Episode 68: Sweet Chili Heat

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:03: Time Crisis, back once again.
00:03 - 00:10: It is with a heavy heart that today we must uncover a dark secret behind Tic Tacs, one
00:10 - 00:11: of America's favorite mints.
00:11 - 00:18: We'll also be talking Doritos with Phil Matariz, creator of the HBO comedy Animals.
00:18 - 00:23: We'll also be joined by Chris Baio to debut his Sting and Shaggy remix.
00:23 - 00:28: All this, plus the greatest hits of 2018 and 1969.
00:28 - 00:35: This is Time Crisis with Ezra King.
01:20 - 01:23: Time Crisis, back once again.
01:23 - 01:25: It feels like it's been a long time.
01:25 - 01:31: Because the real hardcore TC heads, I wonder if they realize that the last episode was
01:31 - 01:33: recorded weeks in advance.
01:33 - 01:34: Deeply canned.
01:34 - 01:36: A little radio magic.
01:36 - 01:40: That's the one that we had Dev and Dave and Despot, RL.
01:40 - 01:45: The reason that we pre-recorded that one is because Jake was going on his honeymoon.
01:45 - 01:46: That's right.
01:46 - 01:49: Long-time listeners may remember that Jake got married.
01:49 - 01:51: How long have you been married now?
01:51 - 01:52: Eight months.
01:52 - 01:54: Got married in September of 2017.
01:54 - 01:56: You just did a delayed honeymoon?
01:56 - 01:58: Yeah, delayed HM.
01:58 - 02:00: What, you went to Italy?
02:00 - 02:01: Went to Italy.
02:01 - 02:02: How was it?
02:02 - 02:03: Great trip.
02:03 - 02:08: I believe we talked about it before you went that that was your first time in Europe in
02:08 - 02:10: almost 20 years.
02:10 - 02:15: Yeah, I went in 2002 with Wolf Kernel.
02:15 - 02:16: On tour?
02:16 - 02:17: Yeah.
02:17 - 02:20: Renowned K-Records band, Wolf Kernel.
02:20 - 02:21: Played drums on that tour.
02:21 - 02:22: Oh, really?
02:22 - 02:23: I don't play drums anymore.
02:23 - 02:25: I've never seen you play drums.
02:25 - 02:26: I'm not that good.
02:26 - 02:28: My drumming on that tour was very basic.
02:28 - 02:32: So you were slapping the tubs for Wolf Kernel on a 2002 European tour.
02:32 - 02:33: Yep.
02:33 - 02:35: And that was the last time you checked across the Atlantic.
02:35 - 02:36: Yep.
02:36 - 02:37: So that's a big deal.
02:37 - 02:42: It's a long time to be away from Europe.
02:42 - 02:45: Did it feel like a big deal to be like setting foot in Italy?
02:45 - 02:47: A big deal in what sense?
02:47 - 02:52: I guess I always think for me that I think the first time I ever left the country I was
02:52 - 02:55: a teenager, like 14 with my family.
02:55 - 03:02: And I think about those early trips I took from age like 14 to 22 a few times and everything
03:02 - 03:06: about it, going to the airport was such a big deal because I hadn't been on planes that
03:06 - 03:08: much as a child, basically not at all as a child.
03:08 - 03:12: And there's something about like being a teen, you know, leaving the country and things feeling
03:12 - 03:13: so different.
03:13 - 03:14: You notice everything.
03:14 - 03:18: And it's kind of like you're in a dream the whole time you're in this other place.
03:18 - 03:19: Right.
03:19 - 03:22: I even remember going to Canada the first time, which I think was on a Dirty Projectors tour
03:22 - 03:25: and like being in Toronto and like the money being different.
03:25 - 03:27: Just what are all these Tim Hortons everywhere?
03:27 - 03:28: Yeah.
03:28 - 03:30: Just being shocked by the density of Tim Hortons.
03:30 - 03:36: Then in my twenties, Vampire Weekend toured like crazy to the point that, you know, you're
03:36 - 03:38: like rolling through Amsterdam for like the fifth time or something.
03:38 - 03:42: You're just kind of like, yeah, you're like jet lagged and you kind of like draw the curtain
03:42 - 03:44: and just say whatever.
03:44 - 03:48: And then it's actually, I haven't traveled that much in the hiatus years.
03:48 - 03:53: So I guess I was kind of thinking like, as you get older, is leaving the country less
03:53 - 03:54: exciting?
03:54 - 03:57: Did I just get a little bit like jaded from touring too much?
03:57 - 04:00: Will I be kind of psyched when I get back over there?
04:00 - 04:06: Did you do any international tourism for leisure in the last few years?
04:06 - 04:07: Not really.
04:07 - 04:08: I mean, I know you went to Hawaii.
04:08 - 04:09: Went to Hawaii.
04:09 - 04:10: That's part of the US.
04:10 - 04:11: But it's exotic.
04:11 - 04:12: It's not mainland.
04:12 - 04:14: I was just hitting McDonald's every day.
04:14 - 04:16: I was, you know, nothing fancy.
04:16 - 04:18: I mean, I've left the country here and there.
04:18 - 04:20: There's been some trips, but really I've been kind of like...
04:20 - 04:21: Holding it down.
04:21 - 04:24: Yeah, I've been holding it down in the old US of A.
05:03 - 05:11: Also, I found that, especially when you go on tour a lot, and you'd be in like
05:11 - 05:15: the really big cities like London and Paris a lot, the more time you'd spend
05:15 - 05:19: there, the more you'd kind of realize how global culture was kind of like
05:19 - 05:21: bending into one thing.
05:21 - 05:22: Sure.
05:22 - 05:25: So even on that level, those like feelings I associate with the first times I ever
05:25 - 05:29: left the country of being like everything's so different, but then flash forward to
05:29 - 05:34: being in like, you know, Portland, L.A., New York, London, all like the same
05:34 - 05:36: poke restaurant.
05:36 - 05:37: Wow.
05:37 - 05:38: And everybody kind of dresses the same.
05:38 - 05:39: But Italy's always been its own thing.
05:39 - 05:40: Italy's not like that.
05:40 - 05:41: Yeah.
05:41 - 05:43: I mean, maybe Milan would be like that because we left for Milan.
05:43 - 05:45: That definitely seemed more northern.
05:45 - 05:49: But like in terms of the big towns, Rome and Florence and Siena, which I spent
05:49 - 05:53: time in on this past trip, definitely felt like a different trip.
05:53 - 05:57: There weren't poke restaurants that I saw in those towns.
05:57 - 05:58: But I have to say --
05:58 - 06:01: Ooh, that sounds like a good business opportunity for me.
06:01 - 06:03: I did see sushi restaurants.
06:03 - 06:06: Was it hard for you like with the lack of access to poke?
06:06 - 06:07: Yeah.
06:07 - 06:08: Difficult.
06:08 - 06:09: I made up for it.
06:09 - 06:12: Talking about cutting the trip short.
06:12 - 06:16: I made up for it by having pasta and red wine for lunch.
06:16 - 06:17: Nice.
06:17 - 06:18: We rented a car.
06:18 - 06:22: And so we drew -- I remember driving into Florence and driving into Siena and
06:22 - 06:27: noticing, much like the cities in the U.S., like the outskirts would be fully
06:27 - 06:29: internationally homogenized.
06:29 - 06:31: There would be like warehousing.
06:31 - 06:34: You'd see like a Burger King, a Mickey D's, a Subway.
06:34 - 06:35: Car dealerships.
06:35 - 06:36: Hell yeah.
06:36 - 06:39: And then you'd get within like the inner ring of the city.
06:39 - 06:44: You'd like pass over the old moat or like drive in some like narrow gateway
06:44 - 06:46: like past the old city walls.
06:46 - 06:51: And then like the zoning there must be insane because there was like nothing
06:51 - 06:55: built after like the year 1000 or whatever in any of these tiny --
06:55 - 06:57: And it seems like they have rules.
06:57 - 07:00: Like Italy has done a good job of holding off Starbucks.
07:00 - 07:01: Oh, hell yeah.
07:01 - 07:02: Pretty well.
07:02 - 07:03: Oh, I didn't see any Starbucks.
07:03 - 07:04: I know there are some in Italy.
07:04 - 07:05: Dude.
07:05 - 07:07: I think there's a whole thing that like Starbucks said we're going to make a
07:07 - 07:08: big push in Italy.
07:08 - 07:10: And then there's a lot of like blowback.
07:10 - 07:13: Well, Italy has very strong coffee culture.
07:13 - 07:14: Right.
07:14 - 07:19: And so we flew back from Milan through Oslo to L.A.,
07:19 - 07:22: dipped into the Oslo airport for an hour.
07:22 - 07:24: First thing I see, Starbucks.
07:24 - 07:25: Yeah.
07:25 - 07:29: And I was like, whoa, come to think of it, haven't seen one in two and a half weeks.
07:29 - 07:30: Yeah.
07:30 - 07:32: That got the gears turning.
07:32 - 07:33: Yeah.
07:33 - 07:37: And I was like, yeah, Italy has got very strong established coffee culture.
07:37 - 07:39: Which is something that you have to protect.
07:39 - 07:40: Hell yeah.
07:40 - 07:43: It's not as easy as just saying like, well, our country has strong coffee
07:43 - 07:44: culture, so we don't want Starbucks.
07:44 - 07:47: Actually, like France also has strong coffee culture.
07:47 - 07:49: Are there Starbucks everywhere?
07:49 - 07:50: I think there's some Starbucks.
07:50 - 07:54: But one thing I noticed over the years that I've been going to Paris is the
07:54 - 07:56: rise of the McCafe.
07:56 - 07:59: Is McCafe McDonald's with a coffee emphasis?
07:59 - 08:01: Or what is the McCafe?
08:01 - 08:03: I think sometimes it's literally just the same menu.
08:03 - 08:08: But I've seen times where it was kind of like a kiosk within a McDonald's that
08:08 - 08:12: maybe had its own window on the street where you could order a cappuccino,
08:12 - 08:13: something of that nature.
08:13 - 08:16: I was hitting cappuccinos in Italy.
08:16 - 08:17: And espressos?
08:17 - 08:18: Big time.
08:18 - 08:19: It's just standing up at the bar.
08:19 - 08:23: Seinfeld, number crunch on number of Starbucks in Italy?
08:23 - 08:29: I don't have the number of Starbucks, but I will tell you that as of 2017,
08:29 - 08:31: there were zero Starbucks.
08:31 - 08:32: In the whole country?
08:32 - 08:33: It sounds like a number to me.
08:33 - 08:34: Per eater.
08:34 - 08:39: And they opened their first location in the whole country this year.
08:39 - 08:40: In Milan?
08:40 - 08:41: Yes.
08:41 - 08:43: Nailed that.
08:43 - 08:44: I feel great about that.
08:44 - 08:47: And I don't even know, because I'm reading an article from 2017,
08:47 - 08:48: so I don't even know if that happened.
08:48 - 08:51: It seems like they were just planning to do it.
08:51 - 08:53: Not a Starbucks country.
08:53 - 08:54: Respect.
08:54 - 08:55: That's cool.
08:55 - 08:56: Mad respect.
08:56 - 08:58: Anyway, Italy ruled.
08:58 - 08:59: It's a great country.
09:28 - 09:30: Speaking of Italy, on today's show,
09:30 - 09:33: I want to talk about one of my favorite Italian candies.
09:33 - 09:34: OK.
09:34 - 09:36: I'm talking, of course, about Tic Tacs.
09:36 - 09:38: Didn't know that was Italian.
09:38 - 09:41: Yeah, neither did I until I looked it up today.
09:41 - 09:42: Why'd you look it up?
09:42 - 09:46: Well, I think I was looking at Instagram, maybe Twitter.
09:46 - 09:48: Definitely a social media platform.
09:48 - 09:49: I'm not sure.
09:49 - 09:50: I don't know.
09:52 - 09:53: I'm not sure.
09:53 - 09:54: I don't know.
09:54 - 09:55: I'm not sure.
09:55 - 09:56: I don't know.
09:56 - 09:57: I'm not sure.
09:57 - 09:58: Maybe Twitter.
09:58 - 09:59: Definitely a social media platform.
09:59 - 10:00: One of the big two.
10:01 - 10:02: Maybe it was even Facebook.
10:02 - 10:03: You're not on Facebook.
10:03 - 10:04: I am on Facebook.
10:04 - 10:05: Are you?
10:05 - 10:06: Yeah.
10:06 - 10:07: You look, but never post?
10:07 - 10:09: I haven't posted in a long time.
10:09 - 10:11: I mean, have we never talked about Facebook on this show?
10:11 - 10:13: I know you're like an early adapter.
10:13 - 10:14: I'm an early adapter.
10:14 - 10:16: But I thought you bailed like 10 years ago.
10:16 - 10:19: I have reason to believe that I'm one of the first 2,000
10:19 - 10:21: people who was ever on Facebook.
10:21 - 10:22: That's tight.
10:22 - 10:23: I mean, is it?
10:23 - 10:26: I bailed, dude.
10:26 - 10:27: After the election, I bailed.
10:27 - 10:28: But go ahead.
10:28 - 10:32: So anyway, I always associated Facebook with like being a
10:32 - 10:33: sophomore in college.
10:33 - 10:34: Right.
10:34 - 10:36: Then once I graduated, I didn't use it that much.
10:36 - 10:39: And then also I had this weird thing where people kept making
10:39 - 10:40: fake accounts.
10:40 - 10:41: Did I never tell this story?
10:41 - 10:42: No, no.
10:42 - 10:45: I went to my 10th high school reunion, and I was talking to
10:45 - 10:46: this dude, Ryan Ayers.
10:46 - 10:47: Great dude.
10:47 - 10:48: Friend of mine.
10:48 - 10:49: Yeah.
10:49 - 10:51: I hadn't stayed that much in touch, but a guy I really liked,
10:51 - 10:54: and we were like having some beers at his parents house.
10:54 - 10:55: What year is this?
10:55 - 10:56: The high school reunion?
10:56 - 10:58: It must have been '28.
10:58 - 11:00: I remember I was finishing the last Vampire Weekend album,
11:00 - 11:03: and me and Wes, one of my oldest friends.
11:03 - 11:04: Like '13?
11:04 - 11:05: No, wait.
11:05 - 11:06: 2012.
11:06 - 11:07: This would have been 2012.
11:07 - 11:10: So we're hanging out at this guy's parents house after the
11:10 - 11:13: reunion, and he was like, "Hey, that's pretty cool.
11:13 - 11:16: When you posted that Smashing Pumpkins video the other day,
11:16 - 11:18: I hadn't heard that song in a while."
11:18 - 11:19: And I was like, "Posted on what?"
11:19 - 11:21: And he's like, "On Facebook."
11:21 - 11:23: And I was like, "I don't think I've actually posted anything on
11:23 - 11:24: Facebook in a while."
11:24 - 11:25: And he's like, "Yeah, you have."
11:25 - 11:26: And he showed me.
11:26 - 11:28: And there's like somebody had actively made a fake account,
11:28 - 11:31: and they friended people I'd gotten to high school with,
11:31 - 11:33: and they weren't even doing anything crazy.
11:33 - 11:35: They were just like posting Smashing Pumpkins videos and being like,
11:35 - 11:39: "Yo, remember the '90s when we were tweens?"
11:39 - 11:41: That's crazy.
11:41 - 11:43: That kind of bugged me out because I was like,
11:43 - 11:47: obviously there's a lot of potential for weirdness.
11:47 - 11:52: And I remember I had some people hit up Facebook and try to shut down
11:52 - 11:55: a bunch of these fake accounts, but that was the worst.
11:55 - 11:56: I'd never heard anything bad.
11:56 - 12:00: I'd never heard somebody saying, "Somebody started sending me
12:00 - 12:01: crazy messages."
12:01 - 12:04: But that was just so unnerving, just like somebody holding it down
12:04 - 12:05: just being like--
12:05 - 12:08: So there were multiple Ezra Koenig fake accounts.
12:08 - 12:09: Yeah.
12:09 - 12:13: And they were all just posting like SP videos.
12:13 - 12:14: I guess so.
12:14 - 12:15: That's an interesting impulse.
12:15 - 12:18: I mean, yeah, maybe just like somebody would get home from work
12:18 - 12:21: and just kind of imagine what it would be like.
12:21 - 12:23: And also it's interesting that this person was like friending people
12:23 - 12:24: I went to high school with.
12:24 - 12:27: It's not like they were trying to like even--
12:27 - 12:29: Maybe it was somebody I went to high school with just being weird
12:29 - 12:30: or something.
12:30 - 12:31: Yeah.
12:31 - 12:36: It reminds me--this is kind of a weird story in terms of like fake identities.
12:36 - 12:41: In a benign sense, I worked at a nursery, like a plant nursery,
12:41 - 12:42: like a greenhouse.
12:42 - 12:43: Okay.
12:43 - 12:44: Yeah, that's on brand.
12:44 - 12:46: You had like a bunch of 3-year-olds.
12:46 - 12:47: Yeah, yeah.
12:47 - 12:51: Now this would have been 1996, so I would have been like 19.
12:51 - 12:52: Yeah.
12:52 - 12:55: And there was like a photographer that came from the local paper.
12:55 - 12:59: It was like, "Hey, we're doing a story on the nursery
12:59 - 13:00: and we're going to shoot you guys."
13:00 - 13:04: And we were just like standing in the greenhouse like weeding
13:04 - 13:05: and like planting stuff.
13:05 - 13:07: And I was like, "Oh my God."
13:07 - 13:09: And they shot all these pictures of me.
13:09 - 13:11: And they're like, "What's your name?"
13:11 - 13:14: And I said, "Steven Malkemis."
13:14 - 13:17: [laughter]
13:17 - 13:22: Because huge pavement head at the time--still am--and I was like,
13:22 - 13:23: "This would be kind of funny."
13:23 - 13:28: For some of our younger listeners or our older listeners who don't give a [bleep]
13:28 - 13:31: about indie rock, Steven Malkemis was in a band called Pavement,
13:31 - 13:33: considered a seminal indie rock band of the '90s.
13:33 - 13:34: Considered?
13:34 - 13:38: First of all, everyone that listens to this show,
13:38 - 13:42: if they're a Vampire Weekend fan, gives an F about indie rock.
13:42 - 13:44: I don't need you throwing shade at indie rock.
13:44 - 13:48: I'm not throwing--By the way, I was literally listening to Pavement last night.
13:48 - 13:49: What album?
13:49 - 13:50: Wowie Zowie because I never--
13:50 - 13:51: Oh, I love that record.
13:51 - 13:54: I was wondering if Wowie Zowie was considered a double album.
13:54 - 13:55: Oh, interesting.
13:55 - 13:57: No, it's like 19 or 20 tracks.
13:57 - 13:59: No, it's like a long--it's like an hour, right?
13:59 - 14:00: Not a double.
14:00 - 14:01: Yeah, but it's 18 songs.
14:01 - 14:02: But it might be on vinyl.
14:02 - 14:03: It might be four sides.
14:03 - 14:04: Anyway, I was thinking about Pavement.
14:04 - 14:08: I felt like it had been fashionable to say you don't like Pavement for a while
14:08 - 14:13: because I think Pavement was considered kind of like the old white male rock critic kind of thing.
14:13 - 14:14: Sure.
14:14 - 14:16: And it became kind of unfashionable.
14:16 - 14:19: Like Pavement became a shorthand for being like, "Oh, what?
14:19 - 14:21: Great music is only made by Pavement?"
14:21 - 14:25: Right, like nerdy, literate college rock.
14:25 - 14:30: Right, whereas for a long time that got respect, whereas pop or hip hop didn't,
14:30 - 14:34: whereas now I think at least in the critical universe that things have evened out.
14:34 - 14:37: But anyway, I was thinking about Pavement, and I was like, "You know what?
14:37 - 14:38: Pavement has some tunes, man."
14:38 - 14:43: I'm not saying that Pavement is ever going to top the year-end lists again, let alone the charts,
14:43 - 14:46: but I was like, "You know what?
14:46 - 14:48: There's nothing cool about hating on Pavement.
14:48 - 14:49: Throw in some Pavement."
14:49 - 14:55: Maybe someone's going to save me.
