Episode 52: Surprise! It’s James Corden

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:03: Time Crisis, back in effect.
00:03 - 00:07: I'm joined by Jake, a man who's about to get married.
00:07 - 00:11: Slash got married. Depends how you look at it.
00:11 - 00:17: We'll be talking about Time Crisis topics, like John Mayer, The Grateful Dead.
00:17 - 00:20: Maybe even Boz Skax.
00:20 - 00:22: Lot of guitarists.
00:22 - 00:23: This is...
00:23 - 00:27: Time Crisis, with Eds Runkainen.
00:27 - 00:30: Beep beep beep beep beep beep beep.
00:30 - 00:31: One.
00:31 - 00:37: They passed me by, all of those great romances
00:37 - 00:44: They were a pal to a manly, all my rightful chances
00:44 - 00:51: My picture clear, everything seemed so easy
00:51 - 00:58: And so I dealt to the blow, when the bus had to go
00:58 - 01:03: Now it's different, I want you to know
01:03 - 01:09: One of us is crying, one of us is lying
01:09 - 01:14: He's the lonely man
01:14 - 01:17: Time Crisis, September 24th, 2017.
01:17 - 01:21: Jake and I are not actually recording on September 24th.
01:21 - 01:23: We're doing a real early one right now.
01:23 - 01:26: The reason being, there's a lot of reasons why we're recording early.
01:26 - 01:30: The most important is that Jake's about to get married.
01:30 - 01:34: He will have gotten married by the time you're hearing this.
01:34 - 01:36: So congratulations, Jake.
01:36 - 01:37: Thank you.
01:37 - 01:42: I feel like we haven't really talked much about your engagement/marriage on the show.
01:42 - 01:45: Well, I'm a private person.
01:45 - 01:47: Jake really values his privacy.
01:47 - 01:53: I mean, we don't have to get into specific details, but just on a basic level...
01:53 - 01:56: The wedding went well, went great.
01:56 - 01:57: You think the wedding went well?
01:57 - 01:58: It was everything I could have dreamed of.
01:58 - 02:00: Maybe just on some basic questions.
02:00 - 02:02: First marriage?
02:02 - 02:04: Yeah.
02:04 - 02:07: I was asked that recently. Who asked me that?
02:07 - 02:09: Oh, oh, okay.
02:09 - 02:11: So this is kind of funny, actually.
02:11 - 02:13: Our wedding announcement is going to be in the New York Times.
02:13 - 02:18: Because Hannah's mom, Linda Greenhouse, used to work for the Times.
02:18 - 02:21: And so she was like, "Hannah, you should really try to get your wedding announcement in the Times."
02:21 - 02:23: It's like something that...
02:23 - 02:24: Oh, yeah, I love that.
02:24 - 02:29: So it's like some New York real estate guy marrying someone that went to Vassar or something.
02:29 - 02:32: Yeah, it's always like Ivy League doctors and lawyers.
02:32 - 02:35: Wait, so is it going to be Jake Longstreth, son of...
02:35 - 02:36: Yeah.
02:36 - 02:37: From Connecticut.
02:37 - 02:38: Yeah.
02:38 - 02:39: What's your town again in Connecticut?
02:39 - 02:40: Southbury.
02:40 - 02:42: Jake Longstreth of Southbury, Connecticut.
02:42 - 02:47: Yeah, and I went into very elaborate detail with this person from the Times about...
02:47 - 02:48: Because they were interviewing you.
02:48 - 02:49: About my parents' careers.
02:49 - 02:50: Right.
02:50 - 02:51: What did they want?
02:51 - 02:52: They wanted all of the...
02:52 - 02:54: I couldn't believe the level of detail they wanted.
02:54 - 02:58: They were like, "Well, when your mom worked for the state of Connecticut in the chief state's attorney's office,
02:58 - 03:00: was that in Rocky Hill or Wallingford?"
03:00 - 03:02: And I'm like, "I don't know."
03:02 - 03:04: Like they moved offices at some point in the '90s.
03:04 - 03:05: That's sick.
03:05 - 03:10: Do you think they'll mention brother Dave Longstreth of Indie Rock Band Dirty Projectors?
03:10 - 03:11: Well, I think so.
03:11 - 03:13: And actually, you know what's funny, man?
03:13 - 03:14: Time Crisis...
03:14 - 03:15: Might get a mention?
03:15 - 03:17: Well, I was debating whether to mention it.
03:17 - 03:18: Yeah.
03:18 - 03:20: I actually leaned against mentioning it.
03:20 - 03:21: Fair enough.
03:21 - 03:22: I don't know why, though.
03:22 - 03:23: I was sort of like, "That seems like...
03:23 - 03:24: I mean, it's a fun show.
03:24 - 03:25: I love the show."
03:25 - 03:28: No, but first and foremost, you're a painter.
03:28 - 03:29: Right, I'm an art...
03:29 - 03:30: Yeah.
03:30 - 03:31: No offense taken.
03:31 - 03:34: You certainly don't want to be known as a Time Crisis host.
03:34 - 03:39: Even though my Wikipedia page says artist/radio personality.
03:39 - 03:43: Wait, isn't it American painter/radio personality?
03:43 - 03:45: Well, as long as the painter's first.
03:45 - 03:46: Yeah, yeah.
03:46 - 03:47: I know, but I can understand.
03:47 - 03:48: New York Times is kind of high stakes.
03:48 - 03:50: You don't want it to say like...
03:50 - 03:55: Noted Beats 1 radio host Jake Longstreth recently tied the knot.
03:55 - 03:57: No, it's probably more formal language than that.
03:57 - 04:00: So they asked me, they were like, "Is this your first marriage?"
04:00 - 04:01: Yeah.
04:01 - 04:02: And I was like, "Yep."
04:02 - 04:03: I thought it was like a funny question.
04:03 - 04:06: Like, if it was my second marriage, would it say that?
04:06 - 04:09: Would it say, "Mr. Longstreth, previously married."
04:09 - 04:10: Yeah, that'd be crazy.
04:10 - 04:15: It's like, if somebody really wanted their wedding announcement to be in the New York Times,
04:15 - 04:18: probably the last thing you would want is to be like,
04:18 - 04:25: previously married to this person who probably is not psyched about being mentioned.
04:25 - 04:26: Well, that's tight.
04:26 - 04:28: So that might be out today.
04:28 - 04:29: Yeah, Sunday the 24th.
04:29 - 04:30: The day of the airing.
04:30 - 04:33: Everyone go pick up a Sunday Times.
04:33 - 04:34: I love that.
04:34 - 04:38: Flip to the wedding or vow section.
04:38 - 04:39: That's incredible.
04:39 - 04:41: We did a stressful headshot.
04:41 - 04:42: Yeah, headshot.
04:42 - 04:43: We just did it this morning.
04:43 - 04:44: We forgot to get it to them.
04:44 - 04:45: iPhone?
04:45 - 04:46: Just selfie?
04:46 - 04:47: Yep, iPhone selfie.
04:47 - 04:50: And we also tried on Hannah's laptop.
04:50 - 04:51: Yeah.
04:51 - 04:53: To like try to do that, but like it's too low res.
04:53 - 04:54: What were you wearing in the picture?
04:54 - 04:55: T-shirt.
04:55 - 04:56: What T-shirt?
04:56 - 04:58: A Sweet Martha's cookie jar?
04:58 - 05:00: No, just a gray T-shirt that says, "Chill out."
05:00 - 05:01: I was wondering, okay.
05:01 - 05:03: But you can't see the chill out.
05:03 - 05:06: I want to point out, it's also an ash gray T-shirt.
05:06 - 05:07: Yeah.
05:07 - 05:08: Kind of like a gym T-shirt.
05:08 - 05:11: I think it's a black and white photo though, but maybe I'm wrong.
05:11 - 05:13: Wait, why does the T-shirt say, "Chill out?"
05:13 - 05:14: What is that?
05:14 - 05:15: I don't know.
05:15 - 05:16: Hannah got this from me.
05:16 - 05:18: At like a truck stop?
05:18 - 05:19: Yeah.
05:19 - 05:22: It's like a funny, dumb T-shirt.
05:22 - 05:23: It just says, "Chill out."
05:23 - 05:25: [laughs]
05:25 - 05:26: It's not the worst advice.
05:26 - 05:30: Mr. Longstreth, pictured above in an ash gray, "Chill out" T-shirt.
05:30 - 05:32: Hopefully the photo is acceptable.
05:32 - 05:37: They were very intense and specific about the specs in the photo.
05:37 - 05:38: Well, think about it.
05:38 - 05:42: Most people who are probably sending in their photo are probably having like a big, fancy wedding.
05:42 - 05:43: Yeah.
05:43 - 05:47: They get a professional photographer, and they probably do their makeup and stuff.
05:47 - 05:50: You guys are just sending in a laptop picture.
05:50 - 05:57: We actually went to the Huntington Gardens a month ago and had our friend, who has a nice SLR,
05:57 - 06:00: shoot photos of us, and we were wearing nice clothes.
06:00 - 06:01: Yeah.
06:01 - 06:05: I'm a solid seven inches taller than Hannah.
06:05 - 06:06: Right.
06:06 - 06:08: Our heads are at different levels.
06:08 - 06:09: Right.
06:09 - 06:14: I talked to the Times person last week, and they were like, "We need to have your heads at the same level."
06:14 - 06:15: We can't have--
06:15 - 06:16: Right.
06:16 - 06:17: It's just like a tight, cropped headshot.
06:17 - 06:18: Yeah.
06:18 - 06:21: Then we were like, "Oh, okay," and then we forgot about it.
06:21 - 06:24: Then this morning, Hannah was like, "Oh, my God.
06:24 - 06:26: We have to send in the headshots."
06:26 - 06:28: Then I'm like crouching.
06:28 - 06:29: Right.
06:29 - 06:30: I'm doing like a squat.
06:30 - 06:33: Speaking of that, I went to the Emmys, but one thing I noticed is that--
06:33 - 06:36: Okay, so you know when somebody wins an Emmy, and there's a whole crew of people on stage?
06:36 - 06:39: Like when Saturday Night Live wins, and they have 15 people on stage?
06:39 - 06:46: You have the person up front speaking, and then you notice that certain people who'd been around the block would squat a little bit
06:46 - 06:50: because when the camera's focused on the award winner, and you have a whole phalanx of people in the back,
06:50 - 06:52: almost all their heads are getting cut off.
06:52 - 06:55: I kept noticing there would be some people--
06:55 - 06:57: Maybe they could kind of see the monitor or something.
06:57 - 07:02: There would be some people standing in the back who'd take themselves down like a solid six inches.
07:02 - 07:05: In person, you're looking at somebody just squatting on stage.
07:05 - 07:06: You're just like, "What are you doing?"
07:06 - 07:09: Then you look at the live feed, and you're kind of like, "Oh, all right."
07:09 - 07:11: I guess you want to get your whole face in there.
07:11 - 07:13: That's this funny thing that happens at awards shows.
07:13 - 07:14: People are just like--
07:14 - 07:18: Just like, "Hold that. Hold that ab. Tighten the stomach up."
07:18 - 07:22: Yeah, straight up, they're doing squats so that their face can be on TV.
07:22 - 07:24: Got to have your face on TV.
09:46 - 09:48: Did you see Spicer?
09:48 - 09:49: Oh, yeah.
09:49 - 09:50: Did you chill with him?
09:50 - 09:53: No, we did not chill with him, but we went to an after party.
09:53 - 09:56: Don't tell me-- No, my-- Are you serious?
09:56 - 09:57: He was there.
09:57 - 10:00: I mean, were people already aware of the backlash?
10:00 - 10:03: I was in punching distance of Spicer.
10:03 - 10:04: Spitting distance?
10:04 - 10:07: He was up in the mix. It was weird.
10:07 - 10:10: You know, like, when you're actually sitting in the audience at these award shows,
10:10 - 10:13: it's actually so stupid. It's so much better to watch on TV,
10:13 - 10:15: 'cause it's like you're in a big, boomy arena.
10:15 - 10:17: You can barely hear what's going on, so you don't really have a--
10:17 - 10:19: So we kind of saw Sean Spicer and were like, "What?"
10:19 - 10:20: That was really--
10:20 - 10:24: And then, at this party, he was there, and--
10:24 - 10:25: Where was the party?
10:25 - 10:29: It was at a kind of fancy club in Hollywood.
10:29 - 10:30: Uh-huh.
10:30 - 10:31: A chic little club.
10:31 - 10:34: So it's fun. I'm looking around, and you see, like,
10:34 - 10:37: who-- You know, all these big celebrities, Colbert and all these people
10:37 - 10:40: and all the cast of Modern Family and stuff,
10:40 - 10:42: and you just see Sean Spicer.
10:42 - 10:44: He-- Was he rolling with a crew?
10:44 - 10:47: Well, this is kind of on our way out.
10:47 - 10:50: Actually, we were standing with somebody who kind of saw him,
10:50 - 10:51: and they were like, "All right."
10:51 - 10:53: 'Cause we were already-- They were tired,
10:53 - 10:55: and we were already talking to some people who were like, "Should we leave?"
10:55 - 10:58: And then we saw him, and everybody was like, "Yeah, let's bounce."
10:58 - 11:04: But on our way out, he was laughing, yucking it up, having the time of his life.
11:04 - 11:06: He was surrounded by a group of people.
11:06 - 11:09: None of the, like, kind of famous celebrities we're talking to,
11:09 - 11:12: but he was surrounded by this group of kind of younger people
11:12 - 11:14: that he was, like, cracking jokes with them and stuff,
11:14 - 11:16: and I was like, "What are they talking about?
11:16 - 11:18: This is so weird."
11:18 - 11:19: Wow.
11:19 - 11:21: Not feeling this, and then bounced.
11:21 - 11:25: Had you looked at Twitter yet and seen that Twitter was exploding?
11:25 - 11:26: I hadn't.
11:26 - 11:28: This is completely inappropriate and insane.
11:28 - 11:30: No, that was also funny to be in this bizarre situation,
11:30 - 11:32: just kind of watching it live.
11:32 - 11:37: So we were kind of, like, in the ride from the theater to the after party,
11:37 - 11:40: and we hadn't looked at Twitter yet, so we were just like--
11:40 - 11:43: It's also funny 'cause, like, Twitter amplifies stuff in such an extreme way.
11:43 - 11:45: So we were just kind of like-- They were like,
11:45 - 11:47: "That was weird that they got Sean Spicer.
11:47 - 11:49: Yeah, that didn't seem necessary."
11:49 - 11:52: And we were kind of like, "Well, I guess it's just for, like, the laughs."
11:52 - 11:54: Probably the audience loved it at home.
11:54 - 11:57: I mean, it's still kind of weird to see Twitter that's just like,
11:57 - 11:59: "It's disgusting that these Hollywood fascists
11:59 - 12:03: would even just consider to bring this dude out."
12:03 - 12:04: It's strange.
12:04 - 12:05: That's interesting to hear.
12:05 - 12:08: I mean, if you were there, you're saying, you know,
12:08 - 12:10: it was just kind of another gag.
12:10 - 12:13: 'Cause I saw it on Twitter, and I was like, "Yeah, that is insane."
12:13 - 12:15: Like, it seemed to me like--
12:15 - 12:21: Because I received that news secondhand through this insanely opinionated
12:21 - 12:24: aggregate of people's opinions,
12:24 - 12:26: then it sort of is like, "Yeah, that is crazy.
12:26 - 12:28: That is crazy tone deaf."
12:28 - 12:33: Also, like, Colbert seems so smart and cynical in the best way.
12:33 - 12:36: I mean, I guess he kind of roasted him,
12:36 - 12:39: but obviously that's not going to be enough
12:39 - 12:43: when you're talking about, like, you know, real-life politics.
12:43 - 12:46: I guess also sitting in the theater, we kind of looked around,
12:46 - 12:49: and so many people had this weird look on their face
12:49 - 12:53: that the atmosphere in the theater was already kind of, like, harsh,
12:53 - 12:56: that people were like, "Whoa, [bleep] this dude."
12:56 - 13:00: So in a weird way, it almost seemed like the appropriate response--
13:00 - 13:02: Yeah, you know, I guess that's the thing.
13:02 - 13:04: Being there and seeing people already be kind of harshed out,
13:04 - 13:06: I was like, "All right, yeah. People don't like this guy.
13:06 - 13:10: They know that he's a--you know, he worked for a really bad person
13:10 - 13:12: spreading lies."
13:12 - 13:15: So that secondary idea of, like, but should he have been there in the first place,
13:15 - 13:18: that only dawned on us later as we were kind of, like, rolling out and being like--
13:18 - 13:21: 'cause we actually started to talk about the--you're just there,
13:21 - 13:23: so this guy comes on stage and he leaves,
13:23 - 13:25: and then we're talking about the logistics of it, and we're like,
13:25 - 13:27: "Whoa," so they had to reach out to him, be like,
13:27 - 13:29: "You know, can we arrange Mr. Spicer's travel?
13:29 - 13:31: First class, of course. What hotel does he want?"
13:31 - 13:33: And then you start thinking about that stuff, and you're like--
13:33 - 13:35: to put him on TV in front of millions of people,
13:35 - 13:37: and then you're like, "Oh, yeah, that's insane."
