Episode 42: Let’s Talk Niall Horan

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:05: Time Crisis, May 7th.
00:05 - 00:09: It's springtime in America.
00:09 - 00:15: Jake and I talk about growing up baseball cards.
00:15 - 00:19: Time Crisis, May 7th.
00:19 - 00:23: It's springtime in America.
00:23 - 00:28: Jake and I talk about growing up baseball cards.
00:28 - 00:38: But we also think about people like Tom York, Chris Martin, and members of One Direction.
00:38 - 00:45: This is a very special Time Crisis with Ezra King.
00:45 - 00:48: Beats 1.
00:49 - 00:54: They passed me by, all of those great romances.
00:54 - 01:02: The war I felt, robbing me of my rightful chances.
01:02 - 01:09: My picture clear, everything seemed so easy.
01:09 - 01:16: And so I dealt to the floor, one of us had to go.
01:16 - 01:20: Now it's different, I want you to know.
01:20 - 01:26: One of us is crying, one of us is lying.
01:26 - 01:31: Leave me lonely babe.
01:31 - 01:35: Time Crisis, May 7th, 2017.
01:35 - 01:40: May 7th, people born on this day are drawn to a career by abstract circumstances.
01:40 - 01:44: They do not have a specific plan for it, rather follow what they feel is a calling.
01:44 - 01:47: These people are great at managing money.
01:47 - 01:50: They also make good artists due to their natural creativity.
01:50 - 01:52: Is that from the horoscope book?
01:52 - 01:53: Yeah, yeah.
01:53 - 01:56: Almost every time I look at one of those horoscope books and I read my birthday, I'm like, "Alright."
01:56 - 01:57: Yeah.
01:57 - 02:00: And you go through and you look at other people's birthdays and you're like, "Yeah."
02:00 - 02:05: If I remember correctly, February 3rd is exacting realism.
02:05 - 02:08: Exacting realism? What does that mean?
02:08 - 02:13: It means brutal, straight down the line realism.
02:13 - 02:15: It means you have a realistic outlook.
02:15 - 02:18: I found that it fit me perfectly, eerily.
02:18 - 02:19: February 3rd.
02:19 - 02:20: So you're an Aquarian?
02:20 - 02:21: Aquarius.
02:21 - 02:22: That makes you an Aquarian.
02:22 - 02:23: Okay.
02:23 - 02:24: I'm Arius.
02:24 - 02:25: Does that make me an Arian?
02:25 - 02:27: I never heard of that before, but...
02:27 - 02:31: Well, I'm looking at a random website, or it's the first one that comes up when I googled
02:31 - 02:33: February 3rd analysis.
02:33 - 02:37: If you were born on February 3rd, you have a way of seeing beyond the immediate issues
02:37 - 02:37: at hand.
02:37 - 02:40: You are busy, but take time to smell the roses.
02:40 - 02:42: Does that sound like you?
02:42 - 02:45: It does, but then again, who doesn't it sound like, right?
02:45 - 02:47: Well, that's a funny one.
02:47 - 02:49: Everyone's like, "I have a good perspective on life."
02:49 - 02:49: Right.
02:49 - 02:52: You have a way of seeing beyond the immediate issues at hand.
02:52 - 02:57: Who would look that up in the birthday book and be like, "No, me, I'd never see beyond
02:57 - 02:57: the issues at hand."
02:57 - 03:00: I get stressed out about the most insignificant details.
03:00 - 03:01: "I'm very myopic.
03:01 - 03:02: I never..."
03:02 - 03:04: Maybe some people feel that way.
03:04 - 03:05: What else does it say?
03:05 - 03:10: "Artistic, true, down to earth, and fascinating."
03:10 - 03:10: All right.
03:10 - 03:11: I'm down to earth.
03:11 - 03:12: Yeah.
03:12 - 03:13: You're fascinating.
03:13 - 03:15: You can be unconventional.
03:15 - 03:15: That's nice.
03:15 - 03:17: Yet may have conventional values.
03:17 - 03:18: I think that's pretty straightforward.
03:18 - 03:20: You put in the groundwork.
03:20 - 03:21: Now it is time for the hard work to pay off.
03:21 - 03:22: Wait, why is it?
03:22 - 03:24: Why is it like suddenly...
03:24 - 03:26: When does the hard work pay off?
03:26 - 03:27: Are you a devoted family member?
03:27 - 03:30: Okay, well, here's the negative parts.
03:30 - 03:32: Aquarius.
03:32 - 03:34: You find difficulty in dealing with other people's emotions.
03:34 - 03:37: Wait, is this February 3rd specific or is this Aquarius?
03:37 - 03:39: I think now it's just getting into Aquarius.
03:39 - 03:42: "Your friends think you are being hard or cold
03:42 - 03:44: when you choose not to chat about their problems.
03:44 - 03:47: Nevertheless, your friends and family are supportive and devoted to you."
03:47 - 03:49: Does that happen a lot where someone's like,
03:49 - 03:51: "Jake, man, I'm going through some sh*t."
03:51 - 03:53: You're just like, "You know what, Brad?
03:53 - 03:55: We're watching the game, man.
03:55 - 03:56: Like, let's talk on Monday."
03:56 - 03:58: No, that's not my vibe at all.
03:58 - 04:00: Been a rough few weeks, Jake.
04:00 - 04:01: I mean, who doesn't have...
04:01 - 04:01: All right, all right.
04:01 - 04:02: You want a beer?
04:02 - 04:03: Let's go to the bar.
04:03 - 04:06: I love sitting down at a bar with a friend and just like hashing it out.
04:06 - 04:07: Talking about life.
04:07 - 04:08: Oh, yeah.
04:08 - 04:09: Okay, maybe horoscopes aren't real.
04:09 - 04:13: And who doesn't have problems dealing with other people's emotions?
04:13 - 04:15: I mean, that's tough.
04:15 - 04:15: Right.
04:15 - 04:16: What kind of psychopath would be...
04:16 - 04:20: Even if you're like a very empathic, kind person,
04:20 - 04:23: what kind of psychopath would see like...
04:23 - 04:26: Do you have problems dealing with other people's emotions?
04:26 - 04:27: Never.
04:27 - 04:27: It's always easy.
04:27 - 04:29: I'm great at it.
04:29 - 04:31: That never causes problems.
04:31 - 04:32: What's your birthday?
04:32 - 04:33: April 8th.
04:33 - 04:33: You see what it says?
04:33 - 04:34: Yeah, yeah.
04:34 - 04:36: Oh, yeah, the Cobain Day.
04:36 - 04:37: Exactly.
04:37 - 04:38: Cobain Day adjacent.
04:38 - 04:39: April 8th.
04:39 - 04:40: Analysis.
04:40 - 04:44: If your birthday is on April 8th, you have a nose for business.
04:44 - 04:45: Okay.
04:45 - 04:46: Who could deny that?
04:46 - 04:46: You do.
04:46 - 04:48: Vampire Weekend Incorporated.
04:48 - 04:52: I'm the president of various LLCs and corporations.
04:52 - 04:53: This radio show.
04:53 - 04:54: That's right.
04:54 - 04:58: Cross-platform synergistic branding opportunities.
04:58 - 04:58: That's me.
04:58 - 05:00: You're my boss, dude.
05:00 - 05:01: That's right.
05:01 - 05:02: Got various employees.
05:02 - 05:04: I employ Aquarius.
05:04 - 05:06: Oh, wait, it's funny.
05:06 - 05:10: Your exceptional ability to be quick and sharp makes you a wanted Aryan.
05:10 - 05:12: Oh, you are an Aryan.
05:12 - 05:15: Yeah, well, it's spelled A-R-I-A-N.
05:15 - 05:19: I always thought I was very un-Aryan, but I'm a wanted Aryan.
05:19 - 05:22: You are first to show compassion for others and lend a helping hand.
05:22 - 05:23: That's pretty on point.
05:23 - 05:26: I mean, you're a busy guy, but honestly, if I called you at two in the morning and I was
05:26 - 05:29: like, "Dude, I'm dealing with some heavy stuff right now.
05:29 - 05:33: Can we meet at like the Denny's on Sunset and Gower?
05:33 - 05:34: I got to just talk this through."
05:34 - 05:35: I feel like you'd be there.
05:35 - 05:38: Yeah, my phone would probably be on airplane mode a lot at night, but...
05:38 - 05:39: Okay.
05:39 - 05:40: No, but if I got...
05:40 - 05:42: I mean, if I was pounding on your door at 3 a.m.
05:42 - 05:42: Oh, if you're pounding on the...
05:42 - 05:43: Of course.
05:43 - 05:43: No.
05:43 - 05:44: You know, it'd be all good.
05:44 - 05:48: And I'll be honest, when you described that scenario, getting like the 2 a.m. call from
05:48 - 05:51: you to meet at the Denny's on Sunset to talk about some...
05:51 - 05:54: My first thought was like, "That sounds like an absolute pleasure."
07:53 - 07:56: We were having an interesting conversation before the show, Jake.
07:56 - 07:58: About the Zeppelin reunion, or what are we talking about?
07:58 - 08:04: Well, first I wanted to talk about the fact that you used to be a very hardcore baseball
08:04 - 08:05: card collector.
08:05 - 08:07: That's true, I did.
08:07 - 08:08: And we were kind of talking about...
08:08 - 08:14: I don't mean to make this gender specific, but at least when we were kids, the baseball
08:14 - 08:17: card comic book scenes were primarily male.
08:17 - 08:19: The dealers and the collectors.
08:19 - 08:24: Well, the dealers and the collectors, and I'm sure there were a lot of female collectors
08:24 - 08:27: who probably felt like weirded out by the fact every time they go to a store, it's like
08:27 - 08:29: a 45-year-old dude in there.
08:29 - 08:35: But we were talking about the specific and weird relationship that you have when you're
08:35 - 08:43: like a 10, 11, 12-year-old boy, and you go into these spaces where there's like the random
08:43 - 08:46: dude that you have to deal with.
08:46 - 08:46: Yeah.
08:46 - 08:51: So to start, just paint a picture for people, because I don't even know if people buy baseball
08:51 - 08:53: cards anymore today, like young kids.
08:53 - 08:57: Yeah, or if they do, they might do it on the internet or like...
08:57 - 09:01: I think people buy cards, but I mean, I think cards...
09:01 - 09:08: So I was born in '77, so I was like, let's say I was like 12 and 89, 13 in 1990.
09:08 - 09:13: And that was like, I think one of the first major crests of the baseball card market.
09:14 - 09:20: It was a hot market, cards sold for a lot of money, old cards from the 60s and 70s were
09:20 - 09:21: really expensive.
09:21 - 09:26: New cards were really hot, like an 89 Upper Deck Ken Griffey Junior Rookie card.
09:26 - 09:31: Like you might get in a pack, like if you bought a pack for $2, you might get a Ken
09:31 - 09:36: Griffey Rookie card that was like 100 bucks, like worth 100 bucks.
09:36 - 09:37: So that was like a big deal when you're 12.
09:37 - 09:42: It was an intersection of sports fandom, object fetishism...
09:42 - 09:44: Yeah, memorabilia it's called.
09:44 - 09:45: And young capitalism.
09:45 - 09:46: Yep.
09:46 - 09:48: All combining into just a toxic combo.
09:48 - 09:53: And so yes, before the internet, so then you'd go to these like random crappy little
09:53 - 09:58: stores that popped up in like every other strip mall around the United States.
09:58 - 09:59: They set up overnight.
09:59 - 10:04: There'd be like the glass cases, you know, it's like under the countertop with all the
10:04 - 10:06: like individual cards, like the...
10:06 - 10:07: More valuable ones.
10:07 - 10:07: Right.
10:07 - 10:08: Mickey Mantle.
10:08 - 10:09: Yeah.
10:09 - 10:12: A Cal Ripken Junior card, Rookie card, you know, like that kind of stuff.
10:13 - 10:15: And like, I'd go there with my mom.
10:15 - 10:21: So my mom's like in her 40s, taking her like 12 year old son to this like random strip
10:21 - 10:23: mall to buy cards.
10:23 - 10:26: And I, you know, and like my budget was severely limited.
10:26 - 10:27: Right.
10:27 - 10:29: It was just like, I don't know.
10:29 - 10:30: I don't know how we got into this the other day, but...
10:30 - 10:35: It made me think, I wasn't really that into baseball cards, but I like going to the comic
10:35 - 10:37: book store and there's like a sim...
10:37 - 10:39: Yeah, like I picture a very similar scenario.
10:39 - 10:41: Like my mom takes me there.
10:41 - 10:44: There's like, I can't even guess how old these guys would have been.
10:44 - 10:45: For all I know, they were like 25.
10:45 - 10:46: Yeah, I know.
10:46 - 10:47: They seem like they're 40, but...
10:47 - 10:52: And they're like kind of like weird old, like Simpsons-esque comic book store guys.
10:52 - 10:52: Yeah.
10:52 - 10:58: And you'd have these like funny interactions, like you'd have like some question, you feel
10:58 - 11:03: really nervous and just be like, "Um, do you have the two issues ago?"
11:03 - 11:05: Punisher War Journal number three.
11:08 - 11:11: Uncanny X-Men versus Amazing X-Men.
11:11 - 11:13: Guru the Wanderer.
11:13 - 11:20: There's just something really funny about being that age and like interacting with these
11:20 - 11:22: like random older dudes.
11:22 - 11:24: Maybe it's kind of lost to time.
11:24 - 11:26: I don't know if that still exists.
11:26 - 11:29: Like, yeah, just going into some random strip mall.
11:29 - 11:32: It would be like a great Netflix series.
11:32 - 11:34: The baseball card guys are weirder than the comic book store guys.
11:34 - 11:35: Yeah.
11:35 - 11:36: I feel like I understand.
11:36 - 11:42: Comic book store guys, they're just nerdy fans and it kind of makes sense that they
11:42 - 11:45: would like, I don't know, that doesn't sound like such a bad job to me.
11:45 - 11:47: It's like a slow day.
11:47 - 11:48: You're just looking at all the new comics.
11:48 - 11:49: Well, and like comics are like art.
11:49 - 11:51: Yeah.
11:51 - 11:52: So there's something to appreciate.
11:52 - 12:01: Well, sports memorabilia is just like photographs printed on two and a half by four inch pieces
12:01 - 12:01: of cardboard.
12:01 - 12:04: Like baseball cards suck.
12:04 - 12:05: Right.
12:05 - 12:05: Like you could.
12:05 - 12:07: I used to go to like those baseball card fairs.
12:07 - 12:10: Oh, just so brutal.
12:10 - 12:12: Like, OK, like off season.
12:12 - 12:15: Like, OK, winter in Connecticut circa 1990.
12:15 - 12:20: There's a baseball card convention at the Sheridan off Interstate 84.
12:20 - 12:26: A gray New England sky, bare trees in the parking lot of the Sheridan.
12:26 - 12:28: Mom, there's a baseball card convention in two Saturdays.
12:28 - 12:31: Can you take me to the Sheridan?
12:31 - 12:32: It's really close.
12:33 - 12:37: My mom, goodness of her heart, she takes me to this like 10 a.m.
12:37 - 12:38: going to the Sheridan.
12:38 - 12:49: Roger Clemens is there sitting behind a folding table behind those like velvet ropes security.
12:49 - 12:49: To sign stuff.
12:49 - 12:50: Yeah, yeah.
12:50 - 12:51: He's charging $30 an autograph.
12:51 - 12:54: And Roger Clemens was like a big baseball player of the moment.
12:54 - 12:54: Huge.
12:54 - 12:58: He was like one of the great pitchers in Major League history.
12:58 - 13:01: And but like, you know, like at the height of his career.
13:01 - 13:03: Well, the first phase of his career before steroids.
13:03 - 13:05: Oh, late 80s.
13:05 - 13:10: He's sitting in a separate like banquet room at the Sheridan.
13:10 - 13:15: He has like his high school bro from Houston running security.
13:15 - 13:18: And you have to pay $30 to enter the room.
13:18 - 13:21: And then you're in this line to like get his autograph.
13:21 - 13:24: My mom was like, we're not spending $30 on a Roger Clemens autograph.
13:24 - 13:25: We're just not doing it.
13:25 - 13:27: But then she goes up to the bouncer and she's like,
13:28 - 13:31: do you think my son and I could just get a look at Roger?
13:31 - 13:34: Which is just like adorable.
13:34 - 13:37: I want that to happen.
13:37 - 13:39: And she thought of that and like is making it happen.
13:39 - 13:41: And he's like, OK, so he like lets us in.
13:41 - 13:43: And like we're like standing across.
13:43 - 13:46: We're still like a good 80 feet out from Clemens.
13:46 - 13:50: Yeah, he's just like fat, like offseason.
13:50 - 13:51: Roger Clemens at 89.
13:51 - 13:52: Kenny Powers style.
13:52 - 13:56: He's probably clearing like, I don't know, five, eight grand that day.
13:57 - 14:02: I'm sitting in like this like weird baggy, like sweat's fine, a folding table.
14:02 - 14:06: Just like signing autographs and like barely making eye contact.
14:06 - 14:10: In a random deep Connecticut, Sheridan.
14:10 - 14:23: The house is like, this is dark.
14:24 - 14:25: You move on again.
14:25 - 14:29: See that turn out to flee again.
14:29 - 14:33: You always make it all right.
14:33 - 14:37: Ah, is that for you?
14:37 - 14:41: Let's get along again.
14:41 - 14:54: You know you're more on the fence.
14:54 - 15:17: You know you're more on the fence.
15:17 - 15:26: Ah, is that for you?
15:26 - 15:51: The morning only shows.
15:52 - 16:00: So,
16:01 - 16:09: so,
16:27 - 16:46: so,
16:47 - 16:55: so,
16:55 - 17:09: I want you to see.
17:09 - 17:16: I want to make it all right.
17:16 - 17:22: Don't you be so easy.
17:22 - 17:28: Don't you know that I can make it better.
17:28 - 17:34: Don't you ever leave me.
17:34 - 17:40: Don't you leave me.
17:40 - 18:08: Together.
18:08 - 18:14: Don't you be so easy.
18:14 - 18:22: Don't you know that I can make it better.
18:22 - 18:28: Don't you ever leave me.
18:28 - 18:48: Don't you leave me.
18:48 - 18:49: You know what just happened this week?
18:49 - 18:50: Vampire Weekend News?
18:50 - 18:51: No.
18:51 - 18:53: It was just so random.
18:53 - 18:56: Like, randomly there's like some official account on Twitter called
18:56 - 18:58: Canadian Platinum and Gold.
18:58 - 18:59: Uh-huh.
18:59 - 19:02: And this past week it just tagged me in a tweet that said,
19:02 - 19:07: "Today, the Vampire Weekend single 'A-Punk' from their first album went gold in Canada."
19:07 - 19:08: Wait, what does that even mean?
19:08 - 19:11: I don't even know what the threshold for Canadian gold is.
19:11 - 19:14: In America it's 500,000, so in Canada it's probably much less.
19:14 - 19:15: But like, the single?
19:15 - 19:19: So that must include purchases on the iTunes store.
19:19 - 19:21: Yes, when you individually buy it on the iTunes store.
19:21 - 19:24: And maybe now it counts streams or something, but just 10 years--
19:24 - 19:25: No, it wouldn't count streams.
19:25 - 19:27: I'm sure "A-Punk" has been streamed like a million times, right?
19:27 - 19:29: On Canada, I don't know.
19:29 - 19:30: Oh, I'm sure.
19:30 - 19:33: But anyway, this is like 10 years deep.
19:33 - 19:35: You sold 500,000 copies of that song.
19:35 - 19:36: No, no, no, that's the American threshold.
19:36 - 19:37: Actually, let's look up what--
19:37 - 19:38: No, I'm sure it's the same thing, right?
19:38 - 19:39: No, what are you talking about?
19:39 - 19:40: Canada's like--
19:40 - 19:41: Small country?
19:41 - 19:44: Canada's like, what, 18 million people, 20?
19:44 - 19:45: Canadian gold.
19:45 - 19:47: Great Neil Young record.
19:47 - 19:48: Is that a record?
19:48 - 19:49: No, I'm kidding.
19:49 - 19:50: Sounds like it.
19:50 - 19:54: Actually, this is kind of interesting, the recording music certifications.
19:54 - 19:57: It's changed a lot in the internet era.
19:57 - 20:00: The US is one of the countries that hasn't changed that much.
20:00 - 20:04: Yeah, in the US, 500,000 to go gold.
20:04 - 20:06: In Canada, 40,000.
20:06 - 20:07: Okay.
20:07 - 20:09: So that just means like--
20:09 - 20:11: Like 8%?
