Episode 64: It Wasn’t Baio

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:07: Time Crisis, back once again. On this episode we'll be joined by Chris Bale to
00:07 - 00:15: explain to us the phenomenon known as Shaggy Sting or Sting Shaggy. We'll also
00:15 - 00:23: read some spicy listener emails and dig in to an incredible top five featuring
00:23 - 00:32: music of 1972 and today this is Time Crisis with Ezra King.
00:32 - 00:34: Be Spoken. One.
00:34 - 00:41: They passed me by, all of those great romances.
00:41 - 00:48: The war I felt, robbing me of my rightful chances.
00:48 - 00:55: My picture clear, everything seemed so easy.
00:55 - 01:02: And so I dealt to the blow, when a bus had to go.
01:02 - 01:07: Now it's different, I want you to know.
01:07 - 01:13: One of us is crying, one of us is lying.
01:13 - 01:17: We were only there.
01:17 - 01:22: Time Crisis back at it again. What's up Jake? Hey, how are you? Not bad.
01:22 - 01:27: I enjoyed the past week of rainy gloomy weather in LA. I found it very refreshing.
01:27 - 01:31: Yeah, I love it. There was a snowstorm in New York though, I was jealous of that.
01:31 - 01:35: Really? Jealous? Yeah man, you're from the East Coast too.
01:35 - 01:39: You never just dream about a snowy day? I don't romanticize that at all.
01:39 - 01:43: I was talking about that with some people the other day, some California people who were like,
01:43 - 01:47: "Yeah, if you ever went back you would be like, 'Oh my God, how did I do this?'"
01:47 - 01:52: I even remember growing up and being in middle school and there'd be some kids who'd be like,
01:52 - 01:57: "Oh my God, I hate winter. Can't wait till my family goes on a cruise in the Bahamas."
01:57 - 02:02: Right. And I would just always be like, "I mean, it is what it is, man."
02:02 - 02:07: Of course, spring is a beautiful season, April, the flowers bloom and shit,
02:07 - 02:12: but I just never related to that visceral hatred of winter. Did you hate it?
02:12 - 02:19: No. As a kid, I was into it. And then I lived on the West Coast pretty much my entire adult life,
02:19 - 02:24: except for two years in New York, 2010 and 2011. I remember those years.
02:24 - 02:30: And I moved from Oakland, California to New York. And I remember thinking to myself,
02:30 - 02:33: "I don't remember winter being this traumatic when I was a kid."
02:33 - 02:36: Well, I guess in New York you're out on the street more. You get those wind tunnels.
02:36 - 02:42: Oh, the wind tunnels. I think I just got ruined living in California for so many years.
02:42 - 02:43: I just don't pine for it.
02:43 - 02:45: Who knows? Maybe one day you'll be back there.
02:45 - 02:47: Oh, I'll visit.
02:47 - 02:48: Connecticut.
02:48 - 02:51: Oh, to live? That would be weird. Not happening.
02:51 - 02:56: I don't know anyone in Connecticut anymore. My parents don't live there anymore.
02:56 - 03:00: My high school friends that I'm still in touch with, all three of them don't live in CT.
03:00 - 03:01: Really?
03:01 - 03:04: Apparently my town was super Trumped out.
03:04 - 03:05: Oh, really?
03:05 - 03:07: Even though Connecticut is super blue.
03:07 - 03:08: Your town was Trump country?
03:08 - 03:10: My town was always kind of Republican.
03:10 - 03:13: Do you think Lonnie's dad voted for Trump?
03:13 - 03:14: Oh, hell, big time.
03:14 - 03:17: Trump's going to make them have McRibs year round.
03:17 - 03:23: For lower level TC heads, Lonnie's dad was the dad of Lonnie, a childhood friend of Jake,
03:23 - 03:30: who had two fridges and one of them was exclusively dedicated to McRibs because he wanted to enjoy McRibs year round.
03:30 - 03:33: So he would scoop up a lot of McRibs, freeze them.
03:33 - 03:36: He needed that access 24/7, 65.
03:36 - 03:37: Yeah.
03:37 - 03:39: Wait, do they have McRibs year round?
03:39 - 03:40: No, I think it's a thing that-
03:40 - 03:41: It's still a special thing?
03:41 - 03:43: You know, I don't think it's even every year.
03:43 - 03:44: Really?
03:44 - 03:49: I want to say every like, don't quote me on this, but I feel like it's every couple years.
03:49 - 03:51: It's like the McRib is back.
03:51 - 03:56: You know, it's like it's been gone for 18 months or it's been gone for two years.
03:56 - 03:57: The McRib is back.
03:57 - 04:03: We got a lot of good emails after our show about where we talked about people who had two fridges.
04:03 - 04:05: I think one person said we actually had three fridges.
04:05 - 04:06: Right.
04:06 - 04:09: People were just kind of updating us, just letting us know.
04:09 - 04:11: We live in a very divided country.
04:11 - 04:14: Some people barely struggle to have one fridge.
04:14 - 04:18: Then the millionaires and the billionaires got two, three, four, five fridges.
04:19 - 04:24: We'll make a living, darling, down the road
04:24 - 04:33: 'Cause I got you holding on to see where it goes
04:33 - 04:40: So don't you feel lonely?
04:40 - 04:44: I want you to know I can take you there
04:46 - 04:49: I want to drive around
04:49 - 04:54: With you with the windows down
04:54 - 04:59: And we can ride all night
04:59 - 05:03: Jake and I saw a rock show last week.
05:03 - 05:05: That's right, man. Fun time.
05:05 - 05:08: We saw Jack White at the Mine Theater. He just released an album.
05:08 - 05:10: Friday. It's out now.
05:10 - 05:12: So we went. It was a proper rock show.
05:12 - 05:17: I wanted to tell you, after we said our goodbyes, and I got an Uber to go home,
05:17 - 05:20: the dude picked me up. He was a chill dude.
05:20 - 05:23: 23-year-old male from San Bernardino.
05:23 - 05:24: Strong.
05:24 - 05:26: He's about to move to Houston.
05:26 - 05:27: He just got right into it.
05:27 - 05:28: Wow, man.
05:28 - 05:30: He's like, "You from LA?"
05:30 - 05:33: I was like, "Oh, no. Yeah, I'm from San Bernardino, man.
05:33 - 05:35: I'm about to move to Houston, though.
05:35 - 05:37: It's real cheap out there. I'm going to buy a house."
05:37 - 05:39: I was like, "All right. That sounds like a plan."
05:39 - 05:41: And then he started talking music, and he's like,
05:41 - 05:43: "So what were you doing downtown?"
05:43 - 05:45: I said, "I was going to a concert."
05:45 - 05:47: "What was the concert?" "Jack White."
05:47 - 05:49: The way he set this up was so weird.
05:49 - 05:51: I was just thrown for a loop. "Oh, Jack White."
05:51 - 05:52: He's driving all the time.
05:52 - 05:55: He goes, "Oh, man. I did a remix for Jack White."
05:55 - 05:57: I'm like, "Yeah?" He's like, "Well, not officially for him,
05:57 - 06:02: but I mess around with music, and I did kind of a cover remix of one of his songs.
06:02 - 06:04: You know his song, 'Seven Nation Army'?"
06:04 - 06:05: Never heard it.
06:05 - 06:07: I was like, "Yeah, man."
06:07 - 06:09: He closed the show with it, and he's like, "Oh, I bet he did.
06:09 - 06:10: That's a big one."
06:10 - 06:12: He's like, "Well, anyway, yeah, I did kind of a cover remix."
06:12 - 06:14: "Hold on a second. I'll play it for you."
06:14 - 06:17: Literally, this is verbatim. "Hold on a second. I'll play it for you."
06:17 - 06:20: I'm sitting in the back. He's driving on the highway,
06:20 - 06:24: and I'm waiting for him to pick up his phone to play me the remix.
06:24 - 06:25: Then he totally throws me for a loop.
06:25 - 06:28: I got to just pop home for a sec, get the CDR.
06:28 - 06:29: Pop it in the--
06:29 - 06:32: It wasn't quite that crazy, but he goes, "Hold on. Just give me a second.
06:32 - 06:33: I'm going to play it for you."
06:33 - 06:35: He kept using the word "play it for you."
06:35 - 06:37: I was like, "All right." He's like, "Okay. You ready?"
06:37 - 06:39: At this time, he had his hands on the wheel the whole time.
06:39 - 06:40: I didn't see him touch his phone.
06:40 - 06:41: He goes, "All right."
06:41 - 06:50: [beatboxing]
06:50 - 06:57: He does this minute-long beatbox version that had a dubstep breakdown.
06:57 - 06:59: We're on the highway, so it's really noisy.
06:59 - 07:00: I could just hear--
07:00 - 07:01: [beatboxing]
07:01 - 07:03: Was he smiling, or was he just stone-faced?
07:03 - 07:05: He was kind of stone-faced.
07:05 - 07:08: He was a cool guy. I liked him, but I was just so thrown for a loop,
07:08 - 07:11: because he didn't say, "Oh, you know, I beatbox."
07:11 - 07:14: He truly said to me, "I did a remix for Jack White."
07:14 - 07:16: Well, really, it's a cover remix.
07:16 - 07:18: I was like, "Okay. I can't wait to hear this."
07:18 - 07:19: Then--
07:19 - 07:22: [beatboxing]
07:22 - 07:23: Then there was this dubstep part where it's like--
07:23 - 07:27: [beatboxing]
07:27 - 07:29: He did it for about a minute, and then he just kind of ended up--
07:29 - 07:31: [beatboxing]
07:31 - 07:32: He's just still driving.
07:32 - 07:34: I was like, "That's cool."
07:34 - 07:36: Then he got a tiny bit funny about it.
07:36 - 07:38: He was like, "Yeah, I don't know.
07:38 - 07:41: "You were talking about Jack White, so I wanted to play it for you."
07:41 - 07:42: He kept using this language.
07:42 - 07:43: Play it.
07:43 - 07:45: He kept using the language of a recording, which confused me.
07:45 - 07:47: I was like, "No, that's cool. You're actually really good, man."
07:47 - 07:51: He's like, "Oh, thanks. Yeah, you just saw Jack White,
07:51 - 07:52: "and I had this thing."
07:52 - 07:53: I was like, "Yeah."
07:53 - 07:56: Then a real deep silence descended on the car
07:56 - 07:59: for the last 20 minutes of the drive.
07:59 - 08:00: Yeah, kind of.
08:00 - 08:01: Oh, man.
08:01 - 08:04: No, I mean, then he was a chatty dude, so he--
08:04 - 08:07: Do you think he knew who you were? Your band?
08:07 - 08:09: He 100% did not know who I was,
08:09 - 08:13: because when I got in the car, he said, "Ezra?"
08:13 - 08:15: I said, "Yeah."
08:15 - 08:17: He goes, "That's a great name, man."
08:17 - 08:18: I was like, "Thanks."
08:18 - 08:20: He goes, "You know the show Pretty Little Liars?"
08:20 - 08:22: Which is a TV show or was a TV show.
08:22 - 08:23: I was like, "Yeah, I've heard about it,"
08:23 - 08:25: because one of the main characters is named Ezra.
08:25 - 08:27: He's like, "Oh, yeah, there's a character Ezra Fitz.
08:27 - 08:28: "Yeah, I like that show."
08:28 - 08:30: He goes, "I never met Ezra in real life, though.
08:30 - 08:32: "I didn't even know if it was a real name or not."
08:32 - 08:34: I was like, "Oh, it's a real name."
08:34 - 08:35: He's like, "Cool."
08:35 - 08:37: You didn't know if it was a real name?
08:37 - 08:39: He was a cool guy.
08:39 - 08:41: Wow, man. That's hilarious, dude.
08:41 - 08:44: I was so impressed and confused by the beatboxing.
08:47 - 08:54: ♪ I'm gonna fight 'em all ♪
08:54 - 08:58: ♪ I said the nation army couldn't hold me back ♪
08:58 - 09:01: ♪ They're gonna rip it off ♪
09:02 - 09:06: ♪ Taking their time right behind my back ♪
09:06 - 09:09: ♪ And I'm talking to myself at night ♪
09:09 - 09:12: ♪ Because I can't forget ♪
09:12 - 09:17: ♪ Back and forth through my mind ♪
09:17 - 09:20: ♪ Behind a cigarette ♪
09:20 - 09:25: ♪ And a message coming from my eyes ♪
09:25 - 09:28: ♪ Says leave it alone ♪
09:31 - 09:48: Time Crisis.
09:48 - 09:50: Dude, isn't it amazing?
09:50 - 09:53: I keep wanting to say "Seven Marry Three."
09:53 - 09:55: "Seven Nation Army."
09:55 - 09:56: Is that the name of the song?
09:56 - 09:59: Yes. "Seven Marry Three" was a '90s band.
09:59 - 10:00: Yeah, "Seven Nation Army."
10:00 - 10:04: Isn't it amazing how it's become an anthem of sports arenas?
10:04 - 10:05: Oh, yeah.
10:05 - 10:07: It's so unpredictable,
10:07 - 10:10: sort of what will organically take on that role.
10:10 - 10:12: Yeah, I mean, people look back--
10:12 - 10:15: You know what I mean? He's really been righted with that sort of intention.
10:15 - 10:18: I mean, yeah, it's not even on some "We Are The Champions."
10:18 - 10:20: The lyrics are bizarre.
10:20 - 10:22: ♪ I'm going to Wichita ♪
10:22 - 10:25: ♪ Sweat dripping out of every paw ♪
10:25 - 10:29: People also don't stop and think that "Seven Nation Army" is such a weird phrase.
10:29 - 10:30: What does that mean?
10:30 - 10:33: I guess it could be like World War II or something,
10:33 - 10:37: but "Seven Nation Army" also to me sounds like biblical.
10:37 - 10:38: You know what I mean?
10:38 - 10:39: Or like classical.
10:39 - 10:40: Yeah.
10:40 - 10:43: Like the Spartans were powerless against the Seven Nation Army.
10:43 - 10:45: It was Commandeer of the Seven Nations.
10:45 - 10:50: Alexander the Great united the Hittites, the Phoenicians, and the Spartans,
10:50 - 10:54: forming a Seven Nation Army that marched on the barbarians.
10:54 - 10:55: You know, something like that.
10:55 - 10:57: That song is cool.
10:57 - 10:59: Truly nothing to do with sports.
10:59 - 11:02: [imitates drumming]
11:02 - 11:05: But it really has replaced--
11:05 - 11:08: It's replaced "Rock and Roll Part II."
11:08 - 11:09: Gary Glitter?
11:09 - 11:11: What's the backstory on that?
11:11 - 11:12: Why that song?
11:12 - 11:14: What year is "Rock and Roll Part II"?
11:14 - 11:16: '74?
11:16 - 11:18: Early '70s.
11:18 - 11:20: Is this like a glam artist?
11:20 - 11:21: Yeah.
11:30 - 11:34: I remember just going to so many hockey games in Hartford,
11:34 - 11:38: Hartford Wheelers, growing up.
11:38 - 11:40: I was in this band in college called the Buff Guys,
11:40 - 11:42: and we'd open up all our shows with a cover.
11:42 - 11:43: Of this?
11:43 - 11:47: We opened up--no, a different cover every show.
11:47 - 11:49: One show we opened up with this.
11:49 - 11:51: [imitates drumming]
11:51 - 11:54: This song just kind of takes a long time to get to the sports part.
12:04 - 12:06: It's pretty limp.
12:06 - 12:10: I think they did other versions that were maybe the souped-up version.
12:10 - 12:12: It doesn't have the immediacy of--
12:12 - 12:15: [imitates drumming]
12:15 - 12:18: I think the backstory is that it was--
12:18 - 12:22: that became this unofficial chant at one team in Italy,
12:22 - 12:24: and then it was in a specific World Cup.
12:24 - 12:27: It kind of crossed over on the global stage.
12:27 - 12:28: The Gary Glitter or the White Stripes?
12:28 - 12:29: No, the White Stripes.
12:29 - 12:31: I hate this.
12:31 - 12:35: Out at Fenway Park, they play "Sweet Caroline" by Neil Diamond every time.
12:35 - 12:37: Yeah, what's there to hate about that?
12:37 - 12:38: Here's what I hate about it.
12:38 - 12:41: They added this, "So good, so good."
12:41 - 12:43: They added their own Boston version.
12:43 - 12:47: It's like, "Sweet Caroline, good times never were so good.
12:47 - 12:49: So good, so good."
12:49 - 12:51: Oh, that's where that comes from?
12:51 - 12:52: Yeah, yeah, the crowd.
12:52 - 12:54: [crowd chanting "So good, so good"]
12:54 - 12:56: Also, sometimes when you sing it at karaoke,
12:56 - 12:59: just people at the karaoke place will do, "So good, so good."
12:59 - 13:02: I didn't know that that specifically came from Fenway Park.
13:02 - 13:03: Yeah, man.
13:03 - 13:06: But what's the connection to "Sweet Caroline" in Boston anyway?
13:06 - 13:08: Someone's listening to the show right now and being like--
13:08 - 13:10: screaming at their radio that they know.
13:10 - 13:11: Their radio.
13:11 - 13:12: Caroline O'Reilly?
13:12 - 13:13: Screaming at their laptop.
13:13 - 13:17: Was a well-known beer vendor at Fenway.
13:17 - 13:19: She worked there for 45 years.
13:19 - 13:23: Beloved by any true Red Sox fan.
13:23 - 13:27: I feel like it originated around the time that the Sox finally won a World Series.
13:27 - 13:30: Here we are, back to "Time Crisis" sports talk.
13:30 - 13:31: "Time Crisis" baseball.
13:31 - 13:33: Circa '03, they like--
13:33 - 13:34: That was the first time they won?
13:34 - 13:36: Well, first time since 1918.
13:36 - 13:38: I think it was around then.
13:38 - 13:41: '03, '04, they were down three games to none of the Yankees
13:41 - 13:44: and then won four in a row against the Yankees and then swept the series.
13:44 - 13:47: I feel like the "Sweet Caroline" thing started around then, but I could be wrong.
13:47 - 13:48: So good.
13:48 - 13:52: ♪ Hand ♪
13:52 - 13:56: ♪ Touching hand ♪
13:56 - 13:59: ♪ Reaching out ♪
13:59 - 14:02: ♪ Touching me ♪
14:02 - 14:07: ♪ Touching you ♪
14:07 - 14:12: ♪ Sweet Caroline ♪
14:12 - 14:18: ♪ Your times never seemed so good ♪
14:18 - 14:23: ♪ I've been inclined ♪
14:23 - 14:27: ♪ To believe they're never over ♪
14:27 - 14:29: ♪ Now ♪
14:29 - 14:31: Any other baseball news?
14:31 - 14:33: Well, spring training's getting started.
14:33 - 14:36: Oh, nice.
14:36 - 14:40: Do really big baseball fans go watch their favorite teams at spring training?
14:40 - 14:41: Oh, big time.
14:41 - 14:42: That's totally a thing.
14:42 - 14:45: Like if you're a hardcore Yankees fan, you and some of your buddies
14:45 - 14:47: just rip down Florida for a weekend--
14:47 - 14:49: Fort Lauderdale, dude.
14:49 - 14:50: --to watch?
14:50 - 14:51: Yeah.
14:51 - 14:52: You sit in the stands.
14:52 - 14:54: Yeah, because you can get really close to the players.
14:54 - 14:55: You're just sitting in bleachers.
14:55 - 14:56: And just watch them work out.
14:56 - 15:01: In fact, this guy Larry Mantle, who hosts Air Talk on KPCC
15:01 - 15:04: every weekday morning here in LA,
15:04 - 15:06: he was gone last week for four days.
15:06 - 15:10: I usually catch him in the morning in my car when I'm doing errands and stuff.
15:10 - 15:12: And I was like, "I wonder where Larry is these days."
15:12 - 15:14: And then he was back Friday of last week.
15:14 - 15:19: He was like, "I took my annual trip to Arizona every spring
15:19 - 15:21: to watch the Dodgers do spring training."
15:21 - 15:22: And what are you watching?
15:22 - 15:24: You're watching them run suicides?
15:24 - 15:26: No, no, they're doing scrimmage games.
15:26 - 15:27: You're just in the gym?
15:27 - 15:33: Yes, you're probably watching some dudes stretching and doing wind sprints and stuff.
15:33 - 15:38: If you pay extra, you can actually go in the gym and just watch the guy in the treadmill.
15:38 - 15:39: Watch them in the showers.
15:39 - 15:41: Oh, God.
15:41 - 15:44: Okay, so you're watching games, perhaps?
15:44 - 15:45: Yeah, yeah, scrimmage games.
15:45 - 15:47: You're just a baseball head.
15:47 - 15:49: Vampire Weekends and spring training, maybe.
15:49 - 15:51: Start some Vampire Weekends scrimmage shows?
15:51 - 15:55: The Black Diamond VIP package starts at $2,500 a head.
15:55 - 15:57: You're going to be in the locker room.
15:57 - 15:59: You get a front row seat to practice.
15:59 - 16:04: You're going to be drinking chamomile tea with the band before the show.
16:04 - 16:09: You are permitted one tequila shot post-show, although we will take your phone.
16:09 - 16:10: We will take your phone.
16:10 - 16:12: The phone will be locked.
16:12 - 16:14: That was another thing at the show last night.
16:14 - 16:16: Oh, you can eat chicken tenders.
16:16 - 16:17: At the show last week?
16:17 - 16:21: Yeah, at the show last week, the Jack White show, all the phones were locked.
16:21 - 16:23: Jack White says, "Lock up your phones."
16:23 - 16:25: Pretty dope move, I thought.
16:25 - 16:30: It's pretty intense for 1,500 people or whatever the capacity of the Mayan theater was.
16:30 - 16:32: To lock up their phones.
16:32 - 16:33: I'm with it.
16:33 - 16:36: I don't think I would ever do it at a Vampire Weekend show or ask people to do it.
16:36 - 16:39: It's not very in the ethos of Vampire.
16:39 - 16:41: It is in the ethos of Jack White, though.
16:41 - 16:45: If you're a Jack White fan, you're there to rock out.
