Episode 71: Dear Nora & Summer Hits

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Start Timestamp - End Timestamp: Transcript
00:02 - 00:09: Time Crisis, here once again. Jake and I return to the studio to reflect
00:09 - 00:16: on our weekend in Ojai, our legendary weekend. We also talked to Dear Nora's Katie Davidson
00:16 - 00:25: about their new album and when they first met Jake in college in Portland. This is kind of
00:25 - 00:35: a different tone for the intro but anyway this is Time Crisis with Ezra Koenig. Beats one.
00:37 - 01:04: Time Crisis back once again. Back from Ojai. I guess we should talk about the Ojai shows a
01:04 - 01:09: little bit. Yeah. At this point they were two weeks ago but hell of a weekend. It was a great
01:09 - 01:14: weekend. For people who don't know Richard Pictures, Jake's Grateful Dead cover band and
01:14 - 01:19: Vampire Weekend played two shows together. That was kind of the Vampire Weekend's kickoff after
01:19 - 01:24: not having played live in a long time. Crowds were great and I gotta say I love playing during the
01:24 - 01:29: day because we played Saturday night and then Sunday morning. And the Saturday night show was
01:29 - 01:36: we played at 6 p.m. Yeah so it's more of like a late afternoon show. Late afternoon in a morning
01:36 - 01:42: show. Yeah Sunday morning we had to be there at 8 30 a.m. for sound check. That was a first. That's
01:42 - 01:48: brutal. Did you make it at 8 30? I was there at 8 15. Wow. Had a breakfast sandwich, cup of coffee,
01:48 - 01:54: I was ready to go. Yeah that was a great vibe just like it was a good backstage vibe there. Oh yeah.
01:54 - 01:58: We had so many like friends and family around. Food was on point. Shout out to Beacon Coffee in
01:58 - 02:04: Ojai. They set up a little stand. I also love that just like on the Sunday show just sipping
02:04 - 02:09: a coffee in between songs. Oh yeah. Feeling good. Saturday night I was doing a little tequila between
02:09 - 02:14: songs. Yeah. Sunday morning doing some coffee. Doing some coffee. I definitely want to do more.
02:14 - 02:23: I think that's the I want to do the Vampire Weekend patented weekend show concept. We play
02:23 - 02:28: Saturday night Sunday morning. That's strong. Tequila and coffee. We could we could we could
02:28 - 02:36: we'll get get a sponsorship from both. Tequila and coffee tour. Gotta finish the album now.
02:36 - 02:40: It may be a little bit off in the future but we'll definitely do it. What are you like half
02:40 - 02:46: done with the album? About I just I just feel like I need to write a few more songs. I think
02:46 - 02:52: I might go to down to Mexico for a couple weeks get some inspo. So we're looking like a mid 2020
02:52 - 03:00: release on that record. Yeah definitely the next president. Trump's second term. Oh god no we got
03:00 - 03:06: hope. Um no it's very close to being done but finishing records is truly one of my least
03:06 - 03:12: favorite things to do. What is it so many details and like second guessing like what's the? Well
03:12 - 03:16: it's kind of like I think the things that I do well or the things that I like to do that I care
03:16 - 03:24: about a lot of like songwriting arrangement conceptual things. Right. Singing. I like the
03:24 - 03:29: micro details of songwriting and I like the big picture details of production and arrangement.
03:29 - 03:35: You know I love to be working with a producer and be kind of like no we should rethink this the song
03:35 - 03:38: should be tight and dry and the drum should be like this. What I don't like is getting really
03:38 - 03:42: into the weeds which is what you have to do at the end. And this is what I'm listening to like
03:42 - 03:47: literally sometimes I mean RL bust my balls because we literally have songs where because
03:47 - 03:52: you know you have to save the a new version every time you restart Pro Tools. Oh wow. Well you know
03:52 - 03:56: just to for you just to be diligent because what if you needed to go back to a version. Right so
03:56 - 04:03: save as. There's songs where I think there's like 150 to 200 versions. That's insane. How do you
04:03 - 04:07: even like. Well you know. Parse that out. You hope you don't have to go back to it but that's why
04:07 - 04:13: it's a lot of data. So you're just chewing through hard drives. Oh yeah man terabytes. Good lord.
04:13 - 04:20: Like mining Bitcoin over there. Basically. Cooking the earth. God we probably should have.
04:20 - 04:26: Back where back I used to front lock and go out mechanics bug anchorage and Dar es Salaam.
04:26 - 04:34: Well only New York with champagne and disco. Take some M&A slash San Francisco. But actually Oakland
04:34 - 04:40: and Alameda. Your girl was in Berkeley with a communist reader. Mine was in town with a boombox
04:40 - 04:47: and Walkman. I was a horrible girl that was back then. But yeah you have to do all this stuff at
04:47 - 04:53: this point where and I've always hated this on every album where you know the song is good. You
04:53 - 04:57: know the arrangements good. You know that the conceptual production is good. But now I'm
04:57 - 05:01: listening to it I'm just like wait are people going to know it. Did the vocal get too quiet
05:01 - 05:06: there. People can be weirded out. Or does that sit well. Does it get a little harsh. Get a little
05:06 - 05:11: too mid rangy like those kind of real micro details which. And then you're so in and you
05:11 - 05:15: take a step back. But yeah. So now I have this real strong feeling when we were driving back
05:15 - 05:22: from Ohio and it was a really fun weekend like the shows were great. Great crew of people. We
05:22 - 05:28: had after party on Saturday night. We had a barbecue with great tacos. That was huge. On Sunday people
05:28 - 05:35: flew in from New York. It was just amazing. Then Monday ripping back to L.A. Rashid and Despot in
05:35 - 05:40: the car talking about life. I was just kind of looking out the window and I was like I really
05:40 - 05:48: have this sense of accomplishment where I was like man we really did it. We crushed Ohio. We
05:48 - 05:55: crushed Ohio for the weekend. And then I started to realize that my work had barely even begun.
05:55 - 05:58: I had this sense of exhaustion from working on the album so long. And even you know it was like
05:58 - 06:07: a fun weekend. But like on Sunday I ate a lot of tacos. And I ate a Choco Taco for dessert too.
06:07 - 06:14: And I was throwing down spicy margs at the barbecue. And then I stayed in the hot tub too long.
06:14 - 06:24: I was cooked. You crashed out hard at like 645. Yeah when I got out of the hot tub I felt
06:24 - 06:29: incredibly nauseous. I really could like visualize the spicy marg and the Choco Taco and the real
06:29 - 06:36: tacos. Oh and the real quesadillas just getting like boiled in my stomach. Yeah so whatever.
06:36 - 06:41: I'm basically I'm trying to say we worked hard. We played hard. It was a big weekend. And then
06:41 - 06:45: I'm driving back and I had this real sense of like that's all it should be. You know it's like when
06:45 - 06:50: you're a kid and you're in a school play. They rehearse for like four months. Then they do two
06:50 - 06:57: performances. And it's like really just like you know or maybe they do three. Yeah. A Sunday matinee.
06:57 - 07:02: But you know like it's like this giant thing that the kids do. Working their asses off like learning
07:02 - 07:08: their lines and like holy this is such a big deal. Then you perform it three times by Sunday evening.
07:08 - 07:12: Parents are there. Yeah parents are there. Everybody comes out. The community comes out.
07:12 - 07:18: Saturday. Sunday night you crush some Coca-Cola from a plastic two liter and some pizza. Pasta
07:18 - 07:23: dinner. Maybe a pasta dinner. And you're like wow we really did this. And you're like but it's only
07:23 - 07:27: one weekend. And I don't know I felt like that a little bit. Like that'd be hilarious. It's just
07:27 - 07:33: like you work on an album for years and it's all building up to one weekend of shows. Two shows in
07:33 - 07:38: Ojai. Just two shows in Ojai. Tequila and coffee. I almost had this feeling and it was like funny
07:38 - 07:43: because we didn't really even play any new stuff. So it's not like we even presented any of the new
07:43 - 07:48: music to the fans. But I did have this feeling of just like kind of rolling back to L.A. just kind
07:48 - 07:53: of like had that feeling like yeah you know maybe I'll just take a few days off to chill and start
07:53 - 08:00: thinking about the next record.
08:01 - 08:11: What's Texas bound? We stopped over in Santa Fe. That day in the pool. Just about halfway.
08:11 - 08:15: Hey you know it was the hottest part of the day.
08:15 - 08:26: And I took the horse up to the stall. Went to the bar room. Ordered drinks for all.
08:27 - 08:34: Three days in the saddle. You know my body hurt. It'd been summer. I took off my shirt.
08:34 - 08:38: And I tried to wash off some of that dusty dirt.
08:38 - 08:49: Went to Texas Cowboys. There's all around. We were liquor and money. They loaded down.
08:50 - 08:58: So soon after payday. No it seemed a shame. He starts playing the game.
09:20 - 09:23: How was Santa Ana? Oh yeah then I forgot that we were playing Santa Ana.
09:23 - 09:29: We played the two shows at the observatory in Santa Ana. What's that? Like is that a
09:29 - 09:35: rock club or what is it? Yeah it's a it's an 1100 cap rock club. Great sight lines.
09:35 - 09:40: What does that mean exactly? It's not like some weird old theater where everybody is just like
09:40 - 09:46: standing in in a row. This place I don't know how long this has been open like five years. This place
09:46 - 09:52: was clearly designed for fan enjoyment. So it's kind of like a wide club and there's tiers. Oh
09:52 - 09:56: cool. So there's kind of not a bad place to stand in the house. I mean it's not like I've ever seen
09:56 - 10:00: a show there but my impression was there wasn't a bad place to stand in the house. It was definitely
10:00 - 10:04: different energy than the Ohio shows. I think I talked about it on stage a little bit because
10:04 - 10:10: Ohio was like crunchy hippy dippy father's day weekend. A lot of t-shirt sales going off the
10:10 - 10:15: chain. Oh yeah the t-shirt sales in Ohio were just unbelievable. Your guys shirts blew out. Oh yeah
10:15 - 10:20: sold them out first day. The father yeah first day. I had people just irate with me on the internet.
10:20 - 10:27: Really? Just like do not post t-shirts online that you will not be selling on the internet. Oh and
10:27 - 10:31: I was like I got nothing for that. Guys it's 2018 there's gonna be a lot of interplay between the
10:31 - 10:36: internet and IRL. Yep. That's just how it is. Yeah and then the vampire weekend father's day shirts
10:36 - 10:43: blew out. Shout out to uh bring out your dead. Oh yeah. His shirts blew out very soft too. Yeah I
10:43 - 10:49: got in trouble with even some uh people close to me in my life because everybody was like yo can I
10:49 - 10:53: get some of those shirts and I was like yeah and I was like you know what on Sunday I'll grab some
10:53 - 10:57: then I get there on Sunday and I'm like yo can I get like five of these all gone. Yeah. I'm gonna
10:57 - 11:02: do a little reprint. It gets stressful with the shirts because it's limited run people are just
11:02 - 11:07: like right like I need one. Like yeah well but hey it's a good problem to have. Yeah. It's better
11:07 - 11:14: than the stress of uh ripping back down to LA with 200 unsold vampire weekend Richard pictures
11:14 - 11:20: June 16th 17th 2018 Ohio shirts. Taking up all sorts of room in the garage.
11:20 - 11:28: Smash got like two years from now. Although are these the shirts from that Ohio weekend still here?
11:28 - 11:34: Oh man. I think we're gonna start doing shirts for every show. Oh I love it. Like we're playing
11:34 - 11:39: August 9th at the Old Town Pub. SoCal people mark your calendars. It's the anniversary of
11:39 - 11:45: Jerry Garcia's death. Oh yeah. So we're playing a big two set night there August 9th but we're
11:45 - 11:50: gonna do shirts for that. Oh sick. Yeah we did we did a special Santa Ana shirt too. Oh really?
11:50 - 11:55: I don't know if it blew out though. That's a deep shirt. We just did another long sleeve but anyway
11:55 - 12:01: yeah the observatory is a great club in Santa Ana. Um I think I've said things to this effect
12:01 - 12:06: on the show before but sometimes people think like you know when we post certain things on
12:06 - 12:11: Instagram we're being cryptic or mysterious or yeah or even like with the shows that there's
12:11 - 12:15: like you know sometimes there's no rhyme or reason it's just like somebody asked me a month ago hey
12:15 - 12:20: after the Ohio shows you want to do a couple more get everybody like continue to play yeah and you
12:20 - 12:23: know of course in my head a month ago I'm like yeah maybe even by then we'll be dropping new
12:23 - 12:27: songs in the set but whatever people seem chill but anyway yeah the energy was super different
12:27 - 12:34: because I don't know if it's like part of Orange County culture but people there like bring real
12:34 - 12:38: enthusiasm because you know like a lot of times people will generalize and say like well LA New
12:38 - 12:44: York shows the crowd's a little more arms crossed yeah not that psyched but then you know if you go
12:44 - 12:49: play show in Jersey or Orange County or just you know a little bit away from the big city
12:49 - 12:54: right people know how to have a good time and I kind of forgot that like there was significant
12:54 - 12:59: amounts of crowd surfing in Santa Ana sick which of course like you know Sunday morning in Ohio
12:59 - 13:06: you're not gonna get any of that especially after the a dead cover band opens it up in a real chill
13:06 - 13:12: way yeah that was chill vibes this was a little more intense a lot of like really loud singing
13:12 - 13:17: which was cool like people shouting the songs at the top of their lungs yeah nice yeah and just
13:17 - 13:24: really have some moshing moshing yeah to what songs cousin um there was like sometimes there'd
13:24 - 13:30: be like a light mosh to a not very moshy type song but yeah definitely the higher energy ones
13:30 - 13:34: you would see like real movement dude the pit during white sky yeah there was like yeah there
13:34 - 13:39: was a little bit like that have you had pits before yeah it was it made me think back because
13:39 - 13:45: maybe also because like I've been haven't done it in years and you know I'm older so I'm just more
13:45 - 13:50: chill now I then I kind of remembered I was like oh yeah in certain places we used to play it was
13:50 - 13:56: like straight up crazy pits wow I remember the UK that would happen a lot because they get down there
13:56 - 14:03: over there no but I remember one time it was like there was like a pit during horchata or some like
14:03 - 14:09: song that wasn't like one of the punky ones people just want to rage yeah but I respect that it's
14:09 - 14:12: tight yeah well then you always get a little stressed out because you know you're watching
14:12 - 14:17: the whole thing unfold in a way that the audience can't see yeah so and there was like some very
14:17 - 14:23: athletic crowd surfing there's like this uh dude and uh the second Santana show who wasn't even
14:23 - 14:28: just crowd surfing at a certain point his bros were like holding up his feet and legs and he was
14:28 - 14:34: crowd standing you know what I mean wow almost like some uh cheerleading but then there's also
14:34 - 14:38: just like you know sometimes you see like a big dude crowd surfing and the whole especially there
14:38 - 14:44: the whole club can see it so you're kind of like hell yeah you shout him out but then you look and
14:44 - 14:48: you're like you know see his like foot just missed somebody's head and you're just like imagining
14:48 - 14:55: some scenario where you're like oh hell yeah check it out crowd surfing bro and the next thing you
14:55 - 14:59: know like some you know smaller person is being like carried out by the bouncer everybody's like
14:59 - 15:04: dead quiet I'm just like I'm sorry I wasn't encouraging it I was just you know trying to
15:04 - 15:10: shout out I like the enthusiasm but yeah ratcheting it down a couple notches guys
17:28 - 17:34: all right well this is a hell of a show now that we're all caught up we got your original college
17:34 - 17:41: buddy katie davidson yep who I also know calling in calling in talk about the new dear nora album
17:41 - 17:48: which is katie's iconic is it fair to call them indie dear nora yeah yeah iconic indie band um
17:48 - 17:54: we got some listener emails and uh I don't know if we're totally done talking about wendy's and
17:54 - 17:59: iHob and things like that okay that was a major event man I saw someone tweeted at you that the
17:59 - 18:05: data seems to imply that they did not get more foot traffic right iHob that was gratifying the
18:05 - 18:10: thing that I don't like about it though is like you know everybody's gonna gang up on iHob but
18:10 - 18:14: they're gonna let all these other suckers get a pass you know what I mean everybody likes to see
18:14 - 18:19: a loser but sometimes you got to look around and be like you know what you're all losers all you
18:19 - 18:24: fast food social media places and by the way I haven't forgotten about Punisher Burgers
18:24 - 18:28: been accused I thought you just creeping into Punisher Burger character I'm still thinking
18:28 - 18:34: about it I still want to do it Frank Castle I make my own burgers and I do my own social media
18:34 - 18:41: I I still like that idea this is one TC idea that's not going to get lost in the sands of
18:41 - 18:46: time but anyway we'll get into all that later let's get Katie on the phone now let's go into
18:46 - 18:58: the time crisis hotline hey this is Katie hey Jake how are you great hey what's up Katie
18:58 - 19:04: Ezra's here too Ezra hello welcome to time crisis thank you honored to be here this might be the
19:04 - 19:10: best connection by far that we've ever had for a phone call oh nice is it because we're using
19:10 - 19:21: we're using FaceTime audio FaceTime audio I'm in a like a pretty empty room concrete and drywall
19:21 - 19:26: I guess I better net better internet speeds than I was imagining so all good you got some blazing
19:26 - 19:33: fast internet or did you like pay extra to get some like industrial like Google like with big fat
19:33 - 19:44: cables I did not know just standard I bet you could deal a terabyte and a lot of reverb off
19:44 - 19:50: that concrete and drywall too it's nice it's nice is it nice yeah you ever record vocals in there
19:50 - 19:57: no I should um well I got a question to kick things off for both of you so you and Jake
19:57 - 20:02: originally college buddies went on to play music together but just paint the paint the picture for
20:02 - 20:11: me you two guys Lewis and Clark College Portland Oregon what uh fall of 95 fall of 95 Jerry's just
20:11 - 20:18: died Jerry just died Bill Clinton's president what's going on you guys are freshmen yeah yeah
20:18 - 20:24: wow have you said your side yet Jake no no this is new territory for time crisis
20:26 - 20:36: here's my recollection I lived one floor below Katie and we started playing music together pretty
20:36 - 20:41: shortly after meeting I would say within like a month or two and I remember our first like real
20:41 - 20:47: friend road trip was to Eugene Oregon and I want to say October November 95 to see Pavement play
20:47 - 20:54: yeah wowie zowie tour oh wow that's some classic that's some classic college stuff is like trying
20:54 - 20:58: to figure out who your friends are totally like you guys known each other for a month and just
20:58 - 21:04: being like uh you want to see pavement and Eugene yeah yeah figuring out that we like the same band
21:04 - 21:11: it's important well Lewis and Clark at that time though was a real hippie school yeah I think it's
21:11 - 21:18: a little more hip now but totally back then it was like hardcore hacky sack campus dogs
21:20 - 21:26: fish right fish was like the predominant aesthetic and so if you kind of sniffed out someone else
21:26 - 21:32: that was into like other you know whatever pavement that kind of stuff that was a big deal
21:32 - 21:38: is that fair yeah totally fair um I got one more addition to to your story I mean there's I'm sure
21:38 - 21:45: there's more but so I was roomed with our friend Mariana Richie and we used to we were kind of
21:45 - 21:51: becoming friends quickly as well and we would we were in I can't remember if we were in the same
21:51 - 21:56: Spanish class together or something whatever the point is I had my acoustic guitar with me
21:56 - 22:03: she had her banjo with her and we used to just make up songs in our dorm room and um sing so
22:03 - 22:09: loud and just sing in harmony and sing these songs in Spanish I remember this yeah and so I remember
22:09 - 22:16: that one of our connections was that you were into the music that you could hear coming out of our
22:16 - 22:23: I loved it Jake just yeah walking down the hallway just do like a quick knock on the door
22:23 - 22:30: just like yeah hey sounds pretty good sounds pretty good my name is Jake Longstreet I'm a
22:30 - 22:37: freshman from Connecticut so formal oh I know yeah oh god that reminds me I don't know if I
22:37 - 22:42: ever told this story on time crisis but I remember the first week of me being at college and I didn't
22:42 - 22:50: know anybody and I was pretty like a little tiny bit panicked because I'd gone to some like
22:50 - 22:55: students weekend at Brown when I was a senior in high school and the guy who was hosting me
22:55 - 23:01: was kind of like not that into his experience at Brown so far and I just remember you know trying
23:01 - 23:05: to do whatever you're in these weird situations where you're kind of like I guess I'm supposed
23:05 - 23:10: to ask questions I was like um do you have any advice for incoming freshmen and the guy and the
23:10 - 23:16: guy got dead-ass serious and said my advice make sure you make friends in the first week I messed
23:16 - 23:23: up man I didn't lock it down first semester and by spring semester I was floundering it's not fun
23:23 - 23:28: and I was like oh my god oh my god so anyway I took that with me so my my friend my first week
23:29 - 23:37: in college I do remember actually walking down a hallway and hearing some dude blasting um
23:37 - 23:43: kid a by Radiohead and then I was like every fiber in my being did not want to do it but
23:43 - 23:49: I like another voice in my head was just like this is how it gets done in adulthood and I just kind
23:49 - 23:55: of walked in and be like oh you like Radiohead I'm like I'm pretty sure I never talked to that
23:55 - 24:01: person again had like an awkward 15 minute like dorm room hang and so anyway I'm pretty cool I'm
24:01 - 24:03: glad it worked out for you guys
24:09 - 24:14: 'Cause around and 'round we'll go until we stop.
