Episode 74: This Show Rules

Links

Transcript

Start Timestamp - End Timestamp: Transcript
00:05 - 00:08: Time Crisis, reunited once again.
00:08 - 00:11: On today's episode, we talk about cold brew.
00:11 - 00:13: What is it? Does it taste sour?
00:13 - 00:15: We'll talk to the experts.
00:15 - 00:20: Jake and I also talk about Jason Alexander, a.k.a. George Costanza's star turn
00:20 - 00:23: as Colonel Sanders in the new KFC ad.
00:23 - 00:27: All this, plus we count down the hits of 2018 and 1999.
00:27 - 00:31: This is a very cold brew episode of...
00:31 - 00:35: Time Crisis with Ezra King.
00:35 - 00:37: Beep beep beep beep beep beep beep.
00:37 - 00:39: Spawn in one.
01:14 - 01:25: Time Crisis back again. Jake, what's up, man?
01:25 - 01:26: It's been a minute.
01:26 - 01:29: It has been a minute. I've been all over the place.
01:29 - 01:31: Australia, Japan, Chicago.
01:31 - 01:32: Do tell.
01:32 - 01:35: It was funny. We went to Australia and Japan, and it's like a long tour.
01:35 - 01:37: It was a two-week tour with two shows.
01:37 - 01:39: Yeah, I remember we discussed this.
01:39 - 01:42: All the gear routing was a bit of a headache.
01:42 - 01:43: Rocket cargo.
01:43 - 01:44: Right.
01:44 - 01:49: In Australia, our keyboardist, Will "Buckethead" Canzanare, didn't have the real piano.
01:49 - 01:50: Where was it?
01:50 - 01:55: I guess they had to ship the piano to Japan, so he did MIDI piano in Australia.
01:55 - 01:57: Do you guys ship a real piano?
01:57 - 01:58: Apparently.
01:58 - 01:59: That's wild.
01:59 - 02:00: We're shipping a freight anyway.
02:00 - 02:02: Might as well throw a piano on there.
02:02 - 02:04: Yeah, it's not that much bigger than everything else.
02:04 - 02:05: How were the shows?
02:05 - 02:06: They were both tight.
02:06 - 02:08: I mean, it's a little funny.
02:08 - 02:14: I think I said this on the last episode or one episode about, you know, we booked these shows way in advance.
02:14 - 02:16: Festivals book almost a year early.
02:16 - 02:17: That's wild.
02:17 - 02:18: So you're doing a lot of guesswork.
02:18 - 02:20: Will the album be done?
02:20 - 02:21: We're going to be ready to play new stuff.
02:21 - 02:22: You hope so.
02:22 - 02:27: So all things considered, that we're not playing any new material, they're going really well.
02:27 - 02:28: Were people giving you guff?
02:28 - 02:29: No.
02:29 - 02:30: People seemed psyched.
02:30 - 02:33: And, you know, we got all the new musicians, and we're playing some stuff differently,
02:33 - 02:34: and we're having fun.
02:34 - 02:39: So, you know, I think given that we're in a kind of weird interim period, we're still putting on a good show.
02:39 - 02:40: Undoubtedly.
02:40 - 02:43: I caught a good 45 minutes of the Chicago show.
02:43 - 02:44: Oh, on the live stream?
02:44 - 02:45: Live stream.
02:45 - 02:46: Oh, man.
02:46 - 02:49: Saturday night, I was driving Hannah's Prius.
02:49 - 02:50: Really?
02:50 - 02:53: Down to go see Sorry to Bother You at the Hollywood Arclight.
02:53 - 02:54: Oh, tight.
02:54 - 02:55: Got caught in some traffic.
02:55 - 02:57: That's just what was on?
02:57 - 03:00: Caught like a, I was like, I'm just going to hang with this.
03:00 - 03:02: Solid 40 minutes.
03:02 - 03:03: Wow.
03:03 - 03:07: I mean, it's really stressful to me that we have to do all these festivals that have live streams.
03:07 - 03:12: Because sometimes even more people watch/listen to the streams than are even there.
03:12 - 03:15: And there's a part of me that's like, I can't monitor the mix.
03:15 - 03:19: Bayo told me that the live stream of Yahé sounded like shreds.
03:19 - 03:20: I actually caught that.
03:20 - 03:21: Because that's like.
03:21 - 03:22: He said it sounded insane.
03:22 - 03:23: That was the closer, right?
03:23 - 03:24: It was towards the end.
03:24 - 03:29: But it's because we have like all these effects on his mic because he's singing Yahé, and it goes like, Yahé.
03:29 - 03:32: That mic that's all f***ed up was picking up the bass.
03:32 - 03:34: So apparently just like driving everything insane.
03:34 - 03:38: I wondered about that because his bass sounded crazily out of tune.
03:38 - 03:41: And I was like, there's no way his bass is actually out of tune.
03:41 - 03:42: I know.
03:42 - 03:44: These are the things that happen with live streams.
03:44 - 03:46: Like, and they just drive me crazy.
03:46 - 03:47: But whatever.
03:47 - 03:48: You live and you learn.
03:48 - 03:50: And hopefully people are as charitable as you.
03:50 - 03:53: Oh, sweet thing.
03:53 - 03:56: Zion doesn't love you.
03:58 - 04:01: Babylon don't love you.
04:01 - 04:06: But you love everything.
04:06 - 04:14: Oh, you saint.
04:14 - 04:17: America don't love you.
04:17 - 04:22: So I could never love you.
04:24 - 04:28: It's part of everything.
04:28 - 04:36: In the dark of this place, there's the glow of your face.
04:36 - 04:41: There's the dust on the screen of this broken machine.
04:41 - 04:46: And I can't help but feel that I made some mistake.
04:46 - 04:48: But I let it go.
04:48 - 04:52: Yahé, Yahé, Yahé.
04:52 - 04:55: Through the fire and through the flames.
04:55 - 04:58: Yahé, Yahé, Yahé.
05:01 - 05:03: Yahé, Yahé, Yahé.
05:03 - 05:05: You won't even say your name.
05:05 - 05:08: Yahé, Yahé, Yahé.
05:11 - 05:13: Yahé, Yahé, Yahé.
05:13 - 05:16: Through the fire and through the flames.
05:16 - 05:18: You won't even say your name.
05:18 - 05:22: Only I'm that I am.
05:22 - 05:26: Who could ever live that way?
05:26 - 05:30: What's your way?
05:30 - 05:34: I ask what's your, your.
05:34 - 05:35: Lollapalooza was great.
05:35 - 05:37: That one was a little more nerve-wracking
05:37 - 05:39: 'cause the other ones were like, you know, in other countries.
05:39 - 05:42: Lollapalooza's first time back on American soil.
05:42 - 05:43: Post Ojai.
05:43 - 05:44: Post Ojai's.
05:44 - 05:45: Post, uh...
05:45 - 05:47: We did all these little shows.
05:47 - 05:49: Regional SoCal shows.
05:49 - 05:52: It was our first time back on American soil at a festival.
05:52 - 05:53: People amped.
05:53 - 05:54: And again with no music.
05:54 - 05:55: I mean, well, here's the thing.
05:55 - 05:56: Yes, people were amped.
05:56 - 05:57: The crowd was crazy.
05:57 - 05:59: We've always had great fans in Chicago.
05:59 - 06:02: But again, in the years since we've been gone,
06:02 - 06:05: rock went from being played out
06:05 - 06:07: to almost being non-existent.
06:07 - 06:09: A shovel full of dirt on that coffin.
06:09 - 06:10: Exactly.
06:10 - 06:12: I feel like five years ago,
06:12 - 06:14: it was like a funny debate people would have
06:14 - 06:15: about is rock dead?
06:15 - 06:17: And now people don't even want to talk about it.
06:17 - 06:19: And then, you know, when you're a musician,
06:19 - 06:21: you hear through the grapevine all the festivals happening,
06:21 - 06:22: you hear these horror stories.
06:22 - 06:25: I'm not gonna name names, but like somebody will say to me,
06:25 - 06:27: "Did you hear that that band that you liked,
06:27 - 06:29: they were up against..."
06:29 - 06:30: That DJ.
06:30 - 06:31: That DJ, that rapper, whatever.
06:31 - 06:35: And I'm like, "Okay, well, that sounds like a good choice."
06:35 - 06:37: People who want to see that, they're like,
06:37 - 06:38: "It was harsh, man.
06:38 - 06:40: Crowd didn't even make it to front of house."
06:40 - 06:43: Front of house is just like the front?
06:43 - 06:45: No, front of house is where the sound guy is.
06:45 - 06:46: Okay.
06:46 - 06:48: So you know at a festival, there's always like a little tent where the--
06:48 - 06:49: Right.
06:49 - 06:50: So that's like a pretty good--
06:50 - 06:52: That's like back like 100 feet or something.
06:52 - 06:53: Maybe even farther, yeah.
06:53 - 06:54: Yeah.
06:54 - 06:56: But it also means that for the person on stage,
06:56 - 06:57: like we're at Lollapalooza,
06:57 - 06:59: I couldn't see where the crowd ended.
06:59 - 07:01: It might have ended just past where I could see,
07:01 - 07:02: but at least I'm looking out,
07:02 - 07:04: and I'm just kind of like, "Okay."
07:04 - 07:06: So anyway, I've just been hearing things like, you know,
07:06 - 07:09: it can be tough out there for the aging rock band.
07:09 - 07:12: The shins didn't get their front of house.
07:12 - 07:14: I didn't say that.
07:14 - 07:15: They're up against The Weeknd.
07:15 - 07:16: Well, we were against The Weeknd.
07:16 - 07:18: The Weeknd mopped the floor with the shins.
07:18 - 07:20: That was also funny is that we were up against The Weeknd.
07:20 - 07:21: At the same time?
07:21 - 07:22: Literally the same time.
07:22 - 07:23: Wow.
07:23 - 07:25: We're a mile apart, either side of Grant Park,
07:25 - 07:26: and we're just there.
07:26 - 07:27: And I was kind of into it.
07:27 - 07:28: A mile? Wow.
07:28 - 07:30: No, that's how Lollapalooza works.
07:30 - 07:31: They have two headliners,
07:31 - 07:33: although one's always kind of like the real headliner,
07:33 - 07:34: and one's like the second headliner.
07:34 - 07:35: Yeah.
07:35 - 07:37: So, you know, you get these like funny pairings.
07:37 - 07:40: Like the night before is like The National versus Bruno Mars,
07:40 - 07:42: and we're at Vampire Weekend versus The Weeknd.
07:42 - 07:43: Wow.
07:43 - 07:46: And also there was like this big DJ Zedd was playing at the same time.
07:46 - 07:48: It was like a pretty stacked lineup.
07:48 - 07:50: So three people going at the same time.
07:50 - 07:51: Probably even more.
07:51 - 07:52: Weekend versus Weekend.
07:52 - 07:54: It was Weekend versus Weekend, which I found kind of interesting.
07:54 - 07:55: Yeah.
07:55 - 07:57: And, you know, I was also a little nervous,
07:57 - 07:59: because like obviously we're not here with like a whole new show.
07:59 - 08:01: We're not even playing any new material.
08:01 - 08:02: And then on top of that--
08:02 - 08:03: This oldies act.
08:03 - 08:05: Oldies act Vampire Weekend.
08:05 - 08:06: And then on top of that, you know,
08:06 - 08:08: we got like some new shredders,
08:08 - 08:13: letting Brian Jones get into some Santana [expletive] on New Dorp.
08:13 - 08:14: I heard that, dude.
08:14 - 08:15: He's a shredder.
08:15 - 08:17: He's starting to stretch out a little bit.
08:17 - 08:19: Yeah, because I caught three shows live,
08:19 - 08:21: and he seemed pretty restrained,
08:21 - 08:25: and it seems slowly but surely he's coming out of that shell.
08:25 - 08:26: He's coming to his own.
08:26 - 08:27: Yeah.
08:27 - 08:29: And also it's like funny too how--
08:29 - 08:31: It's kind of like the pop model.
08:31 - 08:33: It's like when a pop star comes back,
08:33 - 08:36: it's kind of like, "Welcome to the new era.
08:36 - 08:38: Lady Gaga's back."
08:38 - 08:43: And this time she's into robots and dominatrix [expletive]
08:43 - 08:44: whereas like at the end of the album--
08:44 - 08:47: And the next album it's like 1950s Betty Draper.
08:47 - 08:48: Yeah, exactly.
08:48 - 08:49: Okay.
08:49 - 08:52: And of course I connect to that in some ways as an artist,
08:52 - 08:53: but we're also just a band.
08:53 - 08:55: You know, we're like a group of people who play music.
08:55 - 08:56: Right.
08:56 - 08:58: So there's also--with us there's like this feeling of like
08:58 - 09:02: this new crew of musicians, we've played seven shows together.
09:02 - 09:03: Right.
09:03 - 09:05: From a touring perspective as far as a band goes,
09:05 - 09:07: it's not like in Ojai we were kind of just like,
09:07 - 09:09: "Welcome to the new era."
09:09 - 09:11: I mean, unless you say the new era is about being laid back
09:11 - 09:12: and having fun.
09:12 - 09:14: For me it's like we played seven shows.
09:14 - 09:17: We'll probably hit our stride like April 2019.
09:17 - 09:18: You know what I mean?
09:18 - 09:20: Yeah, I was going to say like show 30.
09:20 - 09:22: Yeah, especially once we got to learn the new stuff.
09:22 - 09:24: You're like a baseball team, man.
09:24 - 09:25: You need like spring training.
09:25 - 09:26: Yeah, exactly.
09:26 - 09:27: You're not warmed up yet.
09:27 - 09:28: It's not even opening day.
09:28 - 09:29: Exactly.
09:29 - 09:31: The record's not out.
09:31 - 09:32: I know, but--
09:32 - 09:34: It's a long season, guys.
09:34 - 09:35: We're on an old-fashioned timeline.
09:35 - 09:36: Yeah, yeah, yeah.
09:36 - 09:40: Sometimes people apply a certain type of like pop timeline
09:40 - 09:41: to Rockman.
09:41 - 09:42: You're just like, "No."
09:42 - 09:43: Yeah, yeah.
09:43 - 09:44: It just doesn't work for us.
09:44 - 09:48: Like in some ways I'm glad that the album wasn't done/out by now
09:48 - 09:49: because I'm kind of like, "You know what?
09:49 - 09:50: We need our spring training."
09:50 - 09:51: Yeah, it's going to work out.
09:51 - 09:54: It's a little funny that spring training is in front of
09:54 - 09:57: 30,000 to 40,000 people at Lollapalooza,
09:57 - 10:00: plus who knows how many people in Priuses around the world.
10:00 - 10:02: Oh, hundreds of thousands.
10:02 - 10:03: But I'm kind of into that.
10:03 - 10:05: It's like, "What's up with that bass?"
10:05 - 10:06: Yeah.
10:06 - 10:10: It's funny to think about people in like every major city
10:10 - 10:15: and smaller secondary tertiary city, small towns all across America,
10:15 - 10:17: catching that live stream.
10:17 - 10:19: Is that bass?
10:19 - 10:23: I mean, but also that's the kind of s--t that I also love in a way.
10:23 - 10:27: It's like this is not Lady Gaga's new era coming correct.
10:27 - 10:29: It's like we're working the kinks out.
10:34 - 10:37: Today we're born again
10:37 - 10:40: There's new grass on the hill
10:40 - 10:45: Around the third and headed for home
10:45 - 10:48: It's a brown-eyed handsome man
10:48 - 10:53: Anyone can understand the way I feel
10:53 - 10:58: Oh, put me in code
10:58 - 11:02: I'm ready to play today
11:02 - 11:05: Put me in code
11:05 - 11:09: I'm ready to play today
11:09 - 11:12: Look at me, I can be
11:12 - 11:14: San Diego
11:14 - 11:16: Seinfeld, you were monitoring some of this.
11:16 - 11:18: I saw this way after the fact on Time Crisis
11:18 - 11:21: that we got a little bit of pushback for opening with A-Punk three times.
11:21 - 11:25: Yeah, I saw a lot of like music blog type headlines
11:25 - 11:29: like Vampire Weekend played A-Punk three times in the Seinfeld theme.
11:29 - 11:32: So you guys opened, okay I missed this completely.
11:32 - 11:36: You opened with A-Punk three times.
11:36 - 11:37: In a row.
11:37 - 11:40: Yeah, and this is an idea that I'd had a very long time ago.
11:40 - 11:42: Hopefully I don't get in trouble for being too inside baseball.
11:42 - 11:44: All this stuff was speculative
11:44 - 11:47: because you always get festival offers even when you're not really out there.
11:47 - 11:51: And I remember at some point hearing like you guys maybe could play Coachella last year.
11:51 - 11:53: And I was like, I don't know.
11:53 - 11:54: They're like, well it could be a really good slot.
11:54 - 11:55: You could play before Beyonce.
11:55 - 11:57: It looked like maybe we could have that slot.
11:57 - 12:00: And at first I was like, that's amazing.
12:00 - 12:03: And then I thought about it, I was like, oh no, no, no, that's bad.
12:03 - 12:05: I don't want Vampire Weekend playing before Beyonce.
12:05 - 12:07: And then I was thinking, well what could we do?
12:07 - 12:09: Say we rushed to get it ready.
12:09 - 12:12: What are the types of things that we could do without a lot of new music
12:12 - 12:14: and without a lot of money to put on a great show?
12:14 - 12:18: Because you put on a great show, but you know it's a very expensive show.
12:18 - 12:22: And then I was like, well what are the types of things that a band can do just with the music?
12:22 - 12:25: You could extend a song, jam it, that's one thing.
12:25 - 12:26: Eight minute Cape Cod.
12:26 - 12:27: Do eight minute Cape Cod.
12:27 - 12:29: Eight minute Cape Cod.
12:29 - 12:30: And what's another thing you could do?
12:30 - 12:32: You could play a song multiple times in a row.
12:32 - 12:33: Just get people worked up.
12:33 - 12:34: I was like, oh maybe--
12:34 - 12:35: I also kind of like this.
12:35 - 12:39: Just some weird John Cage, like Brian Eno, like conceptual stuff.
12:39 - 12:41: I didn't even think about it that way.
12:41 - 12:45: First of all, I just knew that the real Vampire Weekend fans would just get it instantly.
12:45 - 12:46: They're just like, it's fun.
12:46 - 12:47: Yeah.
12:47 - 12:51: And there's also a part of me that's also like, I kind of resent the idea that you've got to roll up to a festival
12:51 - 12:53: putting on like an avant-garde theater show.
12:53 - 12:55: Not that there's anything wrong with that.
12:55 - 12:57: I'm just kind of like, we're just here to play music, man.
12:57 - 12:59: It's not that serious.
12:59 - 13:02: So I kind of like the idea also of opening with our biggest song.
13:02 - 13:05: I don't think anybody interpreted it this way, but my thought was,
13:05 - 13:07: A-Punk is our most well-known song, right?
13:07 - 13:11: Historically, when you're an artist playing, you hold back on your most well-known song
13:11 - 13:14: until final third, if not the last song.
13:14 - 13:15: Encore.
13:15 - 13:16: And I was like, you know what?
13:16 - 13:18: Vampire Weekend, we've got a great catalog.
13:18 - 13:20: I think our catalog's second to none.
13:20 - 13:22: Got three albums of great music.
13:22 - 13:25: I kind of thought it was funny to also just come out so hard in the beginning,
13:25 - 13:28: burn off our best-known song, almost unlike a dare.
13:28 - 13:30: It's like, you want to go watch The Weeknd?
13:30 - 13:32: Go.
13:32 - 13:34: That's me and my kind of like paranoid mentality.
13:34 - 13:37: I don't think it really came across that way, but that's kind of what I was thinking.
13:37 - 13:39: It's like, oh, the only song you know is A-Punk?
13:39 - 13:41: What, because you saw Step Brothers or something?
13:41 - 13:43: Well, you know what? Here you go, mother[bleep]
13:43 - 13:45: And here's three times.
13:45 - 13:47: I'm going to give it to you three times, just so you know.
13:47 - 13:50: And if that's all you want from us, well, [bleep] damn it, walk away right now.
13:50 - 13:52: But I'll tell you one thing.
13:52 - 13:54: You're going to miss out on a great set, young man.
13:54 - 13:56: That was kind of my thinking.
13:56 - 13:58: And honestly, it was a difficult way to open the show,
13:58 - 14:00: because actually it helped me personally, because it felt like--
14:00 - 14:02: it was kind of like a warm-up.
14:02 - 14:05: My favorite comment that I saw was like on Instagram or something.
14:05 - 14:08: One of the fans who's at the show said, "It's so weird. I was there.
14:08 - 14:11: And I didn't realize they played it three times."
14:11 - 14:13: And I was kind of like--on stage, I was kind of like, "I know what you mean."
14:13 - 14:15: It felt so weird playing it three times.
14:15 - 14:17: It's such a short song, too.
14:17 - 14:20: It ends with the-- [singing]
14:20 - 14:24: And then pause, and then-- [singing]
14:24 - 14:26: Also, it's such a short song.
14:26 - 14:28: I wonder why we didn't do that sooner.
14:28 - 14:30: How many pauses did you have between songs, versions?
14:30 - 14:33: I don't know. No more than 15, 20 seconds.
14:33 - 14:36: Okay, so it wasn't just a count-off, like-- [singing]
14:36 - 14:39: No. [singing]
14:39 - 14:43: I heard some people thought the live stream was broken.
14:43 - 14:46: I also feel like it's a fun thing, too, to start off a set.
14:46 - 14:49: If you can't get down with that, even more reason to go watch The Weeknd.
14:49 - 14:53: It's almost reminiscent of a fish kind of thing, too,
14:53 - 14:57: like a funny stunt that you pull out of your hat once in a while.
14:57 - 14:59: Like maybe once every 18 months.
14:59 - 15:03: They're like, "Dude, they played A-Punk six times in a row."
15:03 - 15:05: Like, mid-set.
15:05 - 15:08: [singing]
15:11 - 15:16: ♪ By the ring on his heart and finger, oh ♪
15:16 - 15:21: ♪ A thousand years in one piece ♪
15:21 - 15:24: ♪ I said wish I took it from his lilywhite hat ♪
15:24 - 15:27: ♪ Sure enough if she'd seen the thing ♪
15:27 - 15:32: ♪ In the young man's ring, let's go get her in ♪
15:34 - 15:49: ♪ Look outside the records gone, say oh ♪
15:49 - 15:54: ♪ Look outside the records gone, say oh ♪
15:54 - 15:59: ♪ Hey, hey, hey, hey ♪
15:59 - 16:01: ♪ Hey, hey, hey ♪
16:01 - 16:06: ♪ You're listening to Time Crisis on Beast One ♪
16:06 - 16:09: - So anyway, Lollapalooza was our eighth show.
16:09 - 16:10: - Okay.
16:10 - 16:12: - And so we're really just getting started.
16:12 - 16:14: - So Dick Pix has played about, or Richard Pictures
16:14 - 16:16: has played about a third of those.
16:16 - 16:18: - A significant percentage.
16:18 - 16:20: But you know one thing that I wanted to say on this episode,
16:20 - 16:22: this is apropos of nothing,
16:22 - 16:24: but have you guys ever played West LA Fadeaway?
16:24 - 16:25: - No.
16:25 - 16:26: - Do you like that song?
16:26 - 16:27: - Yeah, it's okay, not one of my favorites,
16:27 - 16:29: but it's been in the conversation.
16:29 - 16:30: - It's been kicked around?
16:30 - 16:31: - Yeah.
16:31 - 16:32: - 'Cause I don't know. - Are you in?
16:32 - 16:33: - Yeah, I've always kind of liked it.
16:33 - 16:34: - Throw it on.
16:34 - 16:37: - I like that kind of funky side of the Grateful Dead.
16:37 - 16:39: But one thing I was thinking about,
16:39 - 16:41: 'cause you know I'm a big fan of Robert Hunter,
16:41 - 16:44: I'm a lyrics guy, West LA Fadeaway has one of the most
16:44 - 16:48: random, but also great Grateful Dead lyrics.
16:48 - 16:53: Verse two, got a job moving items for the mob.
16:53 - 16:54: (laughs)
16:54 - 16:55: Do you know that lyric?
16:55 - 16:57: - No, I don't know the song that well.
16:57 - 17:00: ♪ Looking for a Chateau ♪
17:00 - 17:04: ♪ 21 rooms but one will do ♪
17:04 - 17:07: - It's like, Hunter starts listening to Springsteen
17:07 - 17:09: like 20 years after he's,
17:09 - 17:11: "Oh, they got a writer listening to Springsteen."
17:11 - 17:15: - I just like, also love like the lyrical world of the dead.
17:15 - 17:19: It includes quite a bit, you know, the American West,
17:19 - 17:23: kind of mysticism, old timey American history.
17:23 - 17:24: But like, I just love--
17:24 - 17:25: - Love of death.
17:25 - 17:26: - But the mob.
17:26 - 17:30: And also, moving items for the mob.
17:30 - 17:33: Even, there's something about him like saying items.
17:33 - 17:34: Let me skip to that part.
17:34 - 17:36: (rewinding)
17:36 - 17:41: - Oh, that's a rough tone.
17:41 - 17:44: - There's some better live versions.
17:44 - 17:45: - Is this a studio version?
17:45 - 17:46: - Yeah.
17:46 - 17:47: - I wonder what the dead's relationship
17:47 - 17:50: with West LA was specifically.
17:50 - 17:51: - Yeah, I wonder if Hunter just like,
17:51 - 17:53: bust that out of nowhere.
17:53 - 17:55: Or he had his own experience.
17:55 - 17:56: - Oh my God, this is gnarly.
