01:51:49: -Second date, and then you're getting in the cab
01:51:49 - 01:51:51: and starting to make out on the way home.
01:51:51 - 01:51:53: If I was with a beautiful
01:51:53 - 01:51:55: woman in this early
01:51:55 - 01:51:57: first few weeks kind of thing--
01:51:57 - 01:51:59: -You're taking it easy on the wontons.
01:51:59 - 01:52:01: -I wouldn't go to an all-you-can-eat place, but he's saying they wanted
01:52:01 - 01:52:03: a good value, I guess.
01:52:03 - 01:52:05: -Well, it sounds like an adventurous, organic
01:52:05 - 01:52:07: evening where you're
01:52:07 - 01:52:09: drinking, it's late,
01:52:09 - 01:52:11: everything's open, it's the all-you-can-eat Chinese.
01:52:11 - 01:52:13: Let's hit that.
01:52:13 - 01:52:15: -And we talked about the sweet and the sour
01:52:15 - 01:52:17: and how your family's doing okay.
01:52:17 - 01:52:19: When I first heard that line, I gotta admit, I was a little
01:52:19 - 01:52:21: like, "That's a dumb line." But now that
01:52:21 - 01:52:23: I think about it more, and I really do
01:52:23 - 01:52:25: respect Ed Sheeran, maybe
01:52:25 - 01:52:27: he's actually trying to
01:52:27 - 01:52:29: say, "So we're sitting at the Chinese buffet,
01:52:29 - 01:52:31: and frankly, there's not a whole lot
01:52:31 - 01:52:33: to talk about, because both of us just want to get
01:52:33 - 01:52:35: home and get it on."
01:52:35 - 01:52:37: -Yeah. -'Cause actually,
01:52:37 - 01:52:39: those lines sound like
01:52:39 - 01:52:41: filler, unless he's trying to describe
01:52:41 - 01:52:43: sitting at the Chinese buffet and being like,
01:52:43 - 01:52:45: "So we're sitting there, trying to talk, trying to be on
01:52:45 - 01:52:47: a normal date." -Right. -And so I'm like,
01:52:47 - 01:52:49: "Sweet and sour chicken's pretty good." And she's like, "Yeah."
01:52:49 - 01:52:51: And he's like, "How's your family?" "They're okay."
01:52:51 - 01:52:53: "Interesting."
01:52:53 - 01:52:55: -Right. -Um, "Hey,
01:52:55 - 01:52:57: do you want to go back to my place?" "I thought you'd never ask."
01:52:57 - 01:52:59: -No, 'cause he's saying-- -Let's go do it, man.
01:52:59 - 01:53:01: -We talked for hours and hours.
01:53:01 - 01:53:03: -Oh, that destroys that.
01:53:03 - 01:53:05: Or maybe he's still nervous. He's like,
01:53:05 - 01:53:07: "Uh, we had, like, incredible sex."
01:53:07 - 01:53:09: -Sometimes those conversations can go on for hours.
01:53:09 - 01:53:11: -Right. Maybe because nobody
01:53:11 - 01:53:13: wants to cut to the chase. -You're trying to close a deal,
01:53:13 - 01:53:15: but it takes four hours. -Well, this-- I assume this
01:53:15 - 01:53:17: is not the-- Oh, maybe it was their first date.
01:53:17 - 01:53:19: -♪♪ And we let the story begin ♪♪
01:53:19 - 01:53:21: ♪♪ We're going out on our first date ♪♪
01:53:21 - 01:53:23: -Oh, it is their first date. -♪♪ You and me are thrifty ♪♪
01:53:23 - 01:53:25: ♪♪ So go all you can eat ♪♪ ♪♪ Fill up your bag ♪♪
01:53:25 - 01:53:27: ♪♪ And I fill up the plate ♪♪ ♪♪ We talk for hours and hours ♪♪
01:53:27 - 01:53:29: ♪♪ About the sweet and the sour ♪♪
01:53:29 - 01:53:31: ♪♪ And how your family's doing okay ♪♪
01:53:31 - 01:53:33: -We have nothing to talk about. -♪♪ And the taxi ♪♪
01:53:33 - 01:53:35: ♪♪ Tell the driver make the radio play ♪♪
01:53:35 - 01:53:37: -♪♪ And I'm singing like ♪♪ -♪♪ Girl, you know I want your love ♪♪
01:53:37 - 01:53:39: -Okay, so Ed Sheeran's horned up.
