Episode 44: Post-Punk

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:04: Time Crisis, back in Los Angeles.
00:04 - 00:10: I reconnect with Jake as we talk about Bernie Madoff and the Grateful Dead.
00:10 - 00:16: We also answer listener emails and educate ourselves about the origins of 5-hour energy drink.
00:16 - 00:24: All this, plus we count down the top 5 hits of 1967 and 2017.
00:24 - 00:26: This is...
00:26 - 00:30: Time Crisis with Ezra King.
00:30 - 00:34: Beats 1.
01:16 - 01:18: Time Crisis, back in LA.
01:18 - 01:21: Here with my LA co-host, Jake Longstrap.
01:21 - 01:23: What's up, dude?
01:23 - 01:24: Not much, man.
01:24 - 01:28: Jake, you just asked me an interesting question before the mics got turned on.
01:28 - 01:31: Uh, have you done 5-hour energy drinks?
01:31 - 01:33: Tried or done?
01:33 - 01:38: Well, you phrased it as "have you done," which makes it sound like heroin.
01:38 - 01:40: Have you done 5-hour energy?
01:40 - 01:43: Have you ever done A&W cream soda?
01:43 - 01:45: Oh yeah.
01:45 - 01:50: 5-hour energy was kind of--it doesn't really feel like a beverage.
01:50 - 01:51: Yeah.
01:51 - 01:54: Like, Red Bull feels like an energy drink.
01:54 - 01:58: 5-hour energy feels like a mild drug.
01:58 - 02:00: Yeah, like a shot of something.
02:00 - 02:03: Right, because it's packaged in that funky little thing.
02:03 - 02:10: I think I took one down once, but I've probably--you know, in my life, I've probably had like 43 Red Bulls.
02:10 - 02:12: That's a fair amount.
02:12 - 02:15: A thousand servings of Coke, easily.
02:15 - 02:16: Coca-Cola.
02:16 - 02:17: Oh yeah.
02:17 - 02:19: More than that, man.
02:19 - 02:23: Pepsi, a.k.a. Brad's drink, maybe like 11 times.
02:23 - 02:24: No, no, hold on.
02:24 - 02:25: Let's back up.
02:25 - 02:30: On the Coca-Cola, when you were a kid, how many Cokes were you drinking?
02:30 - 02:32: There was none in the household.
02:32 - 02:33: Okay.
02:33 - 02:39: So at home--so I probably didn't actually sip on a Coke until I was like 7 or 8 years old over at somebody else's house.
02:39 - 02:40: Right.
02:40 - 02:41: And then, yeah.
02:41 - 02:43: Okay, so teen years, you're going pretty light.
02:43 - 02:46: You're going like maybe, what, 20 Cokes a year?
02:46 - 02:47: It's hard to say.
02:47 - 02:48: 50?
02:48 - 02:50: Like one a week when you're a teenager, like in high school?
02:50 - 02:54: Like you guys were like stopping by the deli, you get a Coke?
02:54 - 02:59: No, because when we would go to the deli, I would always get a peach Snapple.
02:59 - 03:01: Oh, dude, Snapple.
03:01 - 03:04: I was super into Snapple when I was in high school.
03:04 - 03:06: They advertise on the Yankee games.
03:06 - 03:08: Made from the best stuff on earth.
03:08 - 03:11: Remember that Snapple was branded as like a New York beverage?
03:11 - 03:12: Totally.
03:12 - 03:15: Because there was that lady, Wendy, who was like a real New Yorker.
03:15 - 03:17: Yeah, I was so into Snapple.
03:17 - 03:18: You know what's crazy?
03:18 - 03:26: Okay, 770 AM, WABC in New York had the Yankee games on, and they would advertise Snapple continuously.
03:26 - 03:30: And they would advertise for a new radio show hosted by a guy named Rush Limbaugh.
03:30 - 03:31: Wow.
03:31 - 03:37: I remember just like fourth inning break, be like, "WABC New York, Rush Limbaugh!"
03:37 - 03:42: And I would just be like, I remember that name was just in my consciousness when I was like 11.
03:42 - 03:44: I'm just like, "Who is Rush Limbaugh?"
03:44 - 03:46: Limbaugh. Such a funny name.
03:46 - 03:48: Anyway, back to Snapple.
03:48 - 03:50: Oh, no, back to your...
03:50 - 03:52: Okay, let's dial it all the way back.
03:52 - 03:55: Annual Coke consumption circa 1998.
03:55 - 03:57: Lifetime count.
03:57 - 03:58: Servings.
03:58 - 04:01: And occasionally you don't finish the can, obviously, but we're counting that.
04:01 - 04:05: We're counting Diet Coke, Cherry Coke.
04:05 - 04:09: Maybe a thousand isn't a bad guess.
04:09 - 04:11: A lot of movie theater Cokes.
04:11 - 04:16: Have you ever bought like a six pack of soda just to keep at home?
04:16 - 04:18: I mean, when I was younger, for sure.
04:18 - 04:20: I used to buy 24 packs of Mountain Dew.
04:20 - 04:22: Oh, why?
04:22 - 04:24: When I was in college, man.
04:24 - 04:25: That was your fuel?
04:25 - 04:31: Me and my friend Jason Anderson would take the bus from our college campus in Portland to the Fred Meyer,
04:31 - 04:35: which is like the Vons of the Pacific Northwest.
04:35 - 04:37: We'd each buy a cube.
04:37 - 04:39: A cube meaning a 24 pack of...
04:39 - 04:41: Yeah, a cube. Mountain Dew cube.
04:41 - 04:45: Circa 1996 and then get back on the bus with room temperature cubes.
04:45 - 04:46: Yeah.
04:46 - 04:52: And then we each had these mini fridges in our dorm rooms and we'd fill each fridge with Mountain Dews.
04:52 - 04:56: And then reconvene in a few hours and just hang out and play guitar and drink Mountain Dew.
04:56 - 04:57: It's really making me nostalgic.
04:57 - 05:02: Not exactly a Chick magnet scene.
05:02 - 05:06: These are the kind of experiences that kids today are missing out on.
05:06 - 05:08: We would drink Mountain Dew like it was beer.
05:08 - 05:10: We would slam like four Mountain Dews.
05:10 - 05:12: Oh, you wouldn't get like a stomachache?
05:12 - 05:13: Probably. Yeah, kind of.
05:13 - 05:16: You're 18. You're just like, "What?" It just goes right through you.
05:16 - 05:31: ♪ ♪ ♪ ♪
05:31 - 05:35: ♪ Oh, what's the jam in brandy? ♪
05:35 - 05:39: ♪ Well, the glass of pretty handy ♪
05:39 - 05:43: ♪ Oh, I try to walk a straight line ♪
05:43 - 05:47: ♪ Not sour mass and cheap wine ♪
05:47 - 05:51: ♪ So join me for a drink, boys ♪
05:51 - 05:54: ♪ We're gonna make a big noise ♪
05:54 - 05:57: ♪ So don't worry 'bout tomorrow ♪
05:57 - 05:59: ♪ Take it today ♪
05:59 - 06:00: ♪ Put down all the chips ♪
06:00 - 06:02: ♪ We'll get hell to pay ♪
06:02 - 06:06: ♪ Have a drink on me ♪
06:18 - 06:19: ♪ Yeah ♪
06:19 - 06:23: Five Hour Energy has always been such a creepy brand to me.
06:23 - 06:26: 'Cause Five Hour Energy, it's like, you know,
06:26 - 06:29: like when you go to sometimes like a bodega or a truck stop
06:29 - 06:33: and they sell kind of like weird, like, sex drugs?
06:33 - 06:35: Right. Like, yeah, like in the bathroom.
06:35 - 06:38: Yeah, or sometimes like right at the counter,
06:38 - 06:41: just like, trucker Viagra or something.
06:41 - 06:43: And it's called like, sometimes it's like,
06:43 - 06:47: has this like faux Asian aesthetic, like tiger style.
06:47 - 06:50: Okay. Take two of these and I don't know.
06:50 - 06:51: Five Hour Energy just reminds me of that.
06:51 - 06:54: Yeah, no, for sure. And yet it's like a massive thing.
06:54 - 06:55: I wonder who owns Five Hour Energy.
06:55 - 06:57: I think, well, we should look into that.
06:57 - 06:59: I think it's like the amount that it's served in.
06:59 - 07:01: It's like three ounces.
07:01 - 07:03: That to me is like the weird part.
07:03 - 07:06: So it's like condensed. It's almost like a syrup.
07:06 - 07:10: Like if someone drank Red Bull in concentrate form.
07:10 - 07:12: Okay, so Five Hour Energy.
07:12 - 07:13: Wait, wait, hold on.
07:13 - 07:16: Let me guess the year that it was introduced to the market.
07:16 - 07:17: So Jake, what's your guess?
07:17 - 07:18: I'm going to say '02.
07:18 - 07:20: That's a great guess.
07:20 - 07:21: Thank you.
07:21 - 07:23: It actually launched in 2003.
07:23 - 07:25: Okay, I'm glad we looked this up.
07:25 - 07:30: Cause you know, sometimes the feel good immigrant story,
07:30 - 07:31: I've mixed feelings about it.
07:31 - 07:33: Cause I always love,
07:33 - 07:36: because we're all descended from immigrants.
07:36 - 07:40: I always love to hear about an immigrant coming to America and making it big.
07:40 - 07:44: Which we've discussed on this show many times.
07:44 - 07:46: Right, because that's always this go-to thing.
07:46 - 07:49: Like we talked about that, the Budweiser commercial.
07:49 - 07:50: Right.
07:50 - 07:52: That kind of dramatized a guy coming from Germany.
07:52 - 07:53: Richard Montanez.
07:53 - 07:56: Right. The janitor who created Flamin' Hot Cheetos.
07:56 - 07:58: I love an immigrant who makes good.
07:58 - 08:02: Now that said, this is kind of like the crisis of liberalism is like,
08:02 - 08:05: you know, got to have open borders.
08:05 - 08:06: I believe in that.
08:06 - 08:08: But at the same time,
08:08 - 08:12: often the stories that we celebrate of immigrants who came and made it in America,
08:12 - 08:15: it's never like this person left a war-torn place,
08:15 - 08:20: and now they help in America their child start working at the UN
08:20 - 08:22: to make sure that people don't suffer.
08:22 - 08:24: The stories we always celebrate are like,
08:24 - 08:26: they came from poverty in another country.
08:26 - 08:29: Not even necessarily poverty, but somebody came from another country.
08:29 - 08:32: And this has been true forever, going back hundreds of years.
08:32 - 08:36: It's like America is a place where you can come and make your dreams come true.
08:36 - 08:39: And the dream that they always talk about is not like making the world a better place.
08:39 - 08:44: It's always like making cold hard cash, building a brand.
08:44 - 08:50: So anyway, I'm very happy to see that 5-Hour Energy Drink
08:50 - 08:53: is produced by Innovation Ventures, LLC.
08:53 - 08:54: Great name.
08:54 - 08:57: Which is a great name, Innovation Ventures.
08:57 - 09:01: And the CEO is named Manoj Bhargava.
09:01 - 09:04: He was born in Lucknow in India in 1953.
09:04 - 09:10: And then at the age of 14, 1967, moved with his family to Philadelphia, Pennsylvania.
09:10 - 09:12: So kind of opposite of Fresh Prince.
09:12 - 09:15: And while he moved there, his dad went to the Wharton School of Business.
09:15 - 09:16: Sick.
09:16 - 09:18: At University of Pennsylvania.
09:18 - 09:19: With?
09:19 - 09:21: With Donald Trump, probably.
09:21 - 09:22: Actually, that might have been the same time.
09:22 - 09:24: Yeah, I think Trump was like late 60s.
09:24 - 09:27: Trump was 70, so he probably graduated college in like 70.
09:27 - 09:31: That was this guy's dad, but then he won a math scholarship
09:31 - 09:33: to an elite private academy called the Hill School.
09:33 - 09:36: And after he graduated, he went to Princeton.
09:36 - 09:38: That's a cool story.
09:38 - 09:40: Yeah, coming generation.
09:40 - 09:41: That's what you want to hear.
09:41 - 09:42: Yeah, that's quick.
09:42 - 09:43: That's quick.
09:43 - 09:46: And then anyway, so then he starts Innovation Ventures, LLC,
09:46 - 09:49: and he launches 5-Hour Energy in 2003.
09:49 - 09:53: So he was like 50 at that point.
09:53 - 09:54: He was born in '53?
09:54 - 09:55: Yeah, he was 50.
09:55 - 09:56: Interesting.
09:56 - 09:59: And then in less than 10 years,
09:59 - 10:05: 5-Hour Energy had grown to an estimated $1 billion market cap.
10:05 - 10:06: Wow.
10:06 - 10:08: Now this guy's a billionaire.
10:08 - 10:10: A 5-Hour Energy.
10:10 - 10:12: Here's what's cool about him.
10:12 - 10:17: In 2015, he pledged to give 99% of his wealth to philanthropic causes.
10:17 - 10:18: Dope.
10:18 - 10:20: Shout out to you, Manoj Bhargava.
10:23 - 10:27: ♪ Running from an op and I shoot at op ♪
10:27 - 10:30: ♪ And I'm on the block ♪
10:30 - 10:33: ♪ And I'm on the block in New York, up in Le Roi ♪
10:33 - 10:36: ♪ Hiding in my sock, hiding in my sock ♪
10:36 - 10:40: ♪ Selling every rock ♪
10:40 - 10:43: ♪ In New York, up in Le Roi, hiding in my sock ♪
10:43 - 10:45: ♪ Used to sell every rock ♪
10:45 - 10:48: ♪ Running from the cop, shooting at the op ♪
10:48 - 10:49: - Yo, Pierre, you wanna come in?
10:49 - 10:51: ♪ Shooting at the op ♪
10:51 - 10:53: ♪ 'Cause I run that block ♪
10:53 - 10:55: ♪ Give me top, in my drop ♪
10:55 - 10:58: ♪ I think I'm gonna flop when I drop ♪
10:58 - 11:01: ♪ I think I'm gonna flop when I drop ♪
11:01 - 11:06: ♪ I think I'm gonna flop when I drop ♪
11:06 - 11:13: ♪ I think I'm gonna cash, I think I'm gonna pay ♪
11:13 - 11:16: ♪ Nigga, you know your bitch is on her day ♪
11:16 - 11:19: ♪ All these niggas sound like cash, sound like cash ♪
11:19 - 11:22: ♪ I'm soaked, damn, I thought I told you ♪
11:22 - 11:25: ♪ Shooting like a soldier, like I'm from Illinois ♪
11:25 - 11:27: ♪ All these suckas, get home ♪
11:27 - 11:31: ♪ Bones, big, bank, never fold ♪
11:31 - 11:34: ♪ Sippin' at, feel that shit, it's slow ♪
11:34 - 11:37: ♪ Shippin', I'm sexy like a clod ♪
11:37 - 11:40: ♪ I'm Lennon, young Cardi Glo ♪
11:40 - 11:43: ♪ Designer, it's on, call it dirty laundry ♪
11:43 - 11:46: ♪ All these bullies want young Cardi, young Cardi ♪
11:46 - 11:49: ♪ Hey, young Cardi, young Cardi ♪
11:49 - 11:51: ♪ Young Cardi, young Cardi ♪
11:51 - 11:55: ♪ Yo, I leave up in the Luce, I leave up in the Luce ♪
11:55 - 11:56: ♪ All them hoes got the different ring ♪
11:56 - 12:00: ♪ And they say rockin' that ring ♪
12:00 - 12:05: ♪ Rich, rich, cash Cardi, bitch, even rich ♪
12:05 - 12:09: ♪ You gotta reach, suckin' on the, suckin' on the ♪
12:09 - 12:12: ♪ Get that hoe, tell him, told him 'bout some kicks ♪
12:12 - 12:15: ♪ Then I run my 10, hop up in the world ♪
12:15 - 12:18: ♪ Blocky in the world, blocky in the world ♪
12:18 - 12:21: ♪ And I'm cocky, when it go on the dotty ♪
12:21 - 12:24: ♪ She don't wanna plot me, it can't stop me ♪
12:24 - 12:27: ♪ I'm riding in the Mize, this ain't me, my mind's off ♪
12:27 - 12:30: ♪ Hold that natural dodge, live it like an Oz ♪
12:30 - 12:33: ♪ Walked in with a shunt, then I look like Shuntz ♪
12:33 - 12:35: ♪ Then I look like Carti, then I be young Carti ♪
12:35 - 12:37: ♪ Cardi spend a hundred on a break up watch ♪
12:37 - 12:39: ♪ Bitch, that's filthy ♪
12:39 - 12:41: ♪ In New York, I'm in the Rock, hiding in my socks ♪
12:41 - 12:46: ♪ Runnin' from my opp, and I shoot that opp ♪
12:46 - 12:50: ♪ And I'm on the block, hello, and I'm on the block ♪
12:50 - 12:53: ♪ In New York, I'm in the Rock, hiding in my socks ♪
12:53 - 12:58: ♪ Hiding in my socks, selling every rock ♪
12:58 - 13:02: ♪ In New York, I'm in the Rock, hiding in my socks ♪
13:02 - 13:05: ♪ You say sell every rock, runnin' from the cop ♪
13:05 - 13:07: ♪ Shootin' at the opp ♪
13:07 - 13:08: - You're listening to
13:08 - 13:09: (rap music)
13:09 - 13:11: - Time Crisis.
13:11 - 13:13: - On Beat One.
13:13 - 13:15: - It's maybe not a big surprise
13:15 - 13:17: that Manoj Bhargava is giving away so much of his wealth
13:17 - 13:20: because a lot of people don't know this about him.
13:20 - 13:21: He's a practicing Buddhist.
13:21 - 13:23: He's a Buddhist monk.
13:23 - 13:24: - Wow.
13:24 - 13:26: Did not see that coming.
13:26 - 13:30: - So he initially wanted to call Five Hour Energy Drink
13:30 - 13:32: a focus drink.
13:32 - 13:36: When you think of Red Bull, Red Bull gives you wings.
13:36 - 13:38: So what, what are you gonna do with those wings?
13:38 - 13:39: You can go skateboarding?
13:39 - 13:41: - You're gonna add some vodka to that and--
13:41 - 13:44: - You're gonna add some vodka and like pump your fist
13:44 - 13:46: and be rowdy on the dance floor?
13:46 - 13:47: - At the EDM show.
13:47 - 13:50: - At the EDM concert?
13:50 - 13:50: - EDM show.
13:50 - 13:54: Hey, I'm going out to the EDM club.
13:54 - 13:57: - Red Bull makes people more aggressive at clubs.
13:57 - 13:59: Not like before where it was just cocaine.
13:59 - 14:01: - Well, it's called Red Bull.
14:01 - 14:03: - It's macho, it's angry.
14:03 - 14:05: So anyway, he wasn't interested in that energy side.
14:05 - 14:07: He wanted to call it a focus drink.
14:07 - 14:10: I wonder if that has something to do with his
14:10 - 14:11: being a Buddhist monk.
14:11 - 14:13: - Probably.
14:13 - 14:14: So the FDA was like--
14:14 - 14:16: - But the FDA said, no, you can't call it a focus drink.
14:16 - 14:19: - Oh, that's, they're being too vibe controlling.
14:19 - 14:21: - Also just imagine if it was called Five Hour Focus.
14:21 - 14:22: It'd be cool.
14:22 - 14:22: - Yeah.
14:22 - 14:24: - And actually he--
14:24 - 14:25: - God, that's such a better name.
14:25 - 14:26: I feel bad for the guy now.
14:26 - 14:29: - The more I read about this guy--
14:29 - 14:31: - He's like shoehorned into making this--
14:31 - 14:34: - The more I read about this guy, the more I like him.
14:34 - 14:36: So even though this guy's a billionaire--
14:36 - 14:38: - Think about this, a Buddhist capitalist vibe.
14:38 - 14:40: Let's, anyway.
14:40 - 14:41: - Okay, yeah, there might--
14:41 - 14:42: - No, that's interesting.
14:42 - 14:43: That's an interesting--
14:43 - 14:43: - Yeah, no, no.
14:43 - 14:48: - Very contemporary fusion of contradictory ethos.
14:48 - 14:50: Buddhist capitalist.
14:50 - 14:52: Like, are there other Buddhist capitalists?
14:52 - 14:53: - It's seemingly contradictory.
14:53 - 14:56: - Like Moby?
14:56 - 14:58: Is Moby a Buddhist capitalist?
14:58 - 15:00: - I mean, I feel like a lot of the Silicon Valley guys,
15:00 - 15:02: yo, Steve, Steve Jobs.
15:02 - 15:03: - Oh yeah, dude.
15:03 - 15:04: - He was always on some,
15:04 - 15:06: I don't know if he identified it as a Buddhist,
15:06 - 15:11: but anyway, Bhargava still spends one hour a day
15:11 - 15:14: in his basement practicing silent meditation.
15:14 - 15:17: So like imagine how busy this billionaire guy
15:17 - 15:19: running innovation ventures,
15:19 - 15:21: he's under so much pressure to innovate,
15:21 - 15:23: but he still takes that one hour.
15:23 - 15:24: 'Cause a lot of these Silicon Valley guys,
15:24 - 15:25: they're taking 10 minutes
15:25 - 15:26: and feeling really proud of themselves,
15:26 - 15:28: but he's a real deal Buddhist monk.
15:28 - 15:31: - Can you imagine his email chain within that hour?
15:31 - 15:33: He goes back to it and it's just like crushed.
15:33 - 15:35: - Right.
15:35 - 15:37: - His secretary, his assistant is just like,
15:37 - 15:40: listen, you're gonna have to wait.
15:40 - 15:42: He doesn't push meditation for any,
15:42 - 15:43: yeah, he's getting like a call
15:43 - 15:45: from like his major distributor in Boston,
15:45 - 15:49: just being like, what, put Bhargava on the phone now.
15:49 - 15:52: Sir, he's in the basement meditating.
15:52 - 15:53: Oh, what are you kidding me?
15:53 - 15:54: (laughing)
15:54 - 15:56: You go wake him up, shake him,
15:56 - 15:58: whatever you gotta do, I want you to talk to him now.
15:58 - 16:00: Good for him.
16:00 - 16:01: - What is he, a Buddhist?
16:01 - 16:02: Actually, yeah.
16:02 - 16:03: - Actually, he's a Buddhist monk, sir.
16:03 - 16:04: - Oh.
16:04 - 16:05: Okay.
16:05 - 16:06: All right.
16:06 - 16:07: - Well, tell him to call me back.