17:56 - 18:05: ♪ I had a steady job ♪
18:05 - 18:08: ♪ Hauling items for the mob ♪
18:08 - 18:10: - I feel like sometimes he says moving,
18:10 - 18:11: I mean, hauling items.
18:11 - 18:14: ♪ I had a steady job ♪
18:14 - 18:15: - And then there is something like,
18:15 - 18:17: because it's Jerry singing,
18:17 - 18:19: then you start to imagine like,
18:19 - 18:21: like a late 80s Jerry actually being
18:21 - 18:23: like some weird truck driver,
18:23 - 18:25: hauling items for the mob.
18:25 - 18:26: - Oh my God.
18:26 - 18:29: - Pulling in, just in some like desolate warehouse.
18:29 - 18:31: What you got for me Garcia?
18:31 - 18:32: - Jerry's look was very trucker.
18:32 - 18:38: He might be the most like trucker looking dude
18:38 - 18:40: of all iconic rock stars.
18:40 - 18:41: - Totally, especially for a band
18:41 - 18:43: with a famous song called Truckin'.
18:43 - 18:45: Bob Weir, he's not truckin'.
18:45 - 18:46: - Yeah.
18:46 - 18:48: - Oh, Nick showed me a website that thinks
18:48 - 18:52: that West LA Fadeaway was inspired by John Belushi's death.
18:52 - 18:53: - Huh, okay.
18:53 - 18:55: - Belushi joined the dead on stage at least once,
18:55 - 18:59: singing backup during an encore at a 1980 New Jersey gig.
18:59 - 19:00: - That's tight.
19:00 - 19:01: - Whoa.
19:01 - 19:03: - Hide of the Blues Brothers right there.
19:03 - 19:04: - Oh yeah.
19:04 - 19:05: - That's when that movie came out,
19:05 - 19:07: so he was like in his musical mode.
19:07 - 19:14: ♪ West LA Fadeaway ♪
19:14 - 19:19: ♪ West LA Fadeaway ♪
19:19 - 19:22: ♪ Did a red light on the highway ♪
19:22 - 19:26: ♪ Big green light on the street with a hit ♪
19:26 - 19:29: - One thing that kept coming up for me when I was in Japan,
19:29 - 19:31: I was hanging out with a little crew
19:31 - 19:33: that Ariel and Danielle were out there.
19:33 - 19:34: - Oh cool.
19:34 - 19:36: - That was something fun we did in Japan.
19:36 - 19:37: Perhaps the wrong territory to choose it,
19:37 - 19:40: but we played Boyz R Back in town
19:40 - 19:41: and Danielle was on vocals.
19:41 - 19:44: - I saw this on the set list and I'm very intrigued.
19:44 - 19:46: - I couldn't tell how big Thin Lizzy was in Japan.
19:46 - 19:47: It didn't get a crazy reaction.
19:47 - 19:50: Then we played it at the little club show in Chicago
19:50 - 19:52: and it was like, it went off.
19:52 - 19:53: - Really?
19:53 - 19:54: - Just like people yelling the words.
19:54 - 19:56: - Is it just like a straight up version?
19:56 - 19:57: - It's very faithful.
19:57 - 19:59: (singing)
19:59 - 20:00: It's very faithful.
20:00 - 20:02: (singing)
20:02 - 20:04: ♪ Friday night they'll be dressed to kill ♪
20:04 - 20:05: - Yeah.
20:05 - 20:07: ♪ Down at Dino's Bar and Grill ♪
20:07 - 20:08: - I was saying that.
20:08 - 20:10: Drink will flow and blood will spill.
20:10 - 20:12: And if those boys wanna fight, you better let 'em.
20:12 - 20:14: But anyway, during this trip to Japan,
20:14 - 20:17: you know, we had like basically a full week off in Tokyo.
20:17 - 20:19: So I was like half comatose from being so jet lagged
20:19 - 20:21: and it was like this crazy heat wave.
20:21 - 20:23: I guess kind of like globally.
20:23 - 20:24: But in Japan it was super hot.
20:24 - 20:26: - Oh, global heat wave is--
20:26 - 20:27: - It was, yeah, it's brutal.
20:27 - 20:28: - Dark term.
20:28 - 20:30: - But so I spent a lot of time walking around
20:30 - 20:32: with Ariel and Danielle and our friend Anya.
20:32 - 20:34: And you know, in Tokyo it's like an amazing city
20:34 - 20:35: just to walk around.
20:35 - 20:36: You could literally just walk in and out
20:36 - 20:39: of like vibey stores every day.
20:39 - 20:40: CT told me, and I went to it,
20:40 - 20:42: that there's a store called Ripple
20:42 - 20:43: that sold dead shirts.
20:43 - 20:44: - Wow.
20:44 - 20:46: - So a lot of vintage dead shirts.
20:46 - 20:47: - Like exclusively?
20:47 - 20:48: That's what they sell?
20:48 - 20:50: - No, it kind of just veers hippie.
20:50 - 20:52: But it's clearly named after the dead song.
20:52 - 20:53: But so we'd be walking around
20:53 - 20:55: and you drink a lot of coffee.
20:55 - 20:56: It's a real coffee culture.
20:56 - 20:57: - Okay.
20:57 - 20:59: - And it's sometimes how it dawned on me
20:59 - 21:01: that I hate cold brew.
21:01 - 21:02: And I was talking about it with them
21:02 - 21:03: and I was kind of like,
21:03 - 21:06: why is everything cold brew now?
21:06 - 21:07: I just had so many questions about it.
21:07 - 21:08: - Okay, grandpa.
21:08 - 21:10: - I know, this is like some pretty grandpa (beep)
21:10 - 21:12: And then I get back to LA.
21:12 - 21:14: I'm just walking around West LA fade away style.
21:14 - 21:16: - Land of cold brew.
21:16 - 21:18: - I walk past a, I don't think it was an Exxon,
21:18 - 21:19: but it was some kind of gas station.
21:19 - 21:21: There's a big sign, try our cold brew.
21:21 - 21:22: - Dude, 7-Eleven.
21:22 - 21:23: - Oh, 7-Eleven has cold brew now?
21:23 - 21:24: - Yeah, I noticed this.
21:24 - 21:25: - No, but this was a gas station that I was at.
21:25 - 21:28: - After you texted me about the cold brew kick you're on,
21:28 - 21:30: I noticed that like on a billboard.
21:30 - 21:33: Well, 7-Eleven, or maybe it was like an AM, PM or something.
21:33 - 21:36: - They might, a lot of these places have cold brew now.
21:36 - 21:36: - Try our cold brew.
21:36 - 21:38: - Everybody's obsessed with cold brew.
21:38 - 21:39: And then I was just talking with everybody
21:39 - 21:40: and I was like saying to my friends,
21:40 - 21:41: do you guys like cold brew?
21:41 - 21:44: I think it's worse than regular iced coffee.
21:44 - 21:46: And then also you start to find coffee places
21:46 - 21:48: where you ask for an iced coffee
21:48 - 21:49: and they give you a cold brew.
21:49 - 21:53: And then I saw like a goofy Instagram post.
21:53 - 21:55: It was some like overheard type,
21:55 - 21:57: you know these accounts that do funny things, overheard.
21:57 - 21:59: And one of them was at a coffee shop.
21:59 - 22:03: Somebody said, it was a patron saying to the barista,
22:03 - 22:05: can I have a cold brew?
22:05 - 22:07: And then the barista says, sorry, we're out of cold brew.
22:07 - 22:08: Is iced coffee okay?
22:08 - 22:10: And the person says, yeah, honestly,
22:10 - 22:11: I don't know the difference.
22:11 - 22:14: Then about a week ago, I emailed the crisis crew
22:14 - 22:16: and I said, guys, we gotta do a cold brew episode.
22:16 - 22:18: We're on board with this.
22:18 - 22:21: So I said, find us some great cold brew guests
22:21 - 22:22: that we can talk to.
22:22 - 22:26: And the first person we're gonna talk to is Tim Carman,
22:26 - 22:27: who's a food reporter at the Washington Post
22:27 - 22:29: where he's worked since 2010.
22:29 - 22:31: He was the winner of the James Beard Award in 2011
22:31 - 22:34: for food related columns and commentary.
22:34 - 22:36: Okay, so it says here he's a food reporter.
22:36 - 22:38: It doesn't say that he covers beverages,
22:38 - 22:40: but we'll see if he has anything to say about this.
22:40 - 22:43: - Now let's go to the Time Crisis Hotline.
22:43 - 22:46: (phone ringing)
22:47 - 22:48: - This is Tim.
22:48 - 22:49: - Hey Tim, what's up?
22:49 - 22:51: This is Ezra and Jake from Time Crisis.
22:51 - 22:53: - Hey, how are you?
22:53 - 22:54: - Not bad, excited to talk to you.
22:54 - 22:56: So you're a food reporter at the Washington Post.
22:56 - 22:57: - That's correct.
22:57 - 22:59: - But you also cover beverages.
22:59 - 23:02: - I have made myself something of the coffee experts
23:02 - 23:04: among the food writers at the paper.
23:04 - 23:07: - And also in your own life, are you like a coffee fanatic?
23:07 - 23:08: - Oh, big time.
23:08 - 23:12: I have got more gadgets than you can imagine.
23:12 - 23:14: - So you're making a lot of coffee at home.
23:14 - 23:17: - I make coffee every day, usually hot,
23:17 - 23:22: but I've certainly done my fair share of cold brew.
23:22 - 23:23: - Well, that's exactly what we wanna talk about.
23:23 - 23:26: And we could use a little bit of context
23:26 - 23:29: from somebody who not only is a coffee drinker,
23:29 - 23:32: but also a reporter and somebody who studies this stuff.
23:32 - 23:33: I just had this realization
23:33 - 23:36: that cold brew was suddenly everywhere.
23:36 - 23:38: I also realized that as it becomes more ubiquitous,
23:38 - 23:40: people kind of will use cold brew
23:40 - 23:42: and iced coffee interchangeably,
23:42 - 23:45: which leads to a lot of miscommunications,
23:45 - 23:47: tragedies at the coffee shop.
23:47 - 23:48: - That's rubbing you the wrong way.
23:48 - 23:49: - It is rubbing me the wrong way.
23:49 - 23:51: So I guess if you don't mind, Tim,
23:51 - 23:53: I think you're gonna have a lot more perspective
23:53 - 23:54: on this than we do.
23:54 - 23:56: What's the cold brew story
23:56 - 23:59: and how did it come to kind of take over the world?
23:59 - 24:01: - Well, I think the first thing to realize
24:01 - 24:04: is that cold brew and iced coffee
24:04 - 24:06: are two different processes.
24:06 - 24:08: Iced coffee is very simple.
24:08 - 24:12: It's just taking hot brewed coffee and putting it over ice.
24:12 - 24:15: Conversely, the cold brew
24:15 - 24:20: is a long steeped room temperature process.
24:20 - 24:24: And you can use it, you can do it in a French press,
24:24 - 24:26: which I think a lot of people have already,
24:26 - 24:28: or you can buy one of these contraptions.
24:28 - 24:32: One is very popular with coffee shops called a toddy.
24:32 - 24:35: And you take a large amount of beans,
24:35 - 24:39: a six to one ratio of water to beans,
24:39 - 24:41: which doesn't sound like a lot,
24:41 - 24:45: but compared to what the ratio is for hot brewed coffee,
24:45 - 24:49: it's a monstrous amount of beans.
24:49 - 24:52: And you let that steep for like 12 to 24 hours
24:52 - 24:56: on your counter where it becomes very concentrated liquid.
24:56 - 25:00: It'll often be put right in a pitcher
25:00 - 25:02: and put in your refrigerator.
25:02 - 25:05: And obviously one of the benefits of that then
25:05 - 25:08: is that you can have coffee available for you
25:08 - 25:10: for like two weeks.
25:10 - 25:13: So it has a longer shelf life than fresh brewed coffee.
25:13 - 25:16: It's generally considered to be like less acidic.
25:16 - 25:17: - That's what drives me crazy, Tim,
25:17 - 25:20: is that most places where I go have cold brew,
25:20 - 25:22: it tastes so sour to me.
25:22 - 25:23: - That's unusual.
25:23 - 25:25: I don't know where you're getting your cold brew from,
25:25 - 25:26: but I'd be curious.
25:26 - 25:28: - I don't wanna name names.
25:28 - 25:32: - I think most coffee shops, they go for a blend
25:32 - 25:35: because consistency is key, right?
25:35 - 25:38: People want the same cup of cold brew all year long,
25:38 - 25:41: which is hard to do with a single origin coffee
25:41 - 25:44: because A, they're seasonal and they're only available
25:44 - 25:47: for a few months out of the year.
25:47 - 25:49: They'll create a blend of beans
25:49 - 25:52: that typically has a natural sweetness to it.
25:52 - 25:54: And that's what appeals, I think,
25:54 - 25:56: to most cold brew drinkers,
25:56 - 25:59: is that you've got a drink that's cold,
25:59 - 26:01: which people like during the summer,
26:01 - 26:05: and then it has lower acidity and it tends to be sweet.
26:05 - 26:08: I think those are like three of the main points
26:08 - 26:11: of why cold brew has latched on.
26:11 - 26:15: - Seinfeld 2000 here, the Starbucks near my home base
26:15 - 26:17: has cold brew on tap,
26:17 - 26:20: much like you would find a beer on tap at a bar.
26:20 - 26:25: Why is it on tap and what goes into that process?
26:25 - 26:27: - I'm assuming this is a cold brew nitro?
26:27 - 26:28: - Yes, I think it is.
26:28 - 26:30: - Oh yeah, what's this nitro (beep)
26:30 - 26:35: - Yeah, it's basically just cold brew coffee,
26:35 - 26:37: but it's put on nitro.
26:37 - 26:41: And what that does is that it inserts a gas into the coffee.
26:41 - 26:45: So it gives it a very creamy flavor to it.
26:45 - 26:47: There's obviously no cream in it,
26:47 - 26:50: but just because it's injected with gas,
26:50 - 26:52: kind of infused with gas,
26:52 - 26:54: it gives it this really rounded,
26:54 - 26:58: sweet sort of creamy flavor, which people like.
26:58 - 27:00: I don't know about you, but nitro coffee to me
27:00 - 27:04: also just seems to go straight to the bloodstream.
27:04 - 27:07: So it's like whatever amount of caffeine
27:07 - 27:11: is in that cold brew, it just immediately makes me jittery.
27:11 - 27:13: - But theoretically, nitro aside,
27:13 - 27:14: people sometimes talk about cold brew
27:14 - 27:17: as if it's more hardcore than iced coffee.
27:17 - 27:20: Is it necessarily stronger or just depends?
27:20 - 27:21: - It's not stronger.
27:21 - 27:24: I mean, it's the same cold brew that you would,
27:24 - 27:28: I mean, I'm assuming most coffee shops are using
27:28 - 27:30: the batch that they make for the cold brew.
27:30 - 27:32: They're using the same cold brew.
27:32 - 27:34: - Same beans. - Nitro, yeah.
27:34 - 27:38: So the only difference is that it's infused with this gas.
27:38 - 27:42: And I don't know, to call it more hardcore,
27:42 - 27:45: I think maybe it gives you more of a quicker buzz.
27:45 - 27:46: Every time I've drank it,
27:46 - 27:49: I've basically had to stop halfway through
27:49 - 27:52: because I just think, and this is just a personal thing,
27:52 - 27:54: this is not based on any sort of science,
27:54 - 27:59: but it makes me loopy within half the drink.
27:59 - 28:01: So I guess in that sense, maybe it is more hardcore.
28:01 - 28:04: If you're looking for that caffeine buzz, sure.
28:04 - 28:06: ♪ Who are you with ♪
28:06 - 28:10: ♪ Where have you been ♪
28:10 - 28:12: ♪ Imagination seems to toss ♪
28:12 - 28:15: ♪ Reason can't help ♪
28:15 - 28:18: ♪ Staring at the walls ♪
28:18 - 28:21: ♪ I think I know what I see ♪
28:21 - 28:24: ♪ Anger and coffee ♪
28:24 - 28:27: ♪ Feeding me ♪
28:27 - 28:29: ♪ Drinking black coffee ♪
28:29 - 28:30: ♪ Black coffee ♪
28:30 - 28:31: ♪ Drinking black coffee ♪
28:31 - 28:32: ♪ Staring at the walls ♪
28:32 - 28:34: ♪ Black coffee ♪
28:34 - 28:35: ♪ Black coffee ♪
28:35 - 28:36: ♪ Black coffee ♪
28:36 - 28:37: ♪ Staring at the walls ♪
28:37 - 28:38: ♪ Black coffee ♪
28:38 - 28:40: ♪ Drinking black coffee ♪
28:40 - 28:41: ♪ Drinking black coffee ♪
28:41 - 28:42: ♪ Staring at the ♪
28:42 - 28:44: ♪ Stab to my heart ♪
28:44 - 28:45: ♪ Stab to my heart ♪
28:45 - 28:47: ♪ Stab to my heart ♪
28:47 - 28:49: ♪ But it's all in my mind ♪
28:49 - 28:50: - I sometimes feel like,
28:50 - 28:54: rather than go get some artisanal cold brew somewhere,
28:54 - 28:58: I would rather house two tall boys of iced coffee
28:58 - 28:59: from coffee bean.
28:59 - 29:02: At the end of the day, I'm gonna be floating on air,
29:02 - 29:03: even if it took me a little bit longer,
29:03 - 29:05: but I don't know, there's something about
29:05 - 29:07: just like a big iced coffee,
29:07 - 29:08: it just goes down easier for me.
29:08 - 29:10: And that's what's so confusing to me,
29:10 - 29:13: this idea of cold brew actually having a smoother flavor
29:13 - 29:14: or something, maybe I'm just weird.
29:14 - 29:15: But also, I don't know, Tim,
29:15 - 29:17: if this is a full East Coast thing,
29:17 - 29:20: definitely I remember in New York, when I was a teenager,
29:20 - 29:23: there was a thing that I would hear family members
29:23 - 29:26: and like my parents' friends say a lot, which was that,
29:26 - 29:27: and this is a little bit before
29:27 - 29:29: that the whole third wave coffee boom,
29:29 - 29:30: but they would always say,
29:30 - 29:31: a lot of people go buy their fancy beans
29:31 - 29:34: at a little artisanal bean store,
29:34 - 29:36: but you know where it really has great coffee?
29:36 - 29:37: Dunkin' Donuts.
29:37 - 29:40: Do you remember this, Tim, do they have that down in DC?
29:40 - 29:44: - Oh yeah, they used to spin that BS about Dunkin' Donuts,
29:44 - 29:47: and even earlier, my father used to say that
29:47 - 29:49: McDonald's had the best coffee.
29:49 - 29:52: - That's the dark ages.
29:52 - 29:52: - Yeah.
29:52 - 29:53: - They say that in Canada a lot.
29:53 - 29:54: - Well, you have to understand,
29:54 - 29:56: my dad also drank freeze-dried coffee,
29:56 - 29:59: so his bar was very low.
29:59 - 30:00: - It was a step up.
30:00 - 30:03: - I can't even imagine the average coffee drinker
30:03 - 30:07: circa 1975, what they were drinking.
30:07 - 30:08: - Oh, it was terrible.
30:08 - 30:10: Commodity-based coffee beans.
30:10 - 30:11: - Inedible. - Over-roasted.
30:11 - 30:14: You know, I started drinking coffee in the 80s,
30:14 - 30:19: so I was a child of the terrible bean era.
30:19 - 30:23: Starbucks maybe had started on the West Coast,
30:23 - 30:27: but certainly had made it to the Midwest where I grew up.
30:27 - 30:27: - Where'd you grow up?
30:27 - 30:29: - I grew up in Omaha, Nebraska.
30:29 - 30:32: - So have you ever been in Omaha now as an adult,
30:32 - 30:35: and you're in some cool, kind of like,
30:35 - 30:39: hipster-fied neighborhood that has New York-style lofts,
30:39 - 30:41: and there's a coffee shop, and you go in and check it out,
30:41 - 30:44: and drink a Nitro cold brew or something?
30:44 - 30:47: That's exactly the type of coffee that wasn't available
30:47 - 30:49: in the 80s in a place like Omaha.
30:49 - 30:51: Are you like, I'm really glad that the kids of today
30:51 - 30:54: in Omaha can drink the exact same stuff
30:54 - 30:56: that people in New York or LA are drinking,
30:56 - 30:58: or is it bittersweet?
30:58 - 31:01: Do we lose something when things like Nitro cold brew
31:01 - 31:03: are in every city in America?
31:03 - 31:09: - No, I have no nostalgia for the old ways of coffee-making,
31:09 - 31:11: and the way it was sold.
31:11 - 31:13: It just wasn't good coffee.
31:13 - 31:16: I think we still battle that perception
31:16 - 31:20: of third-wave coffee being sort of snobbish.
31:20 - 31:21: - Right.
31:21 - 31:23: - But I look at it a different way.
31:23 - 31:25: I like to look at it a different way.
31:25 - 31:29: It's like, people used to think that Miller High Life
31:29 - 31:33: or Bud Light was good beer,
31:33 - 31:35: and then the craft beer movement came along,
31:35 - 31:39: and you realized there was this whole broad spectrum
31:39 - 31:43: of beers available, really delicious beers,
31:43 - 31:45: many different flavors, different styles,
31:45 - 31:48: different bodies, different hop counts,
31:48 - 31:50: and coffee is much the same way.
31:50 - 31:52: Now, whether or not everyone can afford it,
31:52 - 31:53: that's another thing.
31:53 - 31:55: I mean, that's a whole other issue about,
31:55 - 31:58: can people really afford a good cup of coffee,
31:58 - 31:59: and should you be a snob about people
31:59 - 32:02: that still drink Folgers?
32:02 - 32:05: Well, no, everyone tweets their own.
32:05 - 32:08: - But for you personally, you're never on a road trip,
32:08 - 32:09: and you pull into a little diner,
32:09 - 32:11: like a Twin Peaks-style diner,
32:11 - 32:14: you get a slice of pie and just a cup of black coffee,
32:14 - 32:16: whatever garbage they're making back there,
32:16 - 32:18: and you sip, and you're like,
32:18 - 32:20: you know what, there's something nice about this, too.
32:20 - 32:22: - You know, I will sometimes do that,
32:22 - 32:24: but it's mostly just out of desperation,
32:24 - 32:26: 'cause I want something hot and caffeinated,
32:26 - 32:30: and I can't find something better that's closer.
32:30 - 32:33: 'Cause I really, like, I was in San Francisco
32:33 - 32:37: and Los Angeles last week, and I stayed at a hotel
32:37 - 32:40: that had one of those little brewers in there,
32:40 - 32:43: and it's truly, I mean, it's a terrible cup of coffee,
32:43 - 32:47: but I was tired, I had to get up early for interviews,
32:47 - 32:50: and I needed some caffeine, so I did it.
32:50 - 32:53: But it was like, it was like a drug.
32:53 - 32:56: It makes you realize that it's partly
32:56 - 32:58: after year after the high.
32:58 - 32:58: - That's how I feel.
32:58 - 33:01: I wanna have one of those little brewers in my bedroom.
33:01 - 33:03: 'Cause like, when I'm at a hotel, I like that.
33:03 - 33:05: I like that I can have a little,
33:05 - 33:06: Jake's shaking his head no,
33:06 - 33:09: but I like that I can have a little (beep)
33:09 - 33:12: pod coffee, it's like the primer,
33:12 - 33:13: then I jump in the shower,
33:13 - 33:16: then 20 to 30 minutes later, maybe I hit the street,
33:16 - 33:18: and I get something more artisanal.
33:18 - 33:20: But I like to have that base high.
33:20 - 33:22: - Sure, yeah, no, I completely get it.
33:22 - 33:25: - But so, okay, so all things considered,
33:25 - 33:27: you think that the rise and spread of cold brew
33:27 - 33:31: is a good thing, more options, different kinds of flavors,
33:31 - 33:34: you're happy that you see it popping up everywhere now?
33:34 - 33:36: - Well, not just cold brew, I mean, I know you're
33:36 - 33:39: sort of focused on cold brew, and I'm glad
33:39 - 33:43: that cold brew's there, 'cause I do think that people,
33:43 - 33:45: I think it's like a gateway into the third wave.
33:45 - 33:49: I think one of the secrets of third wave coffee shops
33:49 - 33:52: is many of them serve cold brew,
33:52 - 33:54: but not many of them really like it,
33:54 - 33:56: 'cause it doesn't give you the full range of flavors.
33:56 - 33:58: But I think that gets you into that shop,
33:58 - 34:03: and introduces you to different coffee beans, perhaps,
34:03 - 34:06: depending on what the coffee shop is using for its cold brew,
34:06 - 34:10: and then maybe, you know, if you're open to suggestion
34:10 - 34:12: from the barista, you'll move into something
34:12 - 34:14: that's even more interesting and more complex.
34:14 - 34:17: So I think it's good, I'm all for it.
34:17 - 34:19: - Okay, well, thanks a lot, Tim, great talking to you.
34:19 - 34:20: Appreciate it. - Yeah, it was fun.
34:20 - 34:21: Thanks, guys. - All right,
34:21 - 34:22: have a good one, man.
34:22 - 34:27: ♪ She's like cold coffee in the morning ♪
34:27 - 34:32: ♪ I'm drunk off last night's whiskey and coke ♪
34:32 - 34:38: ♪ She'll make me shiver without warning ♪
34:38 - 34:42: ♪ And make me laugh as if I'm in on the joke ♪
34:42 - 34:47: ♪ And you can stay with me forever ♪
34:47 - 34:57: ♪ Or you could stay with me for now ♪
34:57 - 35:07: ♪ Tell me if I'm wrong ♪
35:07 - 35:12: ♪ And tell me if I'm right ♪
35:12 - 35:16: ♪ And tell me if you need a loving hand ♪
35:16 - 35:21: ♪ To help you fall asleep tonight ♪
35:21 - 35:27: ♪ Tell me if I'm wrong ♪
35:27 - 35:32: ♪ And tell me if I do ♪
35:32 - 35:37: ♪ And tell me how to fall in love the way you want me to ♪
35:37 - 35:43: - Time Crisis with Ezra Koenig.
