Episode 79: Be Grateful

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:08: Time Crisis, back once again. On this week's episode, we talk to the social media strategists
00:08 - 00:18: of Texas-based Buffalo Wang's restaurant, Pluckers. We also talk about A Star is Born
00:18 - 00:26: and its potential sequel, Zzzz. All this, plus the greatest hits of 1983 and today.
00:26 - 00:33: This is Time Crisis with Ezra King. Be-be-be-be-be-be-beasts. One.
00:33 - 00:40: They passed me by, all of those great romances. The war I felt, robbing me of my rightful
00:40 - 00:49: chances. My picture clear, everything seemed so easy. And so I dealt to the blow, when
00:49 - 01:12: the bus had to go. Now it's different, I want you to know. One of us is crying, one of us
01:12 - 01:21: is lying, leave an only way. Time Crisis, back again. So Jake, I still haven't seen
01:21 - 01:30: A Star is Born. Oh man! Clearly I gotta see it. Yeah. It's the music event of the year.
01:30 - 01:35: And film. And film of the year. Why haven't you seen it? You been busy? Yeah, I've been
01:35 - 01:39: kinda busy. Yeah. It just never feels like the right night to like go to the movies.
01:39 - 01:43: Interesting. I love going to the movies, so it's like if there's an excuse, I'm doing
01:43 - 01:48: it, we're doing it. I like it conceptually. We saw it opening weekend. Was the theater
01:48 - 01:55: packed? No. Really? Pasadena Arclight. Pretty full. Nice. I'm looking at the A Star is Born
01:55 - 01:59: merch. Some of it is kinda what you'd expect, 'cause for people who haven't seen the movie
01:59 - 02:04: like me, but really don't know anything about it, the two main characters are Allie, played
02:04 - 02:09: by Lady Gaga. I'm impressed that you know these character names. I've read so much about
02:09 - 02:14: it. I'm about as familiar with this movie as anybody could be without having seen it.
02:14 - 02:19: Lady Gaga plays Allie, and Bradley Cooper plays Jackson Maine. The A Star is Born merch
02:19 - 02:25: is as if they were real people, so it's like a picture of Lady Gaga and it says like, "Allie."
02:25 - 02:29: It's almost like you picked it up at an Allie concert. Right. And then there's some Jackson
02:29 - 02:33: Maine ones, but the one that's really hilarious to me is a picture of Bradley Cooper holding
02:33 - 02:37: a guitar and it says, "One night only, Jackson Maine, Louisville, Kentucky with special guest
02:37 - 02:42: May 15th, 2009." I'm like, "Damn, that's a lot of detail." Is that like a part of the
02:42 - 02:47: movie? Is there a special concert? I don't know. The 2009 is weird, 'cause it's sort
02:47 - 02:52: of like in the movie you are sort of wondering like, "When is this taking place? Is this
02:52 - 02:59: 2017, 2018?" I guess this answers your question. It's 2009. Are there references to current
02:59 - 03:04: President Obama? No. I think it is set in the present day, but he's had a long career.
03:04 - 03:10: Do people use cell phones in the film? Oh, yeah. The Nintendo Switch? Very heavy with
03:10 - 03:14: the Nintendo Switch. Okay, so then it's gotta be the past couple years. No, I think it is
03:14 - 03:18: the last few years, but yeah, he's had a long career and he's maybe on the backside of that
03:18 - 03:25: career. Maybe he was at his peak, first decade of the century. What happened to you, Jackson?
03:25 - 03:29: Sitting in your apartment all day playing Nintendo Switch? Used to be a big star. I
03:29 - 03:33: wish I could do the Jackson Mean voice. What is it? Is it Southern? It's real low. It's
03:33 - 03:39: just like a lot of fry. It's like, "What am I been doing? I just been playing that Nintendo
03:39 - 03:46: Switch." Better than Nintendo Wii. That was the main Nintendo platform a few years back.
03:46 - 03:51: I'll tell you what. You know who his voice is kind of like? Yeah. It's Sam Elliott, 'cause
03:51 - 03:55: Sam Elliott is in the film. He plays his brother. Oh, wow. I didn't want to spoil that, 'cause
03:55 - 03:59: that's kind of a late reveal. Oh, is it? Well, midway through the film. I feel like every
03:59 - 04:03: article about this that I've seen references the brother, Sam Elliott. See, I hadn't read
04:03 - 04:07: that much about it, and I actually went in with low expectations, and I was- Blown away.
04:07 - 04:12: Thrilled. Anyway- You know what it was? It reminded me of Titanic in a good way. It was
04:12 - 04:20: a sweeping, tragic romance epic. Whoa. I haven't heard anybody compare it to Titanic. That's
04:20 - 04:24: what I thought of when the credits started rolling. Usually when the credits start, the
04:24 - 04:29: crowd just kind of gets up immediately and dances out. In this situation, the crowd stayed
04:29 - 04:35: seated just to kind of soak up the last sort of ambience of the film. That's what popped
04:35 - 04:40: in, Titanic. It's like a different aesthetic than Titanic, but it's the same sort of emotional
04:40 - 04:43: register. I haven't seen the movie, but the main thing I just kept thinking about was
04:43 - 04:48: how hilarious it'd be to get you this shirt. Maybe Tom Cruise has got to get you this one.
04:48 - 04:52: Did you rock this one? It's not just Jack- I couldn't rock it, dude. No, but I love that
04:52 - 04:57: it's so specific. Also, how did they decide this? Louisville, Kentucky with special guest
04:57 - 05:03: May 15th, 2009. Well, maybe he's from there? His character? Oh yeah, because there's a
05:03 - 05:08: scene when he's hanging out with Dave Chappelle, and I think that's back- Back in Louisville?
05:08 - 05:13: In like where he's from. Have you seen the film, Seinfeld? I saw it. Oh, really? Yeah.
05:13 - 05:19: Lots? Yeah, I also had low expectations, and yeah, I enjoyed it. I don't think I enjoyed
05:19 - 05:24: it as much as you did, but I liked it. I just like this shirt because it's one step beyond.
05:24 - 05:28: I guess there's like levels. You can get a shirt that's kind of like, "I'm a fan of this
05:28 - 05:32: thing," and then you can get a shirt that's kind of like, "I'm such a fan of this thing,
05:32 - 05:38: I want a shirt that kind of makes it seem like I live in the world of the movie." Right.
05:38 - 05:42: And this one is like, "I'm so deep into the world of the movie that I'm actually exploring
05:42 - 05:46: like the outer reaches." It's like fan fiction. I'm exploring the Jackson Maine universe,
05:46 - 05:47: the JMU.
05:47 - 06:00: Maybe it's time to let the old ways die. Maybe it's time to let the old ways die. Takes a
06:00 - 06:11: lot to change a man. Hell, it takes a lot to try. Maybe it's time to let the old ways die.
06:11 - 06:24: Nobody knows what a ways for the dead. Nobody knows what a ways for the dead. Some folks
06:24 - 06:30: just believe in the things they've heard and the things they read. Nobody knows what a
06:30 - 06:32: ways for the dead.
06:32 - 06:39: Are there other examples of, from like realistic films of like fan fiction merch?
06:39 - 06:42: There's the Axe Capital Billions t-shirt.
06:42 - 06:43: Nice.
06:43 - 06:44: Comes to mind.
06:44 - 06:45: Oh yeah, well exactly.
06:45 - 06:46: But that's not like, they're not pushing it.
06:46 - 06:51: It's like you could go to the NBC store at Rockefeller Center and you could get a shirt
06:51 - 06:56: of Michael Scott from The Office saying some like classic Michael Scott type line and just
06:56 - 06:59: wear that and people would be like, "Oh, you like The Office?" And then you could get a
06:59 - 07:03: shirt that says The Office. You get a shirt that says Dunder Mifflin.
07:03 - 07:04: Okay.
07:04 - 07:05: It's like a little inside.
07:05 - 07:10: It's like semi plausibly realistic if that universe existed.
07:10 - 07:11: Yeah, exactly.
07:11 - 07:13: If The Office universe existed.
07:13 - 07:15: They would have Dunder Mifflin t-shirts.
07:15 - 07:18: You wouldn't have a t-shirt with Michael Scott on it.
07:18 - 07:22: Exactly. As a fan of a fictional universe, the t-shirt you choose shows.
07:22 - 07:24: That's to exist within that universe.
07:24 - 07:27: It shows what reality you want to live in. There's people who are like, "I enjoy The
07:27 - 07:34: Office. It's a funny program. I like to flip it on. Takes my cares away." And there's other
07:34 - 07:38: people who are like, "I live in The Office universe."
07:38 - 07:41: That's why Ghostbusters shirts always kind of worked.
07:41 - 07:43: Because they're both at once.
07:43 - 07:48: Yeah. It's the simple shirt with just the logo, but in the film, the Ghostbusters become
07:48 - 07:54: celebrities and are like a hot thing in New York for a second. And people are rocking
07:54 - 07:58: in the fictional universe of the film. People are wearing shirts with the Ghostbusters logo.
07:58 - 07:59: Right.
08:00 - 08:04: When you wear that, it's like you might've been a fan in the fictional universe of the
08:04 - 08:11: film. But a lot of movies, what could you do? Like in Lebowski, there probably is fictional
08:11 - 08:12: merch you could wear.
08:12 - 08:19: Yeah. You get a Harry Potter shirt that says, "Property of Gryffindor," as if you bought
08:19 - 08:23: it at the Gryffindor gift shop. Like it's a real place.
08:23 - 08:26: Yeah. I don't know about this Jackson Maine tee.
08:26 - 08:29: Anyway, we're going to get it for you. Where are you going to wear it to?
08:29 - 08:34: I wouldn't wear it. I'll be honest with you. I love free t-shirts.
08:34 - 08:39: The Time Crisis crew drops $35 plus shipping and handling on this t-shirt. We get it for
08:39 - 08:44: you. It's a high quality shirt. Nice cotton. Feels good. Fits great.
08:44 - 08:45: Very soft.
08:45 - 08:47: Very soft. You're not going to wear it?
08:47 - 08:50: I would wear it to a taping of the show.
08:50 - 08:51: That's it?
08:51 - 08:52: Yeah.
08:52 - 08:53: You're wearing a Sweet Martha's Cookie Jar sweatshirt right now.
08:53 - 08:58: I know. I have so much merch. Actually, I was saying this the other day. My wardrobe
08:58 - 09:06: right now is like, it's either like Time Crisis or Vampire Weekend or Little Wings or Richard
09:06 - 09:07: Pictures based.
09:07 - 09:08: Or Sweet Martha's.
09:08 - 09:10: Or Sweet Martha's. That's kind of like TC Universe.
09:10 - 09:11: Yeah. True.
09:11 - 09:18: Because I have three Sweet Martha's shirts. I have 8 Minute Cape Cod. That's a classic.
09:18 - 09:22: I have my, I've been wearing my Father's Day Weekend, Vampire Weekend.
09:22 - 09:24: Oh yeah. I've seen you wear that out in the wild.
09:24 - 09:25: A lot.
09:25 - 09:26: That looks great.
09:26 - 09:30: It's kind of cooling down a little bit in LA. And I've got countless Little Wings and
09:30 - 09:31: Richard Pictures shirts.
09:31 - 09:35: And all those shirts, you never think twice about throwing on?
09:35 - 09:39: No. They're cool, man. But like, just like walking into like,
09:39 - 09:40: I agree. I agree.
09:40 - 09:43: They're like civil coffee down the street from me. I'm just like wearing like a Jackson
09:43 - 09:48: Maine tee. I mean, that does show that I do, I do.
09:48 - 09:49: That's sick.
09:49 - 09:53: I would describe myself as a guy that's super, you know, self-conscious about my appearance
09:53 - 09:54: in public.
09:54 - 09:55: But you would be that self-conscious.
09:55 - 09:57: That would, that's pushing it.
09:57 - 09:59: Would you wear an Ally shirt?
09:59 - 10:00: No, man.
10:00 - 10:04: Would you wear a shirt that says Bradley Cooper and it's a picture of Bradley Cooper directing
10:04 - 10:05: Stars Born?
10:05 - 10:06: Like, just-
10:06 - 10:08: Is that sure that you're more in touch with consensus reality?
10:08 - 10:11: I like that. I like that interpretation.
10:11 - 10:15: Let's get one that's just like, picture Bradley Cooper says Bradley Cooper on the back. It
10:15 - 10:16: says director of Stars Born.
10:16 - 10:17: That'd be solid.
10:17 - 10:18: You'd rock that?
10:18 - 10:21: And it's him like in an editing booth or something.
10:21 - 10:24: Or no, if it was, yeah, that's fine.
10:24 - 10:27: Or maybe that's the back of the shirt and then the front of the shirt is, is him as
10:27 - 10:28: Jackson Maine.
10:28 - 10:29: You know what would be really dope?
10:29 - 10:34: Like take it deep, like find a picture of like a young Bradley Cooper from like when
10:34 - 10:39: he was like 18 and like the mid nineties and then just like have like, make a shirt from
10:39 - 10:45: like Jackson Maine live at the Troubadour, July 22nd, 1996.
10:45 - 10:47: Like really go deep.
10:47 - 10:52: And it's like a very young Bradley Cooper, like, you know, like in the role of a very
10:52 - 10:53: young Jackson Maine.
10:53 - 10:54: Opening-
10:54 - 10:56: Because he's had a 25 year career.
10:56 - 10:57: Yeah.
10:57 - 10:58: Opening-
10:58 - 11:02: Opening for Eddie Vedder, for Eddie Vedder solo ukulele show at the Troubadour, 1998.
11:02 - 11:10: Oh no, that's even deeper. You make an Eddie Vedder t-shirt solo to her and then very small
11:10 - 11:14: text at the bottom is just with special guest Jackson Maine.
11:14 - 11:19: You notice you make it Austin city limits, 2005 festival shirt, just with like whatever
11:19 - 11:20: it is on the front.
11:20 - 11:24: And then in the back, just very subtly you change it to Jackson Maine.
11:24 - 11:29: Like, like 35th listed performer.
11:29 - 11:35: You know, it's all just spot on realistic taking the Jackson Maine, just a granular level
11:35 - 11:36: of detail.
11:36 - 11:37: Okay.
11:37 - 11:38: What about this is probably the coolest Jackson Maine shirt.
11:38 - 11:41: This one, the one I'm showing Jake now, it kind of looks like an actual vintage, like
11:41 - 11:43: Bob Seger shirt from the seventies.
11:43 - 11:45: Would you rock this one?
11:45 - 11:46: Oh man.
11:46 - 11:50: I mean, you love the film.
11:50 - 11:55: It's the best looking shirt of the ones we've seen, but you know, what's funny, I couldn't
11:55 - 11:59: rock it because, well, it's still from the film, but also because of the time period
11:59 - 12:05: in which the film is set, it automatically becomes, this is like a reissue, a fake retro
12:05 - 12:08: shirt that you'd see at like target.
12:08 - 12:09: You didn't buy this.
12:09 - 12:11: Jackson Maine wasn't touring in 1980.
12:11 - 12:18: You know, there's a whole like other uncanny valley.
12:18 - 12:42: I mean, I don't know.
12:42 - 13:01: Do you think that they're going to continue making albums as Jackson Maine?
13:01 - 13:03: Like is this to keep going?
13:03 - 13:07: I think Bradley Cooper is to, uh, he would find that corny.
13:07 - 13:08: That's my guess.
13:08 - 13:10: And he's right to find that corny.
13:10 - 13:12: Keep expanding the stars born universe.
13:12 - 13:18: I could totally picture like somebody right now putting together a deal.
13:18 - 13:22: Bradley Cooper, lady Gaga tour tour.
13:22 - 13:23: Oh yeah.
13:23 - 13:26: Arena tour as Jackson Maine and Allie.
13:26 - 13:27: Wow.
13:27 - 13:28: Would people go?
13:28 - 13:29: I mean, Gaga's huge.
13:29 - 13:32: So Gaga's got a built in thing and they'd have to do it soon.
13:32 - 13:38: Who are some other fictional musicians that could get in Jeff Bridges from crazy heart?
13:38 - 13:39: Real mellow.
13:39 - 13:43: Jackson Maine alley with special guests, Jeff Bridges from crazy heart, Mark Wahlberg
13:43 - 13:48: from rock star.
13:48 - 13:50: What other fictional musicians?
13:50 - 13:51: That's a good one.
13:51 - 13:52: Blues brothers.