01:53:39 - 01:53:41: Man, he's on his first date,
01:53:41 - 01:53:43: and they don't really have that much to talk about.
01:53:43 - 01:53:45: It's a little awkward. They don't know each other at all.
01:53:45 - 01:53:47: -So you're giving him-- I think that's an interesting read,
01:53:47 - 01:53:49: that he's specifically, like,
01:53:49 - 01:53:51: illustrating the fact that the conversation
01:53:51 - 01:53:53: was boring, where the energy was
01:53:53 - 01:53:55: was not in the conversation.
01:53:55 - 01:53:57: -I will give Ed Sheeran-- be charitable enough
01:53:57 - 01:53:59: to Ed Sheeran to think that he would not
01:53:59 - 01:54:01: just randomly throw in, like, "And how your family's doing?"
01:54:01 - 01:54:03: Okay? The fact that it's the first date
01:54:03 - 01:54:05: makes it all kind of come together to me.
01:54:05 - 01:54:07: -Right. -First date.
01:54:07 - 01:54:09: -They can't really-- they can't find the words. -We're both kind of broke.
01:54:09 - 01:54:11: Or he doesn't say we're broke. He says we're thrifty.
01:54:11 - 01:54:13: Is this, like, rich, current Ed Sheeran?
01:54:13 - 01:54:15: Maybe he still is thrifty.
01:54:15 - 01:54:17: Imagine you go on your first date.
01:54:17 - 01:54:19: -I like-- I like that he-- -You get set up on a blind date
01:54:19 - 01:54:21: with Ed Sheeran, and you're just like,
01:54:21 - 01:54:23: "Oh, my God, that's crazy." And your friends are like,
01:54:23 - 01:54:25: "Can you imagine if you, like, married him?
01:54:25 - 01:54:27: You'd be, like, a freaking billionaire."
01:54:27 - 01:54:29: And then he's like, "So I started dating Ed Sheeran,
01:54:29 - 01:54:31: and I'm a billionaire." And then he's like,
01:54:31 - 01:54:33: "So I say we just hit the all-you-can-eat
01:54:33 - 01:54:35: Chinese buffet."
01:54:35 - 01:54:37: I like that he's trying to make a--
01:54:37 - 01:54:39: like, a joke.
01:54:39 - 01:54:41: He's like, "We're thrifty, so you fill up your bag."
01:54:41 - 01:54:43: Oh, he said, "You fill up your bag."
01:54:43 - 01:54:45: -Yeah. -And I fill up my plate.
01:54:45 - 01:54:47: But it seems like the joke is at her expense,
01:54:47 - 01:54:49: which is, like, working against him.
01:54:49 - 01:54:51: Well, he's reflecting on it now,
01:54:51 - 01:54:53: so maybe they're comfortable with each other now.
01:54:53 - 01:54:55: -It's confusing. -That's a good read on the song, man.
01:54:55 - 01:54:57: That would not have occurred to me.
01:54:57 - 01:54:59: He was presenting the conversation as, like,
01:54:59 - 01:55:01: this was, like, a deep conversation.
01:55:01 - 01:55:03: There's only one way to find out.
01:55:03 - 01:55:05: And I feel like your read of it
01:55:05 - 01:55:07: is so layered and nuanced.
01:55:07 - 01:55:09: I'm trying to be a charitable person,
01:55:09 - 01:55:11: you know, in 2017. There's enough hatred
01:55:11 - 01:55:13: in the world that
01:55:13 - 01:55:15: I'm always gonna look for the...
01:55:15 - 01:55:17: the good. Speaking of
01:55:17 - 01:55:19: Ed Sheeran and his attention to detail,
01:55:19 - 01:55:21: and he really does have-- he truly is an interesting
01:55:21 - 01:55:23: songwriter. Satya
01:55:23 - 01:55:25: Hariharan-- I'm not sure
01:55:25 - 01:55:27: if I'm pronouncing it correctly, but Satya
01:55:27 - 01:55:29: emailed Jake,
01:55:29 - 01:55:31: I think, right? It was an email, right?
01:55:31 - 01:55:33: -Oh, yeah, yeah. -So, Satya emailed Jake.