13:37 - 13:41: ♪ They're gonna put me in the movies ♪
13:41 - 13:46: ♪ They're gonna make a big star out of me ♪
13:46 - 13:51: ♪ We'll make a film about a man that's sad and lonely ♪
13:51 - 13:56: ♪ And all I gotta do is act naturally ♪
13:56 - 14:01: ♪ Well, I bet you I'm gonna be a big star ♪
14:01 - 14:07: ♪ Might win an Oscar, you can never tell ♪
14:07 - 14:12: ♪ The movie's gonna make me a big star ♪
14:12 - 14:17: ♪ 'Cause I can play the part so well ♪
14:17 - 14:22: ♪ Well, I hope you'll come and see me in the movies ♪
14:22 - 14:27: ♪ Then I'll know that you will plainly see ♪
14:27 - 14:33: ♪ The biggest fool that ever hit the big time ♪
14:33 - 14:38: ♪ And all I gotta do is act naturally ♪
14:38 - 14:41: You know what it is? It's become so fashionable now,
14:41 - 14:45: the past 10, 15 years, that everybody has to poke fun at themselves.
14:45 - 14:47: It used to be this really--
14:47 - 14:50: Remember, it started maybe in the late '90s
14:50 - 14:52: when some played-out old celebrity would come out
14:52 - 14:54: and have a joke about themselves and be like,
14:54 - 14:57: "Yeah, it's me, the guy from that '70s TV show."
14:57 - 14:59: Or just be like, "Yeah."
14:59 - 15:02: Or Bob Saget, he was a pioneer of that,
15:02 - 15:05: being like, "Hey, you probably know me as the dad from Full House.
15:05 - 15:07: - Well, guess what?" - "I got a filthy mouth."
15:07 - 15:12: "I got a filthy mouth, so suck my d--k, you f--king piece of s--t."
15:12 - 15:14: And it was like, "Aah!"
15:14 - 15:16: That was really novel at the time to be like,
15:16 - 15:18: "So, p--t, my p--t!"
15:18 - 15:20: And it was like, "Oh, my God!"
15:20 - 15:23: And then it was also really novel for people to come out and be like,
15:23 - 15:26: "Yeah, you know, I know you hate me.
15:26 - 15:29: Well, guess what? I can laugh about it."
15:29 - 15:31: Actually, this year, with Trump in the White House,
15:31 - 15:34: it really felt like that kind of self-referential celebrity stuff
15:34 - 15:36: was coming to an end.
15:36 - 15:38: And I think one of the smarter things that I saw pointed out
15:38 - 15:40: about the Sean Spicer thing was they were like,
15:40 - 15:43: "Okay, this is Sean Spicer. This is so soon.
15:43 - 15:45: This is how it's going to go down for all these guys.
15:45 - 15:47: This is how it's going to go down for Trump."
15:47 - 15:49: I mean, even look at the way, like, Bush can, like,
15:49 - 15:52: have a picture of Michelle Obama giving him a hug and goes viral.
15:52 - 15:54: Or like Bush is doing his weird paintings.
15:54 - 15:56: Yeah, friendship goals, painting goals.
15:56 - 15:58: And it's like, you can totally picture
15:58 - 16:03: in the Comedy Central roast of Donald Trump 2025,
16:03 - 16:07: and he gets up and is like, "I know I did a few crazy things.
16:07 - 16:09: Let's just say I was hanging out with Steve Bannon a little too much."
16:09 - 16:11: Like, everybody's like dying.
16:11 - 16:15: I remember we had a joke on this show about Trump doing advertising
16:15 - 16:17: for, like, Rockstar Energy Drink and being like,
16:17 - 16:19: "That was a crazy 18 months.
16:19 - 16:22: Not as crazy as the amount of caffeine in the new Rockstar Energy Drink."
16:22 - 16:24: That was a crazy eight years.
16:24 - 16:25: Oh, God.
16:25 - 16:27: It's so crazy.
16:27 - 16:31: You know Trump will go back to, like, bad TV and, like,
16:31 - 16:34: celebrity culture as soon as he's out of office,
16:34 - 16:37: whether he resigns or serves eight years.
16:37 - 16:38: He'll find his way in.
16:38 - 16:39: He'll just find it.
16:39 - 16:41: Although, look, there's going to be opposition to it, which is good.
16:41 - 16:43: But you know what also is interesting?
16:43 - 16:47: Remember in the O.J. documentary series, O.J. Made in America?
16:47 - 16:48: Yeah.
16:48 - 16:52: Now, in the mid-'90s, most people believed that he did, in fact,
16:52 - 16:53: murder two people.
16:53 - 16:54: Yeah.
16:54 - 16:57: His wife was an abusive spouse to his ex-wife.
16:57 - 17:02: So when he got free, they talk about how he wasn't welcomed back into polite society.
17:02 - 17:05: He tried to go to the same Brentwood, Beverly Hills restaurants.
17:05 - 17:06: It didn't work.
17:06 - 17:07: He had to, like, move to Florida.
17:07 - 17:09: His career was kind of messed up.
17:09 - 17:11: I don't know what he expected, but clearly people iced him out.
17:11 - 17:15: And there's some part of me that feels like on one level in 2017 people are more
17:15 - 17:18: sensitive than ever, call out everything.
17:18 - 17:22: And then there's this equally strong oppositional force that's just as extreme,
17:22 - 17:26: if not more extreme, that's kind of like you can laugh about everything.
17:26 - 17:30: So weirdly, I almost feel like if the O.J. thing had happened in 2017,
17:30 - 17:34: he also because of social media, even if they didn't let him into his Brentwood
17:34 - 17:37: restaurant, he could just be like, "All right, let me throw an Instagram Live.
17:37 - 17:39: What's up, O.J. family? I'm here.
17:39 - 17:41: These jackasses won't let me in."
17:41 - 17:44: He could become like in the same way Alex Jones can talk directly to his fan base.
17:44 - 17:45: Right.
17:45 - 17:48: If you're O.J. or something, "Okay, these snooty people don't want to let me
17:48 - 17:51: in the restaurant anymore," he'd weirdly have more of a career now.
17:51 - 17:52: Yeah.
17:52 - 17:56: There probably were a bunch of people after O.J. who would have supported him,
17:56 - 18:01: but the mainstream media wouldn't help him, so he had to do weird straight-to-video
18:01 - 18:04: prank shows and stuff, club appearances.
18:04 - 18:09: But even the people that aren't fans, as clearly is the case with Spicer,
18:09 - 18:13: are on board with immediately making it a joke again.
18:13 - 18:15: That's interesting. Yeah, 2017.
18:15 - 18:17: I mean, it's like all--
18:17 - 18:23: One month after the acquittal, O.J. on Colbert Tonight.
18:23 - 18:24: Now--
18:24 - 18:27: I bet Stern would have him on.
18:27 - 18:28: Jesus.
18:28 - 18:30: That will happen, don't you think?
18:30 - 18:31: Okay, so let me get this straight.
18:31 - 18:33: Did you kill your wife?
18:33 - 18:35: Come on. Just tell us.
18:35 - 18:37: Imagine if he just admits it on Stern.
18:37 - 18:39: Howard, you get people to say the crazy--
18:39 - 18:41: Yeah, I did it.
18:41 - 18:42: Come on.
18:42 - 18:44: Howard, you're the master.
18:44 - 18:47: Howard, you are-- Okay.
18:47 - 18:48: Come on.
18:48 - 18:51: Okay, even if Howard Stern wouldn't have him on, even if Colbert wouldn't have him on,
18:51 - 18:57: I'm picturing, like, 2017, O.J. acquittal, immediately comes out of prison,
18:57 - 18:59: 10 million Twitter followers.
18:59 - 19:01: The Instagram is popping.
19:01 - 19:02: I mean, think about that.
19:02 - 19:05: Trump's going to have millions of--
19:05 - 19:06: Ugh.
19:06 - 19:07: Brutal.
19:20 - 19:24: I like that second one.
19:52 - 19:54: I like that.
20:21 - 20:22: Gumbo.
20:51 - 20:54: You want to know what's more important than throwing away money in a strip club?
20:54 - 20:56: Credit.
20:56 - 21:01: You ever wonder why Jewish people own all the property in America?
21:01 - 21:03: That's how they did it.
21:03 - 21:06: Financial freedom, my only hope.
21:06 - 21:09: Living rich and dying broke.
21:09 - 21:12: I bought some artwork for one million.
21:12 - 21:15: Two years later, that shit worth two million.
21:15 - 21:18: Two years later, that shit worth eight million.
21:18 - 21:20: I can't wait to get this shit with my children.
21:20 - 21:22: Y'all think it's bougie, I'm like, it's fine.
21:22 - 21:25: But I'm trying to give you a million dollars' worth of game for $9.99.
21:25 - 21:28: I turn a two to a four, four to an eight.
21:28 - 21:30: I turned my life into a nice first week release date.
21:30 - 21:31: Mmm.
21:31 - 21:34: Y'all here still taking advances, huh?
21:34 - 21:37: Me and my niggas taking real chances, uh.
21:37 - 21:39: You're on the gram, holding money to your ear.
21:39 - 21:42: There's a disconnect, we don't pull that money over here, yeah.
21:42 - 21:45: Light jigga, dark jigga, faux jigga, real jigga.
21:45 - 21:49: Rich jigga, pole jigga, house jigga, feel jigga.
21:49 - 21:52: Still jigga.
21:52 - 21:54: Still jigga.
21:54 - 21:55: You see me?
21:55 - 22:03: Light jigga, dark jigga, faux jigga, real jigga.
22:03 - 22:06: Rich jigga, pole jigga, house jigga, feel jigga.
22:06 - 22:07: Well, we got a hell of a show.
22:07 - 22:10: Even though we're pre-taping, we're still bringing
22:10 - 22:13: that classic time crisis energy.
22:13 - 22:17: We're going to be listening to the top five songs from today and 1976.
22:17 - 22:20: We're going to be talking about Boz Skaggs, John Mayer,
22:20 - 22:24: The Grateful Dead, The Juggalo March.
22:24 - 22:25: There's so much to go deep on, man.
22:25 - 22:27: Just all the best music.
22:27 - 22:28: Exactly.
22:28 - 22:34: You're listening to Time Crisis on Beat One.
22:34 - 22:37: They see each other for the first time as kids in school.
22:37 - 22:40: This simple boy meets girl, they grab and they say, I do.
22:40 - 22:44: My heart racing, correlating, the fact
22:44 - 22:47: it only seems to make them.
22:47 - 22:54: The lost boys, the lost girls, where are all my lost boys?
22:54 - 23:01: Always be yourself and never give them a shame.
23:01 - 23:04: See, the only real change is realising the same.
23:04 - 23:06: I've been chopping up, roving, carving up.
23:06 - 23:08: Everybody used to say I'm strange.
23:08 - 23:09: I'm opening their minds.
23:09 - 23:11: It used to be so engaged.
23:11 - 23:13: Serenade pieces that are broken.
23:13 - 23:15: Turn the pill once you let the picture flip,
23:15 - 23:17: then you can start to move the wheels.
23:17 - 23:18: Love is never straightforward.
23:18 - 23:20: It bends and it kills.
23:20 - 23:23: Regardless of who you're loving, Orlando's still with the world.
23:23 - 23:26: Yo, keep doing what you do.
23:26 - 23:30: Just because they say their love don't look like you,
23:30 - 23:32: I know I'm bound to.
23:32 - 23:35: Because you and me, we're like a spoon.
23:35 - 23:38: So don't let the witch fool.
23:38 - 23:42: Because they say their love don't look like you.
23:42 - 23:48: Oh, if they only knew that me and you were lost bones.
23:48 - 23:49: Yo, save the judge.
23:49 - 23:51: Man said again, said he'd change the nurse.
23:51 - 23:52: All I want to do is just salvage us.
23:52 - 23:54: And everybody looking at me like I'm an angel.
23:54 - 23:55: Though it's as if it took some time to be brave enough.
23:55 - 23:57: Like being yourself is just dangerous.
23:57 - 23:59: Hold up, giving up the aim enough to keep us down.
23:59 - 24:01: Hook on all of us though.
24:01 - 24:03: Whoever they're living in any hemisphere,
24:03 - 24:06: never fear being considered weird or irregular.
24:06 - 24:09: And all of yourself to be void of the shelf.
24:09 - 24:11: Because when they said actions speak louder,
24:11 - 24:13: it was with a mouth.
24:13 - 24:15: Keep doing what you do.
24:15 - 24:19: Just because they say their love don't look like you,
24:19 - 24:21: I know I'm bound to.
24:21 - 24:25: Because you and me, we're like a spoon.
24:25 - 24:27: So don't let the witch fool.
24:27 - 24:31: Because they say their love don't look like you.
24:31 - 24:37: Oh, if they only knew that me and you were lost bones.
24:40 - 24:50: You know, you know, you know, you know.
24:50 - 24:56: Please don't say so much as I'm breaking for you.
24:56 - 25:02: I never knew how everybody is a bummer.
25:02 - 25:04: Keep doing what you do.
25:04 - 25:08: Just because they say their love don't look like you,
25:08 - 25:11: I know I'm bound to.
25:11 - 25:14: Because you and me, we're like a spoon.
25:14 - 25:17: So don't let the witch fool.
25:17 - 25:21: Because they say their love don't look like you.
25:21 - 25:27: Oh, if they only knew that me and you were lost bones.
25:27 - 25:29: Hello.
25:29 - 25:32: It's me.
25:32 - 25:35: Is there anybody there?
25:35 - 25:35: Hey.
25:35 - 25:43: I'm lying out of bounds.
25:43 - 25:46: With your woman.
25:46 - 25:49: Is there anybody there?
25:49 - 25:50: So--
25:50 - 25:51: Hello.
25:51 - 25:54: --Jake, we were talking last weekend.
25:54 - 25:57: The time that you went to go see the dead and co, to me,
25:57 - 26:00: is just the time crisis gift that keeps on giving.
26:00 - 26:02: And I just want to explain to everybody again,
26:02 - 26:05: because at this point, if you're a regular time crisis listener,
26:05 - 26:07: you have to have some cursory familiarity
26:07 - 26:08: with the Grateful Dead.
26:08 - 26:10: But just so everybody understands,
26:10 - 26:15: Grateful Dead was a band for almost 30 years.
26:15 - 26:19: The leader, kind of main singer, guitar god Jerry Garcia
26:19 - 26:21: died in '95.
26:21 - 26:24: Then you had all the other guys kind of doing this and that.
26:24 - 26:28: And then the Grateful Dead, the past year,
26:28 - 26:30: has been touring as dead and company
26:30 - 26:33: and doing a fairly big tour where
26:33 - 26:36: it's a few of the original members plus John Mayer
26:36 - 26:38: kind of filling in for Jerry Garcia.
26:38 - 26:39: Right.
26:39 - 26:41: I feel like for some reason this tour,
26:41 - 26:44: people are talking about it as if it's
26:44 - 26:46: almost like going to see the Grateful Dead or something.
26:46 - 26:47: Are they?
26:47 - 26:49: Maybe it's just because of John Mayer.
26:49 - 26:52: It's a higher profile than an early 2000s Phil Lesch
26:52 - 26:52: and Friends.
26:52 - 26:53: Right.
26:53 - 26:53: I mean, yeah.
26:53 - 26:54: I mean, since--
26:54 - 26:56: Because they're doing all Grateful Dead songs.
26:56 - 26:59: Plus years of their surviving members
26:59 - 27:02: with a rotating cast of other players
27:02 - 27:05: doing different versions of dead spinoff bands.
27:05 - 27:07: It just seems like this is being billed as more official.
27:07 - 27:12: And then, well, in 2015, there was the 50th anniversary
27:12 - 27:12: of the dead.
27:12 - 27:14: They're doing these huge stadium shows.
27:14 - 27:16: They had Trey from Phish filling in.
27:16 - 27:16: Yeah.
27:16 - 27:18: They had John Mayer filling in.
27:18 - 27:21: They hosted the three-day festival in Chicago
27:21 - 27:25: called Fare Thee Well, which was like the supposed
27:25 - 27:28: end of the dead, like the whole run.
27:28 - 27:29: Bob and Phil were hanging up.
27:29 - 27:30: We're done.
27:30 - 27:32: It was the 20th anniversary of Jerry's death
27:32 - 27:35: because his last show was at Soldier Field in Chicago.
27:35 - 27:36: In '95.
27:36 - 27:36: Right.
27:36 - 27:38: So this is almost like the post-script.
27:38 - 27:39: It's like, you know what, man?
27:39 - 27:40: We can't go out like that.
27:40 - 27:42: We had so much fun at those 50th shows.
27:42 - 27:43: Well, that's what's lame.
27:43 - 27:46: It's like, if you're going to go out, at least do what LCD did
27:46 - 27:48: and take six years off.
27:48 - 27:48: Right.
27:48 - 27:50: They took one year.
27:50 - 27:52: You can't-- I mean, I don't think they even took a year off.
27:52 - 27:55: They were out touring like last year.
27:55 - 27:55: OK, that's fine.
27:55 - 27:57: Phil is no longer touring.
27:57 - 27:59: Phil, the bass player, was like, I'm out.