35:43 - 35:44: - Jake, do you drink cold brew?
35:44 - 35:45: - Yeah.
35:45 - 35:46: - You'll go into a place
35:46 - 35:48: and you'll specifically ask for a cold brew.
35:48 - 35:49: You drink a black cold brew?
35:49 - 35:53: - I ask for iced coffee, but I go to fancy places.
35:53 - 35:55: - You ask for an iced coffee and they give you a cold brew?
35:55 - 35:56: - Yeah, that's standard.
35:56 - 36:00: If you're going to a bougie coffee place in LA
36:00 - 36:02: and you ask for iced coffee, that's what it's gonna be.
36:02 - 36:04: - See, would you rather have a cold,
36:04 - 36:05: like a artisanal coffee cold brew
36:05 - 36:09: than just like a tall boy iced coffee from Dunkin' Donuts?
36:09 - 36:10: - Yeah, I'm not gonna drink that.
36:10 - 36:12: I'll make iced coffee at home
36:12 - 36:15: 'cause I'll make a strong pot to begin with.
36:15 - 36:15: - Yeah.
36:15 - 36:17: - I'll let it cool to room temp
36:17 - 36:19: and then I'll add four or five ice cubes into the mug.
36:19 - 36:20: - What, does that home iced coffee
36:20 - 36:21: taste better than a cold brew?
36:21 - 36:24: - No, it actually doesn't.
36:24 - 36:27: And actually this came across my desk yesterday
36:27 - 36:28: 'cause I was at home working
36:28 - 36:31: and I had the home brewed mug of coffee
36:31 - 36:34: that had cooled down and I added ice coffee,
36:34 - 36:36: or ice cubes, and I was just gonna sip on that.
36:36 - 36:39: Then Hannah came home with a half drunk cold brew.
36:39 - 36:41: - So you had accidental taste test.
36:41 - 36:43: - And the cold brew was so much richer.
36:43 - 36:44: - Richer.
36:44 - 36:45: - So much better.
36:45 - 36:48: I just dumped the homemade mug down the drain immediately.
36:48 - 36:50: - Maybe I just got trash taste at the end of the day.
36:50 - 36:51: What do you drink, Seinfeld?
36:51 - 36:52: - Well, I drink everything,
36:52 - 36:55: but I was thinking about,
36:55 - 36:56: actually I was in Whole Foods
36:56 - 36:58: and I saw a can of cold brew.
36:58 - 36:59: - Really, you go to Whole Foods?
36:59 - 37:01: - Yeah, there's one near my home base.
37:01 - 37:02: (laughing)
37:02 - 37:05: And I came across this can
37:05 - 37:08: and it was Ethiopian single estate cold brew,
37:08 - 37:09: really nicely designed can.
37:09 - 37:12: And I thought, this is gonna be a treat tomorrow morning.
37:12 - 37:13: - Yeah.
37:13 - 37:17: - And I cracked it open at 7.45, whatever.
37:17 - 37:18: And it was the most disgusting thing
37:18 - 37:20: I have ever drank in my life.
37:20 - 37:22: - 'Cause it was that sour diesel cold brew.
37:22 - 37:23: - It was exact--
37:23 - 37:24: - It was sour diesel, hold on.
37:24 - 37:25: - Sour diesel is a very accurate way to describe it, yeah.
37:25 - 37:27: - Now, were you drinking it out of the can?
37:27 - 37:28: - Straight out the can.
37:28 - 37:29: Like a beer.
37:29 - 37:30: - Why don't you pour that over some ice
37:30 - 37:31: into a pint glass?
37:31 - 37:32: - 'Cause it was cold, it was like I had in the fridge,
37:32 - 37:33: it was already cold.
37:33 - 37:35: - Here's the thing, I think cold brew
37:35 - 37:37: is sort of like, it's like whiskey.
37:37 - 37:38: If you're gonna pour it over,
37:38 - 37:40: you have to pour it over ice,
37:40 - 37:42: let it sit for a minute or two.
37:42 - 37:44: It needs to be a little bit diluted.
37:44 - 37:47: I would never wanna just drink cold brew with no ice.
37:47 - 37:49: - But it's already cold.
37:49 - 37:50: - Yeah, but you need the ice.
37:50 - 37:51: It just--
37:51 - 37:52: - You need that ice.
37:52 - 37:53: - It dilutes it, it's a texture thing.
37:53 - 37:54: - Yeah, I'm talking about that.
37:54 - 37:56: - Also, coffee out of a can seems like a weird sensory--
37:56 - 37:58: - It did have the aluminum kind of,
37:58 - 37:59: that's tangive, like, yeah.
37:59 - 38:01: - You gotta get out of the can, man.
38:01 - 38:04: Also, first cup of the day, gotta be hot.
38:04 - 38:04: - Good call.
38:04 - 38:05: - Wait, actually, this reminds me,
38:05 - 38:08: before we get to talk to some more cold brew experts,
38:08 - 38:09: remember a few episodes ago,
38:09 - 38:11: we talked about Canadians double dipping
38:11 - 38:13: at Tim Hortons and Starbucks?
38:13 - 38:14: - Yep.
38:14 - 38:15: - And we're like, is it cool to roll into Tim Hortons
38:15 - 38:17: with a Starbucks coffee and be like,
38:17 - 38:19: let me get a maple glazed donut?
38:19 - 38:20: We actually got some good emails about it.
38:20 - 38:21: - A lot of response to that, yeah.
38:21 - 38:22: - We did get a lot.
38:22 - 38:24: Here's a good one from Heather McDonald.
38:24 - 38:26: Hey, Crisis Crew, big fan of the show,
38:26 - 38:27: emailing in from Toronto.
38:27 - 38:29: I'm currently listening to episode 72,
38:29 - 38:30: late I know.
38:30 - 38:33: Well, time crisis is just nothing.
38:33 - 38:34: - It's evergreen.
38:34 - 38:36: - If not, not timely.
38:36 - 38:37: I needed to speak up about the concept
38:37 - 38:40: of Canadians double dipping in Starbucks and Tim Hortons,
38:40 - 38:43: and I will say, this is 100% a real thing.
38:43 - 38:44: When I was in high school,
38:44 - 38:46: the local Tim Hortons was directly behind a Starbucks,
38:46 - 38:49: and we'd often send someone into Tim's
38:49 - 38:52: for a good muffin/sandwich/donut,
38:52 - 38:54: and someone else into Starbucks to get our coffee
38:54 - 38:56: to avoid being exposed.
38:56 - 38:57: Being alone was a nightmare,
38:57 - 38:59: as the employees would always try
38:59 - 39:01: to make an awkward joke about buying
39:01 - 39:02: from both establishments.
39:02 - 39:03: Was it uncomfortable?
39:03 - 39:04: Yes.
39:04 - 39:05: Was it necessary?
39:05 - 39:06: Also yes.
39:06 - 39:07: Anyways, love your work out there,
39:07 - 39:09: and just thought I'd give my two cents on the subject.
39:09 - 39:10: All the best, Heather.
39:10 - 39:12: - Starbucks has muffins too.
39:12 - 39:13: - But I guess they're not as good.
39:13 - 39:15: Well, let's see, you're actually Canadian, Seinfeld.
39:15 - 39:17: What do you think, she's describing being alone,
39:17 - 39:21: and you roll in with your frappuccino from Starbucks,
39:21 - 39:23: and then you go to the Tim Hortons employee,
39:23 - 39:25: and then she said they would make an awkward joke.
39:25 - 39:26: What would that joke be?
39:26 - 39:28: - Oh, hmm.
39:28 - 39:30: They'd say, "Oh, oh, oh, you're a traitor.
39:30 - 39:32: "Oh, I see," you know, something like that.
39:32 - 39:35: "Oh, you're betraying us," something like that maybe?
39:35 - 39:37: - And us is Tim Hortons, or is it Canada?
39:37 - 39:40: (all laughing)
39:40 - 39:42: - I think in that case, it would be Tim Hortons,
39:42 - 39:44: but it's very poetic.
39:44 - 39:46: - You know how in some countries
39:46 - 39:47: where people are very polite,
39:47 - 39:51: the joke is that there's simmering rage beneath the surface?
39:51 - 39:52: Is that true of Canada?
39:52 - 39:55: Or Canada always joked, "Me is legitimately nicer."
39:55 - 39:57: - Yeah, I mean, I don't wanna generalize,
39:57 - 39:59: but I think you would find some of that for sure.
39:59 - 40:01: - Oh, looks like we got a traitor here, ha ha.
40:01 - 40:03: - That, yeah, exactly.
40:03 - 40:06: - We oughta take you around the back and execute ya.
40:06 - 40:07: - The first time-- - Oh, no, I'm sorry.
40:07 - 40:08: I'm doing it like Minnesota.
40:08 - 40:10: What are you doing? - Whoa, we're gonna take ya.
40:10 - 40:11: No, I can't, I don't know.
40:11 - 40:13: - Oh, looks like we got a traitor here, ha ha.
40:13 - 40:16: Oughta take you in the back, blindfold ya,
40:16 - 40:19: shoot you in the back of the head.
40:19 - 40:21: That's not very Canadian.
40:21 - 40:21: A Canadian would never say that.
40:21 - 40:24: - The detail is kinda making it a little dark.
40:24 - 40:27: - And then just here's another one from Darcy Belmore.
40:27 - 40:29: Hey, Crisis Crew, just finished listening
40:29 - 40:30: to this week's episode.
40:30 - 40:32: As a Canadian, I definitely get food at Tim Hortons
40:32 - 40:34: and coffee at Starbucks, at least while on campus.
40:34 - 40:37: I go to Tim's first, grab an egg, B-E-L-T.
40:37 - 40:39: Oh, 'cause of the egg.
40:39 - 40:40: It's like ATM machine. - Belt?
40:40 - 40:41: That sounds good.
40:41 - 40:42: - I go to Tim's first, she's--
40:42 - 40:43: Grab a belt. - Get that belt.
40:43 - 40:46: - A belt, is that not well known in Canada?
40:46 - 40:48: - This is the first time I've heard of a belt.
40:48 - 40:51: - I'm guessing it's a bacon, egg, lettuce, tomato.
40:51 - 40:54: I go get a belt on a 12 grain bagel
40:54 - 40:56: and then walk across campus to Starbucks.
40:56 - 40:57: - Damn, that's a hell of a breakfast.
40:57 - 40:59: - Tim's coffee is the pits.
40:59 - 41:01: Darcy, wait, is that a thing?
41:01 - 41:03: Is Tim's coffee bad?
41:03 - 41:06: - Tim's coffee falls into the same description of like,
41:06 - 41:08: oh, the real coffee's at Dunkin',
41:08 - 41:10: oh, the good coffee's at McDonald's.
41:10 - 41:11: Like, it's one of those.
41:11 - 41:13: - We got one more email from a dude.
41:13 - 41:16: I won't read the whole thing, but he's from Buffalo,
41:16 - 41:17: which for those unfamiliar with the city,
41:17 - 41:18: it lays on the US-Canada border
41:18 - 41:20: and has quite a Canadian feel to it.
41:20 - 41:22: The winters are long, the people are friendly,
41:22 - 41:25: and ponds are filled with children playing hockey
41:25 - 41:26: in the chillier months of the year.
41:26 - 41:27: But most important of all,
41:27 - 41:29: it is the rare American exception
41:29 - 41:32: where most individuals prefer Tim Hortons to Starbucks.
41:32 - 41:33: Now that's interesting.
41:33 - 41:34: Just this past week,
41:34 - 41:37: I relocated to the Charleston, South Carolina area.
41:37 - 41:38: Buffalo to Charleston.
41:38 - 41:39: - That's a hell of a move.
41:40 - 41:41: There's gonna be some culture shock.
41:41 - 41:43: And I'm finding it difficult to part ways
41:43 - 41:45: with my former morning routine
41:45 - 41:47: of grabbing a coffee from Tim Hortons
41:47 - 41:50: and the occasional breakfast sandwich from Starbucks.
41:50 - 41:51: - Well, reverse.
41:51 - 41:52: - Yeah, personally, I find Starbucks
41:52 - 41:54: to have a delicious array of breakfast sandwiches.
41:54 - 41:55: - He's not wrong there.
41:55 - 41:56: - They're pretty good.
41:56 - 41:58: The interesting part of the story is that back home,
41:58 - 42:00: I often felt embarrassed or ashamed
42:00 - 42:03: to bring my Starbucks wrappers and bags into work
42:03 - 42:04: or to a friend's house.
42:04 - 42:05: Wow.
42:05 - 42:06: - Shame.
42:06 - 42:08: - Buffalo, I guess, really is part of Canada.
42:08 - 42:10: - I was gonna say, with all due respect,
42:10 - 42:11: like this guy's disqualified.
42:11 - 42:15: I mean, it's not, technically it's not, so.
42:15 - 42:16: - Or so he felt ashamed
42:16 - 42:18: bringing his Starbucks wrappers and bags into work
42:18 - 42:19: or to a friend's house,
42:19 - 42:20: as many in the area felt that Starbucks
42:20 - 42:23: was a little bougie for their liking.
42:23 - 42:25: It might be bougie, but it's American, my friend.
42:25 - 42:27: Tim Hortons, you're aiding and abetting.
42:27 - 42:31: - It's so ubiquitous, though, I don't know.
42:31 - 42:31: - Wow.
42:31 - 42:33: - Anyways, I figured you folks would be interested
42:33 - 42:34: to know that there are several pockets
42:34 - 42:36: of blue-collar America that are ride or die for Tim Hortons.
42:36 - 42:38: I get that, but that's interesting.
42:38 - 42:40: - The people in Buffalo who think Starbucks is bougie,
42:40 - 42:43: are they hitting the gas station coffee?
42:43 - 42:45: - Oh, I guess, and maybe they're hitting Tim Hortons.
42:45 - 42:46: - Scooping it out the river.
42:46 - 42:47: - No, that's a lateral move
42:47 - 42:49: in terms of class distinctions.
42:49 - 42:52: - No, no, no, I think, well, if I'm reading the email correctly.
42:52 - 42:54: - No, it's like a multinational chain.
42:54 - 42:57: - No, I'm picturing Dan going into work,
42:57 - 43:01: holding his spinach and feta breakfast sandwich
43:01 - 43:06: from Starbucks, and there's just more like a Joe Schmo
43:06 - 43:08: drinking Tim Hortons coffee, who's like--
43:08 - 43:09: - Egg and cheese.
43:09 - 43:11: - Oh, welcome to work, your majesty.
43:11 - 43:13: (laughing)
43:13 - 43:16: Let me get a number crunch.
43:16 - 43:18: How much does just a black coffee cost at Tim Hortons?
43:18 - 43:19: - Well, what size are we talking?
43:19 - 43:21: - Gotta cross-reference the exchange rate.
43:21 - 43:25: - For a tall, it's 160, grande is 180,
43:25 - 43:28: and then your venti is $2.
43:28 - 43:29: - That's at Tim Hortons.
43:29 - 43:30: - That's at Tim Hortons.
43:30 - 43:31: - Wait, they called venti at Tim Hortons?
43:31 - 43:32: - Oh, I'm sorry, I thought you meant Starbucks.
43:32 - 43:34: I was converting the names, okay.
43:34 - 43:36: - Oh, so Starbucks, you can get a black coffee
43:36 - 43:37: for under two bucks?
43:37 - 43:38: - No way, no, no, no, no, no, I messed up.
43:38 - 43:40: - Oh, I bet the small-
43:40 - 43:43: I bet the small-coffeed Starbucks is $1.85.
43:44 - 43:46: - This show rules, guys.
43:46 - 43:49: (laughing)
43:49 - 43:50: - We really need a video component here
43:50 - 43:52: to complete the show.
43:52 - 43:54: (laughing)
43:54 - 43:56: - This week's TimeGrizz episode included
43:56 - 44:00: a very shallow analysis of one line
44:00 - 44:02: from a late '80s, not particularly well-loved
44:02 - 44:05: Grateful Dead song, and a little bit of
44:05 - 44:11: poorly-researched coffee pricing information.
44:11 - 44:14: ♪ I'm on the second cup of coffee ♪
44:14 - 44:18: ♪ I still can't face the day ♪
44:18 - 44:23: ♪ I'm thinking of the lady who got lost along the way ♪
44:23 - 44:27: ♪ And if I don't stop this trembling hand ♪
44:27 - 44:29: ♪ From reaching for the phone ♪
44:29 - 44:32: ♪ I'll be reaching for the bottle, Lord ♪
44:32 - 44:35: ♪ Before this day is done ♪
44:35 - 44:39: ♪ I'm on my second cup of coffee ♪
44:39 - 44:42: ♪ I still can't face the day ♪
44:42 - 44:45: ♪ The room was filled with laughs ♪
44:45 - 44:48: ♪ As we sang the night away ♪
44:48 - 44:51: ♪ But my sleep was filled with the dreaming ♪
44:51 - 44:54: ♪ Of the wrongs that I had done ♪
44:54 - 44:56: ♪ The gentle, sweet reminder ♪
44:56 - 44:59: ♪ Of a daughter and a son ♪
44:59 - 45:01: - If I worked at an office, and because, like I said,
45:01 - 45:05: I like to drink just plain, black, average-joke coffee,
45:05 - 45:08: if my office had coffee, even not good coffee,
45:08 - 45:11: and I was just drinking the office joe,
45:11 - 45:12: and then there were some people
45:12 - 45:14: who thought they were better than me,
45:14 - 45:15: who would always be getting excited,
45:15 - 45:17: say, "Let's go do a Starbucks run,"
45:17 - 45:19: and I'm sitting there drinking the office joe,
45:19 - 45:22: I could imagine being a little bit peeved.
45:22 - 45:24: "Oh, you guys gotta go get fancy coffee?
45:24 - 45:25: "Well, I guess I'm just the ass(beep)
45:25 - 45:27: "who drinks the communal coffee."
45:27 - 45:28: - You know, I have to say,
45:28 - 45:31: this is a little bit off-brand for you, Ezra,
45:31 - 45:32: 'cause you're a guy with pretty rarefied taste.
45:32 - 45:34: (laughing)
45:34 - 45:36: You are, man. - I know, you know what?
45:36 - 45:39: I think as I get older, though,
45:39 - 45:41: so much of my life has been about
45:41 - 45:43: reaching for that brass ring.
45:43 - 45:44: - Yeah. - You know,
45:44 - 45:46: getting out of Jersey, going to Columbia,
45:46 - 45:49: being in a band, traveling the world.
45:49 - 45:51: - But not just a band.
45:51 - 45:52: - A preppy band.
45:52 - 45:54: - A band that styled itself.
45:54 - 45:56: - Exactly. - Self-consciously.
45:56 - 45:58: - Fake it 'til you make it. - Right.
45:58 - 45:59: So, you know. - You're not some
45:59 - 46:00: working-class Springsteen kinda guy.
46:00 - 46:02: - Exactly. - But with your coffee.
46:02 - 46:04: - I think that's the thing, is that as I've gotten older--
46:04 - 46:06: - Back to your roots. - And I have this feeling,
46:06 - 46:08: a little bit, of having seen it all.
46:08 - 46:09: - Right. - I've been all over
46:09 - 46:10: this damn world of ours.
46:10 - 46:12: - You've been in a room with every famous person
46:12 - 46:13: on the planet. - I've been in a room
46:13 - 46:14: with every famous person on the planet.
46:14 - 46:16: I've tasted the best of everything.
46:16 - 46:18: And I think I look around, I see how empty it is.
46:18 - 46:20: And now I'm kinda going back to my roots
46:20 - 46:21: and be like, you know what?
46:21 - 46:22: Just a regular guy.
46:22 - 46:25: Sometimes I actually fantasize living in New Jersey.
46:25 - 46:26: - Oh, I could see it.
46:26 - 46:28: - It could happen.
46:28 - 46:28: - I could see that.
46:28 - 46:30: - That might require some convincing.
46:30 - 46:33: But I love the look and feel of it.
46:33 - 46:35: And honestly, if I lived in New Jersey,
46:35 - 46:36: I wouldn't go to Starbucks.
46:36 - 46:38: - I would go to Nevada Diner.
46:38 - 46:39: - That was your spot.
46:39 - 46:42: ♪ Well I had to cop her in her baby cleaning check ♪
46:42 - 46:46: ♪ With her line blown out she's foaming like a turbo jet ♪
46:46 - 46:49: ♪ Dropped her up in my backyard on concrete blocks ♪
46:49 - 46:51: ♪ For a new clutch ♪
46:51 - 46:52: ♪ Played a new set of shots ♪
46:52 - 46:54: ♪ Took her down to the car wash ♪
46:54 - 46:56: ♪ Checked the plugs and points ♪
46:56 - 46:58: ♪ Well I'm going out tonight ♪
46:58 - 47:00: ♪ I'm gonna rock a joint ♪
47:00 - 47:03: ♪ Curly, not Jersey, industrial skyline ♪
47:03 - 47:05: ♪ I'm a hull set, cobra jet ♪
47:05 - 47:07: ♪ Creeping through the night time ♪
47:07 - 47:08: ♪ Gotta find a gas station ♪
47:08 - 47:10: ♪ Gotta find a payphone that's turned back ♪
47:10 - 47:12: ♪ Sure is spooky at night ♪
47:12 - 47:15: ♪ When you're all alone climbing with the gas baby ♪
47:15 - 47:16: ♪ I'm running late ♪
47:16 - 47:18: ♪ Miss New Jersey in the morning ♪
47:18 - 47:20: ♪ Like a lunar landscape ♪
47:20 - 47:22: - There's something nice when you have the Office Java.
47:22 - 47:23: It's communal.
47:23 - 47:25: When you drink the Office Java,
47:25 - 47:27: you're saying with your taste buds
47:27 - 47:28: that we're in this together.
47:28 - 47:31: When you leave the office to go get Starbucks,
47:31 - 47:33: yeah, you might think you're supporting a local business,
47:33 - 47:34: but you're not.
47:34 - 47:35: - No, but you're leaving the office
47:35 - 47:37: to get out of the office.
47:37 - 47:38: - What's wrong with the office?
47:38 - 47:39: - It's work.
47:39 - 47:41: - It's fun to go make a coffee run.
47:41 - 47:43: - But the Office Java's in the break room.
47:43 - 47:45: But the Office Java's in the break room.
47:45 - 47:48: That's a place where you can debate the news of the day.
47:48 - 47:49: - No, man.
47:49 - 47:50: - Sometimes with that Office Java--
47:50 - 47:52: - I got more off experience than you guys do,
47:52 - 47:53: or at least Ezra does.
47:53 - 47:54: (laughing)
47:54 - 47:57: It's all about who's making the run.
47:57 - 47:58: - Right.
47:58 - 47:59: - What do you want?
47:59 - 48:01: - And also, you don't wanna be like,
48:01 - 48:02: sometimes you don't wanna run into the,
48:02 - 48:04: there's somebody you don't wanna run into
48:04 - 48:05: by the coffee machine.
48:05 - 48:08: - Back in my day, you're damn right you might run
48:08 - 48:09: into somebody that you didn't wanna see,
48:09 - 48:12: but you know what, we hashed it out like grownups.
48:12 - 48:15: We weren't staring at our phones, walking into walls.
48:15 - 48:18: Yeah, you might see somebody you hate
48:18 - 48:20: pouring themselves a cup of Office Java.
48:20 - 48:22: And you know what?
48:22 - 48:23: You'd have to get into it right there.
48:23 - 48:26: - Talk about last night's episode of LA Law.
48:26 - 48:29: (laughing)
48:29 - 48:31: - That's right, but that's when people talk to each other.
48:31 - 48:33: You didn't have this polarization.
48:33 - 48:35: I'd see some schmuck who voted for Reagan
48:35 - 48:38: by the Office Joe, we get into it, Office Java.
48:38 - 48:41: We're gonna talk to, how do you think you say his name?
48:41 - 48:44: - Brent Wilsinski?
48:44 - 48:45: - Wilsinski.
48:45 - 48:46: - Wilsinski, something like that?
48:46 - 48:48: - We'll ask him how to pronounce his last name.
48:48 - 48:50: But he's the head brewer and guru of cold brew
48:50 - 48:51: at Stumptown Coffee.
48:51 - 48:53: Now Stumptown, Jake--
48:53 - 48:53: - Oh, I'm familiar.
48:53 - 48:55: - You're probably familiar, started in Portland, Oregon.
48:55 - 49:00: - I did an exhibition there in 2000, their first store.
49:00 - 49:01: - At Stumptown?
49:01 - 49:02: - Yeah, it was their only location.
49:02 - 49:05: - And they offered to pay you in stock options
49:05 - 49:08: or free beans.
49:08 - 49:12: - I got the opportunity to hang my art in their coffee shop.
49:12 - 49:12: - And sell it.
49:12 - 49:15: - Oh yeah, it's like I sold a few pieces.
49:15 - 49:15: - Okay.
49:15 - 49:17: - Was Brent part of this?
49:17 - 49:18: - No, I have no idea.
49:18 - 49:20: - Well, he's the head brewer, he wasn't one of the founders,
49:20 - 49:21: or Dwayne Sorenson.
49:21 - 49:24: - I have no idea if Brent was in the mix back in 2000.
49:24 - 49:25: I think this was 2000 I did this.
49:25 - 49:28: - But Stumptown Coffee was sold to Pete's Coffee in 2015
49:28 - 49:29: for an undisclosed amount.
