Episode 46: The Dorito Effect

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:05: Time Crisis, the first week of summer 2017.
00:05 - 00:11: I'll be joined by Jake in the studio, as we discuss the Roger Waters concert we saw a few days ago.
00:11 - 00:16: We'll also speak with Mark Schatzker, author of The Dorito Effect,
00:16 - 00:23: as well as Kenny, a Time Crisis listener who's going to bring some youthful enthusiasm to the program.
00:23 - 00:27: All this, plus the top ten songs of the summer.
00:27 - 00:33: Mask off, this is Time Crisis with Ezra King.
00:33 - 00:35: Beep beep beep beep beep beep beep beep.
00:35 - 00:38: Spawn in one.
00:38 - 00:44: They pass me by, all of those great romances.
00:44 - 00:51: They were a first for me, all my rightful chances.
00:51 - 00:58: My picture clear, everything seemed so easy.
00:58 - 01:05: And so I dealt you the blow, one of us had to go.
01:05 - 01:10: Now it's different, I want you to know.
01:10 - 01:16: One of us is crying, one of us is lying.
01:16 - 01:37: We're the lonely men.
01:37 - 01:40: In the summertime, when the weather is high,
01:40 - 01:43: you can stretch right up and touch the sky.
01:43 - 01:49: When the weather's fine, you got women, you got women on your mind.
01:49 - 01:54: Have a drink, have a drive, go out and see what you can find.
01:54 - 01:57: If a daddy's rich, take her out for a meal.
01:57 - 02:00: If a daddy's poor, just do what you feel.
02:00 - 02:06: Speed along the lane, you can dine or return at twenty-five.
02:06 - 02:12: When the sun goes down, you can make it big or good and only buy.
02:12 - 02:15: We're happy, but we're not dirty, we're not mean.
02:15 - 02:18: We love everybody, but we do as we please.
02:18 - 02:23: When the weather's fine, we go fishing or go swimming in the sea.
02:23 - 02:29: We're always happy, life's for living, yeah, that's our philosophy.
02:29 - 02:31: Sing along with us.
02:31 - 02:46: (scatting)
02:46 - 03:03: (scatting)
03:03 - 03:06: When the winter's here, yeah, it's party time.
03:06 - 03:09: Bring your bottle, wag your back 'cause it'll soon be summertime.
03:09 - 03:15: And we'll sing again, we'll go driving or maybe we'll settle down.
03:15 - 03:19: It's just rich, it's just nice, bring your friends and we'll all go into town.
03:19 - 03:22: Time Crisis, we're back.
03:22 - 03:25: I'm here in Los Angeles with Jake Longstreth. What's up, Jake?
03:25 - 03:27: Hey.
03:27 - 03:29: It's officially summer 2017, can you believe it?
03:29 - 03:31: Sort of, yeah.
03:31 - 03:33: Seems about right.
03:33 - 03:38: Yeah, well, I mean, the year's flying by, but it's been so hot recently that it's like, okay, yeah, it's summer.
03:38 - 03:39: It is hot.
03:39 - 03:41: It's been scorching.
03:41 - 03:42: Don't appreciate that.
03:42 - 03:44: I don't have AC in my studio.
03:44 - 03:46: In your painting studio?
03:46 - 03:50: Yeah, so I'm working shirtless, wearing shorts all day.
03:50 - 03:52: Just like dripping in sweat?
03:52 - 03:54: Not dripping, I got some fans going.
03:54 - 03:57: Do you do like a wet paper towel on the back of your neck?
03:57 - 04:02: Sometimes, I'll go into the bathroom and just like splash water on my face and like wet my hair down and just do the full--
04:02 - 04:07: That's not bad for your painting materials and the paintings themselves.
04:07 - 04:08: Oh, in the heat?
04:08 - 04:09: In the heat, yeah.
04:09 - 04:11: The paint does dry a little faster, I do notice.
04:11 - 04:13: Oh, so it's a positive thing.
04:13 - 04:15: Well, it depends what you're doing.
04:15 - 04:16: Right.
04:16 - 04:17: Oh, it wouldn't be good for oil painting.
04:17 - 04:22: If you're trying to blend a big sky area, you're a little more into the gun.
04:22 - 04:28: I'm trying to create an even gradient with oil paint over like a 12-square-foot area.
04:28 - 04:30: I got to hustle.
04:30 - 04:32: Right, maybe save those pieces for winter.
04:32 - 04:34: Got to do them now, dude.
04:34 - 04:35: Deadlines.
04:35 - 04:37: You're just like, okay.
04:37 - 04:44: No, these are the things that you don't get to talk to a painter every day about their actual craft, you know?
04:44 - 04:45: Yeah.
04:45 - 04:48: You see all these paintings hanging everywhere in museums and this and that.
04:48 - 04:49: You never think about the--
04:49 - 04:51: It's a physical object.
04:51 - 04:53: You got to like take raw materials and--
04:53 - 04:54: This is a random question.
04:54 - 04:55: Okay.
04:55 - 04:58: I was at a makeup artist's birthday party recently.
04:58 - 04:59: Cool.
04:59 - 05:00: Got me thinking about makeup.
05:00 - 05:04: Do you feel any kinship--and also hearing you talking about blending gradients--
05:04 - 05:09: do you feel any kinship with makeup artists or just people who take makeup seriously?
05:09 - 05:11: I can see it.
05:11 - 05:13: Because you know there's a big thing now, contouring.
05:13 - 05:15: What's that?
05:15 - 05:22: It's a way of putting on makeup that I think can make the shape of your face look a little different or create the illusion of shadow.
05:22 - 05:23: Don't quote me on this.
05:23 - 05:24: Whatever.
05:24 - 05:27: It's like advanced makeup study, but at a certain point, it is painting.
05:27 - 05:29: Yeah, absolutely.
05:29 - 05:32: I mean, yeah, I guess you're trying to create dynamics and depth.
05:32 - 05:33: Yeah, exactly.
05:33 - 05:35: Or shift the palette.
05:35 - 05:43: I mean, and then you get to like the real crazy stuff where somebody could make--look like they're a cat or look like they have a wound or something.
05:43 - 05:46: And then you really--is it makeup or is it painting?
05:46 - 05:48: It's body painting.
05:48 - 05:55: Speaking of makeup and painting, who did we see this week at the Pink Floyd show sitting in front of us?
05:55 - 05:56: Marilyn Manson.
05:56 - 05:57: Right.
05:57 - 05:58: At the Roger Waters show.
05:58 - 05:59: Without makeup.
05:59 - 06:01: Without makeup, although--
06:01 - 06:03: He might have had some sort of foundation on.
06:03 - 06:05: Yeah, maybe he had some foundation or maybe he is just like--
06:05 - 06:08: Very even tone on his skin.
06:08 - 06:11: Maybe he's just one of those lucky people with even tone.
06:11 - 06:14: Very light skin, yeah.
06:14 - 06:15: Very, very white.
06:15 - 06:16: He doesn't go outside at all.
06:16 - 06:17: Honestly, that's possible.
06:17 - 06:19: He could be nocturnal.
06:48 - 07:00: So let's talk about it.
07:00 - 07:03: I lucked into some tickets to Roger Waters at Staples Center.
07:03 - 07:05: I'm not the biggest fan.
07:05 - 07:06: Right.
07:06 - 07:08: But I thought I was on that side of town.
07:08 - 07:11: I thought, "Why not roll down with our other buddy, Ariel?"
07:11 - 07:12: You know, we had an extra ticket.
07:12 - 07:18: So the first person I thought of, you know, Roger Waters, I definitely associate with the tasteful palate of '70s rock.
07:18 - 07:19: Not so tasteful.
07:19 - 07:21: The less than tasteful side of--
07:21 - 07:22: Dude, this is crazy.
07:22 - 07:25: I have like Doritos powder in my eye.
07:25 - 07:29: Oh, because you're from the spicy nacho?
07:29 - 07:30: I think I do.
07:30 - 07:31: Oh, man. That's crazy.
07:31 - 07:33: So we have some Doritos in the studio.
07:33 - 07:34: Oh, really?
07:34 - 07:36: We got a medical emergency here.
07:36 - 07:37: You got to flush your eye.
07:37 - 07:38: [beep]
07:38 - 07:45: You're listening to Time Crisis on Beat One.
07:48 - 07:52: Holy [beep]
07:52 - 07:53: I think I'm good.
07:53 - 07:54: Or it's salsa.
07:54 - 07:55: We may have got some salsa in my eye.
07:55 - 07:56: Something.
07:56 - 07:57: Oh, yeah.
07:57 - 07:58: It's passing.
07:58 - 08:01: I think I was the same chick was crushing a burrito before the show started.
08:01 - 08:03: Is my eye all red and inflamed?
08:03 - 08:04: It's not crazy.
08:04 - 08:05: It's getting better.
08:05 - 08:07: I mean, this is a good teachable moment.
08:07 - 08:08: Yeah.
08:08 - 08:10: If you're eating Doritos, especially--
08:10 - 08:11: Oh.
08:11 - 08:12: Wait, what are these called?
08:12 - 08:13: Spicy nacho.
08:13 - 08:15: You really got to be careful.
08:15 - 08:16: Cool Ranch.
08:16 - 08:17: That's a first for me.
08:17 - 08:19: Cool Ranch in the eye, no big deal.
08:19 - 08:22: Spicy nacho, it's going to take you down.
08:22 - 08:24: Took me down a peg.
08:24 - 08:25: You feeling okay?
08:25 - 08:27: Yeah.
08:27 - 08:28: Yeah, we can continue.
08:28 - 08:30: Okay.
08:30 - 08:33: So, back to Roger Waters.
08:33 - 08:35: We went to the show.
08:35 - 08:36: It was at the Staples Center.
08:36 - 08:40: Also, something goes down really easy about the name Staples Center.
08:40 - 08:43: It's really hilarious to like pause for a second and be like,
08:43 - 08:48: the place where the Lakers and the Clippers and Roger Waters play in Los Angeles
08:48 - 08:51: is named after an office supply store.
08:51 - 08:52: I know.
08:52 - 08:55: I mean, LA's just lucky that it was Staples that came through
08:55 - 08:57: with the offer to sponsor, not Office Depot.
08:57 - 08:58: Right.
08:58 - 09:02: Because imagine just like downtown Los Angeles is just like,
09:02 - 09:04: "Welcome to Office Depot Arena."
09:04 - 09:07: [sad trombone music]
09:07 - 09:08: Brutal.
09:08 - 09:10: But Staples Center, it sounds like a place that already existed.
09:10 - 09:14: It sounds like Jonathan Staples founded it, you know, 1925.
09:14 - 09:16: I remember having that confusion.
09:16 - 09:19: I think it was built in around 2000 maybe, maybe late '90s.
09:19 - 09:23: But I remember hearing the name in the ether and being like,
09:23 - 09:24: "Oh, that's just named after a guy."
09:24 - 09:26: It's like Wrigley Field or something.
09:26 - 09:29: It goes down easy, like Wrigley Field or Madison Square Garden.
09:29 - 09:33: And then I remember driving by and being like, "Oh no, that's Staples."
09:33 - 09:35: Because to me in my mind, I was like,
09:35 - 09:39: "There's no way that this arena is named after an office supply superstore.
09:39 - 09:41: There's just no way."
09:41 - 09:46: And also, you know what also why LA lucked out by getting Staples
09:46 - 09:49: is because Center starts with a "s" sound.
09:49 - 09:50: Yeah.
09:50 - 09:52: It really sounds like Staples Center.
09:52 - 09:53: Yeah.
09:53 - 09:56: I think this is like even if it was Staples Arena,
09:56 - 09:58: you might think more about the Staples.
09:58 - 10:00: I just always hear it as Staples Center.
10:00 - 10:03: You have to wonder if they took that into consideration.
10:03 - 10:06: So if like maybe Office Depot is offering more.
10:06 - 10:07: Yeah.
10:07 - 10:10: But they're like, "You know what? Staples Center sounds better.
10:10 - 10:14: They're offering 10% less, but it's going to be worth it in the long run
10:14 - 10:18: to take a little less money up front but have a better name."
10:18 - 10:19: Because it's the Lakers.
10:19 - 10:22: I mean, that's like a classy legacy brand.
10:22 - 10:24: They had to run it by Jack Nicholson.
10:24 - 10:27: You can't have the Lakers playing an Office Depot--what is it?
10:27 - 10:29: Office Depot Arena?
10:29 - 10:30: I don't know.
10:30 - 10:32: I thought the one you had was pretty good.
10:32 - 10:34: "Welcome to the Office Depot."
10:34 - 10:35: Oh, yeah, the Office Depot Arena.
10:35 - 10:41: I mean, yeah, it's like you talk about--yeah, LA is a stuck-up city.
10:41 - 10:42: I'm not trying to throw shade.
10:42 - 10:44: I'm just saying LA and New York are stuck-up cities.
10:44 - 10:45: We all know this.
10:45 - 10:49: They're big, rich cities, whereas you get a city like New Orleans,
10:49 - 10:54: great city, amazing city, but obviously doesn't have the kind of money
10:54 - 10:57: flowing through New York or LA, has had very difficult luck
10:57 - 11:00: when it comes to Katrina and things like that.
11:00 - 11:03: Who do they get to sponsor their arena?
11:03 - 11:04: I don't know.
11:04 - 11:06: You don't know where the Pelicans play?
11:06 - 11:07: I don't know.
11:07 - 11:09: Smoothie King Arena.
11:09 - 11:10: Smoothie? As in 7-Eleven?
11:10 - 11:12: No, no, Smoothie King.
11:12 - 11:13: You don't know what Smoothie King is?
11:13 - 11:14: Mm-mm.
11:14 - 11:17: Smoothie King is a chain of smoothie places.
11:17 - 11:18: Regional chain?
11:18 - 11:22: I'm pretty tapped in, and I've never heard of that.
11:22 - 11:25: It's like--is it regional?
11:25 - 11:27: I feel like there's one at JFK or something.
11:27 - 11:29: But anyway, my point is like--
11:29 - 11:30: I hear you.
11:30 - 11:31: --that, yeah, no--
11:31 - 11:34: Or it's like MetLife Insurance Stadium.
11:34 - 11:37: Or in like Boise, Idaho is straight-up Taco Bell Arena.
11:37 - 11:39: Oh, wow.
11:39 - 11:40: Obviously--
11:40 - 11:41: What is that?
11:41 - 11:43: Is it like minor league hockey or something?
11:43 - 11:45: You know, that's a great question because I always talk about
11:45 - 11:48: Taco Bell Arena, and I don't know much about it other than
11:48 - 11:51: that's where like Katy Perry's going to play when she comes to Boise.
11:51 - 11:52: Taco Bell Arena.
11:52 - 11:57: So Taco Bell Arena is a multi-purpose--oh, God, this is dark.
11:57 - 12:00: Taco Bell Arena, originally BSU Pavilion--
12:00 - 12:01: Okay.
12:01 - 12:04: --is a multi-purpose indoor arena in the western United States--
12:04 - 12:06: all right, western, you know, come on, Wikipedia--
12:06 - 12:10: on the campus of Boise State University in Boise, Idaho.
12:10 - 12:13: The reason I say that it's very dark is because
12:13 - 12:17: presumably Boise State University is a public college.
12:17 - 12:20: Like that's what's happening in America, like a public college
12:20 - 12:24: has their BSU Pavilion, and they have to take--
12:24 - 12:27: they have to literally--a public college has to advertise for Taco Bell?
12:27 - 12:28: Brutal.
13:34 - 13:44: Speaking of fast food, you and I were both very fascinated
13:44 - 13:47: at the Roger Waters concert because we were starving.
13:47 - 13:51: We thought that we were going to have access to the place called the Chairman's Club.
13:51 - 13:52: I was pumped about that.
13:52 - 13:55: Yeah, we did not have access. Mistakes were made.
13:55 - 13:57: There were serious hierarchies with not only the parking,
13:57 - 13:59: but also the green room situation.
13:59 - 14:02: Yeah, this is classic. It's like we roll down in a car with Ariel
14:02 - 14:07: because his buddy who's playing in the band says that we're going to have parking.
14:07 - 14:12: See, that's the thing. The price of entry to these concerts is so high.
14:12 - 14:13: Yeah.
14:13 - 14:18: It's not only the financial burden of the ticket, but just getting in is so tough.
14:18 - 14:19: The logistics were--
14:19 - 14:23: Yeah, so of course we roll up to lot one, not on the list.
14:23 - 14:24: Which was hard to find.
14:24 - 14:25: Very difficult to find.
14:25 - 14:27: It was like a labyrinth. It was like 40 minutes.
14:27 - 14:28: It was crazy.
14:28 - 14:32: I mean, in retrospect, it was kind of cool being on this weird goose chase.
14:32 - 14:37: But once we got in, we got to go into the green room, found a couple Coronas.
14:37 - 14:39: That's when the night took a positive turn for me.
14:39 - 14:42: I was kind of stressed out, hot, and then we finally got in there,
14:42 - 14:46: but remember we get in, we thought it was the Chairman's Club.
14:46 - 14:47: We didn't have access.
14:47 - 14:48: No chicken wings.
14:48 - 14:50: Yeah, we thought we were going to get chicken wings.
14:50 - 14:52: And then the guy playing bass in the band was like,
14:52 - 14:55: "Oh, I'll escort you over to the other green room where there's food."
14:55 - 14:58: And then we showed up and there's a bouncer that's like, "You can't escort."
14:58 - 14:59: Right.
14:59 - 15:00: And then right at that point--
15:00 - 15:01: And he said, "But I have an all-access pass."
15:01 - 15:03: He says, "But you don't have an all-access escort pass."
15:03 - 15:04: Yeah, so the--
15:04 - 15:08: Oh, and then we watch Dave Navarro enter the room,
15:08 - 15:12: and he hears us talk about how we don't have an escort,
15:12 - 15:14: and he turns around and--he's a very quick guy.