16:45 - 16:50: I think people get stressed out, naturally, when their phone is locked up.
16:50 - 16:53: You could always go check in the lobby if you want to.
16:53 - 16:59: Also, every time I've been to some weird party or event or show where they made you lock up your phone,
16:59 - 17:02: after a few minutes, you look around, nobody's on their phone.
17:02 - 17:03: You do chill out a bit.
17:03 - 17:05: It's like 1997 again, man.
17:05 - 17:06: Yeah.
17:06 - 17:07: Good old days.
17:07 - 17:08: You just relax a little bit.
17:08 - 17:09: Nothing wrong with that.
17:09 - 17:12: Speaking of Jack White, again, I heard that there's a great interview with him.
17:12 - 17:14: Oh, coming up right after our show?
17:14 - 17:16: Yeah, he went on Lars Ulrich's show.
17:16 - 17:19: Every Sunday, you got Time Crisis.
17:19 - 17:21: 12 to 2, West Coast time.
17:21 - 17:24: And then you have one hour chill out.
17:24 - 17:25: Palate cleanse.
17:25 - 17:26: Palate cleanser playlist show.
17:26 - 17:28: And then you got Lars Ulrich on the mic.
17:28 - 17:31: He's doing a tight hour interview with Jack White.
17:31 - 17:32: Interesting.
17:32 - 17:35: So, yeah, stick around one hour after Time Crisis.
17:35 - 17:37: You can listen to Lars and Jack chop it up.
18:29 - 18:36: So the mailbag has been overflowing since we started the 8-minute Cape Cod at gmail.com email list.
18:36 - 18:39: We got one from Emily Allen Worrell.
18:39 - 18:41: And I think we need to address this one.
18:41 - 18:42: Okay.
18:42 - 18:44: Because we got called out, Jake.
18:44 - 18:45: Did we?
18:45 - 18:46: A little bit.
18:46 - 18:47: Gently.
18:47 - 18:48: I like the email.
18:48 - 18:49: It's a great email.
18:49 - 18:52: Let's go to the Time Crisis mailbag.
18:52 - 18:57: Dearest TC crew, I want to start by saying my husband and I are huge TC heads, and we love the show.
18:57 - 18:59: I love TC couples.
18:59 - 19:02: Yeah, just like a couple snuggling up on the couch.
19:02 - 19:03: Yeah.
19:03 - 19:04: Sunday afternoon.
19:04 - 19:05: Working out in the yard.
19:05 - 19:06: Babe, come in.
19:06 - 19:07: TC time.
19:07 - 19:09: I got the Doritos ready.
19:09 - 19:12: Maybe when TC comes on, they just jump in the truck and just drive.
19:12 - 19:13: Oh, yeah, dude.
19:13 - 19:14: Sunday drive?
19:14 - 19:15: Sunday drive.
19:15 - 19:16: Okay.
19:16 - 19:18: But I've got a bone to pick.
19:18 - 19:19: Uh-oh.
19:19 - 19:24: You have often referenced the Sooner State, the great state of Oklahoma, but not always in the best light.
19:24 - 19:28: Now, I understand we are a quintessential flyover country, but we have a lot of great music history.
19:28 - 19:32: I thought it was funny when you referenced music that would be played in a Tulsa Marriott.
19:32 - 19:33: Astute obso.
19:33 - 19:39: But the assumption that Jason Aldean was from Broken Arrow made me think TC might need an oaky music history lesson.
19:39 - 19:43: Okay, well, first of all, we got nothing against the great state of Oklahoma.
19:43 - 19:44: Hell no.
19:44 - 19:48: I remember we guessed that maybe Jason Aldean was from Oklahoma, but that was just because he's a country musician.
19:48 - 19:49: Have you played there?
19:49 - 19:50: Oh, yeah.
19:50 - 19:51: Norman?
19:51 - 19:53: We played in Norman and Tulsa.
19:53 - 19:54: I've never been to Oklahoma.
19:54 - 19:55: Really?
19:55 - 19:56: I need to go.
19:56 - 19:57: You got to go, man.
19:57 - 19:58: Check it out.
19:58 - 20:00: I don't know how often we talk about Oklahoma, but--
20:00 - 20:02: I think it's like shorthand for like--
20:02 - 20:03: Random?
20:03 - 20:06: Random part of America, like Ohio or Oklahoma.
20:06 - 20:07: It's shorthand.
20:07 - 20:09: If you live there, it's not random.
20:09 - 20:10: That's right.
20:10 - 20:11: LA's random.
20:11 - 20:12: Connecticut's random.
20:12 - 20:14: CT is very random.
20:14 - 20:23: Actually, quick aside, I feel like Connecticut has the least amount of credibility in terms of reputation of any state in the union.
20:23 - 20:25: It's like Delaware, kind of.
20:25 - 20:29: Right, but Delaware at least has, going forward, its tiny size.
20:29 - 20:31: That's at least sort of interesting.
20:31 - 20:35: Right, like Rhode Island is more interesting than Connecticut because at least it's small.
20:35 - 20:36: And it has--
20:36 - 20:37: It's got a weirder name.
20:37 - 20:41: Yeah, and it has those weird like Gilded Age mansions that are there.
20:41 - 20:44: And Providence is a cool city, straight up.
20:44 - 20:46: Yeah, Connecticut has no cool cities.
20:46 - 20:47: It doesn't.
20:47 - 20:52: And like the reputation of Connecticut is that it's like rich, eye-banker, preppy weirdos.
20:52 - 20:53: Right.
20:53 - 20:56: Which is true of the southwest corner, Fairfield County.
20:56 - 20:58: Yeah, those are the people in Greenwich who commute into New York.
20:58 - 20:59: Yeah, Greenwich, Stanford.
20:59 - 21:00: New Canaan.
21:00 - 21:03: But the rest of the state is like really pretty similar to like Jersey, for instance.
21:03 - 21:04: Right.
21:04 - 21:06: It's the sort of suburbs, working class.
21:06 - 21:13: Jersey is, in the cultural imagination, so much sh*tter than Connecticut that actually it's an asset.
21:13 - 21:14: Right, right.
21:14 - 21:15: You know what I mean?
21:15 - 21:16: Yeah, you got New York.
21:16 - 21:17: Because Jersey is not rando.
21:17 - 21:24: Jersey, like to some people, epitomizes like trashiness and like the "Joy-Z" accent and the, you know, the toxic waste.
21:24 - 21:25: Jersey short.
21:25 - 21:28: So at least Jersey has like character.
21:28 - 21:33: And then we also do have Gravitas, you know, with the Springsteen and Sopranos and stuff.
21:33 - 21:35: But there's not going to be Connecticut Sopranos.
21:35 - 21:38: No, there's not going to be a Connecticut Shore.
21:38 - 21:39: Yeah.
21:39 - 21:40: I mean, if there was, it would be like-
21:40 - 21:42: Even though there is beautiful coastline.
21:42 - 21:43: You know what I'm saying?
21:43 - 21:46: There's like the Jersey Shore, which is like the trashy representation of Jersey.
21:46 - 21:48: You're not going to have that for Connecticut.
21:48 - 21:50: It's not going to ring true, even though it's there.
21:50 - 21:51: Connecticut's a whatever state.
21:51 - 21:53: Oklahoma has more flavor than Connecticut.
21:53 - 21:54: Oh, big time.
21:54 - 21:55: I mean, it's the Oakeys.
21:55 - 21:56: Right.
21:56 - 21:57: It's the Dust Bowl.
21:57 - 21:58: Oklahoma has some real history.
21:58 - 21:59: Well, and anyway, I'm-
21:59 - 22:00: I'm just saying, Connecticut's the lamest state.
22:00 - 22:01: Well, actually, I think-
22:01 - 22:04: I feel embarrassed when I tell people I'm from CT.
22:04 - 22:05: Yeah.
22:05 - 22:07: I usually go, "Um, East Coast."
22:07 - 22:08: And you were born in CT, too.
22:08 - 22:09: Yeah.
22:09 - 22:11: I'm glad I'm from Jersey.
22:11 - 22:12: It's really legit, man.
22:12 - 22:13: Jersey's legit.
22:13 - 22:15: Imagine if your band was from CT.
22:15 - 22:16: Oh, yeah, it'd be a wrap.
22:16 - 22:18: It's tough to get off the ground if your band's from CT.
22:18 - 22:19: Yeah, nah.
22:19 - 22:21: Mayor got off the ground.
22:21 - 22:25: Mayor and Rivers Cuomo, but they're not out there repping it.
22:25 - 22:28: Where I come from isn't all that great
22:28 - 22:31: My automobile is a piece of crap
22:31 - 22:33: My fashion sense is a little wack
22:33 - 22:36: And my friends are just as greedy as me
22:36 - 22:39: I didn't go to bull in schools
22:39 - 22:42: Creepy girls never looked at me
22:42 - 22:43: Why should they?
22:43 - 22:46: I ain't nobody, got nothing in my pocket
22:46 - 22:53: Beverly Hills, that's where I want to be
22:53 - 22:57: Living in Beverly Hills
22:57 - 23:02: Beverly Hills, rolling like a sleigh
23:02 - 23:08: Beverly Hills, living in Beverly Hills
23:08 - 23:12: She says she thinks TC might need an Oki music history lesson.
23:12 - 23:14: Is "Oki" a derogatory term?
23:14 - 23:15: No.
23:15 - 23:18: Well, I think it was in, like, "Grapes of Wrath" day.
23:18 - 23:19: Oh, was it derogatory?
23:19 - 23:22: Oh, yeah, because they were coming to California
23:22 - 23:23: and getting, like, spin on.
23:23 - 23:24: Right, okay.
23:24 - 23:26: Okay, but I'm reading her.
23:26 - 23:29: So I want everybody from Oklahoma to know I'm reading her email.
23:29 - 23:32: Let's start with when you did the top artist from each state.
23:32 - 23:33: Oh, that was like an old episode.
23:33 - 23:34: That's a deep callback.
23:34 - 23:36: Shout out to Emily and her husband.
23:36 - 23:38: I think that was the 4th of July, 2016 episode.
23:38 - 23:42: Okay, they were in line. They really are huge TC heads.
23:42 - 23:44: Oklahoma's top artist is Garth Brooks, of course.
23:44 - 23:46: He's the best-selling solo albums artist in the U.S.
23:46 - 23:48: But when GB's music wasn't on Apple Music,
23:48 - 23:50: you played a Florida Georgia Line cover.
23:50 - 23:53: Now, I like FGL as much as the next TC head,
23:53 - 23:56: but there are so many Oklahoma artists that you could have used instead.
23:56 - 23:58: Wait, wait, I don't even remember this.
23:58 - 24:00: Was it Florida Georgia Line from Oklahoma?
24:00 - 24:02: No, we played--
24:02 - 24:05: Wait, she says that we played a Florida Georgia Line version
24:05 - 24:06: of a Garth Brooks song.
24:06 - 24:07: Oh, oh, okay.
24:07 - 24:09: But this is the best sentence ever.
24:09 - 24:12: Now, I like FGL as much as the next TC head.
24:12 - 24:15: But there are so many Oklahoma artists that you could have used instead.
24:15 - 24:18: So let's take a deep dive into Oklahoma's music history.
24:18 - 24:21: Our first stop is someone who has been a significant voice
24:21 - 24:23: in both music and politics, Woody Guthrie.
24:23 - 24:24: Straight up.
24:24 - 24:26: Straight up. And we know with Woody Guthrie,
24:26 - 24:29: there's no Bob Dylan, there's no Jack White.
24:29 - 24:30: There's no Bruce Springsteen.
24:31 - 24:34: So, so many of these classic artists,
24:34 - 24:36: their lineage traces right back to Oklahoma.
24:36 - 24:39: Born in Okemah, Guthrie wrote the timeless American tune
24:39 - 24:40: "This Land is Your Land."
24:40 - 24:42: Shout out to your duet with Bernie.
24:42 - 24:44: Woody Guthrie was a prominent voice for the working class,
24:44 - 24:48: and he famously played a guitar that said, "This machine kills fascists."
24:48 - 24:49: To learn more about this folk hero,
24:49 - 24:52: I highly recommend touring the Woody Guthrie Center in Tulsa.
24:52 - 24:53: I would love to do that.
24:53 - 24:56: Hell yeah. Next time we're in Tulsa, I'm hitting that up.
24:56 - 24:58: You can't mention Tulsa without talking about Bob Wills,
24:58 - 24:59: aka the King of Western Swing.
24:59 - 25:02: Oh, so he's from, I didn't know that. I thought he was from Texas.
25:02 - 25:04: Well, because he had his group, you know, as she says,
25:04 - 25:06: Bob Wills and the Texas Playboys.
25:06 - 25:08: But they rose to stardom in Tulsa,
25:08 - 25:11: where they broadcast a daily 45-minute live radio show
25:11 - 25:14: at Canes Ballroom, a historic music venue that still puts on sick shows.
25:14 - 25:15: That's tight.
25:15 - 25:18: There's a musical styling named after the green country capital
25:18 - 25:19: called Tulsa Sound,
25:19 - 25:22: which is a mixture of rockabilly country, rock and blues.
25:22 - 25:25: The kings of Tulsa Sound were Leon Russell and J.J. Cale.
25:25 - 25:26: I love J.J. Cale.
25:26 - 25:27: Yeah.
25:27 - 25:30: Songs written by Cale have been recorded and covered by many TC faves.
25:30 - 25:35: Eric Clapton, Jerry Garcia, Leonard Skinner, John Mayer, Fish.
25:35 - 25:38: I love J.J. Cale. He's a really slept on.
25:38 - 25:42: He has a studio, I think, in Tulsa in the early, mid '70s.
25:42 - 25:43: Really?
25:43 - 25:44: Yeah.
25:44 - 25:47: She goes on to list some emerging artists from Oklahoma,
25:47 - 25:48: the future--
25:48 - 25:49: What was--
25:49 - 25:52: Parker-- I don't think I can list all of them.
25:52 - 25:54: We could post them somewhere.
25:54 - 25:57: Parker Millsap, John Morland, Samantha Crane, John Fulbright,
25:57 - 25:59: Wink Bircham, among others.
25:59 - 26:02: And then Oklahoma is home to many prominent modern country artists.
26:02 - 26:05: Garth Brooks, Reba McIntyre, Blake Shelton, Toby Keith.
26:05 - 26:07: Oklahoma's really punching above its weight.
26:07 - 26:08: Does she live there?
26:08 - 26:10: Well, she says home to.
26:10 - 26:11: I don't know.
26:11 - 26:14: Can you imagine that, like a subdivision of McMansions
26:14 - 26:16: with all of the heavyweights of country live there?
26:16 - 26:19: So she says, "Outside of the country genre, we relay claim to artists
26:19 - 26:23: such as All-American Rejects, Color Me Bad, Hanson, The Gap Band."
26:23 - 26:25: Oh, The Gap Band. Wow.
26:25 - 26:27: "And a few indie darlings like St. Vincent and The Flaming Lips."
26:27 - 26:29: Oh, yeah, The Flaming Lips. Big Oklahoma.
26:29 - 26:33: "Not to mention the Rodgers and Hammerstein musical, Oklahoma.
26:33 - 26:36: Lastly, where we live in Bardisville is where one of the largest
26:36 - 26:39: classical music festivals takes place, OK Mozart.
26:39 - 26:41: We even have a Frank Lloyd Wright skyscraper here."
26:41 - 26:42: What?
26:42 - 26:45: "Also, did you know that Sonic is headquartered in OKC?"
26:45 - 26:47: Just a little corporate food history tie-in.
26:47 - 26:51: It's time for Corporate Food History.
26:51 - 26:52: News to me.
26:52 - 26:56: "So if you're ever in Oklahoma, my husband Josh and I would love to show you all around.
26:56 - 26:58: Hopefully we can show you that Oklahoma's a state with a storied history
26:58 - 27:02: steeped in our Native American heritage, our socialist roots, and our red dirt spirit.
27:02 - 27:06: From the Tulsa race riots to the Dust Bowl to the OKC bombing,
27:06 - 27:08: we've faced our trials and tribulations.
27:08 - 27:12: But we know that we belong to the land, and the land we belong to is grand.
27:12 - 27:16: Labor, Omnia, Vincent, Emily."
27:16 - 27:17: Which I don't know if I'm pronouncing it right.
27:17 - 27:21: I believe that's a Latin phrase used by...
27:21 - 27:23: Can we get a number crunch on that?
27:23 - 27:27: "P.S. Everyone support the teacher strike in Oklahoma in April."
27:27 - 27:29: Oh, yeah, we've got teachers all over this great land,
27:29 - 27:32: including some pretty red states, going on strike.
27:32 - 27:34: Yep. Great email, Emily.
27:34 - 27:36: Thanks for setting us straight.
27:36 - 27:39: So the phrase that she used, "Labor, Omnia, Vincent,"
27:39 - 27:42: is a Latin phrase meaning "work conquers all."
27:42 - 27:44: And it's associated with the U.S. labor movement.
27:44 - 27:47: I mean, Oklahoma might even be like a top ten music state.
27:47 - 27:48: Really, when you get down to it.
27:48 - 27:49: Per capita?
27:49 - 27:51: Definitely per capita, but I'm just saying...
27:51 - 27:53: You know, in Connecticut, it might be bottom five.
27:53 - 27:55: Oh, easily. I think it's dead last.
27:55 - 27:56: It's garbage.
27:56 - 27:57: I agree.
27:57 - 27:59: You know, I mean, also just in terms of the sheer number
27:59 - 28:01: of major artists coming out of the state,
28:01 - 28:03: I think Oklahoma's top ten.
28:03 - 28:07: In terms of a small population producing important artists,
28:07 - 28:11: it's up there with, like, Jamaica, Ireland.
28:11 - 28:12: These are small places.
28:12 - 28:13: Minnesota.
28:13 - 28:15: Minnesota is punching above its weight.
28:15 - 28:18: I mean, obviously, there's, like, the California, New York, and Texas.
28:18 - 28:20: A lot of big artists come out of there.
28:20 - 28:21: And those are massive states.
28:21 - 28:22: Duh.
28:22 - 28:24: And she's also right that Oklahoma's faced a lot of trials and tribulations,
28:24 - 28:26: but it still produced a lot of great music.
28:26 - 28:30: Whereas pampered Connecticut, that southwestern corner,
28:30 - 28:31: all that big money...
28:31 - 28:33: Cranking out John Mayer, dude.
28:33 - 28:36: All right.
28:36 - 28:39: From now on, Time Crisis is a pro-Oklahoma show
28:39 - 28:41: and an anti-Connecticut show.
28:41 - 28:46: Not going to have any argument from me on this one.
28:46 - 28:49: They call me the breeze
28:49 - 28:53: I keep blowing and blow
28:53 - 29:00: They call me the breeze
29:00 - 29:03: I keep blowing and blow
29:03 - 29:10: I ain't got me nobody
29:10 - 29:14: I ain't got me no love
29:15 - 29:20: Ain't no change in the world
29:20 - 29:24: Ain't no change in me
29:24 - 29:30: Ain't no change in the world
29:30 - 29:34: Ain't no change in me
29:34 - 29:41: I ain't hiding from nobody
29:41 - 29:45: Ain't nobody hiding from me
29:45 - 29:49: (instrumental break)
30:20 - 30:24: I got that green light, baby
30:24 - 30:27: I got the beat moving on
30:27 - 30:34: I got that green light, baby
30:34 - 30:37: I got the beat moving on
30:37 - 30:44: I'm a go out to California
30:44 - 30:46: I'm a go out to Georgia
30:48 - 30:52: (instrumental break)
30:52 - 30:56: Speaking of Connecticut, we're now joined in the studio by Chris Baio.
30:56 - 30:58: What's up? Are you from CT?
30:58 - 31:01: No. But you have spent significant amounts of time in CT.
31:01 - 31:06: Definitely thrown down in CT and it's a, I guess it's like a 15 minute drive from where I grew up.
31:06 - 31:07: Wait, where'd you grow up?
31:07 - 31:09: Westchester, town of Bronxville, New York.
31:09 - 31:10: That's basically CT.
31:10 - 31:17: Yeah, I mean arguably Westchester County and southwestern Connecticut are one mega area.
31:17 - 31:19: That's like Don Draper country.
31:19 - 31:26: When you grow up on that side of the border in New York State, are there any reasons why people are like,
31:26 - 31:29: "Oh, we gotta rip over to Connecticut. I'm not paying."
31:29 - 31:32: Like, do you go over there for gas or like Costco or anything like that?
31:32 - 31:34: Oh God, I honestly can't remember.
31:34 - 31:37: Do you ever go to shows in New Haven or like Toad's Place or anything?
31:37 - 31:40: I would go to some like hardcore shows in Danbury.
31:40 - 31:41: Yeah, Danbury?
31:41 - 31:45: Yeah, and I think I played in Danbury once when I was growing up.
31:45 - 31:49: Actually, okay, let's just like slow a roll a little bit on CT.
31:49 - 31:51: There's the famed CT HC scene.
31:51 - 31:52: Oh yeah.
31:52 - 31:53: All right, Connecticut hardcore.
31:53 - 31:56: That's like, maybe it's greatest musical legacy.
31:56 - 31:57: Who is it that counts?
31:57 - 31:58: I don't either.
31:58 - 31:59: Is Earth Crisis?
31:59 - 32:00: Do you know who's from CT also is Moby.
32:00 - 32:01: Oh yeah.
32:01 - 32:02: He came out of the CT HC scene.
32:02 - 32:04: He was a Connecticut hardcore dude.
32:04 - 32:08: Oh, not to name drop, but when I met Moby and I told him I was from Bronxville, he's like,
32:08 - 32:10: "Oh, love the architecture in Bronxville."
32:10 - 32:11: Really?
32:11 - 32:12: That's a cool name.
32:12 - 32:13: I was blown away.
32:13 - 32:15: I normally wouldn't share a story like that, but I was just-
32:15 - 32:16: Is he talking like-
32:16 - 32:18: Moby's really cool.
32:18 - 32:19: I thought when I met him, he's a cool guy.
32:19 - 32:20: I bet.