01:55:33 - 01:55:35: As always, if you can track down Jake's email,
01:55:35 - 01:55:37: you can always get a Time Crisis
01:55:37 - 01:55:39: email through. -Super hard to find it.
01:55:39 - 01:55:41: -Super hard to find it. And
01:55:41 - 01:55:43: Satya said, "Ed Sheeran sung 'Galway Girl'
01:55:43 - 01:55:45: on the new album,
01:55:45 - 01:55:47: the same one as 'Shape of You.'
01:55:47 - 01:55:49: There's a line, 'I walked her home, then she took me
01:55:49 - 01:55:51: inside to finish some
01:55:51 - 01:55:53: Doritos and another bottle of wine.'"
01:55:53 - 01:55:55: Doritos.
01:55:55 - 01:55:57: -Straight up
01:55:57 - 01:55:59: nacho cheese.
01:55:59 - 01:56:01: -Doritos and wine.
01:56:01 - 01:56:03: Satya asked, "What's our
01:56:03 - 01:56:05: take on the song lyrics, and what wine would you pair
01:56:05 - 01:56:07: with the different flavors of Doritos?"
01:56:07 - 01:56:09: You know what? -That's a great question.
01:56:09 - 01:56:11: -You know what? Ed Sheeran, like,
01:56:11 - 01:56:13: I guess he's younger, he's like mid-twenties,
01:56:13 - 01:56:15: but that does make me think of, like,
01:56:15 - 01:56:19: those kind of, like, funny situations
01:56:19 - 01:56:21: where you, like, randomly find yourself,
01:56:21 - 01:56:23: like, somebody invites you to their apartment,
01:56:23 - 01:56:25: and they're, like, nervous. Something about the
01:56:25 - 01:56:27: pairing of Doritos, I'm being super, super charitable
01:56:27 - 01:56:29: to Ed Sheeran today, but when
01:56:29 - 01:56:31: I picture, like, the pairing of Doritos and another bottle of
01:56:31 - 01:56:33: wine, that reminds me of just being,
01:56:33 - 01:56:35: like... -It's like college.
01:56:35 - 01:56:37: -Yeah, college, maybe a little
01:56:37 - 01:56:39: earlier, maybe a little bit later, but
01:56:39 - 01:56:41: like, whatever, between
01:56:41 - 01:56:43: seventeen and
01:56:43 - 01:56:45: twenty-six. Just being
01:56:45 - 01:56:47: in that zone where you might go to somebody's house
01:56:47 - 01:56:49: and you're, like, and everybody's still nervous,
01:56:49 - 01:56:51: and they're just like, "Um,
01:56:51 - 01:56:53: you wanna drink something?" And you're just like,
01:56:53 - 01:56:55: "Uh, sure." And then they're like, you're like, "What do
01:56:55 - 01:56:57: you have?" And they're just like, "Um,
01:56:57 - 01:56:59: oh, I got this, like, half-drunk, like,
01:56:59 - 01:57:01: bottle of wine." You're like, "I'm down."
01:57:01 - 01:57:03: And then they, like, put out some Doritos. You just have, like, this weird, random
01:57:03 - 01:57:05: kind of awkward
01:57:05 - 01:57:07: combo. That's what that connects
01:57:07 - 01:57:09: to me. -He probably lived that moment.
01:57:09 - 01:57:11: The Doritos and the wine.
01:57:11 - 01:57:13: -Yeah, 'cause he could've said something
01:57:13 - 01:57:15: else. That implies some
01:57:15 - 01:57:17: sort of hodgepodge. -That's a tough word to sing.
01:57:17 - 01:57:19: [Dan laughs]
01:57:19 - 01:57:21: Doritos. -We don't have
01:57:21 - 01:57:23: time to listen to him sing it, but I can imagine.
01:57:23 - 01:57:25: -Doritos. -I hope it's
01:57:25 - 01:57:27: a ballad. That'd be sick.
01:57:27 - 01:57:29: -Go away, girl. -His
01:57:29 - 01:57:31: Irish lady.
01:57:31 - 01:57:33: [singing]
01:57:33 - 01:57:45: -Cool ranch. -Anyway,
01:57:45 - 01:57:47: that was the Top 5. Congratulations to
01:57:47 - 01:57:49: Ed Sheeran and Eddie Rabbit. Two Eds.