15:14 - 15:15: I don't know him.
15:15 - 15:18: And he turns around and goes, "It's a little early in the evening,
15:18 - 15:20: but I know a few escorts."
15:20 - 15:21: [explosion]
15:21 - 15:22: The time had come.
15:22 - 15:23: And just rolls in.
15:23 - 15:25: I mean, that's kind of what you want from Dave Navarro, I guess.
15:25 - 15:26: Yeah, it's perfect.
15:26 - 15:27: Yeah.
15:27 - 15:28: Well played.
15:28 - 15:30: ♪ Here we go ♪
15:30 - 15:35: ♪ Yeah ♪
15:35 - 15:38: ♪ No one ♪
15:41 - 15:44: ♪ Gonna stop it all ♪
15:44 - 15:52: ♪ Yeah ♪
15:52 - 15:55: ♪ Save the complex ♪
15:55 - 15:58: ♪ For party ♪
15:58 - 16:00: ♪ Conversation ♪
16:00 - 16:01: ♪ The world ♪
16:01 - 16:03: ♪ Is a road ♪
16:03 - 16:06: ♪ Isn't it the part nobody ain't gonna stop ♪
16:06 - 16:09: Once we settled in, I was definitely glad we were there.
16:09 - 16:10: Yeah, it was a good show.
16:10 - 16:12: I mean, I'm not a huge Floyd guy either.
16:12 - 16:14: And it was better than I thought it would be.
16:14 - 16:16: Yeah, the band was killing it.
16:16 - 16:18: He sounded good.
16:18 - 16:21: There's a drone pig that flew around the arena.
16:21 - 16:22: I've heard about this.
16:22 - 16:24: I haven't been in an arena yet where there's just, like,
16:24 - 16:27: a fully droned out thing flying around with no strings.
16:27 - 16:28: Yeah.
16:28 - 16:29: We're living in the future.
16:29 - 16:30: A giant piggy bank.
16:30 - 16:32: The visuals were incredible.
16:32 - 16:37: So, you know, summertime is a classic time to go catch a great show.
16:37 - 16:41: And Jake, you couldn't help point out that the Roger Waters show
16:41 - 16:46: made the Grateful Dead show you'd seen previously this spring, I guess.
16:46 - 16:47: A few weeks ago.
16:47 - 16:48: Seemed not so hot.
16:48 - 16:50: Yeah, pale in comparison.
16:50 - 16:53: And it's weird, too, because, you know, obviously I love the dead.
16:53 - 16:57: Not a huge Floyd guy, but this is sort of a reverse situation
16:57 - 17:01: where, like, the dead show was a real bummer, I thought.
17:01 - 17:03: That was at the Hollywood Bowl.
17:03 - 17:06: John Mayer filling in.
17:06 - 17:10: And then the Waters show was just, like, very on point, very tight.
17:10 - 17:11: It was more professional.
17:11 - 17:14: It sounded exactly like the album in, like, a cool way.
17:14 - 17:15: Yeah, it was impressive.
17:15 - 17:16: Very dynamic.
17:16 - 17:19: He seemed really energized and inspired.
17:19 - 17:20: 73-year-old man.
17:20 - 17:23: The guys in the dead just seemed gone.
17:23 - 17:26: Now, the people at the show were just, like, drinking it up.
17:26 - 17:29: I mean, they just, like, were pounding the Kool-Aid.
17:29 - 17:32: I mean, yeah, I guess it's just about what kind of energy
17:32 - 17:35: you bring to an experience.
17:35 - 17:37: Well, after the Waters show, I was sort of like,
17:37 - 17:40: "Wow, this was really inspired and, like, really, like."
17:40 - 17:41: It felt fresh.
17:41 - 17:42: He brought it.
17:42 - 17:43: Yeah.
17:43 - 17:46: And then it made the dead show seem so cynical.
17:46 - 17:47: Like, what are they doing?
17:47 - 17:50: Are they just doing, like--are they just making money?
17:50 - 17:52: Like, what are they--it just seemed, like, sad to me.
17:52 - 17:53: Right.
17:53 - 17:54: In retrospect.
17:54 - 17:57: Yeah, with Roger Waters, you imagine him, like,
17:57 - 18:00: going over the set list with, like, the musicians.
18:00 - 18:01: This could be totally wrong.
18:01 - 18:05: Or you imagine him, like, working on the stage show
18:05 - 18:06: with, like, the lighting director and all these guys
18:06 - 18:08: and being like, "When are we going to bring the pig out?
18:08 - 18:10: Okay, but is it going to go upstage, right?"
18:10 - 18:12: Like, you can imagine--like, clearly a lot of thought went into it.
18:12 - 18:13: Yep.
18:13 - 18:15: He's not just cashing in.
18:15 - 18:16: No.
18:16 - 18:18: I mean, I think a lot of us as well as--sometimes do.
18:18 - 18:19: You know what I thought of?
18:19 - 18:23: If Hillary had won the election, what would the visuals have been?
18:23 - 18:25: Because it was very Trump-heavy.
18:25 - 18:26: Right.
18:26 - 18:27: Roger Waters hates Trump.
18:27 - 18:28: Trump is a pig.
18:28 - 18:30: He said Trump is a pig.
18:30 - 18:32: He put up a lot of dumb Trump quotes.
18:32 - 18:33: Right.
18:33 - 18:35: Like, Trump being an idiot and then Trump is a pig
18:35 - 18:37: and, like, stylized imagery of Trump,
18:37 - 18:40: Trump being on a baby's body, on a pig's body.
18:40 - 18:41: Yeah, we--
18:41 - 18:43: Industry footage of, like, Jeff Sessions.
18:43 - 18:44: Yeah.
18:44 - 18:46: Like, footage of, like, Trump playing golf.
18:46 - 18:50: We were talking about--I'm pretty sure when they kicked into money,
18:50 - 18:52: it was an aerial shot of Mar-a-Lago.
18:52 - 18:53: Right.
18:53 - 18:55: [Humming]
18:55 - 18:57: I remember we were joking, too, about, like,
18:57 - 19:00: some, like, Beverly Hills Republican being at the show
19:00 - 19:03: and just being like, "I didn't come here for the politics.
19:03 - 19:04: I'm here for a rock show."
20:34 - 20:37: So, Jake, we've got a hell of a show to kick off summer.
20:37 - 20:41: We're going to be talking to Kenny, a high school student who wrote us a letter.
20:41 - 20:42: Right, right.
20:42 - 20:44: So we're going to get--because, you know, we talk a lot about
20:44 - 20:49: whether or not the tasteful palette of '70s rock or '90s indie rock is still relevant.
20:49 - 20:51: But, you know, we're actually going to talk to somebody,
20:51 - 20:53: an actual high school-age music fan,
20:53 - 20:56: going to enlighten us into what they're listening to.
20:56 - 20:58: We're also going to talk about the top ten songs of the summer.
20:58 - 20:59: It's about that time.
20:59 - 21:00: Oh, wow.
21:00 - 21:01: I've got to get serious.
21:01 - 21:03: What are the songs of the summer?
21:03 - 21:08: But first, we've got the author of "The Dorito Effect," Mark Schatzker.
21:08 - 21:11: His book is about the surprising truth about food and flavor.
21:11 - 21:14: And I like this because we talk a lot about Doritos on the show,
21:14 - 21:20: but Mark Schatzker actually kind of has a thesis about how Doritos tell the story
21:20 - 21:24: of what happened to American food and American flavor.
21:24 - 21:26: So we're going to talk to Mark after this.
21:41 - 21:51: [applause]
23:41 - 23:44: [applause]
23:44 - 23:47: Now let's go to the Time Crisis Hotline.
23:47 - 23:50: [phone ringing]
23:50 - 23:51: Hello.
23:51 - 23:52: Hey, how are you doing, Mark?
23:52 - 23:53: Welcome to Time Crisis.
23:53 - 23:54: I'm doing great.
23:54 - 23:55: How are you guys?
23:55 - 23:56: We're great, man.
23:56 - 24:00: We're chowing down on some Doritos spicy nacho flavor over here.
24:00 - 24:01: Excellent.
24:01 - 24:02: My plan is working perfectly.
24:02 - 24:04: So, Mark, you got this book, "The Dorito Effect."
24:04 - 24:05: Yes.
24:05 - 24:07: What's it all about?
24:07 - 24:12: "The Dorito Effect" is basically what happened to food in the last 50 years.
24:12 - 24:14: We've been obsessed with kind of what's gone wrong with food,
24:14 - 24:17: and we keep on throwing around theories like we're eating too much fat
24:17 - 24:19: or we're eating too much carbs.
24:19 - 24:21: The one thing no one's ever really talked about is flavor,
24:21 - 24:23: because that's what we all love, right?
24:23 - 24:24: How does it taste?
24:24 - 24:28: So this book looks at how the way food tastes has changed,
24:28 - 24:33: and the Dorito Effect, very simply, is what happens when real food gets bland
24:33 - 24:35: and fake food gets super delicious.
24:35 - 24:40: The story of Doritos tells us something really important about how food changed,
24:40 - 24:42: and I'll tell you very quickly how it started.
24:42 - 24:43: Please.
24:43 - 24:46: The VP of sales and marketing for the Frito Chip Company,
24:46 - 24:48: he was working on Madison Avenue in the 1950s.
24:48 - 24:51: He was like an ad guy, and he got hired by the Frito Chip Company
24:51 - 24:53: to be the VP of sales and marketing.
24:53 - 24:57: Then they merged with the Lay's Chip Company to become Frito Lay.
24:57 - 25:00: He took a trip in the early '60s to California,
25:00 - 25:02: and he tasted a tortilla chip for the first time,
25:02 - 25:04: and he thought this is going to be the next big thing.
25:04 - 25:06: So he goes back to Dallas.
25:06 - 25:09: He pitches to senior executives on this great new idea,
25:09 - 25:10: and they're like, "Why would you do that?
25:10 - 25:11: Why do we need tortilla chips?
25:11 - 25:12: We've already got Fritos.
25:12 - 25:14: They're kind of the same thing."
25:14 - 25:19: But he was so sure that this would be the next thing, he developed it.
25:19 - 25:23: He funneled discretionary funds into an off-site facility
25:23 - 25:27: to develop this tortilla chip concept, and he presented it again,
25:27 - 25:29: and he gave it this sort of made-up Spanish-sounding name,
25:29 - 25:33: Mexican-sounding name called Doritos, and he got the green light.
25:33 - 25:35: This is when everyone thinks, "Ah, that's when everything changed.
25:35 - 25:38: That's when the world would shift."
25:38 - 25:43: In fact, that's not when it shifted because the first Doritos that went on sale
25:43 - 25:49: were just salted tortilla chips, and they kind of bombed.
25:49 - 25:53: Nobody really wanted them in the Southwest where people knew you could dip
25:53 - 25:56: tortilla chips in salsa or guac.
25:56 - 25:57: They liked them.
25:57 - 26:01: But the complaint everywhere else was that this snack sounds Mexican,
26:01 - 26:03: but it doesn't taste Mexican.
26:03 - 26:07: So this guy, his name was Arch West, had to go and talk to his fellow executives again.
26:07 - 26:11: He's hauled up in front of them, and they're saying, "What are you going to do about Doritos?"
26:11 - 26:14: And he said, "Let's make them taste like taco."
26:14 - 26:18: And this was a seminal moment because before that, you could never--
26:18 - 26:22: that wasn't really possible, but there had been a machine invented in the mid-1950s
26:22 - 26:27: called a gas chromatograph, which meant that scientists could finally identify
26:27 - 26:29: flavor compounds in foods.
26:29 - 26:32: And as soon as they figured out what made food taste good,
26:32 - 26:37: they started making those flavor compounds in laboratories and in factories.
26:37 - 26:42: And that's why in the mid-1960s it became possible to take a tortilla chip
26:42 - 26:46: and give it that sort of savory tang of a taco.
26:46 - 26:51: It doesn't taste exactly like a taco, but it has that same kind of satisfying zing.
26:51 - 26:54: And that is what changed the world.
26:54 - 26:59: Taco-flavored Doritos, they were--a tortilla chip that nobody wanted to eat
26:59 - 27:02: became a tortilla chip that people couldn't stop eating.
27:02 - 27:06: And this is really important because it tells us something about the power
27:06 - 27:11: of flavor over our brains, of flavor literally to make us eat.
27:11 - 27:14: So we walk out there in the world into diners and buffets and the supermarket
27:14 - 27:18: and we think, "I know what I want to eat," but the truth is we can't control it.
27:18 - 27:21: We're driven by something deeper than that.
27:21 - 27:24: And flavor technology was really the gateway.
27:24 - 27:27: And it's the Dorito effect because it's not just Doritos.
27:27 - 27:29: You see these things everywhere.
27:29 - 27:31: Fast food restaurants use them.
27:31 - 27:34: They're in things like yogurt. They're in kids' foods. They're in crackers.
27:34 - 27:36: They're in pasta sauce. They're in pizza.
27:36 - 27:38: They're everywhere.
27:38 - 27:41: And that is how we've created this illusion of deliciousness.
27:41 - 27:45: We keep on filling our mouths with food that tastes good
27:45 - 27:47: but just isn't what we should be eating.
27:47 - 27:50: And we get into this really messed-up relationship where food tastes good
27:50 - 27:55: in the moment and then we feel awful about it for hours, sometimes days later.
27:55 - 27:59: So really Dorito was a pioneer in terms of the flavor industry.
27:59 - 28:02: Absolutely. Yeah, they forged the way. Absolutely.
28:02 - 28:05: So it's kind of a feel-good underdog story.
28:05 - 28:07: In a way, yeah.
28:07 - 28:12: Doritos comes out, bombs, then they put some weird chemicals on it.
28:12 - 28:14: What became of Arch West?
28:14 - 28:17: Arch West, he continued to work for Doritos for a while,
28:17 - 28:21: then I think he did some consulting and he did a lot of volunteer work.
28:21 - 28:24: His grandson reached out to me actually after the book came out.
28:24 - 28:27: He reached out to me on Facebook and I thought he would have horrible things to say,
28:27 - 28:29: but he's actually a food activist.
28:29 - 28:33: He lives in the Bay Area and he was very complimentary about the book.
28:33 - 28:35: He said, "If you're ever down here, let's get together."
28:35 - 28:40: I wonder if Arch West ever had a moment of like, "What did I unleash, Dr. Frankenstein?"
28:40 - 28:42: You know, I wonder that too.
28:42 - 28:48: I mean because I think he died in the '90s and certainly by then, Doritos were massive.
28:48 - 28:51: But by the time they came out with Cool Ranch, that was in the early '80s,
28:51 - 28:53: he was way out of the picture.
28:53 - 28:59: He was the Robert Oppenheimer of tortilla chips.
28:59 - 29:06: As he first tasted the taco-flavored Dorito chip, a line from the Vedic scripture came to mind.
29:06 - 29:11: "Now I am become Death, destroyer of worlds."
29:11 - 29:14: He should have strangled his monster in his crib.
29:14 - 29:16: This is a very interesting way to look at things.
29:16 - 29:18: We talk a lot about Doritos, but we've never quite had this angle.
29:18 - 29:21: So thank you so much, Mark, and everybody, check out the book, The Dorito Effect,
29:21 - 29:24: The Surprising Truth About Food and Flavor.
29:24 - 29:26: Mark, what's your favorite type of Doritos?
29:26 - 29:29: Probably the classic nacho cheese.
29:29 - 29:30: Love it.
29:30 - 29:31: I'm a traditionalist.
29:31 - 29:33: All right, great, Mark. Thanks for calling in.
29:33 - 29:35: Thanks for having me on. It's been fun.
29:35 - 29:36: Have a good one, man.
29:36 - 29:37: You too.
31:28 - 31:36: Wow, that was a pretty good call, Jake. What do you think?
31:36 - 31:37: Very informative.
31:37 - 31:41: Yeah, you know, as I think about it more, I really think there's something to this.
31:41 - 31:50: Like, we really do beat ourselves up for wanting to eat, you know, like, gas station food.
31:50 - 31:53: But we should probably look at it, like, slightly differently.
31:53 - 31:59: You're not a bad person if Twinkies and spicy nacho Doritos catch your eye.
31:59 - 32:01: You're just a human being.
32:01 - 32:07: If you can figure out a way to surround yourself with more healthful, tasty food options, you know,
32:07 - 32:09: you might not be worrying about it that much.
32:09 - 32:10: Yeah.
32:10 - 32:14: I felt pretty bad after when I ate that McFlurry at the Roger Waters concert.
32:14 - 32:17: Yeah, and that hot dog I had last night was...
32:17 - 32:19: [laughs]
32:19 - 32:21: I felt weird.
32:21 - 32:24: Yeah, that food does make you feel bad, but you know what it's like?
32:24 - 32:28: It's like with hot dogs, it's like, it's not like when you go to Staples Center or something,
32:28 - 32:33: they're like, we have like a super organic, like, sausage option.
32:33 - 32:34: Right.
32:34 - 32:36: It's like, you can force-feed this food.
32:36 - 32:39: I'm surprised there's not like a taco stand or something.
32:39 - 32:41: Yeah, at least it wasn't open.
32:41 - 32:44: There was that Tostitos branded nacho station.
32:44 - 32:45: Oh, yeah, it sucked.
32:45 - 32:47: Remember those nachos that Ariel got?
32:47 - 32:48: Yeah, those nachos were terrible.
32:48 - 32:50: This is how bad it is at the Staples Center.
32:50 - 32:55: This is where people are paying like hundreds of dollars to see Roger Waters perform
32:55 - 32:58: the not-so-tasteful stylings of Pink Floyd.
32:58 - 33:03: So people are in there like spending crazy money to watch this like cutting-edge laser light show.