16:07 - 16:10: (ominous music)
16:18 - 16:22: (rapping in foreign language)
17:59 - 18:05: (rapping in foreign language)
18:09 - 18:13: (rapping in foreign language)
18:42 - 18:44: - When you say you're a Buddhist,
18:44 - 18:46: it's kind of like saying you're a communist.
18:46 - 18:47: - Right.
18:47 - 18:50: - Because everybody's like, oh, if you're so whatever,
18:50 - 18:52: which they tend not to do as much
18:52 - 18:54: when you say you're Jewish or Christian or Muslim.
18:54 - 18:56: Well, actually, I take that back.
18:56 - 18:58: There's people say a lot of crazy stuff.
18:58 - 19:00: But, you know, I think when people say you're Buddhist,
19:00 - 19:02: they're like, oh yeah, so what if I punch you in the face?
19:02 - 19:03: You're gonna like--
19:03 - 19:04: - It's all good, bro.
19:04 - 19:04: - It's all good, bro.
19:04 - 19:06: Oh, what, so that means like you treat all people equal
19:06 - 19:07: or something?
19:07 - 19:09: That means you have no earthly desires, man.
19:09 - 19:11: That's what it is.
19:11 - 19:13: And you know, like, and also, I think partially
19:13 - 19:16: because obviously some people are raised Buddhist.
19:16 - 19:20: Your parents might be Buddhist, but also Buddhism is a,
19:20 - 19:21: you don't have to be born into it
19:21 - 19:24: because in some ways it's a philosophy.
19:24 - 19:25: That's what I understood it--
19:25 - 19:25: - Yeah, right.
19:25 - 19:28: - From one of my Buddhist teachers in my life.
19:28 - 19:31: - Was George Harrison into Buddhism?
19:31 - 19:33: - He, well, he was definitely into Hare Krishna.
19:33 - 19:34: - Is that like a lateral move?
19:34 - 19:36: I don't know how that relates to Buddhism.
19:36 - 19:39: - Well, I think they're interrelated in that
19:39 - 19:41: Hare Krishna's related to Hinduism.
19:41 - 19:43: Hinduism and Buddhism both come from India
19:43 - 19:48: 'cause Siddhartha was an Indian prince.
19:48 - 19:49: Many of the world's great religion, you know,
19:49 - 19:51: India's like a major cradle of civilization.
19:51 - 19:54: So of course there's, Hinduism and Buddhism are interrelated
19:54 - 19:55: and have similar ideas, I think,
19:55 - 19:57: about reality and things like that.
19:57 - 20:00: So anyway, because Bhargava is a capitalist Buddhist,
20:00 - 20:01: of course people are gonna raise questions.
20:01 - 20:05: And this journalist unearthed some details
20:05 - 20:07: that he describes as sounding un-Buddhist.
20:07 - 20:09: Let's see, maybe he's being unfair.
20:09 - 20:11: So apparently Bhargava is fond of comparing himself
20:11 - 20:14: to Matt Damon's character in "Good Will Hunting"
20:14 - 20:17: and refers to himself as the richest Indian in America
20:17 - 20:20: and hasn't been shy about taking out the competition,
20:20 - 20:22: filing 91 lawsuits.
20:22 - 20:24: Is that un-Buddhist?
20:24 - 20:27: - Lawsuits against five-hour energy ripoffs?
20:27 - 20:29: - I assume so.
20:29 - 20:31: - That seems like an industry that would be rife
20:31 - 20:33: for that kind of thing too, right?
20:33 - 20:35: - Yeah, 'cause it's so shady. - Like the weird gas station.
20:35 - 20:36: Yeah.
20:36 - 20:37: - It would be interesting just to get this dude's take.
20:37 - 20:40: Like, yeah, those questions.
20:40 - 20:44: How does your Buddhist practice inform your business?
20:44 - 20:44: - Right.
20:44 - 20:47: - Do you ever get into philosophical quandaries?
20:47 - 20:50: - Do you see inherent contradictions
20:50 - 20:53: between American capitalism and being a practicing Buddhist?
20:53 - 20:55: - We could ask this of a lot of people.
20:55 - 20:58: You and I both watched the "Madoff" movie recently.
20:58 - 20:59: - Oh yeah, man.
20:59 - 21:02: That's an amazing story.
21:02 - 21:04: - Do you feel like any of what you did
21:04 - 21:07: contradicted the rules of your Jewish faith?
21:07 - 21:09: Probably.
21:09 - 21:11: Think so.
21:11 - 21:13: Thou shalt not steal.
21:13 - 21:14: Brutal film.
21:14 - 21:17: - Yeah, I mean, I'm listening to this
21:17 - 21:21: long-form audio documentary about him too.
21:21 - 21:26: I forget what it's called, but people can find it.
21:26 - 21:29: And that's going into much greater detail.
21:29 - 21:33: And so I felt like the film, which I really enjoyed,
21:33 - 21:35: also left a lot on the table.
21:35 - 21:36: - Right.
21:36 - 21:39: - In particular, this long-form audio documentary
21:39 - 21:41: is putting forward this theory
21:41 - 21:44: that a lot of his major investors,
21:44 - 21:48: who were experienced with Wall Street investing,
21:48 - 21:50: had to know what was up.
21:50 - 21:52: There's no way that just one human on earth
21:52 - 21:54: could produce these sorts of results.
21:54 - 21:55: - Right.
21:55 - 21:57: - So they had him over a barrel in a sense,
21:57 - 21:59: 'cause they'd be like, they're theorizing
21:59 - 22:02: that there was an unspoken vibe of basically like,
22:02 - 22:04: I'm gonna give you $200 million
22:04 - 22:06: and I want 400 million back in a year.
22:06 - 22:09: And if you don't deliver, I'm turning you in.
22:09 - 22:12: - So like the smart guys,
22:12 - 22:13: without ever having to say anything,
22:13 - 22:15: they could just look at those numbers, know they're fake,
22:15 - 22:17: and they could essentially be like,
22:17 - 22:19: I'm investing 200 mil with you,
22:19 - 22:22: but the difference between me
22:22 - 22:25: and that poor schmuck who invested his life savings
22:25 - 22:28: is that that guy's gonna leave it with you for 20 years.
22:28 - 22:29: - Right.
22:29 - 22:30: - And meanwhile, while you're stealing
22:30 - 22:31: all these people's money,
22:31 - 22:33: I'm gonna be the guy who cashes out.
22:33 - 22:34: - Yep.
22:34 - 22:34: - When people started cashing out,
22:34 - 22:35: you had to cover the losses.
22:35 - 22:36: - Yep.
22:36 - 22:38: - So if you're somebody who cashed out at the right time--
22:38 - 22:40: - Yeah, if you're just cruising along in like 2004.
22:40 - 22:42: - I hope those people had to pay back
22:42 - 22:44: some of their ill-gotten gains.
22:44 - 22:45: - I haven't gotten to that part of the documentary yet,
22:45 - 22:49: but I think that's real hard to prove.
22:49 - 22:54: There's no way to prove that they were essentially in on it
22:54 - 22:55: and had him over a barrel.
22:55 - 22:56: - But even so, they could be like,
22:56 - 22:58: hey guys, your gains?
22:58 - 22:59: - Yeah.
22:59 - 23:02: - Just to inform you, man, those gains are ill-gotten.
23:02 - 23:06: - I mean, guys, I know you wanna just abscond
23:06 - 23:08: with the bread or whatever, but.
23:08 - 23:10: - For what?
23:10 - 23:13: If you abscond with bread.
23:13 - 23:18: - Turns out Bob Weir was heavily invested in Bernie Madoff.
23:20 - 23:25: ♪ Purple the quasar ♪
23:25 - 23:30: ♪ His plans was jingling, the door was ajar ♪
23:30 - 23:36: ♪ His buckle was silver, his manner was bold ♪
23:36 - 23:41: ♪ I asked him to come on in out of the cold ♪
23:41 - 23:47: ♪ His brain was boiling, his reason was spent ♪
23:48 - 23:53: ♪ Nothing is borrowed, nothing is lent ♪
23:53 - 23:58: ♪ I asked him for mercy, gave me a gun ♪
23:58 - 24:04: ♪ Now and again, these things just got to be done ♪
24:04 - 24:08: ♪ Abraham and Isaac sitting on a bench ♪
24:08 - 24:10: ♪ You get right to work if you had any sense ♪
24:10 - 24:11: ♪ You know the one thing we need ♪
24:11 - 24:15: ♪ Is a left-hand monkey wrench ♪
24:18 - 24:44: ♪ Indian come in with his eyes on the floor ♪
24:44 - 24:49: ♪ Said you ain't got a hinge, you can't close the door ♪
24:49 - 24:55: ♪ Moses stood up a full six foot and 10 ♪
24:55 - 24:57: ♪ He said you can't close the door ♪
24:57 - 25:02: ♪ When the walls caved in ♪
25:02 - 25:07: ♪ Asked him for water, he poured him some wine ♪
25:07 - 25:12: ♪ Finished the bottle and broke it to mine ♪
25:13 - 25:18: ♪ You get what you come for, you're ready to go ♪
25:18 - 25:23: ♪ And it's more than 10,000 a cup for the show ♪
25:23 - 25:27: ♪ Abraham and Isaac digging in the ground ♪
25:27 - 25:30: ♪ Running through the wind with a polarly spin ♪
25:30 - 25:35: ♪ Oh, we'll water where you can't ever tell ♪
25:35 - 25:39: - Time Crisis on Beat One.
25:39 - 25:41: - Is the capitalistic side of the Grateful Dead at all?
25:41 - 25:43: Is it at odds with their ethos?
25:43 - 25:47: - Funny you say that, 'cause I just watched that documentary.
25:47 - 25:48: - How's that?
25:48 - 25:50: - Great, it's called The Long Strange Trip.
25:50 - 25:52: It's a four hour documentary.
25:52 - 25:55: - The Dead are really having a moment.
25:55 - 25:58: How does that make you feel as a long time Dead fan?
25:58 - 25:59: - It's cool, man.
25:59 - 26:00: - Now that everybody and their mother,
26:00 - 26:02: all the rappers are wearing vintage Grateful Dead tees.
26:02 - 26:03: - Really? - Do you like that?
26:03 - 26:04: Yeah, it's cool.
26:04 - 26:05: - It's like, I mean, well, first of all,
26:05 - 26:08: they always had amazing merch.
26:08 - 26:08: - Merch. - Yeah.
26:09 - 26:12: Their graphic design was so on point.
26:12 - 26:15: Their logos, the font choices, so legit.
26:15 - 26:17: - Yeah, great branding.
26:17 - 26:22: - Great branding before there was self-conscious branding
26:22 - 26:24: in the way that we think of it.
26:24 - 26:24: - Right.
26:24 - 26:27: - Okay, so their first record came out 50 years ago.
26:27 - 26:29: - So the, oh, that's-- - '67.
26:29 - 26:30: - This is the 50th anniversary of the Grateful Dead.
26:30 - 26:35: - Yeah, and the doc goes from 65 to 95.
26:35 - 26:36: - Yeah.
26:36 - 26:37: - When Jerry died, which I love.
26:37 - 26:39: The doc ends when Jerry died,
26:39 - 26:42: 'cause I was worried that the last hour would be like,
26:42 - 26:44: you know, like John Mayer, like Trey from Phish,
26:44 - 26:47: just like stuff I don't need.
26:47 - 26:50: - Episode two, enter Mayer.
26:50 - 26:52: - Yeah, it's just like 20 minutes.
26:52 - 26:53: - Another four hours on-- - Fare thee well
26:53 - 26:55: from Chicago from two summers ago.
26:55 - 26:56: - Right. - We don't need that.
26:56 - 26:58: - Yeah. - So it ends with 95.
26:58 - 27:00: But anyway, back to this larger theme
27:00 - 27:03: of did capitalism swallow the dead?
27:03 - 27:04: - Yeah. - It kinda did.
27:04 - 27:06: Well, it swallowed Jerry.
27:06 - 27:09: Like you see the band in the beginning of the film
27:09 - 27:13: as like, you know, it's a local San Francisco band.
27:13 - 27:15: - Yeah. - Psychedelic band.
27:15 - 27:17: Very adventurous.
27:17 - 27:19: All kinds of left turns.
27:19 - 27:21: And they're just sort of like an idiosyncratic band
27:21 - 27:24: that's organically growing and changing.
27:24 - 27:25: - Yeah.
27:25 - 27:29: - And Jerry isn't necessarily this like guru icon.
27:29 - 27:31: You know, it's just like he's the front guy,
27:31 - 27:33: but like it's a full band.
27:33 - 27:35: And then you see it sort of,
27:35 - 27:38: as they get into the later 70s, into the 80s,
27:38 - 27:41: and they become this stadium rock band.
27:41 - 27:45: And like their band sort of evolved with that industry.
27:45 - 27:46: 'Cause like in the late 60s,
27:46 - 27:48: they're like stadium rock infrastructure.
27:48 - 27:50: - They were pioneers of the large scale concert.
27:50 - 27:53: - And like they devised the whole wall of sound system
27:53 - 27:54: that they were touring with.
27:54 - 27:57: - It's pretty interesting to think that the Grateful Dead,
27:57 - 27:59: because they were pioneers of kind of touring
27:59 - 28:01: and large concerts,
28:01 - 28:03: ultimately the Grateful Dead played to larger crowds
28:03 - 28:05: than the Beatles ever did.
28:05 - 28:06: - Oh yeah.
28:06 - 28:09: And weirdly, they also were like
28:09 - 28:13: very technologically innovative.
28:13 - 28:13: - Yeah.
28:13 - 28:15: - Because like, and they actually cover this in the doc,
28:15 - 28:17: in the shows from the 60s,
28:17 - 28:19: there was just like these giant,
28:19 - 28:21: like basically the speakers that you would see
28:21 - 28:22: at like a racetrack.
28:22 - 28:23: - Yeah.
28:23 - 28:25: - Just like a giant round speaker.
28:25 - 28:26: Looked like a giant bullhorn.
28:26 - 28:30: That's what a PA was in 1965.
28:30 - 28:30: - Almost sounded horrible.
28:30 - 28:35: - And then by 75, they had like a 300 speaker system
28:35 - 28:38: that they had to assemble and disassemble
28:38 - 28:40: and then load into three different semi trucks
28:40 - 28:41: after every show.
28:41 - 28:42: - Right.
28:42 - 28:45: - And so they like kind of invented stadium rock
28:45 - 28:48: as like a high tech spectacle.
28:48 - 28:49: - Yeah.
28:49 - 28:51: - And then so they get into the 80s
28:51 - 28:55: and it's becoming about like the party,
28:55 - 28:57: the drugs, like for the crowd.
28:57 - 28:58: - Right, the parking lot scene.
28:58 - 28:59: - The parking lot scene gets huge.
28:59 - 29:02: Jerry's like just hooked on heroin.
29:02 - 29:04: Like it's brutal.
29:04 - 29:05: You see him, as the doc goes,
29:05 - 29:09: you see him getting fatter and grayer
29:09 - 29:11: and like he's singing these songs about death,
29:11 - 29:13: like broke down palace and stuff.
29:13 - 29:15: And there's just like this sea of people around him.
29:15 - 29:18: So you see him sort of get swallowed
29:18 - 29:21: by the like industry that the dead became.
29:21 - 29:22: And then it's really interesting.
29:22 - 29:24: There's a point in the doc where they're like,
29:24 - 29:25: they're interviewing Phil Lesch and Bob Ware
29:25 - 29:26: and they're like,
29:26 - 29:28: "We knew Jerry wasn't doing real well,
29:28 - 29:32: "but we had 50 people working for us
29:32 - 29:34: "and we had 50 people whose paychecks we were writing
29:34 - 29:37: "and whose mortgages we were paying.
29:37 - 29:39: "So we felt like if we stopped,
29:39 - 29:40: "those people depended on us.
29:40 - 29:41: "So what were we supposed to do?"
29:41 - 29:44: Like anyway, and so they're like,
29:44 - 29:45: "We thought Jerry would pull through
29:45 - 29:47: "and kind of like get clean."
29:47 - 29:50: There's amazing footage of Jerry Garcia scuba diving
29:50 - 29:53: in 1993 in Hawaii 'cause he was like obsessed
29:53 - 29:53: with scuba diving.
29:53 - 29:55: - Well, yeah, no, I mean that's an interesting comparison
29:55 - 29:56: 'cause you're saying like,
29:56 - 29:58: - Yeah. - Here's this guy
29:58 - 29:59: and especially when you watch him
29:59 - 30:00: in his later dead concert,
30:00 - 30:02: it's like Jerry never moved that much
30:02 - 30:05: and towards the end, he's literally just like a statue.
30:05 - 30:06: Still shredding.
30:06 - 30:08: - Oh my God. - Still tasty licks,
30:08 - 30:09: but he's just like a statue.
30:09 - 30:11: So here's this guy.
30:11 - 30:14: - Never lost a step in that way.
30:14 - 30:17: - But here's this guy who literally,
30:17 - 30:19: at the end of the day, is kind of like a guitar nerd.
30:19 - 30:21: You can imagine that when he's at home,
30:21 - 30:22: he's just like, he's doing the same thing.
30:22 - 30:24: - There's great footage of him like at home
30:24 - 30:26: in the early '90s with his kids
30:26 - 30:28: and like the TV is on, like Jeopardy is on
30:28 - 30:30: and he's just like shredding on a mandolin.
30:30 - 30:31: Like (imitates guitar shredding)
30:31 - 30:31: (laughing)
30:31 - 30:32: - It's just like
30:32 - 30:33: - I love that. - He has a huge grin on his face.
30:33 - 30:36: I gotta say the thing, Jerry, as addicted to heroin
30:36 - 30:39: and as like poor as his health was towards the end,
30:39 - 30:41: in interviews, he was always super articulate,
30:41 - 30:43: super charismatic.
30:43 - 30:45: - Yeah, and you always came across as like a sweet guy
30:45 - 30:46: and yeah, a sense of humor.
30:46 - 30:49: I'm saying, so this guy, the crowds get bigger and bigger
30:49 - 30:52: to the point that this guy is literally surrounded
30:52 - 30:56: by tens, sometimes hundreds of thousands of people.
30:56 - 31:00: This thing that he started is so much bigger than him now.
31:00 - 31:01: - Yeah. - He in a sense
31:01 - 31:04: has been dehumanized as he's become an icon.
31:04 - 31:05: - Yep. - 'Cause the process
31:05 - 31:07: of becoming an icon also involves a bit of dehumanization.
31:07 - 31:09: - And he hated that. - And he didn't like it
31:09 - 31:10: and he was the one, he was Papa Bear,
31:10 - 31:12: it was so much more about Jerry.
31:12 - 31:14: You can imagine that a guy like that,
31:14 - 31:17: it's interesting that his passion, his escape would be
31:17 - 31:20: to go underwater, kind of solo.
31:20 - 31:21: - Yep.
31:21 - 31:23: - Alone with the animals, alone with your,
31:23 - 31:25: it's like the opposite of being on stage
31:25 - 31:27: with like RFK in front of a full stadium.
31:27 - 31:30: - Yeah, Scuba, that was his escape.
31:30 - 31:33: ♪ Every night ♪
31:33 - 31:36: ♪ He hear a crude ♪
31:36 - 31:41: ♪ Russian lullaby ♪
31:41 - 31:45: ♪ Just a plain ear ♪
31:45 - 31:47: ♪ Little tune ♪
31:47 - 31:52: ♪ Baby starts to cry ♪
31:52 - 31:58: ♪ Rockabye my baby ♪
31:58 - 32:04: ♪ Somewhere, yeah, maybe ♪
32:04 - 32:08: ♪ A landed street ♪
32:08 - 32:10: ♪ For you and me ♪
32:10 - 32:13: ♪ And a Russian lullaby ♪
32:16 - 32:17: - Man, RIP Jerry.
32:17 - 32:19: - It's a really great movie.
32:19 - 32:21: It's a sad film, but it's like a great film.
32:21 - 32:23: You see the whole arc of their career,
32:23 - 32:27: the whole ascent and like the changing of America
32:27 - 32:30: between the mid 60s and the mid 90s.
32:30 - 32:30: - Yeah, I like "The Grateful Dead."
32:30 - 32:32: - It's a deep American story.
32:32 - 32:36: - I really like "The Dead" and I often think about how
32:36 - 32:39: they're very inspiring to musicians and bands
32:39 - 32:41: and you know, as long as I've been doing it,
32:41 - 32:42: we talk about "The Grateful Dead."
32:42 - 32:44: I hear other people talk about "The Grateful Dead,"
32:44 - 32:46: but it's always been interesting that,
32:46 - 32:47: I was starting to think like,
32:47 - 32:49: I hear so many people talk about "The Grateful Dead"
32:49 - 32:49: and I don't know if they're really
32:49 - 32:50: musically influenced by them.
32:50 - 32:53: And I think the main reason why bands look up
32:53 - 32:55: to "The Grateful Dead" so much is because
32:55 - 32:59: that's kind of the dream is that you could unhitch
32:59 - 33:01: from a cultural moment and do your own thing.
33:01 - 33:03: And even if your record stops selling,
33:03 - 33:08: you don't have any hits, you know, it's 1979.
33:08 - 33:13: The Clash is like the coolest band and like ELO,
33:13 - 33:14: you know, there's like these,
33:14 - 33:16: and now there's the big bands.
33:16 - 33:18: So you're neither cool nor big on the charts
33:18 - 33:20: and yet what are you doing?
33:20 - 33:21: It's like--
33:21 - 33:23: - You're playing at 12,000 people in Oklahoma.
33:23 - 33:25: - Right, that's what all bands kind of dream of
33:25 - 33:27: is that you could, so in a way,
33:27 - 33:29: even though they're part of this capitalist machine,
33:29 - 33:33: they also kind of represent some type of escape from it.
33:33 - 33:37: That like, you could unhitch from all like the local scene
33:37 - 33:39: and the rivalries and the competition and stuff
33:39 - 33:41: and that's the dream.
33:41 - 33:44: It's like your crew out there,
33:44 - 33:45: doesn't matter how you chart,
33:45 - 33:47: doesn't matter what the critics say,
33:47 - 33:49: you're out there playing
33:49 - 33:51: and the shows get bigger and bigger.
33:51 - 33:53: That's what everybody dreams of, I think.
33:53 - 33:55: - They're like America's greatest cult band.
33:55 - 33:56: - Yeah, exactly.
33:56 - 34:00: - Second, maybe only to Insane Clown Posse.
34:00 - 34:01: - I mean, in a way.
34:01 - 34:02: - ICP, man.
34:02 - 34:03: - In a way.
34:03 - 34:05: - I mean, I thought of ICP when you described that,
34:05 - 34:06: like that's their own scene.
34:06 - 34:08: - Yeah, when imagine--
34:08 - 34:09: - Forget the critics.