20:11 - 20:14: Yeah, probably like in the past few months, just like--
20:14 - 20:16: That might be scaled to population, actually.
20:16 - 20:17: No, no, of course it is.
20:17 - 20:21: No, no, like the US is like 320 million or something.
20:21 - 20:22: It sounds about right.
20:22 - 20:25: What's 8% of that, like 20 million or something, 25 million?
20:25 - 20:27: You know what's gold in Ecuador?
20:27 - 20:28: 8,000?
20:28 - 20:29: 3,000.
20:29 - 20:31: Japan, 100,000.
20:31 - 20:32: How about like states?
20:32 - 20:34: Like what's gold in California?
20:34 - 20:36: Oh, they don't do that, but that'd be hilarious if they did.
20:36 - 20:37: Wouldn't that be cool though?
20:37 - 20:38: Like, oh dude, it went gold in North Dakota.
20:38 - 20:39: It sold like nine copies.
20:39 - 20:44: I don't know if the streaming services do this, but back in the day when you would get
20:44 - 20:49: like from your label the breakdown of sales, it was like hyper specific.
20:49 - 20:53: Now people pay more attention to streaming than sales, but I like remember our label
20:53 - 20:58: would send like the-- not even like first week, just some random week, they would send
20:58 - 21:00: the breakdown of your sound scan.
21:00 - 21:06: So just, you know, just picture this like in like 2014, you could see like, oh, this
21:06 - 21:15: week, four years after it came out in the Dallas-Fort Worth area, Contra sold 87 copies.
21:15 - 21:17: You still get that still?
21:17 - 21:18: I don't know.
21:18 - 21:20: Well, I haven't seen it in a long time, but it exists.
21:20 - 21:22: I could probably ask somebody to send it to me.
21:22 - 21:23: Oh my God.
21:23 - 21:27: It gets you wondering like who were like the 32 people in Savannah, Georgia--
21:27 - 21:28: Who bought Contra.
21:28 - 21:30: Who bought Contra.
21:30 - 21:35: I mean, I understand why it's, you know, it's such a big business now, like selling consumer
21:35 - 21:36: data.
21:36 - 21:37: Right.
21:37 - 21:39: It's messed up, but it is fascinating.
21:39 - 21:42: If I had access to that stuff, I would look at it all day.
21:42 - 21:46: You can get some fairly detailed info on like the streaming services and on Spotify, they
21:46 - 21:48: do like an artist breakdown.
21:48 - 21:51: And actually as an artist, you kind of can't look at this stuff too much because it would
21:51 - 21:52: drive you crazy.
21:52 - 21:53: Sure.
21:53 - 21:58: But in the streaming era, you could literally see how many people streamed a song every
21:58 - 22:00: day or like the average.
22:00 - 22:01: Wow.
22:01 - 22:03: I don't want to talk about the big songs.
22:03 - 22:04: Let's go into like the deep songs.
22:04 - 22:07: What do you consider to be like a deep, random Vampire Weekend song?
22:07 - 22:10: Like Hannah Hunt or is that the name of it?
22:10 - 22:11: Oh, you'd be surprised.
22:11 - 22:14: Hannah Hunt is our sixth most streamed song.
22:14 - 22:15: That's a fan favorite.
22:15 - 22:16: Shout out to the fans.
22:16 - 22:17: What about like Orchata?
22:17 - 22:19: That's our ninth most streamed song.
22:19 - 22:20: Okay.
22:20 - 22:21: I'm going to go deeper.
22:21 - 22:22: I want to go deeper.
22:22 - 22:28: What's like the second to last track on the vampires in the city, modern vampires in the
22:28 - 22:29: city?
22:29 - 22:30: Oh, Hudson.
22:30 - 22:31: Yeah.
22:31 - 22:32: The weird like minor key.
22:32 - 22:33: Yeah, minor key.
22:33 - 22:34: That's our 33rd most streamed song.
22:34 - 22:35: Okay.
22:35 - 22:36: Yeah.
22:36 - 22:37: Let's get it.
22:37 - 22:38: It's lower.
22:38 - 22:41: Hudson today on Spotify was streamed 2,700 times.
22:41 - 22:42: That's a lot, dude.
22:42 - 22:43: Yeah.
22:43 - 22:44: You know, that's not bad.
22:44 - 22:49: To put things in perspective, like that DJ Khaled song was probably streamed 9 million
22:49 - 22:51: times today, but you know.
22:51 - 22:57: What do you think like a mid-level, like Emerson, Lake and Palmer song was streamed?
22:57 - 22:58: Like a rando?
22:58 - 23:01: Yeah, not like Lucky Man.
23:01 - 23:04: Like the 10th most popular Emerson, Lake and Palmer song.
23:04 - 23:05: 10th most?
23:05 - 23:09: It might not be that much better than Hudson, maybe a little lower.
23:09 - 23:10: Just because think about it.
23:10 - 23:11: Lucky Man.
23:11 - 23:15: Lucky Man is probably putting up 6K.
23:15 - 23:16: I don't know.
23:16 - 23:17: 6,000?
23:17 - 23:19: I mean, the user base.
23:19 - 23:22: Oh, what a lucky man.
23:22 - 23:25: The user base of Spotify probably is like a little bit younger.
23:25 - 23:31: I mean, I'll show you like today, A Punk, our most streamed song was streamed 84,000
23:31 - 23:32: times.
23:32 - 23:33: Wow.
23:33 - 23:34: But then on the bottom.
23:34 - 23:35: That's a lot, bro.
23:35 - 23:36: That's a classic song.
23:36 - 23:41: Makes you feel good.
23:41 - 23:43: And also, you know, people watch Step Brothers.
23:43 - 23:44: Sure.
23:44 - 23:45: It's a classic song.
23:45 - 23:46: What's that song?
23:46 - 23:47: Okay.
23:47 - 23:50: Our lowest streaming songs are all like remixes.
23:50 - 23:56: California English, live from Bonnaroo, put up 387.
23:56 - 23:58: Even that sounds like a lot to me.
23:58 - 24:02: I apologize to anybody who's listening to us live from Bonnaroo.
24:02 - 24:03: What about that?
24:03 - 24:04: I just don't recall being that tight.
24:04 - 24:06: That weird deep cut we played once.
24:06 - 24:07: B-side.
24:07 - 24:09: Oh, from the movie soundtrack?
24:09 - 24:10: Yeah.
24:10 - 24:11: Jonathan Lowe.
24:11 - 24:12: Yeah.
24:12 - 24:14: It's not available on Spotify.
24:14 - 24:18: All these songs came out a little bit in the pre-streaming era.
24:18 - 24:19: Right.
24:19 - 24:23: I'm curious, like when dropping an album, the one I'm working on now, because honestly,
24:23 - 24:24: the music industry is crazy now.
24:24 - 24:27: People, they're all like obsessed with streaming.
24:27 - 24:30: When they even talk about like what order to put their songs in on a record, they're
24:30 - 24:36: just like, uh, look, that might've been cool 10 years ago, but in the streaming era, I
24:36 - 24:38: think we got to blah, blah, blah.
24:38 - 24:40: Just like front load the record.
24:40 - 24:44: Yeah, because in the streaming era, everybody's obsessed with like skip rates and stuff.
24:44 - 24:45: What is that?
24:45 - 24:50: If they put your song on a playlist, which, cause also think about it, like say you want
24:50 - 24:52: to listen to a Guided by Voices song.
24:52 - 24:53: You're a fan.
24:53 - 24:54: You're coming to Guided by Voices.
24:54 - 24:57: You're going to listen to like, what's a classic GBV song for you?
24:57 - 24:58: Game of Pricks.
24:58 - 24:59: So Jake wants your Game of Pricks.
24:59 - 25:01: He goes on to streaming service.
25:01 - 25:02: He plays it.
25:02 - 25:03: Yeah.
25:03 - 25:04: He knows what he's looking for.
25:04 - 25:05: He searches Guided by Voices, Game of Pricks.
25:05 - 25:06: He listens to it.
25:06 - 25:11: Now, for all the other users who don't know Guided by Voices or are not thinking about
25:11 - 25:15: them on a daily, it's safe to say you think about Guided by Voices every day.
25:15 - 25:16: Yeah.
25:16 - 25:17: Right.
25:17 - 25:18: Very safe to say.
25:18 - 25:23: So for everybody else, they're probably going to be introduced to Guided by Voices via playlist.
25:23 - 25:24: Via the show maybe.
25:24 - 25:25: Or yeah, or via the show.
25:25 - 25:26: Yeah, yeah, yeah.
25:26 - 25:27: I get it.
25:27 - 25:33: But so let's say somehow you landed Guided by Voices on the Rap Hits of Today playlist.
25:33 - 25:37: Suddenly, you might get a million people listening to it in a day.
25:37 - 25:40: How many of those people are going to keep listening to it is debatable.
25:40 - 25:42: But like, so people really want to get on playlists now.
25:42 - 25:47: They're tracking like, if it's like 20 seconds in, everyone's just like skipping forward.
25:47 - 25:48: Exactly.
25:48 - 25:53: So say Jake, you're one of like the major players in the 90s indie rock playlist scene.
25:53 - 25:54: Which I am.
25:54 - 25:55: Which you are.
25:55 - 25:58: So you got Jake's 90s indie rock playlist, which I guess you got to make now.
25:58 - 25:59: You can put it up on our-
25:59 - 26:01: Actually dude, I started a second playlist.
26:01 - 26:04: It's punk, post-punk, and alternative workout mix.
26:04 - 26:05: But we'll get to that later.
26:05 - 26:06: Oh really?
26:06 - 26:07: Yeah.
26:07 - 26:10: You could look at that data, and you might be like, "You know, I started off with Breeder's
26:10 - 26:13: Cannonball, feel good classic song.
26:13 - 26:14: Everybody loves it."
26:14 - 26:19: And then I went into Game of Pricks as a track two on my playlist, and I got, the skip rate
26:19 - 26:21: was very high.
26:21 - 26:22: And then you might be like, "You know what?
26:22 - 26:24: I want people to like play through my whole playlist.
26:24 - 26:26: Like get out of here, Guided by Voices."
26:27 - 26:33: We're rooting by spark, and our vision grows.
26:33 - 26:40: I present my flags high, but emotions won't grow.
26:40 - 26:46: Retreating our way, taking the curve that grows.
26:46 - 26:53: And love, love will tear us apart, again.
26:53 - 26:59: Love, love will tear us apart, again.
26:59 - 27:09: Why is the bedroom so cold?
27:09 - 27:12: Turn away on your side.
27:12 - 27:15: Is my timing bad for?
27:15 - 27:19: I respect your soul and pride.
27:19 - 27:26: There's still less of you in every wildfire.
27:26 - 27:32: And love, love will tear us apart, again.
27:32 - 27:39: Love, love will tear us apart, again.
27:39 - 28:05: [Instrumental]
28:05 - 28:11: I'm in your sleep, all my feelings exposed.
28:11 - 28:18: Yet it's tasting my throat, as desperation seems cold.
28:18 - 28:25: Is it something so good, just an emotional blood?
28:25 - 28:31: And love, love will tear us apart, again.
28:31 - 28:37: Love, love will tear us apart, again.
28:37 - 28:44: Love, love will tear us apart, again.
28:51 - 29:11: [Instrumental]
29:11 - 29:15: Time Crisis with Ezra Koenig
29:15 - 29:35: [Instrumental]
29:35 - 29:39: Spitting in a wishing well.
29:39 - 29:43: You're on your hell crash, on the last splash.
29:43 - 29:54: [Instrumental]
29:54 - 29:58: I know you feel the pain.
29:58 - 30:02: I know you're a real creep.
30:02 - 30:19: [Instrumental]
30:19 - 30:23: Can't be shaped, can't be shaped.
30:27 - 30:36: [Instrumental]
30:36 - 30:40: I know you will know that you're true.
30:40 - 30:44: I know you're a cannonball.
30:44 - 30:49: [Instrumental]
30:49 - 30:53: I'll be your whatever you want.
30:53 - 30:57: The bomb in this reggae song.
30:57 - 31:17: [Instrumental]
31:17 - 31:21: Spitting in a wishing well.
31:21 - 31:26: You're on your hell crash, on the last splash.
31:26 - 31:30: [Instrumental]
31:30 - 31:34: I'll be your whatever you want.
31:34 - 31:38: The bomb in this reggae song.
31:38 - 31:55: [Instrumental]
31:55 - 31:59: Can't be shaped, can't be shaped.
32:03 - 32:06: So do you know the skip rates on your songs?
32:06 - 32:08: No, they don't give you the skip rates.
32:08 - 32:11: But also because we haven't released music in a long time,
32:11 - 32:13: we're not really worried about playlists right now.
32:13 - 32:15: You know, they show you which playlists you're on.
32:15 - 32:17: We're not like a majorly playlisted band
32:17 - 32:20: because that often tends to be about new music.
32:20 - 32:25: Do you think like Jimmy Page is getting like a Led Zeppelin stream breakdown?
32:25 - 32:26: Definitely. In fact--
32:26 - 32:28: You think he's looking at it and he's just like,
32:28 - 32:31: "I love the skip rate and a whole lot of love when we get to that trippy part."
32:31 - 32:34: In fact, I'm gonna look at the Spotify page for Led Zeppelin.
32:34 - 32:38: No disrespect to our employers, Apple Music,
32:38 - 32:40: who also have a quality streaming service.
32:40 - 32:43: But the only reason that Spotify is interesting for this conversation
32:43 - 32:45: is because they show the numbers.
32:45 - 32:46: Yeah.
32:46 - 32:49: Which is like for heads like us is hilarious.
32:49 - 32:52: No, but the numbers are only available to you.
32:52 - 32:55: Well, okay. To get that daily breakdown that I looked at,
32:55 - 32:56: I could only look at that for my band.
32:56 - 32:57: Yeah, you had to log in.
32:57 - 33:00: But to look at Led Zeppelin, I can still see how many cumulative plays they have.
33:00 - 33:01: Oh, yeah, sure, sure.
33:01 - 33:03: So what do you think is Led Zeppelin's most streamed song?
33:03 - 33:07: I mean, I want to say "Stairway," but I don't know, "Black Dog" or--
33:07 - 33:10: No, dude, "Stairway" by Far.
33:10 - 33:11: Sure.
33:11 - 33:14: "Stairway" has racked up 115 million streams,
33:14 - 33:17: which means that Jimmy Page and the boys,
33:17 - 33:22: they might each be taking home like 50K after taxes, you know, 25K.
33:22 - 33:24: You know, that's a new vintage guitar for Jimmy.
33:24 - 33:27: And then the second, the runner-up, "Whole Lotta Love," 65 million.
33:27 - 33:29: So now-- Okay, so--
33:29 - 33:30: That's a harsh drop-off.
33:30 - 33:31: Yeah, man.
33:31 - 33:33: "Stairway" to "Whole Lotta."
33:33 - 33:35: So the biggest Led Zeppelin song--
33:35 - 33:36: "Fool in the Rain."
33:36 - 33:37: 115 mil.
33:37 - 33:38: Okay.
33:38 - 33:40: What do you think is the biggest "Guided by Voices" song?
33:40 - 33:42: "I'm a Scientist"?
33:42 - 33:43: That's the fourth.
33:43 - 33:45: "Hold on, Hope."
33:45 - 33:46: Oh, God, of course.
33:46 - 33:48: That was on their major label album.
33:48 - 33:50: Not a good song.
33:50 - 33:51: It was on like--
33:51 - 33:53: It was featured on a lot of like TV shows.
33:53 - 33:54: Okay, so that's why.
33:54 - 33:55: It's really--
33:55 - 33:56: "Game of Pricks" is number two, but--
33:56 - 33:58: See, that's depressing for me as a GBV fan.
33:58 - 34:00: Well, you haven't even heard the depressing part yet.
34:00 - 34:01: Okay, no, no, no.
34:01 - 34:03: What I was saying, "Hold on, Hope" is not part of the conversation.
34:03 - 34:06: Well, clearly the GBV head community has failed the band.
34:06 - 34:09: Well, I think the band failed them with that song.
34:09 - 34:14: Anyway, "Hold on, Hope," the most streamed "Guided by Voices" song on Spotify.
34:14 - 34:16: I have to guess the place.
34:16 - 34:18: Yeah, so keep in mind, "Stairway" to heaven, 115 million.
34:18 - 34:21: I don't know, 800,000?
34:21 - 34:23: Oh, no, you came in too low.
34:23 - 34:24: 2.5 mil.
34:24 - 34:25: Okay.
34:25 - 34:27: What about "Game of Pricks"?
34:27 - 34:29: 1.2 mil.
34:29 - 34:30: Respectable.
34:30 - 34:37: So 1.2 mil, that means Spotify is cutting GBV in the back, roughly a $4,000 check.
34:37 - 34:39: I can't even tell with all this stuff anymore.
34:39 - 34:40: You got that on lock.
34:40 - 34:42: Wait, so what's that percentage, like .5?
34:42 - 34:51: I just know because I'm a music industry professional that roughly the Spotify numbers are like a million streams on Spotify is $4,000.
34:51 - 34:53: So 10 million is roughly $40,000.
34:53 - 34:56: 100 million, $400,000.
34:56 - 35:00: A billion streams, which I think only three songs have ever gotten.
35:00 - 35:01: That's happened?
35:01 - 35:03: Oh, yeah, like Drake, Drake and--
35:03 - 35:05: Highline Bling, that one?
35:05 - 35:07: Maybe One Dance.
35:07 - 35:09: I don't even know it.
35:09 - 35:11: If I heard it, I would know it.
35:11 - 35:14: Or like, you know, Major Lazer, some giant--
35:14 - 35:15: Major Lazer?
35:15 - 35:17: Yeah, they had a really big song called "Hold On."
35:17 - 35:19: All I'm saying is--
35:19 - 35:20: A billion.
35:20 - 35:24: If you got a billion plays, I guess they'd be cutting a check for $4 million.
35:24 - 35:26: What are the top streaming vampire ones?
35:26 - 35:28: Um, you know.
35:28 - 35:30: Vampire versus GBV, here we go.
35:30 - 35:32: You're gonna crush them.
35:32 - 35:35: Yeah, I don't want to-- no, that's an unfair question.
35:35 - 35:38: I don't want it to seem like I'm coming after GBV.
35:38 - 35:40: No, no, no, no, no, it's contextual.
35:40 - 35:41: I'm not saying you're coming after them.
35:41 - 35:44: So A-Punk has got about $94 million.
35:44 - 35:45: Holy cow.
35:45 - 35:47: We're nipping at the heels of Stairway.
35:47 - 35:49: Dude!
35:49 - 35:51: See, okay, that's--
35:51 - 35:55: Many people have said that the guitar part for A-Punk is kind of like the Stairway riff of--
35:55 - 35:56: What?
35:56 - 36:00: No, of course not.
36:00 - 36:01: But then it's a drop-off.
36:01 - 36:03: Unbelievers, $53 million.
36:03 - 36:04: Step, $38 million.
36:04 - 36:06: Dying Young, $42 million.
36:06 - 36:07: I mean, these are decent.
36:07 - 36:11: So how do you think that, like, someone that's not a fan of Vampire Weekend
36:11 - 36:16: only listens to A-Punk and then doesn't continue to Unbelievers?
36:16 - 36:20: So there's a $40 million listener drop-off from A-Punk to Unbelievers.
36:20 - 36:24: Or GBV, it's Hold On To Hope to Game of Pranks is like $2 million--
36:24 - 36:26: or, you know, like a million drop-off.
36:26 - 36:30: Well, there's two ways to look at the streaming stuff, I think.
36:30 - 36:34: One way is to be, like, depressed and be like, "Man, what a bummer.
36:34 - 36:37: It's like the big songs get so much more play than the other ones."
36:37 - 36:40: And like, "Man, remember back in the day you had to go buy an album
36:40 - 36:42: and you spent time with it and you appreciated the album as an art form?"
36:42 - 36:44: That's the pessimistic view.
36:44 - 36:48: The optimistic view would be like, "Streaming services are like a record store
36:48 - 36:51: and the radio all in one."
36:51 - 36:54: So, like, back in the day, of course more people hear the single.
36:54 - 36:57: It's always going to be a drop-off between the number of people who know Stairway
36:57 - 37:00: and who go buy a Led Zepp album.
37:00 - 37:03: Even, like, with Drake or something, the number of people who know One Dance
37:03 - 37:07: who don't know, like, track 17 on the record.
37:07 - 37:08: You know, that's--
37:08 - 37:10: No, I mean, I get that.
37:10 - 37:12: But what I'm-- I guess what I'm asking is, like,
37:12 - 37:16: A-Punk is no longer a single that's in active rotation.