27:59 - 28:00: But Bob and--
28:00 - 28:04: Bob, we at least got to take off six years like LCD.
28:04 - 28:05: I'm out, man.
28:05 - 28:09: If you came to me with LCD model, I might be down, but--
28:09 - 28:12: I'll be 81 at that point.
28:12 - 28:16: OK, so anyway, you go to see Dead & Co at Hollywood Bowl.
28:16 - 28:17: Right.
28:17 - 28:18: John Mayer on guitar.
28:18 - 28:19: This was like back in May or June.
28:19 - 28:20: This was back in May.
28:20 - 28:22: You didn't have a great time.
28:22 - 28:23: It was fun to go there with my friends.
28:23 - 28:26: We got on the bus in Pasadena at the park and ride.
28:26 - 28:27: Yeah.
28:27 - 28:30: Snuck on a 12-pack, sitting in the back of the bus.
28:30 - 28:30: Sick.
28:30 - 28:32: Takes you down the 134.
28:32 - 28:33: Modellos?
28:33 - 28:34: Yeah.
28:34 - 28:35: OK.
28:35 - 28:36: On brand.
28:36 - 28:38: The bus takes you to the Hollywood Bowl.
28:38 - 28:39: We get out there.
28:39 - 28:42: There's like a really crusty lot scene.
28:42 - 28:43: Just a buff scene, man.
28:43 - 28:45: Yeah.
28:45 - 28:50: Just people who are like gone, like with a 1,000 yard stare.
28:50 - 28:52: Just weird old hippies selling trinkets.
28:52 - 28:54: Yeah, well, that is mellow.
28:54 - 28:57: It's more like the people who are in their 30s or their 20s,
28:57 - 28:59: who are like gacked out on something.
28:59 - 29:01: And then we get into the venue.
29:01 - 29:03: We got great seats.
29:03 - 29:06: Paid a small fortune for them.
29:06 - 29:10: And I thought the show sucked musically.
29:10 - 29:15: And the crowd was just eating it up, drinking the Kool-Aid.
29:15 - 29:19: You were one of the only dudes who had the balls to just say--
29:19 - 29:20: Yeah.
29:20 - 29:21: OK, so my buddy Chris--
29:21 - 29:22: This is not kind.
29:22 - 29:23: This is buff.
29:23 - 29:25: My buddy Chris Fallon was with us.
29:25 - 29:29: And he shot a little impromptu video, maybe like second song
29:29 - 29:30: in, third song in.
29:30 - 29:32: He's like, Jake, first impressions.
29:32 - 29:35: And I just kind of like went off,
29:35 - 29:40: and I said that I thought John Mayer was lame and kind
29:40 - 29:42: of tasteless and not really bringing the whole lot.
29:42 - 29:45: Pretty generic, like virtuosic guitar playing.
29:45 - 29:47: Anyway, Chris posted it to Instagram.
29:47 - 29:49: And it went on a local LA level.
29:49 - 29:50: It went viral.
29:50 - 29:52: Because then two weeks later, I'm
29:52 - 29:55: in the Home Depot in Lincoln Heights.
29:55 - 29:57: And this dude comes up to me.
29:57 - 29:59: He's like, dude, this sounds so weird.
29:59 - 30:02: But straight up, man, I saw you on Instagram yesterday.
30:02 - 30:04: My buddy showed me the video.
30:04 - 30:07: And it's you just like ripping into John Mayer
30:07 - 30:08: in his performance at the Dead Show.
30:08 - 30:10: And I was like, wait, do you know Chris?
30:10 - 30:10: He's like, no.
30:10 - 30:11: Who?
30:11 - 30:11: Who's that?
30:11 - 30:13: He's like, no, my buddy just showed me the video.
30:13 - 30:14: I'm like, what?
30:14 - 30:16: Wait, didn't you say there was yet another person
30:16 - 30:17: came over to you?
30:17 - 30:18: Yeah, yeah.
30:18 - 30:21: And then like a month later, like quite a ways after,
30:21 - 30:23: I was at an art opening.
30:23 - 30:24: Now, this guy did know Chris.
30:24 - 30:26: But he was like, oh, hey, man.
30:26 - 30:28: Like, oh, I loved you on Chris's Instagram
30:28 - 30:30: just tearing into Mayer.
30:30 - 30:32: Thought that was just so on point.
30:32 - 30:34: I was like, [BLEEP] damn, man.
30:34 - 30:37: All right, so we got to play the video in question.
30:37 - 30:39: So this is what your buddy Chris posted.
30:39 - 30:42: This is Jake ripping into John Mayer.
30:42 - 30:44: This was filmed at the Hollywood Bowl concert.
30:44 - 30:45: Yeah, three songs in.
30:45 - 30:49: [MUSIC - "THE BEST TIME OF THE YEAR"]
30:49 - 30:50: There's the music.
30:50 - 30:51: Sounds like Clapton.
30:51 - 30:55: [MUSIC - "THE BEST TIME OF THE YEAR"]
30:55 - 30:59: Ooh.
30:59 - 31:03: See some bald-headed hippies.
31:03 - 31:04: Are you doing a video?
31:04 - 31:07: First impressions, Jake Longstrap.
31:07 - 31:08: The Mayer is brutal.
31:08 - 31:09: Bad Mayer.
31:09 - 31:09: Bad Mayer.
31:09 - 31:12: People are like, they love John Mayer.
31:12 - 31:13: It's awful.
31:13 - 31:15: It's not working.
31:15 - 31:17: If you like Stevie Ray Vaughan, that's fine.
31:17 - 31:18: We're made to be seen early.
31:18 - 31:20: Only the third song in the set.
31:20 - 31:22: None of the lyricism of Jerry.
31:22 - 31:22: None of it.
31:22 - 31:23: Respect.
31:23 - 31:24: No lyricism here.
31:24 - 31:26: Not a lot of soul going on.
31:26 - 31:27: Are we at like a TGA Friday or something?
31:27 - 31:28: It's like, what are--
31:28 - 31:31: [MUSIC - "THE BEST TIME OF THE YEAR"]
31:31 - 31:32: This is terrible.
31:32 - 31:35: [MUSIC - "THE BEST TIME OF THE YEAR"]
31:35 - 31:36: Love it.
31:36 - 31:38: So also just to paint the picture,
31:38 - 31:41: one thing I like about this video that he posted
31:41 - 31:45: is it starts out, the camera's pointed at the stage.
31:45 - 31:48: You see all these older hippies just kind of bobbing
31:48 - 31:50: their heads, having a great time.
31:50 - 31:53: Then you pan over to Jake, just looking harshed out.
31:53 - 31:55: And then you just start ripping it.
31:55 - 31:56: It's just like a real contrast.
31:56 - 31:59: Everybody's just kind of hippie dancing, enjoying it.
31:59 - 32:00: And I get it.
32:00 - 32:01: People are there to have a good time.
32:01 - 32:04: You know, people want to have a good time.
32:04 - 32:06: I wanted to have a good time, but I'm also not going to
32:06 - 32:10: relinquish all critical thought about it.
32:10 - 32:14: You were looking for guitar lyricism.
32:14 - 32:19: That's one of the real transcendent and beautiful parts
32:19 - 32:23: about the Dead's music is Jerry's touch on the guitar.
32:23 - 32:23: Right.
32:23 - 32:25: His tone and his choices.
32:25 - 32:27: TTL, tone, touch, and lyricism.
32:27 - 32:28: Woo.
32:28 - 32:30: That's what makes a good guitarist.
32:30 - 32:33: I mean, Jerry was an incredibly unique guitarist.
32:33 - 32:36: There's very few really distinct guitarists
32:36 - 32:38: where you're like, oh, that's them playing solo.
32:38 - 32:40: So in the video, you said this is cool
32:40 - 32:43: if you like Stevie Ray Vaughan, because you're not a fan of SRV.
32:43 - 32:44: Not really.
32:44 - 32:46: I mean, I know people are ride or die SRV.
32:46 - 32:47: It just sounds like--
32:47 - 32:48: Some fake Jimi Hendrix.
32:48 - 32:52: Yeah, it just sounds like a really accomplished bar band,
32:52 - 32:55: like blues, Texas blues.
32:55 - 32:57: I like this conversation, because I think it also--
32:57 - 32:59: on the show, we talk so much about the tasteful palate
32:59 - 33:01: of the 1970s.
33:01 - 33:05: And I think sometimes people get a twist and say, well,
33:05 - 33:08: is that all you need to make good music in Jake's book?
33:08 - 33:10: All you need is the tasteful palate of '70s stuff?
33:10 - 33:14: No, you also need tone, touch, and lyricism.
33:14 - 33:15: You need good songs.
33:15 - 33:17: Oh, and good songs.
33:17 - 33:19: That's happened before on this show, where we're listening
33:19 - 33:22: to some random top five from the '70s.
33:22 - 33:23: And even with that palate.
33:23 - 33:24: And you're like, what?
33:24 - 33:25: It's the perfect palate.
33:25 - 33:25: You don't like it?
33:25 - 33:27: I'm like, come on, bro.
33:27 - 33:27: It doesn't have--
33:27 - 33:29: It's not just the palate.
33:29 - 33:33: The band Bread, the band America, great palates.
33:33 - 33:35: Bad songs.
33:35 - 33:38: I mean, I can get down with a couple of America songs.
33:38 - 33:41: And lyricism, tone and touch, TTL.
33:41 - 33:42: Good tone.
33:42 - 33:43: Good tone.
33:43 - 33:45: Decent touch.
33:45 - 33:48: Not a lot of lyricism.
33:48 - 33:52: I used to have these superhero trading cards
33:52 - 33:54: when I was a kid, like X-Men trading cards.
33:54 - 33:56: And I actually learned a lot of words from them,
33:56 - 33:57: because I was probably like eight or nine.
33:57 - 33:59: And you'd flip over and be like, Wolverine.
33:59 - 34:01: And it'd be like, stamina, nine.
34:01 - 34:04: And I just remember this is the first time I've ever--
34:04 - 34:04: Strength.
34:04 - 34:05: I've heard the word stamina.
34:05 - 34:06: Strength, 10.
34:06 - 34:07: Power.
34:07 - 34:12: We should do like '70s musician trading cards on the back.
34:12 - 34:13: Tone.
34:13 - 34:14: Touch.
34:14 - 34:15: Lyricism.
34:15 - 34:18: So America would be like, tone, nine.
34:18 - 34:19: Touch, eight.
34:19 - 34:20: Lyricism, two.
34:20 - 34:21: Four.
34:21 - 34:22: Yeah.
34:22 - 34:25: (SINGING) Well, I tried to make it Sunday,
34:25 - 34:33: but I got so damn depressed that I set my sights on Monday.
34:33 - 34:36: And I got myself undressed.
34:36 - 34:40: I ain't ready for the altar, but I
34:40 - 34:45: do agree there's times when a woman sure
34:45 - 34:48: can be a friend of mine.
34:48 - 34:56: Well, I keep on thinking about you, sister golden hair
34:56 - 34:58: surprise.
34:58 - 35:01: And I just can't live without you.
35:01 - 35:04: Can't you see it in my eyes?
35:04 - 35:08: I've been one poor, poorest man.
35:08 - 35:11: And I've been due too far to find.
35:11 - 35:16: But it doesn't mean you ain't been on my mind.
35:16 - 35:22: Will you meet me in the air?
35:22 - 35:25: Will you meet me in the air?
35:25 - 35:29: Will you love me just a little?
35:29 - 35:32: Just enough to show you care?
35:32 - 35:35: Well, I tried to fake it.
35:35 - 35:38: I don't mind saying I just can't make it.
35:38 - 35:41: Time crisis.
35:41 - 35:44: Well, speaking of America, Jake, you
35:44 - 35:47: did some real digging the past week.
35:47 - 35:51: And you came across a band that I'd never heard of
35:51 - 35:53: that we need to talk about.
35:53 - 35:56: Yeah, Madison Rising.
35:56 - 35:58: OK, so Madison Rising bills themselves
35:58 - 36:01: as America's most patriotic rock band.
36:01 - 36:03: Yeah, well, a little back story.
36:03 - 36:04: Yeah, how did you find them?
36:04 - 36:06: I was reading about the Juggalo March.
36:06 - 36:07: Right.
36:07 - 36:12: In DC, which obviously that's the most 2017 fascinating thing
36:12 - 36:12: ever.
36:12 - 36:14: And for people who have been living
36:14 - 36:16: under a rock for the past 20 years,
36:16 - 36:19: Juggalos are fans of the Insane Clown Posse.
36:19 - 36:21: It's bigger than just a fandom, though.
36:21 - 36:22: It's kind of a culture and a lifestyle.
36:22 - 36:25: The Juggalos have been classified as a gang by the FBI.
36:25 - 36:28: So they're marching on DC to kind of fight for their rights
36:28 - 36:31: to explain that they shouldn't be discriminated against.
36:31 - 36:32: That is kind of crazy.
36:32 - 36:35: I mean, it'd be like saying the Deadheads are a gang.
36:35 - 36:38: And there were a lot of sad stories in this long article
36:38 - 36:40: I read on the AV Club about the Juggalo March,
36:40 - 36:46: about people with Juggalo tattoos who then lost custody
36:46 - 36:49: of their kids in a court case because they
36:49 - 36:50: had Juggalo tattoos.
36:50 - 36:52: And that's a gang affiliation.
36:52 - 36:53: So it's really no joke.
36:53 - 36:57: Literally, people's rights are being compromised or straight
36:57 - 37:03: up violated because some judge somewhere in Ohio is like,
37:03 - 37:04: well, sir, as a member of a gang,
37:04 - 37:07: the state cannot permit you to be in your child's life.
37:07 - 37:09: OK, so it's really bad.
37:09 - 37:09: Oh, yeah, yeah.
37:09 - 37:10: That's why they did it.
37:10 - 37:11: It wasn't just like a joke.
37:11 - 37:12: Yeah.
37:12 - 37:16: I mean, it is funny, obviously, the Juggalos marching on DC.
37:16 - 37:18: If you zoom out, it's funny.
37:18 - 37:19: And I think Juggalos have a sense of humor
37:19 - 37:21: about the fact that they wear face paint and stuff.
37:21 - 37:22: But no, you're right.
37:22 - 37:23: That's really serious that they're
37:23 - 37:25: being targeted that way.
37:25 - 37:29: So there was this big march and then a lot of speakers.
37:29 - 37:30: And then a band played--
37:30 - 37:31: well, ICP played.
37:31 - 37:35: And then a band called Madison Rising also played.
37:35 - 37:38: And I was reading the description of the whole march.
37:38 - 37:40: And that name caught my eye.
37:40 - 37:43: I was like, who's Madison Rising?
37:43 - 37:45: And then I looked at their Wikipedia page
37:45 - 37:50: and self-described their biggest influence is Creed.
37:50 - 37:55: Can you take me higher?
37:55 - 37:59: And it's like Ted Nugent level, quote unquote,
37:59 - 38:06: patriotism with the most guitar center,
38:06 - 38:09: just pathetic, kind of like proto grunge.
38:09 - 38:12: It's like a band you would see on The Simpsons,
38:12 - 38:14: except it's real.
38:14 - 38:16: It kind of seems like a fake band.
38:16 - 38:17: Yeah.
38:17 - 38:18: But they had Madison Rising on the bill.
38:18 - 38:24: And this is live before the nationwide NASCAR
38:24 - 38:26: race at Daytona.
38:26 - 38:29: Now here to perform our national anthem,
38:29 - 38:31: please welcome America's most patriotic rock
38:31 - 38:35: band, Madison Rising.
38:35 - 38:36: That's too funny.
38:36 - 38:39: That would be Creedence Clearwater Revival.
38:39 - 38:41: Yeah, first of all, not America's most patriotic rock
38:41 - 38:42: band.
38:42 - 38:42: Most patriotic rock band.
38:42 - 38:44: Who do you think-- who is the most patriotic rock band?
38:44 - 38:45: Vampire Weekend.
38:45 - 38:46: Fugazi?
38:46 - 38:48: Wayful Dead?
38:48 - 38:51: Bruce Springsteen.
38:51 - 38:53: OK, so just to paint the picture,
38:53 - 38:56: this guy's holding a folded up American flag, the singer.
38:56 - 38:58: [MUSIC - BRUCE SPRINGSTEEN, "THE BODY OF A DAUGHTER"]
38:58 - 39:08: (SINGING) Can you see the body of a daughter delighted?
39:08 - 39:10: He's got kind of like a little chin goatee.
39:10 - 39:17: (SINGING) So proudly we hail.
39:17 - 39:18: At the twilight's last gleaming.
39:18 - 39:22: All the NASCAR drivers are like befuddled expressions.
39:22 - 39:24: They're all wearing Oakleys.
39:24 - 39:30: (SINGING) Whose broad stripes and bright stars--
39:30 - 39:31: OK, get the tom beat going.
39:31 - 39:32: Yeah, the drums come in.
39:32 - 39:38: (SINGING) --ever on our minds.
39:38 - 39:44: Oh, the ramparts we watched--
39:44 - 39:45: Watched.
39:45 - 39:51: (SINGING) --were so gallantly streaming.
39:51 - 39:51: Here we go.
39:51 - 39:52: Taking some liberty.