33:03 - 33:04: Yeah.
33:04 - 33:09: And then you walk out, you want to get some nachos, and they hand you this like $10 thing
33:09 - 33:14: that's like just a bunch of plain Tostitos, a little cheese, and a little pile of jalapenos.
33:14 - 33:15: Yeah.
33:15 - 33:22: It's like they reduced what could be a great snack to like three whack component parts.
33:22 - 33:24: Step it up, Staples Center.
33:24 - 33:25: Despicable.
36:06 - 36:10: So you know, Jake, we don't want to talk too much about the Roger Waters show.
36:10 - 36:11: Yeah.
36:11 - 36:16: It did spark an interesting dialogue we had via text about how much is Roger pulling in
36:16 - 36:18: on this gigantic tour.
36:18 - 36:20: 73-year-old man.
36:20 - 36:21: Right.
36:21 - 36:23: Going out on the road for two years.
36:23 - 36:24: That is so deep.
36:24 - 36:26: And he's putting money into the show.
36:26 - 36:29: And we were kind of thinking like, you know, one level why.
36:29 - 36:31: Seems like he wants to reclaim the legacy of Pink Floyd.
36:31 - 36:35: But you know, this is like, you know, he's out there just doing a big swing kind of thing.
36:35 - 36:36: Like is it for the money?
36:36 - 36:37: What's it for?
36:37 - 36:42: And that kind of led to a discussion about the highest grossing concert tours of all time.
36:42 - 36:45: And there's a list on Wikipedia, which is very fascinating.
36:45 - 36:51: Yeah, this was a post-concert, everyone's back home text conversation.
36:51 - 36:54: Left us thinking how much money does Roger Waters make?
36:54 - 36:56: So I was surprised by this.
36:56 - 37:01: The highest grossing concert of all time is U2.
37:01 - 37:07: And one might think that the highest grossing concert of all time by U2 might be, you know,
37:07 - 37:10: when they're touring Joshua Tree or like something really big.
37:10 - 37:16: But actually, all the highest grossing concerts tend to be by heritage artists a little bit
37:16 - 37:17: later in their career.
37:17 - 37:24: So the biggest, highest grossing concert of all time is the U2 360 tour that took place in 2009.
37:24 - 37:25: How much?
37:25 - 37:32: The actual gross in 2009 was $736 million.
37:32 - 37:33: Wow.
37:33 - 37:35: And they played 110 shows.
37:35 - 37:38: So that's an average gross of $6.7 million.
37:38 - 37:40: How did they get that many people to come out?
37:40 - 37:46: I mean, I know U2 is a big band, but like, just picture like 2009, U2 is just like every
37:46 - 37:47: city they're going to.
37:47 - 37:49: They're like filling a football stadium.
37:49 - 37:52: Yeah, like they're playing like Phoenix, Arizona.
37:52 - 37:54: Playing to like 45.
37:54 - 37:55: No, more.
37:55 - 37:56: Well, the average.
37:56 - 37:57: 80,000?
37:57 - 38:00: I mean, the average attendance on this tour was 66,000.
38:00 - 38:01: Wow.
38:01 - 38:06: So they're not even talking about playing the Taco Bell Arena in Boise.
38:06 - 38:07: They're not playing Boise.
38:07 - 38:11: They're going Seattle, maybe Salt Lake City.
38:11 - 38:13: They're just doing all NFL stadiums, I guess.
38:13 - 38:14: Yeah.
38:14 - 38:20: You know what caught my eye on that list was Bon Jovi 2013.
38:20 - 38:24: They grossed $260 million on their tour.
38:24 - 38:31: The name of the tour was Because We Can, which is the worst tour title ever.
38:31 - 38:32: Yeah, because I think.
38:32 - 38:34: It's like there's no new record.
38:34 - 38:35: Right.
38:35 - 38:37: They haven't had a hit in 20 years or whatever.
38:37 - 38:40: And it's like, because we can.
38:40 - 38:44: That's the 19th highest grossing tour of all time.
38:44 - 38:47: You know, it's like, I guess there's no huge surprises.
38:47 - 38:49: These are the top five highest grossing tours of all time.
38:49 - 38:50: Number one, as we said, YouTube.
38:50 - 38:52: Number two, The Rolling Stones in 2005.
38:52 - 38:57: Number three, Roger Waters in 2010 doing The Wall Live.
38:57 - 38:59: This guy just can't keep off the road.
38:59 - 39:01: Yeah.
39:01 - 39:02: Road dog.
39:02 - 39:03: He's a real road dog.
39:03 - 39:05: Number four, AC/DC.
39:05 - 39:06: Huh.
39:06 - 39:07: What year?
39:07 - 39:08: 2008.
39:08 - 39:10: Oh, yeah.
39:10 - 39:14: So even Inflation Adjusted, bands made money in the '80s.
39:14 - 39:18: But maybe they weren't charging the $1,500 VIP.
39:18 - 39:19: Right.
39:19 - 39:27: Because Def Leppard tours on Hysteria for three years from '87 to '90 or whatever.
39:27 - 39:28: And it's like.
39:28 - 39:30: They weren't taking in that kind of money back then.
39:42 - 39:43: Madonna.
40:07 - 40:08: First woman on the list.
40:08 - 40:09: What year?
40:09 - 40:17: In 2008 to 2009, she did the Sticky and Sweet Tour where she grossed $408 million.
40:17 - 40:19: The Police Reunion Tour, 2007 to 2008.
40:19 - 40:21: I vaguely remember that happening.
40:21 - 40:22: God, that's brutal.
40:22 - 40:23: I just remember being like, "Oh, yeah.
40:23 - 40:25: The police are playing in Madison Square Garden or something."
40:25 - 40:27: I was like, "Okay."
40:27 - 40:30: I didn't realize it was such a big deal.
40:30 - 40:36: They played 156 shows and grossed $362 million.
40:36 - 40:37: Wow.
40:37 - 40:40: Can you imagine those 156 shows?
40:40 - 40:41: Well, especially like those guys hate each other, right?
40:41 - 40:42: Yeah.
40:42 - 40:43: Can you imagine?
40:43 - 40:45: Just like Sting not saying a word.
40:45 - 40:47: Yeah, just like month eight.
40:47 - 40:48: "Hey, Sting, man.
40:48 - 40:51: When was the last time you were in Cleveland?"
40:51 - 40:52: Shut the f--- up, Stewart.
41:05 - 41:11: I've never been on a giant tour like that, but I've definitely been on tours and played some huge shows.
41:11 - 41:13: Yeah, we played some big shows.
41:13 - 41:19: I remember once we did a tour that was kind of playing small arenas in the UK.
41:19 - 41:21: Vampire Weekend is not really an arena band.
41:21 - 41:32: In the occasional city, we've done an arena, but our music definitely, I think, lends itself most to a kind of amphitheater in summertime.
41:32 - 41:33: I feel that.
41:33 - 41:34: But whatever.
41:34 - 41:37: We played Barclays Center in New York, and we played at some of these small arenas in the UK.
41:37 - 41:40: So that was the closest taste I ever had to an arena tour.
41:40 - 41:49: And one thing about when you're starting out touring and you're jumping in the van, you're driving through wherever you are, you're taking in the scenery, you get to the venue.
41:49 - 41:54: There's generally going to be something idiosyncratic about that venue in that city.
41:54 - 41:58: If you're playing really small places, it might be like, "Whoa."
41:58 - 42:03: The place in Kansas City, they give you a token for half off a burrito, and you remember that, and it's cool.
42:03 - 42:09: And then in this place, it's like, "Whoa, it's actually this place where it's half inside, half..."
42:09 - 42:11: Yeah, whatever. There's little things about it.
42:11 - 42:19: When you're doing these arenas, it's very easy to get into this Groundhog's Day vibe because all arenas are essentially the same.
42:19 - 42:21: It's like a big loading dock.
42:21 - 42:22: It's a big loading dock.
42:22 - 42:25: You're not in the center of the city, nine times out of ten.
42:25 - 42:27: You're out in the hinterlands.
42:27 - 42:33: It's not like when you're playing downtown Missoula, Montana. You can walk out the back of the theater and check out the town.
42:33 - 42:34: You can't walk anywhere.
42:34 - 42:42: Yeah, it's just freeways connecting. There's a Bed, Bath & Beyond a quarter mile away. You can kind of see.
42:42 - 42:51: Oh, man. I got so many memories of just waking up at 2 p.m. on the bus because I couldn't sleep.
42:51 - 42:55: A lot of times that happens, I can't sleep on the bus, and I fall asleep at 7 a.m.
42:55 - 42:56: Oh, man.
42:56 - 43:01: You wake up at 2, stumble out in this dark bus, and then you open the door.
43:01 - 43:09: Just bright Tucson sunlight pouring down.
43:09 - 43:12: My hair is all messy, and I'm just like, "Oh."
43:12 - 43:20: I walk across the asphalt up the loading dock into the venue and just be like, "Oh, where are the catering?"
43:20 - 43:21: Oh, my God.
43:21 - 43:23: "Let's go get a cup of coffee."
43:23 - 43:25: Grind the road, man.
43:25 - 43:27: I'm not looking forward to that aspect of getting back on the road.
43:27 - 43:30: Although when we were at the show, I was kind of like, "You know what?"
43:30 - 43:35: And also working on the record so much now, I am starting to be like, "Think more."
43:35 - 43:41: This is the first album where I've ever been working on an album and been kind of like working on a song and be like, "Oh, this one's going to be fun live."
43:41 - 43:42: Oh, that's cool.
43:42 - 43:49: Yeah, I've been getting kind of excited about not touring per se, but making the live show cool.
43:49 - 43:53: That'll be fun. You got to come throw down some tasty licks on tour, Jake.
43:53 - 43:54: Would love to.
43:54 - 43:57: Actually, Jake and I, people might not know our backstory.
43:57 - 43:58: Yeah.
43:58 - 44:04: Loyal Time Crisis listeners maybe don't know how Jake and I actually met, which was on a tour.
44:04 - 44:05: Yeah.
44:05 - 44:06: Dirty Projectors.
44:07 - 44:09: Getty Address Tour.
44:09 - 44:10: 2005?
44:10 - 44:12: Yep, 2005.
44:12 - 44:13: 2005.
44:13 - 44:15: Double minivan assault.
44:15 - 44:18: Same year as the Rolling Stones' Bigger Bang Tour.
44:18 - 44:30: You know what's funny? If someone was like, in 2005, was like, "Okay, in 12 years, you guys are going to be doing a bi-weekly radio show."
44:30 - 44:32: On the internet.
44:32 - 44:37: Talking mostly about fast food, classic rock. I would have been like, "Okay, that sounds about right."
44:37 - 44:46: Yeah, I guess if somebody had told us when we just first met on this Dirty Projectors tour, touring in minivans, playing punk houses and DIY venues.
44:46 - 44:47: Yeah.
44:47 - 44:49: "You guys are going to have a bi-weekly radio show."
44:49 - 44:51: I guess I probably would have been like...
44:51 - 44:53: Based in LA.
44:53 - 44:56: Based in LA. That would have been a shocker. That part would have been funny.
44:56 - 44:59: That's when I would have been like, "Now I'm very curious."
44:59 - 45:02: When we first met, there was no Vampire Weekend.
45:02 - 45:03: Yeah?
45:03 - 45:04: Not yet.
45:04 - 45:10: Yeah, I remember you sending me, like, emailing me some demos of like, Oxford comma.
45:10 - 45:14: And like, me listening to it on my laptop speakers being like, "This is pretty good."
45:14 - 45:17: And then I remember you were like, because I was living in San Francisco then, and you were like,
45:17 - 45:22: "Oh dude, we're going to come out this summer, like, hook us up with like a backyard show."
45:22 - 45:25: Or like, put us on a bill with like, some cool band.
45:25 - 45:28: And I was like, "Yeah, I could swing that."
45:28 - 45:31: And then like a few months later you were like, "We got it covered, dude."
45:31 - 45:35: That was crazy.
45:35 - 45:37: Yeah, I remember that first tour.
48:42 - 48:47: Okay, Jake, it's time to talk to Kenny Tulecki, a loyal Time Crisis listener who wrote in
48:47 - 48:53: and said that we could talk to them about what teens are listening to.
48:53 - 48:58: Well, yeah, I remember Kenny said that the show lacked valid youth viewpoints.
48:58 - 49:00: Fair enough.
49:00 - 49:01: Because I know I'm on here a lot.
49:01 - 49:08: A classic Time Crisis trope is me saying to Jake, you know, that the youth of America
49:08 - 49:11: don't appreciate the tasteful palate of 70s rock.
49:11 - 49:13: But maybe I'm wrong.
49:13 - 49:14: Maybe they're not all just listening to Chain Smokers.
49:14 - 49:16: So Kenny's going to drop some knowledge on us now.
49:16 - 49:18: How old is Kenny?
49:18 - 49:20: Not sure. We'll find out.
49:20 - 49:23: Now, let's go to the Time Crisis Hotline.
49:23 - 49:27: [Phone ringing]
49:27 - 49:28: Yo, homie.
49:28 - 49:30: Kenny, what's up?
49:30 - 49:32: What's up, my guys?
49:32 - 49:35: We're just here recording Time Crisis.
49:35 - 49:38: We really appreciate you calling in.
49:38 - 49:40: So where are you calling from, Kenny?
49:40 - 49:42: Costa Mesa, California.
49:42 - 49:44: How old are you, Kenny, and what grade are you in?
49:44 - 49:47: 14 and a half, going into ninth grade.
49:47 - 49:49: So is that fair to say you're officially a high school student now?
49:49 - 49:50: Nope.
49:50 - 49:52: No, not yet?
49:52 - 49:53: I'm not in high school.
49:53 - 49:54: Oh, you're a middle school student.
49:54 - 49:56: You're finishing eighth grade.
49:56 - 50:00: I finished eighth grade, and I didn't go to graduation.
50:00 - 50:01: Okay, got it.
50:01 - 50:05: All right, so, Kenny, you just finished eighth grade.
50:05 - 50:08: You said the Time Crisis is missing a youth viewpoint.
50:08 - 50:09: We agree.
50:09 - 50:12: So we want to talk to you about what the youth of America are listening to,
50:12 - 50:15: because I always tell Jake that it's mostly chain smokers,
50:15 - 50:20: and nobody appreciates the tasteful palate of Guided By Voices or the Eagles.
50:20 - 50:22: But is that not true?
50:22 - 50:24: I love Guided By Voices.
50:24 - 50:28: Okay, so that's interesting, because, you know, sometimes we're a little harsh on Jake.
50:28 - 50:31: We tell him nobody cares about Guided By Voices anymore, which is his favorite band.
50:31 - 50:36: But that's encouraging to hear that somebody your age cares about GBV.
50:36 - 50:38: But are you in the minority at your school?
50:38 - 50:41: Not even my parents know who Guided By Voices are.
50:41 - 50:44: No one knows who Guided By Voices are, but Jake talked about them,
50:44 - 50:46: and I trust that guy, so I listen to them.
50:46 - 50:48: Respect.
50:48 - 50:52: So, Kenny, you picked a few songs for us to play.
50:52 - 50:53: Can you walk us through them?
50:53 - 50:56: This is a taste of three songs that you think are cool.
50:56 - 51:03: All right, can I start out with "Pass the Eulogy" by Sophia Nance?
51:03 - 51:05: Sure.
51:05 - 51:07: So who's Sophia Nance? I don't think I'm familiar.
51:07 - 51:12: Sophia Nance is a very big Vampire Weekend fan.
51:12 - 51:17: She really likes you guys, and she has been trying to get you on Twitter
51:17 - 51:22: to listen to her new album that she made when she was, like, 16 or 17.
51:22 - 51:29: And I feel like you guys should listen to it because she pays such high respect towards you.
51:29 - 51:30: Is she local?
51:30 - 51:32: She's in Texas.
51:32 - 51:34: Okay, okay, nice.
51:34 - 51:36: [singing]
51:36 - 51:41: Universe and white scars
51:41 - 51:48: [piano]
51:48 - 51:56: Don't tell me you yourself are confused
51:56 - 52:04: When I tell you you yourself are my years
52:04 - 52:12: They say there are seven but you make the eighth wonders of the world
52:12 - 52:25: They say there's a heaven and I'm sure the gates open at the sight of your known face
52:25 - 52:28: Oh
52:28 - 52:37: I'm not gonna sing about the stars I think you heard them all
52:37 - 52:42: I'm gonna sing about the earth, the walls, and how it's dark
52:42 - 52:48: And being cool by nightfall
52:48 - 52:55: By nightfall
52:55 - 52:58: Okay, Sophia Nance. Very vibey.
52:58 - 53:00: So how do you know Sophia Nance's music?
53:00 - 53:03: Because we've been friends for, like, two years on the internet.
53:03 - 53:07: Like, I know all the, like, Vampire Weekend heads.
53:07 - 53:11: Interesting. I haven't been on Twitter much lately, so I haven't seen any of her tweets.
53:11 - 53:16: So there's a community of Vampire Weekend heads that talk to each other.
53:16 - 53:17: Yeah.
53:17 - 53:31: [piano]
53:31 - 53:33: Okay, what's the next song that you picked?
53:33 - 53:36: Heat by Brockhampton.
53:36 - 53:38: Cool, let's check it out. Oh, I've heard of Brockhampton.
53:38 - 53:43: Yeah, they're, like, they just released an album, and this is, like, my favorite song off of that.
53:43 - 53:46: And it's, like, super loud.
53:46 - 53:47: Okay.