34:09 - 34:11: - Insane Clown Posse started like what,
34:11 - 34:14: in the 90s or something, you know?
34:14 - 34:16: - Yeah, like mid 90s Detroit.
34:16 - 34:19: - They have like a yearly massive festival.
34:19 - 34:20: Their fans care about them as deeply
34:20 - 34:22: as any of these other people's.
34:22 - 34:23: Yeah, that's kind of the dream
34:23 - 34:26: and they make a living and they support their families
34:26 - 34:27: and crew like--
34:27 - 34:31: - Eventually, there'll be some like super reverent ICP doc.
34:31 - 34:34: - Yeah, you know, who was it Gandhi said,
34:34 - 34:38: first they laugh at you, then--
34:38 - 34:40: - Then you get elected president?
34:40 - 34:42: - Yeah, then you get elected president.
34:42 - 34:45: But first they laugh at you, you got something popping.
34:45 - 34:48: People are gonna ridicule you at first.
34:48 - 34:49: When there's something different
34:49 - 34:52: and it's making some waves, people will make fun of it
34:52 - 34:53: until they can no longer make fun of it.
34:53 - 34:56: And they have to be like, okay, now we're getting serious.
34:56 - 34:59: It's kind of like ICP is a joke, ha ha.
34:59 - 35:01: Look at these like dudes in the Midwest,
35:01 - 35:03: drinking Faygo, painting their face, ha ha.
35:03 - 35:06: And then it gets kind of big and you're like, huh,
35:06 - 35:09: this sucks because then you've got to fight it.
35:09 - 35:10: And then eventually you just got to give in
35:10 - 35:12: and be like, these guys are doing their thing,
35:12 - 35:14: they're not hurting anybody.
35:14 - 35:16: - As long as Shaggy doesn't run for press.
35:16 - 35:19: ♪ St. Stephen with a rose ♪
35:19 - 35:21: ♪ In and out of the garden he goes ♪
35:21 - 35:24: ♪ Country garland in the wind and the rain ♪
35:24 - 35:27: ♪ Wherever he goes the people all complain ♪
35:27 - 35:30: ♪ Stephen Roseberg in his time ♪
35:30 - 35:32: ♪ Well he may and he may decline ♪
35:32 - 35:35: ♪ Get it, Matt, it doesn't now ♪
35:35 - 35:38: ♪ Stephen would pass if he only knew how ♪
35:41 - 35:54: ♪ Wish you well with the golden bell ♪
35:54 - 35:57: ♪ Bucket hanging clear to hell ♪
35:57 - 35:59: ♪ Hell out, rain tweaks now and then ♪
35:59 - 36:02: ♪ Stephen fill it up and lower down ♪
36:02 - 36:05: ♪ And lower down again ♪
36:08 - 36:18: ♪ Lady finger dipped in moonlight ♪
36:18 - 36:25: ♪ Writing what for across the morning sky ♪
36:25 - 36:31: ♪ Sunlight's black tears ♪
36:31 - 36:34: ♪ Dawn with answer ♪
36:34 - 36:39: ♪ Darkness drugs and bids the day goodbye ♪
36:39 - 36:44: ♪ Steeding at Rome ♪
36:44 - 36:48: ♪ Shop and mandrel ♪
36:48 - 36:52: ♪ What a lot of feeding matters ♪
36:52 - 36:56: ♪ Who'd have spun ♪
36:56 - 36:59: ♪ Several seasons ♪
36:59 - 37:03: ♪ With their treasons ♪
37:03 - 37:06: ♪ Grab the babe and scarlet covers ♪
37:06 - 37:09: ♪ Call it your own ♪
37:09 - 37:22: ♪ Did he doubt or did he try ♪
37:22 - 37:25: ♪ Answers are plenty in the body and mind ♪
37:25 - 37:27: ♪ Talk about your plenty and talk about your ills ♪
37:27 - 37:31: ♪ One man gathers what another man spills ♪
37:31 - 37:33: ♪ Time crisis ♪
37:33 - 37:36: - All right, Jake, so you have become
37:36 - 37:38: the de facto keeper of the fan emails.
37:38 - 37:39: - Yep.
37:39 - 37:42: People find me online somehow.
37:42 - 37:44: - People find you online.
37:44 - 37:47: Apparently it's not that hard to find your email.
37:47 - 37:50: But we're starting to get a decent volume fairly regularly.
37:50 - 37:51: - Yeah.
37:51 - 37:54: - We get some great emails and we appreciate all of them.
37:54 - 37:56: Unfortunately, sometimes we get it
37:56 - 37:58: and we're not taping for a while, we kind of forget.
37:58 - 38:01: But today we wanna dig into the mailbag
38:01 - 38:06: and connect with the Time Crisis family.
38:06 - 38:08: So here's an email from Anna Koppelman.
38:08 - 38:11: The subject reads as follows,
38:11 - 38:14: "Urgent, my boyfriend came out as a Chainsmokers fan."
38:14 - 38:16: Her email reads as follows,
38:16 - 38:19: "Hey Jake, Ezra and the rest of the Crisis crew.
38:19 - 38:22: "First, I wanna say that your show gives me so much joy.
38:22 - 38:24: "Not to be an overly dramatic fangirl,
38:24 - 38:25: "but it's kind of the only thing
38:25 - 38:26: "that gets me through the fact
38:26 - 38:29: "that some of my close-minded high school classmates
38:29 - 38:31: "like Brad's drink more than Coke."
38:31 - 38:32: - That is tough.
38:32 - 38:33: - Ooh, that's brutal.
38:33 - 38:34: You remember that, like in high school?
38:34 - 38:36: - That's across the bear.
38:36 - 38:37: - Yeah, like once you get to college,
38:37 - 38:39: you don't have to hang out with those Brad's drink people.
38:39 - 38:41: But you know, sometimes you go to high school
38:41 - 38:44: in a small town, a lot of people drinking Brad's drink,
38:44 - 38:45: you're stuck.
38:45 - 38:49: You kind of just gotta grin and bear it 'til graduation.
38:49 - 38:51: Anyway, she says, "I could wax poetic
38:51 - 38:52: "about you guys all day,
38:52 - 38:53: "but I think I should get to the point
38:53 - 38:55: "because I'm in need of dire help.
38:55 - 38:58: "I've been dating a guy for around three months.
38:58 - 39:01: "He's smart, funny, kind, and caring.
39:01 - 39:04: "But today I found out that he's a fan of the Chainsmokers
39:04 - 39:06: "and that he likes the song Closer.
39:06 - 39:08: "Does this mean I have to break up with him?
39:08 - 39:10: "If I don't, how am I supposed to proceed
39:10 - 39:11: "in such a relationship?
39:11 - 39:13: "I'd really appreciate the advice here.
39:13 - 39:14: "Thanks for everything.
39:14 - 39:15: "Best, Anna."
39:15 - 39:16: - Wow.
39:16 - 39:17: - Well, you know, first things first,
39:17 - 39:20: there's a bit of a divide in the Time Crisis family
39:20 - 39:23: because when I hear that anybody
39:23 - 39:26: is dating a Chainsmokers fan, I say congratulations.
39:26 - 39:27: - Job well done.
39:27 - 39:29: - Job well done.
39:29 - 39:31: I consider that the icing on the cake.
39:31 - 39:34: Whereas Jake, you've been a lot tougher on the Smokers.
39:34 - 39:35: - Not a fan, particularly.
39:35 - 39:36: - Not a fan.
39:36 - 39:38: - I don't think Anna should break up with this guy
39:38 - 39:41: if he is smart, funny, kind, and caring.
39:41 - 39:43: I don't think Anna really is even asking us
39:43 - 39:44: for a real opinion.
39:44 - 39:47: I think it's a pretty tongue-in-cheek email.
39:47 - 39:47: - I will.
39:47 - 39:48: - It's a sweet email.
39:48 - 39:49: I'm glad she wrote it.
39:49 - 39:50: - It's a sweet email.
39:50 - 39:51: - If she broke up with him because of that,
39:51 - 39:53: well, no matter how old you are.
39:53 - 39:55: - Well, she says she's in high school.
39:55 - 39:57: - She's smart, funny, kind, and caring.
39:57 - 40:00: - We'd have to meet the guy, I think.
40:00 - 40:03: Should we find Anna's boyfriend out to LA?
40:03 - 40:08: - Okay, how am I supposed to proceed in such a relationship?
40:08 - 40:10: Just don't talk about the Chainsmokers.
40:10 - 40:13: - Okay, but it does bring up an interesting question.
40:13 - 40:14: - Here we go.
40:14 - 40:16: - We talk so much about the Chainsmokers on this show
40:16 - 40:19: because they're such a huge part of American culture.
40:19 - 40:23: When we look back on 2016, 2017,
40:23 - 40:25: when the dust has settled,
40:25 - 40:28: these years are gonna be defined by Trump,
40:28 - 40:31: the Chainsmokers, and I don't know.
40:31 - 40:31: - Kanye?
40:31 - 40:35: - Not even.
40:35 - 40:36: Maybe Kim.
40:36 - 40:37: - Trump and the Chainsmokers.
40:37 - 40:39: - Instagram.
40:39 - 40:40: - Oh, no, hold on.
40:40 - 40:42: Drake, Meekin.
40:42 - 40:42: Okay.
40:42 - 40:45: - No, but the Chainsmokers more than anybody.
40:45 - 40:47: - That's right, 'cause they had a song in the top 10
40:47 - 40:48: every week of the past year.
40:48 - 40:50: - They were massive.
40:50 - 40:52: So my question is, despite how big they are,
40:52 - 40:54: they're a massive, huge part of our culture,
40:54 - 40:55: I personally have never met anybody
40:55 - 40:58: who identifies as a Chainsmokers fan.
40:58 - 41:01: Now, people know that my primary job
41:01 - 41:04: is working in the music industry,
41:04 - 41:06: which is full of liberal elites,
41:06 - 41:10: and those people turn their noses up at the Chainsmokers.
41:10 - 41:12: And I'll always be like, "Come on, guys.
41:12 - 41:14: "Is that song really that bad?"
41:14 - 41:15: A lot of people that I'm surrounded by,
41:15 - 41:16: they're like, "Yeah, it is."
41:16 - 41:18: They hate on these guys.
41:18 - 41:23: - Also, you're hanging with people over the age of 25.
41:23 - 41:24: - For the most part.
41:24 - 41:26: - You're not hanging with a lot of 17-year-olds.
41:26 - 41:27: Or are you?
41:27 - 41:31: - I question if, I don't think the average Chainsmokers fan
41:31 - 41:33: is a high school student, actually.
41:33 - 41:34: - Really?
41:34 - 41:36: - Yeah, because think about it.
41:36 - 41:37: - Like what age?
41:37 - 41:38: - I don't know.
41:38 - 41:41: I remember once I went to a fun concert,
41:41 - 41:43: and the average age was 29.
41:43 - 41:44: - Tonight!
41:44 - 41:47: - I think, okay, also, just picture
41:47 - 41:48: when you were in high school,
41:48 - 41:51: and there's some big pop artists.
41:51 - 41:52: - Like Weezer.
41:52 - 41:54: - No, no, pop.
41:54 - 41:56: Weezer was not the Chainsmokers of their day.
41:56 - 41:58: - Like Backstreet Boys?
41:58 - 41:59: - No, Chainsmokers aren't like that.
41:59 - 42:00: - Yeah, there's no analog,
42:00 - 42:03: there's no '90s analog to the Chainsmokers.
42:03 - 42:04: - I'm just saying, I think when you go see
42:04 - 42:08: the Chainsmokers in Vegas, you're getting a lot of dads.
42:08 - 42:09: - That's weird.
42:09 - 42:11: - Especially in our modern culture, where--
42:11 - 42:12: - Dads?
42:12 - 42:13: - You know, everybody reads Harry Potter,
42:13 - 42:15: everybody listens to the same music.
42:15 - 42:16: - Everyone's just a 14-year-old.
42:16 - 42:18: - I pictured a lot of 14-year-olds,
42:18 - 42:21: their dads are like, I'm on a business trip in Vegas,
42:21 - 42:23: and I'm gonna go see the Chainsmokers.
42:23 - 42:24: - Oh, my cousin.
42:24 - 42:26: - Like your cousin.
42:26 - 42:28: - Who's like 45.
42:28 - 42:29: - And who did he see in Vegas?
42:29 - 42:31: - Maroon 5.
42:31 - 42:31: - Exactly.
42:31 - 42:34: So picture like your cousin, or like a dad,
42:34 - 42:36: who's on a trip, and they go see Maroon 5,
42:36 - 42:40: and then they tell their like 15-year-old son or daughter,
42:40 - 42:41: "Oh, and here's something pretty cool,
42:41 - 42:44: "your old dad saw Maroon 5 out in Vegas, man.
42:44 - 42:46: "Those guys killed it."
42:46 - 42:49: And then the 15-year-old's like, "Oh, my God."
42:49 - 42:50: Don't you think that probably happens with the Chainsmokers?
42:50 - 42:52: - So you think the dad's going to the Chainsmokers show
42:52 - 42:54: just to get crad with the kid?
42:54 - 42:57: - No, because the dad feels like it's cool.
42:57 - 43:00: Okay, my point is, I just don't know any Chainsmokers fans,
43:00 - 43:03: and if I had to imagine the average Chainsmokers fan,
43:03 - 43:07: I'm picturing a 25-year-old dude,
43:07 - 43:08: oh, man, actually, I don't know.
43:08 - 43:10: - Working at like a T-Mobile store?
43:10 - 43:11: - Well, sometimes with the bigot,
43:11 - 43:14: these really big pop artists who make massive hits,
43:14 - 43:16: they don't have fans in the traditional sense,
43:16 - 43:19: like Ariana Grande, who was in the news recently.
43:19 - 43:20: - Yeah.
43:20 - 43:21: - You know, people were talking a lot
43:21 - 43:22: about how dedicated her fan base is,
43:22 - 43:25: and they have a name that's like the Arianators
43:25 - 43:28: or something, Arianators.
43:28 - 43:30: They're dedicated to her, they follow her every move,
43:30 - 43:32: they go to the shows.
43:32 - 43:35: Chainsmokers have had bigger hits than Ariana Grande,
43:35 - 43:37: and yet I don't think they have, numerically,
43:37 - 43:39: the type of fan base, you know what I mean?
43:39 - 43:41: 'Cause they don't inspire that type of fandom.
43:41 - 43:42: I'm just saying, I don't know,
43:42 - 43:43: I just don't think there's a lot
43:43 - 43:44: of like hardcore Chainsmokers fans.
43:44 - 43:46: So I wonder with Anna's boyfriend,
43:46 - 43:48: is this dude like, did she go over to his,
43:48 - 43:51: he's like finally comes, she comes over to his house,
43:51 - 43:54: is in his room, and he's got a Chainsmokers poster
43:54 - 43:55: and the T-shirt and stuff,
43:55 - 43:57: or is it more like Closer came on the radio
43:57 - 43:59: and she was like, "Oh my God, I hate this song,
43:59 - 44:03: "turn it off," and he was like, "I like it, I'm a fan."
44:03 - 44:04: That seems like a little more likely.
44:04 - 44:05: - Yeah.
44:05 - 44:08: - If this dude's a diehard Chainsmokers like head,
44:08 - 44:12: that does strike me as weird.
44:12 - 44:12: - Yup.
44:12 - 44:14: - But I just like, it's cool, I like it,
44:14 - 44:15: it's not a bad song, and he's right about that.
44:15 - 44:17: - Okay Anna, so, slow your roll.
44:17 - 44:22: You're not gonna agree on everything with your boyfriend.
44:22 - 44:25: He loves House of Cards, you don't.
44:25 - 44:26: - What's the biggest cultural product
44:26 - 44:28: you and your girlfriend disagree on?
44:28 - 44:29: - Hmm, that's a good one.
44:29 - 44:31: Maybe Game of Thrones, I don't watch it.
44:31 - 44:33: I think it's garbage.
44:33 - 44:33: - And she likes it?
44:33 - 44:35: - Yeah, but she doesn't even really like,
44:35 - 44:37: she's not like ride or die for it.
44:37 - 44:38: - Yeah.
44:38 - 44:39: - Music is funnier too, to like--
44:39 - 44:42: - Well you love that show Designated Survivor
44:42 - 44:43: with Kiefer Sutherland.
44:43 - 44:44: - No, that's a solo journey.
44:44 - 44:46: - So you're watching that, and you're just like,
44:46 - 44:49: this is, wow, what a great show.
44:49 - 44:51: My love, will you please join me on the couch
44:51 - 44:53: for this week's episode of Designated Survivor?
44:53 - 44:56: And she's like, no, that show sucks, peace.
44:56 - 44:58: - No, she'll just sort of laugh at me.
44:58 - 44:59: - Okay, but that's your show.
44:59 - 45:00: - Yeah, yeah.
45:00 - 45:02: - I remember growing up that my mom would sometimes
45:02 - 45:05: be like, daddy's watching his show in the basement.
45:05 - 45:08: My dad would be like taking down a--
45:08 - 45:09: - Like NYPD Blue or something?
45:09 - 45:12: - No, I mean, I remember being a kid
45:12 - 45:14: and he watched Star Trek The Next Generation.
45:14 - 45:15: - Oh man.
45:15 - 45:19: - He was into that, and that was dad's show.
45:19 - 45:20: - Yeah, my folks are kind of like that too.
45:20 - 45:23: My mom's like, dad's watching his cop shows.
45:23 - 45:24: - Uh-huh.
45:24 - 45:26: - My dad will watch the crappiest cop shows.
45:26 - 45:29: My dad watches Blue Bloods.
45:29 - 45:29: - Oh, with Tom Selleck?
45:29 - 45:30: - Yeah.
45:30 - 45:31: - I bet that's good.
45:31 - 45:34: - It's like a straight up old school network cop show.
45:34 - 45:38: - I like when it's surprising, that's so heteronormative.
45:38 - 45:40: Dad likes cop shows.
45:40 - 45:44: - Yeah, yeah, my mom got real into The Good Wife.
45:44 - 45:48: Oh, these are shows I have not seen.
45:48 - 45:49: - These are grown folks shows.
45:49 - 45:50: - Yeah, yeah.
45:50 - 45:52: - You don't need to agree on everything.
45:52 - 45:53: In fact, in a relationship,
45:53 - 45:54: it's important to have space sometimes.
45:54 - 45:55: - Absolutely.
45:55 - 45:57: - You don't wanna watch every show together,
45:57 - 45:59: listen to every song together.
45:59 - 46:01: - I'm still thinking on the music stuff.
46:01 - 46:02: - Does your girlfriend like The Grateful Dead?
46:02 - 46:03: - Yeah, yeah, she's into The Dead.
46:03 - 46:04: I got her into The Dead.
46:04 - 46:06: - Does she like Guided By Voices?
46:06 - 46:09: - Yeah, she likes going to the shows with me,
46:09 - 46:11: I think GBV is a fun experience,
46:11 - 46:13: but I don't think she's throwing on GBV in her car.
46:13 - 46:14: - Right.
46:14 - 46:16: It's kinda cool when you meet somebody
46:16 - 46:18: who likes something that you don't like.
46:18 - 46:21: It's like, that's kinda more interesting in a way.
46:21 - 46:22: - Totally.
46:22 - 46:23: - Like when you meet somebody who likes the same thing as you
46:23 - 46:25: and you can just be like,
46:25 - 46:27: that becomes like an old school Chris Farley show,
46:27 - 46:29: just like, that was pretty cool, right?
46:29 - 46:30: - Yeah, that was cool.
46:30 - 46:33: - Remember when GBV released that album?
46:33 - 46:34: - Yeah.
46:34 - 46:35: - That was cool, right?
46:35 - 46:37: Whereas it's interesting when somebody's into something
46:37 - 46:39: that you really don't know about,
46:39 - 46:41: and it's kinda like, oh, that's cool,
46:41 - 46:42: what do you like about it?
46:42 - 46:44: Oh, that's cool, when did you get into it?
46:44 - 46:46: Oh, that's interesting, I don't know, that's cooler.
46:46 - 46:47: - Yeah.
46:47 - 46:48: - So actually, Anna, I think it's great,
46:48 - 46:50: and I hope that there's something that you like
46:50 - 46:52: that he doesn't like, just so that it's even.
46:52 - 46:54: So he'll teach you about chain smokers
46:54 - 46:55: and you can teach him about--
46:55 - 46:58: - Maybe be open, Anna, to the chain smokers.
46:58 - 47:00: Maybe he can introduce an angle to you
47:00 - 47:02: that you didn't see about them.
47:02 - 47:03: ♪ I know it breaks your heart ♪
47:03 - 47:07: ♪ Moved to the city and I broke down tiring ♪
47:07 - 47:08: ♪ Four years, no calls ♪
47:08 - 47:11: ♪ And now you're looking pretty in a hotel bar ♪
47:11 - 47:16: ♪ And I can't stop ♪
47:16 - 47:21: ♪ No, I can't stop ♪
47:21 - 47:23: ♪ So baby, pull me closer ♪
47:23 - 47:25: ♪ In the backseat of your Rover ♪
47:25 - 47:28: ♪ That I know you can't afford ♪
47:28 - 47:30: ♪ Bite that tattoo on your shoulder ♪
47:30 - 47:33: ♪ Pull the sheets right off the corner ♪
47:33 - 47:36: ♪ Of the mattress that you stole ♪
47:36 - 47:38: ♪ From your roommate back in Boulder ♪
47:38 - 47:43: ♪ We ain't ever getting older ♪
47:43 - 47:53: ♪ We ain't ever getting older ♪
47:53 - 48:02: ♪ We ain't ever getting older ♪
48:02 - 48:03: - Here's another email.
48:03 - 48:05: This one's from Ryan Campbell out in Kansas City.
48:05 - 48:07: The real deep time crisis heads know
48:07 - 48:10: that we put up a playlist recently.
48:10 - 48:12: And you made it, Jake.
48:12 - 48:13: - Oh, the Home Depot playlist.
48:13 - 48:15: - This was kind of a fantasy playlist
48:15 - 48:16: about what you would like to hear
48:16 - 48:17: when you go to Home Depot.
48:17 - 48:21: - If we got the gig to curate the playlist at Home Depot.
48:21 - 48:23: - And generally speaking,
48:23 - 48:26: as anyone who knows you would probably guess,
48:26 - 48:28: you wanted to hear a lot of the tasteful palette
48:28 - 48:30: of '70s rock.
48:30 - 48:34: - Yeah, but I was thinking about also a retail environment.
48:34 - 48:36: So I catered the playlist.
48:37 - 48:38: - Yeah, it was a lot of like,
48:38 - 48:42: kind of middle of the road dad rock.
