Episode 49: Vermont’s Finest

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:05: Time Crisis, episode 49, I'm told.
00:05 - 00:07: We've got a big episode for you.
00:07 - 00:10: Jake and I are going to talk to Sweet Martha,
00:10 - 00:13: Lord of the Minnesota State Fair.
00:13 - 00:17: We'll also be talking to Old CT about the band Fish.
00:17 - 00:20: That, plus some great listener emails,
00:20 - 00:24: Ben & Jerry's, and Imagine Dragons.
00:24 - 00:26: All this and more on...
00:26 - 00:30: Time Crisis with Ezra King.
00:30 - 00:32: B-B-B-B-Beast...
00:32 - 00:34: One.
00:34 - 00:36: # They pass me by
00:36 - 00:40: # All of those great romances
00:40 - 00:43: # Do what I've felt, what we need
00:43 - 00:47: # All my rightful chances
00:47 - 00:49: # My picture clear
00:49 - 00:54: # Everything seems so easy
00:54 - 00:58: # And so I tell to the globe
00:58 - 01:01: # One of us had to go
01:01 - 01:03: # Now it's different
01:03 - 01:06: # I want you to know
01:06 - 01:09: # One of us is crying
01:09 - 01:12: # One of us is lying
01:12 - 01:16: # Leave it on me, babe. #
01:17 - 01:23: # I am a lineman for the county
01:23 - 01:29: # And I drive the main road
01:29 - 01:32: # Searching in the sun
01:32 - 01:38: # For another home alone
01:38 - 01:45: # I am a lineman for the county
01:45 - 01:51: # I hear you singing in the wire
01:51 - 01:57: # I can hear you through the wine
01:57 - 02:03: # And a Wichita lineman
02:03 - 02:09: # Is still on the line
02:14 - 02:21: # I know I need a small vacation
02:21 - 02:25: # But it don't look like rain
02:25 - 02:28: # And if it snows, that stretch down south
02:28 - 02:34: # Won't ever stand the strain
02:34 - 02:40: # And I need you more than want you
02:40 - 02:46: # And I want you for all time
02:46 - 02:52: # And a Wichita lineman
02:52 - 02:58: # Is still on the line
02:58 - 03:04: # And I need you more than want you
03:04 - 03:10: # And I want you for all time
03:10 - 03:16: # And a Wichita lineman
03:16 - 03:22: # Is still on the line
03:22 - 03:28: # And I need you more than want you
03:28 - 03:34: # And I want you for all time
03:34 - 03:40: # And a Wichita lineman
03:40 - 03:46: # Is still on the line
03:46 - 03:48: (gentle music)
03:48 - 04:13: - Time Crisis, episode 49.
04:14 - 04:18: We have a couple 49ers over here getting up there.
04:18 - 04:19: We got a really big show today, man.
04:19 - 04:20: We got a lot of ground to cover.
04:20 - 04:22: You've been getting crazy listener emails,
04:22 - 04:24: so we definitely gotta dig in the mailbag.
04:24 - 04:26: You've been getting a lot of great ones.
04:26 - 04:29: We're digging back in this week to a story
04:29 - 04:31: that really touched my heart a few episodes ago
04:31 - 04:32: when you came back from Minnesota
04:32 - 04:34: and you told me about Sweet Martha,
04:34 - 04:36: a person who runs a business
04:36 - 04:39: that's only open 12 days a year
04:39 - 04:41: and yet just rakes in the dough, no pun intended,
04:41 - 04:43: making cookies at the Minnesota State Fair.
04:43 - 04:45: So we had a conversation about a while ago.
04:45 - 04:47: We've been getting some great emails and tweets
04:47 - 04:49: from people from Minnesota.
04:49 - 04:51: It's a really important part of Minnesota culture.
04:51 - 04:54: And Time Crisis, we pay tribute to the whole world,
04:54 - 04:57: but specifically these United States.
04:57 - 04:59: So anyway, we're picking up where we left off
04:59 - 05:03: and we somehow got Sweet Martha to call into the show.
05:03 - 05:05: So you met Sweet Martha, so it's not as exciting for you.
05:05 - 05:06: - Yeah, yeah.
05:06 - 05:07: - You met her when you went to a wedding in--
05:07 - 05:08: - Yeah, in May.
05:08 - 05:09: Went to her lake house.
05:09 - 05:11: - Oh, so you've been to Sweet Martha's lake house.
05:11 - 05:12: - Yep.
05:12 - 05:14: - And the thing about it, learned a lot that night.
05:14 - 05:15: - Well, this is gonna be my first time
05:15 - 05:16: talking to Sweet Martha
05:16 - 05:19: and hopefully reintroducing all the TC heads
05:19 - 05:21: to the magic that is Sweet Martha's cookie jar.
05:21 - 05:22: So let's get her on the phone.
05:22 - 05:25: - Now, let's go to the Time Crisis hotline.
05:25 - 05:29: (phone ringing)
05:29 - 05:30: - Hey, Martha.
05:30 - 05:30: - Hello.
05:30 - 05:32: - Hey, it's Jake.
05:32 - 05:33: - Hi, how are you?
05:33 - 05:35: - Great, how are you?
05:35 - 05:37: - Good, good.
05:37 - 05:38: - Also, Ezra's here.
05:38 - 05:40: Great to meet you.
05:40 - 05:42: So, do people call you Sweet Martha?
05:42 - 05:45: It's my instinct to address you as Sweet Martha.
05:45 - 05:47: - Actually, my family doesn't,
05:47 - 05:48: but a lot of other people do.
05:48 - 05:50: - So you know, you'd be walking down the street,
05:50 - 05:52: you might get the occasional, "Sweet Martha."
05:52 - 05:54: - Yes, exactly, if you can believe it.
05:54 - 05:57: My husband wanted to name the business after me,
05:57 - 05:59: but then my brother chimed in
05:59 - 06:01: and he thought Sweet Martha would be an appropriate name,
06:01 - 06:03: and I'm like, "Are you kidding me?
06:03 - 06:06: "I do not want to be sweet all the time like that."
06:06 - 06:08: - Right, you're getting pigeonholed.
06:08 - 06:10: - Yeah, exactly.
06:10 - 06:12: - My notes say that your husband's name is Gary.
06:12 - 06:12: - Yes.
06:12 - 06:15: - So Sweet Gary was never in the cards?
06:15 - 06:18: - Well, he felt that it could've been named Gorgeous Gary.
06:18 - 06:20: - I don't want to buy cookies from Gorgeous Gary.
06:20 - 06:22: (laughing)
06:22 - 06:26: - So just to remind people who haven't heard us
06:26 - 06:28: talk about Sweet Martha's before,
06:28 - 06:31: so Sweet Martha's, it's not exactly a cookie store.
06:31 - 06:33: Is it more correct to call it a stand?
06:33 - 06:37: - Yes, we have, actually now we have three stands
06:37 - 06:39: at the Minnesota State Fair.
06:39 - 06:43: So in Minnesota, the state fair is huge.
06:43 - 06:47: In fact, for the amount of days that it is,
06:47 - 06:51: it's the highest grossing food fair in the country.
06:51 - 06:53: - So the thing that I'm so fascinated about, Martha,
06:53 - 06:55: is so Jake told me that Sweet Martha's
06:55 - 06:57: is open for two weeks a year, essentially?
06:57 - 06:58: - About 12 days.
06:58 - 07:00: - Okay, not even two weeks, 12 days.
07:00 - 07:02: And over the course of those 12 days,
07:02 - 07:04: that's your year of business.
07:04 - 07:05: - Right.
07:05 - 07:06: - So was it always like that?
07:06 - 07:08: You were covering your entire year with 12 days?
07:08 - 07:10: Or when it started, was this like a hobby?
07:10 - 07:11: - Yeah, there was always that dream
07:11 - 07:14: of getting a booth at the state fair,
07:14 - 07:16: because you just saw all these people
07:16 - 07:18: and all this business,
07:18 - 07:20: and it just seemed like such a great idea.
07:20 - 07:24: So probably, I think it was in '78,
07:24 - 07:27: my husband and I opened up a soft serve
07:27 - 07:30: frozen yogurt shop downtown Minneapolis.
07:30 - 07:33: And there we started serving
07:33 - 07:35: famous, famous chocolate chip cookies.
07:35 - 07:37: They were sort of the craze back then.
07:37 - 07:40: That sort of gave us the idea of cookies.
07:40 - 07:44: So we applied to the fair for frozen yogurt,
07:44 - 07:46: and we're rejected.
07:46 - 07:47: So the following year,
07:47 - 07:49: besides we've kept applying for yogurt too,
07:49 - 07:51: we applied for cookies.
07:51 - 07:53: And about a month before the fair started,
07:53 - 07:56: they called with someone that had canceled,
07:56 - 07:58: and they said, "Do you want to be in the fair?"
07:58 - 08:00: And I said, "Of course."
08:00 - 08:02: And we hang up, and I go, "Oh my gosh,
08:02 - 08:03: "what are we gonna do now?"
08:03 - 08:05: Because of course, we knew everything about yogurt,
08:05 - 08:08: but we didn't really know about baking cookies.
08:08 - 08:09: - When you first applied,
08:09 - 08:13: it's not like you had some classic recipe on deck.
08:13 - 08:15: - Right, not really, no. (laughs)
08:15 - 08:17: - So how'd that first year go?
08:17 - 08:20: - So we had like this month to put together everything.
08:20 - 08:22: It was my husband, Gary,
08:22 - 08:26: and then his classmates from high school, Neil.
08:26 - 08:28: So I was working on recipes,
08:28 - 08:30: took all our mother's recipes,
08:30 - 08:31: basically compared them,
08:31 - 08:35: and then start getting in all types of chocolate,
08:35 - 08:37: because we all love chocolate,
08:37 - 08:39: and wanted the best kind of chocolate we could find.
08:39 - 08:42: - So every year, for 12 days,
08:42 - 08:43: you sell one type of cookie,
08:43 - 08:45: and that's how you make your living.
08:45 - 08:48: - Yes, but we do also have our frozen dough
08:48 - 08:49: in the grocery stores year-round.
08:49 - 08:50: - That's the American dream,
08:50 - 08:52: is that you could work 12 days,
08:52 - 08:54: or you could sell something for 12 days.
08:54 - 08:55: So do you have a lot of free time,
08:55 - 08:57: or the dough operation or getting ready
08:57 - 09:00: takes up so much of your time more than we might think?
09:00 - 09:02: - That's the latter, just what you said.
09:02 - 09:05: You know, something that sort of turned into year-round,
09:05 - 09:08: we started in really February scheduling,
09:08 - 09:10: because like for instance, this year,
09:10 - 09:12: we hire for the 12 days.
09:12 - 09:15: We're up to about 615 people.
09:15 - 09:16: - Wow, it's also really interesting.
09:16 - 09:18: Every year you're making one cookie,
09:18 - 09:19: it's the same cookie.
09:19 - 09:21: Does the recipe change?
09:21 - 09:23: Are there sweet Martha heads who say like,
09:23 - 09:26: "I still have a bucket of 87 in the freezer.
09:26 - 09:29: I'm telling you, nothing's touched it since."
09:29 - 09:30: Are there like people like that?
09:30 - 09:34: - No, a lot of them don't quite make it all the way home.
09:34 - 09:36: - Do you feel like they taste the same every year,
09:36 - 09:38: or are there like intangibles?
09:38 - 09:40: Like one year the barometric pressure
09:40 - 09:41: in Minnesota was different.
09:41 - 09:44: - There are those factors, seriously,
09:44 - 09:47: and that's where the mixers have to play with the dough
09:47 - 09:52: to try and make sure that it is the consistency we want.
09:52 - 09:55: Just because we are actually, you know, mixing outside.
09:55 - 09:58: - So you're on site all 12 days?
09:58 - 09:59: - Oh yes.
09:59 - 10:00: - Are you eating cookies?
10:00 - 10:01: - Oh yes.
10:01 - 10:02: - Yeah, I mean, when I'm around cookies,
10:02 - 10:04: I have a real problem.
10:04 - 10:05: So one question I have is like,
10:05 - 10:06: so during those 12 days,
10:06 - 10:08: are you eating other foods besides cookies?
10:08 - 10:10: Or it's just like, that's cookie time.
10:10 - 10:12: You gotta be making sure they taste good.
10:12 - 10:14: - We eat more than just cookies,
10:14 - 10:18: because of course it is sort of a athletic event.
10:18 - 10:20: - What sort of volume are you selling
10:20 - 10:22: in terms of like number of cookies?
10:22 - 10:25: - We do sell more in volume.
10:25 - 10:27: You know, we're not like counting the cookies
10:27 - 10:29: as whatever fits in that pail.
10:29 - 10:31: But at least a million a day, average.
10:31 - 10:32: - A day?
10:32 - 10:33: - Yeah.
10:33 - 10:35: - So you're serving out 12 million cookies
10:35 - 10:37: at the Minnesota State Fair?
10:37 - 10:40: - Well, we actually, we have these ovens
10:40 - 10:41: that are rack ovens,
10:41 - 10:45: and they make about 2000 cookies in 12 minutes.
10:45 - 10:49: And we have about 17 of these rack ovens now
10:49 - 10:50: with our new stand.
10:50 - 10:51: So we make, you know,
10:51 - 10:55: we can make 38,000 cookies in 12 minutes.
10:55 - 10:56: - Oh my God. - Wow.
10:56 - 10:59: - Yeah, so we are really high production.
10:59 - 11:00: - That's unreal.
11:00 - 11:02: So Martha, when Jake first told me about this,
11:02 - 11:04: and he's saying this incredible volume,
11:04 - 11:07: 12 days, raking in money, all this stuff,
11:07 - 11:09: I'm sure you must get this question a lot,
11:09 - 11:11: but it's the classic American way
11:11 - 11:13: is you start a successful local business,
11:13 - 11:15: generally within four years.
11:15 - 11:18: You're expanding, you're selling the license
11:18 - 11:21: to, you know, a French company or something.
11:21 - 11:23: Surely you must have had offers.
11:23 - 11:25: It sounds like you guys have stayed pretty independent.
11:25 - 11:26: - We have.
11:26 - 11:28: We sort of like running our own show.
11:28 - 11:30: - Have you ever been, got a buyout offer?
11:30 - 11:31: - Oh, sure.
11:31 - 11:33: I mean, the people are approaching us, you know,
11:33 - 11:34: in all different ways.
11:34 - 11:37: We've done this for 39 years now.
11:37 - 11:40: We sort of want to stay the way we are at this point.
11:40 - 11:41: The people that are working for us,
11:41 - 11:43: we know so many of them.
11:43 - 11:46: They're my family, all my nieces and have everybody,
11:46 - 11:48: and we all get together for 12 days,
11:48 - 11:49: and it's just so much fun.
11:49 - 11:52: - I heard actually through the grapevine,
11:52 - 11:54: through Jenny, that you saw the Eagles last week.
11:54 - 11:57: - Oh my gosh, they were great.
11:57 - 11:59: - So that also begs the question,
11:59 - 12:01: in the early days of Sweet Martha, late 70s,
12:01 - 12:04: when you guys are coming up with the recipes and starting it,
12:04 - 12:07: what type of tunes were blasting out of the kitchen,
12:07 - 12:09: '77, '78, was it the Eagles?
12:09 - 12:11: ♪ Take it easy ♪
12:11 - 12:13: - Yeah, it was all those.
12:13 - 12:16: - Right, like "Hall and Oates," "Steely Dan,"
12:16 - 12:18: none of the nascent punk rock scene?
12:18 - 12:18: - No.
12:18 - 12:20: - No replacements or prints?
12:20 - 12:22: - Not yet, yeah.
12:22 - 12:23: - One last question, Martha.
12:23 - 12:24: I'm just curious.
12:24 - 12:25: It's so cool hearing you talk about
12:25 - 12:28: running this big operation, but keeping it local,
12:28 - 12:29: and employing friends and family.
12:29 - 12:32: Just, I've always been interested by Minnesota culture.
12:32 - 12:34: It seems like a really special thing.
12:34 - 12:37: There seems like a real type of Minnesota pride,
12:37 - 12:38: and I guess the Minnesota State Fair,
12:38 - 12:40: I didn't even know it was this massive.
12:40 - 12:44: Is this the time when Minnesotans can just get together
12:44 - 12:47: and be themselves and celebrate their culture?
12:47 - 12:49: - That's exactly right, you nailed it.
12:49 - 12:51: - Is there still a lot of Scandinavian stuff?
12:51 - 12:52: - Oh yeah.
12:52 - 12:54: - So when's the first day of the fair?
12:54 - 12:55: - August 24th.
12:55 - 12:56: - All right, coming up.
12:56 - 13:00: - Yeah, so we're right in the midst of doing all the setup.
13:00 - 13:02: - We gotta get out there, this sounds incredible.
13:02 - 13:02: - You've got to.
13:02 - 13:04: - I always liked Minnesota.
13:04 - 13:05: - Well, so do we.
13:05 - 13:07: - Vampire show next year, dude.
13:07 - 13:09: - Maybe we could get a gig at the Minnesota State Fair,
13:09 - 13:11: 'cause there's like a lot of music, right?
13:11 - 13:11: - Oh yeah.
13:11 - 13:12: - I bet you could, man.
13:12 - 13:14: - Who's playing this year?
13:14 - 13:15: - Usher, I think, and--
13:15 - 13:16: - Usher?
13:16 - 13:17: - Yeah.
13:17 - 13:20: - Wow, well cool, I hope Usher, if you're listening.
13:20 - 13:21: Check out Sweet Martha's, man.
13:21 - 13:22: - Yeah.
13:22 - 13:24: - Great, well thanks so much, Martha,
13:24 - 13:26: and we hope you have a great fair this year.
13:26 - 13:27: - Thank you so much.
13:29 - 13:46: ♪ I was working part-time in a five and dime ♪
13:46 - 13:50: ♪ My boss was Mr. McGee ♪
13:50 - 13:54: ♪ He told me several times that he didn't like my kind ♪
13:54 - 13:58: ♪ 'Cause I was a bit too leisurely ♪
13:58 - 14:02: ♪ He seemed that I was busy doing something close to nothing ♪
14:02 - 14:06: ♪ But different than the day before ♪
14:06 - 14:10: ♪ That's when I saw her, I saw her ♪
14:10 - 14:14: ♪ She walked in through the outdoor, outdoor ♪
14:14 - 14:18: ♪ She wore a raspberry to her head ♪
14:18 - 14:22: ♪ The kind you find in a second hand store ♪
14:22 - 14:26: ♪ Raspberry beret ♪
14:26 - 14:30: ♪ If it was worn, she wouldn't wear much more ♪
14:30 - 14:34: ♪ Raspberry beret ♪
14:34 - 14:38: ♪ I think I love her ♪
14:38 - 14:42: ♪ Built like she was, she had to learn to ask me ♪
14:42 - 14:45: ♪ My plan to do her any harm ♪
14:45 - 14:48: ♪ So look here, I put her on the back of my bike ♪
14:48 - 14:53: ♪ We went riding down by old Matt Johnson's farm ♪
14:53 - 14:58: ♪ I said now overcast days never turn me on ♪
14:58 - 15:02: ♪ There's something 'bout the clouds in her mix ♪
15:02 - 15:05: ♪ She wasn't too bright ♪
15:05 - 15:07: ♪ But I could tell when she kissed me ♪
15:07 - 15:09: ♪ She knew how to get her kicks ♪
15:09 - 15:14: ♪ She wore a raspberry beret ♪
15:14 - 15:18: ♪ The kind you find in a second hand store ♪
15:18 - 15:22: ♪ Raspberry beret ♪
15:22 - 15:26: ♪ If it was worn, she wouldn't wear much more ♪
15:26 - 15:29: ♪ Raspberry beret ♪
15:29 - 15:32: ♪ I think I love her ♪
15:32 - 15:39: - You're listening to Time Crisis on Beast One.
15:39 - 15:41: - Wow, sweet Martha.
15:41 - 15:43: How about those numbers, Jake?
15:43 - 15:44: - Insane.
15:44 - 15:45: How many cookies was that?
15:45 - 15:47: - Well, she said a million a day,
15:47 - 15:49: so we can guess about 12 million.
15:49 - 15:51: Wait, and they've been doing it, well--
15:51 - 15:54: - They're doing 38,000 cookies every 12 minutes.
15:54 - 15:55: Love that.
15:55 - 15:56: - It also begs the question,
15:56 - 15:57: so she's saying that Famous Amos
15:57 - 15:59: was kind of their inspiration?
15:59 - 16:00: - Right.
16:00 - 16:02: - So if sweet Martha is selling 12 million cookies
16:02 - 16:04: in 12 days, how many cookies
16:04 - 16:06: is Famous Amos selling a year?
16:06 - 16:07: A billion?
16:07 - 16:08: What about Grandma?
16:08 - 16:09: Not your grandma, but Grandma,
16:09 - 16:10: who makes Grandma's cookies.
16:10 - 16:11: - Grandma's cookies you can buy
16:11 - 16:14: in like middle school cafeteria.
16:14 - 16:16: - Yeah, a DMV vending machine.
16:16 - 16:18: - Yeah, so it's like a different,
16:18 - 16:20: and it's admirable of sweet Martha's
16:20 - 16:21: to resist that.
16:21 - 16:24: We're like deep, like Wall Street money's coming in,
16:24 - 16:25: being like, yo, I'll cut you a check
16:25 - 16:28: for 48 million right now.
16:28 - 16:30: - Monsanto sneaking around, trying to get that recipe.
16:30 - 16:33: - Like, just take this off your hands.
16:33 - 16:33: - Yeah.
16:33 - 16:34: - And just being like, you know what,
16:34 - 16:35: this is family business, we're keeping it local,
16:35 - 16:37: keeping it small.
16:37 - 16:40: Savvy, too, to sell those cookies 12 days a year.
16:40 - 16:42: That way people are like looking forward to it.
16:42 - 16:45: If you went into like a CVS,
16:45 - 16:47: and there's sweet Martha's just there,
16:47 - 16:51: 365 days a year available, you know,
16:51 - 16:54: when you go to the fair, the cookies won't have as much sway.
16:54 - 16:57: - Look to the cookie, Elaine.
16:57 - 16:58: Look to the cookie.
16:58 - 17:00: - So Jake, we've been getting so many great emails,
17:00 - 17:02: as always, we read them all.