49:29 - 49:31: And also, here's something interesting,
49:31 - 49:33: Stumptown has the rights to coldbrew.com.
49:33 - 49:36: Okay, so we're talking to the right person.
49:36 - 49:37: - That's hot real estate.
49:37 - 49:39: - Let's get Brent on the phone.
49:39 - 49:42: - Now, let's go to the Time Crisis Hotline.
49:42 - 49:45: (phone ringing)
49:45 - 49:47: - Hello?
49:47 - 49:48: - Hey Brent?
49:48 - 49:49: - Hey, yeah, this is Brent.
49:49 - 49:50: - Hey, how you doing?
49:50 - 49:52: This is Ezra and Jake from Time Crisis.
49:52 - 49:53: - Hey Brent.
49:53 - 49:54: - Hey guys, how's it going?
49:54 - 49:56: - Not bad, we may have butchered your last name.
49:56 - 49:58: You wanna tell us how to pronounce it correctly?
49:58 - 49:59: - Yeah, totally.
49:59 - 50:01: It's Walshinski.
50:01 - 50:02: - Oh, we were close.
50:02 - 50:02: - A tough one.
50:02 - 50:04: A lot of consonants on there.
50:04 - 50:07: - So Brent, you're the head brewer at Stumptown.
50:07 - 50:10: How long have you been in the mix over at Stumptown?
50:10 - 50:11: - A little over seven years now.
50:11 - 50:12: - So I'm very interested in this
50:12 - 50:14: because part of the reason we're talking about cold brew
50:14 - 50:18: is, you know, full disclosure, I have a negative view of it.
50:18 - 50:20: - Oh.
50:20 - 50:21: - This has got you journalism.
50:21 - 50:22: - Yeah, yeah.
50:22 - 50:24: (laughing)
50:24 - 50:27: - No, no, I might be, first of all,
50:27 - 50:28: the more we talk-- - You're a skeptic.
50:28 - 50:30: - The more we talk about it, I start to question
50:30 - 50:33: if I know what I'm talking about about anything.
50:33 - 50:35: But the first question that I've had is,
50:35 - 50:36: and I was talking with Jake,
50:36 - 50:40: just having this feeling lately that it's just everywhere.
50:40 - 50:44: Starbucks has it, 7-Eleven has it, gas stations have it,
50:44 - 50:48: and in fact, cold brew has started to become synonymous
50:48 - 50:50: with iced coffee to the point that you see these kind of
50:50 - 50:52: hilarious things where people are like,
50:52 - 50:54: oh, I want a cold brew, do you mean an iced coffee?
50:54 - 50:56: We have, you know, like, it's all confused.
50:56 - 50:58: So it's always interesting to see how something
50:58 - 51:01: just suddenly, seemingly suddenly,
51:01 - 51:02: just takes over the world.
51:02 - 51:06: So Stumptown was something of a pioneer?
51:06 - 51:07: - I think so.
51:07 - 51:11: I mean, cold brew, like, as an extraction process
51:11 - 51:13: was definitely around before Stumptown was around, right?
51:13 - 51:16: Like, extracting something with cold water
51:16 - 51:19: over a long period of time, like sun tea, right?
51:19 - 51:20: Like, that's kind of a similar idea
51:20 - 51:22: where you're letting tea sit in water
51:22 - 51:25: at a cooler temperature.
51:25 - 51:28: - There's a long history, but this modern cold brew.
51:28 - 51:29: So just paint a picture for me.
51:29 - 51:31: What year was this when you started at Stumptown?
51:31 - 51:33: - 2011.
51:33 - 51:35: At that time, cold brew was, I think,
51:35 - 51:37: maybe a little popular in cafes,
51:37 - 51:39: but not that big of a deal and kind of unknown.
51:39 - 51:42: You know, we weren't pioneers in the cold brew process,
51:42 - 51:44: but we were pioneers in the idea of, like,
51:44 - 51:46: bottling it and turning it into, like,
51:46 - 51:50: this big, like, quick, easy thing.
51:50 - 51:51: - Right, those little Stumptown bottles.
51:51 - 51:52: That was like--
51:52 - 51:54: - Yeah, those stubbies.
51:54 - 51:55: - So hold on a sec.
51:55 - 51:59: If I walked into a Stumptown in 2010, 2009,
51:59 - 52:01: and asked for an iced coffee,
52:01 - 52:03: would I be getting a different product today
52:03 - 52:06: as opposed to 10 years ago, eight years ago?
52:06 - 52:08: - That's a good question.
52:08 - 52:10: Just because I started in 2011.
52:10 - 52:12: But no, I think there probably was a time
52:12 - 52:14: where we were doing iced coffee
52:14 - 52:17: in that we were brewing hot at double the strength
52:17 - 52:19: and then pouring over ice,
52:19 - 52:21: and then the ice dilutes into the solution,
52:21 - 52:24: and now you have, like, somewhere in the realm of, like,
52:24 - 52:26: the dissolved solids in that beverage
52:26 - 52:27: are, like, close to, like,
52:27 - 52:30: what you would get at a RTV coffee.
52:30 - 52:32: I don't know when we started doing, like,
52:32 - 52:33: the cold brew process.
52:33 - 52:36: I know it was definitely before the stubbies came out,
52:36 - 52:39: but so if you were to order a cold brew,
52:39 - 52:41: you would be getting something that was extracted
52:41 - 52:45: in cold water and diluted and served.
52:45 - 52:47: - But that's, like, the standardized understanding
52:47 - 52:51: of iced coffee at Stumptown today.
52:51 - 52:51: If you walk into a--
52:51 - 52:54: - Well, at Stumptown today, we don't serve iced coffee.
52:54 - 52:56: - Right, so, like, the only cold coffee--
52:56 - 52:58: - So you guys murdered iced coffee.
52:58 - 53:00: - I guess we have iced Americanos, you know,
53:00 - 53:02: that would qualify as iced coffee for sure.
53:02 - 53:05: But in terms of, like, what a lot of people do, right,
53:05 - 53:08: it's, like, they brew a pour-over, right,
53:08 - 53:11: or a Fetco or whatever batch brew method
53:11 - 53:14: at twice the strength and then pour it over ice,
53:14 - 53:15: knowing that that ice is going to dilute.
53:15 - 53:17: That's why they brew it at double the strength
53:17 - 53:20: and then serve that as iced coffee.
53:20 - 53:22: ♪ Bad, bad news ♪
53:22 - 53:27: ♪ Just bad, bad news ♪
53:27 - 53:30: ♪ Get down to money and clout ♪
53:30 - 53:33: ♪ Money and loot ♪
53:33 - 53:35: ♪ Bad news ♪
53:35 - 53:37: ♪ Bad, bad for you and I'm back at the coffee bean ♪
53:37 - 53:39: ♪ Anything in between ♪
53:39 - 53:41: ♪ This is all ♪
53:41 - 53:42: ♪ This is all ♪
53:42 - 53:44: ♪ Back at the coffee line ♪
53:44 - 53:46: ♪ Back, back, back at the coffee line ♪
53:46 - 53:47: - Okay, well, Brent, just tell me this.
53:47 - 53:48: Am I insane?
53:48 - 53:51: I have this feeling that I like iced Americanos
53:51 - 53:53: and I like iced coffee.
53:53 - 53:55: My impression of cold brew is that it's sour.
53:55 - 53:56: - Interesting.
53:56 - 53:57: - Am I just crazy?
53:57 - 53:58: - No, I don't think you're crazy.
53:58 - 54:00: I think, like, so here's the thing.
54:00 - 54:04: I think right now, like, cold brew is such a new thing.
54:04 - 54:06: I think the craft beer industry went through this too,
54:06 - 54:08: where, like, craft beer started.
54:08 - 54:12: There were a few, like, really, really good beers out there,
54:12 - 54:15: but then, like, a ton of other people flooded the market
54:15 - 54:17: and were like, "We can do this too,"
54:17 - 54:20: and made, like, a lot of really bad beer as well, right?
54:20 - 54:23: And I think, like, right now, we're sort of in that time
54:23 - 54:27: where there are some companies that are like,
54:27 - 54:29: "Oh, coffee and water, I got it.
54:29 - 54:30: Like, we can totally do this."
54:30 - 54:33: And, like, they may not be interested
54:33 - 54:35: in buying high-quality coffee,
54:35 - 54:38: but they are interested in, like, the whole cold brew,
54:38 - 54:40: the excitement around cold brew,
54:40 - 54:43: and are using some form of the cold brew method,
54:43 - 54:45: but with, like, really low-quality coffee.
54:45 - 54:47: - Does cold brew, do you think,
54:47 - 54:50: do the consumers read as fancier?
54:50 - 54:51: - I don't think, like, that's something
54:51 - 54:55: we're trying to portray.
54:55 - 54:56: It is typically more expensive,
54:56 - 54:59: but that's because it takes a lot more coffee
54:59 - 55:01: to make cold brew.
55:01 - 55:02: And that's why, typically, you know,
55:02 - 55:04: a lot of people say, like,
55:04 - 55:05: cold brew also makes them, like,
55:05 - 55:06: get really high on caffeine.
55:06 - 55:09: Like, it really is, like, by volume,
55:09 - 55:11: more coffee dissolved into it.
55:11 - 55:12: - That's not just a myth.
55:12 - 55:15: You really could get more twisted off cold brew.
55:15 - 55:16: - Totally.
55:16 - 55:17: Yeah, yeah.
55:17 - 55:20: Like, we've run some caffeine analysis on ours,
55:20 - 55:22: and, like, I think our stubby has something like
55:22 - 55:25: 200, 250 milligrams of caffeine,
55:25 - 55:27: whereas, like, a typical 10-ounce, you know,
55:27 - 55:30: cup of coffee would probably be, like,
55:30 - 55:32: 100 or 130 milligrams.
55:32 - 55:33: - So it could almost be double,
55:33 - 55:35: just like a plain cup of coffee.
55:35 - 55:36: - Yeah, and, like, a lot of our offerings
55:36 - 55:39: are, like, different TBSs, like, total dissolved solids.
55:39 - 55:42: So, like, our original cold brew
55:42 - 55:45: is kind of, like, the most, like, refreshing
55:45 - 55:47: and has the most water versus coffee,
55:47 - 55:50: but something like our Nitro hairbender
55:50 - 55:52: is, like, a really, really high amount of coffee.
55:52 - 55:54: And that's somewhere in the realm of, like,
55:54 - 55:56: 400 milligrams of caffeine or so.
55:56 - 55:57: But I guess to get back to your question
55:57 - 55:59: about whether or not it's fancy, like,
55:59 - 56:02: I think maybe some people do because it's typically
56:02 - 56:04: in the $4 or $5 range,
56:04 - 56:06: but I don't want to be this person who's saying, like,
56:06 - 56:10: this brew method is, like, 100% better.
56:10 - 56:12: I think all brew methods are just different
56:12 - 56:15: and, you know, highlight different things
56:15 - 56:16: and are for different people.
56:16 - 56:18: So that when someone's like, "Oh, I don't like cold brew,"
56:18 - 56:19: I'm like, "That's totally cool."
56:19 - 56:21: You know, like, "I don't like mocha pot."
56:21 - 56:22: - Right, just a matter of taste.
56:22 - 56:24: - Yeah, it's a different method.
56:24 - 56:25: - Brent, when's the last time you had
56:25 - 56:27: just, like, a Dunkin' Donuts iced coffee?
56:27 - 56:30: - (laughs) That's a good question, too.
56:30 - 56:31: I--
56:31 - 56:33: - Or coffee bean, just that type of place.
56:33 - 56:36: - I, like, drink Starbucks, like, semi-frequently,
56:36 - 56:38: like, when I'm out camping or whatever,
56:38 - 56:39: you know, I'm, like, out in the middle of nowhere.
56:39 - 56:40: I don't hate it, you know?
56:40 - 56:43: I'm not, like, sometimes I just, like, really need coffee.
56:43 - 56:46: - Does anybody ever go make a Starbucks run
56:46 - 56:47: just to get out of the office?
56:47 - 56:49: - (laughs) That's a good question.
56:49 - 56:52: No, I think I can firmly say, like,
56:52 - 56:53: that definitely does not happen.
56:53 - 56:56: I think, like, we're also spoiled with free coffee
56:56 - 56:57: and great coffee.
56:57 - 56:59: I don't know, it's just-- - Right.
56:59 - 57:01: Have you tried, like, the Starbucks cold brew?
57:01 - 57:02: - Yeah, yeah, totally.
57:02 - 57:03: - And it's decent?
57:03 - 57:06: - Yeah, no, I actually think they're doing a decent job
57:06 - 57:10: in regards to, like, extraction and process.
57:10 - 57:14: Like, in that, I think a Starbucks cold brew
57:14 - 57:16: tastes like Starbucks coffee.
57:16 - 57:18: There's no, like, adulteration or, like,
57:18 - 57:22: it's a clean, like, representation of Starbucks coffee.
57:22 - 57:23: - Mm, that's interesting.
57:23 - 57:24: - But I think in that regard, like,
57:24 - 57:27: I appreciate it from, like, the brewing aspect.
57:27 - 57:29: Like, I think there are probably some really smart people
57:29 - 57:32: working at Starbucks working on these beverages.
57:32 - 57:35: I personally don't like the typical profile of Starbucks.
57:35 - 57:38: Like, I'm not craving it, but I don't--
57:38 - 57:40: - I feel you on that. - But at least it tracks
57:40 - 57:42: from beverage to beverage.
57:42 - 57:42: - Yeah, yeah.
57:42 - 57:44: - It's kinda like if you don't like
57:44 - 57:45: the Marvel Cinematic Universe,
57:45 - 57:48: but you still admire Avengers Infinity War
57:48 - 57:49: as an ambitious crossover event.
57:49 - 57:52: - (laughs) I guess that's true, yeah.
57:52 - 57:54: Or like Budweiser, right?
57:54 - 57:57: Like, I love a Budweiser sometimes,
57:57 - 57:59: but, like, what I mostly appreciate
57:59 - 58:01: and, like, find so incredible about them
58:01 - 58:04: is, like, you know, it's brewed all over the country,
58:04 - 58:05: and, like, no matter where you buy it,
58:05 - 58:06: it tastes exactly the same.
58:06 - 58:08: Like, that's a pretty impressive feat.
58:08 - 58:09: - No, you're right.
58:09 - 58:10: I think so, I'm gonna be set for that.
58:10 - 58:12: Well, thanks so much, Brent, for filling us in.
58:12 - 58:13: - Yeah, totally.
58:13 - 58:15: - I'm definitely gonna go roll down to a Stumptown soon.
58:15 - 58:17: There's not one in my immediate neighborhood,
58:17 - 58:18: but this really makes me wanna go
58:18 - 58:20: explore the Stumptown menu a bit more.
58:20 - 58:21: - Yeah, I mean, if you're ever in Portland,
58:21 - 58:23: I'd love to give you a tour of the facility.
58:23 - 58:24: - Oh, that'd be sick.
58:24 - 58:27: I'm sure we'll be up in Portland sometime in the next year.
58:27 - 58:28: All right, thanks so much, man.
58:28 - 58:29: Have a good one.
58:29 - 58:30: - Yeah, you too.
58:30 - 58:30: Bye.
58:36 - 58:38: ♪ Your breath is sweet and weak ♪
58:38 - 58:42: ♪ Your eyes are like two jewels in the sky ♪
58:42 - 58:45: ♪ Your back is straight, your head is smooth ♪
58:45 - 58:49: ♪ On the pillow where you lie ♪
58:49 - 58:52: ♪ But I don't sense affection ♪
58:52 - 58:55: ♪ No gratitude, no love ♪
58:55 - 58:58: ♪ Your loyalty is not to me ♪
58:58 - 59:02: ♪ But to the stars above ♪
59:02 - 59:07: ♪ One more cup of coffee for the road ♪
59:07 - 59:13: ♪ One more cup of coffee before I go ♪
59:13 - 59:16: ♪ To the valley below ♪
59:19 - 59:40: ♪ Your daddy is a mountain lord ♪
59:40 - 59:43: ♪ And a wanderer by trade ♪
59:43 - 59:46: ♪ He'll teach you how to pick and choose ♪
59:46 - 59:50: ♪ And how to throw the blade ♪
59:50 - 59:53: ♪ He oversees his kingdom ♪
59:53 - 59:57: ♪ So no stranger doesn't drool ♪
59:57 - 59:59: ♪ His voice trembles as he calls out ♪
59:59 - 01:00:03: ♪ For another plate of food ♪
01:00:03 - 01:00:08: ♪ One more cup of coffee for the road ♪
01:00:10 - 01:00:15: ♪ One more cup of coffee before I go ♪
01:00:15 - 01:00:18: ♪ To the valley below ♪
01:00:18 - 01:00:35: - So we're getting a lot of emails, tweets, messages
01:00:35 - 01:00:37: about something that's very time crisis-y.
01:00:37 - 01:00:41: And that is Jason Alexander, AKA George Costanza,
01:00:41 - 01:00:45: is appearing in a new KFC ad where he plays the Colonel.
01:00:45 - 01:00:49: This is the official KFC press release on the KFC website.
01:00:49 - 01:00:51: Kentucky Fried Chicken announced today
01:00:51 - 01:00:54: that it has selected actor, comedian, and director,
01:00:54 - 01:00:56: Jason Alexander, as the latest celebrity
01:00:56 - 01:00:58: to play the role of the brand's iconic founder,
01:00:58 - 01:01:00: Colonel Harland Sanders.
01:01:00 - 01:01:02: Did you know the Colonel's first name?
01:01:02 - 01:01:04: Jake, you did?
01:01:04 - 01:01:05: - Oh yeah.
01:01:05 - 01:01:06: - Harland Sanders.
01:01:06 - 01:01:09: Beginning August 6th, ads featuring the sitcom veteran
01:01:09 - 01:01:11: as the Colonel and dinner time hero
01:01:11 - 01:01:16: will air on television and computer screens nationwide
01:01:16 - 01:01:20: to promote KFC's $20 Philips trademark,
01:01:20 - 01:01:21: which for the first time are available
01:01:21 - 01:01:22: in four different varieties.
01:01:22 - 01:01:26: We could literally just talk about the press release.
01:01:26 - 01:01:27: It's like then they shift.
01:01:27 - 01:01:29: Modern families want and need mealtime
01:01:29 - 01:01:31: to be simple and stress-free.
01:01:31 - 01:01:34: KFC knows this can be a feat when the clock strikes 5 p.m.
01:01:34 - 01:01:36: and wants to help families solve the dinner time challenge
01:01:36 - 01:01:37: without sacrificing taste.
01:01:37 - 01:01:38: It's true.
01:01:38 - 01:01:42: A working family being able to go feed everybody
01:01:42 - 01:01:44: for a low price at KFC is helpful,
01:01:44 - 01:01:46: but like KFC just wants to help.
01:01:46 - 01:01:49: Language is like, chill.
01:01:49 - 01:01:52: To do just that, KFC's enlisted sitcom king, Alexander,
01:01:52 - 01:01:54: to offer its $20 Philips four different ways,
01:01:54 - 01:01:57: including a new boneless filet $20 Philips.
01:01:57 - 01:01:59: And then there's a quote from the CMO.
01:01:59 - 01:01:59: - Boneless.
01:01:59 - 01:02:01: - Andrei Zahiminsky.
01:02:01 - 01:02:04: I am all too familiar with the challenge of family dinner.
01:02:04 - 01:02:05: With four chicken meals to choose from
01:02:05 - 01:02:08: each at only $20, we're continuing KFC's tradition
01:02:08 - 01:02:10: of providing an easy dinner time solution
01:02:10 - 01:02:11: for families at great value.
01:02:11 - 01:02:13: And there's no better person to spread the word
01:02:13 - 01:02:15: about our new family of four in a sitcom setting
01:02:15 - 01:02:18: than comedy extraordinaire, Jason Alexander.
01:02:18 - 01:02:19: Alexander's background as the star
01:02:19 - 01:02:21: of one of the greatest sitcoms of all time
01:02:21 - 01:02:22: makes him the perfect choice.
01:02:22 - 01:02:25: Then they have a quote from Jason.
01:02:25 - 01:02:26: As the son of two working parents,
01:02:26 - 01:02:28: there were plenty of dinner times
01:02:28 - 01:02:31: when a bucket of chicken and all the fixins saved the day.
01:02:31 - 01:02:35: It's been fun to combine my personal love for KFC
01:02:35 - 01:02:38: with my sitcom experience into a new take
01:02:38 - 01:02:39: on the role of Colonel Sanders.
01:02:39 - 01:02:41: I feel like one time we were talking about this
01:02:41 - 01:02:45: after a time crisis is sometimes when people,
01:02:45 - 01:02:47: I mean, I think these days people don't get
01:02:47 - 01:02:50: particularly annoyed for somebody doing an ad.
01:02:50 - 01:02:51: 'Cause like at the end of the day,
01:02:51 - 01:02:54: it's like, yeah, we all eat KFC from time to time.
01:02:54 - 01:02:58: Why get angry at like an actor, you know, musician?
01:02:58 - 01:02:59: It's fine.
01:02:59 - 01:03:02: It's just interesting that very few people ever say,
01:03:02 - 01:03:03: when asked about like, you know,
01:03:03 - 01:03:05: why did you let your song be in this commercial?
01:03:05 - 01:03:07: Why did you participate in that?
01:03:07 - 01:03:09: And just be like, you know, 'cause I got no problem with it
01:03:09 - 01:03:12: and whatever, they paid for it.
01:03:12 - 01:03:13: Who cares?
01:03:13 - 01:03:15: A lot of times people get a little defensive and say,
01:03:15 - 01:03:17: well, I actually eat KFC.
01:03:17 - 01:03:20: It's not like I did this, you know, Boston market.
01:03:20 - 01:03:22: There's some part of me that's always been like, who cares?
01:03:22 - 01:03:23: - Yeah.
01:03:23 - 01:03:26: - I actually drink Pepsi, okay?
01:03:26 - 01:03:27: It actually made me feel good.
01:03:27 - 01:03:29: I used to drink Pepsi with my grandpa.
01:03:29 - 01:03:30: So, you know, leave me alone.
01:03:30 - 01:03:32: And I don't know if that's what's happening
01:03:32 - 01:03:32: with Jason Alexander.
01:03:32 - 01:03:33: - I can't really imagine that.
01:03:33 - 01:03:34: - I did this for free.
01:03:34 - 01:03:35: - Yeah, see, that's also funny too.
01:03:35 - 01:03:37: It makes a lot more sense to me to be like,
01:03:37 - 01:03:38: somebody like asked me like,
01:03:38 - 01:03:40: why did you like have a Vampire Weekend song in a Honda ad?
01:03:40 - 01:03:42: Be like, who cares?
01:03:42 - 01:03:44: We said no to corporations we thought were horrible.
01:03:44 - 01:03:46: Honda seemed fine.
01:03:46 - 01:03:46: They paid for it.
01:03:46 - 01:03:47: More people heard the song.
01:03:47 - 01:03:48: That's why we did it.
01:03:48 - 01:03:51: Versus like, I've actually driven in Hondas.
01:03:51 - 01:03:54: I got high for the first time in a Honda.
01:03:54 - 01:03:55: It's part of my heritage.
01:03:55 - 01:03:56: Yeah, 'cause there's also something funny.
01:03:56 - 01:03:59: It's like, if you like it so much, why charge?
01:03:59 - 01:04:01: So it actually makes more sense.
01:04:01 - 01:04:03: Like, why did you let them use your song?
01:04:03 - 01:04:05: 'Cause I wanted Honda to pay.
01:04:05 - 01:04:06: Versus like--
01:04:06 - 01:04:08: - Yeah, I wanted to gouge those MFers.
01:04:08 - 01:04:10: - And sometimes it feels that way.
01:04:10 - 01:04:11: Nothing wrong with Honda.
01:04:11 - 01:04:12: Please forgive me, Honda.
01:04:12 - 01:04:14: - Listen, we had to do a retrofit
01:04:14 - 01:04:16: on the foundation of the house, okay?
01:04:16 - 01:04:19: The earthquake insurance was through the roof.
01:04:19 - 01:04:19: - Or just say because--
01:04:19 - 01:04:20: - Needed the check.
01:04:20 - 01:04:22: - 'Cause being an actor, being a musician,
01:04:22 - 01:04:23: it's inherently stressful,
01:04:23 - 01:04:25: and you take money where you can get it sometimes.
01:04:25 - 01:04:27: Actually, here's something I've been thinking about
01:04:27 - 01:04:29: because I've been like watching so much Seinfeld lately
01:04:29 - 01:04:31: since we started doing Seinfeld Sundays.
01:04:31 - 01:04:33: - Chronological order or just randos?
01:04:33 - 01:04:36: - I tend to watch a season in order, but I bounce around.
01:04:36 - 01:04:38: I've always found the last couple seasons
01:04:38 - 01:04:40: very interesting when Larry David left.
01:04:40 - 01:04:41: The music gets way hardcore.
01:04:41 - 01:04:44: It starts to go pow, pow, pow, pow, pow, pow.
01:04:44 - 01:04:44: - Really?
01:04:44 - 01:04:47: - The music gets really crazy, and the cuts got way faster.
01:04:47 - 01:04:48: - Wow, I have to check that out.
01:04:48 - 01:04:50: - Watch like season seven or season eight.
01:04:50 - 01:04:52: It's kind of like Jerry just started doing his thing.
01:04:52 - 01:04:55: And to his credit, season seven and eight
01:04:55 - 01:04:59: have so many classic episodes, and even conceptually.
01:04:59 - 01:05:00: - Do you mean eight and nine?
01:05:00 - 01:05:01: - Oh, eight and nine, is that what I mean?
01:05:01 - 01:05:06: Yeah, eight and nine has like the yada yada episode.