39:52 - 39:54: (SINGING) And the rockets' red glare.
39:54 - 39:54: [LAUGHS]
39:54 - 39:58: (SINGING) The bombs bursting in air.
39:58 - 40:00: Also, the mix.
40:00 - 40:01: I guess they're setting off fireworks.
40:01 - 40:03: It's like drums and vocals.
40:03 - 40:07: (SINGING) --the bombs bursting in air.
40:07 - 40:13: Who saved the Satchel?
40:13 - 40:15: And the dudes in the band are rocking out so hard.
40:15 - 40:16: Yeah.
40:16 - 40:18: (SINGING) --the game winner.
40:18 - 40:20: There's like some military dudes saluting.
40:20 - 40:23: I wonder what's going through their head.
40:23 - 40:24: Oh, wait, hold on.
40:24 - 40:24: We've got to--
40:24 - 40:25: [LAUGHS]
40:26 - 40:29: (SINGING) --the land.
40:29 - 40:30: Land.
40:30 - 40:31: That's pure Creed.
40:31 - 40:33: (SINGING) --the free.
40:33 - 40:34: Creed would do this better.
40:34 - 40:35: That's the funny part.
40:35 - 40:38: (SINGING) --in the heart.
40:38 - 40:41: This is almost a little like Tenacious D, too.
40:41 - 40:41: Oh, totally.
40:41 - 40:45: (SINGING) --the free.
40:45 - 40:47: Good lord.
40:47 - 40:50: For the land.
40:50 - 40:53: I also just love the fact that these guys just
40:53 - 40:55: like changing the melody, changing all this stuff.
40:55 - 40:58: Just imagine if it was like a liberal band got up there
40:58 - 40:58: and did this.
40:58 - 40:59: Oh, my god.
40:59 - 41:03: Fox News headline just like, disgusting travesty.
41:03 - 41:06: Jeff Tweedy and Wilco disparaging
41:06 - 41:07: our national anthem.
41:07 - 41:12: Bunch of libtards think they can just add some grind
41:12 - 41:14: cord of the national anthem.
41:14 - 41:16: For the land.
41:16 - 41:18: Oh, like if it was a liberal band that
41:18 - 41:22: had that exact aesthetic, that'd be amazing.
41:22 - 41:23: It was like a high school band.
41:23 - 41:25: So Tenacious D. I just want to point out for people
41:25 - 41:29: that in this video, that insane music you just heard
41:29 - 41:31: is being performed in front of like legitimately
41:31 - 41:33: maybe like 500,000 people.
41:33 - 41:35: It's a giant event.
41:35 - 41:38: Everybody has to keep a straight face just like, yeah.
41:38 - 41:39: They also do originals.
41:39 - 41:41: Yeah, I found the--
41:41 - 41:43: I sent you one called Right to Bear.
41:43 - 41:45: Yeah, we should listen a little bit to Right to Bear.
41:45 - 41:46: This is brutal.
41:46 - 41:49: So here's Madison Rising with Right to Bear.
41:55 - 41:56: Opens with a 911 call.
41:56 - 42:02: Late one night as I came home and saw the front all broken in.
42:02 - 42:06: I grabbed my piece and went inside
42:06 - 42:08: to see who the hell's within.
42:08 - 42:11: This song's from 2012, not 1996.
42:11 - 42:16: Face to face, my gun to beat the night.
42:16 - 42:22: But man, you should have seen him run when I cocked that .45.
42:22 - 42:25: It's really like a candle box beat cut.
42:25 - 42:27: Yeah, little Alice in Chains.
42:30 - 42:32: We won't let it happen again.
42:32 - 42:38: It's one of my rights as a free man
42:38 - 42:41: to protect my home when I need it.
42:41 - 42:41: Hold on.
42:41 - 42:43: I just want to point out with those lyrics,
42:43 - 42:44: in case people weren't catching the lyrics,
42:44 - 42:47: this is the opening verse.
42:47 - 42:50: Late one night as I came home and saw the front door broken
42:50 - 42:53: in, I grabbed my piece and went inside--
42:53 - 42:55: This is like a Charles Bronson movie.
42:55 - 42:57: --to see who lurks within.
42:57 - 42:59: That's so Tenacious D.
42:59 - 43:00: I love this aesthetic.
43:00 - 43:03: Tenacious D does the exact same thing.
43:03 - 43:05: Although, I don't think they would write a straight song
43:05 - 43:07: about pro-gun.
43:07 - 43:11: I think it's that same type of goofy,
43:11 - 43:14: trying to sound like classic rock or cool '90s rock.
43:14 - 43:15: So I just love this.
43:15 - 43:17: Late one night as I came home and saw the front door broken
43:17 - 43:19: in, I grabbed my piece and went inside
43:19 - 43:20: to see who lurks within.
43:20 - 43:23: So it's like that-- even just to change the lyrics
43:23 - 43:26: into that kind of stilted, old-fashioned--
43:26 - 43:27: It's like Zeppelin.
43:27 - 43:29: --it's so Zeppelin to be like--
43:29 - 43:30: Lurks within.
43:30 - 43:32: --to see who lurks within.
43:32 - 43:35: It's so Tenacious D. It's just to suddenly out of nowhere
43:35 - 43:37: have a line just to make it rhyme,
43:37 - 43:39: where you're just talking like normal American speech.
43:39 - 43:42: To see who lurks within.
43:42 - 43:43: It's so high school.
43:43 - 43:48: There we stood face to face, my gun, the thief, and I.
43:48 - 43:50: Also, to say, and I.
43:50 - 43:52: The gun, the thief, and I.
43:52 - 43:54: Man, you should have seen him run.
43:54 - 43:57: When I cocked that .45.
43:57 - 43:58: God.
43:58 - 44:00: And then the-- disarmed our rights will disappear.
44:00 - 44:02: We won't let it happen here.
44:02 - 44:03: This is the chorus.
44:03 - 44:04: [MUSIC - THE CURB, "I DEMAND MY RIGHTS"]
44:04 - 44:06: (SINGING) Because one of my rights
44:06 - 44:10: has a free man to protect my home when I need it.
44:10 - 44:14: I demand my right to bear.
44:14 - 44:16: Oh.
44:16 - 44:18: I demand my right to bear.
44:18 - 44:19: Pause.
44:19 - 44:22: Arms.
44:22 - 44:24: This is insane.
44:24 - 44:27: The funny thing is, this came out in 2012.
44:27 - 44:29: It only has about 300,000 views.
44:29 - 44:30: So I feel like--
44:30 - 44:30: You know what?
44:30 - 44:32: It's a niche band.
44:32 - 44:35: Even the right wingers, you know,
44:35 - 44:37: whatever side of the political spectrum you're on,
44:37 - 44:39: it's just like left wingers, like, you know,
44:39 - 44:42: you like when you know that an artist has
44:42 - 44:44: some shared morality with you.
44:44 - 44:46: But if they play too hard, you know,
44:46 - 44:49: even like liberal Bernie bros like us,
44:49 - 44:53: if Pearl Jam came out with a new song that was like,
44:53 - 44:56: we got to support socialism.
44:56 - 44:59: Medicare for all.
44:59 - 45:01: His name was Bernie Sanders.
45:01 - 45:03: We'd just be like, this sucks.
45:03 - 45:04: So even I'm sure there's some right wingers who
45:04 - 45:05: love Alice in Chains and Zeppelin.
45:05 - 45:07: They're like, OK, you know what?
45:07 - 45:08: A little on the nose, guys.
45:08 - 45:11: Yeah, like, I do support the right to bear arms.
45:11 - 45:12: But I don't need this.
45:12 - 45:14: And also, like, this story, like, they're like,
45:14 - 45:19: it's a story about killing someone in your house.
45:19 - 45:23: And it has like the emotional palette of like a hard rock
45:23 - 45:25: song, like a strip club.
45:25 - 45:25: Yeah.
45:25 - 45:28: Like, it has none of the like resonance
45:28 - 45:31: that it really should, given like how gnarly the subject
45:31 - 45:31: matter is.
45:31 - 45:35: Well, I guess to be fair to Madison Rising, in this story,
45:35 - 45:37: he's not actually killing the thief.
45:37 - 45:39: Oh, he's just chasing them off?
45:39 - 45:39: I know.
45:39 - 45:41: This is also just like the perfect right wing version
45:41 - 45:42: of how gun rights go.
45:42 - 45:42: Right.
45:42 - 45:44: If you come home, the door is broken in.
45:44 - 45:45: Perfect scenario.
45:45 - 45:47: Also, he grabbed his piece, went inside
45:47 - 45:48: to see who lurks within.
45:48 - 45:49: He sees the thief.
45:49 - 45:50: He's face to face with him.
45:50 - 45:51: Cocks that .45.
45:51 - 45:53: The coward ran away.
45:53 - 45:54: It's like a Dirty Harry movie.
45:54 - 45:58: Yeah, and then he called the locksmith, fixed the lock,
45:58 - 45:59: slept soundly.
45:59 - 46:00: That's that.
46:00 - 46:01: .45 under the pillow.
46:01 - 46:04: I just like want to like a version that's like,
46:04 - 46:07: and then I cocked my .45.
46:07 - 46:09: He shot me in the arm.
46:09 - 46:10: I thought that I'd die.
46:10 - 46:12: He beat the shit out of me.
46:12 - 46:15: Like the gun jammed.
46:15 - 46:20: Random fire from my piece went into the neighbor's house,
46:20 - 46:22: killing my elderly neighbor.
46:22 - 46:24: It's a small price to pay.
46:24 - 46:27: I couldn't let that thief get away.
46:27 - 46:29: Yeah, like perfect story, man.
46:29 - 46:34: All right, well, check out Madison Rising or don't.
46:34 - 46:38: America's, I'm going to say, least patriotic rock band.
46:38 - 46:40: You want to check out a patriotic rock band,
46:40 - 46:43: check out Bruce.
46:43 - 46:43: You know what?
46:43 - 46:45: Honestly, even Led Zeppelin's more patriotic.
46:45 - 46:49: I'm going to make a true patriotic playlist.
46:49 - 46:50: Oh, I love that.
46:50 - 46:51: Yeah.
46:51 - 46:52: Jake making a--
46:52 - 46:53: OK, I love that.
46:53 - 46:56: I want to see Jake's takes on what it really
46:56 - 46:58: means to be an American rock fan.
46:58 - 47:03: Because the right wingers, because rock apparently is dead,
47:03 - 47:05: the liberals don't care about rock anymore.
47:05 - 47:07: Because, you know, we don't turn up to rock anymore.
47:07 - 47:08: That's true.
47:08 - 47:12: It'll be interesting to see what the most recent song
47:12 - 47:14: on the patriotic playlist will be.
47:14 - 47:15: Right.
47:15 - 47:16: It probably won't be--
47:16 - 47:17: The Shear Mag.
47:17 - 47:18: OK, actually, yeah.
47:18 - 47:19: Do they have any patriotic songs?
47:19 - 47:20: Oh, yeah, no.
47:20 - 47:20: Yeah, yeah.
47:20 - 47:25: Their politics are super engaged with kind of lefty engagement.
47:25 - 47:26: Yeah, yeah.
47:26 - 47:26: The Shear Mag.
47:26 - 47:30: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
47:30 - 47:33: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:34 - 50:38: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:38 - 50:41: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:41 - 50:43: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:43 - 50:47: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:47 - 50:50: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:54 - 50:57: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
50:57 - 51:01: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:01 - 51:04: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:04 - 51:07: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:07 - 51:11: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:14 - 51:18: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:21 - 51:25: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:31 - 51:35: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:42 - 51:45: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:45 - 51:49: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:49 - 51:52: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
51:56 - 51:59: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:09 - 52:13: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:13 - 52:16: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:16 - 52:20: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:20 - 52:23: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:23 - 52:27: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:27 - 52:30: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:37 - 52:40: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:40 - 52:44: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:44 - 52:47: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:47 - 52:51: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:51 - 52:54: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
52:54 - 52:58: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:04 - 53:08: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:08 - 53:11: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:11 - 53:15: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:15 - 53:18: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:18 - 53:22: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:22 - 53:25: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:32 - 53:35: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:35 - 53:39: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:39 - 53:42: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:52 - 53:56: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
53:59 - 54:03: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:03 - 54:06: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:06 - 54:10: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:13 - 54:16: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:20 - 54:23: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:27 - 54:30: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:34 - 54:37: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:37 - 54:40: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:40 - 54:44: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:47 - 54:51: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
54:58 - 55:01: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:01 - 55:04: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:08 - 55:11: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:11 - 55:15: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:15 - 55:18: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:18 - 55:21: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:21 - 55:25: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:25 - 55:28: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:28 - 55:32: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:35 - 55:39: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:39 - 55:42: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:42 - 55:45: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:45 - 55:49: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
55:49 - 55:52: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
57:14 - 57:17: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
57:17 - 57:20: [MUSIC - THE SHEAR MAG, "THE SHEAR MAG"]
01:12:11 - 01:12:14: Well, that was quite a whirlwind, Jake.
01:12:14 - 01:12:15: Good lord.
01:12:15 - 01:12:16: Guy's high energy.
01:12:16 - 01:12:18: You gotta be.
01:12:18 - 01:12:20: I like how he was just like, what is this?
01:12:20 - 01:12:21: I don't like it.
01:12:21 - 01:12:22: I don't get it.
01:12:22 - 01:12:25: Do you think he really didn't know who Jerry Garcia is?
01:12:25 - 01:12:27: I guess for an English person, it's possible.
01:12:27 - 01:12:32: He seemed like ride or die boy band stuff and like Queen,
01:12:32 - 01:12:34: like maybe like a theater kid.
01:12:34 - 01:12:34: Oh, well, yeah.
01:12:34 - 01:12:36: He comes from like a musical theater.
01:12:36 - 01:12:36: OK, yeah.
01:12:36 - 01:12:37: So that makes sense.
01:12:37 - 01:12:40: He's like Queen and like some sort of shaggy kind
01:12:40 - 01:12:43: of like loose classic rock stuff.
01:12:43 - 01:12:44: It's just like not his aesthetic.
01:12:44 - 01:12:45: Right.
01:12:45 - 01:12:49: James Corden was starting boy bands, belting show tunes.
01:12:49 - 01:12:51: He was like an Into the Woods and stuff, doing theater.
01:12:51 - 01:12:54: Yeah, Queen is way more appealing and probably
01:12:54 - 01:12:56: like maybe a couple of burnout.
01:12:56 - 01:12:58: Also, he's like a professional showbiz guy.
01:12:58 - 01:13:01: Right, like the Grateful Dead or not.
01:13:01 - 01:13:04: He's a triple threat too, by the way.
01:13:04 - 01:13:04: Dancing?
01:13:04 - 01:13:05: What?
01:13:05 - 01:13:08: Singing, dancing, acting and hosting.
01:13:08 - 01:13:09: Does he act and stuff?
01:13:09 - 01:13:12: He was in those Into the Woods movie.
01:13:12 - 01:13:14: He's been like on Broadway and stuff.
01:13:14 - 01:13:17: I guess it's very possible that like the dead really
01:13:17 - 01:13:23: didn't tour the UK very much after the 70s.
01:13:23 - 01:13:24: I don't know.
01:13:24 - 01:13:24: Is that true?
01:13:24 - 01:13:26: I mean, yeah, obviously 72.
01:13:26 - 01:13:26: I mean, I feel like...
01:13:26 - 01:13:27: I don't know.
01:13:27 - 01:13:30: Every American high school, at least through the 90s,
01:13:30 - 01:13:33: would have had some kind of kid who like was into the dead.
01:13:33 - 01:13:34: Right.
01:13:34 - 01:13:37: Maybe not anymore, but you know, James is in his 30s,
01:13:37 - 01:13:37: I think.
01:13:37 - 01:13:41: So like if he was American, he'd at least know who Jerry Garcia was.
01:13:41 - 01:13:41: Yeah.
01:13:41 - 01:13:44: But it's possible you go to the average like 30-something
01:13:44 - 01:13:46: English guy and you're just like, "Name one member of the Grateful
01:13:46 - 01:13:49: Dead," and they'll just be like, "You might as well be asking
01:13:49 - 01:13:51: about Quicksilver Messenger Service."
01:13:51 - 01:13:51: Right.
01:13:51 - 01:13:54: Also clearly didn't know who Boz Gaggs was.
01:13:54 - 01:13:57: Who's the drummer in Moby Grape?
01:13:57 - 01:13:57: Yeah, yeah.
01:13:57 - 01:13:58: Yeah, we don't know that.
01:13:58 - 01:13:59: No, I don't know.
01:13:59 - 01:14:02: So let's talk about Boz Gaggs a little bit.
01:14:02 - 01:14:04: Shout out to Jonathan from California.
01:14:04 - 01:14:05: Great email.
01:14:05 - 01:14:06: Great email.
01:14:06 - 01:14:09: Great reading of it by James Corden.
01:14:09 - 01:14:10: I mean, I'm kind of a fake fan.
01:14:10 - 01:14:12: I only know his two big hits.
01:14:12 - 01:14:15: Jake, you're the 70s tasteful palate guy.
01:14:15 - 01:14:16: What does Boz Gaggs mean to you?