37:16 - 37:19: Like, you're not promoting the first Vampire Weekend album.
37:19 - 37:23: And when you were, Spotify wasn't really a thing, or was it?
37:23 - 37:26: No, it literally didn't exist.
37:26 - 37:29: So, what accounts for that now?
37:29 - 37:30: I don't know.
37:30 - 37:32: Like, is it just people watching Step Brothers?
37:32 - 37:35: I think it's literally just people watching Step Brothers.
37:35 - 37:39: Or if you're not a Zeppelin person, and you're, like, typing in Zeppelin,
37:39 - 37:42: it starts to, like, feed on itself or, like, perpetuate itself.
37:42 - 37:43: Yeah, so let's say--
37:43 - 37:45: So you type, you're like, "Who's Led Zeppelin?"
37:45 - 37:46: You're 12 years old.
37:46 - 37:47: Okay.
37:47 - 37:49: And you're, like, "You know what?
37:49 - 37:53: I'm no longer interested in the artificial palette of modern pop music.
37:53 - 37:56: I prefer the tasteful palette of '70s hard rock."
37:56 - 37:57: I've been listening to Time Crisis.
37:58 - 38:03: There's this middle-aged guy on the show that talks about the tasteful palette of '70s rock.
38:03 - 38:07: In fact, you know, just to bring it full circle from the last episode,
38:07 - 38:12: maybe there's a kid, a 12-year-old guy, who always thought One Direction was cool.
38:12 - 38:14: And he's checking out the solo work of Harry Styles.
38:14 - 38:17: And then he hears this song called "Sign of the Times,"
38:17 - 38:23: and he's like, "Daddy, Daddy, what is this tasteful palette of this Harry Styles song?
38:23 - 38:30: It doesn't sound like the synth-driven, dance-music-influenced pop that I normally hear."
38:30 - 38:38: "Well, son, that tasteful palette is highly reminiscent of early '70s Bowie and T-Rex."
38:38 - 38:39: Maybe a little Elton John.
38:39 - 38:41: Maybe a little Elton John.
38:41 - 38:44: And he types in "David Bowie."
38:44 - 38:49: Of course that kid's not going to go listen to, you know, track 8 on low.
38:49 - 38:50: Quicksand.
38:50 - 38:52: The first thing that's probably going to come up is like Space Oddity,
38:52 - 38:56: or whatever his most streamed song is, he's going to listen to Space Oddity and be like,
38:56 - 38:58: "Tight. I like this song."
38:58 - 39:01: And then whether he decides to dig deeper in the David Bowie catalog,
39:01 - 39:09: or maybe he'll say, "Daddy, Daddy, I love this song Space Oddity.
39:09 - 39:10: What should I do next?"
39:10 - 39:15: And the dad could either say, "Well, son, I think you should go deep into the discography
39:15 - 39:18: of the late, great David Bowie," or he might say, "You know what, son?
39:18 - 39:23: You should save that song to a playlist, and let's continue hunting for some other gems
39:23 - 39:24: with the tasteful '70s palette."
39:24 - 39:25: And then you move on.
39:37 - 39:44: Ziggy played guitar, jamming good with Weird and Gilly
39:44 - 39:50: And the Spiders' Crumpons, they played it left hand
39:50 - 39:56: But made it too far, became the special man
39:56 - 40:01: For then we were Ziggy's band
40:01 - 40:07: Ziggy really sang, screwed up eyes and screwed down hairdo
40:07 - 40:10: Like some cat from Japan
40:10 - 40:17: He could lick 'em by smiling, he could leave 'em to hang
40:17 - 40:24: Became one so loaded man, well hung, snow white tan
40:24 - 40:30: So where were the Spiders?
40:30 - 40:36: While the fly tried to break our bones
40:36 - 40:41: Just the beer liked to guide us
40:41 - 40:47: So we bitched about his fans and should we crush his sweet hands?
40:48 - 40:51: (Guitar solo)
40:51 - 41:07: Ziggy played for time, jiving us that we were voodoo
41:07 - 41:13: The kids were just grass, he was the nest
41:13 - 41:19: With God-given ass, he took it all too far
41:19 - 41:24: But boy, could he play guitar
41:24 - 41:30: Making love with his ego
41:30 - 41:36: Ziggy sucked up into his mind
41:36 - 41:40: Like a leper messiah
41:40 - 41:46: When the kids had killed a man, I had to bring up the band
41:46 - 41:49: (Guitar solo)
41:49 - 42:00: Oh yeah
42:00 - 42:06: Ooh
42:09 - 42:18: Ziggy played guitar
42:18 - 42:26: Time Crisis with Ezra King
42:26 - 42:30: Beats 1
42:30 - 42:32: So Jake, this news already broke
42:32 - 42:36: But we would be remiss not to mention on Time Crisis
42:36 - 42:39: (Laughter)
42:39 - 42:41: How are those tortilla chips?
42:41 - 42:42: Great
42:42 - 42:44: Washing it down with a Modelo
42:44 - 42:47: Love your brand loyalty with Modelo
42:47 - 42:48: It's a good beer
42:48 - 42:49: Great beer
42:49 - 42:55: But anyway, Doritos teamed up with Marvel Studios to promote Guardians of the Galaxy Volume 2 in an unusual way
42:55 - 42:58: They've created a custom designed limited edition series of Doritos bags
42:58 - 43:02: With a built in rechargeable cassette deck inspired player
43:02 - 43:04: That plays the movie's full soundtrack
43:04 - 43:06: Cassette deck inspired
43:06 - 43:08: Basically it's like a little
43:08 - 43:09: Piece of plastic
43:09 - 43:14: A little piece of plastic with a little hard drive in it that has mp3's of these songs and it looks like a cassette deck
43:14 - 43:17: And so there's speakers built into the bag?
43:17 - 43:20: I think maybe there's a eighth inch jack
43:20 - 43:22: You plug in your earbuds
43:22 - 43:24: You can plug your earbuds in
43:24 - 43:26: Oh it comes with headphones
43:26 - 43:29: Oh it comes with kind of like 80's looking headphones
43:29 - 43:35: The Time Crisis social media presence went off the rails with this news
43:35 - 43:38: Cause it was like the fusion of Doritos
43:38 - 43:39: Music
43:39 - 43:40: And classic rock really
43:40 - 43:44: Cause it's like all 70's like top 40 stuff right?
43:44 - 43:45: Yeah exactly
43:45 - 43:47: Like stuff we might hear in the top 5 if we were doing
43:47 - 43:51: 1973 you know top 5
43:51 - 43:53: Exactly cause in the film
43:53 - 43:54: Well I saw the first one
43:54 - 43:57: Chris Pratt is a boy abducted from Earth at a young age
43:57 - 43:58: I saw it too
43:58 - 44:00: The way that he remembers Earth is with the beloved mixtape
44:00 - 44:01: Right
44:01 - 44:03: But he wasn't abducted from the 70's right?
44:03 - 44:05: He just had like an oldies tape
44:05 - 44:08: No I think he was abducted from like maybe the 80's
44:08 - 44:09: Oh really? Okay
44:09 - 44:11: You know cause it's like he's a kid
44:11 - 44:13: Why do you build me up?
44:13 - 44:14: Yeah exactly
44:14 - 44:15: And he gets taken
44:15 - 44:17: And then he's all grown up
44:17 - 44:21: So it'd be like if you got abducted from a baseball card store
44:21 - 44:23: When you were 12
44:23 - 44:24: Right
44:24 - 44:27: And all you had was like a Don Mattingly baseball card
44:27 - 44:29: And like a Motley Crue tape
44:29 - 44:35: And a Motley Crue tape you'd be blasting that as you cruise the interstellar speedways
44:35 - 44:53: You know when people talk about like your desert island discs
44:53 - 44:54: Yeah
44:54 - 44:55: I'm just always like
44:56 - 44:57: What's the one record?
44:57 - 44:58: God
44:58 - 45:00: I'd be like whatever record I took I would hate
45:00 - 45:02: Right within like a month
45:02 - 45:04: Or a week
45:04 - 45:06: Especially cause you'd be listening to this record and you'd be like
45:06 - 45:09: I'm stranded on this island I'm gonna die here
45:09 - 45:13: This is the soundtrack of my misery and solitude and imminent death
45:13 - 45:19: You'd probably use the record to like kill an animal or something
45:19 - 45:21: Right?
45:21 - 45:25: You'd probably try to like start a fire by like reflecting the sun rays
45:25 - 45:26: Yeah
45:26 - 45:28: Onto some like bark shaving
45:28 - 45:32: You'd like have a gaping wound on your hand
45:32 - 45:34: Melt the vinyl into it
45:34 - 45:37: You'd have a record player on the island
45:37 - 45:42: Oh yeah that record player would be getting stripped for parts immediately
45:42 - 45:43: Yeah
45:43 - 45:45: Desert island disc
45:45 - 45:47: Honestly if I was stranded on a desert island
45:47 - 45:52: I'd rather simply have a hacky sack than any record that's ever been made
45:52 - 45:53: Tight call
45:53 - 45:56: At least I'd be something to do get really good at hacky sack
45:56 - 45:59: Yeah I think having one record
45:59 - 46:04: Oh my god it would just like make the passing of time so profound
46:04 - 46:07: Like you'd listen to this record it's like 42 minutes long
46:07 - 46:11: You'd be like well I listened to it it's 42 minutes later
46:11 - 46:14: I'm gonna be here for the next 40 years
46:14 - 46:15: Ugh
46:15 - 46:18: I'll listen to it again maybe later today
46:18 - 46:22: And waste another 42 minutes of my life when I could be like trying to like
46:22 - 46:23: Yeah like we
46:23 - 46:24: Hunt some wild boar down
46:24 - 46:27: People get all like excited about this stuff just like
46:27 - 46:29: You really think 30 years deep
46:29 - 46:32: You're just gonna be so happy
46:32 - 46:33: That you have Dark Side of the Moon
46:33 - 46:34: Yeah
46:34 - 46:35: To listen to
46:35 - 46:37: Thank god I have Alien Lanes
46:37 - 46:40: So I can listen to Game of Pricks over and over again
46:40 - 46:41: While I'm starving
46:41 - 46:47: I've waited too long to have you right in the back of me
46:47 - 46:49: But she didn't sit down
46:49 - 46:53: I wonder how you keep track of me
46:53 - 46:57: You could never be strong
46:57 - 47:00: You could only be free
47:00 - 47:02: And I never asked for the truth
47:02 - 47:07: But you had a lot to me
47:07 - 47:13: I'll get to the game by the tricks of real life's little back of me
47:13 - 47:16: Can't call you without you
47:16 - 47:19: I don't blame you for attacking me
47:19 - 47:23: I'm down in hell
47:23 - 47:26: Weep to all of the trees
47:26 - 47:29: And when you come calling me down
47:29 - 47:32: I don't have my disease
47:33 - 47:44: (Guitar Solo)
47:44 - 47:48: You could never be strong
47:48 - 47:51: You could only be free
47:51 - 47:53: And I never asked for the truth
47:53 - 47:57: But you had a lot to me
47:57 - 47:59: And I never asked for the truth
47:59 - 48:03: But you had a lot to me
48:03 - 48:05: And I never asked for the truth
48:05 - 48:10: But you had a lot to me
48:10 - 48:12: I guess something you could dance to would be kind of fun
48:12 - 48:13: But also like
48:13 - 48:14: Solo dancing?
48:14 - 48:18: I'd rather have like a workout tape
48:18 - 48:22: I guess it'd be kind of cool if you could take like a Django Reinhardt record
48:22 - 48:24: And you got a guitar
48:24 - 48:25: Jam to it?
48:25 - 48:26: Then there's something you could do
48:26 - 48:27: You'd try to learn the parts
48:27 - 48:29: Or at least an activity
48:29 - 48:30: Okay
48:30 - 48:37: (Guitar Solo)
48:37 - 48:39: Would you rather have
48:39 - 48:41: Like a Playstation
48:41 - 48:43: With 50 games
48:43 - 48:45: Or
48:45 - 48:47: A lifetime supply of Modellos
48:47 - 48:49: Cold?
48:49 - 48:51: Yeah, let's say there's kind of like a magical fridge
48:51 - 48:55: And every time you reach in there's an ice cold Modello
48:55 - 48:57: So basically 30 years alone
48:57 - 48:59: Pounding Modellos
48:59 - 49:01: Or no Modellos
49:01 - 49:03: But you can play like
49:03 - 49:05: That's a tough call
49:05 - 49:06: You can play like Madden
49:06 - 49:08: I'm not a video games guy at all
49:08 - 49:10: But those are like worlds to explore
49:10 - 49:11: No I know I mean if you were
49:11 - 49:13: You might get into some like RPGs
49:13 - 49:14: Persona 5
49:14 - 49:17: If you were on an island by yourself for decades
49:17 - 49:19: The time
49:19 - 49:21: Oh my god
49:21 - 49:23: I mean my instinct was to say Modellos
49:23 - 49:25: That's the wrong move
49:25 - 49:27: Yeah the video games I think would help pass the time better
49:27 - 49:29: Yeah I think so
49:29 - 49:30: Kind of messed up though right?
49:30 - 49:32: Like you're on this like desert island
49:32 - 49:34: And you're just playing video games all day
49:34 - 49:36: (Laughter)
49:36 - 49:37: See maybe I'd take the Modellos
49:37 - 49:40: Because I'd have to be working all day just to live
49:40 - 49:43: I'd have to be like scavenging coconuts
49:43 - 49:45: Amassing firewood to build
49:45 - 49:47: Shoring up my shelter
49:47 - 49:50: Trying to build a raft to like get the hell off the island
49:50 - 49:52: Maybe I'm looking at this through a very modern perspective
49:52 - 49:54: You know trying to hunt a boar
49:54 - 49:57: I'm so used to growing up in first world America
49:57 - 50:01: Where everybody has at least a tiny bit of free time
50:01 - 50:02: Yeah
50:02 - 50:05: Because even if you're like got a brutal life
50:05 - 50:07: And you have to work so many jobs to keep afloat
50:07 - 50:10: You still have like an odd day off
50:10 - 50:12: There still is a sense of leisure time
50:12 - 50:15: Whereas when people were like scavengers
50:15 - 50:17: No but even then you know
50:17 - 50:20: When scientists imagine what the hunter gatherer societies were like
50:20 - 50:21: Sure
50:21 - 50:25: They actually say that there was a more chill time to be alive
50:25 - 50:27: Than in the agrarian era
50:27 - 50:28: You know what I mean?
50:28 - 50:29: Right I've heard that theory
50:29 - 50:34: You're rolling around with 30 of your closest friends and family
50:34 - 50:38: You guys come across a bunch of fruit trees
50:38 - 50:40: What do you do?
50:40 - 50:42: You sit down, you shoot the sh*t
50:42 - 50:45: Eat some delicious mangoes and you move on
50:45 - 50:48: As opposed to the agrarian societies where you gotta till the earth
50:48 - 50:49: Right
50:49 - 50:50: Non-stop
50:50 - 50:51: You're working
50:51 - 50:54: Well okay but if you don't find the mangoes or the wild boar
50:54 - 50:57: Then you're screwed
50:57 - 51:02: You need the medellos to go with the wild boar
51:02 - 51:04: That's what I'm thinking
51:04 - 51:07: Right you get really good at hunting
51:07 - 51:10: You're barbecuing like seagulls
51:10 - 51:13: And you're just like good lord I wish I could watch this out on the modelo
51:13 - 51:16: That might also help if the food was real nasty
51:16 - 51:17: Yeah
51:17 - 51:20: Cause you might not have access to salsas
51:20 - 51:24: Or if you are starving the beers are a carb load
51:24 - 51:25: Yeah that's true
51:25 - 51:26: Okay
51:26 - 51:27: You've really fleshed that out
51:27 - 51:28: Alright so we got it
51:28 - 51:31: If ever an evil billionaire tells you
51:31 - 51:32: To pick your favorite record
51:32 - 51:36: Cause you're about to go live on an island by yourself for the rest of your life
51:36 - 51:38: Just try to bargain
51:38 - 51:42: How about a fridge full of ice cold medellos?
51:42 - 51:44: Lifetime supply
51:44 - 51:46: Desert Island Discs
51:46 - 51:49: Honestly even just thinking about it stresses me out
51:49 - 51:52: I really know how it feels to be
51:52 - 51:54: Stressed out stressed out
51:54 - 51:59: When you're face to face with your adversities
51:59 - 52:02: I really know how it feels to be
52:02 - 52:04: Stressed out stressed out
52:04 - 52:09: We're gonna make this thing work out eventually
52:09 - 52:12: Yo I ain't one to complain but this thing's in the game
52:12 - 52:13: What's your name?
52:13 - 52:15: Consequence I'm tight burnt like flames
52:15 - 52:16: And why's that?
52:16 - 52:18: American dream they got this ghetto kid in a fiend
52:18 - 52:20: Don't stress that cause it's not in your bloodstream
52:20 - 52:22: Your whole being comes from greatness
52:22 - 52:25: You remember Chase Long got you caught in the storms of December
52:25 - 52:28: And brothers on the block packing 9's like September
52:28 - 52:30: Change these situations you get in the sparkers or slender
52:30 - 52:33: Yo I be on the avenue where they be acting brand new
52:33 - 52:35: I'm sludging on these re-blocked joints for sure they boom
52:35 - 52:38: All of a sudden I saw these two kids twerking
52:38 - 52:40: Talking out they joints but they wasn't saying nothing
52:40 - 52:43: My hand was on my pulley they was acting unruly
52:43 - 52:45: Yo word up yo I was tight caught up
52:45 - 52:48: But I swallowed my pride and let that nonsense ride
52:48 - 52:50: Because the positive it seems that negative died
52:50 - 52:53: Yeah we was at the dice game making these cash with Trillie
52:53 - 52:56: Flaming steady running off at the willy
52:56 - 52:58: I had my cash fixed my rent blue with my play dough
52:58 - 53:00: I gotta see some leads so all my girls I blow
53:00 - 53:03: Took the lisp dish in my palm let em hit the floor
53:03 - 53:06: Kept my eyeballs open for them pigs po-po
53:06 - 53:08: I got to go on the app see my parole by four
53:08 - 53:11: But I gotta steady freak these boys like Jojo
53:11 - 53:14: And I was doing it till I met Ice Spike and Mike Monroe
53:14 - 53:16: They had my pockets so the other end spiked
53:16 - 53:19: Yo I know the feeling when you feeling like you feeling
53:19 - 53:21: You be having good thoughts but the evils be revealing
53:21 - 53:24: And the stresses of life can take you off the right path
53:24 - 53:26: Jealousy and envy tends to infiltrate your staff
53:26 - 53:29: We gotta hold the dance so we can move on past
53:29 - 53:31: All adversities so we can get through fast
53:31 - 53:36: I really know how it feels to be stressed out
53:36 - 53:41: When you're face to face with your adversities
53:41 - 53:46: I really know how it feels to be stressed out
53:46 - 53:51: We're gonna make this thing work out eventually
53:51 - 53:55: You got the NWO, low cash flow
53:55 - 53:58: Your baby's on the way and you don't know who he is
53:58 - 54:00: And Coruscant's f*cking tryna bust at you
54:00 - 54:02: Ayo they got me stressed out and you don't know what to do
54:02 - 54:05: So frame this code at black and rigid through my contacts
54:05 - 54:08: With a poultry scrap, broke and get pistol smacked
54:08 - 54:11: For switch hittin' queens, lickin' liquid sauce spittin'
54:11 - 54:13: With raw puppies and now your first love is quills
54:13 - 54:15: Your vision of the mills got crushed like hay lover
54:15 - 54:18: Try to rise to the top, you just couldn't recover
54:18 - 54:21: And all I want is my laceration of the pie
54:21 - 54:23: To get this whip cream before the water runs dry
54:23 - 54:26: Chicken's last dancing yo I don't know why
54:26 - 54:28: Your chicken snitchin', she got you cruisin' to the pokey
54:28 - 54:31: Like Smokey, the truck you tryna three second homie
54:31 - 54:33: Well I be tryna get star status like Shinobi
54:33 - 54:36: So we can build a dynasty just like the Kobe
54:36 - 54:38: And all I want is the world to know my C
54:38 - 54:41: He's money hungry since he's big in 730
54:41 - 54:44: And got me stressed out like he's Royal Gamsi
54:44 - 54:46: I really know how it feels to be
54:46 - 54:48: Stressed out, stressed out
54:48 - 54:52: When you're face to face with your adversity
54:52 - 54:54: With your adversity
54:54 - 54:56: I really know how it feels to be
54:56 - 54:58: I know how stressed out
54:58 - 55:02: We're gonna make this thing work out eventually
55:02 - 55:06: Oh, no way we gonna make it
55:06 - 55:07: Gonna make it
55:07 - 55:09: No way we gonna make it
55:09 - 55:10: Gonna make it
55:10 - 55:11: No way we gonna make it
55:11 - 55:12: Gonna make it
55:12 - 55:14: We gonna make it
55:14 - 55:15: Gotta make it
55:15 - 55:16: No way we gonna make it
55:16 - 55:18: Gonna make it
55:18 - 55:19: We're gonna make it
55:19 - 55:21: No way we gonna make it
55:21 - 55:23: We're gonna make it
55:23 - 55:24: We're gonna make it
55:24 - 55:27: Oh, no way we gonna make it
55:27 - 55:29: Oh, no way we gonna make it
55:29 - 55:30: Gonna make it
55:30 - 55:32: No way we gonna make it
55:32 - 55:34: Oh, no way we gonna make it
55:34 - 55:37: Oh, no way we gonna make it
55:37 - 55:39: Oh, no way we gonna make it
55:39 - 55:40: We're gonna make it
55:40 - 55:42: No way we gonna make it
55:42 - 55:43: Yeah
55:43 - 55:44: We're gonna make it
55:44 - 55:45: Yeah
55:45 - 55:47: No way we gonna make it
55:47 - 55:48: We're gonna make it
55:49 - 55:51: We're gonna make it
55:51 - 55:52: We're gonna make it
55:52 - 55:53: Oh, yeah
55:53 - 55:55: No way we gonna make it
55:55 - 55:56: We're gonna make it
55:56 - 55:58: Let's get in the top five
55:58 - 56:01: It's time for the top five
56:01 - 56:03: F-F-F-F-F-F-Five
56:03 - 56:05: On iTunes
56:05 - 56:07: Alright, Jake, so this week on the top five
56:07 - 56:09: We're taking it back to 1976
56:09 - 56:10: Wooo!