24:14 - 24:21: So I can't get around the way I feel when you're around.
24:21 - 24:26: 'Cause around and 'round we'll go until we stop.
24:26 - 24:34: But you are right and I am wrong, and so we never get along.
24:34 - 24:40: And so we go around and 'round again.
24:40 - 24:42: Time Crisis
24:42 - 24:45: Yeah, and then we started playing music and started a few bands.
24:45 - 24:46: Yep.
24:46 - 24:48: And then what year did Dear Nora start? '97?
24:48 - 24:54: No, dude, it wasn't until after... it was like pretty much right after we graduated.
24:54 - 24:58: I think senior year, Richie and I just started recording all those
24:58 - 25:01: songs in the Lewis and Clark basement.
25:01 - 25:01: Right.
25:01 - 25:03: Like the music, the music rooms and the drum rooms.
25:04 - 25:09: And then those would go on to be called Dear Nora recordings, but we didn't...
25:09 - 25:09: Right.
25:09 - 25:13: I think we started playing Dear Nora live shows.
25:13 - 25:16: I'm pretty sure... I want to say fall... wait, when did we graduate?
25:16 - 25:18: Yeah, fall '99. So it was the fall after we graduated.
25:18 - 25:19: Oh, wow. Okay.
25:19 - 25:21: Yeah.
25:21 - 25:27: But some of those songs were already iconic in my imagination and in our friend group.
25:27 - 25:29: Right. A couple of the songs have been around.
25:29 - 25:30: You knew the early stuff.
25:30 - 25:32: Oh, wow. So you guys started in '99.
25:32 - 25:34: That means Dear Nora spans three decades.
25:34 - 25:35: Oh my God, it's true.
25:35 - 25:39: It's always funny when people put it like it's like clearly not even 20 years yet,
25:39 - 25:42: but just because you edged out, spanning three decades.
25:42 - 25:45: The 90s, the aughts and the teens.
25:45 - 25:46: Dear Nora.
25:46 - 25:53: Yeah. Well, it's funny that you bring that up because I now privy to the fact that I have
25:53 - 26:00: these fans that are very much younger than me and they make an assumption, which I think,
26:00 - 26:05: like I understand where it comes from, but they like talk to me about what the 90s were like.
26:05 - 26:10: And I'm like, yeah, I mean, most of what Dear Nora did wasn't in the 90s.
26:10 - 26:12: Of course, we were like, lived the 90s.
26:12 - 26:14: We remember it. We went to pavement shows in the 90s.
26:14 - 26:15: But like, I don't know.
26:15 - 26:20: I wasn't really like part of like that mid 90s, early 90s Riot Grrrl scene or anything.
26:20 - 26:23: Right. Just by virtue of the fact that the band started in the 90s,
26:23 - 26:29: it kind of drags you into a decade that you were only performing live in for a few months of.
26:29 - 26:34: Yeah, I think they picture me being more even more of an elder than I already am.
26:34 - 26:39: I was just asking Jake because I hoped it wasn't derogatory because some people have
26:39 - 26:43: mixed feelings about it. But is it fair to describe Dear Nora as indie?
26:43 - 26:47: Because over those three decades, the word has changed quite a bit,
26:47 - 26:50: you know, in the way how people describe music, how people feel about it.
26:50 - 26:54: Back in 99, would you guys have called yourself an
26:54 - 26:59: indie band or was there even any reason to describe yourselves?
26:59 - 27:05: I guess gut reaction is like what I associate with that term and the way it's used is like
27:05 - 27:09: independent label, which is what we were clearly on.
27:09 - 27:14: When people called us indie pop, I was like, I don't know what that is, but all right, fine.
27:14 - 27:18: I'm sure it was just like the same when like people started telling the guys in Pearl Jam
27:18 - 27:24: and Alice in Chains that they were grunge. Yeah, and they were like, OK, if you say so.
27:24 - 27:25: Right.
27:25 - 27:28: I don't remember us ever being like, oh, yeah, we're an indie rock band.
27:28 - 27:34: No, that just wasn't even really on my radar. I like I came to college from rural Arizona.
27:34 - 27:40: I listened to whatever, quote unquote, college rock or, you know, some of the
27:40 - 27:44: bigger independent labels, if they were even called that back then.
27:44 - 27:48: But yeah, I just like mostly we were just trying to like play songs like
27:48 - 27:50: Pavement and Weezer and stuff.
27:50 - 27:56: As we referred to your band before we called you as a was that seminal indie band or what
27:56 - 27:58: was the term you used? Renown?
27:58 - 28:02: Seminal, renowned, classic, something of that nature.
28:02 - 28:03: Oh, thank you so much.
28:04 - 28:06: Thank you.
28:08 - 28:12: Dusty Coat, Dusty Coat, Dusty Coat, Dusty Coat
28:12 - 28:16: Did you notice ancient desert, did you?
28:16 - 28:18: Hmm
28:18 - 28:26: It's enough to wipe you off a juniper and clove
28:26 - 28:34: Deserted is the word for all this wonderful nothing
28:36 - 28:42: Antidote for mindlessness
28:42 - 28:50: Antidote for mindlessness
28:50 - 28:54: Antidote for mindlessness
28:54 - 29:02: I noticed like more and more that Dear Nora, like you were saying about younger fans coming up to you and asking you about the 90s, but it's definitely a thing.
29:02 - 29:08: It's been in the air for the past couple of years. More and more young bands shouting out Dear Nora.
29:08 - 29:10: Yeah.
29:10 - 29:12: Like definitely the work has cast a long shadow.
29:12 - 29:26: Yeah, I mean, it kind of came as a surprise to me. I mean, I started moving on to other things in my life. I was still writing songs, but I guess it's just sort of as streaming platforms became more commonplace.
29:26 - 29:34: More people started hearing it and not just hearing like one or two songs on YouTube or whatever, but like going hella deep.
29:34 - 29:40: And like just knowing like obscure, weird shit I wrote when I was like 20.
29:40 - 29:48: Right. That's sick. That's like the story you want to hear about the more interconnected streaming universe, which you almost never hear.
29:48 - 29:56: You know, like you think like, wow, everybody has access to everything. People will be kind of rediscovering bands on independent labels from that era.
29:56 - 30:00: You just don't hear too many stories. There's something like I think pretty like unique about it.
30:00 - 30:02: Cream rises to the top.
30:02 - 30:03: That's right.
30:03 - 30:06: I mean, it's totally true. Like I said, I was totally surprised.
30:06 - 30:19: I heard via our friend who I mentioned, Richie, via Michael Azarad. Michael Azarad emailed Richie and was like, hey, there's a band that has a song called Dear Nora.
30:19 - 30:24: And he's like, they're really good. You should check them out. And it was Girlpool.
30:24 - 30:26: I was like, what? I was like, what?
30:26 - 30:29: So, you know, just like just hearing that shit.
30:29 - 30:31: Let me talk to my lawyer.
30:31 - 30:33: Yeah.
30:33 - 30:35: Cease and desist.
30:35 - 30:39: At first I was irate. Then once I calmed down, I thought, OK, that's pretty cool.
30:39 - 30:46: Their song, Dear Nora, is a truly loving tribute to the aesthetic of those early records.
30:46 - 30:47: I love that.
30:47 - 30:49: It sounds like mountain rock or something to me.
30:49 - 30:51: It's a beautiful song.
30:51 - 30:52: It really is.
30:52 - 30:58: Yeah. And to like take it a step further, when I finally met those two, who I absolutely adore, they're incredible.
30:58 - 31:08: I got to see them play live and I got like fully choked up at their show because I clearly they have many quote unquote influences.
31:08 - 31:12: Like, of course, it's not me. It's like there's a lot of other people, too.
31:12 - 31:19: But something about just hearing them play stripped down with like bass and guitar and just two vocals in harmony.
31:19 - 31:22: I was like, damn, this is amazing.
31:22 - 31:28: Like, even if we only contributed a small amount to what they're doing, like this is so tight.
31:28 - 31:30: I feel inspired.
31:30 - 31:34: Yeah, I saw them at the Echo a year or two ago and I loved it.
31:34 - 31:35: Yeah, rad.
31:35 - 31:38: It really did bring me back to that dorm room, Fall '95.
31:38 - 31:45: If they'd been singing in Spanish, you would have had a full, fully disappeared into your memories.
31:45 - 31:46: Full meltdown.
31:46 - 31:47: Yeah.
31:47 - 31:53: Dear Nora, there's a lot that's changed this year.
31:53 - 31:59: I'm still thinking about swimming in Seattle.
31:59 - 32:05: And when I got out, I wasn't even cold.
32:05 - 32:11: My toes sunk in the squishy ground below.
32:36 - 32:42: In SF, we were driving over bridges.
32:42 - 32:48: We were singing to a herded through the grapevine.
32:48 - 32:51: Cleo was tired.
32:51 - 32:55: Harmony was hyper.
32:55 - 33:00: We switched driving in the middle of the highway.
33:08 - 33:14: So you mentioned how there was a while where you kind of took a break from using the Dear Nora name.
33:14 - 33:17: You were still making music, writing songs, releasing music in that time.
33:17 - 33:21: What was the impetus to bring back the OG vehicle?
33:21 - 33:25: I think that I just had enough separation from it.
33:25 - 33:33: I don't know. I just like -- towards the end of my 20s, early 30s, I was like, okay, that's clearly a project that belongs in my 20s.
33:33 - 33:38: It's like I'm not finding the things I used to find fun quite as fun anymore.
33:38 - 33:45: It feels more like a struggle, like some of that dumb, am I supposed to be turning into an adult kind of bull that comes up.
33:45 - 33:48: And so I just was like, let's just leave that band name behind.
33:48 - 33:51: Let's leave it with the like terrible 20s.
33:51 - 33:58: I think just enough time passed where it didn't trigger like bad feelings in the gut anymore.
33:58 - 34:07: It was more like I had enough separation to not just like cringe at every single thing I recorded.
34:07 - 34:11: I mean, I still cringe at 75% of it, but --
34:11 - 34:13: Yeah, I think that's just so many artists.
34:13 - 34:16: Yeah, you need some perspective.
34:16 - 34:18: For sure. And the separation did me right.
34:18 - 34:21: I took almost 10 years away from it.
34:21 - 34:28: Just that name, for whatever that means, whatever the reason, something about the name was I just needed to take a break from it,
34:28 - 34:31: whatever that means to other people.
34:31 - 34:35: But after a while, it was just a game of like, it doesn't matter anymore.
34:35 - 34:37: Most people know that name.
34:37 - 34:39: I'm going to make new music.
34:39 - 34:40: Let's just use that name.
34:40 - 34:45: Especially because people were starting to use that name and reference that name more often.
34:45 - 34:48: I'm like, it doesn't matter anymore.
34:48 - 34:51: Let's just reach the most people.
34:51 - 34:58: Yeah, definitely a lot of separation and letting go to just get back into that name and not worrying about it so much.
34:59 - 35:03: ♪ Mystery sand wasn't there before ♪
35:03 - 35:05: ♪ Mystery markings on the rocks ♪
35:05 - 35:11: ♪ With all the letters of the alphabet ♪
35:11 - 35:14: ♪ I guessed your height ♪
35:14 - 35:19: ♪ Midday sun, silent breeze, deep waves rise ♪
35:19 - 35:22: ♪ But so far away ♪
35:22 - 35:31: ♪ Black truck, black truck, black truck, black truck, black truck ♪
35:31 - 35:34: ♪ And I always know the time ♪
35:34 - 35:37: ♪ 'Cause I belong to the grid ♪
35:37 - 35:43: ♪ Well, what do you think this means? ♪
35:43 - 35:46: ♪ You can't read my mind ♪
35:46 - 35:51: ♪ Midday sun, silent breeze, deep waves rise ♪
35:51 - 35:53: ♪ But so far away ♪
35:53 - 35:58: ♪ Black truck, black truck, black truck, black truck, black truck ♪
35:58 - 36:03: ♪ Mountain of cans, mountain of cans, mountain of shells, shadow of souls ♪
36:03 - 36:05: ♪ Shots fired ♪
36:05 - 36:15: ♪ Mountain of cans, mountain of cans, mountain of shells, shadow of souls ♪
36:15 - 36:17: ♪ Shots fired ♪
36:21 - 36:26: ♪ Midday sun, silent breeze, deep waves rise ♪
36:26 - 36:28: ♪ But so far away ♪
36:28 - 36:34: ♪ Black truck, black truck, black truck, black truck, black truck ♪
36:34 - 36:38: I've been immersed in your music the last few days because I made a
36:38 - 36:42: Dear Nora career retrospective playlist for the show.
36:42 - 36:43: Oh, got it.
36:43 - 36:45: And that's gonna be on Apple Music.
36:45 - 36:46: Yeah, yeah.
36:46 - 36:47: Everybody can check it out.
36:47 - 36:48: Yeah.
36:48 - 36:53: And it was, and I, it was, God, it's been such a trip going back through this stuff.
36:53 - 36:58: I kept it in sort of chronological order because it, I wanted the listener of the
36:58 - 37:03: playlist to kind of go on this journey with you from the sort of very sunny,
37:03 - 37:06: optimistic kind of power pop early stuff.
37:06 - 37:11: And then this sort of organic change gradually happens over the years where
37:11 - 37:15: the work becomes more abstract and atmospheric.
37:15 - 37:18: And it kind of ends with you going like, "Smells like rain."
37:18 - 37:23: And it's a, it's a hell of a journey.
37:23 - 37:24: Nice.
37:24 - 37:27: You just did a tour, right, of your new record?
37:27 - 37:28: Yeah.
37:28 - 37:29: Skull's Example.
37:30 - 37:32: ♪ Skull's Example is my name ♪
37:32 - 37:35: Yeah.
37:35 - 37:36: Great record.
37:36 - 37:37: Thank you.
37:37 - 37:40: Yeah, I love, I love this new, I mean, some of your best work.
37:40 - 37:41: The guitar playing's insane.
37:41 - 37:42: Thanks.
37:42 - 37:43: I love all the synth.
37:43 - 37:44: I love the beats.
37:44 - 37:47: I saw you guys a few months, or like a few weeks ago at the bootleg.
37:47 - 37:48: It ruled.
37:48 - 37:49: Thank you.
37:49 - 37:50: How was the tour?
37:50 - 37:52: The tour was really fun.
37:52 - 37:55: And the shows, like, we didn't have a dud out of all the shows.
37:55 - 38:00: Like, certainly some more were my favorites, but it's honestly just like
38:00 - 38:01: kind of fun.
38:01 - 38:04: It's sort of fun when you, when you're, when you sort of let go of everything
38:04 - 38:07: and it's, it's not your, this isn't my career.
38:07 - 38:09: Not, not putting so much stock in it.
38:09 - 38:12: It's just like, oh my God, what a novelty.
38:12 - 38:13: I'm playing in front of people.
38:13 - 38:14: Oh my God, let's have fun.
38:14 - 38:15: Like.
38:15 - 38:16: Yeah.
38:16 - 38:17: Right.
38:17 - 38:18: It's crazy.
38:18 - 38:19: That's how it's supposed to be.
38:19 - 38:20: Exactly.
38:20 - 38:21: It's very true.
38:21 - 38:24: And there's so many things that are, hold us all back from feeling that way.
38:24 - 38:28: So if you can get away, figure out how to get back to it, it's amazing.
38:28 - 38:30: Thanks so much for calling in.
38:30 - 38:32: Great to have you on the show.
38:32 - 38:35: And everybody definitely has to check out Jake's playlist.
38:35 - 38:39: Yeah, well, check out my playlist for the deep history of Dear Nora.
38:39 - 38:42: But also, first things first, check out Skull's Example.
38:42 - 38:43: The new album.
38:43 - 38:44: Yeah, which is the new record.
38:44 - 38:45: Thank you guys.
38:45 - 38:46: All right, Katie.
38:46 - 38:47: Yeah, thank you.
38:47 - 38:48: Have a great evening.
38:48 - 38:49: Yeah, you too.
38:49 - 38:50: Talk to you soon.
38:50 - 38:51: Okay, bye.