13:52 - 13:53: That's a good one.
13:53 - 13:54: What?
13:54 - 13:55: John Goodman.
13:55 - 13:56: Yeah.
13:56 - 13:58: And Dan Aykroyd, the John Goodman reboot.
13:58 - 14:06: Jackson Maine with miles Teller from whiplash on drums.
14:06 - 14:10: Whiplash long sleeve, awkward movie merch.
14:10 - 14:11: I love it.
14:11 - 14:12: Oh, you know what?
14:12 - 14:14: I wear long, dumb road shirts.
14:14 - 14:15: Oh, there you go.
14:15 - 14:17: Coming out next month, folks.
14:17 - 14:18: Oh wow.
14:18 - 14:19: Real soon.
14:19 - 14:20: Yeah.
14:20 - 14:21: Looking forward to that.
14:21 - 14:22: Oh yeah.
14:22 - 14:23: Trying to think of movie shirts.
14:23 - 14:26: I mean, I just remember like in the nineties when I was very interested in T shirts and
14:26 - 14:31: I was like 12, 13, there were just like very interested in T shirt.
14:31 - 14:37: And it was like a joke in my family that my main passions as a young adult, I don't remember
14:37 - 14:41: exactly the order, but at some point I was really into comic books, specifically X-Men
14:41 - 14:42: comic books.
14:42 - 14:45: I've probably talked about this on the show.
14:45 - 14:49: And then at some point before I got just like deeply into music and I was liked music, but
14:49 - 14:55: before I was like, you know, would spend my allowance on CDs.
14:55 - 14:59: There was some point in between where my thing was like T shirts, just like a T shirt guy.
14:59 - 15:01: And now I kind of am again.
15:01 - 15:02: Yeah.
15:02 - 15:03: It seems like that never went away.
15:03 - 15:06: I mean, there was a period, you know, like early vampire weekend days, my whole thing
15:06 - 15:08: was like, I'm not into T shirts.
15:08 - 15:09: Oh, polos.
15:09 - 15:10: I'm into collared shirts and polos.
15:10 - 15:14: What were your big, like coveted T shirts when you were a kid?
15:14 - 15:18: It was at that point, it was also kind of like very early internet days.
15:18 - 15:21: So you would still get mail order catalogs.
15:21 - 15:24: So it could be like really exciting to just like see all the options.
15:24 - 15:26: So actually I was into music shirts.
15:26 - 15:30: One prize position I had, which I'm pretty sure I don't have, cause I was looking for
15:30 - 15:34: one says, uh, the Southern California and Scott punk band voodoo glow skulls.
15:34 - 15:37: I'd like a sick voodoo glow skull shirt.
15:37 - 15:38: I had a lot of Scott t-shirts.
15:38 - 15:39: Were you a fan of the band?
15:39 - 15:40: Yeah.
15:40 - 15:41: I love voodoo glow skulls.
15:41 - 15:43: And they had like specifically sick merch.
15:43 - 15:44: Yeah.
15:44 - 15:45: They had cool merch.
15:45 - 15:47: It was like skeletons being the horn section.
15:47 - 15:48: Yes.
15:48 - 15:49: I had some music shirts.
15:49 - 15:55: I had a, uh, Ultraman, Japanese superhero ringer T. Remember ringer T's were very hot
15:55 - 15:56: in the nineties.
15:56 - 15:57: Oh, with the cuffs.
15:57 - 15:58: Yeah.
16:00 - 16:01: I never could wear those.
16:01 - 16:02: Really?
16:02 - 16:03: I just felt too goofy.
16:03 - 16:04: It's like too hip or something.
16:04 - 16:06: I just never could rock that.
16:06 - 16:07: I could see that.
16:07 - 16:08: Yeah.
16:08 - 16:12: If I was like college age, when I was like 12, yeah, it was kind of like a seventies
16:12 - 16:13: throwback.
16:13 - 16:14: Right.
16:14 - 16:15: Yeah.
16:15 - 16:19: Another one I had, which is like classic nineties, ironic style was a Mr. Bubbles shirt.
16:19 - 16:23: You know, just kind of like a funny, goofy old brand.
16:23 - 16:24: Dude.
16:24 - 16:26: I had a Mento shirt in high school.
16:26 - 16:31: We, um, me and some buddies, we like saved up all of the Mentos wrappers.
16:31 - 16:34: If you sent in like 10 or 15, they sent you a shirt.
16:34 - 16:35: Oh really?
16:35 - 16:36: And it was like a prize possession for us.
16:36 - 16:38: See, what'd you share it with, with the crew?
16:38 - 16:40: No, we, no, we each like sent in the rappers.
16:40 - 16:44: So we had like three, it was like in my band, Vince, Vince, chlorotho.
16:44 - 16:48: And this is all coming back to me now.
16:48 - 16:49: I don't think I've ever heard about that band.
16:49 - 16:50: Yeah.
16:50 - 16:52: And the three of us would all wear Mento shirts.
16:52 - 16:54: What was the band called?
16:54 - 16:55: Vince, Vince, chlorotho.
16:55 - 16:56: What does that mean?
16:56 - 16:57: It's up there.
16:57 - 16:58: The worst name ever.
16:58 - 16:59: VVC.
16:59 - 17:00: VVC is too bad.
17:00 - 17:01: It was called VVC.
17:01 - 17:02: Why are we Vince, Vince, chlorotho?
17:02 - 17:03: How have we, we've heard about Cartesian divers, your band with Dave.
17:03 - 17:04: Well, no, I wasn't in Cartesian divers.
17:04 - 17:05: I was an American people.
17:05 - 17:06: Okay.
17:06 - 17:07: So what's the story of Vince, Vince?
17:07 - 17:08: Dave's eighth grade band was called Cartesian divers.
17:08 - 17:09: You were not, you're just a fan?
17:09 - 17:10: No.
17:10 - 17:11: And then Dave and I had a band called American people.
17:11 - 17:12: And Dave and I were in the same band.
17:15 - 17:30: And Dave had solo projects called Amsterdam and flames, angry youth.
17:30 - 17:34: What were some of the other ones?
17:34 - 17:35: Dirty projectors.
17:35 - 17:36: Oh yeah.
17:36 - 17:37: Eventually dirty projectors.
17:37 - 17:41: I was in a band called Vince, Vince, chlorotho with my two friends.
17:41 - 17:48: And it's sadly enough, it's pertinent to this conversation, a Ghostbusters reference.
17:48 - 17:52: When Rick Moranis' character, Louis Tully, the accountant that lives in central park
17:52 - 17:59: west gets possessed by the devil dog, he turns into Vince chlorotho.
17:59 - 18:00: An iconic part of the film.
18:00 - 18:03: He goes, I'm Vince, Vince chlorotho, key master of gulzer.
18:03 - 18:06: You know, just like Lord of the Sibelii.
18:06 - 18:08: Are you the gatekeeper?
18:08 - 18:09: That sounds familiar.
18:09 - 18:13: Because you guys are so into quoting Ghostbusters, the fact that he said, I'm Vince, Vince chlorotho.
18:13 - 18:16: Yeah, cause we were like a bunch of 17 year old dweebs.
18:16 - 18:19: And like our band's called Vince, Vince chlorotho.
18:19 - 18:23: And it was sort of like a Weezer meets pavement kind of ripoff band.
18:23 - 18:24: And you wore Mentos shirts.
18:24 - 18:25: Yeah.
18:25 - 18:27: The girls loved our band.
18:27 - 18:28: Really?
18:28 - 18:29: No.
18:29 - 18:30: No, yeah.
18:30 - 18:31: I've got a dungeon master's guide.
18:31 - 18:32: I've got a 12 sided die.
19:02 - 19:05: I've got it freely.
19:05 - 19:09: I got Peter Criss waiting there for me.
19:09 - 19:11: Yes I do.
19:11 - 19:13: I do.
19:13 - 19:20: In the garage I feel safe.
19:20 - 19:25: No one cares about my ways.
19:25 - 19:30: In the garage where I belong.
19:30 - 19:35: No one hears me sing this song.
19:35 - 19:40: In the garage.
19:40 - 19:44: You know it kind of makes me think that every generation has like a bunch of kind of like
19:44 - 19:49: dumb brands that you kind of like but you also kind of like ironically are into.
19:49 - 19:52: Like in the 90s Mentos because the commercials were kind of weird.
19:52 - 19:56: It was like funny to be in a Mentos but Mentos are a decent product.
19:56 - 19:58: I don't know like what five years ago.
19:58 - 20:01: It was kind of like cool and funny to be into Chipotle.
20:01 - 20:02: Is that fair to say.
20:02 - 20:03: I don't know.
20:03 - 20:07: Canada doesn't really have that many Chipotle so I don't know if we have that culture.
20:07 - 20:09: I guess it was like an ironic thing.
20:09 - 20:11: I'm not tapped in on that.
20:11 - 20:16: It wasn't just that people were like like Chipotle is that people wouldn't shut up about Chipotle.
20:16 - 20:17: It was like the Olive Garden right.
20:17 - 20:19: Like the way people joke about the Olive Garden.
20:19 - 20:21: Oh I see that kind of humor.
20:21 - 20:25: But the Olive Garden I feel like people are just actually being mean and being like the Olive Garden sucks.
20:25 - 20:26: Right.
20:26 - 20:31: And Chipotle it's almost like I don't know why it's like there's certain things maybe just because they're new.
20:31 - 20:35: People are like can't shut up about they're like exciting and funny to talk about.
20:35 - 20:37: What is Chipotle's Twitter account like.
20:37 - 20:38: It's a good question.
20:38 - 20:40: Sounds like I get a number crunch on that.
20:40 - 20:41: Let's take a look.
20:41 - 20:45: They got eight hundred and eighty nine thousand followers.
20:45 - 20:46: Damn.
20:46 - 20:49: Their most recent tweet was is a taco a sandwich.
20:49 - 20:51: Hundred and twenty two retweets.
20:51 - 20:59: The previous tweet before that is that heroic feeling when one of your chips break off in the salsa and you send in another chip to rescue it.
20:59 - 21:01: It's kind of like Wendy's two years ago.
21:01 - 21:02: That's cute.
21:02 - 21:03: Like on the cusp of like.
21:03 - 21:06: It actually sounds pretty quaint by today's standards.
21:06 - 21:08: None of that Steakums bulls**t.
21:08 - 21:09: Oh getting political.
21:09 - 21:14: The only thing hotter than our burritos is a registered voter from October 9th.
21:14 - 21:16: I don't know if I'd call that political.
21:16 - 21:19: Well they're not picking a side.
21:19 - 21:21: Well it's engaged civically.
21:21 - 21:22: Yeah it's civic.
21:22 - 21:24: Yeah they're civically engaged.
21:24 - 21:26: I'll take it at this point.
21:26 - 21:28: Any other good tweets from Chipotle?
21:28 - 21:31: Is there a mood ring that can turn the color of a burrito?
21:31 - 21:34: What like an off white tortilla color?
21:34 - 21:36: That's just stupid.
21:36 - 21:38: Hundred and fifty one retweets.
21:38 - 21:39: That's just stupid man.
21:39 - 21:45: But also I guess this is like classic that you know we're all just so basic.
21:45 - 21:46: It's like some new s**t comes out.
21:46 - 21:48: We just want to talk about the new s**t.
21:48 - 21:50: And it's not necessarily because the new s**t is so interesting.
21:50 - 21:51: It's just because it's new.
21:51 - 21:55: It's like hey when you listen to like Cole Porter, Gershwin songs,
21:55 - 21:58: you know like popular music from the 20s, 30s, 40s, whatever.
21:58 - 22:02: There's always like "You send my heart like a rocket ship."
22:02 - 22:04: And it's like some s**t we don't even think twice about or it's like
22:04 - 22:06: Right but that would have been new.
22:06 - 22:08: "You're the greatest thing since laundromats."
22:08 - 22:11: You know they're like they're just talking about whatever was new back then.
22:11 - 22:13: "My Frigidaire."
22:13 - 22:14: Yeah exactly.
22:14 - 22:17: I think if we went back and like poured over the lyrics like that kind of classic
22:17 - 22:21: Tin Pan Alley type stuff there'd be a lot of references to like electricity
22:21 - 22:24: and rocket ships and automobiles and s**t.
22:24 - 22:27: And at the time that was kind of like you know writing a song today
22:27 - 22:30: where you talk about you know it goes down in the DMs.
22:30 - 22:31: Right.
22:31 - 22:32: Like it's not that interesting that it goes down in the DMs
22:32 - 22:36: but somebody's got to say it and then we're all like yeah it does go down in the DMs.
22:36 - 22:37: That's some new s**t.
22:37 - 22:41: And then in five years people are like DMs whatever that's how people talk.
22:41 - 22:42: Who cares?
22:42 - 22:43: Yeah no s**t Chipotle it's just another chain.
22:43 - 22:47: Do you guys know the comedian Sebastian Montescalo?
22:47 - 22:48: No.
22:48 - 22:51: One time I went to a comedy club with somebody
22:51 - 22:53: and we were just kind of like watching whoever's up.
22:53 - 22:56: And you know like especially in L.A. you'll get a mix.
22:56 - 22:59: Any night you'll get a mix of like randos.
22:59 - 23:01: I mean I've seen some like crazy s**t.
23:01 - 23:02: And some heavy hitters.
23:02 - 23:04: Oh I'm sorry it's Sebastian Montescalo.
23:04 - 23:08: I've been to some nights where you just see like somebody
23:08 - 23:11: basically an amateur just like brutal.
23:11 - 23:15: And then they're just like getting no laughs and they're like oh okay well you know
23:15 - 23:18: kind of cutting it early and then the guy gets up and he's like
23:18 - 23:21: next man needs no introduction Dave Chappelle.
23:21 - 23:23: It's just like you know it's like that kind of vibe and you're just like
23:23 - 23:26: oh god I feel bad for that other person.
23:26 - 23:28: But whatever maybe that's how you learn.
23:28 - 23:31: So anyway this night at this comedy club it was like in a small room
23:31 - 23:33: and I don't know who's who.
23:33 - 23:37: Of course I know the really big names but so this guy Sebastian Montescalo is on stage
23:37 - 23:42: and I'm listening to this guy and he's like pretty down the middle observational humor.
23:42 - 23:43: But like a talented comedian.
23:43 - 23:47: I'm not trying to knock him but the guy I was with is kind of like
23:47 - 23:49: this is one of the most successful comedians in America.
23:49 - 23:51: And I was like are you kidding I've never heard of this guy.
23:51 - 23:52: And they're like yeah that's his thing.
23:52 - 23:56: He's not like one of these like I guess he is very famous but
23:56 - 24:00: he's not like one of these New York LA like super hip relevant comedians.
24:00 - 24:03: He's a guy who has an act you can bring the whole family to.
24:03 - 24:04: Observational.
24:04 - 24:05: Simple.
24:05 - 24:07: He's never I guess had a TV show or anything like that.
24:07 - 24:11: And he just diligently tours and probably makes millions and millions of dollars a year.
24:11 - 24:13: And he's just like you know does his thing.
24:13 - 24:14: Like Brian Regan.
24:14 - 24:17: Yeah I'm not sure who that is but that kind of vibe.
24:17 - 24:18: I think yeah similar vibe.
24:18 - 24:21: After that I was interested in him so I started looking up his bits
24:21 - 24:27: and I see like on YouTube he has certain bits that are have millions and millions of views.
24:27 - 24:28: And I'm like okay.
24:28 - 24:31: And then I kind of realized like oh this is what this guy does.
24:31 - 24:33: It's not that different than say Jerry Seinfeld.
24:33 - 24:35: Where he's observational humor.
24:35 - 24:38: So but with him he's funny so he'll like just kind of pick on a topic.
24:38 - 24:44: Just like pick these like big topics that other comedians maybe would find too basic or something.
24:44 - 24:46: But he just like picks one and digs in.
24:46 - 24:49: And one of the most viewed ones is about Chipotle.
24:49 - 24:51: Oh God I want to watch this now.
24:51 - 24:54: I actually don't know if in the comedy circle me saying that I find this guy funny
24:54 - 24:56: is like the equivalent of just like.
24:56 - 24:57: Some eye rolls.
24:58 - 24:59: But look.
24:59 - 25:01: Like a friend is just like dude you know what man Matchbox 20.
25:01 - 25:02: People slept on them.
25:02 - 25:03: It might be like that.
25:03 - 25:04: Nickelback or something.
25:04 - 25:05: But he is good.
