Episode 75: Cazzie David Return

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:03: Time Crisis, back once again.
00:03 - 00:05: It's the dog days of summer.
00:05 - 00:08: A sweet chilly heat engulfs the world.
00:08 - 00:11: Here in Time Crisis we're trying to keep cool
00:11 - 00:14: by talking about the songs of the summer,
00:14 - 00:17: catching up with Kazzy David,
00:17 - 00:21: and riffing on topics ranging from Frosted Flakes
00:21 - 00:24: to the Grateful Dead, I assume.
00:24 - 00:29: This is Time Crisis with Eds Rukin.
00:29 - 00:33: P-P-P-P-P-Peaceful World One.
00:33 - 00:39: They passed me by, all of those great romances.
00:39 - 00:46: The war I felt, war being me, all my rightful chances.
00:46 - 00:53: My picture clear, everything seemed so easy.
00:53 - 01:00: And so I dealt you the blow, one of us had to go.
01:00 - 01:05: Now it's different, I want you to know.
01:05 - 01:11: One of us is crying, one of us is lying.
01:11 - 01:15: Keep it on me babe.
01:15 - 01:18: Time Crisis, back once again.
01:18 - 01:20: It's the dog days of summer right now.
01:20 - 01:21: Yeah, we're in it.
01:21 - 01:23: The world is on fire.
01:23 - 01:25: Real global heat wave this summer.
01:25 - 01:27: Yeah, we touched on that last episode.
01:27 - 01:29: It's like a haunting phrase.
01:29 - 01:30: Global heat wave.
01:30 - 01:32: I just crushed a breakfast burrito
01:32 - 01:34: from the company cafeteria.
01:34 - 01:36: Yeah, Jake's been checking out,
01:36 - 01:38: exploring a little more of the Apple campus
01:38 - 01:40: here in Culver City.
01:40 - 01:42: Well, we're doing a morning taping.
01:42 - 01:44: Right, this time we're actually taping in the morning.
01:44 - 01:45: Full disclosure.
01:45 - 01:46: This one's a little early.
01:46 - 01:47: Yeah, a little early.
01:47 - 01:49: Lately I've been trying not to eat breakfast.
01:49 - 01:50: Why?
01:50 - 01:52: Because I've been intermittent fasting.
01:52 - 01:54: Oh, how long? 16 hours?
01:54 - 01:56: Yeah, so because I snack late at night,
01:56 - 02:00: that means I can't eat lunch until like 2 or 3.
02:00 - 02:02: So you eat nothing until 2 or 3?
02:02 - 02:04: Some days, not every day.
02:04 - 02:05: Okay, so it's like a 2 to 10.
02:05 - 02:07: The thing I can't figure out is that
02:07 - 02:09: the only times in my life where I felt like I was like,
02:09 - 02:12: I really felt like I had a lot of clarity,
02:12 - 02:17: mental acuity, and I was like kind of powerful,
02:17 - 02:20: a little less chubby, was when I would actually
02:20 - 02:22: actively try to have periods of not eating.
02:22 - 02:24: By the way, I'm not recommending anything.
02:24 - 02:26: I'm just talking about my journey.
02:26 - 02:27: Right.
02:27 - 02:29: One of the first times I went on tour with your brother
02:29 - 02:30: on a Dirty Projectors tour,
02:30 - 02:32: I feel like it wasn't the one with you.
02:32 - 02:34: I just remember being like,
02:34 - 02:37: okay, every day I'm in the car for like 7 hours.
02:37 - 02:39: And I weirdly got this thing in my head where I was like,
02:39 - 02:42: I'm going to see how much I can fast on this tour.
02:42 - 02:44: I remember a few times just like being at Denny's
02:44 - 02:46: with like Dave and whoever,
02:46 - 02:49: like getting ready to drive from Oklahoma
02:49 - 02:52: to West Texas or something,
02:52 - 02:54: and just be like people just like housing
02:54 - 02:55: like Denny's scrambles and really,
02:55 - 02:56: you guys aren't hungry?
02:56 - 02:57: And I'd be like, no, I'm not hungry.
02:57 - 02:59: James Sumner eating two entrees.
02:59 - 03:00: Yeah, exactly.
03:00 - 03:03: There was a guy in the crew who literally ate double everything.
03:03 - 03:04: And so I don't know.
03:04 - 03:06: I just feel like as much as I love breakfast food,
03:06 - 03:08: maybe I just got to try to not eat.
03:08 - 03:09: Because here's the thing,
03:09 - 03:11: I can't cut myself off at the end of the day.
03:11 - 03:12: That's too hard.
03:12 - 03:13: See, that's what I do.
03:13 - 03:15: You can just cut yourself off at the end of the day.
03:15 - 03:17: I usually go to bed mildly hungry.
03:17 - 03:19: It's like Karl Lagerfeld.
03:19 - 03:20: Is that what his diet is?
03:20 - 03:21: He doesn't eat after 7 p.m.
03:21 - 03:22: Oh, wow.
03:22 - 03:25: Yeah, I try to like load all the calories
03:25 - 03:27: first chunk of the day.
03:27 - 03:29: So I just crush this huge breakfast burrito.
03:29 - 03:31: Yeah, I'm sure that makes more sense.
03:31 - 03:32: I'll eat some like almonds and stuff,
03:32 - 03:34: some carrots and hummus this afternoon.
03:34 - 03:35: Yeah.
03:35 - 03:37: And then just like a dinner at like 7,
03:37 - 03:38: but like chill.
03:38 - 03:39: A reasonable dinner.
03:39 - 03:41: Sometimes I go big at dinner, but you know.
03:41 - 03:43: Chicken breast, some steamed broccoli.
03:43 - 03:45: That's a little clinical.
03:45 - 03:46: I'm not really sure.
03:46 - 03:48: I haven't thought that far ahead.
03:48 - 03:49: There's a lot of people in this world
03:49 - 03:51: who all they eat for every meal
03:51 - 03:53: is chicken breast and steamed vegetables.
03:53 - 03:54: Yeah, that's crazy.
03:54 - 03:55: That's a lifestyle.
03:55 - 03:56: Yeah.
03:56 - 03:58: Definitely lose weight that way.
03:58 - 04:01: You should try like a week-long fast.
04:01 - 04:02: What, no food?
04:02 - 04:03: Yeah.
04:03 - 04:04: A friend of mine did it.
04:04 - 04:05: It's actually not.
04:05 - 04:06: Is that healthy?
04:06 - 04:07: Yeah, I think it's fine.
04:07 - 04:10: I mean, like he would drink green tea
04:10 - 04:12: because he's like a coffee addict.
04:12 - 04:16: So the green tea would mitigate the caffeine withdrawal.
04:16 - 04:18: You know, that's also why it's easy for me
04:18 - 04:20: not to eat for the first five hours of the day
04:20 - 04:23: is because I'll crush one coffee, feel great.
04:23 - 04:24: Two hours later, start to get hungry,
04:24 - 04:26: have another coffee, and then I'm good.
04:26 - 04:28: Wow, that can backfire.
04:28 - 04:29: Yeah, I don't know.
04:29 - 04:32: The coffee with no food can be rough.
04:32 - 04:34: Because you just get too high.
04:34 - 04:36: But my buddy who fasted for a week,
04:36 - 04:38: he's like the first three days sucked.
04:38 - 04:39: And then he's like day four,
04:39 - 04:41: it kicked into some other gear.
04:41 - 04:42: So he was like, I started surfing a lot
04:42 - 04:44: day four, five, and six.
04:44 - 04:45: That's crazy.
04:45 - 04:48: Just like no food, surfing for like five hours.
04:48 - 04:49: It's wild.
04:49 - 04:50: And he's like, I didn't really lose that much weight.
04:50 - 04:52: But I gained some neurons.
04:52 - 04:54: Yeah, he's like my saliva changed.
04:54 - 04:56: Like the flavor of my saliva changed.
04:56 - 04:57: Interesting.
04:57 - 04:58: And he's like--
04:58 - 04:59: Yeah, I'm sick of the flavor of my saliva.
04:59 - 05:02: That could be like a weird product, couldn't it be?
05:02 - 05:05: Like saliva.
05:05 - 05:06: Oh, yeah.
05:06 - 05:07: Can you see that?
05:07 - 05:09: I remember there was some really like trashy candy
05:09 - 05:10: when I was a kid, probably still exists.
05:10 - 05:12: It might have been made by the same people who made like
05:12 - 05:14: Warheads and those kind of like extreme candies.
05:14 - 05:15: Oh, yeah, like nerds.
05:15 - 05:20: It was like a little dropper of like sour liquid.
05:20 - 05:21: Does this sound familiar to anybody?
05:21 - 05:22: Yeah.
05:22 - 05:24: Like face explosion sour droppers.
05:24 - 05:26: And it comes with like an eye dropper.
05:26 - 05:27: Yeah, it was that kind of vibe.
05:27 - 05:28: It was like pure chemical.
05:28 - 05:30: We should market something like that.
05:30 - 05:32: Also, this makes so much sense.
05:32 - 05:34: It's kind of like there was a whole wave.
05:34 - 05:35: This was after we were kids,
05:35 - 05:38: but there's been a whole wave of changing
05:38 - 05:40: the colors of products for kids.
05:40 - 05:42: Like you're sick of red ketchup?
05:42 - 05:43: How about purple ketchup?
05:43 - 05:45: Oh, my God.
05:45 - 05:48: Is your mom f*cking lame giving you red ketchup?
05:48 - 05:50: Why is the ketchup not green?
05:50 - 05:52: Every few years, somebody tries to drop a product
05:52 - 05:54: that's like, aren't you sick of water?
05:54 - 05:57: Drop this sh*t in the water, and the water will taste different.
05:57 - 05:59: Or the water will be a more interesting color.
05:59 - 06:02: I think you could totally market to kids.
06:02 - 06:05: Just like every day you're forced to eat something all day.
06:05 - 06:07: And we're not talking about grandma's Brussels sprouts.
06:07 - 06:09: We're talking about saliva.
06:09 - 06:14: Do you realize that you're literally eating your saliva all day, bro?
06:14 - 06:15: Eww.
06:15 - 06:16: And what does it taste like?
06:16 - 06:19: It tastes like some weird chunky water.
06:19 - 06:23: And then it's like, check out our new extreme saliva droppers.
06:23 - 06:27: Or it could be like an injection that you get every six months.
06:27 - 06:31: So it's like just permanent flavor.
06:31 - 06:33: Permanent flavor.
06:33 - 06:35: You got to write that down as a possible song title.
06:35 - 06:36: Yeah, dude. Permanent flavor.
06:36 - 06:39: Wait, can we talk about that? Or is that too private on there?
06:39 - 06:40: What's that?
06:40 - 06:42: That you have a master list of good song names.
06:42 - 06:44: Oh yeah, no, that's not private.
06:44 - 06:46: I think it might have been that same time when we were on
06:46 - 06:48: Shroom's Waiting in Line at the Dead show.
06:48 - 06:50: Somebody just said something, and then you just were like,
06:50 - 06:53: "Oh yeah," and you took out your phone just to write down--
06:53 - 06:54: There's like a very specific style.
06:54 - 06:57: They're kind of like GBV, pavement-y type thing.
06:57 - 06:59: Yeah, theoretical tennis, maybe that was it.
06:59 - 07:00: Nascent culture.
07:00 - 07:02: Oh, it was nascent culture.
07:02 - 07:04: Permanent flavor. Dogs dogma.
07:04 - 07:08: No place to park it. Enjoy Nebraska. Wax pack gods.
07:08 - 07:10: Oh, classically brutal.
07:10 - 07:14: Oh yeah. Is the rule that they have to kind of come from a real conversation?
07:14 - 07:16: Yeah, it's just like something that catches your ear.
07:16 - 07:19: Far-ranging bird. I'm in your system.
07:19 - 07:22: Other shoppers. Classics. Take it deep.
07:22 - 07:24: On this list, Sweet Chili Heat.
07:24 - 07:25: Oh, wow.
07:25 - 07:26: Anyway, do you ever do that?
07:26 - 07:27: Yeah, I write down all sorts--
07:27 - 07:29: I don't have a master list of song titles,
07:29 - 07:31: but I always write down little phrases and stuff.
07:31 - 07:33: That just like catch your ear in conversation.
07:33 - 07:38: ♪ Disarm the settlers ♪
07:38 - 07:43: ♪ The new drunk drivers ♪
07:43 - 07:48: ♪ Have hoisted the flag ♪
07:48 - 07:53: ♪ We are with you in your anger ♪
07:53 - 07:58: ♪ Proud brothers ♪
07:58 - 08:03: ♪ We do not fret ♪
08:03 - 08:10: ♪ The bus will get you there ♪
08:10 - 08:14: ♪ To carry us to the lake ♪
08:14 - 08:18: ♪ The club is open ♪
08:18 - 08:23: ♪ Yeah, the club is open ♪
08:23 - 08:28: ♪ Hey, the club is open ♪
08:28 - 08:31: ♪ Come on, come on, the club is open ♪
08:31 - 08:35: Okay, but so it's an injection into your salivary glands.
08:35 - 08:37: Maybe they do it at CVS.
08:37 - 08:41: Mom and dad come, give the kid a flavor injection into their salivary glands.
08:41 - 08:43: But the issue is you have to be able to turn it on and off
08:43 - 08:45: because you want to be able to eat--
08:45 - 08:49: if you have like a permanent grape flavor pumping through your salivary glands
08:49 - 08:51: and then you go eat Indian food or something, that's not going to work.
08:51 - 08:53: So you have to be able to switch it off somehow.
08:53 - 08:56: Want to switch off the twisted grape flavor?
08:56 - 09:01: Just reach your pointer finger into the back of your throat.
09:01 - 09:04: That's like a Black Mirror vibe.
09:04 - 09:08: Your parents control your salivary glands off their iPad.
09:08 - 09:10: Got to be constantly entertained.
09:10 - 09:12: Mom, I don't like broccoli.
09:12 - 09:14: Mom switches on the flavor blasted bubblegum flavor.
09:14 - 09:16: You're grounded.
09:16 - 09:19: Oh, yeah, you're grounded, dude. Broccoli for a week.
09:19 - 09:23: The parents are watching the kid on the CCTV inside the house.
09:23 - 09:24: Just watching him on the iPad.
09:24 - 09:26: What the f*ck is he doing?
09:26 - 09:27: He's going for the snack drawer.
09:27 - 09:29: Oh, he's taking out a Butterfinger?
09:29 - 09:32: The little bastard switch bites into it.
09:32 - 09:34: Tastes like grandma's brussel sprouts.
09:34 - 09:35: Ew!
09:35 - 09:36: Got you.
09:36 - 09:37: Over the intercom.
09:37 - 09:39: Ew!
09:39 - 09:41: You could make everything that--
09:41 - 09:44: you could control your kid's salivary glands
09:44 - 09:47: and you make Butterfingers taste like grandma's brussel sprouts,
09:47 - 09:50: but grandma's brussel sprouts taste like Butterfingers.
09:50 - 09:51: That's a treat.
09:51 - 09:53: I guess it raises a larger question of
09:53 - 09:57: what would be the point besides punishment of inflicting the bad--
09:57 - 10:00: because if it's still the same nutritional content of the brussel sprouts,
10:00 - 10:02: the kid doesn't want to eat the brussel sprouts.
10:02 - 10:05: You would make them taste like Butterfingers so the kid ate them.
10:05 - 10:07: So then it was just pure discipline.
10:07 - 10:09: If you want to discipline your kid, you drop the brussel sprouts.
10:09 - 10:12: Well, you just want to make sure that they never eat a Butterfinger.
10:12 - 10:15: Right, but he wouldn't have to eat the Butterfinger
10:15 - 10:18: because he could just make the broccoli taste like Butterfinger.
10:18 - 10:19: Theoretically.
10:19 - 10:21: This is just like Black Mirror Writer's Room.
10:21 - 10:24: [laughter]
10:24 - 10:26: Gotta break that story.
10:26 - 10:29: That'd be hilarious, just like walk into a Black Mirror Writer's Room
10:29 - 10:31: and just listen to them.
10:31 - 10:32: A bunch of English people would be like,
10:32 - 10:37: "Why would the Butterfinger have to taste like the brussel sprouts?"
10:37 - 10:39: I just love that type of marketing.
10:39 - 10:41: I'm sure we've talked about this on the show before, but that type of--
10:41 - 10:44: I mean, it's classic, like, there's the infomercial version,
10:44 - 10:47: which is like, "Are you tired of your hose being all--
10:47 - 10:48: getting knots in your hose?"
10:48 - 10:52: And then it would show some dude in some improbably insane situation
10:52 - 10:55: where he's like--a hose is wrapped around him like a boa constrictor,
10:55 - 10:57: and he's like, "What the [bleep]?"
10:57 - 11:00: And it's like making something seem like a bigger problem than it is.
11:00 - 11:01: Right, right.
11:01 - 11:03: But then there was a similar version of that type of marketing,
11:03 - 11:06: which is to kids, and also I feel like Nathan Freese
11:06 - 11:08: has done some interesting stuff with kids
11:08 - 11:11: where he was telling a group of four-year-olds in a kind of focus group,
11:11 - 11:13: "Do you guys like this toy?"
11:13 - 11:14: And they're like, "Not really."
11:14 - 11:17: And he said, "Well, the president just said that if you don't have this toy,
11:17 - 11:18: then you're a baby."
11:18 - 11:21: And the kids--these four-year-olds just kind of start to get confused,
11:21 - 11:24: and he's like, "Which is fine. So you don't want the toy, right?"
11:24 - 11:25: And the kid's like, "Um..."
11:25 - 11:27: And he's like, "No, that's fine. You're a baby."
11:27 - 11:28: And the kid's like, "I want it."
11:28 - 11:29: So whatever.
11:29 - 11:31: Just appealing to the lowest sense of just like--
11:31 - 11:34: I could actually imagine a successful marketing campaign that's--
11:34 - 11:37: because people like that kind of faux wit,
11:37 - 11:39: or that kind of fake breakthrough,
11:39 - 11:41: where it's kind of like, "Hey, are you eating right now?"
11:41 - 11:43: Somebody's like driving, "No, I'm not eating."
11:43 - 11:45: "Oh, yeah? You got nothing in your mouth?"
11:45 - 11:46: "No, not really."
11:46 - 11:47: "What about saliva?"
11:47 - 11:49: "Okay, now you have my attention."
11:49 - 11:50: "I'm listening."
11:50 - 11:53: "You're sucking on flavorless, thick water,
11:53 - 11:56: slightly viscous water all day?"
11:56 - 11:57: "Ew."
11:57 - 12:00: "I guess that's what gum is. Gum is flavor-loaded saliva."
12:00 - 12:01: "Yeah, you're right."
12:01 - 12:03: "'Cause gum is not a food. Actually, I was--"
12:03 - 12:05: "It's a sensory experience, but yeah, you're right."
12:05 - 12:08: "As I said recently, because we've been doing Seinfeld Sundays,
12:08 - 12:10: I've been watching Seinfeld all the time.
12:10 - 12:14: There's an episode in season 7 that opens with Jerry doing stand-up.
12:14 - 12:16: He goes, "What's the deal with gum?
12:16 - 12:18: It's not liquid, it's not solid. What is it?"
12:18 - 12:21: And I was like, "What do you mean, it's not liquid, it's not solid?"
12:21 - 12:24: And then I thought about it, and I was like, "Okay, actually, I see his point."
12:24 - 12:26: I was like, "Of course, gum is a solid, right?
12:26 - 12:29: But it's a solid that you chew on to extract liquid from, right?
12:29 - 12:33: At the end of the day, the part of gum that you eat is liquid, right?"
12:33 - 12:34: "Your own saliva."
12:34 - 12:36: "You're eating your own flavor-blasted saliva.
12:36 - 12:39: Gum is a tool to flavor-blast your own saliva.
12:39 - 12:41: That's not a food. What's the deal with gum?"
12:41 - 12:42: "Unless you're swallowing gum."
12:42 - 12:44: "Is that a Canadian thing?"
12:44 - 12:46: "Yeah, we all swallow gum.
12:46 - 12:47: I mean, I've swallowed gum."
12:47 - 12:48: "In Canada?"
12:48 - 12:49: "And in America."
12:49 - 12:50: "Really?"
12:50 - 12:51: "Intercontinental."
12:51 - 12:53: "When was the last time you swallowed gum?"
12:53 - 12:56: "Within the past two years, I would say I've swallowed gum."
12:56 - 12:59: "Yeah, what, are you completely not swallowing gum ever?"
12:59 - 13:01: "Never, never in my life."
13:01 - 13:04: "Because of that myth of the seven years that it takes to die?"
13:04 - 13:05: "I don't think that's true."
13:05 - 13:06: "Of course not."
13:06 - 13:07: "I mean..."
13:07 - 13:08: "Was it an accident?"
13:08 - 13:09: "I didn't swallow it."