56:10 - 56:14: We're gonna compare the top five songs on iTunes today
56:14 - 56:16: To the top five Billboard hits of 1976
56:16 - 56:18: Why? Why 1976?
56:18 - 56:19: Bicentennial year?
56:19 - 56:21: No, far from it
56:21 - 56:23: The year before I was born
56:23 - 56:24: Well, kind of
56:24 - 56:25: The year I was conceived
56:25 - 56:27: The year Jake was conceived
56:27 - 56:29: And also the year that Ja Rule was born
56:29 - 56:30: Oh!
56:30 - 56:32: Ja Rule has been in the news the past couple weeks a lot
56:32 - 56:37: Because he helped start a festival called Fire
56:37 - 56:38: Right
56:38 - 56:39: That was down in the Bahamas
56:39 - 56:40: Went south
56:40 - 56:41: It didn't turn out well
56:41 - 56:42: That's been well covered
56:42 - 56:43: Yep
56:43 - 56:44: In the media
56:44 - 56:45: We're not gonna add insult to injury
56:45 - 56:47: So actually we wanna celebrate Ja Rule
56:47 - 56:50: By remembering that he was born
56:50 - 56:51: I didn't really follow this
56:51 - 56:52: 41 years ago
56:52 - 56:53: Really follow the story
56:53 - 56:55: Was it incompetence or a scam?
56:55 - 56:59: And I could be talking about Trump here too
56:59 - 57:01: I know, that's like one of the big questions in life
57:01 - 57:02: Everyday there's something you look at
57:02 - 57:04: And you're like, is this incompetence or a scam?
57:04 - 57:08: I didn't actually ever click on an article about that festival consciously
57:08 - 57:11: So I only got the periphery of the story
57:11 - 57:13: Let's say gross incompetence is probably closer
57:13 - 57:14: Okay
57:14 - 57:16: Because it's not really a scam
57:16 - 57:19: Because these dudes are getting lawsuits
57:19 - 57:20: Like they're getting sued
57:20 - 57:21: Yeah, if it was a scam
57:21 - 57:23: They would have had to make it slightly nicer
57:23 - 57:24: Right
57:24 - 57:26: Then people would have been merely disappointed
57:26 - 57:28: Not outraged and scared
57:28 - 57:30: You're not disappointed
57:30 - 57:32: What was that?
57:32 - 57:34: I don't know, like bad Trump impression?
57:34 - 57:36: The number 5 song
57:36 - 57:39: This week in 1976
57:39 - 57:41: Wings
57:41 - 57:43: The post Beatles band
57:43 - 57:45: Love it
57:45 - 57:46: Paul McCartney
57:46 - 57:48: I know this song, it's called Silly Love Songs
57:48 - 57:49: Oh God
57:53 - 57:55: Tribute beginning dude
57:55 - 57:57: That's kind of interesting for 1976
57:57 - 57:58: Kind of like Nine Inch Nails
57:58 - 58:00: Yeah, it sounds like weird sampled
58:00 - 58:10: So, my understanding is that when this song came out
58:10 - 58:12: It was a huge hit for him
58:12 - 58:14: And this was kind of like when people were like
58:14 - 58:16: You know what Paul man
58:16 - 58:18: You've always been like a corn ball
58:18 - 58:20: You sold out
58:20 - 58:23: What happened to the guy who wrote When I'm 64?
58:23 - 58:25: Wait, that's exactly, no, I mean
58:25 - 58:27: No, I'm just kidding
58:27 - 58:29: I'm just saying because the Beatles had so much like
58:29 - 58:31: The guy that wrote Hey Jude or whatever
58:31 - 58:34: The guy that played drums on Tomorrow Never Knows
58:34 - 58:38: What happened to the guy who wrote Maxwell's Silver Hammer?
58:38 - 58:40: I'm still here
58:40 - 58:47: Again
58:49 - 58:53: Kind of like a little bit of a disco vibe here
58:53 - 58:55: Yeah, it's a light disco
58:55 - 58:58: I'm loving the bass playing, I wonder if that's Paul
58:58 - 59:00: Oh yeah, great bass player
59:00 - 59:02: I guess around this time
59:02 - 59:04: John Lennon was
59:04 - 59:08: Getting faced with Harry Nilsson at the Troubadour
59:08 - 59:09: Right
59:09 - 59:11: Oh, this is interesting
59:11 - 59:14: So apparently this song was written as a rebuttal to both music critics
59:14 - 59:18: And John Lennon who accused McCartney of writing lightweight love songs
59:18 - 59:20: So this song is self-aware
59:20 - 59:22: Because he's saying
59:22 - 59:25: You'd think people would have had enough of silly love songs
59:25 - 59:26: But what's wrong with that?
59:26 - 59:27: What's wrong with that?
59:27 - 59:29: I gotta say, there's something
59:29 - 59:30: It's a pretty weak song
59:30 - 59:32: It's a weak song
59:32 - 59:34: But there's
59:34 - 59:36: There's something kind of hilarious about like
59:36 - 59:38: Maybe he and John got together
59:38 - 59:40: And John was like
59:40 - 59:43: We've debated his song Imagine on this show before
59:43 - 59:45: Whether or not Imagine is like truly a deep song
59:45 - 59:48: But John's like, what happened to you man?
59:48 - 59:50: You're a cornball
59:50 - 59:52: You know, I'm writing songs like Imagine
59:52 - 59:54: Mind games
59:54 - 59:56: Jealous guy
59:56 - 59:57: What are you writing?
59:57 - 59:59: Bunch of silly love songs
59:59 - 01:00:01: And Paul's like, okay man
01:00:01 - 01:00:02: And then he writes this song
01:00:02 - 01:00:03: Oh yeah?
01:00:03 - 01:00:04: I write silly love songs?
01:00:04 - 01:00:06: Well what's wrong with that?
01:00:06 - 01:00:09: And here I go again
01:00:09 - 01:00:14: Now I'm gonna write self-aware, semi-ironic love songs
01:00:14 - 01:00:15: Is that gonna please you?
01:00:15 - 01:00:16: You cynical f-
01:00:16 - 01:00:19: When Paul McCartney sings Here I Go Again
01:00:19 - 01:00:23: I just picture him on like a cute little roller coaster
01:00:23 - 01:00:25: With Linda at his side
01:00:25 - 01:00:27: Just like looking at John scowling at him
01:00:27 - 01:00:29: Just like two middle fingers in the air
01:00:29 - 01:00:31: Here I go again
01:00:31 - 01:00:33: Boom boom boom boom
01:00:33 - 01:00:38: I love you
01:00:40 - 01:00:46: I love you
01:00:46 - 01:00:54: I love you
01:00:54 - 01:01:01: I can't explain the feelings between us
01:01:01 - 01:01:03: Now can't you see?
01:01:03 - 01:01:09: She gave me more, she gave it all to me
01:01:09 - 01:01:11: Now can't you see?
01:01:11 - 01:01:15: What's wrong with that?
01:01:15 - 01:01:17: I need to know
01:01:17 - 01:01:19: Yeah this is the part where it's kinda dark
01:01:19 - 01:01:21: Two middle fingers in the air, f- you John
01:01:21 - 01:01:23: Eat it, Lennon
01:01:23 - 01:01:27: Again
01:01:27 - 01:01:29: Ah, and then he turns to Linda
01:01:29 - 01:01:32: I love you
01:01:32 - 01:01:33: Oh you know what it is?
01:01:33 - 01:01:35: It's like they're at the water park
01:01:35 - 01:01:37: And he's going up in the log flume
01:01:37 - 01:01:39: And Lennon's on the bridge
01:01:39 - 01:01:41: Just like looking at him just like
01:01:41 - 01:01:43: You f-ing sappy dude
01:01:43 - 01:01:45: What happened to you?
01:01:45 - 01:01:46: And then he's like here I go again
01:01:46 - 01:01:48: And then like John Lennon gets splashed with the water
01:01:48 - 01:01:49: And then he turns to Linda
01:01:49 - 01:01:51: I love you
01:01:51 - 01:01:53: Like Lennon just like scowling
01:01:53 - 01:01:55: Granny glasses get knocked off
01:01:55 - 01:01:57: Dripping
01:01:57 - 01:01:59: Eat it, Lennon
01:01:59 - 01:02:01: Almost any time
01:02:01 - 01:02:03: You look back at history and like
01:02:03 - 01:02:05: I mean we've talked about this a million times
01:02:05 - 01:02:07: But it's like when I was like 13
01:02:07 - 01:02:09: Like a smarmy little 13 year old
01:02:09 - 01:02:11: And I loved the Beatles I'd just be like
01:02:11 - 01:02:13: The Lennon songs are far superior
01:02:13 - 01:02:15: And then it's like you look back and you're like
01:02:15 - 01:02:17: Is I Am The Walrus
01:02:17 - 01:02:19: Like that much better than yesterday?
01:02:19 - 01:02:21: Is Strawberry Fields Forever that much better than
01:02:21 - 01:02:23: Yesterday? I mean I don't know
01:02:23 - 01:02:27: No yeah I hear what you're saying
01:02:27 - 01:02:29: I'm stalling because they're different eras
01:02:29 - 01:02:31: Right
01:02:31 - 01:02:33: The question would be is Strawberry Fields better than Penny Lane?
01:02:33 - 01:02:35: Yes and
01:02:35 - 01:02:37: I used to feel very strong that Strawberry Fields Forever
01:02:37 - 01:02:39: Was so much deeper
01:02:39 - 01:02:41: And as I get older I'm like
01:02:41 - 01:02:43: Penny Lane there is a
01:02:43 - 01:02:45: Yeah that song was tight man
01:02:45 - 01:02:47: Barber taking
01:02:47 - 01:02:49: Photographs
01:02:49 - 01:02:51: And then you get older and you're just like honestly
01:02:51 - 01:02:53: The Kinks, Ray Davies is better than both of them
01:02:53 - 01:02:57: No they're all good
01:02:57 - 01:02:59: The number 5 song
01:02:59 - 01:03:01: In our era
01:03:01 - 01:03:03: We've been hearing this one a lot
01:03:03 - 01:03:05: Ay, ay, ay
01:03:05 - 01:03:09: Tom York's favorite song
01:03:09 - 01:03:11: Is Bruno more of a Paul or a John?
01:03:11 - 01:03:13: He's more of a Paul right?
01:03:13 - 01:03:15: Bruno's much more of a Paul
01:03:15 - 01:03:17: And I'll tell you why
01:03:17 - 01:03:21: Paul and Bruno are both like
01:03:21 - 01:03:23: Incredibly technically talented songwriters
01:03:23 - 01:03:25: Right
01:03:25 - 01:03:27: And I bet if you said to them
01:03:27 - 01:03:29: Because we talked last time about how Bruno
01:03:29 - 01:03:31: And Tom York from Radiohead have beef
01:03:31 - 01:03:33: And you know probably similarly to like
01:03:33 - 01:03:35: Paul and John
01:03:35 - 01:03:37: I bet they're the type of dudes that
01:03:37 - 01:03:39: There's some kind of distance between them as people
01:03:39 - 01:03:41: And the voice of the songs they write
01:03:41 - 01:03:43: Yeah
01:03:43 - 01:03:45: So I bet if you said to Bruno
01:03:45 - 01:03:47: Or Paul
01:03:47 - 01:03:49: You guys' songs are kind of lightweight
01:03:49 - 01:03:51: You know what I'm saying?
01:03:51 - 01:03:53: They'd be like oh you want me to write a Radiohead
01:03:53 - 01:03:55: John Lennon song? Give me 5 minutes
01:03:55 - 01:03:57: And they would sit down at the piano
01:03:57 - 01:03:59: And write something that sounded kind of close
01:03:59 - 01:04:01: I'm not saying it'd be as good
01:04:01 - 01:04:03: But something that kind of close and be like
01:04:03 - 01:04:05: Oh yeah Radiohead, like Bruno Mars would probably be like
01:04:05 - 01:04:07: They always do this type of chord, the drums sound like this
01:04:07 - 01:04:09: And he'd sing, and I bet Bruno could do a sick Tom York impression
01:04:09 - 01:04:11: Oh my god
01:04:11 - 01:04:13: And he'd probably be, and the lyrics are always like
01:04:13 - 01:04:15: Plan the shot, like you know
01:04:15 - 01:04:17: So in that sense they're like
01:04:17 - 01:04:19: They're both razzle dazzle showmen
01:04:19 - 01:04:21: Yeah
01:04:21 - 01:04:23: I witness this all the time in the music industry
01:04:23 - 01:04:25: There's always a tension between the razzle dazzle showmen
01:04:25 - 01:04:27: And who they perceive to be like the
01:04:27 - 01:04:29: Authentic
01:04:29 - 01:04:31: The authentic serious dudes
01:04:31 - 01:04:33: Because the razzle dazzle dudes look at the authentic dudes
01:04:33 - 01:04:35: And say like
01:04:35 - 01:04:37: I'm more talented than you
01:04:37 - 01:04:39: I can do what you do but you can't do what I do
01:04:39 - 01:04:41: I can bang out a Radiohead song but you can't make a
01:04:41 - 01:04:43: That's what I like
01:04:43 - 01:04:45: And then the authentic dudes are like you guys are cornballs
01:04:45 - 01:04:47: You guys are so corny
01:04:47 - 01:04:49: Which is not as strong an argument
01:04:49 - 01:04:51: You know it'd be interesting if Radiohead did
01:04:51 - 01:04:53: Try to go pop?
01:04:53 - 01:04:55: Like if they just went with like full
01:04:55 - 01:04:57: Bruno Mars production
01:04:57 - 01:04:59: But wrote songs over that
01:04:59 - 01:05:01: It wouldn't
01:05:01 - 01:05:03: Maybe that Radiohead would be like a Tom York solo record
01:05:03 - 01:05:05: Yeah, I'd like to see him get in the booth
01:05:05 - 01:05:07: And Bruno
01:05:07 - 01:05:09: The number four song in 1976
01:05:09 - 01:05:11: Elvin Bishop
01:05:11 - 01:05:13: Oh sweet
01:05:13 - 01:05:15: A fool, a fell, oh wait what is it
01:05:15 - 01:05:17: A fooled around and fell in love
01:05:17 - 01:05:19: Fooled around and fell in love
01:05:21 - 01:05:23: Featuring the Boogie Nights
01:05:25 - 01:05:35: May 1976
01:05:35 - 01:05:37: This is what's on the radio
01:05:37 - 01:05:39: America is about to turn 200
01:05:41 - 01:05:43: I must have been through
01:05:43 - 01:05:45: About a million girls
01:05:45 - 01:05:47: Now Elvin does not sing
01:05:47 - 01:05:49: Lead vocals
01:05:49 - 01:05:51: This is his background singer
01:05:51 - 01:05:53: Mickey Thomas who went on to become
01:05:53 - 01:05:55: The lead singer of Jefferson Starship
01:05:55 - 01:05:57: Okay
01:05:57 - 01:05:59: I didn't care how much they cried
01:05:59 - 01:06:01: No sir
01:06:01 - 01:06:03: Yeah I've seen Boogie Nights
01:06:03 - 01:06:05: So many times that I can't separate
01:06:05 - 01:06:07: This song out
01:06:07 - 01:06:09: It's a scene
01:06:09 - 01:06:11: Where Philip Seymour Hoffman is just like
01:06:11 - 01:06:13: Shoving wedding cake into his mouth
01:06:13 - 01:06:15: And it's when like Becky Barnett
01:06:15 - 01:06:17: Is marrying the guy that works at the Pep Boys
01:06:17 - 01:06:19: And John C. Reilly is like
01:06:19 - 01:06:21: We're losing these two
01:06:21 - 01:06:23: Oh yeah
01:06:23 - 01:06:25: It's an initial scene
01:06:25 - 01:06:27: I mean what else can you say about this song
01:06:27 - 01:06:29: Nice 70's
01:06:29 - 01:06:31: Mellow pop soul
01:06:31 - 01:06:33: The number 4 song
01:06:33 - 01:06:35: On iTunes right now
01:06:35 - 01:06:37: This is the one that really has legs
01:06:37 - 01:06:39: Jake can you name it in the first 5 seconds
01:06:41 - 01:06:43: What is it
01:06:43 - 01:06:45: Coldplay and Chainsmoke
01:06:45 - 01:06:47: Coldplay and Chainsmokers
01:06:47 - 01:06:49: Chainsmokers and Coldplay
01:06:49 - 01:06:51: Get the order right
01:06:51 - 01:06:53: I've been reading books of old
01:06:53 - 01:06:55: The legends and the myths
01:06:55 - 01:06:57: I'm glad it's back in the top 5
01:06:57 - 01:06:59: You can't keep a song like this down
01:06:59 - 01:07:01: Dude between this and the Bruno
01:07:01 - 01:07:03: We're off to a great start here
01:07:03 - 01:07:05: Clearly I don't see myself
01:07:05 - 01:07:07: At home at risk
01:07:07 - 01:07:09: She said where'd you wanna go
01:07:09 - 01:07:11: How much you wanna risk
01:07:11 - 01:07:13: I'm not looking for somebody
01:07:15 - 01:07:17: With some superhuman gifts
01:07:17 - 01:07:19: Some superhero
01:07:19 - 01:07:21: Some fairy tidbits
01:07:21 - 01:07:23: Just something I can tell to
01:07:23 - 01:07:25: Somebody I can kiss
01:07:25 - 01:07:27: Hold on listen to this
01:07:27 - 01:07:29: As of this week
01:07:29 - 01:07:31: The Chainsmokers have had a top 10 song
01:07:31 - 01:07:33: For an entire year straight
01:07:33 - 01:07:35: So that means
01:07:35 - 01:07:37: A week has not gone by in the past year
01:07:37 - 01:07:39: When the Chainsmokers were not in the top 10
01:07:39 - 01:07:41: And I feel like
01:07:41 - 01:07:43: Even every single episode
01:07:43 - 01:07:45: That we've done of this show
01:07:45 - 01:07:47: Just about
01:07:47 - 01:07:49: I mean I could say yeah
01:07:49 - 01:07:51: More or less top 5
01:07:51 - 01:07:53: They're major artists
01:07:53 - 01:07:55: So you know what's funny
01:07:55 - 01:07:57: We've probably listened to like
01:07:57 - 01:07:59: 3 hours total of Chainsmokers on this show
01:07:59 - 01:08:01: A lot of Chainsmokers
01:08:01 - 01:08:03: Also you know what's funny
01:08:03 - 01:08:05: Remember when Coldplay came out
01:08:05 - 01:08:07: They were kind of seen as like
01:08:07 - 01:08:09: Are they the heirs to Radiohead in some ways
01:08:09 - 01:08:11: Kind of similar epic rock style
01:08:11 - 01:08:13: And then as time went on
01:08:13 - 01:08:15: Radiohead went further left and more electronic
01:08:15 - 01:08:17: And Coldplay became
01:08:17 - 01:08:19: More of a considered pop artist
01:08:19 - 01:08:21: It would have been even funnier
01:08:21 - 01:08:23: If at that Radiohead show
01:08:23 - 01:08:25: This one came on
01:08:25 - 01:08:27: Just like Tom Jorkens
01:08:27 - 01:08:29: I want something just like
01:08:29 - 01:08:31: Oh f***
01:08:31 - 01:08:35: It would have been much more confusing
01:08:35 - 01:08:37: Right
01:08:37 - 01:08:39: I want something just like
01:08:39 - 01:08:41: You're talking about could Radiohead work over Bruno Mars production
01:08:41 - 01:08:43: Well
01:08:43 - 01:08:45: Chris Martin works over Chainsmokers production so why not
01:08:45 - 01:08:47: I wonder how many times Chris Martin and Tom Jork have interacted
01:08:47 - 01:08:51: That's a great question
01:08:51 - 01:08:53: And
01:08:53 - 01:08:55: You're gonna say above 10 or under 10
01:08:55 - 01:08:57: They both spend time in LA
01:08:57 - 01:08:59: I've seen both of them out and about
01:08:59 - 01:09:01: In Los Angeles
01:09:01 - 01:09:03: You think over 10 or under 10
01:09:05 - 01:09:07: Chris nice to meet you Tom
01:09:07 - 01:09:09: I've just been dying to meet you
01:09:09 - 01:09:11: God I don't even want to like play this out
01:09:11 - 01:09:13: I can picture their interaction so well
01:09:13 - 01:09:15: It hurts my feelings
01:09:15 - 01:09:17: It hurts your feelings?