14:55 - 14:59: My heart is made of gravy
14:59 - 15:04: And the lapses swim from lunatics don't care
15:04 - 15:08: Open up your stocking
15:08 - 15:12: Pull out all the things you never wanted
15:12 - 15:16: From room service calls
15:16 - 15:21: Room service calls
15:21 - 15:28: Open up your pants and let me see the things you keep in there
15:28 - 15:32: I want to split up 50/50
15:32 - 15:36: That's the way we do it in this rose town
15:36 - 15:40: I've got all the glory in the world
15:40 - 15:44: I hope it doesn't floor you before you go
15:44 - 15:48: Room service calls
15:48 - 15:52: In the random halls
15:52 - 15:53: Go!
15:53 - 15:58: I remember you used to hate on them like 10 years ago, and I was like, "Come on, man.
15:58 - 16:01: I know you're flexing. You have a young career going."
16:01 - 16:02: I was flexing.
16:02 - 16:07: You need to front to the previous generation, but I was also in between the generations.
16:07 - 16:09: I never publicly hated on bands.
16:09 - 16:12: To me, you would be like, "That band's whack."
16:12 - 16:16: And I'd be like, "Get out of here. You're doing your music. Come on. Get out of here."
16:16 - 16:17: So I'm glad you're back around.
16:17 - 16:20: There are a lot of Pavement songs that I like.
16:20 - 16:22: No, Pavement's cool.
16:22 - 16:24: And also, look, you're right.
16:24 - 16:25: It's always--
16:25 - 16:28: Well, okay, that's been settled here at D.C.
16:28 - 16:29: It's always been--
16:29 - 16:30: Pavement's cool.
16:30 - 16:34: And also, first of all, I do respect Pavement. I respect Stephen Malcomist a lot.
16:34 - 16:39: So I would have never said anything publicly, although I feel like he said something publicly weird about Vampire Weekend before.
16:39 - 16:40: Did he?
16:40 - 16:41: That's just what happens.
16:41 - 16:42: Yeah.
16:42 - 16:43: The old heads.
16:43 - 16:44: Generations, man.
16:44 - 16:48: So just like, it's about time for me to start talking s*** about some young stuff.
16:48 - 16:50: Talking smack about Sheermag.
16:50 - 16:54: No, I f*** with Sheermag.
16:54 - 16:56: I have the Malcomist interview where he talks about Vampire Weekend.
16:56 - 16:57: Oh, what did he say?
16:57 - 16:58: It's all positive.
16:58 - 16:59: Oh, really?
16:59 - 17:01: Maybe it's not the same one, then.
17:01 - 17:03: There's something glowing about them. I don't know what it is.
17:03 - 17:04: It's like an Apple computer--
17:04 - 17:05: Disrespectful.
17:05 - 17:10: Coca-Cola thing where people don't know why, but they just want it.
17:10 - 17:13: Oh, okay, so that's a little bit backhanded.
17:13 - 17:16: Like, comparing the band to Coca-Cola?
17:16 - 17:20: But that's his style. I mean, he's like, you know, kind of oblique and poetic and--
17:20 - 17:22: Doesn't seem that negative to me.
17:22 - 17:25: I mean, honestly, to me, Vampire and Pavement aren't that far apart.
17:25 - 17:27: Especially with the lyrical content.
17:27 - 17:31: Yeah, but also, you know me well and you know my vibe.
17:31 - 17:36: You got a picture, like, when our first album came out, people hearing like M79 and s***.
17:36 - 17:41: There was a certain type of listener who would have been like, "Whatever happened to good s*** like Pavement?"
17:41 - 17:42: Right.
17:42 - 17:43: [singing]
17:43 - 17:46: Yeah. Oxford Comma, though, is pretty pavement.
17:46 - 17:49: [singing]
17:49 - 17:51: But even then, it's a little more pop than Pavement.
17:51 - 17:52: A little bit, but it's like--
17:52 - 17:53: I think actually--
17:53 - 17:55: Almost could be a Pavement B-side in a weirdo world.
17:55 - 17:59: I think one of the most true, like, classic indie rock Vampire Weekend songs--
17:59 - 18:00: Yeah?
18:00 - 18:02: Because we were playing this the other day at the rehearsal space--
18:02 - 18:03: Yeah.
18:03 - 18:06: --is a deep cut rarity called Ottoman. Do you know that one?
18:06 - 18:08: Wait, how does it go? Wait, put it on.
18:08 - 18:11: I think it's finally on the streaming services now.
18:11 - 18:14: Because this is like-- I wrote the riff when I was a teenager.
18:14 - 18:19: I was singing about it. And look, in the end, the arrangement went to a very early Vampire Weekend place.
18:19 - 18:23: But the opening guitar riff, which I think I wrote when I was like 14 or 15--
18:23 - 18:25: Whoa, you go back that far?
18:25 - 18:27: [playing guitar]
18:27 - 18:29: But then I like palm muted it and stuff.
18:29 - 18:33: You remember riffs from when you were 14?
18:33 - 18:34: [playing guitar]
18:34 - 18:38: But then once the cello comes in, it doesn't sound like Pavement anymore, but like--
18:38 - 18:42: [singing]
18:42 - 18:44: Imagine if it wasn't palm muted.
18:44 - 18:45: Sure.
18:45 - 18:47: [singing]
18:47 - 18:52: Ice baby, I saw your girlfriend and she did a little dance--
18:52 - 18:53: Yeah, who's the lyrics?
18:53 - 18:55: [singing]
18:55 - 18:58: At the Chancellor's Regatta.
18:58 - 19:18: [playing guitar]
19:18 - 19:23: Yeah, now the whole presentation is so '90s indie rock, but--
19:23 - 19:25: [singing]
19:25 - 19:26: Yeah.
19:26 - 19:30: [playing guitar]
19:30 - 19:32: Throw in Shady Lane.
19:32 - 19:34: [singing]
19:34 - 19:36: Blind date with the Chancellor.
19:36 - 19:40: We had oysters and dry Lancers and the check when it arrived.
19:40 - 19:42: We went Dutch, Dutch, Dutch.
19:42 - 19:43: [singing]
19:43 - 19:46: A redder shade of neck on a whiter shade of trash.
19:46 - 19:51: And this emery board is giving me a rash.
19:51 - 19:54: I'm flat out.
19:54 - 19:56: [laughing]
19:56 - 19:57: [singing]
19:57 - 20:00: You're so beautiful to look at when you cry.
20:00 - 20:04: Freeze, don't move.
20:04 - 20:15: You've been chosen as an extra in the movie adaptation of the sequel to your life.
20:15 - 20:17: A shady lane.
20:17 - 20:20: Everybody wants one.
20:20 - 20:22: A shady lane.
20:22 - 20:24: Everybody needs one.
20:24 - 20:26: Oh my God, oh my God.
20:28 - 20:30: Oh my God, oh your God.
20:30 - 20:32: Oh his God, oh her God.
20:32 - 20:33: It's everybody's God.
20:36 - 20:39: The world's collide.
20:39 - 20:42: But all that we want is a shade.
20:42 - 20:46: Bam, bam, bam, bam.
20:46 - 20:47: I liked Pavement.
20:47 - 20:48: Let me go full circle here.
20:48 - 20:49: Yeah, wait, no.
20:49 - 20:53: Because I've always thought there was a Pavement vampire weekend connection.
20:53 - 20:55: More sort of in the lyrics.
20:55 - 20:56: I could see that.
20:56 - 21:00: Not so much in the guitar playing, but sort of the songwriting and the lyrics.
21:00 - 21:05: But going back 20 years ago, when I was huge Pavement head, when they were still a band.
21:05 - 21:07: You'd given Stephen Malcomus as your name.
21:07 - 21:08: Yeah, exactly.
21:08 - 21:09: It's a weird thing.
21:09 - 21:13: So I always thought there was a connection between Pavement and the dead.
21:13 - 21:14: Oh, right.
21:14 - 21:15: I've heard you say this before.
21:15 - 21:19: That was a very controversial opinion to have circa 1997.
21:19 - 21:25: Because in indie rock circles, when I was 20, the dead were just sacrilegious.
21:25 - 21:26: The dead were off limits.
21:26 - 21:27: Uncool.
21:27 - 21:29: And I grew up with the dead because my parents liked the dead.
21:29 - 21:30: I always loved the dead.
21:30 - 21:35: But I was like, there's a lot of crossover with the guitar playing.
21:35 - 21:42: And even the vocal affectation of Jerry and Stephen Malcomus, pretty nasally, pretty dry
21:42 - 21:43: and straightforward.
21:43 - 21:45: And yeah, unaffected.
21:45 - 21:49: And sometimes Robert Hunter's lyrics could have that same kind of mix of storytelling
21:49 - 21:51: and just like straight up surrealism.
21:51 - 21:53: Yeah, yeah, totally.
21:53 - 21:55: I remember people just being like, are you crazy?
21:55 - 22:00: And then I remember going to a Stephen Malcomus, a very, very early Malcomus and the Jicks
22:00 - 22:04: show, secret show in Portland circa like '99.
22:04 - 22:06: Like, right after Pavement broke up.
22:06 - 22:07: And it was a tiny show.
22:07 - 22:09: It was like maybe like 50 people there.
22:09 - 22:13: So after the show, I was like, yo, Steve, I was always wondering, dude, are you into
22:13 - 22:14: the dead?
22:14 - 22:16: He's just like backing up his guitar.
22:16 - 22:18: Yeah, he was just like chilling, just like having a beer at the bar.
22:18 - 22:19: Yeah.
22:19 - 22:22: And I was like, I was kind of nervous because I was a huge Pavement fan.
22:22 - 22:24: But I was like, Steve, gotta ask.
22:24 - 22:25: Yeah.
22:25 - 22:26: Deadhead?
22:26 - 22:28: And he was like, he played it.
22:28 - 22:29: I don't know.
22:29 - 22:31: He was like, yeah, I don't know.
22:31 - 22:33: I mean, I like some of the songs.
22:33 - 22:34: I like Boxer Rain.
22:34 - 22:35: Like that.
22:35 - 22:38: He kind of like wasn't like weighing in one way or the other.
22:38 - 22:42: But then smash cut 10 years later, the Jicks are covering China Cat.
22:42 - 22:43: Yeah, that's how it works.
22:43 - 22:45: Things go in and out of fashion.
22:45 - 22:46: Right.
22:46 - 22:49: And also as things age, their differences become lessened.
22:49 - 22:50: Right.
22:50 - 22:51: Yeah.
22:51 - 22:55: Like imagine some kid who doesn't even listen to rock music now and they hear you talking
22:55 - 23:00: about the contentious debates about the dead and indie rock circles in '97.
23:00 - 23:04: They're just like, it's all a bunch of old guitar s***, man.
23:04 - 23:05: Right.
23:26 - 23:29: Israel Koenig's Time Crisis.
23:29 - 23:31: Anyway, I don't know how it got done this whole.
23:31 - 23:33: But I was talking about my favorite Italian candy, which is Tic Tacs.
23:33 - 23:35: Oh, yeah, dude.
23:35 - 23:39: Oh, it's because we started talking about Facebook and.
23:39 - 23:41: Somehow we got into pavement.
23:41 - 23:43: We got into pavement.
23:43 - 23:46: So anyway, Tic Tacs, I didn't realize this because, you know, it's funny.
23:46 - 23:49: I would have guessed that Tic Tacs is owned by like Procter & Gamble or something.
23:49 - 23:53: But when you think about it, it is a dainty little candy.
23:53 - 23:56: It does have a kind of European sensibility.
23:56 - 23:58: It's not crazy to think about.
23:58 - 24:02: And so they were brought out in 1969 by the Italian company Ferrero.
24:02 - 24:03: That's tight.
24:03 - 24:05: They were originally called Refreshing Mints.
24:05 - 24:09: I guess they eventually changed the name Refreshing Mints to Tic Tacs.
24:09 - 24:13: And the Tic Tac referred to the sound that the container makes when open and close.
24:13 - 24:14: Okay.
24:14 - 24:19: So anyway, I didn't know until today that Tic Tacs were Italian, which makes me like them more.
24:19 - 24:23: But the thing that I learned about them on social media made me like them less.
24:23 - 24:27: And I can't remember exactly where I saw this, but it was in some meme or something.
24:27 - 24:34: So Tic Tacs, I don't think the box actually says sugar-free, but very prominently on a box of Tic Tacs,
24:34 - 24:37: it says zero calories per serving.
24:37 - 24:43: And it says zero grams of sugar per serving, implying that Tic Tacs are sugar-free.
24:43 - 24:44: Right.
24:44 - 24:46: And this is the thing about Tic Tacs.
24:46 - 24:50: There's nothing remotely sugar-free or non-caloric about Tic Tacs.
24:50 - 24:59: This is a fully cooked up fiction because Tic Tacs is taking full advantage of loopholes in the FDA's way of labeling things.
24:59 - 25:06: So Tic Tacs can really be out there calling themselves a zero calorie, zero sugar item.
25:06 - 25:11: And then you look at it, the number one ingredient of Tic Tacs is sugar.
25:11 - 25:13: Of course Tic Tacs are full of sugar.
25:13 - 25:19: And this is what it says on the Tic Tacs website if you go to the frequently asked questions on the Tic Tac websites.
25:19 - 25:20: The whole part of the website.
25:20 - 25:22: Yeah, they know nobody's going there.
25:22 - 25:26: Tic Tac mints do contain sugar as listed in the ingredient statement.
25:26 - 25:30: However, since the amount of sugar per serving, one mint.
25:30 - 25:33: Yeah, so by the way, the serving size of Tic Tacs is one mint.
25:33 - 25:34: That's whack.
25:34 - 25:36: Yeah, I've never had one Tic Tac in my life.
25:36 - 25:39: It's even very difficult to simply serve yourself one Tic Tac.
25:39 - 25:40: Yeah.
25:40 - 25:45: However, since the amount of sugar per serving, one mint, is less than 0.5 grams,
25:45 - 25:50: FDA labeling requirements permit the nutrition facts to state that there are 0 grams of sugar per serving.
25:50 - 25:55: So basically, if a serving size of something has less than 0.5 grams of sugar,
25:55 - 25:58: you're allowed to just round it down to zero.
25:58 - 26:00: That shouldn't be a rule to begin with.
26:00 - 26:01: And here's the amazing part.
26:01 - 26:07: It doesn't even matter how much sugar there is relative to the size of the portion.
26:07 - 26:14: So understandably, if you were selling like a foot-long sandwich that somehow had 0.5 grams of sugar
26:14 - 26:20: and you're like, "FDA, come on. We're giving people a big-ass sandwich that basically has no sugar.
26:20 - 26:21: Can we just call it zero sugar?"
26:21 - 26:23: Maybe that-- even that doesn't make that much sense.
26:23 - 26:27: But Tic Tacs, solely because the serving size is so small,
26:27 - 26:32: they can lie through their teeth and say that there's zero grams of sugar per serving.
26:32 - 26:33: It's crazy.
26:33 - 26:34: Why is that even a rule?
26:34 - 26:35: That's bonkers.
26:35 - 26:39: I mean, I'm sure if you're like diabetic or something where you really have to watch your sugar,
26:39 - 26:42: you've learned this lesson a long time ago, but it's just-- it's just wacky.
26:42 - 26:49: That's the funny thing about like companies being sketchy with really, really underestimating the serving size.
26:49 - 26:50: Right.
26:50 - 26:51: Very misleading.
26:51 - 26:53: All these nutrition facts, they just confuse people.
26:53 - 26:57: People, you're better off just saying, "I'm not going to have any sugar or like carbs for a while,"
26:57 - 27:01: rather than like finding all these like misleading things where it's like,
27:01 - 27:03: "Well, there is some sugar, but it's very high in protein."
27:03 - 27:04: Making you do the math.
28:11 - 28:15: So I was pretty negative on Tic Tacs once I found out that they were cooking the books like this.
28:15 - 28:16: It's just sketchy.
28:16 - 28:17: Wait, what's this Trump stuff here?
28:17 - 28:23: Well, remember that when Trump was saying all those horrible things on the Access Hollywood bus,
28:23 - 28:24: the infamous tape.
28:24 - 28:25: Yeah.
28:25 - 28:28: He was talking about needing Tic Tacs.
28:28 - 28:31: He was talking with the guy on the bus about Tic Tacs.
28:31 - 28:32: Yeah.
28:32 - 28:35: Which I guess was related to his like seducing women or something.
28:35 - 28:37: He needs to have that breath fresh.
28:37 - 28:38: He needed a good breath.
28:38 - 28:41: And Tic Tac denounced the candidate Trump and they tweeted,
28:41 - 28:47: "Tic Tac," not Tic Tacs, "Tic Tac respects all women."
28:47 - 28:48: No, you don't.
28:48 - 28:49: First of all, no, you don't.
28:49 - 28:50: I love this.
28:50 - 28:56: This inanimate object, a.k.a. candy, respects all women.
28:56 - 29:00: You don't respect women enough to keep it real with them about how much sugar is in your product.
29:00 - 29:02: Boom.
29:02 - 29:06: We find the recent statements and behavior completely inappropriate and unacceptable.
29:06 - 29:08: Tic Tac, you're 100% right.
29:08 - 29:13: Donald Trump's statements are completely inappropriate and unacceptable as far as the behavior of a human being goes.
29:13 - 29:19: As far as the behavior of a candy, we ask very little of you, arguably much less than we ask of a human being.
29:19 - 29:21: Just be straightforward.
29:21 - 29:22: Just be straightforward.
29:22 - 29:23: About your ingredients.
29:23 - 29:24: Yeah.
29:24 - 29:25: That's all we ask.
29:25 - 29:27: This is the cognitive dissonance.
29:27 - 29:28: Number one ingredient, sugar.
29:28 - 29:31: Amount of sugar per serving, zero grams.
29:31 - 29:32: Insane.
29:32 - 29:34: Why don't they say .5 grams?
29:34 - 29:35: Because the FDA doesn't make them.
29:35 - 29:37: You give them an inch.
29:37 - 29:42: Tic Tac, if you're listening, because we know you're such a strong advocate of women.
29:42 - 29:45: The Ferraro Corporation, if you're listening.
29:45 - 29:54: Well, I don't know how the Ferraro Corporation feels, but I know that Tic Tac got on Twitter and was willing to speak truth to power to our sexist piece of s*** president.
29:54 - 29:55: So, oh, God.
29:55 - 30:01: Imagine if, like, Trump off the back of that, the way that he got elected was, like, everybody was like, whoa, even Tic Tac's coming for Trump.
30:01 - 30:02: And that was a feeling.
30:02 - 30:03: Tic Tac.
30:03 - 30:08: He's basically admitting to sexual assault, and then people are like, he's not going to get out of this one, remember?
30:08 - 30:09: And then the way he got out was like.
30:09 - 30:10: He got out.
30:10 - 30:15: You know, I got Tic Tac coming for me, talking about they respect women.
30:15 - 30:17: These lying crooks.
30:17 - 30:18: They're talking about.
30:18 - 30:20: They're talking about it being zero grams of sugar.
30:20 - 30:21: Do you believe this?
30:21 - 30:24: What is it with these people and their numbers?
30:24 - 30:27: Can you imagine, like, on the debate stage with Hillary.
30:27 - 30:29: That's some crooked Tic Tac.
30:29 - 30:35: I remember listening to Trump talk about the serving sides of Tic Tac's, just like stone faced.
30:35 - 30:36: God.
30:36 - 30:37: But you know what?
30:37 - 30:38: I do.
30:38 - 30:40: I think they do make sugar free Tic Tac's.
30:40 - 30:41: That's the hilarious part.
30:41 - 30:42: Diet.
30:42 - 30:44: Yeah, there's sugar free Tic Tac's.
30:44 - 30:49: I just want to, like, go into, like, a CVS and be like, sir, do you have, like, sugar free Tic Tac's?
30:49 - 30:50: Like, oh, yeah, right there.
30:50 - 30:52: They're like, what's the difference?
30:52 - 30:55: I'm looking at the.
30:55 - 30:57: I'm looking at the health information on the back.
30:57 - 31:00: They both seem to have zero grams of sugar.
31:00 - 31:06: Yeah, does the CVS manager get that granular with his knowledge of the products?
31:06 - 31:11: It occurs to me that if a product has zero grams of sugar, it is in fact sugar free.
31:11 - 31:17: Hence, the idea of there being a sugar free Tic Tac makes no sense at all.
