Episode 63: The Two-Fridge Vibe

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:05: Time Crisis, Oscars wrap up.
00:05 - 00:07: We'll talk about that a little bit.
00:07 - 00:12: We'll also talk about the controversial children's film, Peter Rabbit.
00:12 - 00:18: We'll also dig back into our favorite Diet Coke commercial, but this time with a twist.
00:18 - 00:26: All this, plus listener emails and the top 10 songs on iTunes right now.
00:26 - 00:31: This is Time Crisis with Ezra King.
00:31 - 00:36: Beats 1.
00:36 - 00:56: Time Crisis.
01:18 - 01:20: Time Crisis back at it again.
01:20 - 01:22: It's showtime.
01:22 - 01:29: In classic Time Crisis fashion, because we're every two weeks, it means that we got a lot of news to cover.
01:29 - 01:37: It's not always the freshest news, but we reheat it here for our listeners because we're their primary news source.
01:37 - 01:40: Last Sunday was the Oscars.
01:40 - 01:41: Did you go?
01:41 - 01:43: I didn't go to the Oscars.
01:43 - 01:46: I feel like if there was an award show, there's like a 30% chance you went.
01:46 - 01:47: That I went?
01:47 - 01:48: Yeah.
01:48 - 01:52: There's actually a party and a viewing event/party for it.
01:52 - 01:53: Vanity Fair party?
01:53 - 01:54: Exactly.
01:54 - 01:55: Nice.
01:55 - 01:59: Yeah, they have this little dinner and you watch and hang out.
01:59 - 02:01: There's a massive party.
02:01 - 02:02: Right.
02:02 - 02:03: It's a famous thing.
02:03 - 02:04: People are covering it.
02:04 - 02:05: It's a major Hollywood event.
02:05 - 02:07: I didn't know about it until recently.
02:07 - 02:09: I was like, "Where's my invite?"
02:09 - 02:11: Maybe I'll try to get you in next year.
02:11 - 02:12: I'm already-
02:12 - 02:13: To see coverage.
02:13 - 02:14: I'm already just a plus one.
02:14 - 02:16: Maybe I can get a plus one, plus one.
02:16 - 02:17: Actually, you know what?
02:17 - 02:20: I saw when the big party started, I saw a lot of the Apple crew.
02:20 - 02:22: I saw Zane was in the building.
02:22 - 02:25: Apple's got a connection to it, so they should be inviting more personalities.
02:25 - 02:26: Right, man.
02:26 - 02:28: I saw Charli XCX there.
02:28 - 02:33: You're just as much a beats one radio personality as she is.
02:33 - 02:34: I saw Haim there.
02:34 - 02:36: Now I'm feeling kind of bad about myself.
02:36 - 02:37: We're going to get you in.
02:37 - 02:38: Why wasn't I there?
02:38 - 02:40: Why didn't I get that invite?
02:43 - 02:47: #JaketVanityAffair2019.
02:47 - 03:05: But anyway, so yeah, I watched the Oscars at this event.
03:05 - 03:07: Did you watch them at home?
03:07 - 03:09: Yeah, I kind of dipped in and out.
03:09 - 03:10: Yeah?
03:10 - 03:11: You get some goldfish in a bowl?
03:11 - 03:12: I didn't do that.
03:12 - 03:14: Did you have people over?
03:14 - 03:16: I was rolling solo.
03:16 - 03:17: Oh.
03:17 - 03:21: Hannah was out of town, and I put out a few feelers to people, like, "Hey, are you watching?"
03:21 - 03:22: Because I don't have cable.
03:22 - 03:24: You need cable to watch the Oscars?
03:24 - 03:25: Or a digital antenna.
03:25 - 03:28: I did a little research to try to suss this out.
03:28 - 03:34: This is pathetic, but I ended up opening a Hulu live account, because you get a free one-week trial.
03:34 - 03:35: Yeah.
03:35 - 03:40: So I streamed it live and then immediately canceled the account the second the Oscars were over.
03:40 - 03:41: Okay, nice.
03:41 - 03:43: I was double-screening it.
03:43 - 03:51: I was watching on my laptop, and I was actually working on some art-related stuff on that same laptop with multiple windows.
03:51 - 03:52: Okay.
03:52 - 03:55: With the phone also texting with Hannah and other people.
03:55 - 03:57: You felt like you were at a party.
03:57 - 03:58: Yeah.
03:58 - 03:59: It wasn't too lonely of an experience.
03:59 - 04:01: I was drinking some tequila.
04:01 - 04:03: Oh, solo tequila.
04:03 - 04:07: Went out and got a burger solo, like, midway through.
04:07 - 04:08: It was a pretty sick night.
04:08 - 04:09: Yeah?
04:09 - 04:10: But I kind of missed a lot of stuff.
04:10 - 04:12: Like, they kept making references to Jet Ski.
04:12 - 04:13: I missed that, too.
04:13 - 04:15: I missed the first, like, 45 minutes.
04:15 - 04:17: So I didn't know what was going on.
04:17 - 04:21: Jet Ski, yeah, it was some joke Jimmy Kimmel made about whoever gave the shortest speech would win a Jet Ski.
04:32 - 04:34: There's so much to talk about the Oscars.
04:34 - 04:35: It's Hollywood's biggest night.
04:35 - 04:36: It's a big night.
04:36 - 04:37: It's a major night.
04:37 - 04:40: Although, apparently, fewer people than ever are actually watching it on TV.
04:40 - 04:41: Sure.
04:41 - 04:42: Who cares about that?
04:42 - 04:46: First and foremost, this is a music show and a food show.
04:46 - 04:50: So this show is for musos and foodies.
04:50 - 04:51: And history buffs.
04:51 - 04:53: And history buffs.
04:53 - 04:54: It's not really a show for cinephiles.
04:54 - 04:57: No, we touch on movies, but not very often.
04:57 - 04:59: Movies is low down the list for us on time.
04:59 - 05:04: And there's a lot of great radio shows, podcasts about movies for cinephiles.
05:04 - 05:07: If you were a voting member of the Academy, what would you have voted for?
05:07 - 05:08: Best picture.
05:08 - 05:09: Go.
05:09 - 05:10: Don't think about it.
05:10 - 05:11: Get Out.
05:11 - 05:12: Yeah, agreed.
05:12 - 05:15: Yeah, everybody that I was sitting with was really bummed that Get Out didn't win.
05:15 - 05:16: But, you know, whatever.
05:16 - 05:17: Yeah, awards for art.
05:17 - 05:18: It's all kind of silly.
05:18 - 05:19: It's all kind of wacky.
05:19 - 05:25: But because, as I said, this is a music show, first and foremost, we should talk about how there's music at the Oscars.
05:25 - 05:26: Right, we should.
05:26 - 05:32: They nominate the best song, which is an original song for the Oscars.
05:32 - 05:34: So did you catch any of those performances?
05:34 - 05:35: Yeah.
05:35 - 05:36: Did you see Sufjan?
05:36 - 05:38: I miss Sufjan.
05:38 - 05:40: Playing this song, Mystery of Love.
05:40 - 05:42: Did you see this movie, Call Me By Your Name?
05:42 - 05:43: I did, yeah, in the theater.
05:43 - 05:44: Great movie.
05:44 - 05:46: A timeless film, really.
05:46 - 05:48: This is a very pretty song.
05:48 - 05:50: The more I hear it, I'm like, "Yeah, it's a good song."
05:50 - 05:54: Yeah, and I think I only wish he sang all the songs in Italian.
05:54 - 05:55: That's my one note.
05:55 - 05:56: That would have been tight.
05:56 - 06:04: I remember knowing going into the film that it was set in 1983 and that there was a Sufjan song in it.
06:04 - 06:10: I remember being worried that there would be an incongruous tonal clash between--
06:10 - 06:11: But you didn't feel that way?
06:11 - 06:13: No, I think it blended in okay.
06:13 - 06:16: Because the other music in the movie was of the period.
06:16 - 06:18: And this has a pretty tasteful, timeless palette.
06:18 - 06:22: Yeah, I mean, you can tell it's new, but it's definitely not from the '80s.
06:22 - 06:24: But it wasn't jarring.
06:43 - 06:45: Who did he perform with?
06:45 - 06:48: He also had Moses Somni and St. Vincent with him.
06:48 - 06:49: That was cool.
06:49 - 06:50: That little crew performing.
06:50 - 06:51: Heavy hitters.
06:51 - 06:57: I did catch the last one, I think, which was a very aspirational song.
06:57 - 06:59: Was it this one from The Greatest Showman?
06:59 - 07:01: This is a big film.
07:01 - 07:03: The Greatest Showman is a big hit musical.
07:03 - 07:05: I love the idea of the subject matter.
07:05 - 07:06: Which is what?
07:06 - 07:08: It's P.T. Bartum, right?
07:08 - 07:13: He's a fascinating figure, but the fact that it's a musical, I'm like, "Nope, I will never see it."
07:13 - 07:14: What, you don't like musicals?
07:14 - 07:15: I don't.
07:15 - 07:17: We've had this conversation on TC before.
07:17 - 07:19: I don't think this is the one I saw.
08:16 - 08:19: This is really just a straight up pop song.
08:19 - 08:21: This is like a fight song style.
08:21 - 08:23: I was just going to say, this is a total fight song.
08:23 - 08:26: This is Meghan Trainor style.
08:26 - 08:27: Alright.
08:27 - 08:33: Those songs are tough where you're like, I mean, Queen, We Are The Champions is an amazing version of that idea.
08:33 - 08:39: Let's write a triumphant song where we're brave, we're heroic, we kill it.
08:39 - 08:43: That's a really hard emotion to articulate in song.
08:43 - 08:46: Not many versions that do it well.
08:46 - 08:48: Yeah, Star Spangled Banner.
08:48 - 08:49: That's a good one.
08:49 - 08:50: Eminem, Lose Yourself.
08:50 - 08:53: Yeah, but that's tinged with sadness.
08:53 - 08:55: He's got mom's spaghetti on his sweater.
08:55 - 08:57: The infamous mom's spaghetti.
08:57 - 08:59: Just straight triumph is tough.
08:59 - 09:00: It's funny.
09:00 - 09:04: I feel like there's more of those types of songs in the past 20 years than back in the day.
09:04 - 09:05: I agree.
09:05 - 09:10: I feel like most pop stars at this point have at least one song in their repertoire that's kind of like their,
09:10 - 09:12: you know, maybe for Taylor Swift, it's like Shake It Off.
09:12 - 09:14: Like, you know, forget the haters.
09:14 - 09:16: You're better than them.
09:16 - 09:21: Was there like a Fleetwood Mac song that was quite ever that straightforward?
09:21 - 09:23: You Can Go Your Own Way?
09:23 - 09:24: Not really, though. That's different.
09:24 - 09:26: That's like F off.
09:26 - 09:30: Yeah, nowadays it's like that's the type of song that you need in your arsenal.
09:30 - 09:32: God, that's weak.
09:32 - 09:34: Such a weak form.
09:34 - 09:37: I wonder if Queen thought We Are The Champions was funny at all.
09:37 - 09:38: That's a great question, actually.
09:38 - 09:40: That's crossed my mind before, especially--
09:40 - 09:42: Wait, throw it on.
09:42 - 09:47: Also, it's funny how We Are The Champions and We Will Rock You are kind of like one song, right?
09:47 - 09:49: Right, right, yeah, they play them back to back.
09:49 - 09:50: Yeah.
09:53 - 09:56: So this is pretty minor.
09:56 - 09:57: Well, because it starts out--
09:57 - 09:58: Please pay my dues.
09:58 - 09:59: Yeah.
10:04 - 10:06: Wrongfully accused.
10:11 - 10:13: It also kind of sounds like Everybody Hurts.
10:13 - 10:14: Yeah.
10:14 - 10:15: I'd sell this record.
10:32 - 10:34: Those guitar tones are amazing.
10:45 - 10:49: But yeah, think about them listening back in the playback booth and just being like,
10:49 - 10:53: "This is hilarious and awesome."
10:56 - 10:59: Of the world.
10:59 - 11:03: Wait, is it no time for losing or no time for losers?
11:03 - 11:04: Losers.
11:04 - 11:08: That's also the thing that people forget about with Queen because it gets kind of decontextualized
11:08 - 11:09: as time goes on.
11:09 - 11:15: Bohemian Rhapsody is like a totally wacky, campy, funny, satirical song.
11:15 - 11:19: And then think about other early Queen [bleep] like Fat Bottom Girls.
11:19 - 11:20: Right.
11:20 - 11:21: "I Want My Bicycle."
11:21 - 11:22: You know, he really had--
11:22 - 11:24: Bicycle.
11:24 - 11:27: He had this sense of fun, silliness in Queen.
11:27 - 11:28: Right.
11:28 - 11:30: Yeah, so him rolling in the studio like, "I got an idea for a song.
11:30 - 11:31: We are the champions."
11:31 - 11:32: Of the world.
11:32 - 11:37: Just them in like late '70s, just like [bleep] London.
11:37 - 11:40: Just like no time for losers.
11:40 - 11:41: Amazing.
11:41 - 11:43: I mean, it's a sick song.
11:47 - 11:50: My curtain calls
11:50 - 11:55: You brought me fame and fortune and everything that goes
11:55 - 11:58: I thank you all
11:58 - 12:01: But it's been no bed of roses
12:01 - 12:05: No pleasure cruise
12:05 - 12:10: I consider it a challenge before the whole human race
12:10 - 12:13: And I ain't gonna lose
12:13 - 12:17: Come on, come on, come on, come on
12:17 - 12:23: We are the champions, my friends
12:23 - 12:30: And we keep on fighting 'til the end
12:30 - 12:35: We are the champions
12:35 - 12:39: We are the champions
12:40 - 12:43: No time for losers
12:43 - 12:47: 'Cause we are the champions
12:47 - 12:49: Of the world
12:49 - 12:50: Here's Mary J. Blige.
12:50 - 12:52: Did you catch her performance?
12:52 - 12:53: I missed it.
12:53 - 12:54: Oh, wait, no, I caught it.
12:54 - 12:57: This is the first time I think that somebody was nominated for--
12:57 - 12:58: Song.
12:58 - 12:59: --and actor.
12:59 - 13:00: Cool.
13:00 - 13:02: Life is a teacher
13:02 - 13:05: Time is a healer
13:05 - 13:08: And I'm a believer
13:09 - 13:12: Like a river while
13:12 - 13:15: Ego's a killer
13:15 - 13:17: Also, so far, all the songs nominated are, like, serious.
13:17 - 13:18: Yeah.
13:18 - 13:22: Like, it was cool when, like, Pharrell got nominated for "Happy."
13:22 - 13:23: Right.
13:23 - 13:29: Yeah, I feel like the tone of the Oscars songs are, like, bloated, heavy ballads.
13:29 - 13:31: It's, like, not fun.
13:31 - 13:33: I don't want to hide
13:33 - 13:35: No lines in the sand
13:35 - 13:38: I'm on your side
13:39 - 13:44: There was also Andra Day's "Stand Up for Something," featuring Common.
13:44 - 13:45: Good production.
13:45 - 13:50: You can have all the money in your hands
13:50 - 13:54: Oh, this is where Common went, like, super political, right?
13:54 - 13:56: Yeah, this is from the film "Marshall."
13:56 - 13:57: Oh, okay.
13:57 - 13:59: Missed that one.
13:59 - 14:03: Well, 'cause that's, you know, a serious story about the Thurgood Marshall biopic.
14:06 - 14:11: You can have, you can have everything
14:11 - 14:16: I guess it's, like, with the movies, they choose the real serious ones for the most part.
14:16 - 14:18: So I guess with music, they kind of do the same thing.
14:18 - 14:22: It's the same way that you don't see, like, comedies ever cleaning up at the Oscars.
14:22 - 14:23: Right.
14:23 - 14:26: There's also just not gonna be, like, fun, goofy songs.
14:26 - 14:29: Was that "Timberlake" song from "Trolls" nominated?
14:29 - 14:32: No. See, yeah, exactly.
14:32 - 14:35: Maybe it should have been. Terrible song, but it was, you know.
14:35 - 14:37: I've got this feeling.
14:37 - 14:39: I think it might have been nominated, actually. It didn't win.
14:39 - 14:41: Wait, wait, you played the Oscars, right?
14:41 - 14:42: I did play the Oscars once.
14:42 - 14:43: What was that story?
14:43 - 14:48: Karen Oh wrote this song called "Moon Song" for the Spike Jonze movie "Her."
14:48 - 14:49: Oh.
14:49 - 14:52: And we had done kind of, like, a studio duet of it.
14:52 - 14:57: And then she got invited to play, and then they asked if I would back her up.
14:57 - 15:00: And Spike had this idea to direct the segment, and it's, like, really, it's cool.
15:00 - 15:04: It was, like, 'cause, you know, sometimes they do these, like, big spectacles.
15:04 - 15:08: So his idea was just me playing acoustic, me and Karen just singing together.
15:08 - 15:11: Just sitting on the steps, and then he put, like, a big moon behind us.
15:11 - 15:12: I remember.
15:12 - 15:13: It's very tasteful.
15:13 - 15:16: I think I was not aware that that was happening.
15:16 - 15:17: Oh, really?
15:17 - 15:18: And I was just like, "Whoa!"
15:18 - 15:20: Check it out.
15:20 - 15:22: That was stressful.
15:22 - 15:25: I know him, guys. I know that guy.
15:25 - 15:27: I bet that was stressful.
15:27 - 15:32: Well, just because I'd never played-- I've only done a handful of live TV things.
15:32 - 15:33: Yeah.
15:33 - 15:35: SNL, which is stressful, too.
15:35 - 15:36: That seems hella stressful.
15:36 - 15:37: But this is bigger.
15:37 - 15:39: And also it was stressful because this was Karen's song.
15:39 - 15:41: So I'm there to back her up.
15:41 - 15:42: Like, imagine if I just, like, brutally--
15:42 - 15:43: Went to the wrong chord?
15:43 - 15:45: --up a chord, and she would just be, like, she's already stressed.
15:45 - 15:46: It's so much pressure on her.
15:46 - 15:48: She's nominated, you know?
15:48 - 15:50: Were you trying to, like, not overthink it?
15:50 - 15:52: Were you like, "Okay, I know the next chord is a G.
15:52 - 15:53: Wait, is it a G?
15:53 - 15:54: Wait, is it?"
15:54 - 15:57: I think when it happened, I didn't have time to think.
15:57 - 15:58: Nice.
15:58 - 16:00: And then I remember I was so exhausted afterwards
16:00 - 16:03: that I was on my way to the Vanity Fair party.
16:03 - 16:07: I was, like, alone in, like, a huge SUV that, like, the studio had hired for me.
16:07 - 16:08: Wow.
16:08 - 16:10: And I had gone to this other party, and I was just, like, rolling solo
16:10 - 16:12: because I didn't have any pluses or anything.
16:12 - 16:14: And I just remember, like, getting there at, like, 1 a.m.,
16:14 - 16:16: and they were, like, supposed to have my name.
16:16 - 16:17: Like, they didn't.
16:17 - 16:19: And the driver's like, "All right, well, we'll try to sort this out.
16:19 - 16:20: Let me pull over."
16:20 - 16:23: And then I remember, like, I sent a couple texts to, like,
16:23 - 16:25: whoever was supposed to get me in.
16:25 - 16:27: And then I was just, like, sitting there waiting.
16:27 - 16:29: Like, within a minute, I just, like, fell asleep.
16:29 - 16:32: And I was, like, "Sir, please take me to the hotel."
16:32 - 16:35: Missed the Vanity Fair party in 2014.
16:35 - 16:38: Yeah, I missed the 2014 VF.
16:38 - 16:46: ♪ I'm lying on the moon ♪
16:46 - 16:55: ♪ My dear, I'll be there soon ♪
16:55 - 17:04: ♪ It's a quiet, starry place ♪
17:04 - 17:10: ♪ Times we're swallowed up in space ♪
17:10 - 17:18: ♪ We're here a million miles away ♪
17:18 - 17:26: ♪ There's things I wish I knew ♪
17:26 - 17:35: ♪ There's no thing I'd keep from you ♪
17:35 - 17:44: ♪ It's a dark and shiny place ♪
17:44 - 17:49: ♪ But with you, my dear ♪
17:49 - 17:55: ♪ I'm safe and we're a million miles away ♪
17:55 - 17:57: The song that actually won was from "Coco."
17:57 - 17:58: You see that?
17:58 - 17:59: I did.
17:59 - 18:00: Pixar movie.
18:00 - 18:01: People love it.
18:01 - 18:02: It looked good.
18:02 - 18:03: Yeah.
18:03 - 18:04: I'll watch that sometime.
18:04 - 18:05: Yep.
18:05 - 18:06: ♪ Remember me ♪
18:06 - 18:09: ♪ Though I have to say goodbye ♪
18:09 - 18:12: ♪ Remember me ♪
18:12 - 18:15: ♪ Don't let it make you cry ♪
18:15 - 18:17: So this is the Miguel version of the song.
18:17 - 18:18: Oh, Miguel?
18:18 - 18:21: Yeah, there's probably a different version in the movie.
18:21 - 18:23: ♪ I sing a secret song to you ♪
18:23 - 18:26: ♪ Each night we are apart ♪
18:26 - 18:29: This has like a fun vibe to it.
18:29 - 18:31: ♪ Though I have to travel far ♪
18:31 - 18:34: ♪ Remember me ♪
18:34 - 18:37: Yeah, at the ceremony, Gael Garcia sang it.
18:37 - 18:39: Had a kind of shaky vocal performance.
18:39 - 18:40: I had it on mute.
18:40 - 18:42: I remember seeing that.
18:42 - 18:44: ♪ Any way that I can be ♪
18:44 - 18:49: ♪ Until you're in my arms again ♪
18:49 - 18:50: ♪ Remember me ♪
18:50 - 18:54: So you watch the whole thing seated at a table with a lot of people?
18:54 - 18:56: At a dinner party, essentially.
18:56 - 18:57: The full four hours?
18:57 - 18:58: Yeah.
18:58 - 18:59: Three and a half, whatever it was.
18:59 - 19:01: They're bringing out food, and people are chatting,
19:01 - 19:03: and it's like a lively atmosphere.
19:03 - 19:04: Sounds fun.
19:04 - 19:06: Also, I forgot-- in classic TC fashion--
19:06 - 19:09: I forgot that I recently wrote a song for a movie.
19:09 - 19:10: Yeah?
19:10 - 19:12: I should have talked about this in the last episode, but I forgot.
19:12 - 19:15: Did you know that I wrote a song for Peter Rabbit?
19:15 - 19:16: No.
19:16 - 19:17: What's Peter Rabbit?
19:17 - 19:19: Peter Rabbit.
19:19 - 19:22: Are you familiar with the character Peter Rabbit?
19:22 - 19:24: Vaguely. It's a children's thing?
19:24 - 19:25: Yeah, he's a little rabbit.
19:25 - 19:27: He wears a blue coat.
19:27 - 19:28: Okay, yep.
19:28 - 19:30: And it's--
19:30 - 19:31: Originally--
19:31 - 19:32: Copy that.
19:32 - 19:36: Little kids have them, like these little white books
19:36 - 19:38: that are by Beatrix Potter.
19:38 - 19:40: There's a whole large-- like a Peter Rabbit universe.
19:40 - 19:41: Yep.
19:41 - 19:42: Takes place in rural England.
19:42 - 19:43: It's very sweet.
19:43 - 19:45: When I was a kid, I always liked Peter Rabbit.
19:45 - 19:47: I had a Peter Rabbit stuffed animal.