53:47 - 53:50: I got pipe dreams of crack rocks and stripper poles
53:50 - 53:52: Of the Oaks and the Falls
53:52 - 53:55: So I got secrets only me and all my niggas know
53:55 - 53:58: A kickin' in the doors, I send a piss in the kitchen
53:58 - 54:02: So don't play the Oaks, you stupid, I know you got the product
54:02 - 54:06: 'Cause I can smell the money, I can taste the weed
54:06 - 54:09: Give me something more, buy the only way I leave
54:09 - 54:12: I love to watch 'em squirm, I love when bitches bleed
54:12 - 54:15: And she's suckin' on the barrel, you can't hear her scream
54:15 - 54:18: So kiss the f-- on carpet, disaggravate and larsen
54:18 - 54:21: And then I'm out the door, it's monsters in your home
54:21 - 54:24: Black gloves, mask on, muzzle plated chrome
54:24 - 54:26: Who they callin' cops on my chicken?
54:28 - 54:31: That's the first one to go, the first shot I blow
54:31 - 54:34: Who they callin' cops on my chicken?
54:34 - 54:36: Who they callin' cops on my chicken?
54:36 - 54:40: Santa, Santa, who be the number one Santa?
54:40 - 54:43: Put the mist on you when I'm on your blocker
54:43 - 54:46: And no be thin, no be itchy when I'm off it
54:46 - 54:50: Off it, I'm off it, I got the magazine from the pistol
54:50 - 54:53: For any politics and target games, even issue
54:53 - 54:56: Another black man in the street, it's official
54:56 - 54:59: We ridin' out the spray, we goin' on the pistol
54:59 - 55:03: Huh, they come get another cup
55:03 - 55:07: Huh, come in on my block for the answer
55:07 - 55:10: Huh, I don't get time for your question
55:10 - 55:13: Huh, this put me mummy in the fridge
55:13 - 55:16: I hate the way I think, I hate the way it looms
55:16 - 55:19: I hate the way the things I say incinerate a room
55:19 - 55:22: I know I'm tryin' to change, but it don't ever work
55:22 - 55:25: Just end up more broken down than when I started
55:25 - 55:28: And that concrete feels the hardest every time I seem to touch it
55:28 - 55:31: Started thinkin' I ain't meant for life
55:31 - 55:33: But that's too deep, fallin' up into the ceiling
55:33 - 55:36: While I'm drownin' in the creek of my emotions
55:36 - 55:39: Tryin' harder to be open, talkin' 'bout release dates
55:39 - 55:41: I'm tryin' to make it to tomorrow
55:41 - 55:44: Internal honesty could be the hardest pill to swallow
55:44 - 55:47: So I need two shots at everything that's on the pre-open
55:47 - 55:50: I'm dacin' with myself, settin' fire to the venue, mom
55:50 - 55:52: Go call the cops on my dickin'
55:52 - 55:57: Because I am aggressive, and it's a good song
55:57 - 56:01: And it's like a way to let my aggression out
56:01 - 56:03: Okay, what's the last song you picked?
56:03 - 56:08: New Flesh by Current Joys, also known as Televisions
56:08 - 56:10: But for some reason they changed their name
56:10 - 56:11: Cool
56:11 - 56:13: There was a band called Television
56:13 - 56:15: Yeah, maybe they felt like it was too close
56:15 - 56:17: The band was called Televisions?
56:17 - 56:20: Yes, with like a dash in the middle of it
56:20 - 56:21: Sounds cool
56:21 - 56:24: Yeah, Nicholas Gratigan is the person that made it
56:24 - 56:26: And he's really good
56:26 - 56:28: Where's this band from?
56:28 - 56:29: Uh, New York
56:29 - 56:31: How'd you find this?
56:31 - 56:35: Uh, well, it's a really sad story actually
56:35 - 56:38: Um, this girl that was a viner
56:38 - 56:41: Uh, this was the song in her last vine
56:41 - 56:43: Before she passed away from cancer
56:43 - 56:44: Oh man
56:44 - 56:46: In early 2016
56:46 - 56:47: Oh man, that's a sad story
56:47 - 56:48: Yeah
56:48 - 56:53:
56:53 - 56:56: ♪ Try to write a song, try to write a song ♪
56:56 - 56:59: ♪ Try to write a song, I think you'd find ♪
56:59 - 57:04:
57:04 - 57:07: ♪ No one gives a stage, no one gives a stage ♪
57:07 - 57:10: ♪ No one gives a stage to Babylon ♪
57:10 - 57:15:
57:15 - 57:21: ♪ Till I die ♪
57:27 - 57:33: ♪ We are right ♪
57:33 - 57:35: ♪ We are right ♪
57:35 - 57:45:
57:45 - 57:48: ♪ I have nightmares, I have nightmares ♪
57:48 - 57:51: ♪ I have nightmares all the time ♪
57:51 - 57:56:
57:56 - 57:59: ♪ So I stay awake, so I stay awake ♪
57:59 - 58:01: ♪ So I stay awake all night ♪
58:01 - 58:04: It seems like a lot of your music takes viewers towards like independent stuff
58:04 - 58:05: Is that fair to say?
58:05 - 58:09: I guess, I listen to a lot of different stuff though
58:09 - 58:13: And at your school, are there a lot of Chainsmokers fans?
58:13 - 58:14: What's the climate?
58:14 - 58:18: Uh, the dumbasses at my school don't know what they're talking about
58:18 - 58:20: So they really just like, don't get it
58:20 - 58:22: And they listen to whatever's on the radio
58:22 - 58:25: Like, even if it's a really crappy song
58:25 - 58:28: They're like, "Oh, that's really toppin' it"
58:28 - 58:31: "I should probably listen to that, 'cause I'm a brain dead loser"
58:31 - 58:33: I guess some things never change
58:33 - 58:35: I think that's how...
58:35 - 58:39: I think that's the classic dichotomy, always
58:39 - 58:40: In middle school and high school
58:40 - 58:42: Like, some people are interested in independent music
58:42 - 58:46: And they don't understand what the other people are seeing in the radio music
58:46 - 58:47: And vice versa
58:47 - 58:49: Sounds like an episode of Freaks and Geeks
58:49 - 58:50: More or less
58:50 - 58:51: I mean, yeah
58:51 - 58:54: So that's a yes, there's a lot of Chainsmokers fans
58:54 - 58:56: They're not fans, but they like...
58:56 - 58:57: Okay, I understand what you're saying
58:57 - 59:01: They don't listen to anything except for what's on the radio
59:01 - 59:04: Now, as a new Guided by Voices fan
59:04 - 59:08: Have you tried turning on any of the kids in your school to GBV?
59:08 - 59:09: I don't talk to any of them
59:09 - 59:11: I try to stay away from them
59:11 - 59:12: Fair enough
59:12 - 59:13: Do you talk music with anyone?
59:13 - 59:15: Like, maybe friends on the internet?
59:15 - 59:18: My friend Jackie on the internet
59:18 - 59:21: My friend Jackie is into the same music as me
59:21 - 59:22: Cool
59:22 - 59:29: Has getting into Guided by Voices gotten you interested in any other '90s indie rock?
59:29 - 59:32: Well, you said that you like Fugazi
59:32 - 59:34: So I started listening to Fugazi
59:34 - 59:35: Oh, tight
59:35 - 59:36: What do you think of them?
59:36 - 59:37: They're dope
59:37 - 59:41: Yeah, that Fugazi spirit is definitely lacking in modern music
59:41 - 59:45: So, Kenny, I remember when I was around your age
59:45 - 59:48: I also felt pretty alienated from mainstream music or radio music
59:48 - 59:53: But is there anything in the mainstream radio music that speaks to you?
59:53 - 59:56: Clearly most of it doesn't, which is totally understandable
59:56 - 01:00:01: But is there anything that kind of crosses over where you find maybe common ground?
01:00:01 - 01:00:07: Yeah, the songs that famous people do with Frank Ocean
01:00:07 - 01:00:09: Frank Ocean is amazing
01:00:09 - 01:00:10: I love Frank Ocean
01:00:10 - 01:00:14: So whenever they collaborate with him, that's pretty dope
01:00:14 - 01:00:16: And The Weeknd's good, too
01:00:16 - 01:00:21: And I like some random songs just randomly on the radio
01:00:21 - 01:00:25: I listen to the radio a lot, so I just know a lot of music
01:00:25 - 01:00:28: Right, so you take it all in, you don't love all of it
01:00:28 - 01:00:30: Yeah, I like The Weeknd, too
01:00:30 - 01:00:32: Of all the stuff we listen to on Time Crisis
01:00:32 - 01:00:35: And when I'm just somewhere and they're just kind of playing pop radio
01:00:35 - 01:00:39: When I Feel It Coming comes on, that's a good one
01:00:39 - 01:00:40: How about Bieber?
01:00:40 - 01:00:42: Everyone likes Bieber
01:00:42 - 01:00:46: Everyone at my school last year heavily messed with Bieber
01:00:46 - 01:00:50: But, I don't know, he seems like he's doing his own thing
01:00:50 - 01:00:53: And I don't really want to mess with that
01:00:53 - 01:00:57: But I'll listen to a few of his songs occasionally
01:00:57 - 01:00:58: I don't mess with Diplo, though
01:00:58 - 01:01:01: Are you willing to listen to a Bieber song produced by Diplo?
01:01:01 - 01:01:05: Possibly, probably not, though, because I don't like rats
01:01:05 - 01:01:06: Fair enough
01:01:06 - 01:01:07: Rats?
01:01:07 - 01:01:09: Diplo looks like a rat
01:01:09 - 01:01:11: Oh, okay, I thought you meant he ratted someone out
01:01:11 - 01:01:14: Oh, he probably did, you know him
01:01:14 - 01:01:15: I don't
01:01:15 - 01:01:17: You told the feds
01:01:17 - 01:01:18: I don't know him
01:01:18 - 01:01:20: Well, good for you, then
01:01:20 - 01:01:24: Kenny, thanks so much for picking these songs, we really appreciate it
01:01:24 - 01:01:26: Wait, wait, wait, wait, wait, wait
01:01:26 - 01:01:28: Can you please come to my birthday party?
01:01:28 - 01:01:32: I know that's stupid, but Jason told me that he was going to ask for me
01:01:32 - 01:01:35: So he told me that I had to ask myself
01:01:35 - 01:01:37: Oh, well, probably not
01:01:37 - 01:01:39: I'm in the studio every single day, but when's your birthday?
01:01:39 - 01:01:41: Shut up, no you are not
01:01:41 - 01:01:42: Saturday
01:01:42 - 01:01:45: Saturday, it's like a half birthday party
01:01:45 - 01:01:48: Because I wanted to throw a party
01:01:48 - 01:01:49: Oh, fair enough
01:01:49 - 01:01:53: Even if Jake comes with his dog, because I like his dog
01:01:53 - 01:01:55: Marty is pretty awesome
01:01:55 - 01:01:56: Yeah, Marty is dope
01:01:56 - 01:01:58: Marty is a great dog
01:01:58 - 01:02:01: I love the feed of Marty on Instagram
01:02:01 - 01:02:03: Marty is a very cute dog
01:02:03 - 01:02:05: Kenny, what do you have to do this summer?
01:02:05 - 01:02:10: Literally nothing, because I hate everyone and it's hard to do anything
01:02:10 - 01:02:14: But I'm just chilling out in Southern California for the entire summer
01:02:14 - 01:02:17: Probably just listening to new albums and stuff
01:02:17 - 01:02:19: That doesn't sound half bad
01:02:19 - 01:02:20: Yeah, it's really chill
01:02:20 - 01:02:22: Chilling in SoCal listening to new music
01:02:22 - 01:02:23: Yeah, it's great
01:02:23 - 01:02:25: You just got to do to chill out
01:02:25 - 01:02:27: That's what summer is all about
01:02:27 - 01:02:29: Especially as you're getting ready for high school
01:02:29 - 01:02:30: Yep
01:02:30 - 01:02:32: Alright, well, Kenny, thanks so much for picking these songs
01:02:32 - 01:02:36: We really appreciate you bringing a youthful viewpoint to Time Crisis
01:02:36 - 01:02:38: And especially spotlighting some newer music
01:02:38 - 01:02:42: Because I know we go on and on about the tasteful palette of 70s rock
01:02:42 - 01:02:46: So thanks for playing this music by Brockhampton, Sofianance, and CurrentJoyce
01:02:46 - 01:02:47: Thank you for having me
01:02:47 - 01:02:49: Our pleasure, we'll talk to you soon, Kenny
01:02:49 - 01:02:50: Take care
01:02:50 - 01:02:51: Talk to you soon, bye
01:02:51 - 01:03:01: Call me, call me, call me
01:03:01 - 01:03:04: How you doing?
01:03:04 - 01:03:07: My name is Tony, nice to meet you
01:03:07 - 01:03:09: Here's my number
01:03:09 - 01:03:11: You can reach me
01:03:11 - 01:03:15: 911, call me
01:03:15 - 01:03:17: Call me sometime
01:03:17 - 01:03:20: 911, call me
01:03:20 - 01:03:22: Call me sometime
01:03:22 - 01:03:26: Call me
01:03:26 - 01:03:31: Call me
01:03:31 - 01:03:33: Yeah, yeah, yeah, yeah
01:03:33 - 01:03:35: My thirst levels are infinity and beyond
01:03:35 - 01:03:37: Sipping on that Le Mans
01:03:37 - 01:03:38: Ayy, I need a Beyonce
01:03:38 - 01:03:41: Can't see straight, these shades of Celine Dion
01:03:41 - 01:03:44: Sucks you can't gas me up, shout out to Elon Musk
01:03:44 - 01:03:46: Yeah, I got a sold out show
01:03:46 - 01:03:48: Crawl all out, but don't matter 'cause you down front row
01:03:48 - 01:03:50: I've been looking for a key, uh
01:03:50 - 01:03:53: Listen to the speaker, if you fit the script, yeah
01:03:53 - 01:03:55: Hit me on my beat, buy that 911
01:03:55 - 01:03:58: Call me sometime
01:03:58 - 01:04:00: Ring, ring, ring, ring
01:04:00 - 01:04:03: Please, bank my line
01:04:03 - 01:04:05: You know I'll answer
01:04:05 - 01:04:08: But call me sometime
01:04:08 - 01:04:11: Ring, ring, ring, ring
01:04:11 - 01:04:15: Please, bank my line
01:04:15 - 01:04:19: 911, call me
01:04:19 - 01:04:21: Call me sometime
01:04:21 - 01:04:24: 911, call me
01:04:24 - 01:04:26: Call me sometime
01:04:26 - 01:04:30: Call me
01:04:30 - 01:04:35: 911, call me
01:04:35 - 01:04:39: Charm, charm
01:04:39 - 01:04:41: Charm, charm
01:04:42 - 01:04:45: Woke up in the Burbs, Burbs, with the Burbs, Burbs
01:04:45 - 01:04:48: Boy, you used to come and get me with the Swerves, Swerves
01:04:48 - 01:04:51: These days, you gotta find time
01:04:51 - 01:04:54: Even the night, ride
01:04:54 - 01:04:57: Work, mind
01:04:57 - 01:04:59: Without night
01:04:59 - 01:05:02: 5 car garage
01:05:02 - 01:05:04: Full tank of the gas
01:05:04 - 01:05:07: But that don't mean nothing, nothing, nothing, nothing
01:05:07 - 01:05:10: Without you, shotgun and the passenger
01:05:10 - 01:05:12: I'm the loneliest man alive
01:05:12 - 01:05:15: But I keep on dancing to throw 'em off
01:05:15 - 01:05:17: I'm gon' run out of moves 'cause I can groove to the blues
01:05:17 - 01:05:20: If you know any DJs, tell 'em to call me at 9
01:05:20 - 01:05:23: 1, 1
01:05:23 - 01:05:27: I can't even lie, I've been lonely
01:05:27 - 01:05:29: Oh, lonely ass
01:05:29 - 01:05:31: I can't even lie, I've been lonely
01:05:33 - 01:05:35: Weird ass
01:05:35 - 01:05:38: I can't even lie, I've been lonely, lonely, lonely, lonely
01:05:38 - 01:05:40: They say the loudest in the room is weak, that's what they assume
01:05:40 - 01:05:44: But I disagree, I say the loudest in the room is probably the loneliest one in the room
01:05:44 - 01:05:48: Attention seeker, public speaker, oh my God, that boy there so lonely
01:05:48 - 01:05:51: Write songs about these people who do not exist, he's such a c*nt phone
01:05:51 - 01:05:54: And one thing I know is that I want 'em to win so bad, but I'm not Chicago
01:05:54 - 01:05:57: I'm hard as low as real low, it's so low, you can't lift me up, I'm like a lotto
01:05:57 - 01:06:01: From the start, it's been real dark, it's been so dark, I guess that you could call it charboard
01:06:01 - 01:06:04: I'm playin' like Hasbro, I'm really sorry, call me Alto
01:06:04 - 01:06:07: Crash the McLaren, bought me a Tesla, I know you sick of me talkin' 'bout cars
01:06:07 - 01:06:10: But what the f*ck else do you want from me, that is the only thing keepin' me company
01:06:10 - 01:06:13: Purchase some banks 'til I'm a Nord, these items is fillin' a vault
01:06:13 - 01:06:17: Been feelin' it for so long, I don't even know if it's what I enjoy
01:06:17 - 01:06:21: Current backdoor, how's the net dough? My partner is a shadow, I need love
01:06:21 - 01:06:24: Do you got some on your palm? I can find some in the mall, bro
01:06:24 - 01:06:26: But that never comes, like a vasectomy, what have I done?
01:06:26 - 01:06:30: I got the talent to face enough funds for myself, I'ma go, but I haven't found some
01:06:30 - 01:06:33: One, mirror, mirror on the wall, the loneliest of 'em all
01:06:33 - 01:06:36: Me, cute but actin' stupid, do you got another number I could call?