01:14:16 - 01:14:18: I have to admit, it's sort of a blind spot.
01:14:18 - 01:14:20: I know Lido Shuffle.
01:14:20 - 01:14:21: Yeah, that's one of the big hits.
01:14:21 - 01:14:22: Which is a great song.
01:14:22 - 01:14:26: It has kind of like a Billy Joel vibe a little bit.
01:14:26 - 01:14:27: Yeah.
01:14:27 - 01:14:29: I like that song.
01:14:29 - 01:14:32: I mean, he's one of those names that I've heard like bandied
01:14:32 - 01:14:36: about for years, and then I would sort of like maybe do a
01:14:36 - 01:14:37: cursory check in with him.
01:14:37 - 01:14:41: And yeah, this is like a good, yeah, this song does have a bit
01:14:41 - 01:14:42: of a Billy Joel vibe.
01:14:42 - 01:14:43: This is tight.
01:14:49 - 01:14:54: I wish our emailer Jonathan had explained more what about it
01:14:54 - 01:14:57: appealed to him so much.
01:14:57 - 01:15:02: I'm down with this, but it doesn't like hit me as like
01:15:02 - 01:15:09: incredibly original or unique to Boz, but this is a good song.
01:15:09 - 01:15:10: Yeah.
01:15:10 - 01:15:11: I don't know my Boz.
01:15:11 - 01:15:16: Next time, shout out to Leo, put the mic down and let him roll.
01:15:16 - 01:15:22: He said, one more job ought to get it.
01:15:22 - 01:15:25: One last shot before we quit it.
01:15:25 - 01:15:31: One for the road.
01:15:31 - 01:15:33: I mean, this should have been on the Humpty Humpty list.
01:15:33 - 01:15:37: Whoa, oh, oh, oh, oh, oh, oh.
01:15:37 - 01:15:40: Staying in the day before the night.
01:15:40 - 01:15:42: He's worth a shot.
01:15:42 - 01:15:43: Staying in the face.
01:15:43 - 01:15:45: We are the order.
01:15:45 - 01:15:47: This would be cool on a Home Depot ad too.
01:15:47 - 01:15:47: Yeah.
01:15:47 - 01:15:49: Come on down to Home Depot this weekend.
01:15:49 - 01:15:50: Yeah.
01:15:50 - 01:15:54: 20% off on all blah, blah, blah.
01:15:54 - 01:15:58: And get your deck looking right for Labor Day.
01:15:58 - 01:16:00: Actually, this is more like some local.
01:16:00 - 01:16:01: Yeah, it's humble.
01:16:01 - 01:16:06: Order.
01:16:06 - 01:16:09: Come down to Boz Skaggs' House Depot.
01:16:09 - 01:16:11: He's running, having great big fun.
01:16:11 - 01:16:14: Take out the note.
01:16:14 - 01:16:16: He's a good song.
01:16:16 - 01:16:18: I wonder where he was based out of.
01:16:18 - 01:16:24: So he was Steve Miller's guitar player when Steve Miller was like a Bay Area psych band.
01:16:24 - 01:16:29: Yeah, I feel like he's a Sam Fran guy.
01:16:29 - 01:16:31: That sounds cool.
01:16:31 - 01:16:32: Same album.
01:16:32 - 01:16:33: All right, this is a good album.
01:16:33 - 01:16:34: Silk Degrees, 1976.
01:16:35 - 01:16:49: I mean, this is kind of lame on my part, but I think one of the reasons I don't know Boz Skaggs is that he wasn't on classic rock radio rotation when I was a kid.
01:16:49 - 01:16:51: He's a little funky too.
01:16:51 - 01:16:52: Yeah.
01:16:52 - 01:17:01: He might have been too funky for East Coast rock radio.
01:17:01 - 01:17:02: Right, right.
01:17:02 - 01:17:05: He's very form, you know, classical.
01:17:05 - 01:17:09: I wonder if he's on like the bridge now or something, you know, like on Sirius.
01:17:09 - 01:17:11: Yeah, maybe a little.
01:17:11 - 01:17:13: I just don't encounter his music very often.
01:17:13 - 01:17:14: Yeah, I know what you mean.
01:17:14 - 01:17:17: I didn't know any of his hits until like later in life.
01:17:17 - 01:17:20: It's a good reminder that history is written by the victors.
01:17:20 - 01:17:21: Right.
01:17:21 - 01:17:29: Because just like, you know, living in America, we're told a very specific story of American history.
01:17:29 - 01:17:35: We're taught certain lessons about, you know, who was good, who was bad, why our country did certain things.
01:17:35 - 01:17:38: And we're getting this very hyper specific version of it.
01:17:38 - 01:17:40: Trump won and he's great.
01:17:40 - 01:17:42: Yeah, in 50 years, who knows?
01:17:42 - 01:17:45: People's images get cleaned up or whatever.
01:17:45 - 01:17:46: That's the way it works.
01:17:46 - 01:17:48: You got to really dig sometimes.
01:17:48 - 01:17:51: But also with music history, if you grew up listening to like a certain radio station,
01:17:51 - 01:17:54: although even that's a played out concept for kids today.
01:17:54 - 01:17:59: If you just, if you grow up listening to your dad's classic Rock Labor Day playlist
01:17:59 - 01:18:02: and you hear the same 20 songs over and over again, for all you know,
01:18:02 - 01:18:04: Boz Skaggs was an insignificant artist.
01:18:04 - 01:18:08: You might not know that his album went to number two on the Billboard charts
01:18:08 - 01:18:14: because maybe your dad favored Aerosmith because your dad's from Boston.
01:18:14 - 01:18:19: So you're hearing Aerosmith and you're just like, well, Aerosmith is, I mean, they were a big band.
01:18:19 - 01:18:21: But I'm just saying like you have a very...
01:18:21 - 01:18:23: AC/DC, you know, yeah, Tom Petty, whatever.
01:18:23 - 01:18:24: Just like...
01:18:24 - 01:18:28: Well, yeah, it's kind of, even like with, I feel like until I spent, started spending more time in LA,
01:18:28 - 01:18:31: I just really didn't know that many like Tupac songs.
01:18:31 - 01:18:35: There's a lot of stuff they play on like on K Day, like the kind of throwback LA rap radio.
01:18:35 - 01:18:36: Yeah, yeah.
01:18:36 - 01:18:39: That you just never, you didn't hear that much on Hot 97 in New York.
01:18:39 - 01:18:41: Because obviously New York, it's skewed New York.
01:18:41 - 01:18:42: Yeah.
01:18:42 - 01:18:45: But anyway, some people describe Boss Gags as blue-eyed soul.
01:18:45 - 01:18:46: Okay.
01:18:46 - 01:18:48: I mean, I think of like Hall and Oates that way.
01:18:48 - 01:18:50: Yeah, well, I guess blue-eyed soul is a big genre.
01:18:50 - 01:18:53: It kind of refers to any white person trying to be soulful.
01:18:53 - 01:18:54: Right.
01:18:54 - 01:18:55: It is kind of, yeah, blue-eyed soul.
01:18:55 - 01:18:58: There's something like a little sinister about it.
01:18:58 - 01:19:00: Yeah, I wonder if they meant it that way.
01:19:00 - 01:19:04: Because yeah, in like the context of today, it seems a little bit like, eugh.
01:19:04 - 01:19:07: Well, blue-eyed makes you think of like Arian or something.
01:19:07 - 01:19:08: Right.
01:19:08 - 01:19:11: And obviously white people have all sorts of different eyes.
01:19:11 - 01:19:12: Eye colors.
01:19:12 - 01:19:13: I have brown eyes.
01:19:13 - 01:19:14: Yeah, I have hazel eyes.
01:19:14 - 01:19:16: Just a brown-eyed handsome man.
01:19:16 - 01:19:24: I guess blue eyes, even though you find that here and there, to people that connotes Caucasian.
01:19:24 - 01:19:25: Yeah.
01:19:25 - 01:19:27: Yeah, you couldn't call it brown-eyed soul.
01:19:27 - 01:19:28: Whatever.
01:19:28 - 01:19:29: I don't know.
01:19:29 - 01:19:31: Maybe this is not a politically correct phrase.
01:19:31 - 01:19:33: I don't know if people still use it that much.
01:19:33 - 01:19:36: Jonathan, your email is really going a long way on the show.
01:19:36 - 01:19:39: Just a deep Boss Gags fan email.
01:19:39 - 01:19:41: We're going to do the top five right now.
01:19:41 - 01:19:48: And today, in tribute to Boss Gags and the year that his album Silk Degrees peaked at number two on the Billboard 200,
01:19:48 - 01:19:54: we're going to compare the top five of 2017 with the top five of 1976.
01:19:54 - 01:19:55: Silk Degrees.
01:19:55 - 01:19:57: Our bicentennial year.
01:19:57 - 01:19:59: America celebrating 200.
01:19:59 - 01:20:02: We got Boss Gags hitting number two.
01:20:02 - 01:20:04: Number two on the album charts, but let's see.
01:20:04 - 01:20:11: It's time for the top five on iTunes.
01:20:11 - 01:20:18: We're going to start off with Boss Gags because his other big hit, Lowdown, was number five on the Billboard charts.
01:20:18 - 01:20:21: September '76, I Am In Utero.
01:20:21 - 01:20:22: Really?
01:20:22 - 01:20:23: Oh, yeah.
01:20:23 - 01:20:25: Jake is just kind of taking it all in.
01:20:25 - 01:20:26: Yep.
01:20:26 - 01:20:27: I'm soaking it up.
01:20:27 - 01:20:29: Just kind of getting ready to enter.
01:20:29 - 01:20:31: Making my entrance February '77.
01:20:31 - 01:20:33: Oh, this is Boss Gags?
01:20:33 - 01:20:34: This is also a very funky song.
01:20:34 - 01:20:35: Yeah.
01:20:35 - 01:20:36: So, Jake, you're--
01:20:36 - 01:20:37: Heavily sampled.
01:20:37 - 01:20:39: You're a fetus in your mother's womb.
01:20:39 - 01:20:46: You're just kind of starting to, like, hear through the flesh what's going on in America, and you're like,
01:20:46 - 01:20:50: "Man, I really like the tasteful palette of the music that's happening.
01:20:50 - 01:20:52: I hope this lasts forever."
01:20:52 - 01:20:55: She's in, like, the frozen food aisle at the Grand Union.
01:20:55 - 01:20:57: Yeah.
01:20:57 - 01:20:58: You're just kind of like, "Okay, man.
01:20:58 - 01:21:00: I like this tasteful palette.
01:21:00 - 01:21:06: If this is what life is going to be like for the next, you know, hundred years, that's cool with me, man.
01:21:06 - 01:21:08: I'll live a long, happy life."
01:21:08 - 01:21:13: Little did you know in four years, it would be 1980, and the tasteful palette of the '70s would be gone forever.
01:21:13 - 01:21:18: Yeah, this is cool.
01:21:31 - 01:21:35: Are those flutes?
01:21:35 - 01:21:39: I think so.
01:21:39 - 01:21:44: Jeff Porcaro on drums, legendary drummer who played with Michael Jackson, Toto.
01:21:44 - 01:21:49: Okay, Michael Jackson, you know, Toto.
01:21:49 - 01:21:53: That's a weird lateral move.
01:21:53 - 01:21:54: He was in Toto.
01:21:54 - 01:21:56: He and his brother founded Toto, the Porcaro bros.
01:21:56 - 01:21:57: Oh, okay.
01:21:57 - 01:21:59: And then the Recession dudes for...
01:21:59 - 01:22:03: I think he was just known as, like, one of the best drummers in L.A. in the '70s and '80s.
01:22:03 - 01:22:05: He's played on all sorts of stuff.
01:22:05 - 01:22:12: The number five song in 2017, Portugal the Man.
01:22:12 - 01:22:13: Do you know this band, Jake?
01:22:13 - 01:22:14: No.
01:22:14 - 01:22:17: I've read a piece on them.
01:22:17 - 01:22:19: They're the talk of the music industry right now.
01:22:19 - 01:22:24: This is the first time in a long time that, like, a "alternative song" has, like, broken into top 40.
01:22:24 - 01:22:26: Right.
01:22:26 - 01:22:28: And, wait, sorry, what's the band called?
01:22:28 - 01:22:30: Portugal the Man.
01:22:37 - 01:22:38: They're from where?
01:22:38 - 01:22:39: They're from Alaska.
01:22:39 - 01:22:40: Wow.
01:22:40 - 01:22:42: They're from the same town as Sarah Palin.
01:22:42 - 01:22:44: Wow.
01:22:44 - 01:22:46: How did they get their--I mean...
01:22:46 - 01:22:49: Can't you hear that lonesome Alaskan sound?
01:22:49 - 01:22:50: High, lonesome sound?
01:22:50 - 01:22:54: They're kind of shooting themselves in the foot with that name, and they're coming out of Alaska.
01:22:54 - 01:22:56: That's, like, steep odds.
01:22:56 - 01:22:58: Alaska the Man.
01:22:58 - 01:23:00: Should've just named the band Alaska.
01:23:04 - 01:23:06: Oh, wow, you know what's funny?
01:23:06 - 01:23:11: We were listening to this song the other day, and Rashida said this song sounds just like "Please, Mr. Postman."
01:23:11 - 01:23:12: Oh.
01:23:18 - 01:23:23: And now I'm looking at the info about this song, and they credited the people who wrote "Please, Mr. Postman."
01:23:23 - 01:23:24: Really?
01:23:24 - 01:23:29: You think there's more of that happening now with the Internet and people being more litigious?
01:23:29 - 01:23:31: Yeah, people are scared of getting sued.
01:23:31 - 01:23:37: And they're, like, they probably just wrote the song, and, like, "Please, Mr. Postman" is in their subconscious, like all of us.
01:23:37 - 01:23:41: And then someone later was like, "Dude, that sounds like 'Please, Mr. Postman.' It's the exact same chord progression."
01:23:41 - 01:23:42: Damn.
01:23:48 - 01:23:49: This is a good song.
01:23:49 - 01:23:50: Yeah.
01:23:50 - 01:23:53: I caught this on 1260 AM the other day.
01:23:53 - 01:23:55: You were just listening to this on AM radio?
01:23:55 - 01:24:02: Yeah, there's an oldie station I found in LA called 1260 AM, and it's all just 50s and 60s.
01:24:02 - 01:24:03: Wow.
01:24:03 - 01:24:05: That's my go-to, like, car radio station.
01:24:15 - 01:24:16: Oh, did they say that?
01:24:16 - 01:24:17: In his song?
01:24:17 - 01:24:18: 1966?
01:24:18 - 01:24:21: Maybe they were very consciously shouting out "Please, Mr. Postman."
01:24:21 - 01:24:25: The number four song in 1976.
01:24:25 - 01:24:27: Remember, this is the height of disco.
01:24:27 - 01:24:28: Right.
01:24:28 - 01:24:30: KC and the Sunshine Band, "Shake, Shake, Shake."
01:24:38 - 01:24:39: You like disco, Jake?
01:24:39 - 01:24:40: Yeah, I'm down with it.
01:24:40 - 01:24:42: I mean, it's got the tasteful palette of the 1970s.
01:24:42 - 01:24:45: Yeah, I'm not throwing it on a lot, but I'm down with it.
01:24:45 - 01:24:48: You're not one of those rock dudes who thinks disco sucks, are you?
01:24:48 - 01:24:51: No, that'd be amazing.
01:24:51 - 01:24:57: Just like in 2017 being like, "I'm a Zeppelin guy. I can't stand disco."
01:24:57 - 01:25:00: Zeppelin, AC/DC, just real straightforward stuff.
01:25:00 - 01:25:05: You listen back to this stuff and it's like rock, disco, it's all the same palette, you know?
01:25:05 - 01:25:06: Yeah.
01:25:19 - 01:25:21: This is hilarious.
01:25:21 - 01:25:23: "Shake, Shake, Shake."
01:25:23 - 01:25:27: The full title is "Shake, Shake, Shake" in parentheses, then "Shake Your Booty."
01:25:27 - 01:25:31: So to say it out loud, the full title is "Shake, Shake, Shake, Shake Your Booty."
01:25:31 - 01:25:35: And this holds the record for being the only song that ever hit number one
01:25:35 - 01:25:39: with a title that has a word repeated more than three times in it.
01:25:39 - 01:25:42: They say "shake" four times.
01:25:42 - 01:25:43: Cool.
01:25:43 - 01:25:45: Someone look that up.
01:25:45 - 01:25:48: I mean, what song can you think of that has a word four times in the title?
01:25:48 - 01:25:49: Yeah, I know.
01:25:49 - 01:25:51: I'm going to take them at their word.
01:25:51 - 01:25:54: It was number four this week, but I guess it hit number one eventually.
01:25:54 - 01:26:00: The number four song in our era, 2017, "Imagine Dragons."
01:26:05 - 01:26:10: I know you love, Jake, seeing some rock back on the charts.
01:26:10 - 01:26:13: Yeah, we got "Portugal the Man," we got "Imagine Dragons."
01:26:17 - 01:26:19: Would you call this rock?
01:26:19 - 01:26:21: No.
01:26:21 - 01:26:23: I wouldn't call it rock.
01:26:27 - 01:26:29: Wait, what's that?