19:47 - 19:50: So anyway, the director hit me up
19:50 - 19:52: because they were using a bunch of Vampire Weekend songs
19:52 - 19:54: in the movie, or they wanted to.
19:54 - 19:55: Oh, wow.
19:55 - 19:56: Is the movie out?
19:56 - 19:58: Yeah, it's been out for like four weeks.
19:58 - 19:59: How's it doing?
19:59 - 20:00: It's doing solid.
20:00 - 20:02: You know, I felt like--
20:02 - 20:03: Can we bring in the RA?
20:03 - 20:04: Well, first, let me tell you something.
20:04 - 20:05: Yeah, yeah, go ahead.
20:05 - 20:07: They're like, "We want to use a bunch of Vampire Weekend songs
20:07 - 20:08: in the movie."
20:08 - 20:09: And I was like, "All right."
20:09 - 20:10: They were like old songs.
20:10 - 20:11: Wow.
20:11 - 20:13: It was like M79 and stuff, and I was like, "That's cool."
20:13 - 20:15: And then they said, "Oh, and also,
20:15 - 20:18: would you want to write some original music for it?"
20:18 - 20:20: And I was like, "I could try to write a song.
20:20 - 20:23: Oh, also, James Corden is the voice of Peter Rabbit."
20:23 - 20:24: Friend of the show.
20:25 - 20:26: So they were like, "Can you write a song
20:26 - 20:28: for James Corden to sing as Peter Rabbit?"
20:28 - 20:31: And I gave it a try, and at first came up with something weird.
20:31 - 20:33: And then as we worked on it, I realized it's like really annoying
20:33 - 20:38: to write something with the hard constraints of like a film.
20:38 - 20:39: Yeah.
20:39 - 20:41: Because, you know, I had like a lot of like talks to the director about like--
20:41 - 20:43: he was like, "Well, we want it to be kind of this theme."
20:43 - 20:46: Because in the movie, there's a lot of talk about
20:46 - 20:48: the Mr. McGregor puts up a fence
20:48 - 20:50: and doesn't want to let the rabbits in to the garden,
20:50 - 20:51: wants to kill them.
20:51 - 20:53: So he's like, "Maybe it's this theme about like no fences,
20:53 - 20:55: and what does it really mean to be a hero?"
20:55 - 20:57: Because that's Peter Rabbit's journey and stuff.
20:57 - 20:59: So I tried to like figure it out a little bit.
20:59 - 21:01: We worked on it, and he helped me with the lyrics,
21:01 - 21:03: and we made this song.
21:03 - 21:05: So my demo, of course, was like--
21:05 - 21:07: they wanted to be kind of like a kids' movie thing,
21:07 - 21:10: but I'm just like a laid-back, chilled-out dude.
21:10 - 21:13: So my demo is pretty chilled out.
21:13 - 21:14: It wasn't quite what they were looking for,
21:14 - 21:18: although they ended up putting this like at the real end of the credits,
21:18 - 21:20: which take like 10 minutes because there's so many animators.
21:20 - 21:22: Second song on the credits?
21:22 - 21:24: The credits--no, it's like the fourth song.
21:24 - 21:28: The credits are so long because it's like 10,000 animators worked on it.
21:28 - 21:29: Oh, my God.
21:29 - 21:31: This is my demo for Peter Rabbit.
21:38 - 22:01: Trying to be playful.
22:01 - 22:02: Yeah.
22:05 - 22:19: A few references to the film.
22:19 - 22:21: Nice.
22:24 - 22:26: Ooh.
22:29 - 22:35: This was originally the chorus,
22:35 - 22:38: but they said they needed a bigger chorus,
22:38 - 22:40: so I wrote this part.
22:46 - 23:03: Try to get a high note up in there.
23:11 - 23:14: French press and a blade of hay.
23:14 - 23:16: That was one that I insisted on.
23:16 - 23:17: That's great.
23:20 - 23:25: [laughs]
24:03 - 24:07: I think one of the original lines I wrote was like--
24:07 - 24:11: ♪ I love you, baby ♪
24:11 - 24:14: I always like "I love you, baby" in songs.
24:14 - 24:17: They thought that wasn't quite right for Peter Rabbit.
24:20 - 24:26: Love this demo, man.
24:26 - 24:29: I was also--because they were using a lot of early vampire,
24:29 - 24:33: so I tried to go for an early vampire type chord progression.
24:36 - 24:39: Ooh, is that you singing all those parts?
24:39 - 24:40: Yeah.
24:40 - 24:41: Nice, dude.
24:41 - 24:43: Although shout out to Greg Kirsten.
24:43 - 24:45: We worked on the demo together.
24:45 - 24:48: He did most of the arrangement of the backup vocals.
24:48 - 24:51: So that was my little demo for Peter Rabbit.
24:51 - 24:54: I referenced the wrong side of McGregor's Wall.
24:54 - 24:57: I talk about carnivores because there's a fox,
24:57 - 25:00: and at one point I talk about Tiggy Winkle,
25:00 - 25:02: who is a porcupine character.
25:02 - 25:06: Then we had to do a more pumped-up version for Peter Rabbit to sing.
25:06 - 25:08: This is James Corden as Peter Rabbit.
25:08 - 25:10: This is at the end of the movie.
25:10 - 25:12: Everything's been resolved.
25:12 - 25:13: It's all good.
25:14 - 25:15: The couple came together.
25:15 - 25:18: So this is the whole other song that you wrote.
25:18 - 25:21: No, this is the movie version.
25:21 - 25:22: Okay.
25:22 - 25:25: So this is James Corden as Peter Rabbit, more pumped up.
25:25 - 25:27: Oh, BPM.
25:27 - 25:29: Yeah, BPM is kicked up.
25:29 - 25:35: Slightly different lyrics, too.
26:06 - 26:24: Here we go.
26:28 - 26:45: More pumped up.
26:45 - 26:46: I like it.
26:46 - 26:48: Probably more appropriate for--
26:48 - 26:49: Sure, the end of the movie.
26:49 - 26:50: Yeah.
26:50 - 26:53: It reminds me so much of a Paul McCartney song.
26:53 - 26:56: Well, no, the chorus that they made you to write,
26:56 - 26:58: that does remind me of Paul McCartney, Circa Revolver.
26:58 - 27:01: The first two parts that you wrote remind me of--
27:01 - 27:03: Like when Paul would write--
27:03 - 27:04: Good Day Sunshine or something.
27:04 - 27:05: Right.
27:10 - 27:28: So you get the idea.
27:28 - 27:31: Peter Rabbit came out, and immediately,
27:31 - 27:34: it was mired in controversy.
27:35 - 27:37: I miss this.
27:37 - 27:38: What happened?
27:38 - 27:40: There's a part in the movie,
27:40 - 27:42: and I should preface this by saying
27:42 - 27:44: I don't have any serious allergies.
27:44 - 27:46: Nobody in my family does, so I don't know.
27:46 - 27:48: Where is this going?
27:48 - 27:49: [laughter]
27:49 - 27:52: So basically, the film Peter Rabbit--
27:52 - 27:55: And I think when there first was a trailer,
27:55 - 27:57: some Beatrix Potter traditionalists
27:57 - 28:00: didn't like this fast-talking James Corden Peter Rabbit
28:00 - 28:04: because, you know, the books are very sweet
28:04 - 28:06: and kind of quiet feeling.
28:06 - 28:07: And in this--
28:07 - 28:08: You know, he's this fast-talking guy.
28:08 - 28:09: He's very self-referential.
28:09 - 28:11: There's a lot of breaking the fourth wall.
28:11 - 28:12: It's a postmodern--
28:12 - 28:14: It's a postmodern Peter Rabbit.
28:14 - 28:18: At one point, Peter and the main human guy,
28:18 - 28:21: they get kind of in like a love triangle,
28:21 - 28:22: you know, rivalry thing.
28:22 - 28:23: Okay.
28:23 - 28:25: Wait, there's a human and a rabbit
28:25 - 28:27: after the same lady?
28:27 - 28:30: Well, the rabbit has like a crush on her.
28:30 - 28:31: It's kind of like Rushmore.
28:31 - 28:33: He doesn't have a chance, but he--
28:33 - 28:35: This is inappropriate for show.
28:35 - 28:37: [laughter]
28:37 - 28:40: You can't have a rabbit lusting after a female woman.
28:40 - 28:42: I think they handled it correctly.
28:42 - 28:43: I don't know.
28:43 - 28:46: But there's a part where he's watching--
28:46 - 28:48: He and his rabbit friends or family
28:48 - 28:51: are watching the two humans interact,
28:51 - 28:53: and he's watching with contempt
28:53 - 28:54: because he hates this guy.
28:54 - 28:56: And to be fair, this guy's been trying to kill him
28:56 - 28:57: because this guy--
28:57 - 28:59: This is the new Mr. McGregor, and he hates rabbits.
28:59 - 29:01: So Peter Rabbit is watching these two people fight.
29:01 - 29:02: Yeah.
29:02 - 29:03: He's watching them have a conversation.
29:03 - 29:05: And he hears the guy say to her, you know,
29:05 - 29:08: she offers him a blackberry something,
29:08 - 29:10: and he goes, "Oh, I'm very allergic to blackberries."
29:10 - 29:12: And then Peter Rabbit is up there and goes,
29:12 - 29:13: "Oh, my God.
29:13 - 29:15: Everybody's allergic to something now."
29:15 - 29:16: Uh-huh.
29:16 - 29:18: "Oh, really? You're allergic to blackberry?"
29:18 - 29:20: I mean, we've all heard somebody make a joke
29:20 - 29:22: about how everybody's allergic to gluten now.
29:22 - 29:23: Sure.
29:23 - 29:25: So it was a very kind of like L.A. type joke.
29:25 - 29:26: And then one of his friends goes,
29:26 - 29:28: "Well, you know, Peter, some people have
29:28 - 29:30: very serious life-threatening allergies."
29:30 - 29:32: And then Peter-- this is all in the movie.
29:32 - 29:34: Peter goes, "Of course, of course."
29:34 - 29:36: And those people struggle and suffer,
29:36 - 29:37: and our heart goes out for them,
29:37 - 29:39: and we don't want to get any letters.
29:39 - 29:41: So let me be very clear that some people
29:41 - 29:42: do have real allergies.
29:42 - 29:43: This is in the movie?
29:43 - 29:45: This is in the movie because--
29:45 - 29:46: I like the sound of this movie.
29:46 - 29:47: It's very-- yeah, like I said,
29:47 - 29:49: Peter Rabbit's always cracking jokes and stuff.
29:49 - 29:50: Is this rated G?
29:50 - 29:51: I think so.
29:51 - 29:53: So Peter makes this joke that he doesn't believe
29:53 - 29:54: this guy seriously has an allergy.
29:54 - 29:55: Yeah, yeah.
29:55 - 29:56: And then later in the movie,
29:56 - 29:59: they're fighting him kind of Home Alone style,
29:59 - 30:01: and they shoot a blackberry into his mouth,
30:01 - 30:03: and the guy falls to his knees
30:03 - 30:05: and has to administer an EpiPen to save himself.
30:05 - 30:08: And the rabbits feel a little bit ashamed about it.
30:08 - 30:10: But anyway, so when the movie came out,
30:10 - 30:11: there was briefly-- the first week it came out,
30:11 - 30:13: there was like a Boycott Peter Rabbit campaign
30:13 - 30:16: by the parents of children with allergies.
30:16 - 30:17: Come on.
30:17 - 30:18: Well, that's the question.
30:18 - 30:19: I saw a lot of people--
30:19 - 30:20: Come on!
30:20 - 30:22: I saw a lot of people making that point,
30:22 - 30:23: and then I was thinking about it,
30:23 - 30:25: and I was like, "Well, if your kid
30:25 - 30:27: was, like, deathly allergic to blackberries,
30:27 - 30:30: and then you're in a movie theater full of kids,
30:30 - 30:32: and you see a bunch of kids laughing about
30:32 - 30:35: somebody using an allergy against somebody,
30:35 - 30:36: that could be stressful."
30:36 - 30:38: It'd be uncomfortable, for sure.
30:38 - 30:39: I don't think--
30:39 - 30:40: But that's it.
30:40 - 30:41: Yeah.
30:41 - 30:42: I mean--
30:42 - 30:43: I mean, being allergic to [bleep]
30:43 - 30:44: must be stressful.
30:44 - 30:49: My wife is allergic to fish and nuts of all stripes.
30:49 - 30:51: Almonds, peanuts.
30:51 - 30:52: Oh, so you're--
30:52 - 30:53: No joke.
30:53 - 30:56: We had an EpiPen scenario a few months ago.
30:56 - 30:59: At a restaurant, there was--
30:59 - 31:02: You ordered the almond-crusted tilapia?
31:02 - 31:03: [laughs]
31:03 - 31:06: There was some, like, stupid almond dressing
31:06 - 31:08: on some Brussels sprouts, something dumb.
31:08 - 31:09: Oof.
31:09 - 31:11: First bite in, she was like, "Uh-oh."
31:11 - 31:12: She feels her throat closing up,
31:12 - 31:13: the things of that nature.
31:13 - 31:15: Yeah, and we just, like, got in an Uber.
31:15 - 31:16: To the hospital?
31:16 - 31:17: Oh, yeah.
31:17 - 31:19: She didn't have her EpiPen on her.
31:19 - 31:20: Oh.
31:20 - 31:22: That was kind of a harsh reminder to be like,
31:22 - 31:23: "You know what?"
31:23 - 31:24: Always roll with EpiPen.
31:24 - 31:25: Roll with it.
31:25 - 31:32: ♪ ♪
31:32 - 31:37: ♪ ♪
32:02 - 32:09: ♪ ♪
32:09 - 32:11: I just want to say one last thing about it.
32:11 - 32:14: Like I said, the filmmakers tried to do a disclaimer
32:14 - 32:17: in the film about how allergies are serious.
32:17 - 32:19: I guess what this just goes to show is,
32:19 - 32:20: like, with a kids' movie,
32:20 - 32:23: maybe there's only so much post-modernity
32:23 - 32:26: you can get away with, so much ironic detachment.
32:26 - 32:27: That's really for the adults.
32:27 - 32:28: Yeah, exactly.
32:28 - 32:29: It's like--
32:29 - 32:30: The kid's not going to find that funny.
32:30 - 32:31: Right.
32:31 - 32:32: The kid's not going to be like,
32:32 - 32:33: "Ooh, that's self-aware."
32:33 - 32:35: Yeah, exactly.
32:35 - 32:36: So, you know, I can--
32:36 - 32:38: Like a 6-year-old being like, "Wow."
32:38 - 32:40: "Were you upset about that allergy part?"
32:40 - 32:41: "Well, no, Mom.
32:41 - 32:42: "Remember that really self-aware,
32:42 - 32:44: "kind of breaking the fourth wall moment
32:44 - 32:46: "where Peter Rabbit made a joke about how--"
32:46 - 32:47: "Yeah, of course not."
32:47 - 32:49: So, anyway, I can see why the filmmakers thought it was okay,
32:49 - 32:51: but at the same time, the reaction--
32:51 - 32:52: Anyway, it is a sweet film,
32:52 - 32:54: and it's doing pretty good at the box office.
32:54 - 32:55: Great, man.
32:55 - 32:56: It's at 84--
32:56 - 32:57: Ooh!
32:57 - 32:58: 84 mil domestically.
32:58 - 32:59: What was the budge?
32:59 - 33:00: 50.
33:00 - 33:01: 50?
33:01 - 33:02: Okay.
33:02 - 33:04: It's made 16 mil in China so far.
33:04 - 33:05: Oh, wow.
33:05 - 33:07: Hasn't opened in the U.K. yet.
33:07 - 33:09: So your song's getting out there, man.
33:09 - 33:10: The funny thing is,
33:10 - 33:12: I was also thinking about the fact that,
33:12 - 33:13: like, the Vampire Weekend song's in it.
33:13 - 33:15: There's M79 at some moment,
33:15 - 33:17: Cousins at a moment,
33:17 - 33:19: and I think The Kids Don't Stand a Chance.
33:19 - 33:20: Oh, dude.
33:20 - 33:21: And I was, like, thinking about--
33:21 - 33:22: Are there other bands on the soundtrack?
33:22 - 33:24: Yeah, Portugal the Man is in it.
33:24 - 33:25: Oh, okay, friend of the show.
33:25 - 33:27: ♪ I'm a rebel just for kicks now ♪
33:27 - 33:28: And Vampire Weekend,
33:28 - 33:30: we've always had this kind of, like, point of view
33:30 - 33:33: that when a kids movie has to use a song,
33:33 - 33:35: we're kind of like, "Hell yeah."
33:35 - 33:37: And Peter Rabbit actually is, like, a pretty good movie,
33:37 - 33:38: but we're not gonna be like,
33:38 - 33:40: "Who's directing?
33:40 - 33:42: What was their previous work?"
33:42 - 33:43: You know, like, we're just gonna be like,
33:43 - 33:46: "It's a kids movie. It's cool. Like, why not?"
33:46 - 33:47: But then it's funny.
33:47 - 33:48: I was talking about it with somebody,
33:48 - 33:49: and they were like,
33:49 - 33:50: "Well, you know, with Peter Rabbit,
33:50 - 33:51: "it's, you know, not just the kids.
33:51 - 33:53: "You're probably reminding some of the parents
33:53 - 33:54: "about some of that early V-dubs
33:54 - 33:55: "they might have enjoyed back in the day."
33:55 - 33:57: And I was like, "Holy [bleep]."
33:57 - 33:58: Yeah, man.
33:58 - 33:59: That blew my mind.
33:59 - 34:01: The parents were freshmen in college,
34:01 - 34:04: falling in love with the person down the hall.
34:04 - 34:05: Yeah.
34:05 - 34:06: Smash cut 11 years later.
34:06 - 34:07: First Vampire Weekend album,
34:07 - 34:08: what about 10 years ago?
34:08 - 34:10: Okay, smash cut 10 years later.
34:10 - 34:11: Let's say you're a senior, and--
34:11 - 34:13: You've been married for eight years.
34:13 - 34:15: Honestly, you could have been a freshman in college
34:15 - 34:17: when the first V-dubs dropped.
34:17 - 34:18: Yeah.
34:18 - 34:19: Have your first kid--
34:19 - 34:20: 'cause you're 18--
34:20 - 34:22: then have your first kid at 24.
34:22 - 34:23: Sure.
34:23 - 34:24: People do that.
34:24 - 34:25: Kids four years old.
34:26 - 34:27: Taking them to--
34:27 - 34:29: You take the kid to the movie theater.
34:29 - 34:30: Peter the Rabbit.
34:30 - 34:31: To see Peter the Rabbit.
34:31 - 34:35: And then suddenly you hear M79 come over,
34:35 - 34:36: that opening harpsichord.
34:36 - 34:37: ♪ It's gonna take a little time ♪
34:37 - 34:39: ♪ It's gonna take a little time ♪
34:39 - 34:41: ♪ Little time to think this through ♪
34:41 - 34:43: And you just whisper over to your son,
34:43 - 34:47: "Hey, Maverick, Mommy and Daddy used to jam a CD-R of that."
34:47 - 34:49: A blue CD-R.
34:49 - 34:51: "Back at University of Wisconsin."
34:51 - 34:52: "Cool, Dad."
34:52 - 34:55: [laughter]
34:55 - 34:59: "My cousin was an intern at XL and he bought a blue CD-R."
34:59 - 35:01: "Earned a copy."
35:01 - 35:04: Shout-out to any young parent who saw Peter Rabbit
35:04 - 35:07: and was pleasantly reminded of Vampire Weekend's existence.
35:07 - 35:11: Time Crisis with Ezra Koenig.
35:11 - 35:13: ♪ It's gonna take a little time ♪
35:13 - 35:15: ♪ While you're waiting like a factory line ♪
35:15 - 35:17: ♪ I'll ride across the park ♪
35:17 - 35:20: ♪ Backseat on the 79 ♪
35:20 - 35:25: ♪ Wasted days you've come to pass ♪
35:25 - 35:28:
35:28 - 35:32: ♪ So go, I know you would not stay ♪
35:32 - 35:37: ♪ It wasn't true, but anyway ♪
35:37 - 35:41: ♪ I'm the nature, yellow cat ♪
35:41 - 35:55:
35:55 - 36:02: ♪ Whoa, whoa ♪
36:02 - 36:11:
36:11 - 36:13: ♪ You walk up the stairs ♪
36:13 - 36:15: ♪ See the French kids by the door ♪
36:15 - 36:17: ♪ Up one more flight ♪
36:17 - 36:19: ♪ See the boot on the second floor ♪
36:19 - 36:24: ♪ Carbonation, rickshaw drive ♪
36:24 - 36:28:
36:28 - 36:32: ♪ So go, I know you would not stay ♪
36:32 - 36:37: ♪ It wasn't true, but anyway ♪
36:37 - 36:41: ♪ Racist dreams you should not have ♪
36:41 - 36:47:
37:05 - 37:09: ♪ No excuse to be so callous ♪
37:09 - 37:13: ♪ Dress yourself in bleeding mattress ♪
37:13 - 37:18: ♪ Charm your way across the Kyber Pass ♪
37:18 - 37:22:
37:22 - 37:26: ♪ Stay awake to break the habit ♪
37:26 - 37:30: ♪ Singing phrases Jackson Crowder ♪
37:30 - 37:35: ♪ Watch your step along the archer ♪
37:35 - 37:55:
37:55 - 38:09:
38:09 - 38:13: ♪ No excuse to be so callous ♪
38:13 - 38:17: ♪ Dress yourself in bleeding mattress ♪
38:17 - 38:22: ♪ Charm your way across the Kyber Pass ♪
38:22 - 38:26:
38:26 - 38:30: ♪ Stay awake to break the habit ♪
38:30 - 38:34: ♪ Singing phrases Jackson Crowder ♪
38:34 - 38:38: ♪ Watch your step along the archer ♪
38:38 - 38:39: ♪ Flies ♪
38:39 - 38:42: Oh, by the way, we've got kind of a big announcement to make.
38:42 - 38:43: Yeah, we do?
38:43 - 38:46: Well, Time Crisis has a new email address.
38:46 - 38:47: Oh, that's right.
38:47 - 38:49: Seinfeld, you already made this announcement on Twitter.
38:49 - 38:52: Yeah, on our popular Twitter account, Seinfeld--
38:52 - 38:54: I mean, no, that's my Twitter account.
38:54 - 38:55: I mean, that's popular, too.
38:55 - 38:56: That's very popular.
38:56 - 38:58: Time Crisis 2000.
38:58 - 39:01: Yeah, so it's 8minutecapecod@gmail.com.
39:01 - 39:02: Wait, wait, hold on.
39:02 - 39:05: Is it like E-I-G-H-T?
39:05 - 39:06: I'm so glad you asked.
39:06 - 39:11: It's the numeral eight, not the fully written out word.
39:11 - 39:17: So it's the number eight minute spelled out cape cod.
39:17 - 39:18: Correct.
39:18 - 39:19: Spelled out one word.
39:19 - 39:25: Okay, so 8-M-I-N-U-T-E-C-A-P-E-C-O-D @--
39:25 - 39:29: Gmail, also one word, and then a period, and then com.
39:29 - 39:31: Just like any email construction.
39:31 - 39:32: H-T-T-P.
39:32 - 39:33: No, it's on a website.
39:33 - 39:34: Oh, my bad.
39:34 - 39:36: You could use it through a desktop browser.
39:36 - 39:37: Okay.
39:37 - 39:39: But you know, you'd use your phone.
39:39 - 39:41: My inbox was just getting savage.