17:02 - 17:03: - Oh yeah.
17:03 - 17:04: - But sometimes the volume we can't keep up with,
17:04 - 17:07: but Jake, you picked a few good ones for this week,
17:07 - 17:10: and you got an interesting one about fish
17:10 - 17:11: that I think you should read.
17:11 - 17:11: - Okay.
17:11 - 17:14: Dear Jake, as with other Time Crisis fans
17:14 - 17:16: who have written you, I'd like to apologize
17:16 - 17:18: for intruding and using your personal email.
17:18 - 17:20: - I love the politeness.
17:20 - 17:23: - I'd also like to thank you for your disregard
17:23 - 17:25: for personal privacy and allowing this to become
17:25 - 17:28: an unofficial Time Crisis hotline.
17:28 - 17:29: It's a personal/business email.
17:29 - 17:34: - Don't even sweat it, it's personal/business.
17:34 - 17:35: - I'm writing in the hope that you'll be able
17:35 - 17:38: to shed some light on a phenomenon I came across
17:38 - 17:39: living in Chicago last year.
17:39 - 17:42: My usual country of residence is the UK,
17:42 - 17:44: to which I have now returned.
17:44 - 17:47: The phenomenon in question is the band Fish
17:47 - 17:49: and the level of fanaticism it inspires.
17:49 - 17:52: During my time in Chicago, I was amazed to meet
17:52 - 17:54: numerous people who followed the band around the country
17:54 - 17:57: on a seemingly endless touring schedule.
17:57 - 18:00: One particularly impressive fish head took three flights
18:00 - 18:03: in a weekend to catch consecutive shows.
18:03 - 18:06: I'd like to know how you and Ezra view Fish
18:06 - 18:09: and whether these fish heads are bona fide successors
18:09 - 18:10: to the original Deadheads.
18:10 - 18:11: Best, Josh.
18:11 - 18:12: - Great email.
18:12 - 18:14: - Contentious territory.
18:14 - 18:16: - Honestly, on this show, we've talked about
18:16 - 18:18: a lot of controversial things.
18:18 - 18:21: Socialism, One Direction, but we've never ventured
18:21 - 18:23: into these waters, but maybe it's time.
18:23 - 18:25: Infamously, for people who don't know,
18:25 - 18:27: the Grateful Dead, biggest touring band in America
18:27 - 18:29: in the late '80s, early '90s,
18:29 - 18:31: huge jam band, kind of post-hippie scene.
18:31 - 18:33: - Yeah, started that archetype.
18:33 - 18:34: - Started that archetype.
18:34 - 18:38: 1995, the tragic early death of Jerry Garcia.
18:38 - 18:40: Dead stops touring.
18:40 - 18:42: And the way a lot of people tell the story,
18:42 - 18:45: then these kind of Grateful Dead acolytes
18:45 - 18:47: from Vermont, Fish, fill the void.
18:47 - 18:49: And Going to See Fish becomes the new
18:49 - 18:50: Going to See the Grateful Dead.
18:50 - 18:52: And the next 20 years, Fish becomes
18:52 - 18:54: one of the biggest touring bands in America.
18:54 - 18:57: So there's definitely some people who love
18:57 - 18:59: the Grateful Dead and they smoothly transition
18:59 - 19:02: into loving Fish, but then there's other people
19:02 - 19:04: who draw a line and say, "No, no, I don't like Fish.
19:04 - 19:05: "I like the Dead."
19:05 - 19:08: And Jake, I believe you're more in that category.
19:08 - 19:09: - That is fair.
19:09 - 19:10: - Not a Fish fan.
19:10 - 19:12: - Well, first of all, the songs are not there.
19:12 - 19:15: I think Jerry was a great songwriter.
19:15 - 19:16: And I just don't hear that with Fish.
19:16 - 19:18: I mean, they have a couple songs where I'm like,
19:18 - 19:22: "Okay, this is cool," but it's hard to really go in hard
19:22 - 19:26: on second generation of that thing.
19:26 - 19:29: - Now, people would say Fish is like their own language
19:29 - 19:30: and I'm sure that's true.
19:30 - 19:34: I also found Fish to be very technical and cold
19:34 - 19:37: and virtuosic in a way that was reminiscent
19:37 - 19:41: of dudes that are going to the Berkeley School of Music
19:41 - 19:44: in Boston and are deepest guitar shredders.
19:44 - 19:46: To me, Fish seems academic.
19:46 - 19:48: That's what it comes down to.
19:48 - 19:49: - I knew some Fish heads growing up
19:49 - 19:51: and I never really listened to Fish,
19:51 - 19:54: but I remember they would tell me there was a Fish song
19:54 - 19:57: called "Golgi Apparatus" and I thought that was funny.
19:57 - 19:59: Here's "Golgi Apparatus" live in '93.
20:02 - 20:16: I like this part, it's kind of like Scott.
20:16 - 20:19: - Pick it up, pick it up, pick it up.
20:19 - 20:22: I gotta say, man, of those East Coast jam bands
20:22 - 20:25: in the '90s, I much preferred Blues Traveler.
20:25 - 20:26: - Oh yeah, I like Blues Traveler.
20:26 - 20:30: - Who wrote good songs, had a pretty unique,
20:30 - 20:31: idiosyncratic singer.
20:31 - 20:40: I remember kids wearing Fish shirts in the early '90s
20:40 - 20:42: and I was like, those shirts are dope.
20:42 - 20:45: And I wanted, yeah, just a green shirt
20:45 - 20:48: with that awesome green Fish logo on it.
20:48 - 20:50: Like green on green.
20:50 - 20:50: - Yeah, they had good t-shirts.
20:50 - 20:53: - It was like a tight Vermont tie-in.
20:53 - 20:55: And I remember really wanting to like Fish.
20:55 - 20:58: - I love that they're from Vermont, I love Vermont.
20:58 - 21:01: But, so that's Fish live at their peak.
21:01 - 21:04: This is the Dead live at their peak.
21:04 - 21:05: - 20 years prior.
21:05 - 21:08: - It's a little unfair just because live recordings
21:08 - 21:12: simply sounded better in 1972 versus '93.
21:12 - 21:14: - Well, why would live recordings sound better?
21:14 - 21:16: - 'Cause they were recording a tape.
21:16 - 21:18: No, but they were recording a tape and stuff.
21:18 - 21:21: I mean, I'm just saying, it had the tasteful '70s palette.
21:21 - 21:23: - But I feel like the live recording comparison
21:23 - 21:27: would be in a way more objective or something.
21:27 - 21:31: 'Cause like '90s drum sounds in a recording studio
21:31 - 21:32: are gonna be brutal.
21:32 - 21:33: - Ah, right.
21:33 - 21:34: Well, yeah.
21:34 - 21:38: Okay, Grateful Dead is definitely more tasteful.
21:38 - 21:42: - Fish didn't have the melodic content that the Dead had.
21:42 - 21:43: You know?
21:43 - 21:47: - My take is kinda like, sunflower.
21:47 - 21:50: - I like Sunfish, Grateful Dead's a bigger fan,
21:50 - 21:51: speaks to me more.
21:51 - 21:53: It's interesting because I always like music
21:53 - 21:56: that has the right balance of seriousness
21:56 - 21:58: and lightheartedness, which the Grateful Dead
21:58 - 22:00: really hit that perfectly.
22:00 - 22:02: They got their kinda deep, hippie songs,
22:02 - 22:03: but then they have the fun ones.
22:03 - 22:11: You know, these are very subtle differentiations.
22:11 - 22:14: Arguably, this is the narcissism of small difference.
22:14 - 22:16: - I don't think we're in the narcissism of small difference.
22:16 - 22:18: - I think this is the narcissism
22:18 - 22:21: of pretty major differences.
22:21 - 22:23: - Still narcissism, but it's a major difference.
22:23 - 22:26: It's like Fish, it's either you're in on the joke
22:26 - 22:27: or you're not, and if you're not,
22:27 - 22:29: it could come across as maybe like--
22:29 - 22:30: - It's not goofy, though.
22:30 - 22:31: It's generic.
22:31 - 22:32: That's the problem with it.
22:32 - 22:34: - No, but they do goofy stuff.
22:34 - 22:36: They used to jump on trampolines in the show.
22:36 - 22:38: - Yeah, no, I'm talking about the musical content,
22:38 - 22:43: like the harmonic content of their songs are like,
22:43 - 22:46: it's just generic to me.
22:46 - 22:50: - Well, there's a lot of bands, like Widespread, Leftover.
22:50 - 22:54: Those bands are all in the same genre as Fish,
22:54 - 22:58: which is like late '80s, early '90s, East Coast jam bands.
22:58 - 23:00: The Dead were like fully on their own trip.
23:00 - 23:03: - Let's listen to Fish live at Madison Square Garden '97,
23:03 - 23:05: Punch You in the Eye Live.
23:05 - 23:06: Maybe this has a kinder vibe.
23:57 - 24:11: - Maybe CT could give us some recs.
24:11 - 24:12: - Oh yeah, we gotta call CT.
24:12 - 24:15: - It's just like bad funk.
24:15 - 24:16: - Live recordings are done.
24:16 - 24:19: - I'm talking about the actual compositional content.
24:19 - 24:20: - Wow.
24:20 - 24:23: - I'm not talking about the live recording versus studio.
24:23 - 24:28: - Even if Fish recorded on the tasteful 1972 tape machine.
24:28 - 24:29: - Brutal.
24:29 - 24:31: - Okay, well let's call Chris Thompson
24:31 - 24:33: 'cause he's the biggest fishhead that I know.
24:33 - 24:34: Let's get CT on the phone.
24:34 - 24:38: - Now let's go to the Time Crisis Hotline.
24:38 - 24:41: (phone ringing)
24:41 - 24:42: - Hello?
24:42 - 24:43: - Hello.
24:43 - 24:44: - Hey, what's up CT?
24:44 - 24:44: - How's it going?
24:44 - 24:46: - Welcome to Time Crisis, you're on with me and Jake,
24:46 - 24:47: you know us.
24:47 - 24:49: - It's truly a pleasure to be here.
24:49 - 24:52: - So we got a fan email this week.
24:52 - 24:56: It was from an English guy who was in Chicago for a year
24:56 - 24:57: and he made some American friends
24:57 - 24:58: who introduced him to Fish
24:58 - 25:00: and he was kind of bewildered by it.
25:00 - 25:01: And he asked us what we thought
25:01 - 25:03: and Fish is obviously in the atmosphere today
25:03 - 25:05: so we're just kind of talking Fish over here.
25:05 - 25:08: Jake, you know, is a huge Grateful Dead fan
25:08 - 25:10: and he's not the biggest Fish fan.
25:10 - 25:13: So I wanted to bring somebody on who I know is a Fish fan.
25:13 - 25:15: Or actually, before I go any further,
25:15 - 25:17: just explain your relationship to Fish.
25:17 - 25:18: - Well for me personally, they're very,
25:18 - 25:20: I would say elemental and fundamental.
25:20 - 25:24: I found them probably as a lot of people do in high school.
25:24 - 25:27: And I don't know, there was something about
25:27 - 25:29: both the vibe, the music itself,
25:29 - 25:34: like the visuals, sort of the mythos of the world
25:34 - 25:36: that really drew me in and drew me in deep.
25:36 - 25:38: And I probably had like six to seven
25:38 - 25:41: like solid deep, deep years where that was like
25:41 - 25:44: a main concern of mine was Fish
25:44 - 25:47: and like hearing old shows, like digging into the albums,
25:47 - 25:48: like trying to see shows
25:48 - 25:51: when they weren't on hiatus at that point.
25:51 - 25:52: So I think that that was definitely
25:52 - 25:55: one of my first true loves in music.
25:55 - 25:57: - So how many times did you see them?
25:57 - 25:58: - You know, I've lost the exact count.
25:58 - 26:03: I'd put it around 26 with my latest being last Friday
26:03 - 26:07: as the 11th show of the Baker's Dozen.
26:07 - 26:09: - Oh, so you went to the Baker's Dozen?
26:09 - 26:10: - I went to one of them, yeah.
26:10 - 26:12: I didn't go to all 13, but I went to one.
26:12 - 26:15: - So, okay, so around 26.
26:16 - 26:19: - It's somewhere between like 25 and 30.
26:19 - 26:20: - This show that you saw in New York
26:20 - 26:21: in Madison Square Garden,
26:21 - 26:23: that was the first Fish show you'd seen in a while?
26:23 - 26:26: - Probably in like four or five years, yeah.
26:26 - 26:28: I think the one previous to that was when
26:28 - 26:30: Vampiricum played Austin City Limits.
26:30 - 26:31: And I don't know if you remember,
26:31 - 26:33: we had it hooked up where we played
26:33 - 26:35: right before Fish did across the field.
26:35 - 26:36: - Oh, yeah, yeah.
26:36 - 26:37: - And we had it set up where I could hustle
26:37 - 26:40: into the golf cart with one of my Fish cohorts,
26:40 - 26:41: the legendary Buddy Herms.
26:41 - 26:44: And they kind of like whipped us right over there.
26:44 - 26:45: Didn't miss a note.
26:45 - 26:48: - I love, CT, final Vampire Weekend song,
26:48 - 26:49: probably Walcott.
26:49 - 26:51: 15 seconds later, CT's in the golf cart
26:51 - 26:53: on the way to see Fish.
26:53 - 26:55: - I mean, that's a rare,
26:55 - 26:58: because Fish rarely plays with other people.
26:58 - 26:59: - Yeah, yeah, actually, I was gonna say,
26:59 - 27:02: you don't hear about Fish at festivals that often.
27:02 - 27:05: - I think they've done a few latter-day Bonnaroos.
27:05 - 27:08: They were part of the original Horror Zone.
27:08 - 27:10: I think one of their big opening slots ever was,
27:10 - 27:13: I believe in '92, was for Carlos Santana for a minute.
27:13 - 27:14: - Oh, wow.
27:14 - 27:16: - So, a weird middle zone for him.
27:16 - 27:19: But yeah, yeah, so the fact that they were playing
27:19 - 27:21: this festival that we were playing literally
27:21 - 27:24: right before them was very meaningful to me.
27:24 - 27:26: So, I had to get over there and check it out.
27:26 - 27:28: - Okay, so now they're playing in New York,
27:28 - 27:29: Madison's Graveyard.
27:29 - 27:31: You're going on the 11th night.
27:31 - 27:33: So, paint a picture for us.
27:33 - 27:35: 13 nights of Fish is happening.
27:35 - 27:37: Is there a crazy energy in the air?
27:37 - 27:39: What's the vibe over there?
27:39 - 27:40: Who's there?
27:40 - 27:41: What's the crowd like?
27:41 - 27:42: - My personal relationship to the Bakers doesn't.
27:42 - 27:43: I knew about it for a while,
27:43 - 27:47: but sort of like in my now more cynical self,
27:47 - 27:49: sort of like, "Ah, I've seen enough shows.
27:49 - 27:51: "I'm probably okay."
27:51 - 27:53: And then, you know, the does starts rolling.
27:53 - 27:56: And you're hearing reports from friends that are seeing it,
27:56 - 27:58: checking out the set list,
27:58 - 28:00: and kind of getting more and more excited
28:00 - 28:01: as the does goes along.
28:01 - 28:03: And then finally, by the end of week one,
28:03 - 28:04: I had to pull the trigger.
28:04 - 28:05: I was like, "You know what?
28:05 - 28:06: "I gotta check this out."
28:06 - 28:08: - Did you buy a ticket, or did you get some weird hookup?
28:08 - 28:09: - Both.
28:09 - 28:10: (laughing)
28:10 - 28:11: - Okay, got you.
28:11 - 28:12: We'll buy.
28:12 - 28:14: - Were they all sold out at that point, or not?
28:14 - 28:16: - Yes, as far as I knew they were, yeah.
28:16 - 28:19: I went straight to the top of the pyramid
28:19 - 28:21: to buy three tickets.
28:21 - 28:22: - Oh yeah, I'm sure.
28:22 - 28:26: So when you're there, was it an older crowd?
28:26 - 28:28: Did you feel like a young guy at the Fizz Show, or what?
28:28 - 28:29: - You know what?
28:29 - 28:30: I'm not a young guy anymore.
28:30 - 28:34: I felt like I was probably right around the average.
28:34 - 28:35: - Did you see like college kids?
28:35 - 28:37: - Yeah, I think especially 'cause these tickets
28:37 - 28:38: were a little bit more expensive
28:38 - 28:41: than their normal tour runs and stuff.
28:41 - 28:43: So it's like a lot of people who,
28:43 - 28:47: this is a Friday night, so if you work like a dog all week,
28:47 - 28:48: you get your Fizz Show on Friday.
28:48 - 28:50: (laughing)
28:50 - 28:53: - That old chestnut.
28:53 - 28:55: - I mean, I'm sure you've heard that before.
28:55 - 28:56: - Yeah.
28:56 - 28:58: - I think that's what the song "Hard Day's Night" is about.
28:58 - 29:02: - So we're reading, now that the Baker's Dozen is over,
29:02 - 29:03: we got all the stats.
29:03 - 29:07: So Fizz sold 227,000 tickets, three of those were you,
29:07 - 29:09: and over the course of 13 nights,
29:09 - 29:14: they played for 34 hours, 33 minutes and 38 seconds.
29:14 - 29:18: And of those 13 shows and those 34 and a half hours--
29:18 - 29:19: - No repeats.
29:19 - 29:20: - No repeats of the song.
29:20 - 29:21: So-- - Sick.
29:21 - 29:22: - Did you know that going in?
29:22 - 29:24: Was that like the buzz ahead of time
29:24 - 29:25: that there was gonna be no repeats
29:25 - 29:27: or that's something people started to realize
29:27 - 29:28: over the course of the run?
29:28 - 29:30: - Again, my face in the fandom
29:30 - 29:31: is a little bit tangential at this point,
29:31 - 29:33: so I wasn't really hearing the chatter,
29:33 - 29:35: but it sort of like became apparent
29:35 - 29:37: after four or five nights and like,
29:37 - 29:38: not only were they not repeating,
29:38 - 29:40: but they had kept a lot of their true bangers
29:40 - 29:41: like had not appeared.
29:41 - 29:44: - Did you get any classic Fizz songs in your set
29:44 - 29:47: or did you show up and they're doing like a 45 minute
29:47 - 29:50: while my guitar gently weeps or something?
29:50 - 29:51: - I mean, I think that's, you know,
29:51 - 29:54: again, there's classics for everybody.
29:54 - 29:56: The one song actually that my friend Brian,
29:56 - 29:58: who I went to my first Fizz show with,
29:58 - 30:00: the one that we got at our first Fizz show,
30:00 - 30:02: which is I think still fairly rare,
30:02 - 30:03: it's called "Fluffhead."
30:03 - 30:04: - Great title.
30:04 - 30:05: - It's about this guy named Fluffhead,
30:05 - 30:08: he goes to a banker, he's trying to get some pills.
30:08 - 30:09: Yeah, it's a whole thing.
30:09 - 30:11: I think it pushes, you know,
30:11 - 30:12: depending on how long they jam for,
30:12 - 30:14: like 10 to 15 minutes.
30:14 - 30:15: Both Brian and I were very excited to get that
30:15 - 30:17: and they closed the second set with "Fluffhead,"
30:17 - 30:19: so you can imagine the place going crazy.
30:19 - 30:20: - Right, so opening notes of "Fluffhead,"
30:20 - 30:23: you and Brian, your boy, look at each other
30:23 - 30:25: and you're just like, "Holy (beep) man,
30:25 - 30:26: "they're playing 'Fluff.'"
30:26 - 30:28: - Essentially, yeah, Brian looks over and goes,
30:28 - 30:29: "Dude, it's 'Fluffhead.'"
30:29 - 30:32: - What percentage of that set did you know?
30:32 - 30:33: - 80%, 80%.
30:33 - 30:34: - Okay, you're ahead.
30:34 - 30:35: - Oh, truly.
30:35 - 30:36: - Impressive.
30:36 - 30:37: Any sick covers?
30:37 - 30:38: - Oh, dude, so my theme,
30:38 - 30:41: I don't know what you discussed about the Baker's Dozen, but--
30:41 - 30:41: - Oh no, actually explain it.
30:41 - 30:44: We didn't explain the weird theme stuff
30:44 - 30:44: of the Baker's Dozen.
30:44 - 30:46: - So I read an interview with Trey,
30:46 - 30:48: his own personal recap of the Dozen
30:48 - 30:51: was apparently this is just an age-old band joke
30:51 - 30:53: of if they played a Boston song
30:53 - 30:55: mashed up with a Cream song,
30:55 - 30:56: it's, you know, get Boston Cream.
30:56 - 30:57: - Sick.
30:57 - 30:59: - They extrapolated that out to a 13-night run
30:59 - 31:02: where every night had a theme donut flavor,
31:02 - 31:04: which I believe that they handed out
31:04 - 31:07: like 1,000 donuts per night of each flavor.
31:07 - 31:10: I did not get a donut, but my theme was Lemon Poppy Seed.
31:10 - 31:12: So the two Lemon songs were
31:12 - 31:14: See That My Grave Is Kept Clean
31:14 - 31:15: done by Blind Lemon Jefferson.
31:15 - 31:16: - Old blues song, yeah.
31:16 - 31:20: - And then I think more Time Crisis-friendly cover,
31:20 - 31:22: They Played Everything In Its Right Place.
31:22 - 31:23: - Okay. - Oh, by Radiohead.
31:23 - 31:23: - Yeah.
31:23 - 31:27: - Because it goes, ♪ Yesterday I was sucking a lemon ♪
31:27 - 31:28: - I think that's exactly the reason why they played it.
31:28 - 31:30: - So when they kicked into the Radiohead song,
31:30 - 31:32: are you putting it together?
31:32 - 31:34: Are you immediately thinking, ah, Lemon Night?
31:34 - 31:36: - Well, I will admit my engagement
31:36 - 31:38: with the nights that I didn't go to was somewhat less,
31:38 - 31:41: but I definitely did some poking around before.
31:41 - 31:42: - Right.
31:42 - 31:42: - Like once they announced the theme
31:42 - 31:44: like that morning or something,
31:44 - 31:46: that I sort of like, I was checking the chatter
31:46 - 31:48: and seeing what people were throwing out there.