25:05 - 25:09: His thing is that he's Italian American so he talks a lot about being Italian.
25:09 - 25:12: And he really like plays into it with his accent.
25:12 - 25:14: I think maybe he's from Chicago.
25:14 - 25:16: So he does this whole bit about Chipotle.
25:16 - 25:18: And this is just already the kind of dumb s*** I find funny.
25:18 - 25:21: The whole time he just always refers to it as Chipote.
25:21 - 25:23: It's like six minutes.
25:23 - 25:26: Just like everybody's going to Chipote now.
25:26 - 25:28: Everybody's talking about Chipote.
25:28 - 25:29: That kind of just like stretching it out.
25:29 - 25:30: Making such a meal of it.
25:30 - 25:33: And this, you know, one way of looking at this would be like it's basic.
25:33 - 25:35: Another way of looking at it would be like that's just a good comedian.
25:35 - 25:40: Is that then he just describes what it's like to go to Chipote in detail.
25:40 - 25:41: And he's just funny.
25:41 - 25:42: So he just makes it funny.
25:42 - 25:46: Like I bet if you look back and you compared it to like the best of the best.
25:46 - 25:47: Like Chris Roger of Chappelle.
25:47 - 25:50: You'd be like no joke of his hit the same high points as him.
25:50 - 25:55: But then another part of my brain is like I just listen to this guy talk about Chipote for six minutes.
25:55 - 26:00: Like he's like and then you go to Chipote and they say what do you want?
26:00 - 26:01: I don't know.
26:01 - 26:02: I've never been to Chipote.
26:02 - 26:04: It's like the jokes are like that.
26:04 - 26:05: And then you always got the guy in front of you.
26:05 - 26:09: He's reaching his arm over saying I want the pinto beans.
26:09 - 26:10: He's reaching his arm over.
26:10 - 26:12: Over the glass.
26:12 - 26:14: The glass is supposed to protect you.
26:14 - 26:16: You look at the guy and you're like you know don't do that.
26:16 - 26:18: Don't reach your arm over the glass.
26:18 - 26:20: Just say you want your pinto beans.
26:20 - 26:22: And move over.
26:22 - 26:25: This is Chipote.
26:25 - 26:27: But it's like I'm actually pretty down with it.
26:27 - 26:29: And then just like going through.
26:29 - 26:30: Then you move over.
26:30 - 26:32: Just describing it so slowly.
26:32 - 26:33: In detail.
26:33 - 26:34: But he's funny.
26:34 - 26:38: So and I'm kind of like picturing like you know what I'll take my family to see this dude.
26:38 - 26:39: This dude's funny as f**k.
26:39 - 26:41: I just appreciate that.
26:41 - 26:43: And then he's like and then you move over to the next guy.
26:43 - 26:45: And it's like who's this guy?
26:45 - 26:47: Now I got to give you a whole new order?
26:47 - 26:49: Who's this guy?
26:49 - 26:51: Now this guy want to know what kind of meat I want?
26:51 - 26:54: One minute I'm talking about beans and rice.
26:54 - 26:57: The next minute we're talking about meat.
26:57 - 26:59: Couldn't the same.
26:59 - 27:00: It's like that's the vibe.
27:00 - 27:02: And I remember it's like then you get to the next guy.
27:02 - 27:03: And then you got this guy.
27:03 - 27:06: The guy who's in charge of wrapping the burrito.
27:06 - 27:10: He gets this big plate.
27:10 - 27:15: This thing is piled to the ceiling with beans and rice and cheese and chicken.
27:15 - 27:19: And this guy's looking at this like oh boy I'm going to have to wrap this into a burrito.
27:19 - 27:21: And this guy's wrapping the burrito.
27:21 - 27:23: It's just like.
27:23 - 27:25: I haven't watched it in like a year.
27:25 - 27:28: But it clearly made a big impression on me.
27:28 - 27:32: But anyway I guess that's why Chipotle was so bemusing to people.
27:32 - 27:36: It's just because the ordering process was slightly different.
27:36 - 27:38: And I'm not dissing him.
27:38 - 27:44: I think he accurately picked up on the fact that America was bemused by Chipotle.
27:44 - 27:46: Because you couldn't even do that.
27:46 - 27:49: You see when McDonald's first came out in the '60s you could have done a whole bit.
27:49 - 27:51: I bet there's.
27:51 - 27:53: So I pull up to the drive-in.
27:53 - 27:55: There's no drive-in anymore.
27:55 - 27:56: You walk in.
27:56 - 27:58: They say park your car and walk in.
27:58 - 27:59: I'm like well you can't come out.
27:59 - 28:01: Where's the girl in the roller skates?
28:01 - 28:03: Well you tell me I got to get at them.
28:03 - 28:05: Now I'm standing in line?
28:05 - 28:06: Now I'm standing in line waiting.
28:06 - 28:08: I look over the counter.
28:08 - 28:09: The burgers are already made.
28:09 - 28:11: I didn't even order one yet.
28:11 - 28:12: And the burgers are already made.
28:12 - 28:14: How long has this thing been sitting out?
28:14 - 28:15: And I eat it.
28:15 - 28:18: It tastes pretty fresh.
28:18 - 28:20: I like that type of humor.
28:20 - 28:23: You can't get any customer service with the cable.
28:23 - 28:26: Here I went to Chipotle a couple weeks ago.
28:26 - 28:27: Love Chipotle.
28:27 - 28:30: They make a really nice burrito over there.
28:30 - 28:35: It's so terrific that the employees can't stop eating it.
28:35 - 28:37: The employees are never working.
28:37 - 28:40: They're always in the dining room eating.
28:40 - 28:43: You ever walk in there and you're like where are the workers?
28:43 - 28:56: The only guy behind there is the guy cutting chicken just looking at you.
28:56 - 28:57: Right?
28:57 - 29:04: He's not trained on burrito building.
29:04 - 29:06: And I'm watching the people order.
29:06 - 29:08: I mean there's a sneeze glass there right?
29:08 - 29:12: But people always hook the arm over the glass.
29:12 - 29:13: I'll have corn.
29:13 - 29:15: I'll have more corn.
29:15 - 29:19: Just say corn.
29:19 - 29:20: It's not soundproof.
29:20 - 29:23: It goes right over the glass.
29:23 - 29:26: Get your claw out of the cell.
29:26 - 29:28: Chipotle.
29:28 - 29:35: Anyway, speaking of social media, you know we talk so much about brand social media on time crisis.
29:35 - 29:37: We've been going hard on that stuff.
29:37 - 29:38: We've been going hard.
29:38 - 29:41: But maybe we're talking about something that we don't even understand.
29:41 - 29:44: We're talking about the people behind these accounts.
29:44 - 29:45: And we don't even know these people.
29:45 - 29:47: We're making assumptions about them.
29:47 - 29:50: Which upstate New York liberal arts school they went to.
29:50 - 29:52: How they're employed.
29:52 - 29:54: What they're trying to do.
29:54 - 29:55: What they're trying to accomplish.
29:55 - 29:57: We don't know.
29:57 - 29:58: Now the guy's looking at the Wendy's tweet.
29:58 - 30:00: He's all upset.
30:00 - 30:02: Wendy's isn't a person.
30:02 - 30:03: Close the computer.
30:03 - 30:04: Walk away.
30:04 - 30:05: Who cares?
30:05 - 30:06: You want a Wendy's sandwich?
30:06 - 30:07: Go eat a Wendy's sandwich.
30:07 - 30:08: You don't want a Wendy's sandwich?
30:08 - 30:09: Shut up.
30:09 - 30:13: Why are you so upset about the social media presence of brands?
30:13 - 30:15: Steakums is depressed.
30:15 - 30:16: Who cares?
30:16 - 30:18: Shut up.
30:18 - 30:20: This is like the anti-Punisher burgers.
30:20 - 30:22: Punisher burgers getting all bent out of shape.
30:22 - 30:24: It's Twitter.
30:24 - 30:25: It's hamburgers.
30:25 - 30:26: Close the computer.
30:26 - 30:27: Go outside.
30:27 - 30:28: Get some fresh air.
30:28 - 30:29: Shut up.
30:29 - 30:34: Anyway, Seinfeld, you happened to meet a social media strategist.
30:34 - 30:39: Yeah, this actually came through an email to 8minutecapecod.
30:39 - 30:40: That's the numeral 8.
30:40 - 30:43: At gmail.com from a long-time listener of the show.
30:43 - 30:45: And he said, "Hey, you guys are on this beat.
30:45 - 30:52: I know somebody, my friend Mac, works for this chain, this Texas-based wing chain called Pluckers."
30:52 - 30:58: And it's kind of affiliated with that world of that sort of, you know, what we've been talking about.
30:58 - 30:59: That sort of--
30:59 - 31:01: Right, because I've been interacting with Pluckers a little bit.
31:01 - 31:03: I'd never heard of it, actually, before.
31:03 - 31:07: Pluckers has 46,000 followers on Twitter.
31:07 - 31:09: I saw they tweeted at you today.
31:09 - 31:11: I'm looking at Pluckers' account.
31:11 - 31:15: There's a lot of jokes about buffalo wings.
31:15 - 31:18: They made a GIF that says "Pluck me up, fam."
31:18 - 31:21: They told me to pluck off, things like that.
31:21 - 31:24: So, anyway, we're going to talk to the man behind this account.
31:24 - 31:26: We're going to talk to Mac.
31:26 - 31:30: Now, let's go to the Time Crisis Hotline.
31:31 - 31:33: [phone ringing]
31:33 - 31:34: Hello?
31:34 - 31:35: Hey, is this Mac?
31:35 - 31:36: Yes, sir.
31:36 - 31:38: Hey, what's up? You're on Time Crisis with Ezra and Jake.
31:38 - 31:39: Yeah, how are you doing?
31:39 - 31:40: Not bad, man.
31:40 - 31:46: Is it true that you're the social media strategist for Austin, Texas-based restaurant chain Pluckers Wing Bar?
31:46 - 31:49: I am. It is Pluckers Wing Bar down in Austin.
31:49 - 31:50: Very cool.
31:50 - 31:51: How many locations of Pluckers?
31:51 - 31:53: We currently have 23.
31:53 - 32:00: We've got 24 opening by the spring, and then we'll have at least 25 by the end of next year.
32:00 - 32:01: And they're all in Texas?
32:01 - 32:05: So there's two of them in Baton Rouge, Louisiana, but yeah, the rest are in Texas.
32:05 - 32:12: It's run by the same three guys who started it as college students at the University of Texas back in 1995.
32:12 - 32:17: So you're a social media strategist. Are you freelance? Do you work for an ad agency? What's the story?
32:17 - 32:19: So ours is in-house.
32:19 - 32:24: So I work for the marketing department. We have a corporate office near downtown Austin.
32:24 - 32:29: We have a full marketing team, got a few graphic designers, but I'm in charge of most of the social media.
32:29 - 32:32: So what's a typical day like for you? Are you just on Twitter all day?
32:32 - 32:33: It's a weird gig.
32:33 - 32:39: So yeah, I mean, I'm tweeting to people all day. I also do our Instagram and Facebook.
32:39 - 32:42: So we are a restaurant, so I do deal with some complaints.
32:42 - 32:48: So people will say, you know, something went wrong with my pickup order or something like that.
32:48 - 32:53: And, you know, I'll contact the various store managers and we get that worked out.
32:53 - 32:58: But yeah, it's pretty funny because, you know, our corporate office, we have all the accountants and everybody working hard.
32:58 - 33:04: I'm over there, you know, giggling at buying comps and trying to come up with funny stuff.
33:04 - 33:06: How did you land this gig? What was your background?
33:06 - 33:11: So I actually come from journalism, which is a tough industry to be in.
33:11 - 33:13: So I worked for a couple of different publications.
33:13 - 33:19: And I interned with Plucker's marketing department when I was in college at UT a couple of years ago.
33:19 - 33:22: And then I started my first year of August 1st.
33:22 - 33:28: It's kind of a weird landscape right now for the social media strategist for restaurant chains.
33:28 - 33:29: It is.
33:29 - 33:31: It kind of feels like we're entering phase two.
33:31 - 33:36: Yeah, I didn't get that bachelor college degree, so I'm a little ill-equipped there.
33:36 - 33:38: But yeah, it's a weird time.
33:38 - 33:40: But you went to UT Austin?
33:40 - 33:49: Yeah, so I do have a liberal arts honors degree in religious studies, history, and American studies, which won't help you with anything.
33:49 - 33:52: That was going to be my next question.
33:52 - 33:56: Which of those fields of study helped you the most running the Plucker's Twitter account?
33:56 - 33:58: So honestly, religious studies.
33:58 - 33:59: It can kind of be a cult.
33:59 - 34:03: So I wrote my thesis on hip-hop as a religion.
34:03 - 34:10: A lot of it was about capitalism and how brands help form our identities.
34:10 - 34:15: And a lot of the professors and scholars that I read obviously didn't see it as a good thing.
34:15 - 34:26: But I don't think there's really anything wrong with turning to Moon Pie and Plucker's and Snaco and Denny's for our content and entertainment.
34:26 - 34:30: It's a dumb time to be alive, but it's pretty fun.
34:30 - 34:33: So you don't feel competitive with those other brands?
34:33 - 34:34: You see them doing their thing?
34:34 - 34:41: Like, for instance, when Steakums went on their kind of existential rant about, "You want to know why people follow brands?
34:41 - 34:43: It's because millennials have nothing to look forward to."
34:43 - 34:44: You were just like, "Strong."
34:44 - 34:48: It's an honor, sir, to be working in the same industry as you.
34:48 - 34:52: As dumb as that sounds, that pretty much sums it up.
34:52 - 34:56: I actually know the guy behind the Steakums account, Nathan, and he's a brilliant guy.
34:56 - 35:01: I learned a lot from him because it's pretty easy to sell. We're a pretty popular restaurant.
35:01 - 35:04: USA Today is named as one of the top wing restaurants in the country.
35:04 - 35:07: ESPN is named as one of the top five sports bars.
35:07 - 35:14: So people already love Plucker's, whereas I haven't had Steakums, but I know you all discussed that in the last episode.
35:14 - 35:19: It's harder to sell frozen beef sheets than wings and beer.
35:19 - 35:24: But, yeah, it's interesting because we kind of have what checkers and rallies.
35:24 - 35:29: One of our, well, that's what it is, is Friend Brands. So it's "Frans."
35:29 - 35:34: Wait, who coined the "Friend Brands" "Frans"? Who coined that? Is that out there?
35:34 - 35:37: That is out there. You can search "checkers and rallies" for that one.
35:37 - 35:40: And we're friends with Sunny D.
35:40 - 35:42: Behind the scene, there's no corporate connection.
35:42 - 35:47: No. So Steakums, I talk to that guy personally pretty regularly, Nathan.
35:47 - 35:49: But the other ones, I don't even know.
35:49 - 35:55: A lot of places actually have pretty big teams behind them, like Wendy's and Moon Pie and Denny's definitely do.
35:55 - 35:58: And I know like Whataburger, which is a big Texas chain, does.
35:58 - 36:01: You build these alliances, these Friend Brand things.
36:01 - 36:07: Is it kind of like when a pop star has their squad and they kind of check the boxes, different types of people in different industries?
36:07 - 36:10: And you're like, but then they always have the beef with the person who's the most like them, you know?
36:10 - 36:15: So you're kind of like, oh, yeah, we're cool with Moon Pie and this burger place.
36:15 - 36:18: But f*** you, Wingstop. You'll never be "Frans" with me.
36:18 - 36:26: It's not explicit, but yes, Wingstop and Buffalo Wild Wings, especially Buffalo Wild Wings, is one of our biggest competitors.
36:26 - 36:28: And they're obviously, you know, nationwide.
36:28 - 36:36: But yeah, like so our national joke of the day, hashtag tweet was, you know, here's a terrible joke at Buffalo Wild Wings.
36:36 - 36:39: And since they're a bigger account, you know, they can't punch down.
36:39 - 36:41: So it's pretty much an easy shot to.
36:41 - 36:44: David versus Goliath, you're getting out that slingshot.
36:44 - 36:54: For lack of better term, I mean, it is it's like, yeah, we're talking about fried chicken and Twitter, but it is like all good entertainment.
36:54 - 36:58: You know, you got a protagonist and antagonist. You got to have drama.
36:58 - 37:00: The same as any other entertainment, really.
37:00 - 37:04: It's kind of like WWE, you know, you it's ridiculous.