48:42 - 48:42: - Right.
48:42 - 48:44: - So it was a little bit tongue in cheek,
48:44 - 48:46: but I also wanted to choose the best stuff
48:46 - 48:50: from that genre/palette.
48:50 - 48:53: - So Ryan from Kansas City is at least one person
48:53 - 48:55: who actually put that playlist to use.
48:55 - 48:58: He writes, "I had an occasion to go get some zip ties
48:58 - 49:01: and a staple gun."
49:01 - 49:02: - That's interesting.
49:02 - 49:03: - Love that combo.
49:03 - 49:04: - That sounds like a serial killer.
49:04 - 49:06: - Yeah, kind of zip ties.
49:06 - 49:08: - Zip ties and a staple gun.
49:08 - 49:10: - Yeah, that's a weird.
49:10 - 49:12: - He's like, okay, you know what he's doing?
49:12 - 49:12: - What?
49:12 - 49:15: - He's running a bunch of cable and extension cords
49:15 - 49:17: in his like room or like his basement.
49:17 - 49:18: - Oh, he's trying to make sure they're neat.
49:18 - 49:19: - Yeah.
49:19 - 49:20: - He's bundling the cords.
49:20 - 49:23: - He's gonna zip tie the cords and then staple gun
49:23 - 49:27: the little like plastic lip or whatever into the wall.
49:27 - 49:28: That's what he's doing.
49:28 - 49:30: - Ryan, let us know if that's true.
49:30 - 49:33: So yeah, he had an occasion to go get some zip ties
49:33 - 49:35: and a staple gun from Home Depot
49:35 - 49:37: and relish the opportunity to pump your custom made
49:37 - 49:39: playlist during my suburban errand.
49:39 - 49:42: I appreciate that there are still rock buffs out there
49:42 - 49:44: to do hard work like this.
49:44 - 49:46: BTW have been converted from a slightly casual listener
49:46 - 49:49: of the Grateful Dead to a heavy user thanks to you.
49:49 - 49:50: Ryan from Kansas City.
49:50 - 49:52: - Great email, Ryan.
49:52 - 49:55: - The rock buff community is dwindling.
49:55 - 49:56: - Time marches on.
49:56 - 49:58: - Time marches on, as it should.
49:58 - 49:59: But you know, there's still some out there
49:59 - 50:00: and that's cool, man.
50:00 - 50:03: You turned Ryan into a heavy Grateful Dead listener.
50:03 - 50:05: - What if that Home Depot was in Kansas City,
50:05 - 50:08: city limits or suburban?
50:08 - 50:10: - Well, he used the word suburban in there.
50:10 - 50:11: Well, you know what?
50:11 - 50:12: - Missouri?
50:12 - 50:13: - Well, or Kansas.
50:13 - 50:15: That's a big question.
50:15 - 50:16: - Ryan, you gotta get back to us.
50:16 - 50:17: - Well, 'cause you know, like a lot of these
50:17 - 50:19: Midwestern cities, I always notice this.
50:19 - 50:21: 'Cause we both grew up in the New York metro area,
50:21 - 50:23: the tri-state area.
50:23 - 50:25: Me growing up in Jersey, you growing up in Connecticut.
50:25 - 50:25: - CT.
50:25 - 50:30: - When, because New York and especially what's often
50:30 - 50:32: referred to as the city, the island of Manhattan
50:32 - 50:35: is surrounded by water, of course.
50:35 - 50:37: When people ask where you're from,
50:37 - 50:39: in New York it's like this real thing.
50:39 - 50:41: Like people who grew up in the city.
50:41 - 50:43: You can't just be from Long Island or Jersey or whatever
50:43 - 50:46: and say, well, you know, I was in New York.
50:46 - 50:48: Whereas in other places, it's not such a big,
50:48 - 50:50: I think if you're from Kansas City or you know,
50:50 - 50:54: or like if you're from a kind of suburb of Houston,
50:54 - 50:55: these kind of larger sprawling cities
50:55 - 50:57: that aren't surrounded by a body of water,
50:57 - 50:59: it's cool, it's no big deal.
50:59 - 51:00: - Right.
51:00 - 51:02: You say you're from Galveston or you just
51:02 - 51:04: say you're from Houston, Houston Metro.
51:04 - 51:06: - No, well, Galveston is, is Galveston
51:06 - 51:07: part of the Houston Metro area?
51:07 - 51:08: - Oh, I thought it was.
51:08 - 51:09: - No, you're way off, Jake.
51:09 - 51:10: - Okay, my bad.
51:10 - 51:10: - Wow, man, I'm surprised.
51:10 - 51:13: ♪ Galveston, oh, Galveston ♪
51:13 - 51:15: - Galveston's on the water.
51:15 - 51:16: - You're right.
51:16 - 51:17: - It's a seaside town.
51:17 - 51:19: - You're totally right.
51:19 - 51:21: - Now, I think you're allowed to be from a suburb
51:21 - 51:24: of Kansas City and say I'm from Kansas City.
51:24 - 51:25: - Yeah.
51:25 - 51:26: - I don't know, it's hard.
51:26 - 51:26: - I was just worried, I was just worried.
51:26 - 51:28: - New York's the biggest snobs.
51:28 - 51:28: - Yeah.
51:28 - 51:30: - It's hard to imagine that somebody who's from like
51:30 - 51:33: Kansas City would be like, oh, really?
51:33 - 51:34: You're from Kansas City?
51:34 - 51:35: I think you're from 20 minutes outside
51:35 - 51:36: the city limits, friend.
51:36 - 51:38: - I was just curious about the Home Depot,
51:38 - 51:41: like if there's Home Depots within city limits.
51:41 - 51:42: - Oh, there must be.
51:42 - 51:44: Well, I guess going to Home Depot is a suburban errand,
51:44 - 51:45: even if you do it in the--
51:45 - 51:46: - I wonder if Ryan was doing earbuds
51:46 - 51:49: in the Home Depot with the playlist.
51:49 - 51:51: ♪ I'm a fool now that it's over ♪
51:51 - 51:56: ♪ Can you guess my name ♪
51:56 - 52:00: ♪ I make my money singing songs about you ♪
52:00 - 52:04: ♪ It's my claim to fame ♪
52:04 - 52:06: ♪ When they say it's over ♪
52:06 - 52:11: ♪ It's not all over, there's still the pain ♪
52:11 - 52:13: ♪ And I'd come running ♪
52:13 - 52:16: ♪ I'd come running back to you again ♪
52:16 - 52:19: ♪ Oh, I'd come running ♪
52:19 - 52:24: ♪ I'd come running back to you again ♪
52:24 - 52:28: ♪ If I said I was sorry ♪
52:28 - 52:32: ♪ Would you still leave me ♪
52:32 - 52:34: ♪ I never thought you'd go ♪
52:34 - 52:36: ♪ 'Til you did ♪
52:36 - 52:39: ♪ Believe me ♪
52:39 - 52:42: ♪ When they say it's over ♪
52:42 - 52:46: ♪ It's not all over completely ♪
52:46 - 52:48: ♪ 'Cause I'd come running ♪
52:48 - 52:52: ♪ I'd come running back to you again ♪
52:52 - 52:55: ♪ Yes, I'd come running ♪
52:55 - 52:59: ♪ I'd come running back to you again ♪
52:59 - 53:05: - Well, anyway, Jake, clearly your Home Depot playlist
53:05 - 53:07: has made some real waves in the Time Crisis community.
53:07 - 53:10: - Yeah, we've gotten a few other emails and tweets about it.
53:10 - 53:12: - People are appreciating it.
53:12 - 53:13: And the truth is, Time Crisis,
53:13 - 53:15: we haven't done a lot of playlists.
53:15 - 53:16: - Yep.
53:16 - 53:19: - 'Cause actually, they put up a playlist of every show,
53:19 - 53:21: the music we play, but you know,
53:21 - 53:21: that ends up being like a little random.
53:21 - 53:23: - So random, yeah.
53:23 - 53:24: - That's not as curated.
53:24 - 53:26: - Yeah.
53:26 - 53:28: - So Jake, you've actually been working on another playlist
53:28 - 53:29: for the Time Crisis community.
53:29 - 53:31: - I was inspired recently,
53:31 - 53:33: 'cause I've been going to the gym a lot more these days,
53:33 - 53:35: the last few months.
53:35 - 53:38: And then my brother and I go to this kickboxing class
53:38 - 53:41: on Saturday mornings at this gym in Eagle Rock.
53:41 - 53:45: It's a group kickboxing class, very co-ed.
53:45 - 53:46: You know, it's like a room of like 20 people,
53:46 - 53:49: and there's a bunch of those hanging punching bags.
53:49 - 53:50: - Yeah.
53:50 - 53:53: - And you like lace up and you glove up,
53:53 - 53:55: and then you're just like punching bags,
53:55 - 53:56: you're kicking the bags.
53:56 - 53:57: - You're kicking.
53:57 - 53:58: - You're doing push-ups, you're doing lunges.
53:58 - 54:01: You know, it's just like a hardcore hour
54:01 - 54:03: with like the instructor with a wireless headset mic
54:03 - 54:05: just being like, "Okay guys."
54:05 - 54:08: It's fun, it's like a fun way to do like a Saturday morning
54:08 - 54:09: with your brother.
54:09 - 54:13: But so they're blasting tunes every Saturday.
54:13 - 54:16: - Does the instructor kind of DJ?
54:16 - 54:17: - Yeah, he makes a playlist.
54:17 - 54:18: - There's no DJ in the corner?
54:18 - 54:20: - No, no, no.
54:20 - 54:21: - Because that's not a joke.
54:21 - 54:22: - What, that's a thing?
54:22 - 54:25: - There are legitimately exercise classes all around America
54:25 - 54:27: where there's a DJ in the room.
54:27 - 54:32: - Wow, that's not a gym that I'm going to.
54:32 - 54:33: - So no DJ?
54:33 - 54:34: - No DJ, he's making a playlist.
54:34 - 54:36: - Okay, I hope he's getting paid extra for that.
54:36 - 54:37: - And each week is different.
54:37 - 54:39: You know, I remember one week it was sort of like
54:39 - 54:43: late 80s, early 90s, kind of like New Jack.
54:43 - 54:43: - Oh, cool.
54:43 - 54:45: - And then another week it'll be like--
54:45 - 54:47: - It's just like, "That girl is poison."
54:47 - 54:48: - Yeah.
54:48 - 54:48: - And you're just like kicking the bags.
54:48 - 54:49: - Yeah.
54:49 - 54:51: (grunting)
54:51 - 54:53: - Or like another week it was like,
54:53 - 54:56: kind of like 80s, just like power ballads.
54:56 - 54:59: It was like Phil Collins, like,
54:59 - 55:00: ♪ I can feel it ♪
55:00 - 55:01: ♪ Come on ♪
55:01 - 55:03: Like real slow, like kind of intense.
55:03 - 55:04: - Wow.
55:04 - 55:05: - I appreciate the risks he's taking.
55:05 - 55:07: So then anyway, I was talking with him
55:07 - 55:08: and talking with my brother
55:08 - 55:09: and we were joking around about like,
55:09 - 55:11: oh no, so then Chris Cornell died.
55:11 - 55:12: - Right.
55:12 - 55:13: - RIP.
55:13 - 55:14: - RIP.
55:14 - 55:16: - We were like, yo, are you going to play some Chris Cornell
55:16 - 55:17: like some Soundgarden?
55:17 - 55:18: He's like, I could.
55:18 - 55:19: What should I play?
55:19 - 55:21: And I was like, Rusty Cage, dude.
55:22 - 55:24: So he throws in Rusty Cage.
55:24 - 55:27: - Ooh, nice guitar tone.
55:27 - 55:28: - It got me thinking.
55:28 - 55:30: I was just like, okay, I'd love to make like a,
55:30 - 55:34: like a hard rock, not like Sabbath and Van Halen,
55:34 - 55:39: but like a kind of alternative music playlists.
55:39 - 55:40: - No metal.
55:40 - 55:41: - Not metal either.
55:41 - 55:42: Yeah, 'cause they play Metallica.
55:42 - 55:43: But then I was like,
55:43 - 55:45: I was like, it'd be interesting,
55:45 - 55:48: like a punk, post-punk and alternative.
55:48 - 55:50: I was thinking about Michael Azarad's book about,
55:50 - 55:52: like kind of 80s, independent.
55:52 - 55:53: - Yeah, like American Underground.
55:53 - 55:54: - Right.
55:54 - 55:57: - And I was thinking like, punk, post-punk and alternative.
55:57 - 55:59: There's like a nice continuum.
55:59 - 56:00: All the music's really aggressive.
56:00 - 56:03: It's not indie, 'cause indie's not really aggressive.
56:03 - 56:03: - Rarely.
56:03 - 56:04: - It's not up-tempo.
56:04 - 56:05: - Yeah.
56:05 - 56:07: - But like punk rock and post-punk,
56:07 - 56:10: and then like right into like Soundgarden
56:10 - 56:13: and even like the Red Hot Chili Peppers.
56:13 - 56:13: - Yeah.
56:13 - 56:15: - They were alternative before they were like
56:15 - 56:18: kind of corny mainstream,
56:18 - 56:20: the way they've been in the last like 15, 20 years.
56:20 - 56:21: - Yeah, they were hard.
56:21 - 56:23: - Like late 80s, early 90s.
56:23 - 56:25: So I made this punk, post-punk
56:25 - 56:27: and alternative workout playlist.
56:27 - 56:30: - Do you think it's gonna get played in the class?
56:30 - 56:30: - I could bring it in.
56:30 - 56:31: I should bring it in.
56:31 - 56:33: - Would you be embarrassed or proud
56:33 - 56:35: if at the beginning of the class he's like,
56:35 - 56:37: by the way guys, one of our regulars, Jake,
56:37 - 56:40: put together a playlist for today's class.
56:40 - 56:42: It's focusing on punk and post-punk.
56:42 - 56:44: Jake, raise your hand.
56:44 - 56:45: - I'd be--
56:45 - 56:46: - Thanks a lot, man.
56:46 - 56:47: - I'd be embarrassed.
56:47 - 56:48: - And he's like, let's do this.
56:48 - 56:50: - He puts on Soundgarden.
56:50 - 56:53: You just like see somebody grimace.
56:53 - 56:55: - Oh, I think people would be in.
56:55 - 56:56: But I would be embarrassed still.
56:56 - 56:59: - Would you actually prefer to work out to this music
56:59 - 57:01: than to Phil Collins?
57:01 - 57:02: - Maybe some days.
57:02 - 57:03: Not every day.
57:03 - 57:04: - Right.
57:04 - 57:06: But you like up-tempo?
57:06 - 57:07: - Yeah.
57:07 - 57:09: And yeah, this is very up-tempo.
57:09 - 57:09: It's very aggressive.
57:09 - 57:10: He's got a playlist.
57:10 - 57:12: - So what else do you put on it?
57:12 - 57:13: - What is it?
57:13 - 57:15: I think it's like 81 to like 92 or something.
57:15 - 57:20: My playlist is very up-tempo, very aggressive.
57:20 - 57:21: You're gonna love it.
57:21 - 57:22: - What's on here?
57:22 - 57:23: Fugazi.
57:23 - 57:25: (rock music)
57:25 - 57:32: - All right, I'm noticing, yeah,
57:32 - 57:34: so you like some crunchy, distorted guitars.
57:34 - 57:39: - Okay, making this playlist made me think about
57:39 - 57:44: early '90s alternative music.
57:44 - 57:45: - Yeah.
57:45 - 57:47: - And that there's like an inherent aggression
57:47 - 57:48: in that music.
57:48 - 57:50: 'Cause I was like trying to like fit in
57:50 - 57:54: like some like pavement or like some like classic indie.
57:54 - 57:55: And I was like--
57:55 - 57:56: - Didn't make sense.
57:56 - 57:57: - Or even R.E.M.
57:57 - 57:58: - Right.
57:58 - 57:59: - I was like, oh, R.E.M. put out some great
57:59 - 58:02: kind of up-tempo numbers in the early '80s.
58:02 - 58:04: And it wasn't fitting.
58:04 - 58:05: - Yeah.
58:05 - 58:06: - And I was like, oh, that's indie.
58:06 - 58:08: - By the way, this, when it got,
58:08 - 58:10: I'm picturing them actually playing this in your class,
58:10 - 58:13: when it gets to this song is when like somebody
58:13 - 58:14: just like goes up to the instructor
58:14 - 58:15: and like whispers in his ear.
58:15 - 58:17: And he's like, all right, Jake,
58:17 - 58:18: thanks so much for the playlist.
58:18 - 58:20: We're gonna get back to my Phil Collins mix.
58:20 - 58:24: This is cool, though.
58:24 - 58:24: - Yeah, yeah.
58:24 - 58:25: - I like Fugazi.
58:25 - 58:27: - Okay, here's another classic.
58:27 - 58:30: Dead Kennedys.
58:30 - 58:32: - Oh, Holiday in Cambodia.
58:32 - 58:33: - No, no, no.
58:33 - 58:34: - Oh, California Browse.
58:34 - 58:35: - Yeah, yeah, yeah.
58:38 - 58:41: This is a weird song.
58:41 - 58:41: - Yeah.
58:41 - 58:44: - Jerry Brown is currently our governor.
58:44 - 58:45: - Yeah.
58:47 - 58:54: ♪ I am governor of Jerry Brown ♪
58:54 - 58:57: ♪ I are a smile that never frowns ♪
58:57 - 59:00: ♪ Soon I will be president ♪
59:00 - 59:04: - Man, this type of music, like,
59:04 - 59:07: you don't hear it around much these days.
59:07 - 59:09: - No.
59:09 - 59:10: - I'm actually curious about that.
59:10 - 59:12: 'Cause, like, remember when we were talking about GBV,
59:12 - 59:13: Gotta Buy Voices?
59:13 - 59:14: - Yeah.
59:14 - 59:17: - I'm kinda asking if any listeners are, like, actual fans,
59:17 - 59:18: or if any of them saw them at Coachella.
59:18 - 59:19: I'm just, like, curious.
59:19 - 59:21: Anybody listen to Time Crisis?
59:21 - 59:25: Do you still regularly listen to the harder side
59:25 - 59:28: of alternative rock, punk, post-punk?
59:28 - 59:29: Are you jamming Fugazi?
59:29 - 59:32: It's very youthful music,
59:32 - 59:34: but the youth of today don't seem to be--
59:34 - 59:35: - It's old.
59:35 - 59:36: - Yeah.
59:36 - 59:37: - Are you doing Bad Brains?
59:38 - 59:40: Are you doing Black Flag?
59:40 - 59:44: - I wonder.
59:44 - 59:46: - The kids are doing Nirvana and RHCP.
59:46 - 59:49: - Yeah, I mean, that's everything.
59:49 - 59:51: Did you put any Nirvana on the playlist?
59:51 - 59:53: - The last song is Nirvana, "Breed."
59:53 - 59:54: - Okay.
59:54 - 59:56: You don't wanna break 'em off
59:56 - 59:57: with "Smells Like Teen Spirit?"
59:57 - 59:58: - No, man.
59:58 - 01:00:04: (heavy metal music)
01:00:04 - 01:00:07: (heavy metal music)
01:00:07 - 01:00:13: - You just, like, bench press right now?
01:00:13 - 01:00:16: - This would be the part of the class, like,
01:00:16 - 01:00:18: and now, double time!
01:00:18 - 01:00:20: Push this (beep) out of that bag!
01:00:20 - 01:00:22: - That was almost like a drop.
01:00:22 - 01:00:23: - Yeah.
01:00:23 - 01:00:26: ♪ I don't care, I don't care, I don't care, I don't care ♪
01:00:26 - 01:00:27: ♪ I don't care, I don't care, I don't care ♪
01:00:27 - 01:00:29: - Power, people, give me power!
01:00:29 - 01:00:33: - We're almost there, guys.
01:00:33 - 01:00:35: You're gonna feel so good after this.
01:00:35 - 01:00:38: - Get you ready for the pool.
01:00:38 - 01:00:39: - Man.
01:00:39 - 01:00:45: What do you think Kurt would think about, like,
01:00:45 - 01:00:48: Nirvana being in a kickbox?
01:00:48 - 01:00:49: I mean, I even wonder,
01:00:49 - 01:00:52: back when you were, like, a young Nirvana fan, as a teen,
01:00:52 - 01:00:57: do you think he would've found the idea of you, like,
01:00:57 - 01:00:59: going to kickbox class on a Saturday morning funny?
01:00:59 - 01:01:00: - Oh, yeah.
01:01:00 - 01:01:01: I think it's funny now.
01:01:01 - 01:01:04: (laughing)
01:01:04 - 01:01:06: - Dude, speaking of funny.
01:01:06 - 01:01:09: - Oh.
01:01:09 - 01:01:15: - This, I just wanna say, like,
01:01:15 - 01:01:17: anybody who's under the age of, like, 25,
01:01:17 - 01:01:20: back in the '90s, like,
01:01:20 - 01:01:22: you couldn't escape this kind of music.
01:01:22 - 01:01:23: It's such a different atmosphere.
01:01:23 - 01:01:25: - Yeah.
01:01:25 - 01:01:28: - 'Cause even if you, like, were more into pop or hip hop,
01:01:28 - 01:01:30: this (beep) would just be on MTV, and, like,
01:01:30 - 01:01:33: I'm not dissing it, but I'm just like,
01:01:33 - 01:01:34: life has a different, like,
01:01:34 - 01:01:36: I'm definitely not saying for the better,
01:01:36 - 01:01:38: but life has a different flavor
01:01:38 - 01:01:39: when you're just, like, walking around,
01:01:39 - 01:01:41: and you're just like, "Downhill, round, round."
01:01:41 - 01:01:42: - Just heavy riffs.
01:01:42 - 01:01:43: - Yeah.
01:01:43 - 01:01:45: I guess it's kinda like how today
01:01:45 - 01:01:46: you can't go anywhere without hearing, like,
01:01:46 - 01:01:48: trap music and trap hi-hats.
01:01:48 - 01:01:49: - Right.
01:01:49 - 01:01:50: - Even if you don't know the song,
01:01:50 - 01:01:51: you just hear, like, the (imitates trap music)
01:01:51 - 01:01:52: - Right.
01:01:52 - 01:01:54: - And back in the '90s, like, "Downhill."
01:01:54 - 01:01:58: This is, like, what it sounded like.
01:01:59 - 01:02:01: I was so into this when I was 15, dude.
01:02:01 - 01:02:02: - This just makes me think of, like,
01:02:02 - 01:02:04: walking home from school, and, like,
01:02:04 - 01:02:05: some kid wanna, like,
01:02:05 - 01:02:07: try and get me to smoke a cigarette.