01:05:06 - 01:05:07: There's just so many classics,
01:05:07 - 01:05:09: but it's the cuts get way faster.
01:05:09 - 01:05:12: There start to be these like 12 second scenes
01:05:12 - 01:05:13: where Jerry's like, "Kramer, what are you doing?"
01:05:13 - 01:05:15: He's like, "Ah, pow, pow, pow, pow, pow."
01:05:15 - 01:05:17: It just starts to move really quick.
01:05:17 - 01:05:20: And also, they're outdoors a lot more.
01:05:20 - 01:05:22: They're on this like fake New York street quite a bit.
01:05:22 - 01:05:23: - Oh, I remember that.
01:05:23 - 01:05:25: - The Warner soundstage.
01:05:25 - 01:05:27: - It's like the world opened up a bit.
01:05:27 - 01:05:30: I would say the humor didn't change at all,
01:05:30 - 01:05:32: but the pacing and the (imitates gun firing)
01:05:32 - 01:05:34: the Bizarro Jerry is also in those scenes.
01:05:34 - 01:05:39: - This is also post the accidental death of Susan.
01:05:39 - 01:05:41: So George's character now sort of has this like
01:05:41 - 01:05:44: dark cloud over him for the remainder of the show.
01:05:44 - 01:05:46: - Really, he carried that?
01:05:46 - 01:05:47: - They reference it often.
01:05:47 - 01:05:48: - Yeah. - Wow.
01:05:48 - 01:05:50: - He works for this foundation that's been set up to--
01:05:50 - 01:05:52: - There's even an episode where he goes back to the store
01:05:52 - 01:05:54: where he bought the envelopes.
01:05:54 - 01:05:55: - Yes.
01:05:55 - 01:05:58: - But anyway, so I've been watching so much Seinfeld,
01:05:58 - 01:06:00: and then like it's actually been a problem
01:06:00 - 01:06:01: 'cause it's all I wanna watch.
01:06:01 - 01:06:03: And then I wanna watch secondary stuff.
01:06:03 - 01:06:05: So I've been watching all like the DVD extras
01:06:05 - 01:06:07: that people have ripped and put on YouTube.
01:06:07 - 01:06:08: And one thing I've been thinking about,
01:06:08 - 01:06:11: obviously he was so typecast as George,
01:06:11 - 01:06:13: but Jason Alexander in the interviews,
01:06:13 - 01:06:16: he actually seems like he's so warm,
01:06:16 - 01:06:18: even though he's an incredibly talented actor,
01:06:18 - 01:06:21: he's so deferential towards Larry and Jerry.
01:06:21 - 01:06:23: He weirdly seems like he doesn't have a,
01:06:23 - 01:06:24: well, maybe not weirdly,
01:06:24 - 01:06:26: but he just seems like for a famous dude,
01:06:26 - 01:06:28: he just doesn't have a lot of ego about it.
01:06:28 - 01:06:30: He truly like loved the show.
01:06:30 - 01:06:33: He admired the writers and he did his thing.
01:06:33 - 01:06:33: And he kinda comes from
01:06:33 - 01:06:35: a classically trained acting background,
01:06:35 - 01:06:37: maybe the only one of the four.
01:06:37 - 01:06:40: So as I'm watching it, I was just kinda like,
01:06:40 - 01:06:42: Jason Alexander should be in more stuff.
01:06:42 - 01:06:43: So I literally, before this came out,
01:06:43 - 01:06:45: I was thinking like,
01:06:45 - 01:06:47: how come he hasn't had some like breakout dark role
01:06:47 - 01:06:49: or like how come Jason Alexander
01:06:49 - 01:06:51: wasn't on like Breaking Bad or something?
01:06:51 - 01:06:53: - Yeah, playing someone's like weird dad or something
01:06:53 - 01:06:55: in some like dark indie movie.
01:06:55 - 01:06:57: - Yeah, like he should be on like an HBO show
01:06:57 - 01:06:58: or like an indie movie.
01:06:58 - 01:07:01: - Yeah, like a weird Todd Sollens movie or something.
01:07:01 - 01:07:02: - Exactly.
01:07:02 - 01:07:04: I was just thinking like, he's such a great actor
01:07:04 - 01:07:07: and he just even seems to have a great attitude
01:07:07 - 01:07:09: about the fact that he was a part of this
01:07:09 - 01:07:10: and he just seems very thankful.
01:07:10 - 01:07:14: So anyway, I wanna see Jason Alexander get that money.
01:07:14 - 01:07:15: I mean, I'm sure he's fine from Seinfeld,
01:07:15 - 01:07:17: but it's like, I'm not mad at it at all.
01:07:17 - 01:07:19: So I just kinda wondered if like they offer him this
01:07:19 - 01:07:22: and he's like, "Sure, I'll do it, that'll be fun."
01:07:22 - 01:07:27: ♪ I have a mansion, forget the price ♪
01:07:27 - 01:07:32: ♪ Ain't never been there, they tell me it's nice ♪
01:07:32 - 01:07:37: ♪ I live in hotels, tear out the walls ♪
01:07:37 - 01:07:42: ♪ I have accountants, pay for it all ♪
01:07:42 - 01:07:47: ♪ They say I'm crazy, but I have a good time ♪
01:07:51 - 01:07:55: ♪ I'm just looking for clues at the scene of the crime ♪
01:07:55 - 01:07:59: ♪ Life's been good to me so far ♪
01:07:59 - 01:08:02: - You know what'd be cool?
01:08:02 - 01:08:03: Well, first of all, I guess the problem is
01:08:03 - 01:08:04: all these people are probably pretty loaded,
01:08:04 - 01:08:07: but it'd be cool to be like, just to hit everybody up
01:08:07 - 01:08:08: who was on "Friends" and "Seinfeld,"
01:08:08 - 01:08:11: be like, who just wants to like be on a sitcom again?
01:08:11 - 01:08:13: Who's got too much time on their hands?
01:08:13 - 01:08:14: Or who just feels like acting?
01:08:14 - 01:08:15: Who's got a real love of the game?
01:08:15 - 01:08:17: And I wouldn't be surprised if Schwimmer and Alexander
01:08:17 - 01:08:18: were two of the guys who said,
01:08:18 - 01:08:20: "You know what, I (beep) love acting."
01:08:20 - 01:08:23: And be like, let's build a show around this.
01:08:23 - 01:08:25: - Matt LeBlanc's in.
01:08:25 - 01:08:27: - A "Seinfeld" and "Friends" mashup.
01:08:27 - 01:08:28: We can't use the intellectual property,
01:08:28 - 01:08:30: but like, let's really get those acting chops.
01:08:30 - 01:08:32: - Making my skin crawl.
01:08:32 - 01:08:32: - What would you think of that?
01:08:32 - 01:08:36: - A solo crossover of Ross, old Ross,
01:08:36 - 01:08:38: and old George Costanza.
01:08:38 - 01:08:40: - They both lived in New York City in the '90s.
01:08:40 - 01:08:42: I guess this is going back to our "Infinity War" idea.
01:08:42 - 01:08:43: - It is a little bit.
01:08:43 - 01:08:45: - How about this?
01:08:45 - 01:08:48: A one-act play, Schwimmer and Alexander playing themselves,
01:08:48 - 01:08:52: and it's about them having a conversation
01:08:52 - 01:08:55: in the bathroom at the 1995 Emmys.
01:08:55 - 01:08:56: - Like a Frost/Nixon type thing.
01:08:56 - 01:08:56: - I like that.
01:08:56 - 01:08:58: - This is great, this is great.
01:08:58 - 01:08:59: - That's a good idea, dude.
01:08:59 - 01:09:00: - Yeah.
01:09:00 - 01:09:03: - But they get trapped in an elevator at the Four Seasons.
01:09:03 - 01:09:04: - Yeah, this is good.
01:09:04 - 01:09:05: - Maybe they even knew each other
01:09:05 - 01:09:07: as just like New York actors back in the day.
01:09:07 - 01:09:08: - Sure.
01:09:08 - 01:09:09: - And then they're just like kind of talking,
01:09:09 - 01:09:12: and maybe like Schwimmer has a chip on his shoulder,
01:09:12 - 01:09:14: like, you know what, man?
01:09:14 - 01:09:16: "Friends" is an important sitcom too.
01:09:16 - 01:09:18: Yeah, maybe it's not considered as smart as "Seinfeld,"
01:09:18 - 01:09:19: but you know what, man?
01:09:19 - 01:09:22: It's like always hurt me, and then Jason's like,
01:09:22 - 01:09:23: "Why do you think I feel?
01:09:23 - 01:09:24: "I'm not Jerry, I'm not Larry.
01:09:24 - 01:09:26: "We're both actors, and this (beep)
01:09:26 - 01:09:28: "damn 'Seinfeld'/"Friends' Civil War'
01:09:28 - 01:09:30: "has pushed us apart."
01:09:30 - 01:09:31: And they just like really get into it.
01:09:31 - 01:09:32: - I watched that.
01:09:32 - 01:09:35: - How about this, Kramer and Matt LeBlanc in an elevator?
01:09:35 - 01:09:36: - Ooh.
01:09:36 - 01:09:37: - And Matt LeBlanc says to Kramer,
01:09:37 - 01:09:40: "Hey, man, you and me should grab a beer sometime,
01:09:40 - 01:09:42: "because we're both the comedic relief
01:09:42 - 01:09:44: "on very successful sitcoms."
01:09:44 - 01:09:46: And then Kramer's just like, "No, thank you.
01:09:47 - 01:09:49: "We have very little in common, sir."
01:09:49 - 01:09:51: - Yeah, I think that's exactly how it would go.
01:09:51 - 01:09:52: - How come Kelsey Grammer gets to have
01:09:52 - 01:09:55: his gritty hour drama boss?
01:09:55 - 01:09:56: I've never seen it.
01:09:56 - 01:09:58: Some people watch that show, right?
01:09:58 - 01:09:59: How come Jason Alexander doesn't get his--
01:09:59 - 01:10:01: - Maybe he's like, you think he's looking for it?
01:10:01 - 01:10:03: You think he's after it?
01:10:03 - 01:10:04: - Well, he had a show--
01:10:04 - 01:10:05: - We gotta get him on the horn.
01:10:05 - 01:10:06: - Yeah. - We do, yeah.
01:10:06 - 01:10:07: - He had a show this year.
01:10:07 - 01:10:09: I think it was like a family,
01:10:09 - 01:10:10: like a Partridge family type of thing.
01:10:10 - 01:10:11: - Really?
01:10:11 - 01:10:12: What was it called?
01:10:12 - 01:10:14: - I didn't watch it.
01:10:14 - 01:10:15: - Comedy or drama?
01:10:15 - 01:10:18: - Maybe because people in the online Seinfeld fan community
01:10:18 - 01:10:20: didn't do enough to support the show.
01:10:20 - 01:10:23: - Well, oh, it's called "Hit the Road."
01:10:23 - 01:10:25: Alexander played Ken Swallow,
01:10:25 - 01:10:29: the patriarch of a modern day Partridge family.
01:10:29 - 01:10:32: This was on, what channel was this on?
01:10:32 - 01:10:33: Audience Network.
01:10:33 - 01:10:34: - Literally never heard of that.
01:10:34 - 01:10:36: - Yeah, same.
01:10:36 - 01:10:37: I think that's why I couldn't watch it.
01:10:37 - 01:10:38: - What's the audience?
01:10:38 - 01:10:39: That's like a cable channel?
01:10:39 - 01:10:41: - It's a channel owned by AT&T.
01:10:42 - 01:10:46: - And I think you can only see it through direct TV.
01:10:46 - 01:10:48: - I feel like there was some onion or something
01:10:48 - 01:10:49: that was like a joke about like a new platform
01:10:49 - 01:10:52: that you could only view on the ordering screens
01:10:52 - 01:10:53: at McDonald's.
01:10:53 - 01:10:54: What was the joke?
01:10:54 - 01:10:56: - I think that's what it was, yeah.
01:10:56 - 01:10:58: - It's a platform owned by KFC.
01:10:58 - 01:11:00: I have also lately been feeling like
01:11:00 - 01:11:02: there's just too much content.
01:11:02 - 01:11:03: - Yeah.
01:11:03 - 01:11:05: - It's been hard for me to wanna start a new show
01:11:05 - 01:11:06: or even a movie because,
01:11:06 - 01:11:09: and maybe it's similar to turning my back on cold brew
01:11:09 - 01:11:11: and just wanting to drink Dunkin' Donuts iced coffee.
01:11:11 - 01:11:12: - You're just going old man here.
01:11:12 - 01:11:14: - I'm going old man.
01:11:14 - 01:11:16: I wanna drink Dunkin' Donuts iced coffee
01:11:16 - 01:11:17: and I wanna watch Seinfeld.
01:11:17 - 01:11:19: - Get into Succession.
01:11:19 - 01:11:20: Get into Yellowstone.
01:11:20 - 01:11:22: - Oh, that last episode.
01:11:22 - 01:11:23: Did you see it?
01:11:23 - 01:11:23: - Oh yeah.
01:11:23 - 01:11:24: - Of Yellowstone?
01:11:24 - 01:11:25: - Succession.
01:11:26 - 01:11:27: Great show, Yellowstone's great.
01:11:27 - 01:11:29: I'm pumped for Ozark to return.
01:11:29 - 01:11:31: I'm pumped for Better Call Saul to return.
01:11:31 - 01:11:34: - Better Call Saul is back and no one's talking about it.
01:11:34 - 01:11:35: Do you notice that?
01:11:35 - 01:11:36: There was no hype?
01:11:36 - 01:11:38: - Yeah.
01:11:38 - 01:11:39: - It was on Wednesday.
01:11:39 - 01:11:40: - You guys are speaking Russian.
01:11:40 - 01:11:42: I don't understand a word you're saying.
01:11:42 - 01:11:43: You know what, Jake?
01:11:43 - 01:11:45: You and I are just different people.
01:11:45 - 01:11:47: You're a $5 cold brew.
01:11:47 - 01:11:50: - Premium cable drama watching.
01:11:50 - 01:11:53: - Jake's posted up at Civilian Coffee
01:11:53 - 01:11:56: with an $8 cold brew,
01:11:56 - 01:11:59: watching the latest episode of Succession on HBO Go
01:11:59 - 01:12:00: on his tablet.
01:12:00 - 01:12:03: - Ezra's just ham and egging it over here.
01:12:03 - 01:12:07: He's drinking his D&D iced coffee.
01:12:07 - 01:12:08: - I'm at Dunkin' Donuts.
01:12:08 - 01:12:11: - He's getting in that minivan with 240,000 miles on it.
01:12:11 - 01:12:16: - I'm at Dunkin' Donuts watching Seinfeld on my tablet.
01:12:16 - 01:12:17: - Oh man.
01:12:17 - 01:12:18: - I think also, you know,
01:12:18 - 01:12:20: like maybe it's from working on the album so long
01:12:20 - 01:12:21: and like having, you know,
01:12:21 - 01:12:23: having to play shows and just so much on my mind.
01:12:23 - 01:12:26: It's kind of like when we worked on Contra,
01:12:26 - 01:12:28: I could only watch The Office.
01:12:28 - 01:12:29: - Oh wow, okay.
01:12:29 - 01:12:30: - And actually later I found out that for a lot of people,
01:12:30 - 01:12:33: The Office is like a classic comfort food show.
01:12:33 - 01:12:34: - Yeah.
01:12:34 - 01:12:35: - Like sometimes I've talked to people who are like,
01:12:35 - 01:12:37: "Oh yeah, I love to watch The Office."
01:12:37 - 01:12:38: And I was like, "Yeah?"
01:12:38 - 01:12:39: And they're like, "Yeah."
01:12:39 - 01:12:41: I watched from the first season to the last
01:12:41 - 01:12:42: and it started over again.
01:12:42 - 01:12:43: - I don't understand that.
01:12:43 - 01:12:45: I would never rewatch The Office.
01:12:45 - 01:12:48: And people like throw on TV in like an ambient way.
01:12:48 - 01:12:49: Like it's just on in the back.
01:12:49 - 01:12:50: I've never understood that.
01:12:50 - 01:12:53: - Would you rewatch Seinfeld?
01:12:53 - 01:12:54: - Yeah, not in its entirety,
01:12:54 - 01:12:57: but I would like, if I'm in a specific mood,
01:12:57 - 01:12:57: I'd be like, "Oh, I'll throw Seinfeld on."
01:12:57 - 01:12:59: - It's because these sitcoms are more comforting
01:12:59 - 01:13:01: because, you know,
01:13:01 - 01:13:03: I've watched maybe The Sopranos three times
01:13:03 - 01:13:05: and I'm kind of want to watch it for a fourth time.
01:13:05 - 01:13:08: But it's like, it's an emotional dark experience for me.
01:13:08 - 01:13:09: - I don't rewatch TV.
01:13:09 - 01:13:10: It's so--
01:13:10 - 01:13:12: - You never rewatch The Sopranos?
01:13:12 - 01:13:13: Well, you know, that's an important cultural artifact
01:13:13 - 01:13:15: for where I'm from. - No, I know.
01:13:15 - 01:13:16: I could see it.
01:13:16 - 01:13:17: For me, if I'm gonna watch something,
01:13:17 - 01:13:18: I want it to be like new.
01:13:18 - 01:13:21: I'm really, I'm gonna really give it my attention.
01:13:21 - 01:13:25: - I know, it's the exact opposite attitude you have to music.
01:13:25 - 01:13:26: - It's absolutely true.
01:13:26 - 01:13:27: - It's funny.
01:13:27 - 01:13:30: You to music is like me to TV and coffee.
01:13:30 - 01:13:31: - Yep.
01:13:31 - 01:13:32: ♪ Well, I've been watching you ♪
01:13:32 - 01:13:34: ♪ Watch all night, Diane ♪
01:13:34 - 01:13:37: ♪ Nobody's found a way behind your defenses ♪
01:13:37 - 01:13:40: ♪ They never noticed the sap gun in your hand ♪
01:13:40 - 01:13:43: ♪ Until you're pointing it and stunning your senses ♪
01:13:43 - 01:13:47: ♪ All night long, all night long ♪
01:13:47 - 01:13:49: ♪ You shoot 'em now because you're waiting ♪
01:13:49 - 01:13:51: ♪ For somebody good to come along ♪
01:13:51 - 01:13:53: ♪ All night long, all night long ♪
01:13:53 - 01:13:58: ♪ But you'll be sleeping with the television on ♪
01:14:00 - 01:14:05: ♪ Hey ♪
01:14:05 - 01:14:10: ♪ Oh, you say you're looking for someone solid here ♪
01:14:10 - 01:14:11: ♪ You can't be bothered with those ♪
01:14:11 - 01:14:13: ♪ Just for the night, boys ♪
01:14:13 - 01:14:16: ♪ Tonight it lets you take some kind of chances, dear ♪
01:14:16 - 01:14:19: ♪ Tomorrow morning you'll wake up with the white noise ♪
01:14:19 - 01:14:22: ♪ All night long, all night long ♪
01:14:22 - 01:14:24: ♪ You're only standing there ♪
01:14:24 - 01:14:27: ♪ 'Cause somebody once did somebody wrong ♪
01:14:27 - 01:14:28: ♪ All night long ♪
01:14:28 - 01:14:31: ♪ But you'll be sleeping with the television on ♪
01:14:31 - 01:14:34: ♪ Your eyes are saying talk to me ♪
01:14:34 - 01:14:37: ♪ But your attitude is don't waste my time ♪
01:14:37 - 01:14:39: ♪ Your eyes are saying talk to me ♪
01:14:39 - 01:14:41: ♪ But you won't hear a word ♪
01:14:41 - 01:14:45: ♪ 'Cause it just might be the same old line ♪
01:14:45 - 01:14:48: ♪ This isn't easy for me to say, Diane ♪
01:14:48 - 01:14:51: ♪ I know you don't need anybody's protection ♪
01:14:51 - 01:14:54: ♪ I really wish I was less of a thinking man ♪
01:14:54 - 01:14:57: ♪ And more a fool who's not afraid of rejection ♪
01:14:57 - 01:15:01: ♪ All night long, all night long ♪
01:15:01 - 01:15:02: ♪ I'll just be standing there ♪
01:15:02 - 01:15:06: ♪ 'Cause I know I don't have the guts to come on ♪
01:15:06 - 01:15:09: ♪ And I'll be sleeping with the television on ♪
01:15:09 - 01:15:14: - You're listening to Time Crisis on Beat One.
01:15:14 - 01:15:17: - Seinfeld, I feel like I noticed
01:15:17 - 01:15:19: that you were tweeting with somebody who was like,
01:15:19 - 01:15:21: I've just been listening to some late TC episodes,
01:15:21 - 01:15:23: what are other good ones to listen to or something?
01:15:23 - 01:15:25: And you said you should go back to the start,
01:15:25 - 01:15:27: but then people were commenting on that,
01:15:27 - 01:15:29: or replying and saying,
01:15:29 - 01:15:30: well, here's different good ones to check out.
01:15:30 - 01:15:33: And I was like, we gotta put together greatest hits,
01:15:33 - 01:15:37: TC episode, because for us, it's just such a rant.
01:15:37 - 01:15:40: Like we can't remember where the good runs were.
01:15:40 - 01:15:42: We can't remember the good conversations.
01:15:42 - 01:15:44: The TC heads, no, but.
01:15:44 - 01:15:46: - Grape Ice Cream.
01:15:46 - 01:15:47: - Grape Ice Cream.
01:15:47 - 01:15:50: What other stuff do people like?
01:15:50 - 01:15:52: The One Direction on Nantucket movie.
01:15:52 - 01:15:54: What was that one about?
01:15:54 - 01:15:55: - Yeah, the hardware store.
01:15:55 - 01:15:56: - The hardware store.
01:15:56 - 01:15:57: - Oh, that horrid.
01:15:57 - 01:16:01: Bedsheets, obviously that was like a three, three-parter.
01:16:01 - 01:16:03: - We've had some great. - My ribs.
01:16:03 - 01:16:05: - Oh yeah, Lonnie's dad.
01:16:05 - 01:16:05: - Lonnie's dad.
01:16:05 - 01:16:07: - Yeah, that's the two fridge.
01:16:07 - 01:16:08: - Lonnie's dad, the two fridge,
01:16:08 - 01:16:10: that's pretty legendary for me.
01:16:10 - 01:16:12: Anyway, that's a long-term project,
01:16:12 - 01:16:14: is the Time Crisis archive project.
01:16:14 - 01:16:15: You know what, we gotta start making
01:16:15 - 01:16:17: dicks pics of Time Crisis.
01:16:17 - 01:16:19: - TCDB.com.
01:16:19 - 01:16:22: - Okay, we're gonna start putting out compilations
01:16:22 - 01:16:26: that are the best choice nugs from Time Crisis
01:16:26 - 01:16:28: on very nice limited edition vinyl.
01:16:28 - 01:16:31: And it's gonna be volume one through 10,
01:16:31 - 01:16:33: and we're gonna pick the best of the best.
01:16:33 - 01:16:34: - Yep.
01:16:34 - 01:16:37: - But we need a name like Dicks Pics.
01:16:37 - 01:16:39: I mean, it could be Jake's Takes,
01:16:39 - 01:16:41: but I've always felt like it didn't make quite enough sense.
01:16:41 - 01:16:42: - No, no, I don't think that's it.
01:16:42 - 01:16:44: - Jake's Rakes?
01:16:44 - 01:16:45: Jake's raked the leaves of Time Crisis
01:16:45 - 01:16:47: and cleaned it up into something.
01:16:47 - 01:16:49: - I was pushing it.
01:16:49 - 01:16:50: - Nothing around Desiree, so that's.
01:16:50 - 01:16:52: - Or something to do with the Crisis Crew?
01:16:52 - 01:16:53: - True Crew?
01:16:53 - 01:16:56: - Let's see what some synonyms for pics are.
01:16:56 - 01:16:57: Choice.
01:16:57 - 01:16:58: - Choice Crew.
01:16:58 - 01:16:59: - Crisis Choice.
01:16:59 - 01:17:00: - What rhymes with select?
01:17:00 - 01:17:02: - Detect?
01:17:02 - 01:17:02: - Crew.
01:17:02 - 01:17:03: - This is.
01:17:03 - 01:17:04: - This is really.
01:17:04 - 01:17:07: - This is really scraping the bottom.
01:17:07 - 01:17:10: (laughing)
01:17:10 - 01:17:12: - This show rules.
01:17:12 - 01:17:13: - This show rules.
01:17:13 - 01:17:16: - This is almost like behind the scenes.
01:17:16 - 01:17:18: (laughing)
01:17:18 - 01:17:19: BTS.
01:17:19 - 01:17:21: - Breaking the fourth wall.
01:17:21 - 01:17:24: Okay, EddieTC Heads, if you can come up with a good idea
01:17:24 - 01:17:29: what we can name our numero group of vinyl selections.
01:17:29 - 01:17:30: - Yeah, yeah, hit us up.
01:17:30 - 01:17:32: - I mean, it could be Seinfeld Selections.
01:17:32 - 01:17:33: Doesn't exactly roll off the tongue.
01:17:33 - 01:17:36: Seinfeld Selects, better.
01:17:36 - 01:17:38: We could make it intentionally awkward.
01:17:38 - 01:17:41: Like, top choice of Seinfeld.
01:17:41 - 01:17:42: A little like a weird translation.
01:17:42 - 01:17:44: - Or you could just name each album
01:17:44 - 01:17:46: off of like one of the tracks.
01:17:46 - 01:17:49: Like the first one could just call like Grape Ice Cream.
01:17:49 - 01:17:50: - Right.
01:17:50 - 01:17:51: - You know.
01:17:51 - 01:17:52: Second album's called Lonnie's Dad.