01:09:17 - 01:09:19: It hurts my feelings
01:09:19 - 01:09:21: Or like you're bummed for Chris
01:09:21 - 01:09:23: It hurts all my feelings
01:09:23 - 01:09:25: Too painful to play out
01:09:25 - 01:09:27: I just feel like
01:09:27 - 01:09:29: That's a time crisis first
01:09:29 - 01:09:31: I really do respect both of those
01:09:31 - 01:09:33: Guys as songwriters
01:09:33 - 01:09:35: I think they've both written incredible songs
01:09:35 - 01:09:37: Sure
01:09:37 - 01:09:39: It's that duality that we talked about
01:09:39 - 01:09:41: It's that Lennon-McCartney
01:09:41 - 01:09:43: Like I'm sure that Tom Jork
01:09:43 - 01:09:45: Probably thinks like
01:09:45 - 01:09:47: We've gone deeper into the human psyche
01:09:47 - 01:09:49: And blah blah and Chris Martin's like
01:09:49 - 01:09:51: Yeah but you never wrote something just like this
01:09:51 - 01:09:53: It'd be an amazing
01:09:53 - 01:09:55: Like one act play
01:09:55 - 01:09:57: Like Frost/Nixon
01:09:57 - 01:09:59: Jork/Martin
01:09:59 - 01:10:01: If you're like a good playwright
01:10:01 - 01:10:03: Really delve into like
01:10:03 - 01:10:05: Notions of like artistic authenticity
01:10:05 - 01:10:07: And voice
01:10:07 - 01:10:09: How much of that is real
01:10:09 - 01:10:11: How much of that is just like
01:10:11 - 01:10:13: Kind of BS
01:10:13 - 01:10:15: And just kind of circumstance
01:10:15 - 01:10:17: And timing
01:10:17 - 01:10:19: Man I would love that just to get into that
01:10:19 - 01:10:21: Just have two artists come together
01:10:21 - 01:10:23: And just talk about like
01:10:23 - 01:10:25: Artistic intent
01:10:25 - 01:10:27: But also get into some of that stuff that's like
01:10:27 - 01:10:29: You know what man
01:10:29 - 01:10:31: At the 2001 Brit Awards
01:10:31 - 01:10:33: All I said was hi
01:10:33 - 01:10:35: And you looked at me like
01:10:35 - 01:10:37: I asked you for an autograph man
01:10:37 - 01:10:39: Like what's up with that
01:10:39 - 01:10:41: Now I'm starting to play it out
01:10:41 - 01:10:43: I don't wanna
01:10:43 - 01:10:45: Okay I can't help play it out
01:10:45 - 01:10:47: At first Tom Jork is all like whatever
01:10:47 - 01:10:49: And then later
01:10:49 - 01:10:51: Chris Martin who kind of comes across as
01:10:51 - 01:10:53: A more sensitive
01:10:53 - 01:10:55: Empathic kind of guy
01:10:55 - 01:10:57: He's like the one to be like come on man just like talk to me
01:10:57 - 01:10:59: Like a human and Tom Jork's like whatever
01:10:59 - 01:11:01: And then finally Tom Jork cracks
01:11:01 - 01:11:03: And he's like
01:11:03 - 01:11:05: Alright you know what man
01:11:05 - 01:11:07: Yeah I wish the Chainsmokers would call me
01:11:07 - 01:11:09: I wish that I had a
01:11:09 - 01:11:11: Top 5 song on iTunes
01:11:11 - 01:11:13: You know like I've had the critically acclaimed
01:11:13 - 01:11:15: Edgy album like
01:11:15 - 01:11:17: Yeah you know what man I'm actually jealous of you
01:11:17 - 01:11:19: Man
01:11:19 - 01:11:21: And yeah
01:11:21 - 01:11:23: I take it out on people like Bruno Mars
01:11:23 - 01:11:25: Cause I just wanna be your friend man
01:11:25 - 01:11:27: Just the tables totally turning
01:11:27 - 01:11:29: Chris Martin's like dude
01:11:29 - 01:11:31: Come over sometime. You just have to call me man
01:11:31 - 01:11:33: I gave you my number at the 2001
01:11:33 - 01:11:35: Brit Awards
01:11:35 - 01:11:37: Colin just showed me there is one picture
01:11:37 - 01:11:39: Of them together
01:11:39 - 01:11:41: Oh my god
01:11:41 - 01:11:43: Oh man
01:11:43 - 01:11:45: It's not even really them together
01:11:45 - 01:11:47: Like they're both not looking at the camera
01:11:47 - 01:11:49: Right they might not have been talking
01:11:49 - 01:11:51: Anyway I just wanna
01:11:51 - 01:11:53: Put this out there. I gotta write this play
01:11:53 - 01:11:55: You should write this play
01:11:55 - 01:11:57: And I just also wanna put this out there
01:11:57 - 01:11:59: Actually this was an early idea we had for Time Crisis
01:11:59 - 01:12:01: Was that we were gonna bring people with beef on
01:12:01 - 01:12:03: Oh yeah
01:12:03 - 01:12:05: And kinda hash it out
01:12:05 - 01:12:07: And I think you and I are fairly good mediators
01:12:07 - 01:12:09: Let's try to get Jork and Martin on
01:12:09 - 01:12:11: I mean they're both LA residents
01:12:11 - 01:12:13: Honestly I would even say to those two guys
01:12:13 - 01:12:15: I would
01:12:15 - 01:12:17: Do you the honor
01:12:17 - 01:12:19: Of even just seating
01:12:19 - 01:12:21: Two hours to you
01:12:21 - 01:12:23: In the producers booth man
01:12:23 - 01:12:25: We'll let you guys take the mics
01:12:25 - 01:12:27: I just wanna hear what these guys talk about
01:12:27 - 01:12:29: Maybe it won't be tense. Maybe we're imagining this
01:12:29 - 01:12:31: Or you know set it up so they do the top five
01:12:31 - 01:12:33: Together. They don't have to get into
01:12:33 - 01:12:35: Like you know
01:12:35 - 01:12:37: That's hard to just get on the mic and be like you know what dude
01:12:37 - 01:12:39: Here's what I think about your music
01:12:39 - 01:12:41: But just have them do the top five
01:12:41 - 01:12:43: Oh that'd be sick. Open invitation
01:12:43 - 01:12:45: Tom, Chris
01:12:45 - 01:12:47: You got my number. You have publicist and stuff
01:12:47 - 01:12:49: You should have them you know
01:12:49 - 01:12:51: Good job. Also
01:12:51 - 01:12:53: Like
01:12:53 - 01:12:55: That's a good play. They go through the top five and by the time they get to number one
01:12:55 - 01:12:57: Just like it just gets real
01:12:57 - 01:12:59: Tom's like Chris
01:12:59 - 01:13:01: When you said that you love that Bruno Mars song
01:13:01 - 01:13:03: That hurt. You know what happened to me in Miami
01:13:03 - 01:13:05: That hurt my feelings
01:13:07 - 01:13:09: Back to 1976
01:13:09 - 01:13:11: The number three song
01:13:11 - 01:13:13: Boogie Fever by the Silvers
01:13:13 - 01:13:15: Do you know this song? I don't know
01:13:15 - 01:13:17: Boogie Fever I don't know
01:13:19 - 01:13:21: Ooh
01:13:27 - 01:13:29: Love that
01:13:33 - 01:13:35: Kind of a weird version of
01:13:35 - 01:13:37: Daytripper? Yeah
01:13:37 - 01:13:39: Boogie Fever
01:13:41 - 01:13:43: Got the boogie down
01:13:45 - 01:13:47: Boogie Fever
01:13:47 - 01:13:49: I think it's going around
01:13:51 - 01:13:53: I took my baby
01:13:53 - 01:13:55: To the driving show
01:13:55 - 01:13:57: The bassist faced the bass line
01:13:57 - 01:13:59: On Daytripper
01:13:59 - 01:14:01: Okay. That's documented
01:14:01 - 01:14:03: Today they'd be sued right? Oh yeah
01:14:03 - 01:14:05: If you're just out front with it and you're like you know what I base this on this
01:14:05 - 01:14:07: Then is it cool?
01:14:07 - 01:14:09: It depends if you have like a good
01:14:09 - 01:14:11: Relationship with them
01:14:11 - 01:14:13: Like if somebody I was
01:14:13 - 01:14:15: School with said like
01:14:15 - 01:14:17: I based the bass line off of
01:14:17 - 01:14:19: Right. Something that you wrote
01:14:19 - 01:14:21: And I heard it and it was like
01:14:21 - 01:14:23: This? I'd be like don't even sweat it man
01:14:23 - 01:14:25: I'm gonna base
01:14:25 - 01:14:27: The single off my first album off Apunk
01:14:27 - 01:14:29: Oh you can base the bass line
01:14:29 - 01:14:31: Off
01:14:31 - 01:14:33: You just gotta. No I'm gonna base the top riff
01:14:33 - 01:14:35: Off Apunk. Is that cool?
01:14:35 - 01:14:37: Alright you just gotta play it for me
01:14:37 - 01:14:39: This song was written by Freddie Perrin
01:14:39 - 01:14:41: And Kenneth St. Louis
01:14:41 - 01:14:43: Kenneth suggested to Freddie
01:14:43 - 01:14:45: Why don't we write a song with the word boogie in it
01:14:45 - 01:14:47: It's one of the most popular words
01:14:47 - 01:14:49: Right now
01:14:49 - 01:14:51: One of the most popular words
01:14:51 - 01:14:53: Right now?
01:14:53 - 01:14:55: What would that be now?
01:14:55 - 01:14:57: I don't know. Well a couple years ago it'd be lit
01:14:57 - 01:14:59: Like right now
01:14:59 - 01:15:01: Whoa. I don't know what's
01:15:01 - 01:15:03: Well I mean Childish Gambino did that
01:15:03 - 01:15:05: He's got a big hit right now
01:15:05 - 01:15:07: Stay woke
01:15:07 - 01:15:09: Okay
01:15:09 - 01:15:11: It's fall 2000. What's a big word right now?
01:15:11 - 01:15:13: Cuck. He said cuck
01:15:13 - 01:15:15: I mean it depends what
01:15:15 - 01:15:17: Kind of radio you try to get on
01:15:17 - 01:15:19: So me and Jake
01:15:19 - 01:15:21: Were just in the studio man and I was
01:15:21 - 01:15:23: Kind of coming up empty and I said like alright
01:15:23 - 01:15:25: Just throw out a major word right now
01:15:25 - 01:15:27: And Jake said cuck and that's how we wrote Cuck Fever
01:15:27 - 01:15:29: That became number one
01:15:29 - 01:15:31: It kind of became emblematic of the
01:15:31 - 01:15:33: Trump years but we're not political man
01:15:33 - 01:15:35: It's just
01:15:35 - 01:15:37: Our band is not political
01:15:37 - 01:15:39: Cuck fever
01:15:39 - 01:15:41: Cuck fever is not political man
01:15:41 - 01:15:43: Anybody could be cucked
01:15:43 - 01:15:45: It's a sign of the times man
01:15:45 - 01:15:47: It's not an alright. We're not all left
01:15:47 - 01:15:49: We're just
01:15:49 - 01:15:51: We're right down the middle
01:15:51 - 01:15:53: The number three song
01:15:53 - 01:15:55: Right now on iTunes
01:15:55 - 01:15:57: Remember we heard this the other day?
01:15:57 - 01:15:59: Despacito
01:15:59 - 01:16:01: Luis Fonsi, Daddy Yankee, Justin Bieber
01:16:01 - 01:16:03: It's the remix
01:16:03 - 01:16:05: I mean if they want to repeal healthcare that's cool man
01:16:05 - 01:16:07: I mean
01:16:07 - 01:16:09: Whatever, right down the middle
01:16:09 - 01:16:11: God
01:16:11 - 01:16:13: Come and move that in my direction
01:16:13 - 01:16:15: So thankful for that
01:16:15 - 01:16:17: Such a blessing yeah
01:16:17 - 01:16:19: Turn every situation into heaven yeah
01:16:19 - 01:16:21: Oh oh
01:16:21 - 01:16:23: You are my sunrise
01:16:23 - 01:16:25: On the darkest day
01:16:25 - 01:16:27: Got me feeling some kind of way
01:16:27 - 01:16:29: Make me want to savor every moment
01:16:29 - 01:16:31: Slowly, slowly
01:16:31 - 01:16:33: You fit me
01:16:33 - 01:16:35: Fit me tell me love how you put it on
01:16:35 - 01:16:37: Got the only key know how to turn it on
01:16:37 - 01:16:39: Okay so we got an email from
01:16:39 - 01:16:41: An Ecuador based Time Crisis fan
01:16:41 - 01:16:43: Coco Vega
01:16:43 - 01:16:45: I love that we got people listening to Ecuador
01:16:45 - 01:16:47: Yeah
01:16:47 - 01:16:49: Coco Vega explained to us that
01:16:49 - 01:16:51: Seinfeld 2000 got the translation dead wrong
01:16:51 - 01:16:55: Shots fired
01:16:55 - 01:16:57: Sorry Seinfeld
01:16:57 - 01:16:59: But maybe Despacito could be translated as
01:16:59 - 01:17:01: Thirsty in some places
01:17:01 - 01:17:03: Easy does it sounds more like it
01:17:03 - 01:17:05: Right that's what I thought we got into that a little bit
01:17:05 - 01:17:07: Take it easy
01:17:07 - 01:17:09: Or like slow right
01:17:09 - 01:17:11: Lento
01:17:11 - 01:17:13: He says in this case I think the best translation is just slowly
01:17:13 - 01:17:15: Yeah
01:17:15 - 01:17:17: Although take it easy would be good if they want to put it in English
01:17:17 - 01:17:19: Despacito
01:17:19 - 01:17:21: Take it easy
01:17:23 - 01:17:25: So this is the chorus where Despacito is used the most
01:17:25 - 01:17:27: Despacito
01:17:27 - 01:17:29: Basically this is Coco Vega's translation
01:17:29 - 01:17:31: Slowly
01:17:31 - 01:17:33: I want to breathe your neck slowly
01:17:33 - 01:17:35: Let me whisper you things in your ears
01:17:35 - 01:17:37: So that you remember when you're not with me
01:17:37 - 01:17:39: Slowly I want to strip you off with kisses slowly
01:17:39 - 01:17:41: Sign the walls of your labyrinth
01:17:41 - 01:17:43: And make your whole body a manuscript
01:17:43 - 01:17:45: What does that mean
01:17:45 - 01:17:47: Sign the walls of your labyrinth
01:17:47 - 01:17:49: It must be referring to one of the various
01:17:49 - 01:17:51: Orifices of the human body as a labyrinth
01:17:51 - 01:17:53: But how's he signing it
01:17:53 - 01:17:55: I guess you sign it by gentle contact
01:17:55 - 01:17:57: Or you sign it by
01:17:57 - 01:17:59: By gentle contact with a part of your body
01:17:59 - 01:18:01: Okay
01:18:01 - 01:18:03: I thought something else
01:18:03 - 01:18:05: In other words I think they're talking about intercourse
01:18:05 - 01:18:07: That's my read
01:18:07 - 01:18:09: I could be wrong
01:18:09 - 01:18:11: And make your whole body a manuscript
01:18:11 - 01:18:13: You need some sort of like fluid
01:18:13 - 01:18:15: To like sign things with right
01:18:15 - 01:18:17: Oh god is that really what they're saying
01:18:17 - 01:18:19: First of all
01:18:19 - 01:18:21: Shout out to Coco Vega
01:18:21 - 01:18:23: In Ecuador
01:18:23 - 01:18:25: I really appreciate this because
01:18:25 - 01:18:27: I don't know Spanish at all
01:18:27 - 01:18:29: Who am I kidding it's one of the great shams in my life
01:18:29 - 01:18:31: You took French?
01:18:31 - 01:18:33: Yeah I was such an idiot
01:18:33 - 01:18:35: That's a whack move
01:18:35 - 01:18:37: I was a little pretentious 14 year old
01:18:37 - 01:18:39: They said you want to take Spanish or French
01:18:39 - 01:18:41: And I was like I'll take French
01:18:41 - 01:18:43: It's honestly one of the dumbest things I did in my life
01:18:43 - 01:18:45: It works for you
01:18:45 - 01:18:47: Yeah
01:18:47 - 01:18:49: The same sort of like vampire weekend
01:18:49 - 01:18:51: I know well yeah this is a bad thing
01:18:51 - 01:18:53: You think of me as a pretentious little French taker
01:18:53 - 01:18:55: Well I don't but
01:18:55 - 01:18:57: The part of you that took French
01:18:57 - 01:18:59: Is the same part of you
01:18:59 - 01:19:01: Preferred the Beatles to the Stones
01:19:01 - 01:19:03: And started vampire weekend
01:19:03 - 01:19:05: That's right
01:19:05 - 01:19:07: It's a little precious
01:19:07 - 01:19:09: As I get older I get less precious
01:19:09 - 01:19:11: God love ya
01:19:11 - 01:19:13: As I get older I get less precious
01:19:13 - 01:19:15: I listen to the Stones more than the Beatles
01:19:15 - 01:19:17: You're more into exile than you are into uh
01:19:17 - 01:19:19: You know magical mystery tour
01:19:19 - 01:19:21: Exactly
01:19:21 - 01:19:23: I'm more into learning French
01:19:23 - 01:19:25: Torn and frayed bro
01:19:25 - 01:19:27: I go to the gym more
01:19:27 - 01:19:29: I drink protein shakes
01:19:29 - 01:19:31: I watch the game
01:19:31 - 01:19:33: You're listening to the Joe Rogan podcast constantly
01:19:33 - 01:19:35: I drink bone broth
01:19:35 - 01:19:37: I take human growth hormone
01:19:37 - 01:19:39: I go hunting
01:19:39 - 01:19:41: You take a nootropics
01:19:41 - 01:19:43: I take nootropics
01:19:43 - 01:19:45: I eat paleo
01:19:45 - 01:19:47: Let's face it you're a libertarian
01:19:47 - 01:19:49: I'm a libertarian
01:19:49 - 01:19:51: That's true
01:19:51 - 01:19:53: I cut the line at Starbucks
01:19:53 - 01:19:55: I stopped reading books
01:19:55 - 01:19:57: You're investing in restaurants
01:19:57 - 01:19:59: *laughter*
01:20:01 - 01:20:03: Yeah
01:20:03 - 01:20:05: What are you driving these days?