13:09 - 13:10: "No, but there have been some--
13:10 - 13:12: OK, you're in a meeting, and you're chewing gum.
13:12 - 13:14: You forgot you've got gum in your mouth.
13:14 - 13:15: The person comes in, and you're like,
13:15 - 13:17: 'Ah, I don't want to be talking with gum in my mouth.
13:17 - 13:19: I'm going to quickly get rid of this.'
13:19 - 13:22: 'Why am I always spitting out gum in front of this person?'"
13:22 - 13:24: "I hate having old gum in my mouth
13:24 - 13:27: because I have a very sensitive gag reflex.
13:27 - 13:29: So there have been times where I've been in a car,
13:29 - 13:30: and I have this old-ass gum in my mouth,
13:30 - 13:31: and I don't know where to put it.
13:31 - 13:34: And I'm just like, 'OK, I can ride this out for another 30.'
13:34 - 13:35: And then next thing you know,
13:35 - 13:36: I literally start feeling like I'm going to puke."
13:36 - 13:38: "Why not just out the window with the gum?"
13:38 - 13:39: "Oh, because that's against the law."
13:39 - 13:40: "It is?"
13:40 - 13:42: "To litter? Are you serious right now?"
13:42 - 13:43: "It's not a wrapper, dude."
13:43 - 13:44: "Bro, are you serious right now?"
13:44 - 13:46: "Sometimes when you spit gum out the window--"
13:46 - 13:47: "I'm being serious.
13:47 - 13:49: I think gum out the window is completely legit."
13:49 - 13:51: "I had a bus driver who did that once,
13:51 - 13:52: and it went back into the back window
13:52 - 13:53: and hit this girl, Lindsay Naish,
13:53 - 13:55: right in the side of the face.
13:55 - 13:56: It was such a long shot."
13:56 - 13:57: "That's epic."
13:57 - 14:07: [MUSIC - LIL T, "TELL ME WHAT YOU WANT"]
15:17 - 15:25: [MUSIC - LIL T, "TELL ME WHAT YOU WANT"]
15:25 - 15:35: [MUSIC - LIL T, "TELL ME WHAT YOU WANT"]
24:05 - 24:13: [MUSIC - LIL T, "TELL ME WHAT YOU WANT"]
24:13 - 24:23: [MUSIC - LIL T, "TELL ME WHAT YOU WANT"]
38:23 - 38:29: As somebody who runs a rock and roll brand, a rock and roll heritage brand, an American heritage rock and roll brand.
38:29 - 38:31: You sound like Gene Simmons.
38:31 - 38:33: Yeah.
38:33 - 38:37: Who wants to be in a rock and roll band.
38:37 - 38:45: I do.
38:45 - 38:49: I mean, the ultimate was the coffin.
38:49 - 38:51: The Kiss coffin.
38:51 - 38:53: Yeah.
38:53 - 38:55: You wouldn't want to be buried in a GBV coffin?
38:55 - 38:57: I'll be honest, no.
38:57 - 38:59: Wow, I hope Pollard's not listening.
38:59 - 39:01: Bob's a huge listener.
39:01 - 39:05: I wonder if anyone's been buried in a dead coffin.
39:05 - 39:07: A grateful dead coffin.
39:07 - 39:11: In a weird way, it makes a little more sense in terms of it being a dumb pun.
39:11 - 39:15: I think at the very least I can imagine a dead head cut down in their prime.
39:15 - 39:17: And also, I don't think this is that crazy.
39:17 - 39:23: Because if you died in the military and that's what your whole life was about, you're going to have a military-ish.
39:23 - 39:25: I'm not trying to get --
39:25 - 39:27: I love this analogy.
39:27 - 39:29: Wait, is this going to sound disrespectful to the troops?
39:29 - 39:31: Does this sound disrespectful to the troops?
39:31 - 39:33: Okay, here's one.
39:33 - 39:37: If you live your whole life being a Christian or a Jew, and that's your --
39:37 - 39:39: I'm offended.
39:39 - 39:41: That's your religion.
39:41 - 39:43: Yeah, I went from the military to the religion.
39:43 - 39:45: If you're in the military, that's your profession.
39:45 - 39:47: And if you're a dead head that died on tour, that's your profession and your religion.
39:47 - 39:49: That's your life.
39:49 - 39:53: You could even make a case that the dead head is military plus religion.
39:53 - 39:55: Yeah.
39:55 - 39:57: It's what you did with your time.
39:57 - 39:59: You could make that argument.
39:59 - 40:01: You could.
40:01 - 40:03: Nobody's making it here.
40:03 - 40:05: But I guess my point is that I could totally picture this.
40:05 - 40:13: A dead head, like 1987, summer tour, college student, who's already seen 80 dead shows every summer.
40:13 - 40:15: He's out with his friends.
40:15 - 40:17: And just whatever, he somehow died in the lot.
40:17 - 40:21: Clearly you loved that band so much that you were going on a whole summer tour with your buddies.
40:21 - 40:23: That was a huge part of your life.
40:23 - 40:25: You identified that way.
40:25 - 40:27: You wore a dead shirt every day.
40:27 - 40:29: Your friends are thinking about how to memorialize you.
40:29 - 40:35: I don't think it would be so crazy that they would paint a steely on the coffin.
40:35 - 40:39: He died doing what he loved and he should be buried in also what he loves.
40:39 - 40:41: I mean, this has to exist.
40:41 - 40:43: Because sometimes people put quotes on gravestones.
40:43 - 40:45: There's got to be.
40:45 - 40:47: What a long, strange trip it's been.
40:47 - 40:49: Oh my god.
40:49 - 40:51: On at least 50 graves.
40:51 - 40:53: Wait, Simon, can I get a quick number crunch of Grateful Dead tombstones?
40:53 - 40:55: First, he's gone.
40:55 - 40:57: Oh, he's gone.
40:57 - 40:59: Rat in a drain ditch.
40:59 - 41:01: Dot, dot, dot.
41:01 - 41:05: I would make the case that, yeah, that's no crazier than throwing a religious symbol.
41:05 - 41:07: I like that.
41:07 - 41:09: I like the quote on the tombstone.
41:09 - 41:11: Something about the logos just starts to get weird.
41:11 - 41:17: If the steely logo was engraved into the tombstone, that would be, to me, bizarre.
41:17 - 41:19: Well, how far off are we from tattoos then?
41:19 - 41:21: What's that?
41:21 - 41:23: I feel like this is just like getting a tattoo.
41:23 - 41:27: I mean, I wouldn't get a tattoo of a brand or a band either.
41:27 - 41:29: You wouldn't get a dead tattoo?
41:29 - 41:31: Hell no.
41:31 - 41:33: You wouldn't get a GBV tattoo?
41:33 - 41:35: Hell no.
41:35 - 41:37: Dead and GBV.
41:37 - 41:39: Would you rather be in a GBV coffin or have a tattoo?
41:39 - 41:43: Oh, if I had to choose, I got it by voice, is coffin or tattoo, I'd choose tattoo.
41:43 - 41:45: Coming across the gravestone.
41:45 - 41:47: Although maybe I should do coffin because I'll be dead.
41:47 - 41:49: You don't seem the coffin.
41:49 - 41:51: You know what? I'm doing coffin.
41:51 - 41:53: I don't want a GBV. I love that band.
41:53 - 41:55: I'm not doing a GBV tattoo.
41:55 - 41:57: I love your "he's gone" thing.
41:57 - 41:59: Jake Longstreet, 1977 to whatever.
41:59 - 42:01: He's gone.
42:01 - 42:03: 2077.
42:03 - 42:05: He's gone.
42:05 - 42:07: I'm on a message board here.
42:07 - 42:09: Nothing's going to bring him back.
42:09 - 42:13: This guy, his daughter had passed away and he's soliciting a home.
42:13 - 42:15: She was a deadhead.
42:15 - 42:21: And he's asking for a custom headstone featuring Grateful Dead bears on it.
42:21 - 42:23: And he's kind of reaching out to the public to see if he can do this.
42:23 - 42:25: That's beautiful.
42:25 - 42:27: They did it tastefully.
42:27 - 42:29: I can totally imagine that too.
42:29 - 42:31: See, that's another thing.
42:31 - 42:33: You can totally imagine in a situation where somebody died young, their parents, their friends.
42:33 - 42:41: It's not like this person was 95 and had a lot of time to think about, you know, by the way, when I'm buried, they probably don't have a will or anything like that.
42:41 - 42:47: So if a young person died, it's not that crazy that their family or their friends would be like, we don't know what they would have wanted.
42:47 - 42:49: We know that when they went out, they were obsessed with this one thing.
42:49 - 42:51: And that is something I get about that.
42:51 - 42:53: Choosing that for somebody else.
42:53 - 42:55: For sure.
42:55 - 42:57: What a cool girl, honestly.
42:57 - 42:59: Yeah.
42:59 - 43:05: And I really think too, not to be corny, but on a very basic level, if you look at the ethos of the dead, which is like this inclusive fun thing.
43:05 - 43:11: Say you're walking through a gravestone, you're seeing all sorts of religious stuff and intense things.
43:11 - 43:17: And then you came to one and you saw whatever the person's name, 1980 to '97 or something.
43:17 - 43:19: You're like, oh, damn, a young person died.
43:19 - 43:21: And then you see a dead quote in the bears.
43:21 - 43:25: That would bring a smile to a lot of people's face and be like, man, but you know what?
43:25 - 43:27: Like, sounds like that person had some good times when they were alive.
43:27 - 43:31: Like on a very basic level, it would bring a little bit of like.
43:31 - 43:33: Levity.
43:33 - 43:34: Yeah.
43:34 - 43:35: I know. I agree.
43:35 - 43:37: Levity is more appropriate.
43:37 - 43:39: I'm getting the Seinfeld logo.
43:39 - 43:41: On your tombstone.
43:41 - 43:42: It won't even say my name.
43:42 - 43:43: Seinfeld 2000.
43:43 - 43:44: That's it.
43:44 - 43:47: Well, we were talking high school senior quotes.
43:47 - 43:48: Oh, right.
43:48 - 43:49: Yeah, that's right.
43:49 - 43:51: Start thinking about your gravestone quote, dude.
43:51 - 43:54: Mine would probably be like, I'm sorry I was here.
43:54 - 43:55: Oh.
43:55 - 43:56: Bummer.
43:56 - 43:57: That's a bummer.
43:57 - 44:00: I took up space for a little and I'm sorry.
44:00 - 44:02: Mine would be, I threw gum out the window.
44:02 - 44:04: Wait, Jake, are you calling he's gone?
44:04 - 44:07: I might be calling it.
44:07 - 44:09: What if we were buried next to each other?
44:09 - 44:11: Jake Longstreet, he's gone.
44:11 - 44:14: Ezra Kane, he's gone.
44:14 - 44:15: No, I'm he's gone.
44:15 - 44:19: And then yours is nothing's going to bring him back.
44:19 - 44:22: In this scenario, are you both deceased at the same time?
44:22 - 44:23: Or is one an open plot?
44:23 - 44:25: We died to a big time crisis.
44:25 - 44:29: No, I died like a solid 17 years before Ezra did.
44:29 - 44:30: Damn.
44:30 - 44:32: I guess I have that plot set aside.
44:32 - 44:35: [MUSIC - "DREAMER"]
44:35 - 44:59: (SINGING) Riding a train ditch, caught on a limb.
44:59 - 45:02: You know better, but I know him.
45:02 - 45:21: Like I told you what I said, steal your face right off your head.
45:27 - 45:29: Now he's gone.
45:29 - 45:35: Now he's gone.
45:35 - 45:44: But he's gone.
45:44 - 45:45: He's gone.
45:51 - 46:01: Like a steam locomotive running down the track, he's gone.
46:01 - 46:03: He's gone.
46:03 - 46:07: But he's going to bring him back.
46:07 - 46:09: He's gone.
46:09 - 46:13: Time Crisis with Ezra Koenig.
46:13 - 46:17: I also wonder if by the time that we die, knock on wood,
46:17 - 46:20: hopefully not too soon, but if it happens, it happens.
46:20 - 46:24: If also, like, we got to be running out of space to bury people, right?
46:24 - 46:29: Like these giant fields of gravestones, that can't work forever, right?
46:29 - 46:31: My family doesn't do burials.
46:31 - 46:32: They do cremation?
46:32 - 46:36: Yeah, and then scatter the ashes at like a special place in that person's life.
46:36 - 46:38: Yeah, I wonder if that'll be a thing.
46:38 - 46:40: Maybe you just make a digital tombstone.
46:40 - 46:41: Ooh, like a hologram?
46:41 - 46:42: Or just like the--
46:42 - 46:44: What would that be, like a web--
46:44 - 46:46: There's graveyards on the internet?
46:46 - 46:47: What about this?
46:47 - 46:49: Oh, that's a black mirror.
46:49 - 46:51: I can also just imagine that--
46:51 - 46:54: Because there's definitely a thing sometimes when people die,
46:54 - 46:58: a loved one might take over their social media,
46:58 - 47:02: either to keep their memory alive or just to let everybody know.
47:02 - 47:04: I mean, we've all probably seen that.
47:04 - 47:07: That's my biggest fear is like dying and my last post being like,
47:07 - 47:10: "Scott had so much fun last night."
47:10 - 47:12: And then people just roasting you.
47:12 - 47:13: It's so awful.
47:13 - 47:14: That happens.
47:14 - 47:19: I remember people kind of riffing on this stuff as long as there's been social media.
47:19 - 47:22: Like I remember the first time being on Twitter and seeing people being like,
47:22 - 47:25: "Wow, I hope my last tweet isn't just ate a bunch of raisins."
47:25 - 47:28: I remember people saying that forever because it's like--
47:28 - 47:30: Death is very present for people.
47:30 - 47:34: I just wonder if with the really big ones like the Facebooks and the Instagram,
47:34 - 47:37: if we stop having physical tombstones and everybody's getting cremated
47:37 - 47:42: or put into biodegradable pits together or whatever.
47:42 - 47:44: I think that's happening.
47:44 - 47:50: If there could be a thing where you on file with Instagram or Facebook,
47:50 - 47:53: you have your digital tombstone, and it's like in event of death,
47:53 - 47:57: no, I don't want my mom running my Instagram account.
47:57 - 47:59: I want you to post my digital tombstone.
47:59 - 48:01: Which I've designed. It says he's gone.
48:01 - 48:02: Right, exactly.
48:02 - 48:04: So if, like you said, my last tweet was something--
48:04 - 48:08: or my last Instagram post was something silly, yeah, nobody wants that.
48:08 - 48:13: If I die, whatever my last one was, my real last one is going to be this thing
48:13 - 48:15: that I have on file with you.
48:15 - 48:16: My digital tombstone.
48:16 - 48:17: You get your affairs in order.
48:17 - 48:20: You have to leave all your account information in your will, I think, now.
48:20 - 48:22: Oh, that's probably a thing. I'm sure it is.
48:22 - 48:23: Is that a real thing?
48:23 - 48:24: No, maybe.
48:24 - 48:25: I bet it is.
48:25 - 48:26: You should do.
48:26 - 48:27: Ezra, that's a really good idea.
48:27 - 48:28: Thank you.
48:28 - 48:29: I bet it exists.
48:29 - 48:31: I think we need to get someone on the horn from Instagram next episode.
48:31 - 48:33: Like you leave your jewelry with someone,
48:33 - 48:36: and then you leave your social media to someone else.
48:36 - 48:38: Imagine being the person who gets the social media.
48:38 - 48:39: It's like a full-time job.
48:39 - 48:41: I could imagine that--
48:41 - 48:42: Sorry to be dark, guys.
48:42 - 48:44: We're not trying to stress everybody out, you know,
48:44 - 48:46: but death is a part of life.
48:46 - 48:47: Dream Reaper comes for all of us.
48:47 - 48:50: But let's imagine a celebrity with a lot of followers dies,
48:50 - 48:51: and they have two kids.
48:51 - 48:52: Succession.
48:52 - 48:54: It's a succession drama.
48:54 - 48:57: And one kid says, "I'm the oldest. I should have mom's account."
48:57 - 49:00: And the other said, "She told me I was going to have it
49:00 - 49:02: because she just knew that I understood the aesthetic
49:02 - 49:04: of the family Instagram account more."
49:04 - 49:05: And they're just like, "No, f--- you."
49:05 - 49:06: Plus, you're a little unstable.
49:06 - 49:08: You were in rehab two years ago.
49:08 - 49:09: Exactly.
49:09 - 49:10: Don't you bring up my past.
49:10 - 49:13: This is my dream show to watch.
49:13 - 49:15: Instagram succession show.
49:15 - 49:19: Dude, if Succession was like an anthology series,
49:19 - 49:22: just like season six, and it's set in the future.
49:22 - 49:24: Succession for Gen Z.
49:24 - 49:28: We'll work this into the Black Mirror Chef's Table kitchen nightmare.
49:28 - 49:31: This is a real futuristic vibe on this episode.
49:31 - 49:33: In Time Crest, we're always thinking about the future.
49:33 - 49:34: I'm a futurist.
50:01 - 50:03: We've come up with some good product ideas.
50:03 - 50:05: Flash episode ideas.
50:05 - 50:06: Yeah.
50:06 - 50:08: The most realistic one is still just rolling out our
50:08 - 50:10: sh--ty version of Frosted Flakes, but still.
50:10 - 50:11: Yeah.
50:11 - 50:12: These are slightly better ideas.
50:12 - 50:16: The gum contacts is a close second.
50:16 - 50:18: Oh, flavor blasted saliva?
50:18 - 50:22: Prime Crisis, volume eight, in vengeance.
50:22 - 50:25: Maybe we need just like a Frosted Flakes t-shirt.
50:25 - 50:26: Oh, that's a good--
50:26 - 50:28: It just says Frosted Flakes on it.
50:28 - 50:30: And then on the sleeve it says, I don't know,
50:30 - 50:32: Tasteful Palate or Time Crisis or something.
50:32 - 50:33: Kellogg's doesn't own that.
50:33 - 50:34: I love that.
50:34 - 50:36: Maybe that's the B side of the Punisher burgers.
50:36 - 50:37: Could we just make a t-shirt that says,
50:37 - 50:39: "Kellogg's doesn't own Frosted Flakes,"
50:39 - 50:42: and then put a realistic tiger on it somehow?
50:42 - 50:43: I love it.
50:43 - 50:44: Anyway--
50:44 - 50:45: We're just going off.
50:45 - 50:46: No, but I feel like--I wonder if this has happened yet
50:46 - 50:48: or if this will happen or if there's some reason why
50:48 - 50:50: none of this would ever happen, but yeah, I could imagine.
50:50 - 50:53: Two kids, maybe mom or dad, burned through their money.
50:53 - 50:55: They had a gambling problem.
50:55 - 50:56: So the money's gone.
50:56 - 50:58: I thought that dad had millions.
50:58 - 50:59: Nope.
50:59 - 51:01: He played the ponies and he lost.
51:01 - 51:03: So what assets does dad still have?
51:03 - 51:04: Well, the house is in foreclosure.
51:04 - 51:05: Okay, so what's left?
51:05 - 51:08: He did have 89 million Instagram followers.
51:08 - 51:10: Okay, now that I can work with.
51:10 - 51:13: Well, you know, I think as siblings we should share it.
51:13 - 51:15: Well...
51:15 - 51:17: This [bleep] could happen, right?
51:17 - 51:19: No one wants the job, though.
51:19 - 51:20: It's too much pressure.
51:20 - 51:22: They'd be fighting over the opposite.
51:22 - 51:25: It turns out that actually your father--
51:25 - 51:26: He left it in the will.
51:26 - 51:29: He left it in the will to Amnesty International.
51:29 - 51:32: You've got to be [bleep] kidding me.
51:32 - 51:35: An intern from Amnesty International just takes over.
51:35 - 51:39: And they're selling Fit Tea that then goes to Amnesty International?
51:39 - 51:41: It's so, like, oblique.
51:41 - 51:44: The Fit Tea post after they die is so sad.
51:44 - 51:45: Could that--
51:45 - 51:47: It's like without them, it's literally just the tea.
51:47 - 51:48: Well, also, hold on.
51:48 - 51:52: We haven't even mentioned this, that the rights to somebody's image
51:52 - 51:53: are incredibly valuable.
51:53 - 51:56: So I don't know if you guys have noticed over the past four or five years,
51:56 - 52:00: I've started to notice a lot more Bob Marley-branded beverages.
52:00 - 52:01: Have you seen this?
52:01 - 52:02: You heard about this?
52:02 - 52:03: You drank this?
52:03 - 52:05: I feel like we've discussed it on the show.
52:05 - 52:06: I haven't tasted it.
52:06 - 52:07: Is it iced tea?
52:07 - 52:09: I think they have iced tea, coffee.
52:09 - 52:10: Simon, let me get a number crunch on.
52:10 - 52:13: What are the Bob Marley-branded beverages?
52:13 - 52:14: Never seen this.
52:14 - 52:16: You never heard about Bob Marley beverages?