37:04 - 37:07: It's absurd, but you can't really look away sometimes.
37:07 - 37:10: You know, it is what it is. It's a dumb time to be alive.
37:10 - 37:17: But I guess as we've seen, WWE was clearly the biggest influence on our culture.
37:17 - 37:19: It really is a dumb time to be alive.
37:19 - 37:25: Like, you know, I come from journalism and, you know, for a while it was like, oh, I'm selling out to any corporation.
37:25 - 37:32: But it was like you're writing about Donald Trump being compared to Toad the Mushroom from Mario Kart.
37:32 - 37:34: So it's a really dumb time to be alive.
37:34 - 37:38: The president of the United States is throwing shots on Twitter.
37:38 - 37:48: So, you know, you can't I don't think it's fair to judge Moon Pie and Pluckers and Denny's or whoever it may be for, you know, popping off stupid stuff on Twitter.
37:48 - 37:53: Whether it's literally the leader of the free world is doing the same, which is pretty scary.
37:53 - 37:55: But it's the times we live in.
37:56 - 37:59: Fifty thousand on my head is disrespect.
37:59 - 38:02: So offended that I had to double check.
38:02 - 38:05: I'm always take the money over.
38:05 - 38:07: That's why they need me out the way with you.
38:07 - 38:12: It's bad. Got a lot of blood and it's cold.
38:12 - 38:15: They keep trying to get me for my soul.
38:15 - 38:18: Thankful for the women that I know.
38:18 - 38:23: Can't go 50/50 with no.
38:23 - 38:27: Every month I'm supposed to pay a bill and get what you want.
38:27 - 38:30: I still got like seven years of doing what I want.
38:30 - 38:35: My dad still got child support from 1991.
38:35 - 38:41: Out of town, people love to pop a lot and come around where the flock of Jody.
38:41 - 38:44: He does. Put it down.
38:44 - 38:47: That's if I'm cool. I'm upset.
38:47 - 38:50: Hundred thousand on my head is disrespect.
38:50 - 38:53: So offended that I had to double check.
38:53 - 38:57: So what's the meanest thing you ever said to Buffalo Wild Wings?
38:57 - 39:01: And you have to run it up the flagpole. I mean, you're in the office, you know, so say you get an idea.
39:01 - 39:06: You're like, I'm going to tell Buffalo Wild Wings to pluck my today.
39:06 - 39:11: Do you have to go to the CEO and say, listen, this is kind of controversial.
39:11 - 39:15: It's a little edgy, but I really think this could be big for us.
39:15 - 39:18: So it is. It is great because my bosses are incredible.
39:18 - 39:28: They give me like so much creative freedom, which a lot of companies don't, because one of them was this is when I was first starting out and they had really thrown shop at other restaurants.
39:28 - 39:35: So we have a weekly meeting where I recap and it's me basically saying, all right, boss, we posted a picture of you all from 1995.
39:35 - 39:38: They thought you were a zaddy and you can get it.
39:38 - 39:40: And then I had to explain what that means.
39:40 - 39:45: And then I explain my bad tweets and I say, yeah, boss, this is what the kids say.
39:45 - 39:48: This ain't it. So they didn't like that one.
39:48 - 39:57: But with Buffalo Wild Wings is National Joke Day and it was trending and that was my first one to hit like a thousand or two thousand.
39:57 - 39:59: I think it ended up with over like five thousand or something.
39:59 - 40:05: But it was funny because I had to come to that meeting and they're like, yeah, you probably would have asked us that before you posted it.
40:05 - 40:07: We probably would have said no.
40:07 - 40:11: And that specifically you told Buffalo Wild Wings that ain't it chief.
40:11 - 40:18: Yeah, they're a joke. And occasionally because we do have some older customers and there's one time where I was just like, hey, like I was not happy.
40:18 - 40:21: And I said something like, hey, slide into my DMs.
40:21 - 40:25: And he did slide into our DMs with, hey, I'm not a hey.
40:25 - 40:28: This is like, you know, the classic old man grumpy.
40:28 - 40:30: So it does backfire sometimes.
40:30 - 40:33: But overall, people seem to like it.
40:33 - 40:36: I don't want to slide into your BMs.
40:36 - 40:39: It was literally he's like, let me talk to corporate.
40:39 - 40:44: I was like, oh, man, like how do I tell the guy that's just like, hey, Sam, fuck me up.
40:44 - 40:47: It's like, well, you contact the right people you need to talk to.
40:47 - 40:49: You're just treating it the real life Hank Hill.
40:49 - 40:51: Damn it, pluggers.
40:51 - 40:56: I just want I just wanted to get some buffalo wings for my family.
40:56 - 40:58: Slide into where?
40:58 - 41:00: We have restaurants all around that area.
41:00 - 41:03: So you're being a lot more accurate than you realize.
41:03 - 41:13: So we talked about on the show before about how as there's been a slight backlash, a very slight backlash to kind of corporate brand Twitter's and corporate brand Twitter humor.
41:13 - 41:29: I've occasionally seen these tweets where somebody says, you know, guys, when you're being a real a-hole to the you know, one of these corporate accounts, you're not really thinking about the fact that you have a poorly paid young person probably in their 20s, maybe even intern doing this.
41:29 - 41:35: So when you tell, you know, staycums to shut the fuck up, you're being really cruel.
41:35 - 41:47: Do you find that the deeper you go as a social media strategist for pluggers, that when somebody disses pluggers or maybe says something mean to the brand on Twitter that you start to take it as a personal slight?
41:47 - 41:53: I will say first and foremost, that brand Twitter is a million times nicer than journalism.
41:53 - 42:00: Twitter, anything you would write as a journalist, someone hates you and someone will tell you and you'll be like, well, did you read the third line of the article?
42:00 - 42:03: Nope. We saw the headline and we told you you could go kill yourself.
42:03 - 42:04: Right. Wow.
42:04 - 42:12: Whereas brand is what's great about the freedom that I have is if I have a bad joke and I have a lot of those, they'll be like, this ain't it, chief.
42:12 - 42:14: Or like, dude, this is effing stupid.
42:14 - 42:16: I'll be like, oh, man, I'm sorry.
42:16 - 42:17: I'll try harder next time.
42:17 - 42:23: Or, you know, sometimes people will tear me up about, you know, service or something at one of the restaurants.
42:23 - 42:26: I'm like, guys, like I'm just sitting here tweeting, bro.
42:26 - 42:28: Like I'll pass your information along.
42:28 - 42:30: Has a hater ever gotten under your skin?
42:30 - 42:31: Yes.
42:31 - 42:32: A pluggers hater.
42:32 - 42:36: Absolutely. I mean, like there are certain times where like they don't get your joke.
42:36 - 42:40: And it becomes just as personal as if you tweeted it from a personal account.
42:40 - 42:41: More personal. That's my work.
42:41 - 42:44: Whereas my personal account is like, all right, I'm not putting any thought of this.
42:44 - 42:46: Where it's like, no, no, guys, I do this for a living.
42:46 - 42:47: Like, OK.
42:47 - 42:49: Oh, wow. So it's the opposite.
42:49 - 42:55: It's even more personal because when they diss the pluggers account, they're dissing you and your job.
42:55 - 42:56: Your craftsmanship.
42:56 - 42:57: And your craftsmanship.
42:57 - 42:58: How do you hold yourself back?
42:58 - 43:00: You make a joke and somebody is like, this ain't it, chief.
43:00 - 43:01: That doesn't even make sense.
43:01 - 43:03: And you're like, it does make sense.
43:03 - 43:05: Maybe you're just f***ing stupid.
43:05 - 43:06: Do you have to hold yourself back?
43:06 - 43:11: Y'all probably hate this because this is exactly the dumb s*** about Brad Twitter.
43:11 - 43:14: There was a guy, so we posted Zach Prescott.
43:14 - 43:17: He was doing a dance inspired by Conor McGregor.
43:17 - 43:19: So it was a big gif video going around.
43:19 - 43:20: So we posted it.
43:20 - 43:24: It was like something real simple and basic, like me walking into pluggers.
43:24 - 43:28: And someone quote tweeted and says, this meme's trash.
43:28 - 43:29: Pluggers is trash.
43:29 - 43:32: Cowgirls, that's a big diss for the cowboys.
43:32 - 43:33: It's all trash.
43:33 - 43:36: You know, go f*** yourself or something.
43:36 - 43:40: And so we responded to him with pluck off, Robert.
43:40 - 43:43: And then he quote tweeted that and said all for clout.
43:43 - 43:48: And then I quote tweeted that and said something like for clout, fam, you have 47 followers.
43:48 - 43:51: And that's gotten like almost a million impressions for us.
43:51 - 43:54: So it's like literally like a lot of times they're not wrong.
43:54 - 43:56: Like this meme sucks.
43:56 - 43:57: And I'm like, you know what?
43:57 - 44:02: Like if I saw this across my timeline and I hadn't tried hard to make it, I'd probably say this is pretty stupid too.
44:02 - 44:06: But it's great because people talk s***.
44:06 - 44:12: Rather than, you know, having to send them a handwritten, you know, apology, you can literally fire them back up.
44:12 - 44:14: And the audience loves it.
44:14 - 44:17: It's like classic WWE, like no one's actually getting hurt.
44:17 - 44:20: But oh, look, a brand said something mean.
44:20 - 44:22: Like they get a kick out of that.
44:22 - 44:25: The standards are extremely low for brands, which is why I love them.
46:04 - 46:10: You ever get anybody from the Buffalo area, you guys do like a funny tweet or something, and they're just like,
46:10 - 46:13: "You know what, honestly, guys, shut the f*** up. You're from Texas.
46:13 - 46:18: You have barbecue, you got breakfast tacos, you have all this s***. You guys are fake wangs.
46:18 - 46:22: How dare you build a whole brand out of something that comes from Buffalo?"
46:22 - 46:26: We actually had guns in Buffalo, but it was mostly been positive.
46:26 - 46:29: We had a real viral tweet. It's got over 100,000 retweets.
46:29 - 46:35: When we called out Jake Paul, which was like, I've dreamed my whole life of having something go viral,
46:35 - 46:38: and it did, and it was the dumbest thing I've ever done.
46:38 - 46:43: What exactly was the tweet? Jake Paul's a YouTuber that everybody hates, for the people listening at home.
46:43 - 46:47: So it's probably about 3.30 in the afternoon.
46:47 - 46:53: I'm bored and ready to go home because no one's tweeting at us because they usually tweet when they're coming to the restaurant.
46:53 - 46:57: So I see Jake Paul trending because who's the other guy?
46:57 - 47:00: Shane Dawson was doing some big YouTube series about him.
47:00 - 47:02: So it's like blowing up on Twitter.
47:02 - 47:07: And so I said something dumb like, "Oh no, Jake Paul's trending.
47:07 - 47:11: I'm going to Pluckers to avoid this nonsense with like a food pic."
47:11 - 47:14: And so what's great is like I do social media for a living.
47:14 - 47:20: I know it's like scumbag marketing in a lot of ways, but Jake Paul, we didn't even tag Jake Paul.
47:20 - 47:22: Jake Paul is searching his own name.
47:22 - 47:26: So he comes and responds to it with, "Hey, can I get an eight piece?"
47:26 - 47:31: Which was like our real fans, and that's the best part is we have our own real fans that are like,
47:31 - 47:36: "Dude, Pluckers doesn't even sell out at eight counts. It's five, 10, or 15."
47:36 - 47:40: But that was probably about a month or two since I started.
47:40 - 47:46: And that one, I kind of panicked, and so I called my boss because by the time he responded, it was like 7.30 or 8.
47:46 - 47:50: And so I called my boss, and I'm like, "Oh, [expletive] dude, Jake Paul actually responded.
47:50 - 47:52: What do we do? Do we knife to him and take the free press?"
47:52 - 47:54: He's like, "Dude, we'll just block them."
47:54 - 47:59: So we screencapped his, "Can I get an eight count or whatever?"
47:59 - 48:04: Then we screencapped us blocking them, and then we tweeted that with just, "No, period."
48:04 - 48:11: And it got over like 17 million impressions, and it was a dumb way to go viral.
48:11 - 48:16: I spent my whole life writing serious articles and having much funnier jokes, and it's like,
48:16 - 48:21: "Oh, I told Jake Paul no, and now 17 million people have seen it."
48:21 - 48:27: And this is a dream come true, and it's also in a lot of ways much less satisfying.
48:27 - 48:31: I guess he's one of the few people that you were just allowed to do that to.
48:31 - 48:37: Jake Paul loved it. We unblocked Jake Paul, and he retweeted it, and he loves the free press too.
48:37 - 48:41: If anybody knows how to game the scumbag social media, it's like,
48:41 - 48:45: "Jake Paul is more shameless than we are. At least when we're doing dumb stuff all day,
48:45 - 48:47: you know we're trying to sell chicken."
48:47 - 48:51: Whereas him, he's always selling something, and everybody's selling something,
48:51 - 48:54: whether it's clicks or views, but it's like, "No, we're selling you chicken."
48:54 - 49:00: So in a lot of ways, Brand Twitter is more authentic than a lot of other stuff you consume as media.
49:00 - 49:05: So your philosophy is basically that the world is so f---ed up,
49:05 - 49:10: and everybody out there from the politicians to the journalists to the social media people,
49:10 - 49:12: they're all lying about it. It's all for sale.
49:12 - 49:15: But the only person who's being honest about it is Brand Twitter.
49:15 - 49:17: So in a way, there's something refreshing about it.
49:17 - 49:19: It's the man who sold the world.
49:19 - 49:23: Well, no, okay, look. You have to promote your brand, right?
49:23 - 49:27: You want people to come to your concerts. You're proud of the music you create.
49:27 - 49:30: We're proud of our food. We're proud of the work we do.
49:30 - 49:34: But at the end of the day, this is our job, and we've got to get people--
49:34 - 49:38: we want people to pay attention to us. We want people to come to our stores and enjoy our stuff.
49:38 - 49:42: So yeah, I don't feel bad about it. I stand by our product.
49:42 - 49:46: If I was doing social media, I used to work for ClickBait,
49:46 - 49:50: so I would be the one writing about the latest outrage about Jake Paul,
49:50 - 49:52: and people would say, "Why are you writing about this?"
49:52 - 49:59: More people would click on that than if you write an in-depth analysis of the history of racism in UT.
49:59 - 50:00: No one gives a s---.
50:00 - 50:04: But if you say, "Oh, here's the latest 'Catch Me Outside' girl video,"
50:04 - 50:07: it takes you two seconds to write. It gets more views than anything,
50:07 - 50:11: and the incentives are terrible, but it's like, yeah, that's what people are clicking on.
50:11 - 50:14: Whereas now, it's like, "No, I don't have to do this for clicks."
50:14 - 50:18: It's like, yeah, I'm selling chicken. It's good chicken. I stand by this chicken.
50:18 - 50:21: I've gained way too much weight now that I'm getting free chicken.
50:21 - 50:23: I think it's pure in a lot of ways.
50:23 - 50:25: So you're saying Pluckers is not healthy to eat?
50:25 - 50:26: You heard it here, folks.
50:26 - 50:28: You heard it-- [laughs]
50:28 - 50:30: Let's get Jake Paul on the line.
50:30 - 50:35: You guys should start a beef with another class. It's like Austin-based chain.
50:35 - 50:38: Whole Foods. Why don't you start a beef with Whole Foods and be like,
50:38 - 50:43: "You don't represent Austin. Pluckers does. We're the real Austin."
50:43 - 50:49: So that's the other thing about starting beefs is a lot of these guys don't have a good social media presence.
50:49 - 50:53: So it's like, I can talk s--- all day, but if they're not going to say anything back to us,
50:53 - 50:54: we're just screaming into the void.
50:54 - 50:57: Like the wrestling analogy, you need somebody to get in the ring with you.
50:57 - 50:59: Yeah, no, that's like a perfect analogy.
50:59 - 51:04: You need someone to duke it out with, and it's a dumb time to be alive is the moral of the story.
51:04 - 51:07: I like that you say that a lot. You should pitch that to your bosses.
51:07 - 51:12: Like, "Guys, new Pluckers slogan. It's a dumb time to be alive. Come through."
51:12 - 51:13: Pluck it.
51:13 - 51:16: Pluck it. [laughs]
51:16 - 51:19: All right, well, thanks, Mac. We appreciate that insight.
51:19 - 51:23: And currently, you guys have about 50,000 Twitter followers?