01:17:52 - 01:17:53: - It could be, yeah, so it could be like
01:17:53 - 01:17:55: Time Crisis Volume 3 Lonnie's Dad.
01:17:55 - 01:17:56: - Yeah, yeah, exactly.
01:17:56 - 01:17:59: - Okay, but if anybody has a good idea let us know.
01:17:59 - 01:18:01: Okay, time for top five.
01:18:01 - 01:18:03: - It's time for the top five.
01:18:03 - 01:18:07: Five on iTunes.
01:18:07 - 01:18:10: - Okay, so this is gonna be a pretty interesting one.
01:18:10 - 01:18:14: We're doing the top five songs on iTunes right now
01:18:14 - 01:18:18: versus the Billboard top five of this week in 1999.
01:18:18 - 01:18:19: Why '99?
01:18:19 - 01:18:23: - That was the year that Stumptown was founded
01:18:23 - 01:18:24: in Portland, Oregon.
01:18:24 - 01:18:26: Also the year I graduated college in Portland, Oregon.
01:18:26 - 01:18:27: - Really?
01:18:27 - 01:18:28: - Yeah, man.
01:18:28 - 01:18:30: First Stumptown on Belmont Street.
01:18:30 - 01:18:31: - That's kinda interesting.
01:18:31 - 01:18:33: You graduate college.
01:18:33 - 01:18:34: - Third wave takes off.
01:18:34 - 01:18:36: - And third wave takes off.
01:18:36 - 01:18:38: So that's a hell of a way to enter the workforce.
01:18:38 - 01:18:40: - I didn't work there, I worked at Papa John's.
01:18:40 - 01:18:42: - I know, but you probably grabbed a cold brew there
01:18:42 - 01:18:43: or an iced coffee.
01:18:43 - 01:18:44: - Hot cup.
01:18:44 - 01:18:46: - You know, that'd be like graduating college
01:18:46 - 01:18:49: in '69 with the moon landing.
01:18:49 - 01:18:52: - I was gonna say when Levi Strauss is starting
01:18:52 - 01:18:54: in San Francisco.
01:18:54 - 01:18:54: - No, the gap.
01:18:54 - 01:18:55: - You're right.
01:18:55 - 01:18:57: - Sometimes people graduate college at a time
01:18:57 - 01:18:59: when there's like an oil crisis
01:18:59 - 01:19:02: and sometimes they graduate when there's
01:19:02 - 01:19:05: new retail opportunities or technologies taking off.
01:19:05 - 01:19:06: - Boom.
01:19:06 - 01:19:07: - It depends, the world you're entering into
01:19:07 - 01:19:08: is very different.
01:19:08 - 01:19:09: So we're doing '99.
01:19:09 - 01:19:13: The number five song in '99, Jennifer Lopez,
01:19:13 - 01:19:14: If You Had My Love.
01:19:14 - 01:19:18: - August of '99.
01:19:18 - 01:19:20: - That sound is already just so '99.
01:19:20 - 01:19:22: - So is it like a harpsichord, like a fake harpsichord?
01:19:22 - 01:19:24: - Yeah, it could be a keyboard,
01:19:24 - 01:19:28: like a chord guitar sound or something, who knows?
01:19:28 - 01:19:30: Yes, or a harpsichord.
01:19:30 - 01:19:37: - This song is dope, though.
01:19:37 - 01:19:38: - Yeah.
01:19:38 - 01:19:39: - You a fan?
01:19:39 - 01:19:40: - Oh yeah.
01:19:40 - 01:19:42: - This was her breakout hit, right?
01:19:42 - 01:19:42: This was her first.
01:19:42 - 01:19:45: - Produced by Rodney Jerkins, great producer.
01:19:45 - 01:19:54: Michael Jackson showed interest in this song,
01:19:54 - 01:19:57: but felt that it was better suited for a female artist.
01:19:57 - 01:19:58: Yeah, you can actually really picture it.
01:19:58 - 01:19:59: - Totally.
01:19:59 - 01:20:00: - Oh yeah, he would murder this.
01:20:00 - 01:20:03: ♪ This is how it's got to be ♪
01:20:03 - 01:20:06: ♪ And if I can't trust ♪
01:20:06 - 01:20:09: ♪ If I can't trust in you ♪
01:20:09 - 01:20:14: ♪ And I refuse to let you play me for a fool ♪
01:20:14 - 01:20:16: ♪ Yeah, yeah ♪
01:20:16 - 01:20:18: ♪ No, we could possibly ♪
01:20:18 - 01:20:19: ♪ Possibly ♪
01:20:19 - 01:20:24: ♪ Become a dirty, dirty, dirty, dirty, dirty, dirty ♪
01:20:24 - 01:20:25: ♪ That's what you told me ♪
01:20:25 - 01:20:25: ♪ That's what you said ♪
01:20:25 - 01:20:27: ♪ You want me ♪
01:20:27 - 01:20:29: ♪ You have to, you have to be ♪
01:20:29 - 01:20:33: ♪ You're in all the things I've been wanting ♪
01:20:33 - 01:20:35: ♪ If you really want me, baby ♪
01:20:35 - 01:20:40: ♪ If you had my love and I gave you all my trust ♪
01:20:40 - 01:20:43: ♪ Would you come find me ♪
01:20:43 - 01:20:46: ♪ Tell me, baby ♪
01:20:46 - 01:20:47: - Classic.
01:20:47 - 01:20:49: The number five song on iTunes right now.
01:20:49 - 01:20:50: Something new.
01:20:50 - 01:20:52: We haven't heard this on the show yet.
01:20:52 - 01:20:53: This is an interesting one,
01:20:53 - 01:20:57: 'cause I first heard this song not on Time Crisis,
01:20:57 - 01:21:01: not in an Uber, not in a business establishment.
01:21:01 - 01:21:05: I heard it in a commercial, I guess for the Apple HomePod,
01:21:05 - 01:21:08: where DJ Khaled and his son are yelling at each other.
01:21:08 - 01:21:10: And it's a DJ Khaled song called "No Brainer"
01:21:10 - 01:21:12: featuring Justin Bieber, Chance the Rapper, and Quavo.
01:21:14 - 01:21:17: ♪ We the best music ♪
01:21:17 - 01:21:19: ♪ Another one ♪
01:21:19 - 01:21:22: ♪ DJ Khaled ♪
01:21:22 - 01:21:25: ♪ You say God of the crowd, baby, it's a no brainer ♪
01:21:25 - 01:21:27: ♪ It ain't the heart that choose ♪
01:21:27 - 01:21:30: ♪ Him or me, be for real, baby, it's a no brainer ♪
01:21:30 - 01:21:34: ♪ You got to mind, lose, go hard and watch the sun rise ♪
01:21:34 - 01:21:35: ♪ One night'll change your whole life ♪
01:21:35 - 01:21:37: - It's like a sequel of sorts.
01:21:37 - 01:21:38: - To "I'm the One"?
01:21:38 - 01:21:38: - Yeah.
01:21:38 - 01:21:39: ♪ It's a no brainer ♪
01:21:39 - 01:21:43: ♪ Put 'em up if you with me, yeah, yeah, yeah, yeah ♪
01:21:43 - 01:21:48: ♪ In the middle ♪
01:21:48 - 01:21:50: ♪ Put 'em high ♪
01:21:50 - 01:21:53: ♪ Put 'em high ♪
01:21:53 - 01:21:54: ♪ Most stars, yeah ♪
01:21:54 - 01:21:57: ♪ Oh, oh, oh, oh, oh, oh, oh, oh, oh ♪
01:21:57 - 01:21:59: ♪ Put 'em high ♪
01:21:59 - 01:22:01: ♪ Quavo ♪
01:22:01 - 01:22:03: ♪ Mama told you don't talk to strangers ♪
01:22:03 - 01:22:05: ♪ Oh, oh, oh, oh, oh, oh, oh, oh, oh ♪
01:22:05 - 01:22:07: - Yeah, that makes the J-Lo sound
01:22:07 - 01:22:09: positively Baroque comparison.
01:22:09 - 01:22:11: - I mean, it's not-- - Very careful.
01:22:11 - 01:22:13: - Right, yeah, this is one of those songs,
01:22:13 - 01:22:15: it's also funny too how like,
01:22:15 - 01:22:17: I don't know if it's always been this way,
01:22:17 - 01:22:18: but it's like I hear that song the first time
01:22:18 - 01:22:20: and I'm like, I have nothing against it.
01:22:20 - 01:22:21: It's not very exciting to me,
01:22:21 - 01:22:23: but I also just like look at the names
01:22:23 - 01:22:25: and I'm just like, I will probably hear this song
01:22:25 - 01:22:28: 700 times and then eventually I'll be like,
01:22:28 - 01:22:29: well, you know, it's a very catchy song.
01:22:29 - 01:22:31: - You'll hear it a lot for the next like,
01:22:31 - 01:22:34: four and a half months and then never again.
01:22:34 - 01:22:35: - Right, but generally it seems like
01:22:35 - 01:22:37: things are too big to fail today.
01:22:37 - 01:22:39: Like a DJ Khaled song coming out
01:22:39 - 01:22:41: and just like dropping off the charts,
01:22:41 - 01:22:43: I just, does that, I don't think that would happen.
01:22:43 - 01:22:45: It'd at least get like a pretty big wave
01:22:45 - 01:22:48: of initial enthusiasm, I don't know, who cares.
01:22:48 - 01:22:51: The number four song in 99, this is a big one.
01:22:51 - 01:22:52: - Okay.
01:22:52 - 01:22:55: ♪ Somebody once told me the world is gonna roll me ♪
01:22:55 - 01:22:55: - Heads up.
01:22:55 - 01:22:59: I feel like we've riffed on this song on a show before.
01:22:59 - 01:23:01: - Well, this song's basically a meme now.
01:23:01 - 01:23:02: - Right.
01:23:02 - 01:23:04: - The kids love to joke about it.
01:23:04 - 01:23:07: ♪ Finger in her thumb in the shape of an L ♪
01:23:07 - 01:23:08: ♪ On her ♪
01:23:08 - 01:23:10: - Forehead.
01:23:10 - 01:23:12: ♪ Well, the years start coming ♪
01:23:12 - 01:23:13: ♪ And they don't stop coming ♪
01:23:13 - 01:23:14: - Do you have any memory of like
01:23:14 - 01:23:15: when the song first came out?
01:23:15 - 01:23:17: - Didn't make sense, no.
01:23:17 - 01:23:18: - It was the type of thing you'd hear on the radio
01:23:18 - 01:23:20: and you're driving for Papa John's?
01:23:20 - 01:23:20: - Oh yeah.
01:23:20 - 01:23:22: - Did you think it was remotely cool?
01:23:22 - 01:23:26: - No, it gave me kind of like a Mighty Mighty Boston's.
01:23:26 - 01:23:27: - I think Mighty Mighty Boston's are cool.
01:23:27 - 01:23:31: - I mean, I probably like it more now than I did then.
01:23:31 - 01:23:33: - Did you know who Smash Mouth was?
01:23:33 - 01:23:34: - No, I only knew that song.
01:23:34 - 01:23:36: - Well, before that, the previous album,
01:23:36 - 01:23:37: they had a song,
01:23:37 - 01:23:39: ♪ You might as well be walking on the sun ♪
01:23:39 - 01:23:41: - Oh yeah, sure, I knew that.
01:23:41 - 01:23:43: No, I mean, I guess my perspective on it back then
01:23:43 - 01:23:46: was sort of like, this is like major label,
01:23:46 - 01:23:49: like fake, like alternative rock or something.
01:23:49 - 01:23:51: I was just like, this is garbage.
01:23:51 - 01:23:54: Like this was the same league as like Third Eye Blind
01:23:54 - 01:23:57: and Three Doors Down and that kind of stuff.
01:23:57 - 01:23:58: ♪ It's getting pretty thin ♪
01:23:58 - 01:23:59: ♪ The water's getting warm ♪
01:23:59 - 01:24:01: ♪ So you might as well swim ♪
01:24:01 - 01:24:02: ♪ My world's on fire ♪
01:24:02 - 01:24:03: ♪ How about yours ♪
01:24:03 - 01:24:04: ♪ That's the way I like it ♪
01:24:04 - 01:24:06: ♪ And I'll never get bored ♪
01:24:06 - 01:24:08: ♪ Hey now, you're an all star ♪
01:24:08 - 01:24:11: ♪ Get your game on, go play ♪
01:24:11 - 01:24:13: ♪ Hey now, you're a rock star ♪
01:24:13 - 01:24:15: ♪ Get the show on, get paid ♪
01:24:15 - 01:24:19: ♪ All that glitters is gold ♪
01:24:19 - 01:24:24: ♪ Only shooting stars break the mold ♪
01:24:24 - 01:24:25: - Although I would say this.
01:24:25 - 01:24:26: - Yeah?
01:24:26 - 01:24:28: - I would listen to the song.
01:24:28 - 01:24:29: - Right.
01:24:29 - 01:24:32: - But if like Korn or Marilyn Manson came on the radio,
01:24:32 - 01:24:34: I would change the station.
01:24:34 - 01:24:34: - Too heavy?
01:24:34 - 01:24:37: - Yeah, in '99 or like Limp Bizkit.
01:24:37 - 01:24:38: - Yeah, you weren't checking for that stuff.
01:24:38 - 01:24:42: - I was like checking out the Alt Rock radio station
01:24:42 - 01:24:45: and you'd catch this and maybe you'd catch like--
01:24:45 - 01:24:46: - Fastball?
01:24:46 - 01:24:48: - Yeah, exactly, yeah, fastball.
01:24:48 - 01:24:50: I'd be like, I can hang with this
01:24:50 - 01:24:52: or like semi-sonic or whatever.
01:24:52 - 01:24:53: - Right.
01:24:53 - 01:24:54: - And then it would go to like Korn and Limp Bizkit
01:24:54 - 01:24:56: and I'd be like, I gotta bail, guys.
01:24:56 - 01:24:58: (laughing)
01:24:58 - 01:25:02: - The number four song in 2018, "Girls Like You".
01:25:02 - 01:25:04: Maroon 5 featuring Cardi B.
01:25:06 - 01:25:15: ♪ Spent 24 hours, I need more hours with you ♪
01:25:18 - 01:25:23: ♪ We spent the weekend getting even, oh ♪
01:25:23 - 01:25:31: ♪ We spent the late nights making things right between us ♪
01:25:31 - 01:25:36: ♪ But now it's all good, babe ♪
01:25:36 - 01:25:41: ♪ Well, I thought we'd better play me close ♪
01:25:41 - 01:25:45: ♪ 'Cause girls like you run around with guys like me ♪
01:25:45 - 01:25:47: ♪ So sometimes when I come through ♪
01:25:47 - 01:25:49: ♪ I need a girl like you, yeah, yeah ♪
01:25:49 - 01:25:53: ♪ Girls like you love falling in love with me too ♪
01:25:53 - 01:25:55: ♪ And I want when I come through ♪
01:25:55 - 01:25:58: ♪ I need a girl like you, yeah, yeah ♪
01:25:58 - 01:26:00: ♪ Yeah, yeah, yeah ♪
01:26:00 - 01:26:02: ♪ Yeah, yeah, yeah ♪
01:26:02 - 01:26:06: ♪ I need a girl like you, yeah, yeah ♪
01:26:06 - 01:26:09: ♪ Yeah, yeah, yeah, yeah, yeah, yeah, yeah ♪
01:26:09 - 01:26:11: - What are the lyrics to this?
01:26:11 - 01:26:12: - Oh yeah.
01:26:12 - 01:26:15: - I like all that palm muting on the acoustics.
01:26:15 - 01:26:17: - I do like the guitar.
01:26:20 - 01:26:25: ♪ Took a whole day up trying to get way up, oh ♪
01:26:25 - 01:26:30: ♪ We spent the day like trying to make it ♪
01:26:30 - 01:26:31: - The lyrics are very strange.
01:26:31 - 01:26:35: 'Cause girls like you run around with guys like me
01:26:35 - 01:26:37: 'til sundown, when I come through,
01:26:37 - 01:26:39: I need a girl like you, yeah, yeah.
01:26:39 - 01:26:41: - They worked these lyrics hard.
01:26:41 - 01:26:44: - Girls like you love fun, yeah, me too.
01:26:44 - 01:26:45: What I want when I come through,
01:26:45 - 01:26:46: I need a girl like you, yeah.
01:26:46 - 01:26:49: Maroon 5 has had interesting lyrics in the past.
01:26:49 - 01:26:51: - Dude, Adam Levine was sitting on those lyrics for years.
01:26:51 - 01:26:52: - Who knows if he wrote them.
01:26:52 - 01:26:55: - He was just waiting for the right song to come around.
01:26:55 - 01:26:56: - It's very circular reasoning.
01:26:56 - 01:26:58: 'Cause girls like you run around with guys like me
01:26:58 - 01:26:59: 'til sundown, when I come through,
01:26:59 - 01:27:01: I need a girl like you.
01:27:01 - 01:27:01: I need a girl like you.
01:27:01 - 01:27:03: Why do you need a girl like me?
01:27:03 - 01:27:05: 'Cause girls like you go with guys like me.
01:27:05 - 01:27:07: Can you be a little more specific?
01:27:07 - 01:27:08: You know, we both run around 'til sundown
01:27:08 - 01:27:09: and we both love fun.
01:27:09 - 01:27:11: - It sounds a little bit like if train A
01:27:11 - 01:27:14: is headed for the destination from, you know, 230,
01:27:14 - 01:27:16: like it's one of those equations.
01:27:16 - 01:27:19: - Maybe it's a commentary on there's no magic in this world.
01:27:19 - 01:27:21: You know, everything's kind of predestined.
01:27:21 - 01:27:23: - I think you're overthinking it, man.
01:27:23 - 01:27:24: - What do you think it means?
01:27:24 - 01:27:25: - I think it's just like, it's like,
01:27:25 - 01:27:30: sugar, you are my candy girl.
01:27:30 - 01:27:32: And you got me wanting you.
01:27:32 - 01:27:34: It's like an Archie song, dude.
01:27:34 - 01:27:36: It's the Archies in 2018.
01:27:36 - 01:27:37: - I can also imagine like, you know,
01:27:37 - 01:27:39: many songwriters, myself included,
01:27:39 - 01:27:41: will come up with the melody first.
01:27:41 - 01:27:42: - Yeah.
01:27:42 - 01:27:43: - And sometimes you have a really good melody.
01:27:43 - 01:27:45: And sometimes it's kind of complicated.
01:27:45 - 01:27:46: And the faster the melody is,
01:27:46 - 01:27:49: the more dire it can be sometimes.
01:27:49 - 01:27:51: Can you fit lyrics in that fit the song?
01:27:51 - 01:27:53: - And you gotta record it today.
01:27:53 - 01:27:54: - So somebody was like, maybe it's,
01:27:54 - 01:27:56: ♪ 'Cause a girl like you ♪
01:27:56 - 01:27:57: ♪ By now it's by now me ♪
01:27:57 - 01:27:59: ♪ Da da da ba na na ♪
01:27:59 - 01:28:01: ♪ But need a girl like you ♪
01:28:01 - 01:28:02: And then kind of like,
01:28:02 - 01:28:03: ♪ Girl like you ♪
01:28:03 - 01:28:05: ♪ Run around with guys like me ♪
01:28:05 - 01:28:07: ♪ And then sundown I come through ♪
01:28:07 - 01:28:08: ♪ I need a girl like you ♪
01:28:08 - 01:28:11: And also the way he sings it, it's very unclear.
01:28:11 - 01:28:15: ♪ I just like the loveliness of loving you ♪
01:28:15 - 01:28:18: - We spend the late nights making things right between us.
01:28:18 - 01:28:19: But now it's all good, baby.
01:28:19 - 01:28:20: Roll that backwood, baby.
01:28:20 - 01:28:22: And play me close.
01:28:22 - 01:28:23: - Roll that what?
01:28:23 - 01:28:24: Backwood? - Backwood.
01:28:24 - 01:28:27: It's the most expensive rap to use when rolling blunts.
01:28:27 - 01:28:28: It's something that rappers say.
01:28:28 - 01:28:30: - Dude, remember in that Metallica documentary
01:28:30 - 01:28:33: when they're writing lyrics with their therapist?
01:28:33 - 01:28:36: He's like, yeah, dude, my lifestyle's my death style.
01:28:36 - 01:28:38: - Oh yeah, your lifestyle determines your death style.
01:28:38 - 01:28:40: - That's like what this, it's the same.
01:28:40 - 01:28:41: - That means something, though.
01:28:41 - 01:28:43: The way you live your life determines how it's gonna end.
01:28:43 - 01:28:46: - Obviously, you are what you eat.
01:28:46 - 01:28:47: - Yeah, at least that means something.
01:28:47 - 01:28:50: Now, okay, I'm not mad at it,
01:28:50 - 01:28:52: but "Girl Like You" is a real head-scratcher for me.
01:28:52 - 01:28:56: It's neither like vibey, poetic, surrealistical (beep)
01:28:56 - 01:28:57: where you're just kind of like, I don't know what he meant,
01:28:57 - 01:28:59: but it's like, I get a vibe off it.
01:28:59 - 01:29:00: It's not that type of lyric.
01:29:00 - 01:29:03: Most Maroon 5 songs feel a little more specific.
01:29:03 - 01:29:05: - Throw in the Archies, dude.
01:29:05 - 01:29:07: I really feel like it's the same emotional
01:29:07 - 01:29:08: and lyrical palette.
01:29:11 - 01:29:16: - This is probably 50 years old.
01:29:16 - 01:29:19: ♪ Sugar ♪
01:29:19 - 01:29:23: ♪ Oh, honey, honey ♪
01:29:23 - 01:29:26: ♪ You are my candy girl ♪
01:29:26 - 01:29:31: ♪ And you got me wanting you ♪
01:29:31 - 01:29:34: ♪ Honey ♪
01:29:34 - 01:29:37: ♪ Oh, sugar, sugar ♪
01:29:37 - 01:29:39: - That's what I did. I like that.
01:29:39 - 01:29:42: ♪ You are my candy girl ♪
01:29:42 - 01:29:45: ♪ And you got me wanting you ♪
01:29:45 - 01:29:46: - Cardi B!
01:29:46 - 01:29:51: ♪ I just can't believe the loveliness of loving you ♪
01:29:51 - 01:29:55: ♪ I just can't believe it's true ♪
01:29:55 - 01:29:59: ♪ I just can't believe the wonder of this feeling too ♪
01:29:59 - 01:30:02: ♪ I just can't believe it's true ♪
01:30:02 - 01:30:03: ♪ Ah, sugar ♪
01:30:03 - 01:30:05: - Oh, sick!
01:30:05 - 01:30:06: All right.
01:30:06 - 01:30:10: ♪ Oh, honey, honey ♪
01:30:10 - 01:30:13: ♪ You are my candy girl ♪
01:30:13 - 01:30:18: ♪ And you got me wanting you ♪
01:30:18 - 01:30:22: ♪ Oh, honey ♪
01:30:22 - 01:30:25: ♪ Sugar, sugar ♪
01:30:25 - 01:30:29: ♪ You are my candy girl ♪
01:30:29 - 01:30:34: ♪ And you got me wanting you ♪
01:30:34 - 01:30:36: ♪ When I kissed you, girl ♪
01:30:36 - 01:30:40: ♪ I knew how sweet a kiss could be ♪
01:30:40 - 01:30:42: - He knew how sweet a kiss could be.
01:30:42 - 01:30:44: ♪ Like the summer sunshine ♪
01:30:44 - 01:30:46: ♪ Pour your sweetness over me ♪
01:30:46 - 01:30:47: - Oh.
01:30:47 - 01:30:50: Pour some sugar on me, 20 years earlier.
01:30:50 - 01:30:52: - I've actually always wondered that,
01:30:52 - 01:30:53: if the Def Leppard song.
01:30:53 - 01:30:55: - Yeah, they would have some distant childhood memory
01:30:55 - 01:30:56: of this song.
01:30:56 - 01:30:58: - Yeah, it was a reference to this.
01:30:58 - 01:31:00: ♪ You make me so sweet ♪
01:31:00 - 01:31:01: ♪ Yeah, yeah, yeah ♪
01:31:01 - 01:31:04: ♪ Pouring the sugar on me ♪
01:31:04 - 01:31:05: ♪ Oh, yeah ♪
01:31:05 - 01:31:07: ♪ Pouring the sugar on me ♪
01:31:07 - 01:31:09: - Well, I mean, look, there's nothing wrong with.
01:31:09 - 01:31:11: - Yeah, it's just a little love ditty.
01:31:11 - 01:31:13: - Sometimes a song is basically just like,
01:31:13 - 01:31:14: I like you and it feels good,
01:31:14 - 01:31:17: and it feels good because I like you.
01:31:17 - 01:31:19: - Or like half of the Everly Brothers catalog.
01:31:19 - 01:31:22: - No, but their songs are a little more specific.
01:31:22 - 01:31:24: Look, we need all types of songs,
01:31:24 - 01:31:26: but you know what's also funny, hearing that song?
01:31:26 - 01:31:28: It actually has a lot in common,
01:31:28 - 01:31:31: vibe-wise, with "Brown Eyed Girl."
01:31:31 - 01:31:32: And you can imagine that, you know,
01:31:32 - 01:31:33: somebody listening to "Brown Eyed Girl,"
01:31:33 - 01:31:36: that's like the poetic, making love in the green,
01:31:36 - 01:31:37: like "Brown Eyed Girl" is about like.
01:31:37 - 01:31:39: ♪ Behind the stadium ♪
01:31:39 - 01:31:41: "Brown Eyed Girl" is like so bittersweet
01:31:41 - 01:31:45: about like young love and lost love and change and stuff.
01:31:45 - 01:31:46: - And memory.
01:31:46 - 01:31:48: - And memory, yeah.