38:51 - 38:52: Time Crisis Beats 1.
38:52 - 39:11: Simulation feels real, every day.
39:11 - 39:33: I look into windows, see the beautiful world from an airplane.
39:33 - 39:42: This summer is man-made, but I breathe it in anyway.
39:42 - 39:49: I jump in the river.
39:49 - 40:15: Last night I watched a movie about the Oregon Trail.
40:15 - 40:22: Simulation feels real, see the ranch home where the ranch was.
40:22 - 40:25: Drop a pin on it.
40:25 - 40:52: Last night I watched a movie about the Oregon Trail.
40:52 - 41:02: You know, in light of last week's conversation, or last episode's conversation, we were talking
41:02 - 41:08: about how here on Time Crisis, we're getting kind of fed up with the cutesy social media
41:08 - 41:12: personalities of what should be faceless corporations.
41:12 - 41:16: You know, maybe that's the problem, is that for a long time people would always be railing
41:16 - 41:22: against faceless corporations, or destroying our democracy, or taking away our freedom.
41:22 - 41:26: And then of course, because this is America, rather than dismantle the faceless corporations,
41:26 - 41:29: they're kind of like, "America, we heard you.
41:29 - 41:30: No more faceless corporations.
41:30 - 41:34: We're going to put a face and a personality on every corporation."
41:34 - 41:35: A little window dressing.
41:35 - 41:36: Yeah.
41:36 - 41:38: Well, you can't call them faceless anymore.
41:38 - 41:41: They have an ironic personality now.
41:41 - 41:43: You certainly can't call them voiceless.
41:43 - 41:50: I guess the thing is, we all live with a lot of daily brutality in America.
41:50 - 41:54: And that's why last episode we were talking about this semi-fawning New York Times piece
41:54 - 41:58: about the whole IHOP marketing campaign.
41:58 - 42:00: And they couldn't even report dispassionate.
42:00 - 42:04: They had to kind of be like, "Oh my God, it was a great marketing idea."
42:04 - 42:09: And they called it a success, and there wasn't even data to suggest it was a success yet.
42:09 - 42:14: And now that we have a little data to suggest that it wasn't a success in terms of getting
42:14 - 42:20: butts in the restaurant spending money, I feel like the Times owes us an apology and
42:20 - 42:21: retraction.
42:21 - 42:26: Yo, we should write a letter to the New York Times about a three-week-old article.
42:26 - 42:27: We take issue.
42:27 - 42:29: The June 2nd article.
42:29 - 42:34: It's one thing when there's just kind of some annoying marketing shit out there in the atmosphere.
42:34 - 42:38: But what's really annoying is that when you see people just loving it.
42:38 - 42:44: And I came across this article that annoyed me and I had to share with the Crisis Crew.
42:44 - 42:46: This is on a website called Board Panda.
42:46 - 42:50: I saw that and I was like, "How does Ezra end up on these websites?"
42:50 - 42:58: I ended up on Board Panda because I read an article about a French photographer who did
42:58 - 43:01: a book about pagan costumes of Europe.
43:01 - 43:04: And I'll show it to you because it's unbelievable.
43:04 - 43:09: And I think Board Panda is like, I don't know how legit of a site it is.
43:09 - 43:12: Clearly on like some Buzzfeed type thing, they're good at getting people to like stay
43:12 - 43:14: on and just keep clicking.
43:14 - 43:19: I don't know how much original stuff they do, how much editorial oversight there is
43:19 - 43:20: over at Board Panda.
43:20 - 43:24: But I saw this headline as I was looking at the pagan costumes of Europe and I couldn't
43:24 - 43:26: resist a click.
43:26 - 43:27: So they got me.
43:27 - 43:28: They got you.
43:28 - 43:29: They got me.
43:29 - 43:30: This is the headline.
43:30 - 43:35: "At Walmart, he likes to steal from their stores and their response is so good, people
43:35 - 43:37: say they beat Wendy's."
43:37 - 43:38: So everything about-
43:38 - 43:39: That's TaylorMade for us.
43:39 - 43:40: Yeah.
43:40 - 43:42: And everything about that, I was just already like so annoyed.
43:42 - 43:50: This Board Panda, now the New York Times can buy into I was marketing campaign, but I expect
43:50 - 43:52: more from Board Panda.
43:52 - 43:56: And it's so funny because it like kind of presupposes that we live in a world where
43:56 - 44:04: Wendy's already is the gold standard for a savage social media account.
44:04 - 44:09: And so literally the headline, "Oh man, Walmart roasted a guy so good, some people say they
44:09 - 44:13: may even be as good as Wendy's, if not better."
44:13 - 44:14: And this is the opening sentence.
44:14 - 44:20: "We all know Wendy's is really savage on social media, but it seems there's another company
44:20 - 44:23: that's equally badass calling Walmart badass."
44:23 - 44:29: See, this is what these people dream about, that by having Wendy's or Walmart do something
44:29 - 44:34: savage on social media, that one day people will be like, "You know, say what you will
44:34 - 44:36: about their labor practices.
44:36 - 44:38: Walmart's pretty badass."
44:38 - 44:39: They are funny.
44:39 - 44:40: They're funny.
44:40 - 44:46: Say what you will about what they do to the economies of small towns, but they are funny.
44:46 - 44:49: And honestly, if you're going to be real savage on Twitter, you're going to be a little bit
44:49 - 44:53: savage in business practices too, and that's okay.
44:53 - 44:55: So anyway, Walmart.
44:55 - 44:57: Walmart is equally badass.
44:57 - 45:03: Recently Twitter user @merc361 challenged the retailer to a word fight on the internet
45:03 - 45:04: and it didn't back down.
45:04 - 45:05: Word fight.
45:05 - 45:10: Not intimidated by an insult that has been liked over 80K times, Walmart answered to
45:10 - 45:12: it in the best possible way.
45:12 - 45:18: American multinational retail corporation one, random internet user zero.
45:18 - 45:19: That about sums it up.
45:19 - 45:20: That's, yeah.
45:20 - 45:25: Gigantic, brutal corporation one, human being zero.
45:25 - 45:26: Savage.
45:26 - 45:28: Copy that.
45:28 - 45:30: Continue scrolling to read their hilarious exchange.
45:30 - 45:31: Well, I'm just going to read it.
45:31 - 45:33: You guys don't have to scroll.
45:33 - 45:34: Pretend you're scrolling at home.
45:34 - 45:37: And there's like a big picture of this random dude, merc361.
45:37 - 45:39: That sucks that his photo went out.
45:39 - 45:42: I guess he semi brought it upon himself.
45:42 - 45:43: That's his user profile.
45:43 - 45:47: And he wrote, "I like going to Walmart for fun."
45:47 - 45:48: And then Walmart tweeted at him.
45:48 - 45:49: A thousand likes on that.
45:49 - 45:54: Well, I think that's probably back, back dating on it.
45:54 - 45:55: And then Walmart tweeted at him.
45:55 - 45:56: It's the small things, merc.
45:56 - 45:58: What's your favorite thing to do in our stores?
45:58 - 46:01: First of all, they're already setting him up to say some funny shit.
46:01 - 46:02: Yeah.
46:02 - 46:03: What's your favorite thing to do in our stores?
46:03 - 46:04: So they set him up.
46:04 - 46:07: I like going to Walmart for fun and they tweeted him.
46:07 - 46:09: What's your favorite thing to do in our stores?
46:09 - 46:14: And then he writes back, "Steal."
46:14 - 46:15: Which is fair.
46:15 - 46:16: They set him up.
46:16 - 46:18: They set him up for it.
46:18 - 46:20: 300,000 likes on that.
46:20 - 46:23: Got 81K people talking about it.
46:23 - 46:26: That's not getting one more customer in the store, by the way.
46:26 - 46:27: No.
46:27 - 46:28: This is just all noise.
46:28 - 46:33: So he tweets that at 5.39 PM, June 20th, 2018.
46:33 - 46:44: The next, in the middle of the night, 2.38 AM, nine hours later, under cover of night,
46:44 - 46:47: Walmart gets back on the keyboard.
46:47 - 46:49: They needed nine hours to think about how to respond to that.
46:49 - 46:51: They had to consult with the higher ups.
46:51 - 46:52: Yeah.
46:52 - 46:53: I bet that's true.
46:53 - 46:54: Can you imagine those chains?
46:54 - 46:58: We got an epic burn here, but running up the flagpole, make sure we get clearance on that.
46:58 - 47:00: Wait, was the family owns Walmart, the Waltons?
47:00 - 47:01: Yeah.
47:01 - 47:02: This could go all the way to Alice Walton.
47:02 - 47:03: Alice is not available, dude.
47:03 - 47:04: She's in Vail.
47:04 - 47:05: She can't.
47:05 - 47:06: The house manager is on the phone.
47:06 - 47:07: "Ms. Walton has been asleep for three hours."
47:07 - 47:14: And she specifically said that she did not want to be disturbed.
47:14 - 47:15: This is urgent.
47:16 - 47:17: "I'm Mrs. Walton."
47:17 - 47:18: She's like, "Hello?
47:18 - 47:19: What's the meaning of this?"
47:19 - 47:25: "Ms. Walton, this is the team down at Walmart Social Media.
47:25 - 47:28: We got burned pretty bad by a guy named Merc361.
47:28 - 47:33: How do we have permission to use lethally savage force?"
47:33 - 47:38: Like, "And him."
47:38 - 47:41: I'm so curious about the nine hours in between.
47:41 - 47:44: The email chains, the frantic phone calls.
47:44 - 47:45: Yeah.
47:45 - 47:49: I'm sure that it was a big deal, especially Walmart is supposedly family friendly or something.
47:49 - 47:51: Kind of like middle America family friendly.
47:51 - 47:52: So they're like Wendy's.
47:52 - 47:54: Wendy's has already established themselves.
47:54 - 47:55: They're punk rock.
47:55 - 47:57: They tell people to go fuck themselves.
47:57 - 47:59: But Walmart, they're probably right on the line.
47:59 - 48:02: They're just like, "Man, we've been burned pretty bad."
48:02 - 48:04: It's a little bit like the Drake Pusha T beef.
48:04 - 48:10: Apparently, I heard that Drake had a comeback to Pusha T that was so savage, it would have
48:10 - 48:15: destroyed Kanye's career, Pusha T's career, and long-term Drake's career.
48:15 - 48:16: What?
48:16 - 48:17: A true nuclear option.
48:17 - 48:18: What?
48:18 - 48:19: That's what people say.
48:19 - 48:20: How could that possibly be?
48:20 - 48:21: I thought about it.
48:21 - 48:22: I have my theories.
48:22 - 48:26: I don't want to get into it because that's none of my business.
48:26 - 48:30: I'm just saying, if there was something so crazy that he had on Kanye, and that apparently
48:30 - 48:33: Kanye told Pusha T, "You got to end this."
48:33 - 48:40: And then even Drake, when he beheld the awesome power of his savage information, similar to
48:40 - 48:45: ... What's the guy that worked on the atomic bomb?
48:45 - 48:46: Oppenheimer.
48:46 - 48:47: Oh, Oppenheimer.
48:47 - 48:50: Yeah, it's- Oppenheimer looked and said, "Now I am become
48:50 - 48:53: death, destroyer of worlds."
48:53 - 48:59: Drake looked at the savage information, which was basically an atomic bomb, and he felt,
48:59 - 49:02: he thought of that line, "Now I am become death, destroyer of worlds."
49:02 - 49:04: He's Thanos, basically.
49:04 - 49:09: He knew, "If I use this information, yes, I will destroy the enemy.
49:09 - 49:16: But I'll create a void so crazy that I will be sucked into it too."
49:16 - 49:18: Mutually assured destruction.
49:18 - 49:20: Yes, the Cold War.
49:20 - 49:25: Now I am become death, destroyer of worlds.
49:25 - 49:27: The game's fucked up, those beats is banging.
49:27 - 49:30: Your hooks did it, the lyric pinning.
49:30 - 49:32: Equal to Trump winning.
49:32 - 49:35: The bigger question is how the Russians did it.
49:35 - 49:37: It was written like Nas, but it came from Quentin.
49:37 - 49:40: At the mercy of a game where the codes is missing.
49:40 - 49:43: When the CEO's blinded by the glow, it's different.
49:43 - 49:46: Believe in myself and the codes and Kendricks.
49:46 - 49:49: Let the sock puppets play in they roles and gimmicks.
49:49 - 49:54: Remember Will Smith won the first Grammy, and they ain't even recognize Hov and T.O.
49:54 - 49:55: Annie.
49:55 - 49:59: So I don't tap dance for the crackers and sing Mammy, 'cause I'm posed to juggle these
49:59 - 50:00: flows and nose candy.
50:00 - 50:01: Yeah.
50:01 - 50:04: Ferrari my 40th blew the candles out.
50:04 - 50:07: Tom Brady, I had to scramble out.
50:07 - 50:09: Baby riding these waves, I pulled my sandals out.
50:09 - 50:12: Had they lat in my Grammy, I went the Spanish route.
50:12 - 50:14: Oh now it's okay to kill baby.
50:14 - 50:18: Looked at me crazy like I really killed a baby.
50:18 - 50:21: Salute Ross 'cause the message was pure.
50:21 - 50:24: So Walmart was in a similar situation dealing with Merc 361.
50:24 - 50:25: Right.
50:25 - 50:26: He says.
50:26 - 50:28: He says that he likes to steal from Walmart.
50:28 - 50:30: That's his favorite thing to do.
50:30 - 50:31: Nine hours go by.
50:32 - 50:33: It's 2.40 in the morning.
50:33 - 50:35: Alice Walton's on the horn.
50:35 - 50:38: She gives the go ahead for them to go savage.
50:38 - 50:41: Guys, go savage.
50:41 - 50:43: Well played Merc.
50:43 - 50:47: After further review of our store's video feed, we've decided to let you keep the rash
50:47 - 50:49: cream.
50:49 - 50:51: Next time though, pay in full.
50:51 - 50:53: Winky face emoji.
50:53 - 50:54: Boom.
50:54 - 50:57: Eat shit Merc.
50:57 - 50:58: Yeah.
50:58 - 51:00: It would be.
51:00 - 51:04: So yeah, they're like, they're running all the numbers.
51:04 - 51:05: What can we do here?
51:05 - 51:06: Do we tell him to go fuck himself?
51:06 - 51:09: Like, no, take the high road.
51:09 - 51:14: We're going to say, yeah, okay, we know you stole, but you stole rash cream.
51:14 - 51:15: Rash cream.
51:15 - 51:16: You have a rash Merc.
51:16 - 51:17: Yeah.
51:17 - 51:18: I got poison Ivy.
51:18 - 51:19: Big deal.
51:19 - 51:20: So I got some cortisone cream.
51:20 - 51:22: That's how, that's how he should have come back.
51:22 - 51:23: It's funny cause it's Walmart.
51:23 - 51:29: So they couldn't like a more savage company would have made it like an STD or something.
51:29 - 51:32: Or like you got the ED medication, huh?
51:32 - 51:33: Right.
51:33 - 51:38: It would be very problematic, but there, so this way, or if they just go like way hard,
51:38 - 51:40: like very un-PC stuff.
51:40 - 51:41: Yeah.
51:41 - 51:45: You got that a box of gay pornos, huh?
51:45 - 51:46: Right.
51:46 - 51:48: Just like, wait, wait, we don't even carry that.
51:48 - 51:49: Yeah.
51:49 - 51:54: Just like, you know, there's at least some part of just Walmart going full homophobic.
51:54 - 51:56: I mean, I'm actually, I'm curious.
51:56 - 51:57: Does that happen yet?
51:57 - 51:59: Just like, Oh, overstepping.
51:59 - 52:03: Well, yeah, like overstepping and just cause obviously we see, we see people do that all
52:03 - 52:04: the time.
52:04 - 52:08: They think they're being funny and they say something awful, racist or homophobic.
52:08 - 52:11: I wonder if that's ever going to happen with like a brand.
52:11 - 52:16: No, but the joke is that it's all Ivy league grads running the social media accounts of
52:16 - 52:17: these corporations.
52:17 - 52:20: They could still maybe do something by accident.
52:20 - 52:21: Right.
52:21 - 52:22: Wendy's did not know.
52:22 - 52:24: Well, hence the nine hours they got to, they got a lawyer up.
52:24 - 52:25: Right.
52:25 - 52:30: Is there anything racist about telling Merck three 61 that he has a rash?
52:30 - 52:31: Is it homophobic?
52:31 - 52:34: Is it homophobic to tell Merck three 61 that he has a rash?
52:34 - 52:35: Is it Islamophobic?
52:35 - 52:39: Is it Islamophobic to tell Merck three 61 that he has a rash?
52:39 - 52:40: Yeah.
52:40 - 52:44: Just imagine like the conversations and like, there's like 10 people on the Supreme council
52:44 - 52:46: of Walmart, nine are in favor.
52:46 - 52:50: And one's like, I don't know guys, I think it's a little racist.
52:50 - 52:54: God, that would be, I would love just to see one of these companies just like they deserve
52:54 - 52:55: to get like real roasted.
52:55 - 52:59: Cause that's what the thing, all this, it's like this like fun and games, fake personality
52:59 - 53:00: stuff.
53:00 - 53:01: Anyway.
53:01 - 53:06: So Walmart took their nine hours and they came up with calling it rash cream.
53:06 - 53:09: People applauding Walmart for such a savage answer.
53:09 - 53:10: Yeah.
53:10 - 53:12: To continue with the, Oh, there's like pages of this.
53:12 - 53:13: Yeah.
53:13 - 53:14: Wow.
53:14 - 53:18: So these are some of the tweets that people said LMFAO, at least they have a sense of
53:18 - 53:19: humor.
53:19 - 53:20: Gotta love Walmart.
53:20 - 53:27: When you take a step back, how did we get to this place in our world where say what
53:27 - 53:29: you, it literally is a human being saying, say true about Walmart.
53:29 - 53:30: They got a sense of humor.
53:30 - 53:33: Walmart is funnier than Merck three 61.
53:33 - 53:34: You gotta love them.
53:34 - 53:35: Somebody else treated, wow.
53:35 - 53:37: Walmart is more savage than Wendy's.
53:37 - 53:39: And I didn't think that was even possible.
53:39 - 53:42: Wendy's is the height of savagery.
53:42 - 53:45: Some other ones, he's going to have to steal some burn cream.
53:45 - 53:46: Now.
53:46 - 53:50: I think the other person said, should have said, we'll let you keep the extra small condoms.
53:50 - 53:51: LMA.
53:51 - 53:52: Oh, okay.
53:52 - 53:53: Yep.
53:53 - 53:54: That, you know what?
53:54 - 53:55: That's also funny too.
53:55 - 53:59: How like not an item that's sold extra small condoms.
53:59 - 54:01: I've looked.
54:01 - 54:02: Okay.