31:17 - 31:20: Riddle me this, sir.
31:20 - 31:22: Anyway, boycott security.
31:22 - 31:24: Anyway, should we boycott Tic Tac's?
31:24 - 31:25: I don't eat them.
31:25 - 31:27: I'm an Altoids guy.
31:27 - 31:28: Interesting.
31:28 - 31:29: Altoids have sugar.
31:29 - 31:31: Yeah, I'm not worried about it.
31:31 - 31:34: I'm not scarfing handfuls of Altoids.
31:34 - 31:35: One at a time?
31:35 - 31:37: I'm doing like two, three a day.
31:37 - 31:39: Don't you find they're not powerful enough, though?
31:39 - 31:40: No.
31:40 - 31:42: It's very kind of dull.
31:42 - 31:46: Altoids were billed as being the curiously strong mint.
31:46 - 31:48: Tic Tac is comparatively weak.
31:48 - 31:50: What am I thinking of then?
31:50 - 31:52: Mentos is not very strong.
31:52 - 31:53: Yeah, you're right.
31:53 - 31:59: It's funny how Altoids, I guess they are originally English, and they always had this kind of upper crust sensibility.
31:59 - 32:01: I love the tin, I gotta tell you.
32:01 - 32:06: The tin is nice, and I feel like they really tried to brand it on some Harry Potter s***.
32:06 - 32:12: There would always be an English person, like Altoids, curiously strong mint.
32:12 - 32:16: I think that Tic Tacs now is neither here nor there.
32:16 - 32:22: Do you stand for women, or are you lying to them and their other gendered counterparts?
32:22 - 32:31: I think if Altoids is like the English one, Mentos always came across as kind of like East Block, Czech Republic vibe.
32:31 - 32:34: I think Tic Tacs should get back to their Italian heritage.
32:34 - 32:35: That'd be cool.
32:35 - 32:37: What is the most popular mint in America?
32:37 - 32:39: Seinfeld, can I get a number crunch?
32:39 - 32:40: Coming up.
32:40 - 32:41: You want to guess?
32:41 - 32:42: Should I just tell you?
32:42 - 32:43: Wait, let's guess.
32:43 - 32:44: Is it not Tic Tac?
32:44 - 32:45: It's not Tic Tac.
32:45 - 32:46: It's not Altoids.
32:46 - 32:47: It is Altoids.
32:47 - 32:48: Oh, really?
32:48 - 32:50: Altoids are more popular than Tic Tacs?
32:50 - 32:51: I'm surprised, too.
32:51 - 32:52: That's because they keep it real.
32:52 - 32:53: By hair.
32:53 - 32:54: They're straightforward.
32:54 - 32:55: By how much?
32:55 - 32:57: By, looks like about 1%.
32:57 - 32:58: So they're tied for first, basically.
32:58 - 32:59: Number three?
32:59 - 33:00: I'm actually surprised by that.
33:00 - 33:01: What's number three?
33:01 - 33:03: I don't think you're going to guess this one.
33:03 - 33:04: It's Ice Breakers.
33:04 - 33:05: That's not gum?
33:05 - 33:07: It's kind of a gum hybrid, I would say.
33:07 - 33:10: I feel like it's somewhere between Altoids and Mentos.
33:10 - 33:12: But how do you hybridize that?
33:12 - 33:13: Neither of those are gum.
33:13 - 33:16: You chew and you swallow, a gum you spit out.
33:16 - 33:18: Although Mentos makes gum.
33:18 - 33:20: Have you ever had Mentos gum?
33:20 - 33:24: It's so confusing because the original Mentos is so close to being a gum.
33:24 - 33:26: This show.
34:35 - 34:43: We don't talk about mints enough on Time Crisis.
34:43 - 34:44: I like this.
34:44 - 34:46: We should do another mints episode.
34:46 - 34:48: Anyway, we're about to get on the phone.
34:48 - 34:50: You pronounce his name Phil Matarese or Phil Matarese?
34:50 - 34:52: I would say the second one, but yeah, we should ask him.
34:52 - 34:56: It's Phil Matarese.
34:56 - 35:00: Phil Matarese is the creator and star of Animals on HBO.
35:00 - 35:02: It's a funny cartoon on HBO.
35:02 - 35:04: New season starts August 3rd.
35:04 - 35:06: He also makes music under the name Phil's Pills.
35:06 - 35:09: He's a lifelong chips lover with a concentration on Doritos.
35:09 - 35:13: Seinfeld 2000 got in touch with him because he wrote a little chain,
35:13 - 35:16: a little thread on Doritos.
35:16 - 35:19: You can tell this guy's a real Doritos head.
35:19 - 35:21: He's also a media industry professional.
35:21 - 35:24: This is what he wrote on Twitter.
35:24 - 35:27: "I try not to be too serious on here, but something has been happening over the
35:27 - 35:30: past year lately that I find deeply, deeply troubling.
35:30 - 35:34: Doritos Blaze was released January 2018."
35:34 - 35:35: Now, I didn't even know about this.
35:35 - 35:37: Did you know that they dropped a new Doritos this year?
35:37 - 35:38: Nope.
35:38 - 35:39: Out of the loop.
35:39 - 35:41: Recently on Time Crisis, we've been less interested in Doritos.
35:41 - 35:44: We've been focusing more on mints, Tic Tacs, Altoids, things of that nature.
35:44 - 35:46: So, we've been slacking.
35:46 - 35:51: So, anyway, Doritos dropped something called Blaze in January 2018.
35:51 - 35:54: According to Phil, it is a bull redundant Dorito.
35:54 - 35:59: It's got no point of view and is, in my opinion, spicy for spicy's sake.
35:59 - 36:03: The original rollout's bag heat marks hands on it, which is so, so lame,
36:03 - 36:04: but here's why this matters.
36:04 - 36:06: So, look at this, Jake.
36:06 - 36:10: This is the bag of Blaze, and it has almost like these red hot fingers on it.
36:10 - 36:11: I'm seeing it.
36:11 - 36:16: As if even gripping the bag would cause fire or lava.
36:16 - 36:20: You know what it reminds me of is the Coors Light super cold can.
36:20 - 36:21: Yeah.
36:21 - 36:26: Where there's some sort of weird thermal reading where if it's super cold--
36:26 - 36:27: Oh, the mountains change colors?
36:27 - 36:30: Yeah, it goes to blue or something.
36:30 - 36:31: Just real whack.
36:31 - 36:35: And so, the reason that Phil's so upset about this is the Doritos brand has cannibalized
36:35 - 36:38: one of their most beloved flavors, sweet chili spice.
36:38 - 36:40: So, even then, I'm like, "This guy's a super Doritos head."
36:40 - 36:41: He's a head.
36:41 - 36:44: Because to even call sweet chili spicy--
36:44 - 36:45: A classic.
36:45 - 36:47: Yeah, to me, the classics are--
36:47 - 36:48: Nacho cheese.
36:48 - 36:49: Nacho cheese and ranch.
36:49 - 36:50: Yeah, that's it.
36:50 - 36:52: Democrats and Republicans, man.
36:52 - 36:55: Binary, but Phil clearly, he's a third party guy.
36:55 - 36:58: On my walk today, I stopped by three stores and none of them had it.
36:58 - 37:01: Two had Blaze, and that's not okay because it's my favorite.
37:01 - 37:05: So, basically, this new one, Blaze, is supplanting his favorite.
37:05 - 37:08: Blaze is now the third purple bag on the Doritos primary roster.
37:08 - 37:11: I'm very worried for the future SSC.
37:11 - 37:12: Sweet spicy chili.
37:12 - 37:13: Here's what you can do to help.
37:13 - 37:16: Don't buy Blaze and buy the shit out of sweet spicy chili.
37:16 - 37:22: If you want spicy, go for Flama's, Tapatio, or my second favorite, Salsa Verde.
37:22 - 37:28: You know what's so weird about this is in Canada, sweet spicy chili is called sweet chili heat.
37:28 - 37:29: Really?
37:29 - 37:30: Yeah.
37:30 - 37:31: Sweet chili heat.
37:31 - 37:32: Seems like an arbitrary--
37:32 - 37:34: Sweet chili.
37:34 - 37:36: So, anyway, we gotta get Phil on the phone.
37:36 - 37:39: I gotta write a song called Sweet Chili Heat.
37:39 - 37:40: Jake's making a note on his phone.
37:40 - 37:41: I'm making a note.
37:41 - 37:44: She's my sweet, sweet chili heat.
37:44 - 37:47: Now, let's go to the Time Crisis Hotline.
37:47 - 37:51: [phone ringing]
37:51 - 37:52: Hey, is that Phil?
37:52 - 37:54: Yes, this is Phil.
37:54 - 37:55: Hey, Phil, how are you doing?
37:55 - 37:57: You're on Time Crisis with Ezra and Jake.
37:57 - 37:58: Hey, Ezra, how's it going, man?
37:58 - 37:59: Hey, Jake, how's it going, pal?
37:59 - 38:00: Hey, what's up?
38:00 - 38:02: Great to have you on the show, man.
38:02 - 38:04: Fan of your work, fan of Animals.
38:04 - 38:07: First question, though, did not know how to pronounce your last name.
38:07 - 38:10: Oh, yeah, just flatten it out, man, Matt-a-reece.
38:10 - 38:12: It's not like too Italian or anything like that, just Matt-a-reece.
38:12 - 38:15: Okay, 'cause I was saying it real Italian before.
38:15 - 38:16: All right, Phil Matt-a-reece.
38:16 - 38:18: How do you say your last name?
38:18 - 38:19: That's a good question.
38:19 - 38:24: My family actually says Canig, but everybody always says Conig, so we kind of like gave up.
38:24 - 38:27: [laughing]
38:27 - 38:30: I was basically raised not to correct people 'cause they're always like,
38:30 - 38:32: "None of these are the real pronunciations. Maybe you feel the same way."
38:32 - 38:34: It's like in the homeland, they pronounce it differently.
38:34 - 38:36: It's a mess. The surnames are a mess.
38:36 - 38:38: Dave, what's your last name?
38:38 - 38:39: Longstreath.
38:39 - 38:42: Oh, yeah, Longstreath, Phil. That's easy.
38:42 - 38:44: Yeah, nobody's getting that wrong.
38:44 - 38:46: People do. They say Longstretch.
38:46 - 38:47: Oh, yeah, that's true.
38:47 - 38:48: That happens all the time.
38:48 - 38:52: Pete, are you on Twitter with your brother? I'm probably going to see you guys in L.A.
38:52 - 38:55: I'm not, but I'll be at the L.A. shows in attendance.
38:55 - 38:57: You guys can have a beer together.
38:57 - 39:01: So, Phil, we were just reading through some of your Doritos tweets.
39:01 - 39:04: So, Jake and I would love to talk about Doritos,
39:04 - 39:08: but we got to admit that you seem like a true Doritos head
39:08 - 39:15: because you refer to spicy sweet chili as a beloved Doritos flavor.
39:15 - 39:17: That's barely even on our radar, man.
39:17 - 39:20: So, have you just always been a huge Doritos fan or what?
39:20 - 39:23: Yeah, it's pretty ingrained in who I am.
39:23 - 39:31: I have a very early distinct memory of my grandma introducing me to Cool Ranch Doritos
39:31 - 39:35: and literally thinking, like, my grandma is, like, pretty cool.
39:35 - 39:37: I didn't know this, but my grandma is pretty cool.
39:37 - 39:40: She's got the hook up with some crazy shit.
39:40 - 39:43: So, it's, like, deep-seated into me.
39:43 - 39:47: Personally, I think chips are, like, the best food,
39:47 - 39:51: and I think Doritos are the best version of the best food.
39:51 - 39:54: So, I'm, like, I'm kind of a nut job about Doritos, yes.
39:54 - 39:58: And so you have Doritos in your home, your abode?
39:58 - 39:59: You know what, gang?
39:59 - 40:03: I try not to keep them in there because once I get to big bags,
40:03 - 40:05: I usually just eat the whole thing or I come close to it.
40:05 - 40:10: I'm like a dog with dog food where I'll just keep eating until I get sick.
40:10 - 40:14: So, what I like to do is I like to, like, you know, if I'm out and about,
40:14 - 40:18: if I'm getting gas or something, I'll go in and I'll get a smaller bag.
40:18 - 40:21: Probably not as good for the environment because I'm using more packaging,
40:21 - 40:23: but you got to do what you got to do, gang.
40:23 - 40:26: And your favorite flavor is--see, I'm confused about this
40:26 - 40:29: because some of the bags say Spicy Sweet Chili,
40:29 - 40:33: but you also called it Sweet Chili Spice--what is it?
40:33 - 40:35: I probably just got it wrong.
40:35 - 40:37: I'll be honest, it's kind of a clunky name.
40:37 - 40:39: It is Spicy Sweet Chili.
40:39 - 40:42: Seinfeld2000 was telling us in Canada where he comes from,
40:42 - 40:43: what's it called?
40:43 - 40:45: Sweet Chili Heat.
40:45 - 40:48: Sweet, sweet chili heat.
40:48 - 40:49: We just wrote a song.
40:49 - 40:52: Seems like an arbitrary change on that title for the Canadian market,
40:52 - 40:53: but there you have it.
40:53 - 40:58: See, I'm starting to see some problems already with my favorite flavor.
40:58 - 41:01: It's that it's, like, up north we're getting a different name.
41:01 - 41:03: We can't get the name right here in America.
41:03 - 41:05: Gang, what's your take on Doritos?
41:05 - 41:06: Where do you guys stand?
41:06 - 41:10: So I'm guessing you're probably in the nacho cheese, Cool Ranch world.
41:10 - 41:11: Exactly.
41:11 - 41:13: Jake and I are kind of meat and potatoes, guys.
41:13 - 41:16: Those are the two that we're familiar with.
41:16 - 41:19: Everything beyond that I consider, like, a novelty.
41:19 - 41:20: Like Doritos 3D?
41:20 - 41:22: What was that?
41:22 - 41:24: That's one-off sort of stuff.
41:24 - 41:26: They do that kind of stuff here and there.
41:26 - 41:30: But Spicy Sweet Chili, that was a primary roster.
41:30 - 41:37: I would say Salsa Verde is a primary roster as well as probably Spicy Nacho.
41:37 - 41:38: That would be, like--
41:38 - 41:39: Salsa Verde.
41:39 - 41:43: Wait, so wait, how big is the primary roster?
41:43 - 41:48: Like if I go into just like a Vons or like an Arco gas station.
41:48 - 41:51: That's an issue I'm having right now with my favorite flavor.
41:51 - 41:52: We'll get to that in a moment.
41:52 - 41:55: But I think about four, I would say.
41:55 - 42:00: So Doritos, Cool Ranch, always going to be everywhere, basically no matter where you go.
42:00 - 42:06: After that, my personal experience, even having moved from New Jersey,
42:06 - 42:10: Pennsylvania, New York to out here in Los Angeles,
42:10 - 42:15: I've been able to get Spicy Sweet Chili pretty regularly at gas stations,
42:15 - 42:19: your Wawa's, your food stores, as well as Spicy Nacho.
42:19 - 42:22: So I guess those would be my primary roster.
42:22 - 42:23: That's the top four.
42:23 - 42:25: And it sounds like you're, like, spicy.
42:25 - 42:26: Yeah, I do.
42:26 - 42:28: But I have a limit.
42:28 - 42:35: And I'll tell you what, the new mother [bleep] that came out of the gate, Blaze, is too spicy.
42:35 - 42:39: It's knocking Spicy Sweet Chili off of the primary roster.
42:39 - 42:40: That's my big issue.
42:40 - 42:42: That's what I keep griping about online.
42:42 - 42:43: It tastes like nothing.
42:43 - 42:44: It's just spicy for spicy's sake.
42:44 - 42:47: It's vague, uncharacteristic flavor.
42:47 - 42:49: And it's a purple bag.
42:49 - 42:57: So I know that sounds silly, but this is now the third Doritos purple bag that's in production right now,
42:57 - 43:02: number one being Spicy Sweet Chili, number two being the tasty and very spicy Flamas,
43:02 - 43:05: and number three being this mother [bleep] Blaze that came out of nowhere.
43:05 - 43:10: And I live in a pretty foot-trafficky area of Los Angeles, Echo Parks,
43:10 - 43:19: and I've been able to get Spicy Sweet Chili pretty regularly from varying corporate levels of, like, a 7-Eleven,
43:19 - 43:25: a liquor store near me, an AM/PM, and then just, like, a small little bodega thing.
43:25 - 43:33: And four out of five places near my house, guys, have Blaze, but none of them carry Spicy Sweet Chili anymore.
43:33 - 43:34: That's wild.
43:34 - 43:35: I wonder how this works.
43:35 - 43:42: Like, maybe on some very, like, straight-up level, the local Doritos distributor is going to these stores and saying,
43:42 - 43:46: "Listen, we're trying to push Blaze right now, so tailor your orders around it.
43:46 - 43:48: If you take three bags of Blaze, we'll give you a discount."
43:48 - 43:56: You know, like, maybe there truly is a top-down directive to kind of phase out SSC and move in Blaze.
43:56 - 43:57: Oh, I bet there is.
43:58 - 43:59: Ice Watt.
44:28 - 44:33: It's interesting, too, the way you're talking about Blaze, because the first thing that came to mind is, like,
44:33 - 44:39: you're somebody who likes spicy Doritos, so already you're a little bit left of center.
44:39 - 44:44: You're not, like, a down-the-middle kind of guy, not a nacho cheese Cool Ranch guy.
44:44 - 44:48: And then something comes out that is even further to the left of what you like.
44:48 - 44:49: It's beyond the pale.
44:49 - 44:55: It makes me think a little bit about, like, the directors and the fans who were into, like, kind of classic horror movies,
44:55 - 45:01: which in the '80s seemed so violent, like Freddy, Friday the 13th, all that stuff.
45:01 - 45:06: And then you get to the Saw era, just, like, the torture movies, and then suddenly you have a lot of people pushing back,
45:06 - 45:11: being like, "This is not what the horror genre is all about. This is just gross-out bulls--t."
45:11 - 45:13: And then everybody's like, "I thought this is what you wanted."
45:13 - 45:14: Amen, brother.
45:14 - 45:19: And they're like, "No, no, no. Just because I like something a little bit violent onscreen
45:19 - 45:21: does not mean that I want it cranked to 200."
45:21 - 45:23: Incredible analogy.
45:23 - 45:25: It really came to mind very strongly.
45:25 - 45:37: We don't need that.
45:52 - 45:54: Oh, right, when Trump came to office, everybody was saying that.
45:54 - 46:19: I know, like, it might seem, like, so crazy and obviously in the grand scheme of things,
46:19 - 46:21: compared to all these terrible things that are happening.
46:21 - 46:22: It doesn't mean a lot, but--
46:22 - 46:23: Well...
46:23 - 46:27: Well, no, but I mean, it's interesting to always look for the metaphors in our culture,
46:27 - 46:28: and Doritos are part of our culture.
46:28 - 46:30: I know what you mean, too.
46:30 - 46:36: There is something about, like, if spicy used to mean an alternate flavor on the spectrum
46:36 - 46:39: for people who wanted something with a little bit of kick,
46:39 - 46:43: and then they're giving something that essentially is just to, like, torture people,
46:43 - 46:47: people who are so numb to the sweet, spicy chilis of the world,
46:47 - 46:51: that they just want something that just, like, almost just hurts them.
46:51 - 46:56: It's extremist.
46:56 - 47:00: So in some weird way, it's like, when things are pushed to an extreme, it's like,
47:00 - 47:05: yeah, what's going on in a country where people need to, like, hurt themselves--
47:05 - 47:08: Yeah, just to feel something.
47:09 - 47:12: And you think about, like, the prevalence of sriracha, too.
47:12 - 47:17: I remember the first time I had it, whenever that was, maybe, like, ten years ago now,
47:17 - 47:20: to me, it was so spicy.
47:20 - 47:25: It was, like, the craziest thing to put on your food, but now I almost, like, treat it like ketchup.
47:25 - 47:29: So maybe there is a slight, I don't know, evolutionary--
47:29 - 47:31: No, and you're right, like, if you're--
47:31 - 47:34: There's definitely, like, places where just that.