51:23 - 51:27: Yeah, about 46, 47. That's right. Hopefully, you can get us up to 50.
51:27 - 51:31: I don't know why we have so few Twitter followers for time crisis.
51:31 - 51:34: We're clapping back at people enough. Yeah, if you can just retweet us a bunch.
51:34 - 51:38: You got to get Seinfeld to start telling people to pluck off more often.
51:38 - 51:40: We really do need to start selling something.
51:40 - 51:44: Maybe we should really start that time crisis for Austin Flakes, just to have something to sell.
51:44 - 51:48: Because I feel like when you have something to sell, then now you got some skin in the game,
51:48 - 51:49: and then you can really start.
51:49 - 51:51: Because time crisis, we got no competition.
51:51 - 51:54: We're not going to pick a fight with a podcast.
51:54 - 51:57: We're internet streaming radio. We're kind of in our own lane.
51:57 - 51:59: And also, that'd be so personal.
51:59 - 52:02: Hey, Mark Maron, pluck off. And that's not even our lane anyway.
52:02 - 52:03: Who are you?
52:03 - 52:05: Time crisis is too in our own lane.
52:05 - 52:08: Anyway, thanks for calling in, Mac. We appreciate it.
52:08 - 52:11: And good luck to everybody. Pluckers.
52:11 - 52:12: Thanks so much, y'all.
52:12 - 52:13: Have a good one.
52:13 - 52:14: Bye.
52:18 - 52:21: Spoken wasn't well
52:21 - 52:25: Although I wasn't there
52:25 - 52:29: You said I was a friend
52:29 - 52:33: Which came as a surprise
52:33 - 52:37: I spoke into his eyes
52:37 - 52:41: I thought you died alone
52:41 - 52:45: A long, long time ago
52:45 - 52:51: Oh no, not me
52:51 - 52:55: We never lost control
52:55 - 52:59: Face to face
52:59 - 53:03: Of a man who sold the world
53:03 - 53:04: You're listening to
53:04 - 53:06: [beatboxing]
53:06 - 53:07: Time Crisis
53:07 - 53:09: On Beats 1
53:09 - 53:10: That was a hell of a call.
53:10 - 53:13: It's also interesting that he had the background as a journalist.
53:13 - 53:14: Right.
53:14 - 53:18: Because he's trying to make the case, being a social media strategist is like being an honest journalist.
53:18 - 53:20: We're all selling some bullsh*t.
53:20 - 53:22: I don't think that's true of like real journalism.
53:22 - 53:23: No.
53:23 - 53:25: Like old school, and of course there's a lot of people still doing it.
53:25 - 53:26: Matt Taibbi.
53:26 - 53:28: [laughter]
53:28 - 53:29: But, you know.
53:29 - 53:38: No, but I think, I can imagine because a certain side of journalism has become clickbait, awful, just headline grabbing trash.
53:38 - 53:47: I can imagine that if you're a serious journalist and you can't make a living doing that, and little by little you get sucked into kind of like the clickbait bullsh*t echo chamber kind of world.
53:47 - 53:50: And then you're like, this is what journalism is?
53:50 - 53:53: And then somebody's like, hey, you want to do social media for pluckers?
53:53 - 53:55: You might be like, that sounds like step up.
53:55 - 53:56: I can see that.
53:56 - 54:00: You know one thing I'll say, I do love buffalo wings.
54:00 - 54:02: I'm not a big fan of wings.
54:02 - 54:03: You don't like buffalo wings?
54:03 - 54:04: No.
54:04 - 54:05: Why?
54:05 - 54:06: They're kind of just a mess.
54:06 - 54:09: You gotta eat like nine of them.
54:09 - 54:11: It's just kind of gross, all those little bones.
54:11 - 54:12: It's just kind of like your--
54:12 - 54:13: What about boneless wings though?
54:13 - 54:14: Yeah, what about boneless wings?
54:14 - 54:16: I mean, like chicken nuggets?
54:16 - 54:17: Is that what you're saying?
54:17 - 54:19: No, there's boneless buffalo wings.
54:19 - 54:20: I've never seen it.
54:20 - 54:21: Any-tizers.
54:21 - 54:22: That's a Tyson prant.
54:22 - 54:24: God, this is dark.
54:24 - 54:26: They make something called any-tizers.
54:26 - 54:27: What is it called?
54:27 - 54:29: As I say it out loud, it's such a bad name.
54:29 - 54:31: It's like appetizers, except it's any.
54:31 - 54:33: Like A-N-Y?
54:33 - 54:34: A-N-Y-tizer.
54:34 - 54:35: Any-tizers.
54:35 - 54:36: I don't get it.
54:36 - 54:38: I guess it's like appetizers you can eat any time.
54:38 - 54:40: That's a terrible name.
54:40 - 54:41: You're familiar with Tyson Foods.
54:41 - 54:42: Oh, yeah.
54:42 - 54:44: Anyway, they have something called any-tizers,
54:44 - 54:46: and they have boneless buffalo wings.
54:46 - 54:48: I just think buffalo wings taste great,
54:48 - 54:50: especially if they're a little bit crispy.
54:50 - 54:53: Have you ever been to the Anchor Bar in Buffalo, New York,
54:53 - 54:54: that's supposedly where they were invented?
54:54 - 54:55: No.
54:55 - 54:56: Went there on tour once.
54:56 - 54:57: You're saying wangs?
54:57 - 55:01: The word is wing, like the wing of a plane or a chicken, I guess.
55:01 - 55:06: But because I know a wings place that's called Big Wangs,
55:06 - 55:08: it's in Hollywood.
55:08 - 55:09: You know this place, Jake?
55:09 - 55:10: No, I don't.
55:10 - 55:11: Big Wangs.
55:11 - 55:12: I've never been in there,
55:12 - 55:14: but because I've walked past this place three to four times,
55:14 - 55:19: it got so stuck in my head that now every time I talk about buffalo wings,
55:19 - 55:22: I like to say buffalo wangs.
55:22 - 55:24: Buffalo wild wangs.
55:24 - 55:27: I like that the name wild is in Buffalo wild wings.
55:27 - 55:29: Yeah, where does the wild come from?
55:29 - 55:32: Nothing even remotely wild.
55:32 - 55:35: I guess they get pretty spicy, pretty hot.
55:35 - 55:40: So anyway, it's just one of those little things that makes me me.
55:40 - 55:43: Yeah, it's your essence.
55:43 - 55:47: And again, I know we're going to get some haters in the comments
55:47 - 55:52: saying wangs instead of wings is not a replacement for having a personality.
55:52 - 55:55: And you know what?
55:55 - 55:58: I never said it was a replacement for having a personality.
55:58 - 56:00: Is it part of my personality?
56:00 - 56:02: You bet your ass.
56:02 - 56:04: Is it a major part?
56:04 - 56:05: Yes.
56:05 - 56:09: Yes.
56:09 - 56:14: Look, the three things that define me, my love of music.
56:14 - 56:16: Everybody knows that about me.
56:16 - 56:18: Ezra is wild about music.
56:18 - 56:20: I'm wild about music.
56:20 - 56:22: He likes everything.
56:22 - 56:23: I love all music.
56:23 - 56:25: Everybody knows this about me.
56:25 - 56:27: Everything except country.
56:27 - 56:29: I even love country.
56:29 - 56:33: And people know this about me because, again, I'm not trying to be presumptuous.
56:33 - 56:38: Not everybody knows me, but the people who do know me know a few things about me.
56:38 - 56:42: One is they've seen me play music because they know I'm a musician.
56:42 - 56:44: Two, they've heard me talk about music.
56:44 - 56:47: And when they listen to Time Crisis and listen to me and Jake Chop It Up,
56:47 - 56:50: we're not talking about Vampire Weekend all the time.
56:50 - 56:51: We're talking about--
56:51 - 56:52: Doors.
56:53 - 56:55: We're talking about the dead.
56:55 - 56:56: Steve Miller.
56:56 - 56:57: We're not talking about Steve Miller.
56:57 - 56:58: We're talking about other artists.
56:58 - 57:00: So that lets people know that I'm a fan.
57:00 - 57:04: So they know that I play music and I listen to music and I discuss music.
57:04 - 57:05: So I'm wild about music.
57:05 - 57:07: That's one of the big three.
57:07 - 57:11: The second is I'm nuts about streaming internet radio.
57:11 - 57:14: Not podcasts, but internet streaming radio.
57:14 - 57:15: And they know this about me.
57:15 - 57:17: I mean, you're listening to the show.
57:17 - 57:18: It is the only ethical content.
57:18 - 57:22: It's the only ethical content in 2018.
57:22 - 57:28: And third, when I'm talking about buffalo wings, I say buffalo wangs.
57:28 - 57:31: And that's the big three that makes me me.
57:31 - 57:37: And I want all the listeners to tweet @TimeCrisis2000 the hashtag
57:37 - 57:42: #TheBigThreeThatMakeMeMe.
57:42 - 57:47: And I know it's going to look like #TheBigThreeThatMakeMeme.
57:47 - 57:49: And that's okay because it is kind of a meme.
57:49 - 57:51: A meme is a replicable idea.
57:51 - 57:53: Just watch your capitalization.
57:53 - 57:55: Yeah, the capitalization will help.
57:55 - 57:58: But #TheBigThreeThatMakeMeme.
57:58 - 57:59: Number three or spelled out?
57:59 - 58:00: Numeral three.
58:00 - 58:03: #TheBigThreeThatMakeMeme.
58:03 - 58:07: Because we do live in a time when everybody wants to tear each other down.
58:07 - 58:08: Especially on social media.
58:08 - 58:11: And I know, Seinfeld, you've gotten into some hot water there.
58:11 - 58:12: Oh, yeah.
58:12 - 58:13: You've dealt with haters.
58:13 - 58:14: Oh, yeah, scalding.
58:14 - 58:16: So we know everybody's trying to tear each other down.
58:16 - 58:20: And, yes, we're not that different from one another.
58:20 - 58:21: I'll admit that.
58:21 - 58:22: We're all human beings.
58:22 - 58:25: People will tweet at pluckers, "I've already seen this meme.
58:25 - 58:27: You're stupid."
58:27 - 58:28: Well, hold on.
58:28 - 58:32: That's not the whole point of memes is that they're replicable ideas that we share
58:32 - 58:35: and drive into the ground until they're not funny anymore.
58:35 - 58:37: That's part of what makes us human.
58:37 - 58:41: We all want to joke about Chipotle, and then eventually it's like, "Shut up.
58:41 - 58:42: It's just a restaurant."
58:42 - 58:44: But this is part of the human experience, right?
58:44 - 58:47: So everybody's trying to tear each other down and say, "You're not original."
58:47 - 58:50: I even see it on some popular meme accounts that I follow.
58:50 - 58:53: People sounding off on the comments saying, "I already saw this meme.
58:53 - 58:55: This format's old."
58:55 - 58:58: Maybe we're thinking a little too much about memes and we're not thinking enough about
58:58 - 58:59: me-me.
58:59 - 59:04: So I want to know, because I'm interested in you as a person who has some slightly different
59:04 - 59:08: characteristics than the millions of other people who are very similar to you.
59:08 - 59:10: #TheBigThreeThatMakeMeMe.
59:10 - 59:17: #Well, if you want to sing out, sing out #And if you want to be free, be free #'Cause
59:17 - 59:27: there's a million things to be #You know that there are #And if you want to live high,
59:27 - 59:35: live high #And if you want to live low, live low #'Cause there's a million ways to go
59:35 - 59:48: #You know that there are #You can do what you want #The opportunity's all #And if you
59:48 - 01:00:01: find a new way #You can do it today #You can make it all true #And you can make it undo
01:00:01 - 01:00:12: It's easy, you only need to know.
01:00:12 - 01:00:15: We're gonna start a viral hashtag and I think it's finally gonna get us some followers.
01:00:15 - 01:00:17: Yeah, I think this one is gonna be trending.
01:00:17 - 01:00:21: Seinfeld, since you're in charge of our social media, which by the way, it bothers me that
01:00:21 - 01:00:26: people always thinking that I run, even Pluckers thinks that I run the account.
01:00:26 - 01:00:28: It's timecrisis 2000.
01:00:28 - 01:00:30: Seinfeld 2000.
01:00:30 - 01:00:35: But anyway, since you run a social media account, I really think this is a million dollar idea.
01:00:35 - 01:00:37: Hashtag the big three that make me me.
01:00:37 - 01:00:41: And I think if you could get some really big name celebrities to do it, that's usually
01:00:41 - 01:00:43: the way to kind of really get something going.
01:00:43 - 01:00:45: I'm thinking Kim Kardashian.
01:00:45 - 01:00:46: Yep.
01:00:46 - 01:00:47: Allie Main.
01:00:47 - 01:00:51: Wait, is her last name Main too?
01:00:51 - 01:00:52: They get married in the movie?
01:00:52 - 01:00:53: Oh, okay.
01:00:53 - 01:00:54: Oh, no.
01:00:54 - 01:00:56: I may have said too much.
01:00:56 - 01:00:57: Wow.
01:00:57 - 01:00:58: They probably don't.
01:00:58 - 01:00:59: I don't know.
01:00:59 - 01:01:00: Seinfeld, just get on it.
01:01:00 - 01:01:01: Oh God.
01:01:01 - 01:01:05: Crack open your Rolodex and let's get the big three that make me me trending.
01:01:05 - 01:01:06: One last thing.
01:01:06 - 01:01:11: We were talking the past few episodes about how we found out that after Jerry Garcia died,
01:01:11 - 01:01:16: Steve Miller, the coward, said some pretty unkind things about the Grateful Dead.
01:01:16 - 01:01:19: We've been trying to get in touch with him, but no luck.
01:01:19 - 01:01:20: Huh, Seinfeld?
01:01:20 - 01:01:25: We tried a couple of times through social media and via email to his publicist.
01:01:25 - 01:01:28: Very polite email and a nice follow up and nothing.
01:01:28 - 01:01:29: Really?
01:01:29 - 01:01:30: Yeah.
01:01:30 - 01:01:33: So we were just talking about all these different musicians who talk about each other and we
01:01:33 - 01:01:37: talked about how Steve Miller talked about the dead after Jerry died and we found out
01:01:37 - 01:01:43: that Tom York talked about Jim Morrison, even going as far as to fat shame him years after
01:01:43 - 01:01:46: the man was dead, couldn't even defend himself.
01:01:46 - 01:01:49: And I actually came across this information myself because after we had that conversation,
01:01:49 - 01:01:53: I went home and I just, you know, for fun, Googled Grateful Dead and the doors, see what
01:01:53 - 01:01:55: kind of connections there were.
01:01:55 - 01:02:00: And I found out something pretty disturbing and so did a guy named Sam who emailed us
01:02:00 - 01:02:05: and I won't read the whole email, but he says, "Greetings TC crew, I'm a long time listener.
01:02:05 - 01:02:06: First time email, big fan of the show.
01:02:06 - 01:02:08: Love what you guys got going on."
01:02:08 - 01:02:13: He's a borderline millennial born in '81 in Nuevo Haven CT like Jake.
01:02:13 - 01:02:17: He was listening to the show and he felt like he had to tell us this.
01:02:17 - 01:02:22: He came across an interview in some casual reading that's pretty shocking.
01:02:22 - 01:02:23: Here's an excerpt.
01:02:23 - 01:02:25: This is a direct quote from Jerry Garcia.
01:02:25 - 01:02:27: "I never liked the doors.
01:02:27 - 01:02:29: I found them terribly offensive when we played with them."
01:02:29 - 01:02:33: It was back when Jim Morrison was just a pure Mick Jagger copy.
01:02:33 - 01:02:37: That was his whole shot that he was a Mick Jagger imitation, not vocally, but his moves,
01:02:37 - 01:02:41: his whole physical appearance were totally stolen from right around Mick Jagger's 1965
01:02:41 - 01:02:42: tour of the States.
01:02:42 - 01:02:46: He used to move around a lot before he started to earn reputation as a poet, which I thought
01:02:46 - 01:02:48: was really undeserved.
01:02:48 - 01:02:51: Rambo was great at 18, 19, and Verlaine.
01:02:51 - 01:02:53: Those guys were great.
01:02:53 - 01:02:54: Jim Morrison was not great.
01:02:54 - 01:02:56: I can't believe these words came out of Jerry's mouth.
01:02:56 - 01:02:58: This sounds like some Trump shit.
01:02:58 - 01:03:00: Jim Morrison was never great.