54:02 - 54:08: Also, it's funny too, that like Walmart is like opening it up for like other people to
54:08 - 54:10: roast this guy too.
54:10 - 54:11: Yeah.
54:11 - 54:14: Like Walmart's like, Oh, we just made a joke about a rash.
54:14 - 54:17: All that, uh, racist shit down in the bottom.
54:17 - 54:18: That's on them.
54:18 - 54:21: I can't say I was sad to see it.
54:21 - 54:26: Just like at the end of the day, Walmart is engaging in this like larger conversation.
54:26 - 54:30: Oh, Walmart, social media manager bringing the heat.
54:30 - 54:32: They should do a collab with Wendy's.
54:32 - 54:34: Oh, here's another one.
54:34 - 54:35: Holy shit, man.
54:35 - 54:38: I love it when corporations take the shit in full and swing it back.
54:38 - 54:39: It's hilarious.
54:39 - 54:40: Woo.
54:40 - 54:45: Anyway, just like the whole tone of this article, just like boys, we didn't think anyone
54:45 - 54:48: could be as savage as Wendy's, but now I got Walmart and I, whatever, I guess people feel
54:48 - 54:49: that way.
54:49 - 54:52: I'd like to follow up with Merc three 61 and see how he feels about the whole thing.
54:52 - 54:53: We should have him call in.
54:53 - 54:56: Hey, can we get Merc three 61 on the horn?
54:56 - 54:57: Maybe next time.
54:57 - 55:04: Just talking about this two months later, maybe bored pandas secretly owned by Walmart
55:04 - 55:05: or like, Oh, that'd be hilarious.
55:05 - 55:07: False flag Walmart operation.
55:07 - 55:08: It's possible though.
55:08 - 55:09: Walmart.
55:09 - 55:12: I also remember last time we were looking at the YouTube comments for the Hardee's commercial.
55:12 - 55:13: Oh yeah.
55:13 - 55:17: And our friend was saying that she thought that a bunch of the comments might've been
55:17 - 55:18: from right.
55:18 - 55:19: People who worked for the brand.
55:19 - 55:25: So it's also hilarious to, to imagine that Walmart has like a troll farm basically, that
55:25 - 55:29: every time they tweet something, they might have a hundred accounts that they're also
55:29 - 55:32: running people just being like, Holy shit, that's so savage.
55:32 - 55:35: Not only do you have great deals, you've earned this shit out of that piece of shit.
55:35 - 55:38: Or dude, maybe Merc was false flag.
55:38 - 55:42: He was, he was working for Walmart the whole time, dude.
55:42 - 55:44: That's some Alex Jones stuff right there.
55:44 - 55:46: They like, they planned the whole narrative.
55:46 - 55:47: I've seen the documents.
55:47 - 55:48: Yeah.
55:48 - 55:50: Because that, you know, that's true.
55:50 - 55:54: If you really want to win people over, nobody likes just a big corporation.
55:54 - 56:00: That's, you know, destroying local economies, not giving people a health insurance.
56:00 - 56:05: People only like you when you've been on the ropes once or twice.
56:05 - 56:07: America loves like a, a comeback story.
56:07 - 56:09: You know, it's like Donald Trump.
56:09 - 56:11: That's why he's going to win in 2020.
56:11 - 56:12: Oh no, don't say that.
56:12 - 56:16: But it's like if people, if people had really, that's why I like a lot of, a lot of lefties
56:16 - 56:17: are pulling their hair out.
56:17 - 56:23: Just being kind of like, how do you not see that this dude is the epitome of what nobody
56:23 - 56:24: likes.
56:24 - 56:25: He's a rich guy.
56:25 - 56:28: He got a million dollars from his dad.
56:28 - 56:29: He pulls strings for himself.
56:29 - 56:30: He's the swamp.
56:30 - 56:31: How do people not see it?
56:31 - 56:37: And it's because he crafted his little wrestling esque narrative about him being the Avenger
56:37 - 56:38: and a man I've had it bad too.
56:38 - 56:41: And Oh my God, I look at these people and boy, I built my own thing.
56:41 - 56:46: I'm just like you people like somebody that they think has been up and down a little bit.
56:46 - 56:49: So Walmart is like, we need to, we need to drop some savagery on people, but we need
56:49 - 56:50: to make it right.
56:50 - 56:53: It needs to be, we need to be in the right.
56:53 - 56:55: We need a heroic moment.
56:55 - 56:56: We need to be aggrieved.
56:56 - 56:57: Right.
56:57 - 56:59: We were just trying to be sweet to Merc 361.
56:59 - 57:00: Then he tells us he steals.
57:00 - 57:03: Well, nobody likes a thief, dude.
57:03 - 57:05: That's my call inside job from the get.
57:05 - 57:06: Wow.
57:06 - 57:09: But it was, but there was a picture of Merc 361.
57:09 - 57:10: There's like a real thing.
57:10 - 57:12: You see, they might've had to disappear.
57:12 - 57:13: The original guy.
57:13 - 57:14: They killed a dude.
57:14 - 57:17: They killed a dude just for retweets.
57:17 - 57:18: Worth it.
57:18 - 57:19: Good Lord.
57:19 - 57:20: Alice Walton cleared it.
57:20 - 57:23: I'm tired of hearing that Wendy's is more savage than us.
57:23 - 57:53: No mistake. No mistake. No mistake. No mistake. No mistake. No mistake. No mistake. No mistake.
57:53 - 57:54: The top off.
57:54 - 57:55: Let the sun come in.
57:55 - 57:56: Whoa.
57:56 - 57:57: For all my dogs that stay down.
57:57 - 57:58: We up again.
57:58 - 57:59: Oh, I got dirt on my name.
57:59 - 58:00: I got white on my beer.
58:00 - 58:01: I had dead on my books.
58:01 - 58:02: It's been a shaky air.
58:02 - 58:03: Dear.
58:03 - 58:04: Let me make this clear.
58:04 - 58:17: So all y'all see, I don't take advice from people that successful to me.
58:17 - 58:21: Ain't no love loss, but the gloves off and we have been as today.
58:21 - 58:23: Turn the club off.
58:23 - 58:24: Had to tell the dogs.
58:24 - 58:25: Turn the snubs off.
58:25 - 58:30: Plus, they are already mad that the cubs lost.
58:30 - 58:31: These two wrongs are right.
58:31 - 58:32: You believe it or not.
58:32 - 58:36: I was too grown in high school.
58:36 - 58:39: The true soul of ice cube too close to snipe you.
58:39 - 58:40: Truth told.
58:40 - 58:43: I like you too bold to type you too rich to fight you.
58:43 - 58:45: Calm down your nice skin!
58:45 - 58:48: Make no mistake, girl I still love you
58:48 - 58:54: Make no mistake, girl I still love you
58:54 - 59:00: Make no mistake, girl I still love you
59:00 - 59:06: Make no mistake, girl I still love you
59:06 - 59:12: Make no mistake, girl I still love you
59:13 - 59:18: Make no mistake, girl I still love you
59:18 - 59:22: On the lighter side, let's dig into the old mailbag. We get so many good emails.
59:22 - 59:26: Can't get to all of them. We can't get to all of them. Some of them are very touching.
59:26 - 59:32: We get some very touching ones and in fact, we got a sweet email recently from a guy named
59:32 - 59:38: Kevin Eskowitz and the subject was a very sweet chilly heat wedding. This is touching because
59:38 - 59:42: as time crisis starts really getting up there, we've been around for a minute,
59:42 - 59:46: there truly is a, you know, a crew. We've been going on three years.
59:46 - 59:50: That's wild. I think we started August of 15. This is episode 71, man.
59:50 - 59:53: Deep. So this is an email from Kevin.
59:53 - 59:56: Let's go to the time crisis mailbag.
59:56 - 01:00:01: Greetings Ezra Jake and our fellow TC listeners. I wanted to share my TC love story. A little over
01:00:01 - 01:00:07: 10 years ago at college in DC, I met the most beautiful girl I'd ever seen. We started dating
01:00:07 - 01:00:11: a bit later and Vampire Weekend's debut served as a soundtrack to that beautiful college romance.
01:00:12 - 01:00:18: 2008, man. That was a good era. As things go, she went abroad and we took a break and life got in
01:00:18 - 01:00:23: the way. After graduation, she moved to New York and I went to LA. Classic. It's already a rom-com.
01:00:23 - 01:00:29: After a few years of growing up in different cities, we reconnected from across the country.
01:00:29 - 01:00:33: We fell back in love and decided to really go for it. A year later, she decided to take the leap and
01:00:33 - 01:00:38: move to LA for me, but she was an East Coast gal living that East Coast life and I knew it would
01:00:38 - 01:00:42: take some convincing for her to really come around to this place. Like many who have taken the same
01:00:42 - 01:00:46: journey, she hated the fact that she had to drive everywhere and it made her feel disconnected from
01:00:46 - 01:00:51: the city and its people. It's tough. I still mourn for the East Coast. Gotta get over there more.
01:00:51 - 01:00:52: Not me.
01:00:52 - 01:00:54: You're never looking back.
01:00:54 - 01:00:58: Nope. Don't mind driving either. I'd rather sit in traffic than on a subway.
01:00:58 - 01:00:59: Wow.
01:00:59 - 01:01:00: Straight up.
01:01:00 - 01:01:03: Jake's takes on time crisis.
01:01:03 - 01:01:05: I mean, that makes me a bastard.
01:01:07 - 01:01:10: It took some time for her to warm up, but nothing helped her to embrace this city
01:01:10 - 01:01:15: more than our Sundays driving around town and cleaning up the house alongside the crisis crew.
01:01:15 - 01:01:15: Wow.
01:01:15 - 01:01:19: There you did help convert somebody, Jake. We are that classic TC couple.
01:01:19 - 01:01:26: I love that. Classic TC couple. Grabbing some fresh produce at the farmer's market,
01:01:26 - 01:01:30: stopping in at Home Depot and doing some laundry while learning about the tasteful
01:01:30 - 01:01:34: palate of the 70s and starbucking. We gotta get winter back on.
01:01:35 - 01:01:37: Let's check in with winter next episode.
01:01:37 - 01:01:41: Two Sundays ago, we were lucky enough to catch the Vampire Weekend Richard Pictures
01:01:41 - 01:01:44: show at the Livvy Bowl and got to drive back home with a brand new TC on.
01:01:44 - 01:01:45: Well, that's full.
01:01:45 - 01:01:48: That's a hell of a Sunday. That's a hell of a Father's Day.
01:01:48 - 01:01:49: That's full integration.
01:01:49 - 01:01:50: Yeah.
01:01:50 - 01:01:51: Both bands.
01:01:51 - 01:01:52: Yeah.
01:01:52 - 01:01:58: Jake's Grateful Dead cover band, Vampire Weekend, and then another two hour radio program.
01:01:58 - 01:02:00: If we ever do another...
01:02:00 - 01:02:00: We're dick.
01:02:01 - 01:02:05: Another kind of like Richard Pictures, Vampire Weekend, weekend kind of thing.
01:02:05 - 01:02:06: We have to.
01:02:06 - 01:02:11: We could. I mean, I do have a vision for it. It was such a smashing success the first time that
01:02:11 - 01:02:16: we kind of start adding auxiliary events. We could do a live time crisis.
01:02:16 - 01:02:16: Love it.
01:02:16 - 01:02:20: Seinfeld 2000 holds a high stakes poker match.
01:02:20 - 01:02:21: T-shirt raffle.
01:02:21 - 01:02:23: Something.
01:02:23 - 01:02:26: Yeah. Maybe Friday night. I'm trying to think.
01:02:26 - 01:02:27: Maybe it's three shows, dude.
01:02:27 - 01:02:29: We could do.
01:02:29 - 01:02:31: Yeah. Friday, Saturday night and Sunday morning.
01:02:31 - 01:02:31: Yeah.
01:02:31 - 01:02:34: Back at the Libby Bowl, like next summer.
01:02:34 - 01:02:36: Maybe we get Alanis to come through.
01:02:36 - 01:02:36: Now you're talking.
01:02:36 - 01:02:39: Jamie Foxx, friend of the show.
01:02:39 - 01:02:40: Yeah, get Jamie on the horn.
01:02:40 - 01:02:41: He's a great musician.
01:02:41 - 01:02:43: Oh, I'm aware.
01:02:43 - 01:02:47: Who knows? He's a born performer. I've witnessed him, you know,
01:02:47 - 01:02:50: turn a dead party into something really exciting.
01:02:50 - 01:02:54: I wonder if Jamie Foxx remembers our episode with him. I'm going to say no.
01:02:54 - 01:02:56: Yeah, it's hard to say.
01:02:56 - 01:02:59: He's never thought about it since. Let me put it that way.
01:02:59 - 01:03:02: If someone reminded him of like about three years ago,
01:03:02 - 01:03:06: you went to that little recording studio on Coanga or whatever it was.
01:03:06 - 01:03:09: And the guy from Vampire Weekend was there.
01:03:09 - 01:03:09: He might remember.
01:03:09 - 01:03:11: He'd be like, oh, yeah.
01:03:11 - 01:03:13: Right. It's not like. Yeah.
01:03:13 - 01:03:13: Yeah.
01:03:13 - 01:03:15: He probably hasn't had reason to bring it up.
01:03:15 - 01:03:18: I remember. I remember there was a warm
01:03:18 - 01:03:21: Modelo sitting in front of him and he cracked.
01:03:21 - 01:03:25: He looked at it like he'd never seen a Modelo before and then cracked it.
01:03:25 - 01:03:31: Took one sip and made the funniest face like this is the most disgusting thing, which is true.
01:03:31 - 01:03:32: You can't blame him.
01:03:32 - 01:03:33: Room temperature Modelo is disgusting.
01:03:33 - 01:03:37: And then you just like sat it down on the table, like far away from him.
01:03:37 - 01:03:39: And you didn't go up to him later, say,
01:03:39 - 01:03:42: Jamie, I couldn't help but notice you didn't enjoy the warm Modelo.
01:03:42 - 01:03:43: I'm with you.
01:03:43 - 01:03:44: On the temperature.
01:03:44 - 01:03:46: On the temperature issue ever.
01:03:46 - 01:03:48: Don't throw out the baby with the bathwater.
01:03:48 - 01:03:49: Can I offer you a nice cold one?
01:03:49 - 01:03:51: Somehow that wasn't the vibe.
01:03:51 - 01:03:53: Get Dear Nora to come through.
01:03:53 - 01:03:56: Jamie Foxx, Seinfeld 2000, Alain.
01:03:56 - 01:03:58: Who else have we had on the show?
01:03:58 - 01:04:00: Dev, Dev Hines.
01:04:00 - 01:04:02: Oh, the guy that wrote the curb theme.
01:04:02 - 01:04:05: The guy that wrote the Seinfeld theme.
01:04:05 - 01:04:06: Oh, T-Pain.
01:04:06 - 01:04:07: Oh, T-Pain.
01:04:07 - 01:04:08: That could be crazy.
01:04:08 - 01:04:10: Another weekend in Ojai.
01:04:10 - 01:04:11: That'd be pretty tight.
01:04:11 - 01:04:13: We gotta get Mayer on the show, dude.
01:04:13 - 01:04:14: Yeah, I bet we could.
01:04:14 - 01:04:16: John Mayer's Instagram is hilarious.
01:04:16 - 01:04:17: Do you follow him?
01:04:17 - 01:04:18: Yes.
01:04:18 - 01:04:19: Really?
01:04:19 - 01:04:21: Hannah got me really into his Instagram.
01:04:21 - 01:04:23: He's like legitimately funny.
01:04:23 - 01:04:26: Even though you don't respect his lyricism?
01:04:26 - 01:04:26: I don't.
01:04:26 - 01:04:28: I'm not a big fan of his music,
01:04:28 - 01:04:32: but I think he is like a very self-aware funny dude.
01:04:32 - 01:04:33: He does seem self-aware.
01:04:33 - 01:04:33: Yeah.
01:04:33 - 01:04:35: Maybe I'll bless him with a follow.
01:04:35 - 01:04:36: Jake leaving comments.
01:04:36 - 01:04:40: John, although your lyricism is still lacking.
01:04:40 - 01:04:42: Tone is fairly solid.
01:04:42 - 01:04:45: John, I gave your tone an eight,
01:04:45 - 01:04:47: your lyricism a four,
01:04:47 - 01:04:48: but your Instagram humor a ten.
01:04:48 - 01:04:49: Keep rocking, buddy.
01:04:53 - 01:04:54: What, John, what you lack...
01:04:54 - 01:04:58: John, what you lack in guitar lyricism,
01:04:58 - 01:05:01: you make up for in wry Instagram humor.
01:05:24 - 01:05:26: So anyway, back to the email.
01:05:26 - 01:05:27: Oh, yeah.
01:05:27 - 01:05:28: That's a hell of a day.
01:05:28 - 01:05:31: They caught that daytime vampire RP show,
01:05:31 - 01:05:33: drove back with some TC on.
01:05:33 - 01:05:35: It was on that drive while tuning in,
01:05:35 - 01:05:37: we decided to send this email.
01:05:37 - 01:05:38: By the time the next show airs,
01:05:38 - 01:05:42: we'll be married and on our way to a new life together
01:05:42 - 01:05:44: with hopefully multiple fridges in our future home.
01:05:44 - 01:05:47: We're doing the damn thing out in Malibu this Saturday.
01:05:47 - 01:05:48: Wow.
01:05:48 - 01:05:49: Oh, wow.
01:05:49 - 01:05:50: They're married now.
01:05:50 - 01:05:53: After we say I do and I stomp on that glass,
01:05:53 - 01:05:54: a Jewish wedding,
01:05:54 - 01:05:58: M79 will play during the recessional.
01:05:58 - 01:05:58: Nice.
01:05:58 - 01:06:02: That's one of Jake's top...
01:06:02 - 01:06:03: Yep.
01:06:03 - 01:06:04: That's a top 10 for me.
01:06:04 - 01:06:05: That's top 10?
01:06:05 - 01:06:08: That may be my favorite on that first record.
01:06:08 - 01:06:08: On the first one?
01:06:08 - 01:06:10: That and Kids Don't Stand a Chance.
01:06:10 - 01:06:12: Did you catch it live in Ojai?
01:06:12 - 01:06:13: Oh, yeah.
01:06:13 - 01:06:15: With that, we got that new clav intro.
01:06:15 - 01:06:16: It's a little funkier.
01:06:19 - 01:06:20: Will wearing the bucket hat.
01:06:20 - 01:06:21: Old bucket hat.
01:06:21 - 01:06:23: Crushing it.
01:06:51 - 01:06:53: It's gonna take a little time.
01:06:53 - 01:06:55: While you're waiting like a factory line.
01:06:55 - 01:06:57: I'll ride across the park.
01:06:57 - 01:06:59: Backseat on the 79.