31:48 - 31:50: I think the one that people most expected
31:50 - 31:52: was the Lemon song from Zeppelin,
31:52 - 31:54: but I think that was too on the nose.
31:54 - 31:57: But I see everything in its right place, like listed.
31:57 - 32:00: So when the electric piano sort of kicks in,
32:00 - 32:03: you're kind of like, nice. (laughs)
32:03 - 32:08: ♪ Lovehead was a man ♪
32:08 - 32:13: ♪ With a horrible disease ♪
32:13 - 32:18: ♪ Could not find no cure ♪
32:18 - 32:23: ♪ Won't you help him if you please ♪
32:25 - 32:38: ♪ Lovehead ♪
32:38 - 32:46: ♪ Lovehead ♪
32:50 - 32:59: ♪ Love came to my door ♪
32:59 - 33:05: ♪ Asking me for change ♪
33:05 - 33:09: ♪ His eyes were clear and pure ♪
33:09 - 33:14: ♪ But his mind was so deranged ♪
33:18 - 33:28: ♪ Lovehead ♪
33:28 - 33:39: ♪ Lovehead ♪
33:44 - 33:49: ♪ Love went to a banker ♪
33:49 - 33:54: ♪ Asking for some bills ♪
33:54 - 33:59: ♪ The banker said, I ain't got that ♪
33:59 - 34:03: ♪ But I sure got some powerful pills ♪
34:03 - 34:05: ♪ Oh yeah ♪
34:13 - 34:15: ♪ Lovehead ♪
34:15 - 34:18: - And so, so this is like a pretty long show.
34:18 - 34:21: - Yeah, you know, around two, two 20, I wasn't timing it.
34:21 - 34:24: But you know, generally, we're talking like a basketball
34:24 - 34:26: game with overtime, so like two, two and a half.
34:26 - 34:28: - Okay, so one thing that we've been talking about, CT,
34:28 - 34:30: is Fish versus the Dead.
34:30 - 34:33: So when you got into Fish in high school,
34:33 - 34:35: were you already a Grateful Dead fan
34:35 - 34:36: or Grateful Dead meant nothing to you?
34:36 - 34:39: - I was aware of the Grateful Dead, you know,
34:39 - 34:42: like heard the classic rock radio songs.
34:42 - 34:43: Don't think I'd listened to an album,
34:43 - 34:46: was generally aware of their cultural position,
34:46 - 34:49: or, you know, like equated like Grateful Dead, hippies,
34:49 - 34:52: you know, a very reductive sense of it.
34:52 - 34:54: So I would say that I definitely got into Fish before
34:54 - 34:57: and then also way deeper than I ever did the Dead.
34:57 - 34:59: I mean, I'm a Dead fan, but I'm a Fish head, I would say.
34:59 - 35:01: - Do you think Fish is better than the Dead?
35:01 - 35:03: Is it more fun to be a Fish fan?
35:03 - 35:07: It seems like a really like fun culture to be a part of,
35:07 - 35:09: like, was that an element of it too?
35:09 - 35:11: Like outside of going to the shows and enjoying the music,
35:11 - 35:13: is it just like kind of fun to like go deep
35:13 - 35:14: with other Fish heads?
35:14 - 35:18: - Yeah, I mean, there's a certain tribal thing
35:18 - 35:21: that even as like early internet days,
35:21 - 35:25: Central New Jersey, 15 year old like myself,
35:25 - 35:28: if you get interested and like the spark hits,
35:28 - 35:31: there's just like mountains and upon mountains of like data
35:31 - 35:35: and like I had, I don't think I've thrown it away.
35:35 - 35:36: I bought like a physical encyclopedia
35:36 - 35:40: that had every set list of every show up to like 2000.
35:40 - 35:42: It was just a culture that connected
35:42 - 35:47: with my own innate sense of like archival detail.
35:47 - 35:48: - One thing that Jake said earlier is that
35:48 - 35:50: he doesn't respect Fish's songwriting.
35:50 - 35:53: It's not even about the jams or the musicianship.
35:53 - 35:55: He just loves Jerry as a songwriter
35:55 - 35:56: and there aren't any like Fish songs
35:56 - 35:58: that really speak to him,
35:58 - 35:59: but maybe you could set him straight.
35:59 - 36:02: Are there any like Fish songs that are not like the fun,
36:02 - 36:05: funky ones, but that you think are just like beautiful,
36:05 - 36:06: beautiful, good songwriting?
36:06 - 36:09: - The one that comes to mind is Brian and Robert
36:09 - 36:11: from "Story of a Ghost."
36:11 - 36:13: The things that I were drawn to,
36:13 - 36:16: especially like in the initial burst were like songwriting
36:16 - 36:18: and more like a sense of composition,
36:18 - 36:20: like a song like, yeah, whatever,
36:20 - 36:22: "You Enjoy Myself" or "Divided Sky."
36:22 - 36:24: I thought it was like very well-written, like musically.
36:24 - 36:26: I understand sort of the lyrical point.
36:26 - 36:29: Try Brian and Robert and see how that hits you.
36:29 - 36:30: - I have a question.
36:30 - 36:33: Is there a sense of like humor
36:33 - 36:36: with the less tasteful aspects of Fish?
36:36 - 36:39: Because in the dead culture, at least personally,
36:39 - 36:42: there is a sense of like, yeah,
36:42 - 36:45: everyone knows Bob Weir singing "El Paso"
36:45 - 36:47: is like kind of funny.
36:47 - 36:48: And it's like kind of dorky.
36:48 - 36:50: - Does Bob Weir know that?
36:50 - 36:51: - I don't think he does.
36:51 - 36:54: And I'm sure there's deadheads that are like ride or die
36:54 - 36:56: for Bob Weir doing "El Paso."
36:56 - 36:58: But to me, it's like part of like the charm of the dead
36:58 - 37:00: is that they could be so sublime
37:00 - 37:02: and transcendent and beautiful,
37:02 - 37:07: and then be so idiotic and like just do the dumbest,
37:07 - 37:12: terrible sounding versions of old country songs.
37:12 - 37:13: So I'm wondering if in Fish,
37:13 - 37:15: there's that sort of like humor about-
37:15 - 37:17: - The less than tasteful side of the threat.
37:17 - 37:20: - Yeah, like their own sort of, I don't know, idiocy.
37:20 - 37:22: - Well, I think that if always,
37:22 - 37:25: and also I would suggest like a true starting point,
37:25 - 37:26: even if you're somewhat Fish-phobic,
37:26 - 37:30: is watching "Bittersweet Motel."
37:30 - 37:31: - Oh, that's a Fish doc?
37:31 - 37:32: - It's worth your time.
37:32 - 37:34: It's directed by a young Todd Phillips,
37:34 - 37:35: who as we all know,
37:35 - 37:37: went on to create the "Hangover" trilogy.
37:37 - 37:37: - Wow.
37:37 - 37:40: And he did a doc on Gigi Allen as well.
37:40 - 37:41: - I think Fish saw that
37:41 - 37:43: and asked him to make a movie about that.
37:43 - 37:44: - Wow.
37:44 - 37:47: - I think it's like '97, like fall '97,
37:47 - 37:49: which is one of my personal favorite years.
37:49 - 37:52: I remember seeing that in the theaters in Rochester,
37:52 - 37:53: like the day before Thanksgiving,
37:53 - 37:55: whatever year it came out.
37:55 - 37:57: And like just being like so blown away
37:57 - 37:59: at like this sort of like inside peak
37:59 - 38:00: about like touring in general,
38:00 - 38:02: about this band that I really liked
38:02 - 38:05: and sort of only like heard,
38:05 - 38:07: I hadn't seen live yet at that point.
38:07 - 38:08: That comes to mind because
38:08 - 38:10: that really does show their personalities.
38:10 - 38:12: And I think that they definitely,
38:12 - 38:14: I agree with you that there's some of the same range there
38:14 - 38:16: where they can like,
38:16 - 38:19: some moments that they hit are like incredible,
38:19 - 38:21: that I feel like I've seen a few live.
38:21 - 38:22: I've like definitely like felt it
38:22 - 38:23: when I've listened to some stuff.
38:23 - 38:24: - Yeah.
38:24 - 38:26: - But it can also be like total goofballs.
38:26 - 38:28: - Yeah, they have a sense of humor about themselves.
38:28 - 38:29: - Absolutely.
38:29 - 38:31: - You're not gonna find Radiohead doing donut night
38:31 - 38:32: at Madison Square Garden.
38:32 - 38:34: (laughing)
38:34 - 38:35: - You never know.
38:35 - 38:36: - Yeah, maybe.
38:36 - 38:37: Maybe they'll loosen up a little.
38:37 - 38:38: - I mean, I think that's the future of touring.
38:38 - 38:40: Like you have an audience in like a region
38:40 - 38:42: that you can draw from,
38:42 - 38:43: they could be with their families,
38:43 - 38:44: they could sleep at home every night.
38:44 - 38:46: - Right, we gotta come up with a theme night.
38:46 - 38:48: - Okay, Halloween, New York,
38:48 - 38:50: vampire weekends, vampires weekend.
38:50 - 38:52: Friday and Saturday night,
38:52 - 38:53: different show, both nights.
38:53 - 38:54: - Or should it be three nights?
38:54 - 38:55: - I guess I would start off with two,
38:55 - 38:56: I was just being kind of cautious.
38:56 - 38:58: But yeah, sure, three, why not?
38:58 - 39:01: - I'd love to see you guys do three shows, no repeats.
39:01 - 39:03: - Oh, that's tough, the no repeats thing.
39:03 - 39:04: But we can get that.
39:04 - 39:05: - Only played A-Punk once, dude.
39:05 - 39:06: (laughing)
39:06 - 39:07: - I think we can do that with three shows.
39:07 - 39:09: - Close the third night with A-Punk.
39:09 - 39:11: - I think we just need to come up with a list
39:11 - 39:13: that's the songs that have to be repeated.
39:13 - 39:15: It's sort of understood, like sort of baseline.
39:15 - 39:16: And then there's--
39:16 - 39:17: - I don't know if the fans are gonna respect that, man.
39:17 - 39:19: I think we have to be no,
39:19 - 39:21: okay, okay, so let's do two nights, no repeats.
39:21 - 39:23: Eight minute Cape Cod for sure.
39:23 - 39:25: So fish to the baker's dozen.
39:25 - 39:28: - What's like a fun thing that comes in two?
39:28 - 39:29: Twix.
39:29 - 39:30: (laughing)
39:30 - 39:34: That's perfect, Vampire Weekend, Halloween Twix.
39:34 - 39:34: - Presented by Twix.
39:34 - 39:36: - Presented by Twix.
39:36 - 39:40: Each night we give you one of the Twix.
39:40 - 39:43: You gotta write your name on the wrapper
39:43 - 39:46: and we administer one Twix each night.
39:46 - 39:47: - No repeats.
39:47 - 39:49: - No repeats.
39:49 - 39:52: We wanna thank our corporate partner, Twix,
39:52 - 39:54: for sponsoring our two night no repeats.
39:55 - 39:57: - Played giving up the gun both nights.
39:57 - 39:58: (laughing)
39:58 - 39:59: - That would also be hilarious
39:59 - 40:01: if we planned out this whole thing
40:01 - 40:02: and then just randomly we played
40:02 - 40:04: giving up the gun both nights.
40:04 - 40:07: And we're just like, after we play it on the second night,
40:07 - 40:09: everybody's looking at us and we're just like,
40:09 - 40:13: oh dude, we're so sorry.
40:13 - 40:15: We're so sorry about that.
40:15 - 40:19: All right, CT, well thanks so much for calling in, man.
40:19 - 40:21: - Of course, Jake can ask you how do you,
40:21 - 40:22: you know, I'm sure you've probably
40:22 - 40:25: had this conversation before with people
40:25 - 40:26: not over FaceTime audio.
40:26 - 40:28: How do you feel about after this talk though?
40:28 - 40:30: I really think Bittersweet Motel is worth your time.
40:30 - 40:32: - The doc, I'd love to check it out
40:32 - 40:34: and I'm psyched to hear Brian and Robert.
40:34 - 40:35: I'm psyched to hear it.
40:35 - 40:37: Like I said, I have trouble connecting
40:37 - 40:41: with Trey's songwriting, but I'm dying to hear this song.
40:41 - 40:43: - All right, well I wish you Godspeed.
40:43 - 40:44: - I will talk to you later, CT.
40:44 - 40:46: - All right, see ya. - Thank you, bye.
40:46 - 40:47: - Beats one.
40:47 - 40:51: Ezra Koenig's Time Crisis.
40:51 - 40:54: Well, Jake, CT made a strong case for Fish, man.
40:54 - 40:56: Maybe you're gonna see that doc come back
40:56 - 40:59: tell the rest of the dudes in the Grateful Dead cover band,
40:59 - 41:02: guys, maybe we start working some fish into the set.
41:02 - 41:06: - I love that Todd Phillips went from G.G. Allen to fish.
41:06 - 41:08: - And then the hangover.
41:08 - 41:08: Quite a career.
41:08 - 41:10: Here, let's check out the song CT was talking about.
41:10 - 41:11: This is Brian and Robert.
41:11 - 41:19: Some late '90s fish.
41:19 - 41:22: (soft music)
41:22 - 41:30: On a scale of one to 10, 10 being the most tasteful,
41:30 - 41:31: how tasteful is the palette?
41:31 - 41:33: Pretty tasteful, okay.
41:33 - 41:37: ♪ If you're just staring at your walls ♪
41:37 - 41:41: ♪ Observing echoing footfalls ♪
41:41 - 41:46: ♪ From tenants wandering distant halls ♪
41:46 - 41:48: Nice soft delivery.
41:48 - 41:51: ♪ Then this one is for you ♪
41:51 - 41:55: ♪ If children playing all around ♪
41:55 - 42:00: ♪ To you is noise not pleasant sound ♪
42:00 - 42:05: ♪ And you'd be lost on the playground ♪
42:05 - 42:09: ♪ Then this one is for you ♪
42:09 - 42:14: ♪ All alone in life you lead ♪
42:14 - 42:18: ♪ In a silent diner where you feed ♪
42:18 - 42:23: ♪ You bow your head pretend to read ♪
42:23 - 42:28: ♪ Then this one is for you ♪
42:41 - 42:43: - Keybo's on the guitar.
42:43 - 42:51: ♪ You slip past strangers in the street ♪
42:51 - 42:56: ♪ There's no one that you'd care to meet ♪
42:56 - 42:59: - This could almost be like an early Flaming Lips song.
42:59 - 43:01: Is that fair?
43:01 - 43:05: - Sort of, yeah, the Flaming Lips version would be like,
43:05 - 43:06: noisy.
43:06 - 43:07: - Yeah.
43:09 - 43:14: ♪ If you're just staring at your walls ♪
43:14 - 43:23: ♪ Then this one is for you ♪
43:23 - 43:27: ♪ If you're just staring at your walls ♪
43:27 - 43:32: ♪ If you're just staring at your walls ♪
43:32 - 43:33: - All right, what do you think?
43:33 - 43:35: - It's cool.
43:35 - 43:35: - Tasteful?
43:35 - 43:37: - Yeah.
43:37 - 43:38: - It's not untasteful.
43:38 - 43:40: - Yeah, it's not really grabbing me one way or the other.
43:40 - 43:41: - It's cool.
43:41 - 43:44: - Okay, so still not a Fish fan?
43:44 - 43:45: All right, you gotta watch the doc.
43:45 - 43:47: I'm curious to watch the doc.
43:47 - 43:48: - Let's watch it.
43:48 - 43:49: - Yeah, let's check it out.
43:49 - 43:51: ♪ One shot and I'm holding ♪
43:51 - 43:55: ♪ But I don't care 'cause I'm golden ♪
43:55 - 43:57: ♪ Woke up Sunday morning ♪
43:57 - 44:00: ♪ With a song stuck in my head ♪
44:00 - 44:02: ♪ I'm seeing things right before me ♪
44:02 - 44:06: ♪ Used to own me but that's all me ♪
44:06 - 44:11: ♪ And give it up was the best thing that they said ♪
44:11 - 44:16: ♪ We almost had it all once again ♪
44:16 - 44:22: ♪ All bets say they won't make it ♪
44:22 - 44:28: ♪ Someday we'll have this thing figured out ♪
44:28 - 44:32: ♪ 'Til then better go and tell 'em ♪
44:32 - 44:34: ♪ Better go and tell 'em ♪
44:36 - 44:43: ♪ We're gonna celebrate ♪
44:43 - 44:48: ♪ So watch me as I levitate ♪
44:48 - 44:55: ♪ We're gonna celebrate ♪
44:55 - 44:57: ♪ So watch me as I levitate ♪
44:57 - 44:59: ♪ Three o'clock in the morning ♪
44:59 - 45:02: ♪ Under the moonlight another moment ♪
45:02 - 45:04: ♪ Stretched out the centerfold ♪
45:04 - 45:08: ♪ That I can't get out of my head ♪
45:08 - 45:10: ♪ All these things that they told me ♪
45:10 - 45:13: ♪ They used to want me but that's all me ♪
45:13 - 45:17: ♪ We're going straight to the stars ♪
45:17 - 45:19: ♪ 'Cause that's who we are ♪
45:19 - 45:24: ♪ We almost had it all once again ♪
45:24 - 45:30: ♪ All bets say they won't make it ♪
45:30 - 45:35: ♪ Someday we'll have this thing figured out ♪
45:35 - 45:39: ♪ 'Til then better go and tell 'em ♪
45:39 - 45:42: ♪ Better go and tell 'em ♪
45:44 - 45:51: ♪ We're gonna celebrate ♪
45:51 - 45:53: ♪ So watch me as I levitate ♪
45:53 - 45:56: ♪ There is a day, there is a night ♪
45:56 - 45:59: ♪ Take it from us, don't skip a beat ♪
45:59 - 46:02: ♪ No matter who you are ♪
46:02 - 46:12: ♪ So watch me as I levitate ♪
46:15 - 46:34: ♪ 'Cause I'm gonna celebrate ♪
46:34 - 46:37: ♪ There is a night to fall ♪
46:37 - 46:38: ♪ 'Cause I'm gonna celebrate ♪
46:38 - 46:42: ♪ No matter who you are ♪
46:42 - 46:44: ♪ So watch me as I levitate ♪
46:44 - 46:47: ♪ There is a day, there is a night ♪
46:47 - 46:48: ♪ 'Til the stars ♪
46:48 - 46:50: ♪ We're gonna celebrate ♪
46:50 - 46:53: ♪ We'll take the unmasked dust ♪
46:53 - 46:56: ♪ So watch me as I levitate ♪
46:56 - 46:58: - All right, let's keep digging in the mailbag, man.
46:58 - 47:02: We're getting some real gold out of the mailbag this week.
47:02 - 47:03: - Yeah.
47:03 - 47:05: - You got another email that is kind of tied to the fish one
47:05 - 47:07: 'cause it's also Vermont themed.
47:07 - 47:08: Let's get into it.
47:08 - 47:09: - I'll read this one.
47:09 - 47:10: - Okay.
47:10 - 47:11: - Hi Jake, my name is Sophia
47:11 - 47:13: and I'm a high school student from Vermont
47:13 - 47:16: and a long time TC listener and Vampire Weekend head.
47:16 - 47:19: Like any TC fan who abides by the core values,
47:19 - 47:21: I'm interested in corporate branding and history
47:21 - 47:23: and the tasteful palette of 70s rock.
47:23 - 47:25: Love it, that's a great start to an email.
47:25 - 47:27: However, I think you're ignoring the brand
47:27 - 47:30: that can give you both Ben and Jerry's.
47:30 - 47:31: I've done some research and concluded
47:31 - 47:34: that they are very on brand for the time crisis community
47:34 - 47:35: and wanted to share.
47:35 - 47:36: Very true.
47:36 - 47:37: - Yeah, she's not wrong.
47:37 - 47:39: Allow me to set the scene.
47:39 - 47:41: I love when people set the scene.
47:41 - 47:43: You know, I feel like that's also a very time crisis thing.
47:43 - 47:44: It's like when we hear somebody's story,
47:44 - 47:47: it's kind of like, set the scene for us, man.
47:47 - 47:50: Anyway, allow me to set the scene.
47:50 - 47:52: In 1978, Ben Cohen and Jerry Greenfield
47:52 - 47:55: commenced their first capitalist venture
47:55 - 47:57: and founded Ben and Jerry's, a bagel shop.
47:57 - 48:01: Oh, okay, already Sophia's dropping bombshells.
48:01 - 48:05: So Ben and Jerry's, these so-called ice cream guys,
48:05 - 48:06: they started with a bagel shop?
48:06 - 48:07: Okay.
48:07 - 48:09: When producing bagels proved too pricey,
48:09 - 48:11: they became a small homemade ice cream shop
48:11 - 48:14: here in Burlington and became very popular statewide
48:14 - 48:16: because of the large chunks of toppings.
48:16 - 48:20: That doesn't exactly sound appetizing.
48:20 - 48:25: The very large chunks of toppings found in their ice cream.
48:25 - 48:28: - So they were generous with like the cookie dough.
48:28 - 48:30: - Yeah, I guess-- - And like the Oreos.
48:30 - 48:32: - I guess before then, I mean, I'm guessing here,
48:32 - 48:35: 1970, it's about the same time Sweet Martha started.
48:35 - 48:36: - Wow.
48:36 - 48:37: - I'm already loving this email.
48:37 - 48:39: I've always kind of wondered that.
48:39 - 48:40: Is Ben and Jerry's that good?
48:40 - 48:42: I mean, it's certainly good.
48:42 - 48:43: But it's like-- - Yeah, it's great.
48:43 - 48:43: - It's great?
48:43 - 48:45: Is it better than Haagen-Dazs?
48:45 - 48:47: - I can't weigh in.
48:47 - 48:47: I'm not a-- - Right.
48:47 - 48:49: Well, I've always-- - It seems like a lateral move.
48:49 - 48:50: - I've always been curious about like,
48:50 - 48:51: what was their innovation?
48:51 - 48:53: Was it just the branding?
48:53 - 48:56: But maybe to start, what got people excited,
48:56 - 49:00: at least in Vermont, was the very large chunks of toppings.