01:26:29 - 01:26:30: That's "Lord."
01:26:30 - 01:26:31: Oh, yeah, yeah.
01:26:31 - 01:26:32: It's got the same groove.
01:26:32 - 01:26:33: That's a tight song.
01:26:33 - 01:26:34: Yeah, this is kind of like--
01:26:43 - 01:26:45: That might have been the basis for this.
01:26:45 - 01:26:47: I'm not suggesting a lawsuit.
01:26:47 - 01:26:49: This is the song we're going to have to find the basis.
01:26:57 - 01:26:58: He's kind of rapping.
01:27:02 - 01:27:04: "Imagination Dragons."
01:27:06 - 01:27:10: The number three song in 1976 is another disco song.
01:27:10 - 01:27:11: Wow.
01:27:11 - 01:27:15: Yeah, this is like--I think that 1976 is the year that "Saturday Night Fever" came out.
01:27:15 - 01:27:16: You know, big year.
01:27:16 - 01:27:19: So do you remember this one, "A Fifth of Beethoven" by Walter Murphy?
01:27:19 - 01:27:21: I don't know.
01:27:21 - 01:27:23: Or are you familiar with Beethoven's Fifth Symphony?
01:27:23 - 01:27:24: Is that--
01:27:24 - 01:27:26: Yeah, exactly.
01:27:26 - 01:27:29: Nobody was trying to listen to that in 1976, so they didn't.
01:27:29 - 01:27:31: Arguably, you could call this a remix.
01:27:33 - 01:27:35: Oh, I'm so bored.
01:27:35 - 01:27:37: What is this classical bullsh--?
01:27:37 - 01:27:39: It's 1976.
01:27:39 - 01:27:40: It's Saturday night.
01:27:40 - 01:27:41: We're at the club.
01:27:41 - 01:27:42: Give me--okay, what's that?
01:27:42 - 01:27:43: Okay, whoa, whoa.
01:27:43 - 01:27:44: All right.
01:27:44 - 01:27:47: Class--oh, I love this song.
01:27:47 - 01:27:49: Did your parents have the "Saturday Night Fever" soundtrack?
01:27:49 - 01:27:50: No, no.
01:27:50 - 01:27:51: They were checked out by then?
01:27:51 - 01:27:52: Yeah, yeah, they checked out in '71.
01:27:52 - 01:27:55: My dad had that, so I'd listen to that occasionally.
01:27:57 - 01:28:00: See, this also brings to mind ELO.
01:28:00 - 01:28:02: Yeah, the big strings.
01:28:02 - 01:28:11: And also this--I mean, I feel like ELO would, like, very consciously try to, like, riff on classical music.
01:28:21 - 01:28:25: Pretty cool that there's an instrumental song number three on the charts.
01:28:25 - 01:28:27: Wait, how long is this?
01:28:27 - 01:28:29: Three minutes, four seconds.
01:28:34 - 01:28:35: Ooh.
01:28:38 - 01:28:40: This part's tight.
01:28:40 - 01:28:42: Oh, this is my clav.
01:28:42 - 01:28:45: Ooh, get in there.
01:28:45 - 01:28:46: Oh, this is sick.
01:28:46 - 01:28:49: Yeah, this is great.
01:28:51 - 01:29:01: I'd be remiss not to point out--I'm sure some people at home remember--Robin Thicke, before "Blurred Lines," sampled this song.
01:29:04 - 01:29:07: Oh, no, is this Beethoven?
01:29:07 - 01:29:10: This is so boring.
01:29:10 - 01:29:11: Oh.
01:29:11 - 01:29:13: Is this that song?
01:29:20 - 01:29:21: Improved by vocals?
01:29:21 - 01:29:23: What do you say?
01:29:27 - 01:29:28: I don't mind it.
01:29:31 - 01:29:34: It's got that tasteful '70s ballad.
01:29:37 - 01:29:39: It's kind of funny.
01:29:48 - 01:29:50: It's really awkward, but I like it.
01:30:05 - 01:30:08: Robin's grandmother was like, "I really like that one with the Beethoven."
01:30:08 - 01:30:09: Yeah.
01:30:12 - 01:30:13: All right, not bad.
01:30:13 - 01:30:15: I haven't thought about that song in a minute.
01:30:15 - 01:30:22: The number three song on iTunes in 2017 is Cardi B, "Bodak Yellow."
01:30:22 - 01:30:23: You know this one, Jake?
01:30:23 - 01:30:24: No.
01:30:24 - 01:30:28: So I should also point out, this song, I think, is about to go to number one on the charts.
01:30:28 - 01:30:29: How do you know?
01:30:29 - 01:30:33: Because people have been talking about it, because if this song goes to number one on the charts,
01:30:33 - 01:30:40: it'll be the first time a female rapper went to number one with no features since Lauryn Hill.
01:30:40 - 01:30:46: So it's almost 20 years past without a female rapper having just a solo number one.
01:30:46 - 01:30:50: So no big other rapper coming in and doing a verse.
01:30:50 - 01:30:51: Right, because who knows?
01:30:51 - 01:30:54: Maybe Nicki Minaj had a number, a single, but there was a feature or something.
01:30:54 - 01:30:55: Right.
01:30:55 - 01:30:57: So this would be really big if this goes to number one on Billboard.
01:30:57 - 01:30:59: What was the Lauryn Hill song 20 years ago?
01:30:59 - 01:31:01: I don't know, maybe Dua, that thing, probably went to number one.
01:31:05 - 01:31:06: Do you know who Cardi B is?
01:31:06 - 01:31:07: No.
01:31:07 - 01:31:09: She's from the Bronx.
01:31:09 - 01:31:12: She became globally famous for being on a reality show.
01:31:12 - 01:31:14: Really? What one?
01:31:14 - 01:31:16: I think Love & Hip Hop.
01:31:22 - 01:31:24: These bloody shoes.
01:31:26 - 01:31:27: Haunting.
01:32:04 - 01:32:08: So kind of the main thing that people remember from the song, or like the most quoted line, is the opening line,
01:32:08 - 01:32:12: which I think comes back where she's talking about her shoes and she goes,
01:32:12 - 01:32:19: "These expensive, these are red bottoms. These bloody shoes."
01:32:19 - 01:32:24: So Christian Louboutin, or how do people say Louboutin?
01:32:24 - 01:32:25: Don't ask me.
01:32:25 - 01:32:27: Are you not familiar with those?
01:32:27 - 01:32:28: No.
01:32:28 - 01:32:30: You've never heard of Christian Louboutin?
01:32:30 - 01:32:31: No.
01:32:31 - 01:32:32: What's like a fancy woman's shoe designer?
01:32:32 - 01:32:35: I'm like James Corden over here. I don't know who Jerry Garcia is.
01:32:35 - 01:32:40: Wait, you don't know any famous women's shoes designers?
01:32:40 - 01:32:43: Have you ever heard of Jimmy?
01:32:43 - 01:32:44: I don't know.
01:32:44 - 01:32:46: It's a fancy shoes, Jimmy.
01:32:46 - 01:32:48: Give me a hint.
01:32:48 - 01:32:51: Last name starts with CH. Jimmy Choo?
01:32:51 - 01:32:53: Yeah, okay. Does that sound like a name to you?
01:32:53 - 01:32:54: No, I've never heard of Jimmy Choo.
01:32:54 - 01:32:55: Really?
01:32:55 - 01:33:02: No, I don't know. I mean, I don't follow fashion or women's shoes.
01:33:02 - 01:33:06: Do you know what Balenciaga is? Does that sound like something?
01:33:06 - 01:33:10: Yves Saint Laurent? Laurent?
01:33:10 - 01:33:12: It depends how French you want to be.
01:33:12 - 01:33:13: Christian...
01:33:13 - 01:33:15: Foden-Venzel.
01:33:15 - 01:33:21: Christian de... Christian de... Forget about the Christian.
01:33:21 - 01:33:22: Dior.
01:33:22 - 01:33:24: Dior. You've heard of Dior.
01:33:24 - 01:33:28: You know, I read the New Yorker or whatever.
01:33:28 - 01:33:34: I've seen fashion ads pass over my eyes for decades.
01:33:34 - 01:33:37: The bottom of Christian Louboutin's shoes are red.
01:33:37 - 01:33:39: And they're very expensive.
01:33:39 - 01:33:44: Okay, so Christian Louboutin, Michelle was just telling me, it's patented.
01:33:44 - 01:33:48: So you see red on the bottom of those shoes, it's not going to be Jimmy Choo's.
01:33:48 - 01:33:51: So now let's listen to the beginning of the song again.
01:33:51 - 01:33:54: What? So like the concept of a red-soled shoe?
01:33:54 - 01:33:56: Or what is it exactly that they have the patent on?
01:33:56 - 01:33:58: I'd be curious what the actual language of the patent is.
01:33:58 - 01:34:02: Because what if like Reebok was like, here's a new basketball shoe.
01:34:02 - 01:34:05: Maybe it's something about a specific type of red sole on a woman's...
01:34:05 - 01:34:06: Fancy shoe.
01:34:06 - 01:34:08: Stiletto?
01:34:08 - 01:34:13: If the shoe is retailing for more than $500, you cannot...
01:34:13 - 01:34:15: Or maybe it's a specific color.
01:34:15 - 01:34:17: Oh, like a very specific shoe of red?
01:34:17 - 01:34:19: Yeah, so now we have this new information, so listen to this.
01:34:19 - 01:34:20: Okay.
01:34:20 - 01:34:22: So she's talking about an expensive pair of shoes.
01:34:22 - 01:34:39: So she's saying, don't mess with me, I'm wearing very expensive shoes.
01:34:39 - 01:34:42: Yeah, but she's kind of turning it around too, because she's not just saying...
01:34:42 - 01:34:46: Well, it starts out, little b****.
01:34:46 - 01:34:48: Little b****, you don't f*** with me.
01:34:48 - 01:34:50: You couldn't f*** with me if you wanted to.
01:34:50 - 01:34:51: I paid $700 for these shoes.
01:34:51 - 01:34:52: Maybe more.
01:34:52 - 01:34:54: Maybe she got even, she's probably super rich now.
01:34:54 - 01:34:56: I paid $950 for these shoes.
01:34:56 - 01:34:59: I paid $1250, let's say $1250.
01:34:59 - 01:35:01: I paid $1250 for these shoes.
01:35:01 - 01:35:04: So she's saying, so not only is she saying like I'm richer than you,
01:35:04 - 01:35:07: you're not even at my level fashion-wise, but I like that.
01:35:07 - 01:35:11: It's cool, she says, rather than saying Christian Louboutin, like that'd be so basic,
01:35:11 - 01:35:13: she says, these are red bottoms.
01:35:13 - 01:35:15: These are bloody shoes.
01:35:15 - 01:35:17: It is weirdly haunting.
01:35:17 - 01:35:21: [singing]
01:35:21 - 01:35:26: Jake and Cardi B just run into each other.
01:35:26 - 01:35:27: Little b****.
01:35:27 - 01:35:29: She just sees Jake.
01:35:29 - 01:35:33: Jake's like, honestly, I don't know s*** about shoes.
01:35:33 - 01:35:37: Little b****, you can't f*** with me if you wanted to.
01:35:37 - 01:35:40: Clearly she is talking to somebody like you, she doesn't even know.
01:35:40 - 01:35:42: I'm wearing a $70 pair of New Balance.
01:35:42 - 01:35:43: You still wear New--
01:35:43 - 01:35:46: Wait, I thought you're not allowed to wear New Balance anymore.
01:35:46 - 01:35:48: Why? No, Trump stuff? No.
01:35:48 - 01:35:49: Yeah? That's BS.
01:35:49 - 01:35:52: Let's get Jake some Louboutins.
01:35:52 - 01:35:55: Little b****.
01:35:55 - 01:35:59: I'm driving a minivan with 240,000 miles on it.
01:35:59 - 01:36:00: I would love that.
01:36:00 - 01:36:05: Just Jake pulls up in a North Face, a chill-out ash gray t-shirt,
01:36:05 - 01:36:12: old-ass minivan, but then just steps out wearing $1,200 Louboutins.
01:36:12 - 01:36:14: Little b****, you can't f*** with me.
01:36:14 - 01:36:17: Just saying that to everyone I encounter.
01:36:17 - 01:36:18: Little b****.
01:36:18 - 01:36:19: It's like at Trader Joe's checkout.
01:36:19 - 01:36:21: Yeah.
01:36:21 - 01:36:24: Okay, sir.
01:36:24 - 01:36:26: Those are a nice pair of New Balance.
01:36:26 - 01:36:28: Little b****, you can't f*** with me.
01:36:28 - 01:36:32: These expensive-- these is gray bottoms, these New Balance shoes.
01:36:32 - 01:36:34: These are comfortable.
01:36:34 - 01:36:36: These are sensible.
01:36:36 - 01:36:38: Gray bottoms.
01:36:38 - 01:36:41: These are running shoes.
01:36:41 - 01:36:44: Little b****, you can't f*** with me.
01:36:44 - 01:36:48: If you wanted to, these are sensible gray bottoms.
01:36:48 - 01:36:50: Dirty running shoes.
01:36:50 - 01:36:52: Okay, back to 1976.
01:36:52 - 01:36:53: Number two song.
01:36:53 - 01:36:55: I feel like we've had this on the show before.
01:36:55 - 01:36:57: England Dan Seals.
01:36:57 - 01:36:59: Who?
01:36:59 - 01:37:00: And John Ford Coley.
01:37:00 - 01:37:03: I'd Really Love to See You Tonight.
01:37:03 - 01:37:05: It's like a power ballad.
01:37:05 - 01:37:06: Oh, I like it.
01:37:06 - 01:37:08: You know this song.
01:37:08 - 01:37:09: Oh, yeah.
01:37:09 - 01:37:18: This might have spurned like a Rite Aid based fantasy.
01:37:18 - 01:37:21: Oh, this is such like a CVS Rite Aid type song.
01:37:21 - 01:37:23: Just like 11 p.m.
01:37:23 - 01:37:29: Rolling in empty.
01:37:29 - 01:37:34: What child you guys got the Alka-Seltzer in?
01:37:34 - 01:37:35: This is a tight song, though.
01:37:35 - 01:37:42: 1 a.m. at CVS, just like paper towel wrapped around your bloody hand.
01:37:42 - 01:37:45: You guys sold those like a butterfly band-aids.
01:37:45 - 01:37:47: Or like some gauze.
01:37:47 - 01:37:49: Sliced up my hand real bad.
01:37:49 - 01:37:51: Sir, I think you should go to the emergency room.
01:37:51 - 01:37:52: I'm cool. I'm cool.
01:37:52 - 01:37:56: Just point me to the first aid section.
01:37:56 - 01:37:59: Just like dripping blood through the CVS.
01:37:59 - 01:38:02: Sir, I really think you need medical--
01:38:02 - 01:38:05: I just got rubbing alcohol.
01:38:05 - 01:38:07: Some hydrogen peroxide.
01:38:07 - 01:38:10: And then also stop me getting like a pint of Ben and Jerry's.
01:38:10 - 01:38:11: I'm fine. I'm fine.
01:38:11 - 01:38:14: Yeah, let me get one of Ben and Jerry Garcia.
01:38:14 - 01:38:16: You get a pack of smokes too while you're at it.
01:38:16 - 01:38:19: Just like handing like a bloody 20 to the person.
01:38:19 - 01:38:20: Crumpled up.
01:38:20 - 01:38:23: Sir.
01:38:23 - 01:38:26: It's like the like character from No Country for Old Men.
01:38:26 - 01:38:28: Oh, yeah, just like rolling in.
01:38:28 - 01:38:29: The Javier Bardem character.
01:38:29 - 01:38:32: That'd be amazing if like this was in that movie.
01:38:32 - 01:38:34: It'd be perfect.
01:38:34 - 01:38:37: Back to 2017.
01:38:37 - 01:38:39: Oh, Taylor Swift still on the charts.
01:38:39 - 01:38:40: Look what you made me do.
01:38:40 - 01:38:43: Have you thought about this song much since the last episode, Jake?
01:38:43 - 01:38:46: No.
01:38:46 - 01:38:49: Is this the one where she critiques his stage setup?
01:38:49 - 01:38:51: Yeah, I don't like your tilted stage.
01:38:51 - 01:38:54: I don't like your minimalist stage setup.
01:38:54 - 01:38:58: Yeah, just compare that to Cardi B, which is a better like--
01:38:58 - 01:39:02: I don't like your little games.
01:39:02 - 01:39:06: Don't like your tilted stage.
01:39:06 - 01:39:10: The role you made me play.
01:39:10 - 01:39:11: The fool.
01:39:11 - 01:39:13: No, I don't like you.
01:39:13 - 01:39:15: Look, this is not my favorite Taylor Swift song,
01:39:15 - 01:39:17: but I just wanted to point out like look,
01:39:17 - 01:39:21: just in terms of opening lines of 2017,
01:39:21 - 01:39:23: just think about what they can note.
01:39:23 - 01:39:26: Taylor Swift is kind of like--
01:39:26 - 01:39:27: she has a lot of modes.
01:39:27 - 01:39:28: This is kind of a new mode for her,
01:39:28 - 01:39:30: so maybe she hasn't fully found her voice in this mode yet.