52:16 - 52:19: Would Bob Marley-- Would he have wanted this?
52:19 - 52:20: Bob Marley was--
52:20 - 52:21: How is this allowed?
52:21 - 52:22: I don't understand that.
52:22 - 52:24: There's a Bob Marley cold brew.
52:24 - 52:26: What if he hated coffee?
52:26 - 52:29: Mellow mood, you got yerba mate, you got cold brew.
52:29 - 52:30: And this is all from the Marley--
52:30 - 52:31: Yerba mate.
52:31 - 52:32: There's the Marley Beverage Co.
52:32 - 52:33: Yerba mate.
52:33 - 52:36: Marley Beverage Co. in partnership with Bob Marley's family
52:36 - 52:41: is committed to creating mate, tea, and coffee drinks
52:41 - 52:43: that are faithful to his legacy.
52:43 - 52:44: Oh, okay.
52:44 - 52:45: That's sweet.
52:45 - 52:47: They have a coffee drink called One Drop.
52:47 - 52:48: One Drop.
52:48 - 52:49: Oh, my God.
52:49 - 52:50: Listen to this quote.
52:50 - 52:51: This is so time crisis.
52:51 - 52:52: Holy [bleep]
52:52 - 52:54: First of all, this is on a website called BevNet.
52:54 - 52:58: I guess this is the pitchfork of beverages.
52:58 - 53:00: New Age Beverages Corporation,
53:00 - 53:02: the Colorado-based organic and natural beverage company
53:02 - 53:05: intending to become the world's leading healthy beverage company,
53:05 - 53:08: today announced the rollout of its Marley cold brew coffee.
53:08 - 53:09: You also got to think, like--
53:09 - 53:10: That is deep.
53:10 - 53:12: When a family sells the rights to somebody,
53:12 - 53:15: it's not quite as crass as somebody being like,
53:15 - 53:17: "Well, Grandpa's dead.
53:17 - 53:18: I want to start a beverage business."
53:18 - 53:20: It might be as simple as somebody coming to them
53:20 - 53:25: and being like, "Hey, there's an organic beverage company in Colorado
53:25 - 53:28: that wants to give you guys $5 million to license Grandpa.
53:28 - 53:29: Here's the deal."
53:29 - 53:31: And they look around, and they're like, "Well, whatever.
53:31 - 53:33: She needs a hip replacement.
53:33 - 53:34: It's been a tough year."
53:34 - 53:38: It's not quite as disgusting as a family just dancing on somebody's grave.
53:38 - 53:39: So I want to be--
53:39 - 53:41: I don't know the details of the Marley family,
53:41 - 53:43: but here's a quote.
53:43 - 53:46: "The rollout of Marley cold brew is a huge benchmark
53:46 - 53:49: in what has become a complete transformation of the Marley brand
53:49 - 53:52: since its acquisition last year," said Jay Barrow,
53:52 - 53:54: chief brand officer at New Age.
53:54 - 53:57: "The brand is now completely rebuilt with an identity and iconography
53:57 - 54:02: that resonates with the more than 70 million loyal Marley Facebook followers.
54:02 - 54:05: The talent and capabilities behind the Marley brand are extensive,
54:05 - 54:07: and this is only the beginning of what will become
54:07 - 54:10: a very impactful brand-building campaign."
54:10 - 54:15: So that guy's specifically referencing how many Facebook followers Bob Marley has.
54:15 - 54:18: So that's a huge part of why there's value in this.
54:18 - 54:21: So yeah, those social media followers, it's the same way.
54:21 - 54:23: There's always some article that's kind of like,
54:23 - 54:27: "You know that this year Marilyn Monroe made more money than she made in her lifetime
54:27 - 54:29: just from licensing."
54:29 - 54:32: All these things are going to be very important in the future.
55:45 - 55:50: I want more rock star and musician beverages.
55:50 - 55:53: Like why doesn't Jim Morrison have like a brand of whiskey or something?
55:53 - 55:54: Because the doors are played out.
55:54 - 55:58: Not true, man. That is a deeply iconic, timeless brand.
55:58 - 56:01: Dude, it's like a college dorm when you got Marley and you got Morrison.
56:01 - 56:03: No, they don't have-- it's not Morrison anymore.
56:03 - 56:04: Really?
56:04 - 56:05: I'm not even trying to be a d*** here.
56:05 - 56:06: Cobain?
56:06 - 56:07: I like the doors.
56:07 - 56:11: I think Cobain and Morrison are similar enough that Cobain fully took over.
56:11 - 56:15: There's rock star energy drink, though, that really encompasses all of the stars.
56:15 - 56:18: I feel like they probably each get like a small cut.
56:18 - 56:19: Yeah, you're right about that.
56:19 - 56:20: I don't think Cobain would want a drink.
56:20 - 56:21: Yeah, because he was like a punk.
56:21 - 56:23: I mean, I don't know much about Marley's world.
56:23 - 56:25: Marley is super cool.
56:25 - 56:28: Bob Marley might be one of the wokest pop stars of all time.
56:28 - 56:29: I get that, but--
56:29 - 56:32: Have you ever talked about on this show, like my favorite interview with Bob Marley,
56:32 - 56:34: where it's like this English guy?
56:34 - 56:36: He's like an English journalist who's trying to make him seem like a hypocrite.
56:36 - 56:39: The English guy basically says something along the lines of like,
56:39 - 56:41: "Are you a very wealthy man now?"
56:41 - 56:45: And, you know, trying to be like, "Oh, you're supposed to be like this third world woke dude."
56:45 - 56:46: "Oh, but you're rich now, huh?"
56:46 - 56:49: Like, you know, classic kind of gotcha questioning system.
56:49 - 56:51: They're like, "What do you mean wealthy?"
56:51 - 56:54: And the guy's like, "Are you rich? Do you have a lot of money?"
56:54 - 56:56: Bob Marley goes, "Money make you rich?"
56:56 - 56:59: And then he says something about like, "My riches are not on this earth."
56:59 - 57:01: Just like some super like--
57:01 - 57:02: Wow.
57:02 - 57:03: Actually, I want to play that.
57:03 - 57:04: Yeah, that sounds awesome.
57:06 - 57:08: Money.
57:08 - 57:11: I mean, how much is a lot of money to you?
57:11 - 57:13: Yeah, that's a good question.
57:13 - 57:16: Have you made, say, millions of dollars?
57:16 - 57:17: No.
57:17 - 57:19: Are you a rich man?
57:19 - 57:21: What do you mean rich? What do you mean?
57:21 - 57:23: Do you have a lot of possessions?
57:23 - 57:24: A lot of money in the bank?
57:24 - 57:26: Possession make you rich?
57:26 - 57:28: I don't have that type of richness.
57:28 - 57:29: My richness is life.
57:29 - 57:30: Oh, I got it wrong.
57:30 - 57:32: Okay, do you have a lot of possessions?
57:32 - 57:33: Possession make you rich?
57:33 - 57:34: Right.
57:34 - 57:35: My richness is life.
57:35 - 57:37: Do you have any beverages?
57:37 - 57:38: Any branded beverages?
57:38 - 57:40: Beverage make you rich?
57:40 - 57:43: Beverage make you rich.
57:43 - 57:47: Anyway, this is all to say that Bob Marley like truly is in a league of his own.
57:47 - 57:51: He's just being like this cool disconnected dude who practiced what he preached.
57:51 - 57:52: That was amazing.
57:52 - 57:54: I'm shook.
57:54 - 57:55: Really?
57:55 - 57:57: I felt like when I first saw that it kind of like gave me chills.
57:57 - 58:02: I was just like, especially when you look around today, there's just like kind of no equivalent.
58:02 - 58:03: And understandably, I'm not calling it-
58:03 - 58:05: I wonder if Dylan stole that from Marley.
58:05 - 58:08: You mean my treasure on the earth?
58:08 - 58:10: It's also funny too because it's like-
58:10 - 58:11: Bob saw that and he's like, "Oh, that's a good line."
58:11 - 58:15: If you kind of use like religious philosophical language, on the one hand, you can be above it all,
58:15 - 58:18: but you can also get into some weird nihilistic where somebody like, "Are you rich?"
58:18 - 58:21: You're like, "What do you mean rich? Got millions?"
58:21 - 58:25: "Oh yeah, I'm loaded, but that's merely my treasure on the earth. My kingdom lies in heaven."
58:25 - 58:28: It's like, that's almost like some like shady preacher.
58:28 - 58:31: Did you know that Bob Dylan launched a brand of whiskey this year?
58:31 - 58:32: Oh, that sounds familiar.
58:32 - 58:33: No.
58:33 - 58:35: You knew that, Kazzy?
58:35 - 58:36: I did know that.
58:36 - 58:37: That's tight.
58:37 - 58:38: You're a big Dylan fan?
58:38 - 58:39: Yeah.
58:39 - 58:40: Are you a Dylan fan?
58:40 - 58:41: As much as everyone.
58:41 - 58:43: Actually, by the way, I know we're all over the place today.
58:43 - 58:45: Just one of those days.
58:45 - 58:46: But I was curious about this.
58:46 - 58:48: Do you listen to Bob Marley?
58:48 - 58:49: I do not.
58:49 - 58:50: But you know who he is?
58:50 - 58:51: Yes.
58:51 - 58:52: You're familiar?
58:52 - 58:54: Do you listen to Nirvana or Kurt Cobain?
58:54 - 58:55: Mm-hmm.
58:55 - 58:56: Now, what about The Doors?
58:56 - 58:58: Jim Morrison and The Doors.
58:58 - 59:02: Are they remotely at the same level as those other iconic musical figures?
59:02 - 59:03: How familiar are you with them?
59:03 - 59:04: How much do you care about them?
59:04 - 59:06: I'm not very familiar with them, no.
59:06 - 59:09: But I think if you played their music, I would definitely know it.
59:09 - 59:11: They're on Peace Frog.
59:11 - 59:13: Peace Frog is kind of a deep cut.
59:13 - 59:14: It's a great song, though.
59:14 - 59:15: No, no.
59:15 - 59:16: I like The Doors.
59:16 - 59:19: My point is just that in the '90s, there was kind of Doors mania,
59:19 - 59:22: whereas now The Doors is not really popular.
59:22 - 59:27: I just feel like that image, the Jim Morrison image, still thrives.
59:27 - 59:28: But maybe I'm way off.
59:28 - 59:29: Not the music.
59:29 - 59:30: I agree.
59:30 - 59:34: I mean, in terms of the classic rock bands, The Doors are pretty far down the totem pole.
59:34 - 59:35: You went to college, right?
59:35 - 59:37: Did people have Bob Marley posters in dorms?
59:37 - 59:38: Is that still a thing?
59:38 - 59:39: Yeah, I think so.
59:39 - 59:42: How often did you see a Jim Morrison poster?
59:42 - 59:44: I'm not a very observant person.
59:44 - 59:46: Super absent-minded.
59:46 - 59:48: What about Dave Matthews Band?
59:48 - 59:50: That feels like a big college poster.
59:50 - 59:51: That's pretty alt.
59:51 - 59:53: Oh, hell yeah.
59:53 - 59:56: Jake.
59:56 - 01:00:03: This be a good vampire cover?
01:00:03 - 01:00:05: This would be sick, dude.
01:00:05 - 01:00:06: Bucket hat?
01:00:06 - 01:00:07: Bucket hat on the kid.
01:00:07 - 01:00:09: [scatting]
01:00:19 - 01:00:23: [scatting]
01:00:27 - 01:00:32: [scatting]
01:00:32 - 01:00:40: [scatting]
01:00:40 - 01:00:44: [scatting]
01:00:46 - 01:00:48: [scatting]
01:00:48 - 01:00:52: [scatting]
01:00:52 - 01:00:57: [scatting]
01:00:57 - 01:00:59: [scatting]
01:00:59 - 01:01:03: [scatting]
01:01:03 - 01:01:06: [scatting]
01:01:25 - 01:01:37: ♪ ♪
01:01:37 - 01:01:42: ♪ Indians scattered on Don's highway bleeding. ♪
01:01:42 - 01:01:50: ♪ Ghost crowds the young child's fragile egg-shell mind. ♪
01:01:50 - 01:01:54: ♪ Blood in the streets, in the town of New Haven. ♪
01:01:54 - 01:01:58: ♪ Blood stains the roofs and the palm trees of Venice. ♪
01:01:58 - 01:02:02: ♪ Blood ain't my love in the terrible summer. ♪
01:02:02 - 01:02:09: ♪ Bloody red sun of fantastic L.A. ♪
01:02:09 - 01:02:13: ♪ Blood screens the brain and chops off the fingers. ♪
01:02:13 - 01:02:17: ♪ Blood will be born in the book of Venetia. ♪
01:02:17 - 01:02:23: ♪ Blood is the rose of mysterious union. ♪
01:02:23 - 01:02:28: ♪ Dead blood in the streets, it's up to my ankles. ♪
01:02:28 - 01:02:32: ♪ Blood in the streets, it's up to my knees. ♪
01:02:32 - 01:02:36: ♪ Blood in the streets, the town of Chicago. ♪
01:02:36 - 01:02:40: ♪ Blood on the rise, it's following me. ♪
01:02:40 - 01:02:41: [record scratch]
01:02:41 - 01:02:44: You're listening to...
01:02:44 - 01:02:47: Time Crisis on Beast One.
01:02:47 - 01:02:49: You know, one last thing, Jake, that I wanted to say.
01:02:49 - 01:02:52: I'd be remiss not to mention this.
01:02:52 - 01:02:54: Obviously, the Dead, we're big Marley fans.
01:02:54 - 01:02:55: Right.
01:02:55 - 01:02:57: The other day, I listened to a 12-minute
01:02:57 - 01:02:59: Jerry Garcia band, Stir It Up.
01:02:59 - 01:03:00: Have you ever listened to that?
01:03:00 - 01:03:01: Oh, I never heard that.
01:03:01 - 01:03:03: It's like super noodley.
01:03:03 - 01:03:04: But whatever, it's cool.
01:03:04 - 01:03:06: I'm into that Jerry Garcia band reggae stuff.
01:03:06 - 01:03:08: Oh yeah, he basically does the entire
01:03:08 - 01:03:09: Heart of They Come soundtrack,
01:03:09 - 01:03:12: 'cause he does Sitting in Limbo, Heart of They Come.
01:03:12 - 01:03:14: We did Heart of They Come, our last show.
01:03:14 - 01:03:15: Oh really?
01:03:15 - 01:03:16: At the Old Town Pub in Pasadena.
01:03:16 - 01:03:17: Oh sick.
01:03:17 - 01:03:18: Are you in a band?
01:03:18 - 01:03:20: Yeah, I'm in a Grateful Dead cover band.
01:03:20 - 01:03:21: They're major, you gotta check 'em out.
01:03:21 - 01:03:22: For real?
01:03:22 - 01:03:23: Yeah, yeah.
01:03:23 - 01:03:24: Oh, Richard's Pictures.
01:03:24 - 01:03:26: We played the Old Town Pub in Pasadena last week.
01:03:26 - 01:03:27: I gotta come.
01:03:27 - 01:03:28: We'll let you know.
01:03:28 - 01:03:29: Okay, great.
01:03:29 - 01:03:31: The thing I was gonna say is that,
01:03:31 - 01:03:33: so obviously the Dead loved reggae,
01:03:33 - 01:03:36: and Jerry in particular, clearly covered Bob Marley.
01:03:36 - 01:03:39: The day after Bob Marley died, in the early '80s,
01:03:39 - 01:03:41: the Dead played He's Gone in his honor.
01:03:41 - 01:03:42: I don't know if they said something,
01:03:42 - 01:03:44: it was perceived to be in his honor.
01:03:44 - 01:03:45: This is for Bob.
01:03:45 - 01:03:48: It was like an emotional he's gone when Bob Marley died.
01:03:48 - 01:03:50: Come in full circle.
01:03:50 - 01:03:52: That's a great song for that occasion.
01:03:52 - 01:03:54: It's like a classic re-appropriation,
01:03:54 - 01:03:56: 'cause the song itself is kind of like
01:03:56 - 01:03:57: about a bad man being gone.
01:03:57 - 01:03:58: Right.
01:03:58 - 01:03:59: But whatever, at the end of the day,
01:03:59 - 01:04:00: he's gone.
01:04:00 - 01:04:03: Did Bob Marley ever listen to the Dead?
01:04:03 - 01:04:04: Who knows?
01:04:04 - 01:04:05: Probably not.
01:04:05 - 01:04:07: No reason to think he did.
01:04:07 - 01:04:09: Anyway, it's time for the Top 5.
01:04:09 - 01:04:15: It's time for the Top 5 on iTunes.
01:04:15 - 01:04:17: So this week on the Top 5,
01:04:17 - 01:04:19: we're doing something kind of crazy.
01:04:19 - 01:04:21: This is the Songs of the Summer edition.
01:04:21 - 01:04:22: Okay.
01:04:22 - 01:04:24: So we're gonna look at the top five songs
01:04:24 - 01:04:27: of this summer according to Billboard,
01:04:27 - 01:04:29: and we're gonna compare it not to one year,
01:04:29 - 01:04:31: but various decades of songs.
01:04:31 - 01:04:34: So we're gonna compare the number five Billboard song
01:04:34 - 01:04:36: to the song of the summer '68.
01:04:36 - 01:04:37: Then we're gonna compare the number four song
01:04:37 - 01:04:38: to the song of the summer '78.
01:04:38 - 01:04:39: Oh, okay.
01:04:39 - 01:04:40: We're sticking with the eights.
01:04:40 - 01:04:42: We're going back 50 years.
01:04:42 - 01:04:43: We're doing crazy eights.
01:04:43 - 01:04:44: Okay.
01:04:44 - 01:04:46: This is a crazy eights summer edition,
01:04:46 - 01:04:49: just to kind of get a broader spectrum of summer songs.
01:04:49 - 01:04:53: So we're gonna start by taking it all the way back to 1968.
01:04:53 - 01:04:56: The number one song of the summer of '68,
01:04:56 - 01:04:57: which was--
01:04:57 - 01:04:58: ♪ Hot town, summer in the city ♪
01:04:58 - 01:04:59: 50 years ago.
01:04:59 - 01:05:00: Yeah.
01:05:00 - 01:05:02: You know what else I've been thinking about recently?
01:05:02 - 01:05:04: How many people there are on the planet at any given moment.
01:05:04 - 01:05:07: And I was like, I wonder how long ago
01:05:07 - 01:05:10: were there half as many people on the planet?
01:05:10 - 01:05:11: And you go back and you're like,
01:05:11 - 01:05:12: it was like the late '60s, early '70s.
01:05:12 - 01:05:16: So you're like, when the doors dropped Peace Frog,
01:05:16 - 01:05:17: there were literally half as many people
01:05:17 - 01:05:20: on the planet as today.
01:05:20 - 01:05:22: I don't know what to do with that information,
01:05:22 - 01:05:23: but there's something about it that's eerie.
01:05:23 - 01:05:25: All these major cultural milestones
01:05:25 - 01:05:27: that we think about in the past,
01:05:27 - 01:05:29: there were just so many less people around.
01:05:29 - 01:05:30: Yeah, that's wild.
01:05:30 - 01:05:32: Do you think there were less idiots?
01:05:32 - 01:05:33: No.
01:05:33 - 01:05:34: Same percentage.
01:05:34 - 01:05:35: Same percentage of idiots.
01:05:35 - 01:05:36: Okay, but you're right.
01:05:36 - 01:05:37: That's a baseline.
01:05:37 - 01:05:40: 'Cause most people are idiots, I'm sad to say,
01:05:40 - 01:05:42: myself included, but you're right.
01:05:42 - 01:05:43: There would have been less idiots on the planet.
01:05:43 - 01:05:44: Oh, and some.
01:05:44 - 01:05:47: 'Cause yeah, you're like, less people, less idiots.
01:05:47 - 01:05:48: Technically.
01:05:48 - 01:05:49: Also, when people talk about all the ways
01:05:49 - 01:05:52: in which the internet means that there's more out there
01:05:52 - 01:05:55: and stuff, there's just so many more people.
01:05:55 - 01:05:56: That's another thing that I think we don't talk about enough
01:05:56 - 01:05:59: is people are like, humanity's never dealt with the internet
01:05:59 - 01:06:01: and all these opinions and stuff.
01:06:01 - 01:06:03: Humanity's also never dealt with this many people.
01:06:03 - 01:06:05: Your grandma was born.
01:06:05 - 01:06:07: There might have been a third as many people on the planet.
01:06:07 - 01:06:08: Just a lot, a lot of people.
01:06:08 - 01:06:11: Anyway, the song of the summer in '68
01:06:11 - 01:06:14: was Herb Albert and the Tijuana Brass.
01:06:14 - 01:06:15: This Guy's In Love With You.
01:06:15 - 01:06:18: Great song.
01:06:18 - 01:06:21: Written by Burt Bacharach and Hal David.