39:41 - 39:45: Because we--previously, as all the TC heads know,
39:45 - 39:47: you would just have to track down Jake's email,
39:47 - 39:48: and a lot of people did.
39:48 - 39:51: And someone wrote in that they Googled me,
39:51 - 39:54: and the second thing that came up was Jake Longstreth email.
39:54 - 39:56: And I was like, okay, that's it.
39:56 - 39:59: I'm pulling the plug on my personal email.
39:59 - 40:00: So people who want to email Time Crisis,
40:00 - 40:01: it's 8-Minute Cape Cod at Gmail.
40:01 - 40:02: And so we announced that,
40:02 - 40:04: and we've already been getting some emails to that.
40:04 - 40:06: People have been respecting it, which I'm excited about.
40:06 - 40:08: They've done the transfer.
40:08 - 40:10: So one of the first emails that we got
40:10 - 40:12: was a little bit off-brand for us.
40:12 - 40:15: Let's go to the Time Crisis mailbag.
40:15 - 40:17: It's from a gentleman named Kyle,
40:17 - 40:19: and the subject was open relationships.
40:19 - 40:22: So, okay, this is not typical TC fare,
40:22 - 40:24: but we got a new email address.
40:24 - 40:26: It's not Home Depot. It's not Classic Rock.
40:26 - 40:28: Yeah, we got a new email address.
40:28 - 40:29: We're starting new traditions.
40:29 - 40:30: Here's the email.
40:30 - 40:31: "Hey, Crisis crew.
40:31 - 40:33: "Happy to be reaching out to you
40:33 - 40:35: "on something other than Jake's personal/professional email.
40:35 - 40:36: "Very polite.
40:36 - 40:38: "I'm a long-time listener to the show,
40:38 - 40:40: "and I'd like to firstly express appreciation
40:40 - 40:42: "for getting me through some extremely late hours
40:42 - 40:43: "with wholesome, humorous convos
40:43 - 40:45: "that I've re-listened to hundreds of times."
40:45 - 40:46: Hundreds?
40:46 - 40:47: "Oh, re-listening?
40:47 - 40:50: "I've never heard of someone re-listening to TC episodes.
40:50 - 40:51: "That's tight."
40:51 - 40:52: Heads, dude.
40:52 - 40:54: "That's like some real deadhead sh--, man.
40:54 - 40:56: "Those guys do a riff in episode 27."
40:56 - 40:59: Minute-- like, minute 47.
40:59 - 41:02: They go into this whole thing about this hardware store.
41:02 - 41:06: "As Ezra would say, I have a question for you.
41:06 - 41:08: "What is your collective opinion
41:08 - 41:11: "on open relationships/polyamory?"
41:11 - 41:13: I don't think we've ever discussed things of this nature.
41:13 - 41:14: No, hasn't come up.
41:14 - 41:16: So...
41:16 - 41:17: "Really shifting gears.
41:17 - 41:20: "My girlfriend of about one year has proposed an open relationship
41:20 - 41:23: "so she can have physical relationships outside of ours,
41:23 - 41:25: "specifically when she goes to Europe in May,
41:25 - 41:27: "two months from now, for a full month.
41:27 - 41:30: "I'm not particularly into it, as from a male perspective,
41:30 - 41:32: "it feels kind of skeezy to flirt with other girls
41:32 - 41:34: "simply for physical gratification
41:34 - 41:36: "and not maintain the same level of communication
41:36 - 41:39: "after the event that you would with a normal relationship.
41:39 - 41:41: "Also, the idea of my girlfriend having sex in Europe
41:41 - 41:43: "leaves me riddled with anxiety.
41:43 - 41:45: "I love her and her family very much, and I want to make this work,
41:45 - 41:47: "but I can't help but see myself wanting
41:47 - 41:49: "the traditional trappings of monogamy.
41:49 - 41:51: "As you both had your presumably monogamous partners
41:51 - 41:53: "on the last episode..."
41:53 - 41:54: You always said "presumably."
41:54 - 41:55: Yeah.
41:55 - 41:57: I've never actually asked you that, Jake, about your marriage.
41:57 - 41:59: It's not open.
41:59 - 42:00: Okay.
42:00 - 42:03: Just to-- just to hit for the record,
42:03 - 42:04: it's closed.
42:04 - 42:06: Lock and key.
42:06 - 42:08: "And because I value both of your opinions,
42:08 - 42:10: "as well as Seinfeld's," shout-out to Eastern Canada,
42:10 - 42:13: "I thought I'd reach out to you for your take on this dilemma.
42:13 - 42:14: "P.S. I would love to call in sometime.
42:14 - 42:16: "I tried back when you had a number,
42:16 - 42:18: "and some girl answered I got scared and hung up.
42:18 - 42:19: "Peace, Kyle."
42:19 - 42:21: Well, we actually reached out to Kyle and said,
42:21 - 42:23: "Yeah, why don't you call in, man?"
42:23 - 42:24: Loveline style.
42:24 - 42:25: Love.
42:25 - 42:27: I don't get enough of it.
42:27 - 42:29: Let's see if we can help Kyle.
42:29 - 42:32: Now let's go to the Time Crisis Hotline.
42:32 - 42:36: [phone ringing]
42:36 - 42:37: Kyle, how are you doing, man?
42:37 - 42:38: Good, how are you?
42:38 - 42:39: Not bad.
42:39 - 42:40: We appreciate your e-mail.
42:40 - 42:42: We've never gotten one quite like that.
42:42 - 42:43: Wow.
42:43 - 42:45: But we got a new e-mail address,
42:45 - 42:47: so we might as well try some new topics.
42:47 - 42:48: Awesome.
42:48 - 42:50: So first, you know, Jake and I,
42:50 - 42:52: we're very detail-oriented guys,
42:52 - 42:54: so we need some background on you, man.
42:54 - 42:55: Of course.
42:55 - 42:56: Age?
42:56 - 42:57: 26.
42:57 - 42:58: Okay.
42:58 - 43:00: What part of the world are you living at?
43:00 - 43:03: I reside in Toronto, Canada.
43:03 - 43:04: Okay, so you're Canadian.
43:04 - 43:05: I am Canadian.
43:05 - 43:06: Shout-out to Seinfeld.
43:06 - 43:09: Okay, so there might be certain cultural norms
43:09 - 43:11: that Jake and I, as Americans,
43:11 - 43:13: are unfamiliar with regarding this.
43:13 - 43:14: But so first we need to ask you,
43:14 - 43:16: are there a lot of open marriages,
43:16 - 43:18: open relationships in Canada?
43:18 - 43:20: Or do you imagine it's about the same as the U.S.?
43:20 - 43:22: I imagine it's about the same as the U.S.,
43:22 - 43:25: but they are on the rise, seemingly.
43:25 - 43:27: Is your girlfriend also Canadian?
43:27 - 43:28: Yes.
43:28 - 43:31: Oh, actually, she has Canadian citizenship,
43:31 - 43:33: but she was born in Moscow, Russia.
43:33 - 43:34: Okay.
43:34 - 43:35: Very interesting.
43:35 - 43:37: And what line of work are you in?
43:37 - 43:40: I am a solutions architect,
43:40 - 43:44: which is like a very fancy word for fancy IT work.
43:44 - 43:46: Solutions architect.
43:46 - 43:49: Yeah, so I basically design back-end systems
43:49 - 43:53: for people that sell things online or in stores.
43:53 - 43:56: I used to work for a company called Sears, Sears Canada.
43:56 - 43:57: Oh, sure.
43:57 - 43:59: And before they shut down,
43:59 - 44:03: I was trying to reformat their entire back-end website
44:03 - 44:06: and their retail stores, but then they ran out of money.
44:06 - 44:09: So does any of the problem-solving you do in your line of work
44:09 - 44:11: help guide you in the situation at all,
44:11 - 44:12: or are you hitting a brick wall?
44:12 - 44:14: I am absolutely hitting a brick wall.
44:14 - 44:15: It's quite the dilemma.
44:15 - 44:16: So what's the latest?
44:16 - 44:17: You emailed us a week ago.
44:17 - 44:18: I did.
44:18 - 44:19: Any updates?
44:19 - 44:20: It's pretty chill.
44:20 - 44:22: Like, I'm still--like, I love her,
44:22 - 44:23: and I know she loves me,
44:23 - 44:25: and I know that, like, she hasn't done anything,
44:25 - 44:27: like, outside of our relationship.
44:27 - 44:29: Well, what part of Europe is she going to?
44:29 - 44:30: That's important.
44:30 - 44:32: She is going to a few places.
44:32 - 44:34: Amsterdam is one of them.
44:34 - 44:36: Edinburgh in Scotland is where, like,
44:36 - 44:40: one of her friends from, like, university or something lives.
44:40 - 44:43: Like, one of her best friends from, like, her childhood, basically.
44:43 - 44:44: A dude?
44:44 - 44:45: A female.
44:45 - 44:46: Okay.
44:46 - 44:47: Wait, wait, I got a question.
44:47 - 44:48: Wait, what's--
44:48 - 44:49: How long is this trip?
44:49 - 44:50: Is this, like, a 2-week trip?
44:50 - 44:51: It is a 1-month trip.
44:51 - 44:53: She's away from, like, the beginning of May
44:53 - 44:56: till the end of May, beginning of June.
44:56 - 44:57: Okay, so this is not--
44:57 - 44:59: It sounds sketchy, dude, right?
44:59 - 45:00: It is sketchy.
45:00 - 45:02: Like, if it's just a month,
45:02 - 45:05: just leaving for a month is not a big deal.
45:09 - 45:11: Take your silver spoon
45:11 - 45:14: Dig your grave
45:14 - 45:24: Heartless challenge
45:24 - 45:28: Pick your feather now pray
45:36 - 45:40: Wake up in the morning
45:40 - 45:42: See your sunrise
45:42 - 45:46: Let us go down
45:46 - 45:55: Clouds of your lover
45:55 - 45:57: Pick their prey
45:57 - 46:00: But they never look right out the window
46:00 - 46:02: Well, hold on, Jake.
46:02 - 46:04: Jake coming in real hot, calling it sketchy.
46:04 - 46:06: I'm just trying to go with my gut here.
46:06 - 46:07: Okay, I think--
46:07 - 46:09: Of course, we've all heard of people
46:09 - 46:12: in relationships where they're about to be apart
46:12 - 46:13: for a long time.
46:13 - 46:14: Sure.
46:14 - 46:15: We're all familiar with that logic.
46:15 - 46:18: That's like, I'm getting transferred for a year,
46:18 - 46:20: we're still in our 20s, you know,
46:20 - 46:22: we love each other, let's have an open relationship.
46:22 - 46:23: This is something different.
46:23 - 46:25: One month, I guess--
46:25 - 46:26: A very brief period.
46:26 - 46:27: Yeah.
46:27 - 46:28: Well, and also, is it something special
46:28 - 46:30: about being on another continent?
46:30 - 46:31: Wait, so you're in Toronto?
46:31 - 46:32: Yes.
46:32 - 46:35: So she was just like, "My work's sending me to Ottawa
46:35 - 46:37: for three weeks, can we have an open relationship?"
46:37 - 46:38: That would be different.
46:38 - 46:39: Okay, so--
46:39 - 46:40: That would be way different.
46:40 - 46:42: So that's a very good perspective.
46:42 - 46:45: So is the vibe like she's going to be staying in hostels
46:45 - 46:48: with other people in their 20s and partying?
46:48 - 46:49: 100%.
46:49 - 46:50: Uh-huh.
46:50 - 46:53: Okay, well, it's not about how do we make this relationship
46:53 - 46:56: work over the two years where I'm going to be in,
46:56 - 46:59: you know, getting my JD in Puerto Rico,
46:59 - 47:00: it's not that type of thing.
47:00 - 47:03: It's really a matter of just, like, can you be cool
47:03 - 47:06: with, like, some exploratory sexual activity happening?
47:06 - 47:09: And I would make the argument, try to be.
47:09 - 47:10: And that's what I--
47:10 - 47:14: So she proposes to me, like, on New Year's Day, basically.
47:14 - 47:15: Yeah.
47:15 - 47:18: And so I've been, like, I don't know, dealing with it in a way.
47:18 - 47:21: Like, I have this very romantic sense of, you know,
47:21 - 47:23: what a relationship should be, I guess.
47:23 - 47:26: Well, I mean, I guess one way to look at it, it's 2018.
47:26 - 47:31: It's all about taking a new look at traditional structures,
47:31 - 47:34: whether it's, you know, awards shows,
47:34 - 47:36: whether it's traditional gender roles,
47:36 - 47:39: whether it's traditional Doritos gender roles.
47:39 - 47:40: Okay, I think--
47:40 - 47:44: Jake's shaking his head show, but in matters of the heart,
47:44 - 47:46: that's eternal and timeless.
47:46 - 47:49: And I don't think you can have a postmodern relationship
47:49 - 47:50: if you don't want to.
47:50 - 47:52: I'm not sure if I don't want to.
47:52 - 47:54: And I'm not saying put the kibosh on this.
47:54 - 47:55: It sounds like a tough situation.
47:55 - 47:56: It sounds like--
47:56 - 47:57: It's a dilemma, man.
47:57 - 47:59: She's going to do it regardless.
47:59 - 48:01: And I just want to be clear about something, like, you know,
48:01 - 48:02: that's her prerogative.
48:02 - 48:03: Yeah.
48:03 - 48:04: That's right.
48:04 - 48:07: So on one level, you've got to play the hand you're dealt.
48:07 - 48:11: And also, I can imagine you sound like a mellow dude.
48:11 - 48:13: I don't think any halfway reasonable dude would ever want to be
48:13 - 48:16: in the position of putting their foot down and telling somebody,
48:16 - 48:19: "I don't want you to do something that you want to do."
48:19 - 48:21: Like, that's their prerogative.
48:21 - 48:22: Yeah.
48:22 - 48:25: This kind of sounds like the only advice we can give you is, like,
48:25 - 48:27: something's coming.
48:27 - 48:28: How do you roll with it?
48:28 - 48:29: Right?
48:29 - 48:31: Like, that's kind of--there's no--it's happening, right?
48:31 - 48:32: Yeah, exactly.
48:32 - 48:37: And any sort of, like, sense of trying to stop it feels like I'm objectifying her,
48:37 - 48:38: you know what I mean?
48:38 - 48:39: Like I'm possessing her.
48:39 - 48:40: That's not a cool vibe, exactly.
48:40 - 48:42: Let's accept that this is happening.
48:42 - 48:43: It is what it is.
48:43 - 48:47: How do we deal with things in life that just, like, come at you?
48:47 - 48:50: You kind of just got to roll with them and just kind of see where they take you,
48:50 - 48:51: I guess.
48:51 - 48:53: Is it a don't ask, don't tell policy?
48:53 - 48:54: 100%.
48:54 - 48:58: So let's say she comes back from the trip and you're like, "So, I mean,
48:58 - 48:59: I have to ask.
48:59 - 49:02: I mean, we had this conversation about being in an open relationship.
49:02 - 49:04: Did anything happen?"
49:04 - 49:05: Well, that's asking.
49:05 - 49:06: You can't ask.
49:06 - 49:07: That's why it's called don't ask.
49:07 - 49:08: That's asking.
49:08 - 49:09: Don't ask.
49:09 - 49:10: I have to ask.
49:10 - 49:11: Don't ask.
49:11 - 49:15: I think we've got something important is that, obviously, like we said,
49:15 - 49:17: in a relationship people don't possess each other.
49:17 - 49:19: People are free to do what they want to do.
49:19 - 49:20: That is what it is.
49:20 - 49:24: The part where you can apply your solutions architecture is just in, like,
49:24 - 49:26: being like, "This is happening.
49:26 - 49:29: If you remotely want to preserve this relationship," and it sounds like she
49:29 - 49:32: does, too, "How can you be super, super smart about it?"
49:32 - 49:33: Because Jake's right.
49:33 - 49:39: If you guys have a DADT policy and she comes back and you're a reasonable guy,
49:39 - 49:41: you're not going to be, like, on some, like, "I got to know."
49:41 - 49:42: Yeah.
49:42 - 49:44: Because if you're going to be like that, then you should just break up.
49:44 - 49:45: So hopefully it's not like that.
49:45 - 49:48: But you could get into some funny situations if you're just asking about the
49:48 - 49:51: trip and you're just like, "In Edinburgh, did you go to any restaurants you
49:51 - 49:52: liked?"
49:52 - 49:56: And she was like, "Oh, yeah, I actually went to this, like, really fancy place."
49:56 - 49:58: Maybe you just shouldn't talk about the trip then.
49:58 - 49:59: I want to know about the trip.
49:59 - 50:00: I want to know about it.
50:00 - 50:02: I want to know if she went to a fancy restaurant.
50:02 - 50:03: Who cares?
50:03 - 50:04: [Laughter]
50:33 - 50:38: Maybe you have to say to her, "Listen, we're both going to be doing our thing
50:38 - 50:43: while we're apart and let's both just be very thoughtful about the information we
50:43 - 50:47: give each other because you don't want in our first conversation to end up
50:47 - 50:52: painting yourself into a corner when you're trying to just tell me about how,
50:52 - 50:56: you know, you went to an experimental theater night in Edinburgh and next thing
50:56 - 50:59: you know, I'm like, 'Wait a second.'
50:59 - 51:00: So you were --"
51:00 - 51:02: And the same might be true for you.
51:02 - 51:05: So I think that's where you've got to really get into the architecture of,
51:05 - 51:06: like --
51:06 - 51:07: How do I want to design this?
51:07 - 51:09: And also, maybe you guys could do that together.
51:09 - 51:11: Like, this is her idea.
51:11 - 51:15: You weren't a fan of it, but it sounds like one thing that's cool is that you're
51:15 - 51:19: both invested in trying to maintain the relationship afterwards.
51:19 - 51:21: That's 100% correct.
51:21 - 51:24: I think there's a decent chance that she doesn't hook up with anyone either.
51:24 - 51:28: I think this might be a little bit of, like, I want some freedom, you know,
51:28 - 51:31: and then it's easy to picture nothing happening.
51:31 - 51:34: Are you going to keep following her on social media during the month?
51:34 - 51:35: Absolutely.
51:35 - 51:37: I don't know.
51:37 - 51:38: She's not a user of social media, really.
51:38 - 51:41: She's very curated in her selection.
51:41 - 51:44: So you've got to make sure that when you get back, there's very strong ground
51:44 - 51:50: rules so that you guys can not end up having a conversation you didn't want to have.
51:50 - 51:51: That's fair.
51:51 - 51:55: But so you have to decide if you want to also partake in the open side of the
51:55 - 51:58: open relationship, and it sounds like you have some hesitation about that.
51:58 - 51:59: I do.
51:59 - 52:03: I don't like the idea of, you know, potentially leading someone on and
52:03 - 52:06: potentially, like, not being, you know, fully honest about.
52:06 - 52:09: Well, then just be honest with them up front.
52:09 - 52:12: If there's someone you have your eye on, you could just be like, "Listen,
52:12 - 52:14: my girlfriend's out of town for a month."
52:14 - 52:15: I got a hall pass.
52:16 - 52:19: Have you ever seen the Owen Wilson film Hall Pass?
52:19 - 52:20: No.
52:20 - 52:22: I haven't, but I followed the logic.
52:38 - 52:39: Yeah.
53:04 - 53:06: Let's just do one last, like, exercise.
53:06 - 53:07: Okay.
53:07 - 53:10: So you don't want to hook up with anybody, and don't do it then.
53:10 - 53:11: That's fine.
53:11 - 53:13: You really don't have to just do it just to keep up.
53:13 - 53:15: Why don't you just plan on--it sounds like you have hesitation about it,
53:15 - 53:16: so plan on not hooking up with anybody.
53:16 - 53:17: Yep.
53:17 - 53:19: Maybe you could just, like, set some other goals for that month,
53:19 - 53:20: like sculpting your body.
53:20 - 53:21: Yeah.
53:21 - 53:25: Do you, like, drink protein shakes and pump iron and things of that nature?
53:25 - 53:30: I recently got into making a blueberry almond butter milk,
53:30 - 53:32: very simple shake.
53:32 - 53:34: Dude, there's a lot of fat in that almond butter, though.
53:34 - 53:35: Oh, I like it, though.
53:35 - 53:37: It goes well with the blueberries.
53:37 - 53:38: What do you recommend instead?
53:38 - 53:39: It was organic.
53:39 - 53:43: You're going to want to use some coconut water, a scoop of whey protein.
53:43 - 53:46: Is this your, like, one that got recommended to you?
53:46 - 53:48: This is the one that was recommended to me by the trainer.
53:48 - 53:52: Just all I know is that almond butter with, like, real fitness geeks
53:52 - 53:56: has a mixed reputation because it's, like, super caloric.
53:56 - 53:58: TC just all over the place today.
53:58 - 54:02: I honestly think you should really set yourself, like, a deep task for the month.
54:02 - 54:05: I like the fact that you're not on some, like, well, if she's open,
54:05 - 54:06: then I have to be open, too.
54:06 - 54:07: Forget that.
54:07 - 54:08: That doesn't sound like that's your gem.
54:08 - 54:12: I think for this month you really focus on health and fitness.
54:12 - 54:13: Hell, yes.
54:13 - 54:14: Is there any reason why you can't?
54:14 - 54:15: No.
54:15 - 54:16: Do you have a gym membership?
54:16 - 54:17: No.
54:17 - 54:18: Get one.
54:18 - 54:20: I'm sure in Toronto you could get, like, a one-month trial.
54:20 - 54:21: Oh, one month?
54:21 - 54:22: To Good Life?
54:22 - 54:23: Yeah, go to Good Life.
54:23 - 54:24: Oh, Seifeld.
54:24 - 54:27: I want you to get on the Internet because, first of all,
54:27 - 54:30: exercise for most people or for a lot of people,
54:30 - 54:33: it makes you feel pretty, like, gives you a real even keel.
54:33 - 54:35: Like, you know, when you're, like, super stressed out
54:35 - 54:40: and if you heard your girlfriend was hooking up with another person in Amsterdam,
54:40 - 54:41: you'd be all crazy.
54:41 - 54:45: But then sometimes when you really exercise, it's almost like being a little bit high,
54:45 - 54:47: where, you know, like when sometimes you're on drugs
54:47 - 54:50: and you just, like, think about all your problems and you're like,
54:50 - 54:52: it doesn't matter, you know?
54:52 - 54:53: We're all just humans.
54:53 - 54:54: We're all whatever.
54:54 - 54:57: So I think I like this idea of using that month to focus on a task,
54:57 - 55:02: a self-improvement task, and then having some very clear ground rules for when she gets back.
55:02 - 55:05: And also the last thing I'd say is just, like, okay, so visualize.
55:05 - 55:08: Nobody likes the idea of, like, their significant other--
55:08 - 55:11: well, I guess some people--it's actually--it's a lifestyle.
55:11 - 55:12: People are old.
55:12 - 55:13: Some people do.
55:13 - 55:18: You found out that your girlfriend had a brief hookup on another continent with somebody else.
55:18 - 55:19: What really changes?
55:19 - 55:20: Can you mentally get over that?
55:20 - 55:22: Do you think it's possible?
55:22 - 55:23: I feel very optimistic.
55:23 - 55:26: I feel good, positive vibes.
55:26 - 55:31: And you're going to feel even better after that month of whey protein and lifting weights and stuff?
55:31 - 55:32: I bet.
55:32 - 55:33: It's like a meditation.
55:33 - 55:39: It's like, you know, Jake always talks to that--like the uncle being like, "Marriage is hard work."
55:39 - 55:40: I don't know.
55:40 - 55:44: There is something interesting about the intellectual challenge, which we all forget from time to time.