01:06:59 - 01:07:03: Wasted days you come to pass.
01:07:08 - 01:07:12: So go, I know you would not stay.
01:07:12 - 01:07:16: It wasn't true, but anyway.
01:07:16 - 01:07:21: I'm gonna meet you, yellow cat.
01:07:50 - 01:07:52: You walk up the stairs.
01:07:52 - 01:07:55: See the French kids by the door.
01:07:55 - 01:07:57: Up one more flight.
01:07:57 - 01:07:59: See the boot on the second floor.
01:07:59 - 01:08:03: Cause a nation to rip the shark trap.
01:08:07 - 01:08:12: So go, I know you would not stay.
01:08:12 - 01:08:16: It wasn't true, but anyway.
01:08:16 - 01:08:20: Racist dreams you should not hide.
01:08:45 - 01:08:49: No excuse to be so careless.
01:08:49 - 01:08:53: Dress yourself in bleeding mattress.
01:08:53 - 01:08:58: Charm your way across the Kyber Pass.
01:09:02 - 01:09:06: Stay awake to break the habit.
01:09:06 - 01:09:10: Singing praise of Jackson Crowder.
01:09:10 - 01:09:14: Watch your step along the archer.
01:09:48 - 01:09:53: No excuse to be so careless.
01:09:53 - 01:09:57: Dress yourself in bleeding mattress.
01:09:57 - 01:10:02: Charm your way across the Kyber Pass.
01:10:05 - 01:10:10: Stay awake to break the habit.
01:10:10 - 01:10:14: Singing praise of Jackson Crowder.
01:10:14 - 01:10:18: Watch your step along the archer.
01:10:26 - 01:10:27: Time Crisis.
01:10:27 - 01:10:30: So they're gonna play M79 You're in the Recessional
01:10:30 - 01:10:34: and then go straight into my TC-inspired playlist for the cocktail hour.
01:10:34 - 01:10:35: Ooh, I wonder what that playlist is.
01:10:35 - 01:10:39: I bet it, I bet they probably pull from your Tasteful 70s palette playlist.
01:10:39 - 01:10:43: Speaking of, did you notice in Ojai during all of the...
01:10:43 - 01:10:44: Oh, they played it.
01:10:44 - 01:10:46: Yeah, they were playing the Tasteful palette playlist.
01:10:46 - 01:10:47: Was that your call?
01:10:47 - 01:10:48: That was my call.
01:10:48 - 01:10:49: Nice, dude.
01:10:49 - 01:10:52: Because that's one of the things that I always forget about.
01:10:52 - 01:10:56: I always have these like grand visions about what type of music to play in between shows
01:10:56 - 01:10:59: and then almost always it's like I'm stressed out and like warming up and somebody's like,
01:10:59 - 01:11:00: "Oh, do you know what you wanted to play?"
01:11:00 - 01:11:01: Right.
01:11:01 - 01:11:03: And so then I was like, "Oh, Jake's Tasteful palette playlist."
01:11:03 - 01:11:08: And then actually, sidebar, your road manager, Brian,
01:11:08 - 01:11:10: had me make a playlist for the Santa Ana shows.
01:11:10 - 01:11:10: Oh.
01:11:10 - 01:11:12: Don't know if you noticed it.
01:11:12 - 01:11:12: No, well...
01:11:12 - 01:11:13: It was a similar theme.
01:11:13 - 01:11:14: I'm always like...
01:11:14 - 01:11:15: I got you.
01:11:15 - 01:11:19: Cloistered away, warming up and inhaling steam and all the things I do before a show.
01:11:19 - 01:11:20: Meditating.
01:11:20 - 01:11:22: Meditating before the show.
01:11:22 - 01:11:30: But I was up in one of the backstage rooms at the observatory and through the floorboards,
01:11:30 - 01:11:35: I could kind of hear two big star songs in a row and I wondered.
01:11:35 - 01:11:35: Okay.
01:11:35 - 01:11:36: I don't even remember, but yeah.
01:11:36 - 01:11:37: Was there a big star on it?
01:11:37 - 01:11:38: I'm sure there was.
01:11:38 - 01:11:38: Yes.
01:11:38 - 01:11:41: Anyway, they say, "Thanks for always riding shotgun on our Sundays.
01:11:41 - 01:11:43: Much love, Kevin and Betsy."
01:11:43 - 01:11:44: Well...
01:11:44 - 01:11:44: Hell of an email.
01:11:44 - 01:11:46: Hell of an email.
01:11:46 - 01:11:46: We kind of...
01:11:46 - 01:11:49: I mean, I don't know if I'm reading between the lines too much,
01:11:49 - 01:11:51: but it sounds like Time Crisis saved their marriage.
01:11:51 - 01:11:54: Created their marriage.
01:11:54 - 01:11:58: Two people coming back together, making the big leap move in LA, not feeling it.
01:11:58 - 01:12:01: TC is the glue.
01:12:01 - 01:12:02: That Sunday glue.
01:12:02 - 01:12:04: Listening live together is strong.
01:12:04 - 01:12:04: Yeah, I'm into that.
01:12:04 - 01:12:06: TC couples.
01:12:06 - 01:12:07: Love these kind of emails.
01:12:07 - 01:12:10: If you got any kind of TC situation...
01:12:10 - 01:12:14: And like we said, it doesn't have to be a romantic relationship.
01:12:14 - 01:12:16: It could just be friends.
01:12:16 - 01:12:20: Just a group of friends who come together to listen to live internet radio.
01:12:20 - 01:12:22: Honestly, I wish I had that in my own life.
01:12:22 - 01:12:24: I wish there was a...
01:12:24 - 01:12:27: What's the Time Crisis for me that I could listen to?
01:12:27 - 01:12:28: Howard.
01:12:28 - 01:12:29: Howard.
01:12:29 - 01:12:32: I guess it's cool that this show is on a Sunday.
01:12:32 - 01:12:34: I never really thought about it that much.
01:12:34 - 01:12:34: Yeah.
01:12:34 - 01:12:37: It gives it a different kind of energy.
01:12:37 - 01:12:41: Yeah, imagine if this show just aired 9pm on Tuesdays.
01:12:41 - 01:12:42: Wouldn't seem as special.
01:12:42 - 01:12:44: This is a Sunday afternoon show.
01:12:44 - 01:12:48: Anyway, shout out to Kevin and Betsy and congrats on your nuptials.
01:12:48 - 01:12:53: Won't you let me walk you home from school?
01:12:58 - 01:13:07: Won't you let me meet you at the pool?
01:13:07 - 01:13:15: Maybe Friday I can get tickets for the dance.
01:13:18 - 01:13:30: And I'll take you home.
01:13:30 - 01:13:34: Won't you tell your dad to get off my back?
01:13:34 - 01:13:42: Tell him what we said about painted black.
01:13:47 - 01:13:50: Rock and roll is here to stay.
01:13:50 - 01:13:54: Come inside when it's okay.
01:13:54 - 01:14:04: I'll shake you.
01:14:05 - 01:14:06: Ooh.
01:14:06 - 01:14:18: Ooh.
01:14:34 - 01:14:38: Won't you tell me what you're thinking of?
01:14:38 - 01:14:46: Would you be an outlaw for my love?
01:14:46 - 01:14:53: If it's so, let me know.
01:14:53 - 01:15:00: If it's done, well, I can go.
01:15:00 - 01:15:05: I won't make you.
01:15:05 - 01:15:09: Ooh.
01:15:09 - 01:15:17: All right, it's time to get in the top five.
01:15:17 - 01:15:24: It's time for the top five on iTunes.
01:15:24 - 01:15:28: Okay, so this week on the Time Crisis, top five.
01:15:28 - 01:15:29: This is a complicated one.
01:15:29 - 01:15:30: It is a little complex.
01:15:30 - 01:15:33: So everybody at home, I want you to grab a pencil and paper
01:15:33 - 01:15:35: and chart this thing out.
01:15:35 - 01:15:40: We're not doing our usual just top five songs on iTunes versus Billboard of the past.
01:15:40 - 01:15:45: We're looking at two different lists of summer songs.
01:15:45 - 01:15:48: Because summer solstice has happened last week, right?
01:15:48 - 01:15:49: Because we're officially in summer.
01:15:49 - 01:15:50: Can you believe it?
01:15:50 - 01:15:50: No, I can't.
01:15:50 - 01:15:51: The year's half over.
01:15:51 - 01:15:52: It's insane.
01:15:52 - 01:15:53: That's crazy.
01:15:53 - 01:15:53: I don't like that.
01:15:53 - 01:15:58: We're comparing a Billboard list of the songs of the summer.
01:15:58 - 01:16:05: And this is Billboard kind of speculating based on radio airplay, sales data, blah, blah, blah.
01:16:05 - 01:16:07: What they think the songs of this summer are.
01:16:07 - 01:16:07: Whoa.
01:16:07 - 01:16:08: So they're okay.
01:16:08 - 01:16:11: So it's a Billboard list of this speculative songs of this summer.
01:16:11 - 01:16:12: Kind of jumping the gun.
01:16:12 - 01:16:16: Well, that's what we do on the clickbait economy.
01:16:16 - 01:16:16: Okay.
01:16:16 - 01:16:18: Billboard's calling it.
01:16:18 - 01:16:19: I don't know if I like it.
01:16:19 - 01:16:20: There's songs that are going to come out next week.
01:16:20 - 01:16:22: Billboard's calling it now.
01:16:22 - 01:16:24: Oh, Drake.
01:16:24 - 01:16:25: Cool.
01:16:25 - 01:16:28: I'm already negative about it.
01:16:28 - 01:16:30: Then we're going to compare that to Rolling Stone.
01:16:30 - 01:16:31: Yeah.
01:16:31 - 01:16:35: Who has their list of just the top five songs of all time.
01:16:35 - 01:16:36: So in a way, we're still-
01:16:36 - 01:16:37: Summer songs.
01:16:37 - 01:16:37: Summer songs.
01:16:37 - 01:16:39: We are comparing old and new again.
01:16:39 - 01:16:40: Okay.
01:16:40 - 01:16:43: So according to Rolling Stone, the number five summer song of all time,
01:16:43 - 01:16:46: Rockaway Beach by the Ramones.
01:16:46 - 01:16:46: Okay.
01:16:46 - 01:16:51: I always like this song.
01:16:51 - 01:16:53: Five seems a little high.
01:16:53 - 01:16:54: Yeah.
01:16:54 - 01:16:56: I mean, I love the Ramones.
01:16:56 - 01:16:59: I would have thought this would have been like 25.
01:16:59 - 01:17:03: I mean, Rolling Stone is a very rock-oriented publication.
01:17:03 - 01:17:07: I haven't heard the Ramones in a minute.
01:17:07 - 01:17:09: Yeah.
01:17:09 - 01:17:13: Oh, yeah.
01:17:13 - 01:17:14: Maybe it's time-
01:17:14 - 01:17:28: Rock, rock away beach.
01:17:28 - 01:17:30: Did they do a record with Bill Spector?
01:17:30 - 01:17:32: Is this on that record?
01:17:32 - 01:17:34: No.
01:17:34 - 01:17:37: I like that.
01:17:37 - 01:17:47: Yeah.
01:17:47 - 01:18:13: Rock, rock, rock away beach.
01:18:13 - 01:18:21: We can hitch a ride to Rockaway Beach.
01:18:21 - 01:18:33: I feel like right now, that kind of like early punk is not very fashionable.
01:18:33 - 01:18:34: It's not?
01:18:34 - 01:18:35: No.
01:18:35 - 01:18:37: You don't hear people talking about the Ramones anymore.
01:18:37 - 01:18:38: Really?
01:18:38 - 01:18:39: I feel like they're kind of evergreen.
01:18:39 - 01:18:41: No, I think so.
01:18:41 - 01:18:42: Like the Beatles or something.
01:18:42 - 01:18:45: Like it's all, there's always someone that's into that stuff, right?
01:18:45 - 01:18:46: I hope so.
01:18:46 - 01:18:49: My brother's first show was the Ramones.
01:18:49 - 01:18:50: Really?
01:18:50 - 01:18:50: You took him?
01:18:50 - 01:18:51: No, I didn't take him.
01:18:51 - 01:18:52: My dad took him.
01:18:52 - 01:18:56: I might've been out of the house at that point.
01:18:56 - 01:19:00: I might've been in college, but I remember my brother was obsessed with the Ramones
01:19:00 - 01:19:03: and they were opening for White Zombie.
01:19:03 - 01:19:04: Oh, I like White Zombie.
01:19:04 - 01:19:05: In Hartford, Connecticut.
01:19:05 - 01:19:09: And so my dad took my brother and he, yeah, he must've been like 13
01:19:09 - 01:19:12: and they watched like a 40 minute Ramones set.
01:19:12 - 01:19:13: And then bounced.
01:19:13 - 01:19:16: Missed opportunity to see more human than human live.
01:19:16 - 01:19:17: I like White Zombie.
01:19:17 - 01:19:19: Dave regrets that to this day.
01:19:19 - 01:19:20: I'm sure he does.
01:19:20 - 01:19:21: As does my dad.
01:19:21 - 01:19:26: Dad was like, Dave, let's get the f*** out of here, man.
01:19:26 - 01:19:27: White Zombie sucks.
01:19:27 - 01:19:28: Come on, dad.
01:19:28 - 01:19:31: And then like four years later, my dad's like, you know what?
01:19:31 - 01:19:34: I like some of the Rob Zombie solo stuff.
01:19:34 - 01:19:36: I ended up getting into Rob Zombie a little later.
01:19:36 - 01:19:37: White Zombie.
01:19:37 - 01:19:39: Rob and White.
01:19:40 - 01:19:43: And I kind of regret walking out of that show now.
01:19:43 - 01:19:48: Yeah, you know, the Dragula by Rob Zombie.
01:19:48 - 01:19:49: Yeah, you know what?
01:19:49 - 01:19:52: I'll admit I went back to some of the White Zombie stuff.
01:19:52 - 01:19:54: It was cool, man.
01:19:54 - 01:19:54: It's pretty cool.
01:19:54 - 01:19:56: Hell of a director too.
01:19:56 - 01:20:00: Actually got into him via the film side.
01:20:00 - 01:20:06: The number five song, according to Billboard for the Song of the Summer,
01:20:08 - 01:20:10: is Lucid Dreams by Juice WRLD.
01:20:10 - 01:20:11: Juice WRLD?
01:20:11 - 01:20:12: Yeah.
01:20:12 - 01:20:13: That's a dope name.
01:20:13 - 01:20:17: It's Juice and then WRLD is all caps W-R-L-D.
01:20:17 - 01:20:21: Yeah, Juice WRLD is, I don't know if people still call it like SoundCloud rap,
01:20:21 - 01:20:27: but this is like a very big rapper kind of coming out of the modern internet environment.
01:20:27 - 01:20:28: Okay.
01:20:28 - 01:20:28: Very popular.
01:20:28 - 01:20:30: Real into juicing.
01:20:30 - 01:20:32: I guess so.
01:20:32 - 01:20:35: Juice WRLD kind of could have been an indie band back in the day.
01:20:35 - 01:20:36: Oh, totally.
01:20:37 - 01:20:39: I mean, my immediate association-
01:20:39 - 01:20:40: Hi, we're Juice WRLD.
01:20:40 - 01:20:42: Thanks for coming out tonight.
01:20:42 - 01:20:43: Thanks for coming out.
01:20:43 - 01:20:46: This one's called Kale, Carrot, and Apple.
01:20:46 - 01:20:51: Or they would be like, I could totally picture like an early 2000s indie band called Juice
01:20:51 - 01:20:53: WRLD and then they have a song called Juice WRLD.
01:20:53 - 01:20:56: Hi, we're Juice WRLD.
01:20:56 - 01:20:57: This song's Juice WRLD.
01:21:05 - 01:21:08: Juice WRLD.
01:21:08 - 01:21:09: It's kind of awkward harmonies.
01:21:09 - 01:21:12: What?
01:21:12 - 01:21:13: Cool fantasy.
01:21:13 - 01:21:15: Juice WRLD.
01:21:15 - 01:21:21: 50s chord progression.
01:21:21 - 01:21:26: Juice WRLD.
01:21:26 - 01:21:30: Juice WRLD.
01:21:34 - 01:21:36: Juice WRLD.
01:21:36 - 01:21:38: Maybe that should be on the next Vampire Weekend album.
01:21:38 - 01:21:44: My immediate thought was he's talking about juicing fruits and vegetables,
01:21:44 - 01:21:47: but then I was thinking maybe he's talking roids.
01:21:47 - 01:21:53: I have a feeling it's neither, but I like the roids concept.
01:21:53 - 01:21:54: Neither?
01:21:54 - 01:21:54: What else could it be?
01:21:54 - 01:21:55: I mean-
01:21:55 - 01:21:57: It could be anything.
01:21:57 - 01:22:00: Does anybody know what Juice WRLD references?
01:22:00 - 01:22:02: Okay.
01:22:02 - 01:22:05: So we just got some info that originally he was called Juice the Kid
01:22:05 - 01:22:08: and calling yourself Juice is classic.
01:22:08 - 01:22:11: You don't need to explain that.
01:22:11 - 01:22:13: Juice is a positive thing.
01:22:13 - 01:22:14: It's classic?
01:22:14 - 01:22:15: That's OJ.
01:22:15 - 01:22:16: Right.
01:22:16 - 01:22:16: Called him Juice.
01:22:16 - 01:22:22: And like Juice is generally whatever slang version you use, it's like a positive thing.
01:22:22 - 01:22:25: Chromio song, you got the juice.
01:22:25 - 01:22:27: I just think it was David Schwimmer going, "Juice!"
01:22:27 - 01:22:29: Wait, what is that from Friends?
01:22:29 - 01:22:31: No, from the OJ show.
01:22:31 - 01:22:35: Oh, oh, David Schwimmer as Robert Kardashian.
01:22:35 - 01:22:35: Juice!
01:22:35 - 01:22:37: Oh, Juice, no!
01:22:37 - 01:22:39: Juice!
01:22:39 - 01:22:41: So anyway, Juice the Kid.
01:22:41 - 01:22:45: So he was Juice the Kid and then he kind of got classed it up and called Juice WRLD.
01:22:45 - 01:22:47: With a little more modern.
01:22:47 - 01:22:48: All right, cool.
01:22:48 - 01:22:49: Anyway-
01:22:49 - 01:22:50: Let's listen to the song.
01:22:50 - 01:22:55: This is a record from 2001 by Juice WRLD.
01:22:55 - 01:22:59: A little indie outfit out of upstate New York.
01:22:59 - 01:23:02: ♪ If you're not on a mix ♪
01:23:02 - 01:23:03: Oh yeah, I know this song.
01:23:03 - 01:23:08: That's a Sting sample from "Shape of My Heart."
01:23:08 - 01:23:16: Big year for Sting.