01:06:21 - 01:06:24: I'm surprised by this being the song of the summer,
01:06:24 - 01:06:26: but beautiful song.
01:06:26 - 01:06:32: ♪ You see, this guy ♪
01:06:32 - 01:06:37: ♪ This guy's in love with you ♪
01:06:37 - 01:06:44: ♪ Yes, I'm in love ♪
01:06:44 - 01:06:48: ♪ Who looks at you the way I do ♪
01:06:48 - 01:06:51: So 1968, we've talked about this famously tumultuous
01:06:51 - 01:06:53: summer in America.
01:06:53 - 01:06:54: We haven't done the--
01:06:54 - 01:06:55: Oh, in my neighborhood.
01:06:55 - 01:06:57: Haven't done that riff in a while.
01:06:57 - 01:07:00: ♪ Very well, how can I ♪
01:07:00 - 01:07:04: Yeah, just like slow-mo footage
01:07:04 - 01:07:06: of the Democratic Convention in Chicago.
01:07:06 - 01:07:07: Right.
01:07:07 - 01:07:11: The summer of '68, there was blood on the streets of Chicago
01:07:11 - 01:07:14: but in my hometown, all I cared about
01:07:14 - 01:07:16: was the Baltimore Orioles.
01:07:16 - 01:07:17: And Lisa.
01:07:18 - 01:07:20: I love this guy's voice.
01:07:20 - 01:07:21: Who was actually singing?
01:07:21 - 01:07:23: Is Herb Albert singing himself?
01:07:23 - 01:07:25: I wanna say yes.
01:07:25 - 01:07:26: Yeah, he sang lead.
01:07:26 - 01:07:28: He normally played trumpet but he was singing lead.
01:07:28 - 01:07:30: A lot of people walked down the aisle to that song.
01:07:30 - 01:07:32: Yeah. I'm sure.
01:07:32 - 01:07:34: With slow dance and a garden, summertime.
01:07:34 - 01:07:36: It's just a funny name too.
01:07:36 - 01:07:37: This Guy's In Love With You.
01:07:37 - 01:07:41: It almost reminds me of like Lou Reed in a weird way.
01:07:41 - 01:07:42: His vocal delivery.
01:07:42 - 01:07:43: ♪ Da da da ♪
01:07:43 - 01:07:46: ♪ It's such a perfect day ♪
01:07:46 - 01:07:47: So chill.
01:07:47 - 01:07:48: Yeah.
01:07:48 - 01:07:51: ♪ I'm glad this guy's in love with you ♪
01:07:51 - 01:07:54: The number five song of this summer.
01:07:54 - 01:07:57: Major artist, Post Malone.
01:07:57 - 01:07:58: Here we go.
01:07:58 - 01:07:59: I hate this song.
01:07:59 - 01:08:00: (explosion)
01:08:00 - 01:08:01: Excuse me?
01:08:01 - 01:08:02: (laughing)
01:08:02 - 01:08:03: Play it.
01:08:03 - 01:08:07: We support Post Malone on this program.
01:08:07 - 01:08:09: (soft music)
01:08:09 - 01:08:17: ♪ Tell my AP go inside ♪
01:08:17 - 01:08:19: ♪ Call him one more bad like Michael ♪
01:08:19 - 01:08:21: ♪ Can't really trust nobody ♪
01:08:21 - 01:08:23: ♪ With all this jewelry on you ♪
01:08:23 - 01:08:25: What's not to like about Post?
01:08:25 - 01:08:28: This doesn't please my ear, really.
01:08:28 - 01:08:30: It's slow and it's like, ugh.
01:08:30 - 01:08:32: It's like loopy.
01:08:32 - 01:08:33: Doesn't sit well with me.
01:08:33 - 01:08:34: Do you like hip hop?
01:08:34 - 01:08:35: I like some of his--
01:08:35 - 01:08:36: Do you like the palette?
01:08:36 - 01:08:37: I like some of his songs.
01:08:37 - 01:08:39: I don't, I hate this song.
01:08:39 - 01:08:40: You hate this one in particular?
01:08:40 - 01:08:41: Yeah.
01:08:41 - 01:08:42: So it's not the palette.
01:08:42 - 01:08:43: It's this particular song.
01:08:43 - 01:08:44: It's also the palette.
01:08:44 - 01:08:47: One thing you gotta give up for Post,
01:08:47 - 01:08:48: it's a 2018 Tasteful palette.
01:08:48 - 01:08:50: Maybe too tasteful.
01:08:50 - 01:08:52: ♪ Hey, try to stuff it all in ♪
01:08:52 - 01:08:54: ♪ But it don't even fit ♪
01:08:54 - 01:08:56: ♪ Hey, know that I've been with this shit ♪
01:08:56 - 01:08:57: ♪ Ever since the chit ♪
01:08:57 - 01:08:59: ♪ Hey, I made my first million ♪
01:08:59 - 01:09:01: ♪ I'm like, this is it ♪
01:09:01 - 01:09:04: ♪ Hey, 34 walked on man we had it lit ♪
01:09:04 - 01:09:07: ♪ Hey, had so many bottles, gave ugly girl a sip ♪
01:09:07 - 01:09:09: ♪ Out the window ♪
01:09:09 - 01:09:10: I'm pretty in on this one.
01:09:10 - 01:09:13: Kind of a similar mood to the Herb Alpert.
01:09:13 - 01:09:15: It's a little dreamy, a little sad.
01:09:15 - 01:09:20: ♪ Oh, diamonds when my teeth are sore ♪
01:09:20 - 01:09:24: ♪ I got homies, let it go ♪
01:09:24 - 01:09:26: ♪ Oh ♪
01:09:26 - 01:09:27: Post Malone really, I think,
01:09:27 - 01:09:29: is the biggest artist of his generation.
01:09:29 - 01:09:31: Is that how it feels to you?
01:09:31 - 01:09:32: I never really thought about it.
01:09:32 - 01:09:33: How old is he?
01:09:33 - 01:09:35: That's kind of a scary thought.
01:09:35 - 01:09:36: He's only like 24.
01:09:36 - 01:09:38: Oh, guys his age.
01:09:38 - 01:09:40: Yeah, you guys are probably the exact same age.
01:09:40 - 01:09:42: He might be 23. We should be friends.
01:09:42 - 01:09:44: Yeah, he's on track.
01:09:44 - 01:09:45: I mean, he already is kind of there,
01:09:45 - 01:09:46: but if he keeps it up.
01:09:46 - 01:09:48: Well, how old is Bieber?
01:09:48 - 01:09:49: Yeah, maybe about the same age.
01:09:49 - 01:09:50: I think also the same age.
01:09:50 - 01:09:51: But if he keeps it up.
01:09:51 - 01:09:53: He could be like the,
01:09:53 - 01:09:55: yeah, I don't even know who to compare it to,
01:09:55 - 01:09:56: like the Garth Brooks of his generation,
01:09:56 - 01:09:58: just like--
01:09:58 - 01:09:59: That's a tight comparison.
01:09:59 - 01:10:01: Massive.
01:10:01 - 01:10:03: But also remember, Post has a rock background,
01:10:03 - 01:10:05: so it wouldn't surprise me if eventually
01:10:05 - 01:10:06: he starts dropping some of that stuff.
01:10:06 - 01:10:08: He'll go country in like 10 years.
01:10:08 - 01:10:09: I bet he could do it well.
01:10:09 - 01:10:10: He could lean more into that.
01:10:10 - 01:10:13: I feel like he's already bigger than like Kid Rock was,
01:10:13 - 01:10:15: or whoever you want to talk about.
01:10:15 - 01:10:16: Better material.
01:10:16 - 01:10:17: If he plays his cards right,
01:10:17 - 01:10:19: he could be this generation's Eminem.
01:10:19 - 01:10:21: No, that's a huge stretch.
01:10:21 - 01:10:24: In terms of like taking over the culture.
01:10:24 - 01:10:26: There could never be another Eminem.
01:10:26 - 01:10:29: He doesn't have as forceful a personality
01:10:29 - 01:10:31: or point of view as Eminem did.
01:10:31 - 01:10:33: That strident Eminem personality
01:10:33 - 01:10:35: is what you needed to break through back then.
01:10:35 - 01:10:37: Today, different mood.
01:10:37 - 01:10:39: You just need that tasteful new age palate.
01:10:39 - 01:10:40: You just need tasteful palate.
01:10:40 - 01:10:42: I like the Garth Brooks comparison.
01:10:42 - 01:10:46: The song of the summer in '78, Andy Gibb.
01:10:46 - 01:10:47: Oh, dude.
01:10:47 - 01:10:48: The Gibb brothers really--
01:10:48 - 01:10:49: Didn't we just,
01:10:49 - 01:10:51: oh no, 'cause we did '77 like a few weeks ago.
01:10:51 - 01:10:53: Yeah, well this song is called "Shadow Dancing."
01:10:53 - 01:10:54: I don't think I know it.
01:10:57 - 01:10:59: Wait, I don't know this song,
01:10:59 - 01:11:01: but there's like a rap song that sampled this.
01:11:01 - 01:11:02: What song is it?
01:11:02 - 01:11:06: This is classic time crisis, late '70s.
01:11:06 - 01:11:07: Top five. It's tasteful.
01:11:10 - 01:11:21: ♪ You got me looking at that heaven in your eyes ♪
01:11:21 - 01:11:23: ♪ I was chasing your direction ♪
01:11:23 - 01:11:25: ♪ I was telling you no lies ♪
01:11:25 - 01:11:27: ♪ And I was loving you ♪
01:11:27 - 01:11:30: ♪ When the words are said ♪
01:11:30 - 01:11:31: ♪ Baby, I was ♪
01:11:31 - 01:11:32: Okay, you know what's funny?
01:11:32 - 01:11:33: The song that, this is actually,
01:11:33 - 01:11:35: this dude was kind of like,
01:11:35 - 01:11:36: I don't think he ever got that big,
01:11:36 - 01:11:37: but he was like this really cool
01:11:37 - 01:11:41: kind of underground New York rapper called Tess, T-E-S.
01:11:41 - 01:11:42: And he had this song called "New New York."
01:11:42 - 01:11:45: This wasn't like a big song, but I liked it a lot.
01:11:45 - 01:11:47: ♪ In the city ♪
01:11:47 - 01:11:47: ♪ New New York ♪
01:11:47 - 01:11:49: ♪ New New New New New New York ♪
01:11:49 - 01:11:50: ♪ Oh yeah ♪
01:11:50 - 01:11:51: ♪ In the city ♪
01:11:51 - 01:11:52: ♪ New New York ♪
01:11:52 - 01:11:54: ♪ Five boroughs, four city rap ♪
01:11:54 - 01:11:55: ♪ Oh yeah ♪
01:11:55 - 01:11:56: ♪ In the city ♪
01:11:56 - 01:11:57: ♪ New New York ♪
01:11:57 - 01:11:58: I like this guy, like a weird high voice.
01:11:58 - 01:11:59: ♪ Oh yeah ♪
01:11:59 - 01:12:00: ♪ In the city ♪
01:12:00 - 01:12:01: ♪ New New York ♪
01:12:01 - 01:12:03: ♪ Five boroughs, four city rap ♪
01:12:03 - 01:12:04: ♪ Oh yeah ♪
01:12:04 - 01:12:05: ♪ In the city ♪
01:12:05 - 01:12:06: ♪ New New York ♪
01:12:06 - 01:12:08: ♪ New New New New New York ♪
01:12:08 - 01:12:09: ♪ Oh yeah ♪
01:12:09 - 01:12:10: ♪ In the city ♪
01:12:10 - 01:12:10: ♪ New New York ♪
01:12:10 - 01:12:13: ♪ Five boroughs, four city rap ♪
01:12:13 - 01:12:14: The number four song of this summer.
01:12:14 - 01:12:15: This is one that we were,
01:12:15 - 01:12:17: you know, Tom Cruise, we're a very positive show.
01:12:17 - 01:12:18: We're very open-minded,
01:12:18 - 01:12:21: but I have to admit, I went in on this song a little bit.
01:12:21 - 01:12:22: - Sometimes we go neg.
01:12:22 - 01:12:23: - Sometimes we go neg.
01:12:23 - 01:12:24: - Is this the Maroon 5?
01:12:24 - 01:12:25: - Yeah.
01:12:25 - 01:12:27: What do you think of this song, Kazzy?
01:12:27 - 01:12:28: - Oh, this is a jam.
01:12:28 - 01:12:29: But I can see, I-
01:12:29 - 01:12:31: - Yeah, maybe it shouldn't have been number four.
01:12:31 - 01:12:33: ♪ Spent 24 hours ♪
01:12:33 - 01:12:38: ♪ I need more hours with you ♪
01:12:38 - 01:12:44: ♪ We spent the weekend getting even ♪
01:12:44 - 01:12:51: ♪ We spent the late nights making things right ♪
01:12:51 - 01:12:54: - Cardi B can do no wrong, but the song itself.
01:12:54 - 01:12:56: - I find the combination a little odd.
01:12:56 - 01:12:59: Like, this may have been a lovelier song without Cardi.
01:12:59 - 01:13:01: - I'm cool with the Cardi, it's just this hook.
01:13:03 - 01:13:06: ♪ 'Cause girls like you run around with guys like me ♪
01:13:06 - 01:13:08: ♪ 'Til sundown when I come through ♪
01:13:08 - 01:13:10: ♪ I need a girl like you, yeah, yeah ♪
01:13:10 - 01:13:13: ♪ Girls like you love falling near me ♪
01:13:13 - 01:13:16: ♪ Do what I want when I come through ♪
01:13:16 - 01:13:18: ♪ I need a girl like you, yeah, yeah ♪
01:13:18 - 01:13:21: - Adam Levine already feels a little like,
01:13:21 - 01:13:22: I can just picture it too well.
01:13:22 - 01:13:24: Him, like, stopping by the studio for like 10 minutes
01:13:24 - 01:13:25: on the way to do the voice and just be like,
01:13:25 - 01:13:26: "Here's the track."
01:13:26 - 01:13:27: - I'm just laying it down.
01:13:27 - 01:13:31: So something about his voice, I just like don't feel it.
01:13:31 - 01:13:34: Him going, ♪ Girls like you run around with guys like me ♪
01:13:34 - 01:13:36: ♪ 'Til sundown I'll run you ♪
01:13:36 - 01:13:37: ♪ I need a girl like you ♪
01:13:37 - 01:13:40: Just like this circular, meaningless whatever.
01:13:40 - 01:13:43: And Maroon 5 has some like emotional songs.
01:13:43 - 01:13:46: - Their first single, "Outta the Gate," was great.
01:13:46 - 01:13:47: - This love?
01:13:47 - 01:13:48: - Yeah, it's been downhill from there.
01:13:48 - 01:13:50: - That was a classic. - That was something.
01:13:50 - 01:13:52: The song of the summer in '88.
01:13:52 - 01:13:53: Wow, this is a surprise to me.
01:13:53 - 01:13:55: I know Jake's gonna be happy about this.
01:13:55 - 01:13:56: - Yeah?
01:13:56 - 01:14:00: - Apparently the song of the summer, 1988, 30 years ago.
01:14:00 - 01:14:01: By the way, Jake, you ready for this
01:14:01 - 01:14:04: when the '90s are gonna start being 30 years ago?
01:14:04 - 01:14:05: - I'm not ready.
01:14:05 - 01:14:06: - You're not ready?
01:14:06 - 01:14:06: - I'm not ready yet.
01:14:06 - 01:14:07: - It's gonna be too weird?
01:14:07 - 01:14:09: - It's already weird that they're 20 years ago.
01:14:09 - 01:14:11: - You got a year and a half to get ready for it.
01:14:11 - 01:14:12: - Yes, you're right.
01:14:12 - 01:14:14: - We're gonna be sitting right here in two and a half years
01:14:14 - 01:14:18: talking about the 30th anniversary of Nirvana's "Nevermind."
01:14:20 - 01:14:23: Anyway, the song of the summer, '88, Steve Winwood.
01:14:23 - 01:14:24: Roll with it.
01:14:27 - 01:14:28: Oh, this song, okay.
01:14:28 - 01:14:33: I love my '80s Winwood.
01:14:33 - 01:14:35: Higher Love.
01:14:35 - 01:14:37: - Kind of a better song, but this is fun.
01:14:39 - 01:14:50: - Is this a cover though of like a song from the '60s?
01:14:50 - 01:14:51: I think so, right?
01:14:51 - 01:14:53: - The writers are credited as Steve Winwood, Will Jennings,
01:14:53 - 01:14:56: and then Holland Dozier Holland, who were major songwriters.
01:14:56 - 01:14:58: Maybe he got sued or something.
01:14:58 - 01:15:01: - What's the most times something's been covered?
01:15:01 - 01:15:03: And I don't mean like, oh, they've covered this
01:15:03 - 01:15:05: a million different ways from the original.
01:15:05 - 01:15:07: I mean like a cover of the cover of the cover
01:15:07 - 01:15:08: of the cover of the cover.
01:15:08 - 01:15:11: - You mean where you can do a direct chain?
01:15:11 - 01:15:12: - Yeah.
01:15:12 - 01:15:14: Like someone covered.
01:15:14 - 01:15:15: - People talk about that sometimes
01:15:15 - 01:15:17: with Leonard Cohen "Hallelujah,"
01:15:17 - 01:15:19: because the original Leonard Cohen version
01:15:19 - 01:15:23: is kind of like vibey and weird and like synthy.
01:15:24 - 01:15:27: And then on a Leonard Cohen tribute album in the early '90s,
01:15:27 - 01:15:30: John Cale from the Velvet Underground did a cover,
01:15:30 - 01:15:33: which is kind of what Jeff Buckley was covering.
01:15:33 - 01:15:35: - Right, and that became the sort of version
01:15:35 - 01:15:36: to cover after that.
01:15:36 - 01:15:38: - Yeah, so in that way you can see a chain
01:15:38 - 01:15:41: where it's like the 99% of people
01:15:41 - 01:15:45: who are like singing "Hallelujah" wherever on the boards.
01:15:45 - 01:15:46: - Are covering a cover.
01:15:46 - 01:15:48: - They're covering a cover of a cover of a cover.
01:15:48 - 01:15:48: - Copy that.
01:15:48 - 01:15:52: So if you're doing all on the Watchtower
01:15:52 - 01:15:53: and you're a rock and roll band,
01:15:53 - 01:15:54: you're doing the Hendrix version.
01:15:54 - 01:15:55: - You're doing cover of a cover.
01:15:55 - 01:15:57: But hold on a second.
01:15:57 - 01:15:59: So Steve Winwood wrote this song, but you're right.
01:15:59 - 01:16:02: He was told that his song sounded a little too much
01:16:02 - 01:16:06: like an old Motown song, Junior Walker "I'm a Roadrunner."
01:16:06 - 01:16:08: So he'd had to give off some publishing.
01:16:08 - 01:16:11: ♪ I'm a roadrunner, baby ♪
01:16:11 - 01:16:16: ♪ Can't stay in one place too long ♪
01:16:16 - 01:16:19: ♪ I'm with it, baby ♪
01:16:19 - 01:16:22: ♪ I'm on a roadrunner, baby ♪
01:16:22 - 01:16:24: ♪ Do you want me ♪
01:16:24 - 01:16:25: - Yeah, that's fair.
01:16:25 - 01:16:27: - Totally fair.
01:16:27 - 01:16:30: That's rare for you, Ezra, to cop to it being fair.
01:16:30 - 01:16:33: Usually you're like, no one should ever get sued.
01:16:33 - 01:16:34: - There's a lot of frivolous lawsuits out there.
01:16:34 - 01:16:36: I just think, I draw a line in the sand.
01:16:36 - 01:16:38: If it's like vibe arrangement,
01:16:38 - 01:16:40: that's when you start to get really weird.
01:16:40 - 01:16:42: That one's funny 'cause it's not only is the melody
01:16:42 - 01:16:43: the same, but it's even--
01:16:43 - 01:16:45: - But it's also like a R&B throwback.
01:16:45 - 01:16:47: - Yeah, and you could also picture somebody, you know,
01:16:47 - 01:16:49: ♪ Roadrunner, roll with it ♪
01:16:49 - 01:16:50: It's like so similar.
01:16:51 - 01:16:53: - Number three song of the summer.
01:16:53 - 01:16:56: No surprise here, Drake, "Nice For What."
01:16:56 - 01:16:57: ♪ I wanna know who my ♪
01:16:57 - 01:17:02: ♪ Representing here tonight ♪
01:17:02 - 01:17:03: ♪ Hold on, hold on ♪
01:17:03 - 01:17:07: ♪ I keep letting you back in ♪
01:17:07 - 01:17:12: ♪ How can I explain myself ♪
01:17:12 - 01:17:15: ♪ You said you'd pay for me bad ♪
01:17:15 - 01:17:16: ♪ Louisiana ♪
01:17:16 - 01:17:17: ♪ You said you'd pay for me time ♪
01:17:17 - 01:17:19: ♪ Murder on the beat ♪
01:17:19 - 01:17:21: - This is a very noisy song,
01:17:21 - 01:17:22: which I respect.