01:57:49 - 01:57:51: [Dan laughs] For holding it down
01:57:51 - 01:57:53: in the number one slots in 1981
01:57:53 - 01:57:55: and 2017.
01:57:55 - 01:57:59: Well, guys, that was a hell of a show.
01:57:59 - 01:58:01: Dave, thanks for coming here.
01:58:01 - 01:58:03: -Thanks for having me on. -Don't forget, everybody,
01:58:03 - 01:58:05: Dirty Projectors.
01:58:05 - 01:58:07: 11 records in stores now.
01:58:07 - 01:58:09: How many Dirty Projectors albums are there?
01:58:09 - 01:58:11: -I don't know.
01:58:11 - 01:58:13: This is, like, the eighth or something, right?
01:58:13 - 01:58:15: -I guess. -Seventh or eighth.
01:58:15 - 01:58:17: -Depends how you count it. -Plus the
01:58:17 - 01:58:19: Dave Longstreth first album.
01:58:19 - 01:58:21: Debatably part of the Dirty Projectors
01:58:21 - 01:58:23: canon. -It's in there.
01:58:23 - 01:58:25: And the American people.
01:58:25 - 01:58:27: -And American people. -Unreleased.
01:58:27 - 01:58:29: Angry Youth. There'll be a box set at some point.
01:58:29 - 01:58:31: -The one last thing we gotta say is earlier
01:58:31 - 01:58:33: in the show we were talking about Vin Diesel.
01:58:33 - 01:58:35: And for legal reasons, we gotta clear this up,
01:58:35 - 01:58:37: we strongly implied
01:58:37 - 01:58:39: that Vin Diesel is a Republican
01:58:39 - 01:58:41: or at the very least would run as a Republican.
01:58:41 - 01:58:43: Our
01:58:43 - 01:58:45: R&D department got back to us
01:58:45 - 01:58:47: and said that
01:58:47 - 01:58:49: Vin Diesel has never come out as a Republican.
01:58:49 - 01:58:51: In fact, he's expressed
01:58:51 - 01:58:53: a lot of admiration for Obama.
01:58:53 - 01:58:55: And in fact, he likes Obama so much that he went out of
01:58:55 - 01:58:57: his way to say that his dream
01:58:57 - 01:58:59: would be to play Obama
01:58:59 - 01:59:01: in a biopic. -Whoa.
01:59:01 - 01:59:03: -That's a pretty cool idea.
01:59:03 - 01:59:05: A President Obama movie.
01:59:05 - 01:59:07: Vin Diesel. -Jacked.
01:59:07 - 01:59:09: -Jacked. Then we finally get a jacked
01:59:09 - 01:59:11: president. He's a great actor.
01:59:11 - 01:59:13: -Oliver Stone directs. -Oliver Stone.
01:59:13 - 01:59:15: -Obama. -Obama.
01:59:15 - 01:59:17: -Have you seen Barry? -No, is that the one
01:59:17 - 01:59:19: where he's young? -Yeah. -Is it good? -I haven't seen it.
01:59:19 - 01:59:21: -Wait, isn't there another one that's called like
01:59:21 - 01:59:23: a walk-in... -Yeah, there's two Obama
01:59:23 - 01:59:25: movies from last year. -There's like a romantic one.
01:59:25 - 01:59:27: -That one is Michelle and Barack's first date.
01:59:27 - 01:59:29: -First date. -That's sweet.
01:59:29 - 01:59:31: -They hit a Chinese buffet. -They hit a Chinese buffet.
01:59:31 - 01:59:33: -In my minivan
01:59:33 - 01:59:35: smells like you. -I'm in love
01:59:35 - 01:59:37: with your body. Alright, thank you Longshire
01:59:37 - 01:59:39: Brothers. -Woo!
01:59:39 - 01:59:41: -Always good getting the whole family in here.
01:59:41 - 01:59:43: That was Time Crisis.
01:59:43 - 01:59:45: We'll see you in two weeks.
01:59:45 - 01:59:47: Time Crisis with Ezra King.
01:59:47 - 01:59:49: Beep beep beep beep beep beep
01:59:49 - 01:59:51: Beats.
01:59:51 - 01:59:53: One.

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