01:23:16 - 01:23:20: Got that Shaggy album plus this, he's cleaning up.
01:23:20 - 01:23:25: ♪ I still see your shadows in my room ♪
01:23:25 - 01:23:28: ♪ Can't take back the love that I gave you ♪
01:23:28 - 01:23:31: ♪ It's to the point where I love and I hate you ♪
01:23:31 - 01:23:34: ♪ And I cannot change you so I must replace you ♪
01:23:34 - 01:23:36: ♪ Oh, easier said than done ♪
01:23:36 - 01:23:38: ♪ I thought you were the one listening to my heart ♪
01:23:38 - 01:23:40: ♪ Instead of my head ♪
01:23:40 - 01:23:43: ♪ You found another one but I am the better one ♪
01:23:43 - 01:23:44: ♪ I won't let you forget me ♪
01:23:44 - 01:23:48: ♪ I still see your shadows in my room ♪
01:23:48 - 01:23:51: ♪ Can't take back the love that I gave you ♪
01:23:51 - 01:23:54: ♪ It's to the point where I love and I hate you ♪
01:23:54 - 01:23:56: ♪ And I cannot change you so I must replace you ♪
01:23:56 - 01:23:59: ♪ Oh, easier said than done ♪
01:23:59 - 01:24:01: ♪ I thought you were the one listening to my heart ♪
01:24:01 - 01:24:03: ♪ Instead of my head ♪
01:24:03 - 01:24:06: ♪ You found another one but I am the better one ♪
01:24:06 - 01:24:07: ♪ I won't let you forget me ♪
01:24:07 - 01:24:11: ♪ You left me falling in love ♪
01:24:11 - 01:24:12: - Kind of in. - You're in?
01:24:12 - 01:24:15: - I don't see how it's a summer song really, but it's a...
01:24:15 - 01:24:18: - You're allowed to be depressed in the summer.
01:24:18 - 01:24:20: - Yeah, okay. - Summer heartbreak.
01:24:20 - 01:24:23: - That's true. - Rich girl at the country club.
01:24:23 - 01:24:25: - Oof. - Doesn't give you the time of day
01:24:25 - 01:24:26: because you're just the waiter.
01:24:26 - 01:24:29: - Oh man. Okay, you just painted a picture.
01:24:29 - 01:24:31: - Caddy shack.
01:24:31 - 01:24:34: ♪ I have been losing dreams ♪
01:24:34 - 01:24:36: - Caddy at the local country club
01:24:36 - 01:24:37: to pay your way through college.
01:24:37 - 01:24:39: - The Amazon show, Red Oaks.
01:24:39 - 01:24:41: - Right, yeah, it's such a classic concept.
01:24:41 - 01:24:43: Rich girl breaks your heart.
01:24:43 - 01:24:45: How come there's never a rich guy
01:24:45 - 01:24:48: breaking the working class girl's heart?
01:24:48 - 01:24:50: ♪ Now I'm just battered ♪
01:24:50 - 01:24:53: - That's kind of... - It was at Molly Ringwald's
01:24:53 - 01:24:54: movies, kind of like that.
01:24:54 - 01:24:55: ♪ I'll do it over again ♪
01:24:55 - 01:24:58: I like this dude's voice. He's a little pop punk.
01:24:58 - 01:25:03: But not as nasally. Yeah, just a very small...
01:25:03 - 01:25:05: [Humming]
01:25:05 - 01:25:07: [Laughing]
01:25:19 - 01:25:25: You made my heart ache You made my heart break
01:25:25 - 01:25:30: You made my heart ache You made my heart break
01:25:30 - 01:25:40: You made my heart ache You made my heart break again
01:25:40 - 01:25:45: I still see your shadows in my room Can't take back the love that I gave you
01:25:45 - 01:25:50: It's to the point where I love and I hate you And I cannot change you so I must replace
01:25:50 - 01:25:51: you
01:25:51 - 01:25:54: Easier said than done I thought you were the one
01:25:54 - 01:26:00: Listening to my heart instead of my head You found another one but I am the better
01:26:00 - 01:26:03: one I won't let you forget me
01:26:03 - 01:26:08: I still see your shadows in my room Can't take back the love that I gave you
01:26:08 - 01:26:11: It's to the point where I love and I hate you
01:26:11 - 01:26:17: And I cannot change you so I must replace you Easier said than done I thought you were
01:26:17 - 01:26:20: the one Listening to my heart instead of my head
01:26:20 - 01:26:25: You found another one but I am the better one I won't let you forget me
01:26:25 - 01:26:27: Shout out to Juice WRLD.
01:26:27 - 01:26:31: I mean, that's pretty d-- Rockaway Beach vs. Lucid Dreams by Juice WRLD.
01:26:31 - 01:26:32: That's a toss up.
01:26:32 - 01:26:35: Very, I mean, totally, depends.
01:26:35 - 01:26:39: It depends on whether the rich girl broke your heart or not.
01:26:39 - 01:26:43: Number four on the Rolling Stone list, California Girls by The Beach Boys.
01:26:43 - 01:26:44: Okay.
01:26:44 - 01:26:51: Kind of foreshadowing head sounds here.
01:26:51 - 01:26:59: Yeah, this is pretty intricate.
01:26:59 - 01:27:06: It was like saxophones harmonizing or whatever that is.
01:27:06 - 01:27:09: Yeah, now it kind of, yeah.
01:27:09 - 01:27:10: Mike Love.
01:27:10 - 01:27:11: Coast girls are hip.
01:27:11 - 01:27:12: Dig those styles they wear.
01:27:12 - 01:27:26: And the southern girls with the way they talk, they knock me out when I'm down there.
01:27:26 - 01:27:28: The Midwest farms are built.
01:27:28 - 01:27:29: Pretty weak song.
01:27:29 - 01:27:34: You know, I've never really analyzed this song, but it's funny that he's like, "Shh."
01:27:34 - 01:27:36: The northern girls?
01:27:36 - 01:27:39: Yeah, it was like Minnesota?
01:27:39 - 01:27:40: Like Game of Thrones?
01:27:40 - 01:27:41: We're just here.
01:27:41 - 01:27:42: I wish they all could be California girls.
01:27:44 - 01:27:45: The west coast has the sunshine and the girls are the sunshine.
01:27:54 - 01:28:15: The west coast has the sunshine and the girls are the sunshine.
01:28:16 - 01:28:24: I've been all around this great big world and I've seen all kind of girls.
01:28:24 - 01:28:32: Yeah, but I couldn't wait to get back in the states and back to the cutest girls in the world.
01:28:32 - 01:28:37: I wish they all could be California.
01:28:37 - 01:28:41: I wish they all could be California.
01:28:41 - 01:28:51: I wish they all could be California girls.
01:28:51 - 01:28:54: Is he saying, wait, yeah, I don't understand.
01:28:54 - 01:28:55: Beat or be?
01:28:55 - 01:28:59: I wish they could all could be California.
01:28:59 - 01:29:00: Beat?
01:29:00 - 01:29:01: Yeah, like.
01:29:01 - 01:29:03: I wish they all could be California girls.
01:29:03 - 01:29:04: For the longest time I thought it was beat.
01:29:04 - 01:29:08: Like, I wish, like in a way it was almost like a generous sentiment.
01:29:08 - 01:29:10: Like, I wish they could all measure up.
01:29:10 - 01:29:12: I mean, it's kind of the same sentiment, really.
01:29:12 - 01:29:13: You mean he's.
01:29:13 - 01:29:15: I don't know why I thought it was beat.
01:29:15 - 01:29:18: Like, I wish they could all top California girls.
01:29:18 - 01:29:22: Wait, actually, I want to check because I just realized I don't know what this song's really about.
01:29:22 - 01:29:26: I wish they could all be California girls.
01:29:26 - 01:29:34: Because the west coast has the sunshine and the girls all get so tan.
01:29:34 - 01:29:37: I dig a French bikini.
01:29:37 - 01:29:39: On Hawaii Island?
01:29:39 - 01:29:40: Is that what it is?
01:29:40 - 01:29:41: Dolls by a palm tree in the sun.
01:29:41 - 01:29:42: Oh, wait, hold on.
01:29:42 - 01:29:43: We got to break this song down.
01:29:43 - 01:29:44: Verse one.
01:29:44 - 01:29:45: See, this is what's funny.
01:29:45 - 01:29:46: He basically.
01:29:46 - 01:29:47: Here we go, 20 minutes.
01:29:47 - 01:29:49: Yeah, we're about to do a whole 20.
01:29:49 - 01:29:51: We're going to need to preempt the next show.
01:29:51 - 01:29:52: Push into hour three.
01:29:52 - 01:29:55: This is going to be a four hour TC.
01:29:55 - 01:30:00: So the first verse of this is east coast girls are hip.
01:30:00 - 01:30:01: I really dig those styles they wear.
01:30:01 - 01:30:04: And then he lists all these other girls and how great they are.
01:30:04 - 01:30:08: Southern girls with the way they talk, they knock me out when I'm down there.
01:30:08 - 01:30:09: Like southern accents.
01:30:09 - 01:30:11: So he's just saying all these girls are great.
01:30:11 - 01:30:14: And then with no transition, so like it ends,
01:30:14 - 01:30:16: and the northern girls with the way they kiss,
01:30:16 - 01:30:18: they keep their boyfriends warm at night.
01:30:18 - 01:30:22: And then just hard change.
01:30:22 - 01:30:27: I wish they all could be California girls.
01:30:27 - 01:30:29: It's like there's not.
01:30:29 - 01:30:31: In another song, then there would be like a pre-chorus.
01:30:31 - 01:30:32: Right.
01:30:32 - 01:30:35: Where it's kind of like however great all these girls are,
01:30:35 - 01:30:38: I'm a California boy.
01:30:38 - 01:30:41: And so it's just like this weird hard cut where you're just like --
01:30:41 - 01:30:42: Well, it's concise, man.
01:30:42 - 01:30:44: We understand the logic.
01:30:44 - 01:30:45: Okay.
01:30:45 - 01:30:46: But is it so clear?
01:30:46 - 01:30:47: It's not as clear as it seems.
01:30:47 - 01:30:48: Think about it.
01:30:48 - 01:30:50: This is probably like 17-year-old dudes writing a song.
01:30:50 - 01:30:54: [Laughter]
01:30:54 - 01:30:57: But here's my question.
01:30:57 - 01:31:01: When you list all these great girls around the country,
01:31:01 - 01:31:03: he doesn't have a bad word to say about them.
01:31:03 - 01:31:04: They're all great.
01:31:04 - 01:31:07: And then he says, "I wish they all could be California girls."
01:31:07 - 01:31:12: Is he saying that California girls are better than them?
01:31:12 - 01:31:17: Or is he saying that I wish when I go around the country
01:31:17 - 01:31:20: and I see these other great types of girls,
01:31:20 - 01:31:22: I'm blown away by how amazing they are.
01:31:22 - 01:31:26: But because they don't live in California, they don't exist to me.
01:31:26 - 01:31:28: I wish that these hip East Coast girls --
01:31:28 - 01:31:30: They could all move there.
01:31:30 - 01:31:32: I wish they could all move to California.
01:31:32 - 01:31:33: Is that what he's saying?
01:31:33 - 01:31:34: No.
01:31:34 - 01:31:35: So what's he saying?
01:31:35 - 01:31:37: I understand the logic of what you're saying,
01:31:37 - 01:31:40: and it sort of relates to what I thought it was for years,
01:31:40 - 01:31:43: which I wish they could all beat California girls.
01:31:43 - 01:31:44: Right.
01:31:44 - 01:31:47: Because he loves the Midwest farmer's daughter.
01:31:47 - 01:31:49: She makes him feel all right.
01:31:49 - 01:31:51: Son, I wish I could accept you at this university,
01:31:51 - 01:31:55: but your grades just are not up to snuff.
01:31:55 - 01:31:57: That's what he's kind of saying?
01:31:57 - 01:31:58: Yeah.
01:31:58 - 01:31:59: So he's saying--
01:31:59 - 01:32:01: That's the implication.
01:32:01 - 01:32:04: All around this country I've met so many amazing girls,
01:32:04 - 01:32:07: and here's some of the great things I've learned about them.
01:32:07 - 01:32:09: It's like "The Bachelor."
01:32:09 - 01:32:12: However, at the end of the day, I'm giving my rose to California girls
01:32:12 - 01:32:14: because of the rest of you.
01:32:14 - 01:32:15: That's what he's saying?
01:32:15 - 01:32:16: Yes.
01:32:16 - 01:32:20: I think he's saying that he wishes that California would encompass the entire U.S.
01:32:20 - 01:32:21: Oh, wow.
01:32:21 - 01:32:22: I don't know about that.
01:32:22 - 01:32:25: Or maybe it's like a Romeo and Juliet thing.
01:32:25 - 01:32:29: Maybe his dad's real conservative, doesn't like him dating outside California.
01:32:29 - 01:32:31: This is why the song has legs.
01:32:31 - 01:32:33: It's a truly mysterious chorus.
01:32:33 - 01:32:34: My family--
01:32:34 - 01:32:37: Wish they could all be California girls.
01:32:37 - 01:32:41: The Wilson family's been in California for over 32 years.
01:32:41 - 01:32:43: We have deep roots here,
01:32:43 - 01:32:49: and if my father caught me necking with a hippies coast girl,
01:32:49 - 01:32:51: he would beat the shit out of me.
01:32:51 - 01:32:52: I'm sorry.
01:32:52 - 01:32:55: It's not right, but that's just how it has to be.
01:32:55 - 01:32:57: I can only date a California girl.
01:32:57 - 01:32:59: I wish you could be.
01:32:59 - 01:33:03: Well, I can be a California girl, Brian.
01:33:03 - 01:33:04: All I have to do is move.
01:33:04 - 01:33:06: It's the same country.
01:33:06 - 01:33:07: Doesn't count.
01:33:07 - 01:33:08: Nope.
01:33:09 - 01:33:11: My family doesn't recognize conversions.
01:33:11 - 01:33:15: The West Coast has the sunshine.
01:33:15 - 01:33:16: Is there anything else to this?
01:33:16 - 01:33:18: And the girls.
01:33:18 - 01:33:20: Yeah, there's no more information.
01:33:20 - 01:33:22: I guess then at the end he says,
01:33:22 - 01:33:26: I've been all around this great big world, and I've seen all kinds of girls.
01:33:26 - 01:33:28: But I couldn't wait to get back to the states,
01:33:28 - 01:33:31: back to the cutest girls in the world.
01:33:31 - 01:33:35: But see, again, now he's saying American girls are cuter than the rest of the world?
01:33:35 - 01:33:37: Imagine if there was an extended version
01:33:37 - 01:33:41: where he's talking about French girls and Italian girls.
01:33:41 - 01:33:45: There's that Rick Nelson song "Traveling Man" that's in that vein.
01:33:45 - 01:33:48: Rough stuff.
01:33:48 - 01:33:53: The number four song on the Billboard list of the potential songs of the summer.
01:33:53 - 01:33:54: Potential?
01:33:54 - 01:33:55: That's the best list.
01:33:55 - 01:33:58: No surprise here, Drake, "God's Plan."
01:33:58 - 01:34:01: This came out in like February or something.
01:34:01 - 01:34:02: Yeah, this song is--
01:34:02 - 01:34:03: Not a song.
01:34:03 - 01:34:04: --not losing steam by now.
01:34:04 - 01:34:05: It already peaked.
01:34:05 - 01:34:06: [MUSIC - DRAKE, "GOD'S PLAN"]
01:34:06 - 01:34:10: (SINGING) Yeah.
01:34:10 - 01:34:13: I've been moving calm, don't start no trouble with me.
01:34:13 - 01:34:15: Trying to keep it peaceful is a struggle for me.
01:34:15 - 01:34:17: I wonder if Mike Gloves heard this.
01:34:17 - 01:34:19: Don't pull up at 6 AM to cuddle with me.
01:34:19 - 01:34:22: You know how I like it when you loving on me.
01:34:22 - 01:34:25: I don't want a God for them to miss me.
01:34:25 - 01:34:28: Yes, I see the things that they wishing on me.
01:34:28 - 01:34:31: Hope I got some brothers that'll live me.
01:34:31 - 01:34:35: They gon' tell the story what's different with me.
01:34:35 - 01:34:37: God's plan.
01:34:39 - 01:34:42: I hold back sometimes I won't.
01:34:42 - 01:34:45: I feel good sometimes I don't.
01:34:45 - 01:34:48: I finesse down Western road like this.
01:34:48 - 01:34:51: Might go down to GOD.
01:34:51 - 01:34:54: I go hard on Southside G.
01:34:54 - 01:34:58: I make sure that Northside heat.
01:34:58 - 01:35:00: And still.
01:35:00 - 01:35:04: Drake did a lot more nuanced talk
01:35:04 - 01:35:06: about life and relationships than California girls.
01:35:06 - 01:35:08: How old is Drake, you think, like 30?
01:35:08 - 01:35:09: Yeah.
01:35:09 - 01:35:10: OK.
01:35:10 - 01:35:12: Beach Boys were like 17, 18.
01:35:12 - 01:35:13: When they wrote California Girls.
01:35:13 - 01:35:15: Maybe 20.
01:35:15 - 01:35:20: [LAUGHTER]
01:35:20 - 01:35:22: The number three song on Rolling Stone's list--
01:35:22 - 01:35:25: The West Coast girls.
01:35:25 - 01:35:27: East Coast girls are hip.
01:35:27 - 01:35:29: The number three song on the Rolling Stone list--
01:35:29 - 01:35:31: Alice Cooper, "School's Out."
01:35:31 - 01:35:33: OK, kind of a weird choice.
01:35:33 - 01:35:36: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:35:36 - 01:35:44: Very on the nose here.
01:35:44 - 01:35:47: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:35:51 - 01:35:52: This is just hilarious.
01:35:52 - 01:35:53: Like '70s hard rock.
01:35:53 - 01:35:59: Like Led Zeppelin writing about hobbits.
01:35:59 - 01:36:03: And Black Savages being about the meaninglessness of life.
01:36:03 - 01:36:05: And just brutal satanic shit.
01:36:05 - 01:36:07: Alice Cooper's music.
01:36:07 - 01:36:08: School sucks.
01:36:08 - 01:36:11: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:36:15 - 01:36:26: This song is a good arrangement.
01:36:26 - 01:36:28: I like the transition into the chorus really well.
01:36:28 - 01:36:30: Yeah, the chorus is dope.
01:36:30 - 01:36:33: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:36:37 - 01:36:48: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:36:48 - 01:37:01: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:37:02 - 01:37:05: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:37:05 - 01:37:16: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:37:16 - 01:37:19: [MUSIC - ALICE COOPER, "SCHOOL'S OUT"]
01:37:52 - 01:38:07: Bass player is tight in this song.