32:20 - 32:21: Is he talking about-
32:21 - 32:24: No, Moby, I know you're from Connecticut, but you're a cool guy, man.
32:24 - 32:26: I'll give you a pass on this one.
32:26 - 32:30: No, is he talking about the architecture on like the main drag or like the homes?
32:30 - 32:31: I didn't grill him.
32:31 - 32:33: I just took the compliment.
32:33 - 32:36: He might've just been referring to the stately homes.
32:36 - 32:39: You know, Moby is kind of into flipping houses in LA now.
32:39 - 32:40: Is he really?
32:40 - 32:41: I went to an open-
32:41 - 32:42: It's kind of cold.
32:42 - 32:43: It's kind of ruthless, right?
32:43 - 32:44: It's like some like-
32:44 - 32:45: Well, okay.
32:45 - 32:47: Maybe is flipping house derogatory?
32:47 - 32:48: Yeah.
32:48 - 32:52: So he's bought houses, renovated them, and then resold them for higher prices.
32:52 - 32:53: Sizable profits.
32:53 - 32:57: But yeah, I guess the flipping, maybe flipping implies that you did like a shitty renovation.
32:57 - 32:59: Yeah, flipping implies very quick.
32:59 - 33:03: Like you're putting in Home Depot cabinets, bad linoleum, and you're just like turning it around.
33:03 - 33:05: No, Moby's not hitting the depot.
33:05 - 33:10: But there was a house on the market in LA, and there was an open house, and I was in the neighborhood, so I went to check it out.
33:10 - 33:19: And I'm sure this is not him, but the selling agent, I think we've talked on Time Crisis before about the hilariously over-the-top language of real estate listings.
33:19 - 33:20: Yeah.
33:20 - 33:27: And this one said, "The opening line from the creative force known as Moby comes," you know, whatever.
33:27 - 33:31: The address, 2119 Briarcliff Lane.
33:31 - 33:32: It was like some shit like that.
33:32 - 33:33: Oh my God.
33:33 - 33:37: And then it was, you know, a nice old 1920s LA house that had been renovated tastefully.
33:37 - 33:45: And then when you walked in in the living room, the selling agents were there, and they were like bumping a little Moby on the speaker.
33:45 - 33:46: Wow.
33:46 - 33:47: Nice.
33:47 - 33:48: So I wonder what's in it for him.
33:48 - 33:52: I mean, sure, he's making some money, but it must be like a fun kind of--
33:52 - 33:57: He clearly has an interest in architecture, as I can verify from the conversation I had with him.
33:57 - 33:58: There you go.
33:58 - 33:59: It's an outlet for his expression.
33:59 - 34:00: I totally get it.
34:00 - 34:01: Yeah.
34:01 - 34:05: It's like you're Moby, you're sitting on all that--
34:05 - 34:06: Play money.
34:06 - 34:07: All that play money.
34:07 - 34:10: It's another way to invest your money that's arguably more creative.
34:10 - 34:11: I love it.
34:11 - 34:12: I'd love to see his houses.
34:12 - 34:18: I'll let you know the next time one's on the market, we can hit up an open house from the creative force known as Moby.
34:18 - 34:24: But the funny thing about it too is like, you know, he has very specific hallmarks of his music, you know?
34:24 - 34:25: Yeah.
34:25 - 34:29: Like Moby music has had a sound or various sounds over the ages.
34:29 - 34:32: Then you go to the house and it's not like-- it's just like a nice house.
34:32 - 34:35: It's an old house that's tastefully redone.
34:35 - 34:41: Yeah, you'd really have to rack your brain to be like-- if you were like assigned an essay, what--
34:41 - 34:42: The aesthetic continuity.
34:42 - 34:49: Yeah, what are the aesthetic continuity between Moby play and 2145 Briarcliff Road?
35:16 - 35:26: In my dreams I'm dying all the time
35:26 - 35:36: Then I wake, it's kaleidoscopic mind
35:36 - 35:42: I never meant to hurt you
35:42 - 35:49: I never meant to lie
35:49 - 35:55: So this is goodbye
35:55 - 35:57: This is goodbye
35:57 - 36:00: Anyway, Chris, thanks for coming in today.
36:00 - 36:01: Good to be back.
36:01 - 36:07: Actually, I brought $2 because I-- last time I was here a year and a half ago, I borrowed $2 from Jake to tip the valet guy.
36:07 - 36:08: I just remembered it.
36:08 - 36:09: What the hell?
36:09 - 36:10: Wow.
36:10 - 36:12: What? How did you remember that, man?
36:12 - 36:13: I'll take this.
36:13 - 36:14: Because I was coming back, you know?
36:14 - 36:15: I'll take the money.
36:15 - 36:18: Last time I was here a year and a half ago, that was the last thing I did here.
36:18 - 36:19: Wow.
36:19 - 36:20: Borrowed $2 from Jake.
36:20 - 36:21: Thanks, man.
36:21 - 36:22: Yeah.
36:22 - 36:23: Look at that. The cosmic balance has been restored.
36:23 - 36:24: Put that in my wallet.
36:24 - 36:27: So I haven't followed this story very closely.
36:27 - 36:35: I was kind of introduced to this story actually via your Instagram, which, you know, sometimes in the social media age, you come upon something
36:35 - 36:41: and you're first introduced to a meme or a story or a campaign and you realize you already missed half of it
36:41 - 36:45: because people are already talking about it and you're seeing the meta commentary about it.
36:45 - 36:49: But what I'm talking about is Sting and Shaggy.
36:49 - 36:50: Yes.
36:50 - 36:53: And for people who don't know, Shaggy is a dancehall artist.
36:53 - 36:57: Probably his biggest hit in America was "It Wasn't Me" featuring Rick Rock.
36:57 - 36:59: You remember that song, Jake?
36:59 - 37:00: I don't think I do.
37:00 - 37:01: Mr. Bombastic?
37:01 - 37:02: If I heard it, I'd probably--
37:02 - 37:03: Oh, yeah. What about Mr. Bombastic in the '90s?
37:03 - 37:05: The titles are not resonating, but if I heard the song, I'd probably--
37:05 - 37:06: Definitely.
37:06 - 37:07: You don't remember--
37:07 - 37:09: ♪ And then I had her on the counter ♪
37:09 - 37:10: ♪ It wasn't me ♪
37:10 - 37:11: ♪ Dun-na-na-na-na-na-na ♪
37:11 - 37:12: ♪ It wasn't me ♪
37:12 - 37:14: ♪ She even had me on camera ♪
37:14 - 37:15: Oh, yeah. Sure. Got you.
37:15 - 37:16: That's Shaggy?
37:16 - 37:17: Yeah.
37:17 - 37:18: Is he British?
37:18 - 37:19: No.
37:19 - 37:21: I think he's Jamaican-American.
37:21 - 37:23: Yeah. New York and Jamaica. He grew up between the two.
37:23 - 37:25: So he's teaming up with Sting?
37:25 - 37:29: Somehow in my head, Shaggy was DJ Shadow.
37:29 - 37:30: Wait, what?
37:30 - 37:32: Wait, what do you--
37:32 - 37:33: I don't know.
37:33 - 37:34: What?
37:34 - 37:37: Because both names start with "sh,"
37:37 - 37:39: and I don't know who either of them are.
37:39 - 37:40: Okay.
37:40 - 37:42: And I was like, DJ Shadow's like a British DJ, right?
37:42 - 37:44: DJ Shadow's from, like, Davis, California.
37:44 - 37:46: Okay, I don't know anything. Forget it.
37:46 - 37:49: What is this Shaggy and Sting thing?
37:49 - 37:53: Basically, last fall, I got really back into Sting.
37:53 - 37:57: I was listening a ton to Synchronicity and Ten Summoners Tales,
37:57 - 37:59: just, like, cranking them nonstop,
37:59 - 38:02: probably from, like, mid-October to the end of the year.
38:02 - 38:06: Then I also have an annual Christmas party called Peckmas
38:06 - 38:08: in the neighborhood I live in called Peckham.
38:08 - 38:10: And there are two parts of the party.
38:10 - 38:13: One, we get together with friends and sing holiday classics,
38:13 - 38:17: and then the second part later in the evening is the dance party.
38:17 - 38:23: And the playlist is usually, like, mid-'90s to early-2000s rap and R&B hits.
38:23 - 38:27: And Shaggy actually features very prominently on that playlist.
38:27 - 38:29: I also ended up having an emergency New Year's Eve party,
38:29 - 38:31: and I didn't have time to prepare a new playlist,
38:31 - 38:34: so I recycled the one from the party I had thrown a couple weeks ago.
38:34 - 38:38: So, again, I was just listening a ton to Shaggy and Sting.
38:38 - 38:42: And then I saw--I just, you know, booted up Twitter one day
38:42 - 38:46: and saw that Sting and Shaggy had made an entire collaborative album.
38:46 - 38:50: This was, like, beginning of January, and that it was coming out on 4/20.
38:50 - 38:53: And already it just really appealed to me.
38:53 - 38:55: [laughter]
38:55 - 38:57: Is it branded as, like, a weed thing?
38:57 - 38:59: Well, no.
38:59 - 39:01: So, for my perspective, I see this album,
39:01 - 39:04: two artists that I love are dropping a record on 4/20.
39:04 - 39:09: And then I saw they played an event around Super Bowl Sunday,
39:09 - 39:11: you know, just that weekend in Minnesota.
39:11 - 39:14: And I saw a photo of the two of them with Guy Fieri.
39:14 - 39:16: And at that moment, I was just, like, blown away.
39:16 - 39:21: It seemed like this whole album was tailor-made to go as viral as possible
39:21 - 39:23: for as long as possible.
39:23 - 39:25: So I'd already been thinking about the record
39:25 - 39:27: and reading about it a bunch for, like, three weeks.
39:27 - 39:29: And also, just from my perspective,
39:29 - 39:34: is that when people, like, make fun of Sting, like, solo Sting or late period Sting,
39:34 - 39:37: it's because they describe him as being, like, self-serious,
39:37 - 39:39: which is not how I feel about Sting.
39:39 - 39:42: But it's like they think of him as being this very serious guy
39:42 - 39:45: who's into, like, tantric sex and plays the lute.
39:45 - 39:50: He's not known for his, you know, wacky, meme-esque sense of humor.
39:50 - 39:51: Yeah, not at all.
39:51 - 39:54: But so I saw all these things, and I really liked the first single,
39:54 - 39:56: which is called "Don't Make Me Wait."
39:56 - 39:59: And so I just started doing a deep dive on press that they were doing.
39:59 - 40:01: I mean, I know they played a bunch at the Grammys,
40:01 - 40:05: but they're just doing so much press in so many interviews.
40:05 - 40:09: And I was truly blown away by their chemistry in terms of doing interviews,
40:09 - 40:11: just cracking jokes.
40:11 - 40:13: It's the kind of thing you can't really fake.
40:13 - 40:15: And they seemed down for whatever.
40:15 - 40:20: They definitely subscribed to the "Yes, and" school of, like, improv comedy.
40:20 - 40:21: [laughter]
40:21 - 40:24: They're doing interviews all day, and they're killing every single one.
40:24 - 40:25: Wow.
40:25 - 40:30: So I sort of just started posting little bits of press they were doing
40:30 - 40:33: or interviews or little performances.
40:33 - 40:37: They, like, performed at a wine festival in Florence in Italy,
40:37 - 40:39: and there was a Daily Mail article that said,
40:39 - 40:43: "A grape friendship is brewing," which I really liked.
40:43 - 40:48: And I guess what ended up happening is my friend, McKee,
40:48 - 40:50: is friends with their publicist.
40:50 - 40:51: Wow.
40:51 - 40:54: And I think she enjoyed the Sting and Shaggy content
40:54 - 40:56: I was bringing to my Instagram stories.
40:56 - 40:59: So she told their publicist about this.
40:59 - 41:02: Then later I found out that our travel agent, Lisa,
41:02 - 41:06: is also friends with their publicist and also told them about these posts
41:06 - 41:08: I was making on Instagram about Sting and Shaggy.
41:08 - 41:12: So that's how a little buzz was created, hearing it from two different sources.
41:12 - 41:16: And word got back to the dynamic duo.
41:16 - 41:21: And then what they did was they taped a personalized message to me
41:21 - 41:23: thanking me for my support.
41:23 - 41:24: I'm pulling this up right now.
41:24 - 41:26: So this is where I entered this.
41:26 - 41:29: Straight up, I didn't even know these guys were making an album together.
41:29 - 41:31: Wait, I really have not had my ear to this tree.
41:31 - 41:34: You know, I heard some vague thing because I didn't watch the Grammys this year,
41:34 - 41:37: and I saw some vague reference to Sting and Shaggy performing together.
41:37 - 41:43: But the Grammys, as we know well, there's nothing they love more than a fun combo.
41:43 - 41:44: Yeah, totally.
41:44 - 41:46: And I figured maybe that's a one-off, so I didn't think twice about it.
41:46 - 41:50: And then I'm scrolling Instagram one day and I see this.
41:50 - 41:51: Hi, Chris.
41:51 - 41:53: What's up, Chris? This is Shaggy.
41:53 - 41:54: This is Sting.
41:54 - 41:57: And, you know, we know you've been posting about this collaboration.
41:57 - 41:58: We know you've been supporting us.
41:58 - 42:00: We just want to say thank you, bro.
42:00 - 42:03: And I'm saying big up to you and your band.
42:03 - 42:05: You know, it's been an amazing collaboration.
42:05 - 42:07: I can't wait for you to hit a record.
42:07 - 42:10: And we're going to have a vampire weekend this weekend.
42:10 - 42:13: [laughter]
42:13 - 42:15: Oh, my God.
42:15 - 42:16: Unbelievable.
42:16 - 42:18: Actually, I want to play some of the music.
42:18 - 42:19: Yeah, play it.
42:19 - 42:20: Because I haven't heard any of this.
42:20 - 42:21: Well, the record's out.
42:21 - 42:22: Well, no, no, just the singles.
42:22 - 42:23: Sorry.
42:23 - 42:25: So this is the single you were referencing before, "Don't Make Me Wait."
42:51 - 42:54: It's nice to hear Sting getting back to some, you know, Jamaican vibes.
42:54 - 42:55: Oh, yeah.
43:09 - 43:10: Are you feeling it, Jake?
43:10 - 43:14: I'm feeling it.
43:14 - 43:15: All right, nice.
43:15 - 43:16: I'm feeling it, man.
43:16 - 43:17: I'm feeling something.
43:28 - 43:31: Well, I'll say, this is like the most fun music Sting's been a part of in a while.
43:31 - 43:35: I feel like his last few records were like medieval Christmas albums and sh--.
43:35 - 43:37: Yeah, no, it's definitely fun.
43:37 - 43:38: I think it's really fun.
43:38 - 43:43: But so you said when you saw them with Guy Fieri that it seemed designed to go viral.
43:43 - 43:47: So by that, do you mean that you could tell that their attitude towards this project was--
43:47 - 43:51: not that the music is not serious, but that from the beginning of it,
43:51 - 43:54: they were having fun, not taking themselves too seriously?
43:54 - 43:55: Yeah.
43:55 - 43:56: Definitely.
43:56 - 43:58: Because I feel like you look at old footage of the police doing interviews and it's so tense
43:58 - 44:02: and everybody's so serious, and yeah, you feel like Sting wouldn't have been taking a picture
44:02 - 44:04: with Guy Fieri in the mid '80s, the equivalent.
44:04 - 44:07: No, it's like Sting hasn't been in a band for 30 years.
44:07 - 44:12: He probably hasn't done press with another person for Days on End in forever.
44:12 - 44:15: I can tell he really, really enjoys doing these interviews with Shaggy.
44:15 - 44:17: They are truly delightful.
44:17 - 44:20: Well, actually, since you're talking about so much, it makes me want to see them.
44:20 - 44:22: Is there one that we could go to maybe?
44:22 - 44:28: The thing is a lot of them kind of all start in the same place of how they started their collaboration,
44:28 - 44:30: and then the fun stuff comes later.
44:30 - 44:33: So I've probably watched three or four hours of interviews with these guys.
44:33 - 44:36: That was why when they sent that message, Micky emailed it to me,
44:36 - 44:40: and I thought I was going to have a heart attack because I had been watching these guys so much,
44:40 - 44:42: and all of a sudden they were talking at me.
44:42 - 44:44: It was pretty trippy.
44:44 - 44:48: But this one, I guess it's with the popular website Ladbible.
44:48 - 44:50: It's a little more like free association.
44:50 - 44:51: I thought this one was cool.
44:51 - 44:54: I posted a little segment from this, but I'll just play it.
44:54 - 44:57: You can't say it wasn't me, especially with the milk mustache.
44:57 - 45:00: [laughter]
45:00 - 45:01: Wasn't me.
45:01 - 45:03: But you got a milk mustache, bro.
45:03 - 45:06: [laughter]
45:06 - 45:07: Hi, I'm Sting.
45:07 - 45:10: And I'm Shaggy, and we are here to give you some life advice.
45:10 - 45:11: Shut up.
45:11 - 45:12: Sure.
45:12 - 45:13: Timing.
45:13 - 45:18: I need an epic icebreaker to ask the girl I fancy on a date.
45:18 - 45:20: Drew from London.
45:20 - 45:25: Oh, you must be tired because you've been running around my mind all day.
45:25 - 45:27: That's pretty good. Of course that's pretty good.
45:27 - 45:28: Did that work?
45:28 - 45:29: This is Lexi from Bromley.
45:29 - 45:32: My girlfriend caught me red-handed creeping with the girl next door.
45:32 - 45:35: [laughter]
45:35 - 45:38: What should I do? She isn't answering my calls anymore.
45:38 - 45:39: It's sad.
45:39 - 45:41: [laughter]
45:41 - 45:43: It's tragic, actually.
45:43 - 45:45: Go around with some flowers. Maybe that will cost you money.
45:45 - 45:46: Wow.
45:46 - 45:48: I haven't seen the side of Sting in a long time.
45:48 - 45:49: Yeah, that's great.
45:49 - 45:52: Maybe just because the last time I can really picture Sting doing press
45:52 - 45:55: is watching a documentary about the police and him in the '80s.
45:55 - 45:59: It's also a reminder of how much the media landscape has changed.
45:59 - 46:02: Yeah, just like Sting doing a Ladbible interview,
46:02 - 46:06: kind of giving advice on, like, my flatmate is stealing from me or something.
46:06 - 46:10: Because when Sting came up, that was like the superstar era.
46:10 - 46:12: Like these kind of godlike people.
46:12 - 46:15: Whereas now, we want to see people just be real.
46:15 - 46:19: I saw today that they booked the Queen's 92nd birthday party
46:19 - 46:21: the day after their album drops on April 21st.
46:21 - 46:23: Right, right, yeah, we heard about that.
46:23 - 46:25: So they will be performing for the Queen.
46:25 - 46:26: Yeah, I think so.
46:26 - 46:29: For the whole royal family. Actually, we have an article about it.
46:29 - 46:32: Are there other bands on the bill, or is it just them?
46:32 - 46:36: Yeah, but for her 92nd birthday, Queen Elizabeth II will receive Sting and Shaggy.
46:36 - 46:39: The duo are among performers slated for Her Majesty's Birthday concert
46:39 - 46:42: at London's Royal Albert Hall on April 21st,
46:42 - 46:45: a day after they released their joint album 44/876.
46:45 - 46:47: Is that like in area codes?
46:47 - 46:48: Country code.
46:49 - 46:50: England, Jamaica.
46:50 - 46:51: Oh, wow. Yeah, they're not alone.
46:51 - 46:54: They're also going to have Kylie Minogue, Craig David, Tom Jones,
46:54 - 46:56: and Lady Smith Black Mambazo.
46:56 - 47:00: I'm also just curious about what does this mean, the Queen's 92nd birthday?
47:00 - 47:02: Did they actually consult the Queen and say,
47:02 - 47:05: "Are there any records you're psyched for this year?"
47:05 - 47:08: She's like, "I heard about that Sting-Shaggy collab."
47:08 - 47:09: She must be.
47:09 - 47:12: # You fall over when the atmosphere is less than perfect
47:12 - 47:15: # Your sensibilities are shaken by the slightest deepest
47:15 - 47:18: # You live your life like a canary in a coal mine
47:18 - 47:22: # You get so dizzy even walking in a straight line
47:22 - 47:25: # You say you want to spend the winter in Forenza
47:25 - 47:28: # You're so afraid to catch a dose of influenza
47:28 - 47:32: # You live your life like a canary in a coal mine
47:32 - 47:35: # You get so dizzy even walking in a straight line
47:37 - 47:39: # Canary in a coal mine
47:39 - 47:42: # Canary in a coal mine
47:45 - 47:49: # Time Crisis with Ezra Koenig
47:49 - 47:51: So, actually, I'm glad that you're here for this one, Chris,
47:51 - 47:55: because Cynthia Nixon is running for governor in New York.
47:55 - 47:56: Oh, yeah.
47:56 - 47:59: Are you a Sex and the City head? An SATC head?
47:59 - 48:02: Yeah, definitely. I've seen every episode on both movies.
48:02 - 48:05: The second movie is truly a challenging watch.
48:05 - 48:06: Hit Abomination?
48:06 - 48:07: It's a challenging watch.
48:07 - 48:09: That's the one where they're in the Middle East?
48:09 - 48:10: Yeah, and it has an aged walk.
48:10 - 48:11: I saw that one.
48:11 - 48:12: You saw that one? Yeah.
48:12 - 48:13: Yeah, on a plane.
48:13 - 48:15: Oh, I remember that, actually.
48:15 - 48:16: This is so stupid.
48:16 - 48:19: When I got deferred from Columbia, when I applied there,
48:19 - 48:22: I was, like, really dark in a really bad place.
48:22 - 48:23: Damn.
48:23 - 48:27: And then the way I got out of my sad place was by binging on Sex and the City.
48:27 - 48:29: Whoa. So you were, like, a senior in high school.
48:29 - 48:31: That got you out of a sad place?
48:31 - 48:33: Absolutely. I love that.
48:33 - 48:35: I mean, it's a really good show.