01:17:22 - 01:17:25: - I think it's undeniably a perfect song.
01:17:25 - 01:17:26: - Oh, you love this song?
01:17:26 - 01:17:27: - Especially with Lauryn Hill, oh my God.
01:17:27 - 01:17:27: - Really?
01:17:27 - 01:17:28: - Yeah.
01:17:28 - 01:17:30: It's almost cheating.
01:17:30 - 01:17:31: ♪ Everybody get your ♪
01:17:31 - 01:17:32: ♪ Roll on ♪
01:17:32 - 01:17:35: ♪ I know shorty and she doesn't want no so-so ♪
01:17:35 - 01:17:37: ♪ Had a man last year like ♪
01:17:37 - 01:17:39: - Is this your favorite Drake song in the summer?
01:17:39 - 01:17:41: - Like it would be basic if I said yes,
01:17:41 - 01:17:42: but it's really good.
01:17:42 - 01:17:44: - Is Drake a (beep) boy?
01:17:44 - 01:17:45: - Whoa.
01:17:45 - 01:17:46: - He seems like a chill dude,
01:17:46 - 01:17:47: but I don't know anything about him.
01:17:47 - 01:17:48: - He's a nice guy.
01:17:48 - 01:17:51: Although is it a thin line between nice guy and (beep) boy?
01:17:51 - 01:17:52: - Yeah.
01:17:52 - 01:17:53: - Yeah, 'cause if you're promiscuous
01:17:53 - 01:17:55: and emotionally unavailable,
01:17:55 - 01:17:57: but you're up front with that,
01:17:57 - 01:17:58: is that being an (beep) boy?
01:17:58 - 01:18:01: - Maybe in some circumstances.
01:18:01 - 01:18:02: - Sure.
01:18:02 - 01:18:03: - But if you're constantly telling everyone,
01:18:03 - 01:18:05: like I love women,
01:18:05 - 01:18:06: like I respect women,
01:18:06 - 01:18:07: I'm a great guy.
01:18:07 - 01:18:08: - Like Trump?
01:18:08 - 01:18:10: Oh, Trump's totally an (beep) boy, isn't he?
01:18:10 - 01:18:11: - He's a Trump boy.
01:18:11 - 01:18:12: - 70 year old.
01:18:12 - 01:18:14: - That's like too nice even for him.
01:18:14 - 01:18:15: - Well, you know what it is?
01:18:15 - 01:18:16: I also think it's a little like,
01:18:16 - 01:18:18: remember we talked about like there's that classic
01:18:18 - 01:18:19: kind of like,
01:18:19 - 01:18:21: it's like an Eagle song or something
01:18:21 - 01:18:23: that like song about rock excess.
01:18:23 - 01:18:24: That's just like,
01:18:24 - 01:18:26: man, this world's crazy.
01:18:26 - 01:18:28: Is it all meaningless?
01:18:28 - 01:18:29: You know, and I can relate to that too.
01:18:29 - 01:18:30: - Yeah.
01:18:30 - 01:18:31: - But you're, you know, you're still doing it.
01:18:31 - 01:18:33: You're still writing a song about it.
01:18:33 - 01:18:34: So it's also kind of like,
01:18:34 - 01:18:38: if maybe the first 50 Drake songs were about kind of like,
01:18:38 - 01:18:39: yo, I love women,
01:18:39 - 01:18:42: but also I don't know how to be in a relationship
01:18:42 - 01:18:44: and I want to treat them right,
01:18:44 - 01:18:46: but I've left good girls behind
01:18:46 - 01:18:47: and blah, blah, blah.
01:18:47 - 01:18:48: And it's weird.
01:18:48 - 01:18:49: You know, at first you,
01:18:49 - 01:18:51: you recognize an issue.
01:18:51 - 01:18:52: I guess it's like with anything,
01:18:52 - 01:18:53: you could recognize an issue.
01:18:53 - 01:18:54: He recognized in himself.
01:18:54 - 01:18:55: - It's weird.
01:18:55 - 01:18:58: - How weird it is that you could love different women
01:18:58 - 01:19:01: and also have to leave them.
01:19:01 - 01:19:02: And did you make mistakes?
01:19:02 - 01:19:03: You know, whatever you recognize that
01:19:03 - 01:19:04: you're examining yourself.
01:19:04 - 01:19:05: - Sure, that's a normal.
01:19:05 - 01:19:07: - Do you then create a new course of action,
01:19:07 - 01:19:09: which is like, okay, you know,
01:19:09 - 01:19:10: I've been thinking about it.
01:19:10 - 01:19:13: I made a hundred songs about how I can't trust anybody
01:19:13 - 01:19:16: and how I've left so many good girls behind.
01:19:16 - 01:19:17: The next phase of my life,
01:19:17 - 01:19:19: I'm going to really clean house,
01:19:19 - 01:19:21: stop worrying so much about my career,
01:19:21 - 01:19:24: settle down with a good girl and some good friends.
01:19:24 - 01:19:26: And you probably won't hear from me for a while,
01:19:26 - 01:19:27: but of course not.
01:19:27 - 01:19:29: It's like, you got, it never ends.
01:19:29 - 01:19:32: - Yeah, but couldn't you keep the career popping
01:19:32 - 01:19:35: and just start writing different types of songs?
01:19:35 - 01:19:36: - It could also be a little bit like
01:19:36 - 01:19:38: on some like Ozzy Osbourne,
01:19:38 - 01:19:39: where it's like,
01:19:39 - 01:19:42: he wasn't biting the heads off bats in the nineties.
01:19:42 - 01:19:44: You know, we saw it on the TV show.
01:19:44 - 01:19:47: He's a dad living in a big house on the West side of LA,
01:19:47 - 01:19:49: just hanging out with his kids,
01:19:49 - 01:19:50: dealing with all sorts of goofy stuff,
01:19:50 - 01:19:51: but he would still, you know,
01:19:51 - 01:19:54: put on some makeup and go on stage and sing about Satan.
01:19:54 - 01:19:56: 'Cause that's what you do.
01:19:56 - 01:19:57: Alice Cooper or something like that.
01:19:57 - 01:19:58: So maybe--
01:19:58 - 01:19:59: - That's the brand.
01:19:59 - 01:20:01: - It could be, you know, when Drake in like 10 years,
01:20:01 - 01:20:04: Drake is married, couple kids,
01:20:04 - 01:20:07: living in Calabasas.
01:20:07 - 01:20:08: And he keeps that really quiet.
01:20:08 - 01:20:11: And then he drops an album that's just like about,
01:20:11 - 01:20:15: oh, Teresa and Boise, we were texting.
01:20:15 - 01:20:16: Oh my God.
01:20:17 - 01:20:20: Like, 'cause that's what people want from Drake.
01:20:20 - 01:20:21: Also imagine if Drake--
01:20:21 - 01:20:23: - But then he could really grow as an artist
01:20:23 - 01:20:25: to write the album about, you know,
01:20:25 - 01:20:26: living in Calabasas.
01:20:26 - 01:20:28: - He'll be at a crossroads.
01:20:28 - 01:20:30: Or imagine that Drake finally cleaned house
01:20:30 - 01:20:31: and he's like, you know what?
01:20:31 - 01:20:33: I can finally trust everybody.
01:20:33 - 01:20:35: - Yeah.
01:20:35 - 01:20:36: - These are great.
01:20:36 - 01:20:37: - I can finally trust everybody.
01:20:37 - 01:20:38: You know what?
01:20:38 - 01:20:39: Time and time again,
01:20:39 - 01:20:43: I was looking for trust with people who obviously
01:20:43 - 01:20:44: weren't gonna give me what I wanted.
01:20:44 - 01:20:46: I should clean house and I should really just,
01:20:46 - 01:20:48: hang out with my family and you know,
01:20:48 - 01:20:50: three to four close friends.
01:20:50 - 01:20:52: My entourage is way too big.
01:20:52 - 01:20:53: I was asking for trouble.
01:20:53 - 01:20:56: Even if he does that, for all we know,
01:20:56 - 01:21:00: Drake, well, he kept his baby quiet.
01:21:00 - 01:21:02: Maybe he is married.
01:21:02 - 01:21:05: He's got kids and he's only hangs out with people
01:21:05 - 01:21:07: he can trust and they do right by him.
01:21:07 - 01:21:09: - It's a Black Mirror episode.
01:21:09 - 01:21:11: - Yeah, start writing about the sound of the wind
01:21:11 - 01:21:14: rustling through the eucalyptus leaves.
01:21:14 - 01:21:15: - Just start--
01:21:15 - 01:21:16: - Glinting off the pool in the morning.
01:21:16 - 01:21:19: - Drake just starts dropping haikus.
01:21:19 - 01:21:19: - Yeah, man.
01:21:19 - 01:21:21: - The eucalyptus leaves rustle.
01:21:21 - 01:21:23: I can trust everybody in my circle.
01:21:23 - 01:21:24: - Could be a banger.
01:21:24 - 01:21:26: - I am content.
01:21:26 - 01:21:27: - The word eucalyptus.
01:21:27 - 01:21:28: - Eucalyptus.
01:21:28 - 01:21:30: - You can still rap about Instagram.
01:21:30 - 01:21:32: - Eucalyptus does sound like a Drake song.
01:21:32 - 01:21:34: - That would be a tight album title.
01:21:34 - 01:21:35: Drake, eucalyptus.
01:21:35 - 01:21:37: - That is so realistic.
01:21:37 - 01:21:38: - That's cool because actually this album
01:21:38 - 01:21:40: was called Scorpion.
01:21:40 - 01:21:41: - Okay.
01:21:41 - 01:21:43: - Scorpion is a animal that we associate
01:21:43 - 01:21:46: with stinging and poison.
01:21:46 - 01:21:46: - Right.
01:21:46 - 01:21:48: - Eucalyptus soothes.
01:21:48 - 01:21:49: I gave you scorpion.
01:21:49 - 01:21:51: That was the end of the conflicted Drake.
01:21:51 - 01:21:55: - But the eucalyptus is also a non-native species.
01:21:55 - 01:21:56: It's a transplant.
01:21:56 - 01:21:57: - And Drake's Canadian.
01:21:57 - 01:21:59: - And everyone comes to Southern California
01:21:59 - 01:22:01: with the dream, they transplant to Southern California
01:22:01 - 01:22:04: with the dream of making it big.
01:22:04 - 01:22:05: - Right.
01:22:05 - 01:22:06: I love it.
01:22:06 - 01:22:11: - Drake, eucalyptus coming later in 2018.
01:22:11 - 01:22:12: Coming December 2018.
01:22:12 - 01:22:14: - No, it's like in two months.
01:22:14 - 01:22:16: - Yeah, coming October 2018.
01:22:16 - 01:22:17: Drake, eucalyptus.
01:22:17 - 01:22:20: Anyway, the number one song of the summer, 98.
01:22:20 - 01:22:22: And you know what's interesting, 98,
01:22:22 - 01:22:23: that's when I was 14.
01:22:23 - 01:22:24: - Oh, nice.
01:22:24 - 01:22:26: - And so this song does loom large for me.
01:22:26 - 01:22:29: Brandy and Monica, The Boy Is Mine.
01:22:29 - 01:22:30: Do you know this song, Jake?
01:22:30 - 01:22:31: - I bet I will.
01:22:31 - 01:22:33: - Do you know this song, Kazzy?
01:22:33 - 01:22:34: - No.
01:22:34 - 01:22:36: - Do you know The Boy Is Mine by Brandy and Monica?
01:22:36 - 01:22:37: - Not yet.
01:22:37 - 01:22:38: - What?
01:22:38 - 01:22:38: - Wow.
01:22:38 - 01:22:39: Now for people like me and Seinfeld,
01:22:39 - 01:22:42: Silverback Millennials, this is like a...
01:22:42 - 01:22:44: - Is that a common term, Silverback Millennial?
01:22:44 - 01:22:47: - No, I created it about a year ago.
01:22:47 - 01:22:48: It never caught on.
01:22:48 - 01:22:49: - It's great.
01:22:49 - 01:22:50: - It never caught on, not even remotely,
01:22:50 - 01:22:52: but I'm bringing it back one last time.
01:22:52 - 01:22:56: This song was so massive and the video was topping TRL
01:22:56 - 01:22:57: all summer long.
01:22:57 - 01:23:00: - 98, I was still big into terrestrial radio.
01:23:00 - 01:23:02: - What is terrestrial radio?
01:23:02 - 01:23:03: - What was that intro?
01:23:03 - 01:23:03: - Radio.
01:23:03 - 01:23:04: - I've never heard that intro to your car.
01:23:04 - 01:23:05: - Have you ever heard that?
01:23:05 - 01:23:06: - I've never heard that either.
01:23:06 - 01:23:08: - Like when you randomly encounter music.
01:23:08 - 01:23:13: - Okay, I love that beautiful, like, what is it?
01:23:13 - 01:23:13: - It's a chime?
01:23:13 - 01:23:15: - It's like some spa music.
01:23:15 - 01:23:17: It's like a weird harp sound almost.
01:23:17 - 01:23:21: Welcome to the spa.
01:23:21 - 01:23:24: - This is Rodney Jerkins, right?
01:23:24 - 01:23:26: - Yeah, it's actually a nice...
01:23:26 - 01:23:27: - It's beautiful.
01:23:27 - 01:23:29: - Through line to Post Malone.
01:23:29 - 01:23:30: - I bet Post could murder this.
01:23:31 - 01:23:33: - Do you know somebody named?
01:23:33 - 01:23:35: - You know his name?
01:23:35 - 01:23:37: - Oh yeah, definitely, I know his name.
01:23:37 - 01:23:40: I just want to let you know that he's mine.
01:23:40 - 01:23:41: - No, no, he's mine.
01:23:41 - 01:23:54: - Oh, yeah, yeah, yeah.
01:23:54 - 01:23:55: - Oh, they're fighting over the same dude?
01:23:55 - 01:23:56: - Of course, this song.
01:23:56 - 01:23:57: - So you do know it?
01:23:57 - 01:23:59: - Yeah, yeah, yeah.
01:24:00 - 01:24:03: ♪ The boy is mine ♪
01:24:03 - 01:24:05: - This song does not pass the,
01:24:05 - 01:24:07: what's it called, the Bechdel test?
01:24:07 - 01:24:09: - This song doesn't pass the Bechdel test?
01:24:09 - 01:24:10: - No, right?
01:24:10 - 01:24:11: - What is that test again?
01:24:11 - 01:24:13: - I think it's when two women are in a scene
01:24:13 - 01:24:16: and they're not talking about anything other than a man.
01:24:16 - 01:24:20: - I think it's about how often women talk to each other
01:24:20 - 01:24:22: in a movie because there's a lot of movies
01:24:22 - 01:24:24: that might have female characters,
01:24:24 - 01:24:26: but if the female characters are always talking to men,
01:24:26 - 01:24:28: it's still male-centric.
01:24:28 - 01:24:31: And then if the women are talking to each other,
01:24:31 - 01:24:33: but they're talking about a man, it's still male-centric.
01:24:33 - 01:24:35: So I think those are the two,
01:24:35 - 01:24:36: in broad strokes, those are the major roles.
01:24:36 - 01:24:40: So in this song, it is two women talking to each other.
01:24:40 - 01:24:41: So you're saying just about everything
01:24:41 - 01:24:42: they're saying is about the boy.
01:24:42 - 01:24:44: - I think this fails.
01:24:44 - 01:24:45: - The name must fail.
01:24:45 - 01:24:46: - I would say most music would fail.
01:24:46 - 01:24:49: And movies and everything.
01:24:49 - 01:24:50: - It's a problem.
01:24:50 - 01:24:53: ♪ It's not hard to see ♪
01:24:53 - 01:24:55: ♪ Boy is mine ♪
01:24:55 - 01:24:56: ♪ I'm sorry ♪
01:24:56 - 01:24:57: ♪ Stop with the cute ♪
01:24:57 - 01:25:00: ♪ You seem to be confused ♪
01:25:00 - 01:25:02: ♪ Leaving most you can take ♪
01:25:02 - 01:25:05: ♪ Girl is mine ♪
01:25:05 - 01:25:07: ♪ What you do, the things you do ♪
01:25:07 - 01:25:10: ♪ You keep on acting like a fool ♪
01:25:10 - 01:25:12: ♪ You need to know it's me, not you ♪
01:25:12 - 01:25:15: ♪ What if you didn't know it, girl, it's true ♪
01:25:15 - 01:25:17: ♪ I think now you should realize ♪
01:25:17 - 01:25:20: ♪ Try to understand why ♪
01:25:20 - 01:25:22: ♪ He is a part of my life ♪
01:25:22 - 01:25:25: ♪ I know it's killing you inside ♪
01:25:25 - 01:25:28: ♪ You can say what you wanna say ♪
01:25:28 - 01:25:30: ♪ What we have, you can't take ♪
01:25:30 - 01:25:33: ♪ From the truth, you can't escape ♪
01:25:33 - 01:25:36: ♪ I can tell the real from the fake ♪
01:25:36 - 01:25:38: ♪ When will you get the picture ♪
01:25:38 - 01:25:41: ♪ You're the best in the future ♪
01:25:41 - 01:25:43: ♪ Get away, it's mine, I'm too shy ♪
01:25:43 - 01:25:46: ♪ If you didn't know the boy is mine ♪
01:25:46 - 01:25:49: ♪ You need to give it up ♪
01:25:49 - 01:25:52: ♪ Had it loud enough ♪
01:25:52 - 01:25:54: ♪ It's not hard to see ♪
01:25:54 - 01:25:57: ♪ The boy is mine ♪
01:25:57 - 01:26:02: ♪ I'm sorry that he's a useless thing to be confused ♪
01:26:02 - 01:26:05: ♪ He belongs to me ♪
01:26:05 - 01:26:10: ♪ He's the one I need to give it up ♪
01:26:10 - 01:26:12: ♪ Had it loud enough ♪
01:26:12 - 01:26:14: ♪ It's not hard to see ♪
01:26:14 - 01:26:17: ♪ The boy is mine ♪
01:26:17 - 01:26:19: - Drake could use that. - Non-stop.
01:26:19 - 01:26:23: Well, and also it's funny because I guess a lot of duets
01:26:23 - 01:26:25: when people are of the same gender
01:26:25 - 01:26:27: tend to be about something like this
01:26:27 - 01:26:30: 'cause there is a very famous song called "The Girl is Mine."
01:26:30 - 01:26:33: - "The Doggone Girl is Mine." - "The Doggone Girl is Mine."
01:26:33 - 01:26:36: And that was Michael Jackson and Paul McCartney
01:26:36 - 01:26:40: going head to head for the affections of a young lady.
01:26:40 - 01:26:42: - That's hilarious. - It's just so hilarious.
01:26:42 - 01:26:43: Although "The Boy is Mine,"
01:26:43 - 01:26:47: it's like this kind of minor key, very like vibey thing.
01:26:47 - 01:26:49: It's like kind of intense.
01:26:49 - 01:26:51: "The Doggone Girl is Mine" is kind of like fun
01:26:51 - 01:26:52: and kind of light.
01:26:52 - 01:26:54: - There's like a spoken word part of that too, isn't there?
01:26:54 - 01:26:57: Where they're like, "No, he's mine, huh?"
01:26:57 - 01:26:59: I'm sorry, what am I doing?
01:26:59 - 01:27:00: - No, that sounded like Michael Jackson.
01:27:00 - 01:27:01: - No, that was good. - Oh, thank you, okay.
01:27:01 - 01:27:02: - Yeah, they talk to each other
01:27:02 - 01:27:03: and one of them says something like,
01:27:03 - 01:27:05: "I'm a lover, not a fighter."
01:27:08 - 01:27:20: ♪ Every night she walks right in my dreams ♪
01:27:20 - 01:27:23: ♪ Since I met her from the start ♪
01:27:23 - 01:27:26: ♪ I'm so proud I am the only one ♪
01:27:26 - 01:27:28: ♪ Who is special in her heart ♪
01:27:28 - 01:27:31: ♪ The girl is mine ♪
01:27:31 - 01:27:32: - Is this "The Weeknd?"
01:27:32 - 01:27:33: I'm just kidding.
01:27:33 - 01:27:36: - This is "The Weeknd" and Sam Smith
01:27:36 - 01:27:38: with "The Girl is Mine."
01:27:38 - 01:27:40: But let's find out how far they talk.
01:27:40 - 01:27:42: - Weekend and shearing, dude.
01:27:42 - 01:27:46: - Michael, we're not gonna fight about this, okay?
01:27:46 - 01:27:48: - Paul, I think I told you.
01:27:48 - 01:27:49: I'm a lover, not a fighter.
01:27:49 - 01:27:53: - I've heard it all before, Michael.
01:27:53 - 01:27:55: She told me that I'm her forever lover, you know,
01:27:55 - 01:27:56: don't you remember?