47:34 - 47:36: Some people grow up with spicy food and some people don't,
47:36 - 47:42: but it sounds like Blaze is going beyond any kind of recorded culture
47:42 - 47:45: that any anthropologist has ever seen.
47:45 - 47:47: Blaze is amoral.
47:47 - 47:48: Yeah, Blaze is amoral.
47:48 - 47:49: I think it is.
47:49 - 47:54: The chips themselves actually have way more seasoning on it, too.
47:54 - 47:56: You look at, like, a nacho cheese, it's, like, a beautiful thing.
47:56 - 47:59: You can see the tortilla under it, all that sort of stuff,
47:59 - 48:05: but this thing is, like, a piece of sandpaper, almost, with the amount of seasoning left on it.
48:05 - 48:07: It's really kind of grotesque.
48:07 - 48:09: Yeah, it's strange.
48:09 - 48:12: I want to make a commercial for Doritos Blaze.
48:12 - 48:15: That's just the Johnny Cash Nine Inch Nails cover.
48:15 - 48:20: I hurt myself today to see if I still--
48:20 - 48:22: All right, well, Phil, thanks so much for calling in.
48:22 - 48:24: We hope you'll call in again and talk about Doritos.
48:24 - 48:28: Real quick question, because this has been brewing on the show for a few months,
48:28 - 48:31: because the word "chip" connotes different things to different people.
48:31 - 48:34: I assume for you, the first chip you think of as Doritos for other people
48:34 - 48:36: might be a potato chip like Lay's.
48:36 - 48:39: If you were having a party and you sent your friend out,
48:39 - 48:42: they said, "Can I go grab anything from the corner store?"
48:42 - 48:45: And you said, "Sure, I've already got a bunch of beer. Grab some chips."
48:45 - 48:49: And they came back with a whole bunch of Cheetos.
48:49 - 48:50: Would you think that was weird?
48:50 - 48:53: I would think that's weird. I wouldn't be too happy with that.
48:53 - 48:57: It's too much of a swing in one direction. It's too niche of a thing.
48:57 - 49:02: And you're not getting the same mouth sensation as a chip
49:02 - 49:05: when you were asking for something as specific as a chip.
49:05 - 49:08: You want a very specific crunch.
49:08 - 49:12: Right. It's not a chip. On a very basic level, they disobeyed the order.
49:12 - 49:14: It's not a chip.
49:14 - 49:17: That is not a good friend. That is not a good friend.
49:17 - 49:18: Not a good listener, I think.
49:18 - 49:21: I don't know why some people think-- and look, I love Cheetos.
49:21 - 49:23: I have nothing against Cheetos, but it's just fundamentally--
49:23 - 49:25: that would be like if you asked somebody to go grab some chips
49:25 - 49:27: and they came back with a big box of saltines.
49:27 - 49:29: What's the difference? Jake's shaking his head.
49:29 - 49:32: No, that would drive me up the wall.
49:32 - 49:34: What about goldfish?
49:34 - 49:36: Are goldfish for children or adults?
49:36 - 49:40: I think goldfish are for children. Frankly, I don't care for goldfish.
49:40 - 49:43: It gets all too gummed up in my teeth.
49:43 - 49:47: You have like four and all of a sudden it's just-- it's kind of just a round.
49:47 - 49:49: That's a great point. That's just a great point.
49:49 - 49:51: You know what I just thought of talking to Phil too?
49:51 - 49:52: It's very dry.
49:52 - 49:53: It's so dry.
49:53 - 49:55: But another thought I just had talking to Phil,
49:55 - 49:57: because we talk about goldfish all the time on this show.
49:57 - 49:59: It's a great show, Phil.
49:59 - 50:01: You know one-- yeah.
50:01 - 50:03: I got to get off the music, gang.
50:03 - 50:04: It's an excellent radio show.
50:04 - 50:09: But you know how we really know that goldfish are for children?
50:09 - 50:11: It's because there's no goldfish blaze.
50:11 - 50:14: There's no three alarm fire spicy goldfish.
50:14 - 50:15: Because you would--
50:15 - 50:16: Well, they keep it classy.
50:16 - 50:18: No, it's because you would never feed that to children.
50:18 - 50:20: No, the blaze is for children.
50:20 - 50:21: No.
50:21 - 50:22: Man children.
50:22 - 50:24: Okay, maybe for man children.
50:24 - 50:26: But no, there's like rainbow goldfish.
50:26 - 50:28: There's all-- there's different types of goldfish.
50:28 - 50:35: But there's no five alarm spicy nacho chili heat.
50:35 - 50:38: You're not going to see that under the Pepperidge Farm banner.
50:38 - 50:39: Yeah, no, Pepperidge--
50:39 - 50:40: It's a classy company.
50:40 - 50:44: No, because Pepperidge Farm is like-- is old school like Puritan.
50:44 - 50:45: No spice.
50:45 - 50:46: Yeah.
50:46 - 50:47: Yeah, no spice.
50:47 - 50:50: You're not going to see blaze in a Ziploc bag anytime soon.
50:50 - 50:52: Pepperidge Farm is waspy.
50:52 - 50:55: They traced their heritage all the way directly back to England.
50:55 - 50:57: No spice.
50:57 - 50:59: All right, we figured something out.
50:59 - 51:00: All right, thanks so much for calling in, Phil,
51:00 - 51:03: and everybody boycott Doritos Blaze.
51:03 - 51:04: Please do.
51:05 - 51:10: Buy spicy sweet chili or sweet spicy chili or spicy sweet heat if you're in Canada.
51:10 - 51:11: Thanks for having me, dudes.
51:11 - 51:12: All right, have a good one, man.
51:12 - 51:13: Have a good night.
51:13 - 51:14: Thank you.
51:14 - 51:15: Peace.
51:18 - 51:21: [MUSIC - THE KILLA, "YALI YALI YALI"]
53:42 - 53:44: [MUSIC - THE KILLA, "YALI YALI YALI"]
53:44 - 53:49: You're listening to Time Crisis on Beat One.
53:49 - 53:52: All right, we're now joined in the studio by Chris Baio.
53:52 - 53:53: Welcome back to the program.
53:53 - 53:55: Pleasure to be back.
53:55 - 53:57: You're kind of a Doritos guy, right?
53:57 - 53:59: Yeah, I haven't been for a while.
53:59 - 54:02: I guess we were just talking off mic about Doritos.
54:02 - 54:06: But I've lived in England the last five years.
54:06 - 54:09: But they're not as spicy over there.
54:09 - 54:11: It's interesting to come in the middle of that conversation
54:11 - 54:13: because I haven't tried these Blays,
54:13 - 54:15: and I'm curious how they relate to the other.
54:15 - 54:16: Oh, yeah, you love spicy stuff.
54:16 - 54:18: Yeah, I might feel differently from Phil,
54:18 - 54:21: but I have to try it before I can definitively weigh in.
54:21 - 54:24: But yeah, I always liked spicy nacho when I was growing up.
54:24 - 54:26: We got to get you some Doritos, Blays.
54:26 - 54:27: Yeah, I'd love that.
54:27 - 54:32: Off mic about Doritos is the best phrase ever.
54:32 - 54:37: We had a hot mic, hot Doritos conversation.
54:37 - 54:40: So, Chris, last time you were on the show,
54:40 - 54:44: you were telling us about your relationship to Sting and Shaggy,
54:44 - 54:46: who recently put out an album.
54:46 - 54:51: And I'll say that things have only heated up between me and them since then.
54:51 - 54:55: So we were talking to you as the rollout was happening for the Sting and Shaggy album.
54:55 - 54:56: Yeah.
54:56 - 54:58: So what's been the fallout since the album?
54:58 - 55:00: Fallout?
55:00 - 55:04: I mean, I feel like in America it didn't get great reviews.
55:04 - 55:06: There's some haters.
55:06 - 55:10: Well, I think that a lot of the reviews did point out
55:10 - 55:13: and notice that they have like an undeniable chemistry.
55:13 - 55:17: And it is even like some of the maybe mediocre reviews would point out that like,
55:17 - 55:20: you know, Sting sounds like he's having a great time.
55:20 - 55:23: He hasn't sounded fun on a record in forever.
55:23 - 55:25: And you kind of can't knock that ultimately.
55:25 - 55:26: Right.
55:26 - 55:27: It went in at number one.
55:27 - 55:32: I looked this up before I came over here in Argentina, Austria, Poland, and Germany.
55:32 - 55:34: What about America?
55:34 - 55:36: It went in at number 40 in America.
55:36 - 55:37: Wow.
55:37 - 55:39: So there was actually an interview with Shaggy about it,
55:39 - 55:43: and he said that he feels like the U.S. market is so like obsessed with youth
55:43 - 55:45: that that was kind of what hurt them.
55:45 - 55:47: You know, he's kind of right.
55:47 - 55:49: I think that's always been the case a little bit.
55:49 - 55:51: Like I always noticed even in the U.K.,
55:51 - 55:54: which is not so different from America in many ways,
55:54 - 55:58: over there it's like the kind of classic U.K. aging song.
55:58 - 56:01: Like a Paul Weller album would always be number one.
56:01 - 56:02: Yeah, definitely.
56:02 - 56:05: People who are like a Noel Gallagher, Liam Gallagher.
56:05 - 56:08: I guess in America like a Bruce Springsteen album would probably go to number one.
56:08 - 56:09: Really?
56:09 - 56:11: Like a new Springsteen record?
56:11 - 56:12: I think so.
56:12 - 56:13: I don't know, maybe.
56:13 - 56:15: I have no idea.
56:15 - 56:16: I find that shocking.
56:16 - 56:18: But generally speaking, I think Shaggy's right.
56:18 - 56:23: Yeah, so like to use that example, it went in at number nine in England as opposed to 40 here.
56:23 - 56:25: How did it do in Jamaica?
56:25 - 56:27: Yeah, I have no idea actually.
56:27 - 56:30: America's one of the most like ageist, Marcus.
56:30 - 56:31: Yeah, interesting.
56:31 - 56:33: But I bet they'll sell some tickets.
56:33 - 56:34: Oh yeah, definitely.
56:34 - 56:36: Are they doing a tour?
56:36 - 56:38: Yeah, I mean they're doing all Europe.
56:38 - 56:41: Now because I've been so outspoken in my support of Sting and Shaggy,
56:41 - 56:44: people kind of come at me with information,
56:44 - 56:49: either insider or, you know, stuff that's on TV that I'll miss.
56:49 - 56:54: But like I know that they're going to be playing somewhere near where we are right now sometime in the fall.
56:54 - 56:59: But I don't want to jump on their announcement because I don't believe it's been announced yet.
56:59 - 57:02: But I'm getting like some really dope insider info on Sting and Shaggy.
57:02 - 57:05: In addition to like just having people message me,
57:05 - 57:09: like they were on Watch What Happens Live a couple weeks ago and they really crushed it.
57:09 - 57:11: So they're still having a good time doing press.
57:11 - 57:13: They were so good on Watch What Happens Live.
57:13 - 57:17: They played this game with Andy Cohen called It Wasn't Me or Was It?
57:17 - 57:22: And Andy Cohen would like read a fact and they would both say it wasn't me.
57:22 - 57:27: And Andy would try and judge from their acting who the fact pertained to.
57:27 - 57:29: And he only got one out of six right.
57:29 - 57:30: They were such good actors.
57:30 - 57:35: It'd be stuff like this guy got his name from a sweater that he wore.
57:35 - 57:38: And Sting would say it wasn't me. Shaggy would say it wasn't me.
57:38 - 57:42: Oh, that is a tough one. I know the answer is Sting, but Shaggy makes more sense.
57:42 - 57:45: Yeah, Andy Cohen said Shaggy and he got it wrong.
57:45 - 57:46: Wow.
57:46 - 57:50: I mean, they were on Tonight Show with Adam Sandler, a.k.a. The Sandman.
57:50 - 57:55: There was a really good photo of Shaggy with Adam Sandler on Shaggy's socials that are really dog.
57:55 - 57:59: Well, I don't know if you know, they were also on Ebro's show right here on Beats 1.
57:59 - 58:04: Oh, and you can check that out if you dig into the Apple Music archives.
58:04 - 58:05: Do that first.
58:05 - 58:06: Maybe we should try to get them on this show.
58:06 - 58:07: I'm sure they would.
58:07 - 58:09: Let's take this all the way.
58:09 - 58:13: I mean, see, Time Crash, we really stopped having like the kind of big celebrity guests.
58:13 - 58:17: We basically don't have people come on when they're on their like their press tours.
58:17 - 58:18: Right.
58:18 - 58:23: We have kind of friends and family or kind of experts like Phil Matariz talking about Doritos.
58:23 - 58:27: In the early days, we had, you know, Jamie Foxx.
58:27 - 58:28: Yeah.
58:28 - 58:31: Who else we have? Mark Ronson, Florence.
58:31 - 58:37: Yeah, that's hilarious. I think about the early time crises where it's kind of me in New York just figuring stuff out.
58:37 - 58:41: And it's like just interviewing like Mark and Florence. Feels like a distant memory now.
58:41 - 58:43: I remember like the second show I did with you.
58:43 - 58:45: You were like, yeah, Jamie Foxx is coming in.
58:45 - 58:48: And I was like, what is this show?
58:48 - 58:52: I don't have anything to add to that conversation.
58:52 - 58:54: Jamie, I'm going to stop you right there.
58:54 - 58:56: I got to disagree with you, man.
58:56 - 59:00: I mean, I think you guys should have Sting and Shaggy when they're coming through.
59:00 - 59:02: I think it'd be cool. Sting and Shaggy.
59:02 - 59:05: I wonder if when they go on tour, they'll be dropping some of their solo hits.
59:05 - 59:06: Oh, absolutely.
59:06 - 59:08: Neither of them are going to leave the stage the whole time.
59:08 - 59:11: I think they have to figure out what Shaggy is going to do during like police songs.
59:11 - 59:14: But Sting will play bass on It Wasn't Me, stuff like that.
59:14 - 59:15: Oh, that's sick.
59:15 - 59:17: No, it's going to be fun. I hope I get to see it.
59:17 - 59:19: Fields of gold right into It Wasn't Me.
59:19 - 59:20: Yeah, totally.
59:20 - 59:21: Tight.
59:21 - 59:23: That makes a world of sense.
59:23 - 59:28: I'm an eagle alien. I'm an Englishman in New York.
59:28 - 59:31: Maybe Shaggy will rap over some of this stuff.
59:31 - 59:32: Yeah, and do some like hype man s***.
59:32 - 59:33: Yeah.
59:33 - 59:34: It'd be interesting.
59:34 - 59:36: ♪ Deputy ♪
59:36 - 59:41: Yeah, with Sting, it's tough because he just has so many hits from his like police days.
59:41 - 59:44: You could just turn it into a police show all of a sudden.
59:44 - 59:47: I think they'll work it out. I have all faith that they'll make it.
59:47 - 59:48: Well, that's exciting.
59:48 - 59:49: Yeah, definitely. I'm psyched on it.
59:49 - 59:55: ♪ Why someone told me yesterday ♪
59:55 - 01:00:01: ♪ That when you show your love away ♪
01:00:01 - 01:00:07: ♪ You act as if you just don't care ♪
01:00:07 - 01:00:14: ♪ You look as if you're going somewhere ♪
01:00:14 - 01:00:20: ♪ But I just can't convince myself ♪
01:00:20 - 01:00:26: ♪ I couldn't live with no one else ♪
01:00:26 - 01:00:32: ♪ And I can only play that part ♪
01:00:32 - 01:00:36: ♪ And sit and nurse my broken heart ♪
01:00:36 - 01:00:44: ♪ So lonely, so lonely, so lonely, so lonely ♪
01:00:44 - 01:01:01: ♪ So lonely, so lonely, so lonely, so lonely ♪
01:01:01 - 01:01:08: So we're going to do the world premiere of a remix that you did for Sting and Shaggy.
01:01:08 - 01:01:14: That's correct. They were kind enough to ask me if I'd be interested in remixing one of the songs on their album.
01:01:14 - 01:01:20: And I picked the song "Dreaming in the USA" partially because I know it's Shaggy's favorite song on the album.
01:01:20 - 01:01:23: And it was really, really fun to work on it.
01:01:23 - 01:01:29: And it was pretty crazy to sort of download the stems and be able to hear an isolated Sting vocal,
01:01:29 - 01:01:31: someone who I've been listening to my whole life.
01:01:31 - 01:01:32: Oh, yeah, that is crazy.
01:01:32 - 01:01:36: It was very, very cool and very, very grateful that they asked me.
01:01:36 - 01:01:39: And that you guys are premiering. Have you premiered other tracks on this show?
01:01:39 - 01:01:41: I think we have here and there.
01:01:41 - 01:01:47: It's called like hottest record in the world on BBC One, world record on Beats One.
01:01:47 - 01:01:50: What's it called on TC? What's a TC premiere called?
01:01:50 - 01:01:52: We don't have a drop because we do it so infrequently.
01:01:52 - 01:01:53: You should make one.
01:01:53 - 01:01:55: What are the Doritos called in Canada again?
01:01:55 - 01:01:57: Sweet Chili Heat.
01:01:57 - 01:01:59: [laughter]
01:01:59 - 01:02:02: This is the time crisis. Sweet Chili Heat.
01:02:02 - 01:02:07: Sweet Chili Heat, world premiere brought to you by Doritos. Sweet Chili Heat.
01:02:07 - 01:02:08: [laughter]
01:02:08 - 01:02:11: You know what? People always wonder if Time Crisis is sponsored.
01:02:11 - 01:02:14: The only corporation that we're affiliated with is Apple Corps.
01:02:14 - 01:02:19: But it'd be funny if we just like retroactively started hitting up some of the companies that we talk about
01:02:19 - 01:02:23: and just be like, hey, listen, the guy's been talking about you a lot.
01:02:23 - 01:02:30: I know we probably should have asked on the front end, but you kick a little bit of money towards old TC.
01:02:30 - 01:02:37: Come on. So anyway, here's the Time Crisis Sweet Chili Heat track of the day.
01:02:37 - 01:02:41: This is the Baeo remix of Dreaming in the USA by Sting and Shaggy.
01:02:43 - 01:02:45: Time Crisis.
01:02:45 - 01:02:47: This is the Time Crisis Sweet Chili Heat.
01:02:47 - 01:02:52: Sweet Chili Heat, world premiere brought to you by Doritos. Sweet Chili Heat.
01:02:58 - 01:03:00: Sick.
01:03:15 - 01:03:17: Dreaming.
01:04:29 - 01:04:31: I'm dreaming.
01:05:35 - 01:05:39: You see, Kavisa, you're dreaming of the USA.
01:05:39 - 01:05:43: It's never easy, you're looking for another way.
01:05:43 - 01:05:47: God bless America, dreaming of the USA.
01:05:47 - 01:05:51: Are we hysterical, dreaming of the United States?
01:05:54 - 01:05:56: Dreaming.
01:06:02 - 01:06:04: I'm dreaming.
01:08:02 - 01:08:07: Time Crisis with Ezra Koenig.
01:08:07 - 01:08:10: Beats 1.
01:08:10 - 01:08:12: That's the world premiere, everybody check it out.
01:08:12 - 01:08:15: And check out the Sting and Shaggy album.
01:08:15 - 01:08:16: What's it called again?
01:08:16 - 01:08:19: 44876.
01:08:19 - 01:08:21: Alright, it's time for the top five.
01:08:21 - 01:08:22: You guys ready?
01:08:22 - 01:08:29: It's time for the top five on iTunes.
01:08:29 - 01:08:34: So this week we're going to be comparing the top five songs on iTunes right now
01:08:34 - 01:08:37: with the billboard hits of this week in 1969.
01:08:37 - 01:08:39: Why 1969?
01:08:39 - 01:08:44: That was the year that Tic Tacs was first introduced to the market.
01:08:44 - 01:08:46: Right, originally called Refreshing Mints.
01:08:46 - 01:08:47: Right.
01:08:47 - 01:08:50: Until people heard that Tic Tac sound when you flip open that little box.
01:08:50 - 01:08:53: A red letter date in the history of mints.
01:08:53 - 01:08:57: 1969, a very tumultuous time in American history.
01:08:57 - 01:08:58: It's the year of Woodstock, right?
01:08:58 - 01:08:59: Yeah, man.
01:08:59 - 01:09:02: Woodstock and Tic Tacs, Refreshing Mints.