48:35 - 48:38: Yeah, and my mom had bought the DVDs, so they were in the basement.
48:38 - 48:40: Oh, this is before the streaming era.
48:40 - 48:41: Oh, yeah, definitely.
48:41 - 48:44: So I've tried these DVDs out, and I really enjoyed it.
48:44 - 48:46: Jake, have you ever seen SATC?
48:46 - 48:47: Oh, yeah.
48:47 - 48:48: Oh, really? Are you an SATC head?
48:48 - 48:49: No, not a head.
48:49 - 48:50: But you respect it?
48:50 - 48:51: Yeah.
48:51 - 48:53: Do you know the names of the four characters?
48:53 - 48:54: Samantha.
48:54 - 48:55: [laughs]
48:55 - 48:56: Wait, is that the Carrie?
48:56 - 48:57: No, no, no. Carrie?
48:57 - 48:58: Yeah.
48:58 - 48:59: Wait, is that the Carrie?
48:59 - 49:00: Yeah.
49:00 - 49:01: Wait, wait, wait.
49:01 - 49:02: You're good. You can keep going.
49:02 - 49:03: Carrie.
49:03 - 49:05: There was a woman named, like, Margaret?
49:05 - 49:06: Miranda.
49:07 - 49:08: Red letter.
49:08 - 49:11: And then there was the woman with the brown hair, who was, like, kind of the least interesting character.
49:11 - 49:12: Debatable.
49:12 - 49:13: I don't remember her.
49:13 - 49:14: Uh, wait.
49:14 - 49:15: The actress is--
49:15 - 49:16: Phoebe? No.
49:16 - 49:17: [laughs]
49:17 - 49:18: Charlotte.
49:19 - 49:22: Played wonderfully by Kristen Davis, in my opinion.
49:22 - 49:23: Okay.
49:23 - 49:24: Yeah, I'm not bagging on the actress.
49:24 - 49:26: I just assumed that character--
49:26 - 49:28: [laughs]
49:28 - 49:30: I think you were bagging on the actress.
49:30 - 49:32: I feel like the writing really fell short for that.
49:32 - 49:33: But here's the thing.
49:33 - 49:34: I'm not ahead.
49:34 - 49:35: I don't know the full arc.
49:35 - 49:42: Well, Baio, in the fan community, is Charlotte considered to be the boring one?
49:42 - 49:49: I think, arguably, the four characters all had such strong arcs that different people could identify with different ones.
49:49 - 49:50: Okay.
49:50 - 49:51: Wow.
49:51 - 49:52: They're like the Beatles.
49:52 - 49:53: Definitely.
49:53 - 49:54: Everybody got a favorite.
49:54 - 49:55: But Charlotte is like the Ringo.
49:55 - 49:56: [laughs]
49:56 - 49:57: Damn.
49:57 - 49:58: He got his knighthood in the end.
49:58 - 49:59: [laughs]
49:59 - 50:06: Well, so, for all the TC news heads who get their news from Time Crisis, like a week or two ago,
50:06 - 50:12: it was announced that the actress Cynthia Nixon, who played Miranda Hobbes on Sex and the City,
50:12 - 50:16: which is her best-known role, certainly not her only role, is running for governor.
50:16 - 50:18: In the fan community, what's Cynthia Nixon's deal?
50:18 - 50:24: And I'm sure it gets confusing because people can't sometimes combine the person and the characters a lot.
50:24 - 50:31: Yeah, I hesitate to speak for the fan community because I feel like my interactions with it are very much kind of in a bubble.
50:31 - 50:34: I didn't necessarily read message boards and stuff.
50:34 - 50:36: I'm not active in the fan community.
50:36 - 50:39: I have a very kind of personal relationship with the show.
50:39 - 50:44: But as that article you have says, I think she's been very politically active for a long time.
50:44 - 50:45: Right.
50:45 - 50:50: This article says Cynthia Nixon isn't new to politics because I'll admit I had the reaction a lot of people had, like,
50:50 - 50:52: "Oh, another celebrity politician.
50:52 - 50:53: Don't we need to kind of…"
50:53 - 50:56: No, but I think she's done her time.
50:56 - 50:59: Well, her campaign treasurer is Zephyr Teachout.
50:59 - 51:04: I've always wondered if that's how you pronounce that name, Zephyr Teachout or T-shoe.
51:04 - 51:05: It's a cool name.
51:05 - 51:10: A progressive working families party candidate who challenged Cuomo in the 2014 Democratic primary.
51:10 - 51:14: So she's got, you know, some real political people on her team.
51:14 - 51:15: That's nice, actually.
51:15 - 51:19: I would always vote working families when I voted in local elections.
51:19 - 51:28: Yeah, they're like, if somebody's got the Democrats and the working families behind them, reason to hope that they're a little more to the left.
51:28 - 51:30: So Cynthia Nixon's a lifelong resident of New York.
51:30 - 51:34: She grew up in Manhattan, attended public schools, and sent her children to public schools.
51:34 - 51:35: Okay.
51:35 - 51:40: Not a lot of big-name celebs send their kids to public schools in New York.
51:40 - 51:44: I'm not trying to throw under the bus, but did Sarah Jessica Parker send her kids to public school?
51:44 - 51:46: Doubt it.
51:46 - 51:47: Maybe she did.
51:47 - 51:48: I don't know.
51:48 - 51:52: The only question that I have is, why do you start at governor?
51:52 - 51:56: Isn't that like a high level to start at, or is that exactly what we need?
51:56 - 52:02: You know, because she's no stranger to politics, but this would be her first time seeking office.
52:02 - 52:05: Maybe because she already has the name recognition, you know?
52:05 - 52:06: Yeah, maybe it's not about like—
52:06 - 52:12: It's like, if you're not a famous person, you have to start running for city council and chip your way up.
52:12 - 52:13: Right.
52:13 - 52:14: If you're already famous, it's like—
52:14 - 52:22: I think she's also being strategically intelligent because there's a—I think Governor Cuomo has a lot of vulnerabilities in terms of the MTA.
52:22 - 52:25: She's a New York City resident riding the subway every day.
52:25 - 52:33: She can sort of channel the frustrations people have that, you know, Cuomo maybe doesn't experience being up in Albany.
52:33 - 52:35: Right, but New York's a big-ass state.
52:35 - 52:43: You got a lot of the population down in the city, but, you know, Cynthia Nixon, you know, she better pack a fleece.
52:43 - 52:44: A fleece.
52:44 - 52:46: When she's getting up there to Buffalo.
52:46 - 52:47: Thermos of hot coffee.
52:47 - 52:48: Syracuse.
52:48 - 52:49: Schenectady.
52:49 - 52:52: It's the Wild West up there.
52:52 - 52:53: Does she have a shot?
52:53 - 52:54: I haven't seen any polls.
52:54 - 52:55: Uh-huh.
52:55 - 52:56: My gut tells me she has a shot.
52:56 - 52:58: But Cuomo's not popular.
52:58 - 53:00: And so, I'm asking—
53:00 - 53:01: No, I think she has a shot.
53:01 - 53:02: I don't know anything about—
53:02 - 53:04: People are talking about her as if she has a shot.
53:04 - 53:08: But it would be like New York City liberals getting behind her.
53:08 - 53:10: She'd be running to the left of Cuomo, definitely.
53:10 - 53:18: But, yeah, if you're a primary voter in upstate New York, maybe you're really liberal, but maybe you're more centrist or something.
53:18 - 53:19: I don't know.
53:19 - 53:20: Exactly.
53:20 - 53:25: She's going to have to jump in the car, drive six and a half hours up there, and really put in the work.
53:25 - 53:26: But maybe she can.
53:26 - 53:30: Also, New York is famously run by political machines.
53:30 - 53:35: The Democratic Party, the Republican Party of New York are tough to infiltrate.
53:35 - 53:38: So, she would have whatever work could offer, but why not?
53:38 - 53:43: Can I ask, without President Donald Trump, is there a Governor Cynthia Nixon?
53:43 - 53:47: Did he normalize the celebrity as politician?
53:47 - 53:49: Well, there was already Governor Jesse Ventura.
53:49 - 53:50: True.
53:50 - 53:51: The Governator as well?
53:51 - 53:52: Yeah, the Governator.
53:52 - 53:53: It's a good question, Seinfeld.
53:54 - 53:56: I've got a question for you, Seinfeld.
53:56 - 53:57: All right.
53:57 - 54:00: Have you ever done a Sex and the City meets Seinfeld meme?
54:00 - 54:03: They're both four main cast members in New York.
54:03 - 54:08: The shows, they both are associated with the 90s, albeit different parts of the 90s.
54:08 - 54:12: Have you seen the Sarah Jessica, the Carrie behind her laptop thing?
54:12 - 54:16: And I wondered, I think I jumped on one of those a couple of years ago.
54:16 - 54:17: I can't remember what the joke was.
54:17 - 54:21: It probably had to do with Seinfeld being on television or whatever.
54:21 - 54:24: That's probably the extent of it.
54:24 - 54:27: That would be cool if they, I mean, these are all different companies,
54:27 - 54:31: but you know how Marvel's done such a great job of building the Marvel Cinematic Universe.
54:31 - 54:32: Yeah.
54:32 - 54:33: You heard about this, Jake?
54:33 - 54:38: If I see what the MCU was, would you?
54:38 - 54:40: I'd struggle with that.
54:40 - 54:43: Michigan Central University.
54:43 - 54:45: There probably are a bunch of different MCs,
54:45 - 54:50: but they've done a great job to the point that the forthcoming Avengers Infinity War film,
54:50 - 54:52: I think it might be the most expensive movie ever made.
54:52 - 54:54: Infinity War?
54:54 - 54:55: Yeah.
54:55 - 54:57: That's the worst sounding thing ever.
54:57 - 54:59: Hey, what's your problem with that?
54:59 - 55:02: This is a terrible combination of words.
55:02 - 55:05: I want nothing to do with Infinity War.
55:05 - 55:06: I'm with you.
55:06 - 55:11: Okay, but my point is that over the past 10, 15 years,
55:11 - 55:14: we didn't really have superhero movies of this nature back in the day.
55:14 - 55:16: And over the past 10, 15 years,
55:16 - 55:21: Marvel has built up the MCU to the point that this forthcoming Avengers Infinity War,
55:21 - 55:26: if you look at the poster, we got Black Panther, the Hulk, Jake's yawning.
55:26 - 55:28: He does not care about this.
55:28 - 55:30: We got freaking Thor.
55:30 - 55:32: Wait, but Hawkeye was left off, right?
55:32 - 55:33: Why?
55:33 - 55:34: I don't know.
55:34 - 55:35: Nobody knows why.
55:35 - 55:37: The Hawkeye heads are upset.
55:37 - 55:42: But it's all been building up to this moment because they've built out the MCU and people are excited.
55:42 - 55:50: And finally, there's going to be a huge movie where you're going to see Thor hanging out in Wakanda.
55:50 - 55:54: Apparently, you're not going to have a Hawkeye, but you're going to have—
55:54 - 55:56: What are the other big ones?
55:56 - 55:57: You're going to have—
55:57 - 55:58: What about the Punisher, man?
55:58 - 56:01: You're going to have the Punisher murdering Iron Man.
56:01 - 56:03: You know, that's really exciting for people.
56:03 - 56:04: So anyway—
56:04 - 56:05: I'm pumped.
56:05 - 56:11: Wouldn't it be cool if there was a New York cinematic universe and we do a New York Infinity War
56:11 - 56:14: and you got Jerry, Elaine, Craim—
56:14 - 56:15: I love this.
56:15 - 56:18: Phoebe, Rachel, Chandler—
56:18 - 56:19: No, no, no.
56:19 - 56:20: Samantha—
56:20 - 56:22: Paul Reiser.
56:22 - 56:23: You could write it.
56:23 - 56:24: Oh, okay.
56:24 - 56:25: Oh, nice.
56:25 - 56:26: I'm actually excited, but I'll propose this.
56:26 - 56:27: All right.
56:27 - 56:32: We do a time crisis, like Russian novels.
56:32 - 56:35: 1200 pages fan fiction.
56:35 - 56:36: Wow.
56:36 - 56:39: And you can get your just desserts that are—
56:39 - 56:41: No, I'm misusing that phrase.
56:41 - 56:46: You can have your cake and eat it too because you can write out—
56:46 - 56:48: It's like Les Miserables, basically.
56:48 - 56:51: And towards the end, there's a huge battle.
56:51 - 56:54: And yeah, finally, Kramer and Chandler.
56:54 - 56:57: This is really what it would be if this was Avengers Infinity War.
56:57 - 57:02: In the trailer, it would just be Kramer and Chandler coming nose to nose,
57:02 - 57:06: facing each other in the ruins of the Empire State Building.
57:06 - 57:09: And just the fans are like, "Oh, that's going to be a sick fight."
57:09 - 57:12: You got George dating Monica.
57:12 - 57:13: I love this idea.
57:13 - 57:16: I earnestly love it, and I want Frasier to be in it.
57:16 - 57:18: I know he's a Seattle guy, but I want Frasier in the mix.
57:18 - 57:20: Well, he pops in for the weekend.
57:20 - 57:24: I guess in some ways, it's not even the New York Cinematic Universe.
57:24 - 57:28: It's really just the '90s TV Cinematic Universe.
57:28 - 57:31: Get Caroline and the City in there. Get Roseanne.
57:31 - 57:34: That could be a cool B story.
57:34 - 57:39: Is that George Costanza and Charlotte have to travel to Seattle
57:39 - 57:46: to convince Dr. Frasier Crane to come help in the Infinity War.
57:46 - 57:49: Frasier Crane, who was a beast in X-Men.
57:49 - 57:53: Wait, and you know that Kelsey Grammer sings the Frasier theme song?
57:53 - 57:54: Yeah, yeah, yeah.
57:54 - 57:55: I just learned that.
57:55 - 57:56: We did an episode on it.
57:56 - 57:58: Oh, you did? Oh, sorry. I'm not up to date.
57:58 - 58:01: That's very embarrassing. I'm sorry I'm not up to date.
58:01 - 58:05: He missed episode 39 a year ago.
58:05 - 58:06: The tossed salad and scrambled eggs.
58:06 - 58:07: Yeah.
58:07 - 58:09: Tossed salad and scrambled eggs.
58:09 - 58:11: Based on the Joni Mitchell song.
58:11 - 58:12: Oh, right.
58:12 - 58:13: That closed out "Court and Spark."
58:13 - 58:15: Yeah, it had a weird connection to Joni Mitchell.
58:15 - 58:18: And actually, Frasier is part of the Cheers universe.
58:18 - 58:20: Oh, yeah. It all connects.
58:20 - 58:23: It's all an incestuous medley. It's a tossed salad.
58:23 - 58:26: My analyst told me that I was right out of my head
58:26 - 58:30: The way he described it, he said I'd be better dead than live
58:30 - 58:33: I didn't listen to his jive
58:33 - 58:36: I knew all along that he was all wrong
58:36 - 58:42: And I knew that he thought I was crazy but I'm not, oh no
58:42 - 58:46: My analyst told me that I was right out of my head
58:46 - 58:49: He said I'd need treatment, but I'm not that easily led
58:49 - 58:53: He said I was the type that was most inclined
58:53 - 58:56: Went out of his sight to be out of my mind
58:56 - 59:03: And he thought I was nuts, no more ifs, or ands, or buts
59:03 - 59:06: They say as a child I appeared a little bit wild
59:06 - 59:08: With all my crazy ideas
59:08 - 59:14: But I knew what was happening, I knew I was a genius
59:14 - 59:18: What's so strange when you know that you're a wizard at three
59:18 - 59:21: I knew that this was meant to be
59:21 - 59:24: Have you guys ever watched TGIF, the Family Matters?
59:24 - 59:25: Oh yeah, oh sure
59:25 - 59:26: Do you remember the-
59:26 - 59:27: Oh yeah, they do crossovers, right?
59:27 - 59:29: Yeah, step by step, Urkel
59:29 - 59:32: I think Urkel like transported into the step by step house
59:32 - 59:35: Did Perfect Strangers do a crossover with Family Matters?
59:35 - 59:39: Yes, because Carl Winslow from Family Matters was in Perfect Strangers
59:39 - 59:40: If I'm not mistaken
59:40 - 59:41: Right, right
59:41 - 59:42: And he's in Die Hard
59:42 - 59:47: And then didn't Lieutenant John McClane make an appearance on Family Matters?
59:47 - 59:48: That episode?
59:48 - 59:49: I don't think so
59:49 - 59:50: Oh no
59:50 - 59:52: But he dated Jennifer Aniston
59:52 - 59:53: Bruce Willis?
59:53 - 59:54: Oh yeah, that was weird
59:54 - 59:55: John McClane did?
59:55 - 59:57: John McClane dated Rachel, I think
59:57 - 59:58: I love that
59:58 - 01:00:01: You're right, Bruce Willis, I don't think it was John McClane
01:00:01 - 01:00:02: No, it was John McClane
01:00:02 - 01:00:03: It's all connected
01:00:03 - 01:00:04: It is all connected
01:00:04 - 01:00:05: Unbelievable
01:00:05 - 01:00:06: New York City Cop
01:00:06 - 01:00:09: 90s TV Infinity War
01:00:09 - 01:00:10: Welcome to the party, pal
01:00:10 - 01:00:11: I love this
01:00:11 - 01:00:15: The 1400 page, two volume novel
01:00:15 - 01:00:24: It'll come like that Murakami novel in this beautiful box set with two gilded editions
01:00:24 - 01:00:28: You could throw in some obscure ones like The Single Guy, Jonathan Silverman
01:00:28 - 01:00:30: I remember that
01:00:30 - 01:00:32: Yeah, like Boston Public was at the show with the
01:00:32 - 01:00:34: Dude, you're going deep right now
01:00:34 - 01:00:35: Too deep, yeah
01:00:35 - 01:00:38: Maybe Paul Reiser and Jerry have a face off
01:00:38 - 01:00:39: That'd be dope
01:00:39 - 01:00:42: Actually, I think Kramer was in A Mad About You
01:00:42 - 01:00:45: And I remember being upset about it because I hated Mad About You
01:00:45 - 01:00:49: Oh, Mad About You had crossover with Friends because Lisa Kudrow was on both
01:00:49 - 01:00:51: That's right, the twin sister
01:00:51 - 01:00:53: This Infinity War is writing itself
01:00:53 - 01:00:54: That's crazy
01:00:54 - 01:00:56: Wait, wasn't there a Mad About You?
01:00:56 - 01:01:00: It was like right when Viagra came out and Paul Reiser took Viagra and then he had to leave the apartment
01:01:00 - 01:01:02: And then he ran into Jerry Seinfeld or something
01:01:02 - 01:01:03: Oh really?
01:01:03 - 01:01:05: He was like, "Oh, it's so good to meet you"
01:01:05 - 01:01:06: And then Jerry's like
01:01:06 - 01:01:08: And he's just sporting a huge
01:01:08 - 01:01:09: Oh really?
01:01:09 - 01:01:11: Yeah, I can see that
01:01:11 - 01:01:14: I might have the characters mixed up
01:01:14 - 01:01:15: It sounds right
01:01:15 - 01:01:18: It makes sense, just two comedians living uptown
01:01:18 - 01:01:21: I kind of feel like there was some animosity though between Reiser and Seinfeld
01:01:21 - 01:01:23: Because he jumped on that wave, right?
01:01:23 - 01:01:25: In real life?
01:01:25 - 01:01:29: I feel like Reiser just rode the coattails of Seinfeld and it was undeserved
01:01:29 - 01:01:31: Oh, well you're a mega fan
01:01:31 - 01:01:33: Our audience is just tuning out
01:01:33 - 01:01:34: But I have a real question
01:01:34 - 01:01:40: Are we legally allowed to write this book using these characters that are the properties of various
01:01:40 - 01:01:43: Mega entertainment corporations?
01:01:43 - 01:01:44: You'd have to pre-clear a lot of stuff
01:01:44 - 01:01:47: I think this is an IP clusterf*ck
01:01:47 - 01:01:48: A lot of red tape
01:01:48 - 01:01:50: Wait, but what about parody law?
01:01:50 - 01:01:52: Mmmmm
01:01:52 - 01:01:56: As I understand it, I think it has to be commentary on each of the shows
01:01:56 - 01:02:00: So if you say, "Hey, your dad's an IP lawyer, right?"
01:02:00 - 01:02:01: We'll get him on the case
01:02:01 - 01:02:03: Alright, so
01:02:03 - 01:02:05: Get him on the horn right now
01:02:05 - 01:02:07: You're just like, "Come on"
01:02:07 - 01:02:09: He's probably playing Y
01:02:09 - 01:02:10: Yeah, exactly
01:02:10 - 01:02:12: Dad, I really need to talk to you
01:02:12 - 01:02:15: Okay, dad, you're familiar with the upcoming Avengers film, Infinity War?
01:02:15 - 01:02:18: What if it was 90s TV shows?