01:20:05 - 01:20:07: This is getting weirder
01:20:07 - 01:20:09: An H2 Hummer
01:20:09 - 01:20:11: Sick
01:20:11 - 01:20:13: I endorse John Kasich
01:20:13 - 01:20:15: On the show
01:20:15 - 01:20:17: Can you imagine if we had John Kasich call him
01:20:17 - 01:20:19: I'd be a star for him
01:20:19 - 01:20:21: A very sincere John Kasich interview
01:20:21 - 01:20:23: When I go over to a friend's house I bring wings
01:20:23 - 01:20:25: Nice
01:20:25 - 01:20:27: So you're getting far away from taking French
01:20:27 - 01:20:29: Well it's just more people speak Spanish
01:20:29 - 01:20:31: It's as simple as that
01:20:31 - 01:20:33: Big election today in France
01:20:33 - 01:20:35: I know that this is a big election
01:20:35 - 01:20:37: I know that a lot of things hang in the balance
01:20:37 - 01:20:39: This could be the rise of fascism
01:20:39 - 01:20:41: This and that but
01:20:41 - 01:20:43: I just don't care about French stuff anymore
01:20:43 - 01:20:45: You won't catch me watching those returns
01:20:45 - 01:20:47: Be watching the game
01:20:47 - 01:20:49: MMA bro
01:20:49 - 01:20:51: Dear lord, stop the national front
01:20:51 - 01:20:53: We'll find out
01:20:53 - 01:20:55: Anyway, back to 1976
01:20:55 - 01:20:57: Where are we?
01:20:57 - 01:20:59: Here's Maxine Nightingale with Right Back Where We Started From
01:20:59 - 01:21:01: *music*
01:21:01 - 01:21:03: Oh this is a good one
01:21:03 - 01:21:05: Yeah
01:21:05 - 01:21:07: I like this one
01:21:07 - 01:21:09: This is a re-recording
01:21:09 - 01:21:11: Oh was it a 60's song?
01:21:11 - 01:21:13: No it's from the 70's
01:21:13 - 01:21:15: From their masters
01:21:15 - 01:21:17: So we're hopefully putting a little extra money in Maxine Nightingale's pocket
01:21:17 - 01:21:19: By playing this version
01:21:19 - 01:21:21: Was this recorded like recently?
01:21:21 - 01:21:23: 2005
01:21:23 - 01:21:25: Oh man, really?
01:21:25 - 01:21:27: Wow you could have fooled me
01:21:27 - 01:21:29: It's a little stiff
01:21:29 - 01:21:31: Yeah it's stiff
01:21:31 - 01:21:33: Oh yeah this does sound bad
01:21:33 - 01:21:35: Do you remember that day?
01:21:35 - 01:21:37: That sunny day
01:21:37 - 01:21:39: When you first came out of the heat
01:21:39 - 01:21:41: I said no one could take your place
01:21:41 - 01:21:43: And if you get hurt
01:21:43 - 01:21:45: By the little things I say
01:21:45 - 01:21:47: I can put that smile back on your face
01:21:47 - 01:21:49: Oh and it all
01:21:49 - 01:21:51: It's really hard to fake recordings
01:21:51 - 01:21:53: Because even if you get the players
01:21:53 - 01:21:55: It's hard to recreate that magic
01:21:55 - 01:21:57: It's so weird when people do that
01:21:57 - 01:21:59: I mean
01:21:59 - 01:22:01: I think like a lot of people
01:22:01 - 01:22:03: Do that
01:22:03 - 01:22:05: But I don't think it's a good thing
01:22:05 - 01:22:07: I don't think it's a good thing
01:22:09 - 01:22:11: I think like Pearl Jam
01:22:11 - 01:22:13: No no they didn't re-record
01:22:13 - 01:22:15: But they like remixed 10
01:22:15 - 01:22:17: Oh and it sounded weird?
01:22:17 - 01:22:19: I didn't hear the remix I wasn't interested in it
01:22:19 - 01:22:21: But I read about that that they all thought 10
01:22:21 - 01:22:23: The first record from 91
01:22:23 - 01:22:25: Sounded too like kinda butt rock
01:22:25 - 01:22:27: So they remixed it in this like kinda
01:22:27 - 01:22:29: Cooler like grungier way
01:22:29 - 01:22:31: And I know like Def Leppard re-recorded
01:22:31 - 01:22:33: Hysteria with their big album
01:22:33 - 01:22:35: They fully re-recorded it?
01:22:35 - 01:22:37: Yeah so if you actually I've looked at this on Apple Music
01:22:37 - 01:22:39: The only version of Def Leppard
01:22:39 - 01:22:41: Is the re-recorded? Is a 2012 re-record
01:22:41 - 01:22:43: And does it sound crazy to you?
01:22:43 - 01:22:45: It just sounds more souped up and less
01:22:45 - 01:22:47: I mean already that was a psychotic album
01:22:47 - 01:22:49: Yeah but like I wanna hear the original album
01:22:49 - 01:22:51: I don't wanna hear
01:22:51 - 01:22:53: It's tough yeah you get so attached to recording
01:22:53 - 01:22:55: I think ELO recorded some of their albums
01:22:55 - 01:22:57: It's like a very weird
01:22:57 - 01:22:59: Sometimes it's a move to just own your own version of the song
01:22:59 - 01:23:01: Right
01:23:01 - 01:23:03: Because sometimes people signed horrible deals back in the day
01:23:03 - 01:23:05: So maybe they
01:23:05 - 01:23:07: They're doing it?
01:23:07 - 01:23:09: That's a classic reason why
01:23:09 - 01:23:11: That's such a what an uninspired performance
01:23:11 - 01:23:13: They're like doing it for that reason
01:23:13 - 01:23:15: Pour some
01:23:15 - 01:23:17: Sugar on me
01:23:17 - 01:23:19: You're like the whole time
01:23:19 - 01:23:21: You're just thinking I gotta get my version in
01:23:21 - 01:23:23: Right
01:23:23 - 01:23:25: We gotta make that money
01:23:25 - 01:23:27: Mutt Lang screwed us or whatever
01:23:27 - 01:23:29: Next time Denny's calls
01:23:29 - 01:23:31: Looking to use pour some sugar on me
01:23:31 - 01:23:33: In a campaign my manager
01:23:33 - 01:23:35: Can hit him up and say hey guys
01:23:35 - 01:23:37: You wanna save about a hundred grand?
01:23:37 - 01:23:39: Our triple dipped french toast
01:23:39 - 01:23:41: Use the 2012 version
01:23:41 - 01:23:43: Pour some sugar
01:23:43 - 01:23:45: Come and get it on
01:23:45 - 01:23:47: Then I
01:23:47 - 01:23:49: You gotta do it like down
01:23:49 - 01:23:51: Down two steps
01:23:51 - 01:23:53: Totally pour some
01:23:53 - 01:23:55: Oh god
01:23:55 - 01:23:57: The number two song
01:23:57 - 01:23:59: Right now on iTunes
01:23:59 - 01:24:01: DJ Khaled
01:24:01 - 01:24:03: And it's not just DJ Khaled
01:24:03 - 01:24:05: Got Justin Bieber
01:24:05 - 01:24:07: Quavo, do you know who Quavo is?
01:24:07 - 01:24:09: I don't
01:24:09 - 01:24:11: He's a member of Migos, you know who Migos is?
01:24:11 - 01:24:13: I don't
01:24:13 - 01:24:15: They're a rap group from Atlanta
01:24:15 - 01:24:17: Right
01:24:17 - 01:24:19: Chance the Rapper, you know who he is?
01:24:19 - 01:24:21: Lil Wayne, you know who he is?
01:24:21 - 01:24:23: Where's Lil Wayne from?
01:24:23 - 01:24:25: New Orleans?
01:24:25 - 01:24:27: Yeah, alright
01:24:27 - 01:24:29: Look at Jake
01:24:29 - 01:24:31: Some people are saying this could be the song of the summer
01:24:31 - 01:24:33: Okay
01:24:33 - 01:24:35: We the best music
01:24:35 - 01:24:37: Another one
01:24:37 - 01:24:39: DJ Khaled
01:24:39 - 01:24:41: Yeah, yeah, looking at the truth, the money never lie
01:24:41 - 01:24:43: No, I'm the one, yeah
01:24:43 - 01:24:45: I'm the one
01:24:45 - 01:24:47: Early morning in the dark, know you wanna ride
01:24:47 - 01:24:49: Is this Justin? Yeah
01:24:49 - 01:24:51: I'm the one, yeah
01:24:53 - 01:24:55: Hear you sick of all those other imitators
01:24:55 - 01:24:57: Don't let the only real one intimidate ya
01:24:57 - 01:24:59: See you watching, don't run out of time
01:24:59 - 01:25:01: I'm the one, yeah
01:25:03 - 01:25:05: I'm the one
01:25:05 - 01:25:07: I'm the only one
01:25:07 - 01:25:09: I'm the one
01:25:11 - 01:25:13: I'm the only one
01:25:13 - 01:25:15: I'm the one, yeah
01:25:15 - 01:25:17: I'm the one that hit that same spot
01:25:17 - 01:25:19: She the one that bring them raindrops
01:25:19 - 01:25:21: We go back, remember Christmas
01:25:21 - 01:25:23: Fun, everybody does their take
01:25:23 - 01:25:25: What does it mean to be the one to you?
01:25:25 - 01:25:27: For Justin, it means one thing,
01:25:27 - 01:25:29: Quavo, something else
01:25:29 - 01:25:31: I didn't catch Justin's
01:25:31 - 01:25:33: Meaning
01:25:33 - 01:25:35: It's something about being rich
01:25:35 - 01:25:37: Or special, I don't know
01:25:37 - 01:25:39: You can ride inside my life
01:25:39 - 01:25:41: On that fame bus
01:25:41 - 01:25:43: 'Cause I promise when we step out
01:25:43 - 01:25:45: You'll be famous
01:25:45 - 01:25:47: What do you think, Jake?
01:25:47 - 01:25:49: I don't know
01:25:49 - 01:25:51: You think Jake? Pretty forgettable
01:25:51 - 01:25:53: Now it's time for Jake's take
01:25:53 - 01:25:55: I'm the one, DJ Khaled
01:25:55 - 01:25:57: Song of the Summer, Contender
01:25:57 - 01:25:59: I got a hot take here
01:25:59 - 01:26:01: I got a real original hot take on
01:26:01 - 01:26:03: I'm the one, I'm a 40 year old dude
01:26:03 - 01:26:05: Never heard the song in my life
01:26:05 - 01:26:07: I got all kinds of opinions about this
01:26:07 - 01:26:09: Song of the Summer
01:26:09 - 01:26:11: Over my dead body
01:26:11 - 01:26:13: No way
01:26:13 - 01:26:15: I'm waiting for that new AC/DC album to drop
01:26:15 - 01:26:17: I don't know, sounds cool
01:26:17 - 01:26:19: Wait, Jake, what's like your
01:26:19 - 01:26:21: Attitude towards the music?
01:26:21 - 01:26:23: That's cool
01:26:23 - 01:26:25: Wait, Jake, what's like your eternal song of the summer?
01:26:25 - 01:26:27: It's like an eagle song or something?
01:26:27 - 01:26:29: No, no, you know what it is? What?
01:26:29 - 01:26:31: Nelly, It's Getting Hot in Here
01:26:31 - 01:26:33: Oh, okay
01:26:33 - 01:26:35: That's the eternal song of summer, right?
01:26:35 - 01:26:37: For the 21st century and for the 15th year in a row
01:26:37 - 01:26:39: It's Jake's Song of the Summer
01:26:39 - 01:26:41: It's getting hot in here
01:26:41 - 01:26:43: So take off all your clothes
01:26:43 - 01:26:45: I am getting so hot
01:26:45 - 01:26:47: I won't take my clothes off
01:26:47 - 01:26:49: I'm the one has some real heat
01:26:49 - 01:26:51: That sounds cool
01:26:51 - 01:26:53: It's fun, it's upbeat
01:26:53 - 01:26:55: Didn't bum me out, didn't pump me up
01:26:55 - 01:26:57: Maybe it'll grow on me
01:26:59 - 01:27:01: I like that rubric
01:27:01 - 01:27:03: This one didn't bum you out
01:27:03 - 01:27:05: Nor did it pump you up
01:27:05 - 01:27:07: Some songs bum you out, but they pump you up
01:27:07 - 01:27:09: Some songs just bum you out
01:27:09 - 01:27:11: Occasionally
01:27:11 - 01:27:13: And I mean this
01:27:13 - 01:27:15: Occasionally
01:27:15 - 01:27:17: One just pumps you up
01:27:17 - 01:27:19: Does it bum you out?
01:27:19 - 01:27:21: No opinion
01:27:21 - 01:27:23: I'm pumped up, I'm not thinking about it
01:27:23 - 01:27:25: The number one song
01:27:25 - 01:27:27: This is funny
01:27:27 - 01:27:29: May 1976, the number one song was a TV theme song
01:27:29 - 01:27:31: That doesn't happen too often these days
01:27:31 - 01:27:33: Oh, Dukes of Hazzard?
01:27:33 - 01:27:35: No
01:27:35 - 01:27:37: Is it like a famous show?
01:27:37 - 01:27:39: It's a very famous show
01:27:39 - 01:27:41: It launched the career of one of our greatest actors
01:27:41 - 01:27:45: An Italian-American icon
01:27:45 - 01:27:47: John Travolta?
01:27:47 - 01:27:49: What's the show he was on?
01:27:49 - 01:27:51: Welcome Back...
01:27:51 - 01:27:53: Mr. Cotter?
01:27:53 - 01:27:55: What's the song?
01:27:55 - 01:27:57: It's called Welcome Back
01:27:57 - 01:27:59: I don't think I've ever seen a full episode of this show
01:27:59 - 01:28:01: I vaguely remember it was on Nick at Night back in the day
01:28:01 - 01:28:03: And I know that it was Mr. Cotter
01:28:03 - 01:28:05: It was the teacher
01:28:05 - 01:28:07: And these were a bunch of knuckleheads in his class
01:28:07 - 01:28:09: And John Travolta would always be
01:28:09 - 01:28:11: Hey Mr. Cotter
01:28:11 - 01:28:13: I've probably seen more parodies of it than I've ever seen the show
01:28:13 - 01:28:15: But even without listening to it
01:28:15 - 01:28:17: I know how the song goes
01:28:17 - 01:28:19: Welcome back
01:28:19 - 01:28:21: It's composed by John Sebastian
01:28:21 - 01:28:23: Who performed it?
01:28:23 - 01:28:25: Yeah, he's a famous songwriter
01:28:25 - 01:28:27: Wait
01:28:27 - 01:28:29: Was John Sebastian involved with the Mamas and Papas?
01:28:29 - 01:28:31: I think
01:28:31 - 01:28:33: Or some other band
01:28:33 - 01:28:35: Loving Spoonful
01:28:35 - 01:28:37: Oh, okay
01:28:37 - 01:28:39: This is number one?
01:28:39 - 01:28:41: People were buying like seven inches of this
01:28:41 - 01:28:43: Yeah, there used to be three channels
01:28:43 - 01:28:45: I want to go by them all
01:28:45 - 01:28:47: And I gotta pick up a shirt for work
01:28:47 - 01:28:49: And pick up the new seven inch of Welcome Back
01:28:49 - 01:28:51: Yeah
01:28:51 - 01:28:55: Culture used to be a lot more narrow
01:28:55 - 01:28:57: Maybe like
01:28:57 - 01:28:59: At the end of the episode
01:28:59 - 01:29:01: Hey, what's up guys? This is John Travolta
01:29:01 - 01:29:03: I want you to go by
01:29:03 - 01:29:05: Go to the supermarket
01:29:05 - 01:29:07: And pick up the 45
01:29:07 - 01:29:09: Of the theme from Welcome Back Cotter by John Sebastian
01:29:09 - 01:29:11: That's probably enough to make it number one
01:29:11 - 01:29:13: Travolta's a year in Scientology at this point
01:29:13 - 01:29:15: Oh, did he become a Scientologist in '75?
01:29:15 - 01:29:17: Yeah, yeah, I remember reading that
01:29:17 - 01:29:19: I remember that first
01:29:19 - 01:29:21: I'm weird with years
01:29:21 - 01:29:23: Sometimes they stick in my craw
01:29:23 - 01:29:25: Right, '75 is the year Travolta started
01:29:25 - 01:29:27: Yeah
01:29:27 - 01:29:29: Hey guys, I'm John Travolta
01:29:29 - 01:29:31: Kind of a Rennie Newman vibe a little bit, right?
01:29:31 - 01:29:33: Yeah, totally
01:29:33 - 01:29:35: It's a good song
01:29:35 - 01:29:37: If you want to go clear like me
01:29:37 - 01:29:39: You gotta pick up Welcome Back Cotter
01:29:39 - 01:29:41: Theme song
01:29:41 - 01:29:43: Along with a copy of Dianetics
01:29:43 - 01:29:47: Shout out to L. Ron Hubbard
01:29:47 - 01:29:49: And John Sebastian
01:29:49 - 01:29:51: Welcome back
01:29:51 - 01:29:53: Welcome back, welcome back, welcome back
01:29:53 - 01:29:55: I wonder if Travolta and Hubbard
01:29:55 - 01:29:57: Had FaceTime
01:29:57 - 01:29:59: 'Cause Hubbard died in like '86
01:29:59 - 01:30:03: I bet, well, no, but Hubbard was so isolated
01:30:03 - 01:30:05: Yeah, they probably had some FaceTime
01:30:05 - 01:30:07: But he was so isolated and reclusive
01:30:07 - 01:30:09: I've met somebody who met Hubbard
01:30:09 - 01:30:11: Whoa
01:30:11 - 01:30:13: We'll talk about that after the show
01:30:13 - 01:30:15: Really? You can't get into it?
01:30:15 - 01:30:17: They're gonna come after you?
01:30:17 - 01:30:19: I don't want to mess with Scientology
01:30:19 - 01:30:21: How old is this person that met Hubbard?
01:30:21 - 01:30:23: I got enough on my plate
01:30:23 - 01:30:25: In their 60s
01:30:25 - 01:30:27: Maybe 70s
01:30:27 - 01:30:29: Was it a long hang?
01:30:29 - 01:30:31: All I know is that they met
01:30:31 - 01:30:33: Next time I see this person I'm gonna ask some questions
01:30:33 - 01:30:35: I'm gonna approach in a very neutral way
01:30:35 - 01:30:37: Just like you met a famous guy
01:30:37 - 01:30:39: Same way that if you told me you met Tom York I'd ask you how it went down
01:30:39 - 01:30:41: You're listening to
01:30:41 - 01:30:43: Time Crisis
01:30:43 - 01:30:45: On Beast1
01:30:45 - 01:30:47: Jake, do you know who Nile Horan is?
01:30:47 - 01:30:49: I don't
01:30:49 - 01:30:51: Nile Horan?
01:30:51 - 01:30:53: First name N-I-A-L-L
01:30:53 - 01:30:55: Ooh
01:30:55 - 01:30:57: Nile?
01:30:57 - 01:30:59: Nope
01:30:59 - 01:31:01: British person?
01:31:01 - 01:31:03: Yes I believe he's British
01:31:03 - 01:31:05: Might be Irish
01:31:05 - 01:31:07: One of the two
01:31:07 - 01:31:09: Nile Horan
01:31:09 - 01:31:11: He's sitting atop
01:31:11 - 01:31:13: The iTunes chart right now
01:31:13 - 01:31:15: With a song called Slow Hands
01:31:15 - 01:31:17: No idea who he is
01:31:17 - 01:31:19: Asking me or telling me?
01:31:19 - 01:31:21: Oh I know who he is
01:31:21 - 01:31:23: Oh you do? Okay I have no idea
01:31:23 - 01:31:25: Never heard the name in my life
01:31:25 - 01:31:27: Well let me read you a little bit about him
01:31:27 - 01:31:29: Nile Horan is from One Direction
01:31:29 - 01:31:31: Wow
01:31:31 - 01:31:33: One Direction?
01:31:33 - 01:31:35: What happened to Harry Styles?
01:31:35 - 01:31:37: He's not in the top 5 this week
01:31:37 - 01:31:39: That's messed up
01:31:39 - 01:31:41: I think the song's doing alright
01:31:41 - 01:31:43: I heard it in the gym dude
01:31:43 - 01:31:45: What's at its height?
01:31:45 - 01:31:47: I was kickboxing with my brother
01:31:47 - 01:31:49: What?
01:31:49 - 01:31:51: You're kickboxing now?
01:31:51 - 01:31:53: Yeah we go to kickboxing classes on Saturday morning
01:31:53 - 01:31:55: Okay I like that
01:31:55 - 01:31:57: It's like 20-25 people, very co-ed class
01:31:57 - 01:31:59: There's a teacher with a wireless headset mic
01:31:59 - 01:32:01: That's just like "Okay guys, body shots!"