49:00 - 49:02: So, 'cause probably around that time,
49:02 - 49:05: I'm picturing 1978, I wasn't around,
49:05 - 49:07: that generally you go to the ice cream store,
49:07 - 49:12: you get a scoop of chocolate, vanilla, coffee,
49:12 - 49:14: maybe cookies and cream with a little something in it,
49:14 - 49:17: maybe you get some sprinkles, or jimmies,
49:17 - 49:19: as they're called in parts of the country, on top.
49:19 - 49:22: But this concept that you might be eating a bowl
49:22 - 49:25: of ice cream and get like a straight up--
49:25 - 49:26: - Just bite.
49:26 - 49:28: - Just big bite of like a--
49:28 - 49:29: - Butterscotch.
49:29 - 49:30: - Butterscotch or whatever.
49:30 - 49:33: That was a novel idea in 1978.
49:33 - 49:36: So you can picture probably like, the buzz gets around,
49:36 - 49:37: kinda similar to fish, people are like,
49:37 - 49:38: you know when you see fish,
49:38 - 49:40: they don't repeat a lot of songs, that speaks to me.
49:40 - 49:41: And somebody's like, you know what,
49:41 - 49:43: in Ben and Jerry's, we eat Ben and Jerry's,
49:43 - 49:45: you're gonna get very large chunks of toppings.
49:45 - 49:46: - You know what I love to think about?
49:46 - 49:47: - What?
49:47 - 49:50: - Our man Bernie Sanders, walking into that first
49:50 - 49:52: Ben and Jerry's store around 1978.
49:52 - 49:53: - Oh, 'cause he was there in Burlington.
49:53 - 49:54: - Yeah.
49:54 - 49:55: - He was about to be mayor.
49:55 - 49:56: - Yeah, he was mayor in the early 80s.
49:56 - 49:57: - He was like city councilman or something.
49:57 - 50:00: - You know that like Bernie Sanders and Ben and Jerry
50:00 - 50:02: had like, hangouts.
50:02 - 50:03: - Circa like 1981.
50:03 - 50:05: - Ben and Jerry's campaigned for Bernie.
50:05 - 50:09: Actually me and CT hung out with Ben and Jerry briefly.
50:09 - 50:10: - Wow.
50:10 - 50:11: - When we were campaigning for Bernie.
50:11 - 50:14: So Bernie's walking in there, he's checking it out,
50:14 - 50:17: and he's like, alright, small business,
50:17 - 50:19: Bernie could support a small business.
50:19 - 50:20: - Seems like a nice establishment.
50:20 - 50:22: - Seems like a nice establishment.
50:22 - 50:25: So you know, it's a little expensive,
50:25 - 50:27: but the very large--
50:27 - 50:30: - Little garish with these chunks of Butterfingers.
50:30 - 50:34: - I don't know why the chunks of toppings are so large.
50:34 - 50:37: I really lost my Bernie touch.
50:37 - 50:39: Okay, let's get back to the email.
50:39 - 50:41: The company began to gain momentum
50:41 - 50:43: throughout the early 1980s and grew into a national chain.
50:43 - 50:45: Wonder what Bernie thought of that.
50:45 - 50:46: - Didn't like it.
50:46 - 50:48: - During this time, the Pillsbury-owned
50:48 - 50:50: Haagen-Dazs ice cream brand began
50:50 - 50:52: strong-arming distributors, saying they could not
50:52 - 50:54: sell both brands.
50:54 - 50:55: Oh wow, this is gangster (beep)
50:55 - 50:56: - Yeah.
50:56 - 50:58: - So Haagen-Dazs is strong-arming distributors,
50:58 - 51:00: saying they could not sell both brands.
51:00 - 51:01: So just straight, that's amazing.
51:01 - 51:05: Haagen-Dazs is like hitting up a local Vermont
51:05 - 51:07: frozen food distributor, and being like,
51:07 - 51:09: "We're pulling the plug on your supply, man.
51:09 - 51:11: "If you keep selling Ben & Jerry's,
51:11 - 51:12: "we're not giving you Haagen-Dazs."
51:12 - 51:13: Trying to scare people.
51:13 - 51:15: In response, Ben & Jerry's launched
51:15 - 51:17: the What's the Doughboy Afraid of campaign,
51:17 - 51:20: and bought anti-Haagen-Dazs ads on banner planes,
51:20 - 51:22: buses, and even the ice cream pints themselves.
51:22 - 51:24: Eventually, enough angry people called Haagen-Dazs
51:24 - 51:26: to complain that they backed off,
51:26 - 51:28: and Ben & Jerry's grew even more commercially successful
51:28 - 51:29: through the '80s.
51:29 - 51:31: David & Goliath story.
51:31 - 51:34: Haagen-Dazs and Pillsbury tried to--
51:34 - 51:36: - Strong-arm. - Strong-arm them.
51:36 - 51:38: Ben & Jerry's shamed them.
51:38 - 51:40: Ben & Jerry's turned to the good people of Vermont,
51:40 - 51:41: and probably the whole Northeast, and said,
51:41 - 51:44: "Is this the kind of society we wanna live in?
51:44 - 51:47: "Where just a big company can tell us
51:47 - 51:50: "that we can't sell our ice cream?"
51:50 - 51:52: - I remember seeing a TV ad for Ben & Jerry's
51:52 - 51:53: in the mid '80s.
51:53 - 51:54: - Yeah.
51:54 - 51:57: - In the Northeast, and it was like so homemade.
51:57 - 51:59: It was like these two beardos.
51:59 - 52:00: - Yeah.
52:00 - 52:01: - It was like, "I'm Ben, I'm Jerry.
52:01 - 52:03: "We're making," and there's these fat hippies,
52:03 - 52:04: and we're just like--
52:04 - 52:05: - "We're making ice cream."
52:05 - 52:06: - "We're making ice cream."
52:06 - 52:08: And it was just like, and then it cut to this funny,
52:08 - 52:13: just homemade screen of just the most awkward yellow font
52:13 - 52:15: on a green screen.
52:15 - 52:16: Ben & Jerry's.
52:16 - 52:17: - Just like public access style.
52:17 - 52:19: - It was during a baseball game,
52:19 - 52:21: 'cause that's all I watched when I was a kid.
52:21 - 52:23: - And you were just like, "Man, these guys seem cool."
52:23 - 52:26: - I remember thinking, "Wow, this is cut rate,
52:26 - 52:28: "aesthetically," 'cause then it would be
52:28 - 52:29: professional ads after that.
52:29 - 52:32: It would be an ad for a Ford dealership.
52:32 - 52:33: - So you were just--
52:33 - 52:33: - Or like, "Nobody Beats the Wiz."
52:33 - 52:34: - Okay, okay, but--
52:34 - 52:36: - And then it would just be like, in between that,
52:36 - 52:40: there'd be this cut rate, local access station
52:40 - 52:41: in Burlington.
52:41 - 52:42: - You're just like, big sound effects,
52:42 - 52:45: and just like, "You want a truck that's Ford tough?"
52:45 - 52:46: - Yeah.
52:46 - 52:48: - And then it just comes in, "Hey, man, I'm Ben.
52:48 - 52:50: "I'm Jerry, man."
52:50 - 52:52: Wait, so you're 10 years old watching this,
52:52 - 52:54: and the effect it had on you,
52:54 - 52:57: you were already so acclimatized to big money ads,
52:57 - 52:59: that you turned to your mom and dad and be like,
52:59 - 53:00: "Those guys suck, I hate them."
53:00 - 53:02: - No, I was intrigued.
53:02 - 53:06: It was super, kind of like my interest in lo-fi rock.
53:06 - 53:07: I was drawn to it.
53:07 - 53:10: I was like, "Who are these guys?"
53:10 - 53:12: I remember the ad had terrible sound,
53:12 - 53:14: just like a (imitates noise)
53:14 - 53:16: Just like, the worst noise level.
53:16 - 53:19: - It's like some Hollywood produced ad comes in,
53:19 - 53:21: and then suddenly, just like this hiss.
53:21 - 53:23: (laughter)
53:23 - 53:24: - "Hey, I'm Ben."
53:24 - 53:25: - "I'm Ben."
53:25 - 53:26: - "And I'm Jerry."
53:26 - 53:27: - "We're making ice cream."
53:27 - 53:30: (laughter)
53:30 - 53:32: (hip hop music)
53:59 - 54:04: (hip hop music)
54:04 - 54:08: (hip hop music)
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55:39 - 55:47: - Back to Sophia's email.
55:47 - 55:49: However, as you may be familiar with,
55:49 - 55:51: Ben and Jerry's top marketing strategy
55:51 - 55:53: over the last 30 years has been naming their flavors
55:53 - 55:56: after famous musicians and comedians.
55:56 - 55:58: (laughing)
55:58 - 55:59: - Oh, this is hilarious.
55:59 - 56:01: The very long list includes fish food
56:01 - 56:05: named after Burlington's own Sucky Jam Bet.
56:05 - 56:06: - Oh, Sophia!
56:06 - 56:08: - Shots fired from Sophia.
56:08 - 56:09: Wow.
56:09 - 56:10: Just a reminder.
56:10 - 56:11: - She's from Burlington.
56:11 - 56:13: - Sophia's a high school student from Burlington
56:13 - 56:16: and she refers to fish as a Sucky Jam Bet.
56:16 - 56:17: No hometown pride.
56:17 - 56:18: - Wow.
56:18 - 56:20: - A Sucky Jam Bet.
56:20 - 56:23: - I respect your assessment.
56:23 - 56:26: - Bohemian Raspberry is dedicated to Queen
56:26 - 56:29: and Satisfy My Bowl commemorates Bob Marley's
56:29 - 56:31: Satisfied My Soul.
56:31 - 56:32: - Oh my God.
56:32 - 56:36: ♪ Satisfy my bowl ♪
56:36 - 56:37: - That kind of rubs me the wrong way, that one.
56:37 - 56:38: - That's rough.
56:38 - 56:40: - The Dave Matthews Band is the only figure
56:40 - 56:45: to have two flavors, One Sweet World and Magic Brownies.
56:45 - 56:46: - I don't get either reference.
56:46 - 56:47: - So DMB has two.
56:47 - 56:48: - That's ridiculous.
56:48 - 56:51: - Even Willie Nelson has his own flavor, Peach Cobbler.
56:51 - 56:53: (laughing)
56:53 - 56:53: - Okay.
56:53 - 56:55: - All right, that's cool.
56:55 - 56:57: It's in recognition of his Southern roots.
56:57 - 56:58: So they went to Willie--
56:58 - 56:59: - I thought he was from like Texas.
56:59 - 57:01: - Texas is the South.
57:01 - 57:03: - Yeah, it's not the South South, it's Texas.
57:03 - 57:04: It's different.
57:04 - 57:05: - Well, I don't know.
57:05 - 57:06: - You say Peach, I think of the Allman Brothers.
57:06 - 57:08: I think of Georgia.
57:08 - 57:09: - Who knows where he's from originally.
57:09 - 57:10: - I'm nitpicking, but it's like--
57:10 - 57:12: - Okay, but I think that was kind of funny too
57:12 - 57:14: to picture like Ben and Jerry's.
57:14 - 57:16: They go to, they're starting to become known
57:16 - 57:18: for going to like kind of like the kind vibe old musicians.
57:18 - 57:20: They go to Willie Nelson like,
57:20 - 57:23: "Hey Willie, man, you want to do like a cool flavor?
57:23 - 57:25: Like we got, you know, we got Satisfy My Bowl
57:25 - 57:27: for Bob Marley, we got Cherry Garcia."
57:27 - 57:30: And they're like, "What could we do for you, man?
57:30 - 57:32: Like what are some classic Willie Nelson songs?
57:32 - 57:34: Like You Were Always on My Mind."
57:34 - 57:35: - Bloody Mary Morning.
57:35 - 57:38: - Red Haired Stranger.
57:38 - 57:40: Oh yeah, that song Poncho and Lefty.
57:40 - 57:44: Mango and, I don't know, Mango and Ice T.
57:44 - 57:45: - I'm thinking Willie's like,
57:45 - 57:47: "Let's go 420 friendly on it, man."
57:47 - 57:50: - Oh yeah, Willie's also known for smoking up--
57:50 - 57:52: - He's known for smoking a lot of weed.
57:52 - 57:54: He could have easily done the like--
57:54 - 57:55: - Satisfy My Bowl.
57:55 - 57:57: - Satisfy My Bowl part two.
57:57 - 57:58: But instead Willie Nelson says,
57:58 - 57:59: "What flavor do you want?"
57:59 - 58:00: He just said, "Peach Cobbler."
58:00 - 58:01: - Phone and that one in.
58:01 - 58:03: - Yeah, just Willie, like what, even for his name,
58:03 - 58:05: it could have been like Chili--
58:05 - 58:07: - I'm thinking Bloody Mary Morning, dude.
58:07 - 58:08: - 'Cause that's his song, it's called Bloody Mary Morning.
58:08 - 58:10: - ♪ Bloody Mary Morning ♪
58:10 - 58:12: - So what are they gonna do, like a tomato based ice cream?
58:12 - 58:14: - That sounds rough.
58:14 - 58:15: Vodka and tomato based--
58:15 - 58:17: - Tomato based sorbet.
58:18 - 58:20: - It would also be hilarious if they like went
58:20 - 58:22: to some musician and they were just like,
58:22 - 58:24: "Hey, Phil Lesch from the Grateful Dead,
58:24 - 58:26: "we wanna do another Grateful Dead themed one.
58:26 - 58:28: "What's a fun Grateful Dead thing we could do?"
58:28 - 58:29: And Phil Lesch is just like,
58:29 - 58:33: "Well, you know, I always thought it'd be really cool
58:33 - 58:36: "to do a vanilla with yogurt covered pretzels
58:36 - 58:37: "mashed up in it."
58:37 - 58:40: And they're like, "Okay, cool man, so like what's the name?"
58:40 - 58:44: And he's just like, "Uh, vanilla yogurt.
58:44 - 58:46: "Vanilla yogurt pretzel mash."
58:46 - 58:48: And they're like, "Are you sure, Phil?
58:48 - 58:51: "You don't wanna call it like, nothing fun?"
58:51 - 58:54: He says, "No, vanilla yogurt pretzel mash.
58:54 - 58:55: "Nothing fancy."
58:55 - 58:58: - Phil Lesch's yogurt pretzel mash.
58:58 - 59:02: - Or if somebody's like, "You know guys,
59:02 - 59:05: "you could just slap my name on the vanilla.
59:05 - 59:07: "I'm not a complicated guy.
59:07 - 59:10: "You just go ahead and slap old Phil Lesch's name
59:10 - 59:14: "on the classic vanilla and I'm a happy camper."
59:15 - 59:16: - Okay.
59:16 - 59:17: - Just a simple huckleberry.
59:17 - 59:19: (laughing)
59:19 - 59:22: - Huckleberry sorbet.
59:22 - 59:25: - Colin just weighed in, "On the Rocky Road Again."
59:25 - 59:27: - Oh, for Willie.
59:27 - 59:29: - Oh, on the road again?
59:29 - 59:32: Oh yeah, that'd be so easy, "On the Rocky Road Again."
59:32 - 59:33: - That's just made to be.
59:33 - 59:35: - I'll just do peach cobbler.
59:35 - 59:38: ♪ On the road again ♪
59:38 - 59:42: ♪ Just can't wait to get on the road again ♪
59:42 - 59:46: ♪ My my love is making music with my friends ♪
59:46 - 59:50: ♪ I can't wait to get on the road again ♪
59:50 - 59:53: ♪ On the road again ♪
59:53 - 59:57: ♪ Going places that I've never been ♪
59:57 - 01:00:01: ♪ Seeing things that I may never see again ♪
01:00:01 - 01:00:05: ♪ I can't wait to get on the road again ♪
01:00:05 - 01:00:07: ♪ On the road again ♪
01:00:07 - 01:00:11: ♪ Like a band of gypsies we go down the highway ♪
01:00:11 - 01:00:14: ♪ We're the best of friends ♪
01:00:14 - 01:00:18: ♪ In the state that the world keeps turning our way ♪
01:00:18 - 01:00:20: ♪ And our way ♪
01:00:20 - 01:00:23: ♪ On the road again ♪
01:00:23 - 01:00:28: ♪ Just can't wait to get on the road again ♪
01:00:28 - 01:00:31: ♪ My my love is making music with my friends ♪
01:00:31 - 01:00:35: ♪ I can't wait to get on the road again ♪
01:00:35 - 01:00:37: - I'm thinking of other musicians now.
01:00:37 - 01:00:40: I just thought of like, "Missed Opportunity with Prince,"
01:00:40 - 01:00:41: like a grape-based.
01:00:41 - 01:00:43: (laughing)
01:00:43 - 01:00:44: Is that a thing?
01:00:44 - 01:00:45: Do they make grape ice cream?
01:00:45 - 01:00:48: - You could have a grape sorbet.
01:00:48 - 01:00:49: - Okay.
01:00:49 - 01:00:50: - What's it called, granita?
01:00:50 - 01:00:51: - I don't know.
01:00:51 - 01:00:52: - It's a dessert.
01:00:52 - 01:00:56: Sure, you could make an artificial grape flavored ice cream.
01:00:56 - 01:00:58: I'm into that grape ice cream.
01:00:58 - 01:00:59: - I've never heard of that.
01:00:59 - 01:01:00: - Well, they missed the boat on that one.
01:01:00 - 01:01:01: - Or did raspberry sorbet.
01:01:01 - 01:01:02: - Oh yeah, raspberries.
01:01:02 - 01:01:03: Oh, that's so obvious, yeah.
01:01:03 - 01:01:05: It's gotta be raspberry sorbet.
01:01:05 - 01:01:06: (laughing)
01:01:06 - 01:01:07: But I love grape ice cream
01:01:07 - 01:01:10: 'cause it just sounds like made up and so dumb.
01:01:10 - 01:01:11: - Grape ice cream?
01:01:11 - 01:01:13: - If Ben & Jerry's ever comes to me
01:01:13 - 01:01:15: and they wanna do a Vampire Weekend one,
01:01:15 - 01:01:15: - That would be sick.
01:01:15 - 01:01:18: - It'd be like, "Vampire Weekend grape ice cream."
01:01:18 - 01:01:21: (laughing)
01:01:21 - 01:01:22: - Not a big seller.
01:01:22 - 01:01:24: (laughing)
01:01:24 - 01:01:25: - And the whole thing is that
01:01:25 - 01:01:27: it's the least popular ice cream they do.
01:01:27 - 01:01:31: - Only available at the factory in cone form,
01:01:31 - 01:01:33: not available in pint form.
01:01:33 - 01:01:36: - Ben & Jerry's produces over 10 pints a year
01:01:36 - 01:01:38: of Vampire Weekend grape ice cream.
01:01:38 - 01:01:40: And they're losing their shirt on it.
01:01:40 - 01:01:41: - Yeah.
01:01:41 - 01:01:42: - It's just a money pit.
01:01:42 - 01:01:43: (laughing)
01:01:43 - 01:01:45: The grape ice cream.
01:01:45 - 01:01:46: - Oh my God, wait, so we,
01:01:46 - 01:01:48: our producer, Colin, just showed us an article.
01:01:48 - 01:01:49: - Okay, hold the phone, Sophia.
01:01:49 - 01:01:50: - Yeah, what's this?
01:01:50 - 01:01:54: - This is an article on Thrillist.
01:01:54 - 01:01:56: This is why no one makes grape ice cream
01:01:56 - 01:01:58: according to Ben & Jerry's.
01:01:58 - 01:02:01: As ubiquitous a flavor in snack foods,
01:02:01 - 01:02:04: grapes' absence from the ice cream world is glaring.
01:02:04 - 01:02:04: - Seriously?
01:02:04 - 01:02:06: - There are some truly bat (beep) theories
01:02:06 - 01:02:08: as to why grapes haven't made the jump
01:02:08 - 01:02:10: from vine to pint.
01:02:10 - 01:02:12: One is that grapes simply can't be frozen.
01:02:12 - 01:02:16: Another is that grape ice cream puts dogs
01:02:16 - 01:02:18: who may accidentally eat it at risk.
01:02:18 - 01:02:19: So it's--
01:02:19 - 01:02:20: - Wait, what?
01:02:20 - 01:02:21: - Okay, that's dumb.
01:02:21 - 01:02:25: Grapes are difficult fruit because of the water content.
01:02:25 - 01:02:28: But it's also not a very mainstream flavor for ice cream,
01:02:28 - 01:02:29: Greenwood said.
01:02:29 - 01:02:32: Most people don't even associate grape with ice cream.
01:02:32 - 01:02:33: People grew up on cherry and vanilla,
01:02:33 - 01:02:36: so now they love cherry-based ice cream.
01:02:36 - 01:02:40: - Grape has not broken through the creme de glace ceiling,
01:02:40 - 01:02:41: if you will.
01:02:41 - 01:02:42: Well, that's a lame answer.
01:02:42 - 01:02:44: The whole point of Ben & Jerry's
01:02:44 - 01:02:44: is supposed to be a trailblazer.
01:02:44 - 01:02:46: - Yeah, 'cause these are from some ex-hippies.
01:02:46 - 01:02:48: That's a pretty establishment view, man.
01:02:48 - 01:02:49: I just wanna say Ben & Jerry's,
01:02:49 - 01:02:53: so people of the Northeastern are saying to you,
01:02:53 - 01:02:54: why is there no grape ice cream?
01:02:54 - 01:02:56: And your answer is, you know, man,
01:02:56 - 01:02:58: it's not a very mainstream flavor.
01:02:58 - 01:03:00: Don't rock the boat, man, you know?
01:03:00 - 01:03:03: It's kinda just, you know, take what you're given.
01:03:03 - 01:03:06: - Cherry and grape seem pretty similar to me.
01:03:06 - 01:03:10: Like, if you're doing a cherry ice cream, do a grape.
01:03:10 - 01:03:12: - I love this grape ice cream thing,
01:03:12 - 01:03:15: and even though I don't know if it would taste good,
01:03:15 - 01:03:17: I wanna spearhead grape ice cream.
01:03:17 - 01:03:18: It could be a Vampire Weekend thing,
01:03:18 - 01:03:20: it could be a Time Crisis thing.
01:03:20 - 01:03:21: I just wanna--
01:03:21 - 01:03:24: - I feel like they need to get with some hipper bands.
01:03:24 - 01:03:24: - Ben & Jerry's?