01:31:48 - 01:31:49: - Seasons.
01:31:49 - 01:31:50: - Days when the rain came.
01:31:50 - 01:31:51: - Right.
01:31:51 - 01:31:52: - And then sugar, sugar.
01:31:52 - 01:31:53: But you know the hilarious thing is like,
01:31:53 - 01:31:54: one person listens to "Sugar, Sugar,"
01:31:54 - 01:31:55: and they get that feeling,
01:31:55 - 01:31:57: one person listens to "Brown Eyed Girl,"
01:31:57 - 01:31:59: Irish poetry, you get the same feeling.
01:31:59 - 01:32:00: Who cares?
01:32:00 - 01:32:02: So shout out to Maroon 5.
01:32:02 - 01:32:04: Here's a song that's actually about something.
01:32:04 - 01:32:05: I remember the first time I saw the video
01:32:05 - 01:32:07: for this next song, and.
01:32:07 - 01:32:08: - What are we, number three of 99?
01:32:08 - 01:32:10: - We're number three of 99.
01:32:10 - 01:32:12: And it made a big impression on me,
01:32:12 - 01:32:14: like I didn't have a lot of context for it.
01:32:14 - 01:32:16: Like sometimes you're right about something,
01:32:16 - 01:32:17: sometimes you're wrong.
01:32:17 - 01:32:18: Sometimes you see somebody like,
01:32:18 - 01:32:20: that person didn't go far on some of this.
01:32:20 - 01:32:21: I know this seems crazy,
01:32:21 - 01:32:23: but I remember the first time I saw this video,
01:32:23 - 01:32:25: and this is this group's second album.
01:32:25 - 01:32:27: So I was just ignorant, I missed the first album
01:32:27 - 01:32:31: just 'cause I wasn't listening to this type of music.
01:32:31 - 01:32:32: And when I remember I first saw it,
01:32:32 - 01:32:35: I swear, I was sitting in the basement,
01:32:35 - 01:32:36: and I thought to myself,
01:32:36 - 01:32:40: that one person in this group has such a charisma.
01:32:40 - 01:32:44: She's such a good performer, she's beautiful.
01:32:44 - 01:32:45: I just remember being like 14,
01:32:45 - 01:32:46: and it's like a 14 year old,
01:32:46 - 01:32:47: you see like a beautiful woman,
01:32:47 - 01:32:49: you're just kind of like, there's something there.
01:32:49 - 01:32:50: - Destinies?
01:32:50 - 01:32:51: - And it was Destiny's Child.
01:32:51 - 01:32:53: Clearly I was not the only person thinking this,
01:32:53 - 01:32:55: but it just always lodged in my brain.
01:32:55 - 01:32:58: I remember vividly the first time I saw Beyonce.
01:32:58 - 01:33:00: - I was thinking either NSYNC or Destinies,
01:33:00 - 01:33:01: and then you said a woman.
01:33:01 - 01:33:02: - Right.
01:33:02 - 01:33:04: Honestly I didn't have the same feeling about NSYNC.
01:33:04 - 01:33:05: I would have picked Joey Fatone
01:33:05 - 01:33:07: as the one to go to the distance.
01:33:07 - 01:33:09: I was like, he just seemed more solid.
01:33:09 - 01:33:11: But when I first saw Destiny's Child,
01:33:11 - 01:33:13: I just remember I really had this feeling.
01:33:13 - 01:33:14: It was the first time I saw Beyonce,
01:33:14 - 01:33:17: and I was like, there's something special about that person.
01:33:17 - 01:33:18: - Nailed it.
01:33:18 - 01:33:18: - And I was--
01:33:18 - 01:33:20: - Talent scout over here.
01:33:20 - 01:33:21: - I could have been a talent scout.
01:33:21 - 01:33:22: Yeah, but you know what's funny?
01:33:22 - 01:33:25: It's like, I'm right about stuff like that one in 15 times.
01:33:25 - 01:33:26: - That's a great ratio, man.
01:33:26 - 01:33:28: - No, it's not a good ratio.
01:33:28 - 01:33:30: If I worked at a record label, I'd be awful.
01:33:30 - 01:33:30: - Yeah, I would suck.
01:33:30 - 01:33:32: - I would really be bad at it.
01:33:32 - 01:33:33: That's why it's notable.
01:33:33 - 01:33:34: Like, oh, shit comes out,
01:33:34 - 01:33:36: I'm just like, that's fucking sucks.
01:33:36 - 01:33:38: That other thing rules, I'm always wrong.
01:33:38 - 01:33:40: But this was the one time I was right.
01:33:40 - 01:33:43: Very similar sound to If You Had My Love.
01:33:43 - 01:33:48: - I think this is also Rodney Jerkins, right?
01:33:48 - 01:33:50: - No, this one's not Rodney Jerkins,
01:33:50 - 01:33:52: although he did work with Beyonce later.
01:33:54 - 01:33:58: ♪ At first we started out real cool ♪
01:33:58 - 01:34:01: ♪ Taking me places I ain't never been ♪
01:34:01 - 01:34:03: ♪ But now you're getting comfortable ♪
01:34:03 - 01:34:05: ♪ Ain't doing those things you did no more ♪
01:34:05 - 01:34:07: ♪ You're slowly making me pay for things ♪
01:34:07 - 01:34:08: ♪ Your money should be-- ♪
01:34:08 - 01:34:11: - Man, '99 was a long time ago.
01:34:11 - 01:34:11: - Basically 20 years ago.
01:34:11 - 01:34:13: - That's crazy, dude.
01:34:13 - 01:34:16: It's crazy that my 20th college reunion's
01:34:16 - 01:34:18: coming up next year.
01:34:18 - 01:34:20: - Damn, you gonna go?
01:34:20 - 01:34:21: - You know what's really intense, man?
01:34:21 - 01:34:22: - Yeah? - I don't know.
01:34:22 - 01:34:26: - I remember when I went to college in '95,
01:34:26 - 01:34:27: I went to school in Oregon,
01:34:27 - 01:34:30: and my parents had gone to school in California.
01:34:30 - 01:34:33: And so the same month that I started school in Oregon,
01:34:33 - 01:34:35: they went to their 25th--
01:34:35 - 01:34:36: - Whoa.
01:34:36 - 01:34:40: - 25th college reunion in 1995.
01:34:40 - 01:34:41: - Roll that to the West Coast.
01:34:41 - 01:34:44: - So they had an 18-year-old who's a freshman in college,
01:34:44 - 01:34:45: and then they were, you know.
01:34:45 - 01:34:47: - That'd be like you had a 13-year-old right now.
01:34:47 - 01:34:48: - Yeah.
01:34:48 - 01:34:51: ♪ You do, so you do ♪
01:34:51 - 01:34:54: ♪ You do, so you do ♪
01:34:54 - 01:34:56: ♪ Can you pay my bills ♪
01:34:56 - 01:34:58: ♪ Can you pay my telephone bills ♪
01:34:58 - 01:35:00: - Also, I vividly remember it.
01:35:00 - 01:35:02: I was like, this song is great.
01:35:02 - 01:35:05: I love the groove and the cadence of the vocals.
01:35:05 - 01:35:07: That woman is a star.
01:35:07 - 01:35:10: And it kinda reminds me of Hotel California.
01:35:10 - 01:35:10: Those are all the things I thought.
01:35:10 - 01:35:12: - Oh yeah, it does kinda.
01:35:12 - 01:35:13: - Yeah.
01:35:13 - 01:35:14: - I never really loved this one.
01:35:14 - 01:35:15: It's a little too proggy.
01:35:15 - 01:35:18: It's just real herky-jerky, kinda like.
01:35:18 - 01:35:19: - Right.
01:35:19 - 01:35:20: - It's just like--
01:35:20 - 01:35:21: - But the vocals are so good.
01:35:21 - 01:35:23: - It's too complex for my taste.
01:35:23 - 01:35:25: - But that was a little bit of the wave.
01:35:25 - 01:35:28: (imitates vocalizing)
01:35:28 - 01:35:30: - Can you write about that?
01:35:30 - 01:35:35: Similar chord movement than Hotel California.
01:35:35 - 01:35:38: ♪ Don't know none of these calls come on ♪
01:35:38 - 01:35:40: ♪ Your mind's not as simple as it once ♪
01:35:40 - 01:35:41: ♪ You try to leave ♪
01:35:41 - 01:35:43: ♪ With another type of brother ♪
01:35:43 - 01:35:45: ♪ Still leave me ♪
01:35:45 - 01:35:47: ♪ Why haven't I found another ♪
01:35:47 - 01:35:48: ♪ A baller ♪
01:35:48 - 01:35:49: ♪ When times get hard ♪
01:35:49 - 01:35:50: ♪ Need someone to help me out ♪
01:35:50 - 01:35:51: - I'm surprised Don Henley didn't sit.
01:35:51 - 01:35:53: ♪ You can check out ♪
01:35:53 - 01:35:56: ♪ But you can never leave ♪
01:35:56 - 01:35:57: ♪ Pay my automobiles ♪
01:35:57 - 01:36:02: The number three song in 2018 is Tekashi 6ix9ine,
01:36:02 - 01:36:06: song called "Fifi" featuring Nicki Minaj and Murda Beatz.
01:36:06 - 01:36:07: - Who?
01:36:07 - 01:36:08: - You know, he's a young New York rapper
01:36:08 - 01:36:10: with rainbow-colored hair.
01:36:10 - 01:36:11: - I don't know.
01:36:11 - 01:36:11: - Very controversial.
01:36:11 - 01:36:12: - Why?
01:36:12 - 01:36:13: - For quite a few reasons.
01:36:13 - 01:36:15: I mean, he's got a lot of beefs.
01:36:15 - 01:36:17: He has a criminal record.
01:36:17 - 01:36:18: - How old is he?
01:36:19 - 01:36:21: - I don't know, 20, 21, 22.
01:36:21 - 01:36:22: ♪ Got that wet wet ♪
01:36:22 - 01:36:23: ♪ Got that drip drip ♪
01:36:23 - 01:36:24: ♪ Got that super soak ♪
01:36:24 - 01:36:26: ♪ I hit that she a fifi ♪
01:36:26 - 01:36:26: ♪ Her name Kiki ♪
01:36:26 - 01:36:28: ♪ She eat my dick like it's fruit free ♪
01:36:28 - 01:36:30: ♪ I don't even know like why I did that ♪
01:36:30 - 01:36:31: - This sucks.
01:36:31 - 01:36:33: - Why does this suck?
01:36:33 - 01:36:34: - I don't know.
01:36:34 - 01:36:35: - Not feeling it?
01:36:35 - 01:36:36: - I feel like I've heard eight million songs just like it.
01:36:36 - 01:36:37: Am I wrong?
01:36:37 - 01:36:39: - I wonder if you would like his other stuff.
01:36:39 - 01:36:40: He's like known to be,
01:36:40 - 01:36:41: I don't know his stuff that well,
01:36:41 - 01:36:43: but he's like really,
01:36:43 - 01:36:44: he's like real intense,
01:36:44 - 01:36:47: like this type of (beep)
01:36:47 - 01:36:48: ♪ Got plenty of ♪
01:36:48 - 01:36:49: ♪ Drop me off drop me off ♪
01:36:49 - 01:36:52: (gunshots)
01:36:52 - 01:36:53: - Go!
01:36:53 - 01:36:57: - You like this one more?
01:36:57 - 01:36:58: This is like his first big song.
01:36:58 - 01:36:59: - Jesus Christ.
01:36:59 - 01:37:01: (mumbles)
01:37:01 - 01:37:04: Jesus Christ.
01:37:04 - 01:37:06: Yeah, not my jam, man.
01:37:06 - 01:37:09: - It's intense.
01:37:09 - 01:37:10: - Yeah.
01:37:10 - 01:37:11: - You gotta admit it's intense.
01:37:11 - 01:37:12: - Oh, I admit.
01:37:12 - 01:37:13: - The number two song back in '99
01:37:13 - 01:37:15: was KC and JoJo, "Tell Me It's Real".
01:37:15 - 01:37:16: - Oh, hell yeah.
01:37:16 - 01:37:19: ♪ Are you for me ♪
01:37:19 - 01:37:23: ♪ Or are you not for me ♪
01:37:23 - 01:37:25: ♪ Can't you have love ♪
01:37:25 - 01:37:27: ♪ To last forever ♪
01:37:27 - 01:37:30: ♪ In your soul ♪
01:37:30 - 01:37:32: ♪ Tell me it's real ♪
01:37:32 - 01:37:35: ♪ The feeling that we feel ♪
01:37:35 - 01:37:36: - Oh yeah, this is beautiful.
01:37:36 - 01:37:38: - I love this song, yeah.
01:37:38 - 01:37:40: ♪ Tell me it's real ♪
01:37:40 - 01:37:43: ♪ Don't let love come just ♪
01:37:43 - 01:37:46: - Also kind of similar guitar, harpsichord type sound.
01:37:46 - 01:37:46: - Yeah.
01:37:46 - 01:37:48: - It's not fake record static.
01:37:48 - 01:37:50: - And yeah, that's interesting.
01:37:50 - 01:37:52: People do that a lot now.
01:37:52 - 01:37:55: - Yeah, all these chord progressions are kind of '70s.
01:37:55 - 01:37:58: - Yeah, like maybe like A minor and E major,
01:37:58 - 01:38:00: like that kind of feel.
01:38:00 - 01:38:03: ♪ Baby you told me that you love me ♪
01:38:03 - 01:38:07: ♪ And you'd never leave my side ♪
01:38:07 - 01:38:12: - Great singers.
01:38:15 - 01:38:18: Also like pretty pronounced auto-tune.
01:38:18 - 01:38:19: Is that, is that?
01:38:19 - 01:38:20: - I don't, uh.
01:38:20 - 01:38:21: - On that chorus?
01:38:21 - 01:38:21: Not here.
01:38:21 - 01:38:23: - Auto-tune existed, I don't.
01:38:23 - 01:38:24: - Well I thought I heard.
01:38:24 - 01:38:25: - It wasn't in widespread.
01:38:25 - 01:38:26: - Wait for the chorus.
01:38:26 - 01:38:29: ♪ Let me know just how you feel ♪
01:38:29 - 01:38:33: ♪ The feeling that we feel ♪
01:38:33 - 01:38:35: ♪ Tell me that it's real ♪
01:38:35 - 01:38:36: - Oh, it's there.
01:38:36 - 01:38:38: - But it's also just multi-track.
01:38:38 - 01:38:40: - It seems deliberate though.
01:38:40 - 01:38:42: - I'm not convinced that it's auto-tune.
01:38:42 - 01:38:43: - Really?
01:38:43 - 01:38:44: - Yeah.
01:38:44 - 01:38:46: - You know, auto-tune existed.
01:38:46 - 01:38:47: Cher Believe was in '98, but.
01:38:47 - 01:38:50: - It seems like it's a very like,
01:38:50 - 01:38:52: deliberately part of their aesthetic.
01:38:52 - 01:38:53: It's not like they're trying to like,
01:38:53 - 01:38:56: just correct for crappy singing.
01:38:56 - 01:38:57: - It could be, it could be.
01:38:57 - 01:39:01: ♪ I can't explain the way you make me feel ♪
01:39:01 - 01:39:06: ♪ Every time that you do me that you love me ♪
01:39:06 - 01:39:07: ♪ And you know you do ♪
01:39:07 - 01:39:10: - This is also a very similar vibe to Mariah Carey.
01:39:10 - 01:39:13: ♪ And I linger on dancing ♪
01:39:13 - 01:39:15: ♪ And then the feeling is strong ♪
01:39:15 - 01:39:15: - Oh yeah.
01:39:15 - 01:39:18: ♪ Oh don't you know I can't escape ♪
01:39:18 - 01:39:21: ♪ Always be my baby ♪
01:39:21 - 01:39:30: - The number two song, Cardi B, I like it.
01:39:30 - 01:39:33: Okay, now just to compare, 'cause she's on both songs,
01:39:33 - 01:39:34: and I don't want it to seem like I was being like,
01:39:34 - 01:39:37: anti-pop, this is a great song.
01:39:37 - 01:39:39: It's like funny, there's memorable lyrics.
01:39:39 - 01:39:41: It's Girls Like You, it's just like,
01:39:41 - 01:39:44: this is like a fun pop song with memorable lyrics.
01:39:44 - 01:39:46: ♪ I like dollars, I like diamonds ♪
01:39:46 - 01:39:47: ♪ I like stunning, I like shining ♪
01:39:47 - 01:39:49: ♪ I like million dollar deals ♪
01:39:49 - 01:39:51: ♪ Where's my pen, bitch I'm stunning ♪
01:39:51 - 01:39:53: ♪ I like those Balenciagas ♪
01:39:53 - 01:39:54: ♪ The ones that look like socks ♪
01:39:54 - 01:39:56: ♪ I like going to the chula ♪
01:39:56 - 01:39:58: ♪ I put rocks all in my watch ♪
01:39:58 - 01:40:00: ♪ I like texas from my exes ♪
01:40:00 - 01:40:02: ♪ When they want a second chance ♪
01:40:02 - 01:40:03: ♪ I like proving wrong ♪
01:40:03 - 01:40:05: ♪ I do what they say I can't ♪
01:40:05 - 01:40:07: ♪ They call me Cardi, Cardi, banging body ♪
01:40:07 - 01:40:09: ♪ Spicy mami, hot tamale ♪
01:40:09 - 01:40:13: ♪ Hotter than a Somali, burr, cold, buh, rari ♪
01:40:13 - 01:40:15: ♪ Hop off the stool, jump in the coupe ♪
01:40:15 - 01:40:16: ♪ Big dip on top of the roof ♪
01:40:16 - 01:40:18: ♪ Fisting them, as hard as I can ♪
01:40:18 - 01:40:20: ♪ Eating halal, driving a Lam' ♪
01:40:20 - 01:40:21: ♪ So that, I'm sorry though ♪
01:40:21 - 01:40:23: ♪ Thug my coins like Mario ♪
01:40:23 - 01:40:25: ♪ Yeah, they call me Cardi B ♪
01:40:25 - 01:40:27: ♪ I run this shit like cardio ♪
01:40:27 - 01:40:31: ♪ Diamond district in the chain ♪
01:40:31 - 01:40:34: ♪ Step by, you know I'm gang ♪
01:40:34 - 01:40:38: ♪ Just to stop them, blow the brass ♪
01:40:38 - 01:40:41: ♪ He so handsome, what's his name ♪
01:40:41 - 01:40:44: ♪ I need the dollars ♪
01:40:44 - 01:40:48: ♪ To try to beat it up like Banyan ♪
01:40:48 - 01:40:52: ♪ Tell the judge to close the curtains ♪
01:40:52 - 01:40:55: ♪ Bad chicks make you nervous ♪
01:40:55 - 01:40:56: - Do you think this stuff from the 90s
01:40:56 - 01:41:00: is like closer aesthetically and musically
01:41:00 - 01:41:03: to like the 70s than it is to now?
01:41:03 - 01:41:06: 'Cause in a way, it's almost like a halfway point
01:41:06 - 01:41:08: between now and like the late, mid-late--
01:41:08 - 01:41:12: - 1999 would be round up to 20 and then be like 79.
01:41:12 - 01:41:13: I would say no.
01:41:13 - 01:41:15: I would say the music of today is more in common with 99
01:41:15 - 01:41:17: because, you know, like when we would listen
01:41:17 - 01:41:19: to the J-Lo and to the DJ Khaled,
01:41:19 - 01:41:21: you're kinda like, this (beep) not a million miles away.
01:41:21 - 01:41:24: There's certain kinda things that date the 99 stuff,
01:41:24 - 01:41:26: certain sounds, but it's like--
01:41:26 - 01:41:29: - I feel like the songwriting of the 99 stuff
01:41:29 - 01:41:32: is closer to the 70s, kinda what we're talking about
01:41:32 - 01:41:34: with the chord regressions and whatnot.
01:41:34 - 01:41:35: - But how, you know, what's the songwriting
01:41:35 - 01:41:37: if I like it so different than "Bills, Bills, Bills"?
01:41:37 - 01:41:39: "Bills, Bills, Bills" is like a tighter song
01:41:39 - 01:41:40: 'cause it's specifically about one thing,
01:41:40 - 01:41:42: but I don't know.
01:41:42 - 01:41:45: - My theory, this could be totally off base.
01:41:45 - 01:41:49: The stuff from 99 was not written on a computer.
01:41:49 - 01:41:51: It was like a person with a keyboard or something
01:41:51 - 01:41:53: putting a melody over chords,
01:41:53 - 01:41:55: and then they were like, let's produce the song now.
01:41:55 - 01:41:57: - Which was on a computer.
01:41:57 - 01:41:58: - Yeah, yeah, yeah.
01:41:58 - 01:42:02: But this stuff on the 2018 stuff, to me, sounds like,
01:42:02 - 01:42:04: they're just like, let's take some sounds
01:42:04 - 01:42:05: and samples and loops and stuff
01:42:05 - 01:42:09: and just build it off the computer.
01:42:09 - 01:42:11: - Well, people definitely were doing that in the 90s.
01:42:11 - 01:42:12: - I'm sure. - Like a lot of hip hop,
01:42:12 - 01:42:13: but you're saying specifically--
01:42:13 - 01:42:15: - Well, what I'm saying, the songs that we're listening to--
01:42:15 - 01:42:16: - The top five. - Yes.
01:42:16 - 01:42:21: - KC and JoJo, somebody who really plays music,
01:42:21 - 01:42:22: sat down at a keyboard or a piano
01:42:22 - 01:42:25: and wrote the chord progression and worked on it.
01:42:25 - 01:42:27: - Yeah, I think all three of them.
01:42:27 - 01:42:28: I think the J-Lo and the--
01:42:28 - 01:42:30: - You're right, but the Cardi B is a sample
01:42:30 - 01:42:33: plus a Freddie Ruhr and the Bill Trapp beat.
01:42:33 - 01:42:34: - Yeah. - But of course,
01:42:34 - 01:42:37: people were doing that, samples plus the beat of the day
01:42:37 - 01:42:38: in the late 90s.
01:42:38 - 01:42:41: - I'm not saying it's a failure of Western civilization.
01:42:41 - 01:42:42: - You're just saying it's a difference.
01:42:42 - 01:42:44: - Yeah, I mean, I kind of am.
01:42:44 - 01:42:45: - But you know what, you still get plenty
01:42:45 - 01:42:48: of these music school kind of geeks in the mix
01:42:48 - 01:42:51: with pop and rap who sit down at a keyboard
01:42:51 - 01:42:52: and play, you know, you could play you anything.
01:42:52 - 01:42:54: Be like, make it more 70s, make it more jazzy.
01:42:54 - 01:42:57: - Yeah, is there a KC and JoJo of now?
01:42:57 - 01:42:58: - What would be? - I don't know.
01:42:58 - 01:43:00: - What are the defining characteristics?
01:43:00 - 01:43:02: Like kind of super emotional R&B
01:43:02 - 01:43:06: that has this kind of like elegant baroque touch in a way.
01:43:06 - 01:43:09: - Yeah, like, I don't know, those kinds of changes.
01:43:09 - 01:43:12: And like-- - Well, Florida Georgia Line.
01:43:12 - 01:43:13: - Maybe Florida Georgia Line.
01:43:13 - 01:43:16: - Jesus Christ. - No, there's definitely,
01:43:16 - 01:43:17: well, like, I know what you mean,
01:43:17 - 01:43:19: because I think, you know, KC and JoJo
01:43:19 - 01:43:21: and people from that era are still making music.
01:43:21 - 01:43:24: I think a lot of the sounds of KC and JoJo,
01:43:24 - 01:43:25: there's still people making new music that sounds like that,
01:43:25 - 01:43:28: but it would read as kind of grown up.
01:43:28 - 01:43:29: - Like quaint. - Or quaint,
01:43:29 - 01:43:34: or just like the, you know, to a certain type of listener
01:43:34 - 01:43:35: who maybe is in their 40s or 50s now,
01:43:35 - 01:43:38: and KC and JoJo, they love that type of music,
01:43:38 - 01:43:39: and they love stuff that sounds like,
01:43:39 - 01:43:41: it's also like there might be like a rock listener
01:43:41 - 01:43:45: who loves Wilco, and they loved Wilco when Wilco was new.
01:43:45 - 01:43:46: - Yep.
01:43:46 - 01:43:49: - And they still love music in that vein,
01:43:49 - 01:43:50: you know, like whatever you wanna call it,
01:43:50 - 01:43:52: like a acoustic analog Americana.
01:43:52 - 01:43:54: - Sure. - But maybe that,
01:43:54 - 01:43:56: and of course, there's always gonna be a lane for that.
01:43:56 - 01:43:58: It's just not on the charts right now,
01:43:58 - 01:43:59: aside from Florida Georgia Line,
01:43:59 - 01:44:01: who's keeping the flame alive for Americana,
01:44:01 - 01:44:03: and KC and JoJo.
01:44:03 - 01:44:05: - Americana and R&B.
01:44:05 - 01:44:05: - That's right.
01:44:05 - 01:44:07: All right, it's time to get to the number ones.
01:44:07 - 01:44:08: Okay, first thing I wanna say,
01:44:08 - 01:44:12: the number one song in 1999,
01:44:12 - 01:44:13: and the number one song in 2018,
01:44:13 - 01:44:16: are the exact same length, three minutes and 38 seconds.
01:44:16 - 01:44:18: - Wow. - That's kind of freaky.
01:44:18 - 01:44:20: 'Cause that's a freaky, this is a freaky Friday.
01:44:20 - 01:44:21: - That's a TC first.
01:44:21 - 01:44:22: - The number one song.