01:32:01 - 01:32:03: And we're punching this
01:32:03 - 01:32:05: We lace up, put on gloves
01:32:05 - 01:32:07: And we're punching bags
01:32:07 - 01:32:09: And then we're doing roundhouse kicks
01:32:09 - 01:32:11: Down, give me 10 pushups
01:32:11 - 01:32:13: You can do a roundhouse kick?
01:32:13 - 01:32:15: Poorly, yes
01:32:15 - 01:32:17: Are you kicking Dave in the face?
01:32:17 - 01:32:19: No no no, a bag, a hanging
01:32:19 - 01:32:21: Oh everybody has a bag?
01:32:21 - 01:32:23: It's like 2 people per bag
01:32:23 - 01:32:25: Oh and you wait in line?
01:32:25 - 01:32:27: I actually spar, that doesn't uninterest me
01:32:27 - 01:32:29: So you're training just for
01:32:29 - 01:32:31: You know, just like getting in shape, conditioning
01:32:31 - 01:32:33: Okay, alright
01:32:33 - 01:32:35: It's brutal, it's an hour, it's insane
01:32:35 - 01:32:37: And they're just blasting
01:32:37 - 01:32:39: It's a lot of cardio
01:32:39 - 01:32:41: Pop radio or something?
01:32:41 - 01:32:43: This trainer dude was like "I made a killer playlist"
01:32:43 - 01:32:45: Oh really?
01:32:45 - 01:32:47: And it had
01:32:47 - 01:32:49: "It's the sign of the times" on there
01:32:49 - 01:32:51: "Just stop your crying, it's the sign of the times"
01:32:51 - 01:32:53: "It's the sign of the times"
01:32:53 - 01:32:55: And it also had "9 inch nails hurt"
01:32:55 - 01:32:57: Which, thematically
01:32:57 - 01:32:59: Strong choice
01:32:59 - 01:33:01: Because you're doing like 25 pushups
01:33:01 - 01:33:03: And you're just like
01:33:03 - 01:33:05: "I hurt myself today"
01:33:05 - 01:33:09: 15
01:33:09 - 01:33:11: 16
01:33:11 - 01:33:13: When you're really
01:33:13 - 01:33:15: Working out, it's like the music is
01:33:15 - 01:33:17: Meaningless
01:33:17 - 01:33:19: Well that's why I'm making my
01:33:19 - 01:33:21: Post-punk and alternative workout playlist
01:33:21 - 01:33:23: I can't wait to hear that
01:33:23 - 01:33:25: So it came on and you were like "this is tight"
01:33:25 - 01:33:27: Yeah, I was feeling it
01:33:27 - 01:33:29: So you were like "honestly I'm glad to hear something with a
01:33:29 - 01:33:31: Tasteful 70's palette from one of the young guns"
01:33:31 - 01:33:33: I think anything at that volume
01:33:33 - 01:33:35: Sounds good
01:33:35 - 01:33:37: That's my theory
01:33:37 - 01:33:39: You're gonna like this man
01:33:39 - 01:33:41: So Niall Horan
01:33:41 - 01:33:43: So former bandmate of Harry
01:33:43 - 01:33:45: Yeah
01:33:45 - 01:33:47: Wendy's got a deep bench
01:33:47 - 01:33:49: He said Wendy's has a deep bench
01:33:49 - 01:33:51: 1D
01:33:51 - 01:33:53: 1D founded by Dave Thomas
01:33:53 - 01:33:55: 19th century
01:33:55 - 01:33:57: Niall Horan
01:33:57 - 01:33:59: We actually listened to one of his songs once
01:33:59 - 01:34:01: It was kind of like a folky ballad called
01:34:01 - 01:34:03: "This Old Town" or something
01:34:03 - 01:34:05: Not ringing a bell
01:34:05 - 01:34:07: Okay, well he came out of the gate with
01:34:07 - 01:34:09: Not quite a 70's palette, but you know a tasteful
01:34:09 - 01:34:11: Modern folk rock
01:34:11 - 01:34:13: Pop thing
01:34:13 - 01:34:15: Acoustic guitars
01:34:15 - 01:34:17: So anyway, before we hear the song
01:34:17 - 01:34:19: Listen to this
01:34:19 - 01:34:21: According to Horan, after listening to some of the material he had
01:34:21 - 01:34:23: He wanted to add a bit more grit
01:34:23 - 01:34:25: Funk and heavier bass
01:34:25 - 01:34:27: At the time he was listening to late 70's
01:34:27 - 01:34:29: And early 80's music
01:34:29 - 01:34:31: Like Don Henley
01:34:31 - 01:34:33: When he went solo in the early 80's
01:34:33 - 01:34:35: Nothing says funk and gritty bass
01:34:35 - 01:34:37: More than Don Henley
01:34:37 - 01:34:39: Don Henley
01:34:39 - 01:34:41: When he went solo in the early 80's
01:34:41 - 01:34:43: He just kind of had this funky kind of feel to it
01:34:43 - 01:34:45: Heavy bass, heavy guitar
01:34:45 - 01:34:47: Let's give this a crack
01:34:47 - 01:34:49: Dirty laundry
01:34:49 - 01:34:51: Down at the sunset grill
01:34:51 - 01:34:53: Is now implying that early
01:34:53 - 01:34:55: Eagles did not have like
01:34:55 - 01:34:57: Funky bass and guitar
01:34:57 - 01:34:59: He's gotta listen to one of these nights
01:34:59 - 01:35:01: Right
01:35:01 - 01:35:03: Anyway, so Jake, I mean this literally must be
01:35:03 - 01:35:05: Your wet dream, man
01:35:05 - 01:35:07: I wouldn't go that far
01:35:07 - 01:35:09: Middle aged dude
01:35:09 - 01:35:11: Who's just been
01:35:11 - 01:35:13: At sea
01:35:13 - 01:35:15: For the past 10 years
01:35:15 - 01:35:17: Wondering when is that tasteful palette you love
01:35:17 - 01:35:19: Gonna come back
01:35:19 - 01:35:21: And then just looking around
01:35:21 - 01:35:23: As society changes
01:35:23 - 01:35:25: Looking for a tasteful palette
01:35:25 - 01:35:29: And it comes from one of the most likely places
01:35:29 - 01:35:31: Two members
01:35:31 - 01:35:33: Of a British boy band
01:35:33 - 01:35:35: And not just any boy band
01:35:35 - 01:35:37: One that started on a reality show
01:35:37 - 01:35:39: And he's getting into Don Henley
01:35:39 - 01:35:41: Things are cooking
01:35:41 - 01:35:43: The movie poster is
01:35:43 - 01:35:45: You, Harry Styles, and Awhorn
01:35:45 - 01:35:47: And like the tagline is like
01:35:47 - 01:35:49: Sometimes help comes when you least expect it
01:35:49 - 01:35:53: They're helping me
01:35:53 - 01:35:55: Yeah
01:35:55 - 01:35:57: You run a hardware store on Nantucket
01:35:57 - 01:35:59: These fantasies
01:35:59 - 01:36:03: Recently widowed
01:36:03 - 01:36:05: Oh my god
01:36:05 - 01:36:07: You run a hardware store on Nantucket
01:36:07 - 01:36:09: You think you're never gonna love again
01:36:09 - 01:36:11: And your teenage daughter only listens to the Chainsmokers
01:36:11 - 01:36:15: And she wants to go to school
01:36:15 - 01:36:19: In Boston
01:36:19 - 01:36:21: And you want her to go to the University of Nantucket
01:36:21 - 01:36:25: And then one summer
01:36:25 - 01:36:27: All the former members of 1D run a house together
01:36:27 - 01:36:31: They're trying to do like an exile kind of thing
01:36:31 - 01:36:33: Yeah they're reuniting for their
01:36:33 - 01:36:35: Music from Big Pink
01:36:35 - 01:36:37: They're teaming up again to make their Nantucket album
01:36:37 - 01:36:39: They're like we're just gonna get hammered on whiskey
01:36:39 - 01:36:41: And like
01:36:41 - 01:36:43: Yeah
01:36:43 - 01:36:45: Just plug our guitars in like a
01:36:45 - 01:36:47: PV amp and record
01:36:47 - 01:36:49: You're down at the local bar
01:36:49 - 01:36:51: You're just like hey Rudy make it a double
01:36:51 - 01:36:53: And then you hear these young cats
01:36:53 - 01:36:55: Like laughing
01:36:55 - 01:36:57: And you're just saying to Rudy like I just don't get it
01:36:57 - 01:36:59: My daughter only listens to the Chainsmokers
01:36:59 - 01:37:01: She wants to leave Nantucket man
01:37:01 - 01:37:03: Where did I go wrong? Blah blah
01:37:03 - 01:37:05: And then you just hear these two voices over there
01:37:05 - 01:37:07: Like
01:37:07 - 01:37:09: No mate
01:37:09 - 01:37:11: T-Rex is better than Bowie
01:37:11 - 01:37:13: Nah mate
01:37:13 - 01:37:15: Bowie is better than T-Rex
01:37:15 - 01:37:17: And you just look over like
01:37:17 - 01:37:19: Who are these guys Rudy?
01:37:19 - 01:37:21: Some young boy band out of England
01:37:21 - 01:37:23: Are they really talking about T-Rex and Bowie?
01:37:23 - 01:37:25: Sounds like a joke
01:37:25 - 01:37:29: Loving this fantasy
01:37:29 - 01:37:31: You know what Rudy buy them around
01:37:31 - 01:37:33: Then they come over
01:37:33 - 01:37:35: Dude what's your deal?
01:37:35 - 01:37:37: I'm a widower out in the local hardware store
01:37:37 - 01:37:41: Couldn't help but overhear you guys
01:37:41 - 01:37:43: Talking about the tasteful palate of early 70's British rock
01:37:43 - 01:37:47: Yeah mate I love that
01:37:47 - 01:37:49: You mean to tell me you young cats aren't at all about the Chainsmokers?
01:37:49 - 01:37:51: Nah mate
01:37:51 - 01:37:53: Hate the Chainsmokers
01:37:53 - 01:37:55: In that case next round's on me
01:37:55 - 01:37:57: I don't know
01:37:57 - 01:37:59: Whatever
01:37:59 - 01:38:01: They get you a new girlfriend
01:38:01 - 01:38:03: Okay
01:38:03 - 01:38:05: So this is all building up to Nile Horan's new single
01:38:05 - 01:38:07: Yep yep
01:38:07 - 01:38:09: Influenced by that late 70's
01:38:09 - 01:38:11: Early 80's Don Henley funk
01:38:11 - 01:38:13: I can't wait for this
01:38:13 - 01:38:23: I'm hearing the Henley
01:38:23 - 01:38:25: Yeah it's not, he wasn't blowing smoke
01:38:25 - 01:38:27: No
01:38:27 - 01:38:29: I get my news
01:38:29 - 01:38:31: From the evening news
01:38:31 - 01:38:33: Wait what?
01:38:33 - 01:38:35: That's what she said
01:38:35 - 01:38:37: Fly to my face
01:38:37 - 01:38:39: That's that kind of vintage vocal sound
01:38:39 - 01:38:41: Cause I want you baby
01:38:41 - 01:38:43: You almost guessed the melody
01:38:43 - 01:38:45: Yeah I want you baby
01:38:45 - 01:38:47: I've been thinking 'bout it all day
01:38:47 - 01:38:51: Doing cool stuff everyday
01:38:51 - 01:38:53: And then took it
01:38:53 - 01:38:55: This is the part where he's just like
01:38:55 - 01:38:57: Rented a house by the beach
01:38:57 - 01:38:59: By the beach
01:38:59 - 01:39:01: Yeah I want you baby
01:39:01 - 01:39:03: Slow hands
01:39:03 - 01:39:05: Like sweat dripping down
01:39:05 - 01:39:07: I'm not dirty no I'm drinking no
01:39:07 - 01:39:09: Slow hands
01:39:09 - 01:39:11: That's kinda cool
01:39:11 - 01:39:15: This is like the part of the movie where stuff starts coming together
01:39:15 - 01:39:17: Well Nile if you're looking for some extra cash
01:39:17 - 01:39:19: I could use some help around the hardware store
01:39:19 - 01:39:21: I'd love that mate
01:39:21 - 01:39:23: And this is you guys like
01:39:23 - 01:39:25: Horsing around
01:39:25 - 01:39:27: He like dusts off your old record player
01:39:27 - 01:39:29: To set it up in the hardware store
01:39:29 - 01:39:31: Start putting on tasteful 70's rock
01:39:31 - 01:39:33: While you guys are working
01:39:33 - 01:39:35: I gotta train you on the forklift
01:39:35 - 01:39:37: I just wanna take my time
01:39:37 - 01:39:39: And then like
01:39:39 - 01:39:41: You are now a Massachusetts certified
01:39:41 - 01:39:43: Forklift operator
01:39:43 - 01:39:45: All night
01:39:45 - 01:39:47: Yeah
01:39:47 - 01:39:49: Cause I want you
01:39:49 - 01:39:51: Yeah I want you baby
01:39:51 - 01:39:53: Slow hands
01:39:53 - 01:39:55: Like sweat dripping down
01:39:55 - 01:39:57: I'm not dirty no I'm drinking no
01:39:57 - 01:39:59: Slow hands
01:39:59 - 01:40:01: That's kinda cool
01:40:01 - 01:40:03: Yeah I want you baby
01:40:03 - 01:40:05: Like sweat dripping down
01:40:05 - 01:40:07: I'm not dirty no I'm drinking no
01:40:07 - 01:40:09: Slow hands
01:40:09 - 01:40:11: That's kinda cool
01:40:11 - 01:40:13: Yeah I want you baby
01:40:13 - 01:40:15: Like sweat dripping down
01:40:15 - 01:40:17: I'm not dirty no I'm drinking no
01:40:17 - 01:40:19: Slow hands
01:40:19 - 01:40:21: That's kinda cool
01:40:21 - 01:40:23: Take me home
01:40:25 - 01:40:27: Fingertips putting on the show
01:40:27 - 01:40:29: Can't you tell that I want you baby
01:40:29 - 01:40:31: Yeah
01:40:31 - 01:40:33: Slow hands
01:40:33 - 01:40:35: Like sweat dripping down
01:40:35 - 01:40:37: I'm not dirty laundry no
01:40:37 - 01:40:39: Wait did he say dirty laundry?
01:40:39 - 01:40:41: Wait like sweat dripping down dirty laundry
01:40:41 - 01:40:43: That makes no sense
01:40:43 - 01:40:45: Laundry absorbs sweat
01:40:45 - 01:40:47: Wait okay
01:40:47 - 01:40:49: Maybe we're missing something here
01:40:49 - 01:40:51: I was gonna say is this like a love song? Cause Henley
01:40:51 - 01:40:53: All his solo work was like
01:40:53 - 01:40:55: Deeply kind of metaphorical
01:40:55 - 01:40:57: It was about aging
01:40:57 - 01:40:59: Yeah
01:40:59 - 01:41:01: Idealism dying
01:41:01 - 01:41:03: The dreams of the 60's not working out
01:41:03 - 01:41:05: These um
01:41:05 - 01:41:07: Okay wait did he say laundry?
01:41:07 - 01:41:09: Sweat dripping down your dirty laundry
01:41:09 - 01:41:11: On first listen
01:41:11 - 01:41:13: I thought it was dirty laundry
01:41:13 - 01:41:15: And did you like the vibe?
01:41:15 - 01:41:17: That's a terrible song no
01:41:17 - 01:41:19: Oh really? Dirty laundry?
01:41:19 - 01:41:21: No no this song
01:41:21 - 01:41:23: It's pretty
01:41:23 - 01:41:25: Not hating it not pumping me up
01:41:25 - 01:41:27: Okay so the chorus of this song
01:41:27 - 01:41:31: Dirty laundry is an awful Don Henley song
01:41:31 - 01:41:33: Dirty laundry
01:41:33 - 01:41:35: So for anybody
01:41:35 - 01:41:37: Who's not familiar with Don Henley's solo work
01:41:37 - 01:41:39: Can we get into a little dirty laundry
01:41:39 - 01:41:41: Just for reference
01:41:41 - 01:41:43: He has a song called dirty laundry
01:41:43 - 01:41:45: That obviously
01:41:45 - 01:41:47: Niall was
01:41:47 - 01:41:49: Inspired by
01:41:49 - 01:41:51: That is amazing to be inspired by dirty laundry
01:41:51 - 01:41:53: I cannot imagine that
01:41:53 - 01:41:55: Of all the pieces of music that
01:41:55 - 01:41:57: Well that's like in the movie
01:41:57 - 01:41:59: You're just like
01:41:59 - 01:42:01: You're kidding me you're in a dirty laundry
01:42:01 - 01:42:03: Young kid like you a fan of solo Henley
01:42:03 - 01:42:05: Oh I love it mate
01:42:05 - 01:42:09: I'm absolutely mad for it mate
01:42:13 - 01:42:15: It sounds like
01:42:15 - 01:42:17: Positively vibey in comparison
01:42:17 - 01:42:19: Slow hands
01:42:19 - 01:42:21: Sweat dripping down our dirty laundry
01:42:21 - 01:42:25: All of a sudden this sick keyboard drops in
01:42:25 - 01:42:31: Okay this song is funkier
01:42:31 - 01:42:37: I'm surprised you hate this song
01:42:37 - 01:42:39: This is actually making me appreciate it a lot more
01:42:39 - 01:42:41: I mean the drumming is sick
01:42:41 - 01:43:07: Henley's scathing critique
01:43:07 - 01:43:09: Of the gossip news industry
01:43:09 - 01:43:13: Seemed crucial in '83
01:43:13 - 01:43:17: So Niall says
01:43:17 - 01:43:19: I want like a new Henley song about like
01:43:19 - 01:43:21: Facebook
01:43:21 - 01:43:23: Or like Fox News
01:43:23 - 01:43:25: That's kind of always been his vibe
01:43:25 - 01:43:27: I want like an updated version
01:43:27 - 01:43:29: Maybe they exist
01:43:29 - 01:43:31: I open up my laptop
01:43:31 - 01:43:33: What do I see
01:43:33 - 01:43:35: Open up my laptop
01:43:35 - 01:43:37: What do I see
01:43:37 - 01:43:39: Whole lot of Facebook
01:43:39 - 01:43:41: Pictures
01:43:41 - 01:43:43: Pop it off at me
01:43:43 - 01:43:45: My aunt out in Tosa
01:43:45 - 01:43:47: You know I really don't care
01:43:47 - 01:43:49: I just wanted to get more Dylan
01:43:49 - 01:43:53: It all comes back to fake Dylan
01:43:53 - 01:43:57: Doing the Henley impression
01:43:57 - 01:43:59: Makes you realize how influenced
01:43:59 - 01:44:01: By Dylan he was
01:44:01 - 01:44:03: You just like strip it down
01:44:03 - 01:44:05: He was just doing like a Dylan
01:44:05 - 01:44:09: Unlock my iPhone
01:44:09 - 01:44:11: What do I see
01:44:11 - 01:44:13: Whole bunch of apps staring back at me
01:44:13 - 01:44:19: So Niall just to put it in perspective
01:44:19 - 01:44:21: Okay let's get back to Niall
01:44:21 - 01:44:23: Well because the Henley song is called Dirty Laundry
01:44:23 - 01:44:25: Niall's song goes slow slow hands
01:44:25 - 01:44:27: Like sweat dripping down our dirty laundry
01:44:27 - 01:44:29: That just doesn't add up to me
01:44:29 - 01:44:31: No chance that I'm leaving here without you on me
01:44:31 - 01:44:33: I know yeah I already know that
01:44:33 - 01:44:35: There ain't no stopping your plans and those
01:44:35 - 01:44:37: Slow hands
01:44:37 - 01:44:39: Well actually I want to understand what this song is about
01:44:39 - 01:44:41: Verse 1 we should take this back to my place
01:44:41 - 01:44:43: That's what she said right to my face
01:44:43 - 01:44:45: Cause I want you bad
01:44:45 - 01:44:47: Yeah I want you baby
01:44:47 - 01:44:49: I've been thinking about it all day
01:44:49 - 01:44:51: And I hope you feel the same way
01:44:51 - 01:44:53: This is kind of similar to Ed Sheeran's Shape of You
01:44:53 - 01:44:55: This is a horn dog song
01:44:55 - 01:44:57: It's in the horn dog genre
01:44:57 - 01:44:59: And I hope you feel the same way
01:44:59 - 01:45:01: And I just want to take my time
01:45:01 - 01:45:03: We could do this baby all night
01:45:03 - 01:45:05: Yeah cause I want you bad
01:45:05 - 01:45:07: Slow hands
01:45:07 - 01:45:09: God these lyrics suck
01:45:09 - 01:45:11: Harsh
01:45:11 - 01:45:13: No these lyrics suck
01:45:13 - 01:45:15: Way harsh Ty
01:45:15 - 01:45:17: The bridge is fingertips putting on a show
01:45:17 - 01:45:19: Is this specifically about
01:45:19 - 01:45:21: F***ing
01:45:21 - 01:45:23: I was gonna try to be more elegant about it Jake
01:45:23 - 01:45:25: F***ing
01:45:25 - 01:45:27: Is this song about specifically digital stimulation
01:45:27 - 01:45:29: Katy Perry's song called Bon Appetit
01:45:29 - 01:45:31: And they were saying you know that's about a very specific
01:45:31 - 01:45:33: Sexual act
01:45:33 - 01:45:35: I always just assume when I hear a horn dog
01:45:35 - 01:45:37: F***
01:45:37 - 01:45:39: No Bon Appetit cause she's basically like
01:45:39 - 01:45:41: You're gonna I'm setting the table for you
01:45:41 - 01:45:43: To
01:45:43 - 01:45:45: Eat up
01:45:45 - 01:45:47: Her song
01:45:47 - 01:45:49: The Katy Perry song Bon Appetit
01:45:49 - 01:45:51: All I'm saying is for me when I hear horn dog songs
01:45:51 - 01:45:53: I'm just always like it's about
01:45:53 - 01:45:55: Whatever goes on between two consenting adults
01:45:55 - 01:45:57: In the bedroom
01:45:57 - 01:45:59: But then sometimes people are like no it's actually about
01:45:59 - 01:46:01: Cause I heard the Bon Appetit song
01:46:01 - 01:46:03: And Katy Perry's just like
01:46:03 - 01:46:05: It's all these extended food metaphors like
01:46:05 - 01:46:07: Tonight's the night gonna eat it up
01:46:07 - 01:46:09: Gonna eat it right
01:46:09 - 01:46:11: Basically
01:46:11 - 01:46:13: Okay I just want to read the bridge to the song
01:46:13 - 01:46:15: Digital stimulation
01:46:15 - 01:46:17: Digital stimulation so the bridge is
01:46:17 - 01:46:19: Fingertips putting on a show
01:46:19 - 01:46:21: Got me now and I can't say no
01:46:21 - 01:46:23: Wanna be with you all alone
01:46:23 - 01:46:25: Take me home take me home
01:46:25 - 01:46:27: Fingertips putting on a show can't you tell that I want you
01:46:27 - 01:46:29: Oh I don't know that could be about
01:46:29 - 01:46:31: Maybe she's tickling him
01:46:31 - 01:46:33: These lyrics suck
01:46:33 - 01:46:35: Like for me when someone tickles me
01:46:35 - 01:46:37: To quote I remember Snooki
01:46:37 - 01:46:39: Uh once saying this on uh remember
01:46:39 - 01:46:41: Jersey Shore
01:46:41 - 01:46:43: Yeah and I remember she said this in the show
01:46:43 - 01:46:45: And I really related to it she said
01:46:45 - 01:46:47: I hate being tickled
01:46:47 - 01:46:49: It might look like I'm laughing and enjoying myself
01:46:49 - 01:46:51: But I feel the opposite
01:46:51 - 01:46:53: That's how I feel I don't know about you
01:46:53 - 01:46:55: Not a big fan of it
01:46:55 - 01:46:57: When somebody tickles me I truly get nervous
01:46:57 - 01:46:59: That I'm gonna like despise out
01:46:59 - 01:47:01: And uh you know like my limbs
01:47:01 - 01:47:03: Say like
01:47:03 - 01:47:05: Has that happened recently?