01:02:18 - 01:02:19: Okay, if we have any
01:02:19 - 01:02:23: I feel like every once in a while we'll get an email from somebody who just happens to work in a field
01:02:23 - 01:02:26: And they're like deeply knowledgeable about something that we were talking about
01:02:26 - 01:02:29: So if we got anybody who works in IP law or anything like that
01:02:29 - 01:02:33: If you can advise us on how to write the 90s Infinity War
01:02:33 - 01:02:34: 8-minute Cape Cod
01:02:34 - 01:02:36: I think we're gonna get shut down
01:02:36 - 01:02:40: Well, I just want to know because I don't want to put the time in if we're gonna get sued over it
01:02:40 - 01:02:44: We just get a season-desist letter from NBC
01:02:44 - 01:02:45: Pre-emptive
01:02:45 - 01:02:48: That's the next major time crisis project
01:02:48 - 01:02:50: We also still have to launch our baseball league
01:02:50 - 01:02:52: That's like the professional wrestling baseball league
01:02:52 - 01:02:53: Right
01:02:53 - 01:02:55: Not to mention the grape ice cream
01:02:55 - 01:02:56: Oh yeah
01:02:56 - 01:02:58: All of these ideas will never be touched on again
01:02:58 - 01:02:59: We have to
01:02:59 - 01:03:01: We need to do a time crisis
01:03:01 - 01:03:04: Crisis DC, come up with an idea and then never think about it again
01:03:04 - 01:03:07: No guys, I really mean it about this one
01:03:07 - 01:03:08: I'm very passionate
01:03:08 - 01:03:09: I'm serious guys
01:03:09 - 01:03:12: The fans want to see that Kramer, Chandler, Brawford
01:03:12 - 01:03:14: One of them is dying
01:03:14 - 01:03:16: Oh my god
01:03:17 - 01:03:19: Think about it, forget it
01:03:19 - 01:03:22: Come around and don't, don't, don't
01:03:22 - 01:03:26: If you just regret it
01:03:26 - 01:03:29: Don't bring the rest of 'em 'round, 'round, 'round
01:03:29 - 01:03:34: It is what it is
01:03:34 - 01:03:37: Until it was what it was
01:03:37 - 01:03:42: So just keep on swinging
01:03:42 - 01:03:45: If only because, 'cause, 'cause
01:03:46 - 01:03:48: I can tell by the look
01:03:48 - 01:03:50: You know me and what you say
01:03:50 - 01:03:52: Like a sentimental crook
01:03:52 - 01:03:54: It's tough to get away
01:03:54 - 01:03:56: If it even went better
01:03:56 - 01:03:58: I would play every part
01:03:58 - 01:04:00: But I'm too overeager
01:04:00 - 01:04:02: And I just fall astard
01:04:02 - 01:04:04: Oh sister of a pearl
01:04:04 - 01:04:06: I wouldn't change
01:04:06 - 01:04:08: Your father world
01:04:08 - 01:04:12: Oh sister of a pearl
01:04:12 - 01:04:14: I wouldn't change
01:04:14 - 01:04:16: Your father world
01:04:17 - 01:04:19: [Instrumental]
01:04:19 - 01:04:21: [Vocalizing]
01:04:51 - 01:04:53: Think about it, forget it
01:04:53 - 01:04:56: Come around and don't, don't, don't
01:04:56 - 01:05:00: If you think it was pathetic
01:05:00 - 01:05:03: Bring it back, back around, 'round, 'round
01:05:03 - 01:05:08: I'm tired of finding
01:05:08 - 01:05:11: In another man's pointless foe
01:05:11 - 01:05:15: So please keep up with it
01:05:15 - 01:05:18: Just like you had done before
01:05:18 - 01:05:20: [Instrumental]
01:05:20 - 01:05:22: I can tell by the look
01:05:22 - 01:05:24: You know me and what you say
01:05:24 - 01:05:26: Like a sentimental crook
01:05:26 - 01:05:28: It's tough to get away
01:05:28 - 01:05:30: If it even went better
01:05:30 - 01:05:32: I would play every part
01:05:32 - 01:05:34: But I'm too overeager
01:05:34 - 01:05:36: And I just fall astard
01:05:36 - 01:05:38: Oh sister of a pearl
01:05:38 - 01:05:40: I wouldn't change
01:05:40 - 01:05:42: Your father world
01:05:42 - 01:05:46: Oh sister of a pearl
01:05:46 - 01:05:48: I wouldn't change
01:05:48 - 01:05:50: Your father world
01:05:50 - 01:06:15: It's time for the top five
01:06:16 - 01:06:18: Five on iTunes
01:06:18 - 01:06:22: This week we're going to be comparing the top five songs on iTunes
01:06:22 - 01:06:25: to the top five Billboard hits of 1972
01:06:25 - 01:06:27: It's just a great year
01:06:27 - 01:06:28: Yeah
01:06:28 - 01:06:29: Europe '72
01:06:29 - 01:06:31: My buddy Kyle Field was born in '72
01:06:31 - 01:06:32: It's a major year
01:06:32 - 01:06:33: Huge year
01:06:33 - 01:06:34: Right off the jump, a classic
01:06:34 - 01:06:36: The number five song on the Billboard charts
01:06:36 - 01:06:38: this week in 1972
01:06:38 - 01:06:41: It's a Paul Simon classic
01:06:41 - 01:06:43: Oh, okay
01:06:43 - 01:06:44: Oh, I love this song
01:06:45 - 01:06:46: This is cool
01:06:46 - 01:06:51: It's one of the first, like, white reggae hits in America
01:06:51 - 01:06:54: And the whole backing band is like actual Jamaican reggae musicians
01:06:54 - 01:06:56: Is this track one on his first solo record?
01:06:56 - 01:06:59: It's definitely the first solo, yeah, maybe it is track one
01:07:11 - 01:07:14: Jimmy Cliff's band, that's who's playing on it
01:07:14 - 01:07:24: So do you know the famous story about the title?
01:07:24 - 01:07:25: No
01:07:25 - 01:07:28: So the song is called Mother and Child Reunion
01:07:28 - 01:07:33: So one would assume it's about the relationship between a mother and their child
01:07:33 - 01:07:36: reuniting after some bitterness or time apart
01:07:36 - 01:07:39: And actually it's named after a chicken and egg dish
01:07:39 - 01:07:42: that Paul Simon saw on a Chinese restaurant menu
01:07:42 - 01:07:43: Wow
01:07:43 - 01:07:45: Because often Chinese restaurants have kind of fun names
01:07:45 - 01:07:46: Right
01:07:46 - 01:07:49: Buddha's delight, things of that nature
01:07:49 - 01:07:51: And there's a dish that was chicken and egg
01:07:51 - 01:07:53: The mother and child
01:07:53 - 01:07:55: Cooked together for you to eat
01:07:55 - 01:07:59: Mother and child
01:07:59 - 01:08:02: That is like profoundly poetic
01:08:02 - 01:08:03: Yeah
01:08:03 - 01:08:06: For a Chinese menu
01:08:06 - 01:08:07: You never know
01:08:07 - 01:08:09: If somebody's working back in the kitchen somewhere
01:08:09 - 01:08:11: They could be a great poet
01:08:11 - 01:08:13: Maybe they just don't get a shot
01:08:13 - 01:08:16: Instead Paul Simon comes and takes that poetry and turns it into a hit
01:08:16 - 01:08:18: He steals Jimmy Cliff's band
01:08:18 - 01:08:20: He steals the title from the Chinese restaurant
01:08:20 - 01:08:22: What if there was some situation where like
01:08:22 - 01:08:27: The son or the daughter of the family who runs the Chinese restaurant
01:08:27 - 01:08:29: Was actually an aspiring songwriter
01:08:29 - 01:08:30: Right
01:08:30 - 01:08:31: And he was just like
01:08:31 - 01:08:33: Mom, dad, you know
01:08:33 - 01:08:35: I want to be a full time musician
01:08:35 - 01:08:37: You're crazy
01:08:37 - 01:08:39: We worked so hard to build this business
01:08:39 - 01:08:40: You need to take it over
01:08:40 - 01:08:43: And he's like but I think in poetic units
01:08:43 - 01:08:44: I want to write songs
01:08:44 - 01:08:45: I'm all about language
01:08:45 - 01:08:46: And they're like
01:08:46 - 01:08:48: Okay, you want to be a poet
01:08:48 - 01:08:49: You can be in charge of the menu
01:08:49 - 01:08:50: You like words so much
01:08:50 - 01:08:51: You can be in charge of the menu
01:08:51 - 01:08:53: He's like alright, maybe I will get creative
01:08:53 - 01:08:54: And he's like alright
01:08:54 - 01:08:56: Mom, what's in this dish?
01:08:56 - 01:08:57: And she's like
01:08:57 - 01:08:58: It's like we mix up some chicken and eggs
01:08:58 - 01:08:59: And he's like what do you call it?
01:08:59 - 01:09:00: She's like what do you mean?
01:09:00 - 01:09:01: It's just chicken and eggs
01:09:01 - 01:09:02: You know
01:09:02 - 01:09:04: And he's like I'm going to call it mother and child reunion
01:09:04 - 01:09:06: She's like okay, whatever
01:09:06 - 01:09:08: Whatever floats your boat
01:09:08 - 01:09:10: One day Paul Simon comes in
01:09:10 - 01:09:12: Nervously waiting in the back
01:09:12 - 01:09:14: I can't believe Paul Simon's in the restaurant
01:09:14 - 01:09:16: Doesn't get the nerve up to introduce himself
01:09:16 - 01:09:17: One year later
01:09:17 - 01:09:19: He's listening to the number of the top five songs
01:09:19 - 01:09:21: On the billboard charts
01:09:21 - 01:09:23: You can't copyright names
01:09:23 - 01:09:24: Yeah
01:09:24 - 01:09:26: Especially a title off a menu
01:09:26 - 01:09:28: [Laughs]
01:09:28 - 01:09:29: Yeah
01:09:29 - 01:09:30: I mean the truth is
01:09:30 - 01:09:32: It's pretty cool that he wrote this song
01:09:32 - 01:09:33: Based off
01:09:33 - 01:09:34: A dish
01:09:34 - 01:09:35: Off a menu
01:09:35 - 01:09:38: I wonder what the Jimmy Cliff dudes thought of this song
01:09:38 - 01:09:39: Yeah, that's a good question
01:09:39 - 01:09:41: They were like, why are you playing reggae?
01:09:41 - 01:09:43: Or they were like, great melodies
01:09:43 - 01:09:44: Yeah
01:09:44 - 01:09:45: Maybe a little of both
01:09:45 - 01:09:47: Paul, how did you come up with the title?
01:09:47 - 01:09:49: That's a funny story guys
01:09:49 - 01:09:51: Back home in New York
01:09:51 - 01:09:53: [Laughs]
01:09:53 - 01:09:56: There's a Chinese restaurant by my apartment
01:09:56 - 01:09:58: And I saw it on the menu
01:09:58 - 01:09:59: Okay
01:09:59 - 01:10:01: [Laughs]
01:10:01 - 01:10:03: That was a very tasteful palette type song
01:10:03 - 01:10:04: Yeah
01:10:04 - 01:10:06: The number five song right now on iTunes
01:10:06 - 01:10:08: Will it be in a similarly tasteful palette?
01:10:08 - 01:10:09: Let's find out
01:10:09 - 01:10:10: Probably not
01:10:10 - 01:10:12: Well
01:10:12 - 01:10:14: Define tasteful
01:10:14 - 01:10:17: It's Imagine Dragons with whatever it takes
01:10:17 - 01:10:19: Imagine Dragons is
01:10:19 - 01:10:20: Killing it
01:10:20 - 01:10:21: Can't avoid them
01:10:21 - 01:10:25: Falling too fast to prepare for this
01:10:25 - 01:10:27: Tripping in the world could be dangerous
01:10:27 - 01:10:29: Everybody's circling this vulture race
01:10:29 - 01:10:31: Negative, nepotist
01:10:31 - 01:10:33: Everybody waiting for the fall of pain
01:10:33 - 01:10:35: Everybody praying for the end of times
01:10:35 - 01:10:36: Everybody hoping they could be the one
01:10:36 - 01:10:38: I was born to run, I was born for this
01:10:38 - 01:10:40: Whip whip, run me like a race
01:10:40 - 01:10:42: Boys, pull me like a rift
01:10:42 - 01:10:43: This is rough
01:10:43 - 01:10:45: Not my favorite ID single
01:10:45 - 01:10:46: Whip whip
01:10:46 - 01:10:48: But to all the Imagine Dragons fans
01:10:48 - 01:10:51: Their Evolve Tour starts June 5th
01:10:51 - 01:10:52: Guess where?
01:10:52 - 01:10:53: LA
01:10:53 - 01:10:54: Hartford, Connecticut
01:10:54 - 01:10:55: Oh
01:10:55 - 01:10:57: At the outdoor amphitheater there?
01:10:57 - 01:10:58: I don't know, maybe at the
01:10:58 - 01:11:00: There's like a hockey arena
01:11:00 - 01:11:01: I'm not sure if that's still there
01:11:01 - 01:11:04: The Wailers left back in like '94
01:11:04 - 01:11:05: They didn't blow that s*** up?
01:11:05 - 01:11:06: They might have
01:11:06 - 01:11:09: The number four song back in '72
01:11:09 - 01:11:11: Donny Osmond, "Puppy Love"
01:11:11 - 01:11:13: I don't know if I know this
01:11:13 - 01:11:18: Song was written by Paul Anka
01:11:18 - 01:11:26: And they called it Puppy Love
01:11:26 - 01:11:27: Oh yeah, I know this song
01:11:27 - 01:11:29: I'm pretty into this
01:11:29 - 01:11:32: It's like Proto Bieber
01:11:32 - 01:11:33: Something, no?
01:11:33 - 01:11:35: So, Paul Anka's version
01:11:35 - 01:11:38: had already been a Billboard hit in 1960
01:11:38 - 01:11:39: Oh wow
01:11:39 - 01:11:41: So already in '72, this is him like covering
01:11:41 - 01:11:42: like an old corny song
01:11:42 - 01:11:43: Right
01:11:43 - 01:11:45: 'Cause he was like the clean cut guy
01:11:45 - 01:11:50: And why I love her so
01:11:51 - 01:11:57: And they called it Puppy Love
01:11:57 - 01:12:00: Not everything from the '70s is tasteful
01:12:00 - 01:12:02: How old was Donny Osmond at this time?
01:12:02 - 01:12:03: Good question
01:12:03 - 01:12:04: Was he a teenager?
01:12:04 - 01:12:06: It's not, can I get a number crunch on that?
01:12:06 - 01:12:07: Let's crunch those numbers
01:12:07 - 01:12:09: March '72
01:12:09 - 01:12:13: But couldn't you almost kind of see like T-Rex covering this?
01:12:13 - 01:12:16: Yeah, because they had a kitschy side too
01:12:16 - 01:12:17: Yeah, and they had like funny strings
01:12:17 - 01:12:19: Right, but the drums would be like tougher
01:12:19 - 01:12:21: Yeah, and like the tones would be all like
01:12:21 - 01:12:22: All right
01:12:22 - 01:12:23: Just fuzzed out
01:12:23 - 01:12:24: He was 15
01:12:24 - 01:12:25: Oh, he was 15?
01:12:25 - 01:12:26: Yeah
01:12:26 - 01:12:31: Happy
01:12:31 - 01:12:32: Wild
01:12:32 - 01:12:34: Donny, oh wow
01:12:34 - 01:12:37: The number four song in our era
01:12:37 - 01:12:39: Oh look
01:12:39 - 01:12:42: Still Drake
01:12:42 - 01:12:43: Is this God's plan?
01:12:43 - 01:12:47: I went to a birthday party at a club a week or two ago
01:12:47 - 01:12:48: Yeah
01:12:48 - 01:12:49: And they played this song
01:12:49 - 01:12:50: What sort of club?
01:12:50 - 01:12:53: That place Los Globos in Silver Lake
01:12:53 - 01:12:54: Okay
01:12:54 - 01:12:55: Where they do different nights
01:12:55 - 01:12:56: Copy that
01:12:56 - 01:12:59: And it was a Saturday night, so it was like energy was high
01:12:59 - 01:13:02: And when they played this song
01:13:02 - 01:13:05: And he pulled the volume down for the famous line
01:13:05 - 01:13:08: The volume of people yelling it
01:13:08 - 01:13:10: The "I only love my bed and my mama"
01:13:10 - 01:13:11: It was unbelievable
01:13:11 - 01:13:12: Wow
01:13:12 - 01:13:13: It's like
01:13:13 - 01:13:14: That's tight
01:13:14 - 01:13:16: It's like a football chant, basically
01:13:17 - 01:13:18: God's plan
01:13:19 - 01:13:21: It's like Sweet Caroline
01:13:21 - 01:13:22: Yeah
01:13:22 - 01:13:25: Maybe that will be the next wave of
01:13:25 - 01:13:26: Arena
01:13:26 - 01:13:27: Yeah, I mean
01:13:27 - 01:13:28: Anthems
01:13:28 - 01:13:29: It's only right, it should be rap
01:13:29 - 01:13:30: Sure
01:13:30 - 01:13:32: Might go down in TOD
01:13:32 - 01:13:34: Baseball's starting soon
01:13:34 - 01:13:37: I wonder if any players are gonna walk up to the plate with God's plan
01:13:37 - 01:13:38: Oh, definitely
01:13:38 - 01:13:41: You know players like have their walk-up songs
01:13:41 - 01:13:42: Right, that'd make a lot of sense
01:13:42 - 01:13:43: This would be dope
01:13:43 - 01:13:45: Now batting
01:13:45 - 01:13:48: For the Texas Rangers playing third base
01:13:48 - 01:13:49: Ezra Kingham
01:13:49 - 01:13:51: It's out of the park
01:13:51 - 01:13:56: They should let you keep your music playing through your at-bat
01:13:56 - 01:13:59: Cause like it stops once you get there, right?
01:13:59 - 01:14:01: Yeah, you have to concentrate
01:14:01 - 01:14:03: No, you know what they should do though?
01:14:03 - 01:14:04: If you hit a home run
01:14:04 - 01:14:07: They should start the music as you're rounding the bases
01:14:07 - 01:14:08: Oh yeah, it comes back in
01:14:08 - 01:14:11: And then you're like hitting home plate
01:14:11 - 01:14:12: Pumping the chest
01:14:12 - 01:14:13: Pointing to the sky
01:14:13 - 01:14:14: It's God's plan
01:14:14 - 01:14:16: Like it was playing, then they turned it off
01:14:16 - 01:14:18: Then first pitch
01:14:18 - 01:14:21: Oh my God, it's out of here
01:14:21 - 01:14:23: And he just stands on the mound
01:14:23 - 01:14:25: And he's mouthing the words
01:14:25 - 01:14:27: "And my mama, I'm sorry"
01:14:27 - 01:14:28: And then he starts running
01:14:28 - 01:14:30: It's like blowing kisses
01:14:30 - 01:14:37: Big song
01:14:37 - 01:14:39: Sound like God legs
01:14:39 - 01:14:43: Number three song in 1972 on the Billboard charts
01:14:43 - 01:14:46: Was The Lion Sleeps Tonight, classic song
01:14:46 - 01:14:48: Sure, by the Weavers, originally
01:14:48 - 01:14:50: Well yeah, and then there was the Tokens at the big hit
01:14:50 - 01:14:51: Oh, okay, yeah, that's what I'm thinking of
01:14:51 - 01:14:56: When originally, originally it was, you know, written by Solomon Linda
01:14:56 - 01:14:57: I believe his name was this, that, that
01:14:57 - 01:15:00: There's a whole crazy thing about getting him as his publishing
01:15:00 - 01:15:02: But I didn't know that there was a hit version in 1972
01:15:02 - 01:15:05: It's by somebody named Robert John
01:15:05 - 01:15:10: That is the lamest artist name ever
01:15:10 - 01:15:11: Bob John
01:15:12 - 01:15:14: Hi, my name is Robert John
01:15:14 - 01:15:18: I'm doing a cover of The Lion Sleeps Tonight
01:15:18 - 01:15:21: He's like doing one of those radio little promos
01:15:21 - 01:15:24: "Hi, this is Robert John, you're listening to KTLU"
01:15:24 - 01:15:28: "With my new hit single, The Lion Sleeps Tonight"
01:15:28 - 01:15:30: Are there gonna be crazy strings on this?
01:15:30 - 01:15:32: Look man, I don't know what to expect
01:15:32 - 01:15:37: I mean, it's 1972 and you're just busting out The Lion Sleeps Tonight for your cover
01:15:37 - 01:15:39: And your name's Robert John
01:15:39 - 01:15:42: Robert John's either a very cool guy or a very lame guy
01:15:42 - 01:15:43: There's no in between
01:15:43 - 01:15:46: Oh, Bob John, he's actually one of the coolest guys I know
01:15:46 - 01:15:49: My guess is it's gonna be on some puppy love, like schlocky early 70s
01:15:49 - 01:15:51: Like heavy orchestration
01:15:51 - 01:15:54: Maybe we'll get lucky and it's like on some weird glam rock, like minimalism
01:15:54 - 01:15:58: You know, like a fuzz guitar
01:15:58 - 01:16:02: Some wah
01:16:02 - 01:16:04: Fah-wuz
01:16:04 - 01:16:07: I'm really excited to hear this
01:16:07 - 01:16:10: And it starts right now
01:16:10 - 01:16:17: So far so good
01:16:17 - 01:16:19: Definitely like a folk guy
01:16:19 - 01:16:22: Some tasteful hand drums
01:16:22 - 01:16:24: Hard to pan on the left with those bongos
01:16:24 - 01:16:30: Oh yeah, come on man
01:16:36 - 01:16:37: Hi, this is Robert John
01:16:37 - 01:16:40: You're listening to my new hit single, The Lion Sleeps Tonight
01:16:40 - 01:16:50: Yeah, it's like the Carpenters or like the Bay City Rollers or something
01:16:50 - 01:16:53: Ooh, I like that slide
01:16:53 - 01:17:02: This is the banger version
01:17:02 - 01:17:05: This reminds me of BJ Thomas
01:17:05 - 01:17:07: Like raindrops keep falling on my...
01:17:07 - 01:17:12: As far as like the...
01:17:12 - 01:17:13: Drum tones
01:17:13 - 01:17:17: The American versions, cause you know, the original like South African versions are sick too
01:17:17 - 01:17:20: But with the English language lyrics and stuff
01:17:20 - 01:17:26: This is the one that apparently Brian Wilson was driving in his convertible down PCH
01:17:26 - 01:17:28: Early Beach Boys days
01:17:28 - 01:17:30: He heard this come on the radio, he pulled over
01:17:30 - 01:17:31: He was just like "What?"
01:17:31 - 01:17:32: He was so overwhelmed by it
01:17:33 - 01:17:37: In the jungle, the mighty jungle
01:17:37 - 01:17:40: Yeah, it's actually like super proto-Pet sounds
01:17:40 - 01:17:41: Yeah
01:17:41 - 01:17:43: Those like reverb-y drums and like rim shots
01:17:43 - 01:17:49: Hit, hit
01:17:49 - 01:17:56: So what year is this? 60? 62?