01:27:56 - 01:27:58: - Well, after loving me,
01:27:58 - 01:27:59: she said she couldn't love another.
01:27:59 - 01:28:00: - Is that what she said?
01:28:00 - 01:28:01: - Yeah, she said it.
01:28:01 - 01:28:02: You keep dreaming.
01:28:02 - 01:28:04: ♪ I don't believe it ♪
01:28:04 - 01:28:05: - Oh, yeah.
01:28:05 - 01:28:06: ♪ The girl is mine ♪
01:28:06 - 01:28:09: ♪ I don't believe it ♪
01:28:09 - 01:28:12: - Wait, Paul, I thought we were talking now.
01:28:12 - 01:28:14: Why'd you start singing again?
01:28:14 - 01:28:16: I thought this was the talking part.
01:28:16 - 01:28:19: ♪ I don't believe it ♪
01:28:19 - 01:28:22: - Michael, she said I was her forever lover.
01:28:22 - 01:28:22: It's so weird.
01:28:22 - 01:28:23: - Oh my.
01:28:23 - 01:28:25: - And then he bought all his music.
01:28:25 - 01:28:27: - Paul's like 40 there, probably.
01:28:27 - 01:28:28: - 82.
01:28:28 - 01:28:32: - Maybe even younger, like late 30s.
01:28:32 - 01:28:34: - Paul had a couple kids at that point.
01:28:34 - 01:28:35: - Mm-hmm.
01:28:35 - 01:28:37: - Wait a second, Michael, you know very well
01:28:37 - 01:28:38: I'm married to Linda.
01:28:38 - 01:28:40: If we're competing over a girl,
01:28:40 - 01:28:42: you'd be sleeping with my wife.
01:28:42 - 01:28:43: - She said after loving me.
01:28:43 - 01:28:44: (laughing)
01:28:44 - 01:28:46: - Oh my God.
01:28:46 - 01:28:47: - Wait, hold on a second, Michael.
01:28:47 - 01:28:49: I've been with one woman for 15 years.
01:28:49 - 01:28:51: - Well, you calling me a (beep) boy?
01:28:51 - 01:28:52: (laughing)
01:28:52 - 01:28:53: (beep) you, Paul.
01:28:53 - 01:28:56: - The number two song of this summer,
01:28:56 - 01:28:58: no surprise. - MJ Impressions.
01:28:58 - 01:29:00: (laughing)
01:29:00 - 01:29:02: - No surprise, the number two song of this summer,
01:29:02 - 01:29:05: Drake, again, "In My Feelings."
01:29:05 - 01:29:08: Jake, are you aware of the "In My Feelings" challenge?
01:29:08 - 01:29:09: - I don't think I am.
01:29:09 - 01:29:10: Wait, we've had this conversation.
01:29:10 - 01:29:12: - I hate challenges.
01:29:12 - 01:29:13: Like, they give me anxiety.
01:29:13 - 01:29:14: - Just generally in life?
01:29:14 - 01:29:15: - Yeah, I just hate them.
01:29:15 - 01:29:18: There's so much participation.
01:29:18 - 01:29:19: - Have you ever done a challenge?
01:29:19 - 01:29:21: - No, I'll never do a challenge.
01:29:21 - 01:29:23: - You didn't do the ice bucket challenge?
01:29:23 - 01:29:24: - Nope, don't challenge me.
01:29:24 - 01:29:26: - I feel like the word challenge is not even--
01:29:26 - 01:29:27: - I'll invent a challenge
01:29:27 - 01:29:28: and I'll be the first to do a challenge,
01:29:28 - 01:29:31: but I will not participate in a challenge.
01:29:31 - 01:29:33: - That'd be pretty crazy to start a challenge.
01:29:33 - 01:29:34: - TC challenge.
01:29:34 - 01:29:35: - Has it ever happened, Grace,
01:29:35 - 01:29:37: that we've tried to start challenges before?
01:29:37 - 01:29:37: - I think we did.
01:29:37 - 01:29:39: - Oh, we did the goldfish challenge.
01:29:39 - 01:29:40: - I mean, that took off.
01:29:40 - 01:29:41: - Are you aware--
01:29:41 - 01:29:42: - No.
01:29:42 - 01:29:43: - The goldfish challenge is--
01:29:43 - 01:29:45: - I would participate in a goldfish challenge.
01:29:45 - 01:29:47: - The goldfish challenge is you throw a party
01:29:47 - 01:29:51: and at the snack table, you put out hummus,
01:29:51 - 01:29:54: but you don't put out any carrots or chips or anything,
01:29:54 - 01:29:55: or any kind of sauce.
01:29:55 - 01:29:57: - Just goldfish.
01:29:57 - 01:29:59: - You could also put out guacamole sauce or whatever,
01:29:59 - 01:30:01: but the only thing that you could possibly use
01:30:01 - 01:30:04: to scoop it up is goldfish.
01:30:04 - 01:30:05: And then you just see how people act.
01:30:05 - 01:30:06: - That's so brilliant.
01:30:06 - 01:30:07: - To see if anybody asks you,
01:30:07 - 01:30:09: hey, you got anything besides goldfish?
01:30:09 - 01:30:10: - Did you tape it?
01:30:10 - 01:30:11: You have to put a camera up there.
01:30:11 - 01:30:14: - Well, people have sent us still images.
01:30:14 - 01:30:16: - This was the Super Bowl goldfish challenge too.
01:30:16 - 01:30:17: - That was the Super Bowl goldfish challenge.
01:30:17 - 01:30:18: - That's high stakes.
01:30:18 - 01:30:19: - Oh my God, that's so funny.
01:30:19 - 01:30:21: - You throw a Super Bowl party
01:30:21 - 01:30:23: and you only put out goldfish.
01:30:23 - 01:30:25: - Oh, so what is the In My Feelings challenge?
01:30:25 - 01:30:26: - It's a dance, right?
01:30:26 - 01:30:27: - Hard pass.
01:30:27 - 01:30:28: - You play a part of the song.
01:30:28 - 01:30:30: - Yeah, hard pass, exactly.
01:30:30 - 01:30:32: - You get out of your car and someone's filming you
01:30:32 - 01:30:34: and you're dancing while the car is moving.
01:30:34 - 01:30:35: - Wait, what?
01:30:35 - 01:30:36: You keep the car in drive and you get out?
01:30:36 - 01:30:38: - It's not even like that thing,
01:30:38 - 01:30:39: what was that called when you would--
01:30:39 - 01:30:41: - Oh, ghost riding the whip?
01:30:41 - 01:30:43: - At least that makes sense.
01:30:43 - 01:30:45: - The In My Feelings challenge also is interesting
01:30:45 - 01:30:48: 'cause it just started as one guy, I believe it was Shiggy,
01:30:48 - 01:30:50: zeroed in on this particular part of this song
01:30:50 - 01:30:53: and he did a dance that kind of slightly mimics the lyrics
01:30:53 - 01:30:55: 'cause it goes, "Kiki, do you love me?"
01:30:55 - 01:30:55: And he does the heart.
01:30:55 - 01:30:56: "Are you riding?"
01:30:56 - 01:30:59: And he does something like he's driving a car.
01:30:59 - 01:31:00: So it started out just people doing it
01:31:00 - 01:31:02: and then it kind of suddenly became a thing
01:31:02 - 01:31:05: where you do it outside the door of a moving car.
01:31:05 - 01:31:07: - You know, someone can do something interesting
01:31:07 - 01:31:10: and we don't all have to do it, you know?
01:31:10 - 01:31:10: - Fair point.
01:31:10 - 01:31:13: - You need everybody to do it for it to be a thing.
01:31:13 - 01:31:16: We live in a society, period.
01:31:16 - 01:31:20: We live in a society where it's all about the numbers.
01:31:20 - 01:31:24: So what's the point of just doing one cool thing?
01:31:24 - 01:31:25: You need numbers.
01:31:25 - 01:31:27: You need a lot of people doing it.
01:31:27 - 01:31:28: You need to keep it going.
01:31:28 - 01:31:30: Anyway, Jake, this is how it goes.
01:31:30 - 01:31:33: - I still don't understand what it is.
01:31:33 - 01:31:34: You're not the driver.
01:31:34 - 01:31:36: - No, the driver is filming you.
01:31:36 - 01:31:38: - And you just get out of the passenger seat?
01:31:38 - 01:31:40: - And then you kind of go and you go,
01:31:41 - 01:31:43: ♪ Kiki, do you love me? ♪
01:31:43 - 01:31:45: - But the car is in like a parking lot
01:31:45 - 01:31:47: and it's rolling at like five MPH.
01:31:47 - 01:31:49: - Hey man, it could be on a street.
01:31:49 - 01:31:49: - But why?
01:31:49 - 01:31:52: ♪ And I'm down for your always, KB ♪
01:31:52 - 01:31:54: ♪ Do you love me? ♪
01:31:54 - 01:31:55: ♪ Are you riding? ♪
01:31:55 - 01:31:58: ♪ Say you'll never ever leave from beside me ♪
01:31:58 - 01:31:59: ♪ 'Cause I want you ♪
01:31:59 - 01:32:00: ♪ And I need you ♪
01:32:00 - 01:32:03: ♪ And I'm down for your always ♪
01:32:03 - 01:32:05: ♪ But the new me is really still the real me ♪
01:32:05 - 01:32:08: ♪ I swear you gotta feel me before they try and kill me ♪
01:32:08 - 01:32:09: ♪ They gotta make some choices ♪
01:32:09 - 01:32:10: ♪ They running out of options ♪
01:32:10 - 01:32:12: ♪ 'Cause I been going off ♪
01:32:12 - 01:32:13: ♪ And they don't know when to stop ♪
01:32:13 - 01:32:14: ♪ And when you get to the top ♪
01:32:14 - 01:32:16: ♪ And I see that you've been learning ♪
01:32:16 - 01:32:17: ♪ And when you get to shopping ♪
01:32:17 - 01:32:18: ♪ You spend it like you earned it ♪
01:32:18 - 01:32:20: ♪ And when you popped off on your ex ♪
01:32:20 - 01:32:21: ♪ He deserved it ♪
01:32:21 - 01:32:23: ♪ I thought you were the one from the jump ♪
01:32:23 - 01:32:24: ♪ That confirmed it ♪
01:32:24 - 01:32:26: ♪ Trap money, Benny ♪
01:32:26 - 01:32:29: ♪ I buy you champagne but you love some Henny ♪
01:32:29 - 01:32:31: ♪ From the block like you Jenny ♪
01:32:31 - 01:32:34: ♪ I know you special girl 'cause I know too many ♪
01:32:34 - 01:32:36: ♪ Risha, do you love me? ♪
01:32:36 - 01:32:37: ♪ Are you riding? ♪
01:32:37 - 01:32:40: ♪ Say you'll never ever leave from beside me ♪
01:32:40 - 01:32:43: ♪ 'Cause I want you and I need you ♪
01:32:43 - 01:32:44: ♪ And I'm down for you always ♪
01:32:44 - 01:32:46: ♪ JT, do you love me? ♪
01:32:46 - 01:32:48: ♪ Are you riding? ♪
01:32:48 - 01:32:50: ♪ Say you'll never ever leave from beside me ♪
01:32:50 - 01:32:53: ♪ 'Cause I want you and I need you ♪
01:32:53 - 01:32:55: ♪ And I'm down for you always ♪
01:32:55 - 01:32:56: - A lot of it feels like people just wanting
01:32:56 - 01:32:58: to show off their dance moves.
01:32:58 - 01:32:59: - Late breaking right on time crisis.
01:32:59 - 01:33:01: - That they can do it better.
01:33:01 - 01:33:02: - Right on.
01:33:02 - 01:33:05: - Time crisis, August 26.
01:33:05 - 01:33:07: We zero in on a new phenomenon,
01:33:07 - 01:33:09: the In My Feelings Challenge.
01:33:09 - 01:33:11: Will it go viral?
01:33:11 - 01:33:14: - Do you think you have to have no intention
01:33:14 - 01:33:16: of creating a challenge to create the challenge?
01:33:16 - 01:33:17: - That's a great question.
01:33:17 - 01:33:18: - Yeah, it has to be organic, right?
01:33:18 - 01:33:21: - Something that a lot of people who run social media
01:33:21 - 01:33:24: for brands would like to know.
01:33:24 - 01:33:26: Seinfeld, cross-reference Wendy's Twitter
01:33:26 - 01:33:28: with the Drake In My Feelings Challenge.
01:33:28 - 01:33:30: Did that happen?
01:33:30 - 01:33:33: Her probably Moon Pie, those (beep) suck ups.
01:33:33 - 01:33:34: - Moon Pie.
01:33:34 - 01:33:35: - Moon Pie tweeted at Wendy's,
01:33:35 - 01:33:37: "Wendy's, do you love me?"
01:33:38 - 01:33:41: - I don't think Wendy's jumped on the challenge,
01:33:41 - 01:33:44: but I do see a lot of people tweeting at Wendy's
01:33:44 - 01:33:46: with the In My Feelings Challenge hashtag
01:33:46 - 01:33:48: being like, "Wendy's, where you at on this?
01:33:48 - 01:33:49: "How come you haven't jumped on it?"
01:33:49 - 01:33:52: - Well, be careful what you wish for, Wendy's.
01:33:52 - 01:33:56: All your savage burns and epic clapbacks.
01:33:56 - 01:33:59: Now you're so tied to culture, you can't take a day off.
01:33:59 - 01:34:01: - Painted yourself into a real corner here, Wendy's.
01:34:01 - 01:34:03: - Do you actually work for Wendy's?
01:34:03 - 01:34:04: - No.
01:34:04 - 01:34:05: Really wanna put that out there.
01:34:05 - 01:34:07: I did not attend Vassar.
01:34:07 - 01:34:10: And I have no affiliation with the Wendy's brand.
01:34:10 - 01:34:12: - It would be so tight if you did.
01:34:12 - 01:34:13: - I'm so glad I asked,
01:34:13 - 01:34:15: 'cause I was really gonna leave here thinking that.
01:34:15 - 01:34:16: - So for weeks and weeks,
01:34:16 - 01:34:17: you would have talked about Wendy's
01:34:17 - 01:34:20: and I'd just be quietly lurking here,
01:34:20 - 01:34:22: sweat drop, smiling.
01:34:22 - 01:34:26: - That would be top 10 anime betrayals for "Sign Crisis."
01:34:26 - 01:34:29: If suddenly it was revealed that Seinfeld
01:34:29 - 01:34:33: was one of the social media managers for Wendy's,
01:34:33 - 01:34:35: that'd be so crazy.
01:34:35 - 01:34:37: - I think they retweeted me once.
01:34:37 - 01:34:38: - Really?
01:34:38 - 01:34:40: - And it was so early in the savage clapback Twitter era
01:34:40 - 01:34:42: that I was a little stoked on it.
01:34:42 - 01:34:43: I think that's the closest I've gotten.
01:34:43 - 01:34:45: - Before it became a whole thing?
01:34:45 - 01:34:46: You wouldn't be stoked now?
01:34:46 - 01:34:48: - No, now that we've really interrogated it
01:34:48 - 01:34:50: and thought about it and it's like a little played out
01:34:50 - 01:34:52: to like be a clapback brand,
01:34:52 - 01:34:54: no, I wouldn't be stoked anymore.
01:34:54 - 01:34:57: - I wonder if "Time Crisis" is becoming basic
01:34:57 - 01:34:59: with our takes on Wendy's.
01:34:59 - 01:35:01: Bear with me, 'cause we all know that
01:35:01 - 01:35:03: as a conversation develops in culture,
01:35:03 - 01:35:06: one point of view is basic and another one is cutting edge.
01:35:06 - 01:35:07: And then as time goes on,
01:35:07 - 01:35:09: the cutting edge one becomes basic.
01:35:09 - 01:35:11: And the one that used to be basic,
01:35:11 - 01:35:13: you're actually supposed to adopt to be a contrarian
01:35:13 - 01:35:16: and say like, "All these people saying that whatever,
01:35:16 - 01:35:18: "capitalism is bad."
01:35:18 - 01:35:20: You know, like eventually you have to go full circle.
01:35:20 - 01:35:22: So it was basic.
01:35:22 - 01:35:24: That's just how, I don't make the rules.
01:35:24 - 01:35:25: This is how it works.
01:35:25 - 01:35:28: Bran started serving savage clapbacks.
01:35:28 - 01:35:29: It was very basic at first.
01:35:29 - 01:35:31: Like you were even saying Seinfeld,
01:35:31 - 01:35:32: you were kind of stoked on getting
01:35:32 - 01:35:33: a savage Wendy's clapback.
01:35:33 - 01:35:34: - It was fresh.
01:35:34 - 01:35:36: It was like, you know,
01:35:36 - 01:35:38: these guys have dropped the veneer of the corporate polish
01:35:38 - 01:35:39: and they're just getting in there
01:35:39 - 01:35:41: with the so-called weird Twitter.
01:35:41 - 01:35:42: - Right, it's kind of like this,
01:35:42 - 01:35:44: like I hate these faceless brands.
01:35:44 - 01:35:44: And then it's kind of like,
01:35:44 - 01:35:46: brands are starting to get real.
01:35:46 - 01:35:46: I like that.
01:35:46 - 01:35:48: And then it became background to be like,
01:35:48 - 01:35:50: you idiots are getting psyched
01:35:50 - 01:35:53: because Wendy's jumped on a meme.
01:35:53 - 01:35:54: That's the most basic ever.
01:35:54 - 01:35:56: And so then we, you know, became, it's basic to life.
01:35:56 - 01:35:58: And that's kind of the time crisis view.
01:35:58 - 01:36:00: Because that time crisis,
01:36:00 - 01:36:02: we position ourselves as being a little bit above it all.
01:36:02 - 01:36:04: Be like, we don't appreciate that.
01:36:04 - 01:36:06: But then, as often happens with these things,
01:36:06 - 01:36:08: then you start seeing people saying like,
01:36:08 - 01:36:08: oh, and by the way,
01:36:08 - 01:36:11: all the elitists who are (beep) on brands
01:36:11 - 01:36:12: that are just trying to do social media,
01:36:12 - 01:36:16: keep in mind, you're talking about a poorly paid person
01:36:16 - 01:36:18: who doesn't have power within the organization,
01:36:18 - 01:36:20: who's just trying to make rent for that month.
01:36:20 - 01:36:23: And that becomes like the new most extreme viewpoint.
01:36:23 - 01:36:24: So then eventually it might be like,
01:36:24 - 01:36:26: you know what, when you really think about it,
01:36:26 - 01:36:28: the people doing Wendy's social media
01:36:28 - 01:36:30: are actually a lot more socialist
01:36:30 - 01:36:32: than the (beep) people on Twitter complaining about it.
01:36:32 - 01:36:33: You know what I mean?
01:36:33 - 01:36:36: We've all witnessed conversations that go this way.
01:36:36 - 01:36:36: - Yikes.
01:36:36 - 01:36:39: - I think the truth is with everything that happens,
01:36:39 - 01:36:41: I mean, short of things that are, you know,
01:36:41 - 01:36:44: undeniably like literally hurting people or whatever,
01:36:44 - 01:36:45: with things that are like,
01:36:45 - 01:36:46: kind of you can't quite put your finger on
01:36:46 - 01:36:48: if it's a good or a bad thing,
01:36:48 - 01:36:49: there's always gonna be a little bit of a cycle
01:36:49 - 01:36:53: that liking it is whack and hating it's cool,
01:36:53 - 01:36:55: then hating it's whack and being like,
01:36:55 - 01:36:57: you know what, (beep) you, I actually like it as cool.
01:36:57 - 01:36:59: I guess the only truly enlightened view
01:36:59 - 01:37:00: is when you're kind of above it all
01:37:00 - 01:37:03: and you're just like, I've lived for many moons.
01:37:03 - 01:37:05: I've seen times of war, times of peace,
01:37:05 - 01:37:06: I've seen death, I've seen life.
01:37:06 - 01:37:11: Happiness is ephemeral, but sadness is ephemeral too.
01:37:11 - 01:37:13: Wendy's clapbacks, I've seen moments
01:37:13 - 01:37:15: when they were considered savage
01:37:15 - 01:37:17: and times when they were considered laughable.
01:37:17 - 01:37:18: - Take the Bob Marley approach.
01:37:18 - 01:37:20: - Yeah, just chill out.
01:37:20 - 01:37:23: Would you raise your fist in anger at the wind?
01:37:23 - 01:37:24: These are the cycles of life.
01:37:24 - 01:37:27: - This is track eight on the new Drake record.
01:37:27 - 01:37:27: - Yeah.
01:37:27 - 01:37:28: (laughing)
01:37:28 - 01:37:30: You can live to this.
01:37:30 - 01:37:33: - Drake, you can live, I swear that really sounds real.