01:03:24 - 01:03:28: - Like, they hit the jam band East Coast scene pretty hard.
01:03:28 - 01:03:31: - Yeah, it's time for some Vampire Weekend grape ice cream.
01:03:31 - 01:03:32: And you know what?
01:03:32 - 01:03:34: Ben & Jerry's doesn't wanna do it, that's fine.
01:03:34 - 01:03:37: - You know what they need to do is hook up with Ween.
01:03:37 - 01:03:38: - Chocolate and cheese.
01:03:38 - 01:03:40: - I always bring up Ween, but honestly, chocolate.
01:03:40 - 01:03:41: (laughing)
01:03:41 - 01:03:43: - Chocolate and cheese.
01:03:43 - 01:03:47: - But Ween is a perfect band to have a flavor at Ben & Jerry's
01:03:47 - 01:03:52: ♪ Take a piece of tinsel and put it on the tree ♪
01:03:52 - 01:04:00: ♪ Cut a slab of melon and pretend ♪
01:04:00 - 01:04:05: ♪ That you still love me ♪
01:04:05 - 01:04:13: ♪ Carve out a pumpkin and rely on your destiny ♪
01:04:13 - 01:04:21: ♪ Get in your car and cruise the land ♪
01:04:21 - 01:04:26: ♪ Of the brave and free ♪
01:04:28 - 01:04:31: ♪ Don't forget to understand exactly ♪
01:04:31 - 01:04:36: ♪ What you put on the tree ♪
01:04:36 - 01:04:42: ♪ Don't believe the florist when he tells you ♪
01:04:42 - 01:04:45: ♪ That the roses are free ♪
01:04:45 - 01:04:50: - Let's finish Sophia's email.
01:04:50 - 01:04:51: I love this grape ice cream idea, though.
01:04:51 - 01:04:53: Thank you so much, Sophia.
01:04:53 - 01:04:54: So she was talking about all the different bands,
01:04:54 - 01:04:58: the Fish Food, the Willie Nelson's Peach Cobbler.
01:04:58 - 01:05:00: However, before there was any of these,
01:05:00 - 01:05:02: there was Cherry Garcia,
01:05:02 - 01:05:03: named for Time Crisis favorite
01:05:03 - 01:05:06: and Grateful Dead front man, Cherry Garcia.
01:05:06 - 01:05:08: In 1986, Conan Greenfield received
01:05:08 - 01:05:12: an anonymous letter asking, according to Ben & Jerry's,
01:05:12 - 01:05:14: "Why don't you make a cherry flavor
01:05:14 - 01:05:15: "and call it Cherry Garcia?
01:05:15 - 01:05:16: "You know it will sell
01:05:16 - 01:05:18: "because dead paraphernalia always sells.
01:05:18 - 01:05:20: "We are talking good business sense here
01:05:20 - 01:05:23: "and it will be a good hoot for the fans."
01:05:23 - 01:05:24: Okay.
01:05:24 - 01:05:26: I love that, it's like 1986,
01:05:26 - 01:05:27: cracking open the mailbag,
01:05:27 - 01:05:29: Ben & Jerry's just get that,
01:05:29 - 01:05:31: make something called Cherry Garcia.
01:05:31 - 01:05:33: And so, okay. - Not a bad idea.
01:05:33 - 01:05:34: - Clearly they thought it was a good idea.
01:05:34 - 01:05:36: The flavor launched in 1987.
01:05:36 - 01:05:37: - Oh, it got right on it.
01:05:37 - 01:05:39: - Yeah, and according to Ben & Jerry's,
01:05:39 - 01:05:42: Caroline Garcia called to give the flavor a thumbs up,
01:05:42 - 01:05:45: but still no word on what Jerry himself thought.
01:05:45 - 01:05:47: Conan Greenfield received another letter that year
01:05:47 - 01:05:48: with the same handwriting,
01:05:48 - 01:05:50: this time on a Cherry Garcia lid.
01:05:50 - 01:05:53: It was Jane Williamson, taking credit for her idea.
01:05:53 - 01:05:56: In typical McDonald's Brothers fashion,
01:05:56 - 01:05:57: - Uh-oh.
01:05:57 - 01:05:59: - The only compensation Williamson ever received
01:05:59 - 01:06:01: was a one year supply of Ben & Jerry's.
01:06:01 - 01:06:02: - One year?
01:06:02 - 01:06:04: - Although, Cherry Garcia became the brand's
01:06:04 - 01:06:06: best selling flavor until 2016.
01:06:06 - 01:06:07: - What? - And has inspired
01:06:07 - 01:06:09: the company's leading marketing technique,
01:06:09 - 01:06:11: all while continuing to self-identify
01:06:11 - 01:06:13: as the folksy, whimsical hometown brand that it once was,
01:06:13 - 01:06:16: only growing more corporate with age.
01:06:16 - 01:06:17: Sophia, not a fan.
01:06:17 - 01:06:19: - Sophia's laying in here.
01:06:19 - 01:06:21: - She's laying into Ben & Jerry's.
01:06:21 - 01:06:23: Despite their left-leaning habits
01:06:23 - 01:06:25: promoting anti-climate change organizations
01:06:25 - 01:06:27: and endorsing our Bernie Sanders,
01:06:27 - 01:06:29: in 1995, the company's wage policy
01:06:29 - 01:06:31: that limited CEO salary to be just six times
01:06:31 - 01:06:33: that of a worker's died.
01:06:33 - 01:06:34: - Oof.
01:06:34 - 01:06:36: - Unfortunately with the Jerry Garcia,
01:06:36 - 01:06:40: and fell victim to the classic corporation activity.
01:06:40 - 01:06:42: By 1999, Ben & Jerry's was sold to the transnational
01:06:42 - 01:06:44: Dutch-British company Unilever,
01:06:44 - 01:06:46: the same year that they stopped sponsoring
01:06:46 - 01:06:48: the Newport Folk Festival,
01:06:48 - 01:06:51: ending an 11 year tradition that produced three live albums.
01:06:51 - 01:06:52: - It's time for
01:06:52 - 01:06:54: Corporate Food History.
01:06:54 - 01:06:55: (explosion)
01:06:55 - 01:06:57: Let's talk about it.
01:06:57 - 01:06:59: (mimics gunfire)
01:06:59 - 01:07:01: (laughs)
01:07:01 - 01:07:02: - That's a new drop we got.
01:07:02 - 01:07:03: - Love it.
01:07:03 - 01:07:06: - That's Yorma from The Lonely Island made that.
01:07:06 - 01:07:07: - Oh, tight.
01:07:07 - 01:07:10: - He'd been checking in on Tom Craces a little bit.
01:07:10 - 01:07:13: Love Lonely Island, one of my all-time favorite bands.
01:07:13 - 01:07:14: And he hit me up saying,
01:07:14 - 01:07:16: "Hey, if you guys ever need a drop, hit me up."
01:07:16 - 01:07:18: And I said, "We would love a drop."
01:07:18 - 01:07:19: - Loved him on Girls.
01:07:19 - 01:07:20: - And on Girls.
01:07:20 - 01:07:22: Actually, I acted with him in a scene on Girls.
01:07:22 - 01:07:24: - Wait, what was his character name?
01:07:24 - 01:07:25: It was like--
01:07:25 - 01:07:27: - Jonathan or something?
01:07:27 - 01:07:28: He was like an artist.
01:07:28 - 01:07:30: - But his last name was Jonathan?
01:07:30 - 01:07:31: - I can't remember.
01:07:31 - 01:07:32: - It was like Powers Jonathan or something?
01:07:32 - 01:07:33: - Oh yeah, something like that.
01:07:33 - 01:07:35: So comedian, actor, and musician.
01:07:35 - 01:07:37: So thank you for that, Yorma.
01:07:37 - 01:07:38: We appreciate it.
01:07:38 - 01:07:39: We'll be playing that many times.
01:07:39 - 01:07:41: So Corporate Food History.
01:07:41 - 01:07:46: - 1995, Jerry dies and they abolish the CEO pay limit?
01:07:46 - 01:07:49: - Yeah.
01:07:49 - 01:07:50: - That's perfect.
01:07:50 - 01:07:51: - I don't know if I'm reading this sentence correctly yet.
01:07:51 - 01:07:54: I don't know if she was trying to imply causation.
01:07:54 - 01:07:56: - No, man, I think it's like the zeitgeist.
01:07:56 - 01:07:57: - It was like--
01:07:57 - 01:07:58: - What was it again?
01:07:58 - 01:08:00: - Christmas '94, Ben and Jerry hanging out
01:08:00 - 01:08:02: with Jerry Garcia.
01:08:02 - 01:08:03: And he's just like, "You know, man,
01:08:03 - 01:08:07: "you know why I let you guys use my name to sell ice cream?
01:08:07 - 01:08:09: "'Cause you guys are cool, man.
01:08:09 - 01:08:12: "You only make six times as much
01:08:12 - 01:08:13: "as the average worker at your company.
01:08:13 - 01:08:15: "When you hear about these Wall Street fat cats
01:08:15 - 01:08:17: "making 200 times, that's pretty cool, man."
01:08:17 - 01:08:19: And they're like, "Yeah, Jerry, that's what we're all about."
01:08:19 - 01:08:22: And he's just like, "That's so cool, guys.
01:08:22 - 01:08:23: "I really appreciate that."
01:08:23 - 01:08:26: Six months later, the man dies.
01:08:26 - 01:08:27: - They're like, "You know what?"
01:08:27 - 01:08:28: - You know what?
01:08:28 - 01:08:32: - So in 1995, the lowest wage worker, Ben and Jerry's,
01:08:32 - 01:08:33: is like, what do you think they're making?
01:08:33 - 01:08:35: Like 18,000 a year?
01:08:35 - 01:08:37: - They might've been doing six times
01:08:37 - 01:08:38: that of the average worker.
01:08:38 - 01:08:41: So maybe the average worker's making 25 grand, I don't know.
01:08:41 - 01:08:43: - Okay, so they're making like--
01:08:43 - 01:08:44: - 150 a year each?
01:08:44 - 01:08:45: - Yeah.
01:08:45 - 01:08:46: - That's not a lot for when you're owning
01:08:46 - 01:08:48: a huge, huge company like that.
01:08:48 - 01:08:51: - That's a pretty big temptation for any human being.
01:08:51 - 01:08:53: Do you think that you'd be able to stay the course, man?
01:08:53 - 01:08:55: You start an ice cream company,
01:08:55 - 01:08:56: and you're making good money.
01:08:56 - 01:09:00: Let's make it by like modern standards.
01:09:00 - 01:09:01: You start an ice cream company,
01:09:01 - 01:09:02: you're making good money, man.
01:09:02 - 01:09:04: You're making 300 grand.
01:09:04 - 01:09:06: Any American who's making 300 grand--
01:09:06 - 01:09:08: - Is doing great. - Is doing great.
01:09:08 - 01:09:11: But at the same time, you start making 300 grand,
01:09:11 - 01:09:13: you know, maybe you move to a nicer house,
01:09:13 - 01:09:16: now you gotta pay the butlers, all these things.
01:09:16 - 01:09:19: Suddenly your monthly burn is going way up.
01:09:19 - 01:09:20: - Yep.
01:09:20 - 01:09:24: - You start hanging out with Dave Matthews, Willie Nelson.
01:09:24 - 01:09:27: Dave Matthews is like, "Hey man, I'm taking a yacht
01:09:27 - 01:09:31: "around the Mediterranean this summer, love for you to join."
01:09:31 - 01:09:33: And you're like, "Oh, I'd love to too."
01:09:33 - 01:09:35: And he's like, "Yeah man, if you just fly out,
01:09:35 - 01:09:38: "if you fly the family out to the south of France,
01:09:38 - 01:09:39: "you can jump right on."
01:09:39 - 01:09:40: Looking at the books, you're like,
01:09:40 - 01:09:42: "Well, that plane ticket's for my whole family,
01:09:42 - 01:09:44: "it's gonna cost $15,000 right there."
01:09:44 - 01:09:47: And then you're like, "My company's making millions
01:09:47 - 01:09:51: "every year, am I dumb for only taking 300 grand?"
01:09:51 - 01:09:53: Little by little, you start to be more and more
01:09:53 - 01:09:55: disconnected from the average worker.
01:09:55 - 01:09:58: You're living that Dave Matthews lifestyle.
01:09:58 - 01:10:00: Are you gonna one day look at Jerry--
01:10:00 - 01:10:01: - It's not worth it, man.
01:10:01 - 01:10:04: - And just say, "You know what, dude?"
01:10:04 - 01:10:06: Would you bump your salary up?
01:10:06 - 01:10:07: - It's not worth it, man.
01:10:07 - 01:10:08: - What's not worth it?
01:10:08 - 01:10:11: - Not if your reputation is grounded in the fact
01:10:11 - 01:10:12: that you're a local--
01:10:12 - 01:10:13: - Okay, but you're--
01:10:13 - 01:10:15: - You're a local company where you're representing
01:10:15 - 01:10:16: the sort of--
01:10:16 - 01:10:17: - The working person.
01:10:17 - 01:10:18: - Exactly.
01:10:18 - 01:10:21: - But you're telling me that the fact that maybe
01:10:21 - 01:10:25: a few Burlington lefty types might be dragging
01:10:25 - 01:10:27: your name through the mud, is that gonna really
01:10:27 - 01:10:29: harsh you out when you're just--
01:10:29 - 01:10:31: - Well, look at Sophia's email, man.
01:10:31 - 01:10:32: - You're coasting through the Mediterranean
01:10:32 - 01:10:35: on Dave Matthews' yacht, eating lobsters,
01:10:35 - 01:10:36: shrimps, and steak.
01:10:36 - 01:10:39: You're just cruising, looking at a beautiful
01:10:39 - 01:10:41: crystal clear blue water.
01:10:41 - 01:10:44: Dave is literally just playing Crash
01:10:44 - 01:10:45: on an acoustic guitar next to you.
01:10:45 - 01:10:47: You really think that you're gonna be thinking
01:10:47 - 01:10:49: about the little guy back in Burlington?
01:10:49 - 01:10:53: - What I'm saying is the hit on your reputation
01:10:53 - 01:10:55: is not worth it if that's what you built
01:10:55 - 01:10:56: your reputation on.
01:10:56 - 01:10:57: Look at Sophia's email.
01:10:57 - 01:11:02: She's a high school student in 2017 writing this email.
01:11:02 - 01:11:03: - Yeah.
01:11:03 - 01:11:05: - With this sort of embittered attitude
01:11:05 - 01:11:08: towards Ben and Jerry's, a local company.
01:11:08 - 01:11:08: - Right.
01:11:08 - 01:11:11: - And she's like, "Look at these clowns,
01:11:11 - 01:11:13: "these fat hippies, they sold out."
01:11:13 - 01:11:14: - She doesn't like fish either.
01:11:14 - 01:11:19: - Oh, Sophia's got her head screwed on straight.
01:12:34 - 01:12:36: - Time Crisis with Ezra King.
01:12:36 - 01:12:38: Beats.
01:12:38 - 01:12:41: One.
01:12:41 - 01:12:42: - That's funny.
01:12:42 - 01:12:43: - What?
01:12:43 - 01:12:44: - Think about people who are like,
01:12:44 - 01:12:47: pissed at Ben and Jerry's.
01:12:47 - 01:12:48: - Yeah.
01:12:48 - 01:12:49: - For quote unquote selling out.
01:12:49 - 01:12:50: - Yeah.
01:12:50 - 01:12:52: - And then they're like, "It's still really good though."
01:12:52 - 01:12:53: - Oh yeah, of course.
01:12:53 - 01:12:55: - They're like in the 7-Eleven,
01:12:55 - 01:12:57: like a little drunk or something,
01:12:57 - 01:12:59: and they're just like, "Oh man, chunky monkey."
01:12:59 - 01:13:00: - Yeah.
01:13:00 - 01:13:03: I mean look, when you're getting high,
01:13:03 - 01:13:04: lot of different ways to say it.
01:13:04 - 01:13:05: - On your own supply.
01:13:05 - 01:13:07: - Getting high on your own supply.
01:13:07 - 01:13:10: Especially these days, kids like to hit dabs,
01:13:10 - 01:13:11: get you real high.
01:13:11 - 01:13:13: So you're walking over to that 7-Eleven,
01:13:13 - 01:13:14: you're real high.
01:13:14 - 01:13:16: You're probably feeling a little paranoid, man,
01:13:16 - 01:13:18: if Ben and Jerry's sold out,
01:13:18 - 01:13:20: who's to say that everybody around me hasn't sold out?
01:13:20 - 01:13:22: Maybe this whole thing's a simulation.
01:13:22 - 01:13:24: Maybe Ben and Jerry's,
01:13:24 - 01:13:27: based on their trajectory from 1978 to the present,
01:13:27 - 01:13:29: became such a huge evil corporation,
01:13:29 - 01:13:30: that they eventually created the simulation
01:13:30 - 01:13:32: that we all live in.
01:13:32 - 01:13:33: And are harvesting organs from us
01:13:33 - 01:13:35: in some Matrix-like reality.
01:13:35 - 01:13:37: So you might be having all sorts of weird paranoid thoughts,
01:13:37 - 01:13:40: but at the same time, when those munchies kick in,
01:13:40 - 01:13:42: and you're looking at the ice cream section,
01:13:42 - 01:13:45: and you know you want very large chunks of toppings
01:13:45 - 01:13:47: in your ice cream,
01:13:47 - 01:13:48: you're not gonna get Haagen-Dazs, man.
01:13:48 - 01:13:49: Not gonna get Friars.
01:13:49 - 01:13:52: - Outlandishly sized chunks of Butterfingers
01:13:52 - 01:13:54: in your ice cream.
01:13:54 - 01:13:56: - I should have known.
01:13:56 - 01:13:59: - Outlandishly sized.
01:13:59 - 01:14:03: - It's like, Bernie turns on Ben and Jerry's.
01:14:03 - 01:14:07: I should have known in 1978,
01:14:07 - 01:14:12: when I first encountered the outlandishly large
01:14:12 - 01:14:17: chunks of Butterfingers in your ice cream,
01:14:17 - 01:14:20: that your greed knew no bounds.
01:14:20 - 01:14:23: - Ben and Jerry's recently announced
01:14:23 - 01:14:25: they'll be introducing a new flavor,
01:14:25 - 01:14:27: Rockstar Energy Drink.
01:14:27 - 01:14:29: (laughing)
01:14:29 - 01:14:32: - Teaming up with Five Hour Energy.
01:14:32 - 01:14:34: Ben and Jerry's.
01:14:34 - 01:14:36: - Full time crisis.
01:14:36 - 01:14:37: - Coming full circle.
01:14:37 - 01:14:39: - Five Hour Energy, Ben and Jerry's.
01:14:39 - 01:14:40: - That's sick.
01:14:40 - 01:14:42: Anyway, back to Sophia's email.
01:14:42 - 01:14:43: I just thought it was interesting
01:14:43 - 01:14:45: how two self-identified deadhead hippies
01:14:45 - 01:14:49: decided to try their hands at brass knuckled capitalism,
01:14:49 - 01:14:50: and still support liberal politics,
01:14:50 - 01:14:52: despite profiting from right-wing
01:14:52 - 01:14:54: corporate dirtbag activity.
01:14:54 - 01:14:56: And I thought you guys might too.
01:14:56 - 01:14:57: Thanks for taking the time to read my email.
01:14:57 - 01:14:59: Love the show, Sophia.
01:14:59 - 01:15:00: P.S. An eight minute Hannah Hunt
01:15:00 - 01:15:01: would make an excellent addition
01:15:01 - 01:15:03: to the next waves of vampire shows.
01:15:03 - 01:15:06: That's what I'm talking about.
01:15:06 - 01:15:06: I love that.
01:15:06 - 01:15:07: - I'm pumped.
01:15:07 - 01:15:12: - Not only is Sophia supporting the LP4,
01:15:12 - 01:15:15: eight minute VW era,
01:15:15 - 01:15:17: she's also awakening us to what's happening
01:15:17 - 01:15:19: behind the scenes in Burlington.
01:15:19 - 01:15:24: Okay, I mean, is it fair to say that Ben and Jerry's
01:15:24 - 01:15:26: are doing brass knuckled capitalism?
01:15:26 - 01:15:28: - I don't know.
01:15:28 - 01:15:29: - I guess the bar is so low these days.
01:15:29 - 01:15:33: - It's sort of like, to expand your business
01:15:33 - 01:15:36: beyond the bounds of what you originally thought possible,
01:15:36 - 01:15:41: is that contradictory ethically to being a liberal?
01:15:41 - 01:15:44: I don't know.
01:15:44 - 01:15:45: No, we live in a capitalistic society.
01:15:45 - 01:15:46: I mean.
01:15:46 - 01:15:50: - Maybe there's an inherent contradiction
01:15:50 - 01:15:53: in being capitalistical liberal.
01:15:53 - 01:15:54: - They're businessmen.
01:15:54 - 01:15:55: - Yeah.
01:15:55 - 01:15:57: Can you be a kind of vibe businessman?
01:15:57 - 01:15:58: That's the question.
01:15:58 - 01:15:59: - Outlandish chunks.
01:15:59 - 01:16:02: - These outlandish chunks.
01:16:02 - 01:16:06: - Yeah, I mean the five hour energy guy.
01:16:06 - 01:16:09: - Many of our citizens in Burlington
01:16:09 - 01:16:13: have to eat generic store-bought ice cream,
01:16:13 - 01:16:18: flavors like vanilla, chocolate, strawberry,
01:16:18 - 01:16:20: nary a chunk to be found,
01:16:20 - 01:16:23: while the Wall Street fat cats,
01:16:23 - 01:16:24: Ben Cohen and Jerry Greenfield.
01:16:24 - 01:16:27: - Are gorging themselves.
01:16:27 - 01:16:32: - On outlandishly large chunks of Heath bars,
01:16:32 - 01:16:33: brownies.
01:16:33 - 01:16:35: - Chocolate chip cookie dough.
01:16:35 - 01:16:37: - Chocolate chip cookie dough.
01:16:37 - 01:16:42: And even in the case of their Willie Nelson themed
01:16:42 - 01:16:43: ice cream, peach cobbler.
01:16:43 - 01:16:51: - In fact, I hear a word of a Jimmy Buffet themed ice cream
01:16:51 - 01:16:55: with outlandishly large chunks of frozen banana.