01:17:56 - 01:17:58: Early 60s
01:18:01 - 01:18:02: Such a dope song
01:18:02 - 01:18:09: This is incredible, just vocals and drums for the verse
01:18:09 - 01:18:11: Not even bass
01:18:11 - 01:18:12: Right
01:18:12 - 01:18:17: Yeah, that crazy, it sounds like a theremin
01:18:17 - 01:18:19: I was like, is it a theremin? No
01:18:19 - 01:18:20: It's like an opera singer
01:18:20 - 01:18:24: I bet that track completely influenced the theremin on Good Vibrations
01:18:24 - 01:18:26: Oh yeah, that's true
01:18:28 - 01:18:32: When do you think the last cover of this song was?
01:18:32 - 01:18:33: Oh, I'm sure there's...
01:18:33 - 01:18:34: If you search iTunes
01:18:34 - 01:18:35: But also, hold up
01:18:35 - 01:18:39: That's probably the greatest English language white people version of this song
01:18:39 - 01:18:40: Keep going back?
01:18:40 - 01:18:41: Yeah, if we keep going back
01:18:41 - 01:18:44: Miriam McCabe, an incredible South African singer
01:18:44 - 01:18:46: She had a version of this song
01:18:46 - 01:18:48: And I obviously don't know how to actually pronounce it
01:18:48 - 01:18:50: I think it's Mbube
01:18:50 - 01:18:52: M-B-U-B-E is the original name of the song
01:18:52 - 01:18:54: And this is her version
01:18:55 - 01:18:57: (singing)
01:18:57 - 01:19:03: Is this like 50s?
01:19:03 - 01:19:06: This would be like 50s, 60s too
01:19:06 - 01:19:14: I mean, the song transformed a lot when it came into English
01:19:14 - 01:19:16: (singing)
01:19:19 - 01:19:31: She had an incredible voice
01:19:31 - 01:19:34: You know, once I performed in a tribute to Miriam McCabe at Carnegie Hall
01:19:34 - 01:19:37: That Angelique Kidjo organized
01:19:37 - 01:19:38: Whoa
01:19:45 - 01:19:47: Oh, this is so good
01:19:47 - 01:19:48: Listen to that bass
01:19:48 - 01:19:51: I'm struggling to hear the same songs yet
01:19:51 - 01:19:54: Well, I did hear the "hee-ee-ee-ee-ee-oo"
01:19:54 - 01:19:57: Now I'm getting it
01:19:57 - 01:19:58: Right
01:19:58 - 01:19:59: No, but it is pretty different
01:20:00 - 01:20:02: (singing)
01:20:05 - 01:20:31: So what did you perform?
01:20:31 - 01:20:33: So she asked me to perform a Miriam McCabe song
01:20:33 - 01:20:35: That was in her language
01:20:35 - 01:20:38: One of the original languages of South Africa
01:20:38 - 01:20:40: It's spelled X-H-O-S-A
01:20:40 - 01:20:42: You could call it like "cosa" or something like that
01:20:42 - 01:20:46: But it's one of those languages where one of the sounds in it is the click
01:20:46 - 01:20:49: And for anybody who didn't grow up speaking one of those languages
01:20:49 - 01:20:51: To nail the pronunciation
01:20:51 - 01:20:53: It's hard to make the sound
01:20:53 - 01:20:56: So she kind of gave me this cheating way to do it
01:20:56 - 01:20:57: Where you don't actually do the clicks
01:20:57 - 01:21:00: Some of her music, it's like such a part of the sound
01:21:00 - 01:21:03: So I had to like awkwardly, phonetically sing this song
01:21:03 - 01:21:05: And Desmond Tutu was in the audience
01:21:05 - 01:21:07: I was like, "Alright"
01:21:07 - 01:21:09: Glad they're not taping this
01:21:09 - 01:21:12: But let's take it all the way back
01:21:12 - 01:21:16: This is the original guy who wrote the song, Solomon Linda
01:21:16 - 01:21:21: And it was a big fight in the 90s for his family to get the songwriting credit
01:21:21 - 01:21:23: Because after The Lion King came out
01:21:23 - 01:21:26: It was yet another wave of money for this
01:21:26 - 01:21:28: So it's like one of the biggest songs of all time
01:21:28 - 01:21:30: That's origins are with this guy
01:21:30 - 01:21:34: 1939
01:21:34 - 01:21:46: Whoever kind of put it into English
01:21:46 - 01:21:48: They just kind of sounded like they were saying "Wimowe"
01:21:48 - 01:21:50: They don't know what that meant
01:21:50 - 01:21:52: It's just totally phonetic
01:21:52 - 01:21:54: Wimowe
01:21:57 - 01:22:03: So you have a lot of the constituent elements
01:22:03 - 01:22:05: Ya-boo-da-ba
01:22:05 - 01:22:07: And the "ee"
01:22:07 - 01:22:10: Weirdly consistent theme so far in the top five
01:22:10 - 01:22:12: With the Paul Simon
01:22:12 - 01:22:14: He would later go on to like
01:22:14 - 01:22:16: South Africa
01:22:16 - 01:22:18: Work with South African
01:22:18 - 01:22:20: And like adapt South African songs
01:22:20 - 01:22:22: So you know, it's interesting listening to these old versions
01:22:22 - 01:22:24: Is where exactly did the verse melody come from?
01:22:24 - 01:22:26: The "da-da-da-da-da-da-da-da"
01:22:26 - 01:22:28: It's like a little bit in there
01:22:28 - 01:22:30: Maybe someone just came up with it
01:22:30 - 01:22:32: Like in an inspired moment
01:22:32 - 01:22:34: "Da-da-da-da-da-da-da-da-da"
01:22:42 - 01:22:44: So the Americans made up the funny like
01:22:44 - 01:22:46: Disney jungle book lyrics
01:22:46 - 01:22:48: Although I think the lyrics though
01:22:48 - 01:22:51: Are still referencing what he was singing
01:22:51 - 01:22:53: Oh really?
01:22:53 - 01:22:55: Yeah
01:22:55 - 01:22:57: Something about the lions sleeping tonight
01:22:57 - 01:22:59: You got some info?
01:22:59 - 01:23:01: Are lions in the jungle? I don't think they are
01:23:01 - 01:23:03: What do you mean?
01:23:03 - 01:23:05: They're on the savannah, they're not in the jungle
01:23:05 - 01:23:07: You're on some Neil deGrasse Tyson shit right now
01:23:07 - 01:23:09: I associate lions with the Serengeti plains of Kenya
01:23:09 - 01:23:11: I don't associate them with like
01:23:11 - 01:23:13: Is there not jungle parts of the savannah?
01:23:13 - 01:23:15: No
01:23:15 - 01:23:17: There's not like a
01:23:17 - 01:23:19: Dense groups of trees?
01:23:19 - 01:23:21: Jungle is like rainforest
01:23:21 - 01:23:23: Where like gorillas live
01:23:23 - 01:23:25: You know what I mean?
01:23:25 - 01:23:27: Kind of
01:23:27 - 01:23:29: Anyway, I'm nitpicking here
01:23:29 - 01:23:31: No I know what you mean, but I feel like sometimes
01:23:31 - 01:23:33: When you're watching a nature program
01:23:33 - 01:23:35: You'll see the lion out there hunting
01:23:35 - 01:23:37: And it gets so gnarly
01:23:37 - 01:23:39: Like the picture, the lion's face covered in blood
01:23:39 - 01:23:41: Lion might hunt a gazelle
01:23:41 - 01:23:43: An antelope, something of that nature
01:23:43 - 01:23:45: Out on the savannah
01:23:45 - 01:23:47: But then don't they drag it back into like the brush?
01:23:47 - 01:23:49: That's not the jungle though
01:23:49 - 01:23:51: It's radically different ecosystems
01:23:51 - 01:23:53: Is it time for a cat to get a number crunch on that?
01:23:53 - 01:23:55: You know what I'm reading about is that
01:23:55 - 01:23:57: Lions are referred to as the king of the jungle
01:23:57 - 01:23:59: But Jake is correct, they don't actually live in the jungle
01:23:59 - 01:24:01: And there's kind of this long winded
01:24:01 - 01:24:03: There's a Guardian article I'm on about
01:24:03 - 01:24:05: Thank God the Guardian wrote an article about this
01:24:05 - 01:24:07: Yeah it has to do with semantics
01:24:07 - 01:24:09: And jungle being a Hindi word
01:24:09 - 01:24:11: That means not an inhabited place
01:24:11 - 01:24:13: And you know
01:24:13 - 01:24:15: It's going to be boring for me to go through all this
01:24:15 - 01:24:17: I gotcha
01:24:17 - 01:24:19: But to everybody listening to TC
01:24:19 - 01:24:21: Which is a major information source
01:24:21 - 01:24:23: News, culture, things of that nature
01:24:23 - 01:24:25: That's a pretty good actually
01:24:25 - 01:24:27: To have in your arsenal
01:24:27 - 01:24:29: Well actually jungle in Hindi means
01:24:29 - 01:24:31: Well that's a good one too, I actually didn't know that
01:24:31 - 01:24:33: Undeveloped terrain
01:24:33 - 01:24:35: I just mean like that's a good mix of an incredibly common thing that people say
01:24:35 - 01:24:37: Lion is the king of the jungle
01:24:37 - 01:24:39: Lion lives in the jungle
01:24:39 - 01:24:41: And it's also pretty good actually
01:24:41 - 01:24:43: Lions don't live in the jungle
01:24:43 - 01:24:45: If I could just plug the Time Crisis Twitter
01:24:45 - 01:24:47: If you check us out I'll link to the article
01:24:47 - 01:24:49: And then you can follow us at
01:24:49 - 01:24:51: Time Crisis 2000
01:24:51 - 01:24:53: On Twitter
01:24:53 - 01:24:55: Very popular account
01:24:55 - 01:24:57: I guess words change meanings
01:24:57 - 01:24:59: Whatever it meant, uninhabited space in Hindi
01:24:59 - 01:25:01: And now we associate it more with like
01:25:01 - 01:25:03: Rainforest, very dense kind of tree
01:25:03 - 01:25:05: And also even you know Savannah
01:25:05 - 01:25:07: If you're American when you hear the word Savannah
01:25:07 - 01:25:09: First thing you think of is Savannah, Georgia
01:25:09 - 01:25:11: Also true
01:25:11 - 01:25:13: King of the Savannah
01:25:13 - 01:25:15: King of the Savannah doesn't have the same ring to it
01:25:15 - 01:25:17: No, King of the Plains?
01:25:17 - 01:25:19: Or maybe it was as simple as whoever was writing the English language lyrics
01:25:19 - 01:25:21: They were bound by syllables
01:25:21 - 01:25:23: They had
01:25:23 - 01:25:25: Da da da da
01:25:25 - 01:25:27: And they were like I'm really trying to work in
01:25:27 - 01:25:29: In the Savannah
01:25:29 - 01:25:31: And then somebody else was like just put jungle
01:25:31 - 01:25:33: Who cares man, doesn't matter
01:25:33 - 01:25:35: In the Savannah
01:25:35 - 01:25:37: REM covered that song
01:25:37 - 01:25:39: Oh I could totally see that
01:25:39 - 01:25:41: It's the version The Sidewinder Sleeps Tonight
01:25:41 - 01:25:43: Are these two different things?
01:25:43 - 01:25:45: Well it says that it was a b-side of The Sidewinder Sleeps Tonight
01:25:45 - 01:25:47: Where they actually did The Lion Sleeps Tonight
01:25:47 - 01:25:49: Can we hear that version?
01:25:49 - 01:25:51: It's a major song
01:25:51 - 01:25:53: In the jungle
01:25:53 - 01:25:55: The quiet jungle
01:25:55 - 01:25:57: The lion sleeps tonight
01:25:57 - 01:25:59: So straight up
01:25:59 - 01:26:01: Yeah, heamba
01:26:01 - 01:26:03: Pretty weak, I mean I like REM but
01:26:03 - 01:26:05: I like REM but that's pretty weak
01:26:05 - 01:26:07: I wonder what year that is
01:26:07 - 01:26:09: Oh, this is from '91?
01:26:09 - 01:26:11: This is like out of time era
01:26:11 - 01:26:13: I mean they're having fun
01:26:13 - 01:26:15: It's not an album cut
01:26:15 - 01:26:17: I'm going a little country
01:26:17 - 01:26:19: Yeah, if we get a little pedal steel in there
01:26:19 - 01:26:21: It's like gonna go for the eeeeee
01:26:21 - 01:26:23: Oh there is a pedal steel in there
01:26:23 - 01:26:25: Yeah, straight up, country
01:26:25 - 01:26:27: Call that
01:26:27 - 01:26:29: The quiet village
01:26:29 - 01:26:31: The lion sleeps tonight
01:26:31 - 01:26:33: This feels a little bit like
01:26:33 - 01:26:35: They stopped by Sesame Street
01:26:35 - 01:26:37: Right
01:26:37 - 01:26:39: Well, actually Elmo
01:26:39 - 01:26:41: Lions live in the savannah
01:26:41 - 01:26:43: Ya moron
01:26:43 - 01:26:45: Owie owie owie owie owie
01:26:45 - 01:26:47: Is that Mike Mills?
01:26:47 - 01:26:49: That's Mike Mills
01:26:49 - 01:26:51: Owie owie owie owie owie
01:26:57 - 01:26:59: Peter Bux is drunk like
01:26:59 - 01:27:01: Do we have to do this?
01:27:01 - 01:27:03: Oh
01:27:03 - 01:27:05: Oh these guys are just horsing around
01:27:05 - 01:27:07: They're just horsing around
01:27:07 - 01:27:09: Is that a theremin?
01:27:09 - 01:27:11: They put a lot of time into this
01:27:11 - 01:27:13: When you really think
01:27:13 - 01:27:15: Solid four hours
01:27:15 - 01:27:17: That's it you think?
01:27:17 - 01:27:19: And then they had the producer put in the brass and everything
01:27:19 - 01:27:21: Maybe
01:27:21 - 01:27:23: In the jungle
01:27:23 - 01:27:25: That's not a bad good stripe
01:27:25 - 01:27:27: It sounds like you're trying to do like
01:27:27 - 01:27:29: Blink 182 version
01:27:29 - 01:27:31: That's way easier
01:27:31 - 01:27:33: In the mighty jungle
01:27:33 - 01:27:35: The lion sleeps tonight
01:27:35 - 01:27:37: In
01:27:37 - 01:27:39: In the jungle
01:27:39 - 01:27:41: The mighty jungle
01:27:41 - 01:27:43: Oh yeah the nice harmonies
01:27:43 - 01:27:45: The lion sleeps
01:27:45 - 01:27:47: Tonight
01:27:47 - 01:27:49: The ugliest sound a human voice can make
01:27:49 - 01:27:51: In the jungle
01:27:53 - 01:27:55: Nah I can't do it
01:27:55 - 01:27:57: Stripe has a very distinctive voice
01:27:57 - 01:27:59: But it's hard to nail an impression of
01:27:59 - 01:28:01: He's got a lot of different gears
01:28:01 - 01:28:03: Don't let your slip away
01:28:03 - 01:28:05: That's not bad
01:28:05 - 01:28:07: Cause everybody
01:28:07 - 01:28:09: Cries
01:28:09 - 01:28:11: I don't know why I keep going to pop funk
01:28:11 - 01:28:13: You know who would have killed that?
01:28:13 - 01:28:15: Elvis
01:28:15 - 01:28:17: Vegas era Elvis
01:28:17 - 01:28:19: Would have destroyed that song
01:28:19 - 01:28:21: Oh lion sleeps tonight?
01:28:21 - 01:28:23: Actually now we gotta check is there an Elvis?
01:28:23 - 01:28:25: It's not
01:28:25 - 01:28:27: Maybe Vampire Weekend should cover R.E.M
01:28:27 - 01:28:29: I'm starting to think we got some shows booked
01:28:29 - 01:28:31: Oh live? Cool
01:28:31 - 01:28:33: What would you do man?
01:28:33 - 01:28:35: Start thinking about good covers
01:28:35 - 01:28:37: I don't know what would be like a good R.E.M
01:28:37 - 01:28:39: Man on the Moon?
01:28:39 - 01:28:41: Is that too low energy?
01:28:41 - 01:28:43: I mean honestly I know the world would rule
01:28:43 - 01:28:45: But you gotta commit those lyrics to memory
01:28:45 - 01:28:47: Oh yeah that's a lot
01:28:47 - 01:28:49: I always liked Imitation of Life
01:28:49 - 01:28:51: I know that's like
01:28:51 - 01:28:53: That sugar cane that tasted good
01:28:53 - 01:28:55: That's Hollywood
01:28:57 - 01:28:59: Come on
01:29:01 - 01:29:03: That's such an obscure
01:29:03 - 01:29:05: I mean
01:29:05 - 01:29:07: It was on MTV2 a lot
01:29:07 - 01:29:09: It's a great song but it's not like a classic
01:29:09 - 01:29:11: But that's cool you could do like a
01:29:11 - 01:29:13: Late period R.E.M cover
01:29:13 - 01:29:15: A classic R.E.M just like
01:29:15 - 01:29:17: Shiny happy people
01:29:17 - 01:29:19: Stand
01:29:19 - 01:29:23: Stand in the place that you live
01:29:23 - 01:29:25: Think about
01:29:25 - 01:29:27: Alright
01:29:27 - 01:29:29: Send an email if there's a
01:29:29 - 01:29:31: You guys could kill stand
01:29:31 - 01:29:33: If there's an R.E.M song you think Vampiricans should cover
01:29:33 - 01:29:35: Back to
01:29:35 - 01:29:37: Our current day
01:29:37 - 01:29:39: The number three song on the iTunes chart right now
01:29:39 - 01:29:41: Is by Lil Dicky
01:29:41 - 01:29:43: You know who that is Jake?
01:29:43 - 01:29:45: I don't
01:29:45 - 01:29:47: Lil Dicky is a rapper
01:29:47 - 01:29:49: I would describe him as a satirical rapper
01:29:49 - 01:29:51: But then
01:29:51 - 01:29:53: He randomly pops up in these like kind of
01:29:53 - 01:29:55: Credible rap spaces which kind of confuses me
01:29:55 - 01:29:57: Credible rap spaces
01:29:57 - 01:29:59: His vibe is that he's kind of like a goofy white guy
01:29:59 - 01:30:01: And his
01:30:01 - 01:30:03: Lyrics he's always rapping about
01:30:03 - 01:30:05: How he's like a dorky
01:30:05 - 01:30:07: White guy and hence and because his name is
01:30:07 - 01:30:09: Lil Dicky he's always talking about how his dick is very small
01:30:09 - 01:30:11: Sounds like Hot Carl
01:30:11 - 01:30:13: A little bit
01:30:13 - 01:30:15: Except this guy Lil Dicky he's actually like very popular
01:30:15 - 01:30:17: To the point
01:30:17 - 01:30:19: That he's now on the top five
01:30:19 - 01:30:21: And his newest song is called Freaky Friday
01:30:21 - 01:30:23: Featuring Chris Brown
01:30:23 - 01:30:25: And the entire video
01:30:25 - 01:30:27: It's kind of like a short film
01:30:27 - 01:30:29: That's basically about Lil Dicky and Chris Brown getting in a Freaky Friday
01:30:29 - 01:30:31: Scenario in which they swap bodies
01:30:31 - 01:30:33: Wow
01:30:33 - 01:30:35: And Lil Dicky wakes up and he's Chris Brown he's very excited
01:30:35 - 01:30:37: And Chris Brown wakes up and he's Lil Dicky
01:30:37 - 01:30:39: And he doesn't like it but then he also kind of
01:30:39 - 01:30:41: Likes people not bothering him on the street
01:30:41 - 01:30:43: So anyway
01:30:43 - 01:30:45: I guess maybe it's going to be like a pop song
01:30:45 - 01:30:47: But it's like
01:30:47 - 01:30:49: Lil Dicky
01:30:49 - 01:30:51: Ooh
01:30:51 - 01:30:55: Your boy Bedsheets did this song
01:30:55 - 01:30:57: Oh yeah Ed Sheeran does the cameo
01:30:57 - 01:30:59: Just Chris Brown so sincerely
01:30:59 - 01:31:01: Going Lil Dicky
01:31:01 - 01:31:03: His tattoos on my neck
01:31:03 - 01:31:07: I just FaceTimed Kanye
01:31:07 - 01:31:09: I told him I'm his biggest fan yeah
01:31:09 - 01:31:11: Got all these s*** in my DM
01:31:11 - 01:31:13: Yeah I do
01:31:13 - 01:31:15: Holy s*** I got a kid
01:31:15 - 01:31:17: Oh
01:31:17 - 01:31:19: I can sing so well
01:31:19 - 01:31:21: Wonder if I can say the N word
01:31:21 - 01:31:23: Wait can I really say the N word
01:31:23 - 01:31:25: What up my winner
01:31:25 - 01:31:27: Big ups my winner
01:31:27 - 01:31:29: We up my winner
01:31:29 - 01:31:31: So you understand what's happening here
01:31:31 - 01:31:33: I'm not sure who's who here
01:31:33 - 01:31:35: In the narrative of the song
01:31:35 - 01:31:37: So that is
01:31:37 - 01:31:39: That was Lil Dicky
01:31:39 - 01:31:41: That Lil Dicky woke up in Chris Brown's body
01:31:41 - 01:31:43: Hence that's Chris Brown's voice
01:31:43 - 01:31:45: So Lil Dicky waking up in Chris Brown's body
01:31:45 - 01:31:47: And exploring what it's like to be Chris Brown
01:31:47 - 01:31:49: So Lil Dicky FaceTimed Kanye
01:31:49 - 01:31:51: Now that he's in the body of Chris Brown
01:31:51 - 01:31:53: A black man
01:31:53 - 01:31:55: That's why they do this whole thing about the N word
01:31:55 - 01:31:57: Right okay
01:31:57 - 01:31:59: If you didn't see the video you'd just be like
01:31:59 - 01:32:01: What the hell is going on
01:32:01 - 01:32:03: I'm surprised it's in the top 5
01:32:03 - 01:32:05: Because conceptually it's kind of weird
01:32:05 - 01:32:07: That it translates into just audio
01:32:07 - 01:32:09: I guess it is a catchy song
01:32:09 - 01:32:11: Well keep listening
01:32:11 - 01:32:13: I'm that winner
01:32:13 - 01:32:15: I woke up in Chris Brown's body
01:32:15 - 01:32:17: So hot it's turned into Freaky Friday
01:32:17 - 01:32:19: But we got no choice but to turn this s*** sideways
01:32:19 - 01:32:21: I can't believe that it's Freaky Friday
01:32:21 - 01:32:23: It's Freaky Friday
01:32:23 - 01:32:25: I'm in Chris Brown's body
01:32:25 - 01:32:27: Driving Ferrari
01:32:27 - 01:32:29: And I'm like skin black
01:32:29 - 01:32:31: I woke up in Chris Brown's body
01:32:31 - 01:32:33: And I'm like skin black
01:32:33 - 01:32:35: I'm in Chris Brown's body
01:32:35 - 01:32:37: And I'm like skin black
01:32:37 - 01:32:39: I'm in Chris Brown's body
01:32:39 - 01:32:41: And I'm like skin black
01:32:41 - 01:32:43: I'm in Chris Brown's body
01:32:43 - 01:32:45: And I'm like skin black
01:32:45 - 01:32:47: I'm in Chris Brown's body
01:32:47 - 01:32:49: And I'm like skin black
01:32:49 - 01:32:51: I'm in Chris Brown's body
01:32:51 - 01:32:53: And I'm like skin black
01:32:53 - 01:32:55: I'm in Chris Brown's body
01:32:55 - 01:32:57: And I'm like skin black
01:32:57 - 01:32:59: I'm in Chris Brown's body
01:32:59 - 01:33:01: And I'm like skin black
01:33:01 - 01:33:03: I'm in Chris Brown's body
01:33:03 - 01:33:05: And I'm like skin black
01:33:05 - 01:33:07: I'm in Chris Brown's body
01:33:07 - 01:33:09: And I'm like skin black
01:33:09 - 01:33:11: If I was Chris Brown where would I be? What would I do?