01:37:33 - 01:37:36: The song of the summer in 2008,
01:37:36 - 01:37:39: that was quite a summer for me in my neighborhood
01:37:39 - 01:37:40: 'cause that was the first summer
01:37:40 - 01:37:42: that Vampire Weekend was like out there.
01:37:42 - 01:37:44: Our first album came out January 2008
01:37:44 - 01:37:45: and that was the first time
01:37:45 - 01:37:47: we'd be playing festivals and stuff.
01:37:47 - 01:37:51: I actually briefly met Katie for the first time in 2008.
01:37:51 - 01:37:53: She was a host. - Katie Davidson?
01:37:53 - 01:37:54: - No, I met Katie Davidson before then.
01:37:54 - 01:37:56: Katie Perry, the two Katie's.
01:37:56 - 01:37:58: - Oh, are we listening to Katie Perry right now?
01:37:58 - 01:37:59: (laughing)
01:37:59 - 01:38:00: - You really thought that?
01:38:00 - 01:38:02: - I was like, I don't know what,
01:38:02 - 01:38:03: I have no idea what's coming next.
01:38:03 - 01:38:06: - Katie Perry was one of the hosts
01:38:06 - 01:38:08: of a short-lived MTV show.
01:38:08 - 01:38:11: I think Pete Wentz was the main host from Fall Out Boy.
01:38:11 - 01:38:12: - Okay.
01:38:12 - 01:38:14: - MTV was trying to kind of bring back videos
01:38:14 - 01:38:15: and they did a show,
01:38:15 - 01:38:17: I literally can't remember what the show was called,
01:38:17 - 01:38:20: and they showed her and Lil Wayne
01:38:20 - 01:38:22: our video for Oxford Comma.
01:38:22 - 01:38:25: I know that there's video, apparently,
01:38:25 - 01:38:27: 'cause one of the producers told me this,
01:38:27 - 01:38:29: of Lil Wayne sitting in his trailer
01:38:29 - 01:38:32: watching the Oxford Comma video and talking about it.
01:38:32 - 01:38:34: I don't know if it's ever been aired.
01:38:34 - 01:38:35: I don't even know if I believe this,
01:38:35 - 01:38:37: but they told me that after that,
01:38:37 - 01:38:40: Lil Wayne made a video for his hit song, "A Milli,"
01:38:40 - 01:38:42: and he made a one-shot video
01:38:42 - 01:38:43: that's like him walking out of his trailer.
01:38:43 - 01:38:45: This person swore to me
01:38:45 - 01:38:47: that Lil Wayne watched the Oxford Comma video
01:38:47 - 01:38:49: and was like, oh, that's interesting.
01:38:49 - 01:38:51: I'll make a video like that.
01:38:51 - 01:38:53: We didn't invent the one-shot video,
01:38:53 - 01:38:54: but I'm, so whatever,
01:38:54 - 01:38:55: it's not like we're super creative or anything.
01:38:55 - 01:38:56: - Wow.
01:38:56 - 01:38:59: - I just wanna see this video of Lil Wayne in 2008
01:38:59 - 01:39:01: watching the Vampire Weekend.
01:39:01 - 01:39:02: MTV, can we hook this up?
01:39:02 - 01:39:04: Can somebody inquire?
01:39:04 - 01:39:06: Kazzy, do you know anybody on MTV?
01:39:06 - 01:39:07: - No.
01:39:07 - 01:39:09: - Okay, this is more like a Seinfeld thing.
01:39:09 - 01:39:11: Seinfeld, get on that.
01:39:11 - 01:39:14: - The show was called Feedback New MTV.
01:39:14 - 01:39:15: FNMTV.
01:39:15 - 01:39:17: - Oh, yeah, FNMTV.
01:39:17 - 01:39:19: I also remember being backstage
01:39:19 - 01:39:23: and somebody brought Lil Mama in to talk to us.
01:39:23 - 01:39:24: Do you guys know who Lil Mama is?
01:39:24 - 01:39:25: - What a night you had.
01:39:25 - 01:39:26: - No, I don't.
01:39:26 - 01:39:28: That's when I really knew I made it.
01:39:28 - 01:39:30: I met Pete Wentz, Lil Mama.
01:39:30 - 01:39:31: - It's like squad goals.
01:39:31 - 01:39:32: - Kind of.
01:39:32 - 01:39:34: I mean, I actually like all these people.
01:39:34 - 01:39:35: I always liked Lil Mama.
01:39:35 - 01:39:37: Also, when I was a teacher in Brooklyn,
01:39:37 - 01:39:40: the first song ever that the kids showed me
01:39:40 - 01:39:44: before it blew up was her hit song, Lip Gloss.
01:39:44 - 01:39:45: My lip gloss is cool.
01:39:45 - 01:39:46: Do you know this one?
01:39:46 - 01:39:47: My lip gloss is cool.
01:39:47 - 01:39:49: My lip gloss is poppin'.
01:39:49 - 01:39:51: So I remember the kids would be talking about that song.
01:39:51 - 01:39:52: But what is that?
01:39:52 - 01:39:53: It hadn't blown up yet.
01:39:53 - 01:39:55: And I was like, all right.
01:39:55 - 01:39:56: Your old teacher learning something.
01:39:56 - 01:39:58: - How old were the kids that you taught?
01:39:58 - 01:40:01: - Like 14, average age.
01:40:01 - 01:40:03: - Okay, so like freshmen, eighth grade.
01:40:03 - 01:40:04: - Eighth grade.
01:40:04 - 01:40:07: And I remember somebody brought her in and said like,
01:40:07 - 01:40:08: oh, hey, Lil Mama,
01:40:08 - 01:40:10: these guys are in a band called Vampire Weekend.
01:40:10 - 01:40:13: And I don't know if she just like was in kind of a guru mode
01:40:13 - 01:40:15: or maybe she just thought that we were,
01:40:15 - 01:40:17: and maybe she was right, we'd just come out.
01:40:17 - 01:40:18: I just remember that she like immediately was like,
01:40:18 - 01:40:19: nice to meet you.
01:40:19 - 01:40:21: And I was like, oh yeah, good to meet you too.
01:40:21 - 01:40:23: And she just immediately said to us,
01:40:23 - 01:40:25: listen, never give up.
01:40:25 - 01:40:29: If you believe in yourselves, big things can happen to you.
01:40:29 - 01:40:31: And I want you to understand something.
01:40:31 - 01:40:32: She talked about her experience and stuff like that
01:40:32 - 01:40:36: and say, but really don't give up, keep going.
01:40:36 - 01:40:38: Big things can happen, Baba.
01:40:38 - 01:40:38: And then I think she walked out.
01:40:38 - 01:40:40: I just remember being kind of bewildered.
01:40:40 - 01:40:41: Like, did they tell her that we were-
01:40:41 - 01:40:43: - Just out of nowhere?
01:40:43 - 01:40:44: - Yeah, I was like, did they tell her
01:40:44 - 01:40:46: that we won a contest or something?
01:40:46 - 01:40:48: She kind of talked to us like we'd won a contest.
01:40:48 - 01:40:49: And you know what?
01:40:49 - 01:40:51: Maybe we had in a weird way.
01:40:51 - 01:40:52: - Wow.
01:40:52 - 01:40:54: - The only thing was she was also on her first album, but-
01:40:54 - 01:40:57: - You're like, but Lil Wayne's watching my music video
01:40:57 - 01:40:58: and he said it's interesting.
01:40:58 - 01:40:59: - I didn't know that at the time.
01:40:59 - 01:41:01: I gotta see this footage.
01:41:01 - 01:41:02: I wonder if he says, who knows?
01:41:02 - 01:41:03: Maybe I'll be disappointed.
01:41:03 - 01:41:05: Maybe he'll be like, this sucks.
01:41:05 - 01:41:06: I can do a better version of this.
01:41:06 - 01:41:09: - Which rapper was the first Lil?
01:41:09 - 01:41:10: - Oh, I mean-
01:41:10 - 01:41:10: - Cam?
01:41:10 - 01:41:13: - Can you believe how many people copied Lil?
01:41:13 - 01:41:14: - It's amazing.
01:41:14 - 01:41:14: - And Big.
01:41:14 - 01:41:15: - Lil really caught on.
01:41:15 - 01:41:16: - Abner?
01:41:16 - 01:41:17: - There's still new Lils.
01:41:17 - 01:41:18: - Obviously there's a little kid.
01:41:18 - 01:41:20: I'm sure there's little people going back to the eighties.
01:41:20 - 01:41:22: Or there's probably even like even older.
01:41:22 - 01:41:23: I bet there's like probably-
01:41:23 - 01:41:24: - I'm sure there's a, yeah, there's a history behind Lil.
01:41:24 - 01:41:26: - A blue musician from the twenties or something.
01:41:26 - 01:41:27: - Right.
01:41:27 - 01:41:31: - But definitely Lil Wayne was one of the most influential
01:41:31 - 01:41:32: of the past 20 years.
01:41:32 - 01:41:33: Lil B.
01:41:33 - 01:41:34: - Of the Lils.
01:41:34 - 01:41:36: - Anyway, the song of the summer 2008 was
01:41:36 - 01:41:38: "I Kissed a Girl Katy Perry".
01:41:38 - 01:41:40: Imagine if this song came out today.
01:41:40 - 01:41:41: Do you remember when this song came out?
01:41:41 - 01:41:42: - Mm-hmm.
01:41:42 - 01:41:43: Iconic.
01:41:43 - 01:41:46: - You were like a 13 or 14 or something?
01:41:46 - 01:41:47: - Yeah.
01:41:47 - 01:41:49: - So that's like an age where you really start
01:41:49 - 01:41:51: being more interested in pop culture.
01:41:51 - 01:41:53: Did you think the song was cool when it came out?
01:41:53 - 01:41:54: - I thought it was good.
01:41:54 - 01:41:55: - Did you find it edgy?
01:41:55 - 01:41:59: - I don't remember.
01:41:59 - 01:42:00: Maybe.
01:42:00 - 01:42:01: - This is way more rock.
01:42:01 - 01:42:02: - It was fun.
01:42:02 - 01:42:05: - Yeah, Katy Perry had like a touch of emo in the early days.
01:42:05 - 01:42:08: - I think Twitter would bury this song alive today.
01:42:08 - 01:42:09: - Yeah.
01:42:09 - 01:42:10: - I don't think if actually heard this.
01:42:10 - 01:42:12: - Well Rita Ora like got trashed for that song.
01:42:12 - 01:42:13: - That's right, yeah.
01:42:13 - 01:42:16: ♪ I kissed a girl and I liked it ♪
01:42:16 - 01:42:20: ♪ The taste of her cherry chapstick ♪
01:42:20 - 01:42:24: ♪ I kissed a girl just to try it ♪
01:42:24 - 01:42:27: ♪ I hope my boyfriend don't mind it ♪
01:42:27 - 01:42:31: ♪ It felt so wrong, it felt so right ♪
01:42:31 - 01:42:35: ♪ Don't mean I'm in love tonight ♪
01:42:35 - 01:42:40: ♪ I kissed a girl and I liked it ♪
01:42:40 - 01:42:42: ♪ I liked it ♪
01:42:42 - 01:42:43: - Wow.
01:42:43 - 01:42:45: She's probably at the distance herself from this song.
01:42:45 - 01:42:47: - I mean it's great.
01:42:47 - 01:42:48: It's so good.
01:42:48 - 01:42:49: - I don't know.
01:42:49 - 01:42:51: Has Katy been dropping this on set list lately?
01:42:51 - 01:42:52: - Not in the past couple of years, no.
01:42:52 - 01:42:54: And actually I think I read something where she like
01:42:54 - 01:42:57: kind of looked back more and apologized a little bit
01:42:57 - 01:42:58: for this song.
01:42:58 - 01:42:59: - Oh that's really too bad.
01:42:59 - 01:43:00: We shouldn't have to apologize for things like this.
01:43:00 - 01:43:03: - Why is she, I don't know the song at all.
01:43:03 - 01:43:05: Why should she feel shame about it?
01:43:05 - 01:43:06: - Well again, I don't wanna--
01:43:06 - 01:43:08: - 'Cause she's not queer.
01:43:08 - 01:43:10: - I don't know how she identifies.
01:43:10 - 01:43:11: I don't wanna speak to that.
01:43:11 - 01:43:13: But I think most people assume
01:43:13 - 01:43:15: that she's a heterosexual person
01:43:15 - 01:43:20: and that this song is about a kind of heterosexual
01:43:20 - 01:43:21: fetishizing of--
01:43:21 - 01:43:21: - I get it.
01:43:21 - 01:43:23: She's jumping on the bandwagon.
01:43:23 - 01:43:24: - And even just to be like,
01:43:24 - 01:43:24: like it'd be one thing,
01:43:24 - 01:43:27: like write a song about love,
01:43:27 - 01:43:28: whatever that might be.
01:43:28 - 01:43:31: And if it's from a non-heterosexual point of view, cool.
01:43:31 - 01:43:34: But to be like, it's all edgy and it felt so wrong.
01:43:34 - 01:43:36: It felt so right.
01:43:36 - 01:43:37: - This is what Katy said.
01:43:37 - 01:43:40: We've changed conversationally in the last 10 years.
01:43:40 - 01:43:41: We've come a long way.
01:43:41 - 01:43:43: Bisexuality wasn't talked about back then
01:43:43 - 01:43:44: or any type of fluidity.
01:43:44 - 01:43:46: If I had to write that song again,
01:43:46 - 01:43:49: I would probably make an edit on it.
01:43:49 - 01:43:50: - Yeah, probably.
01:43:50 - 01:43:51: But it's a shame.
01:43:51 - 01:43:52: It's a great song.
01:43:52 - 01:43:54: - I just felt like there was one chorus too many.
01:43:54 - 01:43:56: (laughing)
01:43:56 - 01:43:57: - A quick edit.
01:43:57 - 01:43:58: - It felt fine.
01:43:58 - 01:43:59: It didn't feel problematic at all.
01:43:59 - 01:43:59: - Yeah.
01:43:59 - 01:44:00: - Would have been the line.
01:44:00 - 01:44:01: - It didn't feel wrong.
01:44:01 - 01:44:02: - So she's been keeping it up.
01:44:02 - 01:44:03: Well, whatever, yeah.
01:44:03 - 01:44:04: - It felt normal.
01:44:04 - 01:44:06: - If she doesn't like how the song plays now,
01:44:06 - 01:44:07: then she shouldn't play it.
01:44:07 - 01:44:08: I get that.
01:44:08 - 01:44:10: Yeah, she's allowed to have regrets
01:44:10 - 01:44:13: and change about how she wants to portray herself
01:44:13 - 01:44:14: and her art.
01:44:14 - 01:44:16: - So she dropped it off the set list?
01:44:16 - 01:44:17: - Yeah.
01:44:17 - 01:44:17: Actually, I don't really know,
01:44:17 - 01:44:18: but let's assume she did.
01:44:18 - 01:44:19: - Well, at least-- - Big hit.
01:44:19 - 01:44:22: - At least we got that great 17 minute,
01:44:22 - 01:44:24: "I kissed a girl" in 2014.
01:44:24 - 01:44:25: - One of your biggest hits.
01:44:25 - 01:44:27: - She really jammed it out. - Can't play it anymore.
01:44:27 - 01:44:28: - Oh, she has so many hits.
01:44:28 - 01:44:30: This probably isn't even top five biggest hits
01:44:30 - 01:44:31: for her anymore.
01:44:31 - 01:44:34: - Imagine if Springsteen in the late '80s
01:44:34 - 01:44:37: had written one of his character songs
01:44:37 - 01:44:38: from the point of view of a gay man.
01:44:38 - 01:44:41: - Is "Streets of Philadelphia" kind of that?
01:44:41 - 01:44:41: - Is it?
01:44:41 - 01:44:44: - Well, the movie is obviously about a gay man's struggle.
01:44:44 - 01:44:44: - Is he dying?
01:44:44 - 01:44:46: And yeah, I was bruised and battered.
01:44:46 - 01:44:48: Yeah, I guess it kind of was.
01:44:48 - 01:44:50: - I guess Bruce even back then had the foresight
01:44:50 - 01:44:51: not to be like--
01:44:51 - 01:44:52: - It felt so wrong.
01:44:52 - 01:44:54: - Yeah. - It felt so right.
01:44:54 - 01:44:56: - Right, it seemed like Bruce had the humanity to--
01:44:56 - 01:44:58: - He was sympathetic.
01:44:58 - 01:45:01: - I would like to think as a fan that Bruce was like,
01:45:01 - 01:45:03: "Hey, I'm a heterosexual man from New Jersey.
01:45:03 - 01:45:05: "I don't have the specific struggles
01:45:05 - 01:45:07: "of the character in this, you know,
01:45:07 - 01:45:10: "gay man dealing with the hatred of the world,
01:45:10 - 01:45:11: "but if I put myself in his shoes
01:45:11 - 01:45:14: "as I've been asked to do by the film's director,
01:45:14 - 01:45:17: "I can see a shared humanity in the struggle of all people."
01:45:17 - 01:45:18: - Beautifully put.
01:45:18 - 01:45:20: - He won an Academy Award for that.
01:45:20 - 01:45:21: - Yeah.
01:45:21 - 01:45:22: - "The night has fallen, I'm lying awake.
01:45:22 - 01:45:24: "I can feel myself fading away.
01:45:24 - 01:45:26: "So receive me, brother, with your faithless kiss,
01:45:26 - 01:45:28: "or will we leave each other alone like this
01:45:28 - 01:45:30: "on the streets of Philadelphia?"
01:45:30 - 01:45:33: In some ways, the character in the "Streets of Philadelphia"
01:45:33 - 01:45:36: song, it's very similar to like the "Dancing in the Dark" guy.
01:45:36 - 01:45:39: And also, I do think that there's something cool about that
01:45:39 - 01:45:42: Bruce could say, it is kind of weird sometimes
01:45:42 - 01:45:44: where people from one group don't have sympathy
01:45:44 - 01:45:46: for a smaller group dealing with some bull (beep)
01:45:46 - 01:45:49: 'cause obviously what the Philadelphia is about
01:45:49 - 01:45:51: is so specific in some ways, you know,
01:45:51 - 01:45:55: the hatred, the homophobia, and the AIDS crisis
01:45:55 - 01:45:57: and whatever, but you know, somebody like Bruce
01:45:57 - 01:46:00: hopefully could make somebody else say like,
01:46:00 - 01:46:03: anybody who's ever been a pawn in somebody else's game,
01:46:03 - 01:46:06: a cog in the machine, ought to have sympathy
01:46:06 - 01:46:07: for other people getting crushed
01:46:07 - 01:46:09: by something bigger than them.
01:46:09 - 01:46:10: And actually, I am a Katy Perry fan,
01:46:10 - 01:46:13: but I will say specifically, "Streets of Philadelphia"
01:46:13 - 01:46:15: is a better song than "I Kissed a Girl," controversial.
01:46:15 - 01:46:17: (explosion)
01:46:17 - 01:46:20: - First time that's ever been laid out.
01:46:20 - 01:46:23: - Yeah, Katy Perry has other great songs.
01:46:23 - 01:46:26: - "Streets of Philadelphia" versus "I Kissed a Girl."
01:46:26 - 01:46:27: (laughing)
01:46:27 - 01:46:29: That's a TC, what a poll.
01:46:29 - 01:46:31: - The number one song of this summer,
01:46:31 - 01:46:34: according to Billboard, Drake came damn close.
01:46:34 - 01:46:36: He had number three and two,
01:46:36 - 01:46:40: but the biggest rapper of the summer of 2018 is not Drake.
01:46:40 - 01:46:41: Sorry, Seinfeld, it's not a Canadian.
01:46:41 - 01:46:42: - What?
01:46:42 - 01:46:46: - It's a New Yorker, and her name's Cardi B.
01:46:46 - 01:46:47: Song of the summer, everybody.
01:46:50 - 01:46:56: ♪ I like it like that ♪
01:46:56 - 01:47:01: ♪ Now I like dollars, I like diamonds ♪
01:47:01 - 01:47:02: ♪ I like stunning, I like shining ♪
01:47:02 - 01:47:04: ♪ I like million dollar deals ♪
01:47:04 - 01:47:06: ♪ Where's my pen, bitch, I'm starting ♪
01:47:06 - 01:47:07: ♪ I like both the list ♪
01:47:07 - 01:47:08: - She makes me laugh.
01:47:08 - 01:47:11: - We've talked about this song six ways to Sunday.
01:47:11 - 01:47:13: Wait, what do people say six ways--
01:47:13 - 01:47:14: - Sunday.
01:47:14 - 01:47:15: - To Sunday?
01:47:15 - 01:47:17: - Yeah, I think so. - Is it from or to?
01:47:17 - 01:47:18: - Through Sunday?
01:47:18 - 01:47:19: Till Sunday?
01:47:19 - 01:47:21: - Six ways to Sunday.
01:47:21 - 01:47:22: Everyone's on their phones.