01:39:30 - 01:39:32: This is what she says when she wants to do a kind of like
01:39:32 - 01:39:34: "F--- you" song.
01:39:34 - 01:39:35: You know what it is?
01:39:35 - 01:39:39: This is like Ice Queen, just kind of like up in the castle
01:39:39 - 01:39:41: looking down on the peasants.
01:39:41 - 01:39:42: Right, right.
01:39:42 - 01:39:44: I don't--
01:39:44 - 01:39:48: Your Majesty, what should we do about the--
01:39:48 - 01:39:53: I don't like your little games.
01:39:53 - 01:39:55: Don't like your tilted stage.
01:39:55 - 01:39:58: I told you those taxes were too much
01:39:58 - 01:40:00: for the poor, impoverished Farsi.
01:40:00 - 01:40:01: No, I don't like you.
01:40:01 - 01:40:03: No, I don't like you.
01:40:03 - 01:40:05: I don't like your--
01:40:05 - 01:40:08: It's crazy that no one around here was like,
01:40:08 - 01:40:17: "Uh, I want you to kill the little girl."
01:40:17 - 01:40:18: It's just like so like--
01:40:18 - 01:40:20: yeah, it's like Disney villain style.
01:40:20 - 01:40:22: I'm picturing like Angelina Jolie in that--
01:40:22 - 01:40:24: In the Snow White movie or Cinderella?
01:40:24 - 01:40:25: Like--
01:40:25 - 01:40:26: Maleficent.
01:40:26 - 01:40:27: Oh, yeah, yeah, yeah, Maleficent.
01:40:27 - 01:40:29: Yeah, that's like Disney villain,
01:40:29 - 01:40:31: and then Cardi B is actually somebody
01:40:31 - 01:40:34: who's got some real emotion behind it.
01:40:34 - 01:40:37: Like that was literally like Disney villain style,
01:40:37 - 01:40:39: just like, "I don't like you.
01:40:39 - 01:40:41: I don't like you."
01:40:41 - 01:40:43: So it's like-- that's like her saying to Cardi B,
01:40:43 - 01:40:44: "I don't like your little games."
01:40:44 - 01:40:46: I don't like the aesthetic of your stage.
01:40:46 - 01:40:47: I don't like your tilted stage.
01:40:47 - 01:40:48: Oh, yeah?
01:40:48 - 01:40:49: Little b----.
01:40:49 - 01:40:51: If you wanted to.
01:40:51 - 01:40:53: These expensive, these red bottoms,
01:40:53 - 01:40:55: these bloody shoes.
01:40:55 - 01:40:59: She's the Disney villain in the towers, like...
01:40:59 - 01:41:01: "Your Majesty,
01:41:01 - 01:41:04: Cardi B has acquired
01:41:04 - 01:41:07: a pair of Christian Louboutins.
01:41:07 - 01:41:09: We must stop her.
01:41:09 - 01:41:10: Oh, dear."
01:41:10 - 01:41:15: ♪ I don't like your little games ♪
01:41:15 - 01:41:18: Anyway, shout-out to strong emotions
01:41:18 - 01:41:22: in the opening lines of 2017 pop music.
01:41:22 - 01:41:24: Also, I think I said it last time,
01:41:24 - 01:41:26: it's so self-defeating.
01:41:26 - 01:41:29: She's like, "You made me react to you."
01:41:29 - 01:41:30: Right.
01:41:30 - 01:41:31: Like, it would be so much stronger
01:41:31 - 01:41:33: if she just didn't write a song about Kanye
01:41:33 - 01:41:35: and was just like, "Yeah, that guy's an a--------------------------."
01:41:35 - 01:41:36: Right.
01:41:36 - 01:41:37: It's like--
01:41:37 - 01:41:38: Well, again, that's what we said last time.
01:41:38 - 01:41:39: It's like so, like--
01:41:39 - 01:41:40: You lost.
01:41:40 - 01:41:42: Either just ignore it and say,
01:41:42 - 01:41:44: "You know what, man?
01:41:44 - 01:41:46: This is all miscommunication, whatever."
01:41:46 - 01:41:49: And let's also keep in mind this entire beef started
01:41:49 - 01:41:51: about whether her video was actually better
01:41:51 - 01:41:53: than Beyonce's "Single Ladies."
01:41:53 - 01:41:54: So she could, like, maybe look back on that
01:41:54 - 01:41:55: and kind of have a laugh and be like,
01:41:55 - 01:41:58: "Okay, my video wasn't better than 'Single Ladies.'"
01:41:58 - 01:42:00: I think when you're making kind of like a dis-Angry record,
01:42:00 - 01:42:02: either you got to be above it all.
01:42:02 - 01:42:03: That's kind of just like--
01:42:03 - 01:42:04: Yeah.
01:42:04 - 01:42:05: You know what?
01:42:05 - 01:42:06: Who cares?
01:42:06 - 01:42:07: Life goes on.
01:42:07 - 01:42:09: We're all just trying to live our lives.
01:42:09 - 01:42:10: You know?
01:42:10 - 01:42:11: I'm Taylor, you're Kanye.
01:42:11 - 01:42:12: We're just human beings.
01:42:12 - 01:42:13: Either you take that route--
01:42:13 - 01:42:14: I got a rash.
01:42:14 - 01:42:15: Or you got to go in for the kill.
01:42:15 - 01:42:18: ♪ Lil' b---, you can't f---------------- with me ♪
01:42:18 - 01:42:19: ♪ If you wanted to ♪
01:42:19 - 01:42:21: ♪ These expensive, these red bottoms ♪
01:42:21 - 01:42:23: ♪ These bloody shoes ♪
01:42:23 - 01:42:25: I don't think Taylor Swift and Cardi B have any beef,
01:42:25 - 01:42:27: but I just, like, love the idea that these songs
01:42:27 - 01:42:28: are in dialogue.
01:42:28 - 01:42:29: Amazing.
01:42:29 - 01:42:31: Maleficent.
01:42:31 - 01:42:32: She has acquired the--
01:42:32 - 01:42:33: Oh, you know what?
01:42:33 - 01:42:34: It literally is, like, the shoes.
01:42:34 - 01:42:36: Shoes are very important in, um--
01:42:36 - 01:42:38: Oh, yeah, it is like Snow White, dude.
01:42:38 - 01:42:40: Yeah, shoes are very important in mythology,
01:42:40 - 01:42:42: or even, like, more modern Wizard of Oz.
01:42:42 - 01:42:43: Just like the queen, like--
01:42:43 - 01:42:44: Right.
01:42:44 - 01:42:45: Oh, my God, wow.
01:42:45 - 01:42:46: Those are also red shoes.
01:42:46 - 01:42:49: Taylor Swift is, like, the witch,
01:42:49 - 01:42:51: and Cardi B is Dorothy,
01:42:51 - 01:42:54: and she's, like, wants to kill her,
01:42:54 - 01:42:57: but she has these bloody shoes.
01:42:57 - 01:42:58: Or then, literally, Snow White--
01:42:58 - 01:43:01: Or Cinderella's the blood in the shoe.
01:43:01 - 01:43:03: They should collaborate.
01:43:03 - 01:43:04: Yeah, I would like that,
01:43:04 - 01:43:06: a Taylor Swift and Cardi B mixtape.
01:43:06 - 01:43:09: Or, like, a video, like an epic--
01:43:09 - 01:43:10: Yeah.
01:43:10 - 01:43:12: --expensive-looking music video.
01:43:12 - 01:43:13: Or a whole Disney movie.
01:43:13 - 01:43:14: See, that would be great for Taylor.
01:43:14 - 01:43:17: If she's coming off as too self-serious,
01:43:17 - 01:43:18: and everyone's--
01:43:18 - 01:43:19: Right, but--
01:43:19 - 01:43:21: You know, have a little humor about yourself.
01:43:21 - 01:43:22: Oh, my God, you know what--
01:43:22 - 01:43:24: And be the wicked witch.
01:43:24 - 01:43:25: We should do--
01:43:25 - 01:43:26: 'Cause, you know, you had the Wizard of Oz
01:43:26 - 01:43:28: is from the '40s or something.
01:43:28 - 01:43:29: Yeah.
01:43:29 - 01:43:31: Then, in the late '70s, you had The Wiz.
01:43:31 - 01:43:32: You ever see that?
01:43:32 - 01:43:34: No.
01:43:34 - 01:43:35: Oh, The Wiz is crazy.
01:43:35 - 01:43:36: Okay, okay.
01:43:36 - 01:43:37: It's Michael Jackson, Diana Ross is Dorothy.
01:43:37 - 01:43:38: Oh, okay.
01:43:38 - 01:43:39: Quincy Jones did the music.
01:43:39 - 01:43:40: It's really cool.
01:43:40 - 01:43:41: Gotcha.
01:43:41 - 01:43:45: So, we're about due for another reimagining of it.
01:43:45 - 01:43:46: Right.
01:43:46 - 01:43:49: So, I think we should do, like, a pop music one
01:43:49 - 01:43:52: where Cardi B is Dorothy,
01:43:52 - 01:43:54: and she has red-bottomed Louboutins
01:43:54 - 01:43:56: that are the slippers.
01:43:56 - 01:43:57: Who's the Tin Man?
01:43:57 - 01:43:59: It would be, like, a good Tin Man from modern--
01:43:59 - 01:44:00: Wait, what's the Tin Man?
01:44:00 - 01:44:01: That's the guy--
01:44:01 - 01:44:03: Oh, Ed Sheeran can be the lion,
01:44:03 - 01:44:04: the Cardi B lion, maybe.
01:44:04 - 01:44:05: Yeah, yeah.
01:44:05 - 01:44:07: The Tin Man doesn't have a heart, right?
01:44:07 - 01:44:08: Tin Man doesn't have a heart,
01:44:08 - 01:44:10: but he's kind of, like, a sweet guy.
01:44:10 - 01:44:11: I don't know.
01:44:11 - 01:44:13: Who could be the Tin Man?
01:44:13 - 01:44:14: Shawn Mendes?
01:44:14 - 01:44:15: I don't know.
01:44:15 - 01:44:16: I'm just really--
01:44:16 - 01:44:17: Or, like, Tom York.
01:44:17 - 01:44:18: Okay.
01:44:18 - 01:44:20: Okay, I was thinking a little more from the pop sphere.
01:44:20 - 01:44:21: Go broad.
01:44:21 - 01:44:22: Yeah, sure.
01:44:22 - 01:44:23: Well, he's, like, you know.
01:44:23 - 01:44:24: No, he loves to have a laugh about himself.
01:44:24 - 01:44:25: He'd be down.
01:44:25 - 01:44:26: Yeah, he's perfect for that.
01:44:26 - 01:44:27: Or maybe Bruno is in there somewhere.
01:44:27 - 01:44:29: Oh, Bruno would be great.
01:44:29 - 01:44:31: Yeah, Bruno could be the scarecrow.
01:44:31 - 01:44:33: So, you have Tom, York, and Bruno.
01:44:33 - 01:44:34: Oh!
01:44:34 - 01:44:37: ♪ Hey, hey, hey ♪
01:44:37 - 01:44:39: ♪ I got a condo in Manhattan ♪
01:44:39 - 01:44:41: ♪ Baby girl, what's happening? ♪
01:44:41 - 01:44:43: And Ed Sheeran as the three.
01:44:43 - 01:44:45: Yeah, Cardi B as Dorothy.
01:44:45 - 01:44:46: Taylor is--
01:44:46 - 01:44:47: As the Wicked Witch of the West.
01:44:47 - 01:44:48: As the Wicked Witch.
01:44:48 - 01:44:49: Although, we'll change the ending
01:44:49 - 01:44:51: so that it's a little more happily ever after.
01:44:51 - 01:44:54: Because the witch gets crushed by a house, right?
01:44:54 - 01:44:56: No, she gets melted by water or something.
01:44:56 - 01:44:57: Oh, yeah.
01:44:57 - 01:44:58: No, we'll make a happier ending.
01:44:58 - 01:45:00: The end of our version will be that, actually,
01:45:00 - 01:45:02: Taylor and Cardi meet, and they become friends,
01:45:02 - 01:45:03: and they're like, "You know what?
01:45:03 - 01:45:05: "There's enough Louboutins for everybody."
01:45:05 - 01:45:06: Right.
01:45:06 - 01:45:07: "We're both rich.
01:45:07 - 01:45:08: "What do we care?"
01:45:08 - 01:45:09: And then the wizard--
01:45:09 - 01:45:11: Zane Lowe is the wizard.
01:45:11 - 01:45:13: Just, like, they hear the wizard, they're like,
01:45:13 - 01:45:16: "Why does the wizard have a New Zealand accent?"
01:45:16 - 01:45:18: And they pull up behind him, just like Zane,
01:45:18 - 01:45:19: dropping, like, sound effects.
01:45:19 - 01:45:20: [air horn blaring]
01:45:20 - 01:45:22: [laughing]
01:45:22 - 01:45:24: That's the Beats 1 Wizard of Oz.
01:45:24 - 01:45:25: Lot of potential.
01:45:25 - 01:45:29: Number one song this week in 1976.
01:45:29 - 01:45:32: Jake, I know this is one of your favorite songs.
01:45:32 - 01:45:33: As soon as you hear that opening riff--
01:45:33 - 01:45:35: Oh!
01:45:35 - 01:45:37: Yeah!
01:45:37 - 01:45:40: ♪ Hey, do it now ♪
01:45:40 - 01:45:41: Brutal.
01:45:41 - 01:45:43: ♪ Hey, do it ♪
01:45:43 - 01:45:46: You know, we must have done '76, like--
01:45:46 - 01:45:47: Yeah, we've heard this song before.
01:45:47 - 01:45:50: At some point, like, maybe a year ago.
01:45:50 - 01:45:53: ♪ Sing, yeah ♪
01:45:53 - 01:45:57: ♪ Playing in a rock 'n' roll band ♪
01:45:57 - 01:46:02: ♪ I never had no problems, yeah ♪
01:46:02 - 01:46:06: ♪ Burning down the one-night stands ♪
01:46:06 - 01:46:08: ♪ And everything around me ♪
01:46:08 - 01:46:12: This song was released by the Cleveland-based
01:46:12 - 01:46:13: Sweet City record label.
01:46:13 - 01:46:15: That's cool, came out of Cleveland-based label.
01:46:15 - 01:46:16: I love that.
01:46:16 - 01:46:18: ♪ Started quickly ♪
01:46:18 - 01:46:19: ♪ Yes, I did ♪
01:46:19 - 01:46:20: Yes, I did.
01:46:20 - 01:46:23: ♪ To disco down and check out the show ♪
01:46:23 - 01:46:26: ♪ Yeah, they were dancing and singing ♪
01:46:26 - 01:46:28: ♪ And moving to the moving ♪
01:46:28 - 01:46:30: ♪ And just when it hit ♪
01:46:30 - 01:46:31: Rough stuff.
01:46:31 - 01:46:33: ♪ Somebody turned around and shouted ♪
01:46:33 - 01:46:36: ♪ Play that funky music, white boy ♪
01:46:36 - 01:46:38: Is this Blue Eyed Soul?
01:46:38 - 01:46:39: ♪ Play that funky music ♪
01:46:39 - 01:46:40: Blue Eyed Funk.
01:46:41 - 01:46:43: ♪ Play that funky music, white boy ♪
01:46:43 - 01:46:44: Or are they white?
01:46:44 - 01:46:45: Uh...
01:46:45 - 01:46:47: ♪ Lady, I'm a blue man ♪
01:46:47 - 01:46:48: Yeah, this is a Caucasian band.
01:46:48 - 01:46:49: Okay.
01:46:49 - 01:46:50: ♪ And that funky music ♪
01:46:50 - 01:46:51: They're called Wild-- what?
01:46:51 - 01:46:52: Wild Cherry.
01:46:52 - 01:46:53: Oh, wow.
01:46:53 - 01:46:54: I mean, it's kind of funky.
01:46:54 - 01:46:56: I do think there's something like--
01:46:56 - 01:46:57: How did I not know that?
01:46:57 - 01:46:58: Wild Cherry?
01:46:58 - 01:47:02: ♪ Well, I tried to understand this ♪
01:47:02 - 01:47:04: ♪ And I thought that they were dancing ♪
01:47:04 - 01:47:06: One issue I always have with this song is, like,
01:47:06 - 01:47:09: "And they were moving-- moving to the grooving."
01:47:09 - 01:47:11: That just always seemed like a weak line to me.
01:47:11 - 01:47:13: ♪ And they were dancing and dancing ♪
01:47:13 - 01:47:15: ♪ And moving to the grooving ♪
01:47:15 - 01:47:17: It's like, grooving is moving.
01:47:17 - 01:47:18: Yeah.
01:47:18 - 01:47:19: You don't move to the--
01:47:19 - 01:47:20: I guess he's saying--
01:47:20 - 01:47:22: You could say "moving" and "grooving."
01:47:22 - 01:47:24: You're moving to the grooving of the band.
01:47:24 - 01:47:27: Uh, it's-- I don't like that line.
01:47:27 - 01:47:28: Pretty thin.
01:47:28 - 01:47:30: I mean...