01:16:55 - 01:16:57: - Frozen banana.
01:16:57 - 01:17:01: ♪ Work all night and drink a rum ♪
01:17:01 - 01:17:05: ♪ Daylight come and me wan' go home ♪
01:17:05 - 01:17:09: ♪ Stock banana till the morning come ♪
01:17:09 - 01:17:13: ♪ Daylight come and me wan' go home ♪
01:17:13 - 01:17:17: ♪ Come Mr. Tallyman, tally me banana ♪
01:17:17 - 01:17:21: ♪ Daylight come and me wan' go home ♪
01:17:21 - 01:17:25: ♪ Come Mr. Tallyman, tally me banana ♪
01:17:25 - 01:17:28: ♪ Daylight come and me wan' go home ♪
01:17:28 - 01:17:33: ♪ Live six foot, seven foot, eight foot bunch ♪
01:17:33 - 01:17:36: ♪ Daylight come and me wan' go home ♪
01:17:36 - 01:17:40: ♪ Six foot, seven foot, eight foot bunch ♪
01:17:40 - 01:17:44: ♪ Daylight come and me wan' go home ♪
01:17:44 - 01:17:46: - Are you ready for the top five?
01:17:46 - 01:17:47: - Yep.
01:17:47 - 01:17:50: - It's time for the top five on iTunes.
01:17:50 - 01:17:54: - Boom.
01:17:54 - 01:17:57: This week on the top five,
01:17:57 - 01:18:01: we're comparing the top five Billboard hits of today.
01:18:01 - 01:18:04: We're going off script here, not going iTunes.
01:18:04 - 01:18:04: - Okay.
01:18:04 - 01:18:05: - We're going Billboard to Billboard.
01:18:05 - 01:18:07: Top five hits of Billboard right now.
01:18:07 - 01:18:10: Top five hits of Billboard, 1979.
01:18:10 - 01:18:11: Why 1979?
01:18:11 - 01:18:15: - That's the first year that Martha started selling cookies.
01:18:15 - 01:18:16: - That's right.
01:18:16 - 01:18:17: - At the Minnesota State Fair.
01:18:17 - 01:18:20: - First year that Sweet Martha and Gorgeous Gary
01:18:20 - 01:18:23: started selling their wares at the Minnesota State Fair.
01:18:23 - 01:18:26: - August of 1979.
01:18:26 - 01:18:29: - August 1979, Sweet Martha's gearing up
01:18:29 - 01:18:32: for her first Minnesota State Fair.
01:18:32 - 01:18:33: - She's calling suppliers.
01:18:33 - 01:18:34: - Right.
01:18:34 - 01:18:35: - She's trying to hire people.
01:18:35 - 01:18:37: - We all know she loves the Eagles,
01:18:37 - 01:18:41: but you know, throw on the radio, you might've heard this.
01:18:41 - 01:18:43: The number five song.
01:18:43 - 01:18:44: - Mack? - 1979.
01:18:44 - 01:18:45: Oh yeah.
01:18:48 - 01:18:59: - LA's own, The Knack.
01:18:59 - 01:19:00: - That's right.
01:19:00 - 01:19:03: ♪ Oh my little pretty one, my pretty one ♪
01:19:03 - 01:19:07: ♪ When you gonna give me some time, Sharona ♪
01:19:07 - 01:19:10: ♪ Oh you make my motor run, my motor run ♪
01:19:10 - 01:19:11: ♪ Gunning coming off my back ♪
01:19:11 - 01:19:12: - What would you call this, Jake?
01:19:12 - 01:19:13: New Wave?
01:19:13 - 01:19:15: Punk rock?
01:19:15 - 01:19:19: We're not a New Wave band, we're a punk rock band.
01:19:19 - 01:19:21: Do you ever hear that Dead Kennedys song
01:19:21 - 01:19:23: called Pull My Strings?
01:19:23 - 01:19:24: - Oh yeah.
01:19:24 - 01:19:25: - And they play this song.
01:19:25 - 01:19:26: - Yeah.
01:19:26 - 01:19:27: (imitates music)
01:19:27 - 01:19:29: So they didn't think the song was cool.
01:19:29 - 01:19:30: - No, they're making fun of it.
01:19:30 - 01:19:31: - Oh.
01:19:31 - 01:19:34: - I mean, but the Dead Kennedys were like the extreme
01:19:34 - 01:19:36: of like punk righteousness.
01:19:36 - 01:19:37: But it's actually a really funny song.
01:19:37 - 01:19:39: ♪ A mystery, a kiss to make it ♪
01:19:39 - 01:19:43: ♪ Running down the length of my thigh, Sharona ♪
01:19:43 - 01:19:45: - I know people really are ride or die for the knack.
01:19:45 - 01:19:46: - Yeah.
01:19:46 - 01:19:47: - I've never dug deep.
01:19:47 - 01:19:48: But I know people love the knack.
01:19:48 - 01:19:52: - One thing that I know is that Sharona's a real person
01:19:52 - 01:19:54: and she's a real estate agent in LA.
01:19:54 - 01:19:55: - That's right, I'd heard that.
01:19:55 - 01:19:58: - And sometimes you see her name on stuff, Sharona Alperin.
01:19:58 - 01:19:59: - Wow.
01:20:01 - 01:20:02: - Okay.
01:20:02 - 01:20:03: - That's a cool guitar part.
01:20:03 - 01:20:04: - Yeah.
01:20:04 - 01:20:05: - It's not bad.
01:20:15 - 01:20:41: ♪ When you're gonna get to me, get to me ♪
01:20:41 - 01:20:44: Is it just a matter of time, Sharona?
01:20:44 - 01:20:47: Is it just a destiny, to destiny,
01:20:47 - 01:20:51: Or is it just a game in my mind, Sharona?
01:20:51 - 01:20:52: I'm never gonna stop.
01:20:52 - 01:20:54: Give it up. Such a dirty mind.
01:20:54 - 01:20:57: I always give it up for the touch of the upper kind.
01:20:57 - 01:21:00: My, my, my, yeah.
01:21:00 - 01:21:03: Whoo!
01:21:03 - 01:21:06: My, my, my, my, yeah.
01:21:06 - 01:21:08: Whoo!
01:21:08 - 01:21:11: My, my, my, my, Sharona.
01:21:11 - 01:21:14: My, my, my, my, Sharona.
01:21:14 - 01:21:18: My, my, my, my, Sharona.
01:21:18 - 01:21:20: My, my, my, my, Sharona.
01:21:20 - 01:21:24: The number five song in 2017.
01:21:24 - 01:21:26: I wonder if it's going to be another kind of feel good
01:21:26 - 01:21:29: guitar-based new wave kind of song.
01:21:29 - 01:21:31: I'm thinking yes.
01:21:31 - 01:21:32: Whoo!
01:21:32 - 01:21:34: Oh, no.
01:21:34 - 01:21:36: This has got legs, this song.
01:21:36 - 01:21:38: This song's huge.
01:21:38 - 01:21:43: This has been in the charts for six, eight months.
01:21:43 - 01:21:46: Yeah, this song came out November 18, 2016.
01:21:46 - 01:21:47: Yeah, I remember us joking about this.
01:21:47 - 01:21:51: This song's pushing 10 months.
01:21:51 - 01:21:54: I remember joking about this, like, in January,
01:21:54 - 01:21:55: when Trump got inaugurated.
01:21:55 - 01:21:57: Yeah.
01:21:57 - 01:22:00: Is this song better than "My Sharona by the Neck"?
01:22:00 - 01:22:00: Better.
01:22:00 - 01:22:01: Straight up?
01:22:01 - 01:22:02: No, I don't know.
01:22:02 - 01:22:03: This is a funny question.
01:22:03 - 01:22:04: Is it better?
01:22:04 - 01:22:06: I'm asking you a straightforward question, Jay.
01:22:06 - 01:22:07: I like it more.
01:22:07 - 01:22:09: You like "That's What I Like" by Bruno Mars more than--
01:22:09 - 01:22:10: I do.
01:22:10 - 01:22:15: I've never been a "My Sharona" fan.
01:22:15 - 01:22:16: Wow.
01:22:16 - 01:22:21: The number four song this week in 1979.
01:22:21 - 01:22:23: Everyone over the age of 35 is just
01:22:23 - 01:22:25: losing their mind right now.
01:22:25 - 01:22:26: "The Neck," dude.
01:22:26 - 01:22:27: How could he not like "The Neck"?
01:22:27 - 01:22:29: How do you not like "The Neck"?
01:22:29 - 01:22:30: OK.
01:22:30 - 01:22:33: The number four song is by a guy called Jon Stewart.
01:22:33 - 01:22:34: The song is called "Gold."
01:22:34 - 01:22:35: I don't even know this.
01:22:35 - 01:22:36: Oh, I know this.
01:22:37 - 01:22:42: This is some classic Sirius XM bridge station.
01:22:42 - 01:22:45: Oh, they say Stevie Nicks is on this song.
01:22:45 - 01:22:46: Oh, and Lindsey Buckingham produced it.
01:22:46 - 01:22:51: I mean--
01:22:51 - 01:22:53: It kind of sounds like Fleetwood Mac.
01:22:53 - 01:22:54: (SINGING) Re-en-ing.
01:22:54 - 01:23:02: Is this like when Drake gives a song away
01:23:02 - 01:23:05: to like another guy in the crew?
01:23:05 - 01:23:05: Oh.
01:23:06 - 01:23:07: (SINGING) --the California town.
01:23:07 - 01:23:09: Oh, dude, Jon Stewart, I think, was a--
01:23:09 - 01:23:10: Was he an older guy?
01:23:10 - 01:23:14: I think he was like a '60s folk singer.
01:23:14 - 01:23:15: And here's the thing.
01:23:15 - 01:23:18: I even want to say Jon Stewart wrote songs for like the Monkees.
01:23:18 - 01:23:19: Oh, wow.
01:23:19 - 01:23:22: (SINGING) --and we're riding over Canaan.
01:23:22 - 01:23:23: There's Stevie.
01:23:23 - 01:23:24: I could be wrong on that.
01:23:24 - 01:23:26: I feel like Jon Stewart wrote "Daydream Believer."
01:23:26 - 01:23:27: Oh, wow.
01:23:27 - 01:23:28: But I could be wrong on that.
01:23:28 - 01:23:33: [music - "daydream believer"]
01:23:33 - 01:23:36: (SINGING) Yeah, my buddy Jim Batts, he's a working pump
01:23:36 - 01:23:41: and gas, and he makes $2.50 for an hour.
01:23:41 - 01:23:43: Yeah, let's raise a big in his hands--
01:23:43 - 01:23:46: I like he sounds like an old folk singer here.
01:23:46 - 01:23:47: He sounds super old.
01:23:47 - 01:23:48: (MUMBLING) Yeah, probably.
01:23:48 - 01:23:50: I was actually really shocked when his voice came in.
01:23:50 - 01:23:52: It was like this kind of--
01:23:52 - 01:23:53: Weird that that was a hit.
01:23:53 - 01:23:54: This like chilled out Fleetwood Mac.
01:23:54 - 01:23:56: (SINGING) --the music in the cold.
01:23:57 - 01:24:03: [music - "daydream believer"]
01:24:03 - 01:24:04: You know what it kind of sounds like?
01:24:04 - 01:24:06: It sounds like some weird--
01:24:06 - 01:24:08: actually, this is very disrespectful,
01:24:08 - 01:24:09: because I think it's cool.
01:24:09 - 01:24:10: I've got to be clear about that.
01:24:10 - 01:24:13: But if you told me that was like a weird bootleg
01:24:13 - 01:24:17: tape of an older dude doing Neil Young karaoke,
01:24:17 - 01:24:20: and this is like some Neil Young song I didn't know--
01:24:20 - 01:24:21: (SINGING) --no, no, no.
01:24:21 - 01:24:22: It's like a very Neil Young melody.
01:24:22 - 01:24:23: Yeah.
01:24:23 - 01:24:26: (SINGING) The story is there for the taking.
01:24:26 - 01:24:28: And I'm driving over camp--
01:24:28 - 01:24:29: You're not going to believe this.
01:24:29 - 01:24:33: My uncle sometimes gets [bleep] faced on the weekends.
01:24:33 - 01:24:35: And I just caught him out in the shed just doing this like
01:24:35 - 01:24:37: weird Neil Young karaoke.
01:24:37 - 01:24:38: And I like taped a little bit on my phone.
01:24:38 - 01:24:39: It's cool, though.
01:24:39 - 01:24:41: Shout out to you, John Stewart.
01:24:41 - 01:24:42: (SINGING) I've been to Hollywood.
01:24:42 - 01:24:45: I've been to Redwood.
01:24:45 - 01:24:49: I've been a miner for a heart of gold.
01:24:49 - 01:24:53: OK, and the number four song on the charts right now.
01:24:53 - 01:24:54: Oh, it's a rock song.
01:24:54 - 01:24:56: You're going to like this one, Jake.
01:24:56 - 01:24:58: All right.
01:24:58 - 01:25:00: Rock's not dead.
01:25:00 - 01:25:04: Listen to those hard hitting rock drums.
01:25:04 - 01:25:07: (SINGING) First things first, I'ma say all the words
01:25:07 - 01:25:08: inside my head.
01:25:08 - 01:25:11: I'm fired up and fired up the way that things are going.
01:25:11 - 01:25:13: I love the John Stewart into this.
01:25:13 - 01:25:14: Yeah.
01:25:14 - 01:25:17: (SINGING) The way that things are going.
01:25:17 - 01:25:18: So much more like professional.
01:25:18 - 01:25:20: I know.
01:25:20 - 01:25:21: (SINGING) Second thing, second, don't you
01:25:21 - 01:25:24: tell me what you think that I can be.
01:25:24 - 01:25:25: I'm the one at the sale.
01:25:25 - 01:25:30: I'm the master of my CEO.
01:25:30 - 01:25:31: The master of my CEO.
01:25:31 - 01:25:32: Have you seen the music video for this song?
01:25:32 - 01:25:33: No.
01:25:33 - 01:25:34: What's that?
01:25:34 - 01:25:35: Is it a good video, Seinfeld?
01:25:35 - 01:25:36: It's awful.
01:25:36 - 01:25:38: Dolph Lundgren is in it.
01:25:38 - 01:25:40: Oh, that's cool.
01:25:40 - 01:25:42: It looks like it costs like $300 to $400 to make.
01:25:42 - 01:25:44: Like intentionally?
01:25:44 - 01:25:45: Are they having fun?
01:25:45 - 01:25:46: It's like low budge?
01:25:46 - 01:25:48: You know when things are like so HD that they
01:25:48 - 01:25:50: look weirdly low budget?
01:25:50 - 01:25:50: Oh, OK.
01:25:50 - 01:25:52: It's like that.
01:25:52 - 01:25:54: You got to be careful about that.
01:25:54 - 01:25:57: It looks like a weird Spanish language soap opera.
01:25:57 - 01:25:59: Yeah, there's like a boxing narrative.
01:25:59 - 01:25:59: Whoa.
01:25:59 - 01:26:01: It's like multi-layered.
01:26:01 - 01:26:01: What was that?
01:26:01 - 01:26:02: Imagination Dragons.
01:26:02 - 01:26:04: OK.
01:26:04 - 01:26:08: [vocalizing]
01:26:08 - 01:26:09: I get it.
01:26:09 - 01:26:10: [vocalizing]
01:26:10 - 01:26:10: I get it.
01:26:10 - 01:26:12: That [bleep] gets you fired up.
01:26:12 - 01:26:13: Kind of like a Nine Inch Nails vibe slightly.
01:26:13 - 01:26:15: Yeah, almost.
01:26:15 - 01:26:17: This is great music for like a bad boy pro baseball
01:26:17 - 01:26:18: player to come out to.
01:26:22 - 01:26:24: Spit on the ground.
01:26:24 - 01:26:26: Now batting.
01:26:26 - 01:26:27: Right.
01:26:27 - 01:26:29: For the Houston Astros.
01:26:29 - 01:26:32: Yeah, one of the last guys in the league still chewing.
01:26:32 - 01:26:33: Yeah.
01:26:33 - 01:26:34: I don't follow baseball anymore.
01:26:34 - 01:26:36: I don't know if anyone still chews tobacco.
01:26:36 - 01:26:40: 6'5", 245 pounds.
01:26:40 - 01:26:43: They don't announce that when you're going to bat.
01:26:43 - 01:26:45: That'd be amazing.
01:26:46 - 01:26:48: Now batting for the Minnesota Twins, Chuck Knobloch.
01:26:48 - 01:26:53: 5'3", 160.
01:26:53 - 01:26:54: They don't do that in baseball?
01:26:54 - 01:26:55: No.
01:26:55 - 01:26:57: Wait, but I feel like I've been to a baseball game--
01:26:57 - 01:26:58: Boxing.
01:26:58 - 01:27:00: OK, but I feel like I've been to a baseball game
01:27:00 - 01:27:03: where they, on the screen, they might say the guy's
01:27:03 - 01:27:04: hiding away.
01:27:04 - 01:27:05: Oh, yeah, they might have that on the screen,
01:27:05 - 01:27:08: but they don't announce it.
01:27:08 - 01:27:09: OK, well, I think--
01:27:09 - 01:27:13: So many baseball players are just like--
01:27:13 - 01:27:17: Now batting, John Crook, 5'11", 280 pounds.
01:27:17 - 01:27:23: Shout out to Imagine Dragons.
01:27:23 - 01:27:24: Oh, my god.
01:27:24 - 01:27:25: I also want to point out to a lot of people
01:27:25 - 01:27:27: out there who think it's Imagination Dragons,
01:27:27 - 01:27:29: it's Imagine Dragons.
01:27:29 - 01:27:31: You could keep that extra syllable to yourself.
01:27:31 - 01:27:33: Ezra, if you were a major league ballplayer,
01:27:33 - 01:27:36: what would be your walk-up music?
01:27:36 - 01:27:39: Besides Imagine Dragons, I'm a believer.
01:27:39 - 01:27:40: I'm trying to be serious.
01:27:40 - 01:27:42: If I randomly was actually good at baseball
01:27:42 - 01:27:43: and I was still myself--
01:27:43 - 01:27:44: Yeah, yeah, yeah.
01:27:44 - 01:27:46: If you were just really good--
01:27:46 - 01:27:47: If I just had--
01:27:47 - 01:27:49: You got drafted out of high school.
01:27:49 - 01:27:50: If I had a rookie of the year scenario,
01:27:50 - 01:27:53: I broke my arm, and then suddenly my pitch got crazy.
01:27:53 - 01:27:56: You were the top-rated pitcher in high school.
01:27:56 - 01:27:58: OK, all right, but that gets confusing,
01:27:58 - 01:27:59: because then I'm like, well, who am I?
01:27:59 - 01:28:00: No, no, no, no.
01:28:00 - 01:28:01: How did I get so good?
01:28:01 - 01:28:02: I want the--
01:28:02 - 01:28:03: Pay me the picture.
01:28:03 - 01:28:05: No, but OK, it's still your same taste in music.
01:28:05 - 01:28:06: OK.
01:28:06 - 01:28:09: And then you're like 21, and you're a rookie
01:28:09 - 01:28:10: on the New York Yankees.
01:28:10 - 01:28:11: OK, OK.
01:28:11 - 01:28:13: I'm trying to be really--
01:28:13 - 01:28:14: So sincere.
01:28:14 - 01:28:15: --take this seriously.
01:28:15 - 01:28:18: Realistically, if I had randomly been great at baseball,
01:28:18 - 01:28:22: and then I somehow was like playing for the Yankees at 21,
01:28:22 - 01:28:27: probably my thing, especially back then in the mid-2000s,
01:28:27 - 01:28:30: I would have to be the hipster baseball player.
01:28:30 - 01:28:32: Well, I would have two choices, because around that same time
01:28:32 - 01:28:35: in my life, I was getting interested in preppy fashion.
01:28:35 - 01:28:38: So either I could have started a preppy band,
01:28:38 - 01:28:39: or I could have been the preppy baseball--
01:28:39 - 01:28:42: maybe hipster versus preppy baseball player.
01:28:42 - 01:28:44: Because, yeah, other guys have so much personality,
01:28:44 - 01:28:47: it might be based on where they're from,
01:28:47 - 01:28:48: if they're from another country.
01:28:48 - 01:28:49: That can be part of--
01:28:49 - 01:28:50: Sure.
01:28:50 - 01:28:52: --the mystique, some of them.
01:28:52 - 01:28:53: Or even if they're from America, there's
01:28:53 - 01:28:57: the kind of like guy who could be like from down south,
01:28:57 - 01:28:59: Kenny Powers type dude.
01:28:59 - 01:29:03: But for me, I'm just a guy from New Jersey
01:29:03 - 01:29:04: playing for the Yankees.
01:29:04 - 01:29:06: If I really want to make a splash,
01:29:06 - 01:29:07: I'd have to kind of come out.
01:29:07 - 01:29:10: So yeah, I would have the choice between being the hipster
01:29:10 - 01:29:11: Yankee or the preppy Yankee.
01:29:11 - 01:29:13: Either way, I'd be kind of like a villain.
01:29:13 - 01:29:15: So I might as well play it up, kind of like
01:29:15 - 01:29:17: professional wrestling style.
01:29:17 - 01:29:19: I actually probably know more about the WWE
01:29:19 - 01:29:21: than I know about baseball anyway.
01:29:21 - 01:29:23: So I would be the preppy Yankee, and I
01:29:23 - 01:29:26: would wear like a pink polo shirt under my Yankees uniform
01:29:26 - 01:29:27: and pop it.
01:29:27 - 01:29:28: Not an option.
01:29:28 - 01:29:31: And I would come out--
01:29:31 - 01:29:33: Ownership's going to lose their mind.
01:29:33 - 01:29:36: --super WWE, this is like super pro wrestling.
01:29:36 - 01:29:39: When I would come out after like, you know,
01:29:39 - 01:29:40: Kenny Powers comes out--
01:29:40 - 01:29:41: So you're a pitcher.
01:29:41 - 01:29:42: --comes to-- no, no.
01:29:42 - 01:29:43: Well, this is me coming to bat.
01:29:43 - 01:29:44: OK, yeah.