01:38:07 - 01:38:10: Were there teenagers in the '70s just
01:38:10 - 01:38:13: like dead ass listening to "School's Out" just at home,
01:38:13 - 01:38:16: just like super serious, just like headphones on,
01:38:16 - 01:38:19: and you're like, oh, god, I fucking hate school.
01:38:19 - 01:38:20: I can't wait for summer.
01:38:20 - 01:38:23: Just like finally somebody's telling it like it is.
01:38:23 - 01:38:24: Yes.
01:38:24 - 01:38:26: Just like super serious.
01:38:26 - 01:38:27: Yes.
01:38:27 - 01:38:28: I guess that makes sense.
01:38:28 - 01:38:32: I mean, it's like Alice Cooper has a whimsical take on "School's
01:38:32 - 01:38:33: Out."
01:38:33 - 01:38:36: The number three song on the Billboard list,
01:38:36 - 01:38:39: Cardi B, Bad Bunny, and J Balvin, "I Like It."
01:38:39 - 01:38:40: Have you heard this one, Jake?
01:38:40 - 01:38:41: I don't know.
01:38:41 - 01:38:43: [MUSIC - ALICE COOPER, "I LIKE IT"]
01:38:43 - 01:38:45: Another big hit for Cardi B.
01:38:45 - 01:38:46: You probably remember--
01:38:46 - 01:38:49: This has a real summer feel to it.
01:38:49 - 01:38:50: Remember?
01:38:50 - 01:38:52: You remember from the '90s?
01:38:52 - 01:38:53: I like it like that.
01:38:53 - 01:38:54: Oh, yeah, kind of.
01:38:54 - 01:38:56: Now, I like dollars, I like diamonds.
01:38:56 - 01:38:58: I like stunning, I like shining.
01:38:58 - 01:39:00: I like million dollar deals.
01:39:00 - 01:39:01: Where's my pen?
01:39:01 - 01:39:02: Bitch, I'm signing.
01:39:02 - 01:39:05: I like those Balenciagas, the ones that look like socks.
01:39:05 - 01:39:07: I like going to the chula.
01:39:07 - 01:39:09: I put rocks all in my watch.
01:39:09 - 01:39:12: I like sexes from my exes when they want a second chance.
01:39:12 - 01:39:14: I like grooving, warm.
01:39:14 - 01:39:16: I do what they say I can't.
01:39:16 - 01:39:19: They call me Cardi, party, dang it, body, spicy, mommy,
01:39:19 - 01:39:23: hot tamale, hotter than a sauce, Molly, burn, cold, burn,
01:39:23 - 01:39:24: worry.
01:39:24 - 01:39:26: Hop off the stool, jump in the coupe,
01:39:26 - 01:39:28: big dip on top of the roof, best in them
01:39:28 - 01:39:31: [BLEEP] as hard as I can, eating halal, driving a Lam.
01:39:31 - 01:39:33: So that [BLEEP] I'm sorry, though.
01:39:33 - 01:39:34: Rock my coins like Mario.
01:39:34 - 01:39:38: Yeah, they call me Cardi B. I run this [BLEEP] like cardio.
01:39:38 - 01:39:41: I'm a district in the chain.
01:39:45 - 01:39:48: It's infectious.
01:39:48 - 01:39:49: Oh, he's so handsome.
01:39:49 - 01:39:52: What's his name?
01:39:52 - 01:39:55: I need the dollars to change.
01:39:55 - 01:39:58: Beat it up like piñata.
01:40:02 - 01:40:05: Bad chicks make you nervous.
01:40:05 - 01:40:08: [NON-ENGLISH SPEECH]
01:40:09 - 01:40:13: [NON-ENGLISH SPEECH]
01:40:13 - 01:40:15: How's your Spanish, Jake?
01:40:15 - 01:40:17: Not solid.
01:40:17 - 01:40:18: Have you studied it?
01:40:18 - 01:40:20: I took it for years, probably eight years.
01:40:20 - 01:40:22: Can you get anything out of it?
01:40:22 - 01:40:25: [NON-ENGLISH SPEECH]
01:40:25 - 01:40:36: Oh, viva la raza.
01:40:36 - 01:40:37: That's--
01:40:37 - 01:40:38: What does that mean?
01:40:38 - 01:40:40: --a familiar phrase.
01:40:40 - 01:40:45: Like viva la raza, like la raza referring to the people.
01:40:45 - 01:40:48: Long live the race.
01:40:48 - 01:40:51: Sounds a little scary when you say it in English.
01:40:51 - 01:40:53: That's not a phrase you want to hear in English.
01:40:53 - 01:40:55: A couple white guys on the mic, long live the race.
01:40:55 - 01:40:56: Yeah, you don't want to hear that.
01:40:56 - 01:40:59: But viva la raza, you see that here and there.
01:40:59 - 01:41:02: I can't follow Spanish at all when it's spoken.
01:41:02 - 01:41:04: What about when it's sung or rapped?
01:41:04 - 01:41:05: Even less so.
01:41:05 - 01:41:06: Even less so?
01:41:06 - 01:41:07: You know why?
01:41:07 - 01:41:08: They don't enunciate.
01:41:08 - 01:41:10: You got to enunciate.
01:41:10 - 01:41:14: I feel like Spanish rappers enunciate even more.
01:41:14 - 01:41:16: Do they?
01:41:16 - 01:41:18: Like, I don't understand Spanish at all.
01:41:18 - 01:41:20: But I feel like when I listen to Spanish music,
01:41:20 - 01:41:23: it's like the language that I feel like I, in some weird way,
01:41:23 - 01:41:24: follow.
01:41:24 - 01:41:26: When I hear a story song, I almost
01:41:26 - 01:41:28: feel like just through the emotion of the vocal,
01:41:28 - 01:41:30: I can follow it a little bit.
01:41:30 - 01:41:31: You studied French.
01:41:31 - 01:41:32: I studied French.
01:41:32 - 01:41:33: Big mistake.
01:41:33 - 01:41:34: I like it.
01:41:34 - 01:41:35: I mean, I don't know.
01:41:35 - 01:41:37: That might be my pick for song of the summer.
01:41:37 - 01:41:39: It's just plain fun.
01:41:39 - 01:41:41: I was actually thinking about it, because like--
01:41:41 - 01:41:42: It's just plain fun.
01:41:42 - 01:41:44: I just always hear that in Ubers.
01:41:44 - 01:41:47: It's just-- it's good, clean fun.
01:41:47 - 01:41:49: I always hear it in Ubers.
01:41:49 - 01:41:50: And actually, the thing--
01:41:50 - 01:41:52: Cardi B's songs, there's always these little lines that
01:41:52 - 01:41:53: just stick with you.
01:41:53 - 01:41:54: They're very sticky.
01:41:54 - 01:41:56: In fact, before the show, for whatever reason,
01:41:56 - 01:41:58: I had one of the lines that said,
01:41:58 - 01:42:03: I like Texas from my exes when they want a second chance.
01:42:03 - 01:42:05: Also, some of the lyrics in this,
01:42:05 - 01:42:08: almost nobody else could pull off besides Cardi B.
01:42:08 - 01:42:11: As we said on the show, she's incredibly charismatic.
01:42:11 - 01:42:13: It's just fun to hear her.
01:42:13 - 01:42:16: And for instance, she goes, he's so handsome.
01:42:16 - 01:42:18: What's his name?
01:42:18 - 01:42:20: Like, that line is right on the border
01:42:20 - 01:42:24: of being super corny, but also kind of cute and fun.
01:42:24 - 01:42:26: There's other people who would have that line
01:42:26 - 01:42:27: and would just be like, ugh.
01:42:27 - 01:42:28: Right.
01:42:28 - 01:42:30: But with Cardi B, she brings that playfulness,
01:42:30 - 01:42:32: but she's also kind of tough.
01:42:32 - 01:42:33: She's got it all.
01:42:33 - 01:42:34: He's so handsome.
01:42:34 - 01:42:35: What's his name?
01:42:35 - 01:42:38: Taylor would have a tough time pulling that one off.
01:42:38 - 01:42:39: He's so handsome.
01:42:39 - 01:42:40: What's his name?
01:42:40 - 01:42:41: Yeah, the--
01:42:41 - 01:42:42: Name.
01:42:42 - 01:42:43: What's his name?
01:42:43 - 01:42:46: Well, Taylor, his name is Jordan.
01:42:46 - 01:42:49: [LAUGHTER]
01:42:49 - 01:42:50: He's so handsome.
01:42:50 - 01:42:51: What's his name?
01:42:51 - 01:42:53: [LAUGHTER]
01:42:53 - 01:42:57: Everybody finds their own voice one way or another.
01:42:57 - 01:43:00: The number two song on the Rolling Stone list--
01:43:00 - 01:43:03: The Rolling Stone list is kind of boring, I got to admit.
01:43:03 - 01:43:06: I think the Billboard list is just more interesting.
01:43:06 - 01:43:08: The number two-- I guess because Rolling Stone
01:43:08 - 01:43:10: was just trying to be like, a song that's explicitly
01:43:10 - 01:43:11: about summer.
01:43:11 - 01:43:12: Right, let's not--
01:43:12 - 01:43:14: They weren't just kind of going for like, yeah,
01:43:14 - 01:43:16: songs that came out in the summer that give you
01:43:16 - 01:43:17: an oblique summer vibe.
01:43:17 - 01:43:19: "Summertime Blues" by Eddie Cochran.
01:43:19 - 01:43:20: Oh, wow, this is real.
01:43:20 - 01:43:21: I mean, it's a good song.
01:43:21 - 01:43:27: [MUSIC - EDDIE COCHRAN, "SUMMERTIME BLUES"]
01:43:27 - 01:43:29: What year is this?
01:43:29 - 01:43:30: That's a good question.
01:43:30 - 01:43:32: (SINGING) Well, I'm a gonna raise a fuss.
01:43:32 - 01:43:36: I'm a gonna raise a holler.
01:43:36 - 01:43:42: About a working old summer just to try to earn a dollar.
01:43:42 - 01:43:46: Girl, every time I call my baby, try to get a date.
01:43:46 - 01:43:47: My boss says--
01:43:47 - 01:43:49: (SINGING) --you gotta work late.
01:43:49 - 01:43:52: Sometimes I wonder what I'm a gonna do,
01:43:52 - 01:43:55: but there ain't no cure for the summertime.
01:43:55 - 01:43:56: This is a good song.
01:43:56 - 01:43:57: You can't deny it.
01:43:57 - 01:43:58: Yeah, it's dope.
01:43:58 - 01:44:01: This was on the La Bamba soundtrack, which
01:44:01 - 01:44:07: was a big sound-- like, tape in our household, circa '87, '88.
01:44:07 - 01:44:09: Los Lobos covered all these old--
01:44:09 - 01:44:10: Oh, yeah, like La Bamba.
01:44:10 - 01:44:13: Yeah, Buddy Holly songs, Big Bopper songs.
01:44:13 - 01:44:14: This was on there.
01:44:14 - 01:44:18: (SINGING) Oh, well, I didn't go to work for the boss I was--
01:44:18 - 01:44:19: I associate this song with--
01:44:19 - 01:44:22: (SINGING) --can't use a car 'cause you didn't work or live.
01:44:22 - 01:44:24: My dad getting a speeding ticket one time.
01:44:24 - 01:44:25: Really?
01:44:25 - 01:44:27: We were in his Honda, and he was just like,
01:44:27 - 01:44:29: tearing ass, blasting--
01:44:29 - 01:44:30: Blasting this?
01:44:30 - 01:44:32: Blasting the La Bamba soundtrack.
01:44:32 - 01:44:33: Got pulled over.
01:44:33 - 01:44:36: Take it.
01:44:36 - 01:44:38: 10-year-old son in the front seat.
01:44:38 - 01:44:40: (SINGING) --two weeks, gonna have a fine vacation.
01:44:40 - 01:44:42: Da-na-na-na.
01:44:42 - 01:44:44: (SINGING) I'm gonna take my problem
01:44:44 - 01:44:45: to the United Nations.
01:44:45 - 01:44:47: United Nations.
01:44:47 - 01:44:49: Actually, that part always made a big impression on me.
01:44:49 - 01:44:52: I just remember, like, listening to this random-ass song,
01:44:52 - 01:44:54: where the guy's just like, I gotta work all summer.
01:44:54 - 01:44:55: It sucks.
01:44:55 - 01:44:57: I do this and that.
01:44:57 - 01:44:58: It sucks.
01:44:58 - 01:45:00: And then he's like, I'm going to the United Nations.
01:45:00 - 01:45:01: It's like, OK.
01:45:01 - 01:45:04: This guy's ambitious.
01:45:04 - 01:45:06: Take it there, dude.
01:45:06 - 01:45:08: (SINGING) I'm gonna take my problem
01:45:08 - 01:45:11: to the United Nations.
01:45:11 - 01:45:13: Solid song.
01:45:13 - 01:45:17: The number two song on the speculative billboard list,
01:45:17 - 01:45:18: Post Malone's "Psycho."
01:45:18 - 01:45:20: This is a big song.
01:45:20 - 01:45:22: I've been hearing this a lot.
01:45:22 - 01:45:28: God, all the tones on these newer songs are hilarious.
01:45:28 - 01:45:33: Just these direct-input synth pads.
01:45:33 - 01:45:35: (SINGING) --psycho, the one who bad like Michael.
01:45:35 - 01:45:36: Can't really touch nobody.
01:45:36 - 01:45:38: This has that sort of new age--
01:45:38 - 01:45:40: Oh, yeah.
01:45:40 - 01:45:41: It's an interesting tone.
01:45:41 - 01:45:44: --sauna-- ambient music in a sauna palette.
01:45:44 - 01:45:45: You know, it's funny.
01:45:45 - 01:45:47: I was actually-- I was getting a ride back
01:45:47 - 01:45:49: from the Santa Ana show.
01:45:49 - 01:45:51: We were listening to that song.
01:45:51 - 01:45:52: My boy Brian was driving.
01:45:52 - 01:45:55: And he said, I understand the whole chorus,
01:45:55 - 01:45:57: except for one line.
01:45:57 - 01:45:58: OK.
01:45:58 - 01:46:00: And it's-- I'll play it again.
01:46:00 - 01:46:01: (SINGING) --bad like Michael.
01:46:01 - 01:46:04: Can't really trust nobody with all this jewelry on you.
01:46:04 - 01:46:06: My roof look like an on show.
01:46:06 - 01:46:07: Got diamonds by the port.
01:46:07 - 01:46:08: Look--
01:46:08 - 01:46:09: This is the verse or the chorus?
01:46:09 - 01:46:10: That's the chorus.
01:46:10 - 01:46:12: It's one of these classic kind of long--
01:46:12 - 01:46:13: Right.
01:46:13 - 01:46:15: So he says, got diamonds by the boatload.
01:46:15 - 01:46:16: That's not hard to understand.
01:46:16 - 01:46:17: That's a lot of diamonds.
01:46:17 - 01:46:20: He said-- and he says, come with the Tony Romo.
01:46:20 - 01:46:23: (SINGING) --come with the Tony Romo for closing all the doors.
01:46:23 - 01:46:24: Come with the Tony Romo.
01:46:24 - 01:46:26: The QB?
01:46:26 - 01:46:27: Yeah.
01:46:27 - 01:46:29: Not Tony Romo's.
01:46:29 - 01:46:32: The chain restaurant.
01:46:32 - 01:46:35: Because that's with an A, Roma.
01:46:35 - 01:46:37: Yeah, Tony Romo's.
01:46:37 - 01:46:38: OK, yeah.
01:46:38 - 01:46:39: It's like an Olive Garden.
01:46:39 - 01:46:40: Actually, I've never really been there.
01:46:40 - 01:46:41: I've always been confused by that,
01:46:41 - 01:46:43: because I wondered if Tony Romo started it,
01:46:43 - 01:46:45: because football players often start,
01:46:45 - 01:46:47: like, that type of restaurant.
01:46:47 - 01:46:49: I think it was around before his career was really--
01:46:49 - 01:46:50: Right, yeah, it's older.
01:46:50 - 01:46:53: No, so he's talking about the football player.
01:46:53 - 01:46:55: So I looked it up for my friend, because I
01:46:55 - 01:46:56: didn't have the answer.
01:46:56 - 01:47:01: He comes with the Tony Romo to deal with the bozos.
01:47:01 - 01:47:02: That's pushing it.
01:47:02 - 01:47:04: This is what it says on the internet.
01:47:04 - 01:47:07: Well, and also Post Malone grew up in Texas.
01:47:07 - 01:47:10: Diehard Dallas Cowboys fan, which is the team that I
01:47:10 - 01:47:12: believe Tony Romo played for.
01:47:12 - 01:47:13: I guess so.
01:47:13 - 01:47:15: Yeah, confirmed.
01:47:15 - 01:47:17: You listen to Time Crisis Sports Talk.
01:47:17 - 01:47:20: Who did Tony Romo play for again?
01:47:20 - 01:47:22: The Dallas Mavericks?
01:47:22 - 01:47:23: Cowboys, I mean.
01:47:23 - 01:47:27: Cool joke.
01:47:27 - 01:47:30: We got Phil calling in from Houston.
01:47:30 - 01:47:32: Today we're talking about-- we're talking about the
01:47:32 - 01:47:34: upcoming football season.
01:47:34 - 01:47:37: The question of the day is, what team did Tony Romo play for?
01:47:37 - 01:47:38: We're trying to get to the bottom of this.
01:47:38 - 01:47:40: Phil, you got any insight?
01:47:40 - 01:47:42: OK, Phil's saying Dallas Cowboys.
01:47:42 - 01:47:45: Not sure about that one, but anyway.
01:47:45 - 01:47:46: Back to the phones.
01:47:46 - 01:47:48: Back to the phones.
01:47:48 - 01:47:52: Just like do a really serious sports talk radio show where
01:47:52 - 01:47:58: we're just asking real questions about what really is a touchdown.
01:47:58 - 01:48:00: I mean, we're all football fans.
01:48:00 - 01:48:03: We think we know what a touchdown is, but how would you define it?
01:48:03 - 01:48:05: Call in and give us your take.
01:48:05 - 01:48:07: So Tony Romo-- this is what the internet said.
01:48:07 - 01:48:12: Tony Romo played for the Dallas Cowboys, and he always wore the same number.
01:48:12 - 01:48:15: OK, isn't that pretty normal?
01:48:15 - 01:48:17: You get a number, you wear that for your career.
01:48:17 - 01:48:18: No, it wasn't done.
01:48:18 - 01:48:19: Oh.
01:48:19 - 01:48:22: The number, nine.
01:48:22 - 01:48:24: OK.
01:48:24 - 01:48:26: You following this?
01:48:26 - 01:48:27: He wore the number nine.
01:48:27 - 01:48:29: Now go back to the context.