01:06:36 - 01:06:39: Never had a pet, I never had a pet
01:06:39 - 01:06:42: There's more fish in the sea, but I never had a goldfish to begin with
01:06:42 - 01:06:45: I never had a dog, so I never been through a
01:06:45 - 01:06:47: 'Cause I never threw a ball, bitch
01:06:47 - 01:06:50: I never had a pet, that's where it stems from, I bet
01:06:50 - 01:06:53: Treat me like Director Pozner, checkin' on me some time
01:06:53 - 01:06:59: Ask me how I'm really doin', so I never have to press that 9-1-1
01:06:59 - 01:07:01: Kenny from Costa Mesa callin' in
01:07:01 - 01:07:05: Droppin' some real heat on us, three songs
01:07:05 - 01:07:07: Bringin' some youthful perspective to time crisis
01:07:07 - 01:07:13: Jake, do you remember the summer between 8th grade and 9th grade for you?
01:07:13 - 01:07:16: Uh, vaguely
01:07:16 - 01:07:17: Nothing stands out?
01:07:17 - 01:07:21: I think we took a family trip to Wyoming
01:07:21 - 01:07:23: What'd you do in Wyoming, like a camp?
01:07:23 - 01:07:27: Yeah, did some like horse riding on some trails
01:07:27 - 01:07:28: Uh-huh
01:07:28 - 01:07:31: I think I saved my brother's life that summer
01:07:31 - 01:07:32: Really?
01:07:32 - 01:07:33: Yeah, we were like
01:07:33 - 01:07:35: By introducing him to Guided By Voices?
01:07:35 - 01:07:37: I wasn't into GBV
01:07:37 - 01:07:38: Oh yeah
01:07:38 - 01:07:43: GBV was just grinding it out in the Dayton, Ohio basement at that point
01:07:43 - 01:07:44: In obscurity
01:07:44 - 01:07:46: How'd you save Dave's life?
01:07:46 - 01:07:51: We were fishing in a really like raging river
01:07:51 - 01:07:52: Ooh
01:07:52 - 01:07:55: And he, so I would've been
01:07:55 - 01:07:58: He had what, like 13? He would've been like 8
01:07:58 - 01:07:59: Okay
01:07:59 - 01:08:02: He fell down, he lost control
01:08:02 - 01:08:07: Like he was trying to like wade through this like really like intense current in this river and he fell
01:08:07 - 01:08:09: And he started just getting swept down
01:08:09 - 01:08:10: Oh my god
01:08:10 - 01:08:12: The river, and I just like bolted
01:08:12 - 01:08:16: I could just like run down the shoreline of the river really fast
01:08:16 - 01:08:19: And just like cut him off and just like went into the, that was much bigger
01:08:19 - 01:08:22: 13 and 8, that's a huge
01:08:22 - 01:08:24: Right, so you're big enough that the current couldn't take you
01:08:24 - 01:08:29: Yeah, so I could just like plant in, I found like a spot where I could plant and I just like grabbed him
01:08:29 - 01:08:31: And like just like pulled him out of the river
01:08:31 - 01:08:33: Man, that's terrifying
01:08:33 - 01:08:35: I think that was that summer
01:08:35 - 01:08:40: Right, Jerry Garcia's father died in a kind of current situation
01:08:40 - 01:08:41: Whoa
01:08:41 - 01:08:42: Young Jerry was there
01:08:42 - 01:08:43: Really?
01:08:43 - 01:08:44: Yeah
01:08:44 - 01:08:45: How old was Jerry?
01:08:45 - 01:08:46: He was like a little kid, under 10
01:08:46 - 01:08:47: Jeez
01:08:47 - 01:08:48: Man, that's heavy
01:08:48 - 01:08:50: Wow, I didn't know you saved Dave's life
01:08:50 - 01:08:53: I mean it's slightly hyperbolic to put it that way
01:08:53 - 01:08:54: It could have gone
01:08:54 - 01:08:55: Rolling into high school
01:08:55 - 01:08:56: It could have gone south
01:08:56 - 01:08:57: Yeah, 8th grade, I remember I didn't
01:08:57 - 01:08:58: Do you remember that summer?
01:08:58 - 01:08:59: Yeah
01:08:59 - 01:09:01: I didn't like 8th, I remember I liked 7th grade
01:09:01 - 01:09:03: I didn't like 8th grade that much
01:09:03 - 01:09:05: 8th grade we moved into the high school building
01:09:05 - 01:09:06: Okay
01:09:06 - 01:09:08: In my school system
01:09:08 - 01:09:13: So I just remember being in the high school building and like 8th grade was just kind of like a random bummer year
01:09:13 - 01:09:16: So the, before freshman, I can't even
01:09:16 - 01:09:18: It's a rough time
01:09:18 - 01:09:22: Kenny seemed to not be relishing it, which I understand
01:09:22 - 01:09:24: Very understandable
01:09:24 - 01:09:26: Hang in there, Kenny
01:09:26 - 01:09:28: Definitely hang in there, especially at that age, like
01:09:28 - 01:09:31: If you feel alienated from the kids at your school
01:09:31 - 01:09:33: I guess the internet's a positive development
01:09:33 - 01:09:34: Yeah
01:09:34 - 01:09:37: I only had like kind of AOL chat rooms
01:09:37 - 01:09:39: You weren't gonna make any
01:09:39 - 01:09:42: Weren't gonna establish too many significant relationships that way
01:09:42 - 01:09:47: But like, yeah, it's like when you're still growing up and like surrounded by, in a small atmosphere
01:09:47 - 01:09:50: If you feel alienated from everybody, that can be tough, but
01:09:50 - 01:09:53: So funny, like when I was in 8th grade, the internet did not exist
01:09:53 - 01:09:54: Full stop
01:09:54 - 01:09:55: It was
01:09:55 - 01:09:56: Like circa 1990
01:09:56 - 01:09:57: No, it existed
01:09:57 - 01:09:58: It existed
01:09:58 - 01:10:00: Well, not for public usage
01:10:00 - 01:10:03: Yeah, well, very few people had it at home
01:10:03 - 01:10:04: In 1990?
01:10:04 - 01:10:06: Yeah, some people had it at home
01:10:06 - 01:10:08: Very few people
01:10:08 - 01:10:09: Okay
01:10:09 - 01:10:10: It wasn't, yeah, you're right, it wasn't
01:10:10 - 01:10:13: It was not in the like, the common kind of parlance
01:10:13 - 01:10:14: Yeah
01:10:14 - 01:10:17: I wanna say '95
01:10:17 - 01:10:20: I went to college in '95 and I feel like it was like
01:10:20 - 01:10:22: Oh, this is this new thing, like
01:10:22 - 01:10:24: Instead of long distance phone calls
01:10:24 - 01:10:28: That cost a lot of money, we can like write to each other
01:10:28 - 01:10:29: Right, start emailing
01:10:29 - 01:10:31: And that didn't happen
01:10:31 - 01:10:34: I mean, there were some like occasional emails, but like with my parents
01:10:34 - 01:10:37: I'm not gonna email my parents
01:10:37 - 01:10:39: I'm gonna use their calling card to call them
01:10:39 - 01:10:41: Yeah
01:10:41 - 01:10:42: But yeah, I think around then
01:10:42 - 01:10:43: Okay
01:10:43 - 01:10:45: It's officially summer
01:10:45 - 01:10:47: It's time for the top five
01:10:47 - 01:10:50: It's time for the top five
01:10:50 - 01:10:54: Five on iTunes
01:10:54 - 01:10:58: This week's edition of the top five is really a top ten
01:10:58 - 01:11:02: Because we're gonna look at the top ten songs right now
01:11:02 - 01:11:04: On the Billboard charts
01:11:04 - 01:11:05: Not the iTunes charts
01:11:06 - 01:11:07: We're going straight to Billboard
01:11:07 - 01:11:09: Because this is the first week of summer
01:11:09 - 01:11:11: So we wanna see what are the top ten songs
01:11:11 - 01:11:14: For the first week of summer 2017
01:11:14 - 01:11:16: So the number ten song this week
01:11:16 - 01:11:18: Body Like a Back Road
01:11:18 - 01:11:19: No, Body Like a Back Road
01:11:19 - 01:11:21: That was more of the song of the spring
01:11:21 - 01:11:22: Okay
01:11:22 - 01:11:23: This one's by Post Malone
01:11:23 - 01:11:24: Do you know who that is, Jake?
01:11:24 - 01:11:25: Carl Malone's son?
01:11:25 - 01:11:28: Well, the Malone is a reference to Carl Malone, I believe
01:11:28 - 01:11:29: And like Posting Up?
01:11:29 - 01:11:31: No, I think Post is his real last name
01:11:31 - 01:11:32: Whatever
01:11:32 - 01:11:34: Is he Utah based?
01:11:34 - 01:11:36: No, I think he's originally from Texas
01:11:36 - 01:11:38: And I think he's out in LA now
01:11:38 - 01:11:41: He had a big song called White Iverson
01:11:41 - 01:11:42: Kinda kicked things off for him
01:11:42 - 01:11:43: You remember that?
01:11:43 - 01:11:44: No
01:11:44 - 01:11:46: So he's just like a deep basketball dude
01:11:46 - 01:11:48: He's definitely a basketball fan
01:11:48 - 01:11:49: So he has this song
01:11:49 - 01:11:51: Kind of his second big single
01:11:51 - 01:11:53: It's called Congratulations featuring Quavo
01:11:53 - 01:11:55: Remember who Quavo is?
01:11:55 - 01:11:56: No
01:11:56 - 01:11:59: He's a rapper and he's in a rap group
01:11:59 - 01:12:00: Okay
01:12:00 - 01:12:01: Amigos?
01:12:01 - 01:12:03: Yeah, hey!
01:12:03 - 01:12:04: Not bad
01:12:04 - 01:12:05: Look at me
01:12:05 - 01:12:07: Okay, so the number ten song right now
01:12:07 - 01:12:11: Congratulations featuring Quavo, Post Malone
01:12:13 - 01:12:15: Body like a back road
01:12:21 - 01:12:23: Is this Percocet?
01:12:23 - 01:12:25: Percocet
01:12:25 - 01:12:26: No
01:12:26 - 01:12:27: No, that's Future
01:12:51 - 01:12:53: Kind of a Drake ripoff here
01:12:53 - 01:12:55: Drake riboff?
01:12:56 - 01:12:57: Yeah
01:12:57 - 01:12:58: Strong words, Jake
01:12:58 - 01:13:00: The melody is so similar
01:13:04 - 01:13:06: That melody is the exact same
01:13:06 - 01:13:07: As what? As a Drake song?
01:13:07 - 01:13:08: Yeah
01:13:08 - 01:13:09: Which one?
01:13:09 - 01:13:11: We'll come back around to it
01:13:11 - 01:13:13: That chorus?
01:13:13 - 01:13:14: You didn't recognize that?
01:13:14 - 01:13:16: Yeah, what is that?
01:13:16 - 01:13:18: Yeah, I guess Drake
01:13:18 - 01:13:19: It's just a
01:13:24 - 01:13:26: And that one is called Congratulations, right?
01:13:26 - 01:13:27: Or no, just the song?
01:13:27 - 01:13:29: It's not Highline Bling, is it?
01:13:35 - 01:13:36: Yeah
01:13:45 - 01:13:46: It's like the same
01:13:46 - 01:13:48: You know what? It's an interval
01:13:48 - 01:13:50: Drake doesn't own that interval
01:13:51 - 01:13:52: And it's
01:14:01 - 01:14:02: You come so
01:14:02 - 01:14:04: So Jake, obviously you identified
01:14:04 - 01:14:05: A very hot interval right now
01:14:05 - 01:14:06: Yep
01:14:06 - 01:14:11: Ever since I had congratulations
01:14:11 - 01:14:14: Ever since I left congratulations
01:14:14 - 01:14:16: It's a hot interval
01:14:16 - 01:14:18: Intervals come, intervals go
01:14:18 - 01:14:19: That's true
01:14:19 - 01:14:20: Post Malone
01:14:20 - 01:14:22: You know who first told me about Post Malone
01:14:22 - 01:14:24: Way before he was famous?
01:14:24 - 01:14:25: East Coast?
01:14:25 - 01:14:26: Time Crisis crew?
01:14:26 - 01:14:28: Exactly, Despot
01:14:28 - 01:14:30: He was talking about Post Malone like years ago
01:14:30 - 01:14:31: That was the first time I ever heard him
01:14:31 - 01:14:33: That single was platinum in America
01:14:33 - 01:14:35: It's a good name, Post Malone
01:14:35 - 01:14:36: Yeah, he's an interesting guy
01:14:36 - 01:14:37: I like him
01:14:37 - 01:14:38: Platinum, what does that mean?
01:14:38 - 01:14:40: It means it sold a million copies
01:14:40 - 01:14:42: Really?
01:14:42 - 01:14:43: I'm sure that probably includes streaming
01:14:43 - 01:14:44: But you know, it is what it is
01:14:44 - 01:14:46: So it sold 60,000 copies
01:14:46 - 01:14:48: And got streamed a billion times
01:14:48 - 01:14:49: [Laughter]
01:14:49 - 01:14:50: That's crazy
01:14:50 - 01:14:51: Somebody should figure out how much
01:14:51 - 01:14:52: Like back in the day
01:14:52 - 01:14:54: You know, to have a platinum single is a really big deal
01:14:54 - 01:14:55: I mean, it still is
01:14:55 - 01:14:56: I'm not saying it's easy
01:14:56 - 01:14:58: You have to really make a popular song
01:14:58 - 01:15:00: But I wonder if these days
01:15:00 - 01:15:02: If you go platinum off Spotify
01:15:02 - 01:15:04: Like what kind of check you're getting
01:15:04 - 01:15:05: I feel like we've talked about this before
01:15:05 - 01:15:09: Like a million streams on Spotify is like
01:15:09 - 01:15:12: What is it, like five grand or 50 grand?
01:15:12 - 01:15:14: You gotta split it with, I don't know
01:15:14 - 01:15:15: It's complicated
01:15:15 - 01:15:16: The number nine song
01:15:16 - 01:15:19: Lil Uzi Vert - XO Tour Life
01:15:19 - 01:15:20: Who is this?
01:15:20 - 01:15:22: Lil Uzi
01:15:22 - 01:15:23: He's a rapper
01:15:23 - 01:15:24: Okay
01:15:24 - 01:15:25: Lil
01:15:25 - 01:15:28: It's like Lil Abner but it's Lil Uzi
01:15:28 - 01:15:30: Yeah, or like Lil Wayne
01:15:30 - 01:15:32: Lil Abner
01:15:32 - 01:15:33: Who is Lil Abner?
01:15:33 - 01:15:34: I don't even know
01:15:34 - 01:15:36: It's like an old ass cartoon
01:15:36 - 01:15:42: This is a good song
01:15:42 - 01:15:45: Lil Uzi Vert - XO Tour Life
01:15:45 - 01:16:09: Kind of a dark song
01:16:09 - 01:16:10: Song of the summer
01:16:10 - 01:16:12: Yeah, just like barbecuing, cracking a brew
01:16:12 - 01:16:15: Hey, all my friends are dead
01:16:15 - 01:16:17: Push me to the edge
01:16:17 - 01:16:19: It says here that Lil Uzi Vert considers himself
01:16:19 - 01:16:21: To be more of a rock star than a rapper
01:16:21 - 01:16:22: Okay
01:16:22 - 01:16:26: I think Lil Uzi is a big Marilyn Manson fan actually
01:16:26 - 01:16:27: To take this whole circle
01:16:27 - 01:16:29: He got like a Marilyn Manson chain
01:16:29 - 01:16:30: It's pretty cool
01:16:30 - 01:16:31: What's that? What do you mean chain?
01:16:31 - 01:16:33: You know, he got like a
01:16:33 - 01:16:36: Like a chain, like a gold necklace with a medallion
01:16:36 - 01:16:38: Except the medallion is like a diamond
01:16:38 - 01:16:40: Encrusted Marilyn Manson
01:16:40 - 01:16:42: Face?
01:16:42 - 01:16:43: Yeah
01:16:43 - 01:16:45: Like Marilyn's face in diamonds?
01:16:45 - 01:16:47: Yeah
01:16:47 - 01:16:48: Wow
01:16:48 - 01:16:50: Marilyn Manson wearing Mickey Mouse ears
01:16:50 - 01:16:52: I wonder if they've hung out
01:16:52 - 01:16:54: Yeah, these days I would guess
01:16:54 - 01:16:57: Marilyn Manson, Los Angeles based performer
01:16:57 - 01:16:58: Yeah
01:16:58 - 01:16:59: As we know
01:16:59 - 01:17:00: Hitting the Roger Waters show
01:17:00 - 01:17:02: Yeah, like Lil Uzi's probably been in LA a million times
01:17:02 - 01:17:04: Cause he's blowing up right now
01:17:04 - 01:17:05: Sure
01:17:05 - 01:17:06: Certainly in this day and age
01:17:06 - 01:17:08: Marilyn Manson is hearing about
01:17:08 - 01:17:11: This like hot young rapper wearing a chain with his face on it
01:17:11 - 01:17:13: He's hearing about that like two seconds later
01:17:13 - 01:17:14: Yeah
01:17:14 - 01:17:16: People are like, his texts are blowing up
01:17:16 - 01:17:18: So yeah, I wonder if they've probably met
01:17:18 - 01:17:20: If Marilyn's down
01:17:20 - 01:17:21: They've probably met
01:17:21 - 01:17:24: Uzi, Marilyn, Roger Waters
01:17:24 - 01:17:27: It's a cool hang
01:17:27 - 01:17:28: He's kicking it
01:18:08 - 01:18:10: One thing I like about this song is
01:18:10 - 01:18:12: It was originally kind of like a SoundCloud song
01:18:12 - 01:18:14: Like something he just threw up on SoundCloud
01:18:14 - 01:18:16: And then it got so popular on SoundCloud
01:18:16 - 01:18:19: And like the label was like, we gotta release this officially
01:18:19 - 01:18:22: And it has this kind of unusual name
01:18:22 - 01:18:24: XO Tour Life
01:18:24 - 01:18:26: Cause you know, normally hit songs have
01:18:26 - 01:18:28: The title is like the, you know
01:18:28 - 01:18:30: Like Post Malone, "Congratulations"
01:18:30 - 01:18:32: And the chorus goes, "Congratulations"
01:18:32 - 01:18:35: And in this, the song's called XO Tour Life
01:18:35 - 01:18:37: And he says, "The real hook has pushed me to the edge
01:18:37 - 01:18:39: All my friends are dead"
01:18:39 - 01:18:40: It's much cooler that the song is not called
01:18:40 - 01:18:41: "All My Friends Are Dead"
01:18:41 - 01:18:43: What's the song called?