01:02:07 - 01:02:09: Or, like, be in somebody's older brother's room.
01:02:09 - 01:02:10: - Totally.
01:02:10 - 01:02:11: - That, like, smells really weird,
01:02:11 - 01:02:13: and it's, like, a CD tower.
01:02:13 - 01:02:14: - Oh, my God.
01:02:14 - 01:02:16: - Well, that's a hell of a playlist, Jake.
01:02:16 - 01:02:17: I encourage everybody to check it out, and--
01:02:17 - 01:02:19: - This one might not be quite the hit, though,
01:02:19 - 01:02:20: the Home Depot one was.
01:02:20 - 01:02:21: - Well, we'll see.
01:02:21 - 01:02:22: I mean, so--
01:02:22 - 01:02:22: - I think it's a great playlist.
01:02:22 - 01:02:25: I think, if you're working out in your garage or whatever,
01:02:25 - 01:02:27: going to the gym with earbuds,
01:02:27 - 01:02:29: give it a shot, man.
01:02:29 - 01:02:30: It's 43 minutes.
01:02:30 - 01:02:33: - That's a great length for a workout.
01:02:33 - 01:02:34: - Totally, dude.
01:02:34 - 01:02:36: It's all up-tempo, it's real high-energy.
01:02:36 - 01:02:39: And then you're gonna explore
01:02:39 - 01:02:42: the punk and post-punk underground
01:02:42 - 01:02:44: as it morphed into mainstream alternative music
01:02:44 - 01:02:45: in the early '90s.
01:02:45 - 01:02:48: You're going from the early '80s
01:02:48 - 01:02:49: into the early '90s. - You're on a journey.
01:02:49 - 01:02:50: - Oh, yeah, it's a journey.
01:02:50 - 01:02:51: It's not in chronological order.
01:02:51 - 01:02:55: I start with mainstream label alternative music,
01:02:55 - 01:02:58: Soundgarden, and I end with Chili Peppers and Nirvana.
01:02:58 - 01:03:01: But the whole middle part is all '80s.
01:03:01 - 01:03:03: - Right.
01:03:03 - 01:03:03: - Punk, post-punk. - So this playlist
01:03:03 - 01:03:05: is good for the body and the mind.
01:03:05 - 01:03:06: - Oh, yeah.
01:03:06 - 01:03:08: Very edifying.
01:03:08 - 01:03:09: Very edifying.
01:03:09 - 01:03:11: - Try it out.
01:03:11 - 01:03:14: Or, like, you know, I bet we probably have a lot of listeners
01:03:14 - 01:03:16: who favor the harder side of rock,
01:03:16 - 01:03:18: who probably go to exercise classes,
01:03:18 - 01:03:21: and maybe they don't like hearing Chain Smokers
01:03:21 - 01:03:22: in the exercise class, but you know what?
01:03:22 - 01:03:23: That's fine.
01:03:23 - 01:03:24: Don't be a dick about it.
01:03:24 - 01:03:26: Just go up to your teacher and say,
01:03:26 - 01:03:30: "Sir, madam, is it okay if during this class
01:03:30 - 01:03:31: "I pop some earbuds in?
01:03:31 - 01:03:34: "I will be watching you visually and following along,
01:03:34 - 01:03:37: "but I will be listening to Jake's
01:03:37 - 01:03:40: "punk and post-punk workout playlist."
01:03:40 - 01:03:42: If the teacher says yes, pop those earbuds in
01:03:42 - 01:03:43: and do your thing.
01:03:43 - 01:03:46: (upbeat rock music)
01:03:46 - 01:03:52: ♪ Shoulda been, coulda been, woulda been dead ♪
01:03:52 - 01:03:55: ♪ If I didn't get the message going to my head ♪
01:03:55 - 01:03:57: ♪ I am what I am ♪
01:03:57 - 01:04:00: ♪ Most mother fuckers don't give a damn ♪
01:04:00 - 01:04:02: ♪ Oh baby, think you can ♪
01:04:02 - 01:04:04: ♪ Be my girl, I'll be your man ♪
01:04:04 - 01:04:06: ♪ Someone put a phone to my telephone ♪
01:04:06 - 01:04:09: ♪ The little boy pick up and put my stunt on ♪
01:04:09 - 01:04:11: ♪ Beware, take care ♪
01:04:11 - 01:04:14: ♪ Most mother fuckers never call that still ♪
01:04:14 - 01:04:16: ♪ Oh baby, please be there ♪
01:04:16 - 01:04:21: ♪ So my kids could be my shit ♪
01:04:23 - 01:04:26: ♪ Hit me, you can't hit me ♪
01:04:26 - 01:04:28: ♪ Suck my kiss ♪
01:04:28 - 01:04:31: ♪ Kiss me, people love me ♪
01:04:31 - 01:04:33: ♪ Stick with me ♪
01:04:33 - 01:04:37: ♪ This shit talking dirty ♪
01:04:37 - 01:04:39: ♪ Give to me sweet, sacred bliss ♪
01:04:39 - 01:04:42: ♪ That no one made to suck my kiss ♪
01:04:42 - 01:04:45: - So for anybody who wants to check out Jake's playlist,
01:04:45 - 01:04:47: just search Time Crisis on Apple Music.
01:04:47 - 01:04:49: You'll find all the Time Crisis playlists
01:04:49 - 01:04:51: and his will be prominently featured.
01:04:51 - 01:04:53: All right, Jake, man, you ready for the top five?
01:04:53 - 01:04:54: - Oh yeah.
01:04:55 - 01:05:00: - It's time for the top five on iTunes.
01:05:00 - 01:05:05: - So this week, we're gonna be looking at the top five
01:05:05 - 01:05:07: songs of today, as always,
01:05:07 - 01:05:08: but we're gonna be comparing them
01:05:08 - 01:05:11: to the top five songs of 1967.
01:05:11 - 01:05:13: Why?
01:05:13 - 01:05:18: Because 2017 is the 50th anniversary of 1967.
01:05:18 - 01:05:21: It's always like funny to talk about--
01:05:21 - 01:05:22: - Man.
01:05:22 - 01:05:23: - The anniversary of years.
01:05:23 - 01:05:25: - You know what's funny?
01:05:25 - 01:05:26: That Chili Peppers song--
01:05:26 - 01:05:27: - Yeah.
01:05:27 - 01:05:31: - Is the halfway point between '67 and right now.
01:05:31 - 01:05:34: '92 was 25 years ago.
01:05:34 - 01:05:37: - Oh my God, that's a trip.
01:05:37 - 01:05:42: 1992 is the halfway point between our present and 1967.
01:05:42 - 01:05:48: So that means all the cultural changes between '67 and '92,
01:05:49 - 01:05:51: which for us now, looking backwards,
01:05:51 - 01:05:54: seems like a fully different world.
01:05:54 - 01:05:54: - Oh yeah.
01:05:54 - 01:05:56: - When I think back to '92, I'm like,
01:05:56 - 01:05:58: all right, what's changed?
01:05:58 - 01:06:03: Maybe the reason the '60s had this false sense of promise.
01:06:03 - 01:06:03: I mean a lot.
01:06:03 - 01:06:08: Yeah, now we got Apple Watches, Instagram, Uber Eats.
01:06:08 - 01:06:11: '92, I was still a little bit too young
01:06:11 - 01:06:14: to really have a zeitgeist consciousness.
01:06:14 - 01:06:15: - I was 15, dude.
01:06:15 - 01:06:16: - Okay, so you were old enough to have
01:06:16 - 01:06:17: a zeitgeist consciousness.
01:06:17 - 01:06:19: - I loved the summer of '92.
01:06:19 - 01:06:20: - Papa John's?
01:06:20 - 01:06:23: - No, I was working in the kitchen at a summer camp.
01:06:23 - 01:06:24: - Okay, food service though.
01:06:24 - 01:06:27: - Yeah, a lot of RHCP that summer.
01:06:27 - 01:06:29: A lot of Pearl Jam, a lot of Soundgarden.
01:06:29 - 01:06:30: - All right, well that's changed.
01:06:30 - 01:06:31: - Yep.
01:06:31 - 01:06:34: - '92, you had to walk around hearing guitars
01:06:34 - 01:06:35: and slap bass a lot.
01:06:35 - 01:06:38: - But it's funny that like Sgt. Pepper
01:06:38 - 01:06:40: was only 25 years old at that point.
01:06:40 - 01:06:41: It's so weird.
01:06:41 - 01:06:42: - Now it's 50.
01:06:42 - 01:06:44: Wow, '92 was the midpoint.
01:06:45 - 01:06:48: - Chili Peppers, the halfway point between
01:06:48 - 01:06:51: Hendrix and the Beatles and the Chainsmokers.
01:06:51 - 01:06:52: - That's wild, man.
01:06:52 - 01:06:55: So we're talking about 1967 'cause, you know,
01:06:55 - 01:06:57: 50th anniversary of the Grateful Dead.
01:06:57 - 01:06:59: That's why they're out on touring.
01:06:59 - 01:07:01: Or not the Grateful Dead.
01:07:01 - 01:07:01: - Dead & Co.
01:07:01 - 01:07:02: - Dead & Co.
01:07:02 - 01:07:04: It's also recently was the 50th anniversary
01:07:04 - 01:07:06: of Sgt. Pepper.
01:07:06 - 01:07:09: - And the first Hendrix record, Are You Experienced?
01:07:09 - 01:07:10: - So people were talking about that a lot.
01:07:10 - 01:07:13: 50th anniversary, like what does it mean?
01:07:13 - 01:07:16: - Paul McCartney was recently in the last--
01:07:16 - 01:07:17: - Oh yeah.
01:07:17 - 01:07:20: - Pirates of the Caribbean movie.
01:07:20 - 01:07:22: - I saw that image of him like as an old pirate
01:07:22 - 01:07:26: and I thought it was like some funny like Photoshop joke.
01:07:26 - 01:07:28: I can't believe he's actually in it.
01:07:28 - 01:07:29: - Yeah.
01:07:29 - 01:07:30: - He's like, I'll take the time.
01:07:30 - 01:07:31: I'll get up at like 5 a.m.
01:07:31 - 01:07:33: get hit the makeup chair.
01:07:33 - 01:07:36: And spend three hours in makeup to like
01:07:36 - 01:07:37: go be in this movie.
01:07:37 - 01:07:39: - I mean, life is weird, man.
01:07:39 - 01:07:41: You know, 50 years ago,
01:07:41 - 01:07:44: you're making one of the most influential albums
01:07:44 - 01:07:45: of all time.
01:07:45 - 01:07:49: 25 years later, you're just jamming some RHCP,
01:07:49 - 01:07:50: raising your children.
01:07:50 - 01:07:52: Fast forward another 25,
01:07:52 - 01:07:54: you're acting alongside Johnny Depp.
01:07:54 - 01:07:56: Life is a strange journey.
01:07:56 - 01:07:59: So--
01:07:59 - 01:08:02: - You're acting alongside a fairly old Johnny Depp.
01:08:02 - 01:08:05: Twilight of his career.
01:08:05 - 01:08:06: - Oh man.
01:08:06 - 01:08:09: - Yeah man, so Summer of Love, huh?
01:08:09 - 01:08:10: - That was the Summer of Love.
01:08:10 - 01:08:11: - I also thought it would be funny
01:08:11 - 01:08:14: in terms of, you know, '67 being the like,
01:08:14 - 01:08:17: the height of like the baby boomer
01:08:17 - 01:08:19: coming into their own as a generation
01:08:19 - 01:08:21: and like evoking all this change
01:08:21 - 01:08:25: and then the final culmination of the baby boomers in power.
01:08:25 - 01:08:28: We end up with Trump in the office.
01:08:28 - 01:08:29: - Yeah, that's--
01:08:29 - 01:08:30: - Which is like the true disillusion.
01:08:30 - 01:08:32: It's like a Don Henley song on steroids.
01:08:32 - 01:08:35: It's like the baby boomer dream
01:08:35 - 01:08:38: is like fully rotten and like trashed.
01:08:38 - 01:08:40: - Yeah, can you imagine that?
01:08:40 - 01:08:43: That you're like growing up with some conservative
01:08:43 - 01:08:44: greatest generation parents.
01:08:44 - 01:08:45: - Right.
01:08:45 - 01:08:49: - In a racist household and maybe you're like,
01:08:49 - 01:08:53: you turn 18 in like 1965.
01:08:53 - 01:08:54: Things are changing.
01:08:54 - 01:08:56: Civil rights movement,
01:08:56 - 01:08:59: the first truly like mass protest against a war
01:08:59 - 01:09:02: and maybe you really have this feeling like,
01:09:02 - 01:09:05: wow, this is the dawning of the age of Aquarius
01:09:05 - 01:09:06: and you're right at that age
01:09:06 - 01:09:08: where you just became an adult.
01:09:08 - 01:09:11: You suddenly are pushing back against the government.
01:09:11 - 01:09:13: Imagine that that's the year you turned 18.
01:09:13 - 01:09:14: Your introduction to adulthood
01:09:14 - 01:09:16: is when all these things are happening.
01:09:16 - 01:09:17: That probably set up a precedent
01:09:17 - 01:09:19: where you're kind of believing,
01:09:19 - 01:09:22: wow, things can change very quickly.
01:09:22 - 01:09:23: I remember when I was a kid,
01:09:23 - 01:09:26: we didn't have Jimi Hendrix or Bob Dylan
01:09:26 - 01:09:28: and now all these things changed
01:09:28 - 01:09:30: and then the rest of your life,
01:09:30 - 01:09:32: depending on where your mind's at,
01:09:32 - 01:09:35: this is like the harshest vibe version.
01:09:35 - 01:09:37: So you start out on a high note at 18.
01:09:37 - 01:09:39: Things can change, dad.
01:09:39 - 01:09:40: Music can change, culture can change,
01:09:40 - 01:09:42: the way we treat each other can change.
01:09:42 - 01:09:45: We're entering a new era of consciousness.
01:09:45 - 01:09:48: Then by the early 70s,
01:09:48 - 01:09:51: Nixon is president,
01:09:51 - 01:09:52: Vietnam War is still kind of going on
01:09:52 - 01:09:54: and just like in this like petering out
01:09:54 - 01:09:57: in this kind of like brutal way.
01:09:57 - 01:09:59: The hippie stuff ends.
01:09:59 - 01:10:01: There's like a recession.
01:10:01 - 01:10:03: Everybody starts wearing kind of like weird orange
01:10:03 - 01:10:04: and brown colors.
01:10:04 - 01:10:06: - Just a general malaise, man.
01:10:06 - 01:10:08: - Just a general malaise.
01:10:08 - 01:10:13: Then the 80s, kind of the economy picks back up
01:10:13 - 01:10:15: but you got this like President Ronald Reagan
01:10:15 - 01:10:19: fighting like secret wars in Latin America.
01:10:19 - 01:10:21: Also at that point, culturally,
01:10:21 - 01:10:23: hippies are like a joke.
01:10:23 - 01:10:25: The idea of still being a hippie in the 80s
01:10:25 - 01:10:27: outside of maybe at a Grateful Dead show
01:10:27 - 01:10:29: is kind of laughable.
01:10:29 - 01:10:32: A lot of former hippies are now like becoming businessmen,
01:10:32 - 01:10:34: slicking their hair back.
01:10:34 - 01:10:37: You got Donald Trump running real estate in New York.
01:10:37 - 01:10:40: And then it's the 90s and you're kind of like,
01:10:40 - 01:10:42: kind of your last hope is like Bill Clinton.
01:10:42 - 01:10:43: - First boomer president.
01:10:43 - 01:10:45: - Right, you're finally like, okay, okay, this is good.
01:10:45 - 01:10:46: We're back on track.
01:10:46 - 01:10:50: Bill Clinton, we're gonna overlook all like the gnarly stuff.
01:10:50 - 01:10:52: Not reading the fine print on the crime bill
01:10:52 - 01:10:53: but you're just trying to feel good.
01:10:53 - 01:10:57: You're like 90s, things are back on track, man.
01:10:57 - 01:10:59: It's the end of history.
01:10:59 - 01:11:01: No more fighting with the Soviet Union.
01:11:01 - 01:11:02: Democracy won out.
01:11:02 - 01:11:03: Things are okay.
01:11:03 - 01:11:06: - War is over.
01:11:06 - 01:11:08: - Bill and Hillary in the White House, man.
01:11:08 - 01:11:12: They're jamming Fleetwood Mac at their campaign events.
01:11:12 - 01:11:13: This dude's playing saxophone.
01:11:13 - 01:11:14: Okay, finally.
01:11:14 - 01:11:16: You don't look at the fine print
01:11:16 - 01:11:17: because you don't wanna harsh your vibe,
01:11:17 - 01:11:18: but you're kind of like, nice.
01:11:18 - 01:11:20: This is, yeah.
01:11:20 - 01:11:22: - Although Jerry dies during Bill's first term.
01:11:22 - 01:11:24: That's a tough break.
01:11:24 - 01:11:25: - Jerry dies, but it's bittersweet
01:11:25 - 01:11:28: 'cause you're like, man, Jerry's gone,
01:11:28 - 01:11:31: but we do finally have a boomer musician
01:11:31 - 01:11:32: in the White House, man.
01:11:32 - 01:11:34: That's pretty cool.
01:11:34 - 01:11:37: - It's not Neil Young, but it's pretty close.
01:11:37 - 01:11:38: - It's pretty close.
01:11:38 - 01:11:40: I would have preferred a guitarist or a drummer,
01:11:40 - 01:11:43: but sax is pretty cool, man.
01:11:43 - 01:11:44: And you have this feeling that,
01:11:44 - 01:11:46: okay, maybe things are back on track.
01:11:46 - 01:11:48: Back when I was 18 and the world was changing,
01:11:48 - 01:11:50: yes, it would have seemed improbable
01:11:50 - 01:11:52: that we'd have a cool saxophone playing dude.
01:11:52 - 01:11:54: And then the end of the 90s,
01:11:54 - 01:11:58: now this dude is fooling around with the intern.
01:11:58 - 01:11:59: - 50 year history here.
01:11:59 - 01:12:00: I love it.
01:12:00 - 01:12:01: - It's just like brutal.
01:12:01 - 01:12:03: - It ends with the Lewinsky, that's just rough.
01:12:03 - 01:12:04: - Right, and it's rough.
01:12:04 - 01:12:06: And the Republicans were being hypocrites about it,
01:12:06 - 01:12:09: but you don't feel like, it's just brutal.
01:12:09 - 01:12:11: And then back at the Iraq War,
01:12:11 - 01:12:13: protests on the street again.
01:12:13 - 01:12:14: - Another boomer president.
01:12:14 - 01:12:15: - Can't stop it.
01:12:15 - 01:12:17: Now we got the other side of the boomer's got George Bush.
01:12:17 - 01:12:21: Then Obama again, you're kind of like,
01:12:21 - 01:12:22: at this point, a little disillusioned,
01:12:22 - 01:12:27: but Obama is such a good guy breaking a racial barrier.
01:12:27 - 01:12:29: So many things to feel good about.
01:12:29 - 01:12:32: - And you're also like, this is the younger generation.
01:12:32 - 01:12:33: He's not a boomer.
01:12:33 - 01:12:36: You're like, he's like, okay, okay.
01:12:36 - 01:12:37: - So now you're like, okay.
01:12:37 - 01:12:38: Now you have this feeling,
01:12:38 - 01:12:41: okay, we didn't quite win this thing.
01:12:41 - 01:12:42: Our generation didn't quite win it,
01:12:42 - 01:12:44: but you know what?
01:12:44 - 01:12:45: We taught our children well, man.
01:12:45 - 01:12:48: And now we got an Obama.
01:12:48 - 01:12:50: - Teach your children well.
01:12:50 - 01:12:53: - And then of course,
01:12:53 - 01:12:55: just the brutal cycle of American history.
01:12:55 - 01:12:57: Obama is followed by Trump.
01:12:57 - 01:13:01: And in some ways it's kind of like--
01:13:01 - 01:13:03: - The last gasp of the boomers.
01:13:03 - 01:13:06: Unless Bernie wins in 2020.
01:13:06 - 01:13:07: - Not gonna happen, man.
01:13:07 - 01:13:09: It's brutal.
01:13:09 - 01:13:10: - Never say never, but yeah.
01:13:10 - 01:13:13: - Look, I think there's been so many positive developments,
01:13:13 - 01:13:17: but I understand why people get more and more nihilistic
01:13:17 - 01:13:18: as they get older,
01:13:18 - 01:13:21: because it kind of seems like for every gain
01:13:21 - 01:13:24: that we have in terms of human rights,
01:13:24 - 01:13:25: something else brutal happens,
01:13:25 - 01:13:28: where it's like you only get the human rights
01:13:28 - 01:13:32: in this kind of weird dehumanized capitalist package.
01:13:32 - 01:13:37: So anyway, if you came of age in 1967,
01:13:37 - 01:13:39: you have been on quite a journey.
01:13:39 - 01:13:42: - I remember when Obama won in '08
01:13:42 - 01:13:43: and calling my mom and she was like,
01:13:43 - 01:13:45: "Well, don't have your hopes up too high."
01:13:45 - 01:13:46: - Right.
01:13:46 - 01:13:49: - She's like, "I've been down this road before."
01:13:49 - 01:13:50: - Yeah.
01:13:50 - 01:13:51: No, understandable.
01:13:51 - 01:13:53: That's that real wisdom.
01:13:53 - 01:13:54: - So, woo, '67.
01:13:54 - 01:13:55: - I just wanna say something else.
01:13:55 - 01:13:56: - Yeah.
01:13:56 - 01:13:57: - You know what year I turned 18?
01:13:57 - 01:14:00: - 2002?
01:14:00 - 01:14:04: - 2002, so my expectations are very low.
01:14:04 - 01:14:05: - Wow.
01:14:05 - 01:14:07: - Just like post 9/11, invading Iraq.
01:14:07 - 01:14:08: - That's intense.
01:14:08 - 01:14:10: - George Bush.
01:14:10 - 01:14:11: That was my coming of age.
01:14:11 - 01:14:14: - I turned 18 in '95, a real benign era.
01:14:14 - 01:14:16: - Yeah, that's kind of a cool time to turn 18.
01:14:16 - 01:14:17: - That's real mellow.
01:14:17 - 01:14:20: - You entered adulthood with a cool sax playing president.
01:14:20 - 01:14:22: Okay, so what were people--
01:14:22 - 01:14:24: - Although Jerry was dead.
01:14:24 - 01:14:25: - Right, that's harsh.
01:14:25 - 01:14:29: Let's start with the number five song of 1967.