01:09:02 - 01:09:07: The number five song that year, 1969, was by an artist called Mercy.
01:09:07 - 01:09:09: The song Love Can Make You Happy.
01:09:09 - 01:09:11: Do you guys know that by the title?
01:09:11 - 01:09:12: Not by the title.
01:09:12 - 01:09:13: No.
01:09:13 - 01:09:14: The band was formed in Tampa, Florida.
01:09:14 - 01:09:15: That's cool.
01:09:15 - 01:09:21: Oh, I like that.
01:09:21 - 01:09:23: Oh, this sounds vibey.
01:09:23 - 01:09:28: It's nice.
01:09:28 - 01:09:38: Oh, yeah.
01:09:58 - 01:10:02: It's just like that classic kind of like schlocky song that's kind of on
01:10:02 - 01:10:05: trend with like the cool stuff.
01:10:05 - 01:10:06: Yeah, it's sort of like--
01:10:06 - 01:10:07: The hippie era.
01:10:07 - 01:10:10: Hippie, dippy, but professional.
01:10:23 - 01:10:27: Yeah, it's like kind of the association or the hair soundtrack.
01:10:40 - 01:10:42: It's like a slight rip of--
01:10:42 - 01:10:46: Groovin' on a Sunday afternoon.
01:10:46 - 01:10:49: It also reminds me of the film Zodiac.
01:10:49 - 01:10:50: Is this in the film Zodiac?
01:10:50 - 01:10:52: I can't say that it was.
01:10:52 - 01:10:53: It feels like this is in the movie.
01:10:53 - 01:10:54: Yeah.
01:10:54 - 01:10:55: Love Zodiac.
01:10:55 - 01:10:57: It's a great movie.
01:10:57 - 01:10:59: Well, not off to a strong start in 1969.
01:10:59 - 01:11:01: I would say pretty strong.
01:11:01 - 01:11:03: That's not that strong.
01:11:03 - 01:11:05: I give that song a B.
01:11:05 - 01:11:07: You just love the late '60s.
01:11:07 - 01:11:08: It's true.
01:11:08 - 01:11:11: Because it paved the way for the tasteful palette of the 1970s.
01:11:11 - 01:11:12: You're not wrong.
01:11:12 - 01:11:13: Let's see if old 2018--
01:11:13 - 01:11:14: Holds it down.
01:11:14 - 01:11:15: --can hold it down.
01:11:15 - 01:11:20: Leading into our summer of love, 2018, we got maybe the biggest rock band
01:11:20 - 01:11:22: in the world, Imagination Dragons.
01:11:22 - 01:11:24: I think this is the song that's been on the charts for a while,
01:11:24 - 01:11:25: Whatever It Takes.
01:11:25 - 01:11:26: Is this the kind of rap one?
01:11:26 - 01:11:28: Whatever It Takes.
01:11:28 - 01:11:37: 2018's not a peace and love year, man.
01:11:37 - 01:11:40: It's a little more combative, you know?
01:11:40 - 01:11:43: Well, '69 wasn't a peace year either, bro.
01:11:43 - 01:11:53: It's got a Cotton Eye Joe kind of vibe to it.
01:11:53 - 01:11:54: Oh, yeah, I can see that.
01:11:54 - 01:11:55: That's a tight call.
01:11:55 - 01:11:56: Thanks.
01:11:56 - 01:12:06: That's a song in the whack.
01:12:06 - 01:12:09: That's kind of a good call, Seinfeld.
01:12:09 - 01:12:10: Thank you.
01:12:10 - 01:12:16: This song rolls too.
01:12:16 - 01:12:18: This song is so much better.
01:12:18 - 01:12:19: So much better.
01:12:19 - 01:12:20: It is.
01:12:21 - 01:12:36: It's insane that that was a hit back in the day.
01:12:36 - 01:12:37: It's wild.
01:12:37 - 01:12:39: Is that a sample or is that just some old guy--
01:12:39 - 01:12:41: But it is a traditional song.
01:12:41 - 01:12:42: Yeah, right.
01:12:45 - 01:12:51: Cotton Eye Joe.
01:12:51 - 01:12:54: It's funny, you take these timeless melodies and then you put like a--
01:12:54 - 01:12:55: You put the kind of--
01:12:55 - 01:12:57: Whatever It Takes, man.
01:12:57 - 01:12:59: Why are there less novelty hits now?
01:12:59 - 01:13:00: That's a good question.
01:13:00 - 01:13:05: Like, I mean, there happened to be quite a few in the late '90s, early 2000s.
01:13:05 - 01:13:06: Definitely.
01:13:06 - 01:13:10: [singing]
01:13:10 - 01:13:15: Every time I ever used to like DJ, at some point I'd always end up into like
01:13:15 - 01:13:20: a Cotton Eye Joe, I'm blue, baba diva, da-ba, kind of moment.
01:13:20 - 01:13:21: Would it go off?
01:13:21 - 01:13:22: Oh, yeah, people love that [bleep]
01:13:22 - 01:13:23: Nice.
01:13:23 - 01:13:28: Although this is streaming service DJing, so just like lots of holes between everything.
01:13:28 - 01:13:29: Lots of weights.
01:13:29 - 01:13:33: Then the people appreciate when you play the song more because they have to wait a little longer for it.
01:13:33 - 01:13:35: What's coming next?
01:13:35 - 01:13:36: No, but it's a good question.
01:13:36 - 01:13:37: Why are there less novelty hits?
01:13:37 - 01:13:39: I mean, there was a huge one a few years ago.
01:13:39 - 01:13:40: What was it called?
01:13:40 - 01:13:41: What Does the Fox?
01:13:41 - 01:13:43: Oh, that one.
01:13:43 - 01:13:44: Yeah, yeah.
01:13:44 - 01:13:45: I don't know it.
01:13:45 - 01:13:46: It was also kind of like--
01:13:46 - 01:13:47: What Sound Does the Fox Make?
01:13:47 - 01:13:48: Oh, yeah.
01:13:48 - 01:13:52: It was like some Norwegian guys making kind of an EDM track,
01:13:52 - 01:13:55: and the whole song was like, "This animal makes this sound, and this animal makes this sound,"
01:13:55 - 01:13:58: and then it was kind of like, "What Does the Fox?"
01:13:58 - 01:14:02: Yeah, it was kind of like Gangnam Style era.
01:14:02 - 01:14:03: Oh, that's a good--
01:14:03 - 01:14:04: I guess that was the last wave.
01:14:04 - 01:14:06: Was Gangnam Style a novelty hit?
01:14:06 - 01:14:07: I think so.
01:14:07 - 01:14:08: I'd say so.
01:14:08 - 01:14:10: What Does the Fox Say?
01:14:10 - 01:14:12: Jesus.
01:14:12 - 01:14:13: Yeah.
01:14:13 - 01:14:14: Huh.
01:14:14 - 01:14:26: Dog goes woof, cat goes meow, bird goes tweet, and mouse goes squeak, cow goes moo--
01:14:26 - 01:14:27: You don't remember this, Jake?
01:14:27 - 01:14:28: No, I've never heard it.
01:14:28 - 01:14:31: This is a major tune four or five years ago.
01:14:31 - 01:14:39: Dog goes toot, dog say quack, then fish go blub, and the seal goes ow, ow, ow--
01:14:39 - 01:14:42: It's funny, though, because the only part that's novelty is the lyrics.
01:14:42 - 01:14:43: Oh, yeah.
01:14:43 - 01:14:45: The music's very straightforward.
01:14:45 - 01:14:46: It's kind of sad.
01:14:46 - 01:14:47: What Does the Fox Say?
01:14:47 - 01:14:51: *Ding ding ding ding ding ding ding ding ding ding*
01:14:51 - 01:14:52: Didn't see that coming.
01:14:52 - 01:14:52: Nope.
01:14:52 - 01:14:54: *What the fuck, say!
01:14:54 - 01:14:58: Buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh*
01:14:58 - 01:15:00: *Buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh-buh*
01:15:00 - 01:15:01: *What the fuck, say!*
01:15:01 - 01:15:02: This was a hit?
01:15:02 - 01:15:06: Yeah, I bet- I bet the video for that song probably has-
01:15:06 - 01:15:08: Simon, let's get a number crunch.
01:15:08 - 01:15:08: *laughs*
01:15:08 - 01:15:10: Over/Under a Billion.
01:15:10 - 01:15:12: That one- Under. Under. Under?
01:15:12 - 01:15:15: Okay, but like- Are there videos with a billion on it?
01:15:15 - 01:15:19: Oh, there's videos- The Gangnam Style has like two or three billion.
01:15:19 - 01:15:19: What?
01:15:19 - 01:15:21: That was the first one to cross a billion, right?
01:15:21 - 01:15:22: Oh my god.
01:15:22 - 01:15:24: 752 million views.
01:15:24 - 01:15:26: For What Does the Fox Say?
01:15:26 - 01:15:26: Yeah.
01:15:26 - 01:15:28: *What does the fox say?
01:15:28 - 01:15:30: Ding ding ding ding ding ding*
01:15:30 - 01:15:32: Okay, back to 1969.
01:15:32 - 01:15:34: The number four song, Isley Brothers.
01:15:34 - 01:15:35: *music*
01:15:35 - 01:15:36: Pretty cool.
01:15:36 - 01:15:38: *music*
01:15:38 - 01:15:38: Nice.
01:15:38 - 01:15:42: This is a great song. It's like, been a little like, commercialed out.
01:15:42 - 01:15:42: Sure.
01:15:42 - 01:15:43: *music*
01:15:43 - 01:15:45: I mean, but it's a- it's a cool song.
01:15:45 - 01:15:47: *music*
01:15:47 - 01:15:49: Wendy's new Caesar salad.
01:15:49 - 01:15:51: I know, it's like such a commercial song now.
01:15:51 - 01:15:53: On the run, on the go.
01:15:53 - 01:15:56: Like, it would go so perfect with the new Diet Coke campaign.
01:15:56 - 01:15:57: Oh yeah, dude.
01:15:57 - 01:15:59: The only reason they probably didn't do it is because I'm sure they used it before.
01:15:59 - 01:16:00: Right.
01:16:00 - 01:16:02: Like, Cindy Crawford pounding a Diet Coke.
01:16:02 - 01:16:13: *music*
01:16:13 - 01:16:15: You could drive a different car.
01:16:15 - 01:16:17: But why would you?
01:16:17 - 01:16:22: *music*
01:16:22 - 01:16:25: The new beer-battered shrimp at Long John Silver's.
01:16:25 - 01:16:31: *laughing*
01:16:31 - 01:16:36: *music*
01:16:36 - 01:16:38: Curbside pickup at Applebee's.
01:16:38 - 01:16:41: *laughing*
01:16:41 - 01:16:49: *music*
01:16:49 - 01:16:52: Lonnie, tell your dad the McRib is back.
01:16:52 - 01:16:53: *laughing*
01:16:53 - 01:16:55: Plug in that chest freezer.
01:16:55 - 01:16:56: *laughing*
01:16:56 - 01:16:57: Dope song, though.
01:16:57 - 01:16:58: It's a great song.
01:16:58 - 01:17:10: *music*
01:17:10 - 01:17:11: Hockey.
01:17:11 - 01:17:13: Maple syrup.
01:17:13 - 01:17:15: Prime Minister Justin Trudeau.
01:17:15 - 01:17:16: Here we go.
01:17:16 - 01:17:19: All these things make us Canadian.
01:17:19 - 01:17:21: But what really makes us Canadian...
01:17:21 - 01:17:23: is sweet chili heat Doritos.
01:17:23 - 01:17:25: *laughing*
01:17:25 - 01:17:27: The slightly differently...
01:17:27 - 01:17:29: *laughing*
01:17:29 - 01:17:32: The American Doritos with a slightly different name.
01:17:32 - 01:17:34: Pick up a pack.
01:17:34 - 01:17:40: *music*
01:17:40 - 01:17:41: Good song.
01:17:41 - 01:17:43: Let's see how 2018 competes.
01:17:43 - 01:17:44: Christine Aguilera. Oh.
01:17:44 - 01:17:45: Oh.
01:17:45 - 01:17:46: It's been a while.
01:17:46 - 01:17:47: She's doing a comeback.
01:17:47 - 01:17:48: Hello, old friend.
01:17:48 - 01:17:49: *laughing*
01:17:49 - 01:17:50: Bam.
01:17:50 - 01:17:52: This is from her album called Liberation.
01:17:52 - 01:17:53: New record.
01:17:54 - 01:17:55: Is it out yet?
01:17:55 - 01:17:57: Uh, no. I think this is the first single, actually.
01:17:57 - 01:17:59: And it's featuring Demi Lovato.
01:17:59 - 01:18:06: *music*
01:18:06 - 01:18:07: Have you heard this yet?
01:18:07 - 01:18:08: Either of you guys?
01:18:08 - 01:18:09: No.
01:18:09 - 01:18:10: Any of you?
01:18:10 - 01:18:14: Wait, first, I just gotta say, how hilarious is it that, like, in 2018 you hear that and you're like,
01:18:14 - 01:18:16: "Okay. Alright, I see what you're doing."
01:18:16 - 01:18:17: *laughing*
01:18:17 - 01:18:19: It's like, "Okay."
01:18:19 - 01:18:22: That sounds like a 30-something pop star launching a comeback.
01:18:22 - 01:18:25: Whereas, like, imagine you just, like, played this for somebody in 1969.
01:18:25 - 01:18:26: *music*
01:18:26 - 01:18:30: You're like, "What the f*** is this?"
01:18:30 - 01:18:31: *laughing*
01:18:31 - 01:18:35: And we're just like, "Okay. Uh-huh. Right. I get it."
01:18:35 - 01:18:43: *music*
01:18:43 - 01:18:44: Wow, this is slow.
01:18:44 - 01:18:47: *music*
01:18:47 - 01:18:48: She's coming back. It's cool.
01:18:48 - 01:19:03: *music*
01:19:03 - 01:19:04: Interesting.
01:19:04 - 01:19:09: *music*
01:19:09 - 01:19:13: So some people have been calling this a kind of empowerment anthem for the Me Too era.
01:19:13 - 01:19:15: Sure, yeah. Getting that.
01:19:15 - 01:19:17: Cautionary tale, kind of.
01:19:17 - 01:19:44: *music*
01:19:44 - 01:19:45: Nice.
01:19:45 - 01:19:55: *music*
01:19:55 - 01:19:57: I wonder if this will be, like, a hit. It's pretty weird.
01:19:57 - 01:19:58: It's real heavy.
01:19:58 - 01:19:59: It's heavy and weird.
01:19:59 - 01:20:01: I mean, musically and lyrically.
01:20:01 - 01:20:04: One thing about Christina Aguilera, hell of a voice.
01:20:04 - 01:20:05: Oh, yeah.
01:20:05 - 01:20:09: Like, she's not for everybody, but she's undeniably one of the great singers of her era.
01:20:09 - 01:20:10: Yeah.
01:20:10 - 01:20:19: She was, like, positioned as being part of that wave of, like, the girl bands and the boy bands and the NSYNC, Britney, Jessica Simpson's 98 Degrees.
01:20:19 - 01:20:21: That was kind of her era. That TRL era.
01:20:21 - 01:20:26: And of all those people, she was the one who was kind of, like, the most technically proficient singer.
01:20:26 - 01:20:27: She had chops.
01:20:27 - 01:20:28: Yeah, she had--
01:20:28 - 01:20:33: It must have been funny for her to be, like, grouped in with Britney and be like, "Uh, yeah, I can sing, though."
01:20:33 - 01:20:35: I'm sure she felt that way.
01:20:35 - 01:20:36: Yeah, I'm sure.
01:20:36 - 01:20:37: "Britney can sing, but Britney--"
01:20:37 - 01:20:38: Not really.
01:20:38 - 01:20:39: I mean--
01:20:39 - 01:20:41: Britney does, like, a character.
01:20:41 - 01:20:45: She can't do the Christina Aguilera--
01:20:45 - 01:20:47: She's like Mariah Carey, Christina Aguilera.
01:20:47 - 01:20:51: Yeah, or, like, she can mimic kind of, like, Whitney Houston-style melismatic runs.
01:20:51 - 01:20:54: Well, like, Britney couldn't sing this song just straight up.
01:20:54 - 01:20:57: I mean, forget about the runs.
01:20:57 - 01:20:59: You're throwing the gauntlet down on her?
01:20:59 - 01:21:01: You challenging her to sing that song?
01:21:01 - 01:21:04: Absolutely.
01:21:04 - 01:21:07: I mean, I like some of Britney's pop songs.
01:21:07 - 01:21:08: They're fun songs.
01:21:08 - 01:21:09: Oh, yeah.
01:21:09 - 01:21:10: She has a lot of great songs.
01:21:10 - 01:21:11: Yeah.
01:21:11 - 01:21:12: And she--
01:21:12 - 01:21:13: I mean, I might--
01:21:13 - 01:21:16: In terms of, like, a fun, enjoyable listening experience, I would go Britney over Christina.
01:21:16 - 01:21:22: So you prefer Britney's oeuvre, but you think Christina blows her out of the way in terms of technicality?
01:21:22 - 01:21:25: I mean, I don't think that's even an argument that you could counter.
01:21:25 - 01:21:26: But, yeah.
01:21:26 - 01:21:27: Right, but--
01:21:27 - 01:21:29: I guess the argument would be, like, Britney's songs are more fun.
01:21:29 - 01:21:32: Your favorite bands are Pavement and Guided by Voices.
01:21:32 - 01:21:33: Yep.
01:21:33 - 01:21:38: So you're kind of like Eddie Van Halen can do things technically on the guitar that none of the dudes in these--
01:21:38 - 01:21:40: Those bands can-- sure.
01:21:40 - 01:21:43: But you would still-- you prefer them to Van Halen?
01:21:43 - 01:21:44: Yeah.
01:21:44 - 01:21:45: That's debatable.
01:21:45 - 01:21:47: I like Vampire Weekend, too.
01:21:47 - 01:21:48: Oh!
01:21:48 - 01:21:50: Not a lot of chops in that band.
01:21:50 - 01:21:56: I've been practicing my skills.
01:21:56 - 01:21:58: 12-minute Cape Cod.
01:21:58 - 01:22:00: Oh, now it's 12-minute?
01:22:00 - 01:22:01: What was it, 8-minute?
01:22:01 - 01:22:03: It was 8-minute before.
01:22:03 - 01:22:04: Is it on your shirt?
01:22:04 - 01:22:05: I'm wearing the tee.
01:22:05 - 01:22:07: 8-minute Cape Cod.
01:22:07 - 01:22:09: Jake's got one of the new tie-dyes.
01:22:09 - 01:22:10: No, but you're right.
01:22:10 - 01:22:14: The truth is, I've always valued vibe over technical proficiency.
01:22:14 - 01:22:15: Sure.
01:22:15 - 01:22:16: It's gotten me this far.
01:22:16 - 01:22:23: But as I get older, as you get older and, like, the vibe wears off, I do start to admire just, like, Shredder--
01:22:23 - 01:22:24: Cold technicians.
01:22:24 - 01:22:27: I do start to-- I kind of do.
01:22:27 - 01:22:28: Like, I agree.
01:22:28 - 01:22:29: Like, I generally go for vibe.
01:22:29 - 01:22:32: And Britney also, I've connected with more of her songs.
01:22:32 - 01:22:39: And she actually has-- she's written some-- one thing about Britney, she's not one of the pop stars who forces her name onto things she didn't write.
01:22:39 - 01:22:41: I've always heard that about her from people who worked with her.
01:22:41 - 01:22:45: But she actually has written on some songs, including this one song called "Every Time."
01:22:45 - 01:22:46: It's really beautiful.
01:22:46 - 01:22:48: And she actually wrote that song herself.
01:22:48 - 01:22:49: Tight.
01:22:49 - 01:22:50: Don't know it.
01:22:50 - 01:22:53: I think also as you get older, like, binaries become less important.
01:22:53 - 01:22:54: Absolutely.
01:22:54 - 01:22:58: So the same way that when you're young, you're just like, "What is that guitar center s--t? It sucks."
01:22:58 - 01:23:00: I like noisy, messy s--t that has heart.
01:23:00 - 01:23:03: And then you get older and you're like, "It really takes all kinds."
01:23:03 - 01:23:05: And you're like, "80s Clapton is great."