01:47:05 - 01:47:07: Where you've just been like in a situation where like
01:47:07 - 01:47:09: Someone's tickling the crap out of you
01:47:09 - 01:47:11: And you're just like Jesus Christ I'm not in control
01:47:11 - 01:47:13: Right now
01:47:13 - 01:47:15: I have no I'm pretty good at controlling it now because I have memories
01:47:15 - 01:47:17: Of being tickled
01:47:17 - 01:47:19: At other points in my life
01:47:19 - 01:47:21: Where I was just like bleh
01:47:21 - 01:47:23: And I got close to like accidentally smacking somebody in the face
01:47:23 - 01:47:25: And I don't want to be in that position so if somebody I care about
01:47:25 - 01:47:27: Tickles me
01:47:27 - 01:47:29: I'll kind of go like real stiff like with my arms
01:47:29 - 01:47:31: Pressed up against me and try to just
01:47:31 - 01:47:33: Do a barrel roll out of the bed
01:47:33 - 01:47:35: Wow
01:47:35 - 01:47:37: Dude quick aside have you seen that Tickled documentary?
01:47:37 - 01:47:39: Oh it's incredible
01:47:39 - 01:47:41: That's insane
01:47:41 - 01:47:43: And anybody who wants to watch like a good gripping documentary
01:47:43 - 01:47:45: Watch Tickled
01:47:45 - 01:47:47: I think I've gotten an email or a tweet from Time Crisis listeners
01:47:47 - 01:47:49: About Tickled
01:47:49 - 01:47:51: Oh nice there's some
01:47:51 - 01:47:53: Shout out to all Time Crisis listeners
01:47:53 - 01:47:55: It's kind of a movie that you don't really want to explain
01:47:55 - 01:47:57: Too much
01:47:57 - 01:47:59: It's a documentary about a very strange gripping story
01:47:59 - 01:48:01: It's called Tickled check it out
01:48:01 - 01:48:03: I don't think the song is like particularly
01:48:03 - 01:48:05: Specific he's just
01:48:05 - 01:48:07: Slow hands maybe just means we're touching each other
01:48:07 - 01:48:09: We're taking our time
01:48:09 - 01:48:11: It's a Clapton reference he's a big Clapton head
01:48:11 - 01:48:13: You're like my guitar
01:48:13 - 01:48:15: So like sweat dripping down our
01:48:15 - 01:48:17: Dirty laundry
01:48:17 - 01:48:19: That's a total nod
01:48:19 - 01:48:21: Obviously to dirty laundry
01:48:21 - 01:48:23: That's cool that he's paying tribute to Henley
01:48:23 - 01:48:25: Maybe he met her at the bar
01:48:25 - 01:48:27: On Nantucket
01:48:27 - 01:48:29: Things got hot and heavy so quickly
01:48:29 - 01:48:31: And she was like can we go back to your place
01:48:31 - 01:48:33: Straight up to my face
01:48:33 - 01:48:35: Straight up to my face she said let's go back to your place
01:48:35 - 01:48:37: And he's just like
01:48:37 - 01:48:39: I gotta be honest
01:48:39 - 01:48:41: I've got a summer rental with my guys
01:48:41 - 01:48:43: It's kind of nasty right now
01:48:43 - 01:48:45: There's a mountain of dirty laundry there
01:48:45 - 01:48:47: Yeah just like listen
01:48:47 - 01:48:49: I don't remember how to do a Boston accent
01:48:49 - 01:48:51: Listen not
01:48:51 - 01:48:53: I can't do a Boston accent at all
01:48:53 - 01:48:55: I'm just gonna make like a New York
01:48:55 - 01:48:57: Niall give me a break
01:48:57 - 01:48:59: I grew up with five brothers it's fine
01:48:59 - 01:49:01: Then they get back there
01:49:01 - 01:49:03: Like the bed is just covered in dirty laundry
01:49:03 - 01:49:05: And he's like uh let me and she's like
01:49:05 - 01:49:07: No more waiting
01:49:07 - 01:49:09: Get on the bed
01:49:09 - 01:49:11: It's dripping with sweat the dirty laundry
01:49:11 - 01:49:13: No it's because they're making out getting hot and heavy
01:49:13 - 01:49:15: So they're sweating
01:49:15 - 01:49:17: Onto his bed covered in dirty laundry
01:49:17 - 01:49:19: Further soiling the dirty laundry
01:49:19 - 01:49:21: That's right
01:49:21 - 01:49:23: They love dirty laundry
01:49:23 - 01:49:25: I'm sorry
01:49:25 - 01:49:27: I've got a sweating problem
01:49:27 - 01:49:29: Niall it's dirty laundry
01:49:29 - 01:49:31: You're gonna wash it later who cares
01:49:31 - 01:49:33: And then Ed Sheeran busts in with Chinese food grease
01:49:33 - 01:49:35: All over his t-shirt
01:49:35 - 01:49:37: Chinese food
01:49:37 - 01:49:39: All on his beard
01:49:39 - 01:49:41: Mild beard
01:49:41 - 01:49:43: He grows it out
01:49:43 - 01:49:45: Ed Sheeran is working on his music from Big Pink
01:49:45 - 01:49:47: Nantucket album
01:49:47 - 01:49:49: He grew the beard out
01:49:49 - 01:49:51: He's looking like Will Oldham
01:49:51 - 01:49:53: He's bald
01:49:53 - 01:49:55: This is like in ten years
01:49:55 - 01:49:57: With a huge beard
01:49:57 - 01:49:59: Chinese food up in the beard
01:49:59 - 01:50:01: You just got it on the house with Niall and Harry
01:50:01 - 01:50:03: He's put in a few hours down at Jake's
01:50:03 - 01:50:05: Hardware store
01:50:05 - 01:50:07: Jake's building a hardware supply
01:50:07 - 01:50:09: Let's get serious
01:50:11 - 01:50:13: We joke around a lot on this show
01:50:13 - 01:50:15: As somebody who often feels disconnected
01:50:15 - 01:50:17: From modern pop music
01:50:17 - 01:50:19: I don't even know if I do anymore
01:50:19 - 01:50:21: Because I do the show every two weeks with you
01:50:21 - 01:50:23: I feel like I kind of know it now
01:50:23 - 01:50:25: I'm just saying
01:50:25 - 01:50:27: Do you appreciate knowing that
01:50:27 - 01:50:29: One of the dudes from One Direction
01:50:29 - 01:50:31: Is nodding to Henley
01:50:31 - 01:50:33: Do you like that?
01:50:33 - 01:50:35: In the abstract I think it is kind of funny and interesting
01:50:35 - 01:50:37: The song is not
01:50:37 - 01:50:39: A payoff at all
01:50:39 - 01:50:41: But
01:50:41 - 01:50:43: The concept is funny
01:50:43 - 01:50:51: Look at him bring that guitar out so distant
01:50:51 - 01:50:53: Yeah
01:50:53 - 01:50:59: Listen to the way they're like cutting off the vocals
01:50:59 - 01:51:01: Interesting
01:51:03 - 01:51:05: You think I edit?
01:51:05 - 01:51:07: That is weird
01:51:07 - 01:51:09: That's his nod to Yeezus
01:51:09 - 01:51:13: He's like guys I have a really ambitious
01:51:13 - 01:51:15: Vision I want to combine
01:51:15 - 01:51:17: Kanye
01:51:17 - 01:51:19: Yeezus period with early 80s Don Henley
01:51:19 - 01:51:31: Working at the hardware store
01:51:31 - 01:51:33: Woo
01:51:33 - 01:51:39: Maybe a little bit of 80s Stephen would in there too
01:51:39 - 01:51:41: Yeah a little bit
01:51:41 - 01:51:43: Valerie
01:51:43 - 01:51:45: It's been a real
01:51:45 - 01:51:47: Joy
01:51:47 - 01:51:49: To see all the 1D guys
01:51:49 - 01:51:51: Spread their wings
01:51:51 - 01:51:55: Start referencing T-Rex
01:51:55 - 01:51:57: Bowie
01:51:57 - 01:51:59: Modern R&B
01:51:59 - 01:52:01: Don Henley
01:52:01 - 01:52:03: On this show we've only ever
01:52:03 - 01:52:05: Talked about the three
01:52:05 - 01:52:07: Dudes who have pursued solo careers
01:52:07 - 01:52:09: With the most vigor
01:52:09 - 01:52:11: Zayn, Nile
01:52:11 - 01:52:13: And Harry but there's two other guys
01:52:13 - 01:52:15: Who are they?
01:52:15 - 01:52:17: One of them's name is Liam
01:52:17 - 01:52:19: I saw he was in the news
01:52:19 - 01:52:21: Recently because he had a baby
01:52:21 - 01:52:23: Oh and then there's a fifth guy
01:52:23 - 01:52:25: Anybody in the room know the fifth guy's name?
01:52:25 - 01:52:27: Brandon
01:52:27 - 01:52:29: Then there's
01:52:29 - 01:52:31: Brandon wait come on
01:52:31 - 01:52:33: Tyler? No they're English
01:52:33 - 01:52:35: Travis
01:52:35 - 01:52:37: These are like they're not from like
01:52:37 - 01:52:39: Rural Michigan
01:52:39 - 01:52:41: Kevin
01:52:41 - 01:52:45: I actually want to form the rural Michigan
01:52:45 - 01:52:47: One Direction
01:52:47 - 01:52:49: Actually Jake maybe this is a business
01:52:49 - 01:52:51: Opportunity these guys are showing
01:52:51 - 01:52:53: That boy bands
01:52:53 - 01:52:55: And tasteful palette of 70s rock
01:52:55 - 01:52:57: They're not miles apart
01:52:57 - 01:52:59: We should be scouring
01:52:59 - 01:53:01: We should be scouring rural Michigan
01:53:01 - 01:53:03: To put together like
01:53:03 - 01:53:05: A tasteful 70s palette boy band
01:53:05 - 01:53:07: Okay who's the fifth guy?
01:53:07 - 01:53:09: Louis
01:53:09 - 01:53:11: So there's two guys left who haven't really
01:53:11 - 01:53:13: Stepped out solo
01:53:13 - 01:53:15: Obviously they can't do the Zayn Modern R&B
01:53:15 - 01:53:17: Or the
01:53:17 - 01:53:19: Bowie thing or the
01:53:19 - 01:53:21: They're gonna go more like Slayer, Rain and Blood
01:53:21 - 01:53:23: Oh one of them could do metal
01:53:23 - 01:53:25: That would be sick
01:53:25 - 01:53:27: 80s speed metal
01:53:27 - 01:53:29: That would be sick
01:53:29 - 01:53:31: Yeah kinda like when Lady Gaga played Metallica
01:53:31 - 01:53:33: That type of thing
01:53:33 - 01:53:35: And then the last guy could do
01:53:35 - 01:53:37: Honestly if I was like the last dude from one dude
01:53:37 - 01:53:39: I would do kinda like Pat Metheny group instrumental jazz
01:53:39 - 01:53:41: I'd be like
01:53:41 - 01:53:43: Yeah alright you've heard all of these guys sing
01:53:43 - 01:53:45: And sing about this and that
01:53:45 - 01:53:47: Having sex on dirty clothes
01:53:47 - 01:53:49: Having sex on a pillow
01:53:49 - 01:53:51: Having sex
01:53:51 - 01:53:53: Yeah whatever
01:53:53 - 01:53:55: I'm not gonna sing about
01:53:55 - 01:53:57: Wait what?
01:53:57 - 01:53:59: That's the weird Slayer version
01:53:59 - 01:54:01: Oh right
01:54:01 - 01:54:03: I think the fifth guy should just be like
01:54:03 - 01:54:05: Tasteful jazz fusion
01:54:05 - 01:54:07: Down
01:54:07 - 01:54:09: Just stop your crying
01:54:09 - 01:54:11: It's a sign of the times
01:54:11 - 01:54:13: Two last things I wanna say
01:54:13 - 01:54:15: Okay
01:54:15 - 01:54:17: The movie where you're a hardware store
01:54:17 - 01:54:19: Owning widower
01:54:19 - 01:54:21: And smoking loving daughter on Nantucket
01:54:21 - 01:54:23: Where they come to
01:54:23 - 01:54:25: Work on their comeback one direction album
01:54:25 - 01:54:27: It's called New Directions
01:54:27 - 01:54:29: And it's like you sitting with the guys
01:54:29 - 01:54:31: And the tagline is sometimes
01:54:31 - 01:54:33: Help comes where you least expect it
01:54:33 - 01:54:35: Yeah
01:54:35 - 01:54:37: New Directions
01:54:37 - 01:54:39: And then I rip a solo over all of their songs
01:54:39 - 01:54:41: That's the end
01:54:41 - 01:54:43: The end is like summer's coming to an end
01:54:43 - 01:54:45: And they're just like
01:54:45 - 01:54:47: You're like alright guys are you gonna keep working on the hardware store through autumn
01:54:47 - 01:54:49: Jake we gotta go on tour
01:54:49 - 01:54:51: We sold out Wembley Stadium
01:54:51 - 01:54:53: Our album's coming out next week
01:54:53 - 01:54:55: Our album's coming out September 8th
01:54:55 - 01:54:57: And you're like
01:54:57 - 01:54:59: Oh well uh
01:54:59 - 01:55:01: I gotta say it's been
01:55:01 - 01:55:03: It's been nice knowing you boys
01:55:03 - 01:55:05: I guess I probably won't be seeing you around Nantucket too much
01:55:05 - 01:55:07: They're like are you kidding Jake
01:55:07 - 01:55:09: We need you to rip a solo
01:55:09 - 01:55:11: At Wembley
01:55:11 - 01:55:13: Please throw me a guitar
01:55:13 - 01:55:15: I'm going on tour man
01:55:15 - 01:55:17: And then
01:55:17 - 01:55:19: I'm ripping a solo on every single one of their songs
01:55:19 - 01:55:23: And then your daughter is so impressed
01:55:23 - 01:55:25: She's like I'll work at the
01:55:25 - 01:55:27: Hardware store
01:55:27 - 01:55:29: Her dreams are crushed
01:55:29 - 01:55:31: Yeah yeah yeah and somehow I accept that
01:55:31 - 01:55:33: And I'm like okay well actually this works out
01:55:33 - 01:55:35: I'm going on tour
01:55:35 - 01:55:37: So if you wanna take over the store for the next three years
01:55:37 - 01:55:39: We're doing a global album cycle
01:55:39 - 01:55:41: Dad I know things have been
01:55:41 - 01:55:43: Kind of weird since we lost mom but
01:55:43 - 01:55:45: Seeing the way that you reconnected with
01:55:45 - 01:55:47: Nile and Harry from 1D
01:55:47 - 01:55:49: Made me want to reconnect with you too
01:55:49 - 01:55:51: I'm not going to college in Boston anymore
01:55:51 - 01:55:53: I'm gonna go to University of Nantucket
01:55:53 - 01:55:55: And you're just like sick
01:55:55 - 01:55:57: Just remember to turn the lights off everyday
01:55:57 - 01:55:59: You have the keys I'm going on tour with them
01:55:59 - 01:56:03: Here's the inventory clipboard get working
01:56:03 - 01:56:09: Alright well this has been a hell of a time crisis
01:56:09 - 01:56:11: I think the real MVP of this episode was Nile Horan
01:56:11 - 01:56:13: Because his first single
01:56:13 - 01:56:15: You don't even remember it
01:56:15 - 01:56:17: But like it's very inoffensive
01:56:17 - 01:56:19: But it doesn't have as much flavor as this one
01:56:19 - 01:56:21: This gave us a lot more to talk about
01:56:21 - 01:56:23: So I appreciate that shout out to Nile
01:56:23 - 01:56:25: To everybody else who's out there
01:56:25 - 01:56:27: Keep doing what you're doing
01:56:27 - 01:56:29: Keep surviving
01:56:29 - 01:56:31: This is our first summer under Trump
01:56:31 - 01:56:33: You know what I'm saying summer is a great time
01:56:33 - 01:56:35: To get out there
01:56:35 - 01:56:37: With your friends
01:56:37 - 01:56:39: You've been studying up all winter long
01:56:39 - 01:56:41: Let's get out there
01:56:41 - 01:56:43: This is the 50th anniversary of the summer of love
01:56:43 - 01:56:45: Summer of love part 2
01:56:45 - 01:56:47: Actually part 3
01:56:47 - 01:56:49: Can't forget about the
01:56:49 - 01:56:51: What was it 1987?
01:56:51 - 01:56:53: In England
01:56:53 - 01:56:55: What?
01:56:55 - 01:56:57: We're closing strong here
01:56:57 - 01:56:59: Summer of love part 3
01:56:59 - 01:57:01: Shout out to everybody on Nantucket
01:57:01 - 01:57:03: I'd like to get out to Nantucket this summer
01:57:03 - 01:57:05: Maybe we should do a little summer of love event
01:57:05 - 01:57:07: Thanks for listening to time crisis
01:57:07 - 01:57:09: We'll be back in 2 weeks
01:57:09 - 01:57:11: Time Crisis with Ezra King
01:57:11 - 01:57:13: Beats
01:57:13 - 01:57:15: One
01:57:15 - 01:57:17: ONE!

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