01:14:29 - 01:14:30: This song's called "The Happening."
01:14:30 - 01:14:32: - This week of '67.
01:14:32 - 01:14:33: - This week of '67.
01:14:33 - 01:14:34: - June '67.
01:14:34 - 01:14:36: - June '67.
01:14:36 - 01:14:37: So, the beginning of the summer of love.
01:14:37 - 01:14:41: This was on the radio, getting bought up in the stores.
01:14:41 - 01:14:43: "The Happening," I don't know this song.
01:14:43 - 01:14:45: It's by the Supremes, who of course I know.
01:14:45 - 01:14:48: But "The Happening," that's a pretty cool '60s title.
01:14:53 - 01:14:55: This is the theme to the Columbia Pictures film,
01:14:55 - 01:14:56: "The Happening."
01:14:56 - 01:14:59: - Yeah, that is the most '60s film title ever.
01:14:59 - 01:15:02: ♪ In your life, look at me ♪
01:15:02 - 01:15:04: ♪ I can see the reality ♪
01:15:04 - 01:15:07: ♪ 'Cause when you shook me, took me out of my world ♪
01:15:07 - 01:15:09: ♪ I woke up ♪
01:15:09 - 01:15:12: ♪ Suddenly I just woke up ♪
01:15:12 - 01:15:14: ♪ To a happening ♪
01:15:14 - 01:15:18: ♪ When you find it, that you let the future be had ♪
01:15:18 - 01:15:21: ♪ 'Cause when you've got a tender love ♪
01:15:21 - 01:15:23: ♪ That you don't take care of ♪
01:15:23 - 01:15:26: ♪ Then you better beware of ♪
01:15:26 - 01:15:28: ♪ The happening ♪
01:15:28 - 01:15:30: - What is this song even about?
01:15:30 - 01:15:31: So this must have been around the time
01:15:31 - 01:15:33: when people started saying like,
01:15:33 - 01:15:35: oh, that's happening now.
01:15:35 - 01:15:36: - Yeah.
01:15:36 - 01:15:38: - Or there is a happening, that's a happening,
01:15:38 - 01:15:39: that's a pretty happening.
01:15:39 - 01:15:43: ♪ There's something happening here ♪
01:15:43 - 01:15:46: ♪ And it can happen to you ♪
01:15:46 - 01:15:48: - It can happen to me.
01:15:48 - 01:15:50: - This is kind of a benign take on,
01:15:50 - 01:15:52: ♪ Take the detour ♪
01:15:52 - 01:15:55: ♪ Yeah, run out of the world ♪
01:15:55 - 01:15:57: ♪ And have a nice ♪
01:15:57 - 01:16:00: - Yeah, it's like the mainstream version of like,
01:16:00 - 01:16:02: something here is happening.
01:16:02 - 01:16:03: - Right.
01:16:03 - 01:16:04: - But you don't know what it is.
01:16:04 - 01:16:07: - The happening, that implies change.
01:16:07 - 01:16:08: - Yeah.
01:16:08 - 01:16:09: - Something new is happening.
01:16:09 - 01:16:11: That's what was in the air in 1967,
01:16:11 - 01:16:13: Diana Ross singing about the happening.
01:16:13 - 01:16:19: In 2017, we have Jake Paul singing a song called
01:16:20 - 01:16:22: It's Everyday Bro, featuring Team 10.
01:16:22 - 01:16:23: - Great title.
01:16:23 - 01:16:25: - I think before we listen to this--
01:16:25 - 01:16:26: - I love everything about that.
01:16:26 - 01:16:30: Jake Paul singing a song called what?
01:16:30 - 01:16:32: - It's Everyday Bro.
01:16:32 - 01:16:33: - It's Everyday Bro.
01:16:33 - 01:16:37: - Jake Paul would have been a good stage name for you.
01:16:37 - 01:16:37: - Oh yeah, dude.
01:16:37 - 01:16:40: - If I was your manager in like the 60s,
01:16:40 - 01:16:44: be like, Longstreth, what does that sound, perverted.
01:16:44 - 01:16:45: You're Jake Paul.
01:16:45 - 01:16:47: People love Paul McCartney, he's the cute bit,
01:16:47 - 01:16:49: you're Jake Paul.
01:16:49 - 01:16:51: - What line of work am I in there?
01:16:51 - 01:16:55: - You're like a crooner.
01:16:55 - 01:16:55: - Yeah.
01:16:55 - 01:17:01: - So Jake Paul is a Vine star/actor who portrays Dirk
01:17:01 - 01:17:05: on the Disney Channel comedy series Bizaardvark.
01:17:05 - 01:17:06: Sick name.
01:17:06 - 01:17:08: - Bizaardvark?
01:17:08 - 01:17:10: - Yeah man, you don't watch Bizaardvark?
01:17:10 - 01:17:12: - I got every season on DVD, bro.
01:17:12 - 01:17:16: - Bizaardvark.
01:17:16 - 01:17:19: - Is it like a zoo based show?
01:17:19 - 01:17:23: - I don't know, but I guess Jake is kind of a bad boy.
01:17:23 - 01:17:25: The song is featuring Team 10 and according to their
01:17:25 - 01:17:28: website, Team 10 is a squad of young, like-minded
01:17:28 - 01:17:31: individuals who teamed up together to take over Hollywood.
01:17:31 - 01:17:33: Paul's a member of the squad.
01:17:33 - 01:17:35: So this is kind of like a mission statement,
01:17:35 - 01:17:39: the same way that in 1967 you had a lot of young people
01:17:39 - 01:17:42: coming together to expand their consciousness with LSD
01:17:42 - 01:17:47: and marijuana and push back against the Vietnam War.
01:17:47 - 01:17:51: These days you have Team 10 doing something similar.
01:17:51 - 01:17:53: - They're taking over Hollywood.
01:17:53 - 01:17:58: - Yeah, but I assume it's for the good, for the global good.
01:17:58 - 01:18:00: - That's a solid mission statement.
01:18:00 - 01:18:03: - But also, just in case you're, 'cause I can already see
01:18:03 - 01:18:06: the gears turning and you're like, oh Jake Paul,
01:18:06 - 01:18:08: he doesn't stand for anything.
01:18:08 - 01:18:12: He's not brave like a Jimi Hendrix or something.
01:18:12 - 01:18:13: Well listen to this, man.
01:18:13 - 01:18:15: - Okay, I'm gonna go in open-minded, bro.
01:18:15 - 01:18:16: - Okay, good, 'cause listen to this.
01:18:16 - 01:18:19: On January 5th, Jake Paul hid in the bathroom
01:18:19 - 01:18:21: of the Eisenhower Executive Office Building in Washington,
01:18:21 - 01:18:25: D.C. after attending a social media event at the White House.
01:18:25 - 01:18:27: Paul was able to spend several hours hidden in the bathroom
01:18:27 - 01:18:30: before leaving in the early morning, unseen and unobserved.
01:18:30 - 01:18:33: Paul filmed the entire stunt for his YouTube channel.
01:18:33 - 01:18:35: The Secret Service tracked Paul down at his home in L.A.
01:18:35 - 01:18:37: and deemed him a non-threat.
01:18:37 - 01:18:38: - How did he leave undetected?
01:18:38 - 01:18:40: That seems insane.
01:18:40 - 01:18:42: - I mean, if you're just hanging in the bathroom
01:18:42 - 01:18:44: at the White House and then probably on your way,
01:18:44 - 01:18:46: I don't know, a lot of people come in and out
01:18:46 - 01:18:47: of the White House all the time.
01:18:47 - 01:18:48: - Then you just walk out the front door
01:18:48 - 01:18:49: at six in the morning?
01:18:49 - 01:18:51: - Yeah. - Are there just security
01:18:51 - 01:18:53: guards at the front door being like,
01:18:53 - 01:18:54: sir, can I help you? - I don't know, man.
01:18:54 - 01:18:56: I'm just saying, this guy's got cojones.
01:18:56 - 01:18:58: - No, no, big time, that's crazy.
01:18:58 - 01:19:01: - So anyway, this is his song.
01:19:01 - 01:19:02: And look, this is a big deal, honestly.
01:19:02 - 01:19:05: This is number five on the iTunes chart.
01:19:05 - 01:19:06: - Very big deal.
01:19:06 - 01:19:08: - I know it probably seems like he's got a leg up
01:19:08 - 01:19:10: being on Bizaardvark, but trust me,
01:19:10 - 01:19:12: there's a lot of actors on Disney Channel shows
01:19:12 - 01:19:14: who don't become Selena Gomez.
01:19:14 - 01:19:16: I mean, now I'm getting really excited to hear this song.
01:19:16 - 01:19:19: - You're dropping knowledge on me here.
01:19:19 - 01:19:22: - Here is Jake Paul, featuring Team 10.
01:19:22 - 01:19:24: It's every day, bro.
01:19:24 - 01:19:28: ♪ Y'all, y'all can't handle this ♪
01:19:28 - 01:19:30: ♪ Y'all don't know what's about to happen baby ♪
01:19:30 - 01:19:33: ♪ Team 10, Los Angeles, Cali boy ♪
01:19:33 - 01:19:36: ♪ But I'm from Ohio, the white boy ♪
01:19:36 - 01:19:39: ♪ It's every day, bro, with the Disney Channel flow ♪
01:19:39 - 01:19:41: ♪ Five mil on YouTube in six months ♪
01:19:41 - 01:19:42: ♪ Never done before ♪
01:19:42 - 01:19:46: ♪ Past all the competition, man, PewDiePie is next ♪
01:19:46 - 01:19:47: ♪ Man, I'm popping all these checks ♪
01:19:47 - 01:19:49: ♪ Got the brand new Rolex ♪
01:19:49 - 01:19:50: ♪ And it met the Lambo too ♪
01:19:50 - 01:19:52: ♪ And they're coming with the crew ♪
01:19:52 - 01:19:54: ♪ This is Team 10 ♪
01:19:54 - 01:19:55: ♪ Who the hell looks up in your head ♪
01:19:55 - 01:19:57: - He's a white boy from Ohio, he said.
01:19:57 - 01:20:00: - Just like Bob Pollard.
01:20:00 - 01:20:03: - Bob Pollard's nephew.
01:20:03 - 01:20:03: - Nephew.
01:20:03 - 01:20:05: ♪ But you still hit my phone last night ♪
01:20:05 - 01:20:08: ♪ It was 4.52 and I got the text approved ♪
01:20:08 - 01:20:10: ♪ And all the recordings too ♪
01:20:10 - 01:20:10: ♪ Don't make me tell them the truth ♪
01:20:10 - 01:20:13: - Have you heard that new song?
01:20:13 - 01:20:17: What's the dude, the actor dude that was on "The Night Ives"?
01:20:17 - 01:20:18: - Oh, like a British dude?
01:20:18 - 01:20:19: - Riz Ahmed?
01:20:19 - 01:20:19: - Yeah, yeah.
01:20:19 - 01:20:22: Have you heard his new song about birding?
01:20:22 - 01:20:23: - About, like?
01:20:23 - 01:20:23: - Birding, like watching birds.
01:20:23 - 01:20:26: - Oh, no, but I know he raps, he raps his hemes.
01:20:26 - 01:20:27: - It's hilarious, it's awesome.
01:20:27 - 01:20:28: - Really?
01:20:28 - 01:20:29: - Check it out.
01:20:29 - 01:20:30: - Very funny.
01:20:30 - 01:20:32: I thought of this, 'cause it's like,
01:20:32 - 01:20:34: ♪ I said it's unredeemable ♪
01:20:34 - 01:20:36: - Deliberately amateurish,
01:20:36 - 01:20:38: the way this sort of seems that way,
01:20:38 - 01:20:38: but I can't tell.
01:20:38 - 01:20:41: - This is funny, 'cause I can't tell if it's,
01:20:41 - 01:20:44: it doesn't seem quite like a joke song.
01:20:44 - 01:20:47: - Yeah, but it seems like tongue in cheek.
01:20:47 - 01:20:49: - A lot of rap is tongue in cheek.
01:20:49 - 01:20:52: ♪ You didn't know my name and now you want my fame ♪
01:20:52 - 01:20:54: ♪ I'm blowing up, I'm only going up ♪
01:20:54 - 01:20:55: ♪ Now I'm going up ♪
01:20:55 - 01:20:57: - Well, I love it.
01:20:57 - 01:20:58: What do you think, Jake?
01:20:58 - 01:21:01: - I think it's deliberately kind of bad.
01:21:02 - 01:21:03: He comes out of the top just being like,
01:21:03 - 01:21:04: "I'm a white boy from Ohio."
01:21:04 - 01:21:07: - Right, I assume that he's,
01:21:07 - 01:21:11: clearly he's a very savvy media influencer,
01:21:11 - 01:21:16: so I doubt he's trying to become a rapper.
01:21:16 - 01:21:17: If anything, I bet he--
01:21:17 - 01:21:19: - Or even like an artist, I don't think he's like--
01:21:19 - 01:21:21: - Yeah, clearly, I mean, look, right off the top,
01:21:21 - 01:21:24: he's talking about his ambitions as a YouTuber.
01:21:24 - 01:21:25: - Right.
01:21:25 - 01:21:26: - He says he's coming for PewDiePie,
01:21:26 - 01:21:28: who's one of the biggest YouTubers.
01:21:28 - 01:21:31: ♪ It's everyday bro, I said it's everyday bro ♪
01:21:31 - 01:21:33: - Hold on, hold on, hold on, hold on.
01:21:33 - 01:21:35: Can we switch the language?
01:21:35 - 01:21:39: - Okay, man, that's a real big entry into the charts.
01:21:39 - 01:21:40: - Good for you.
01:21:40 - 01:21:41: - Shout out to you, Jake Paul.
01:21:41 - 01:21:43: - It's everyday, bro.
01:21:43 - 01:21:45: - Back to 1967, the number four song,
01:21:45 - 01:21:50: Engelbert Humperdinck, classic, with "Release Me."
01:21:50 - 01:21:52: - This is classic, that the top five
01:21:52 - 01:21:56: from this year is just completely square.
01:21:56 - 01:21:57: It's like '68.
01:21:57 - 01:22:00: Remember last year we did all those '68 countdowns?
01:22:00 - 01:22:02: - Everything's changing in the country,
01:22:02 - 01:22:03: but this is what's on the radio.
01:22:03 - 01:22:04: - My Neighborhood, like that whole riff.
01:22:04 - 01:22:08: ♪ Please release me ♪
01:22:08 - 01:22:09: - This is an old song.
01:22:09 - 01:22:11: ♪ Let me go ♪
01:22:11 - 01:22:14: - This song is already 20 years old when he covered it.
01:22:14 - 01:22:14: - Really?
01:22:14 - 01:22:16: - Yeah, this was written in 1949.
01:22:16 - 01:22:19: ♪ I don't love you anymore ♪
01:22:19 - 01:22:25: - Well, this is Engelbert Humperdinck performing it.
01:22:25 - 01:22:30: ♪ To waste our lives ♪
01:22:30 - 01:22:31: - Not a name I'm super familiar with,
01:22:31 - 01:22:33: but I know he does play gigs out
01:22:33 - 01:22:35: at like Morongo Casinos, though.
01:22:35 - 01:22:37: - Yeah, he's big.
01:22:37 - 01:22:38: His album was called Groovin'.
01:22:38 - 01:22:42: So Jake, you're gonna like this.
01:22:42 - 01:22:43: So this is like a pretty straightforward song.
01:22:43 - 01:22:45: "Release Me" and "Let Me Love Again."
01:22:45 - 01:22:47: Saying to an ex-lover, "Release me."
01:22:47 - 01:22:49: Journalist and author Peter Hitchens
01:22:49 - 01:22:52: has described Humperdinck's hugely successful version
01:22:52 - 01:22:55: as the real revolutionary anthem of the '60s,
01:22:55 - 01:22:57: far more influential than Bob Dylan.
01:22:57 - 01:22:59: Drawing a comparison between the song's lyrics
01:22:59 - 01:23:02: and the desire of the public to be released
01:23:02 - 01:23:05: from social conservatism that had prevailed
01:23:05 - 01:23:07: in society until the '60s.
01:23:07 - 01:23:10: So he's saying like, yeah, people could be listening
01:23:10 - 01:23:12: to some Bob Dylan, this and that,
01:23:12 - 01:23:15: but this was a song that the kid working
01:23:15 - 01:23:17: at the deli heard on the radio,
01:23:17 - 01:23:19: daydreaming about a new world.
01:23:19 - 01:23:21: "Release Me."
01:23:21 - 01:23:23: - That's really a stretch.
01:23:24 - 01:23:28: 'Cause this is still aesthetically very conservative.
01:23:28 - 01:23:30: - Maybe aesthetics aren't everything, man.
01:23:30 - 01:23:32: - They kind of are.
01:23:32 - 01:23:35: - What about lyrics?
01:23:35 - 01:23:40: - Yeah, but it clearly is like talking to like a,
01:23:40 - 01:23:44: yeah, like a former girlfriend or something.
01:23:44 - 01:23:45: - Well, I guess what's interesting about this song--
01:23:45 - 01:23:48: - It sounds like a small-sheet country song.
01:23:48 - 01:23:50: - But "Release Me" and "Let Me Love Again."
01:23:50 - 01:23:51: But also--
01:23:51 - 01:23:52: - "Release Me."
01:23:52 - 01:23:55: - Yeah, maybe you're up in your bedroom listening
01:23:55 - 01:23:58: to Bob Dylan or the Beatles or Jimi Hendrix,
01:23:58 - 01:24:00: but this is like you're sitting in the living room
01:24:00 - 01:24:03: with grandma and grandpa, and this is playing.
01:24:03 - 01:24:05: You're gonna feel this a lot more viscerally.
01:24:05 - 01:24:07: ♪ Release me ♪
01:24:07 - 01:24:11: ♪ And let me love again ♪
01:24:11 - 01:24:14: - That writer was looking for a unique take.
01:24:14 - 01:24:17: - A hot take.
01:24:17 - 01:24:20: - And stretched her credibility with that call.
01:24:20 - 01:24:25: ♪ Can you see ♪
01:24:25 - 01:24:29: - It's a good song.
01:24:29 - 01:24:30: - "Please Release Me, Let Me Love Again."
01:24:30 - 01:24:31: - Down with the song.
01:24:31 - 01:24:32: - Yeah.
01:24:32 - 01:24:33: Perhaps not--
01:24:33 - 01:24:34: - Not down with the team.
01:24:34 - 01:24:35: - You don't think that's the true revolutionary anthem
01:24:35 - 01:24:36: of the 1960s?
01:24:36 - 01:24:39: - I'm going on a limb here.
01:24:39 - 01:24:42: - What's the revolutionary anthem of the 20 teens?
01:24:42 - 01:24:45: Maybe it's too soon to say.
01:24:45 - 01:24:48: It might be it's "Everyday Bro."
01:24:48 - 01:24:50: - I was thinking "Body Like a Back Road."
01:24:50 - 01:24:51: - Perhaps.
01:24:51 - 01:24:55: The number four song on the charts right now
01:24:55 - 01:25:01: in 2017 on the iTunes charts is Zedd and Alessia Cara.
01:25:01 - 01:25:06: Zedd is a DJ, producer type, and Alessia Cara is a singer.
01:25:06 - 01:25:08: And this song is called "Stay."
01:25:08 - 01:25:10: I've been hearing this one around.
01:25:10 - 01:25:12: - Was this in the top five last week?
01:25:12 - 01:25:14: - Not, not, not, not, not--
01:25:14 - 01:25:16: - How was the New York show?
01:25:16 - 01:25:18: - It was tight, man.
01:25:18 - 01:25:20: You know, it's a very different flavor without you.
01:25:20 - 01:25:20: - I'm sure.
01:25:20 - 01:25:24: ♪ Waiting for the time to pass you by ♪
01:25:24 - 01:25:25: - A little less rock.
01:25:25 - 01:25:28: ♪ Hope the winds of change will change your mind ♪
01:25:28 - 01:25:30: - No references to "Got It By Voices" or "The Grateful Dead."
01:25:30 - 01:25:31: - Far from it.
01:25:31 - 01:25:32: - Zero.
01:25:32 - 01:25:34: - We mostly talked about "The Strokes," actually.
01:25:34 - 01:25:35: - Oh, oh, that book.
01:25:35 - 01:25:37: - Yeah, we had the journalist who wrote that book.
01:25:37 - 01:25:38: - Oh, you did?
01:25:38 - 01:25:38: - Yeah.
01:25:38 - 01:25:40: - Oh, I'm gonna go back and listen.
01:25:40 - 01:25:42: I actually ordered that book on Amazon today.
01:25:42 - 01:25:42: - Oh, really?
01:25:42 - 01:25:43: - Yeah.
01:25:43 - 01:25:45: - All of Vampire Weekend's in it, apparently.
01:25:45 - 01:25:46: - That's what I saw on Twitter.
01:25:46 - 01:25:51: ♪ I could give a thousand reasons why ♪
01:25:51 - 01:25:56: ♪ But you're gone when you know that ♪
01:25:56 - 01:25:59: ♪ All you have to do is stay a minute ♪
01:25:59 - 01:26:01: ♪ Just take your time ♪
01:26:01 - 01:26:03: ♪ The clock is ticking ♪
01:26:03 - 01:26:04: - Oh, yeah.
01:26:04 - 01:26:07: - It's weird that that book goes to 2011, I thought.
01:26:07 - 01:26:11: It's like New York rock, like 2001 to 2011.
01:26:11 - 01:26:13: - She had a good reason, as I recall.
01:26:13 - 01:26:15: - I mean, I thought it was interesting.
01:26:20 - 01:26:22: This is a very easy song to talk over.
01:26:22 - 01:26:24: It's good though.
01:26:24 - 01:26:27: I mean this is like a classic 20 teens drop.
01:26:27 - 01:26:30: It's like a Cheatsmokers ripoff.
01:26:30 - 01:26:31: Yeah kind of.
01:26:42 - 01:26:45: Everything has been done under the sun.
01:26:45 - 01:26:48: Eh, I got nothing bad to say about that.
01:26:48 - 01:26:50: Good for them.
01:26:50 - 01:26:51: Product in the marketplace.
01:26:51 - 01:26:54: It's a successful product in the marketplace man.
01:26:54 - 01:26:56: Now this is funny.
01:26:56 - 01:26:58: Back to 1967.
01:26:58 - 01:27:01: So the number five song on the charts that week was "The Happening" by The Supremes.
01:27:01 - 01:27:02: Yep.
01:27:02 - 01:27:09: The number three song on the charts is called "I Got Rhythm" by The Happenings.
01:27:09 - 01:27:11: Wow.
01:27:11 - 01:27:13: Every year has its like word.