01:23:05 - 01:23:07: I never connected with Clapton.
01:23:07 - 01:23:08: And I'm sure I will.
01:23:08 - 01:23:11: [singing] It's the way that you use it.
01:23:11 - 01:23:12: [laughing]
01:23:12 - 01:23:16: Back to 1969, the number three song, "The Beatles."
01:23:16 - 01:23:17: Wow.
01:23:17 - 01:23:19: Okay, let me guess.
01:23:19 - 01:23:21: [singing] Lady Madonna.
01:23:21 - 01:23:22: Close.
01:23:22 - 01:23:23: Oh, okay.
01:23:23 - 01:23:25: I always consider this one of the more whatever Beatles songs.
01:23:25 - 01:23:26: I feel you.
01:23:26 - 01:23:30: It's a great song, but it's just like--it's them doing kind of like a fake rock and roll--
01:23:30 - 01:23:32: Yeah, like a canned heat kind of--
01:23:32 - 01:23:33: Yeah.
01:23:33 - 01:23:38: [singing] Joe Joe left his home in Tucson, Arizona.
01:23:38 - 01:23:41: This song does have a lot of Sweet Chili Heat in it, though.
01:23:41 - 01:23:48: [singing] Get back, get back, get back to where you once belonged.
01:23:55 - 01:23:57: This could also be a commercial.
01:23:57 - 01:24:00: "It's the little things that make us Canadian."
01:24:00 - 01:24:05: [laughing]
01:24:05 - 01:24:08: Applebee's classic menu.
01:24:08 - 01:24:13: Some of our classic entrees for under $9.99.
01:24:13 - 01:24:17: Chicken Verde Fajitas, $7.99.
01:24:17 - 01:24:22: It's like a Canadian road tripper, hitchhiker crossing the border,
01:24:22 - 01:24:25: and he's having a hard time getting home to Canada,
01:24:25 - 01:24:29: and he just can't wait to get home, and he's all dusty and loses his bags,
01:24:29 - 01:24:33: and almost gets in a crash on the bus, and then he finally gets home,
01:24:33 - 01:24:37: and his wife is there with open arms, and he just goes right past her to the kitchen
01:24:37 - 01:24:41: to rip open that bag of Sweet Chili Heat.
01:24:41 - 01:24:43: Get back.
01:24:43 - 01:24:47: I mean, it's just--it's a Beatles song.
01:24:47 - 01:24:49: That's definitely not one of my favorite Beatles songs, but it is good.
01:24:49 - 01:24:50: You can't front.
01:24:50 - 01:24:52: ♪ Sweet Chili Heat ♪
01:24:52 - 01:24:54: This episode is called "Sweet Chili Heat."
01:24:54 - 01:24:55: Definitely.
01:24:55 - 01:24:56: ♪ Sweet Chili Heat ♪
01:24:56 - 01:24:58: Just throw that out there.
01:24:58 - 01:25:02: The number three song in 2018, "Cane Brown."
01:25:02 - 01:25:03: You guys know "Cane Brown"?
01:25:03 - 01:25:04: No.
01:25:04 - 01:25:06: How do you spell "cane"?
01:25:06 - 01:25:11: It's K-A-N-E, cane, like the wrestler.
01:25:11 - 01:25:12: You remember Cane?
01:25:12 - 01:25:13: Oh, yeah.
01:25:13 - 01:25:15: And brown, like the color.
01:25:15 - 01:25:20: Cane Brown is one of those names where it could equally be a country singer,
01:25:20 - 01:25:23: pop singer, R&B singer.
01:25:23 - 01:25:24: Rapper?
01:25:24 - 01:25:25: Rapper.
01:25:25 - 01:25:26: It could basically--
01:25:26 - 01:25:27: Heavy metal vocalist?
01:25:27 - 01:25:31: It could be somebody of any race, any gender, any genre.
01:25:31 - 01:25:37: Lead vocalist of Shovel Honey, Cane Brown.
01:25:37 - 01:25:40: So let's see what kind of music Cane Brown makes.
01:25:40 - 01:25:42:
01:25:42 - 01:25:45: Hey-oh.
01:25:45 - 01:25:46: Actually, I still don't know.
01:25:46 - 01:25:48: Is this country or it could be--
01:25:48 - 01:25:49: It's country.
01:25:49 - 01:25:50: It's a little too twangy.
01:25:50 - 01:25:52: ♪ I went to war ♪
01:25:52 - 01:25:55: ♪ And this is perfect ♪
01:25:55 - 01:25:58: ♪ Come kiss me one more time ♪
01:25:58 - 01:26:01: ♪ I couldn't dream this up ♪
01:26:01 - 01:26:03: ♪ Even if I tried ♪
01:26:03 - 01:26:05: Cane Brown, Cane Brown!
01:26:05 - 01:26:07: ♪ You and me in this moment ♪
01:26:07 - 01:26:10: ♪ Feels like magic only ♪
01:26:10 - 01:26:17: ♪ I'm right where I want to be ♪
01:26:17 - 01:26:19: ♪ Everybody's talking 'bout heaven ♪
01:26:19 - 01:26:23: ♪ Like they just can't wait to go ♪
01:26:23 - 01:26:27: ♪ Saying how it's gonna be so good, so beautiful ♪
01:26:27 - 01:26:29: I don't know anyone that says that.
01:26:29 - 01:26:32: ♪ Lying next to you, in this bed with you ♪
01:26:32 - 01:26:36: ♪ I ain't convinced 'cause I don't know how ♪
01:26:36 - 01:26:37: ♪ I don't know how ♪
01:26:37 - 01:26:39: When it comes to Canada--
01:26:39 - 01:26:41: [laughter]
01:26:41 - 01:26:44:
01:26:44 - 01:26:48: God, the country songs on our top fives are so crappy.
01:26:48 - 01:26:49: Oh, you're hatin'.
01:26:49 - 01:26:50: I'm hatin' hard.
01:26:50 - 01:26:52: I like the sentiment, you know.
01:26:52 - 01:26:53: What is the sentiment?
01:26:53 - 01:26:55: The sentiment is like,
01:26:55 - 01:26:57: "Oh, everyone's talking about how heaven's the s--t,
01:26:57 - 01:26:59: "but I really can't imagine anything better
01:26:59 - 01:27:01: "than being with you, baby."
01:27:01 - 01:27:03: That's a classic straw man argument.
01:27:03 - 01:27:04: That's a weak sentiment.
01:27:04 - 01:27:06: I guess if Cane--
01:27:06 - 01:27:09: You know, maybe Cane Brown comes from a very religious community
01:27:09 - 01:27:11: or something, but it's also like
01:27:11 - 01:27:13: a slightly bit of a straw man argument.
01:27:13 - 01:27:16: It's like, "I keep hearing all these guys saying
01:27:16 - 01:27:19: "that they would rather be dead and in the afterlife
01:27:19 - 01:27:21: "than lying in bed with your lover."
01:27:21 - 01:27:23: You know, like Islamic terrorists.
01:27:23 - 01:27:24: [laughter]
01:27:24 - 01:27:25: Literally nobody--
01:27:25 - 01:27:28: Even when people say that Islamic terrorists believe that,
01:27:28 - 01:27:29: that's not even true.
01:27:29 - 01:27:30: The percentage of people in the world
01:27:30 - 01:27:33: who truly believe that is basically none.
01:27:33 - 01:27:36: So it's kind of like, "But I'm putting my foot down, baby."
01:27:36 - 01:27:38: "Yeah, I might not be--
01:27:38 - 01:27:41: "Yeah, I'm a little bit different.
01:27:41 - 01:27:45: "I'd rather have sex with you now
01:27:45 - 01:27:47: "than be dead in heaven."
01:27:47 - 01:27:49: That makes me crazy.
01:27:49 - 01:27:51: I mean, no one's ever said that to me.
01:27:51 - 01:27:53: Damn.
01:27:53 - 01:27:55: Well, I guess you never--
01:27:55 - 01:27:57: That'd be a pretty easy way to fish for compliments
01:27:57 - 01:27:59: if you said--
01:27:59 - 01:28:02: No one's ever said anything to me like Cane Brown says
01:28:02 - 01:28:04: in the song "Heaven" to his partner.
01:28:04 - 01:28:06: I bet you could get somebody to say it to you
01:28:06 - 01:28:10: by fishing for compliments by being in bed with a lover,
01:28:10 - 01:28:12: a sexual partner, and saying,
01:28:12 - 01:28:17: "Yeah, I'm sorry that I'm not God or some type of deity
01:28:17 - 01:28:20: "who can't take you into the afterlife
01:28:20 - 01:28:24: "and reunite you with people who've died.
01:28:24 - 01:28:26: "I'm just the guy having sex with you.
01:28:26 - 01:28:27: "I know that--"
01:28:27 - 01:28:29: Whoa, whoa, whoa, hold on, man.
01:28:29 - 01:28:31: Don't be so hard on yourself.
01:28:31 - 01:28:33: I don't literally believe in heaven.
01:28:33 - 01:28:34: I don't know.
01:28:34 - 01:28:36: Give that a spin, Chris.
01:28:36 - 01:28:37: I'll try it, I'll try it.
01:28:37 - 01:28:38: Get back to me.
01:28:38 - 01:28:40: I'll let you know how it goes.
01:28:40 - 01:28:41: What did he actually say?
01:28:41 - 01:28:42: "Everybody's saying," or--
01:28:42 - 01:28:44: ♪ I wanna be ♪
01:28:44 - 01:28:46: ♪ A hold-up girl ♪
01:28:46 - 01:28:47: ♪ A hold-up girl ♪
01:28:47 - 01:28:49: ♪ Everybody's talking 'bout heaven ♪
01:28:49 - 01:28:51: ♪ Like they just can't wait to go ♪
01:28:51 - 01:28:52: Okay, that's extreme.
01:28:52 - 01:28:53: Everybody talking--
01:28:53 - 01:28:55: Everybody, everybody.
01:28:55 - 01:29:00: Well, he's in an ISIS training camp, clearly.
01:29:00 - 01:29:03: ♪ Like you just can't wait to go ♪
01:29:03 - 01:29:05: [laughter]
01:29:05 - 01:29:06: Wait, keep going.
01:29:06 - 01:29:08: Where does it go from there?
01:29:08 - 01:29:14: ♪ Saying how it's gonna be so good, so beautiful ♪
01:29:14 - 01:29:17: ♪ Lying next to you, in this bed with you ♪
01:29:17 - 01:29:19: ♪ I ain't convinced ♪
01:29:19 - 01:29:21: ♪ 'Cause I don't know how ♪
01:29:21 - 01:29:23: ♪ I don't know how heaven ♪
01:29:23 - 01:29:27: ♪ Heaven could be better than this ♪
01:29:27 - 01:29:30: I mean, maybe this is--unusually for a country song,
01:29:30 - 01:29:32: this is Kane Brown putting his foot down
01:29:32 - 01:29:34: about extremist religion.
01:29:34 - 01:29:36: 'Cause the only people who are constantly saying
01:29:36 - 01:29:38: that they can't wait to go to heaven
01:29:38 - 01:29:41: are religious extremists of any religion.
01:29:41 - 01:29:44: Maybe he comes from, like, an evangelical community.
01:29:44 - 01:29:46: But I've never met an evangelical person who says that.
01:29:46 - 01:29:47: Who's he talking about?
01:29:47 - 01:29:49: I also thought heaven was like--
01:29:49 - 01:29:52: or, like, the Christian conception of heaven
01:29:52 - 01:29:56: is you die, and then your body's rotting,
01:29:56 - 01:29:59: and you're waiting for Jesus to come back.
01:29:59 - 01:30:00: And then you go to heaven.
01:30:00 - 01:30:02: That's the rapture, right?
01:30:02 - 01:30:04: You don't just go to heaven.
01:30:04 - 01:30:05: No, not exactly.
01:30:05 - 01:30:06: Yeah, you die.
01:30:06 - 01:30:09: It's not until Jesus comes back that you go to heaven.
01:30:09 - 01:30:10: That's my understanding.
01:30:10 - 01:30:11: You're on, like, layaway?
01:30:11 - 01:30:12: No, no.
01:30:12 - 01:30:15: When Jesus comes back is when the Earth ends.
01:30:15 - 01:30:16: Yeah, I think you go to heaven.
01:30:16 - 01:30:17: That's when heaven starts, guys.
01:30:17 - 01:30:18: I got news for you.
01:30:18 - 01:30:19: For everybody.
01:30:19 - 01:30:20: Yeah, that's for everyone.
01:30:20 - 01:30:22: No, but I think everyone's in heaven anyways.
01:30:22 - 01:30:23: Mm-mm.
01:30:23 - 01:30:24: That made it.
01:30:24 - 01:30:25: No.
01:30:25 - 01:30:26: Well, Jake is--
01:30:26 - 01:30:27: You go after him.
01:30:27 - 01:30:28: Well, Jake is the resident Christian on this show.
01:30:28 - 01:30:29: You go after him.
01:30:29 - 01:30:30: That's my understanding.
01:30:30 - 01:30:32: I've never heard that before.
01:30:32 - 01:30:33: So every person who has ever--
01:30:33 - 01:30:34: That's the Bible.
01:30:34 - 01:30:36: According to the Bible, every person who's ever died
01:30:36 - 01:30:39: is in the soil right now waiting for the return.
01:30:39 - 01:30:40: No, that's not true.
01:30:40 - 01:30:41: They're in heaven.
01:30:41 - 01:30:42: It's the end of Earth.
01:30:42 - 01:30:44: No, because that book about the little boy
01:30:44 - 01:30:47: who went to heaven for a second was a huge hit.
01:30:47 - 01:30:48: That's a book.
01:30:48 - 01:30:49: No, but that was a huge hit.
01:30:49 - 01:30:51: That's not the good word, Ezra.
01:30:51 - 01:30:52: No, but--
01:30:52 - 01:30:53: That's not the Bible.
01:30:53 - 01:30:54: You know what?
01:30:54 - 01:30:59: There's probably some very religious TC heads way in.
01:30:59 - 01:31:02: Any religious TC heads, how do you feel about--
01:31:02 - 01:31:03: Christian.
01:31:03 - 01:31:06: --Cain Brown's assault on your faith?
01:31:06 - 01:31:08: Also, Jake's reading of the Bible.
01:31:08 - 01:31:11: I honestly wonder because-- and obviously, there's so many
01:31:11 - 01:31:15: different types of country music, and there's country music lovers
01:31:15 - 01:31:18: who don't want to get into stereotypes, saying that they're all, like,
01:31:18 - 01:31:20: you know, hardcore Christians, because the truth is you got
01:31:20 - 01:31:25: badass country singers who probably would scandalize very religious people.
01:31:25 - 01:31:29: Because of any genre of American music, the one that seems to be
01:31:29 - 01:31:32: the most associated with a certain brand of Christianity might be
01:31:32 - 01:31:35: country music, not all country music, but some.
01:31:35 - 01:31:39: I wonder if a song like this actually is going to piss anybody off.
01:31:39 - 01:31:40: Who's super religious or--
01:31:40 - 01:31:44: Yeah, let's say you're a super religious person, and you feel that
01:31:44 - 01:31:48: generally speaking, compared to pop radio, country radio is going to be
01:31:48 - 01:31:51: a safer place for you and your family to listen to tunes.
01:31:51 - 01:31:52: And then there's a song that comes on--
01:31:52 - 01:31:54: Oh, so this is kind of anti-heaven.
01:31:54 - 01:31:56: This is very hedonistic on the scale of--
01:31:56 - 01:31:58: It's one thing for there to be a song about sex.
01:31:58 - 01:32:01: People have sex in married relationships.
01:32:01 - 01:32:04: But it's another thing to say straight up, everybody who keeps
01:32:04 - 01:32:07: talking about heaven is a moron because nothing could be better
01:32:07 - 01:32:09: than having sex with you.
01:32:09 - 01:32:11: I'm sure someone's offended.
01:32:11 - 01:32:12: I'm offended.
01:32:12 - 01:32:13: You know what's interesting?
01:32:13 - 01:32:17: In terms of classic country, I can't think of a Waylon Jennings song
01:32:17 - 01:32:20: about Christ or Willie Nelson.
01:32:20 - 01:32:21: Well, those guys weren't church boys.
01:32:21 - 01:32:23: Those were like badass dudes.
01:32:23 - 01:32:24: Yeah, it's like good country music.
01:32:24 - 01:32:28: No, no, I'm saying that obviously not all country music is associated with--
01:32:28 - 01:32:31: No, I feel like it's really gone down that road.
01:32:31 - 01:32:32: Well, maybe not.
01:32:32 - 01:32:33: There's always some classic stuff.
01:32:33 - 01:32:36: I mean, I guess you would even call that country.
01:32:36 - 01:32:39: ♪ I like Christian life ♪
01:32:39 - 01:32:40: Mm-hmm.
01:32:40 - 01:32:41: The Louvans.
01:32:41 - 01:32:43: Yeah, Satan is Real.
01:32:43 - 01:32:44: Great record.
01:32:44 - 01:32:45: I like the heaven metaphor.
01:32:45 - 01:32:49: It's funny, the two songs that come to mind is "Ooh, Baby, Do You Know What It's Worth,"
01:32:49 - 01:32:50: "Ooh, Heaven Is A Place On Earth."
01:32:50 - 01:32:51: Great song.
01:32:51 - 01:32:53: That's Belinda Carlile, right?
01:32:53 - 01:32:54: Yep.
01:32:54 - 01:32:58: She is saying that there's something heavenly about being in love on earth,
01:32:58 - 01:33:00: and that's what heaven really is, is love.
01:33:00 - 01:33:02: That's a positive sentiment, but she's also not--
01:33:02 - 01:33:06: she's not throwing down the gauntlet the way that Cain Brown is to religious people.
01:33:06 - 01:33:09: And then, you know, what's funny too is that there's a get-up stand-up,
01:33:09 - 01:33:13: which I think originally written by Peter Tosh and Bob Marley also covered,
01:33:13 - 01:33:17: where he says, "Preacher man, don't tell me that heaven is on the earth."
01:33:17 - 01:33:18: That's even more confusing.
01:33:18 - 01:33:19: ♪ Get up ♪
01:33:19 - 01:33:21: And there's "Heaven" by Warrant.
01:33:21 - 01:33:22: How does that go?
01:33:22 - 01:33:27: ♪ Heaven isn't too far away ♪
01:33:27 - 01:33:30: And then there's "Heaven" by Talking Heads.
01:33:30 - 01:33:38: ♪ Heaven, heaven is a place, a place where nothing, nothing ever happens ♪
01:33:38 - 01:33:39: Oh, yeah, that's a great song.
01:33:39 - 01:33:40: That's a good song.
01:33:40 - 01:33:42: There's a lot of different vibes on heaven.
01:33:42 - 01:33:43: Brutal song.
01:33:43 - 01:33:48: ♪ Wouldn't you know my name if I saw you in heaven ♪
01:33:48 - 01:33:51: Chris, are you a Clapton head?
01:33:51 - 01:33:54: You seem like you might be.
01:33:54 - 01:33:58: My dad was a real Cream head, so I was raised on the sounds of Cream.
01:33:58 - 01:33:59: Cream is one thing.
01:33:59 - 01:34:00: What about Derek and the Dom?
01:34:00 - 01:34:02: I mean, yeah, like the '70s stuff is awesome.
01:34:02 - 01:34:03: Yeah, my dad liked the hits.
01:34:03 - 01:34:07: We would listen to that a lot around the house, but I never did a deep dive.
01:34:07 - 01:34:09: The '90s MTV Unplugged Clapton?
01:34:09 - 01:34:10: Yeah, that was played a lot.
01:34:10 - 01:34:12: ♪ Layla, biddy-ba-dum ♪
01:34:12 - 01:34:14: Oh, that version of Layla is so brutal.
01:34:14 - 01:34:16: It's so bad.
01:34:16 - 01:34:19: ♪ Gawk me on my knees ♪
01:34:19 - 01:34:22: ♪ Layla, do-do-do ♪
01:34:22 - 01:34:23: Oh, we actually cover--
01:34:23 - 01:34:25: ♪ Beg and all in peace ♪
01:34:25 - 01:34:27: It's so brutal.
01:34:27 - 01:34:32: We covered "White Rim" in my high school jazz band, and I took a Wah solo.