01:33:11 - 01:33:15: I woke up in Chris Brown's body
01:33:15 - 01:33:17: So hot it's
01:33:17 - 01:33:19: Turned into Freaky Friday
01:33:19 - 01:33:21: Wait a sec, I'm so-
01:33:21 - 01:33:23: This is totally confusing me. So Chris Brown
01:33:23 - 01:33:25: is singing
01:33:25 - 01:33:27: "I woke up in Chris Brown's body"
01:33:27 - 01:33:29: Yes. So then how is that
01:33:29 - 01:33:31: the narrative of the song? It should be a little
01:33:31 - 01:33:33: Dickie-singer. No, no, no, no, no.
01:33:33 - 01:33:35: Because... You look so frustrated.
01:33:35 - 01:33:37: [laughter]
01:33:37 - 01:33:39: You know what's funny is I met one of the
01:33:39 - 01:33:41: producers of the song. I was at a party
01:33:41 - 01:33:43: and he was explaining this in detail to us
01:33:43 - 01:33:45: like three months ago. We had a conversation
01:33:45 - 01:33:47: like this. He was like, "So then
01:33:47 - 01:33:49: you know he wakes up and he's Chris Brown
01:33:49 - 01:33:51: so he's singing the N word." And I'm like, "Whoa, whoa, whoa.
01:33:51 - 01:33:53: You're gonna have little Dickie sing the N word?" He's like, "Yeah, but he's in Chris Brown's body."
01:33:53 - 01:33:55: And I was like, "You can't have him do that.
01:33:55 - 01:33:57: That's f***ed up." He's like, "No, it's okay."
01:33:57 - 01:33:59: Because at the time
01:33:59 - 01:34:01: I didn't fully understand. I wouldn't be surprised if there's some people
01:34:01 - 01:34:03: who still think it's not okay. But
01:34:03 - 01:34:05: Jake, so you understand
01:34:05 - 01:34:07: it's Freaky Friday. You've seen the film.
01:34:07 - 01:34:09: You're familiar with the concept of Freaky Friday.
01:34:09 - 01:34:11: I've actually never seen the film. Are you familiar with the concept of Body Swap?
01:34:11 - 01:34:13: Sure, sure.
01:34:13 - 01:34:15: So,
01:34:15 - 01:34:17: in the plot of the song...
01:34:17 - 01:34:19: No, I understand.
01:34:19 - 01:34:21: So, when Chris Brown sings
01:34:21 - 01:34:23: Right. It is Chris Brown's
01:34:23 - 01:34:25: body
01:34:25 - 01:34:27: and little Dickie's brain. But it...
01:34:27 - 01:34:29: Okay, so imagine... Oh, I see what you're saying.
01:34:29 - 01:34:31: Okay. I see what you're saying.
01:34:31 - 01:34:33: Right, so Chris Brown's voice
01:34:33 - 01:34:35: is singing, "I can't believe I woke up
01:34:35 - 01:34:37: in Chris Brown's body." But that's little Dickie's
01:34:37 - 01:34:39: thought. Right.
01:34:39 - 01:34:41: I made the narrative assumption
01:34:41 - 01:34:43: that it was first person.
01:34:43 - 01:34:45: Well, it is first person. Which is why
01:34:45 - 01:34:47: in a song it's crazy. This is so faked off.
01:34:47 - 01:34:49: So, the person that's singing
01:34:49 - 01:34:51: it is... We're hearing their
01:34:51 - 01:34:53: interior monologue.
01:34:53 - 01:34:55: That's what I assumed. Right. But that's not the case.
01:34:55 - 01:34:57: In the video, you're actually watching these guys
01:34:57 - 01:34:59: mouth it, so it makes more sense. Right.
01:34:59 - 01:35:01: It's very... No, no, you're right.
01:35:01 - 01:35:03: It's three layers. It actually opens up a very
01:35:03 - 01:35:05: kind of post-modern question, which is
01:35:05 - 01:35:07: in a song,
01:35:07 - 01:35:09: what is the voice we're hearing? Are you hearing the
01:35:09 - 01:35:11: interior voice? Because you're right.
01:35:11 - 01:35:13: If in the song version, we were
01:35:13 - 01:35:15: hearing the interior voice, the eternal
01:35:15 - 01:35:17: voice of little Dickie that stays with him
01:35:17 - 01:35:19: whatever body he's in,
01:35:19 - 01:35:21: then it would make more sense that we were hearing in little
01:35:21 - 01:35:23: Dickie's voice. Yes, that's what I assumed.
01:35:23 - 01:35:25: Right. And I was thinking to myself,
01:35:25 - 01:35:27: "Wow, little Dickie actually has a pretty good voice."
01:35:27 - 01:35:29: [laughs]
01:35:29 - 01:35:31: I set it up as like, he's this dorky white guy,
01:35:31 - 01:35:33: and I'm listening to the first verse
01:35:33 - 01:35:35: thinking it's little Dickie singing.
01:35:35 - 01:35:37: That was actually Chris Brown. That was Chris Brown in the
01:35:37 - 01:35:39: studio. I get it. You raised a good point though, because
01:35:39 - 01:35:41: I'm just sort of like, "Wow, he's good."
01:35:41 - 01:35:43: But little Dickie's not a singer,
01:35:43 - 01:35:45: so would he not be rapping if he
01:35:45 - 01:35:47: was Chris Brown still? Well, because
01:35:47 - 01:35:49: they're... But I... Okay. That is true.
01:35:49 - 01:35:51: I don't want to give them too much credit, but they do
01:35:51 - 01:35:53: address it because he goes,
01:35:53 - 01:35:55: he's exploring his body,
01:35:55 - 01:35:57: and his life is Chris Brown. In the video, he's looking
01:35:57 - 01:35:59: around the house, and he's looking at his body, and there's a part
01:35:59 - 01:36:01: where he goes, "I can sing
01:36:01 - 01:36:03: so well." Oh, that's fair.
01:36:03 - 01:36:05: Yeah. So it's like he's exploring his voice.
01:36:05 - 01:36:07: He's excited. "I can sing so well. I can't
01:36:07 - 01:36:09: believe it. I suddenly have this voice."
01:36:09 - 01:36:11: But it does raise the question,
01:36:11 - 01:36:13: singing is not just your vocal chords,
01:36:13 - 01:36:15: it's also the neural pathways in your brain.
01:36:15 - 01:36:17: Little Dickie wouldn't have access
01:36:17 - 01:36:19: to them. He wouldn't have the years of experience that
01:36:19 - 01:36:21: Chris Brown had. No. It's a plot hole here. He wouldn't have his
01:36:21 - 01:36:23: memories. He would probably need a few months
01:36:23 - 01:36:25: to kind of, you know... It's like
01:36:25 - 01:36:27: sitting down in a Ferrari, but you don't know how to drive.
01:36:27 - 01:36:29: He doesn't know how to drive stick shift. Yeah.
01:36:29 - 01:36:31: A lot of holes in freaky driving. I'm also
01:36:31 - 01:36:33: missing a lot, you know, this kind of... This is an
01:36:33 - 01:36:35: insane song to hear without watching the
01:36:35 - 01:36:37: video. Also, first pass, we're going
01:36:37 - 01:36:39: very granular.
01:36:39 - 01:36:41: I didn't know this song existed.
01:36:41 - 01:36:43: "I can sing so
01:36:43 - 01:36:45: well." Imagine
01:36:45 - 01:36:47: our song that was like this.
01:36:47 - 01:36:49: "I woke up in Dick's long
01:36:49 - 01:36:51: stretched body." Well, except if I was singing,
01:36:51 - 01:36:53: "I woke up in Ezra's
01:36:53 - 01:36:55: body."
01:36:55 - 01:36:57: Oh, it's because it's my interior
01:36:57 - 01:36:59: dialogue through your vocal cords.
01:36:59 - 01:37:01: The
01:37:01 - 01:37:03: DC version. Seinfeld
01:37:03 - 01:37:05: as a satirist.
01:37:05 - 01:37:07: Do you like this song?
01:37:07 - 01:37:09: Oh, I have mixed feelings about it
01:37:09 - 01:37:11: because I actually... I appreciate
01:37:11 - 01:37:13: Little Dickie and I really enjoyed his singing. Oh, really?
01:37:13 - 01:37:15: I like him. I like that "Save That
01:37:15 - 01:37:17: Money." I have like a guilty... You know,
01:37:17 - 01:37:19: I enjoy funny rap. I like
01:37:19 - 01:37:21: the Lonely Island, you know,
01:37:21 - 01:37:23: Weird Al. It's not cool to admit,
01:37:23 - 01:37:25: but I like rap that's funny.
01:37:25 - 01:37:27: And I really like his "Save That Money" video.
01:37:27 - 01:37:29: I don't know if you saw that. This is the
01:37:29 - 01:37:31: concept. Again, he's very conceptual, but the
01:37:31 - 01:37:33: video is that he's trying to do like a
01:37:33 - 01:37:35: big baller rap video and
01:37:35 - 01:37:37: he's doing everything for free.
01:37:37 - 01:37:39: So it opens with him like going door to door
01:37:39 - 01:37:41: in LA trying to get like mansions to shoot
01:37:41 - 01:37:43: in and he borrows a fee,
01:37:43 - 01:37:45: goes to a dealership and he gets a car
01:37:45 - 01:37:47: and he's driving it around. And I was talking to a
01:37:47 - 01:37:49: friend about this and he was like, "You know, this is really funny.
01:37:49 - 01:37:51: I don't know if I can support the rehabilitation
01:37:51 - 01:37:53: of Chris Brown." Right, yeah.
01:37:53 - 01:37:55: And there's a part in the video where
01:37:55 - 01:37:57: Chris Brown, you know,
01:37:57 - 01:37:59: with the soul, I guess, of the little dick inside,
01:37:59 - 01:38:01: he discovers a gun in his own
01:38:01 - 01:38:03: house. And it's like,
01:38:03 - 01:38:05: I don't know, I'm a little on the fence about it.
01:38:05 - 01:38:07: Yeah, why you gotta bring guns into it?
01:38:07 - 01:38:09: But then again, will Chris Brown ever
01:38:09 - 01:38:11: be redeemable? It opens up questions
01:38:11 - 01:38:13: that are maybe worth considering.
01:38:13 - 01:38:15: But, um, what was the question?
01:38:15 - 01:38:17: I can't believe that.
01:38:17 - 01:38:19: Next thing will be with R. Kelly.
01:38:19 - 01:38:21: Right? I thought the Ed Sheeran and
01:38:21 - 01:38:23: Kendall Jenner stuff at the end was pretty funny.
01:38:23 - 01:38:25: Oh, so Ed comes in. Well then at the end,
01:38:25 - 01:38:27: they break the curse.
01:38:27 - 01:38:29: Okay. They go back into their bodies
01:38:29 - 01:38:31: but then there's like this kind of
01:38:31 - 01:38:33: sting ending where then
01:38:33 - 01:38:35: he flips into a few other people's bodies.
01:38:35 - 01:38:37: So he's in DJ Khaled's body, then he's in Ed Sheeran's
01:38:37 - 01:38:39: body. And when he's Ed Sheeran he goes like,
01:38:39 - 01:38:41: "I'm in Ed Sheeran's body.
01:38:41 - 01:38:43: This isn't as cool as being in
01:38:43 - 01:38:45: Chris Brown's body." And then he's
01:38:45 - 01:38:47: in Kendall Jenner's body and so on.
01:38:47 - 01:38:49: How's Kendall work out for him? Let's play it.
01:38:49 - 01:38:51: Let's see if it's in it.
01:39:07 - 01:39:09: I think that's Kendall Jenner actually singing. Oh yeah.
01:39:09 - 01:39:11: That's funny. That's funny.
01:39:11 - 01:39:13: That's straight up. It's like an SNL skit
01:39:13 - 01:39:14: It's like a skit basically.
01:39:14 - 01:39:15: Yeah exactly.
01:39:15 - 01:39:16: I mean, exactly.
01:39:16 - 01:39:18: When you watch the video you'll understand it's an SNL sketch.
01:39:18 - 01:39:19: Wow.
01:39:19 - 01:39:23: The one thing that I'll say about it is the chorus to me is so funny that it's, because
01:39:23 - 01:39:27: it's like a real, these are like real pop dudes, real writers in that.
01:39:27 - 01:39:31: "I woke up in Chris Brown's body.
01:39:31 - 01:39:35: So hot as shit, turned into Freaky Friday.
01:39:35 - 01:39:40: But we got no choice but to turn this shit sideways.
01:39:40 - 01:39:45: I can't believe that it's Freaky Friday."
01:39:45 - 01:39:52: Something about the earnest delivery of "I can't believe that it's Freaky Friday."
01:39:52 - 01:39:54: Just like, because the other parts they know they're being, it's like they're being silly
01:39:54 - 01:39:55: and shit.
01:39:55 - 01:40:03: And I just love that he very earnestly delivers "I can't believe that it's Freaky Friday."
01:40:03 - 01:40:05: Just sings it so well.
01:40:05 - 01:40:14: And just, also, just that line, "I can't believe that it's Freaky Friday."
01:40:14 - 01:40:17: You're right, Seinfeld, there's some thorny issues that maybe we'll get into if it stays
01:40:17 - 01:40:21: in the top five, but they accomplished something here.
01:40:21 - 01:40:25: Also you know what I find that's so funny is like, imagine that it actually happened
01:40:25 - 01:40:28: and that you're like, "Holy shit, I'm in somebody else's body."
01:40:28 - 01:40:31: And then you just like look in the mirror and you say, "I can't believe that it's Freaky
01:40:31 - 01:40:32: Friday."
01:40:32 - 01:40:36: I don't know why I find that, that to me is the funniest part of the song.
01:40:36 - 01:40:42: It's like Freaky Friday is like a fairly common occurrence that like is frequent enough.
01:40:42 - 01:40:48: The tone of the song is not "Holy shit, everything I understand about science and reality is,"
01:40:48 - 01:40:53: it's more just like, "Oh, I forgot it was Memorial Day."
01:40:53 - 01:40:55: I can't believe that it's Freaky Friday.
01:40:55 - 01:41:00: Or yes, it turns like, "Oh, today's Valentine's Day, I can't believe it.
01:41:00 - 01:41:03: I got to go buy my girlfriend something."
01:41:03 - 01:41:05: This is a very interesting top five in 1972.
01:41:05 - 01:41:08: So far we had Paul Simon, Mother and Child Reunion.
01:41:08 - 01:41:09: Epic top five.
01:41:09 - 01:41:11: And we had Donny Osmond and Robert John.
01:41:11 - 01:41:13: And now number two, the number two song.
01:41:13 - 01:41:17: Imagine this, that this was a big hit song in 1972.
01:41:17 - 01:41:20: The epitome of the tasteful palette of the 70s.
01:41:20 - 01:41:22: Number two song 1972.
01:41:22 - 01:41:23: Nice.
01:41:23 - 01:41:30: That's just one of those songs that everybody kind of likes.
01:41:30 - 01:41:32: It's a classic, but it's not cheesy.
01:41:32 - 01:41:33: It's...
01:41:33 - 01:41:43: Hey, Seinfeld, you'll appreciate this.
01:41:43 - 01:41:44: What's up?
01:41:44 - 01:41:49: Neil Young was the first Canadian to have a number one album with Harvest in April '72
01:41:49 - 01:41:50: on the Billboard 200.
01:41:50 - 01:41:51: Oh, wow.
01:41:51 - 01:41:52: That's surprising.
01:41:52 - 01:41:56: I mean, what Canadians were popping before Neil?
01:41:56 - 01:41:57: Joni?
01:41:57 - 01:41:58: Joni.
01:41:58 - 01:41:59: But was that pre-Neil?
01:41:59 - 01:42:00: Yeah, well, yeah.
01:42:00 - 01:42:01: The blue was '71.
01:42:01 - 01:42:10: Oh, what about Paul Anka, who we referenced?
01:42:10 - 01:42:12: He's not, he's not Canadian, is he?
01:42:12 - 01:42:15: I feel like we've had this conversation before.
01:42:15 - 01:42:16: I know he's...
01:42:16 - 01:42:18: About Paul Anka being Canadian?
01:42:18 - 01:42:20: I think he's Lebanese American.
01:42:20 - 01:42:22: He's a Canadian American according to Wikipedia.
01:42:22 - 01:42:25: He was born, yeah, he was born in Ottawa, Ontario.
01:42:25 - 01:42:27: To Lebanese immigrant parents?
01:42:27 - 01:42:28: Uh, sure.
01:42:28 - 01:42:29: Yeah, all right.
01:42:29 - 01:42:34: But he made, probably wouldn't have had a number one album.
01:42:34 - 01:42:42: Yeah.
01:42:42 - 01:42:46: I guess one thing we could just say is like, this is a classic song, everybody knows it.
01:42:46 - 01:42:47: What's it really about, Jake?
01:42:47 - 01:42:48: What's your interpretation?
01:42:48 - 01:42:51: I've never thought about it really.
01:42:51 - 01:43:03: I've been a miner for a heart of gold.
01:43:03 - 01:43:17: What a cool voice.
01:43:17 - 01:43:19: He's just looking for a good person.
01:43:19 - 01:43:21: He's just looking for somebody he could trust.
01:43:21 - 01:43:22: Yeah maybe.
01:43:22 - 01:43:24: He feels like a miner, except he's not mining for real gold.
01:43:24 - 01:43:26: He's mining for a heart of gold.
01:43:26 - 01:43:27: I like it.
01:43:27 - 01:43:32: Keeps me searching for a heart of gold.
01:43:32 - 01:43:39: And I'm getting old.
01:43:39 - 01:43:47: The number two song back in 2018, Bebe Rexha featuring FGL.
01:43:47 - 01:43:50: Oh my God.
01:43:50 - 01:43:51: This song won't die, man.
01:43:51 - 01:43:55: I don't know if you guys follow Bebe on Twitter.
01:43:55 - 01:43:56: I don't.
01:43:56 - 01:43:57: She's been catching some flack.
01:43:57 - 01:43:58: Oh really?
01:43:58 - 01:44:00: For doing a country song and she's been defending herself.
01:44:00 - 01:44:01: Who's given her flack?
01:44:01 - 01:44:02: Like just fans.
01:44:02 - 01:44:03: Country fans?
01:44:03 - 01:44:04: Country fans.
01:44:04 - 01:44:05: Oh.
01:44:05 - 01:44:06: Yeah.
01:44:06 - 01:44:07: That's a whack vibe.
01:44:07 - 01:44:08: Yeah.
01:44:08 - 01:44:16: If this is what counts as a country song, then everybody's got to chill.
01:44:16 - 01:44:38: I get the impression this was a bigger song than they expected it was going to be.
01:44:38 - 01:44:39: Oh yeah.
01:44:39 - 01:44:40: Massive.
01:44:40 - 01:44:47: I woke up in a country singer's body.
01:44:47 - 01:44:54: I'm just a pop singer from New York and now I'm singing with somebody called Florida,
01:44:54 - 01:44:55: Georgia line.
01:44:55 - 01:44:58: Well, I'm confused too.
01:44:58 - 01:45:02: Jake, your hold up girl is very popular on Twitter.
01:45:02 - 01:45:03: What do you mean?
01:45:03 - 01:45:04: I don't know.
01:45:04 - 01:45:07: You did like hold up girl last time, but it was like, it's the thing now.
01:45:07 - 01:45:08: Oh, like hold up.
01:45:08 - 01:45:09: Yeah.
01:45:09 - 01:45:14: Oh wait, because the guy's like took a clip from the show.
01:45:14 - 01:45:15: I don't know.
01:45:15 - 01:45:16: The guy sings it in the song.
01:45:16 - 01:45:17: Yeah.
01:45:18 - 01:45:19: People were quoting you and stuff.
01:45:19 - 01:45:20: That's hilarious.
01:45:20 - 01:45:24: That's so hilarious to listen to this like pop trap country song and be like, how dare
01:45:24 - 01:45:26: you try to sing country?
01:45:26 - 01:45:28: Ms. Rexa.
01:45:28 - 01:45:31: How dare you pop trap country?
01:45:31 - 01:45:33: Let's not forget the auto tune element.