01:18:43 - 01:18:44: XO Tour Life
01:18:44 - 01:18:45: X-O?
01:18:45 - 01:18:47: Yeah, with a kind of stylized spelling of life
01:18:47 - 01:18:49: With a three in it
01:18:49 - 01:18:52: It's two L's and then the E is a three
01:18:52 - 01:18:53: So it's cool
01:18:53 - 01:18:55: It's like a cooler way to
01:18:55 - 01:18:58: I love the occasional Seinfeld 2000
01:18:58 - 01:18:59: I know! Hey, what's up?
01:18:59 - 01:19:01: This is a, I'm in
01:19:01 - 01:19:03: Thanks for letting me on the mic this time, guys
01:19:03 - 01:19:04: All good
01:19:04 - 01:19:06: We know you love songs of the summer
01:19:06 - 01:19:07: The number eight song
01:19:07 - 01:19:09: In this first week of summer
01:19:09 - 01:19:12: Zedd and Alessia Cara, "Stay"
01:19:12 - 01:19:14: We've heard this
01:19:14 - 01:19:17: Do you wanna hit me a modello?
01:19:17 - 01:19:18: You got it
01:19:18 - 01:19:19: Thank you, sir
01:19:19 - 01:19:28: Is Zedd from One Direction?
01:19:28 - 01:19:30: No
01:19:30 - 01:19:32: Zedd is a German DJ
01:19:32 - 01:19:39: Is this the one that Vin Diesel sang on?
01:19:40 - 01:19:42: That's kind of
01:19:42 - 01:19:48: Forever Young, dude
01:19:48 - 01:20:08: Oh yeah, I like this chorus
01:20:09 - 01:20:12: I like this song with the single
01:20:12 - 01:20:14: You know that one?
01:20:14 - 01:20:15: That little sample
01:20:15 - 01:20:16: Where?
01:20:16 - 01:20:17: It's coming
01:20:17 - 01:20:21: Oh, it's almost here
01:20:21 - 01:20:24: This is straight up Chainsmokers rip
01:20:24 - 01:20:25: I hear it
01:20:25 - 01:20:30: Dude, you're tapped in on the details of this song
01:20:30 - 01:20:31: Oh yeah
01:20:31 - 01:20:32: How do you know it so well?
01:20:32 - 01:20:35: It appears like, 'cause I work on this show
01:20:35 - 01:20:37: No, but seriously
01:20:37 - 01:20:39: 'Cause it's always playing everywhere
01:20:39 - 01:20:40: I don't know
01:20:40 - 01:20:43: I'll have MTV on in the background at home or something
01:20:43 - 01:20:46: And I'm just like, here comes that
01:20:46 - 01:20:49: I really would have thought you would just have the Seinfeld loop
01:20:49 - 01:20:50: Oh, well, yeah
01:20:50 - 01:20:53: I'm honestly surprised how well you know this song
01:20:53 - 01:20:55: So what's the deal, Seinfeld?
01:20:55 - 01:20:58: First of all, I thought MTV didn't play music anymore
01:20:58 - 01:21:00: Well, MTVU plays music
01:21:00 - 01:21:03: Okay, so it's just on and you have the TV on?
01:21:03 - 01:21:04: Yeah
01:21:04 - 01:21:05: Randomly?
01:21:05 - 01:21:08: Yeah, you know, I'll be like, I'll have Seinfeld on mute
01:21:08 - 01:21:10: Making a stir fry for dinner
01:21:10 - 01:21:12: You'll be doing like four screens
01:21:12 - 01:21:14: I got my five screen experience
01:21:14 - 01:21:17: And then, yeah, I've got the MTVU on or whatever
01:21:17 - 01:21:19: And this song's on like every ten minutes or so
01:21:19 - 01:21:20: And then, yeah, you guys
01:21:20 - 01:21:22: I mean, Time Crisis plays it all the time too
01:21:22 - 01:21:23: Yeah, true
01:21:23 - 01:21:25: Alright, I mean, it's a good song
01:21:25 - 01:21:27: Stay a minute
01:21:27 - 01:21:29: But it's not as good as this one
01:21:29 - 01:21:32: The number seven song in the first week of summer
01:21:32 - 01:21:34: Holdin' Strong
01:21:34 - 01:21:37: After almost three months
01:21:37 - 01:21:41: Two legends coming together for this one
01:21:41 - 01:21:44: Chainsmokers and Coldplay
01:21:44 - 01:21:45: You know, 'cause on
01:21:45 - 01:21:46: This is the highlight so far
01:21:46 - 01:21:49: On Time Crisis, we always talk about the iTunes songs
01:21:49 - 01:21:51: Which vary more
01:21:51 - 01:21:54: So as we dip back into the Billboard songs
01:21:54 - 01:21:56: It's a reminder that it's stuck around
01:21:56 - 01:21:58: It's a hit
01:21:58 - 01:22:03: Um, can we assume everything is platinum?
01:22:03 - 01:22:04: Yes
01:22:04 - 01:22:06: All the songs we've listened to so far are platinum
01:22:06 - 01:22:09: Although this one is three times platinum in Italy
01:22:09 - 01:22:10: That's tough
01:22:10 - 01:22:12: Three million in Italy?
01:22:12 - 01:22:14: Well, no, different countries have different
01:22:14 - 01:22:15: Right, we've discussed that
01:22:15 - 01:22:18: Like, platinum in Montana
01:22:18 - 01:22:19: That's right
01:22:19 - 01:22:21: Is like 1,200 listens
01:22:21 - 01:22:22: This song was used as the theme for the
01:22:22 - 01:22:26: 2017 NCAA Division I Men's Basketball Tournament
01:22:26 - 01:22:28: That's tight
01:22:28 - 01:22:30: This is the best Coldplay song
01:22:30 - 01:22:36: Wake Forest taking on Villanova
01:22:36 - 01:22:40: Starting forward for Gonzaga
01:22:40 - 01:22:45: Tough day for the University of Wisconsin Badgers
01:22:45 - 01:22:50: All this doing sports references is dicey
01:22:50 - 01:22:53: We're really on thin ice when we start talking sports
01:22:53 - 01:22:56: I want something just like this
01:22:56 - 01:23:05: The women in Dixieland
01:23:05 - 01:23:07: The legends and the myths
01:23:07 - 01:23:09: The testaments they told
01:23:09 - 01:23:12: The malelecs, the clubs
01:23:12 - 01:23:14: And Superman unloads
01:23:14 - 01:23:17: The suit before he lifts
01:23:17 - 01:23:21: But I'm not the kind of person that it fits
01:23:21 - 01:23:23: She said where'd she wanna go
01:23:23 - 01:23:25: How much she wanna risk
01:23:25 - 01:23:30: I'm not looking for somebody with some superhuman gifts
01:23:30 - 01:23:35: Some superhero, some fairy tale bliss
01:23:35 - 01:23:37: Just something I could turn to
01:23:37 - 01:23:39: Somebody I could risk
01:23:39 - 01:23:42: I want something just like this
01:23:42 - 01:23:47: The number six song on the charts
01:23:47 - 01:23:49: Now Jake, you were saying earlier
01:23:49 - 01:23:52: when you heard the beginning of the Post Malone song
01:23:52 - 01:23:55: you said, "Is this Percocet?"
01:23:55 - 01:23:57: Okay, Percocet
01:23:57 - 01:24:00: How do you think the song goes? I'm curious
01:24:00 - 01:24:01: Percocet
01:24:01 - 01:24:03: Where's my f***ing Percocet?
01:24:03 - 01:24:05: Not even close, man
01:24:05 - 01:24:07: I don't know
01:24:07 - 01:24:09: I just remember it's Percocet
01:24:09 - 01:24:10: That's true
01:24:10 - 01:24:11: There's no song called
01:24:11 - 01:24:13: Well, there probably is a song called Percocet
01:24:13 - 01:24:16: But the song's called Mask Off by Future
01:24:16 - 01:24:18: And really the part you're thinking of goes
01:24:18 - 01:24:20: Percocet, Molly, Percocet
01:24:20 - 01:24:22: It's about drugs
01:24:22 - 01:24:23: Or at least part of it is
01:24:23 - 01:24:24: Great combo
01:24:24 - 01:24:28: This is cool
01:24:28 - 01:24:29: I don't know how it is
01:24:29 - 01:24:31: No, this song's great, yeah
01:24:31 - 01:24:34: This song samples Prison Song by Tommy Butler
01:24:34 - 01:24:35: Yeah, bitty
01:24:35 - 01:24:40: Yo, Percocet, Molly, Percocet
01:24:40 - 01:24:43: Oh, I thought it was Mildly Percocet
01:24:43 - 01:24:46: Percocet, Mildly Percocet
01:24:47 - 01:24:50: I did a mashup with Seinfeld
01:24:50 - 01:24:51: Oh, yeah
01:24:51 - 01:24:53: And then Future shared it on Facebook
01:24:53 - 01:24:54: Oh, really?
01:24:54 - 01:24:55: Yeah, and that was really cool
01:24:55 - 01:24:57: Future shared the Seinfeld remaster
01:24:57 - 01:24:59: Yeah, and he put the crying emoji
01:24:59 - 01:25:00: What was the mashup?
01:25:00 - 01:25:01: What was the Seinfeld part?
01:25:01 - 01:25:03: It was clips of Seinfeld
01:25:03 - 01:25:05: Other characters dancing and stuff
01:25:05 - 01:25:06: Oh, yeah, it was really good
01:25:06 - 01:25:07: Yeah
01:25:07 - 01:25:09: Also, this song is very haunting
01:25:09 - 01:25:10: 'Cause it's called Mask Off
01:25:10 - 01:25:13: Because he says, "Mask on, f***ing mask off"
01:25:13 - 01:25:15: Which is very simple imagery
01:25:15 - 01:25:17: But it's kind of, like, very eerie
01:25:17 - 01:25:19: The idea of having your mask on
01:25:19 - 01:25:20: And then you say, "F***ing mask off"
01:25:20 - 01:25:21: I love those flutes
01:25:21 - 01:25:24: Yeah, I want to listen to where the sample's from
01:25:24 - 01:25:25: This is Tommy Butler?
01:25:25 - 01:25:27: Yeah, 1976
01:25:27 - 01:25:28: Oh, whoa
01:25:28 - 01:25:31: Cold cheers
01:25:31 - 01:25:34: Prison cells
01:25:34 - 01:25:36: I guess that was it at the beginning
01:25:36 - 01:25:40: Bars of steel
01:25:40 - 01:25:43: Meet my
01:25:43 - 01:25:46: Woman tonight
01:25:46 - 01:25:49: Just ain't
01:25:49 - 01:25:52: Feeling right
01:25:52 - 01:25:55: Cold cheers
01:25:55 - 01:25:57: It's from an album called The Selma Album
01:25:57 - 01:26:02: Which is a musical tribute to Martin Luther King
01:26:02 - 01:26:03: Bars of steel
01:26:03 - 01:26:04: Cool
01:26:04 - 01:26:08: He wears an iron
01:26:08 - 01:26:09: Very haunting song
01:26:09 - 01:26:11: Cold chairs
01:26:11 - 01:26:13: How big was this?
01:26:13 - 01:26:14: I don't think there was a...
01:26:14 - 01:26:16: Was this on a tiny label back then?
01:26:16 - 01:26:19: I don't think it was a particularly well-known song
01:26:19 - 01:26:23: I mean, now it is
01:26:23 - 01:26:25: Really, like, vibed it out
01:26:25 - 01:26:27: Yeah
01:26:27 - 01:26:29: What a production on this, Rules
01:26:29 - 01:26:30: No, this is a great song
01:26:30 - 01:26:32: To me, this is like...
01:26:32 - 01:26:34: It came out a little early to be Song of the Summer
01:26:34 - 01:26:35: But, like...
01:26:35 - 01:26:37: Well, also, I feel like Song of the Summer is more of, like, a party
01:26:37 - 01:26:38: I mean, this is a party song
01:26:38 - 01:26:40: But, like, Song of the Summer
01:26:40 - 01:26:45: Also infers, like, it's, like, upbeat
01:26:45 - 01:26:47: I mean, positive
01:26:47 - 01:26:51: This is some real, like, Don Draper, like, Fourth of July barbecue
01:26:51 - 01:26:53: Kids are just blasting pop radio off the speakers
01:26:53 - 01:26:55: And this is playing
01:26:55 - 01:26:59: You're just kind of, like, suburban dad, like, staring into the...
01:26:59 - 01:27:00: Coals
01:27:00 - 01:27:02: Just looking at this, like, piece of meat
01:27:02 - 01:27:04: Just, like, watching it, like, blacken
01:27:04 - 01:27:06: The camera, like, zooms in on, like, the blackening
01:27:06 - 01:27:08: It's like David Lynch style
01:27:08 - 01:27:10: Just like...
01:27:10 - 01:27:17: Frank, those burgers almost ready?
01:27:17 - 01:27:19: Percocet
01:27:19 - 01:27:24: This is some 2017 stuff, too, like...
01:27:24 - 01:27:27: Is Percocet, like, an opioid?
01:27:27 - 01:27:29: What is Percocet?
01:27:29 - 01:27:31: Percocet's a painkiller, right?
01:27:31 - 01:27:32: So, it is, like, an opioid
01:27:32 - 01:27:34: I've never taken it recreationally
01:27:34 - 01:27:38: I hear about the opioid crisis, like, eight times a day
01:27:38 - 01:27:40: Yeah, Percocet's no joke
01:27:40 - 01:27:42: It's Oxycodone
01:27:42 - 01:27:44: Yeah, so it has...
01:27:44 - 01:27:47: What is the deal? I mean, this is kind of a sidetracking, but...
01:27:47 - 01:27:49: What's the deal?
01:27:49 - 01:27:51: What's the deal with Oxycodone?
01:27:51 - 01:27:54: What's the deal with opioids?
01:27:54 - 01:27:57: I mean, it's an epidemic, you know?
01:27:57 - 01:27:59: You know, Percocet, it's an...
01:28:00 - 01:28:04: Percocet is a combined opioid, non-opioid pain reliever
01:28:04 - 01:28:08: Yeah, like, you never got Percocet when you got your wisdom teeth out or something
01:28:08 - 01:28:10: Oh, yeah, I'm sure, yeah, or like Vicodin
01:28:10 - 01:28:11: It's like that kind of thing
01:28:11 - 01:28:13: Yeah, yeah, and obviously they're incredibly addictive
01:28:13 - 01:28:15: They're very easy to abuse
01:28:15 - 01:28:17: And, yeah, they're ruining people's lives
01:28:17 - 01:28:19: It's weird that, like, that's a thing on the market
01:28:19 - 01:28:22: It's the same chemical compound as, like, heroin
01:28:22 - 01:28:23: But...
01:28:23 - 01:28:24: Yeah, man
01:28:24 - 01:28:27: It just seems weird to me that that is a thing that...
01:28:27 - 01:28:28: Government...
01:28:28 - 01:28:29: People make money on
01:28:29 - 01:28:31: Government's the biggest drug pushers of all
01:28:31 - 01:28:33: Brutal
01:28:33 - 01:28:34: Yeah
01:28:34 - 01:28:37: But, come on, man, this is the song of the summer
01:28:37 - 01:28:39: We're not trying to...
01:28:39 - 01:28:40: I'm into that song
01:28:40 - 01:28:41: That's the top pick so far
01:28:41 - 01:28:42: So far
01:28:42 - 01:28:43: Yep
01:28:43 - 01:28:44: We'll wait 'til this
01:28:44 - 01:28:47: It edges out the Coldplay Chris Martin
01:28:47 - 01:28:50: Yeah, I think it has a touch more pathos
01:28:50 - 01:28:51: Oh, for sure
01:28:51 - 01:28:53: Yeah, it's a little bit
01:28:53 - 01:28:57: The next song on the Billboard charts right now
01:28:57 - 01:28:59: Is from the first week of summer
01:28:59 - 01:29:00: This song is huge
01:29:00 - 01:29:01: Still killing it
01:29:01 - 01:29:03: This song came out in April
01:29:03 - 01:29:05: This is the first single off Kendrick's new album
01:29:05 - 01:29:06: It's called "Humble"
01:29:06 - 01:29:07: Oh, yeah
01:29:07 - 01:29:08: You remember this one, Jake?
01:29:08 - 01:29:09: Sure
01:29:09 - 01:29:26: Did he say "Parmesan"?
01:29:26 - 01:29:27: Yes
01:29:27 - 01:29:35: Kendrick's done a great remix of "Mask Off"
01:29:35 - 01:29:37: Oh, really?
01:29:37 - 01:29:38: Yeah, it's really good
01:29:38 - 01:29:39: Hold up on your block
01:29:39 - 01:29:40: Then break it down
01:29:40 - 01:29:41: We playing Tetris
01:29:41 - 01:29:42: A.M. to the B.M.
01:29:42 - 01:29:44: B.M. to the A.M. funk
01:29:44 - 01:29:45: Beat up your per diem
01:29:45 - 01:29:47: You just got to hate 'em funk
01:29:47 - 01:29:48: If I quit your B.M.