01:44:22 - 01:44:24: I feel like, wasn't there some thing,
01:44:24 - 01:44:26: there was like a website or something
01:44:26 - 01:44:28: where somebody said something about that,
01:44:28 - 01:44:30: the most important song to you,
01:44:30 - 01:44:32: or the one that's gonna reflect your taste or your life,
01:44:32 - 01:44:36: is gonna be what was number one when you were 14.
01:44:36 - 01:44:38: Wasn't that, does that sound familiar to you guys?
01:44:38 - 01:44:39: - Yeah, sort of.
01:44:39 - 01:44:41: - And somebody built a website that was like,
01:44:41 - 01:44:43: find out what was number one on your 14th birthday.
01:44:43 - 01:44:44: - Right.
01:44:44 - 01:44:45: - Yeah, so there's a website,
01:44:45 - 01:44:47: find out what was number one on your 14th birthday,
01:44:47 - 01:44:49: and why it matters.
01:44:49 - 01:44:51: It's supposedly the song that defines your life.
01:44:51 - 01:44:52: So anyway, I don't know if this song
01:44:52 - 01:44:54: was number one on my 14th birthday,
01:44:54 - 01:44:57: but this is a song I associate a lot with being 14.
01:44:57 - 01:44:59: And kind of starting to think about culture and music
01:44:59 - 01:45:02: in a new way, kind of realizing a little bit
01:45:02 - 01:45:07: the mechanisms of marketing and business behind culture
01:45:07 - 01:45:08: and things like that.
01:45:08 - 01:45:09: And this song made a big impression on me
01:45:09 - 01:45:12: because I love elements of this song.
01:45:12 - 01:45:14: There's elements of the song I found very haunting.
01:45:14 - 01:45:15: There's parts I don't like as much.
01:45:15 - 01:45:17: And also, it's funny, 'cause sometimes when you're 14,
01:45:17 - 01:45:19: and a lot of what's on the charts
01:45:19 - 01:45:21: are kind of like about being 14.
01:45:21 - 01:45:24: So this song is about a young woman
01:45:24 - 01:45:26: who's not sure if she really wants to have sex yet,
01:45:26 - 01:45:31: but she's kind of down as long as she's treated correctly.
01:45:31 - 01:45:32: So it's definitely from the point of view
01:45:32 - 01:45:34: of a younger person.
01:45:34 - 01:45:35: - Okay.
01:45:35 - 01:45:37: - And the opening of it, I always found very haunting.
01:45:40 - 01:45:45: Like there's something about this part that's so sad.
01:45:45 - 01:45:47: It makes me think of naive melody.
01:45:47 - 01:45:48: You're just talking like,
01:45:48 - 01:45:51: (imitates melody)
01:45:51 - 01:45:54: The drums are a little hyper, but.
01:45:57 - 01:46:00: Isn't there something so sad about this?
01:46:00 - 01:46:03: (imitates melody)
01:46:03 - 01:46:04: It's like a little detuned.
01:46:04 - 01:46:06: ♪ And nothing else matters ♪
01:46:06 - 01:46:09: ♪ And nothing else matters ♪
01:46:09 - 01:46:11: (imitates melody)
01:46:11 - 01:46:14: And even just the opening line,
01:46:14 - 01:46:16: that's like a strong opening line for a pop song.
01:46:16 - 01:46:17: I feel like I've been locked up tight
01:46:17 - 01:46:20: for a century of lonely nights
01:46:20 - 01:46:21: waiting for someone to release me.
01:46:21 - 01:46:23: It's like so grandiose.
01:46:23 - 01:46:23: - Damn.
01:46:23 - 01:46:24: - It's like Game of Thrones.
01:46:24 - 01:46:26: It's like, no, I think you just went through puberty
01:46:26 - 01:46:28: and you're the horny for the first time,
01:46:28 - 01:46:30: but it's like this intensity.
01:46:30 - 01:46:31: It's like some Shakespearean.
01:46:31 - 01:46:33: You know, there's a lot of songs about like teenage lust,
01:46:33 - 01:46:35: just like, wanna get it on.
01:46:35 - 01:46:37: I feel like I've been locked up tight
01:46:37 - 01:46:39: for a century of lonely nights.
01:46:39 - 01:46:40: It's intense.
01:46:40 - 01:46:42: Like you're locked up in a medieval castle.
01:46:42 - 01:46:43: ♪ You're licking your lips ♪
01:46:43 - 01:46:45: ♪ I'm blowing kisses my way ♪
01:46:45 - 01:46:48: ♪ But that don't mean I'm gonna give it away ♪
01:46:48 - 01:46:53: ♪ Baby, baby, baby ♪
01:46:53 - 01:46:57: ♪ Oh, oh, oh, oh, oh, oh ♪
01:46:57 - 01:46:59: ♪ My body's saying let's go ♪
01:46:59 - 01:47:00: ♪ Oh, oh, oh, oh, oh, oh ♪
01:47:00 - 01:47:03: - Kind of more Euro trash piano.
01:47:03 - 01:47:05: ♪ My heart is saying let's go ♪
01:47:05 - 01:47:08: ♪ If you wanna be with me ♪
01:47:08 - 01:47:10: ♪ Baby, there's a price to pay ♪
01:47:10 - 01:47:12: - It's something about the chorus always lost me.
01:47:12 - 01:47:14: It loses that like sad, dark quality.
01:47:14 - 01:47:15: - Yeah.
01:47:15 - 01:47:16: ♪ You're gonna need the right way ♪
01:47:16 - 01:47:18: ♪ If you wanna be with me ♪
01:47:18 - 01:47:21: ♪ I can make your wish come true ♪
01:47:21 - 01:47:24: ♪ You gotta make a big impression ♪
01:47:24 - 01:47:26: ♪ Gotta like what you do ♪
01:47:26 - 01:47:29: ♪ I'm a genie in a bottle, baby ♪
01:47:29 - 01:47:32: ♪ Gotta love me the right way, honey ♪
01:47:32 - 01:47:34: ♪ I'm a genie in a bottle, baby ♪
01:47:34 - 01:47:37: ♪ Come, come, come on and let me out ♪
01:47:37 - 01:47:39: ♪ Music's playing and the lights don't out ♪
01:47:39 - 01:47:42: ♪ It's one more dance and then we're good to go ♪
01:47:42 - 01:47:44: ♪ Waiting for someone ♪
01:47:44 - 01:47:45: ♪ Good to go ♪
01:47:45 - 01:47:45: (laughing)
01:47:45 - 01:47:47: - What was that?
01:47:47 - 01:47:48: - Good to go.
01:47:48 - 01:47:50: ♪ Heartbeat's racing at the speed of light ♪
01:47:50 - 01:47:54: ♪ But that don't mean it's gotta be tonight ♪
01:47:54 - 01:47:57: - Okay, that's where also I kinda wonder what's going on.
01:47:57 - 01:47:59: Hormones racing at the speed of light,
01:47:59 - 01:48:01: but that don't mean it's gotta be tonight.
01:48:01 - 01:48:04: It's just like, who wrote this song?
01:48:04 - 01:48:06: Hormones?
01:48:06 - 01:48:07: 'Cause also it's like--
01:48:07 - 01:48:10: - Using hormones in a lyric in a sincere way.
01:48:10 - 01:48:13: Hormones is such a like a Kurt Cobain kind of word.
01:48:13 - 01:48:13: - Yeah.
01:48:13 - 01:48:15: - But he would use it in a way that's sort of like,
01:48:15 - 01:48:20: God, the body is gross and humanity is disgusting.
01:48:20 - 01:48:23: - And it would be in some weird kind of like surreal--
01:48:23 - 01:48:25: - Like medical context or something.
01:48:25 - 01:48:26: - Yeah.
01:48:26 - 01:48:28: - This is just like straight up like,
01:48:28 - 01:48:30: hormones are racing at the speed of light.
01:48:30 - 01:48:31: - Who wrote this song?
01:48:31 - 01:48:35: David Frank, Pamela Shane, Stephen Kibner.
01:48:35 - 01:48:37: Okay, so she didn't write the lyrics.
01:48:37 - 01:48:38: But there's also something funny, it's about like,
01:48:38 - 01:48:42: the first verse is talking about teen horniness
01:48:42 - 01:48:44: in this like super grandiose poetic terms.
01:48:44 - 01:48:47: Like, I feel like this longing that I have--
01:48:47 - 01:48:48: - In my loins.
01:48:48 - 01:48:51: - In my loins, I've been banished for it.
01:48:51 - 01:48:53: There's a war going on in my body
01:48:53 - 01:48:56: between my desire and what I know I must do.
01:48:56 - 01:48:58: I literally feel like I've been locked away for a century.
01:48:58 - 01:49:00: And then the second one is just like,
01:49:00 - 01:49:01: listen, our hormones are popping,
01:49:01 - 01:49:03: but we don't have to have sex tonight.
01:49:03 - 01:49:05: I guess racing at the speed of light is poetic.
01:49:05 - 01:49:09: - Speed of light, no, it is like the most stock phrase ever.
01:49:09 - 01:49:11: - It's kind of very like family sitcom too,
01:49:11 - 01:49:12: like Malcolm in the Middle, like--
01:49:12 - 01:49:13: - I know that's also--
01:49:13 - 01:49:16: - The hormones are just racing at the speed of light.
01:49:16 - 01:49:19: Listen, Christina, oh, Christina,
01:49:19 - 01:49:22: I know your hormones are racing at the speed of light,
01:49:22 - 01:49:24: but that doesn't mean it has to be tonight.
01:49:24 - 01:49:27: And nothing else matters.
01:49:27 - 01:49:31: - Yeah, I wonder also, is this song,
01:49:31 - 01:49:32: 'cause she was like a post-Disney person.
01:49:32 - 01:49:33: So I wonder if there was--
01:49:33 - 01:49:35: - Maybe she was like 20 or something.
01:49:35 - 01:49:39: - No, she might've been younger than 18.
01:49:39 - 01:49:40: I wonder if there was a thought,
01:49:40 - 01:49:43: 'cause like this is the big first single
01:49:43 - 01:49:46: of a former Mickey Mouse Club person becoming a pop star.
01:49:46 - 01:49:48: So I wonder if there was any thought put into like,
01:49:48 - 01:49:49: what tone are we trying to strike here?
01:49:49 - 01:49:52: Or maybe they wrote the song not even for her, I don't know.
01:49:52 - 01:49:53: 'Cause later in her career
01:49:53 - 01:49:55: was when she like embraced sexuality.
01:49:55 - 01:49:57: Remember she had like a single, "Dirty"?
01:49:57 - 01:49:58: - Kind of.
01:49:58 - 01:49:59: - That was about being dirty and naughty.
01:49:59 - 01:50:01: But this song is like about ambivalence.
01:50:01 - 01:50:05: It's weird, like I wonder if kind of like abstinence only,
01:50:05 - 01:50:08: like kind of religious type people heard this song
01:50:08 - 01:50:10: and they were like, "Thank you."
01:50:10 - 01:50:11: Or if they were just like, "Wait a second."
01:50:11 - 01:50:12: - You're on thin ice here.
01:50:12 - 01:50:14: - Yeah, okay, I like the part about
01:50:14 - 01:50:15: it doesn't have to be tonight.
01:50:15 - 01:50:18: And I like the part about, you know, being locked away.
01:50:18 - 01:50:21: And I like that, you know, that the genie's within a bottle.
01:50:21 - 01:50:23: What about all this rub me the right way stuff?
01:50:23 - 01:50:26: - Also the delivery is very sultry.
01:50:26 - 01:50:27: - They're kind of trying to have it both ways,
01:50:27 - 01:50:29: I guess, with this song.
01:50:29 - 01:50:30: - Riding that fine line.
01:50:30 - 01:50:32: - It made me think also about the Spice Girls.
01:50:32 - 01:50:35: It was kind of similar, that it was a song
01:50:35 - 01:50:36: seeming a little bit about sex.
01:50:36 - 01:50:38: It's kind of like laying down the ground rules.
01:50:38 - 01:50:40: If you want to be my lover, you got to give me my friends.
01:50:40 - 01:50:42: - I never understood what the hell.
01:50:42 - 01:50:44: - I'm a genie in a bottle, you got to rub me the right way.
01:50:44 - 01:50:45: Here's the rules.
01:50:45 - 01:50:47: - What was the first big Britney single?
01:50:47 - 01:50:48: - Um.
01:50:48 - 01:50:49: - Right, it's like the year before this.
01:50:49 - 01:50:51: - Hit me baby one more time.
01:50:51 - 01:50:52: But I'd also had some similar sentiments.
01:50:52 - 01:50:55: My loneliness is killing me, I must confess.
01:50:55 - 01:51:00: I still believe, when I'm not with you I lose my mind.
01:51:00 - 01:51:01: Give me a sign.
01:51:01 - 01:51:03: - Damn dude, you just tapped in on these Britney lyrics.
01:51:03 - 01:51:06: - Well no, for me being that age, I couldn't help it.
01:51:06 - 01:51:07: - That's in your bloodstream.
01:51:07 - 01:51:08: - Yeah.
01:51:08 - 01:51:11: ♪ My loneliness is killing me ♪
01:51:11 - 01:51:14: There even was a slight Britney versus Christina thing.
01:51:14 - 01:51:15: Wasn't there?
01:51:15 - 01:51:15: - Yeah.
01:51:15 - 01:51:17: - They were kind of positioned against each other.
01:51:17 - 01:51:20: - I thought Britney was like sort of the more like wholesome.
01:51:20 - 01:51:21: - Yeah.
01:51:21 - 01:51:24: - All American, like Mad Men era, Girl Next Door
01:51:24 - 01:51:27: or something, and Christina was like the like edgier one.
01:51:27 - 01:51:27: - I think there's an element of that.
01:51:27 - 01:51:28: - Is that, is that?
01:51:28 - 01:51:29: - Whatever.
01:51:29 - 01:51:31: - Anyway, the number one song in 2018,
01:51:31 - 01:51:33: also three minutes 38 seconds.
01:51:33 - 01:51:36: The first time I heard this song was on the show.
01:51:36 - 01:51:38: And I said, I couldn't tell what's so special about it.
01:51:38 - 01:51:39: This is one of those songs that now,
01:51:39 - 01:51:40: because it's a meme, it's a fake hit.
01:51:40 - 01:51:41: - Are you in now?
01:51:41 - 01:51:44: - Well now at least I have to admit that it's catchy.
01:51:44 - 01:51:47: - Are you aware of the In My Feelings dancing and stuff
01:51:47 - 01:51:48: and people jump out of the car
01:51:48 - 01:51:49: and they do this whole dance to it?
01:51:49 - 01:51:50: - No.
01:51:50 - 01:51:52: - But have you heard ♪ Kiki, do you love me ♪
01:51:52 - 01:51:54: - Well, if it was on the show, probably.
01:51:54 - 01:51:59: ♪ Trap, trap, money, penny ♪
01:51:59 - 01:52:00: Is this Post?
01:52:00 - 01:52:01: - No, this is Drake.
01:52:01 - 01:52:02: - Oh.
01:52:02 - 01:52:03: ♪ Gotta be real with it ♪
01:52:03 - 01:52:05: ♪ Yeah ♪
01:52:05 - 01:52:07: ♪ Kiki, do you love me ♪
01:52:07 - 01:52:08: ♪ Are you riding ♪
01:52:08 - 01:52:09: - Kiki?
01:52:09 - 01:52:10: ♪ Say you'll never ever leave ♪
01:52:10 - 01:52:11: - Yeah.
01:52:11 - 01:52:12: ♪ Beside me ♪
01:52:12 - 01:52:12: ♪ 'Cause I want you ♪
01:52:12 - 01:52:13: ♪ And I need you ♪
01:52:13 - 01:52:14: - K-I-K-I.
01:52:14 - 01:52:15: ♪ And I'm down for you always ♪
01:52:15 - 01:52:16: ♪ K-B ♪
01:52:16 - 01:52:17: - Like a woman's name.
01:52:17 - 01:52:18: ♪ Do you love me ♪
01:52:18 - 01:52:19: ♪ Are you riding ♪
01:52:19 - 01:52:20: ♪ Say you'll never ever leave ♪
01:52:20 - 01:52:22: ♪ From beside me ♪
01:52:22 - 01:52:23: ♪ 'Cause I want you ♪
01:52:23 - 01:52:24: ♪ And I need you ♪
01:52:24 - 01:52:27: ♪ And I'm down for you always ♪
01:52:27 - 01:52:29: ♪ Look the new me is really still the real me ♪
01:52:29 - 01:52:30: ♪ I swear you gotta feel me ♪
01:52:30 - 01:52:32: ♪ Before they try and kill me ♪
01:52:32 - 01:52:33: ♪ They gotta make some choices ♪
01:52:33 - 01:52:34: ♪ They running out of options ♪
01:52:34 - 01:52:35: ♪ 'Cause I been going off ♪
01:52:35 - 01:52:37: ♪ And they don't know when to stop ♪
01:52:37 - 01:52:38: ♪ And when you get the ♪
01:52:38 - 01:52:40: ♪ I see that you been learning ♪
01:52:40 - 01:52:41: ♪ And when I took you shopping ♪
01:52:41 - 01:52:42: ♪ You spend it like you earned it ♪
01:52:42 - 01:52:44: ♪ And when you popped off on your ex ♪
01:52:44 - 01:52:45: ♪ He deserved it ♪
01:52:45 - 01:52:46: ♪ I thought you were the one ♪
01:52:46 - 01:52:48: ♪ From the jump that confirmed it ♪
01:52:48 - 01:52:50: ♪ Trap money Benny ♪
01:52:50 - 01:52:53: - The funny part is that like the hit part of this song
01:52:53 - 01:52:55: is literally like the first 10 seconds.
01:52:55 - 01:52:58: Is the ♪ Kiki do you love me ♪
01:52:58 - 01:52:59: You haven't been hearing that around?
01:52:59 - 01:53:00: - No.
01:53:00 - 01:53:01: - Well, it's a big old hit.
01:53:01 - 01:53:03: - For the next few months.
01:53:03 - 01:53:06: When was the last time you heard hotline bling?
01:53:06 - 01:53:07: - Not much, but you know, that's the thing.
01:53:07 - 01:53:08: Rap moves faster.
01:53:08 - 01:53:09: - Is that what it is?
01:53:09 - 01:53:11: I just, it's weird to me that like,
01:53:11 - 01:53:13: the songs are like everywhere for a few months
01:53:13 - 01:53:15: and then they're just like gone.
01:53:15 - 01:53:17: - Well, somebody like Drake has so much music
01:53:17 - 01:53:18: and he has said so many hits
01:53:18 - 01:53:22: and so many culturally important, impactful songs.
01:53:22 - 01:53:23: I was thinking about that.
01:53:23 - 01:53:25: Like we're rolling up to these festivals, no new music.
01:53:25 - 01:53:26: - Yeah.
01:53:26 - 01:53:28: - Just busting out Oxford comma.
01:53:28 - 01:53:31: - Yeah, heard that on the drive the other day.
01:53:31 - 01:53:34: - That song has been out for 10 years.
01:53:34 - 01:53:35: - Yeah.
01:53:35 - 01:53:36: - It was written 12 years ago.
01:53:36 - 01:53:38: But for me, it doesn't feel that old.
01:53:38 - 01:53:40: I don't know if I'm just, if I'm tripping or something,
01:53:40 - 01:53:42: but this is probably wishful thinking,
01:53:42 - 01:53:45: but I almost feel like whatever your timeline,
01:53:45 - 01:53:47: it's only as far away as however much music
01:53:47 - 01:53:49: you released in between.
01:53:49 - 01:53:51: So between Drake's first album and now,
01:53:51 - 01:53:53: he's been on hundreds of songs.
01:53:53 - 01:53:56: Between Vampire Weekend's first album and now,
01:53:56 - 01:53:59: I've been part of 25 songs.
01:53:59 - 01:54:00: - No, more than that.
01:54:00 - 01:54:02: - Two albums and a handful of other things.
01:54:02 - 01:54:03: It's not a lot.
01:54:03 - 01:54:04: - Well, three albums.
01:54:04 - 01:54:06: - Well, I meant first, yeah, I don't know.
01:54:06 - 01:54:07: - Okay.
01:54:07 - 01:54:07: - I don't know what I'm saying.
01:54:07 - 01:54:08: - I gotcha.
01:54:08 - 01:54:09: - If you're not worried about having hits
01:54:09 - 01:54:11: on an important part of culture,
01:54:11 - 01:54:12: you can just take your sweet time.
01:54:12 - 01:54:13: - That's what I'm doing.
01:54:13 - 01:54:15: (laughing)
01:54:15 - 01:54:16: - Taking the long game.
01:54:16 - 01:54:17: - Still working on my first solo album.
01:54:17 - 01:54:18: - You know what's funny?
01:54:18 - 01:54:20: The other day, it just popped into my head,
01:54:20 - 01:54:22: like, Jake should drop an album.
01:54:22 - 01:54:25: I wanna see a Jake Longstreth vinyl.
01:54:25 - 01:54:26: - That's tight.
01:54:26 - 01:54:27: - Have you thought about it?
01:54:27 - 01:54:28: - Yeah, I have songs I've written.
01:54:28 - 01:54:31: I just have to get it together to record it with Dick Bix.
01:54:31 - 01:54:32: - They'd be the band?
01:54:32 - 01:54:33: - Yeah.
01:54:33 - 01:54:34: - Have me and Ariel produce it.
01:54:34 - 01:54:35: - Okay.
01:54:35 - 01:54:36: - Do two days.
01:54:36 - 01:54:38: - Exactly, yeah, do it fast.
01:54:38 - 01:54:39: - Two days at Vox.
01:54:39 - 01:54:41: We'd like rehearse it for a day or two.
01:54:41 - 01:54:42: - Yeah.
01:54:42 - 01:54:43: - So everyone knows it and then come in and just crush it.
01:54:43 - 01:54:44: - You can take your time with the vocals,
01:54:44 - 01:54:46: but have to get the tracks done.
01:54:46 - 01:54:47: - Mountain Bruise, dude.
01:54:47 - 01:54:48: - Is that what it's gonna be called?
01:54:48 - 01:54:48: - Yeah.
01:54:48 - 01:54:49: - Jake Longstreth, Mountain Bruise?
01:54:49 - 01:54:50: - Mm-hmm.
01:54:50 - 01:54:51: - That's great.
01:54:51 - 01:54:52: - Coming out in like 2021.
01:54:52 - 01:54:53: - Yeah.
01:54:53 - 01:54:54: - Like I said, taking my time.
01:54:54 - 01:54:55: - How many songs do you have?
01:54:55 - 01:54:57: - Probably like 10.
01:54:57 - 01:54:57: - You already have 10.
01:54:57 - 01:54:59: - I got Tequila Noon.
01:54:59 - 01:55:00: (laughing)
01:55:00 - 01:55:02: I'm blanking on my other song titles.
01:55:02 - 01:55:03: Oh, Spring Wind.
01:55:03 - 01:55:04: - Love that.
01:55:04 - 01:55:06: Sweet Chili Heat, Too Jokey.
01:55:06 - 01:55:07: That's for a different project.
01:55:07 - 01:55:08: - Yeah, maybe I could rewrite that.
01:55:08 - 01:55:10: - Yeah, yeah, like if you could be--
01:55:10 - 01:55:11: - Spring Wind.
01:55:11 - 01:55:12: - Instead of Sweet Chili Heat,
01:55:12 - 01:55:13: if you wanted to like class it up,
01:55:13 - 01:55:16: it could be like, kinda like Sweet Desert Heat.
01:55:16 - 01:55:17: - Oh yeah.
01:55:17 - 01:55:18: - It's about like you driving through Arizona.
01:55:18 - 01:55:20: - Or you could do like, you could do one with like--
01:55:20 - 01:55:21: - Sweet Mountain Heat.
01:55:21 - 01:55:26: - Or like, like Tequila and Weed.
01:55:26 - 01:55:27: You could do kind of like--
01:55:27 - 01:55:28: - Tequila and Weed.
01:55:28 - 01:55:28: - You could do like--
01:55:28 - 01:55:30: (laughing)
01:55:30 - 01:55:32: - This would be the second Tequila.
01:55:32 - 01:55:34: - Yeah, exactly, exactly.
01:55:34 - 01:55:35: - I always think that's kinda cool
01:55:35 - 01:55:39: when like an artist has like a couple interrelated songs
01:55:39 - 01:55:41: and they never explain why.
01:55:41 - 01:55:44: It's like Stone Roses have a couple different stone songs.
01:55:44 - 01:55:44: - Right.
01:55:44 - 01:55:46: - So it's like Jake Longstreet's Mountain Bruise
01:55:46 - 01:55:48: and just like track one, Tequila Noon,
01:55:48 - 01:55:50: track seven, Tequila and Weed.
01:55:50 - 01:55:51: - Yeah.
01:55:51 - 01:55:52: - It's like, you don't go crazy.
01:55:52 - 01:55:53: It's not three songs.
01:55:53 - 01:55:54: - Yeah, it's not like--
01:55:54 - 01:55:55: - It's not four, it's just two.
01:55:55 - 01:55:56: - Just a theme.
01:55:56 - 01:55:58: - Yeah, exactly.
01:55:58 - 01:55:59: - All right, well let's table that.
01:55:59 - 01:56:02: - Mountain Bruise coming out on Numero Group.
01:56:02 - 01:56:04: (laughing)
01:56:04 - 01:56:05: - 2020.
01:56:05 - 01:56:06: - Love it.
01:56:06 - 01:56:09: - All right, we'll see you guys in two weeks.
01:56:09 - 01:56:12: - Time Crisis with Ed's Rocadon.
01:56:12 - 01:56:13: Beats.
01:56:13 - 01:56:16: One.
01:56:16 - 01:56:19: (explosion)

View on TCU Wiki | Download Episode | Download CSV | Download Transcript