55:44 - 55:48: You know, like if you ever find that the pain or however you feel about this is too much,
55:48 - 55:50: then you've got to prioritize your mental health.
55:50 - 55:52: But there's also something interesting about saying, like, okay,
55:52 - 55:54: this is what this person is asking for.
55:54 - 55:56: I'm going to try and see if I can roll with it.
55:56 - 55:58: If I can't, that'll be sad.
55:58 - 55:59: Breakups are sad.
55:59 - 56:00: But if I can, who knows?
56:00 - 56:03: Maybe you'll find out that, like, you're stronger than you think.
56:03 - 56:07: That's like kind of an interesting challenge to be like, can I roll with something that, you know,
56:07 - 56:12: back in the day the average man could not even for a second imagine.
56:12 - 56:14: Can I roll with it and see, like, who knows?
56:14 - 56:16: Like that's true inner strength.
56:16 - 56:19: And then you also have the outer strength from that month.
56:19 - 56:21: A buff diesel body.
56:21 - 56:22: Yeah, make sure that you have that.
56:22 - 56:24: And maybe you could also, I don't know, take down some, like,
56:24 - 56:27: Oprah's Book Club books or something in that month.
56:27 - 56:29: Just really fill that month with self-improvement.
56:29 - 56:31: They're on Jake's New Age playlist.
56:31 - 56:32: Oh, so good.
56:32 - 56:33: I was listening to it before you called.
56:33 - 56:37: You just, like, get a little bit high, go to the gym late night, get on the treadmill.
56:37 - 56:39: Just, like, two hours of, like--
56:39 - 56:41: White Rainbow and Stephen Halpern.
56:41 - 56:44: And you know what I love about this is, like, you have a great attitude.
56:44 - 56:46: You're a very supportive boyfriend.
56:46 - 56:50: If for whatever reason things are weird when she comes back, then that's going to be sad.
56:50 - 56:52: But at least you gave it a try.
56:52 - 56:57: And you're also going to be so ready to hit the ground running with your new health regime
56:57 - 56:59: and all the knowledge you gleaned from the book club books.
56:59 - 57:01: Thank you so much, Ezra.
57:01 - 57:02: Thanks, Jake.
57:02 - 57:03: No problem.
57:03 - 57:05: And I'm going to make you a playlist, man.
57:05 - 57:06: Oh, wow.
57:06 - 57:07: Really?
57:07 - 57:09: Jake's playlist for Kyle.
57:09 - 57:10: What is it, May?
57:10 - 57:11: Yeah, yeah.
57:11 - 57:12: I'll make it in April.
57:12 - 57:14: It'll be one of the show's playlists.
57:14 - 57:16: I don't know what the theme is.
57:16 - 57:19: I guess it's perseverance, inner strength, and we are the champions.
57:19 - 57:20: Yeah, it'll just be like--
57:20 - 57:21: And peace, love, and understanding.
57:21 - 57:22: Ooh.
57:22 - 57:23: That's a song right there.
57:23 - 57:24: Ooh, blurry.
57:24 - 57:25: What's so funny?
57:25 - 57:26: That's track one.
57:26 - 57:30: Sometimes in a relationship, you got to see if you can understand something that doesn't
57:30 - 57:32: fully make sense to you.
57:32 - 57:33: This relationship's 101.
57:33 - 57:38: I'll admit, this is, like, perhaps an extreme case, but I think you got the best attitude
57:38 - 57:39: possible, man.
57:39 - 57:43: And I also wish both of you the best of luck, because there might be some complicated emotions
57:43 - 57:45: for both of you, but she gets her month in Europe.
57:45 - 57:47: You get your month at the gym.
57:47 - 57:48: I love it.
57:48 - 57:49: Thank you.
57:49 - 57:50: Thank you both so much.
57:50 - 57:51: Thanks for calling, Kyle.
57:51 - 57:54: Hit us with an email in a month or two.
57:54 - 57:55: Let us know what happens.
57:55 - 57:56: Absolutely.
57:56 - 57:57: I'll give you an update.
57:57 - 57:58: All right, have a good one, man.
57:58 - 57:59: Thanks, both.
57:59 - 58:00: You too, guys.
58:00 - 58:01: Peace.
58:02 - 58:03: We stayed up all night watching a comedy show.
58:03 - 58:05: Dead Edge Whiskey and Hydro.
58:05 - 58:08: Good Lord, what a nice conversation.
58:08 - 58:11: I'm too flawed to get anywhere safely.
58:11 - 58:14: You know I talk about your highly.
58:14 - 58:20: I'm fascinated for the time being we can laugh until the morning.
58:20 - 58:24: We can dance in the hallway.
58:24 - 58:27: Only one more night in Los Angeles.
58:27 - 58:31: I really thought that I can handle it.
58:31 - 58:35: But the funny thing is I was holding back tears.
58:35 - 58:37: I didn't think this day would happen.
58:37 - 58:41: I'd give all this up for a chance at it.
58:41 - 58:45: You would have thought I'd be the man for this.
58:45 - 58:48: But the funny thing is we can never say it.
58:48 - 58:51: I didn't think this day would happen.
58:51 - 58:53: I'm about it till it's over.
58:53 - 58:59: I'm about it till it's over.
58:59 - 59:06: I'm about it till it's over.
59:06 - 59:08: I'm about it till it's over.
59:13 - 59:19: I'm about it till it's over.
59:19 - 59:21: I'm about it till it's over.
59:33 - 59:35: [MUSIC - THE KING, "DOWN TO THE BOTTOM"]
59:38 - 59:43: And don't all this new music sound the same?
59:43 - 59:45: Yeah, we must be getting old and gray.
59:45 - 59:48: We left early, girl, that bear would hit me anyway.
59:48 - 59:51: We went home and left our clothes up in the living space.
59:51 - 59:55: Say, would you save your heart and have the power?
59:55 - 59:58: Or would you run and find another life to imitate?
59:58 - 01:00:02: It's important that we make the best of short time.
01:00:02 - 01:00:05: You can never be my one and only anyway.
01:00:05 - 01:00:08: Can't a young man dream?
01:00:08 - 01:00:12: Can't we all have the life on the widescreen?
01:00:12 - 01:00:15: What's the point?
01:00:15 - 01:00:18: Yeah, we had fun if only for the time being.
01:00:18 - 01:00:19: I'm about it till it's over.
01:00:19 - 01:00:21: Well, that was something new.
01:00:21 - 01:00:23: First, I got to also say to all the listeners,
01:00:23 - 01:00:26: Jake and I are not licensed therapists.
01:00:26 - 01:00:28: We're just really shooting from the hip.
01:00:28 - 01:00:29: Yeah.
01:00:29 - 01:00:32: That call is very "Love Line" style, just like off the cuff.
01:00:32 - 01:00:35: Love, I don't get enough of it.
01:00:35 - 01:00:37: Did you ever listen to "Love Line"?
01:00:37 - 01:00:39: I used to listen to that when I was delivering pizzas.
01:00:39 - 01:00:41: I remember there was a show called "Love Phones"
01:00:41 - 01:00:44: with Dr. Judy that was on New York radio.
01:00:44 - 01:00:46: Maybe "Love Line" was West Coast.
01:00:46 - 01:00:47: It was Dr. Drew and Adam Carolla.
01:00:47 - 01:00:49: Right, I remember when they were on TV.
01:00:49 - 01:00:50: Right.
01:00:50 - 01:00:51: But I never heard them on the radio.
01:00:51 - 01:00:53: I mean, it's a tough one, but, you know,
01:00:53 - 01:00:55: sometimes with things like that that are really shocking,
01:00:55 - 01:00:57: sometimes you got to get over the shock and be like,
01:00:57 - 01:00:59: all right, what's the actual problem here?
01:00:59 - 01:01:00: Right.
01:01:00 - 01:01:03: Real quick, remember how we kept listening over and over again
01:01:03 - 01:01:06: to that Diet Coke ad with Gillian Jacobs?
01:01:06 - 01:01:10: Look, here's the thing about Diet Coke.
01:01:10 - 01:01:13: Deja vu.
01:01:13 - 01:01:14: It's delicious.
01:01:15 - 01:01:16: It makes me feel good.
01:01:16 - 01:01:17: Makes me feel good.
01:01:17 - 01:01:18: Life is short.
01:01:18 - 01:01:20: If you want to live in a yurt, yurt it up.
01:01:20 - 01:01:23: If you want to run a marathon, I mean, that sounds super hard,
01:01:23 - 01:01:28: but, okay, I mean, just do you, whatever that is.
01:01:28 - 01:01:32: And if you're in the mood for a Diet Coke, have a Diet Coke.
01:01:32 - 01:01:34: Diet Coke.
01:01:34 - 01:01:35: Because I can.
01:01:35 - 01:01:39: Almost Vampire Weekend light on the instrumentation.
01:01:39 - 01:01:40: [Humming]
01:01:40 - 01:01:41: Yeah, a little bit.
01:01:41 - 01:01:42: [Humming]
01:01:42 - 01:01:43: [Laughter]
01:01:43 - 01:01:45: So we talked about what a strange ad it is
01:01:45 - 01:01:48: and the kind of new campaign for Diet Coke.
01:01:48 - 01:01:51: Nothing about dieting or, you know, less calories anymore.
01:01:51 - 01:01:54: It's literally just, listen, some people are into being healthy.
01:01:54 - 01:01:56: Some people just want to do what they want to do.
01:01:56 - 01:01:58: I drink Diet Coke because I can.
01:01:58 - 01:01:59: I've heard the rumors.
01:01:59 - 01:02:01: I've heard that it's bad for you.
01:02:01 - 01:02:03: I've heard it causes cancer, but I don't care.
01:02:03 - 01:02:06: It's this kind of weird, like, last-ditch effort on the part of Diet Coke.
01:02:06 - 01:02:08: Kind of their backs against the walls, just trying to be like--
01:02:08 - 01:02:09: They're on the ropes.
01:02:09 - 01:02:13: It's a very Don Draper-selling cigarettes in the early '60s vibe.
01:02:13 - 01:02:16: That's just kind of like, everybody thinks cigarettes cause cancer.
01:02:16 - 01:02:17: How do we, like, sell this product?
01:02:17 - 01:02:20: And it's like, okay, so we've got some of these poindexters
01:02:20 - 01:02:22: saying that cigarettes cause cancer.
01:02:22 - 01:02:24: Well, everybody's going to die.
01:02:24 - 01:02:27: But did you have freedom while you were alive?
01:02:27 - 01:02:30: Lucky strike, because I can, because I'm an American.
01:02:30 - 01:02:32: You fought in the Korean War.
01:02:32 - 01:02:33: Now you're home in the suburbs.
01:02:33 - 01:02:34: Your wife's telling you what to do.
01:02:34 - 01:02:36: Your boss is telling you what to do.
01:02:36 - 01:02:38: Even your kids are telling you what to do.
01:02:38 - 01:02:40: And now you've got some egghead scientists telling you
01:02:40 - 01:02:42: you can't smoke cigarettes?
01:02:42 - 01:02:45: That's one of the only things that got you through being a POW.
01:02:45 - 01:02:48: It's something that makes you think of brotherhood, freedom.
01:02:48 - 01:02:51: That used to be your only taste of freedom when you were behind those bars.
01:02:51 - 01:02:54: Lucky strike, because you can.
01:02:54 - 01:03:01: So anyway, we had an eagle-eared TC head hit up the Time Crisis Twitter
01:03:01 - 01:03:04: and sent us this from the UK.
01:03:04 - 01:03:06: Look, here's the thing about Diet Coke.
01:03:06 - 01:03:07: It's delicious.
01:03:07 - 01:03:08: Delicious.
01:03:08 - 01:03:09: It makes me feel good.
01:03:09 - 01:03:12: You know what else makes me feel good?
01:03:12 - 01:03:13: Athleisure.
01:03:13 - 01:03:15: Because it's comfy casual.
01:03:15 - 01:03:17: Look, life is short.
01:03:17 - 01:03:20: If you want to live in a yurt, yurt it up.
01:03:20 - 01:03:22: If you want to run a marathon--
01:03:22 - 01:03:24: Marathon.
01:03:24 - 01:03:25: Okay.
01:03:25 - 01:03:29: If you want a Diet Coke, have a Diet Coke.
01:03:29 - 01:03:33: Diet Coke, because I can.
01:03:33 - 01:03:34: You know, it's funny.
01:03:34 - 01:03:37: I guess this happens all the time, but I can't think of the last time
01:03:37 - 01:03:42: I just came across two identical commercials for the US and British market.
01:03:42 - 01:03:46: They really felt like Gillian Jacobs couldn't deliver that message
01:03:46 - 01:03:48: to the people of the UK.
01:03:48 - 01:03:53: They should do regional ones too in the UK and the US.
01:03:53 - 01:03:54: Oh, yeah.
01:03:54 - 01:03:55: Like a southern one.
01:03:55 - 01:03:58: Here's the thing about Diet Coke.
01:03:58 - 01:04:03: Matthew McConaughey doing, here's the thing about Diet Coke.
01:04:03 - 01:04:05: It's delicious.
01:04:05 - 01:04:07: You want to live in a yurt?
01:04:07 - 01:04:09: Oh, yeah, it would totally work.
01:04:09 - 01:04:12: Matthew McConaughey just driving the Lincoln.
01:04:12 - 01:04:14: You want to live in a yurt?
01:04:14 - 01:04:16: Yurt it up, my friend.
01:04:16 - 01:04:18: You want to run a marathon?
01:04:18 - 01:04:21: Well, that sure sounds hard.
01:04:21 - 01:04:23: Take it easy there, Pancho.
01:04:23 - 01:04:24: Yeah.
01:04:24 - 01:04:27: So, anyway, the only difference with the UK version is that she goes--
01:04:27 - 01:04:29: You feel good?
01:04:29 - 01:04:30: Athleisure.
01:04:31 - 01:04:32: Because it's something casual.
01:04:32 - 01:04:34: Look, life is short.
01:04:34 - 01:04:35: What's athleisure?
01:04:35 - 01:04:36: You want to live--
01:04:36 - 01:04:37: Like softball?
01:04:37 - 01:04:39: [laughter]
01:04:39 - 01:04:47: No, athleisure is kind of like kind of fancier jogging/yoga/athletic plus leisure,
01:04:47 - 01:04:51: meaning that a cool look that you maybe back in the day would only wear to the gym,
01:04:51 - 01:04:54: now you can wear it to the restaurant for lunch afterwards.
01:04:54 - 01:05:00: You know, like a nice pair of yoga pants and a cool hoodie or, you know, some fly nets or something.
01:05:00 - 01:05:01: I don't know why.
01:05:01 - 01:05:03: I guess they just decided that would resonate more in the UK.
01:05:03 - 01:05:04: Athleisure.
01:05:04 - 01:05:06: You're not going to drink Diet Coke while you're exercising.
01:05:06 - 01:05:10: Maybe the people in the UK had the brilliant insight that they were like,
01:05:10 - 01:05:13: "What's something that's actually popular now that's reminiscent of Diet Coke?"
01:05:13 - 01:05:15: And somebody was like, "I have an idea.
01:05:15 - 01:05:22: It's like athleisure in it because it's like used to be for like something healthy in it."
01:05:22 - 01:05:23: Right.
01:05:24 - 01:05:25: [laughter]
01:05:25 - 01:05:28: "But now it's like this thing for just mucking about."
01:05:28 - 01:05:29: Right.
01:05:29 - 01:05:30: So it kind of makes sense.
01:05:30 - 01:05:37: It's like the person who's just like smoking a cigarette on a park bench wearing tight black yoga pants,
01:05:37 - 01:05:43: Nike fly nets, and a very techie windbreaker just slamming a DC.
01:05:43 - 01:05:45: And you're like, "Did you just come from the gym?"
01:05:45 - 01:05:46: No.
01:05:46 - 01:05:47: "Are you on a diet?"
01:05:47 - 01:05:48: No.
01:05:48 - 01:05:51: "So why are you wearing athletics gear and drinking a diet soda?"
01:05:51 - 01:05:52: Because I can, innit?
01:05:52 - 01:05:54: [laughter]
01:05:54 - 01:05:56: Piss off.
01:05:56 - 01:05:58: Piss off because I can.
01:06:08 - 01:06:09: ♪ On the TV, hi ma, Merc MCs ♪
01:06:09 - 01:06:11: ♪ Want a mic to my palm ♪
01:06:11 - 01:06:12: ♪ Lyrics for lyrics, calm ♪
01:06:12 - 01:06:13: ♪ Yeah, you got Merc last week ♪
01:06:13 - 01:06:15: ♪ Couldn't even get a rewind, that's peak ♪
01:06:15 - 01:06:17: ♪ Couldn't get out your punchlines on time ♪
01:06:17 - 01:06:19: ♪ Now you wanna diss me, oh, god, what a cheat ♪
01:06:19 - 01:06:20: ♪ Sidewinder, you got air on the roads ♪
01:06:20 - 01:06:22: ♪ Eskimo dance, you was spitting off beat ♪
01:06:22 - 01:06:24: ♪ Lord of the mics, you was spitting that heat ♪
01:06:24 - 01:06:26: ♪ But right now, your bars ain't on fleek ♪
01:06:26 - 01:06:28: ♪ You don't wanna clash, me, you would get Merced ♪
01:06:28 - 01:06:30: ♪ Berry MC, six feet in the dirt ♪
01:06:30 - 01:06:31: ♪ I know you saw the police outside ♪
01:06:31 - 01:06:33: ♪ You saw the blood on that man's shirt ♪
01:06:33 - 01:06:35: ♪ Got rude, that didn't work ♪
01:06:35 - 01:06:38: ♪ The girl looks like she don't work ♪
01:06:38 - 01:06:40: ♪ Man wouldn't beat that even if I was burst ♪
01:06:40 - 01:06:42: ♪ Hit me on the radio, walk one ♪
01:06:42 - 01:06:43: ♪ See me on the TV, hi ma ♪
01:06:43 - 01:06:45: ♪ Merc MCs want a mic to my palm ♪
01:06:45 - 01:06:47: ♪ Lyrics for lyrics, calm ♪
01:06:47 - 01:06:49: ♪ Hit me on the radio, walk one ♪
01:06:49 - 01:06:50: ♪ See me on the TV, hi ma ♪
01:06:50 - 01:06:52: ♪ Merc MCs want a mic to my palm ♪
01:06:52 - 01:06:53: ♪ Lyrics for lyrics, calm ♪
01:06:53 - 01:06:55: - I think they probably correctly assumed
01:06:55 - 01:06:58: that Diet Coke and Athleisure have something in common.
01:06:58 - 01:07:00: They're both like in this funny,
01:07:00 - 01:07:02: they're like adjacent to like a healthy lifestyle,
01:07:02 - 01:07:03: but they, you know what I mean?
01:07:03 - 01:07:05: - Right, right, right, signifiers of.
01:07:05 - 01:07:07: - Right, and that's definitely a person
01:07:07 - 01:07:10: wearing like a fancy kind of sweatsuit type thing,
01:07:10 - 01:07:13: wearing running shoes, but never runs, drinking Diet Coke.
01:07:13 - 01:07:16: - Just brand new gleaming running shoes.
01:07:16 - 01:07:21: - Yeah, and then drinking a brand new gleaming DC silver can.
01:07:21 - 01:07:23: - Getting in that Lexus SUV.
01:07:23 - 01:07:23: - Yeah.
01:07:23 - 01:07:25: - Hopping into the Whole Foods.
01:07:25 - 01:07:26: - Uh-huh.
01:07:26 - 01:07:28: - But they're not selling Diet Coke there.
01:07:28 - 01:07:29: - That's hilarious.
01:07:29 - 01:07:30: - Trying to make a separate stop.
01:07:30 - 01:07:31: - I could do it. - Like the Vans.
01:07:31 - 01:07:32: Get that 12 pack.
01:07:32 - 01:07:36: - Yeah, you get a case of DC delivered to the house
01:07:36 - 01:07:38: via Amazon Prime.
01:07:38 - 01:07:38: - Nice.
01:07:38 - 01:07:41: - Every two weeks, and so you always have that
01:07:41 - 01:07:42: in the second fridge.
01:07:42 - 01:07:43: (laughing)
01:07:43 - 01:07:45: How funny is that concept?
01:07:45 - 01:07:46: - Second fridge in the garage.
01:07:46 - 01:07:47: (laughing)
01:07:47 - 01:07:48: The like immaculate garage.
01:07:48 - 01:07:49: - Yeah.
01:07:49 - 01:07:51: - Did you have a second fridge growing up?
01:07:51 - 01:07:52: - No.
01:07:52 - 01:07:53: - We did not.
01:07:53 - 01:07:53: - We had a chest freezer.
01:07:53 - 01:07:54: - In the garage?
01:07:54 - 01:07:55: - In the basement, it was terrifying.
01:07:55 - 01:07:57: - Oh really?
01:07:57 - 01:07:58: - Frozen meat.
01:07:58 - 01:07:58: - In the chest freezer.
01:07:58 - 01:08:00: - In the chest freezer.
01:08:00 - 01:08:01: - In the basement.
01:08:01 - 01:08:03: - There's no second fridge though.
01:08:03 - 01:08:05: - We only had one fridge.
01:08:05 - 01:08:06: We were a one fridge household.
01:08:06 - 01:08:08: We're also a one shower household.
01:08:08 - 01:08:09: - Growing up?
01:08:09 - 01:08:10: - Yeah.
01:08:10 - 01:08:13: - We were for a while, and then in '87, my parents--
01:08:13 - 01:08:14: - Got a second shower.
01:08:14 - 01:08:15: - Yep.
01:08:15 - 01:08:16: (laughing)
01:08:16 - 01:08:16: When I was 10.
01:08:16 - 01:08:18: (laughing)
01:08:18 - 01:08:19: Babe was five.
01:08:19 - 01:08:21: - A major development.
01:08:21 - 01:08:22: - Yeah, '87 man, the addition.
01:08:22 - 01:08:26: - I totally remember, it's like such a vibe
01:08:26 - 01:08:27: when you go over to somebody's house,
01:08:27 - 01:08:29: and the kid be like, "Want a root beer?"
01:08:29 - 01:08:31: And you be like, "Okay," he's like, "Come with me."
01:08:31 - 01:08:32: (laughing)
01:08:32 - 01:08:35: - Yeah, so that's the other wing of the house.
01:08:35 - 01:08:35: And you're like, "What is this?"
01:08:35 - 01:08:38: - It was either be in the basement or the garage.
01:08:38 - 01:08:41: And there are definitely kids where that was so gnarly.
01:08:41 - 01:08:43: I guess this probably happens less
01:08:43 - 01:08:45: as people become somewhat more health conscious.
01:08:45 - 01:08:47: But I feel like back then in the '90s,
01:08:47 - 01:08:49: it would be that the kids who would have these two,
01:08:49 - 01:08:53: two fridge households, it would be that the one
01:08:53 - 01:08:55: is like the kitchen, of course, fridge.
01:08:55 - 01:08:58: And then the other one was basically the soda fridge.
01:08:58 - 01:08:59: And so sometimes you go down and these kids
01:08:59 - 01:09:01: just be like sun-kissed.
01:09:01 - 01:09:04: - Right, just a cornucopia of soda.
01:09:04 - 01:09:05: - Yeah.
01:09:05 - 01:09:06: - I'm also wondering if there's somebody
01:09:06 - 01:09:09: who's shopping at Whole Foods once a week,
01:09:09 - 01:09:11: 'cause that's what the family wants,
01:09:11 - 01:09:12: and they're trying to be healthy,
01:09:12 - 01:09:13: but they drink so much Diet Coke,
01:09:13 - 01:09:15: and they're just like, "I'm not gonna drink
01:09:15 - 01:09:17: "whatever kind of bullsh*t soda they have
01:09:17 - 01:09:18: "over at Whole Foods."