01:29:48 - 01:29:50: I still rock Mercedes funk
01:29:50 - 01:29:51: If I quit this season
01:29:51 - 01:29:53: I still be the greatest funk
01:29:53 - 01:29:56: My left stroke just went viral
01:29:56 - 01:29:57: Right stroke
01:29:57 - 01:29:59: Put lil' baby in a spiral
01:29:59 - 01:30:02: Soprano, see, we like to keep it on the high note
01:30:02 - 01:30:03: It's levels to it
01:30:03 - 01:30:05: You and I know
01:30:05 - 01:30:06: Tell 'em be humble
01:30:06 - 01:30:07: Hold up
01:30:07 - 01:30:08: Sit down
01:30:08 - 01:30:09: Hold up, hold up, hold up
01:30:09 - 01:30:10: Be humble
01:30:10 - 01:30:11: Hold up, hold up, sit down
01:30:11 - 01:30:12: Sit down, sit down, sit down
01:30:12 - 01:30:13: Be humble
01:30:13 - 01:30:14: Hold up, hold up, hold up
01:30:14 - 01:30:15: Sit down
01:30:15 - 01:30:16: Hold up, hold up, hold up
01:30:16 - 01:30:17: Be humble
01:30:17 - 01:30:18: Hold up, hold up, hold up
01:30:18 - 01:30:19: Sit down
01:30:19 - 01:30:20: Hold up, hold up, hold up
01:30:20 - 01:30:21: Be humble
01:30:21 - 01:30:22: Hold up, hold up, hold up
01:30:22 - 01:30:23: Sit down
01:30:23 - 01:30:24: Hold up, hold up, hold up
01:30:24 - 01:30:25: Be humble
01:30:25 - 01:30:26: Hold up, hold up, hold up
01:30:26 - 01:30:27: Sit down
01:30:27 - 01:30:28: Hold up, hold up, hold up
01:30:28 - 01:30:29: Be humble
01:30:29 - 01:30:30: Hold up, hold up, hold up
01:30:30 - 01:30:31: Sit down
01:30:31 - 01:30:32: Hold up, hold up, hold up
01:30:32 - 01:30:33: Pull that arm
01:30:33 - 01:30:34: Thinkin' that he frontin' on me
01:30:34 - 01:30:35: Man, man
01:30:35 - 01:30:36: Get the phone off my stage
01:30:36 - 01:30:37: I'm the slam man
01:30:37 - 01:30:40: Get the phone off my, that ain't right
01:30:40 - 01:30:43: I ain't make a play blowin' up your whole life
01:30:43 - 01:30:47: I'm so, so sick and tired of the Photoshop
01:30:47 - 01:30:50: Show me somethin' natural like Alfa Romeo with your pride
01:30:50 - 01:30:53: Show me somethin' natural, I wanna feel some stretch marks
01:30:53 - 01:30:56: Still a takin' down right on your mama couch and polo socks
01:30:56 - 01:30:58: Ay, this is way too crazy
01:30:58 - 01:31:00: Ay, you do not amaze me
01:31:00 - 01:31:01: Ay, I blew cool from AC
01:31:01 - 01:31:03: Ay, Obama just paced me
01:31:03 - 01:31:04: Ay, I don't fabricate it
01:31:04 - 01:31:06: Ay, most of y'all be fakin'
01:31:06 - 01:31:08: Ay, I stay modest 'bout it
01:31:08 - 01:31:09: Ay, she elaborated
01:31:09 - 01:31:12: Ay, this that great Poupon, that Avion, that TED Talk
01:31:12 - 01:31:14: Ay, watch my soul speak
01:31:14 - 01:31:16: You let the meds talk
01:31:16 - 01:31:19: Ay, if I kill an arm, it won't be the alcohol
01:31:19 - 01:31:21: Ay, I'm the realest arm after all
01:31:21 - 01:31:22: Tell 'em be humble
01:31:22 - 01:31:23: Hold up, hold up, hold up
01:31:23 - 01:31:24: Sit down
01:31:24 - 01:31:25: Hold up, hold up, hold up
01:31:25 - 01:31:26: Be humble
01:31:26 - 01:31:27: Hold up, hold up, hold up
01:31:27 - 01:31:28: Sit down
01:31:28 - 01:31:29: Sit down, no
01:31:29 - 01:31:30: Be humble
01:31:30 - 01:31:31: Hold up, hold up, hold up
01:31:31 - 01:31:32: Tell 'em sit down
01:31:32 - 01:31:33: Hold up, hold up, hold up
01:31:33 - 01:31:34: Sit down
01:31:34 - 01:31:35: Hold up, hold up, hold up
01:31:35 - 01:31:36: Be humble
01:31:36 - 01:31:37: Hold up, hold up, hold up
01:31:37 - 01:31:38: Sit down
01:31:38 - 01:31:39: Hold up, hold up, hold up
01:31:39 - 01:31:40: Be humble
01:31:40 - 01:31:41: Hold up, hold up, hold up
01:31:41 - 01:31:42: Sit down, no
01:31:43 - 01:31:44: Be humble
01:31:44 - 01:31:45: Hold up, hold up, hold up
01:31:45 - 01:31:46: Sit down
01:31:46 - 01:31:47: Hold up, hold up, hold up
01:31:47 - 01:31:48: Be humble
01:31:48 - 01:31:49: Hold up, hold up, hold up
01:31:49 - 01:31:50: Sit down
01:31:50 - 01:31:51: Hold up, hold up, hold up
01:31:51 - 01:31:52: I mean, this is a great song, can't say anything bad about it
01:31:52 - 01:31:56: But, if again, so far, we're talking about a song
01:31:56 - 01:32:00: that is gonna conjure thee truly to me
01:32:00 - 01:32:03: And again, we're not even going too deep into the lyrics or anything
01:32:03 - 01:32:06: 'cause obviously that adds a lot of meaning to songs
01:32:06 - 01:32:08: But just in terms of the sound of these songs
01:32:08 - 01:32:09: The palette
01:32:09 - 01:32:11: The palette of these songs that you're hearing
01:32:11 - 01:32:14: because you don't always get a chance to sit down on the lyrics
01:32:14 - 01:32:16: These songs are just pumping out everywhere
01:32:16 - 01:32:18: 'cause these are the big songs of the moment
01:32:18 - 01:32:21: Again, as much as I like "Humble"
01:32:21 - 01:32:24: This sounds like summer 2017
01:32:24 - 01:32:26: Yeah, call it how it is
01:32:26 - 01:32:27: But we're not done yet
01:32:27 - 01:32:29: We're not done yet
01:32:29 - 01:32:32: We're gonna play the number four song
01:32:32 - 01:32:34: on the Billboard charts right now
01:32:34 - 01:32:36: This song's been out for a minute
01:32:36 - 01:32:39: People haven't really talked about this as a song of the summer contender
01:32:39 - 01:32:42: just because it's been out for such a long time
01:32:42 - 01:32:46: But it's killing it, still number four on the Billboard charts
01:32:46 - 01:32:49: It's on an album called "Divide"
01:32:49 - 01:32:50: Ooh, wait, hold on
01:32:50 - 01:32:53: By a young man out of Great Britain
01:32:53 - 01:32:55: One Direction guy?
01:32:55 - 01:32:57: Not a One Direction guy
01:32:57 - 01:32:58: Oh, Sheeran!
01:32:58 - 01:32:59: Yeah
01:32:59 - 01:33:00: This song is--
01:33:00 - 01:33:01: Bedsheets!
01:33:01 - 01:33:03: Four times platinum
01:33:03 - 01:33:04: Just to put things in perspective
01:33:04 - 01:33:06: So he's getting a check for like 400 bucks
01:33:06 - 01:33:07: Oh yeah
01:33:07 - 01:33:09: He's hitting the Chinese buffet
01:33:09 - 01:33:10: Just--
01:33:10 - 01:33:15: When we were at Staples Center the other night
01:33:15 - 01:33:17: Notice he's playing three nights in August
01:33:17 - 01:33:19: Yeah
01:33:19 - 01:33:21: Time Crisis Field Trip
01:33:21 - 01:33:22: We might have to roll out
01:33:22 - 01:33:24: Can you imagine an Ed Sheeran show?
01:33:24 - 01:33:25: Well, you might find it interesting
01:33:25 - 01:33:26: How long is this set, you think?
01:33:26 - 01:33:28: Like a tight 90 and he's out?
01:33:28 - 01:33:30: Eh...
01:33:30 - 01:33:32: Hour and a half to two
01:33:32 - 01:33:34: Yeah, maybe it ends up being an hour, hour 50
01:33:34 - 01:33:37: You know, he's up on stage by himself most of the time
01:33:37 - 01:33:38: That's tight
01:33:38 - 01:33:39: Say what you will about the music
01:33:39 - 01:33:40: Like guitar?
01:33:40 - 01:33:42: Guitar, just a looper pedal
01:33:42 - 01:33:43: Beatboxing his heart out
01:33:43 - 01:33:44: Huh
01:33:44 - 01:33:45: He might have a keyboard
01:33:45 - 01:33:46: Interesting
01:33:46 - 01:33:47: No band
01:33:47 - 01:33:50: He's rolling up to Staples Center with less people
01:33:50 - 01:33:53: Than, um, GBV
01:33:53 - 01:33:56: Rolling up to the Silver Lake Lounge
01:33:56 - 01:33:58: So much with the GBV
01:33:58 - 01:34:00: I'm just saying, Ed Sheeran's rolling up to Staples Center
01:34:00 - 01:34:01: That's a five man band, yeah
01:34:01 - 01:34:06: He's rolling up with him, sound guy, light guy
01:34:06 - 01:34:09: And like one of his day one buddies
01:34:09 - 01:34:12: No one else on stage, that's crazy
01:34:12 - 01:34:14: Actually, I kind of would like to see him with like--
01:34:14 - 01:34:16: Alright, should I try to get his tickets?
01:34:16 - 01:34:19: It's a hot ticket, but I'll, you know, I'll make some calls
01:34:19 - 01:34:21: Yeah, I think we need to try to do that
01:34:21 - 01:34:22: Alright, alright, I'll try
01:34:22 - 01:34:24: This isn't the best place to find a lover
01:34:24 - 01:34:26: So the bar is where I go
01:34:26 - 01:34:28: The opening of the set with this?
01:34:28 - 01:34:29: That's a good question
01:34:29 - 01:34:31: Nah, he's gonna bury this a little bit
01:34:31 - 01:34:34: He might open with one of his more, uh
01:34:34 - 01:34:38: He has like his more anthemic songs, like U2's, though
01:34:38 - 01:34:40: I feel like this would be a closer
01:34:40 - 01:34:41: Uh-huh
01:34:41 - 01:34:43: Hmm
01:34:43 - 01:34:46: Opens the second encore with this
01:34:46 - 01:34:49: Somebody like me, come on now, follow my lead
01:34:49 - 01:34:52: I may be crazy, don't mind me, say boy
01:34:52 - 01:34:54: Let's not talk too much
01:34:54 - 01:34:57: Grab on my waist and put that body on me
01:34:57 - 01:34:59: Come on now, follow my lead
01:34:59 - 01:35:01: Come, come on now, follow my lead
01:35:01 - 01:35:03: Hmm
01:35:03 - 01:35:05: I'm in love with the shape of you
01:35:05 - 01:35:07: We push and pull like a magnet do
01:35:07 - 01:35:10: Although my heart is falling too
01:35:10 - 01:35:12: I'm in love with your body
01:35:12 - 01:35:15: Last night you were in my room
01:35:15 - 01:35:17: And now my bedsheets smell like you
01:35:17 - 01:35:19: Every day discover who's screaming brand new
01:35:19 - 01:35:22: I like Ed Sheeran, but I mean, Shape of You
01:35:22 - 01:35:24: Oh, I, oh, I, oh, I
01:35:24 - 01:35:26: We've never talked about that song
01:35:26 - 01:35:28: We've never talked about this
01:35:28 - 01:35:30: Regardless of how we feel about the word bedsheets
01:35:30 - 01:35:34: Shape of You is the biggest song this year
01:35:34 - 01:35:37: Can't, you know, can't deny it
01:35:37 - 01:35:39: And honestly, that's a good message
01:35:39 - 01:35:41: Like, as much as some people don't like the bedsheets line
01:35:41 - 01:35:44: You know, not every word matters
01:35:44 - 01:35:46: It is what it is
01:35:46 - 01:35:48: I'm in love with the shape of you
01:35:48 - 01:35:50: The number three song on the Billboard charts right now
01:35:50 - 01:35:52: America's own Bruno Mars
01:35:52 - 01:35:54: That's what I like
01:35:54 - 01:35:57: Hey, hey, hey
01:35:57 - 01:35:59: I got a condo in Manhattan
01:35:59 - 01:36:01: Baby girl, what's happening?
01:36:01 - 01:36:03: You and your ass invited
01:36:03 - 01:36:05: So go on and get to clapping
01:36:05 - 01:36:07: Go pop a four-pack
01:36:07 - 01:36:09: I saw Bruno Mars' interview on TV
01:36:09 - 01:36:11: After his parents got divorced in Hawaii
01:36:11 - 01:36:13: And he and his brothers were staying with his dad
01:36:13 - 01:36:15: Who was unemployed at the time
01:36:15 - 01:36:17: And having like real rough times
01:36:17 - 01:36:19: Sleeping in cars
01:36:19 - 01:36:21: At one point they lived in this like weird
01:36:21 - 01:36:25: Like semi-functional building on a bird sanctuary
01:36:25 - 01:36:27: Whoa
01:36:27 - 01:36:29: So anyway, I was watching that and I was like
01:36:29 - 01:36:31: You know what man, Bruno Mars
01:36:31 - 01:36:33: He really made it happen
01:36:33 - 01:36:35: Not coming from very much
01:36:35 - 01:36:37: Always have a soft spot for him
01:36:37 - 01:36:39: Was he discovered in Hawaii?
01:36:39 - 01:36:41: Like how did he get his start?