01:45:33 - 01:45:36: Pop trap auto tune country.
01:45:36 - 01:45:42: How dare you steal the 16th note high hat patterns of traditional country music.
01:45:42 - 01:45:48: Ms. Rexa, the booming 808 bass drums of country music.
01:45:48 - 01:45:52: People like Johnny Cash, Waylon Jennings.
01:45:52 - 01:46:01: They worked and fought to imbue Southern music with booming 808 bass drums and program snaps.
01:46:01 - 01:46:05: And Ms. Rexa, you New York City girl coming.
01:46:05 - 01:46:11: Did Bebe Rexa's fans also give her shit because she probably already lose them all.
01:46:11 - 01:46:12: I think it's cool.
01:46:12 - 01:46:14: I think they were standing up for her.
01:46:14 - 01:46:17: You know, did you stand up for your big Bebe Rexa fan?
01:46:17 - 01:46:18: Yeah.
01:46:18 - 01:46:24: You know, well, we're following her on Twitter, the time crisis, you know, time, time, time
01:46:24 - 01:46:26: crisis, every, every once in a while.
01:46:26 - 01:46:27: Oh, nice.
01:46:27 - 01:46:28: Yeah.
01:46:28 - 01:46:30: Does she have a show on Apple music on beats one?
01:46:30 - 01:46:33: I wonder if she knows about the crisis.
01:46:33 - 01:46:37: I don't, you know, unlikely we can never have her on the show.
01:46:37 - 01:46:38: You would melt.
01:46:38 - 01:46:39: You'd be a blubbering mess.
01:46:39 - 01:46:40: You're too big of a fan.
01:46:40 - 01:46:43: I don't want to think about what would happen if we did.
01:46:43 - 01:46:44: Is Bebe Rexa her real name?
01:46:44 - 01:46:45: I'd keep it together.
01:46:45 - 01:46:46: I think it is.
01:46:46 - 01:46:47: Let's see.
01:46:47 - 01:46:48: Keep it together.
01:46:48 - 01:46:49: Bebe Rexa.
01:46:49 - 01:46:54: Oh, she is Bleta quote Bebe Rexa.
01:46:54 - 01:46:57: Oh, that's what kind of name is that?
01:46:57 - 01:46:58: Bleta.
01:46:58 - 01:47:01: Um, you'd think I'd know Albanian.
01:47:01 - 01:47:02: That's sick.
01:47:02 - 01:47:04: Albanian and Kosovar heritage these days.
01:47:04 - 01:47:06: Do a lip of Bebe Rexa Rita Ora.
01:47:06 - 01:47:08: Action Bronson.
01:47:08 - 01:47:09: Yeah.
01:47:09 - 01:47:11: Shout out to people from that area.
01:47:11 - 01:47:16: I woke up in a country singer's body this week in 1972.
01:47:16 - 01:47:21: The number two song was heart of gold and the number one song was this.
01:47:21 - 01:47:23: Wow.
01:47:23 - 01:47:25: So this was just the wave.
01:47:25 - 01:47:29: These kind of like minor key acoustic.
01:47:29 - 01:47:32: I was assuming the song was just ripping off Neil Young.
01:47:32 - 01:47:33: Oh yeah, absolutely.
01:47:33 - 01:47:34: What else is there to assume?
01:47:34 - 01:47:45: But it came out the same time as his biggest hit.
01:47:45 - 01:47:52: So maybe to some extent it was sort of like the house style of the day.
01:47:52 - 01:47:54: But Neil has a pretty distinctive voice.
01:47:54 - 01:47:57: They got some shit for it.
01:47:57 - 01:48:09: Some radio stations banned it because they believe that a horse was slang for heroin.
01:48:09 - 01:48:12: But then the singer from America said, it's not about drugs.
01:48:12 - 01:48:15: It's about the things I saw when I was visiting the United States.
01:48:15 - 01:48:17: Cause they're like English or something.
01:48:17 - 01:48:19: Wait, I thought they're not American.
01:48:19 - 01:48:21: I think they're, you know what?
01:48:21 - 01:48:26: I think they're American like army brats who grew up in England.
01:48:26 - 01:48:33: So they're growing up in England, basking in the warm tones of SoCal country rock.
01:48:33 - 01:48:34: Wow.
01:48:34 - 01:48:36: So they have like English accents and stuff?
01:48:36 - 01:48:38: I don't know.
01:48:38 - 01:48:39: Yeah.
01:48:39 - 01:48:43: All their dads are stationed at a US Air Force base near London and they went to high school
01:48:43 - 01:48:44: in London.
01:48:44 - 01:48:51: I mean, I guess it's sort of like if you like got the top five from like 92, it was like
01:48:51 - 01:48:54: Pearl Jam and then like Stone Temple Pilots.
01:48:54 - 01:48:55: Right.
01:48:55 - 01:48:56: Yeah.
01:48:56 - 01:48:58: Is Scott Weiland ripping off Eddie Vedder?
01:48:58 - 01:48:59: I don't know.
01:48:59 - 01:49:00: Kind of.
01:49:00 - 01:49:01: Or maybe that's just the wave.
01:49:01 - 01:49:02: That's just kind of the sound of the era.
01:49:02 - 01:49:04: That's just the wave.
01:49:04 - 01:49:08: I woke up in Neil Young's body.
01:49:08 - 01:49:13: I can't believe it's Freaky Friday.
01:49:13 - 01:49:15: You know what's cool about Freaky Friday?
01:49:15 - 01:49:18: Lil Dicky and Chris Brown, they could keep making Freaky Fridays.
01:49:18 - 01:49:20: They could do historical Freaky Fridays.
01:49:20 - 01:49:21: Oh yeah.
01:49:21 - 01:49:24: Neil Young and Joni Mitchell have a Freaky Friday.
01:49:24 - 01:49:27: Chris Brown and Lil Dicky do Neil Young and Joni Mitchell.
01:49:27 - 01:49:29: Well, I'm just saying they could like, they could produce it.
01:49:29 - 01:49:30: Oh, I see.
01:49:30 - 01:49:32: They could do Freaky Fridays throughout history.
01:49:32 - 01:49:36: You know, like there's those guys who used to make the epic rap battles of history.
01:49:36 - 01:49:39: Be like Einstein is, you know, rapping against-
01:49:39 - 01:49:40: I don't think I know that.
01:49:40 - 01:49:41: Wow.
01:49:41 - 01:49:42: Bill Gates, Steve Jobs.
01:49:42 - 01:49:43: That was a big one.
01:49:43 - 01:49:44: Yeah.
01:49:44 - 01:49:46: So you could do Freaky Fridays throughout history.
01:49:46 - 01:49:50: Napoleon wakes up in the Duke of Wellington's body.
01:49:50 - 01:49:56: The number one song back in our era, 2018, Ben Platt and Lin-Manuel Miranda.
01:49:56 - 01:49:59: Jake, do you know who those people are?
01:49:59 - 01:50:01: I know who Lin-Manuel Miranda is.
01:50:01 - 01:50:02: Prove it.
01:50:02 - 01:50:03: I don't know who Ben Platt is.
01:50:03 - 01:50:05: Who is Lin-Manuel Miranda?
01:50:05 - 01:50:07: He wrote Hamilton.
01:50:07 - 01:50:08: Right.
01:50:08 - 01:50:10: Don't forget about In the Heights.
01:50:10 - 01:50:11: Fake fan.
01:50:11 - 01:50:13: Oh, never heard of it.
01:50:13 - 01:50:16: And I know he was on season 10 of Curb.
01:50:16 - 01:50:17: That's right.
01:50:17 - 01:50:18: As himself.
01:50:18 - 01:50:19: That's right.
01:50:19 - 01:50:21: Ben Platt is also a giant of musical theater.
01:50:21 - 01:50:22: Okay.
01:50:22 - 01:50:24: He's the star of Dear Evan Hansen.
01:50:24 - 01:50:25: Have you heard of that?
01:50:25 - 01:50:26: Mm-mm.
01:50:26 - 01:50:27: Have you?
01:50:27 - 01:50:28: Yeah, I've heard of it.
01:50:28 - 01:50:30: It's a major Broadway musical right now.
01:50:30 - 01:50:35: And he won the Tony Award for Best Performance by a Leading Actor in a Musical.
01:50:35 - 01:50:39: This is like Jay-Z and Kanye coming together on Watch the Throne.
01:50:39 - 01:50:40: Right.
01:50:40 - 01:50:44: It's called Found Tonight, and it's a mashup of two Broadway musical numbers.
01:50:44 - 01:50:48: Hamilton's the story of tonight, a song you of course are familiar with as someone who's
01:50:48 - 01:50:52: seen Hamilton, and Dear Evan Hansen's You Will Be Found.
01:50:52 - 01:50:58: And this is a benefit single raising money for the survivors of the high school shooting
01:50:58 - 01:50:59: in Florida.
01:50:59 - 01:51:00: Okay.
01:51:00 - 01:51:02: So you can't say anything bad about it.
01:51:02 - 01:51:03: Nope.
01:51:03 - 01:51:04: This is for a good cause.
01:51:04 - 01:51:10: We may not yet have reached our glory, but I will gladly join the fight.
01:51:10 - 01:51:21: And when our children tell their story, they'll tell the story of tonight.
01:51:21 - 01:51:28: They'll tell the story of tonight.
01:51:28 - 01:51:30: What's Dear Evan Hansen about?
01:51:30 - 01:51:33: Seinfeld, do you know what Dear Evan Hansen's about?
01:51:33 - 01:51:34: I'm hearing about it for the first time now.
01:51:34 - 01:51:35: You've never even heard of it?
01:51:35 - 01:51:36: No.
01:51:36 - 01:51:40: Oh wait, is it the one about like bullying or something and the guy-
01:51:40 - 01:51:43: Is it like he writes letters?
01:51:43 - 01:51:44: You know what, I think I do know this actually.
01:51:44 - 01:51:46: Is that why it's called Dear Evan Hansen?
01:51:46 - 01:51:47: Yeah.
01:51:47 - 01:51:48: It's writing letters to a bully?
01:51:48 - 01:51:52: Is this the guy who gets like panic attacks or something?
01:51:52 - 01:51:54: It's a bully who gets panic attacks.
01:51:54 - 01:51:56: Oh wait, oh!
01:51:56 - 01:51:57: Yeah.
01:51:57 - 01:52:03: Evan Hansen is a high school senior who suffers from social anxiety disorder, which inhibits
01:52:03 - 01:52:06: his ability to connect with other people.
01:52:06 - 01:52:07: And?
01:52:07 - 01:52:08: And make friends.
01:52:08 - 01:52:12: It's a whole story.
01:52:12 - 01:52:13: He gets over it?
01:52:13 - 01:52:14: He goes on meds?
01:52:14 - 01:52:15: What happens?
01:52:15 - 01:52:18: I'm not going to ruin the musical for people.
01:52:18 - 01:52:21: Why didn't Lin-Manuel, like they could have Freaky Friday'd the shit out of this.
01:52:21 - 01:52:22: Why didn't they?
01:52:22 - 01:52:23: They could have switched it up.
01:52:23 - 01:52:24: That's true.
01:52:24 - 01:52:29: No matter what they tell you, someone will come running to take you.
01:52:29 - 01:52:30: It's Alexander Hamilton.
01:52:30 - 01:52:38: I can't believe I woke up in Alexander Hamilton's body.
01:52:38 - 01:52:44: I'm just a high school student from the modern era.
01:52:44 - 01:52:48: And then Alexander Hamilton wakes up in Dear Evan Hansen's body.
01:52:48 - 01:52:59: I can't believe I woke up in Dear Evan Hansen's body.
01:52:59 - 01:53:03: I know we'd appreciate this more if we were more familiar with the source material.
01:53:03 - 01:53:05: Musicals are popping.
01:53:05 - 01:53:07: Musicals might be bigger than movies right now.
01:53:07 - 01:53:08: I don't like that.
01:53:08 - 01:53:09: Why?
01:53:09 - 01:53:11: I don't like musicals.
01:53:11 - 01:53:13: What about what they call jukebox musicals?
01:53:13 - 01:53:14: What's that?
01:53:14 - 01:53:19: That's when they take the catalog of a classic artist, like a Billy Joel or a Queen.
01:53:19 - 01:53:22: Like Jersey Boys?
01:53:22 - 01:53:24: Is Jersey Boys considered a jukebox musical?
01:53:24 - 01:53:26: I would say so based on that description.
01:53:26 - 01:53:28: But Jersey Boys is telling the story of the group.
01:53:28 - 01:53:33: There's even a step beyond, like Jimmy Buffett's about to roll one out, where you use the classic
01:53:33 - 01:53:38: songs of an artist and then you write a story just around it.
01:53:38 - 01:53:39: Mamma Mia.
01:53:39 - 01:53:40: Yeah, like Mamma Mia.
01:53:40 - 01:53:41: Whose work is that?
01:53:41 - 01:53:42: ABBA.
01:53:42 - 01:53:43: Oh, really?
01:53:43 - 01:53:44: Classic Tom Craze's favorite.
01:53:44 - 01:53:45: Oh, I didn't know that.
01:53:45 - 01:53:47: Like Mamma Mia with Meryl Streep and stuff?
01:53:47 - 01:53:49: Mamma Mia, here I go again.
01:53:49 - 01:53:50: Oh, I didn't realize.
01:53:50 - 01:53:53: They do like Dancing Queen in it.
01:53:53 - 01:53:54: Oh, I didn't realize it was that.
01:53:54 - 01:53:55: ABBA's perfect for that.
01:53:55 - 01:54:00: ABBA has so many incredible songs, so they chose to make a musical in conjunction with
01:54:00 - 01:54:03: the main ABBA people.
01:54:03 - 01:54:07: And rather than saying, "Well, let's do a musical about the early days of ABBA and how
01:54:07 - 01:54:08: we got together," they said, "No, no, no, f*** that.
01:54:08 - 01:54:15: We're going to do a musical about a girl who's coming to Greece to get married and hang out
01:54:15 - 01:54:19: with her hippie-dippie mom, and then she asks her mom who her real father is and it gets
01:54:19 - 01:54:20: confusing.
01:54:20 - 01:54:23: So it's about a wedding and it's in Greece and it's fun."
01:54:23 - 01:54:24: Gotcha.
01:54:24 - 01:54:27: So they said that when they sing the songs, they'll sing like The Winner Takes It All
01:54:27 - 01:54:29: at a tender moment.
01:54:29 - 01:54:31: "The winner takes it all."
01:54:31 - 01:54:34: They'll sing Dancing Queen where everybody's dancing and trying to cheer up.
01:54:34 - 01:54:35: I gotcha.
01:54:35 - 01:54:36: Jukebox musicals.
01:54:36 - 01:54:39: Yeah, so you could do one for the Eagles.
01:54:39 - 01:54:42: So for instance, I'm sure that somebody at some point started developing one.
01:54:42 - 01:54:47: So if there was an Eagles jukebox musical, and it wouldn't shock me-
01:54:47 - 01:54:48: Desperado.
01:54:48 - 01:54:53: Literally, it would be like they'd create a character and his name's like Randy Ortega,
01:54:53 - 01:54:55: just moved to California.
01:54:55 - 01:54:57: Sings New Kid in Town.
01:54:57 - 01:55:02: "There's talk on the street, it sounds so familiar."
01:55:02 - 01:55:08: And then at some point he meets a girl and he likes her, but then he goes down to the
01:55:08 - 01:55:10: cafe and he sees her.
01:55:10 - 01:55:14: Or no, there's a girl he really likes, but she's married to this sh*tty rich dude.
01:55:14 - 01:55:19: "You can't hide your lying eyes."
01:55:19 - 01:55:22: At some point it'd be like Hotel California.
01:55:22 - 01:55:28: This would be the part in the third act where she's like, "Randy, you've changed.
01:55:28 - 01:55:30: You're a rock star now.
01:55:30 - 01:55:31: You don't care.
01:55:31 - 01:55:34: Look at you staying here at the Chateau Marmont with all your drugs and your women."
01:55:34 - 01:55:37: She's like, "Come on, leave with me now."
01:55:37 - 01:55:39: "I can't leave, babe.
01:55:39 - 01:55:40: Get out of here."
01:55:40 - 01:55:45: She's like, "You can check out, but you can never leave."
01:55:45 - 01:55:52: And then he's like, "All alone at the end of the evening."
01:55:52 - 01:55:57: And then he stays up all night doing coke and he's drinking as the sun rises.
01:55:57 - 01:56:00: "It's another tequila sunrise."
01:56:00 - 01:56:02: Oh yeah, you know what?
01:56:02 - 01:56:03: It's back to back.
01:56:03 - 01:56:08: He has his Hotel California moment where that shows that now he's entered this new phase
01:56:08 - 01:56:09: of his life.
01:56:09 - 01:56:12: You could picture the cast in musicals.
01:56:12 - 01:56:16: It's always the general players would come up to him with their arms like, "Plenty of
01:56:16 - 01:56:19: room at the Hotel California."
01:56:19 - 01:56:21: He's really enticed by it.
01:56:21 - 01:56:25: And then finally he takes the plunge and then he's straight up doing coke.
01:56:25 - 01:56:27: "Mirrors on the ceiling."
01:56:27 - 01:56:30: And then he's just straight up, "Pink champagne on ice."
01:56:30 - 01:56:32: Laughing in the fast lane.
01:56:32 - 01:56:35: But then he has a crazy night and he's loving it.
01:56:35 - 01:56:38: And then he wakes up and it's a tequila sunrise.
01:56:38 - 01:56:40: And then his redemption song is maybe "Desperado."
01:56:40 - 01:56:41: "Desperado."
01:56:41 - 01:56:44: Maybe it's about his buddy.
01:56:44 - 01:56:50: The Glenn Frey character is just like, "I accomplished my wildest dreams, but at what
01:56:50 - 01:56:51: cost, man?"
01:56:51 - 01:56:52: Glenn's like, "Yeah, man.
01:56:52 - 01:56:54: Time for you to come to your senses."
01:56:54 - 01:56:56: He's like, "I just don't know if I can."
01:56:56 - 01:56:57: He's like, "Yeah, you can, man."
01:56:57 - 01:56:58: "You've been out riding."
01:56:58 - 01:56:59: What is the lyrics?
01:56:59 - 01:57:00: "You've been out riding fences."
01:57:00 - 01:57:01: It's "You've been out riding fences."
01:57:01 - 01:57:02: Something.
01:57:02 - 01:57:03: I think it is.
01:57:03 - 01:57:04: Yeah.
01:57:04 - 01:57:10: And then the final, final closing number to just go out with is, "Take it easy."
01:57:10 - 01:57:14: Yeah, he and the girl get back together.
01:57:14 - 01:57:20: "Don't let the sound of your own wheels drive you crazy."
01:57:20 - 01:57:23: What do you guys see in this movie?
01:57:23 - 01:57:24: Just out of curiosity.
01:57:24 - 01:57:26: Well, we're going to workshop it in San Diego first.
01:57:26 - 01:57:29: This is basically just like an Eagles biopic at this point.
01:57:29 - 01:57:30: Kind of.
01:57:30 - 01:57:33: Yeah, it's like thinly, loosely based on the...
01:57:33 - 01:57:35: Who would play kind of like the main dude, the Randy?
01:57:35 - 01:57:37: I guess it'd have to be like some young up and comer.
01:57:37 - 01:57:39: Oh, "Call Me By Your Name," the...
01:57:39 - 01:57:40: Chalamet?
01:57:40 - 01:57:41: Chalamet, right?
01:57:41 - 01:57:42: That's what he is like.
01:57:42 - 01:57:43: Sure.
01:57:43 - 01:57:44: His mainstream breakout.
01:57:44 - 01:57:45: Yeah, if he could sing.
01:57:45 - 01:57:46: Sure.
01:57:46 - 01:57:47: "Don't let the sound of your..."
01:57:47 - 01:57:48: But it's like this really cheesy...
01:57:48 - 01:57:53: "Don't let the sound of your own wheels drive you crazy."
01:57:53 - 01:57:55: Like the Glee version, basically.
01:57:55 - 01:57:56: Yeah, basically.
01:57:56 - 01:58:01: "Timothy Chalamet is Don Henley.
01:58:01 - 01:58:08: Robert Pattinson as Timothy B. Schmidt as Randy Meisner."
01:58:08 - 01:58:10: There's also a version where the main character...
01:58:10 - 01:58:12: This would be like some rock opera type...
01:58:12 - 01:58:13: Like doesn't have a name.
01:58:13 - 01:58:17: It'd be like, "Robert Pattinson as the Drifter."
01:58:17 - 01:58:18: They never say his name.
01:58:18 - 01:58:19: Oh, yeah.
01:58:19 - 01:58:20: And then there's also the kid.
01:58:20 - 01:58:21: The kid.
01:58:21 - 01:58:22: As the kid.
01:58:22 - 01:58:23: Great idea.
01:58:23 - 01:58:24: Well, that's our top five.
01:58:24 - 01:58:25: Hell of a show.
01:58:25 - 01:58:26: We came up with $2 billion ideas.
01:58:26 - 01:58:27: I feel like you went with like five.
01:58:27 - 01:58:28: Yeah.
01:58:28 - 01:58:29: I don't even remember what we...
01:58:29 - 01:58:30: We came up with $5 billion worth of ideas on today's show.
01:58:30 - 01:58:31: Any lawyers who want to help out, you know the email, 8minutecapecod.
01:58:31 - 01:58:32: It's spelled out right, E-I-G-H-T-E-N.
01:58:32 - 01:58:33: No, it's the numeral eight.
01:58:33 - 01:58:34: Oh, sorry.
01:58:34 - 01:58:35: I lost it.
01:58:35 - 01:58:36: Yeah, no.
01:58:36 - 01:58:37: 8minutecapecod.
01:58:37 - 01:58:38: You'll figure it out.
01:58:38 - 01:58:39: Yeah.
01:58:39 - 01:58:40: I'll be like, "I'm not sure."
01:58:40 - 01:58:47: I'll be like, "I'm not sure."
01:58:47 - 01:58:48: I'll be like, "I'm not sure."

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