01:29:44 - 01:29:46: So after Kenny Powers comes out and strikes out
01:29:46 - 01:29:48: to Imagination Dragons, then I come out.
01:29:48 - 01:29:52: And then they just play like some classical music,
01:29:52 - 01:29:53: like the Masterpiece Theater music.
01:29:53 - 01:29:54: Oh my god.
01:29:54 - 01:29:55: But then also--
01:29:55 - 01:29:58: You have a tray with Grey Poupon on it.
01:29:58 - 01:30:02: Yeah, no, but also before I come out, my butler--
01:30:02 - 01:30:05: I get like my buddy to dress up as a butler,
01:30:05 - 01:30:07: and he comes out.
01:30:07 - 01:30:10: He has a little brush, and he brushes the plate for me.
01:30:10 - 01:30:11: Oh my god.
01:30:11 - 01:30:12: And then he kind of brushes my way as I come,
01:30:12 - 01:30:13: and I say, thank you.
01:30:13 - 01:30:15: Everybody's just booing.
01:30:15 - 01:30:17: It's like, oh, I hate that guy.
01:30:17 - 01:30:20: And then I'm kind of listening, and I'm just kind of like--
01:30:20 - 01:30:21: you know, I'm just being a pro wrestler.
01:30:21 - 01:30:24: I'm looking at the crowd, and I'm like, oh, you don't like me?
01:30:24 - 01:30:26: Oh, I don't care.
01:30:26 - 01:30:29: And then I'll be sitting like, very good, Jeeves.
01:30:29 - 01:30:30: You may leave.
01:30:30 - 01:30:32: And then I knock it out of the park, and everybody's just
01:30:32 - 01:30:34: like, oh, I hate this guy.
01:30:34 - 01:30:36: Then you pop up to second base.
01:30:36 - 01:30:38: That's the problem.
01:30:38 - 01:30:39: That's why baseball players can't do that stuff,
01:30:39 - 01:30:42: because they're like-- are always just like striking.
01:30:42 - 01:30:44: What does that mean, to pop up to second base?
01:30:44 - 01:30:46: Like, you just like hit a pop-up.
01:30:46 - 01:30:47: Oh, and then they--
01:30:47 - 01:30:48: And the second baseman just catches it.
01:30:48 - 01:30:50: Like, this is the most undramatic ending to a bat.
01:30:50 - 01:30:51: Wait, what?
01:30:51 - 01:30:52: Baseball--
01:30:52 - 01:30:53: There's no way you could do--
01:30:53 - 01:30:55: People find baseball so boring.
01:30:55 - 01:30:57: Wouldn't it be so funny if baseball players could--
01:30:57 - 01:30:58: But this is what I'm saying.
01:30:58 - 01:30:59: --be more like wrestlers?
01:30:59 - 01:31:00: I love the idea.
01:31:00 - 01:31:01: I think it's hilarious.
01:31:01 - 01:31:03: But the problem is, you can't front like that,
01:31:03 - 01:31:07: and then you're failing at best like 67% of the time.
01:31:07 - 01:31:08: Right, because--
01:31:08 - 01:31:09: Because like--
01:31:09 - 01:31:11: --in wrestling, you can choreograph what happens.
01:31:11 - 01:31:12: But like, the best baseball players
01:31:12 - 01:31:17: are still going to like strike out, ground out, whatever.
01:31:17 - 01:31:19: And so like, after all that sort of pomp and circumstance,
01:31:19 - 01:31:22: you can't just like ground out on the second pitch.
01:31:22 - 01:31:23: Right, well--
01:31:23 - 01:31:24: You just look like an idiot.
01:31:24 - 01:31:25: OK, we would start--
01:31:25 - 01:31:26: Every bat--
01:31:26 - 01:31:28: Right, we would have to start making baseball fake.
01:31:28 - 01:31:30: You have like 600 bats a year.
01:31:30 - 01:31:32: Every time.
01:31:32 - 01:31:34: [interposing voices]
01:31:34 - 01:31:36: I was just-- you imagine that I was like--
01:31:36 - 01:31:38: and I was like a funny name.
01:31:38 - 01:31:40: People say baseball's long now.
01:31:40 - 01:31:41: Right.
01:31:41 - 01:31:43: I was like--
01:31:43 - 01:31:45: the games become five hours with all
01:31:45 - 01:31:46: this like pomp and circumstance.
01:31:46 - 01:31:48: Make baseball fake.
01:31:48 - 01:31:48: Yeah.
01:31:48 - 01:31:51: My baseball title, I'm Lord Hataway.
01:31:51 - 01:31:52: Oh my god.
01:31:52 - 01:31:53: That's my name.
01:31:53 - 01:31:54: So then you're like, at bat--
01:31:54 - 01:31:57: At bat.
01:31:57 - 01:31:59: --at six feet tall--
01:31:59 - 01:32:00: I want to show away.
01:32:00 - 01:32:02: --165 pounds.
01:32:02 - 01:32:03: You're bulked up.
01:32:03 - 01:32:04: I'm bulked up at that point.
01:32:04 - 01:32:05: 185.
01:32:05 - 01:32:08: 185 pounds of pure muscle.
01:32:08 - 01:32:09: Lord Hataway.
01:32:09 - 01:32:11: It's like an away game.
01:32:11 - 01:32:13: We're playing in Boston.
01:32:13 - 01:32:18: The Red Sox fans are like, oh god, I hate this guy.
01:32:18 - 01:32:20: Just like I come out like, oh, what's that?
01:32:20 - 01:32:21: What did you say?
01:32:21 - 01:32:27: You're in the dugout later with your homemade grape ice cream.
01:32:27 - 01:32:27: Oh, yeah.
01:32:27 - 01:32:29: Just--
01:32:29 - 01:32:30: I'm going to get out of this.
01:32:30 - 01:32:33: I've got like a little scarf on and the camera's fidgeting.
01:32:33 - 01:32:35: It looks like Lord Hataway's eating
01:32:35 - 01:32:38: some homemade grape ice cream.
01:32:38 - 01:32:39: My butler's right next to me.
01:32:39 - 01:32:44: Yo, that would be so sick if baseball was more like that.
01:32:44 - 01:32:47: After every home run that Lord Hataway hits,
01:32:47 - 01:32:53: he hits his grape ice cream as a celebratory scoop.
01:32:53 - 01:32:55: I knock it right out of the park.
01:32:55 - 01:32:57: Knock it right out.
01:32:57 - 01:33:00: That expression.
01:33:00 - 01:33:02: Your ease with baseball lingo.
01:33:02 - 01:33:03: It's like 1920s.
01:33:03 - 01:33:05: You knock it right out of the park.
01:33:05 - 01:33:08: I knock it right--
01:33:08 - 01:33:10: I knock it right out of the park.
01:33:10 - 01:33:11: And everybody's like, home run.
01:33:11 - 01:33:13: And everybody in Boston is like groaning.
01:33:13 - 01:33:15: Like, oh my god, I hate the Yankees.
01:33:15 - 01:33:16: And I especially hate Lord Hataway.
01:33:16 - 01:33:18: And then everybody's like, all right.
01:33:18 - 01:33:19: And I'm just standing there.
01:33:19 - 01:33:22: And the umpire's like, all right, round the bases.
01:33:22 - 01:33:23: Round the bases, Lord Hataway.
01:33:23 - 01:33:26: And I'm just like, put up my finger like, one minute.
01:33:26 - 01:33:29: The bubble comes back out with the grape ice cream.
01:33:29 - 01:33:31: And I just have to take a few spoonfuls.
01:33:31 - 01:33:33: Like, [smacking lips]
01:33:33 - 01:33:35: And I just-- I very slowly walk around.
01:33:35 - 01:33:39: People are just like throwing bananas at me.
01:33:39 - 01:33:41: Let's make baseball fake.
01:33:41 - 01:33:44: Fake baseball with more characters.
01:33:44 - 01:33:45: There could be a guy who comes out.
01:33:45 - 01:33:46: He's like a knight.
01:33:46 - 01:33:48: He bats with like a sword.
01:33:48 - 01:33:50: [laughter]
01:33:50 - 01:33:52: There could be like--
01:33:52 - 01:33:53: Bats with a sword.
01:33:53 - 01:33:56: There could be like scary guys like The Undertaker.
01:33:56 - 01:34:00: Maybe his baseball bat looks like it's like a bone.
01:34:00 - 01:34:01: It's got face paint on it.
01:34:01 - 01:34:03: Maybe like a relief pitcher that comes in and like
01:34:03 - 01:34:05: douses the ball and gas lights it.
01:34:05 - 01:34:06: Yeah, just throws it.
01:34:06 - 01:34:07: A fireball.
01:34:07 - 01:34:08: Maybe we could do like Summer League,
01:34:08 - 01:34:10: like Cape Cod Summer League.
01:34:10 - 01:34:11: Except it's like--
01:34:11 - 01:34:12: Cape Cod, dude.
01:34:12 - 01:34:15: It's Ezra and Jake's Time Crisis Presents Fake Baseball.
01:34:15 - 01:34:19: And it's just like people-- yeah, throwing the balls on fire.
01:34:19 - 01:34:19: Yeah.
01:34:19 - 01:34:22: [laughter]
01:34:22 - 01:34:23: Animals.
01:34:23 - 01:34:24: Dudes are in armor.
01:34:24 - 01:34:25: Yeah.
01:34:25 - 01:34:28: [laughter]
01:34:28 - 01:34:29: I love this idea.
01:34:29 - 01:34:30: OK.
01:34:30 - 01:34:32: [siren]
01:34:32 - 01:34:38: The number three song in 1979 was Barbara Streisand.
01:34:38 - 01:34:40: A song called The Main Event.
01:34:40 - 01:34:40: Not familiar.
01:34:40 - 01:34:42: No.
01:34:42 - 01:34:43: I don't know her career at all.
01:34:43 - 01:34:44: [music - "extra"]
01:34:44 - 01:34:45: (SINGING) Extra.
01:34:45 - 01:34:45: Extra.
01:34:45 - 01:34:46: I'm in love.
01:34:52 - 01:34:57: I gotta thank my lucky stars.
01:34:57 - 01:34:58: I gotta thank.
01:34:58 - 01:35:03: This is from an American sports romantic comedy
01:35:03 - 01:35:05: film called The Main Event.
01:35:05 - 01:35:09: American sports romantic comedy?
01:35:09 - 01:35:11: Not familiar.
01:35:11 - 01:35:11: Oh.
01:35:11 - 01:35:12: Love that genre.
01:35:12 - 01:35:14: Major League was in that genre.
01:35:14 - 01:35:17: This is like they're kind of trying to do their own version
01:35:17 - 01:35:18: of Last Dance.
01:35:18 - 01:35:20: (SINGING) We make love.
01:35:20 - 01:35:32: You're my every thought.
01:35:32 - 01:35:35: You're my one attraction.
01:35:35 - 01:35:39: You must be heaven sent.
01:35:39 - 01:35:43: You give me so much satisfaction.
01:35:43 - 01:35:44: You're the one.
01:35:44 - 01:35:46: You make love worth fighting for.
01:35:46 - 01:35:48: You're the one.
01:35:48 - 01:35:57: There's nobody quite like you.
01:35:57 - 01:35:58: You're the one.
01:35:58 - 01:36:05: Extra.
01:36:05 - 01:36:06: Extra.
01:36:06 - 01:36:08: I'm in love.
01:36:08 - 01:36:12: I gotta thank my lucky stars above.
01:36:12 - 01:36:12: Hurry.
01:36:12 - 01:36:13: Hurry.
01:36:13 - 01:36:15: Don't be late.
01:36:15 - 01:36:16: I can't wait.
01:36:16 - 01:36:18: I gotta celebrate.
01:36:18 - 01:36:20: It's a fact.
01:36:20 - 01:36:23: We got a first rate at your service.
01:36:23 - 01:36:24: We make love.
01:36:24 - 01:36:29: The Main Event.
01:36:29 - 01:36:29: OK.
01:36:29 - 01:36:30: It's fun.
01:36:30 - 01:36:34: OK.
01:36:34 - 01:36:38: A little like light disco from Barbara.
01:36:38 - 01:36:39: What are you going to say about that?
01:36:39 - 01:36:41: Let's get back to our era.
01:36:41 - 01:36:43: The number three song.
01:36:43 - 01:36:44: Oh, I love this song.
01:36:44 - 01:36:46: French Montana featuring Sway Lee, Unforgettable.
01:36:46 - 01:36:47: You know this one, Jake?
01:36:47 - 01:36:48: I don't think I do.
01:36:48 - 01:36:56: One cool thing about this song is the chorus is like 40 seconds.
01:36:56 - 01:36:57: This is the chorus.
01:36:57 - 01:37:02: It's not good enough for me since I've been with you.
01:37:02 - 01:37:02: Oops.
01:37:02 - 01:37:09: It's not going to work for you.
01:37:09 - 01:37:12: Nobody can equal me.
01:37:12 - 01:37:12: No, no.
01:37:16 - 01:37:17: I'm going to sit on the stage.
01:37:17 - 01:37:20: When I'm fucked up, I should know how to fix it.
01:37:20 - 01:37:23: I'm going to catch the rhythm while she push up against me.
01:37:23 - 01:37:26: Ooh, she tipsy.
01:37:26 - 01:37:29: I had enough gumbo for 24.
01:37:29 - 01:37:30: Gumbo?
01:37:30 - 01:37:32: I peeped you from across the room.
01:37:32 - 01:37:34: Pretty little body dancing like a bow.
01:37:34 - 01:37:35: Hey, hey.
01:37:35 - 01:37:38: And you are unforgettable.
01:37:38 - 01:37:40: Like some people think this is the chorus,
01:37:40 - 01:37:41: but really the entire thing is the chorus.
01:37:41 - 01:37:44: I didn't hear a change.
01:37:44 - 01:37:48: This is like Positively 4th Street, no change.
01:37:48 - 01:37:50: Yeah, but he's like the hook.
01:37:50 - 01:37:52: French Montana hasn't even gotten in yet.
01:37:52 - 01:38:02: The hook is over a minute long.
01:38:02 - 01:38:04: Are we still in the hook?
01:38:04 - 01:38:05: Yes.
01:38:05 - 01:38:08: Now here's the verse.
01:38:08 - 01:38:10: You thought he said--
01:38:10 - 01:38:10: it's a good lyric.
01:38:10 - 01:38:11: He says--
01:38:11 - 01:38:13: I had enough gumbo for 24?
01:38:13 - 01:38:14: No.
01:38:14 - 01:38:15: Is that what he said?
01:38:15 - 01:38:17: He said, I had enough gumbo.
01:38:17 - 01:38:21: He says, I had enough convo for 24.
01:38:21 - 01:38:22: What do you think that means?
01:38:22 - 01:38:24: OK, he's talked enough for 24 hours.
01:38:24 - 01:38:25: Yeah.
01:38:25 - 01:38:28: I thought he meant he ate enough gumbo for 24 people.
01:38:28 - 01:38:30: I felt like gumbo, like I'm good.
01:38:30 - 01:38:31: Yeah.
01:38:31 - 01:38:32: [music - "it's not good enough for me"]
01:38:32 - 01:38:35: (SINGING) Just talk bubbly in the club.
01:38:35 - 01:38:36: It's not good enough for me.
01:38:36 - 01:38:39: Then he comes in again, the very beginning of the hook.
01:38:39 - 01:38:40: It's not good enough for me.
01:38:40 - 01:38:40: Same lyrics?
01:38:40 - 01:38:41: Yeah.
01:38:42 - 01:38:44: [music - "it's not good enough for me"]
01:38:44 - 01:38:45: (SINGING) I'm gonna sit on the straight.
01:38:45 - 01:38:49: When I'm fucked up, I should know how to pick up.
01:38:49 - 01:38:52: I'm gonna catch the rhythm while she push up against me.
01:38:52 - 01:38:53: Who is she tipsy?
01:38:53 - 01:38:55: This might be the longest chorus ever.
01:38:55 - 01:38:58: (SINGING) I had enough gumbo for 24.
01:38:58 - 01:38:59: I peeped you from across the room.
01:38:59 - 01:39:01: He's just kind of selling his thing gumbo.
01:39:01 - 01:39:03: (SINGING) --little body dancing like a goat.
01:39:03 - 01:39:07: And you are unforgettable.
01:39:07 - 01:39:10: I need to get you alone.
01:39:10 - 01:39:13: Ooh, why not?
01:39:13 - 01:39:15: I'm getting tired of hearing nobody.
01:39:15 - 01:39:18: I got a little drink, but it's not for the party.
01:39:18 - 01:39:20: If you love the girl, then I'm so, so sorry.
01:39:20 - 01:39:23: I gotta give it to her like we ain't on the lyrics.
01:39:23 - 01:39:26: Oh, like we ain't on the rhythm.
01:39:26 - 01:39:28: No, no, I won't tell nobody.
01:39:28 - 01:39:30: You're on your level too.
01:39:30 - 01:39:33: Trying to do what lovers do.
01:39:33 - 01:39:35: You ain't enough for me.
01:39:35 - 01:39:37: Too much for you.
01:39:37 - 01:39:39: Alone.
01:39:39 - 01:39:41: Baby, go grab some bad, bad [bleep]
01:39:41 - 01:39:43: and bring them home.
01:39:43 - 01:39:45: Know the jet's on me.
01:39:45 - 01:39:48: I'ma curve my best for you, you know.
01:39:48 - 01:39:51: So pick up that dress for me.
01:39:51 - 01:39:52: Leave the rest on.
01:39:52 - 01:39:54: Too much gumbo for 24 hours.
01:39:54 - 01:39:57: When you stand next to 24 guys.
01:39:57 - 01:40:00: She left her man at home.
01:40:00 - 01:40:02: She don't love him no more.
01:40:02 - 01:40:04: I want your mind and your body.
01:40:04 - 01:40:05: Don't mind nobody.
01:40:05 - 01:40:08: 'Cause you don't ever hurt nobody.
01:40:08 - 01:40:11: Baby, go work your body.
01:40:11 - 01:40:12: Work your body.
01:40:12 - 01:40:15: You are unforgettable.
01:40:15 - 01:40:18: I need to get you alone.
01:40:18 - 01:40:19: Now you want to.
01:40:19 - 01:40:21: Just talk totally in between.
01:40:21 - 01:40:22: Why not?
01:40:22 - 01:40:24: Oh, like we ain't on the rhythm.
01:40:24 - 01:40:27: No, no, I won't tell nobody.
01:40:27 - 01:40:29: You're on your level too.
01:40:29 - 01:40:31: Trying to do what lovers do.
01:40:31 - 01:40:34: Great song.
01:40:34 - 01:40:37: I had enough gumbo for 24.
01:40:37 - 01:40:38: Very full.
01:40:38 - 01:40:39: Swayly great.
01:40:39 - 01:40:42: Outlandish pieces of shrimp.
01:40:42 - 01:40:43: Shrimp in this gumbo.
01:40:43 - 01:40:45: Seasoned shrimp.
01:40:45 - 01:40:47: The number two song in 1979.
01:40:47 - 01:40:50: Donna Summer, "Bad Girls."
01:40:50 - 01:40:54: It's kind of a rough '79, I gotta tell you.
01:40:54 - 01:40:55: I mean, this song's--
01:40:55 - 01:40:58: John Stewart and then the Streisand.
01:40:58 - 01:40:59: And my Sharona's kind of--
01:40:59 - 01:41:00: Yeah, it's pretty rough.
01:41:00 - 01:41:07: Classic produced by Georgia Maroder.
01:41:07 - 01:41:07: OK.
01:41:07 - 01:41:14: Very tight horns.
01:41:14 - 01:41:18: And also the--
01:41:18 - 01:41:19: that crazy whistle.
01:41:19 - 01:41:19: Yeah.
01:41:19 - 01:41:27: The inspiration for Summer to write this song
01:41:27 - 01:41:29: came after one of her assistants was offended
01:41:29 - 01:41:33: by a police officer who thought she was a street prostitute.
01:41:33 - 01:41:36: So maybe the whistle's like a policeman's whistle.
01:41:36 - 01:41:37: One of her assistants.
01:41:37 - 01:41:38: [music - donna summer, "bad girls"]
01:41:38 - 01:41:40: Bad girls.
01:41:40 - 01:41:42: Talking 'bout bad girls.
01:41:42 - 01:41:48: See them out on the street at night.
01:41:48 - 01:41:49: What?
01:41:49 - 01:41:52: Picking up on kinds of strangers.
01:41:52 - 01:41:53: Did the rises right.
01:41:53 - 01:41:57: You can't score, and you pop your sights.
01:41:57 - 01:41:59: But you want a good time.
01:42:03 - 01:42:08: You ask yourself who they are.
01:42:08 - 01:42:17: Like everybody else, they come from here and from the world.
01:42:17 - 01:42:26: Bad girl.
01:42:26 - 01:42:28: Bad girl.
01:42:28 - 01:42:30: Talking 'bout the sad girl.
01:42:30 - 01:42:31: Sad girl.
01:42:31 - 01:42:33: Yeah.
01:42:33 - 01:42:34: The sad girl.
01:42:34 - 01:42:36: Bad girl.
01:42:36 - 01:42:38: Talking 'bout bad girls.
01:42:38 - 01:42:41: Yeah.
01:42:41 - 01:42:44: Friday night, and the strip is hot.
01:42:44 - 01:42:45: Hot.
01:42:45 - 01:42:48: Sun's gone down, and they're out to try.
01:42:48 - 01:42:49: Out to try.
01:42:49 - 01:42:53: Spirits high, and legs look high.
01:42:53 - 01:42:55: Do you want a good time?
01:42:55 - 01:43:01: Now don't you ask yourself.
01:43:01 - 01:43:04: Who they are.
01:43:04 - 01:43:11: Like everybody else, they want to do so.
01:43:11 - 01:43:14: Best song of '79 so far.
01:43:14 - 01:43:15: Cool.
01:43:15 - 01:43:17: Tight.
01:43:17 - 01:43:20: The number two song in 2017, DJ Khaled featuring Rihanna and
01:43:20 - 01:43:21: Bryson Tiller.
01:43:21 - 01:43:23: Remember this one?
01:43:23 - 01:43:24: Another one.
01:43:24 - 01:43:27: It's like a rewrite of a Santana song from the late '90s.
01:43:27 - 01:43:28: Oh, yeah.