01:27:13 - 01:27:15: Clearly 1967 it was happening.
01:27:15 - 01:27:16: It's happening man.
01:27:16 - 01:27:17: It's happening.
01:27:17 - 01:27:18: So The Happenings.
01:27:18 - 01:27:20: God this top five sucks so far.
01:27:20 - 01:27:22: What is this song?
01:27:22 - 01:27:26: Well this is a cover of, you know the song, it's a Gershwin song.
01:27:26 - 01:27:28: Oh my god, another old song.
01:27:28 - 01:27:29: Yeah.
01:27:38 - 01:27:40: I've never heard this.
01:27:46 - 01:27:48: It's all schmaltz, 1967.
01:27:48 - 01:27:50: Yeah this sucks.
01:28:12 - 01:28:16: This already must have been like a throwback in 1967.
01:28:16 - 01:28:22: It's like a college like acapella group.
01:28:22 - 01:28:26: 1967 was not popping on the radio.
01:28:26 - 01:28:29: Excuse me while I kiss the sky.
01:28:31 - 01:28:35: The number three song on the iTunes chart in 2017 is DJ Khaled.
01:28:35 - 01:28:36: Did we really listen to it?
01:28:36 - 01:28:37: I think we heard the song together.
01:28:37 - 01:28:40: Is this the one like on the one?
01:28:40 - 01:28:41: Yeah exactly.
01:28:47 - 01:28:49: We the best music.
01:28:49 - 01:28:51: I know he the best music.
01:28:51 - 01:28:52: DJ Khaled.
01:29:13 - 01:29:15: It's the hit of the summer right guys?
01:29:15 - 01:29:19: Imagine them recording this in like November being like oh yeah dude.
01:29:19 - 01:29:21: Summer 2017 this will be it.
01:29:21 - 01:29:22: This is it.
01:29:28 - 01:29:32: Did an algorithm write this song to be the song of the summer?
01:29:32 - 01:29:34: Perhaps.
01:29:34 - 01:29:36: You know what like this is not a bad song.
01:29:36 - 01:29:38: God this is the worst top five ever.
01:29:38 - 01:29:39: On both sides?
01:29:39 - 01:29:40: Yeah this is awful.
01:29:40 - 01:29:41: 67 and.
01:29:41 - 01:29:42: It's just like.
01:29:45 - 01:29:47: Yeah no I'm glad you say that because sometimes.
01:29:47 - 01:29:50: Sometimes when the top five is not popping or you know.
01:29:50 - 01:29:54: It's always tough when people.
01:29:54 - 01:29:57: I think about this a lot because there are a lot of elements of our modern culture.
01:29:57 - 01:29:58: Not this song.
01:29:58 - 01:30:03: I mean this song is inoffensive but like because so many people hate on our modern culture.
01:30:03 - 01:30:06: They come from this vantage point of like but back in the day it was good.
01:30:06 - 01:30:09: And then people are like oh you're just like an old fogey.
01:30:09 - 01:30:10: Yeah yeah.
01:30:10 - 01:30:11: When I really think about it.
01:30:11 - 01:30:13: I don't think I'm quite an old fogey yet.
01:30:13 - 01:30:15: But I'm definitely not young anymore.
01:30:15 - 01:30:17: And I think when I see these conversations happen.
01:30:17 - 01:30:20: And people are like 2017 sucks.
01:30:20 - 01:30:21: 1967 was good.
01:30:21 - 01:30:23: And then people say no man.
01:30:23 - 01:30:24: 1967 was horrible.
01:30:24 - 01:30:25: Things are better now.
01:30:25 - 01:30:28: And I just always want to say they're both horrible.
01:30:28 - 01:30:31: Basically it's always been horrible.
01:30:31 - 01:30:33: I don't know you have to go back probably at least.
01:30:33 - 01:30:34: Are we talking about music right now?
01:30:34 - 01:30:35: No the world.
01:30:35 - 01:30:36: You're losing me here.
01:30:36 - 01:30:37: No the world.
01:30:37 - 01:30:39: 67 put out some crucial records.
01:30:39 - 01:30:40: They just weren't in the top five.
01:30:40 - 01:30:41: No I'm just saying the world.
01:30:41 - 01:30:43: I just think the world has always been bad.
01:30:43 - 01:30:44: Well jeez man.
01:30:44 - 01:30:46: I think it's kind of a wash.
01:30:46 - 01:30:48: I'm pessimistic lately.
01:30:48 - 01:30:51: Well that's fair man.
01:30:51 - 01:30:52: It's hilarious to me.
01:30:52 - 01:30:53: This is the song of the summer this year.
01:30:53 - 01:30:54: I know.
01:30:54 - 01:30:55: Cool.
01:30:55 - 01:30:56: You know I have nothing against it.
01:30:56 - 01:30:58: There's so many talented people on that song.
01:30:58 - 01:30:59: Sure.
01:30:59 - 01:31:00: And it's not a bad song.
01:31:00 - 01:31:01: It just doesn't hit me the right way.
01:31:01 - 01:31:02: It's like.
01:31:02 - 01:31:03: I don't know.
01:31:03 - 01:31:05: Maybe if I was 14.
01:31:05 - 01:31:07: Maybe if Hillary won.
01:31:07 - 01:31:08: You'd be feeling it.
01:31:08 - 01:31:09: Yeah maybe.
01:31:09 - 01:31:11: Maybe if Bernie won you'd be feeling it.
01:31:11 - 01:31:12: I'm the one.
01:31:12 - 01:31:14: Oh whatever.
01:31:14 - 01:31:15: Yep.
01:31:15 - 01:31:16: That sums it up.
01:31:16 - 01:31:17: Why do we even.
01:31:17 - 01:31:18: You know what.
01:31:18 - 01:31:19: F*** this show.
01:31:19 - 01:31:20: Yeah why do we even listen to these songs man.
01:31:20 - 01:31:21: Who cares.
01:31:21 - 01:31:22: Everything sucks.
01:31:22 - 01:31:23: Time Crisis sucks.
01:31:23 - 01:31:24: Everything does suck.
01:31:24 - 01:31:25: Well hold on.
01:31:25 - 01:31:26: Music.
01:31:26 - 01:31:27: Time Crisis doesn't suck.
01:31:27 - 01:31:28: It's a glimmer of hope in a cruel world.
01:31:28 - 01:31:29: It's pretty good.
01:31:30 - 01:31:31: No but I think.
01:31:31 - 01:31:32: Time Crisis might suck.
01:31:32 - 01:31:33: I'm not even trying to say Time Crisis doesn't suck.
01:31:33 - 01:31:34: But as always on Time Crisis.
01:31:34 - 01:31:35: One thing that we come back to is that the world is horrible.
01:31:35 - 01:31:36: And it's not a good time.
01:31:40 - 01:31:45: And it's not a good time.
01:31:46 - 01:31:48: Sometimes the top five is horrible.
01:31:48 - 01:31:50: But it's a Sunday afternoon.
01:31:52 - 01:31:54: And we're here.
01:31:54 - 01:31:56: Just drinking some Modellos.
01:31:56 - 01:31:58: Talking.
01:31:58 - 01:32:00: And you're at home listening.
01:32:00 - 01:32:02: Probably drinking a Modello too.
01:32:02 - 01:32:03: Hanging out.
01:32:03 - 01:32:05: And that's what life is about.
01:32:05 - 01:32:07: Is human interaction and communication.
01:32:07 - 01:32:10: And whether you're talking directly to somebody.
01:32:10 - 01:32:12: Or you're listening to them on Apple Radio.
01:32:12 - 01:32:14: Those are the two choices you have in life.
01:32:14 - 01:32:15: But either way.
01:32:15 - 01:32:17: Whether times are good or bad.
01:32:17 - 01:32:18: Happy or sad.
01:32:18 - 01:32:20: That's what it's about.
01:32:20 - 01:32:22: Cracking a brew.
01:32:22 - 01:32:24: Driving to Home Depot with your stepdad.
01:32:24 - 01:32:26: Throwing on the Home Depot playlist.
01:32:26 - 01:32:29: Bonding over that dire straits.
01:32:29 - 01:32:34: That's a major breakthrough in a lot of people's relationship with their stepdad.
01:32:34 - 01:32:35: Is the first Home Depot trip.
01:32:35 - 01:32:36: Yep.
01:32:36 - 01:32:39: Jake, do you know that.
01:32:39 - 01:32:41: I like Rod Stewart.
01:32:41 - 01:32:43: You're not up on memes that much.
01:32:43 - 01:32:44: No.
01:32:44 - 01:32:45: Good for you.
01:32:45 - 01:32:49: You're not spending hours aimlessly looking at Instagram.
01:32:49 - 01:32:51: But one of the memes now.
01:32:51 - 01:32:54: Is, I don't even want to explain it that much.
01:32:54 - 01:32:56: But the meme is essentially.
01:32:56 - 01:32:58: Cracking open a cold one with the boys.
01:32:58 - 01:32:59: Yep.
01:32:59 - 01:33:01: That's the joke.
01:33:01 - 01:33:04: It's taking that phrase and that concept.
01:33:04 - 01:33:08: And doing various funny things with words and images.
01:33:08 - 01:33:10: There's nothing funny about that.
01:33:10 - 01:33:13: You don't know this is where the culture clash.
01:33:13 - 01:33:14: The generational divide.
01:33:14 - 01:33:16: I guess it depends what the visuals are right.
01:33:16 - 01:33:18: It can be applied to any meme format.
01:33:18 - 01:33:20: This is killer radio right now.
01:33:20 - 01:33:22: Cracking open a cold one with the boys.
01:33:22 - 01:33:24: But anyway, I just bring that up because you know what.
01:33:24 - 01:33:27: Why do memes come at a certain time.
01:33:27 - 01:33:29: Sometimes because something happens in the news.
01:33:29 - 01:33:31: Other times it's more mysterious.
01:33:31 - 01:33:35: And perhaps memes tell us more about our cultural moment.
01:33:35 - 01:33:37: Than the songs do these days.
01:33:37 - 01:33:39: Because these songs are real.
01:33:39 - 01:33:42: Our business as usual kind of just like.
01:33:42 - 01:33:44: Bragging.
01:33:44 - 01:33:47: So far we've had two bragging about your own success.
01:33:47 - 01:33:48: Classic American.
01:33:48 - 01:33:51: And we had one about a crumbling relationship.
01:33:51 - 01:33:53: Classic human nature.
01:33:53 - 01:33:56: But you know those are just standard American things.
01:33:56 - 01:33:57: But the memes.
01:33:57 - 01:33:59: Cracking open a cold one with the boys.
01:33:59 - 01:34:00: That makes sense to me.
01:34:00 - 01:34:01: 2017.
01:34:01 - 01:34:03: Really that seems utterly timeless to me.
01:34:03 - 01:34:04: That's like a Springsteen song.
01:34:04 - 01:34:07: No but I'm saying why would that come back as a meme now.
01:34:07 - 01:34:08: Why in 2017.
01:34:08 - 01:34:09: I don't know man.
01:34:09 - 01:34:12: It's because the bonds of our society are weakening.
01:34:12 - 01:34:14: People are alienated from one another.
01:34:14 - 01:34:16: The country is at war with itself.
01:34:16 - 01:34:20: We got a horrible man in the White House.
01:34:20 - 01:34:23: We got people fighting on social media.
01:34:23 - 01:34:24: Fighting in real life.
01:34:24 - 01:34:25: We got violence.
01:34:25 - 01:34:27: We got hateful people.
01:34:27 - 01:34:29: There's something about that concept.
01:34:29 - 01:34:31: Of spending time with your friends.
01:34:31 - 01:34:34: And drinking alcoholic beverage.
01:34:34 - 01:34:36: That I think is like very human.
01:34:36 - 01:34:37: Seems more precious now.
01:34:37 - 01:34:42: Or seems more something to not take for granted or something.
01:34:42 - 01:34:47: Yeah I think we've realized how precious a sense of community can be.
01:34:47 - 01:34:54: Either that or people on the internet are just mean spirited dickheads just making fun of everything.
01:34:54 - 01:34:56: That seems slightly more likely.
01:34:56 - 01:35:03: Yeah and the tone is like so many layers of irony deep that you can't even parse it.
01:35:03 - 01:35:04: You're probably right man.
01:35:04 - 01:35:06: Okay finally we have like a pretty classic song.
01:35:06 - 01:35:07: Number two.
01:35:07 - 01:35:08: Number two of 67.
01:35:08 - 01:35:09: We finally got a classic song.
01:35:09 - 01:35:10: Here we go.
01:35:10 - 01:35:13: Okay.
01:35:13 - 01:35:14: Aretha.
01:35:14 - 01:35:15: Yeah.
01:35:15 - 01:35:16: You know Otis Redding wrote this song?
01:35:16 - 01:35:17: I didn't know that.
01:35:17 - 01:35:21: But Aretha added some fun stuff.
01:35:21 - 01:35:25: Otis Redding died in 67.
01:35:25 - 01:35:27: I wonder if you ever got to hear this version.
01:35:27 - 01:35:30: I don't know.
01:35:30 - 01:35:32: He might have died in like June of 67.
01:35:32 - 01:35:33: Man.
01:35:33 - 01:35:34: Plane crash.
01:35:34 - 01:35:35: Yeah.
01:35:48 - 01:35:49: Died in December.
01:35:49 - 01:35:50: So you heard it.
01:35:53 - 01:35:55: Oh wow.
01:35:55 - 01:35:57: Me and Marvin Gaye never crossed over.
01:35:57 - 01:35:58: About a week apart.
01:35:58 - 01:36:00: Did Sam Cooke die in 67 too?
01:36:00 - 01:36:02: 64?
01:36:02 - 01:36:04: Wow.
01:36:10 - 01:36:11: Classic song.
01:36:11 - 01:36:12: I mean okay.
01:36:12 - 01:36:16: This is the first time you could say unabashedly it's a pop song with a simple message.
01:36:16 - 01:36:19: But clearly would have a larger cultural resonance.
01:36:19 - 01:36:20: Yeah.
01:36:20 - 01:36:21: 1967.
01:36:21 - 01:36:23: The civil rights movement.
01:36:23 - 01:36:24: You have so many things changing.
01:36:24 - 01:36:28: The concept of respect very much in there.
01:36:28 - 01:36:29: Yeah applies to.
01:36:29 - 01:36:30: Women's rights movement.
01:36:30 - 01:36:32: Or she's singing to her man.
01:36:32 - 01:36:33: Well I'm saying like.
01:36:33 - 01:36:35: Already evokes larger sort of cultural currents.
01:36:35 - 01:36:36: Exactly.
01:36:36 - 01:36:37: For sure.
01:36:37 - 01:36:39: The song seems to be hers speaking to one person.
01:36:39 - 01:36:46: But clearly the idea of demanding respect in an era where there are a lot of institutions not giving people respect.
01:36:46 - 01:36:49: Now that is, I mean this is some classic in my neighborhood.
01:36:53 - 01:36:55: In my neighborhood.
01:36:55 - 01:36:57: The whole world's going crazy.
01:36:57 - 01:37:00: But in my neighborhood we get about one thing.
01:37:00 - 01:37:02: Respect.
01:37:04 - 01:37:06: The number two song.
01:37:06 - 01:37:09: Some might even say the respect of our day.
01:37:09 - 01:37:11: It's called believer.
01:37:13 - 01:37:14: I could you know.
01:37:14 - 01:37:15: I'm a believer.
01:37:15 - 01:37:17: I couldn't leave her if I tried.
01:37:17 - 01:37:19: No this is believer by Imagine Dragons.
01:37:19 - 01:37:24: I had a conversation this weekend with somebody who kept calling them imagination dragons.
01:37:24 - 01:37:26: I don't know I thought that was fun.
01:37:26 - 01:37:27: That is good.
01:37:27 - 01:37:30: And now at number two with believer.
01:37:30 - 01:37:32: Imagination Dragons.
01:37:35 - 01:37:36: Hey.
01:37:38 - 01:37:40: You like those drums?
01:37:53 - 01:37:58: By the way Jake this is the only successful rock band of our era.
01:37:58 - 01:38:00: Is this rock?
01:38:00 - 01:38:01: You hear those.
01:38:01 - 01:38:03: I mean is it not rock?
01:38:05 - 01:38:06: Yeah I don't.
01:38:06 - 01:38:07: It's pop.
01:38:07 - 01:38:09: It's got the tasteful palette of rock and roll.
01:38:09 - 01:38:11: Drums, guitar.
01:38:13 - 01:38:14: This is not rock right here.
01:38:14 - 01:38:16: But that's a guitar.
01:38:16 - 01:38:17: Maybe an acoustic guitar.
01:38:17 - 01:38:19: This is more like 21 Pilots.
01:38:19 - 01:38:20: 21 Pilots is rock.
01:38:20 - 01:38:21: Hybrid.
01:38:21 - 01:38:22: No but because they have rap.
01:38:22 - 01:38:23: This is rock.
01:38:26 - 01:38:28: Not rock.
01:38:28 - 01:38:30: I'm not even trying to be like a purist about it.
01:38:30 - 01:38:33: I just, I would not classify this as rock.
01:38:36 - 01:38:38: Why you hear that kind of distorted guitar that came in?
01:38:38 - 01:38:43: Well I think they're like taking some of the like palette of rock.
01:38:43 - 01:38:44: Yeah.
01:38:44 - 01:38:45: Off the color wheel.
01:38:45 - 01:38:48: But I think this is just like hot music.
01:38:48 - 01:38:50: Well as a rock fan do you like hearing.
01:38:50 - 01:38:51: It's got a minor key though.
01:38:51 - 01:38:53: It's like weird.
01:38:53 - 01:38:57: Do you like hearing the tasteful palette of rock applied to a pop structure?
01:38:59 - 01:39:01: Theoretically yes.
01:39:01 - 01:39:02: Not in this case.
01:39:05 - 01:39:06: Alright man.
01:39:06 - 01:39:07: You in?
01:39:07 - 01:39:09: I'm a big Imagination Dragons fan.
01:39:09 - 01:39:11: Oh you're deep.
01:39:11 - 01:39:12: How's the full length?
01:39:12 - 01:39:14: We call ourselves Imagineers.
01:39:14 - 01:39:16: They've been big for a minute.
01:39:16 - 01:39:17: This is their second album.
01:39:17 - 01:39:18: Okay I think you might like this.
01:39:18 - 01:39:20: They're from Nevada.
01:39:20 - 01:39:21: Oh really?
01:39:21 - 01:39:22: Yeah.
01:39:22 - 01:39:23: They're British.
01:39:23 - 01:39:24: No they even have some kind of.
01:39:24 - 01:39:25: What town are they from?
01:39:25 - 01:39:26: I think they might be from Vegas.
01:39:26 - 01:39:27: Like they're kind of.
01:39:27 - 01:39:28: I think they have some connection to the Killers.
01:39:28 - 01:39:30: They're like a post-Killers Vegas band.
01:39:30 - 01:39:33: They're coming out of Tonopah.
01:39:33 - 01:39:34: Is that a town in Nevada?
01:39:34 - 01:39:36: Yeah.
01:39:36 - 01:39:38: Western Nevada.
01:39:38 - 01:39:41: But like surely you must like them a little more knowing that they're from Vegas.
01:39:41 - 01:39:42: That's cool.
01:39:42 - 01:39:44: Sure.
01:39:44 - 01:39:45: I don't know.
01:39:45 - 01:39:46: I mean the fact that they like.
01:39:46 - 01:39:48: I know but it's not like they just formed in Vegas.
01:39:48 - 01:39:50: These guys are like from Vegas.
01:39:50 - 01:39:51: That's cool.
01:39:51 - 01:39:54: I mean I don't feel one way or another about that.
01:39:54 - 01:39:56: That doesn't move the needle for me.
01:39:56 - 01:39:57: But come on.
01:39:57 - 01:39:59: Growing up in Vegas in the greater Vegas area.
01:39:59 - 01:40:01: It seems like an interesting place to grow up.
01:40:01 - 01:40:02: Yes.
01:40:02 - 01:40:03: But it doesn't make you.
01:40:03 - 01:40:05: That doesn't give you more cred as a band.
01:40:05 - 01:40:08: No but it's part of their journey and their story.
01:40:08 - 01:40:10: That would be true of any place that they came from.
01:40:10 - 01:40:11: Okay.
01:40:12 - 01:40:13: I got more for you.
01:40:13 - 01:40:16: The lead singer and the drummer met at Brigham Young University.
01:40:16 - 01:40:19: Now we're getting more interesting.
01:40:19 - 01:40:21: So Mormons.
01:40:21 - 01:40:23: Current Mormons.
01:40:23 - 01:40:26: Who knows that's their business but.
01:40:26 - 01:40:27: You know like.
01:40:27 - 01:40:29: I like a Utah based band.
01:40:29 - 01:40:30: That's a little more interesting.
01:40:30 - 01:40:31: Yeah.
01:40:31 - 01:40:32: Because then.
01:40:32 - 01:40:37: Then they started playing a lot in Provo.
01:40:37 - 01:40:39: And then they moved back to Vegas.
01:40:39 - 01:40:40: I mean that's cool.
01:40:40 - 01:40:43: Yeah a lot of Provo based shows.
01:40:43 - 01:40:46: Yeah they've developed a following in Provo.
01:40:46 - 01:40:48: That's the imagination dragon story.
01:40:48 - 01:40:51: The number.
01:40:51 - 01:40:52: This show is very edifying.
01:40:52 - 01:40:54: Yeah.
01:40:54 - 01:40:56: The number one song.
01:40:56 - 01:40:59: Excuse me while I kiss the sky.
01:40:59 - 01:41:00: Nah.
01:41:01 - 01:41:02: That was a big song of the year.
01:41:02 - 01:41:03: But the number one song.
01:41:03 - 01:41:05: This is what was really big.
01:41:05 - 01:41:07: Not a lot of people were ready for Hendrix you know.
01:41:07 - 01:41:08: Yeah.
01:41:08 - 01:41:10: But like you had to be a pretty cool cat.
01:41:10 - 01:41:11: You had to really know what's happening.
01:41:11 - 01:41:12: To be in Hendrix.
01:41:12 - 01:41:14: The number one song was the Young Rascals.
01:41:14 - 01:41:16: Groovin.
01:41:16 - 01:41:17: Oh great song.
01:41:20 - 01:41:21: Sound effects.
01:41:30 - 01:41:32: Perfect for time crisis.
01:41:32 - 01:41:33: Yeah.
01:41:42 - 01:41:44: These guys are from Jersey.
01:41:44 - 01:41:46: This time they're probably going to like it.
01:42:12 - 01:42:14: So this was written by two members of the Young Rascals.
01:42:14 - 01:42:17: Felix Cavalieri and Eddie Brigatti.