01:34:32 - 01:34:33: Oh, that's cool.
01:34:33 - 01:34:34: It was pretty cool.
01:34:34 - 01:34:38: Okay, back to this week in 1969.
01:34:38 - 01:34:41: So, so far, it's been--you know, sometimes you go back to the '60s,
01:34:41 - 01:34:45: and it's a mix of youthful '60s and then old schlock and stuff.
01:34:45 - 01:34:48: But so far--I mean, this is a little schlocky, but this is like--
01:34:48 - 01:34:51: that Mercy song "Love" is like the title is hippy-dippy,
01:34:51 - 01:34:53: then Isley Brothers and the Beatles, classic '60s,
01:34:53 - 01:34:57: and now the number two song, the Cow Sills, "Hair."
01:34:57 - 01:35:01: This is some real '60s, May '69.
01:35:01 - 01:35:07:
01:35:07 - 01:35:09: ♪ She asked me why ♪
01:35:09 - 01:35:11: Well, this is from the "Hair" soundtrack, right?
01:35:11 - 01:35:14: I guess everybody was covering songs from the "Hair" soundtrack.
01:35:14 - 01:35:20: ♪ Why I'm a hairy guy ♪
01:35:20 - 01:35:25: ♪ I'm hairy noon and nighty-night, night ♪
01:35:25 - 01:35:31: ♪ My hair is a fright ♪
01:35:31 - 01:35:36: ♪ I'm hairy high and low ♪
01:35:36 - 01:35:38: This is weird.
01:35:38 - 01:35:41: ♪ But don't ask me why ♪
01:35:41 - 01:35:45: ♪ 'Cause he don't know ♪
01:35:45 - 01:35:48: I truly have no idea what the musical "Hair" is about.
01:35:48 - 01:35:50: Is it about Jesus?
01:35:50 - 01:35:53: I don't know.
01:35:53 - 01:35:55: These people need Jesus.
01:35:55 - 01:35:57: Oh, "The Grateful Dead."
01:35:57 - 01:35:59: I think it's about hippies.
01:35:59 - 01:36:03: ♪ Bread ♪
01:36:03 - 01:36:06: ♪ Like the Grateful Dead ♪
01:36:06 - 01:36:08: So it's funny the Dead are getting name-checked
01:36:08 - 01:36:10: in this top-five single,
01:36:10 - 01:36:12: but they're nowhere near the top five.
01:36:12 - 01:36:14: ♪ Give me a head with hair ♪
01:36:14 - 01:36:16: ♪ Long, beautiful hair ♪
01:36:16 - 01:36:19: ♪ Shining, gleaming, streaming ♪
01:36:19 - 01:36:22: I think it's about, like, hate-ashbury hippies,
01:36:22 - 01:36:25: and it's, like, the Main Street version of that.
01:36:25 - 01:36:28: Like, the TV miniseries about, like--
01:36:28 - 01:36:30: Oh, yeah, this song.
01:36:30 - 01:36:33: ♪ Hair, hair, hair ♪
01:36:33 - 01:36:35: ♪ I'll grow it, I'll show it ♪
01:36:35 - 01:36:39: ♪ Long as I'm growing my hair ♪
01:36:39 - 01:36:41: I'm into this. This is cool.
01:36:41 - 01:36:44: ♪ Fly in the breeze, singing, calling the trees ♪
01:36:44 - 01:36:48: ♪ I'm a-home for the fleas in my hair ♪
01:36:48 - 01:36:50: ♪ A-home for the fleas ♪
01:36:50 - 01:36:52: ♪ A-hive for the fleas ♪
01:36:52 - 01:36:54: ♪ Buzzard bees ♪
01:36:54 - 01:36:56: Number two. That was a number-two hit.
01:36:56 - 01:36:58: Wild.
01:36:58 - 01:37:00: Yeah, I guess I was, like, hair--
01:37:00 - 01:37:02: I just always associate it with Godspell
01:37:02 - 01:37:04: and Jesus Christ Superstar,
01:37:04 - 01:37:06: both of which are obviously about Jesus,
01:37:06 - 01:37:09: that I figured maybe low-key hair was kind of about Jesus somehow.
01:37:09 - 01:37:11: There's a movie of hair?
01:37:11 - 01:37:13: I think there might be.
01:37:13 - 01:37:16: The number-two song on the iTunes charts in 2018,
01:37:16 - 01:37:18: another country song.
01:37:18 - 01:37:20: This is a guy we haven't heard from in a little bit.
01:37:20 - 01:37:23: Sam Hunt. You remember what his big hit was, Jake?
01:37:23 - 01:37:25: "Body Like a Back Road."
01:37:25 - 01:37:26: That's right.
01:37:26 - 01:37:27: ♪ Body like a back ♪
01:37:27 - 01:37:29: That takes me back to a simpler time, man.
01:37:29 - 01:37:31: ♪ Driving back ♪
01:37:31 - 01:37:32: 2016.
01:37:32 - 01:37:35: This is his new single, already number two on the iTunes charts,
01:37:35 - 01:37:37: called "Downtown's Dead."
01:37:37 - 01:37:38: Huh.
01:37:38 - 01:37:39: Well, let's guess.
01:37:39 - 01:37:40: That's an intriguing title.
01:37:40 - 01:37:43: Is it going to be, like, a Bruce Springsteen song about, like--
01:37:43 - 01:37:45: ♪ Downtown's dead ♪
01:37:45 - 01:37:48: ♪ And they closed down the factory ♪
01:37:48 - 01:37:52: ♪ And they opened up the Quiznos ♪
01:37:52 - 01:37:54: Hit country songs are never about closing down the factory,
01:37:54 - 01:37:56: although maybe we'll be wrong.
01:37:56 - 01:37:58: But "Downtown's Dead" could definitely be about, like,
01:37:58 - 01:38:02: a town that kind of, like, got hit by, like, globalism.
01:38:02 - 01:38:04: I could also just imagine, like--
01:38:04 - 01:38:07: it's probably just something about, like, missing a girl.
01:38:07 - 01:38:09: [laughs]
01:38:09 - 01:38:10: Or maybe it's both.
01:38:10 - 01:38:11: "Downtown's Dead."
01:38:11 - 01:38:14: It's just all condos now, man.
01:38:14 - 01:38:15: [laughs]
01:38:15 - 01:38:17: Yeah, or maybe it's just, like,
01:38:17 - 01:38:19: everybody's out partying but without you.
01:38:19 - 01:38:21: "Downtown's Dead" or something like that.
01:38:21 - 01:38:22: Right.
01:38:22 - 01:38:24: Or maybe it's going to be, like, a late-period Neil Young song,
01:38:24 - 01:38:27: just very detailed about how the growth of Amazon
01:38:27 - 01:38:30: killed a lot of, like, local jobs.
01:38:30 - 01:38:35: ♪ Warehouse distribution on the interstate ♪
01:38:35 - 01:38:40: ♪ Jeff Bezos says that is good for the economy ♪
01:38:40 - 01:38:41: Let's find out.
01:38:41 - 01:38:43: That was your Neil Young impression?
01:38:43 - 01:38:44: No, that was my Sam Hunt.
01:38:48 - 01:38:50: ♪ Hey ♪
01:38:52 - 01:38:55: ♪ The city's so in style ♪
01:38:55 - 01:38:58: ♪ All you see for miles are people spilling ♪
01:38:58 - 01:39:01: ♪ In and out of cars ♪
01:39:01 - 01:39:04: ♪ Man, all of these bars are making a killing ♪
01:39:04 - 01:39:06: ♪ Everywhere I go ♪
01:39:06 - 01:39:09: ♪ Looks like the place to be ♪
01:39:09 - 01:39:12: ♪ I see people that I know ♪
01:39:12 - 01:39:16: ♪ But I feel like there's no one here but me ♪
01:39:16 - 01:39:19: ♪ Downtown's dead without you ♪
01:39:19 - 01:39:22: Nah, there you go. You nailed it.
01:39:22 - 01:39:24: So downtown's not dead.
01:39:24 - 01:39:26: It just feels dead.
01:39:26 - 01:39:31: ♪ It's gonna be just another Tuesday night without you ♪
01:39:31 - 01:39:33: [cheering]
01:39:33 - 01:39:36: ♪ As long as you're still in my head ♪
01:39:36 - 01:39:39: ♪ There ain't no way that I can paint a ghost town red ♪
01:39:39 - 01:39:42: ♪ Downtown's dead ♪
01:39:48 - 01:39:51: ♪ They're dancing in the strolls ♪
01:39:51 - 01:39:53: ♪ Out here in the throes of loud houses ♪
01:39:53 - 01:39:56: So he is, in fact, in a thriving metropolis
01:39:56 - 01:39:58: with a booming economy.
01:39:58 - 01:40:00: Bars are going off, making a killing.
01:40:00 - 01:40:02: He might as well be in a ghost town,
01:40:02 - 01:40:04: 'cause that's how it feels.
01:40:04 - 01:40:07: ♪ Downtown's dead without you ♪
01:40:07 - 01:40:10: ♪ I'm in a gentrified arts district ♪
01:40:10 - 01:40:12: ♪ With lots of art galleries and bars ♪
01:40:12 - 01:40:14: ♪ And everybody's partying ♪
01:40:14 - 01:40:17: ♪ But I kind of feel more like ♪
01:40:17 - 01:40:20: ♪ I'm in a Rust Belt factory town ♪
01:40:20 - 01:40:24: ♪ Eating solo at a farm-to-table restaurant ♪
01:40:24 - 01:40:30: [laughter]
01:40:30 - 01:40:32: ♪ I just caught Playboy Cardi ♪
01:40:32 - 01:40:39: ♪ Rapping at the new club downtown ♪
01:40:39 - 01:40:42: ♪ And I'm sipping on a $15 cocktail ♪
01:40:42 - 01:40:45: ♪ But I'll tell you what ♪
01:40:45 - 01:40:47: ♪ I called an Uber on my phone ♪
01:40:47 - 01:40:50: ♪ Run to the table and ghosted ♪
01:40:50 - 01:40:53: ♪ Called an Uber and it came in one minute flat ♪
01:40:53 - 01:40:55: ♪ When I say that downtown's not dead ♪
01:40:55 - 01:40:58: ♪ I'm not lying, that downtown's really thriving ♪
01:40:58 - 01:41:03: ♪ But I--however, on a mental level ♪
01:41:03 - 01:41:05: ♪ However, when I think about it psychologically ♪
01:41:05 - 01:41:10: ♪ I feel like downtown's dead ♪
01:41:10 - 01:41:12: ♪ The downtown's clearly not dead ♪
01:41:12 - 01:41:15: ♪ About 1% are living in a fancy town ♪
01:41:15 - 01:41:18: [laughter]
01:41:18 - 01:41:19: - Yeah, you just knew.
01:41:19 - 01:41:21: There was no way it was gonna be about--
01:41:21 - 01:41:23: you know what, I'm sure--actually,
01:41:23 - 01:41:25: I'm sure there's people writing about it.
01:41:25 - 01:41:26: They're just not hits.
01:41:26 - 01:41:27: - Maybe he's writing about it,
01:41:27 - 01:41:29: and it's the deep album cut.
01:41:29 - 01:41:32: - Yeah. - Downtown's dead 2.
01:41:32 - 01:41:34: - Yeah, the single's called "Downtown's Dead,"
01:41:34 - 01:41:36: and then, like, Sam Hunt's just, like,
01:41:36 - 01:41:40: really dire, like, "Stop the corporate fat cats.
01:41:40 - 01:41:42: "Let's, like, reinvest in America.
01:41:42 - 01:41:43: "Let's create a social safety net."
01:41:43 - 01:41:47: Song is called, like, "Downtown's Really Dead."
01:41:47 - 01:41:50: "Downtown's Dead--Not a Metaphor."
01:41:50 - 01:41:52: - That's the second-to-last song on the record.
01:41:52 - 01:41:53: - Yeah.
01:41:53 - 01:41:57: ♪ Downtown's dead, not a metaphor this time ♪
01:41:57 - 01:42:02: The number one song in 1969--this is pretty wild--
01:42:02 - 01:42:05: another hair cover. - Damn.
01:42:05 - 01:42:07: - So this is, like, a real hippie-dippie top five.
01:42:07 - 01:42:10: - ♪ It's the age of Aquarius ♪
01:42:10 - 01:42:12: - Exactly, the fifth dimension.
01:42:12 - 01:42:13: [synthesizer music]
01:42:13 - 01:42:15: Hair's got some tunes, man.
01:42:15 - 01:42:19: ♪ ♪
01:42:19 - 01:42:21: - It's funny. These are such huge hits.
01:42:21 - 01:42:24: - Spring of '69--this song was number one for six weeks.
01:42:24 - 01:42:25: - Wow.
01:42:25 - 01:42:26: ♪ ♪
01:42:26 - 01:42:28: - ♪ Dum-da-dum ♪
01:42:28 - 01:42:31: [synthesizer music]
01:42:31 - 01:42:38: ♪ ♪
01:42:38 - 01:42:52: - ♪ This is the dawning of the age of Aquarius ♪
01:42:52 - 01:42:55: ♪ Age of Aquarius ♪
01:42:55 - 01:42:57: - The fifth dimension formed in Los Angeles.
01:42:57 - 01:43:00: They were originally called the Versatiles.
01:43:00 - 01:43:02: Gave themselves a slightly more late '60s name.
01:43:02 - 01:43:03: - Okay.
01:43:03 - 01:43:07: - ♪ Aquarius ♪
01:43:07 - 01:43:10: ♪ Harmony and understanding ♪
01:43:10 - 01:43:12: ♪ Sympathy and trust abounding ♪
01:43:12 - 01:43:16: - It's crazy to think about them making this music in L.A.
01:43:16 - 01:43:19: and, like, Charles Manson, like, a few months
01:43:19 - 01:43:21: before the murders that happened in August.
01:43:21 - 01:43:22: - Oof.
01:43:22 - 01:43:24: - Just, like, trying to get into the music industry
01:43:24 - 01:43:25: so desperately. - Right.
01:43:25 - 01:43:28: - I'm just picturing, like, him, like, waiting awkwardly
01:43:28 - 01:43:30: in, like, the lobby of, like, RCA Records.
01:43:30 - 01:43:31: - With his demos?
01:43:31 - 01:43:33: - Yeah, and just, like, the members of Fifth Dimension
01:43:33 - 01:43:35: just, like, kind of breezing past him.
01:43:35 - 01:43:36: - Yeah.
01:43:36 - 01:43:37: God.
01:43:37 - 01:43:40: [synthesizer music]
01:43:40 - 01:43:44: - ♪ When the moon ♪
01:43:44 - 01:43:46: ♪ And Jupiter ♪
01:43:46 - 01:43:49: ♪ Lines with Mars ♪
01:43:49 - 01:43:55: ♪ And peace will guide the planet ♪
01:43:55 - 01:43:58: ♪ And love will soothe the storm ♪
01:43:58 - 01:44:03: ♪ This is the dawning of the age of Aquarius ♪
01:44:03 - 01:44:06: ♪ Age of Aquarius ♪
01:44:06 - 01:44:08: - Dude, the drumming is dope.
01:44:08 - 01:44:10: - Yeah, I bet it's, like, Hal Blain or some, like,
01:44:10 - 01:44:13: hardcore studio dude.
01:44:13 - 01:44:14: - ♪ Aquarius ♪
01:44:14 - 01:44:16: - And what's cool about this song
01:44:16 - 01:44:18: is that this is straight-up two songs in one.
01:44:18 - 01:44:19: - Oh, you listen to this-- - You remember where it goes?
01:44:19 - 01:44:20: - Yeah. - Yeah.
01:44:20 - 01:44:22: - It goes into this dope, like, up-tempo part, right?
01:44:22 - 01:44:24: - Yeah, "Let the Sunshine In."
01:44:24 - 01:44:25: - Oh, yeah.
01:44:25 - 01:44:29: - ♪ Aquarius ♪
01:44:29 - 01:44:32: [synthesizer music]
01:44:32 - 01:44:35: - That's a sick change. - Yeah, I love that part.
01:44:35 - 01:44:38: [synthesizer music]
01:44:38 - 01:44:40: - Oh, yeah, this part rules.
01:44:40 - 01:44:42: - ♪ Da-da-da ♪ - ♪ Ba-ba-ba ♪
01:44:42 - 01:44:46: - ♪ Let the sunshine ♪
01:44:46 - 01:44:48: ♪ Let the sunshine ♪
01:44:48 - 01:44:50: - I wonder if this is a show-closer.
01:44:50 - 01:44:52: - I always thought these were two different songs.
01:44:52 - 01:44:54: - Well, they're two different songs from Hair.
01:44:54 - 01:44:55: - Oh.
01:44:55 - 01:44:58: Sort of like, "We Will Rock You, We Are The Champions."
01:44:58 - 01:44:59: - Exactly.
01:44:59 - 01:45:02: - ♪ Let the sunshine in ♪
01:45:02 - 01:45:05: ♪ Let the sunshine in ♪ - Bass player's going off.
01:45:05 - 01:45:06: - Oh, yeah.
01:45:06 - 01:45:10: - ♪ Let the sunshine ♪
01:45:10 - 01:45:11: - Oh, pretty child.
01:45:11 - 01:45:14: - ♪ Let the sunshine in ♪
01:45:14 - 01:45:15: - Come on, come on, come on.
01:45:15 - 01:45:17: - ♪ Let the sunshine in ♪
01:45:17 - 01:45:19: - Everybody, just sing along.
01:45:19 - 01:45:22: - ♪ Let the sunshine in ♪
01:45:22 - 01:45:24: - ♪ Let the sunshine in ♪
01:45:24 - 01:45:25: - ♪ Let the sunshine in ♪
01:45:25 - 01:45:28: - Don't get more of a '60s number one than that.
01:45:28 - 01:45:29: - Strong.
01:45:29 - 01:45:31: - So the number--you know, this is interesting,
01:45:31 - 01:45:33: because "Aquarius, Let the Sunshine In,"
01:45:33 - 01:45:36: clearly--I'm sure, like, a lot of hippies and lefties
01:45:36 - 01:45:38: and radicals thought that song was corny.
01:45:38 - 01:45:39: - I'm sure.
01:45:39 - 01:45:42: - But still, the fact that that was number one at the time
01:45:42 - 01:45:46: is indicative of, like, the conversation that was happening.
01:45:46 - 01:45:48: - ♪ Sympathy and understanding ♪
01:45:48 - 01:45:50: ♪ Harmony in my na-na-na ♪
01:45:50 - 01:45:52: - And the number one song right now
01:45:52 - 01:45:54: is another song that speaks to the moment
01:45:54 - 01:45:56: probably more directly, more politically,
01:45:56 - 01:45:57: which a lot of people were talking about,
01:45:57 - 01:45:59: "Childish Gambino, This Is America."
01:45:59 - 01:46:00: Do you know the song, Jake? - Yeah.
01:46:00 - 01:46:02: - You saw the video? - I saw the video.
01:46:02 - 01:46:03: - I was like 50/50 whether or not--
01:46:03 - 01:46:06: - Oh, yeah. You were 50/50 if I'd be like,
01:46:06 - 01:46:07: "Who's Childish Gambino?"
01:46:07 - 01:46:09: - Yeah, seriously.
01:46:09 - 01:46:11: - ♪ Ga-ga-ga-ga-ga-ga-ga-ga-ga ♪
01:46:11 - 01:46:12: ♪ Go low ♪
01:46:12 - 01:46:15: ♪ Ga-ga-ga-ga-ga-ga-ga-ga-ga ♪
01:46:15 - 01:46:16: ♪ Go low ♪
01:46:16 - 01:46:19: ♪ Ga-ga-ga-ga-ga-ga-ga-ga-ga ♪
01:46:19 - 01:46:20: ♪ Go low ♪
01:46:20 - 01:46:22: - ♪ We just wanna party ♪
01:46:22 - 01:46:23: ♪ Party just for me ♪ - I think this is, like,
01:46:23 - 01:46:24: "Song of the Summer."
01:46:24 - 01:46:25: - This part is dope.
01:46:25 - 01:46:27: - ♪ We just wanna party ♪ - Yeah, speaking of abrupt changes
01:46:27 - 01:46:28: in a song. - Yeah.
01:46:28 - 01:46:29: - ♪ Party just for me ♪ - Yeah.