01:09:18 - 01:09:21: So every time I'm about to roll to Whole Foods,
01:09:21 - 01:09:24: I always go to the second fridge, grab a Diet Coke,
01:09:24 - 01:09:27: and just like this parent just pounding a Diet Coke
01:09:27 - 01:09:29: that they brought from home in Whole Foods
01:09:29 - 01:09:33: as they shop for presumably organic foods.
01:09:33 - 01:09:34: - I love it.
01:09:34 - 01:09:37: Wait, I'm still hung up on you guys having one shower.
01:09:37 - 01:09:39: All the way through both you and your sister
01:09:39 - 01:09:40: graduating high school?
01:09:40 - 01:09:41: Family of four, one shower.
01:09:41 - 01:09:42: - Family of four, one shower.
01:09:42 - 01:09:44: There were three bathrooms.
01:09:44 - 01:09:45: - Whoa.
01:09:45 - 01:09:46: - But only one shower.
01:09:46 - 01:09:48: - So three crappers, one shower.
01:09:48 - 01:09:49: - Yes.
01:09:49 - 01:09:51: - So was that like a log jam in the morning
01:09:51 - 01:09:52: on like a weekday?
01:09:52 - 01:09:55: - No, we would all wake up at such different times.
01:09:55 - 01:09:56: 'Cause my dad worked on movies.
01:09:56 - 01:09:57: - So he'd have like random hours.
01:09:57 - 01:10:01: - He would have like the 4 a.m. alarm and sh*t like that.
01:10:01 - 01:10:03: - It was just like you and Emma in the morning, just like.
01:10:03 - 01:10:04: - Yeah, my mom then would probably wake up
01:10:04 - 01:10:05: at like six or something.
01:10:05 - 01:10:08: And then for me, school started at eight.
01:10:08 - 01:10:11: So I was probably in the shower at 7.45 straight up.
01:10:11 - 01:10:12: - Oh really?
01:10:12 - 01:10:13: - Uh-huh, I'm a late riser.
01:10:13 - 01:10:15: Yeah, actually I have a memory that at one time
01:10:15 - 01:10:17: they redid the bathroom with the shower.
01:10:17 - 01:10:19: So that one was out of commission.
01:10:19 - 01:10:20: - Yep.
01:10:20 - 01:10:22: - So my dad built a temporary shower in the basement.
01:10:22 - 01:10:23: - What?
01:10:23 - 01:10:25: - Yeah, very handy guy.
01:10:25 - 01:10:26: I don't even remember how it worked.
01:10:26 - 01:10:30: It was like, he had to turn on this like big nasty sink
01:10:30 - 01:10:32: next to the washing machine.
01:10:32 - 01:10:34: And he used a garbage bag.
01:10:34 - 01:10:36: - He had to turn the.
01:10:36 - 01:10:40: - Yeah, he created some sort of draining mechanism.
01:10:40 - 01:10:45: And I think it involved just black garbage bags.
01:10:45 - 01:10:45: It worked.
01:10:45 - 01:10:47: - Sounds awesome.
01:10:47 - 01:10:48: - That was pretty tight actually.
01:10:48 - 01:10:50: You know those basement shower days
01:10:50 - 01:10:52: were some of the best of my life.
01:10:52 - 01:10:55: At the time as a kid, I felt, well,
01:10:55 - 01:10:57: why can't I use the regular shower?
01:10:57 - 01:10:58: Come on guys, can we wait it to renovate?
01:10:58 - 01:11:00: But looking back.
01:11:00 - 01:11:02: - Scott's house has two showers.
01:11:02 - 01:11:05: Brian's house has three showers.
01:11:05 - 01:11:08: - Anyway, TC heads, we wanna get some emails from you.
01:11:08 - 01:11:10: We wanna know how many fridges and how many showers
01:11:10 - 01:11:12: you had in your house growing up.
01:11:12 - 01:11:14: - How about now, fridge wise?
01:11:14 - 01:11:15: - What, at my parents' house?
01:11:15 - 01:11:17: - No, no, at your spot.
01:11:17 - 01:11:17: - Oh.
01:11:17 - 01:11:19: - One or two?
01:11:19 - 01:11:19: Three.
01:11:19 - 01:11:21: - Wait, fridges or showers?
01:11:21 - 01:11:21: - Fridges.
01:11:21 - 01:11:25: - I have never had an abode with more than one fridge.
01:11:25 - 01:11:26: (laughing)
01:11:26 - 01:11:28: - Just you wait, man.
01:11:28 - 01:11:29: - Oh yeah, I'm saving up.
01:11:29 - 01:11:31: - I guarantee you, within the next five years.
01:11:31 - 01:11:33: - I'll have multiple fridges?
01:11:33 - 01:11:34: - You're gonna have a multiple fridge house.
01:11:34 - 01:11:36: - It's what I've been working for my whole life.
01:11:36 - 01:11:38: It depends how the next vampire album does.
01:11:38 - 01:11:39: - Yep, that's true.
01:11:39 - 01:11:41: ♪ New watch alert ♪
01:11:41 - 01:11:42: ♪ Heel blows ♪
01:11:42 - 01:11:44: ♪ Order big face Rolly, I got two of those ♪
01:11:44 - 01:11:46: ♪ Arm out the window through the city ♪
01:11:46 - 01:11:47: ♪ Off into a slope ♪
01:11:47 - 01:11:48: ♪ Cut back, snap back ♪
01:11:48 - 01:11:49: ♪ See my cut through the holes ♪
01:11:49 - 01:11:51: ♪ Damn easy to hold ♪
01:11:51 - 01:11:52: ♪ Where the hell you been ♪
01:11:52 - 01:11:53: ♪ Niggas talking real reckless ♪
01:11:53 - 01:11:54: ♪ Stuntman ♪
01:11:54 - 01:11:56: ♪ I adopted these niggas ♪
01:11:56 - 01:11:57: ♪ Put a drum in them ♪
01:11:57 - 01:11:59: ♪ Now I'm about to make 'em tuck they home summer in ♪
01:11:59 - 01:12:00: ♪ They say I'm crazy ♪
01:12:00 - 01:12:02: ♪ Why I'm about to go dumb again ♪
01:12:02 - 01:12:05: ♪ They ain't see me 'cause I pulled up in my other Benz ♪
01:12:05 - 01:12:07: ♪ Last week I was in my other other Benz ♪
01:12:07 - 01:12:08: ♪ Throw your diamonds up ♪
01:12:08 - 01:12:09: ♪ 'Cause we in this bitch nuts again ♪
01:12:09 - 01:12:11: ♪ Total shoot fresh ♪
01:12:11 - 01:12:12: ♪ Looking like wealth ♪
01:12:12 - 01:12:16: ♪ I'm 'bout to call a paparazzi on myself ♪
01:12:16 - 01:12:17: ♪ Live from the Mercer ♪
01:12:17 - 01:12:19: ♪ Run up on Yeezy the wrong way I might murk it ♪
01:12:19 - 01:12:22: ♪ Flea in the G450 I might surface ♪
01:12:22 - 01:12:26: ♪ Political refugee asylum can be purchased ♪
01:12:26 - 01:12:27: ♪ Everything's for sale ♪
01:12:27 - 01:12:29: ♪ Got five passports I'm never going to jail ♪
01:12:29 - 01:12:32: ♪ I made Jesus walks I'm never going to hell ♪
01:12:32 - 01:12:35: ♪ Contour level flow is never going on sale ♪
01:12:35 - 01:12:36: ♪ Luxury rap ♪
01:12:36 - 01:12:37: ♪ The Irma is a versus ♪
01:12:37 - 01:12:38: ♪ Sophisticated ignorance ♪
01:12:38 - 01:12:40: ♪ Write my curses in cursive ♪
01:12:40 - 01:12:41: ♪ I get it custom ♪
01:12:41 - 01:12:42: ♪ You a customer ♪
01:12:42 - 01:12:44: ♪ You ain't custom to going through customs ♪
01:12:44 - 01:12:45: ♪ You ain't been nowhere high ♪
01:12:45 - 01:12:48: ♪ And all the ladies in the house got 'em showing out ♪
01:12:48 - 01:12:52: ♪ I'm gonna hit you up, man, yeah, nah ♪
01:12:52 - 01:12:57: - You're listening to Time Crisis on Beat One.
01:12:57 - 01:13:00: - I had this one friend whose dad
01:13:00 - 01:13:02: had a second fridge and freezer.
01:13:02 - 01:13:04: (laughing)
01:13:04 - 01:13:05: These stories.
01:13:05 - 01:13:10: He had a second fridge and freezer unit in the garage,
01:13:10 - 01:13:14: and in the freezer it was frozen McRibs.
01:13:14 - 01:13:16: (laughing)
01:13:16 - 01:13:18: And they would go on,
01:13:18 - 01:13:20: they would go on,
01:13:20 - 01:13:22: on special or whatever it was every year or two,
01:13:22 - 01:13:23: and this guy would go--
01:13:23 - 01:13:25: - This sounds familiar, man.
01:13:25 - 01:13:26: - Did I tell a story on this show?
01:13:26 - 01:13:27: - It might have really--
01:13:27 - 01:13:29: - TC hits, episode 14,
01:13:29 - 01:13:32: Jake actually told the story about the frozen McRibs.
01:13:32 - 01:13:34: - That's interesting, we weren't tackling it
01:13:34 - 01:13:35: from the same angle, though.
01:13:35 - 01:13:36: (laughing)
01:13:36 - 01:13:39: Oh wait, so they would go to McDonald's and buy a bunch of--
01:13:39 - 01:13:41: - Yeah, this guy Lonnie,
01:13:41 - 01:13:45: Lonnie's dad would go buy 40 orders of McRibs,
01:13:45 - 01:13:48: and they would just be in the freezer,
01:13:48 - 01:13:49: and then I remember one time,
01:13:49 - 01:13:52: Lonnie was like, "Okay, let's grab some and microwave 'em."
01:13:52 - 01:13:54: And we did, and it ruled.
01:13:54 - 01:13:55: We were playing Nintendo,
01:13:55 - 01:13:58: this was like circa 1988,
01:13:58 - 01:14:00: microwaving some McRibs.
01:14:00 - 01:14:02: - Was that like a covert operation?
01:14:02 - 01:14:03: - Yeah, yeah, yeah.
01:14:03 - 01:14:04: - Oh, Lonnie's dad would not appreciate it.
01:14:04 - 01:14:05: - Yeah, yeah, yeah.
01:14:05 - 01:14:07: That was his stash.
01:14:07 - 01:14:09: (laughing)
01:14:09 - 01:14:12: The frozen McRibs, dude, epic.
01:14:12 - 01:14:15: - Lonnie's dad just coming in, "Hey Lonnie, Jake."
01:14:15 - 01:14:17: - Last time I looked, I had a 38 count.
01:14:17 - 01:14:18: (laughing)
01:14:18 - 01:14:21: - And I'm down to 36.
01:14:21 - 01:14:23: Jake, I see a slightly reddish-brown tint
01:14:23 - 01:14:25: decreasing your mouth.
01:14:25 - 01:14:27: Lonnie's dad.
01:14:27 - 01:14:29: - Lonnie's dad, this is kinda getting a little dark,
01:14:29 - 01:14:33: but Lonnie's dad would also tape sex scenes.
01:14:33 - 01:14:36: I remember we found this blank tape.
01:14:36 - 01:14:38: He had like a wall of just VHS
01:14:38 - 01:14:42: in his suburban basement,
01:14:42 - 01:14:45: and it was all just like movies taped off the TV.
01:14:45 - 01:14:47: So it'd just be like, "Rainbow First Blood."
01:14:47 - 01:14:49: And so if you wanna watch that, you can watch it.
01:14:49 - 01:14:51: - Yeah, they'd have like half of the commercial,
01:14:51 - 01:14:52: and then come--
01:14:52 - 01:14:52: - Classic, dude.
01:14:52 - 01:14:54: Back to the Future, all that stuff.
01:14:54 - 01:14:55: And then there was like an unmarked tape,
01:14:55 - 01:14:56: and you're like, "What's this?"
01:14:56 - 01:14:59: And then it was all just like sex scenes.
01:14:59 - 01:15:01: Not out of porn films.
01:15:01 - 01:15:02: It was like sex scenes out of just like
01:15:02 - 01:15:06: movies on like Cinemax or like Showtime.
01:15:06 - 01:15:07: At like two in the morning.
01:15:07 - 01:15:08: I remember just us--
01:15:08 - 01:15:09: - Lonnie's dad's sexual Megamix.
01:15:09 - 01:15:11: - Dude, that was his mixtape.
01:15:11 - 01:15:12: Clearly a time before the internet.
01:15:12 - 01:15:14: - Oh my God, just like him working on it.
01:15:14 - 01:15:16: Like checking the TV guide and being like,
01:15:16 - 01:15:20: "Oh, Red Shoe Diaries is playing at 1.45 a.m.
01:15:20 - 01:15:23: "I gotta get up, get down there,
01:15:23 - 01:15:27: "pop that VHS in, microwave a McRib,
01:15:27 - 01:15:29: "and tape."
01:15:29 - 01:15:32: 'Cause like, super mild sex scene.
01:15:32 - 01:15:34: - That would really take some work back then.
01:15:34 - 01:15:36: - Oh my God, dude.
01:15:36 - 01:15:37: You gotta be covert too, man.
01:15:37 - 01:15:39: It was a one TV household.
01:15:39 - 01:15:41: - Do you know this Bill Withers song, "Grandma's Hands"?
01:15:41 - 01:15:42: - Mm-mm.
01:15:42 - 01:15:44: - I keep thinking-- - Good title.
01:15:44 - 01:15:47: - It was sampled for No Diggity.
01:15:47 - 01:15:48: - Oh yeah, yeah.
01:15:48 - 01:15:52: ♪ Mm, bum, bum, bum, bum, bum ♪
01:15:52 - 01:15:55: ♪ Mm, grandma's hands ♪
01:15:55 - 01:15:58: ♪ Clapped in church on Sunday morning ♪
01:15:58 - 01:16:01: - Talk about tasteful palate of the 1970s.
01:16:01 - 01:16:02: - Hell yeah.
01:16:02 - 01:16:05: ♪ Played a tambourine so well ♪
01:16:05 - 01:16:07: ♪ Grandma's hands ♪
01:16:07 - 01:16:10: ♪ Used to issue out a warning ♪
01:16:10 - 01:16:14: ♪ She'd say, "Billy, don't you run so fast ♪
01:16:14 - 01:16:18: ♪ Might fall on a piece of glass ♪
01:16:18 - 01:16:20: ♪ Might be snakes there in that grass ♪
01:16:20 - 01:16:23: ♪ Grandma's hands ♪
01:16:23 - 01:16:24: - Anyway, the first time you said Lonnie's dad
01:16:24 - 01:16:26: just made me think of grandma.
01:16:26 - 01:16:29: ♪ Lonnie's dad ♪
01:16:29 - 01:16:32: ♪ Ate McRibs on Sunday morning ♪
01:16:32 - 01:16:34: ♪ Lonnie's dad ♪
01:16:34 - 01:16:39: ♪ Had a second fridge at home ♪
01:16:39 - 01:16:44: ♪ Unmarked VHS tape ♪
01:16:44 - 01:16:46: ♪ Lonnie's dad ♪
01:16:46 - 01:16:50: ♪ Taped the sex scenes off of Showtime ♪
01:16:50 - 01:16:52: ♪ Lonnie's dad ♪
01:16:52 - 01:16:54: I don't know why that popped in my head.
01:16:54 - 01:16:55: (laughs)
01:16:55 - 01:16:57: We'll workshop that a little bit.
01:16:57 - 01:17:01: Just try to get a full four minute Bill Withers parody.
01:17:01 - 01:17:03: - Man, suburban basements.
01:17:03 - 01:17:04: (laughs)
01:17:04 - 01:17:07: Just like inherently uncomfortable.
01:17:07 - 01:17:08: - Creepy.
01:17:08 - 01:17:11: That's like kind of some of my earliest cultural memories
01:17:11 - 01:17:13: is like being in somebody's basement playing NES.
01:17:13 - 01:17:14: - Yep.
01:17:14 - 01:17:15: - Probably in like 1990.
01:17:15 - 01:17:17: I can remember 1990.
01:17:17 - 01:17:18: I can't remember much about it.
01:17:18 - 01:17:19: - Wow, you were young in '90.
01:17:19 - 01:17:19: - I'm in six.
01:17:19 - 01:17:21: - Yeah, playing video games at six?
01:17:21 - 01:17:23: - Sure. - I think so.
01:17:23 - 01:17:25: - Sounds young to me, but that's the generation gap.
01:17:25 - 01:17:26: - That's right.
01:17:26 - 01:17:29: ♪ Grandma's hands ♪
01:17:29 - 01:17:32: ♪ Sue the local unwed mother ♪
01:17:32 - 01:17:34: ♪ Grandma's hands ♪
01:17:34 - 01:17:38: ♪ Used to ache sometimes and swell ♪
01:17:38 - 01:17:40: ♪ Grandma's hands ♪
01:17:40 - 01:17:45: ♪ Used to lift her face and tell her she'd stay ♪
01:17:45 - 01:17:47: ♪ Baby, grandma understands ♪
01:17:47 - 01:17:50: ♪ That you really love that man ♪
01:17:50 - 01:17:52: ♪ Put yourself in Jesus' hands ♪
01:17:52 - 01:17:57: ♪ Grandma's hands ♪
01:17:57 - 01:18:00: ♪ Grandma's hands ♪
01:18:00 - 01:18:04: ♪ Used to hand me a piece of candy ♪
01:18:04 - 01:18:06: ♪ Grandma's hands ♪
01:18:06 - 01:18:10: ♪ Pick me up each time I fell ♪
01:18:10 - 01:18:12: ♪ Grandma's hands ♪
01:18:12 - 01:18:15: ♪ Boy, they really came in handy ♪
01:18:15 - 01:18:19: ♪ She'd say, "Matty, don't you whip that boy ♪
01:18:19 - 01:18:22: ♪ "What you wanna spank him for ♪
01:18:22 - 01:18:24: ♪ "He didn't drop no apple core ♪
01:18:24 - 01:18:27: ♪ "But I don't have grandma anymore ♪
01:18:27 - 01:18:32: ♪ If I get to heaven, I'll look for grandma's hands ♪
01:18:32 - 01:18:37: ♪ Hmm ♪
01:18:37 - 01:18:40: - All right, you ready for the top five?
01:18:40 - 01:18:41: - Yep.
01:18:41 - 01:18:43: - It's time for the top five.
01:18:43 - 01:18:47: F-f-f-f-f-five on iTunes.
01:18:47 - 01:18:48: - We've never done this.
01:18:48 - 01:18:49: This is actually a top 10.
01:18:49 - 01:18:52: We're just doing the top 10 songs on iTunes right now.
01:18:52 - 01:18:54: So you're gonna get a kind of wider variety.
01:18:54 - 01:18:55: - Will there be variety?
01:18:55 - 01:18:56: - We'll see.
01:18:56 - 01:18:59: I think it's just gonna be two top fives back to back.
01:18:59 - 01:19:01: - The number 10 song.
01:19:01 - 01:19:02: I guess this one's still on the charts.
01:19:02 - 01:19:03: You remember this one?
01:19:03 - 01:19:06: Carrie Underwood, "The Champion" featuring Ludacris.
01:19:06 - 01:19:07: - Oh God, this is awful.
01:19:07 - 01:19:11: This was on during the Super Bowl.
01:19:11 - 01:19:14: - This was the theme song for the 2018 Winter Olympics.
01:19:14 - 01:19:17: ♪ I'll be the last one standing ♪
01:19:17 - 01:19:19: ♪ Two hands in the air ♪
01:19:19 - 01:19:21: - Yeah, this is that genre we were talking about
01:19:21 - 01:19:23: of like, we are the champions.
01:19:23 - 01:19:24: - Oh yeah, you're right.
01:19:24 - 01:19:26: ♪ I'm a soldier, yeah ♪
01:19:26 - 01:19:28: ♪ I'm a fighter like Rocky ♪
01:19:28 - 01:19:29: - I'm a fighter like Rocky.
01:19:29 - 01:19:31: ♪ I'm a quarterback like Ollie ♪
01:19:31 - 01:19:32: ♪ Yeah, I'm the greatest, I'm strong ♪
01:19:32 - 01:19:35: - Whatever adversity you're facing in your life,
01:19:35 - 01:19:36: this'll pump you up.
01:19:36 - 01:19:38: ♪ 'Cause I'm the only thing ♪
01:19:38 - 01:19:43: ♪ I've been working my whole life ♪
01:19:43 - 01:19:47: ♪ And now it's do or die ♪
01:19:47 - 01:19:49: ♪ I am invincible ♪
01:19:49 - 01:19:51: - This is firing on all cylinders.
01:19:51 - 01:19:52: This is auto-tune country.
01:19:52 - 01:19:56: This is fight song with a ludicrous verse.
01:19:56 - 01:19:57: This is my favorite music.
01:19:57 - 01:19:59: ♪ I am the champion ♪
01:19:59 - 01:20:01: ♪ You don't know my name ♪
01:20:01 - 01:20:02: ♪ You can't hurt me now ♪
01:20:02 - 01:20:03: ♪ I can't feel the pain ♪
01:20:03 - 01:20:05: ♪ I was made for this ♪
01:20:05 - 01:20:07: ♪ Yeah, I was born to win ♪
01:20:07 - 01:20:12: ♪ I am the champion ♪
01:20:12 - 01:20:15: ♪ When they write my story ♪
01:20:15 - 01:20:18: ♪ They're gonna say that I did it for the glory ♪
01:20:18 - 01:20:21: ♪ But don't think that I did it for the fame, yeah ♪
01:20:21 - 01:20:22: ♪ I did it for the love ♪
01:20:22 - 01:20:23: - Dun-ga-dun-ga, just like--
01:20:23 - 01:20:24: - I know.
01:20:24 - 01:20:25: - Kind of like metal guitar tone,
01:20:25 - 01:20:28: just as like this slight texture.
01:20:28 - 01:20:30: Dun-ga-dun-ga-dun-ga-dun-ga-dun-ga-dun.
01:20:30 - 01:20:31: - Brutal.
01:20:31 - 01:20:32: - You know what, like we were talking about
01:20:32 - 01:20:35: if Fleetwood Mac never had a song like that.
01:20:35 - 01:20:35: - Right.
01:20:35 - 01:20:37: - You know what's kind of cool is like, in a weird way,
01:20:37 - 01:20:41: that song makes me think of Edge of Seventeen.
01:20:41 - 01:20:41: - Mm.
01:20:41 - 01:20:44: - Stevie Nicks, which is like the most subtle,
01:20:44 - 01:20:45: subtle version of it.
01:20:45 - 01:20:46: 'Cause actually that song,
01:20:46 - 01:20:47: always been such an interesting song,
01:20:47 - 01:20:49: like what's it really about?
01:20:50 - 01:20:51: - Oh.
01:20:51 - 01:20:52: - This is so good.
01:20:52 - 01:20:54: ♪ Dun-ga-dun-ga-dun-ga-dun-ga-dun-ga ♪
01:20:54 - 01:20:55: This is like, oh, is this about to be like
01:20:55 - 01:20:56: a Rocky type song?