01:48:29 - 01:48:33: I come with the Tony Romo and something for the bozos.
01:48:33 - 01:48:36: OK, he's got the boatload of diamonds.
01:48:36 - 01:48:38: Don't worry about the diamonds anymore.
01:48:38 - 01:48:42: He's rolling in-- he's wearing a jersey.
01:48:42 - 01:48:46: He's wearing a Tony Romo.
01:48:46 - 01:48:54: He's bought into a partial stake at Dallas area Tony Romo's restaurants.
01:48:54 - 01:48:56: No, here's the full line.
01:48:56 - 01:48:58: Plain English, here we go.
01:48:58 - 01:49:03: Come with the Tony Romo for clowns and all the bozos.
01:49:03 - 01:49:07: I don't understand how nine is a significant part of this.
01:49:07 - 01:49:12: What else does the number nine refer to?
01:49:12 - 01:49:14: OK, so let's take out the Tony Romo.
01:49:14 - 01:49:15: I don't know, man.
01:49:15 - 01:49:17: There could be a lot of things, dude.
01:49:17 - 01:49:19: There's nine players and a baseball diamond.
01:49:19 - 01:49:21: That's why Post Malone is a genius.
01:49:21 - 01:49:26: He uses football as a metaphor for a baseball team.
01:49:26 - 01:49:27: No.
01:49:27 - 01:49:28: So think about it.
01:49:28 - 01:49:30: Replace Tony Romo for nine.
01:49:30 - 01:49:33: I come with the nine for clowns and all the bozos.
01:49:33 - 01:49:35: Oh, he's bringing a gun.
01:49:35 - 01:49:37: That's right.
01:49:37 - 01:49:39: That is a stretch.
01:49:39 - 01:49:45: And the thing that I'm not sure about is, is that a thing that people say,
01:49:45 - 01:49:50: or is this just a Dallas Cowboys fan who's now become a famous rapper
01:49:50 - 01:49:53: just throwing in something kind of special for his community?
01:49:53 - 01:49:55: I hope it's that.
01:49:55 - 01:49:59: I've never heard of that before, but I can't say for sure.
01:49:59 - 01:50:02: Also, I don't follow football closely enough to be like,
01:50:02 - 01:50:04: "Oh, Tony Romo, of course it's nine."
01:50:04 - 01:50:05: Right.
01:50:05 - 01:50:07: Yeah, it's not like he's referencing Jordan.
01:50:07 - 01:50:08: 23.
01:50:08 - 01:50:09: Yeah.
01:50:09 - 01:50:10: There you go.
01:50:10 - 01:50:11: Yeah.
01:50:11 - 01:50:13: I'll do that in a song, like 23 and me.
01:50:13 - 01:50:15: Is LeBron 23 too?
01:50:15 - 01:50:16: I think he is.
01:50:16 - 01:50:18: That's confusing.
01:50:18 - 01:50:20: So he must have done that because he just loves Jordan.
01:50:20 - 01:50:22: He's just like, "I'm the next Jordan.
01:50:22 - 01:50:23: I'm going to be 23."
01:50:23 - 01:50:25: I wonder what Jordan thought of that.
01:50:25 - 01:50:27: He's like, "Damn, son.
01:50:27 - 01:50:28: You better deliver."
01:50:28 - 01:50:31: You listen to the time crisis that we're talking about today.
01:50:31 - 01:50:35: I think Jordan's feelings were hurt when LeBron--
01:50:35 - 01:50:39: Do you think Michael Jordan felt affronted when a young LeBron--
01:50:39 - 01:50:41: Has he always been 23?
01:50:41 - 01:50:45: The thing you got to understand about a guy like Michael Jordan
01:50:45 - 01:50:50: is that it can be very isolating to be that rich and that successful.
01:50:50 - 01:50:56: We sometimes take it as a given that a major wealthy celebrity
01:50:56 - 01:51:00: is going to feel very confident, but for all we know,
01:51:00 - 01:51:04: when Michael Jordan saw that LeBron took the number,
01:51:04 - 01:51:06: it's possible his feelings were hurt.
01:51:06 - 01:51:09: He might have felt like, "Is my day over?
01:51:09 - 01:51:11: Are people going to forget about me?
01:51:11 - 01:51:12: Is this kid replacing me?"
01:51:12 - 01:51:15: Michael's the most competitive guy I've ever met.
01:51:15 - 01:51:19: No one competes harder than Michael Jordan.
01:51:19 - 01:51:21: This guy likes to compete.
01:51:21 - 01:51:24: He likes to have his own numbers.
01:51:24 - 01:51:25: He has his own house.
01:51:25 - 01:51:26: He has his own shoe.
01:51:26 - 01:51:28: He has his own company.
01:51:28 - 01:51:31: You can't see this guy being happy about this one.
01:51:31 - 01:51:34: Not for one minute.
01:51:34 - 01:51:39: There's such specific sports radio voices.
01:51:39 - 01:51:43: Can you imagine listening to that stuff for hours?
01:51:43 - 01:51:44: People do it.
01:51:44 - 01:51:45: That's amazing.
01:51:45 - 01:51:49: And then it's like, "Okay, and now we're going to go to a 12-minute ad break."
01:51:49 - 01:51:50: [laughs]
01:51:50 - 01:51:56: You're listening to Time Crisis on Beats 1.
01:51:56 - 01:51:59: [sighs]
01:51:59 - 01:52:00: I mean, I'm sure--
01:52:00 - 01:52:01: Oh, man.
01:52:01 - 01:52:03: I'm sure, especially now in the podcast era, there probably is--
01:52:03 - 01:52:05: I could see you coming in one day and being like,
01:52:05 - 01:52:08: "Yo, I'm really into a baseball podcast."
01:52:08 - 01:52:09: I've tried.
01:52:09 - 01:52:12: But there wasn't one that kind of spoke your language?
01:52:12 - 01:52:14: I just don't follow the game close enough anymore.
01:52:14 - 01:52:16: I can't follow what they're talking about.
01:52:16 - 01:52:18: Maybe we really should do a sports podcast.
01:52:18 - 01:52:19: I liked when--
01:52:19 - 01:52:21: Not knowing squat.
01:52:21 - 01:52:23: Wait, when we watched the World Series that time,
01:52:23 - 01:52:26: weren't you the one who was telling me all the back story?
01:52:26 - 01:52:27: Maybe.
01:52:27 - 01:52:29: I mean, maybe I sort of like--
01:52:29 - 01:52:35: Like you told me about the guy who had addiction issues
01:52:35 - 01:52:38: and he quit college at the peak of his ball-playing career.
01:52:38 - 01:52:39: Oh, right, right.
01:52:39 - 01:52:41: You knew all that information.
01:52:41 - 01:52:44: I think I just obtained that information that week.
01:52:44 - 01:52:45: Right.
01:52:45 - 01:52:46: I wish I followed the Dodgers.
01:52:46 - 01:52:47: I just don't.
01:52:47 - 01:52:50: I'm always like, "Oh, yeah, this year I'll get into it again,"
01:52:50 - 01:52:51: because I used to love baseball.
01:52:51 - 01:52:53: It just hasn't happened.
01:52:53 - 01:52:56: Did you follow the Stanley Cup a few weeks back?
01:52:56 - 01:52:57: Hell no.
01:52:57 - 01:52:59: One of the teams is Las Vegas.
01:52:59 - 01:53:00: Oh, really?
01:53:00 - 01:53:01: Yeah.
01:53:01 - 01:53:02: There's a Vegas NHL team?
01:53:02 - 01:53:03: Wait, what are they called?
01:53:03 - 01:53:04: Las Vegas Golden--
01:53:04 - 01:53:05: If I just came to you and said,
01:53:05 - 01:53:07: "Jake, what level of hockey do you think
01:53:07 - 01:53:09: the Las Vegas Golden Knights play at?"
01:53:09 - 01:53:11: You probably would have been like--
01:53:11 - 01:53:13: Yeah, whatever the minor league hockey is.
01:53:13 - 01:53:14: Right.
01:53:14 - 01:53:17: Anyway, Tony Romo, number nine, that's a gun.
01:53:17 - 01:53:20: Post Malone is armed and dangerous.
01:53:20 - 01:53:22: The number one song on the Rolling Stone list,
01:53:22 - 01:53:25: Martha Rees and the Vandellas, "Dancing in the Street."
01:53:28 - 01:53:29: You know what's crazy?
01:53:29 - 01:53:30: I think the Dead covered this.
01:53:30 - 01:53:31: Oh, yeah.
01:53:31 - 01:53:33: ♪ Dancing, dancing in the street ♪
01:53:33 - 01:53:35: Like early Dead, '66, '67.
01:53:35 - 01:53:36: I thought it was more like a '70s.
01:53:36 - 01:53:37: Really?
01:53:37 - 01:53:41: Well, maybe it is on a record in the '70s.
01:53:41 - 01:53:45: Really? This was on a studio album of theirs?
01:53:45 - 01:53:53: All I've heard is really raw '67, '68, '66,
01:53:53 - 01:53:56: really raw live recordings.
01:54:03 - 01:54:07: They played it at Cornell '77.
01:54:07 - 01:54:08: Oh, really?
01:54:08 - 01:54:11: They do this thing where they go, ♪ Dancing, dancing in-- ♪
01:54:29 - 01:54:31: Oh, man, this is rough.
01:54:31 - 01:54:32: [laughs]
01:54:35 - 01:54:36: That one sounds pretty good.
01:54:36 - 01:54:37: Yeah.
01:54:49 - 01:54:51: Maybe Richard Pictures should do this.
01:54:51 - 01:54:53: That'd be fun.
01:54:53 - 01:54:54: ♪ Dancing ♪
01:54:54 - 01:54:58: We did "I Second That Emotion" last time at the pub.
01:54:58 - 01:54:59: Was there a Dead version of that?
01:54:59 - 01:55:00: Yeah.
01:55:00 - 01:55:01: They did it a few times.
01:55:01 - 01:55:04: ♪ I second that emotion ♪
01:55:04 - 01:55:06: Open second set with it.
01:55:09 - 01:55:11: Yeah, Martha Rees and the Vandellas "Dancing in the Street."
01:55:11 - 01:55:12: Great song.
01:55:12 - 01:55:13: Yeah.
01:55:13 - 01:55:14: Exciting.
01:55:14 - 01:55:16: Big drums for the '60s.
01:55:16 - 01:55:20: The number one pick for the song of the summer by Billboard,
01:55:20 - 01:55:23: so I guess this is the song of the summer according to them.
01:55:23 - 01:55:25: Drake, "Nice For What."
01:55:25 - 01:55:29: ♪ I want to know who my [expletive] representing here tonight ♪
01:55:29 - 01:55:33: I feel like this song is clearly not as big as God's plan.
01:55:33 - 01:55:34: I've never heard this.
01:55:34 - 01:55:36: Yeah, we did this on the Top 5 before.
01:55:36 - 01:55:37: Was it?
01:55:37 - 01:55:38: Yeah.
01:55:38 - 01:55:41: ♪ How can I explain myself ♪
01:55:41 - 01:55:44: ♪ You said you'd pay for me bad ♪
01:55:44 - 01:55:45: ♪ Louisiana ♪
01:55:45 - 01:55:47: Is this a Kanye sample?
01:55:47 - 01:55:48: ♪ Right on the beat ♪
01:55:48 - 01:55:50: No, Lauryn Hill.
01:55:50 - 01:55:51: Oh.
01:55:51 - 01:55:52: Kanye's sample?
01:55:52 - 01:55:53: He sampled a--
01:55:53 - 01:55:56: Wait, that was a different Lauryn Hill song he sampled back in the day.
01:55:56 - 01:55:57: Okay.
01:55:57 - 01:55:59: The same album.
01:55:59 - 01:56:01: ♪ Everybody get your [expletive] roll on ♪
01:56:01 - 01:56:04: ♪ I don't show it and she doesn't want no slow song ♪
01:56:04 - 01:56:06: That sounds pretty great.
01:56:06 - 01:56:07: It's cool.
01:56:07 - 01:56:09: Yeah.
01:56:09 - 01:56:10: Oh, tempo.
01:56:10 - 01:56:11: Oh, yeah.
01:56:11 - 01:56:14: She don't like no slow songs.
01:56:14 - 01:56:19: I usually think of Drake as very lethargic, like, ballad.
01:56:19 - 01:56:21: I think he's trying to get ahead of the curve.
01:56:21 - 01:56:26: A lot of those other songs are kind of sad, quiet ones.
01:56:26 - 01:56:27: ♪ But it's all right ♪
01:56:27 - 01:56:28: ♪ And you're showing off ♪
01:56:29 - 01:56:35: Has that happened where someone like Drake samples a Kanye song from two years ago?
01:56:35 - 01:56:37: Just samples something off Yeezus?
01:56:37 - 01:56:40: Well, there was the two Kanye albums ago.
01:56:40 - 01:56:43: He had a whole song that sampled that Desiigner song, "Panda,"
01:56:43 - 01:56:45: which was brand new at the time.
01:56:45 - 01:56:47: And "Panda" went on to be a big hit.
01:56:47 - 01:56:48: Yeah.
01:56:48 - 01:56:49: Yes, it is.
01:56:49 - 01:56:51: That happens.
01:56:51 - 01:56:55: I remember there was a time--this was already a long time ago, like mid-2000s--
01:56:55 - 01:57:00: there was a time when there were multiple songs on the radio that had Jay-Z samples on the hook.
01:57:00 - 01:57:01: There's this--
01:57:01 - 01:57:03: ♪ Bring 'em out, bring 'em out ♪
01:57:05 - 01:57:07: Remember that song?
01:57:07 - 01:57:09: No.
01:57:09 - 01:57:11: I wasn't listening to the radio at that point.
01:57:11 - 01:57:13: Really?
01:57:13 - 01:57:14: I don't think so.
01:57:14 - 01:57:18: I remember, like, '02, when I was ordering pizza a lot,
01:57:18 - 01:57:20: there was a period there, like a six-month period,
01:57:20 - 01:57:24: where Snoop was on every other song.
01:57:24 - 01:57:26: Mm-hmm.
01:57:26 - 01:57:28: Right, because that was all the Dr. Dre stuff.
01:57:28 - 01:57:30: I forget who else.
01:57:30 - 01:57:32: Well, those are the songs of the summer.
01:57:32 - 01:57:34: I guess it's an interesting summer.
01:57:34 - 01:57:37: I think that was a--for 2018, it's a pretty good batch.
01:57:37 - 01:57:39: I'm still going to go with "Cardi B."
01:57:39 - 01:57:41: It's just a fun song.
01:57:41 - 01:57:45: A lot of these other summer songs are too depressing or making you think too hard.
01:57:45 - 01:57:48: Also, everybody's complaining all the time.
01:57:48 - 01:57:50: What was your favorite from the Rolling Stone list?
01:57:50 - 01:57:52: "School's Out"?
01:57:52 - 01:57:53: Maybe the Eddie Cochran.
01:57:53 - 01:57:54: I like "Summertime Blues."
01:57:54 - 01:57:55: Yeah.
01:57:55 - 01:57:56: And "Dancing in the Street."
01:57:56 - 01:57:58: [singing]
01:57:58 - 01:58:00: I still got some issues with "California Girls."
01:58:00 - 01:58:02: I don't know if we fully cracked that one.
01:58:02 - 01:58:04: [singing]
01:58:04 - 01:58:05: "East Coast Girls" are hip.
01:58:05 - 01:58:07: "Southern Girls" have great accents.
01:58:07 - 01:58:11: "Midwest Girls" are pretty cool.
01:58:11 - 01:58:15: "Northern Girls" provide body heat to their boyfriends.
01:58:15 - 01:58:17: Period.
01:58:17 - 01:58:19: I wish they all could be "California Girls."
01:58:19 - 01:58:22: That's a pretty low bar.
01:58:22 - 01:58:23: Body heat.
01:58:23 - 01:58:27: [singing]
01:58:27 - 01:58:28: You know what?
01:58:28 - 01:58:30: The song would be easier to understand if you were like,
01:58:30 - 01:58:32: "East Coast girls are whack.
01:58:32 - 01:58:34: They think they're so whatever."
01:58:34 - 01:58:35: Right.
01:58:35 - 01:58:39: "Southern Girls" have those accents, which I don't like.
01:58:39 - 01:58:43: "Midwestern Girls" spend too much time down on the farm.
01:58:43 - 01:58:47: "Northern Girls" too cold to even do anything with.
01:58:47 - 01:58:48: I wish they all could be "California Girls."
01:58:48 - 01:58:51: I wish we could export "California Girls" to the rest of the country.
01:58:51 - 01:58:53: Which is exactly what happened.
01:58:53 - 01:58:54: Yeah.
01:58:54 - 01:58:56: California leads the way culturally.
01:58:56 - 01:58:57: Your dream came true.
01:58:57 - 01:58:59: Mike Love called it.
01:58:59 - 01:59:03: Kim Kardashian, Paris Hilton, they exported "California Culture."
01:59:03 - 01:59:06: That's the funny thing about them is "California Girls."
01:59:06 - 01:59:07: Oh, they're the--
01:59:07 - 01:59:08: Absolutely.
01:59:08 - 01:59:09: They're the queens of "California Girls."
01:59:09 - 01:59:10: Yeah, man.
01:59:10 - 01:59:11: Juice.
01:59:11 - 01:59:13: Oh, come on, juice.
01:59:13 - 01:59:17: Anyway, another great show.
01:59:17 - 01:59:20: I think we really kicked off summer for our listeners.
01:59:20 - 01:59:22: I'm in a real summery mood.
01:59:22 - 01:59:23: Oh, yeah.
01:59:23 - 01:59:25: Check out that "Dear Nora" album.
01:59:25 - 01:59:26: Check out "Dear Nora."
01:59:26 - 01:59:29: Skull's example is my name.
01:59:29 - 01:59:31: And thanks to Katie Davidson for calling in.
01:59:31 - 01:59:34: All disrespect to the Walmart social media team.
01:59:34 - 01:59:35: We're on to you.
01:59:35 - 01:59:39: And if you just come out and admit that the whole thing was a setup.
01:59:39 - 01:59:41: Maybe we should start going after them on Twitter.
01:59:41 - 01:59:44: Maybe we got to just really start the Punisher Burgers account
01:59:44 - 01:59:46: and just be like--
01:59:46 - 01:59:48: This was a false flag operation.
01:59:48 - 01:59:50: Yeah.
01:59:50 - 01:59:52: All right, we're going to get Seinfeld on the case.
01:59:52 - 01:59:53: Okay.
01:59:53 - 01:59:55: All right, everybody, we'll see you in two weeks.
01:59:55 - 01:59:58: Time Crisis with Ezra King.
01:59:58 - 02:00:01: Be-be-be-be-be-beasts.
02:00:01 - 02:00:03: One.
02:00:03 - 02:00:05: you

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