01:36:41 - 01:36:43: I think like this classic
01:36:43 - 01:36:45: He was playing music with his family
01:36:45 - 01:36:47: Like performing at like resorts and stuff
01:36:47 - 01:36:49: And he would do an Elvis imitation
01:36:49 - 01:36:51: When he was like a really little kid
01:36:51 - 01:36:53: But I think pretty classic
01:36:53 - 01:36:55: Like came to the mainland with a dollar and a dream
01:36:55 - 01:36:57: Like flew to LA and was just like showed up
01:36:57 - 01:36:59: Yeah, like broke
01:36:59 - 01:37:01: Crashing on couches and he's doing his thing
01:37:01 - 01:37:03: Wow
01:37:03 - 01:37:05: That's what I like
01:37:05 - 01:37:07: Lucky for you
01:37:07 - 01:37:09: That's what I like
01:37:09 - 01:37:11: Nice taking trips to Puerto Rico
01:37:11 - 01:37:13: Say the word and we go
01:37:13 - 01:37:15: You can be my freaka
01:37:15 - 01:37:17: Girl I'll be your freaka
01:37:17 - 01:37:19: I'm not a freaka promise that I can't keep
01:37:19 - 01:37:21: I promise I'll just love you
01:37:21 - 01:37:23: I'll never say I'm not a freaka
01:43:43 - 01:43:45: She the one that bring them raindrops
01:43:45 - 01:43:47: We go back remember crisscross and hopscotch
01:43:47 - 01:43:49: You the one that hold me down when the block's hot
01:43:49 - 01:43:51: I make your dreams come true when you wake up
01:43:51 - 01:43:53: And your looks just the same without no makeup
01:43:53 - 01:43:55: Had to pull up on your mama see what you made of
01:43:55 - 01:43:57: Ain't got a word 'bout them comers 'cause my cake up
01:43:57 - 01:43:59: You can ride inside my life on that fame bus
01:43:59 - 01:44:01: 'Cause I promise when we step out you'll be famous
01:44:01 - 01:44:03: Modern day bunny and clive what they named us
01:44:03 - 01:44:05: 'Cause when we pull up on that fame bus
01:44:05 - 01:44:07: You can ride inside my life on that fame bus
01:44:07 - 01:44:09: 'Cause I promise when we step out you'll be famous
01:44:09 - 01:44:11: Modern day bunny and clive what they named us
01:44:11 - 01:44:13: 'Cause when we pull up
01:44:13 - 01:44:15: Yeah you're looking at the truth
01:44:15 - 01:44:17: The money never lie
01:44:17 - 01:44:19: No I'm the one yeah
01:44:19 - 01:44:21: I'm the one every morning in the dark
01:44:21 - 01:44:23: Know you wanna ride now
01:44:23 - 01:44:25: I'm the one yeah
01:44:27 - 01:44:29: Hear you sick of all those other imitators
01:44:29 - 01:44:31: Don't let the only real one intimidate ya
01:44:31 - 01:44:33: See you watching going out of time now
01:44:33 - 01:44:35: I'm the one yeah
01:44:41 - 01:44:43: I'm the only one yeah
01:44:43 - 01:44:45: I'm the one yeah
01:44:45 - 01:44:47: I'm the only one yeah
01:44:47 - 01:44:49: I'm the only one
01:44:49 - 01:44:51: Okay though
01:44:51 - 01:44:53: She beat her face up with that new Chanel
01:44:53 - 01:44:55: She like the price she see the ice and make her make her melt
01:44:55 - 01:44:57: When I met her in the club I asked her who she felt
01:44:57 - 01:44:59: Then she went and put that booty on that Gucci belt
01:44:59 - 01:45:01: We don't got no label
01:45:01 - 01:45:03: She say she want bottles
01:45:03 - 01:45:05: She ain't got no table
01:45:05 - 01:45:07: She don't got no money
01:45:07 - 01:45:09: She ain't got no table
01:45:09 - 01:45:11: She don't got no bed frame
01:45:11 - 01:45:13: She don't got no tables
01:45:13 - 01:45:15: We just watching Netflix
01:45:15 - 01:45:17: She ain't got no cable
01:45:17 - 01:45:19: Okay though
01:45:19 - 01:45:21: Plug plug plug I'm the plug for
01:45:21 - 01:45:23: She wanna pull her hair out hold the door for
01:45:23 - 01:45:25: Maybe that's only me
01:45:25 - 01:45:27: Don't care with me
01:45:27 - 01:45:29: Maybe don't care okay though
01:45:29 - 01:45:31: I love pop music I love major key music
01:45:31 - 01:45:33: But there is this something going through this top ten
01:45:33 - 01:45:35: Call it how it is
01:45:37 - 01:45:39: And then
01:45:39 - 01:45:41: Yeah it sounds so dorky
01:45:41 - 01:45:43: It's really like
01:45:43 - 01:45:45: Mask on
01:45:45 - 01:45:47: Mask off
01:45:47 - 01:45:51: Call it how it is
01:45:51 - 01:45:53: Yeah this is pretty lynched dude
01:45:53 - 01:45:55: I promise I swear I swear
01:45:55 - 01:45:57: I swear to God
01:45:57 - 01:45:59: Yo
01:45:59 - 01:46:01: Perk a sick
01:46:01 - 01:46:03: Evil is real
01:46:03 - 01:46:05: I killed Laura Palmer man
01:46:05 - 01:46:07: Future knows
01:46:07 - 01:46:09: Jake you correctly predicted the number one song
01:46:09 - 01:46:11: Right now on the chart so I guess this is more or less
01:46:11 - 01:46:13: The song of the summer I predicted two and one
01:46:13 - 01:46:15: Yes
01:46:15 - 01:46:17: Tapped in Luis Fonsi and Daddy Yankee
01:46:17 - 01:46:19: Featuring Justin Bieber Despacito
01:46:19 - 01:46:21: Sanfo what do you think of this song you fan
01:46:21 - 01:46:23: I feel like it's like
01:46:23 - 01:46:25: A throwback to like
01:46:25 - 01:46:27: The latin explosion
01:46:27 - 01:46:29: Of like the late 90s like
01:46:29 - 01:46:31: Remember when like Jennifer Lopez was starting
01:46:31 - 01:46:33: To pop off and like Ricky Martin and the
01:46:33 - 01:46:35: Spanish guitars kind of took over radio
01:46:35 - 01:46:37: Like eh this song
01:46:37 - 01:46:39: It's alright doesn't really do a lot
01:46:39 - 01:46:41: For me it's fine
01:46:41 - 01:46:43: Right and the truth is like
01:46:43 - 01:46:45: Latin music is one of like the
01:46:45 - 01:46:47: The biggest
01:46:47 - 01:46:49: I mean obviously there's many genres within it
01:46:49 - 01:46:51: But it's one of the biggest music markets
01:46:51 - 01:46:53: And genres in the world
01:46:53 - 01:46:55: So there's always something funny about
01:46:55 - 01:46:57: Like the American take of kind of like
01:46:57 - 01:46:59: Ooh Latin music is back
01:46:59 - 01:47:01: It's always like
01:47:01 - 01:47:03: Obviously
01:47:03 - 01:47:05: Obviously for like the vast majority
01:47:05 - 01:47:07: Of the Americas
01:47:07 - 01:47:09: Including many people within
01:47:09 - 01:47:11: North America Latin music never
01:47:11 - 01:47:13: Goes away so it's like the one or two
01:47:13 - 01:47:15: Songs that happen to cross over
01:47:15 - 01:47:17: They're not always like the best most indicative
01:47:17 - 01:47:19: Of like what's actually happening in Latin music
01:47:19 - 01:47:21: That said I have nothing wrong with this
01:47:21 - 01:47:23: Song Despacito
01:47:23 - 01:47:25: But it's like it's you know it's not
01:47:25 - 01:47:27: Doesn't mean it's the best song
01:47:27 - 01:47:29: But there's probably some more interesting ones happening
01:47:31 - 01:47:35: ♪♪♪♪
01:47:35 - 01:47:37: ♪♪♪♪
01:47:37 - 01:47:39: -♪♪ Come and move it in my direction ♪♪
01:47:39 - 01:47:42: ♪♪ So thankful for that, such a blessing, yeah ♪♪
01:47:42 - 01:47:45: ♪♪ Turn every situation into heaven, yeah ♪♪
01:47:45 - 01:47:47: ♪♪ Oh, oh, you are ♪♪
01:47:47 - 01:47:50: ♪♪ My sunrise on the darkest day ♪♪
01:47:50 - 01:47:52: ♪♪ Got me feeling some kind of way ♪♪
01:47:52 - 01:47:56: ♪♪ Make me want to savor every moment slowly ♪♪
01:47:56 - 01:47:58: ♪♪ Slowly ♪♪
01:47:58 - 01:48:01: ♪♪ You fit me, tell 'em they love how you put it on ♪♪
01:48:01 - 01:48:03: ♪♪ Got the only key, know how to turn it on ♪♪
01:48:03 - 01:48:06: ♪♪ Make a way, you never lie, my ear the only words I want to hear
01:48:06 - 01:48:08: ♪♪ Baby, take it slow so we can last long ♪♪
01:48:08 - 01:48:11: -I mean, couldn't you hear, like, Nick Lachey
01:48:11 - 01:48:13: singing this song in, like, 1999?
01:48:13 - 01:48:15: -Oh, totally.
01:48:15 - 01:48:15: Well, you know, it's funny.
01:48:15 - 01:48:16: We've heard this song so many times.
01:48:16 - 01:48:18: We don't need to listen to it again.
01:48:18 - 01:48:19: So you're talking about one of the artists --
01:48:19 - 01:48:23: We were talking about the late '90s Latin music explosion.
01:48:23 - 01:48:26: And what's funny is that, arguably,
01:48:26 - 01:48:28: there's a little bit of a Latin crossover
01:48:28 - 01:48:30: happening on the American pop charts right now.
01:48:30 - 01:48:31: A bit.
01:48:31 - 01:48:33: Songs like "Despacito."
01:48:33 - 01:48:35: But DJ Khaled dropped his newest single.
01:48:35 - 01:48:37: It's not in the top 10 yet, although I do have a friend
01:48:37 - 01:48:39: who said, "Now, this is the real song of the summer."
01:48:39 - 01:48:42: So I think it's worth throwing in as a bonus.
01:48:42 - 01:48:46: Funnily enough, this song is based on a song
01:48:46 - 01:48:50: from Carlos Santana's late '90s breakthrough album,
01:48:50 - 01:48:51: "Supernatural." -Oof!
01:48:51 - 01:48:53: -So this is DJ Khaled with Rihanna.
01:48:53 - 01:48:56: The song is called "Wild Thoughts,"
01:48:56 - 01:49:02: and it's fully based on a late '90s Latin song.
01:49:02 - 01:49:06: But it's not actually Carlos Santana playing guitar.
01:49:06 - 01:49:09: It's kind of like the karaoke version.
01:49:09 - 01:49:10: -Like, fake Santana?
01:49:10 - 01:49:14: -Yeah, they kind of, like, recreated his guitar parts.
01:49:14 - 01:49:19: ♪♪
01:49:19 - 01:49:21: -So this is riffing off a deep cut
01:49:21 - 01:49:22: off the Santana record.
01:49:22 - 01:49:24: That had "Smooth" on it. -Not a deep cut.
01:49:24 - 01:49:27: It was a hit. -Maria Maria.
01:49:27 - 01:49:29: -Yeah. -The White Club show on it.
01:49:29 - 01:49:35: ♪♪
01:49:35 - 01:49:40: ♪♪
01:49:40 - 01:49:43: ♪♪
01:49:43 - 01:49:45: -Oh, you hear that? It's like, not quite Carlos.
01:49:45 - 01:49:48: -Yeah.
01:49:48 - 01:49:50: Yeah, it's stiff.
01:49:50 - 01:49:53: -Let's go! -Let's go!
01:49:53 - 01:49:54: -This is the original.
01:49:54 - 01:49:57: ♪♪
01:49:57 - 01:49:59: -Oh, yeah.
01:49:59 - 01:50:03: -Ladies and gents, turn up your sound system
01:50:03 - 01:50:06: to the sound of Carlos Santana
01:50:06 - 01:50:09: and the GMB product.
01:50:09 - 01:50:12: -Same album as "Smooth," but with a huge album.
01:50:12 - 01:50:16: -Maria Maria
01:50:16 - 01:50:19: She remind me of a West Side Story
01:50:19 - 01:50:21: -I mean, I guess it's a testament to this song
01:50:21 - 01:50:23: that they barely had to change it
01:50:23 - 01:50:26: and it still kind of works on the radio.
01:50:26 - 01:50:30: -She living the life just like a movie star
01:50:30 - 01:50:36: Oh, Maria Maria
01:50:36 - 01:50:41: She found a love in East LA
01:50:41 - 01:50:46: To the sounds of the guitar, yeah, yeah
01:50:46 - 01:50:53: Play by Carlos Santana
01:50:53 - 01:50:56: -Pretty sick line.
01:50:56 - 01:50:59: -Yeah. -But that's Wu-Tang Clan.
01:50:59 - 01:51:02: Wu-Tang Clan ain't nothing to [bleep] with, that guitar line.
01:51:02 - 01:51:05: -♪♪ Da-na-na-na-na-na-na ♪♪
01:51:05 - 01:51:06: Oh, yeah. -Wu-Tang Clan.
01:51:06 - 01:51:08: So it's like a sample. -It sounds like -- Is it?
01:51:08 - 01:51:12: -I'm pretty sure Wyclef was referencing Wu-Tang
01:51:12 - 01:51:16: when he did this song, which then Khaled is sampling.
01:51:16 - 01:51:18: -Wow. I love the layers of intertexturality.
01:51:18 - 01:51:20: -That's deep. -So there you have it.
01:51:20 - 01:51:21: The real song of the summer...
01:51:21 - 01:51:23: -♪♪ We-er-na-na-na-na-na-na-na ♪♪
01:51:23 - 01:51:25: -...came out in 1999.
01:51:25 - 01:51:28: Carlos Santana, Maria Maria.
01:51:28 - 01:51:30: Okay, but back to the ones that were actually on the list.
01:51:30 - 01:51:34: I mean, I think -- Come on. It's unanimous, man.
01:51:34 - 01:51:35: Song of the summer.
01:51:35 - 01:51:38: ♪♪
01:51:38 - 01:51:40: But we really got to say... -That's how loud it is.
01:51:40 - 01:51:42: -...you should never take Percocet
01:51:42 - 01:51:44: unless prescribed by a doctor. -I'm a funkist, man.
01:51:44 - 01:51:47: -You certainly shouldn't mix it with Molly.
01:51:47 - 01:51:50: -♪♪ Yo, Percocet, Molly Percocet ♪♪
01:51:50 - 01:51:54: -2017, man. -♪♪ Percocet, Molly Percocet ♪♪
01:51:54 - 01:51:58: ♪♪ Rep the set, gotta rep the set ♪♪
01:51:58 - 01:52:01: ♪♪ Chase a chick, never chase a -- ♪♪
01:52:01 - 01:52:04: ♪♪ Mask on, get mask on ♪♪
01:52:04 - 01:52:07: ♪♪ Mask on, get mask on ♪♪
01:52:07 - 01:52:10: ♪♪ Percocet, Molly Percocet ♪♪
01:52:10 - 01:52:14: ♪♪ Chase a chick, never chase a -- ♪♪
01:52:14 - 01:52:16: ♪♪ Two cups, toast her with the gang ♪♪
01:52:16 - 01:52:20: ♪♪ From full steps to a whole 'nother domain ♪♪
01:52:20 - 01:52:23: ♪♪ Out the bottom, I'm a living proof ♪♪
01:52:23 - 01:52:26: ♪♪ And compromising half a million on the coupe ♪♪
01:52:26 - 01:52:30: ♪♪ Drug houses, looking like Peru ♪♪
01:52:30 - 01:52:33: ♪♪ Graduated, I was overdue ♪♪
01:52:33 - 01:52:36: ♪♪ Pink Molly, I can barely move ♪♪
01:52:36 - 01:52:39: ♪♪ Ask about me, I'm gonna bust a move ♪♪
01:52:39 - 01:52:42: ♪♪ Red James, 33 chains ♪♪
01:52:42 - 01:52:45: ♪♪ Oceanair, cruising big scheme ♪♪
01:52:45 - 01:52:49: ♪♪ Top bump, that's a liability ♪♪
01:52:49 - 01:52:52: ♪♪ Hit the gas, boosting my adrenaline ♪♪
01:52:52 - 01:52:55: ♪♪ Percocet, Molly Percocet ♪♪
01:52:58 - 01:53:01: ♪♪ Rep the set, gotta rep the set ♪♪
01:53:01 - 01:53:05: ♪♪ Chase a chick, never chase a -- ♪♪
01:53:05 - 01:53:08: ♪♪ Mask on, get mask on ♪♪
01:53:08 - 01:53:11: ♪♪ Mask on, get mask on ♪♪
01:53:11 - 01:53:14: ♪♪ Percocet, Molly Percocet ♪♪
01:53:14 - 01:53:17: ♪♪ Chase a chick, never chase a -- ♪♪
01:53:17 - 01:53:21: ♪♪ Photo maybe, I drive anything ♪♪
01:53:21 - 01:53:24: ♪♪ Buy more rings, make 'em go insane ♪♪
01:53:24 - 01:53:30: ♪♪
01:53:30 - 01:53:33: ♪♪ My guillotine, drink from Mel's, yeah ♪♪
01:53:33 - 01:53:37: ♪♪ Taking beams, go to those extremes ♪♪
01:53:37 - 01:53:40: ♪♪ Parliament, Karl and Mari wins ♪♪
01:53:40 - 01:53:43: ♪♪ Parlay in Vegas, we was in attendance ♪♪
01:53:43 - 01:53:46: ♪♪ Before the business, Deodora lenses ♪♪
01:53:46 - 01:53:49: ♪♪ More prescriptions, focus on the mission ♪♪
01:53:49 - 01:53:52: ♪♪ Intermission, never take a break ♪♪
01:53:52 - 01:53:56: ♪♪ Switch states, test out foreign plates ♪♪
01:53:56 - 01:53:59: ♪♪ Ain't no way, ain't no -- way ♪♪
01:53:59 - 01:54:02: ♪♪ We come to play, we done come to play ♪♪
01:54:02 - 01:54:05: ♪♪ Rob the bank, we gon' rob the gang ♪♪
01:54:05 - 01:54:09: ♪♪ They gang, we gang, but they are not the same ♪♪
01:54:09 - 01:54:12: ♪♪ Percocet, Molly Percocet ♪♪
01:54:12 - 01:54:15: ♪♪ Percocet, Molly Percocet ♪♪
01:54:15 - 01:54:18: ♪♪ Replicit, got a replica ♪♪
01:54:18 - 01:54:21: ♪♪ Chase a chick, never chase a -- ♪♪
01:54:21 - 01:54:25: ♪♪ Mask on, get mask on ♪♪
01:54:28 - 01:54:31: ♪♪ Percocet, Molly Percocet ♪♪
01:54:31 - 01:54:34: ♪♪ Chase a chick, never chase a -- ♪♪
01:54:34 - 01:54:37: ♪♪ Mask on, get mask on ♪♪
01:54:37 - 01:54:40: ♪♪ Mask on, get mask on ♪♪
01:54:40 - 01:54:44: ♪♪ Mask on, get mask on ♪♪
01:54:44 - 01:54:47: ♪♪ Gas gun, never not on ♪♪
01:54:47 - 01:54:49: -Well, this was kind of a lazy
01:54:49 - 01:54:50: first week of summer job crisis.
01:54:50 - 01:54:51: -Yeah, man.
01:54:51 - 01:54:54: This was just, like, sitting in an inflatable tube,
01:54:54 - 01:54:55: just floating down the river.
01:54:55 - 01:54:58: -Floating down the lazy river, man.
01:54:58 - 01:55:00: I hope everybody listening was, uh,
01:55:00 - 01:55:02: cracking a brew and in a hammock.
01:55:02 - 01:55:04: -[ Chuckles ]
01:55:04 - 01:55:05: -Dipping your toes in the pool.
01:55:05 - 01:55:07: Thanks to Kenny for calling in,
01:55:07 - 01:55:09: giving us some youth perspective on the show.
01:55:09 - 01:55:12: Thanks to Mark Schatzker for calling in
01:55:12 - 01:55:15: and teaching us about the Dorito effect.
01:55:15 - 01:55:19: Thanks to Roger Waters for rocking the Staples Center.
01:55:19 - 01:55:21: And thanks to the Staples Corporation
01:55:21 - 01:55:24: for not only being far superior to Office Depot,
01:55:24 - 01:55:31: but also for lending your name to L.A.'s best arena.
01:55:31 - 01:55:33: Anything to add, Jake? -It's a timeless name.
01:55:33 - 01:55:35: -Staples Center.
01:55:35 - 01:55:38: I mean, if I were -- -It's a clean name.
01:55:38 - 01:55:41: -If I'm equidistant from a Staples and an Office Depot,
01:55:41 - 01:55:42: I'm hitting Staples, man.
01:55:42 - 01:55:45: -That red -- that red facade.
01:55:45 - 01:55:48: -Yeah, I love the red facade.
01:55:48 - 01:55:51: All right, we'll talk to you guys in two weeks.
01:55:51 - 01:55:53: -You're listening to...
01:55:53 - 01:55:57: "Time Crisis" on Beast1.
01:55:57 - 01:55:59: (explosion)

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