01:20:56 - 01:20:59: ♪ Just like the one winged dove ♪
01:20:59 - 01:21:02: ♪ Sings a song, sounds like she's singing ♪
01:21:02 - 01:21:05: ♪ Ooh, ooh, ooh ♪
01:21:05 - 01:21:08: ♪ Just like the one winged dove ♪
01:21:08 - 01:21:09: ♪ Sings a song, sounds like she's singing ♪
01:21:09 - 01:21:12: - Like the chorus is an incomplete sentence.
01:21:12 - 01:21:14: - It's also like, the strumming pattern
01:21:14 - 01:21:15: is a little different.
01:21:15 - 01:21:17: It's not metal.
01:21:17 - 01:21:18: It's more disco.
01:21:18 - 01:21:20: - Yeah, but it still feels like it's about to pump you up.
01:21:20 - 01:21:21: - Oh, for sure.
01:21:21 - 01:21:22: But you know what I mean?
01:21:22 - 01:21:25: It's like, the syncopation isn't quite metal.
01:21:25 - 01:21:30: ♪ Baby, nothing else matters ♪
01:21:30 - 01:21:36: ♪ I am a champion ♪
01:21:36 - 01:21:40: ♪ Baby, baby ♪
01:21:40 - 01:21:44: ♪ Well, he can seem brokenhearted ♪
01:21:44 - 01:21:49: ♪ Something within him ♪
01:21:49 - 01:21:51: ♪ Is not a moment ♪
01:21:51 - 01:21:52: - Like everything about that song
01:21:52 - 01:21:54: seems like it's about to bust into like,
01:21:54 - 01:21:56: I am a champion or something.
01:21:56 - 01:22:01: The verse lyrics seem a little bit like about adversity.
01:22:01 - 01:22:02: Today it would be like,
01:22:02 - 01:22:04: ♪ Just like the one winged dove ♪
01:22:04 - 01:22:06: ♪ Sings a song, sounds like he's singing ♪
01:22:06 - 01:22:08: ♪ I am a champion ♪
01:22:08 - 01:22:10: ♪ Gonna fly like that dove ♪
01:22:10 - 01:22:13: It's like, so she takes this image of the white winged dove,
01:22:13 - 01:22:14: but she kind of never cooks it up
01:22:14 - 01:22:16: into like some big obvious thing.
01:22:16 - 01:22:18: All it is, is just like the white winged dove
01:22:18 - 01:22:20: sings a song, sounds like he's singing.
01:22:20 - 01:22:22: Such an ambiguous thing, sounds like he's singing.
01:22:22 - 01:22:25: - I always thought it was one winged dove.
01:22:25 - 01:22:25: - Oh, is it one winged dove?
01:22:25 - 01:22:27: - It's white.
01:22:27 - 01:22:27: You're right, it's white.
01:22:27 - 01:22:29: - No way, oh, oh, oh, this is a game changer.
01:22:29 - 01:22:32: (explosion)
01:22:32 - 01:22:32: - I always thought it was,
01:22:32 - 01:22:35: ♪ Just like the one winged dove ♪
01:22:35 - 01:22:36: Like he's injured or something.
01:22:36 - 01:22:37: - I bet you're right.
01:22:37 - 01:22:38: - I bet you're right.
01:22:38 - 01:22:39: - Oh, you're right, no, okay.
01:22:39 - 01:22:40: When you look it up on Google,
01:22:40 - 01:22:42: it says just like the white winged dove.
01:22:42 - 01:22:43: - So you're right.
01:22:43 - 01:22:45: It'd kind of be deeper, my version, right?
01:22:45 - 01:22:46: One winged dove?
01:22:46 - 01:22:47: - Yeah.
01:22:47 - 01:22:49: (laughing)
01:22:49 - 01:22:52: ♪ I am a champion ♪
01:22:52 - 01:22:55: The cloud never expects it when it rains,
01:22:55 - 01:22:59: but the sea changes colors, but the sea does not change.
01:22:59 - 01:23:01: And so with a slow graceful flow of age,
01:23:01 - 01:23:04: I went forth with an age old desire to please
01:23:04 - 01:23:05: on the age of 17.
01:23:05 - 01:23:08: And I know part of the backstory is that
01:23:08 - 01:23:10: she met like Tom Petty's girlfriend or something,
01:23:10 - 01:23:12: who is Southern.
01:23:12 - 01:23:14: And she said, like, how long have you known Tom?
01:23:14 - 01:23:15: And so she said,
01:23:15 - 01:23:17: well, I've known Tom since I was the age of 17.
01:23:17 - 01:23:18: - Oh, wow.
01:23:18 - 01:23:23: - And then Stevie misheard age of 17 as edge of 17.
01:23:23 - 01:23:28: - And then 40 years later, I mishear it as one winged dove.
01:23:28 - 01:23:30: - Right, so maybe it's your destiny
01:23:30 - 01:23:32: to write a song called "One Winged Dove."
01:23:32 - 01:23:35: Jake's just doing like a heartbreaking acoustic ballad.
01:23:35 - 01:23:40: ♪ It's the one winged dove ♪
01:23:40 - 01:23:43: ♪ 'Cause baby I'll fly to you ♪
01:23:43 - 01:23:48: ♪ Like a one winged dove ♪
01:23:48 - 01:23:49: ♪ Limping on the ground ♪
01:23:49 - 01:23:51: - Yeah, maybe it's something about a,
01:23:51 - 01:23:54: ♪ 'Cause a one winged dove can't fly ♪
01:23:54 - 01:23:57: ♪ But a one winged dove can walk ♪
01:23:57 - 01:24:01: ♪ I drag my ass to you ♪
01:24:01 - 01:24:03: ♪ Come hell or high water ♪
01:24:03 - 01:24:04: This is our Florida Georgia line song.
01:24:04 - 01:24:06: - Yeah.
01:24:06 - 01:24:10: ♪ 'Cause I'm a one winged dove ♪
01:24:10 - 01:24:12: ♪ Baby I'm a one winged dove ♪
01:24:12 - 01:24:14: ♪ But I'm still a dove ♪
01:24:14 - 01:24:17: ♪ You won't see me flying ♪
01:24:17 - 01:24:19: ♪ Way up above ♪
01:24:19 - 01:24:22: ♪ You might see me waiting ♪
01:24:22 - 01:24:26: ♪ Baby I'm a one winged dove ♪
01:24:26 - 01:24:28: ♪ I might hitch a ride ♪
01:24:28 - 01:24:32: ♪ On the back of a pickup truck ♪
01:24:32 - 01:24:34: ♪ I'm a one winged dove ♪
01:24:34 - 01:24:36: ♪ If you want a two winged dove baby ♪
01:24:36 - 01:24:39: ♪ Well you're out of luck ♪
01:24:39 - 01:24:42: ♪ I'm a one winged dove ♪
01:24:42 - 01:24:43: The gospel choir comes in.
01:24:43 - 01:24:47: ♪ Baby I'm a one ♪
01:24:47 - 01:24:49: ♪ Baby I'm a one ♪
01:24:49 - 01:24:51: - So Jake, how did you come up with this song?
01:24:51 - 01:24:54: I misheard a Stevie Nicks lyric.
01:24:54 - 01:24:55: - Interesting.
01:24:55 - 01:24:57: We were an hour and a half in
01:24:57 - 01:24:58: on an internet radio show.
01:24:58 - 01:25:03: ♪ I am a champion ♪
01:25:03 - 01:25:04: Oh my God.
01:25:04 - 01:25:07: We missed the ludicrous verse.
01:25:07 - 01:25:08: - Yeah, we don't need to hear that again.
01:25:08 - 01:25:10: - Yeah, we're good.
01:25:10 - 01:25:11: - The number nine song.
01:25:11 - 01:25:12: We actually have some crossover
01:25:12 - 01:25:14: with the Oscar nominated songs.
01:25:14 - 01:25:14: - Uh oh.
01:25:14 - 01:25:16: - That song from the greatest showman,
01:25:16 - 01:25:17: This Is Me,
01:25:17 - 01:25:19: was the number nine song on iTunes right now.
01:25:19 - 01:25:23: (sighs)
01:25:23 - 01:25:26: (laughing)
01:25:26 - 01:25:27: Just more of that same,
01:25:27 - 01:25:28: just like,
01:25:28 - 01:25:31: schmaltzy pump up music.
01:25:31 - 01:25:35: ♪ I am not a stranger to the dark ♪
01:25:35 - 01:25:38: ♪ Hide away, they say ♪
01:25:38 - 01:25:41: ♪ 'Cause we don't want your broken parts ♪
01:25:41 - 01:25:42: ♪ I've learned to be a shadow ♪
01:25:42 - 01:25:43: - The verses are always dark.
01:25:43 - 01:25:46: Some people don't want you,
01:25:46 - 01:25:47: you've been through some (beep)
01:25:47 - 01:25:49: you've been traumatized.
01:25:49 - 01:25:52: ♪ No one will love you as you are ♪
01:25:52 - 01:25:55: ♪ But I won't let them break me down to dust ♪
01:25:55 - 01:25:56: ♪ I know that they're just ♪
01:25:56 - 01:25:58: - Then kind of pivots on the pre.
01:25:58 - 01:26:03: ♪ For we are glorious ♪
01:26:05 - 01:26:09: ♪ And the sharpest words wanna cut me down ♪
01:26:09 - 01:26:10: (imitates guitar)
01:26:10 - 01:26:11: - Yep, there it is.
01:26:11 - 01:26:13: ♪ I'm a strand of blood gonna drown 'em out ♪
01:26:13 - 01:26:15: (imitates guitar)
01:26:15 - 01:26:17: ♪ I am brave, I am bruised ♪
01:26:17 - 01:26:20: ♪ I am who I'm meant to be ♪
01:26:20 - 01:26:21: ♪ This is me ♪
01:26:21 - 01:26:24: ♪ So now 'cause here I come ♪
01:26:24 - 01:26:27: - Yeah, this isn't really like pop music.
01:26:27 - 01:26:30: This is more like Broadway musical.
01:26:30 - 01:26:32: - It's kind of like a form of pop music.
01:26:32 - 01:26:35: ♪ I make no apologies ♪
01:26:35 - 01:26:38: - I mean, it also reminds me of like super--
01:26:38 - 01:26:40: - Oh yeah, here's some pop (beep)
01:26:40 - 01:26:41: - Like Post Mumford?
01:26:41 - 01:26:43: - What? Coldplay, there's a lot of--
01:26:43 - 01:26:45: ♪ Oh, oh, oh ♪
01:26:45 - 01:26:47: Oh, oh, oh's are always like a go-to.
01:26:47 - 01:26:49: - It's such an empty trope.
01:26:49 - 01:26:53: God, it's terrible. - That was a funny one.
01:26:53 - 01:26:54: Also, it's funny that like,
01:26:54 - 01:26:57: I guess this is from the musical film
01:26:57 - 01:26:58: and it's very possible that's the woman
01:26:58 - 01:27:00: who sings it, Keila Settle.
01:27:00 - 01:27:01: Maybe she sings it in the film,
01:27:01 - 01:27:04: but I like to imagine that actually in the film,
01:27:04 - 01:27:06: Hugh Jackman sings that.
01:27:06 - 01:27:07: - Does he?
01:27:07 - 01:27:08: - I don't know, but it would be hilarious to imagine
01:27:08 - 01:27:13: just like this happens kind of the beginning of act three.
01:27:13 - 01:27:15: P.T. Barnum is really down on his luck.
01:27:15 - 01:27:20: The mayor of Baltimore said that the circus could not go up.
01:27:20 - 01:27:23: He said he didn't want to see any damn elephants in his city
01:27:23 - 01:27:25: and P.T. Barnum just like didn't know what to do
01:27:25 - 01:27:27: and he's like really depressed.
01:27:27 - 01:27:29: But then he gets a bright idea
01:27:29 - 01:27:30: about how he can save the circus.
01:27:30 - 01:27:34: ♪ Another round, it's my spin ♪
01:27:34 - 01:27:36: ♪ Well, fire away ♪
01:27:36 - 01:27:39: ♪ 'Cause today I won't let the crazy rain ♪
01:27:39 - 01:27:42: - Dudes with like 19th century handlebar mouse
01:27:42 - 01:27:45: and pistachios. - Right, just singing this.
01:27:45 - 01:27:47: ♪ Say I'm for you ♪
01:27:47 - 01:27:49: ♪ That's what we're here for ♪
01:27:49 - 01:27:50: - You know how tight it would be
01:27:50 - 01:27:53: a P.T. Anderson film about P.T. Barnum?
01:27:53 - 01:27:54: - Oh yeah, that'd be great.
01:27:54 - 01:27:55: - That seems totally up his alley.
01:27:55 - 01:27:57: - With Daniel Day?
01:27:57 - 01:27:58: - Oh my God. - Of course.
01:28:00 - 01:28:03: ♪ I'm a sharp swipe for a copycat ♪
01:28:03 - 01:28:05: ♪ It's the 19th century ♪
01:28:05 - 01:28:09: ♪ I'm gonna send a flood, I'm gonna drown them out ♪
01:28:09 - 01:28:11: - Can you imagine running a circus back then
01:28:11 - 01:28:14: and just like without semi-trucks and like,
01:28:14 - 01:28:15: (laughing)
01:28:15 - 01:28:18: just like transporting elephants like on trains and stuff?
01:28:18 - 01:28:20: It seems crazy.
01:28:20 - 01:28:22: - Yeah, and horse-drawn carriages and carts.
01:28:22 - 01:28:24: - Moving elephants across the Atlantic.
01:28:24 - 01:28:26: - On a boat. - Ugh.
01:28:26 - 01:28:29: - P.T. Barnum was no hero. - So sad.
01:28:29 - 01:28:31: - I don't know, I'll see the movie one day.
01:28:31 - 01:28:34: - The number eight song right now.
01:28:34 - 01:28:36: Jake, do you remember who Camila Cabello is?
01:28:36 - 01:28:37: - Sure, of course.
01:28:37 - 01:28:38: - What's her like big hit?
01:28:38 - 01:28:39: - The Cuban one.
01:28:39 - 01:28:41: - That's right, Havana.
01:28:41 - 01:28:43: What-- - East Atlanta, that one.
01:28:43 - 01:28:45: - That's right, what group was she in?
01:28:45 - 01:28:46: - I have no idea.
01:28:46 - 01:28:48: What was it? - Fifth Harmony.
01:28:48 - 01:28:51: So this is another song that we haven't heard yet
01:28:51 - 01:28:52: on the Time Post. - Oh really?
01:28:52 - 01:28:53: Oh, it's not the same one?
01:28:53 - 01:28:55: - No, but it's from the same album.
01:28:55 - 01:28:55: - Okay.
01:28:55 - 01:28:57: - It's called "Never Be the Same."
01:28:57 - 01:28:59: (soft music)
01:28:59 - 01:29:01: - Whoa.
01:29:01 - 01:29:03: Oh, I've heard this song, I like this song.
01:29:03 - 01:29:04: - Cool tones.
01:29:04 - 01:29:06: - This song's cool.
01:29:06 - 01:29:08: Yeah, this is like some like late '90s indie,
01:29:08 - 01:29:11: like keyboard through distortion pedal.
01:29:11 - 01:29:11: - Yeah.
01:29:11 - 01:29:15: ♪ Something must have gone wrong in my brain ♪
01:29:15 - 01:29:17: ♪ Got your chemicals all over my veins ♪
01:29:17 - 01:29:18: - Yeah, this is a great song.
01:29:18 - 01:29:20: She does something pretty interesting on the pre-chorus.
01:29:20 - 01:29:25: ♪ I feel all the pain ♪
01:29:25 - 01:29:30: ♪ Let go of the wheel, that's the bullet lane ♪
01:29:30 - 01:29:33: ♪ Now I'm seeing red, now I'm thinking straight ♪
01:29:33 - 01:29:38: ♪ Blurring all the lines, you intoxicate me ♪
01:29:38 - 01:29:45: ♪ Just like nicotine, heroin, morphine ♪
01:29:45 - 01:29:49: ♪ Suddenly I'm a fiend and you're all I need ♪
01:29:49 - 01:29:50: ♪ All I need ♪
01:29:50 - 01:29:51: - I love that, so cool and weird.
01:29:51 - 01:29:52: - Yeah.
01:29:52 - 01:29:55: ♪ All I need ♪
01:29:55 - 01:29:57: ♪ It's you, babe ♪
01:29:57 - 01:30:00: ♪ And I'm a sucker for the way that you move, babe ♪
01:30:00 - 01:30:01: ♪ And I could try to remember ♪
01:30:01 - 01:30:04: - The chorus is a little more stock pop, but.
01:30:04 - 01:30:05: - Yeah.
01:30:05 - 01:30:05: - I really like that.
01:30:05 - 01:30:07: ♪ I'm like, get my wheeze ♪
01:30:07 - 01:30:09: - It's some vibey (beep)
01:30:09 - 01:30:12: ♪ Morphine, suddenly I'm a fiend ♪
01:30:12 - 01:30:13: ♪ And you're all I need ♪
01:30:13 - 01:30:14: - Trippy.
01:30:14 - 01:30:15: - Yeah, it's vibey.
01:30:15 - 01:30:17: - It's kind of like three parts
01:30:17 - 01:30:19: that don't really go together, but.
01:30:19 - 01:30:20: - Maybe they're written separately.
01:30:20 - 01:30:22: - I'm surprised that song is that high.
01:30:22 - 01:30:23: That's cool.
01:30:23 - 01:30:24: - She's popping.
01:30:24 - 01:30:26: She and Charli XCX are about to open for Taylor Swift
01:30:26 - 01:30:28: on some of her European tour dates.
01:30:28 - 01:30:30: - That's a great gig.
01:30:30 - 01:30:32: - Maybe Kyle's girlfriend will see some of those dates
01:30:32 - 01:30:34: over there in Europe during her trip.
01:30:34 - 01:30:35: - Shout out to Kyle's girlfriend.
01:30:35 - 01:30:37: (laughing)
01:30:37 - 01:30:40: - The number seven song right now.
01:30:40 - 01:30:41: - Yeah.
01:30:41 - 01:30:42: - This song made a splash,
01:30:42 - 01:30:46: 'cause it's DJ Khaled featuring future Jay-Z and Beyonce.
01:30:46 - 01:30:47: - Wow.
01:30:47 - 01:30:48: - It's called "Top Off".
01:30:48 - 01:30:50: - I don't think I've heard this one yet.
01:30:50 - 01:30:52: - It's the lead single from Khaled's
01:30:52 - 01:30:55: upcoming 11th studio album, "Father of Assad".
01:30:55 - 01:30:57: Assad is his son.
01:30:57 - 01:30:58: - Gathered.
01:30:59 - 01:30:59: - Real too.
01:30:59 - 01:31:02: (screaming)
01:31:02 - 01:31:04: I ain't gonna stop.
01:31:04 - 01:31:05: I see the...
01:31:05 - 01:31:07: I ain't gonna stop.
01:31:07 - 01:31:09: I mean...
01:31:09 - 01:31:12: - We the best music.
01:31:12 - 01:31:14: ♪ I said the top of the Maybach ♪
01:31:14 - 01:31:15: ♪ I said the top of ♪
01:31:15 - 01:31:16: - Another one.
01:31:16 - 01:31:17: ♪ I said the top of the Maybach ♪
01:31:17 - 01:31:19: ♪ I said the top of ♪
01:31:19 - 01:31:23: ♪ I, I, to the top of my Maybach ♪
01:31:23 - 01:31:25: ♪ I, to the top of my Maybach ♪
01:31:25 - 01:31:27: - DJ Khaled!
01:31:27 - 01:31:28: ♪ I said the top of the Maybach ♪
01:31:28 - 01:31:30: ♪ I said the top of the Maybach ♪
01:31:30 - 01:31:32: ♪ I said the top of the Maybach ♪
01:31:32 - 01:31:34: ♪ I said the top of the Maybach ♪
01:31:34 - 01:31:35: ♪ I said the top of the Maybach ♪
01:31:35 - 01:31:36: - This is crazy.
01:31:36 - 01:31:38: ♪ I said the top of the Maybach ♪
01:31:38 - 01:31:40: ♪ I said the top of the Maybach ♪
01:31:40 - 01:31:42: - What does it mean to you, Jake,
01:31:42 - 01:31:43: to take the top off a Maybach?
01:31:43 - 01:31:46: - I thought Maybach was like an appliance, right?
01:31:46 - 01:31:48: - No.
01:31:48 - 01:31:50: - Like a washer dryer?
01:31:50 - 01:31:51: - No, you're thinking a Maytag.
01:31:51 - 01:31:52: - Oh, you're right.
01:31:52 - 01:31:54: I took the top off the Maytag.
01:31:54 - 01:31:56: - That's silly.
01:31:56 - 01:31:59: I didn't think literally they were singing about that.
01:31:59 - 01:32:00: - He's talking about taking the top off the Maytag
01:32:00 - 01:32:04: and you're just like, you know, most Maytag washers,
01:32:04 - 01:32:05: the top just opens and closes.
01:32:05 - 01:32:07: You don't have to do anything.
01:32:07 - 01:32:09: - Right, it's better to call a Sears technician
01:32:09 - 01:32:10: for them to come out.
01:32:10 - 01:32:12: - They took the top off the Maytag washer
01:32:12 - 01:32:14: 'cause they're like, when I do my laundry,
01:32:14 - 01:32:17: I just let that (beep) spin, water goes everywhere.
01:32:17 - 01:32:19: Do an open-face washer.
01:32:19 - 01:32:23: - Okay, second guess of what a Maybach is.
01:32:23 - 01:32:25: - I'm sorry, Maybach or Beck?
01:32:25 - 01:32:26: - Maybach, well, I don't know exactly.
01:32:26 - 01:32:29: - M-A-Y-B-O-C-K.
01:32:29 - 01:32:33: - No, no, M-A-Y-B-A-C-H, like the composer, Bach.
01:32:33 - 01:32:34: - Oh.
01:32:34 - 01:32:36: - Maybach, some people say Maybach.
01:32:36 - 01:32:37: - Oh, wow, I have no idea.
01:32:37 - 01:32:38: I don't have the first clue.
01:32:38 - 01:32:40: Is it automotive?
01:32:40 - 01:32:41: - Yes.
01:32:41 - 01:32:42: You really never heard of a Maybach?
01:32:42 - 01:32:43: - No.
01:32:43 - 01:32:45: - It's a fancy car.
01:32:45 - 01:32:46: Rick Ross, who had a health scare recently,
01:32:46 - 01:32:48: glad to hear he's doing okay.
01:32:48 - 01:32:51: His company's called Maybach Music.
01:32:51 - 01:32:52: Maybach Music.
01:32:52 - 01:32:54: - So they're taking the hood off the--
01:32:54 - 01:32:55: - No, not the hood.
01:32:55 - 01:33:03: - So they're turning into a convertible,
01:33:03 - 01:33:04: is what you're saying?
01:33:04 - 01:33:05: - Yes.
01:33:05 - 01:33:06: - They're taking the--
01:33:06 - 01:33:06: - Yeah.
01:33:06 - 01:33:07: - Okay.
01:33:07 - 01:33:10: - And I'm really out of my element here.
01:33:10 - 01:33:15: I mean, I really thought to get to convert a Maybach,
01:33:15 - 01:33:16: to do it right.
01:33:16 - 01:33:18: - Yeah, yeah, to do it right.
01:33:18 - 01:33:19: - I don't know, 15 grand?
01:33:19 - 01:33:21: - 15?
01:33:21 - 01:33:22: - I'm just totally guessing.
01:33:22 - 01:33:24: I mean, a Maybach's a very expensive car.
01:33:24 - 01:33:25: - I bet it's more.
01:33:25 - 01:33:26: - More?