01:03:00 - 01:03:01: I'm sorry.
01:03:01 - 01:03:03: I could never see what it was about the doors.
01:03:03 - 01:03:04: This doesn't sound like our Jerry.
01:03:04 - 01:03:06: He had a competitive edge.
01:03:06 - 01:03:10: It almost made me wonder if you could create a whole circle of musicians talking shit about
01:03:10 - 01:03:11: each other.
01:03:11 - 01:03:14: So for instance, Steve Miller talked shit about Jerry Garcia.
01:03:14 - 01:03:16: Jerry Garcia talked shit about the doors.
01:03:16 - 01:03:17: Who did Jim Morrison talk shit about?
01:03:17 - 01:03:19: Did Jim Morrison talk shit about anyone?
01:03:19 - 01:03:20: On the dead?
01:03:20 - 01:03:23: If Jim Morrison talked shit about Steve Miller, then you got a circle.
01:03:23 - 01:03:26: So that's another thing that the fans at home could come up with.
01:03:26 - 01:03:28: Can you do like a six degrees of Kevin Bacon type thing?
01:03:28 - 01:03:30: Can you create a full circle?
01:03:30 - 01:03:34: A full circle of life of musicians talking shit about each other.
01:03:34 - 01:03:41: I imagine you can always go to Liam Gallagher or Noel Gallagher, both of them.
01:03:41 - 01:03:42: Six degrees of the Gallagher bros.
01:03:42 - 01:03:43: That's going to help.
01:03:43 - 01:03:47: But if you can create a whole, like a full circle, because the truth is a lot of musicians,
01:03:47 - 01:03:51: they were very sensitive, but a lot of us do talk shit a lot.
01:03:51 - 01:03:56: It's like, could you connect like Jerry Garcia to like Kanye in like two moves or three moves?
01:03:56 - 01:03:57: Right.
01:03:57 - 01:03:58: I'm sure you could.
01:03:58 - 01:03:59: Yeah.
01:03:59 - 01:04:00: Kanye talked shit about Taylor Swift.
01:04:00 - 01:04:03: Taylor Swift talked shit about Martha Blackburn.
01:04:03 - 01:04:04: Who's that?
01:04:04 - 01:04:08: She's a Republican, Republican Senator from Tennessee.
01:04:08 - 01:04:10: So we're taking it out of the music.
01:04:10 - 01:04:11: Yeah.
01:04:11 - 01:04:12: I'd prefer to keep it in music.
01:04:12 - 01:04:13: I don't know.
01:04:13 - 01:04:14: Yeah.
01:04:14 - 01:04:17: It's going to, it's hard, but I wonder if anybody can do it.
01:04:17 - 01:04:20: ♪ The sound of the river ♪
01:04:20 - 01:04:25: ♪ Fisher rising up like birds ♪
01:04:25 - 01:04:28: ♪ It's been hot for seven weeks now ♪
01:04:28 - 01:04:30: ♪ Too hot to even speak now ♪
01:04:30 - 01:04:34: ♪ Did you hear what I just heard ♪
01:04:34 - 01:04:39: ♪ Say it might have been the wind ♪
01:04:39 - 01:04:43: ♪ Or it could have been the wind ♪
01:04:43 - 01:04:48: ♪ Seems to be a beat now ♪
01:04:48 - 01:04:53: ♪ Listen here it comes again ♪
01:04:53 - 01:04:58: ♪ There's a band out on the roadway ♪
01:04:58 - 01:05:03: ♪ Their hearts skipping every time ♪
01:05:03 - 01:05:06: ♪ It's a rainbow full of sun ♪
01:05:06 - 01:05:10: ♪ It's wild, wild people ♪
01:05:10 - 01:05:12: ♪ Little lights dancing ♪
01:05:12 - 01:05:14: - Now the opposite of talking (beep) is paying tribute
01:05:14 - 01:05:17: to the musical heroes of the past.
01:05:17 - 01:05:20: And that's what Weezer did with their cover
01:05:20 - 01:05:22: of "Africa" by Toto.
01:05:22 - 01:05:25: Now it's almost like "Africa" is like their song
01:05:25 - 01:05:26: for a whole generation.
01:05:26 - 01:05:28: And this is kind of like their biggest hit in a while.
01:05:28 - 01:05:29: - So it has legs?
01:05:29 - 01:05:31: - It has legs, I think, right?
01:05:31 - 01:05:33: They're playing it on the radio.
01:05:33 - 01:05:34: Weezer's stock is way up.
01:05:34 - 01:05:36: We came across an interview that the guy from Toto
01:05:36 - 01:05:38: was quite pleased with us.
01:05:38 - 01:05:39: So that's the opposite.
01:05:39 - 01:05:40: That's paying tribute.
01:05:40 - 01:05:44: ♪ I hear the drums echoing tonight ♪
01:05:44 - 01:05:49: ♪ But she hears only whispers of some quiet conversation ♪
01:05:49 - 01:05:55: ♪ She's coming in 1230 flight ♪
01:05:55 - 01:05:58: ♪ The moonlit wings reflect the stars ♪
01:05:58 - 01:06:03: ♪ That guide me toward salvation ♪
01:06:03 - 01:06:07: ♪ I stopped an old man along the way ♪
01:06:07 - 01:06:10: ♪ Hoping to find some old forgotten words ♪
01:06:10 - 01:06:15: ♪ Or ancient melodies ♪
01:06:15 - 01:06:19: ♪ He turned to me as if to say ♪
01:06:19 - 01:06:24: ♪ Hurry boy, it's waiting there for you ♪
01:06:24 - 01:06:31: ♪ It's gonna take a lot to take me away from you ♪
01:06:31 - 01:06:34: ♪ There's nothing that a hundred men or more ♪
01:06:34 - 01:06:36: ♪ Could ever do ♪
01:06:36 - 01:06:41: ♪ I've brushed the reins down and I've forgot ♪
01:06:41 - 01:06:46: ♪ It'll take some time to do the things you never had ♪
01:06:46 - 01:06:55: - So anyway, in the spirit of Weezer's magnanimous gesture,
01:06:55 - 01:06:57: we're gonna do a very special top five
01:06:57 - 01:07:00: where we compare 2018, the year of Weezer Africa,
01:07:00 - 01:07:04: to 1983, the year that Toto's Africa hit number one
01:07:04 - 01:07:05: on the Billboard Top 100.
01:07:05 - 01:07:06: You ready for this?
01:07:06 - 01:07:07: - I'm ready.
01:07:07 - 01:07:12: - It's time for the top five, five on iTunes.
01:07:12 - 01:07:17: - The number five song in October, 1983,
01:07:17 - 01:07:18: Lionel Richie, "All Night Long."
01:07:18 - 01:07:19: - Oh.
01:07:19 - 01:07:20: - Just a classic.
01:07:20 - 01:07:22: - Starting on a high note here.
01:07:22 - 01:07:23: - It's a major tune.
01:07:23 - 01:07:24: - Huge.
01:07:34 - 01:07:38: - Also kind of a nod to world music,
01:07:38 - 01:07:39: similar to Toto's Africa.
01:07:39 - 01:07:43: - That's kind of interesting, like predating Graceland.
01:07:43 - 01:07:45: - Oh yeah, there was plenty of stuff happening
01:07:45 - 01:07:46: before Graceland.
01:07:46 - 01:07:50: ♪ When my friends, the time is close ♪
01:07:50 - 01:07:55: ♪ Raise the roof and have some fun ♪
01:07:55 - 01:07:59: ♪ Throw away the work to be done ♪
01:07:59 - 01:08:00: - Throw away.
01:08:00 - 01:08:03: - And it's a very specifically has an African influence.
01:08:03 - 01:08:04: This is a good quote.
01:08:04 - 01:08:07: Richie explained to Q Magazine regarding the lyric,
01:08:07 - 01:08:10: "Tambo lite sete moja yo jombo jombo,"
01:08:10 - 01:08:12: said, "I called the UN and said,
01:08:12 - 01:08:14: "I need something African for the breakdown
01:08:14 - 01:08:16: "in the song I'm writing.
01:08:16 - 01:08:17: "They informed me that there were thousands
01:08:17 - 01:08:19: "of different African dialects.
01:08:19 - 01:08:20: "I couldn't believe it.
01:08:20 - 01:08:21: "One region doesn't have any idea
01:08:21 - 01:08:23: "what the other's talking about.
01:08:23 - 01:08:26: "So tambo lite sete moja, I made it up on the spot."
01:08:26 - 01:08:27: ♪ Come on and say ♪
01:08:27 - 01:08:29: - I love that he called the UN.
01:08:29 - 01:08:31: ♪ All night long ♪
01:08:31 - 01:08:33: ♪ All night, all night ♪
01:08:33 - 01:08:35: ♪ All night, all night long ♪
01:08:35 - 01:08:38: ♪ All night, all night ♪
01:08:38 - 01:08:39: ♪ All night, all night long ♪
01:08:39 - 01:08:41: - Lionel Richie, not just a great singer,
01:08:41 - 01:08:42: hell of a songwriter.
01:08:42 - 01:08:43: He's like wrote most of his hits.
01:08:43 - 01:08:44: - Oh yeah.
01:08:44 - 01:08:45: - And with the Commodores too.
01:08:45 - 01:08:46: - Absolutely.
01:08:46 - 01:08:48: - The number five song.
01:08:48 - 01:08:49: Now, by the way, remember we compared
01:08:49 - 01:08:51: the Billboard hits of the past
01:08:51 - 01:08:53: with the top five songs on iTunes.
01:08:53 - 01:08:54: So we're getting kind of a different flavor.
01:08:54 - 01:08:57: So I have a feeling we're getting quite a bit of this
01:08:57 - 01:08:59: 'cause it's a very popular film.
01:08:59 - 01:09:00: I'll Never Love Again, Lady Gaga
01:09:00 - 01:09:01: from A Star Is Born soundtrack.
01:09:01 - 01:09:02: - Oh wow.
01:09:02 - 01:09:04: (soft music)
01:09:04 - 01:09:07: - Is this the, I guess you haven't seen the movie,
01:09:07 - 01:09:09: but the closing ballad?
01:09:09 - 01:09:10: - I don't know.
01:09:10 - 01:09:22: ♪ I wish I could ♪
01:09:22 - 01:09:24: - When she was getting ready to film this scene,
01:09:24 - 01:09:27: she found out her childhood friend had just died.
01:09:27 - 01:09:29: Oof, that's heavy.
01:09:29 - 01:09:31: - Do you know what happens in the movie?
01:09:31 - 01:09:33: - No, I've already gotten too many spoilers today.
01:09:33 - 01:09:37: ♪ I even cried for you ♪
01:09:37 - 01:09:41: ♪ If I knew ♪
01:09:41 - 01:09:44: ♪ It would be the last time ♪
01:09:44 - 01:09:47: - This kind of seems like a rewrite of I Will Always Love You.
01:09:47 - 01:09:50: ♪ I broke my heart in two ♪
01:09:50 - 01:09:55: ♪ Trying to save the part of you ♪
01:09:55 - 01:09:59: ♪ Don't wanna feel another touch ♪
01:09:59 - 01:10:01: ♪ Don't wanna start another fight ♪
01:10:01 - 01:10:03: - Yeah, I thought this was the weakest song in the film.
01:10:03 - 01:10:06: - So there's a lot of just full performances of songs.
01:10:06 - 01:10:07: - Not a lot.
01:10:07 - 01:10:08: - No, not a lot.
01:10:08 - 01:10:10: I've heard people call it a musical.
01:10:10 - 01:10:11: - No.
01:10:11 - 01:10:12: - It's not a musical.
01:10:12 - 01:10:13: - Not at all.
01:10:13 - 01:10:16: - It's an epic love story set in the world of music.
01:10:16 - 01:10:20: - This might be the only fully,
01:10:20 - 01:10:22: well, maybe the one of two fully
01:10:22 - 01:10:24: on a batch performances.
01:10:24 - 01:10:25: - Yeah.
01:10:25 - 01:10:27: - And everything else is,
01:10:27 - 01:10:29: you catch maybe half a song.
01:10:29 - 01:10:30: - Yeah.
01:10:30 - 01:10:31: - All right.
01:10:31 - 01:10:32: - Get the idea.
01:10:32 - 01:10:34: The number four song, 1983.
01:10:34 - 01:10:35: - Yeah, this is a good idea.
01:10:35 - 01:10:37: - This is really strong, 1983.
01:10:37 - 01:10:37: - Yeah.
01:10:37 - 01:10:40: - Number four song, True by Spando Ballet.
01:10:40 - 01:10:41: Great song.
01:10:41 - 01:10:42: - Oh yeah.
01:10:42 - 01:10:44: - Hmm.
01:10:44 - 01:10:48: So sophisticated.
01:10:48 - 01:10:53: ♪ Ah, ah, ah, ah, ah ♪
01:10:53 - 01:10:56: ♪ Ah, ah, ah, ah, ah ♪
01:10:56 - 01:11:03: ♪ Ah, ah, ah, ah, ah ♪
01:11:03 - 01:11:16: - You ever seen the documentary about Spando Ballet?
01:11:16 - 01:11:17: - No, what's the deal?
01:11:17 - 01:11:19: - It's pretty tight
01:11:19 - 01:11:21: 'cause they're all like working class English guys
01:11:21 - 01:11:22: and they kind of interview them.
01:11:22 - 01:11:23: They're basically like, they're really young.
01:11:23 - 01:11:24: They're like in their early twenties
01:11:24 - 01:11:26: and they were kind of like,
01:11:26 - 01:11:29: 'cause this song's like 83 and it's kind of like,
01:11:29 - 01:11:30: we started a punk band.
01:11:30 - 01:11:31: - Wow.
01:11:31 - 01:11:32: - Things moved very quickly.
01:11:32 - 01:11:34: So it was punk and then kind of like,
01:11:34 - 01:11:36: it was new romantic.
01:11:36 - 01:11:38: - Like how quickly did this shift happen?
01:11:38 - 01:11:40: - There were just so many styles happening.
01:11:40 - 01:11:42: So many like youth cultures, punk and goth
01:11:42 - 01:11:44: and new romantic and open new wave.
01:11:44 - 01:11:45: All these things were happening.
01:11:45 - 01:11:46: - Nine months, there was like a new sound.
01:11:46 - 01:11:47: - Kind of.
01:11:47 - 01:11:49: And then kind of they and Duran Duran break out
01:11:49 - 01:11:51: of that world with this kind of like,
01:11:51 - 01:11:53: almost like the opposite of punk.
01:11:53 - 01:11:54: - Like soft rock.
01:11:54 - 01:11:57: - Soft rock, sophisticated, wearing suits,
01:11:57 - 01:11:58: you know, like Duran Duran.
01:11:58 - 01:12:00: They said like their videos were like fancy.
01:12:00 - 01:12:01: And then just like, you know,
01:12:01 - 01:12:04: the bassist in the band just writes this like
01:12:04 - 01:12:07: beautiful jazz influenced modern pop song.
01:12:07 - 01:12:08: - Right.
01:12:08 - 01:12:09: - It's like a few years earlier,
01:12:09 - 01:12:11: these guys would have just been like punk rockers basically.
01:12:11 - 01:12:13: - So they were like 23 or something here?
01:12:13 - 01:12:14: - Yeah.
01:12:14 - 01:12:16: - Yeah, I would have guessed these guys were like 30.
01:12:16 - 01:12:19: - No, they were like young heartthrobs at this point.
01:12:19 - 01:12:23: - This is the sound of my soul.
01:12:23 - 01:12:25: - That's really is the sound,
01:12:25 - 01:12:27: like the vocal sound of that era.
01:12:27 - 01:12:28: - It's great.
01:12:28 - 01:12:29: Back to 2018.
01:12:29 - 01:12:31: - I know you.
01:12:31 - 01:12:34: - Mia by Bad Bunny featuring Drake.
01:12:34 - 01:12:35: You heard of Bad Bunny before?
01:12:35 - 01:12:38: - No, pretty funny name.
01:12:38 - 01:12:38: - It's a cute name.
01:12:38 - 01:12:41: - A dude?
01:12:41 - 01:12:42: - Yeah.
01:12:43 - 01:12:46: (singing in foreign language)
01:12:46 - 01:12:52: - This is Bad right here?
01:12:52 - 01:12:54: That's Drake singing in Spanish?
01:12:54 - 01:12:55: Oh wow.