01:47:30 - 01:47:33: Play that funky music, white boy.
01:47:33 - 01:47:35: I also feel like this is--
01:47:35 - 01:47:37: These guys are like a white funk band.
01:47:37 - 01:47:38: They made this story up.
01:47:38 - 01:47:39: Cleveland-based.
01:47:39 - 01:47:40: A Cleveland-based white funk band.
01:47:40 - 01:47:42: Well, actually, you know, we talk a lot of funk.
01:47:42 - 01:47:43: Great funk did come out of Ohio.
01:47:43 - 01:47:44: Real.
01:47:44 - 01:47:47: Ohio really is, like, a power player for, like, funk and disco.
01:47:47 - 01:47:49: But I wonder if the guys in Wild Cherry
01:47:49 - 01:47:53: actually were kind of part of, like, the larger funk scene.
01:47:53 - 01:47:54: These guys are all white.
01:47:54 - 01:47:56: Were they collaborating with black artists?
01:47:56 - 01:47:58: Or is this literally just a fantasy
01:47:58 - 01:48:00: that a bunch of white funk guys imagine?
01:48:00 - 01:48:02: Like, what's your dream, Wild Cherry?
01:48:02 - 01:48:04: I guess my dream would be that one day
01:48:04 - 01:48:06: we're just, like, killing it so hard
01:48:06 - 01:48:09: that some non-white people come to the club
01:48:09 - 01:48:11: and just see how funky we are and just say,
01:48:11 - 01:48:12: "Wow, these are some funky white boys.
01:48:12 - 01:48:14: Play that funky music, white boy."
01:48:14 - 01:48:15: It's like, did this happen?
01:48:15 - 01:48:17: This is just a fantasy.
01:48:17 - 01:48:19: Imagine if, like, Macklemore dropped a song
01:48:19 - 01:48:21: about, like, that he was, like, rapping at the club.
01:48:21 - 01:48:22: Oh, my God.
01:48:22 - 01:48:24: And then, like, Kendrick came in and said,
01:48:24 - 01:48:26: "You're really good at rapping, white boy."
01:48:26 - 01:48:28: And he's just, like, telling the whole story.
01:48:28 - 01:48:30: And you're like, "Can I get a fact check on that?
01:48:30 - 01:48:32: Did that--did that happen?"
01:48:32 - 01:48:33: Well, anyway.
01:48:33 - 01:48:35: Dropping sick verse, white boy.
01:48:35 - 01:48:39: ♪ You're really good at rapping, white boy ♪
01:48:39 - 01:48:40: Number one song.
01:48:40 - 01:48:41: Kind of like 8 Mile.
01:48:41 - 01:48:43: Yeah, that's true.
01:48:43 - 01:48:44: Eminem.
01:48:44 - 01:48:47: Let's give Wild Cherry the benefit of the doubt.
01:48:47 - 01:48:48: They were in on the scene.
01:48:48 - 01:48:51: Somebody--yeah, maybe somebody said that to him.
01:48:51 - 01:48:53: It's possible.
01:48:53 - 01:48:54: Yeah.
01:48:54 - 01:48:57: Anyway, that was the number one song this week in 1976.
01:48:57 - 01:49:01: The number one song on iTunes this week, Post Malone.
01:49:01 - 01:49:03: Do you remember who Post Malone is?
01:49:03 - 01:49:04: I don't.
01:49:04 - 01:49:07: Despot was the first person to ever tell me about Post Malone,
01:49:07 - 01:49:08: like, years ago.
01:49:08 - 01:49:09: Uh-huh.
01:49:09 - 01:49:11: He's had a bunch of big hits the past couple years.
01:49:11 - 01:49:12: Interesting guy from Texas.
01:49:12 - 01:49:13: I mean, I've heard the name.
01:49:13 - 01:49:15: So he just put out a new song featuring 21 Savage
01:49:15 - 01:49:17: called "Rockstar."
01:49:17 - 01:49:18: Who's 21 Savage?
01:49:18 - 01:49:20: He's, like, a huge rapper right now.
01:49:20 - 01:49:21: Okay.
01:49:21 - 01:49:24: [singing]
01:49:24 - 01:49:27: He's dating Amber Rose.
01:49:27 - 01:49:28: I don't know who that is.
01:49:28 - 01:49:29: You don't know who Amber Rose is?
01:49:29 - 01:49:30: Nope.
01:49:30 - 01:49:31: Come on.
01:49:31 - 01:49:32: Who is that?
01:49:32 - 01:49:33: Is it an actress?
01:49:33 - 01:49:34: Uh--
01:49:34 - 01:49:35: You don't even know.
01:49:35 - 01:49:36: She's probably--no, I'm just saying,
01:49:36 - 01:49:38: I just don't want to discredit her as an actress
01:49:38 - 01:49:39: because maybe she has acted.
01:49:39 - 01:49:42: She's originally known as a model, an activist.
01:49:42 - 01:49:44: Oh, right wing.
01:49:44 - 01:49:45: A right wing activist.
01:49:45 - 01:49:48: No, she's, like--her main issue is about, like,
01:49:48 - 01:49:51: stopping, like, slut shaming and, like,
01:49:51 - 01:49:53: she organized a thing called "Slut Walk."
01:49:53 - 01:49:54: Okay.
01:49:54 - 01:49:55: That's kind of--basically just about, like, you know,
01:49:55 - 01:49:57: women can wear whatever they want without being harassed.
01:49:57 - 01:49:58: Very cool.
01:49:58 - 01:50:01: So this is Post Malone featuring 21 Savage, "Rockstar."
01:50:01 - 01:50:02: Savage is tough because I just--
01:50:02 - 01:50:06: I can't help but think about Savage Garden.
01:50:06 - 01:50:07: I think--
01:50:07 - 01:50:09: Like, is that not--maybe that's unfair of me.
01:50:09 - 01:50:12: Most 21 Savage fans do not have that problem.
01:50:12 - 01:50:15: Imagine we had 21 Savage on the show and Jake is like,
01:50:15 - 01:50:17: "So when you came up with that name,
01:50:17 - 01:50:18: "you said you wanted to be Savage Garden
01:50:18 - 01:50:19: "and it's very large for you."
01:50:19 - 01:50:21: How'd you deal with that?
01:50:21 - 01:50:22: How'd you get past that?
01:50:22 - 01:50:24: Was it hard when you first came on the scene,
01:50:24 - 01:50:27: people would hear Savage, they're thinking, "It's Savage Garden."
01:50:27 - 01:50:29: ♪ With me, with me, call up on the ♪
01:50:29 - 01:50:33: ♪ And show up in them, the shot ties ♪
01:50:33 - 01:50:35: ♪ When my homies pull up on your block ♪
01:50:35 - 01:50:36: ♪ They make that thing go ♪
01:50:36 - 01:50:37: Wait, so Post Malone--
01:50:37 - 01:50:39: is that a reference to Karl Malone?
01:50:39 - 01:50:40: Yes.
01:50:40 - 01:50:41: Because he was the Postman or whatever?
01:50:41 - 01:50:42: Is that what his nickname was?
01:50:42 - 01:50:46: No, well, I guess it's kind of deeper, but it's--
01:50:46 - 01:50:50: Post Malone's real name is Austin Richard Post.
01:50:50 - 01:50:52: Okay.
01:50:52 - 01:50:55: Well, he's clearly a basketball fan
01:50:55 - 01:50:59: because his first song was called "White Iverson."
01:50:59 - 01:51:00: Remember that?
01:51:00 - 01:51:01: Oh, yeah.
01:51:01 - 01:51:04: ♪ On the table, lick a pawn, don't give a damn ♪
01:51:04 - 01:51:05: ♪ Don't joke over and here's a groupie ♪
01:51:05 - 01:51:07: ♪ She just trying to get in ♪
01:51:07 - 01:51:08: Whoa.
01:51:08 - 01:51:10: ♪ Saying I'm with the band ♪
01:51:10 - 01:51:11: This is cool.
01:51:11 - 01:51:14: ♪ Aye, aye, now she acting out of pocket ♪
01:51:14 - 01:51:16: ♪ Trying to grab up on my pants ♪
01:51:16 - 01:51:17: ♪ On it, bun it, then my trailer ♪
01:51:17 - 01:51:20: ♪ Said I ain't got a man ♪
01:51:20 - 01:51:23: ♪ And they all brought a friend ♪
01:51:23 - 01:51:26: ♪ Yeah, aye ♪
01:51:26 - 01:51:28: This song's called "Rockstar,"
01:51:28 - 01:51:31: and no guitar, I guess Eric Clapton's right.
01:51:31 - 01:51:33: Although Post Malone does play guitar.
01:51:33 - 01:51:35: He's done some songs where he plays acoustic.
01:51:35 - 01:51:38: ♪ Always be smoking like a rockstar ♪
01:51:38 - 01:51:41: ♪ With me, with me, call up on the [bleep] ♪
01:51:41 - 01:51:45: ♪ And show up in them Deschartes ♪
01:51:45 - 01:51:47: ♪ When my homies pull up on your block ♪
01:51:47 - 01:51:51: ♪ They make that tango, rat-tat-tat-tat ♪
01:51:51 - 01:51:53: ♪ I been in the hills, superstars ♪
01:51:53 - 01:51:56: ♪ Feeling like a pop star ♪
01:51:56 - 01:51:58: ♪ Drinking Henny, bad ♪
01:51:58 - 01:52:02: ♪ Jumping in the pool and I ain't got on no bra ♪
01:52:02 - 01:52:05: ♪ Hit her front or back, pulling on the tracks ♪
01:52:05 - 01:52:08: ♪ And now she screaming out, "No, ma" ♪
01:52:08 - 01:52:11: ♪ They like, "Savage, why you got a 12-car garage ♪
01:52:11 - 01:52:13: ♪ And you only got six cars?" ♪
01:52:13 - 01:52:16: ♪ I ain't with the cake and how you kiss that ♪
01:52:16 - 01:52:19: ♪ Your wifey say I'm looking like a whole snack ♪
01:52:19 - 01:52:22: ♪ Green Hunnids in my safe, I got old racks ♪
01:52:22 - 01:52:25: ♪ L.A. [bleep] always asking where the [bleep] at ♪
01:52:25 - 01:52:28: ♪ Living like a rockstar, smash out on a cop car ♪
01:52:28 - 01:52:31: ♪ Sweeter than a Pop-Tart, you know you are not hard ♪
01:52:31 - 01:52:34: ♪ I done made the high chart, remember I used to chop hard ♪
01:52:34 - 01:52:37: ♪ Living like a rockstar, I'm living like a rockstar ♪
01:52:37 - 01:52:41: ♪ I been, I been, I been popping, popping ♪
01:52:41 - 01:52:43: ♪ Man, I feel just like a rockstar ♪
01:52:43 - 01:52:46: ♪ All my brothers got that gas ♪
01:52:46 - 01:52:49: ♪ And they always be smoking like a rockstar ♪
01:52:49 - 01:52:53: ♪ When we, when we call up on the [bleep] ♪
01:52:53 - 01:52:56: ♪ And show up, name them the shot-tos ♪
01:52:56 - 01:52:59: ♪ When my homies pull up on your block ♪
01:52:59 - 01:53:01: ♪ They make that thing go "Grrra-ta-ta-ta" ♪
01:53:01 - 01:53:04: ♪ Grrra-ta-ta-ta ♪
01:53:04 - 01:53:07: ♪ Rockstar ♪
01:53:07 - 01:53:09: ♪ Rockstar ♪
01:53:11 - 01:53:12: ♪ Rockstar ♪
01:53:12 - 01:53:15: ♪ Just like a ♪
01:53:15 - 01:53:17: ♪ Rockstar ♪
01:53:17 - 01:53:21: ♪ Rockstar ♪
01:53:21 - 01:53:23: - All right, that was the top five.
01:53:23 - 01:53:25: There were some good songs in both.
01:53:25 - 01:53:26: This is like a decent haul.
01:53:26 - 01:53:28: This is a healthy haul. - Healthy haul.
01:53:28 - 01:53:31: So Taylor, I remember last week, had two in the top five.
01:53:31 - 01:53:34: - Yeah, the other one did not stick around in the top five on iTunes.
01:53:34 - 01:53:37: - Was the other one that was based on the Right Said Fred one?
01:53:37 - 01:53:40: Or was that-- - No, this is the one that's based on the Right Said Fred.
01:53:40 - 01:53:43: - Really? - Okay, well, really quick, this is the part.
01:53:43 - 01:53:45: ♪ Oh, look what you made me do ♪
01:53:45 - 01:53:47: ♪ Look what you made me do ♪
01:53:47 - 01:53:49: ♪ Look what you just made me do ♪
01:53:49 - 01:53:51: ♪ Look what you just made me ♪
01:53:51 - 01:53:53: ♪ Oh, look what you made me do ♪
01:53:53 - 01:53:55: ♪ Look what you made me do ♪
01:53:55 - 01:53:57: - You should have had to clear that, come on.
01:53:57 - 01:53:59: - Give me a break. - It's like--
01:53:59 - 01:54:01: - ♪ Text me for my shirt ♪
01:54:01 - 01:54:03: ♪ Look sexy ♪ - That's ridiculous.
01:54:03 - 01:54:06: - Yeah, okay. - So she's lawyered up.
01:54:06 - 01:54:08: - Maybe she--yeah, I guess Taylor Swift,
01:54:08 - 01:54:11: one of the biggest artists in the world, people are gonna come for you, but come on.
01:54:11 - 01:54:13: - That's pushing it. - And I guess also,
01:54:13 - 01:54:16: if you're Right Said Fred and you're not gonna turn it down, but--
01:54:16 - 01:54:18: - Yeah, there's like phone rings, "Hello?"
01:54:18 - 01:54:20: - Here's the thing, if I-- - Yeah, this is Taylor Swift's lawyer.
01:54:20 - 01:54:23: - If I remotely knew somebody, and say there's a Vampire Weekend song
01:54:23 - 01:54:26: that had, like, a rhythm, and they played me that,
01:54:26 - 01:54:28: I'd be like, "Ugh."
01:54:28 - 01:54:30: I guess if it was, like, some pop star, I didn't know them,
01:54:30 - 01:54:32: but I'd be like, "Come on." - Yeah.
01:54:32 - 01:54:34: - "Well, whatever. It's good for breaking up."
01:54:34 - 01:54:37: - I mean, do you think that her lawyer's calling Right Said Fred
01:54:37 - 01:54:39: and he's just like, "Here's some free money."
01:54:39 - 01:54:41: - Yeah. - And they're just like, "Okay."
01:54:41 - 01:54:43: - Mm-hmm. - Cool.
01:54:43 - 01:54:45: [laughter]
01:54:45 - 01:54:47: - Well, that was a hell of a show, Jake.
01:54:47 - 01:54:49: Covered a lot of ground. - Yeah, man.
01:54:49 - 01:54:52: - It was a fun little James Corden drop-in.
01:54:52 - 01:54:55: Congratulations on your nuptials.
01:54:55 - 01:54:57: - They were great.
01:54:57 - 01:54:59: - We think.
01:54:59 - 01:55:01: - Yeah. - When you say--
01:55:01 - 01:55:03: nuptials means you got married.
01:55:03 - 01:55:05: Has anybody congratulated you on your nuptials
01:55:05 - 01:55:07: before you got married?
01:55:07 - 01:55:09: Has the word "nuptials" come up much?
01:55:09 - 01:55:11: - Nuptials not come up.
01:55:11 - 01:55:13: Not doing a prenup.
01:55:13 - 01:55:15: - No prenup? - No prenup.
01:55:15 - 01:55:18: - Well, just remember, if she-- - Whoo!
01:55:18 - 01:55:21: - If she get one of your kids, you're on the hook for 18 years.
01:55:21 - 01:55:24: [laughter]
01:55:24 - 01:55:26: - Show just took a...
01:55:26 - 01:55:29: unexpectedly emotional turn. - 18 years.
01:55:29 - 01:55:31: Wow.
01:55:31 - 01:55:33: - Oh, no, nuptial did not come up.
01:55:33 - 01:55:35: - But nuptial-- - As a term.
01:55:35 - 01:55:37: I don't like that. It's not a good word.
01:55:37 - 01:55:39: - It's a funny word. - Yeah. It's kind of gross.
01:55:39 - 01:55:41: - Is there a singular of nuptials?
01:55:41 - 01:55:43: - Nuptial? - In a marriage,
01:55:43 - 01:55:46: the two parties each have one nuptial.
01:55:46 - 01:55:49: And when they come together to be a unit...
01:55:49 - 01:55:52: - It's a pair of nuptials. - They get a pair of nuptials.
01:55:52 - 01:55:54: When the child is born,
01:55:54 - 01:55:58: at random, the child receives one of the nuptials,
01:55:58 - 01:56:00: giving them one nuptial to take in life
01:56:00 - 01:56:02: until they find their partner.
01:56:02 - 01:56:03: [sniffles]
01:56:03 - 01:56:05: And that's our show, everybody.
01:56:05 - 01:56:06: We'll see you in two weeks.
01:56:06 - 01:56:10: - "Time Crisis" with Ezra King.
01:56:10 - 01:56:12: Be-be-be-be-be-beats...
01:56:12 - 01:56:14: One.

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