01:33:26 - 01:33:27: - What's the story with that?
01:33:27 - 01:33:32: First of all, who makes Maybach?
01:33:32 - 01:33:33: - Maybach.
01:33:33 - 01:33:35: I mean, that's the name of the company.
01:33:35 - 01:33:38: - It's not a subsidiary of like BMW or something?
01:33:38 - 01:33:40: - I mean, it could very well be.
01:33:40 - 01:33:40: It could be owned by--
01:33:40 - 01:33:41: - Mercedes?
01:33:41 - 01:33:43: - Okay, I guess Mercedes owns them now.
01:33:43 - 01:33:45: But originally it was its own company.
01:33:45 - 01:33:46: Also German.
01:33:46 - 01:33:50: So I guess the parent company is now Daimler.
01:33:50 - 01:33:52: - Do you see those cars just like out on the street?
01:33:52 - 01:33:56: - Yeah, in like Beverly Hills.
01:33:56 - 01:33:58: You gotta come out to Beverly Hills more, Jake.
01:33:58 - 01:34:02: - Let's do lunch over at the Palms.
01:34:02 - 01:34:04: - I got some Beverly Hills spots.
01:34:04 - 01:34:06: - What are your spots there?
01:34:06 - 01:34:07: - I don't know if I wanna say them on air,
01:34:07 - 01:34:09: but there's some places you'd really like.
01:34:09 - 01:34:12: - You know what TC heads waiting outside
01:34:12 - 01:34:15: these spots in Beverly Hills?
01:34:15 - 01:34:18: - Just some diehard TC heads flying in from overseas.
01:34:18 - 01:34:21: - What's a Maybach run?
01:34:21 - 01:34:22: - That's a good question.
01:34:22 - 01:34:23: How much does--
01:34:23 - 01:34:24: - MSRP on the Maybach.
01:34:24 - 01:34:28: With a starting under 190,000.
01:34:28 - 01:34:29: - Okay.
01:34:29 - 01:34:34: - The S600, okay, represents considerable value
01:34:34 - 01:34:36: compared to the last Maybach models.
01:34:36 - 01:34:40: The 57 cost about twice as much as the S600.
01:34:40 - 01:34:42: Also it costs like almost--
01:34:42 - 01:34:43: - Like 400 grand?
01:34:43 - 01:34:44: - Yeah, 380.
01:34:44 - 01:34:47: - Something's going on if they're chopping the price in half.
01:34:47 - 01:34:49: - Okay, but I think the point is like,
01:34:49 - 01:34:50: I'm going out on a limb here.
01:34:50 - 01:34:51: I don't have enough context for it,
01:34:51 - 01:34:53: but I think the point of making a whole chorus
01:34:53 - 01:34:55: about how you took the top off a Maybach is like,
01:34:55 - 01:34:57: not only am I rich enough to have
01:34:57 - 01:34:59: this incredibly expensive car,
01:34:59 - 01:35:01: I also do what I want with it, you know?
01:35:01 - 01:35:04: If I wanna make this expensive car convertible,
01:35:04 - 01:35:05: (beep) it, I'll spend even more money
01:35:05 - 01:35:08: and I'll decrease the value by doing this.
01:35:08 - 01:35:09: I just wanna have fun.
01:35:09 - 01:35:12: - Arguably increasing the resale value 'cause then--
01:35:12 - 01:35:13: - No, but you know,
01:35:13 - 01:35:16: collectors don't like aftermarket changes.
01:35:16 - 01:35:18: - You don't think Jay Leno would wanna buy
01:35:18 - 01:35:20: Jay-Z's converted Maybach?
01:35:20 - 01:35:21: - Well, I think in the song,
01:35:21 - 01:35:23: the Maybach belongs to Future.
01:35:23 - 01:35:24: - Okay.
01:35:24 - 01:35:27: - Unless, it depends who's the narrator of the song.
01:35:27 - 01:35:29: - Jay Leno would definitely wanna buy Future's
01:35:29 - 01:35:31: retrofitted Maybach.
01:35:31 - 01:35:32: - Or maybe it's actually,
01:35:32 - 01:35:33: we should assume that it's DJ,
01:35:33 - 01:35:35: because the song is ultimately credited to DJ Khaled.
01:35:35 - 01:35:36: It's his Maybach.
01:35:36 - 01:35:38: - I think Future took the top off,
01:35:38 - 01:35:41: but it may not have been like belonged to him.
01:35:41 - 01:35:43: You know, I took the top off your Maybach.
01:35:43 - 01:35:44: It's like a surprise.
01:35:44 - 01:35:45: - Oh, I've--
01:35:45 - 01:35:46: - Like as a gift or as like a stunt?
01:35:46 - 01:35:47: - I haven't seen the video yet.
01:35:47 - 01:35:49: Maybe it's like a Uptown Girl video
01:35:49 - 01:35:52: where the whole thing takes place at a,
01:35:52 - 01:35:54: like a, you know, mechanics garage.
01:35:54 - 01:35:57: And DJ Khaled pulls in and like Future,
01:35:57 - 01:36:00: or it's like Bruce Springsteen, I'm on fire.
01:36:00 - 01:36:01: Like DJ Khaled comes in and is like,
01:36:01 - 01:36:02: "Hey, does anybody work here?"
01:36:02 - 01:36:06: And then Future's got like grease on his face,
01:36:06 - 01:36:08: comes out wearing a jumpsuit from under a car.
01:36:08 - 01:36:11: "Hey, old Joris's man, what do you want me to do?"
01:36:11 - 01:36:14: "I want the top off this and I want it done by tonight."
01:36:14 - 01:36:16: "Oh man, sir, we don't have time for that."
01:36:16 - 01:36:17: - I'll make it worth your while.
01:36:17 - 01:36:19: - I'll make it worth your while.
01:36:19 - 01:36:22: Then Future has to cancel his date with Christie Brinkley.
01:36:22 - 01:36:24: Then Jay-Z and Beyonce come help out.
01:36:24 - 01:36:26: I don't know, anyway.
01:36:26 - 01:36:28: So, so far we've covered a few genres.
01:36:28 - 01:36:33: Pop, hip hop, triumphalist, secular gospel,
01:36:33 - 01:36:35: whatever you want to call it.
01:36:35 - 01:36:36: Now we've got some country.
01:36:36 - 01:36:39: Jason Aldean at number six.
01:36:39 - 01:36:40: "You Make It Easy."
01:36:40 - 01:36:43: ♪ You make it easy ♪
01:36:43 - 01:36:45: ♪ Like a rainy Sunday morning ♪
01:36:45 - 01:36:46: ♪ Makes me wanna stay in bed ♪
01:36:46 - 01:36:48: - Side belt's just like, "Nope."
01:36:48 - 01:36:50: (laughing)
01:36:50 - 01:36:51: Headphones off.
01:36:51 - 01:36:55: - It's got a little bit of like, 50s, 60s throwback.
01:36:55 - 01:36:56: ♪ You're my inspiration, girl, you take me places ♪
01:36:56 - 01:37:01: ♪ Put the words right into these songs ♪
01:37:01 - 01:37:03: - Kind of journey a little bit.
01:37:03 - 01:37:05: ♪ When the lights go out ♪
01:37:05 - 01:37:07: ♪ Stealing kisses undercover, babe ♪
01:37:07 - 01:37:10: ♪ See forever when I see your face ♪
01:37:10 - 01:37:14: ♪ And I swear God made you for me ♪
01:37:14 - 01:37:18: ♪ You make it easy ♪
01:37:18 - 01:37:20: ♪ Runnin' up on you ♪
01:37:20 - 01:37:24: ♪ Make it easy ♪
01:37:24 - 01:37:25: ♪ With every little thing, babe ♪
01:37:25 - 01:37:26: - This is like identity politics country.
01:37:26 - 01:37:29: ♪ You're my sunshine in the darkest days ♪
01:37:29 - 01:37:32: ♪ My better half, my saving grace ♪
01:37:32 - 01:37:36: ♪ You make me who I wanna be ♪
01:37:36 - 01:37:40: ♪ You make me easy ♪
01:37:40 - 01:37:42: - That wasn't very satisfying.
01:37:42 - 01:37:44: I thought it was gonna be, ♪ 'Cause you make it ♪
01:37:44 - 01:37:45: Like, I thought normally a country song goes,
01:37:45 - 01:37:48: ♪ At the end of an enemy ♪
01:37:48 - 01:37:50: ♪ 'Cause you make it easy ♪
01:37:50 - 01:37:53: And then there'd be like the little final thing like,
01:37:53 - 01:37:54: ♪ Easy on me ♪
01:37:54 - 01:37:58: Or like, ♪ You make it easy ♪
01:37:58 - 01:38:00: ♪ Easy to do something, you know ♪
01:38:00 - 01:38:01: ♪ Love you ♪
01:38:01 - 01:38:02: Yeah.
01:38:02 - 01:38:04: ♪ And mine ain't a deal ♪
01:38:04 - 01:38:06: ♪ 'Cause you make it easy ♪
01:38:06 - 01:38:08: ♪ Easy to love you ♪
01:38:08 - 01:38:09: - What was it?
01:38:09 - 01:38:11: - It was, it just ended with, ♪ You make it easy ♪
01:38:11 - 01:38:13: I was missing that little country punchline.
01:38:13 - 01:38:15: ♪ With every little thing you do ♪
01:38:15 - 01:38:18: ♪ You're my sunshine in the darkest days ♪
01:38:18 - 01:38:21: ♪ My better half, my saving grace ♪
01:38:21 - 01:38:25: ♪ You make me who I wanna be ♪
01:38:25 - 01:38:28: ♪ You make me easy ♪
01:38:28 - 01:38:31: - You know, isn't that a very unsatisfying ending
01:38:31 - 01:38:32: to the chorus? - Yeah.
01:38:32 - 01:38:35: - Or just be like, this is like really bad.
01:38:35 - 01:38:36: I'm just spitballing here.
01:38:36 - 01:38:37: It'd be like,
01:38:37 - 01:38:41: ♪ Da na da na ♪
01:38:41 - 01:38:44: ♪ Da na da da da ♪
01:38:44 - 01:38:45: ♪ Da na da da da ♪
01:38:45 - 01:38:48: ♪ Da da na na ♪
01:38:48 - 01:38:51: ♪ You make it easy ♪
01:38:51 - 01:38:53: ♪ 'Cause my life's so hard ♪
01:38:53 - 01:38:55: Or like some (beep) about, you know, easy or hard.
01:38:55 - 01:38:57: ♪ Da na na ♪
01:38:57 - 01:38:59: ♪ Na wombo ♪
01:38:59 - 01:39:01: ♪ 'Cause you make it easy ♪
01:39:01 - 01:39:03: ♪ When everything else is difficult ♪
01:39:03 - 01:39:05: - It just leaves you hanging.
01:39:05 - 01:39:07: (laughing)
01:39:07 - 01:39:09: ♪ 'Cause you make it easy ♪
01:39:09 - 01:39:11: ♪ Full stop ♪
01:39:11 - 01:39:12: (laughing)
01:39:12 - 01:39:15: - Yeah, what's the opposite of easy is hard?
01:39:15 - 01:39:16: Intermediate?
01:39:16 - 01:39:18: ♪ When I wanna quit ♪
01:39:18 - 01:39:20: ♪ 'Cause you make it easy ♪
01:39:20 - 01:39:24: ♪ When my life's on intermediate ♪
01:39:24 - 01:39:26: ♪ You simplify ♪
01:39:26 - 01:39:28: - Or even just easy, easy on me.
01:39:28 - 01:39:28: ♪ And I wanna see ♪
01:39:28 - 01:39:30: ♪ 'Cause you make it easy ♪
01:39:30 - 01:39:32: ♪ Easy on me ♪
01:39:32 - 01:39:34: ♪ Easy on Sunday morning ♪
01:39:34 - 01:39:35: - Yeah.
01:39:35 - 01:39:40: ♪ My boss won't give me a promotion ♪
01:39:40 - 01:39:43: ♪ I guess we're just stuck with one fridge ♪
01:39:43 - 01:39:45: (laughing)
01:39:45 - 01:39:48: ♪ And now there is nowhere ♪
01:39:48 - 01:39:53: ♪ I can store this winter's McRibs ♪
01:39:53 - 01:39:57: ♪ Gotta keep that Coke at room temp ♪
01:39:57 - 01:39:59: (laughing)
01:39:59 - 01:40:02: ♪ And we're out of ice cubes ♪
01:40:02 - 01:40:07: ♪ And we're out of ice cubes ♪
01:40:07 - 01:40:08: - Man.
01:40:08 - 01:40:08: - We'll work it out.
01:40:08 - 01:40:09: - 'Cause I--
01:40:09 - 01:40:10: - Who is Jason Aldean?
01:40:10 - 01:40:11: I mean, I know that name.
01:40:11 - 01:40:12: What's his story?
01:40:12 - 01:40:15: - Wait, I'm gonna guess and then we'll look.
01:40:15 - 01:40:15: - Okay, yeah.
01:40:15 - 01:40:18: - Jason Aldean is a country musician,
01:40:18 - 01:40:22: born 1982 in Broken Arrow, Oklahoma,
01:40:22 - 01:40:24: attended the University of Oklahoma,
01:40:24 - 01:40:29: where he was in the fraternity Delta Theta Pi.
01:40:29 - 01:40:32: He moved to Nashville at age 24.
01:40:32 - 01:40:34: Okay, what's the real (beep)?
01:40:34 - 01:40:37: - Oh, born February 28th, 1977.
01:40:37 - 01:40:38: - Ooh, okay, a little older.
01:40:38 - 01:40:39: - So he's my age.
01:40:39 - 01:40:40: - Wow.
01:40:40 - 01:40:41: - February '77, bro.
01:40:41 - 01:40:43: So he just turned 41.
01:40:43 - 01:40:45: - He's a total sham, just like born.
01:40:45 - 01:40:48: - Born in the Haight-Ashbury section of San Francisco.
01:40:48 - 01:40:49: (laughing)
01:40:49 - 01:40:51: - Yeah.
01:40:51 - 01:40:52: Born in Macon, Georgia.
01:40:52 - 01:40:53: - Okay.
01:40:53 - 01:40:55: - Parents separated when he was three.
01:40:55 - 01:40:58: The show is just now me reading Wikipedia page.
01:40:58 - 01:41:00: (laughing)
01:41:02 - 01:41:04: I don't know, whatever.
01:41:04 - 01:41:06: This is long, it's too long for me to deal with,
01:41:06 - 01:41:07: this like early life stuff.
01:41:07 - 01:41:10: - Okay, so he's a 41-year-old country musician.
01:41:10 - 01:41:11: - He was rolling to George Strait,
01:41:11 - 01:41:14: Hank Williams Jr. in Alabama.
01:41:14 - 01:41:15: That was his stuff growing up.
01:41:15 - 01:41:18: - He's good, I know a lot of people like Jason Aldean.
01:41:18 - 01:41:20: And this song is fine.
01:41:20 - 01:41:22: I was just expecting a little twist on the chorus.
01:41:22 - 01:41:27: The next song, finally getting some rock, Imagine Dragons.
01:41:27 - 01:41:29: - I wonder if he's the oldest guy on the top 10.
01:41:29 - 01:41:30: Well, I guess Jay-Z's older.
01:41:30 - 01:41:31: - Oh yeah.
01:41:31 - 01:41:32: - Jay-Z's like 50, right?
01:41:32 - 01:41:34: - Well, not yet, he's pushing it.
01:41:34 - 01:41:37: Jay-Z was born in 1969, born in the 60s.
01:41:37 - 01:41:38: - Clear.
01:41:38 - 01:41:39: - Imagine Dragons, whatever it takes.
01:41:39 - 01:41:41: I don't think we've heard this song yet.
01:41:43 - 01:41:57: ♪ Falling too fast to prepare for this ♪
01:41:57 - 01:41:58: ♪ Tripping in the world could be dangerous ♪
01:41:58 - 01:42:00: ♪ Everybody's circling in this vulture race ♪
01:42:00 - 01:42:02: ♪ Negative, nepotism ♪
01:42:02 - 01:42:04: ♪ Everybody waiting for the fall of May ♪
01:42:04 - 01:42:05: ♪ Everybody praying for the end of times ♪
01:42:05 - 01:42:07: ♪ Everybody hoping they could be the one ♪
01:42:07 - 01:42:09: ♪ I was born to run, I was born for this ♪
01:42:09 - 01:42:12: ♪ Rip, whip, run me like a race horse ♪
01:42:12 - 01:42:13: ♪ Pull me like a ripcord ♪
01:42:13 - 01:42:15: ♪ Break me down and build me up ♪
01:42:15 - 01:42:17: ♪ I wanna be the slip, slip ♪
01:42:17 - 01:42:19: ♪ Word up on your lip, lip ♪
01:42:19 - 01:42:21: ♪ Ready to rip, rip ♪
01:42:21 - 01:42:22: ♪ Break me down and build me up ♪
01:42:22 - 01:42:25: ♪ Whatever it takes ♪
01:42:25 - 01:42:29: ♪ 'Cause I love the adrenaline in my veins ♪
01:42:29 - 01:42:30: ♪ I'll do whatever it takes ♪
01:42:30 - 01:42:31: - Rough.
01:42:31 - 01:42:34: - This is kind of like a subsection of like the pump up song.
01:42:34 - 01:42:36: This one's a little more badass.
01:42:36 - 01:42:41: ♪ Whatever it takes ♪
01:42:41 - 01:42:42: ♪ Yeah, take me to the top ♪
01:42:42 - 01:42:47: ♪ I'm ready for whatever it takes ♪
01:42:47 - 01:42:52: ♪ 'Cause I love the adrenaline in my veins ♪
01:42:52 - 01:42:54: - I love the adrenaline in my veins.
01:42:54 - 01:42:56: (singing)
01:42:56 - 01:43:01: ♪ I wanna be the slip, slip ♪
01:43:01 - 01:43:04: ♪ Never be enough on the polygon ♪
01:43:04 - 01:43:06: ♪ I was born to run, I was born for this ♪
01:43:06 - 01:43:07: ♪ Rip, whip, run me like a race horse ♪
01:43:07 - 01:43:09: - You say whip whip?
01:43:09 - 01:43:10: - Whip whip.
01:43:10 - 01:43:12: ♪ Run me like ♪
01:43:12 - 01:43:14: - I mean, Imagine Dragons is just crushing it.
01:43:14 - 01:43:16: - Is Phil Collins the like grandfather
01:43:16 - 01:43:20: of the aspirational triumphant ballad?
01:43:20 - 01:43:21: - Like--
01:43:21 - 01:43:22: - Or Peter Cetera?
01:43:22 - 01:43:23: - I mean--
01:43:23 - 01:43:26: - Like that mid 80s Cetera Collins stuff?
01:43:26 - 01:43:27: - Right, so--
01:43:27 - 01:43:28: - Against all odds, or like,
01:43:28 - 01:43:31: ♪ I am the man who will fight ♪
01:43:31 - 01:43:32: - Maybe.
01:43:32 - 01:43:33: ♪ For your honor ♪
01:43:33 - 01:43:35: - That's definitely part of it.
01:43:35 - 01:43:37: Yeah, and like that song was from the Karate Kid.
01:43:37 - 01:43:38: - Right.
01:43:38 - 01:43:39: - Too.
01:43:39 - 01:43:40: - So it was like kind of like this
01:43:40 - 01:43:45: aspirational triumphant secular gospel.
01:43:45 - 01:43:48: It's like taking some of the Cetera Phil Collins stuff.
01:43:48 - 01:43:50: - And a little touch of hip hop.
01:43:50 - 01:43:51: - Yeah.
01:43:51 - 01:43:52: - Make it a little more modern.
01:43:52 - 01:43:53: - Just a touch of that.
01:43:53 - 01:43:57: ♪ Whip, whip in the mountain ♪
01:43:57 - 01:43:59: - So now we got another country song.
01:43:59 - 01:44:00: - A little bit of hard rock.
01:44:00 - 01:44:03: - A little hard rock back in the country.
01:44:03 - 01:44:05: The number four song got Bebe Rexha
01:44:05 - 01:44:06: featuring Florida Georgia Line.
01:44:06 - 01:44:07: - Love this one.
01:44:07 - 01:44:10: - I mean, no offense to Jason Aldean,
01:44:10 - 01:44:13: but this is just like a stronger chorus.
01:44:13 - 01:44:14: - Right.
01:44:14 - 01:44:16: Seinfeld's got a big crush on her, right?
01:44:16 - 01:44:18: - Anytime Bebe wants to come on the show.
01:44:18 - 01:44:19: - Bebe?
01:44:19 - 01:44:21: - Yeah, Bebe Rexha.
01:44:21 - 01:44:23: - You think Bebe Rexha's very beautiful?
01:44:23 - 01:44:24: - You know, it's about her mind.
01:44:24 - 01:44:26: It's about just, you know, it's a full package.
01:44:26 - 01:44:27: - Okay.
01:44:27 - 01:44:29: A little crush over a little Time Crazies crush.
01:44:29 - 01:44:31: ♪ I got nothing but time ♪
01:44:31 - 01:44:34: ♪ As long as you're right here next to me ♪
01:44:34 - 01:44:37: ♪ Everything's gonna be all right ♪
01:44:37 - 01:44:39: ♪ If it's meant to be ♪
01:44:39 - 01:44:41: ♪ It'll be, it'll be ♪
01:44:41 - 01:44:43: ♪ So baby just let it be ♪
01:44:43 - 01:44:45: ♪ If it's meant to be ♪
01:44:45 - 01:44:47: ♪ It'll be, it'll be ♪
01:44:47 - 01:44:48: - This song has legs, man.
01:44:48 - 01:44:49: It's hanging in.
01:44:49 - 01:44:50: - And talk about meant to be.
01:44:50 - 01:44:52: - Ride with me.
01:44:52 - 01:44:52: - Talk about meant to be.
01:44:52 - 01:44:54: - This song's been number one on the country charts
01:44:54 - 01:44:55: for 14 weeks.
01:44:55 - 01:44:56: - Geez.
01:44:56 - 01:44:57: ♪ If it's meant to be ♪
01:44:57 - 01:45:00: ♪ It'll be, it'll be ♪
01:45:00 - 01:45:02: ♪ Baby if it's meant to be ♪
01:45:02 - 01:45:05: ♪ I don't mean to be so uptight ♪
01:45:05 - 01:45:08: ♪ But my heart's been hurt a couple times ♪
01:45:08 - 01:45:11: ♪ By a couple guys that didn't treat me right ♪
01:45:11 - 01:45:15: ♪ I ain't gonna lie, gonna lie ♪
01:45:15 - 01:45:17: ♪ 'Cause I'm tired of the fake love ♪
01:45:17 - 01:45:18: ♪ Show me what you're made of ♪
01:45:18 - 01:45:20: ♪ Boy make me believe ♪
01:45:20 - 01:45:23: - You know what's gonna be interesting for Bebe Rexha
01:45:23 - 01:45:26: is like, this is just kind of random
01:45:26 - 01:45:29: that she ended up having this massive hit, country hit.
01:45:29 - 01:45:29: - Yeah.
01:45:29 - 01:45:32: - You know, she's from New York, she's a pop artist.
01:45:32 - 01:45:33: This kind of fell into her lap.
01:45:33 - 01:45:36: So now her biggest hit is gonna be country.
01:45:36 - 01:45:38: Is she gonna keep chasing country?
01:45:38 - 01:45:39: ♪ If it's meant to be ♪
01:45:39 - 01:45:43: ♪ So won't you ride with me, ride with me ♪
01:45:43 - 01:45:46: ♪ See where this thing goes ♪
01:45:46 - 01:45:47: ♪ If it's meant to be, it'll be ♪
01:45:47 - 01:45:51: - Well, the song has answered your own question.