01:42:17 - 01:42:20: Groovin was inspired by Cavalieri's then girlfriend.
01:42:20 - 01:42:25: He said of her, "I believe she was divinely sent for the purpose of inspiring my creativity."
01:42:25 - 01:42:26: Wow.
01:42:26 - 01:42:30: Weird thing to say man.
01:42:30 - 01:42:32: Actually, it makes me.
01:42:32 - 01:42:38: Do you think if you're somebody's girlfriend who is an artist and you said to them,
01:42:38 - 01:42:40: "Babe, I just wrote a song called Groovin.
01:42:40 - 01:42:45: I have a feeling it could possibly go on to be a defining song in 1967 and a number one hit single.
01:42:45 - 01:42:48: And I just want you to know, you inspired this song."
01:42:48 - 01:42:49: And she's like, "Oh babe, that's nice."
01:42:49 - 01:42:55: And he said, "Yes, in fact, I believe you were divinely sent for the purpose of inspiring my creativity."
01:42:55 - 01:42:58: Then you might be like, "Hm, I want to break up."
01:42:58 - 01:43:00: It's got a little edge to it.
01:43:00 - 01:43:01: That's so weird.
01:43:01 - 01:43:06: Yeah, that starts to take on like cult leader.
01:43:06 - 01:43:11: I mean, that's why a lot of people have a problem with the concept of the muse.
01:43:11 - 01:43:13: On one level, you're inspiring somebody's art.
01:43:13 - 01:43:14: That's kind of cool.
01:43:14 - 01:43:20: But on another level, you're kind of making somebody else into a vessel for your own--
01:43:20 - 01:43:21: Ego.
01:43:21 - 01:43:22: Ego, yeah.
01:43:22 - 01:43:24: To go full circle.
01:43:24 - 01:43:28: I think if somebody inspired a song, the appropriate thing to do would be like,
01:43:28 - 01:43:29: "You're great.
01:43:29 - 01:43:32: In some ways, you helped inspire this song.
01:43:32 - 01:43:35: Obviously, you are not a set of chord changes.
01:43:35 - 01:43:39: And words, but you're so cool.
01:43:39 - 01:43:41: I'm so thankful that I have you in my life.
01:43:41 - 01:43:44: You're a special human rather than--"
01:43:44 - 01:43:46: You were divinely sent here.
01:43:46 - 01:43:50: "The Lord our God created you for the sole purpose--"
01:43:50 - 01:43:51: For me.
01:43:51 - 01:43:54: "--of getting the young rascals their first number one hit."
01:43:54 - 01:43:58: Also, it's so funny to be like, "Babe."
01:43:58 - 01:44:01: The idea also just like that you're like--
01:44:01 - 01:44:03: That language, and that was the actual quote.
01:44:03 - 01:44:07: "I believe she was divinely sent for the purpose of inspiring my creativity."
01:44:07 - 01:44:10: Maybe he was on acid or something, and he had a weird vision.
01:44:10 - 01:44:12: But also to be like--
01:44:12 - 01:44:14: That's like a big sell.
01:44:14 - 01:44:19: "Babe, you were divinely sent for the purpose of inspiring my creativity."
01:44:19 - 01:44:20: And it's like, "Oh, my God.
01:44:20 - 01:44:21: What did you write?"
01:44:21 - 01:44:22: No pressure.
01:44:22 - 01:44:23: A symphony?
01:44:23 - 01:44:26: Did you write some epic song, seven-minute song?
01:44:26 - 01:44:27: Song cycle.
01:44:27 - 01:44:31: Yeah, did you write "Sad-Eyed Lady of the Lowlands," like a tribute to me
01:44:31 - 01:44:36: and saying how like who among them could even step to you?
01:44:36 - 01:44:37: Is that what the song about?
01:44:37 - 01:44:41: He's like, "No, it's called 'Groovin'."
01:44:41 - 01:44:43: You know, because--
01:44:43 - 01:44:47: You know like when you come over on Sunday afternoon,
01:44:47 - 01:44:49: we have sex at my parents' house?
01:44:49 - 01:44:52: That's pretty groovy, right?
01:44:52 - 01:44:54: It's just chill.
01:44:54 - 01:44:57: Makes me feel good.
01:44:57 - 01:45:00: You were divinely sent here.
01:45:00 - 01:45:02: Couldn't get away too soon.
01:45:02 - 01:45:04: You and me just endlessly groovin'.
01:45:04 - 01:45:06: We're just groovin'.
01:45:06 - 01:45:08: Endlessly groovin'.
01:45:08 - 01:45:11: I can't imagine anything that's better.
01:45:11 - 01:45:15: The world is ours whenever we're together.
01:45:15 - 01:45:20: There ain't a place I like to be instead of groovin'.
01:45:20 - 01:45:23: I guess at least he's saying there's nowhere I'd rather be than with you.
01:45:23 - 01:45:28: Down a crowded avenue.
01:45:28 - 01:45:30: You gotta be careful with the concept of a supreme being
01:45:30 - 01:45:35: because it kind of takes away agency from the other humans in your life.
01:45:35 - 01:45:37: You're not even saying, "Thank you, baby."
01:45:37 - 01:45:41: You're saying, "Thank you to the Lord our God for creating you for me."
01:45:41 - 01:45:45: That's just a funny idea of like attributing divine inspiration
01:45:45 - 01:45:48: to like the most banal things.
01:45:48 - 01:45:55: Like, "Hey, I just invented this new beverage."
01:45:55 - 01:45:57: I work at 7-Eleven.
01:45:57 - 01:46:02: You take ice, you put some food coloring and some flavoring in there.
01:46:02 - 01:46:04: Blend it real fine.
01:46:04 - 01:46:06: I'm calling it Slurpee.
01:46:06 - 01:46:09: But it was divinely inspired.
01:46:09 - 01:46:10: Well, yeah.
01:46:10 - 01:46:11: By you.
01:46:11 - 01:46:12: Well, that's the classic--
01:46:12 - 01:46:13: I mean, it's kind of--
01:46:13 - 01:46:16: Groovin' is like a great song, but it is kind of the Slurpee of like--
01:46:16 - 01:46:19: Well, yeah, it's like the classic thing like when you win the Super Bowl
01:46:19 - 01:46:21: and it's like, "I want to thank God."
01:46:21 - 01:46:22: Right, JC.
01:46:22 - 01:46:25: "I want to thank God for enacting your divine retribution
01:46:25 - 01:46:27: against the Denver Broncos.
01:46:27 - 01:46:30: Clearly I've done something in my life to please you,
01:46:30 - 01:46:32: and the Denver Broncos didn't."
01:46:32 - 01:46:34: Brutal.
01:46:34 - 01:46:39: The Groovin' of 2017 is "Despacito."
01:46:39 - 01:46:40: Remember this one, Jake?
01:46:40 - 01:46:41: No.
01:46:41 - 01:46:44: I guess it's kind of getting safe to say this is more the song of the summer
01:46:44 - 01:46:45: than "I'm the One."
01:46:45 - 01:46:47: This is the song of the summer, I think.
01:46:47 - 01:46:48: This is the--
01:46:48 - 01:46:50: Bieber's on this, right?
01:46:50 - 01:46:53: He's on the remix, which is what's breaking in America.
01:46:53 - 01:46:55: Is this the remix?
01:46:55 - 01:46:57: Yeah.
01:46:57 - 01:46:59: That's him, right?
01:46:59 - 01:47:06: This is the first time a Spanish-language song has topped the Top 100 charts
01:47:06 - 01:47:08: since "The Macarena" in '96.
01:47:08 - 01:47:09: Okay.
01:47:09 - 01:47:13: According to Luis Fonsi, Bieber wanted to record a remix version
01:47:13 - 01:47:17: after seeing how people reacted to "Despacito" in a Colombian club.
01:47:17 - 01:47:19: That's really hard for me to believe.
01:47:19 - 01:47:24: I don't want to be a hater, but when is Bieber in a Colombian club?
01:47:24 - 01:47:27: Well, I'll give him props if that's true.
01:47:28 - 01:47:31: [singing in Spanish]
01:47:31 - 01:47:55: That's a really bad song.
01:47:56 - 01:47:59: [singing in Spanish]
01:47:59 - 01:48:01: That must be tough for you, Jake, as an Eagles fan
01:48:01 - 01:48:03: who loves the tasteful palette of '70s rock.
01:48:03 - 01:48:09: Every time you hear the syllable "des," you're waiting for "sparado."
01:48:09 - 01:48:12: You're hoping, but it's "pacito."
01:48:12 - 01:48:15: [singing in Spanish]
01:48:19 - 01:48:28: "Mending fences"? What does he do?
01:48:28 - 01:48:29: "Riding fences."
01:48:29 - 01:48:31: What does that mean, "ride fences"?
01:48:31 - 01:48:32: I don't know.
01:48:32 - 01:48:34: Uh-oh.
01:48:34 - 01:48:38: "Mending fences" would not really work.
01:48:38 - 01:48:40: [singing in Spanish]
01:48:42 - 01:48:43: "Jumping fences."
01:48:43 - 01:48:45: [singing in Spanish]
01:48:45 - 01:48:46: "Jumping fences."
01:48:46 - 01:48:48: [singing in Spanish]
01:48:48 - 01:48:50: "Cutting holes through fences."
01:48:50 - 01:48:54: All right, Jake, what do you think won, '67 or 2017?
01:48:54 - 01:48:57: This was the worst top five of all time.
01:48:57 - 01:49:00: And I had high hopes going in.
01:49:00 - 01:49:03: Yeah, man, you thought '67 was going to be popping. It wasn't.
01:49:03 - 01:49:06: I guess I got to go '67.
01:49:06 - 01:49:07: Really?
01:49:07 - 01:49:10: I mean, it sucked, but "Respect" and "Groovin'"--
01:49:10 - 01:49:12: I like to define inspiration of "Groovin'."
01:49:12 - 01:49:14: Just 'cause of that tasteful palate?
01:49:14 - 01:49:17: I didn't have much on there for '17.
01:49:17 - 01:49:18: What about you, man?
01:49:18 - 01:49:22: "Despacito" is the only one of the top five that I'll admit is really, like--
01:49:22 - 01:49:24: I really, like, feel.
01:49:24 - 01:49:27: I was very happy we got to learn about Jake Paul and Team 10
01:49:27 - 01:49:29: in a song, "It's Every Day, Bro."
01:49:29 - 01:49:33: And I always think it's cool to see people disrupting the music industry.
01:49:33 - 01:49:36: 'Cause back in the day, you didn't hear about YouTubers
01:49:36 - 01:49:39: getting up there on the iTunes charts.
01:49:39 - 01:49:42: So, you know, shout-out to him for that disruption.
01:49:42 - 01:49:45: But I don't know if I love the song.
01:49:45 - 01:49:47: I think they're both bad.
01:49:47 - 01:49:52: I think comparing them has given me a pessimistic view of world history.
01:49:52 - 01:49:54: You know who won? Rusty Cage.
01:49:54 - 01:49:55: Of Soundgarden?
01:49:55 - 01:49:56: Yeah.
01:49:56 - 01:49:58: Maybe that's a good note to end on,
01:49:58 - 01:50:02: 'cause we didn't get to talk about Chris Cornell last week.
01:50:02 - 01:50:06: So, Jake, we had a few music industry deaths recently,
01:50:06 - 01:50:08: the most recent of which was Greg Allman.
01:50:08 - 01:50:09: Yeah.
01:50:09 - 01:50:11: I know you're a fan because at your birthday,
01:50:11 - 01:50:13: your last birthday,
01:50:13 - 01:50:16: you and members of your Grateful Dead cover band, Dick Picks,
01:50:16 - 01:50:19: got together to do some covers.
01:50:19 - 01:50:20: I sang "Eagle Song" with you guys.
01:50:20 - 01:50:21: Yeah, that was great.
01:50:21 - 01:50:23: And as I recall, you guys did an Allman Brothers song.
01:50:23 - 01:50:26: Yeah, we did "Blue Sky," which was written by Dickie Betts,
01:50:26 - 01:50:29: but, you know, classic Allman Brothers song.
01:50:29 - 01:50:30: Greg played on it.
01:50:30 - 01:50:31: Oh, yeah.
01:50:31 - 01:50:32: So you're an Allman Brothers fan.
01:50:32 - 01:50:33: Oh, yeah.
01:50:33 - 01:50:36: For people who don't know, they're kind of like the Grateful Dead.
01:50:36 - 01:50:38: They're just more Southern.
01:50:38 - 01:50:41: Yeah, in the sense that they were like--
01:50:41 - 01:50:42: They would jam.
01:50:42 - 01:50:44: Yeah, fully improvised.
01:50:44 - 01:50:47: For people interested, check out "Mountain Jam"
01:50:47 - 01:50:49: on the Eat a Peach album.
01:50:49 - 01:50:51: It's like a 25-minute jam.
01:50:51 - 01:50:53: It's beautiful.
01:50:53 - 01:50:58: And they would write songs that would draw from jazz, blues, country,
01:50:58 - 01:51:04: kind of how the dead would take all the classic American forms of music
01:51:04 - 01:51:08: and then, like, cobble them together to make their own sound.
01:51:08 - 01:51:11: The Allmans did that, too, just with a different aesthetic.
01:51:11 - 01:51:14: Instead of California hippie, it was like Southern hippie.
01:51:14 - 01:51:15: Right.
01:51:15 - 01:51:16: I love the Allman Brothers.
01:51:16 - 01:51:18: Yeah, beautiful.
01:51:18 - 01:51:21: So what's a good song to play as a tribute to Greg?
01:51:21 - 01:51:22: How about "Melissa"?
01:51:22 - 01:51:23: He wrote that one.
01:51:23 - 01:51:24: Beautiful song.
01:51:24 - 01:51:25: All right, great call.
01:51:25 - 01:51:29: Let's go out with Allman Brothers, Melissa, RIP Greg Allman,
01:51:29 - 01:51:31: and we'll see you in two weeks.
01:51:34 - 01:51:42: ♪ Crossroads seem to come and go ♪
01:51:42 - 01:51:45: ♪ Yeah ♪
01:51:45 - 01:51:51: ♪ Gypsy glide from coast to coast ♪
01:51:51 - 01:51:57: ♪ Knowing many loving none ♪
01:51:57 - 01:52:03: ♪ Bearing sorrow, having fun ♪
01:52:03 - 01:52:14: ♪ But back home you'll always run to sweet Melissa ♪
01:52:14 - 01:52:21: ♪ Mm ♪
01:52:21 - 01:52:29: ♪ Great train, each car looks the same ♪
01:52:29 - 01:52:32: ♪ All the same ♪
01:52:32 - 01:52:38: ♪ And no one knows the gypsy's name ♪
01:52:38 - 01:52:44: ♪ No one hears his lonely sigh ♪
01:52:44 - 01:52:49: ♪ There are no blankets where he lies ♪
01:52:49 - 01:52:54: ♪ Loving deep the streams, the gypsy's mind ♪
01:52:54 - 01:52:59: ♪ With sweet Melissa ♪
01:52:59 - 01:53:07: ♪ Mm ♪
01:53:07 - 01:53:13: ♪ Again the morning's come, again he's on the run ♪
01:53:13 - 01:53:16: ♪ Sunbeams shining through his hair ♪
01:53:16 - 01:53:18: ♪ Fear not to have a care ♪
01:53:18 - 01:53:24: ♪ Pick up your gear and gypsy roll on ♪
01:53:24 - 01:53:31: ♪ Roll on ♪
01:53:31 - 01:53:38: ♪ Crossroads, will you ever let him go? ♪
01:53:38 - 01:53:41: ♪ Oh ♪
01:53:41 - 01:53:47: ♪ Will you hide the dead man's ghost? ♪
01:53:47 - 01:53:53: ♪ All the many lies beneath the plain ♪
01:53:53 - 01:53:59: ♪ Will his spirit float away? ♪
01:53:59 - 01:54:10: ♪ But I know he won't stay without Melissa ♪
01:54:10 - 01:54:18: ♪ Yes, I know that he won't stay without Melissa ♪
01:54:18 - 01:54:22: ♪ ♪
01:54:22 - 01:54:25: ♪ Oh ♪
01:54:25 - 01:54:33: ♪ ♪
01:54:57 - 01:55:02: ♪ ♪
01:55:02 - 01:55:05: Time Crisis with Ezra
01:55:05 - 01:55:07: Wait, hold on Jake, we can't leave yet.
01:55:07 - 01:55:08: Really?
01:55:08 - 01:55:10: 'Cause this just in.
01:55:10 - 01:55:12: We got a piece of physical mail.
01:55:12 - 01:55:13: What?
01:55:13 - 01:55:16: I don't even know how this person figured out where to mail it to, but
01:55:16 - 01:55:19: something came for Time Crisis.
01:55:19 - 01:55:22: It's from Kenny in Costa Mesa, California.
01:55:22 - 01:55:25: And I really like this letter.
01:55:25 - 01:55:27: And I want to introduce Kenny
01:55:27 - 01:55:30: because he took the time to literally,
01:55:30 - 01:55:32: lined paper written by hand.
01:55:32 - 01:55:33: It's a long letter.
01:55:34 - 01:55:35: I just want to read the beginning.
01:55:35 - 01:55:37: In pencil with no cross outs.
01:55:37 - 01:55:39: Yeah, very few, no, no cross outs.
01:55:39 - 01:55:40: He had to recopy that.
01:55:40 - 01:55:44: So I just want to read the beginning of Kenny's letter.
01:55:44 - 01:55:46: "To whom it may concern from Time Crisis,
01:55:46 - 01:55:49: "first off, thank you so much for the Crisis Crew card.
01:55:49 - 01:55:51: "My card resides in my wallet.
01:55:51 - 01:55:53: "Now for anybody who doesn't know,
01:55:53 - 01:55:57: "True Crisis Heads got Crisis Crew cards
01:55:57 - 01:56:00: "designed by Seinfeld 2000.
01:56:00 - 01:56:03: "If you missed the boat, you got to keep your eyes peeled.
01:56:03 - 01:56:06: "Follow Time Crisis 2000 on Twitter.
01:56:06 - 01:56:08: "Now since I am now officially part of the Crisis Crew
01:56:08 - 01:56:10: "and follow the 11 core values,
01:56:10 - 01:56:12: "I would like to know what in the hell these values are.
01:56:12 - 01:56:15: "Seriously, please, if it's some weird stuff,
01:56:15 - 01:56:17: "I'd like to know along with many others.
01:56:17 - 01:56:18: "Fair enough."
01:56:18 - 01:56:20: Seinfeld 2000, you're going to have to--
01:56:20 - 01:56:21: Valid point.
01:56:21 - 01:56:24: Eventually reveal what the 11 core values are.
01:56:24 - 01:56:27: "Also, I would like to have an inquiry if that is all right.
01:56:27 - 01:56:30: "I feel there is no real youth opinions shared on the show,
01:56:30 - 01:56:32: "seeing as everyone in the studio is over 30."
01:56:32 - 01:56:33: 40.
01:56:33 - 01:56:35: "In some cases, 40.
01:56:35 - 01:56:37: "I am 14.
01:56:37 - 01:56:39: "I go to middle school, currently 8th grade,
01:56:39 - 01:56:41: "and I feel I can reach valid teen discussion points
01:56:41 - 01:56:43: "in a factual manner.
01:56:43 - 01:56:45: "I go to school in a place where everyone is a clone
01:56:45 - 01:56:47: "of what is popular.
01:56:47 - 01:56:48: "I am cooler than that.
01:56:48 - 01:56:50: "Last year I was grunge.
01:56:50 - 01:56:52: "That's the only typical phase I've been through.
01:56:52 - 01:56:55: "I only wear cool stuff and listen to underground music.
01:56:55 - 01:56:57: "Some of the artists I listen to include Waves,
01:56:57 - 01:56:59: "Tame Impala, Frank Ocean, Kendrick Lamar, The Strokes,
01:56:59 - 01:57:02: "Rihanna, la la la, a lot of people.
01:57:02 - 01:57:03: "I like good music.
01:57:03 - 01:57:05: "Also, yeah, of course I like Vampire Weekend."
01:57:05 - 01:57:06: Okay, I'm sold.
01:57:06 - 01:57:08: I'm not going to read the whole letter, but Kenny,
01:57:08 - 01:57:10: you're right, man.
01:57:10 - 01:57:12: First of all, I'm very fascinated that you went through
01:57:12 - 01:57:13: a grunge phase.
01:57:13 - 01:57:14: - Yep, I want to hear more about that.
01:57:14 - 01:57:16: - In the year of our Lord, 2017.
01:57:16 - 01:57:19: I know Jake is going to appreciate that tasteful grunge palette.
01:57:19 - 01:57:20: And you're right, man.
01:57:20 - 01:57:23: We don't get enough youth opinion on this show.
01:57:23 - 01:57:26: And we compare a lot of years.
01:57:26 - 01:57:28: We should have Kenny call in.
01:57:28 - 01:57:29: - What was the phrase he used?
01:57:29 - 01:57:34: Valid youth viewpoint on a number of factual--
01:57:34 - 01:57:36: - He says he can reach valid teen discussion points
01:57:36 - 01:57:37: in a factual manner.
01:57:37 - 01:57:39: - That is a great phrase.
01:57:39 - 01:57:40: That's a well-written sentence.
01:57:40 - 01:57:42: - I like that, 'cause we need more facts.
01:57:42 - 01:57:45: - Valid teen discussion points in a factual manner.
01:57:45 - 01:57:49: - Kenny, you have piqued our curiosity big time.
01:57:49 - 01:57:53: I really think it's cool that you wrote us a real letter.
01:57:53 - 01:57:56: So, Kenny, we're gonna figure out a way
01:57:56 - 01:57:57: to get in touch with you.
01:57:57 - 01:58:02: Maybe tweet @TimeCrisis2000 to make it a little easier on us.
01:58:02 - 01:58:05: But, Kenny, we want you calling in, because,
01:58:05 - 01:58:09: shout out to you, we do want your teen opinion on this show.
01:58:09 - 01:58:11: So, hopefully we can get in touch with you
01:58:11 - 01:58:12: by the next episode.
01:58:12 - 01:58:13: - Send me an email.
01:58:13 - 01:58:15: - Or send Jake an email, Kenny.
01:58:15 - 01:58:16: Hopefully you're listening.
01:58:16 - 01:58:18: Okay, we'll see you in two weeks.
01:58:18 - 01:58:22: - "Time Crisis with Ezra King."
01:58:22 - 01:58:24: Beep, beep, beep, beep, beep, beep, beep.
01:58:24 - 01:58:26: One.
01:58:26 - 01:58:29: (whooshing)

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