01:12:55 - 01:12:59: (singing in foreign language)
01:13:02 - 01:13:22: - What do they mean by Mia?
01:13:22 - 01:13:23: Seinfeld?
01:13:23 - 01:13:24: - Is it the woman's name?
01:13:24 - 01:13:25: - That's a good guess.
01:13:25 - 01:13:27: - Oh, this is in Spanish.
01:13:27 - 01:13:29: (laughing)
01:13:29 - 01:13:30: - Come on, man.
01:13:30 - 01:13:34: (singing in foreign language)
01:13:34 - 01:13:36: - Translate this page.
01:13:36 - 01:13:37: Let's translate.
01:13:37 - 01:13:38: - Oh my God.
01:13:38 - 01:13:39: Mia means mine.
01:13:39 - 01:13:40: Okay.
01:13:40 - 01:13:41: - How'd you crunch so fast?
01:13:41 - 01:13:42: - You studied Spanish?
01:13:42 - 01:13:43: - Oh my God.
01:13:43 - 01:13:44: - So what's it about?
01:13:44 - 01:13:45: - They're talking to a woman
01:13:45 - 01:13:47: who's the center of attention.
01:13:47 - 01:13:49: Everyone wants to have it,
01:13:49 - 01:13:52: but both remind her that she said she was theirs
01:13:52 - 01:13:54: and nobody else.
01:13:54 - 01:13:55: It's like the girl is mine, but.
01:13:55 - 01:13:57: - Sounds kind of controlling.
01:13:57 - 01:13:59: Oh, but you mean Bad Bunny and Drake
01:13:59 - 01:14:00: are just kind of like,
01:14:00 - 01:14:02: are they talking to each other in the song?
01:14:02 - 01:14:05: - It sounds like a girl has told both Bad Bunny and Drake
01:14:05 - 01:14:06: that she is theirs,
01:14:06 - 01:14:08: and then they're both like.
01:14:08 - 01:14:09: - Oh, so it's like.
01:14:09 - 01:14:09: - It's like the same girl.
01:14:09 - 01:14:11: - Same girl, same damn girl.
01:14:11 - 01:14:12: - I think it's like a Spanish same girl.
01:14:12 - 01:14:14: - So they're talking to each other,
01:14:14 - 01:14:16: being like, that girl said she was yours,
01:14:16 - 01:14:17: she told me she was mine.
01:14:17 - 01:14:18: - Oh, and it looks like in the chorus.
01:14:18 - 01:14:19: - Bad Bunny's like, Drake,
01:14:19 - 01:14:22: I didn't know you was fluent in Spanish.
01:14:22 - 01:14:24: ♪ Went to Georgia Tech ♪
01:14:24 - 01:14:25: ♪ Works at TBS ♪
01:14:25 - 01:14:26: - Great song.
01:14:26 - 01:14:26: - Yeah.
01:14:26 - 01:14:28: - Looks like one of the lines is,
01:14:28 - 01:14:30: in English, tell him that you are mine.
01:14:30 - 01:14:32: So Drake is like telling the girl like,
01:14:32 - 01:14:35: hey, tell Bad Bunny, like, you're my girl.
01:14:35 - 01:14:37: And then the other one's like,
01:14:37 - 01:14:39: no, you tell Drake that.
01:14:39 - 01:14:39: - That you're my girl.
01:14:40 - 01:14:41: Like, I'm putting the responsibility on her.
01:14:41 - 01:14:44: - And she's like, you guys are on the same song together.
01:14:44 - 01:14:45: I'm not even on the song.
01:14:45 - 01:14:46: If you're on the same song with somebody,
01:14:46 - 01:14:49: you're kind of like being in the same room as them.
01:14:49 - 01:14:50: Maybe they're like texting her.
01:14:50 - 01:14:54: They ran into each other in the same song.
01:14:54 - 01:14:56: And then like trying to hash it out.
01:14:56 - 01:14:59: - The Bad Bunny U.
01:14:59 - 01:15:00: - Bad Bunny Universe.
01:15:00 - 01:15:01: - Yeah.
01:15:01 - 01:15:02: - The BBU.
01:15:03 - 01:15:05: - It's considered canon in the BBU
01:15:05 - 01:15:09: that Drake is at the very least conversant in Spanish.
01:15:09 - 01:15:15: Drake can communicate some basic ideas,
01:15:15 - 01:15:18: including which girls belong to him in Spanish.
01:15:18 - 01:15:21: In the OVO universe,
01:15:21 - 01:15:23: it was widely understood that Drake could only speak English
01:15:23 - 01:15:28: but in the BBU, he has one additional power, which is.
01:15:28 - 01:15:30: - Almost being bilingual.
01:15:30 - 01:15:32: - Almost being bilingual.
01:15:32 - 01:15:34: Speaking of duets.
01:15:34 - 01:15:35: - Cool.
01:15:35 - 01:15:40: - When we go back to 1983, 1983 is killing it so far.
01:15:40 - 01:15:41: - Wow, wow.
01:15:41 - 01:15:44: - So far we've had All Night Long Lionel Richie.
01:15:44 - 01:15:45: Then we had True by Spandau Ballet.
01:15:45 - 01:15:47: - Two classics.
01:15:47 - 01:15:48: - And number three, another classic.
01:15:48 - 01:15:51: And this is a duet just like Bad Bunny and Drake.
01:15:51 - 01:15:54: Kenny Rogers and Dolly Parton, Islands in the Stream.
01:15:54 - 01:15:55: - You're killing me here.
01:15:55 - 01:15:58: - Now people from my generation, is this true for you, Jake?
01:15:58 - 01:16:01: That before I knew Islands in the Stream, I knew.
01:16:01 - 01:16:02: - Yeah.
01:16:02 - 01:16:04: ♪ Get a superstar, that is what you are ♪
01:16:04 - 01:16:07: - Yeah, that's what I knew first too.
01:16:07 - 01:16:08: And that was like, when was that?
01:16:08 - 01:16:09: Like mid 90s?
01:16:09 - 01:16:10: - 98, late 90s.
01:16:10 - 01:16:11: - Yeah, okay, 98.
01:16:11 - 01:16:13: - From the Bulworth soundtrack.
01:16:13 - 01:16:13: - From the Bulworth soundtrack.
01:16:13 - 01:16:14: - Or 80s.
01:16:14 - 01:16:16: - So this song was only 15 years old at this point.
01:16:16 - 01:16:19: - Yeah, already forgotten in the 80s to 90s transition.
01:16:19 - 01:16:20: - It kinda was.
01:16:23 - 01:16:34: ♪ Baby when I met you there was peace on earth ♪
01:16:34 - 01:16:38: ♪ I set out to get you with a fine tooth comb ♪
01:16:38 - 01:16:39: ♪ I was holding tight ♪
01:16:39 - 01:16:41: - Fine tooth comb.
01:16:41 - 01:16:43: ♪ There was something going on ♪
01:16:43 - 01:16:45: - This song's written by the Bee Gees.
01:16:45 - 01:16:46: Barry Robin and Maurice Gibb.
01:16:46 - 01:16:47: - I was wondering about that,
01:16:47 - 01:16:50: 'cause it's on the pop country continuum.
01:16:50 - 01:16:52: It's definitely leading pop.
01:16:52 - 01:16:53: - Very much.
01:16:53 - 01:16:54: - Did they record it?
01:16:54 - 01:16:55: - Later they did.
01:16:55 - 01:16:56: - Wow.
01:16:56 - 01:16:57: - This is the original though.
01:16:57 - 01:17:00: ♪ Laying every beat of my heart ♪
01:17:00 - 01:17:03: ♪ We got something going on ♪
01:17:03 - 01:17:07: - I like that, that little funky guitar.
01:17:07 - 01:17:08: ♪ Tell me love is blind ♪
01:17:08 - 01:17:10: - Oh yeah, this part is so Bee Gees.
01:17:10 - 01:17:12: - Oh yeah, this is so Bee Gees.
01:17:12 - 01:17:16: ♪ All this love we feel needs no conversation ♪
01:17:16 - 01:17:21: ♪ We're all in this together ♪
01:17:21 - 01:17:25: ♪ Making love with each other ♪
01:17:25 - 01:17:28: ♪ Islands in the stream ♪
01:17:28 - 01:17:30: ♪ That is what we are ♪
01:17:30 - 01:17:32: ♪ Coming from afar ♪
01:17:32 - 01:17:35: - You're getting confused with the, yeah, get a superstar.
01:17:35 - 01:17:38: ♪ Every way we meet to another world ♪
01:17:38 - 01:17:39: - 'Cause this part's different.
01:17:39 - 01:17:44: ♪ And we rely on each other ♪
01:17:44 - 01:17:47: ♪ From one lover to another ♪
01:17:47 - 01:17:49: - God, there's so many parts to this song.
01:17:49 - 01:17:50: - Yeah.
01:17:50 - 01:17:53: - Classic Bee Gees, intricate writing.
01:17:53 - 01:17:55: Oh, another part here.
01:17:55 - 01:17:56: - Is that key change?
01:17:56 - 01:17:57: - Oh yeah.
01:17:57 - 01:17:59: Oh no, oh, it's the same part, it's just a key change.
01:17:59 - 01:18:03: ♪ God know what I needed walking tonight ♪
01:18:03 - 01:18:05: ♪ Slowly losing sight ♪
01:18:05 - 01:18:07: - They bumped it up so Donny could really shine up there.
01:18:07 - 01:18:09: - Yeah, Donny's, Donny.
01:18:09 - 01:18:10: - Donny.
01:18:10 - 01:18:11: - Donny's just killing it.
01:18:13 - 01:18:14: - I'm Donny Parton.
01:18:14 - 01:18:17: - Yeah, Tali's lesser known brother, Donny.
01:18:17 - 01:18:20: ♪ And we got no way out ♪
01:18:20 - 01:18:22: ♪ And the message is clear ♪
01:18:22 - 01:18:27: ♪ This could be the year for the real thing ♪
01:18:27 - 01:18:31: ♪ No more will you cry ♪
01:18:31 - 01:18:33: - What happened to Kenny Rogers Roasters?
01:18:33 - 01:18:34: - Out of business.
01:18:34 - 01:18:35: - So that wasn't made up.
01:18:35 - 01:18:38: - I remember dining there in 1995.
01:18:38 - 01:18:39: - Oh, was it good?
01:18:39 - 01:18:39: - No.
01:18:39 - 01:18:42: Pretty short-lived.
01:18:42 - 01:18:43: - Interesting.
01:18:43 - 01:18:47: ♪ Making love with each other ♪
01:18:47 - 01:18:50: ♪ Islands in the stream ♪
01:18:50 - 01:18:52: ♪ That is what we are ♪
01:18:52 - 01:18:55: ♪ Coming from me ♪
01:18:55 - 01:18:57: ♪ Love and bitter ♪
01:18:57 - 01:18:58: - I've always wondered about this song.
01:18:58 - 01:19:00: And I feel like I looked it up once
01:19:00 - 01:19:02: and I got no satisfaction.
01:19:02 - 01:19:04: What do they mean when they say islands in the stream?
01:19:04 - 01:19:06: What are the actual lyrics?
01:19:06 - 01:19:07: Islands in the stream.
01:19:07 - 01:19:08: - Mean like we're alone?
01:19:08 - 01:19:11: Like, I am a rock.
01:19:11 - 01:19:13: ♪ I am an island ♪
01:19:13 - 01:19:14: - Are they almost saying like,
01:19:14 - 01:19:17: is it kind of like two ships passing in the night?
01:19:17 - 01:19:18: - Apparently it was inspired by
01:19:18 - 01:19:21: Ernest Hemingway's novel of the same title.
01:19:21 - 01:19:22: - Wow.
01:19:22 - 01:19:23: - But here's the thing.
01:19:23 - 01:19:25: If you just told me there's a love song duet
01:19:25 - 01:19:27: or whatever called Islands in the Stream,
01:19:27 - 01:19:28: you said, what is it about?
01:19:28 - 01:19:30: My first guess would be like,
01:19:30 - 01:19:32: well, if you're two islands in a stream,
01:19:32 - 01:19:33: means you're not connected.
01:19:33 - 01:19:33: - Right.
01:19:33 - 01:19:36: - It means that maybe occasionally
01:19:36 - 01:19:38: you make love with each other,
01:19:38 - 01:19:39: you ride it together,
01:19:39 - 01:19:40: but at the end of the day,
01:19:40 - 01:19:42: you're two just separate islands.
01:19:42 - 01:19:43: But that's not really what the song is about
01:19:43 - 01:19:45: 'cause it's Islands in the Stream,
01:19:45 - 01:19:46: that is what we are.
01:19:46 - 01:19:47: No one in between.
01:19:47 - 01:19:50: There's always something between two islands, right?
01:19:50 - 01:19:52: That's kind of the definition.
01:19:52 - 01:19:53: There's some stream. - Water.
01:19:53 - 01:19:54: - There's a little stream.
01:19:54 - 01:19:55: - Yeah.
01:19:55 - 01:19:57: - Islands in the stream, that is what we are.
01:19:57 - 01:19:58: No one in between.
01:19:58 - 01:19:59: How can we be wrong?
01:19:59 - 01:20:01: I just told you how you could be wrong.
01:20:01 - 01:20:04: I think it was a weird thing to say.
01:20:04 - 01:20:06: Sail away with me to another world.
01:20:06 - 01:20:09: This is the epitome of crazy mixed metaphor.
01:20:09 - 01:20:11: I love it, but it's a crazy mix.
01:20:11 - 01:20:13: Islands can't sail away.
01:20:13 - 01:20:14: Guess they're not islands anymore.
01:20:14 - 01:20:16: Guess that metaphor is done.
01:20:16 - 01:20:18: Sail away with me to another world
01:20:18 - 01:20:19: and we rely on each other, aha.
01:20:19 - 01:20:21: From one lover to another, aha.
01:20:21 - 01:20:23: Okay, from one lover to another.
01:20:23 - 01:20:24: Is this thing that they're each other's
01:20:24 - 01:20:28: like long-term booty call?
01:20:28 - 01:20:29: - Wow.
01:20:29 - 01:20:31: I think that's too specific a read.
01:20:31 - 01:20:32: - But we rely on each other, aha.
01:20:32 - 01:20:35: From one lover, oh, are they're saying from me to you?
01:20:35 - 01:20:36: - Yeah.
01:20:36 - 01:20:37: - Okay, that does make sense.
01:20:37 - 01:20:40: I always thought of it as like a really weird song
01:20:40 - 01:20:42: that's kind of just like,
01:20:42 - 01:20:47: every few years I end up having sex with you.
01:20:47 - 01:20:49: - Passing through town and you were.
01:20:49 - 01:20:54: - Even though we're both married to two different people.
01:20:54 - 01:20:56: I almost imagined it was like people,
01:20:56 - 01:21:00: I'm picturing it's like Dolly Parton and Kenny Rogers.
01:21:00 - 01:21:00: You know, they've each gone through
01:21:00 - 01:21:03: like five marriages or some (beep)
01:21:03 - 01:21:07: but every time they see each other at the CMT Awards,
01:21:07 - 01:21:08: it's on.
01:21:08 - 01:21:09: - It's on.
01:21:09 - 01:21:10: (laughing)
01:21:10 - 01:21:12: - And it's just like this.
01:21:12 - 01:21:16: - Slips in like, subtly slips in the key.
01:21:16 - 01:21:16: - Right.
01:21:16 - 01:21:18: - The key card to her room at the Hilton.
01:21:18 - 01:21:20: - Tender love is blind.
01:21:20 - 01:21:21: It requires dedication.
01:21:21 - 01:21:24: All this love we feel needs no conversation.
01:21:24 - 01:21:25: That's like backstage at the CMT Awards.
01:21:25 - 01:21:27: They just lock eyes.
01:21:27 - 01:21:28: Not a word spoken.
01:21:28 - 01:21:31: - 1981, CMT Awards.
01:21:31 - 01:21:34: - 1981, it's their third decade.
01:21:34 - 01:21:35: - Oh my God.
01:21:35 - 01:21:36: - Of this shameful affair.
01:21:37 - 01:21:40: All this love we feel needs no conversation.
01:21:40 - 01:21:43: We ride it together, aha, making love with the tracks.
01:21:43 - 01:21:45: From one lover to another, aha.
01:21:45 - 01:21:48: I think it's almost like they were each other's
01:21:48 - 01:21:52: just like dirty, shameful affair.
01:21:52 - 01:21:53: And they're like reaching this point.