01:45:51 - 01:45:51: - Trap country.
01:45:51 - 01:45:55: - If it's meant to be, it'll be.
01:45:55 - 01:45:57: Trap auto-tune country.
01:45:57 - 01:45:58: ♪ See where this thing goes ♪
01:45:58 - 01:46:02: ♪ So come on, ride with me, ride with me ♪
01:46:02 - 01:46:04: ♪ Baby, if it's meant to be ♪
01:46:04 - 01:46:06: - Have they performed this live together?
01:46:06 - 01:46:08: - Yeah. - It's in like a workshop.
01:46:08 - 01:46:09: - Yeah, I was gonna say,
01:46:09 - 01:46:10: probably at the American Music Awards
01:46:10 - 01:46:11: or some shit like that.
01:46:11 - 01:46:12: - That's amazing.
01:46:12 - 01:46:14: - Beautiful song.
01:46:14 - 01:46:15: That song actually is inspirational
01:46:15 - 01:46:18: because at least that song recognizes
01:46:18 - 01:46:20: that we can't control things in life.
01:46:20 - 01:46:21: You know, that's a good song to dedicate
01:46:21 - 01:46:22: to Kyle and his girlfriend.
01:46:22 - 01:46:25: - Ooh, that'll be track one.
01:46:25 - 01:46:25: - Okay, so--
01:46:25 - 01:46:27: - No, I already have a track one for Kyle's playlist.
01:46:27 - 01:46:28: - Yeah, you don't have to put this on the playlist.
01:46:28 - 01:46:30: I know this is not your normal pal,
01:46:30 - 01:46:31: but I just wanna say, Kyle--
01:46:31 - 01:46:32: - Yeah, I gotta keep it--
01:46:32 - 01:46:34: - When you first start going in the gym,
01:46:34 - 01:46:36: you're just trying to clear your mind
01:46:36 - 01:46:39: and be accepting of your girlfriend's lifestyle decisions
01:46:39 - 01:46:42: and try to make sure that, you know,
01:46:42 - 01:46:43: you're not also getting too bummed out.
01:46:43 - 01:46:46: When you're just (beep) on that treadmill
01:46:46 - 01:46:48: and you're pushing yourself to the limit,
01:46:48 - 01:46:50: you're hitting 10 miles per hour on that tread.
01:46:50 - 01:46:53: (soft piano music)
01:46:53 - 01:46:56: This could be one of your anthems.
01:46:56 - 01:46:57: - 645 AM.
01:46:57 - 01:46:59: ♪ Baby lay on back and relax ♪
01:46:59 - 01:47:02: ♪ Keep your pretty feet up on my dash ♪
01:47:02 - 01:47:03: - It's on the elliptical.
01:47:03 - 01:47:06: That on loop on the elliptical.
01:47:06 - 01:47:11: The number three song right now is Drake.
01:47:11 - 01:47:12: ♪ If it's meant to be ♪
01:47:12 - 01:47:15: - Jake, you know it's like a meme now?
01:47:15 - 01:47:18: Actually, there's multiple memes inspired by this song.
01:47:18 - 01:47:21: - No, I don't know.
01:47:21 - 01:47:23: - And a lot of them center around that line.
01:47:23 - 01:47:24: - Oh.
01:47:24 - 01:47:27: - About I only love my bed and my mom, I'm sorry.
01:47:27 - 01:47:28: - I Love You Partly, that one?
01:47:28 - 01:47:29: - Yeah.
01:47:29 - 01:47:32: ♪ Don't pull up at 6 AM to cuddle ♪
01:47:32 - 01:47:32: - Cuddle.
01:47:32 - 01:47:34: - Have you seen the video yet?
01:47:34 - 01:47:34: - No.
01:47:34 - 01:47:36: - In the video, he kinda goes around Miami
01:47:36 - 01:47:37: giving away money.
01:47:37 - 01:47:38: - Yeah, yeah, yeah, he said that.
01:47:38 - 01:47:40: - Drake said that the video's the most important thing
01:47:40 - 01:47:42: he's done in his career.
01:47:42 - 01:47:46: - The video is, not the act of generosity.
01:47:46 - 01:47:49: - Well, okay, no, I don't wanna put words in it
01:47:49 - 01:47:50: if he said it.
01:47:50 - 01:47:51: - No, I'm just joking.
01:47:51 - 01:47:54: I mean, what he means is the--
01:47:54 - 01:47:56: - He'd never given to charity before.
01:47:56 - 01:47:57: - Right.
01:47:57 - 01:47:59: - He never had a reason to, and then he made the video.
01:47:59 - 01:48:01: It's a feel good video.
01:48:01 - 01:48:05: ♪ Might go down in TOD, yeah, wait ♪
01:48:05 - 01:48:08: ♪ Might go hard on Southside G, yeah, wait ♪
01:48:08 - 01:48:11: ♪ If it's meant to be, it'll be ♪
01:48:11 - 01:48:13: - God's Plan and Meant to Be are both
01:48:13 - 01:48:14: kinda similar titles.
01:48:14 - 01:48:15: - Yep.
01:48:15 - 01:48:16: - God's Plan.
01:48:16 - 01:48:17: - Out of our hands, dude.
01:48:17 - 01:48:18: - If it's meant to be.
01:48:18 - 01:48:20: The number two song right now,
01:48:20 - 01:48:22: also has a country artist, Maren Morris.
01:48:22 - 01:48:23: - Who?
01:48:23 - 01:48:24: - She's a country artist named Maren Morris,
01:48:24 - 01:48:26: but this is with Zedd and Gray.
01:48:26 - 01:48:27: I think we talked about how this is like,
01:48:27 - 01:48:29: basically straight up pop song.
01:48:29 - 01:48:30: It's called The Middle.
01:48:30 - 01:48:31: - Oh, yeah.
01:48:31 - 01:48:34: ♪ Take a seat ♪ - Give me The Middle.
01:48:34 - 01:48:36: ♪ Right over there, sat on the stairs ♪
01:48:36 - 01:48:38: ♪ Stay or leave ♪
01:48:38 - 01:48:40: ♪ The cabinets are bare and I'm unaware ♪
01:48:40 - 01:48:43: ♪ Just how we got into this mess ♪
01:48:43 - 01:48:45: ♪ Got so aggressive ♪
01:48:45 - 01:48:48: ♪ I know we meant all good intentions ♪
01:48:48 - 01:48:50: ♪ So pull me closer ♪
01:48:50 - 01:48:53: ♪ Why don't you pull me close ♪
01:48:53 - 01:48:55: ♪ Why don't you come on over ♪
01:48:55 - 01:48:56: ♪ I can't just let you go ♪
01:48:56 - 01:48:57: - That reminds me of something.
01:48:57 - 01:49:00: ♪ Turn it, turn and arrest my body ♪
01:49:00 - 01:49:02: ♪ Turn and arrest the body ♪
01:49:02 - 01:49:05: ♪ Pull me up, pull me on ♪
01:49:05 - 01:49:08: ♪ Loving, you got me going crazy ♪
01:49:08 - 01:49:10: You remember that song?
01:49:10 - 01:49:10: - No, what is that?
01:49:10 - 01:49:11: - Pop songwriters always do that.
01:49:11 - 01:49:13: They'll like, kind of take melodies
01:49:13 - 01:49:16: from other classic songs, but recontextualize them.
01:49:16 - 01:49:17: And maybe I'm going out on a limb here.
01:49:17 - 01:49:20: - Was it like, Time Crisis Top Five
01:49:20 - 01:49:21: from like two years ago?
01:49:21 - 01:49:23: - No, this is, I remember this like when I was in college.
01:49:23 - 01:49:26: This is actually a somewhat, not very early,
01:49:26 - 01:49:30: but a kind of notable auto-tune hit in the early days.
01:49:30 - 01:49:31: Kevin Little.
01:49:33 - 01:49:34: - Oh, yeah.
01:49:34 - 01:49:36: ♪ Oh yeah ♪
01:49:36 - 01:49:38: - Could this song have been a slight inspiration
01:49:38 - 01:49:39: for Zedd?
01:49:39 - 01:49:40: - Possible.
01:49:42 - 01:49:51: - This is like mid-2000s.
01:49:51 - 01:49:53: Sound familiar?
01:49:53 - 01:49:55: - Not really, actually, but I'm into it.
01:49:57 - 01:50:03: It gives me like a Lionel Richie vibe or something.
01:50:03 - 01:50:06: ♪ Arrest my body ♪
01:50:06 - 01:50:08: ♪ You got me going crazy ♪
01:50:08 - 01:50:11: ♪ Turn me on, turn me on ♪
01:50:11 - 01:50:13: ♪ Let me charm you ♪
01:50:13 - 01:50:15: ♪ 'Cause I know that around me ♪
01:50:15 - 01:50:17: ♪ You got me going crazy ♪
01:50:17 - 01:50:21: ♪ Turn me on, turn me on ♪
01:50:21 - 01:50:23: ♪ When I got a knuckle, breath with your lies ♪
01:50:23 - 01:50:25: ♪ This is things that not man have to fight ♪
01:50:25 - 01:50:27: ♪ Middle-aged kid that whip and call that's right ♪
01:50:27 - 01:50:30: ♪ Walk on highway like I ♪
01:50:30 - 01:50:31: ♪ Don't pull me closer ♪
01:50:31 - 01:50:34: ♪ Why don't you pull me close ♪
01:50:34 - 01:50:36: ♪ Why don't you come on over ♪
01:50:36 - 01:50:39: ♪ I can't just let you go ♪
01:50:39 - 01:50:42: ♪ Oh baby ♪
01:50:42 - 01:50:46: ♪ Why don't you just meet me in the middle ♪
01:50:46 - 01:50:50: ♪ I'm losing my mind just a little ♪
01:50:50 - 01:50:55: ♪ So why don't you just meet me in the middle ♪
01:50:55 - 01:50:57: ♪ In the middle ♪
01:50:57 - 01:50:58: ♪ Baby ♪
01:50:58 - 01:50:59: - Chainsmokers drop.
01:50:59 - 01:51:01: - Chainsmokers haven't made their way
01:51:01 - 01:51:02: in the top five in a while.
01:51:02 - 01:51:03: - Where are they?
01:51:03 - 01:51:04: - They've been dropping singles.
01:51:04 - 01:51:05: I guess they just haven't been connecting
01:51:05 - 01:51:06: in quite the same way.
01:51:06 - 01:51:07: - Huh.
01:51:07 - 01:51:08: - They got almost like political.
01:51:08 - 01:51:09: - Whoa, really?
01:51:09 - 01:51:10: - Yeah, we'll tell you.
01:51:10 - 01:51:11: - Like Trump stuff?
01:51:11 - 01:51:13: - Not like by name, but.
01:51:13 - 01:51:15: - More Paul Ryan focused.
01:51:15 - 01:51:16: - No, I think they're just on some like
01:51:16 - 01:51:19: what's going on type (beep)
01:51:19 - 01:51:19: I don't know.
01:51:19 - 01:51:21: I just saw this one video.
01:51:21 - 01:51:23: Anyway, the number one song,
01:51:23 - 01:51:27: we just, man, we just burned through 10 great songs.
01:51:27 - 01:51:29: Now the number one song right now
01:51:29 - 01:51:31: is a new single from a TC favorite
01:51:31 - 01:51:32: we haven't heard from in a while.
01:51:32 - 01:51:34: You dropped her name before, Megan Trainor.
01:51:34 - 01:51:36: - Oh, whoa.
01:51:36 - 01:51:37: - I mean.
01:51:37 - 01:51:38: - I did not see that coming.
01:51:38 - 01:51:40: - So Megan Trainor, she was kind of like,
01:51:40 - 01:51:41: you know, she started with a kind of,
01:51:41 - 01:51:42: almost like a novelty single.
01:51:42 - 01:51:46: I'm all about that bass, about that bass, about that bass.
01:51:46 - 01:51:48: Remember that song?
01:51:48 - 01:51:48: - Sort of.
01:51:48 - 01:51:50: - But then she's come very correct since then.
01:51:50 - 01:51:52: She had multiple hits on her next album
01:51:52 - 01:51:55: and this is her third album already.
01:51:55 - 01:51:57: And she was recently one of the judges on The Four,
01:51:57 - 01:51:59: a reality TV singing competition.
01:51:59 - 01:52:01: So this is the new Megan Trainor song
01:52:01 - 01:52:02: currently sitting at number one on the iTunes charts.
01:52:02 - 01:52:03: This is exciting.
01:52:06 - 01:52:07: Ooh.
01:52:07 - 01:52:08: - Woo.
01:52:10 - 01:52:11: - It's like some Calypso.
01:52:11 - 01:52:13: ♪ What you sippin' on ♪
01:52:13 - 01:52:15: ♪ I got you talkin' crazy ♪
01:52:15 - 01:52:16: ♪ Lookin' at me sideways ♪
01:52:16 - 01:52:18: - It's like a little Mambo No. 5.
01:52:18 - 01:52:19: ♪ So we comin' at me ♪
01:52:19 - 01:52:21: ♪ Why you, why you, why you actin' hard ♪
01:52:21 - 01:52:23: ♪ When you just a baby ♪
01:52:23 - 01:52:25: ♪ Boy, I keep it real with you ♪
01:52:25 - 01:52:27: ♪ What you tryna play me ♪
01:52:27 - 01:52:31: ♪ Have you lost your mind ♪
01:52:31 - 01:52:36: ♪ Open up your eyes ♪
01:52:36 - 01:52:37: ♪ Someone else ♪
01:52:37 - 01:52:41: ♪ You must have confused me, confused me with ♪
01:52:41 - 01:52:41: ♪ Someone else ♪
01:52:41 - 01:52:45: ♪ You must have confused me, confused me with ♪
01:52:45 - 01:52:46: ♪ Someone else ♪
01:52:46 - 01:52:49: ♪ There ain't no excuses, excuses, babe ♪
01:52:49 - 01:52:50: ♪ Someone else ♪
01:52:50 - 01:52:53: ♪ 'Cause your mama raised you better than that ♪
01:52:53 - 01:52:54: ♪ What you sippin' on ♪
01:52:54 - 01:52:57: ♪ I got you talkin' crazy ♪
01:52:57 - 01:52:58: ♪ Lookin' at me sideways ♪
01:52:58 - 01:52:59: - Wow.
01:52:59 - 01:53:00: ♪ So we comin' at me ♪
01:53:00 - 01:53:01: - I don't know, well, it's exciting.
01:53:01 - 01:53:03: It's a little bewildering on first listen, but.
01:53:03 - 01:53:06: ♪ Lady, I don't disrespect you ♪
01:53:06 - 01:53:08: ♪ Don't you disrespect me ♪
01:53:08 - 01:53:12: ♪ Have you lost your mind ♪
01:53:12 - 01:53:13: - This part's kinda dope.
01:53:13 - 01:53:18: ♪ Open up your eyes ♪
01:53:18 - 01:53:18: ♪ Someone else ♪
01:53:18 - 01:53:20: ♪ You must have confused me, confused me with ♪
01:53:20 - 01:53:22: - I wanted more of that.
01:53:22 - 01:53:23: - Yeah, it's--
01:53:23 - 01:53:25: - And then it has like the South African, like,
01:53:25 - 01:53:27: Graceland, like, someone else.
01:53:27 - 01:53:29: - Someone, is it Lady Smith?
01:53:29 - 01:53:30: - Yeah.
01:53:30 - 01:53:31: ♪ Someone else ♪
01:53:31 - 01:53:36: ♪ 'Cause your mama raised you better than that ♪
01:53:36 - 01:53:40: - This part's fun.
01:53:40 - 01:53:45: ♪ Your mama raised you better than that ♪
01:53:45 - 01:53:47: - Wait, why is this song called "No Excuses"?
01:53:47 - 01:53:50: ♪ 'Cause your mama raised you better than that ♪
01:53:50 - 01:53:51: ♪ Have you lost your mind ♪
01:53:51 - 01:53:54: - 'Cause your mama raised you better than that.
01:53:54 - 01:53:55: ♪ Open up your eyes ♪
01:53:55 - 01:53:57: - Again, no excuses, dude.
01:53:57 - 01:53:59: You're puffin' on that gonge.
01:53:59 - 01:54:01: You're lookin' at her sideways.
01:54:01 - 01:54:04: You're givin' her all kinds of guff.
01:54:04 - 01:54:07: ♪ You must have confused me, confused me with ♪
01:54:07 - 01:54:08: ♪ Someone else ♪
01:54:08 - 01:54:09: ♪ Baby don't ♪
01:54:09 - 01:54:11: - Those "someone else's" are so funny.
01:54:11 - 01:54:12: ♪ Someone else ♪
01:54:12 - 01:54:13: - Someone else.
01:54:13 - 01:54:14: ♪ Your mama raised you better than that ♪
01:54:14 - 01:54:15: ♪ How she raised you ♪
01:54:15 - 01:54:16: ♪ To touch ♪
01:54:16 - 01:54:17: ♪ You must have confused me ♪
01:54:17 - 01:54:20: - That's two songs in a row with the weird
01:54:20 - 01:54:22: lower octave pedal on the vocal.
01:54:22 - 01:54:25: - It's a nice trend.
01:54:25 - 01:54:28: - It's a real weird trend.
01:54:28 - 01:54:31: - It's kind of unusual that the song's called "No Excuses"
01:54:31 - 01:54:34: and they don't say "no excuses" in the chorus
01:54:34 - 01:54:36: for like a big pop song.
01:54:36 - 01:54:38: - Aren't there other songs called "No Excuses"?
01:54:38 - 01:54:39: - I'm sure.
01:54:39 - 01:54:43: ♪ You must have confused me, confused me ♪
01:54:43 - 01:54:44: ♪ Someone else ♪
01:54:44 - 01:54:45: ♪ Someone else ♪
01:54:45 - 01:54:48: ♪ You must have confused me ♪
01:54:48 - 01:54:49: ♪ With someone else ♪
01:54:49 - 01:54:53: ♪ Confused me, confused me with ♪
01:54:53 - 01:54:54: ♪ Someone else ♪
01:54:54 - 01:54:54: (laughing)
01:54:54 - 01:54:57: - They didn't wanna call the song "Someone Else"?
01:54:57 - 01:54:58: - "Someone Else."
01:54:58 - 01:55:00: - That's the theme of the whole show this time.
01:55:00 - 01:55:02: - Yeah, I guess that's a popular theme right now.
01:55:02 - 01:55:03: I guess you know.
01:55:03 - 01:55:04: - Aspirational secular music.
01:55:04 - 01:55:04: - It makes sense.
01:55:04 - 01:55:06: There's a lot of people out there hurting.
01:55:06 - 01:55:08: - Someone else.
01:55:08 - 01:55:12: - Yeah, people need a positive example.
01:55:12 - 01:55:12: - Someone else.
01:55:12 - 01:55:17: - So next time some dip comes and gives you some guff.
01:55:17 - 01:55:20: - It's God's plan, okay?
01:55:20 - 01:55:21: - If it's meant to be.
01:55:21 - 01:55:24: - If it's meant to be, it's meant to be.
01:55:24 - 01:55:26: - Someone else. - There's no excuses.
01:55:26 - 01:55:29: - Well, okay, Jake, do you think that Meghan Trainor
01:55:29 - 01:55:31: single's gonna go the distance?
01:55:31 - 01:55:32: Think it's gonna be a big hit for her?
01:55:32 - 01:55:33: Another one?
01:55:33 - 01:55:35: - I'm not the right person to ask about this.
01:55:35 - 01:55:35: - Another one?
01:55:35 - 01:55:37: - I feel like no.
01:55:37 - 01:55:38: I feel like next time we do this show in two weeks,
01:55:38 - 01:55:40: it'll not be on the top five.
01:55:40 - 01:55:41: Call me crazy.
01:55:41 - 01:55:43: - Well, that doesn't mean it's not a hit, but--
01:55:43 - 01:55:44: - That's true, that's true.
01:55:44 - 01:55:45: - Man, I don't know.
01:55:45 - 01:55:50: - I have a very skewed vision of hit pop music, though,
01:55:50 - 01:55:53: 'cause it's every two weeks, the top five songs.
01:55:53 - 01:55:54: - Fair enough.
01:55:54 - 01:55:56: Well, we just banged out the top 10,
01:55:56 - 01:56:00: a diverse sampling of popular music in America.
01:56:00 - 01:56:04: - I think next time we go back to a weird comparison year.
01:56:04 - 01:56:05: - To dig into the past?
01:56:05 - 01:56:06: - Yeah.
01:56:06 - 01:56:07: - Why not?
01:56:07 - 01:56:09: All right, Jake, well, that was a hell of a show.
01:56:09 - 01:56:12: Thank you to Kyle for calling in.
01:56:12 - 01:56:16: Shout out to Peter Rabbit, Diet Coke, the Oscars.
01:56:16 - 01:56:18: Before we sign off, Jake, you got one last thing
01:56:18 - 01:56:19: you wanna talk about.
01:56:19 - 01:56:21: - Got an email.
01:56:21 - 01:56:22: Hey, Jake.
01:56:22 - 01:56:24: Got it by Voices, also, like the Grateful Dead,
01:56:24 - 01:56:27: have a quite intimidating body of work.
01:56:27 - 01:56:29: Could you make us newbies an intro playlist
01:56:29 - 01:56:30: like you did for the Dead?
01:56:30 - 01:56:32: Thanks, Logan.
01:56:32 - 01:56:34: So that's this week's playlist.
01:56:34 - 01:56:39: Jake's introduction to GBV, volume one, 87 to 2017.
01:56:39 - 01:56:43: It's 25 songs, and it clocks in at around 45 minutes.
01:56:43 - 01:56:44: - Okay.
01:56:44 - 01:56:45: - So that's the last few playlists I've made,
01:56:45 - 01:56:46: the Dead and the New Age,
01:56:46 - 01:56:49: the playlist for like two and a half hours.
01:56:49 - 01:56:50: - So this is a tight 45.
01:56:50 - 01:56:52: - So this is, all the songs, like,
01:56:52 - 01:56:54: the average song length is under two minutes,
01:56:54 - 01:56:58: which is a real sweet spot for GBV.
01:56:58 - 01:57:00: And the vibe is like, if you don't like the song,
01:57:00 - 01:57:02: it's gonna be over soon anyway.
01:57:02 - 01:57:03: - Okay, tight. - The next one's gonna be great.
01:57:03 - 01:57:04: - We'll see.
01:57:04 - 01:57:08: Do you think GBV's a taller order than the Dead?
01:57:08 - 01:57:09: You know, for potential fans?
01:57:09 - 01:57:10: - Interesting.
01:57:10 - 01:57:11: For some.
01:57:11 - 01:57:12: - 'Cause some people might be turned off
01:57:12 - 01:57:14: by it can get a little lo-fi and noisy.
01:57:14 - 01:57:15: - Right.
01:57:15 - 01:57:18: That's a question for the ages.
01:57:18 - 01:57:19: - Well, we'll find out.
01:57:19 - 01:57:21: - Hey, check out Jake's GBV Guided by Voices playlist.
01:57:21 - 01:57:23: Curious to see what you think.
01:57:23 - 01:57:25: Can Jake turn you into a GBV head?
01:57:25 - 01:57:26: Check it out.
01:57:26 - 01:57:27: We'll see you in two weeks, everybody.
01:57:27 - 01:57:31: - Time Crisis with Ezra King.
01:57:31 - 01:57:33: Be-be-be-be-be-be-beats.
01:57:33 - 01:57:34: One.

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