01:43:28 - 01:43:30: Oh, it's also a rewrite of a song from the late '90s.
01:43:30 - 01:43:34: A rewrite of On The One?
01:43:34 - 01:43:36: Yeah, that's just the other song from his album.
01:43:36 - 01:43:39: But it had the same "We the best music."
01:43:39 - 01:43:40: Oh, he says that on all his songs.
01:43:40 - 01:43:41: Really?
01:43:41 - 01:43:44: Like literally the same sample?
01:43:44 - 01:43:45: That's a good question.
01:43:45 - 01:43:46: But it's good.
01:43:46 - 01:43:47: He says that on every single song.
01:43:47 - 01:43:49: It's like his sonic tag.
01:43:49 - 01:43:50: Down the night.
01:43:50 - 01:43:51: 'Cause I can listen to things that I don't like.
01:43:51 - 01:43:53: Like track nine.
01:43:53 - 01:43:54: Okay, you're putting on his record.
01:43:54 - 01:43:55: Yeah.
01:43:55 - 01:43:56: Track one.
01:43:56 - 01:43:57: "We the best music."
01:43:57 - 01:43:59: Cool.
01:43:59 - 01:44:00: Track two.
01:44:00 - 01:44:01: You see where I'm going?
01:44:01 - 01:44:02: Yeah.
01:44:02 - 01:44:03: He also says DJ Khaled.
01:44:03 - 01:44:05: DJ Khaled.
01:44:05 - 01:44:08: So just like track nine.
01:44:08 - 01:44:10: Okay, you know what, actually, all his songs are great.
01:44:16 - 01:44:17: ♪ Let's go ♪
01:44:17 - 01:44:19: ♪ I'm hoppin' on my body tag ♪
01:44:19 - 01:44:21: ♪ You know there's cookies for the bag ♪
01:44:21 - 01:44:23: Yes, Jake, to answer your question,
01:44:23 - 01:44:26: DJ Khaled says that on probably most of his songs.
01:44:26 - 01:44:29: I'm curious about the ones he doesn't say it on.
01:44:29 - 01:44:29: That's what I want to hear.
01:44:29 - 01:44:32: It's branding.
01:44:32 - 01:44:32: This is a shame.
01:44:32 - 01:44:34: He's pushing a little hard.
01:44:34 - 01:44:35: They're just like bringing him track nine.
01:44:35 - 01:44:37: They're like, "All right, so, Khaled,
01:44:37 - 01:44:40: what do you want us to put the shout signature?"
01:44:40 - 01:44:43: And he's like, "Not on this one."
01:44:43 - 01:44:45: Yeah, this one's a little too personal.
01:44:45 - 01:44:46: Yeah.
01:44:46 - 01:44:47: And a little too close to home.
01:44:47 - 01:44:48: I don't want to put it on there.
01:44:48 - 01:44:50: Maybe that is the case.
01:44:50 - 01:44:53: The number one song in 1979.
01:44:53 - 01:44:53: Yeah.
01:44:53 - 01:44:54: Okay, you know what?
01:44:54 - 01:44:56: I admit it was kind of a rough 1979 week.
01:44:57 - 01:44:59: But this is unequivocally a great song.
01:44:59 - 01:44:59: Clash?
01:44:59 - 01:45:02:
01:45:02 - 01:45:03: You think Clash had a number one single in 1979?
01:45:03 - 01:45:05: I don't know.
01:45:05 - 01:45:07: Keep Dreamin'.
01:45:07 - 01:45:09: MJ?
01:45:09 - 01:45:12: He probably did in 1979.
01:45:12 - 01:45:13: Chic.
01:45:13 - 01:45:14: Uh-huh.
01:45:14 - 01:45:15: Not a fan?
01:45:15 - 01:45:19: ♪ Bum, bum, bum, bum, bum ♪
01:45:19 - 01:45:22: ♪ We are ♪
01:45:22 - 01:45:22: Yeah, it's okay.
01:45:22 - 01:45:24: It's like the dawn of summer.
01:45:24 - 01:45:25: It's weirdly similar.
01:45:25 - 01:45:28: I mean, the production's incredible.
01:45:28 - 01:45:31: And this, of course, is what's sampled in Rapper's Delight.
01:45:31 - 01:45:32: Right.
01:45:32 - 01:45:33: Oh, okay, yeah.
01:45:33 - 01:45:36:
01:45:36 - 01:45:39: ♪ We are the good times ♪
01:45:39 - 01:45:42:
01:45:42 - 01:45:45: ♪ Good times ♪
01:45:45 - 01:45:47: Yeah, '79 really had its own sound.
01:45:47 - 01:45:49: This, the dawn of summer.
01:45:49 - 01:45:52: Yeah, this is kind of like the final peak of disco.
01:45:52 - 01:45:54:
01:45:54 - 01:45:57: ♪ We are the good times ♪
01:45:57 - 01:46:01:
01:46:01 - 01:46:05: ♪ Happy days are here again ♪
01:46:05 - 01:46:09: ♪ The time is right for making friends ♪
01:46:09 - 01:46:11: ♪ Now, you ever gone over to a friend's house to eat ♪
01:46:11 - 01:46:13: ♪ And the food just ain't no good ♪
01:46:13 - 01:46:15: ♪ I mean, the macaroni's soggy, the peas are wet ♪
01:46:15 - 01:46:17: ♪ And the chicken tastes like wood ♪
01:46:17 - 01:46:18: That's my favorite verse.
01:46:18 - 01:46:21: It's widely considered to be the worst verse on Rapper's Delight.
01:46:21 - 01:46:25: But I also just love all the other guys on Rapper's Delight.
01:46:25 - 01:46:27: The chicken tastes like wood.
01:46:27 - 01:46:29: Obviously, they didn't really know at the time
01:46:29 - 01:46:31: that this was gonna go on to become
01:46:31 - 01:46:33: probably one of the most influential songs
01:46:33 - 01:46:35: in the history of the world.
01:46:35 - 01:46:38: And the other guys' verses are all cool
01:46:38 - 01:46:40: and probably taught so many people how to rap.
01:46:40 - 01:46:43: ♪ Hip hop, hip to the hip, to the hip, hip hop ♪
01:46:43 - 01:46:46: Like, kind of do these weird plays on words.
01:46:46 - 01:46:48: Very influential music.
01:46:48 - 01:46:50: And then you get to verse four,
01:46:50 - 01:46:52: and they're just kind of like, "All right, what are you gonna do?
01:46:52 - 01:46:54: "You can't do the hip to the hippie,
01:46:54 - 01:46:56: "and you can't do the cool chant stuff.
01:46:56 - 01:46:58: "Hotel, motel."
01:46:58 - 01:47:00: And you're like, "What are you gonna do?"
01:47:00 - 01:47:01: And he's like...
01:47:01 - 01:47:04: "I'm gonna do the most banal subject matter possible."
01:47:04 - 01:47:06: Everybody else's sounds good.
01:47:06 - 01:47:08: "Overcooked chicken."
01:47:08 - 01:47:10: And it's...
01:47:10 - 01:47:14: Time Crisis with Ezra Keeney.
01:47:14 - 01:47:18: ♪ ♪
01:47:18 - 01:47:21: ♪ I said hip hop to hippity to hippity to hip hip hop ♪
01:47:21 - 01:47:23: ♪ And you don't stop ♪
01:47:23 - 01:47:25: ♪ Rock it out, baby, bop it to the boogity bang bang ♪
01:47:25 - 01:47:27: ♪ The boogity to the boogity beat ♪
01:47:27 - 01:47:29: ♪ Now what you hear is not a test ♪
01:47:29 - 01:47:31: ♪ I'm rappin' to the beat ♪
01:47:31 - 01:47:33: ♪ And me, the groove, and my friends ♪
01:47:33 - 01:47:35: ♪ Are gonna try to move your feet ♪
01:47:35 - 01:47:37: ♪ You see, I am Wonder Mike ♪
01:47:37 - 01:47:39: ♪ And I like to say hello ♪
01:47:39 - 01:47:42: ♪ Up to the black, to the white, the red and the brown ♪
01:47:42 - 01:47:44: ♪ To the purple and yellow ♪
01:47:44 - 01:47:46: ♪ But first I gotta bang bang the boogity to the boogity ♪
01:47:46 - 01:47:48: ♪ Say up, jump the boogity to the bang bang boogity ♪
01:47:48 - 01:47:50: ♪ Let's rock, you don't stop ♪
01:47:50 - 01:47:52: ♪ Rock the rhythm and I'll make your body rock ♪
01:47:52 - 01:47:54: ♪ Go so far, you've heard my voice ♪
01:47:54 - 01:47:56: ♪ But I brought two friends along ♪
01:47:56 - 01:47:58: ♪ And next on the mic is my man Hank ♪
01:47:58 - 01:48:00: ♪ And come on, Hank, sing that song ♪
01:48:00 - 01:48:02: ♪ Check it out ♪
01:48:02 - 01:48:04: Yeah, that verse is incredible.
01:48:04 - 01:48:07: It's like, yeah, truly, like, obviously, a lot of people were rapping at the time,
01:48:07 - 01:48:10: but this is the song that took it global.
01:48:10 - 01:48:12: Oh, and that other great one.
01:48:12 - 01:48:14: "I'm Imp the Dimp, the lady's pimp."
01:48:14 - 01:48:16: Another classic line.
01:48:16 - 01:48:18: All of it's good.
01:48:18 - 01:48:20: The kind of, like, sex ones.
01:48:20 - 01:48:22: Master G's verse is crazy.
01:48:22 - 01:48:24: I'm scrolling through the whole thing.
01:48:24 - 01:48:26: Okay, here it is.
01:48:26 - 01:48:28: ♪ Have you ever went over to a friend's house to eat ♪
01:48:28 - 01:48:30: ♪ And the food just ain't no good ♪
01:48:30 - 01:48:32: ♪ I mean, the macaroni's soggy, the peas are mushed ♪
01:48:32 - 01:48:34: ♪ And the chicken tastes like wood ♪
01:48:34 - 01:48:36: ♪ So you try to play it off like you think you can ♪
01:48:36 - 01:48:38: ♪ By saying that you're full ♪
01:48:38 - 01:48:40: ♪ And then your friend says, "Mama, he's just being polite ♪
01:48:40 - 01:48:42: ♪ He ain't finished, uh-uh, that's a bowl" ♪
01:48:42 - 01:48:44: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:48:44 - 01:48:46: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:48:46 - 01:48:48: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:49:06 - 01:49:08: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:49:08 - 01:49:10: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:49:28 - 01:49:30: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:49:30 - 01:49:32: ♪ And you're like, "Oh, I'm sorry, I'm sorry" ♪
01:49:50 - 01:49:52: - I was looking at my cheese. - I'm actually pretty touched
01:49:52 - 01:49:55: when I look at that whole verse, because, again,
01:49:55 - 01:49:58: it's literally the last verse of "Rapper's Delight,"
01:49:58 - 01:50:01: so it's far and away the most forgotten verse,
01:50:01 - 01:50:03: 'cause that's a long song, and there's--
01:50:03 - 01:50:05: the ones that people always quote literally every other verse,
01:50:05 - 01:50:07: but then you actually read through the whole thing.
01:50:07 - 01:50:09: It's a full story.
01:50:09 - 01:50:11: It's like he sets the stage, you go to "Friends,"
01:50:11 - 01:50:13: I see the food, and it's like--
01:50:13 - 01:50:15: there's like these twists and turns
01:50:15 - 01:50:17: that it's like your heart starts pumping,
01:50:17 - 01:50:19: and you think of a line, and you say that you already ate.
01:50:19 - 01:50:21: "All right, I think I'm out of--"
01:50:21 - 01:50:23: "Hey, you know what, guys? I already ate."
01:50:23 - 01:50:25: And then your friend says, "Oh, Mom, he's just being polite,"
01:50:25 - 01:50:27: and they give you more food.
01:50:27 - 01:50:29: - Pile some more on your plate. - And then you just gotta leave
01:50:29 - 01:50:31: 'cause it's so gross, and then--
01:50:31 - 01:50:33: I love, like, the stinger, so you're just out of there,
01:50:33 - 01:50:35: you're like, "Guys, I gotta leave, I'm sorry."
01:50:35 - 01:50:37: Then you go drink some Kaopectate,
01:50:37 - 01:50:39: and then, two weeks later,
01:50:39 - 01:50:42: you call your friend to see how he has been.
01:50:42 - 01:50:44: He says, "I understand about the food,
01:50:44 - 01:50:46: but we're still friends."
01:50:46 - 01:50:49: It's like this kind of touching ending to that verse.
01:50:49 - 01:50:51: Also, I think I like that verse, too,
01:50:51 - 01:50:55: because I feel like if I was a member of the Sugarhill Gang,
01:50:55 - 01:50:58: I feel like I probably would have done a verse like that.
01:50:58 - 01:51:01: Like, everybody else would be doing kind of, like,
01:51:01 - 01:51:03: the cool, like, cutting-edge verses,
01:51:03 - 01:51:05: and they'd be like, "What's your verse?"
01:51:05 - 01:51:07: - And be like, "Well--" - Home Depot run.
01:51:07 - 01:51:10: Yeah, as opposed to you guys, I'm gonna do a little storytelling.
01:51:10 - 01:51:13: - Yeah, yeah. - You ever go out for a depot run?
01:51:13 - 01:51:16: - ( laughs ) - I can't even think of anything.
01:51:16 - 01:51:19: Anyway, "Good Times by Sheep," great song.
01:51:19 - 01:51:22: "Rapper's Delight," maybe even better song.
01:51:22 - 01:51:25: And shout-out to whoever did that final verse
01:51:25 - 01:51:28: about the bad food, 'cause I love that verse.
01:51:28 - 01:51:30: And I identify with it.
01:51:30 - 01:51:34: The number one song, big surprise on the billboard right now.
01:51:34 - 01:51:36: The song of the summer, "Unequivocally."
01:51:36 - 01:51:39: ( music playing )
01:51:39 - 01:51:45: What's going on with Bieber?
01:51:45 - 01:51:47: I don't know. We just--
01:51:47 - 01:51:50: I think, you know, we talked last time, he canceled the tour,
01:51:50 - 01:51:55: and I'm kind of curious about this new church that he's a part of.
01:51:55 - 01:51:57: I'd like to find out more about what they believe in
01:51:57 - 01:51:59: and things like that.
01:51:59 - 01:52:01: ♪ Got me feeling some kind of way ♪
01:52:01 - 01:52:03: ♪ Make me wanna savor every moment ♪
01:52:03 - 01:52:06: ♪ Slowly, slowly ♪
01:52:06 - 01:52:09: ♪ You fit me, tell me, love, how you put it on ♪
01:52:09 - 01:52:11: ♪ Got the only key, know how to turn it on ♪
01:52:11 - 01:52:13: ♪ Make a way, you never lie ♪
01:52:13 - 01:52:15: ♪ My ear the only words I wanna hear ♪
01:52:15 - 01:52:17: ♪ Baby, take it slow so we can last long ♪
01:52:17 - 01:52:20: ♪ Tú, tú eres el imán y yo soy el metal ♪
01:52:20 - 01:52:23: ♪ Me voy acercando y voy armando el plan ♪
01:52:23 - 01:52:26: ♪ Solo con pensarlo se acelera el pulso ♪
01:52:26 - 01:52:28: ♪ Oh, yeah ♪
01:52:28 - 01:52:31: ♪ Ya, ya me está gustando más de lo normal ♪
01:52:31 - 01:52:34: ♪ Todos mis sentidos van pidiendo más ♪
01:52:34 - 01:52:37: ♪ Esto hay que tomarlo sin ningún apuro ♪
01:52:37 - 01:52:39: ♪ Despacito ♪
01:52:39 - 01:52:41: I mean, what else can we say about "Despacito"?
01:52:41 - 01:52:43: It's a song of the summer, you know, it is what it is.
01:52:43 - 01:52:45: Has it grown on you? Do you like it?
01:52:45 - 01:52:46: No. Not in.
01:52:46 - 01:52:48: You in?
01:52:48 - 01:52:50: I'm not against it, I don't know.
01:52:50 - 01:52:53: I mean, I'm not, like, actively ranting against it.
01:52:53 - 01:52:55: It just doesn't do much for me.
01:52:55 - 01:52:58: Which was better this week, the songs from 2017 or 1979?
01:52:58 - 01:53:01: Oof. God, both kind of brutal.
01:53:01 - 01:53:04: I mean, there were plenty of gems.
01:53:04 - 01:53:06: Not really.
01:53:06 - 01:53:08: I like the French Montana, I like the chic.
01:53:08 - 01:53:10: The Bruno's good. The Bruno.
01:53:10 - 01:53:12: Bruno's the highlight.
01:53:13 - 01:53:14: Yeah, that might be one of the best songs.
01:53:14 - 01:53:16: I think it's a toss-up, man.
01:53:16 - 01:53:18: All right. It is what it is.
01:53:18 - 01:53:21: All right, Jake, well, another great show in the can.
01:53:21 - 01:53:24: I'm not gonna be here next show.
01:53:24 - 01:53:26: Oh, yeah, that's crazy, man.
01:53:26 - 01:53:29: The next show is apparently the 50th episode of "Time Crisis."
01:53:29 - 01:53:31: Wow. Which is shocking.
01:53:31 - 01:53:33: So I've probably been on, like, 45 of those.
01:53:33 - 01:53:36: Time flies when you're doing a corporate food history
01:53:36 - 01:53:39: internet radio show every two weeks.
01:53:39 - 01:53:41: [laughter]
01:53:42 - 01:53:44: You know why "Time Crisis" stays fresh?
01:53:44 - 01:53:46: 'Cause we got that week off to rest.
01:53:46 - 01:53:48: Yeah, man.
01:53:48 - 01:53:51: Got one week off to just forget that "Time Crisis" exists
01:53:51 - 01:53:53: and then we come back fresh and rested.
01:53:53 - 01:53:55: It's like, "Oh, it's a 'Time Crisis' week."
01:53:55 - 01:53:57: Let's make it a "Time Crisis" week.
01:53:57 - 01:53:59: My dad's turning 70.
01:53:59 - 01:54:01: Yeah, so where are you gonna be?
01:54:01 - 01:54:03: In Vermont.
01:54:03 - 01:54:05: Oh, really? You're going to Vermont?
01:54:05 - 01:54:07: Yeah.
01:54:07 - 01:54:09: The land of fish and Ben and Jerry's?
01:54:10 - 01:54:11: You got some fish food over there?
01:54:11 - 01:54:13: Gonna be near Stowe, Vermont.
01:54:13 - 01:54:15: Nice.
01:54:15 - 01:54:17: It's a place we went a lot when we were growing up.
01:54:17 - 01:54:19: That's nice. Yeah, that's a big birthday for your dad.
01:54:19 - 01:54:22: Dad's 70th, so I will not be in town for the 50th.
01:54:22 - 01:54:25: Well, you know what? It's okay that you're not--
01:54:25 - 01:54:27: "Time Crisis," we're not big on ceremony,
01:54:27 - 01:54:29: so you don't have to be there for the 50th.
01:54:29 - 01:54:32: Also, 50 is so-- Joe Rogan's doing his 1,000th episode.
01:54:32 - 01:54:34: Yeah.
01:54:34 - 01:54:36: I saw that on Instagram today.
01:54:36 - 01:54:38: He's doing his 1,000th episode soon.
01:54:39 - 01:54:40: "TC made it to 50."
01:54:40 - 01:54:42: Here's what we're gonna do.
01:54:42 - 01:54:44: Since we're gonna lose Jake, it's very sad.
01:54:44 - 01:54:46: We're gonna fly Despot and Asher out.
01:54:46 - 01:54:48: Big.
01:54:48 - 01:54:50: 'Cause I've been meaning to bring those guys out to the West Coast for a minute.
01:54:50 - 01:54:52: I've never met Asher.
01:54:52 - 01:54:54: You've never met Asher? Never met him.
01:54:54 - 01:54:56: Wow, that's so crazy to me.
01:54:56 - 01:54:58: Yeah.
01:54:58 - 01:55:00: You just dropped a bomb on me.
01:55:00 - 01:55:02: You've never met my cousin Asher?
01:55:02 - 01:55:04: Nope.
01:55:04 - 01:55:06: And the twain shall never meet?
01:55:06 - 01:55:08: Maybe never meet.
01:55:08 - 01:55:10: Maybe they don't know each other.
01:55:10 - 01:55:12: Well, okay, I'm glad that we'll have those guys out.
01:55:12 - 01:55:14: You know, an interesting thing about Asher, he went to college in L.A.
01:55:14 - 01:55:16: Okay, I didn't know that.
01:55:16 - 01:55:18: But he hasn't been back in this city in 11 years.
01:55:18 - 01:55:20: What? Where did he go?
01:55:20 - 01:55:22: Occidental, in Eagle Rock.
01:55:22 - 01:55:24: Oh, that's right where I live.
01:55:24 - 01:55:26: Yeah, so he's coming-- we're bringing Asher back, first time in over a decade, to Los Angeles.
01:55:26 - 01:55:29: And he left L.A., and was just like, "I'm good. Not going back."
01:55:29 - 01:55:31: I guess.
01:55:31 - 01:55:33: 11 years?
01:55:33 - 01:55:35: Yeah, he hasn't been back to L.A. in 11 years, man.
01:55:35 - 01:55:37: Did he like Occidental?
01:55:37 - 01:55:39: I thought I was missing this episode.
01:55:39 - 01:55:41: All right, maybe you call in.
01:55:41 - 01:55:43: I'd like to talk Eagle Rock, like 12 years ago.
01:55:43 - 01:55:45: Or like whenever it was that he graduated college.
01:55:45 - 01:55:47: You should call in from Vermont.
01:55:47 - 01:55:48: Okay.
01:55:48 - 01:55:50: How about that? Maybe see if you can track down Ben and Jerry.
01:55:50 - 01:55:51: Can do.
01:55:51 - 01:55:53: All right, thank you.
01:55:53 - 01:55:55: All right, guys, we'll see you in two weeks.
01:55:55 - 01:55:57: Jake will talk to you in two weeks.
01:55:57 - 01:55:59: See you in four.
01:55:59 - 01:56:01: "The King."
01:56:01 - 01:56:03: ♪ B-B-Beats ♪
01:56:03 - 01:56:05: ♪ One ♪

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