01:46:29 - 01:46:31: - ♪ Party just for me ♪ - ♪ Party just for me ♪
01:46:31 - 01:46:32: - ♪ Go low ♪
01:46:32 - 01:46:34: - ♪ Girl, you got me dancin' ♪
01:46:34 - 01:46:36: ♪ Dancin' shit to break ♪
01:46:36 - 01:46:38: - ♪ We just wanna party ♪
01:46:38 - 01:46:39: ♪ Party just for you ♪
01:46:39 - 01:46:40: - ♪ Go low ♪
01:46:40 - 01:46:41: - ♪ We just want the money ♪
01:46:41 - 01:46:42: - ♪ Ga-ga-ga-ga-ga-ga-ga-ga-ga-ga ♪
01:46:42 - 01:46:43: - ♪ Money just for you ♪
01:46:43 - 01:46:44: - ♪ Go low ♪
01:46:44 - 01:46:45: - ♪ I know you wanna party ♪
01:46:45 - 01:46:46: - ♪ Ga-ga-ga-ga-ga-ga-ga-ga-ga-ga ♪
01:46:46 - 01:46:47: - ♪ Party just for me ♪
01:46:47 - 01:46:48: - ♪ Go low ♪
01:46:48 - 01:46:49: - ♪ Girl, you got me dancin' ♪
01:46:49 - 01:46:50: - ♪ Ga-ga-ga-ga-ga-ga-ga-ga-ga-ga ♪
01:46:50 - 01:46:51: - ♪ Dancin' shit to break ♪
01:46:51 - 01:46:52: - ♪ Go low ♪
01:46:52 - 01:46:55: - ♪ This is America ♪
01:46:55 - 01:46:57: ♪ Don't catch you slippin' up ♪
01:46:59 - 01:47:01: ♪ Look what I'm whippin' up ♪
01:47:01 - 01:47:08: ♪ This is America ♪
01:47:08 - 01:47:10: ♪ Don't catch you slippin' up ♪
01:47:10 - 01:47:12: ♪ Look how I'm livin' up ♪
01:47:12 - 01:47:13: ♪ Police be trippin' up ♪
01:47:13 - 01:47:15: ♪ Yeah, this is America ♪
01:47:15 - 01:47:16: ♪ Guns in my area ♪
01:47:16 - 01:47:19: ♪ I got the strap ♪
01:47:19 - 01:47:21: ♪ I gotta carry 'em ♪
01:47:21 - 01:47:23: ♪ Yeah, yeah, I'ma go into this ♪
01:47:23 - 01:47:25: ♪ Yeah, yeah, this is guerrilla ♪
01:47:25 - 01:47:27: ♪ Yeah, yeah, I'ma go get the bag ♪
01:47:27 - 01:47:29: ♪ Yeah, yeah, this is guerrilla ♪
01:47:29 - 01:47:31: ♪ Yeah, yeah, I'ma go get the bag ♪
01:47:31 - 01:47:33: - It's amazing that this song is, like,
01:47:33 - 01:47:36: a true number-one hit, hundreds of millions--
01:47:36 - 01:47:39: like, when I first saw it, it didn't surprise me
01:47:39 - 01:47:41: that people found it to be, like, a striking video
01:47:41 - 01:47:43: and want to talk about it. - The video's crazy.
01:47:43 - 01:47:46: - But it's not just, like, the nerds
01:47:46 - 01:47:47: writing about this song.
01:47:47 - 01:47:49: It's, like, a legitimate pop hit.
01:47:49 - 01:47:52: - It seems like the song is inseparable from the video.
01:47:52 - 01:47:54: - Yeah, and they--most people were introduced
01:47:54 - 01:47:56: to the song via the video. - Yeah.
01:47:56 - 01:47:58: - ♪ This is America ♪
01:47:58 - 01:48:00: ♪ Whoo, don't got you slippin' now ♪
01:48:00 - 01:48:01: ♪ Whoo, whoo, this is America ♪
01:48:01 - 01:48:03: - So, Safa, you think this is a song of the summer?
01:48:03 - 01:48:04: - Yeah. - You're calling it now?
01:48:04 - 01:48:06: - Really? - Yeah, I just think
01:48:06 - 01:48:08: it's too popular. It also gives me, like--
01:48:08 - 01:48:10: remember when Kendrick Humble was, like,
01:48:10 - 01:48:12: riding the top of the charts forever,
01:48:12 - 01:48:14: but it was so dark? - Yeah.
01:48:14 - 01:48:15: - It's got, like, that feel to me.
01:48:15 - 01:48:17: - Interesting.
01:48:17 - 01:48:18: I'm gonna say it's gonna fade hard.
01:48:18 - 01:48:21: - Wow. Burn too bright.
01:48:21 - 01:48:24: - Yeah. Even if it fades,
01:48:24 - 01:48:26: the impact it's made culturally,
01:48:26 - 01:48:28: it's gonna be still at such a high level.
01:48:28 - 01:48:30: - ♪ On my Kodak, whoo, black, ooh ♪
01:48:30 - 01:48:32: ♪ Know that, yeah, yeah, ooh ♪
01:48:32 - 01:48:34: ♪ Get it, get it, get it, get it, ooh ♪
01:48:34 - 01:48:35: ♪ Work it, woo ♪
01:48:35 - 01:48:37: ♪ Hundred bands, hundred bands, hundred bands ♪
01:48:37 - 01:48:39: ♪ Contraband, contraband, contraband, contraband ♪
01:48:39 - 01:48:41: ♪ I got the plug on Oaxaca, whoa ♪
01:48:41 - 01:48:44: ♪ They gonna find you like Baca, blah ♪
01:48:44 - 01:48:46: - ♪ Ooh, America ♪
01:48:46 - 01:48:48: ♪ I just checked my follow and listened ♪
01:48:48 - 01:48:50: ♪ You gon' tell somebody ♪
01:48:50 - 01:48:53: ♪ Grandma told me get your money, black man ♪
01:48:53 - 01:48:56: ♪ Get your money, black man ♪
01:48:56 - 01:48:58: ♪ Get your money, black man ♪
01:49:00 - 01:49:01: ♪ Get down ♪
01:49:01 - 01:49:03: - ♪ Ooh, ooh, ooh ♪
01:49:03 - 01:49:05: ♪ Tell somebody ♪
01:49:05 - 01:49:07: ♪ You gon' tell somebody ♪
01:49:07 - 01:49:10: ♪ Grandma told me get your money, black man ♪
01:49:10 - 01:49:12: ♪ Get your money, black man ♪
01:49:14 - 01:49:17: ♪ Get your money, black man, black man, black man ♪
01:49:17 - 01:49:19: - I was in a debate with a couple people
01:49:19 - 01:49:21: arguing about what they thought about the meaning
01:49:21 - 01:49:23: or what the video was trying to say
01:49:23 - 01:49:25: or whether they thought it was like the right way to say it
01:49:25 - 01:49:28: or whatever, and the one thing I was saying in that,
01:49:28 - 01:49:31: I didn't really feel strongly about engaging in that debate,
01:49:31 - 01:49:33: but I said, "Whatever you think about it,
01:49:33 - 01:49:35: "you got to admit that it's like
01:49:35 - 01:49:38: "a very powerful performance from Donald."
01:49:38 - 01:49:39: You know what I mean?
01:49:39 - 01:49:41: There's something about political art
01:49:41 - 01:49:43: that brings up so many feelings in people,
01:49:43 - 01:49:45: 'cause whether you're somebody who disagrees with the point--
01:49:45 - 01:49:47: or a lot of times people who--
01:49:47 - 01:49:49: more often than not, people who agree with the point
01:49:49 - 01:49:51: get into the weeds on it, you know what I mean?
01:49:51 - 01:49:54: 'Cause I don't really know anybody who's pro-guns
01:49:54 - 01:49:58: or would ever say that they don't agree
01:49:58 - 01:50:01: with a lot of what he's talking about in this
01:50:01 - 01:50:03: about violence against black people,
01:50:03 - 01:50:05: police brutality, things like that,
01:50:05 - 01:50:07: but sometimes even the people who agree with it
01:50:07 - 01:50:09: are sometimes the ones who will be the most--
01:50:09 - 01:50:11: - Nitpicky? - Nitpicky about the art.
01:50:11 - 01:50:13: So I've heard--you know, I know a lot of people
01:50:13 - 01:50:15: who have heard a lot of opinions about it,
01:50:15 - 01:50:17: but the one thing I was just like, everybody,
01:50:17 - 01:50:19: the one thing they gave me on it was like,
01:50:19 - 01:50:21: even if you're putting your hater hat on and you're like,
01:50:21 - 01:50:23: "I've seen more powerful political art from this,"
01:50:23 - 01:50:25: you know, whatever they might say,
01:50:25 - 01:50:27: I was kind of like, it's a pretty iconic,
01:50:27 - 01:50:29: very amazing performance from him.
01:50:29 - 01:50:31: Even just, like, physically, just in the--
01:50:31 - 01:50:33: - Definitely. - You gotta give it up.
01:50:33 - 01:50:35: - The faces he makes. - His long tracking shot.
01:50:35 - 01:50:36: - Yeah, it's awesome. - Yeah.
01:50:36 - 01:50:37: You gotta give it up.
01:50:37 - 01:50:39: One question I have is--
01:50:39 - 01:50:41: I keep seeing how everybody talks about
01:50:41 - 01:50:43: that the song features background vocals
01:50:43 - 01:50:45: from Young Thug, who I kinda hear,
01:50:45 - 01:50:48: Slim Jimmy, Block Boy JB, 21 Savage, and Quavo.
01:50:48 - 01:50:50: Where are all those guys on this?
01:50:50 - 01:50:52: - I had the same question. I can't--
01:50:52 - 01:50:54: - Am I just mistaking voices here, or--
01:50:54 - 01:50:55: - Well, when I heard all that stuff--
01:50:55 - 01:50:57: - Are they doing the vocals in the beginning,
01:50:57 - 01:50:58: or is that a sample?
01:50:58 - 01:51:00: - I think they're in the mix in that chorus,
01:51:00 - 01:51:01: but, you know, like, I started to hear those names,
01:51:01 - 01:51:03: and I was like, "Oh, I think I hear Kendrick Lamar."
01:51:03 - 01:51:05: Like, I was hearing people who aren't on the song, too.
01:51:05 - 01:51:06: - Yeah. - I don't know.
01:51:06 - 01:51:08: - Is that Jerry?
01:51:08 - 01:51:10: - I think that's Larry David.
01:51:10 - 01:51:12: - I think that's Larry--oh, I heard Larry David.
01:51:12 - 01:51:15: 2018 and 1969. That was an interesting comparison.
01:51:15 - 01:51:17: - Yeah, I like that age of Aquarius
01:51:17 - 01:51:18: and "This is America."
01:51:18 - 01:51:20: - I think there is some slight resonance there.
01:51:20 - 01:51:21: - Oh, yeah.
01:51:21 - 01:51:23: - And also, you know, in the same way,
01:51:23 - 01:51:25: I'll also say this, like, well, first of all,
01:51:25 - 01:51:28: the vast majority of people talking about "This is America"
01:51:28 - 01:51:30: love it and speak of it as a powerful piece of art,
01:51:30 - 01:51:31: but, you know, as with anything,
01:51:31 - 01:51:33: there's haters and nitpickers, but one thing I'll say
01:51:33 - 01:51:35: is, like, I think when you take a step back,
01:51:35 - 01:51:39: whatever, like, little feelings people have in the moment
01:51:39 - 01:51:42: when our children take over "Time Crisis"
01:51:42 - 01:51:44: and they're doing this in 50 years
01:51:44 - 01:51:47: and they look back, they'll find it interesting
01:51:47 - 01:51:50: that "This is America" was, like, number one in 2018.
01:51:50 - 01:51:53: They won't have any of the, like, tiny little aesthetic things
01:51:53 - 01:51:56: that people have when talking about art in, like, the--
01:51:56 - 01:51:58: - Narcissism of small differences.
01:51:58 - 01:51:59: - Narcissism of small differences.
01:51:59 - 01:52:02: - I love to think about Lou Reed and the Velvet Underground
01:52:02 - 01:52:05: going to see a performance of "Hair."
01:52:05 - 01:52:06: - Oh, they probably wouldn't.
01:52:06 - 01:52:07: - In New York in '69.
01:52:07 - 01:52:09: - Remember-- - Maybe they did--
01:52:09 - 01:52:12: Someone's dad is, like, a weird, like, manager of, like,
01:52:12 - 01:52:13: the actual, you know, like, theater people.
01:52:13 - 01:52:14: - Yeah, they're probably, like, all fucked up,
01:52:14 - 01:52:16: just being like, "What the fuck is this?"
01:52:16 - 01:52:17: - Yeah, they're-- - It sucks.
01:52:17 - 01:52:20: Remember when, like, I sent you that article I found once
01:52:20 - 01:52:22: on, like, some deep Grateful Dead website about how--
01:52:22 - 01:52:23: - Oh, yeah, dude.
01:52:23 - 01:52:24: - About how the Velvet Underground
01:52:24 - 01:52:26: was always really snooty to the dead.
01:52:26 - 01:52:27: - But then they played a show together?
01:52:27 - 01:52:28: - They played a few times together.
01:52:28 - 01:52:29: - In San Francisco.
01:52:29 - 01:52:31: - And apparently there was this weird competition
01:52:31 - 01:52:33: about who was gonna play longer, and then even--
01:52:33 - 01:52:35: so they knew each other a little bit,
01:52:35 - 01:52:36: and then even afterwards--
01:52:36 - 01:52:37: - So deep.
01:52:37 - 01:52:38: - Lou Reed in the early '70s--
01:52:38 - 01:52:40: yeah, they would do these interviews where they'd be like,
01:52:40 - 01:52:41: "What do you think about, like, the San Francisco--
01:52:41 - 01:52:43: "Oh, the Grateful Dead."
01:52:43 - 01:52:44: And there was a hilarious--
01:52:44 - 01:52:47: it was, like, kind of deep into the '70s or something.
01:52:47 - 01:52:48: Lou Reed did an interview where they're like,
01:52:48 - 01:52:49: "What do you think about the Grateful Dead?"
01:52:49 - 01:52:52: And he's like, "Jerry's not even that good of a guitarist."
01:52:52 - 01:52:53: - He's just playing the same solo over and over again.
01:52:53 - 01:52:54: - He played the same thing over and over again.
01:52:54 - 01:52:55: It's like-- - Get out of here.
01:52:55 - 01:52:57: - Looking back in retrospect, it's like,
01:52:57 - 01:53:00: "Yo, Lou Reed's a legend, but come on, man.
01:53:00 - 01:53:03: "Jerry's not good at guitar. Shut the fuck up."
01:53:03 - 01:53:04: [laughter]
01:53:04 - 01:53:07: But again-- - Just give it up, man.
01:53:07 - 01:53:09: - Back then, probably the difference
01:53:09 - 01:53:11: in the way the Velvet Underground saw themselves
01:53:11 - 01:53:13: from the Grateful Dead was very important.
01:53:13 - 01:53:16: - The irony is they're both doing heroin.
01:53:16 - 01:53:17: - Right.
01:53:17 - 01:53:18: - Just hang out, guys.
01:53:18 - 01:53:21: - You guys have a lot more in common than you don't.
01:53:21 - 01:53:25: Seinfeld, you wanted to speak about something.
01:53:25 - 01:53:27: Hey, by the way, how are the Twitter numbers doing?
01:53:27 - 01:53:29: - Oh, they got way up. - Are they?
01:53:29 - 01:53:30: - Yeah, you'll be pleasantly surprised.
01:53:30 - 01:53:32: - Are we over 10K? - We are. We're over 11K.
01:53:32 - 01:53:34: - Seriously? - Congratulations, guys.
01:53:34 - 01:53:36: - Where am I? - I'm still under 3K.
01:53:36 - 01:53:38: - Wait, wait, wait. - You read your own account.
01:53:38 - 01:53:40: - Is it really at 11K? - Yeah, take a look.
01:53:40 - 01:53:42: - Did you buy them?
01:53:42 - 01:53:44: - Look, I don't want to-- [laughter]
01:53:44 - 01:53:47: I don't want to speak to the provenance of the followers.
01:53:47 - 01:53:49: We're at exactly 11K.
01:53:49 - 01:53:51: - I don't want to dredge up the past.
01:53:51 - 01:53:53: Should we be-- do we need, like,
01:53:53 - 01:53:54: a Facebook page or something?
01:53:54 - 01:53:56: - I mean, in 2018?
01:53:56 - 01:53:58: - Oh, yeah, Facebook's-- - It's a bad look.
01:53:58 - 01:53:59: - I don't know, yeah.
01:53:59 - 01:54:02: - But Twitter still feels, like, kind of dead.
01:54:02 - 01:54:04: What do we-- - I think Twitter's back.
01:54:04 - 01:54:06: - Oh, do we need a musical.ly?
01:54:06 - 01:54:08: What's it called, musically?
01:54:08 - 01:54:10: - I think we need a Bandcamp. - Do we need a Bandcamp?
01:54:10 - 01:54:13: - Is Vampire Weekend on Bandcamp?
01:54:13 - 01:54:14: - No. - Okay.
01:54:14 - 01:54:16: - I think we need an Amazon Prime account...
01:54:16 - 01:54:17: [laughter]
01:54:17 - 01:54:19: to buy paper towels and stuff.
01:54:19 - 01:54:20: [laughter]
01:54:20 - 01:54:23: - I think we need a Hulu Plus account.
01:54:23 - 01:54:26: Oh, yeah, yeah, so this whole show,
01:54:26 - 01:54:28: Jake has been wearing this absolutely beautiful
01:54:28 - 01:54:30: psychedelic tie-dyed... - Gorgeous.
01:54:30 - 01:54:32: - 8-minute Cape Cod shirt.
01:54:32 - 01:54:33: - It's gonna be on the Twitter account.
01:54:33 - 01:54:34: - That's right.
01:54:34 - 01:54:37: Go to the Twitter account @TimeCrisis2000.
01:54:37 - 01:54:38: You can find out more information
01:54:38 - 01:54:40: about how you can get one.
01:54:40 - 01:54:42: - Cool, well, they really are gorgeous shirts.
01:54:42 - 01:54:43: Well done, Seinfeld, and I'm proud of you
01:54:43 - 01:54:47: for getting the Twitter account over 11K.
01:54:47 - 01:54:48: - Thanks so much.
01:54:48 - 01:54:50: - I'm still well under 3K.
01:54:50 - 01:54:52: - Well under 3K? - Yeah.
01:54:52 - 01:54:55: - Everybody follow Jake @DongStreth.
01:54:55 - 01:54:57: - Thank you, Seinfeld.
01:54:57 - 01:54:59: - Not DongStretch.
01:54:59 - 01:55:01: - Nope, not DongStretch.
01:55:01 - 01:55:08: [laughter]
01:55:08 - 01:55:10: - All right, well, that was a hell of a show.
01:55:10 - 01:55:11: Thanks to Baio.
01:55:11 - 01:55:12: Thanks for letting us debut
01:55:12 - 01:55:15: your Sting and Shaggy remix on the program.
01:55:15 - 01:55:19: Thank you to Phil Matariz for calling in
01:55:19 - 01:55:21: and talking Doritos with us,
01:55:21 - 01:55:26: and no thank you to the Tic Tac Company
01:55:26 - 01:55:29: for lying to the American public.
01:55:29 - 01:55:31: And if anybody from Tic Tac wants to call in
01:55:31 - 01:55:35: and defend it, we will respectfully have you on the show.
01:55:35 - 01:55:36: And please hit us with some Tic Tac emails.
01:55:36 - 01:55:38: And also, I just want to say one last thing.
01:55:38 - 01:55:39: We've got a lot of great emails
01:55:39 - 01:55:42: about Alanis Morissette and her musical,
01:55:42 - 01:55:46: and we will be talking about that in two weeks.
01:55:46 - 01:55:47: As always, finger on the pulse.
01:55:47 - 01:55:49: Time Crisis.
01:55:49 - 01:55:51: [laughter]
01:55:51 - 01:55:55: - "Time Crisis" with Ezra King.
01:55:55 - 01:55:58: Be-be-be-be-be-be-beace.
01:55:58 - 01:55:59: One.

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