01:47:22 - 01:47:24: ♪ Daddy, spicy, mommy, hot tamale ♪
01:47:24 - 01:47:26: ♪ Hotter than a sarmale ♪
01:47:26 - 01:47:27: ♪ Bird, crow, buck, rari ♪
01:47:27 - 01:47:30: ♪ Hop off the stoop, jump in the coop ♪
01:47:30 - 01:47:31: ♪ Big dip on top of the roof ♪
01:47:31 - 01:47:33: ♪ Best in them (beep) as hard as I can ♪
01:47:33 - 01:47:35: ♪ Eating halal, driving a Lam ♪
01:47:35 - 01:47:36: ♪ Throw that (beep) I'm sorry though ♪
01:47:36 - 01:47:38: ♪ Throw my coins like Mario ♪
01:47:38 - 01:47:40: ♪ Yeah, they call me Cardi B ♪
01:47:40 - 01:47:42: ♪ I run this (beep) like cardio ♪
01:47:42 - 01:47:46: ♪ Diamond district in the chain ♪
01:47:46 - 01:47:49: ♪ Say bye, you know I'm gang ♪
01:47:49 - 01:47:52: ♪ Drop the top and blow the band ♪
01:47:52 - 01:47:56: ♪ Oh, he's so handsome, what's his name ♪
01:47:56 - 01:47:57: - It's from Sunday.
01:47:57 - 01:47:59: - Six ways from Sunday?
01:47:59 - 01:48:00: - Yeah.
01:48:00 - 01:48:01: - So I would say we've talked about this song
01:48:01 - 01:48:03: six ways from Sunday.
01:48:03 - 01:48:05: - That didn't feel natural.
01:48:05 - 01:48:07: I don't know if you should use that again.
01:48:07 - 01:48:09: - It's to Sunday and it's from Sunday,
01:48:09 - 01:48:11: depending on the context.
01:48:11 - 01:48:12: - Are there some other phrases that mean
01:48:12 - 01:48:14: we've looked at this from every angle?
01:48:14 - 01:48:16: - We've talked about this song til the cows come home.
01:48:16 - 01:48:17: - We could just say that.
01:48:17 - 01:48:19: - Well, the tense feels wrong with that.
01:48:19 - 01:48:21: That's usually conditional.
01:48:21 - 01:48:22: We are like, we could.
01:48:22 - 01:48:23: Would it be weird to say,
01:48:23 - 01:48:26: we've talked about this song til the cows came home.
01:48:26 - 01:48:27: - No, that makes no sense.
01:48:27 - 01:48:29: - Home they came.
01:48:29 - 01:48:31: The cows came home.
01:48:31 - 01:48:33: We talked about this song til we were blue in the face.
01:48:33 - 01:48:35: - That's a classic.
01:48:35 - 01:48:37: - Anyway, my point is that we've talked about this song
01:48:37 - 01:48:38: a lot here at Time Crisis.
01:48:38 - 01:48:40: We all love Cardi B.
01:48:40 - 01:48:41: She's America's sweetheart.
01:48:41 - 01:48:43: She's the biggest rapper in America.
01:48:43 - 01:48:45: She's killing it.
01:48:45 - 01:48:47: And there is something so inherently likable about her
01:48:47 - 01:48:50: that it's like, kinda she brightens every song she's on.
01:48:50 - 01:48:52: But I just wanna talk for a second about,
01:48:52 - 01:48:54: she's talking about all these things she likes,
01:48:54 - 01:48:55: you know, and things that everybody likes,
01:48:55 - 01:48:58: like those Balenciagas that look like socks
01:48:58 - 01:48:59: or getting big checks.
01:48:59 - 01:49:01: You know, generally, these are consensus things
01:49:01 - 01:49:02: that people like.
01:49:02 - 01:49:04: The least consensus thing in her list
01:49:04 - 01:49:07: is texts from my exes when they want a second chance.
01:49:07 - 01:49:08: - That's stressful.
01:49:08 - 01:49:10: - Yeah, some people would say that
01:49:10 - 01:49:11: that's the opposite of something you would like.
01:49:11 - 01:49:12: - I don't want that.
01:49:12 - 01:49:13: - You don't want that, Jake?
01:49:13 - 01:49:14: - Nope.
01:49:14 - 01:49:15: - There wouldn't be a part of you
01:49:15 - 01:49:16: now you're a married man looking back
01:49:16 - 01:49:18: and you just get texts from somebody saying,
01:49:18 - 01:49:21: Jake, I know you're a married man now.
01:49:21 - 01:49:22: - We haven't talked in years.
01:49:22 - 01:49:24: - I know you're an American painter and radio personality.
01:49:24 - 01:49:25: (laughs)
01:49:25 - 01:49:27: You haven't heard from me for a long time,
01:49:27 - 01:49:28: but I just wanted you to know,
01:49:28 - 01:49:30: if you would ever give me a second chance,
01:49:30 - 01:49:32: I just think you're a hell of a guy.
01:49:32 - 01:49:33: - That would stress me out so hard.
01:49:33 - 01:49:35: - Yeah, actually, it would stress me out too.
01:49:35 - 01:49:35: What's the point?
01:49:35 - 01:49:36: It's actually 'cause Cardi B--
01:49:36 - 01:49:38: - So she gets it and she's just like, ha ha.
01:49:38 - 01:49:39: - Cardi B's married too.
01:49:39 - 01:49:40: - She just laughs at the dude.
01:49:40 - 01:49:42: - She's married with a baby.
01:49:42 - 01:49:44: And then Offset's like, what's so funny?
01:49:44 - 01:49:48: Oh, you know, it's just one of those things that I like.
01:49:48 - 01:49:49: The Balenciagas?
01:49:49 - 01:49:50: - Nope.
01:49:50 - 01:49:51: - No texts from my ex.
01:49:51 - 01:49:52: Oh yeah?
01:49:52 - 01:49:54: Why, did he say something funny?
01:49:54 - 01:49:55: Well, he wants a second chance
01:49:55 - 01:49:57: and that filled me with a merriment.
01:49:57 - 01:50:01: - Okay, I don't find that particularly amusing.
01:50:01 - 01:50:03: - We're talking this over in therapy next week.
01:50:03 - 01:50:05: (laughing)
01:50:05 - 01:50:07: Who's her husband?
01:50:07 - 01:50:08: - Offset.
01:50:08 - 01:50:10: - His name is Offset?
01:50:10 - 01:50:10: - Jake, you are so--
01:50:10 - 01:50:12: - That is the best name ever.
01:50:12 - 01:50:15: - Jake, you've been so checked out, man.
01:50:15 - 01:50:16: Offset is from--
01:50:16 - 01:50:17: - Dude, I'm playing a Grateful Dead cover band.
01:50:17 - 01:50:19: (laughing)
01:50:19 - 01:50:21: - Offset is from, you know, and that's one thing--
01:50:21 - 01:50:23: - Is it spelled like Offset?
01:50:23 - 01:50:24: - Yeah, that's another thing I'll say
01:50:24 - 01:50:25: about Richard Pictures.
01:50:25 - 01:50:27: If you want a Grateful Dead cover band
01:50:27 - 01:50:29: that's not just, like if I had a Grateful Dead cover band,
01:50:29 - 01:50:30: it wouldn't be the same
01:50:30 - 01:50:32: because a lot of Grateful Dead cover bands
01:50:32 - 01:50:34: are kinda guys who know that Grateful Dead's
01:50:34 - 01:50:37: kinda trendy now, but they also know who Offset is.
01:50:37 - 01:50:40: If you wanna see a Grateful Dead cover band
01:50:40 - 01:50:41: where the members know who Offset is
01:50:41 - 01:50:44: just about as well as Jerry Garcia knows who Offset is,
01:50:44 - 01:50:46: come see Richard Pictures.
01:50:46 - 01:50:48: If you want guys who are walking off that stage
01:50:48 - 01:50:51: and are listening to 2018 pop hits,
01:50:51 - 01:50:53: then you can look elsewhere, my friend.
01:50:53 - 01:50:54: Offset's in Migos.
01:50:54 - 01:50:55: - Okay.
01:50:55 - 01:50:56: - Do you remember who Migos is?
01:50:56 - 01:50:58: - I mean, I know them from the top five on this show.
01:50:58 - 01:50:59: - Right.
01:50:59 - 01:51:01: Do you know who Quavo is?
01:51:01 - 01:51:02: - No.
01:51:02 - 01:51:03: I mean, I know, I've heard the name.
01:51:03 - 01:51:03: - All right.
01:51:03 - 01:51:05: - But I've never heard of Offset.
01:51:05 - 01:51:06: - Did you know that Cardi B was with
01:51:06 - 01:51:07: one of the guys from Migos?
01:51:07 - 01:51:09: - No, I did not.
01:51:09 - 01:51:10: - They're a power couple.
01:51:10 - 01:51:12: They're on the cover of Rolling Stone together.
01:51:12 - 01:51:12: Did you know they just--
01:51:12 - 01:51:14: - Not a magazine I respect.
01:51:14 - 01:51:16: (laughing)
01:51:16 - 01:51:17: - Shots fired.
01:51:17 - 01:51:20: - Shots fired late in the episode.
01:51:20 - 01:51:22: - This show rules.
01:51:22 - 01:51:24: - This is kinda old school,
01:51:24 - 01:51:27: like what stuff does Jake not know?
01:51:27 - 01:51:27: - Yeah, that's true.
01:51:27 - 01:51:28: That could be a whole album.
01:51:28 - 01:51:31: - This is sort of like early TC.
01:51:31 - 01:51:32: - That could be a whole album
01:51:32 - 01:51:33: just Jake not knowing (beep)
01:51:33 - 01:51:35: about modern culture.
01:51:35 - 01:51:37: You know they just had a baby named Culture Kiari.
01:51:37 - 01:51:38: - No.
01:51:38 - 01:51:39: I knew that she was pregnant.
01:51:39 - 01:51:40: I remember that.
01:51:40 - 01:51:41: - Okay, so you knew that.
01:51:41 - 01:51:42: - What's the name of the kid?
01:51:42 - 01:51:45: - Culture Kiari, I don't know what the last name is.
01:51:45 - 01:51:46: - Culture is the first name.
01:51:46 - 01:51:47: - Yeah.
01:51:47 - 01:51:47: - With a K.
01:51:47 - 01:51:48: - Yeah, actually.
01:51:48 - 01:51:49: - That's kind of a cool first name.
01:51:49 - 01:51:50: Never heard that before.
01:51:50 - 01:51:51: - It is cool.
01:51:51 - 01:51:52: I wonder what the nickname is.
01:51:52 - 01:51:53: - Culch.
01:51:53 - 01:51:55: - Culch.
01:51:55 - 01:51:56: - Culch is rough.
01:51:56 - 01:51:58: - Hey, was it a boy or a girl?
01:51:58 - 01:51:59: - A girl.
01:51:59 - 01:52:02: Or I could also imagine if your name's Culture Kiari,
01:52:02 - 01:52:03: probably at a certain age you might say,
01:52:03 - 01:52:06: I'd rather be Kiari.
01:52:06 - 01:52:07: Or it depends who you are.
01:52:07 - 01:52:09: My parents named me Ezra Michael
01:52:09 - 01:52:11: because they thought back in 1984,
01:52:11 - 01:52:13: Ezra seemed like a slightly weird name.
01:52:13 - 01:52:15: They said maybe I think it was too weird.
01:52:15 - 01:52:16: And I might wanna be Big Mike.
01:52:16 - 01:52:17: - Hey Mike.
01:52:17 - 01:52:18: - Hey Mike.
01:52:18 - 01:52:20: - You have so much of a Michael essence
01:52:20 - 01:52:22: that this really makes a lot of sense.
01:52:22 - 01:52:24: - Also, I wouldn't wanna be Michael.
01:52:24 - 01:52:25: - No, you wouldn't wanna be Michael.
01:52:25 - 01:52:26: - Mike.
01:52:26 - 01:52:27: - I'm not a Mike though.
01:52:27 - 01:52:29: I might have some Michael energy, but not Mike.
01:52:29 - 01:52:30: - No, you have Michael energy.
01:52:30 - 01:52:32: You're not, you shouldn't be named Michael.
01:52:32 - 01:52:33: - Then this really would sound like a sports show.
01:52:33 - 01:52:35: You're listening to Mike and Jake on beat.
01:52:35 - 01:52:38: (laughing)
01:52:38 - 01:52:40: You're listening to Big Mike and Jake.
01:52:40 - 01:52:45: - Is Cardi B so charming that when Offset sees her laughing
01:52:45 - 01:52:47: and smiling about a text from her ex
01:52:47 - 01:52:50: wanting a second chance, that he would be charmed by it?
01:52:50 - 01:52:51: - He can't always be charming.
01:52:51 - 01:52:53: - Yeah, especially when you're known to be charming.
01:52:53 - 01:52:55: There's a lot of pressure on Cardi B to be charming.
01:52:55 - 01:52:57: - Truly in like an intense argument
01:52:57 - 01:53:00: and still being like, well, you're charming.
01:53:00 - 01:53:02: - She's just like, "To Offset off."
01:53:02 - 01:53:05: And he's like, "Okay, fine, Cardi."
01:53:05 - 01:53:06: (laughing)
01:53:06 - 01:53:07: - She's just riffing.
01:53:07 - 01:53:10: Anyway, yeah, that one stuck with me.
01:53:10 - 01:53:11: The one weird one.
01:53:11 - 01:53:13: I like texts from my exes.
01:53:13 - 01:53:15: But I guess that's also the Cardi B character
01:53:15 - 01:53:18: versus the person at home.
01:53:18 - 01:53:19: - Cardi B.
01:53:19 - 01:53:21: - I don't see another person going home.
01:53:21 - 01:53:24: - She doesn't seem like someone who can turn it off.
01:53:24 - 01:53:25: - She might not have even written the lyric.
01:53:25 - 01:53:27: There's a lot of people credit on the song.
01:53:27 - 01:53:28: So maybe somebody pitched it to her.
01:53:28 - 01:53:29: "Hey, Cardi, how about this?"
01:53:29 - 01:53:31: And she's like, "Yeah, sure."
01:53:31 - 01:53:33: But even just culturally, forget about her as an individual.
01:53:33 - 01:53:37: Like Jake, I also feel like that just sounds stressful.
01:53:37 - 01:53:37: It'd be one thing if she was like,
01:53:37 - 01:53:39: "I like texts from my exes when they say
01:53:39 - 01:53:41: "that we're all good."
01:53:41 - 01:53:42: (laughing)
01:53:42 - 01:53:44: - When they're just checking in.
01:53:44 - 01:53:47: - I like texts from my exes who have now
01:53:47 - 01:53:48: become dear friends.
01:53:50 - 01:53:51: - Who wouldn't like that?
01:53:51 - 01:53:54: Anyway, those are the songs of the summer, everybody.
01:53:54 - 01:53:55: - Hell of a top five.
01:53:55 - 01:53:56: - Hell of a top five.
01:53:56 - 01:53:59: We were zigging and zagging through decades
01:53:59 - 01:54:01: and that was a true time crisis.
01:54:01 - 01:54:04: - A lot of inventions conceived of.
01:54:04 - 01:54:05: - Yeah.
01:54:05 - 01:54:06: - Six ways till sundown.
01:54:06 - 01:54:08: - Six ways till Sunday.
01:54:08 - 01:54:08: - Sunday.
01:54:08 - 01:54:10: - I wanna get some more phrases on deck
01:54:10 - 01:54:13: for that specific tense.
01:54:13 - 01:54:14: - I'm not a phrase person.
01:54:14 - 01:54:17: I thought the phrase was play it by year
01:54:17 - 01:54:19: instead of ear, like until last month.
01:54:19 - 01:54:20: - Oh no.
01:54:20 - 01:54:21: - That's amazing.
01:54:21 - 01:54:22: I love that.
01:54:22 - 01:54:23: - Play it by year?
01:54:23 - 01:54:24: - Yeah, and actually, you know what?
01:54:24 - 01:54:25: Yeah, and you know what?
01:54:25 - 01:54:27: It makes more sense.
01:54:27 - 01:54:27: Sue me, okay?
01:54:27 - 01:54:29: It makes more sense.
01:54:29 - 01:54:29: - Play it, I guess--
01:54:29 - 01:54:30: - Not really.
01:54:30 - 01:54:31: - No, it really does.
01:54:31 - 01:54:33: - I guess play it by year makes more sense?
01:54:33 - 01:54:34: - Yeah.
01:54:34 - 01:54:34: - Explain.
01:54:34 - 01:54:35: - Play it by year, you know?
01:54:35 - 01:54:36: Like maybe it'll take a year,
01:54:36 - 01:54:38: but we'll figure it out.
01:54:38 - 01:54:39: - Okay, I buy that.
01:54:39 - 01:54:42: - Play it by ear, it still doesn't make sense to me.
01:54:42 - 01:54:43: I have to sit with it for--
01:54:43 - 01:54:45: - I mean, play it by ear does not make any sense.
01:54:45 - 01:54:46: - No, it does not.
01:54:46 - 01:54:48: - It just means that you're taking in the information
01:54:48 - 01:54:50: in real time and reacting to it.
01:54:50 - 01:54:51: - By ear.
01:54:51 - 01:54:53: - So you're taking it in through your ear, is that?
01:54:53 - 01:54:55: - Well, yeah, look, you're making a fair point.
01:54:55 - 01:54:57: When you actually look at it,
01:54:57 - 01:54:58: it's a little harder to say.
01:54:58 - 01:54:59: I guess I kind of thought of it,
01:54:59 - 01:55:02: this is my guess, is that it's kind of like,
01:55:02 - 01:55:04: we could play it by the printed schedule.
01:55:04 - 01:55:07: Or you play it by ear, meaning that in real time
01:55:07 - 01:55:09: we take it in and we react,
01:55:09 - 01:55:11: and the ear is a sensory organ.
01:55:11 - 01:55:12: Yeah, why is it play it by ear and not play it by eye?
01:55:12 - 01:55:14: Seinfeld, let's get a number crunch on this.
01:55:14 - 01:55:15: - Isn't it like playing the piano,
01:55:15 - 01:55:17: you're not using the sheet music?
01:55:17 - 01:55:19: - Oh, yeah, oh my God.
01:55:19 - 01:55:20: - Wow.
01:55:20 - 01:55:22: - Yes, that's gotta be it.
01:55:22 - 01:55:25: - Play it by ear is a good music phrase.
01:55:25 - 01:55:28: Like when you're playing it by ear in music,
01:55:28 - 01:55:30: and then for the rest of us.
01:55:30 - 01:55:31: - Yeah, there you go.
01:55:31 - 01:55:32: - I could also see your definition,
01:55:32 - 01:55:33: 'cause if somebody was like,
01:55:33 - 01:55:35: "What are you doing tomorrow?"
01:55:35 - 01:55:38: You might say, "Well, at 9.15,
01:55:38 - 01:55:40: "I've got a doctor's appointment,
01:55:40 - 01:55:42: "and then at 10.30,
01:55:42 - 01:55:44: "I was gonna get a coffee with my friend,
01:55:44 - 01:55:47: "and then I had to go do a few hours
01:55:47 - 01:55:49: "at Quiznos in the afternoon,
01:55:49 - 01:55:50: "and then whatever."
01:55:50 - 01:55:52: You might have a sense of it.
01:55:52 - 01:55:54: Somebody said, "Well, what are you doing next year?"
01:55:54 - 01:55:55: And you say, "I don't know,
01:55:55 - 01:55:56: "I'm gonna play it by ear, man.
01:55:56 - 01:55:58: "You're asking me on a year time frame.
01:55:58 - 01:56:00: "I'm gonna respond in a vague way.
01:56:00 - 01:56:02: "Gonna play it by ear."
01:56:02 - 01:56:03: - It sounds so similar, though,
01:56:03 - 01:56:06: that no one ever corrected me.
01:56:06 - 01:56:08: - So as recently as a month ago,
01:56:08 - 01:56:09: you were talking to people like,
01:56:09 - 01:56:11: "Oh, totally, we'll play it by ear.
01:56:11 - 01:56:12: "Yes, let's play it by ear.
01:56:12 - 01:56:13: "Okay, great."
01:56:13 - 01:56:15: - It just reminds me that I'm still young.
01:56:15 - 01:56:16: You know, I'm learning.
01:56:16 - 01:56:18: - You're older than Post Malone, so.
01:56:18 - 01:56:19: - Don't tell me that.
01:56:19 - 01:56:21: - I'm playing it by ear.
01:56:21 - 01:56:25: Anyway, signing off for Time Crisis,
01:56:25 - 01:56:28: Ezra Jake, special guest Kazzy David,
01:56:28 - 01:56:30: and our number cruncher extraordinaire,
01:56:30 - 01:56:31: Seinfeld 2000.
01:56:31 - 01:56:32: Peace.
01:56:32 - 01:56:35: - Time Crisis with Ezra King.
01:56:35 - 01:56:40: ♪ Be, be, be, be, be, be, be, be, be, be, be, be, be ♪

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