01:21:53 - 01:21:54: They're each on their fifth marriage
01:21:54 - 01:21:55: and they're just like,
01:21:55 - 01:21:57: we've been bouncing from one lover to another
01:21:57 - 01:21:59: but we always keep coming back to each other.
01:21:59 - 01:22:03: We got that kind of special CMT Awards backstage 1980 love
01:22:03 - 01:22:05: that requires no conversation.
01:22:05 - 01:22:08: And here we are, we ain't getting no younger.
01:22:08 - 01:22:10: Should we just cut this (beep) and get together?
01:22:10 - 01:22:13: Should we just run away together, sell away?
01:22:13 - 01:22:14: Maybe that's what this song is about.
01:22:14 - 01:22:16: - It's like Brokeback Mountain.
01:22:16 - 01:22:17: - Kind of.
01:22:17 - 01:22:18: - Hetero.
01:22:18 - 01:22:19: - Yeah.
01:22:19 - 01:22:20: - Hetero, broke back, it makes no sense but.
01:22:20 - 01:22:21: (laughing)
01:22:21 - 01:22:24: At the end of that movie, this is so tortured.
01:22:24 - 01:22:26: They're on year 20 of this affair
01:22:26 - 01:22:28: and it's just like so brutal.
01:22:28 - 01:22:30: - They wish that they could sell away together.
01:22:30 - 01:22:32: Get away from this (beep) charade.
01:22:32 - 01:22:33: Anyway, it's a great song
01:22:33 - 01:22:36: and the fact that it's kind of hard to interpret
01:22:36 - 01:22:39: only makes that much more fun to listen to and talk about.
01:22:39 - 01:22:42: The number three song in 2018,
01:22:42 - 01:22:44: Marshmello and Bastille, "Happier".
01:22:44 - 01:22:47: ♪ Lately I've been, I've been thinking ♪
01:22:47 - 01:22:50: ♪ I want you to be happier ♪
01:22:50 - 01:22:53: ♪ I want you to be happier ♪
01:22:53 - 01:22:54: - Did we catch these guys last time?
01:22:54 - 01:22:55: - Yes.
01:22:55 - 01:22:57: ♪ And we see what we've become ♪
01:22:57 - 01:22:59: ♪ In the cold light of day we're a flame in the wind ♪
01:22:59 - 01:23:02: ♪ Not the fire that we begun ♪
01:23:02 - 01:23:07: ♪ Every argument, every word we can't take back ♪
01:23:07 - 01:23:08: ♪ 'Cause with all that has happened ♪
01:23:08 - 01:23:10: ♪ I think that we both know the way that this all began ♪
01:23:10 - 01:23:13: - So this is the relationships become all (beep) up.
01:23:13 - 01:23:16: ♪ Then only for a minute ♪
01:23:16 - 01:23:18: ♪ I want to change my mind ♪
01:23:18 - 01:23:22: ♪ 'Cause this just don't feel right to me ♪
01:23:22 - 01:23:26: ♪ I wanna raise your spirits ♪
01:23:26 - 01:23:29: ♪ I want to see you smile ♪
01:23:29 - 01:23:34: ♪ Know that means I'll have to leave ♪
01:23:34 - 01:23:42: ♪ Know that means I'll have to leave ♪
01:23:42 - 01:23:44: - So this kinda has a similar theme.
01:23:44 - 01:23:46: I'll be honest, I don't enjoy the song quite as much,
01:23:46 - 01:23:48: but this actually has a similar theme
01:23:48 - 01:23:50: to one of the greatest songs ever,
01:23:50 - 01:23:53: which is written by Dolly Parton, "I Will Always Love You".
01:23:53 - 01:23:55: I'm sure we've talked about this on "Time Crisis" before,
01:23:55 - 01:23:58: but just such a unique message
01:23:58 - 01:24:01: that so many songs are about,
01:24:01 - 01:24:03: I love you and we're happy together.
01:24:03 - 01:24:05: Other songs are about breaking up
01:24:05 - 01:24:07: and I don't like you anymore, you did me dirty.
01:24:07 - 01:24:08: And this song sounds like happier,
01:24:08 - 01:24:10: is basically saying, I want you to be happier,
01:24:10 - 01:24:12: and the only way that's gonna happen is if I leave.
01:24:12 - 01:24:14: And that reminds me a lot of,
01:24:14 - 01:24:18: ♪ If I stay here with you ♪
01:24:18 - 01:24:19: I actually don't remember the lyrics.
01:24:19 - 01:24:20: - Pretty good Dolly there, dude.
01:24:20 - 01:24:21: - What are the lyrics?
01:24:21 - 01:24:22: - I don't know.
01:24:22 - 01:24:25: ♪ Bittersweet memories ♪
01:24:25 - 01:24:28: ♪ Oh, that's all I'll be taking ♪
01:24:28 - 01:24:30: ♪ With me ♪
01:24:30 - 01:24:31: - There's a really sad part of that song
01:24:31 - 01:24:36: when she's like, ♪ I would only get in your way ♪
01:24:36 - 01:24:41: Is that kind of what happens in "A Star is Born"?
01:24:41 - 01:24:43: There's probably a part where they're just like,
01:24:43 - 01:24:46: Allie, it's not good for your brand
01:24:46 - 01:24:48: to be married to Jackson Maine anymore.
01:24:48 - 01:24:53: - A cartoonishly evil and manipulative pop music manager.
01:24:53 - 01:24:57: If there's a weak link in the film, it's this--
01:24:57 - 01:24:58: - He's not that bad.
01:24:58 - 01:24:59: He's like a compla--
01:24:59 - 01:25:00: - Not really.
01:25:00 - 01:25:02: - He didn't seem like too much of a villain.
01:25:02 - 01:25:03: - Is it Paul Giamatti?
01:25:03 - 01:25:04: - I wish.
01:25:04 - 01:25:05: - It should have been.
01:25:05 - 01:25:06: - That would have been amazing.
01:25:06 - 01:25:06: - Allie, come on.
01:25:06 - 01:25:09: (laughing)
01:25:09 - 01:25:11: You gotta think about your career.
01:25:11 - 01:25:12: - That's a great Paul.
01:25:12 - 01:25:13: - Thank you.
01:25:13 - 01:25:15: - It'd be funny if in "A Star is Born,"
01:25:15 - 01:25:18: they just have, what's his name, Jerry?
01:25:18 - 01:25:20: Jerry from the NWA movie?
01:25:20 - 01:25:21: - Jerry Heller.
01:25:21 - 01:25:22: - Jerry Heller.
01:25:22 - 01:25:24: They just like, playing with fact and fiction,
01:25:24 - 01:25:25: it's just Jerry Heller like,
01:25:25 - 01:25:27: "Allie, listen, I went through the same thing
01:25:27 - 01:25:29: "with Eazy-E and Ice Cube.
01:25:29 - 01:25:31: "These guys aren't your friends, you gotta trust me.
01:25:31 - 01:25:32: "Allie, do you trust me?
01:25:32 - 01:25:34: "Jackson is not your friend.
01:25:34 - 01:25:35: "I wonder when Eazy-E died,
01:25:35 - 01:25:38: "I lost one of the best friends of my life,
01:25:38 - 01:25:39: "and I promised myself I would look out
01:25:39 - 01:25:41: "for the next artist that I worked with."
01:25:41 - 01:25:44: - "A Star is Born" is part of the NWACU?
01:25:44 - 01:25:45: - Yeah.
01:25:45 - 01:25:46: - Jerry's--
01:25:46 - 01:25:49: - Yeah, straight out of "Compton 2," "A Star is Born."
01:25:49 - 01:25:52: Every movie is Jerry Heller,
01:25:52 - 01:25:56: just kinda getting in between other group dynamics.
01:25:56 - 01:25:59: (gentle music)
01:25:59 - 01:26:02: This is the best song I've ever written
01:26:02 - 01:26:06: about kind of breakup, 'cause it's just such a unique tone.
01:26:06 - 01:26:09: She knows she just can't stay.
01:26:09 - 01:26:14: ♪ If I should stay ♪
01:26:14 - 01:26:20: ♪ I would only be in your way ♪
01:26:21 - 01:26:26: ♪ So I'll go ♪
01:26:26 - 01:26:26: ♪ But I will always love you ♪
01:26:26 - 01:26:28: - There's quite a few country songs--
01:26:28 - 01:26:29: - With the same thing.
01:26:29 - 01:26:30: - On this lyrical tip.
01:26:30 - 01:26:35: ♪ I will love you each step of the way ♪
01:26:35 - 01:26:42: ♪ And I will always love you ♪
01:26:47 - 01:26:50: ♪ I will always love you ♪
01:26:50 - 01:26:55: - This is almost like the first time
01:26:55 - 01:26:59: she and Kenny Rogers broke up to go back to their spouses.
01:26:59 - 01:27:01: - CMT awards '74.
01:27:01 - 01:27:02: - '74.
01:27:02 - 01:27:04: Kenny, we can't keep doing this.
01:27:04 - 01:27:11: ♪ That's all I am taking with me ♪
01:27:13 - 01:27:18: ♪ Goodbye, please don't cry ♪
01:27:18 - 01:27:20: - Don't cry, Kenny.
01:27:20 - 01:27:25: ♪ We both know that I'm not what you need ♪
01:27:25 - 01:27:31: ♪ I will always love you ♪
01:27:31 - 01:27:38: ♪ I will always love you ♪
01:27:38 - 01:27:40: - This is a great version.
01:27:40 - 01:27:41: This is the original version.
01:27:41 - 01:27:43: - Yeah, I don't think I'm that familiar with it.
01:27:43 - 01:27:44: - Oh, really?
01:27:44 - 01:27:44: Well, you know the Whitney Houston, of course.
01:27:44 - 01:27:46: - Of course.
01:27:46 - 01:27:47: - I'm pretty sure this is the original.
01:27:47 - 01:27:48: - It sounds like it.
01:27:48 - 01:27:50: It sounds like it's from the '70s.
01:27:50 - 01:27:51: I mean, let's face it.
01:27:51 - 01:27:54: ♪ Very tasteful palette ♪
01:27:54 - 01:27:56: - Yeah, I mean, then this was the '90s.
01:27:56 - 01:27:57: Forget about it.
01:27:57 - 01:27:59: ♪ If I should stay ♪
01:27:59 - 01:28:05: - This is a tasteful version, too.
01:28:05 - 01:28:06: - Yeah.
01:28:06 - 01:28:07: Even slower.
01:28:07 - 01:28:11: ♪ I'll only be in your way ♪
01:28:11 - 01:28:14: ♪ Your way ♪
01:28:14 - 01:28:16: - What are the connections between
01:28:16 - 01:28:18: the bodyguard and A Star is Born?
01:28:18 - 01:28:20: They're kind of similar in a way.
01:28:20 - 01:28:22: - You know, they were seeing the bodyguard,
01:28:22 - 01:28:23: but Hannah brought this up.
01:28:23 - 01:28:24: - Oh, really?
01:28:24 - 01:28:25: So it's a thing.
01:28:25 - 01:28:26: - Yeah.
01:28:26 - 01:28:27: - People in the streets are talking about this.
01:28:27 - 01:28:29: I was thinking it'd be Bradley Cooper's like,
01:28:29 - 01:28:31: and for my directorial debut,
01:28:31 - 01:28:34: I'm remaking the bodyguard with me and Lady Gaga.
01:28:34 - 01:28:35: - Oh my God.
01:28:35 - 01:28:36: - And then everybody's like, that's gonna,
01:28:36 - 01:28:37: it'd be the same thing.
01:28:37 - 01:28:38: Everybody's like, that's gonna suck.
01:28:38 - 01:28:41: And then they're like, it's the best movie of the year.
01:28:41 - 01:28:42: - Very powerful.
01:28:42 - 01:28:45: - Bradley Cooper's The Bodyguard.
01:28:45 - 01:28:48: Or how sick would it be if that's his next movie?
01:28:48 - 01:28:52: - Oh, that would be if he just did remakes of like,
01:28:52 - 01:28:53: (laughing)
01:28:53 - 01:28:55: - Music movies? - Romantic dramas?
01:28:55 - 01:28:57: - Romantic music dramas.
01:28:57 - 01:29:00: - That's a short list, sort of, but.
01:29:00 - 01:29:03: - Bradley Cooper and Rihanna.
01:29:03 - 01:29:06: Star in Bradley Cooper's The Bodyguard.
01:29:06 - 01:29:08: - That would rule.
01:29:08 - 01:29:10: - Bradley Cooper and Rihanna in The Bodyguard
01:29:10 - 01:29:11: is pretty tight.
01:29:11 - 01:29:14: (soft music)
01:29:14 - 01:29:23: - Rihanna just murdering this song.
01:29:23 - 01:29:27: ♪ With me ♪
01:29:27 - 01:29:30: ♪ So goodbye ♪
01:29:30 - 01:29:34: ♪ Please don't cry ♪
01:29:34 - 01:29:39: ♪ We both know I'm not what you, you need ♪
01:29:39 - 01:29:47: ♪ And I ♪
01:29:47 - 01:29:50: ♪ Will always love you ♪
01:29:53 - 01:29:54: - Imagine if Bradley Cooper just remade
01:29:54 - 01:29:57: like four Kevin Costner films in a row.
01:29:57 - 01:30:00: Just like remade the, like, Feel the Dreams.
01:30:00 - 01:30:02: - That'd be very 2018.
01:30:02 - 01:30:03: - What's your relationship with Kevin?
01:30:03 - 01:30:04: - Never met him.
01:30:04 - 01:30:08: - But why do you choose to remake
01:30:08 - 01:30:09: so many of his movies?
01:30:09 - 01:30:10: Coincidence.
01:30:10 - 01:30:14: I choose the movies first, I look at who was in it later.
01:30:14 - 01:30:16: Let's see, back to '83.
01:30:16 - 01:30:18: The number two song, Air Supply,
01:30:18 - 01:30:19: Making Love Out of Nothing at All.
01:30:19 - 01:30:21: Okay, we maybe finally hit a dud.
01:30:21 - 01:30:23: (soft music)
01:30:23 - 01:30:25: We had quite a run though.
01:30:25 - 01:30:26: Lionel Richie, Spandau, Kenny.
01:30:26 - 01:30:30: - I'm listening with open heart here though,
01:30:30 - 01:30:33: because I love my Air Supply power ballads,
01:30:33 - 01:30:35: and this sounds like one.
01:30:35 - 01:30:36: - Oh, this song's written by Jim Steinman,
01:30:36 - 01:30:37: who I love.
01:30:37 - 01:30:38: - Who's that?
01:30:38 - 01:30:39: - He wrote all the great Meatloaf songs,
01:30:39 - 01:30:42: and he wrote some real heat for Celine Dion.
01:30:42 - 01:30:44: ♪ I know just how to whisper ♪
01:30:44 - 01:30:48: ♪ And I know just how to cry ♪
01:30:48 - 01:30:52: ♪ And I know just where to find the answers ♪
01:30:52 - 01:30:53: ♪ And I know just how to ♪
01:30:53 - 01:30:55: - Ooh, some of the E Street Band playing on this,
01:30:55 - 01:30:57: Max Weinberg and Roy Bitton.
01:30:57 - 01:30:59: ♪ And I know just how to fake it ♪
01:30:59 - 01:31:02: ♪ And I know just how to scheme ♪
01:31:02 - 01:31:03: - Oh, what am I talking about?
01:31:03 - 01:31:05: Jim Steinman wrote one of the best songs of all time,
01:31:05 - 01:31:06: Total Eclipse of the Heart.
01:31:06 - 01:31:07: - Oh wow, okay.
01:31:07 - 01:31:10: - He's like the king of spooky power ballads.
01:31:10 - 01:31:11: - Right.
01:31:11 - 01:31:13: ♪ And I know just where to touch you ♪
01:31:13 - 01:31:16: ♪ And I know just what to prove ♪
01:31:16 - 01:31:17: - Prove?
01:31:17 - 01:31:20: ♪ And I know when to pull you closer ♪
01:31:20 - 01:31:24: ♪ And I know when to let you lose ♪
01:31:24 - 01:31:27: ♪ And I know the night is fading ♪
01:31:27 - 01:31:31: ♪ And I know the time's gonna fly ♪
01:31:31 - 01:31:33: ♪ And I'm never gonna tell you everything ♪
01:31:33 - 01:31:38: ♪ I gotta tell you but I know I gotta give it a try ♪
01:31:38 - 01:31:41: ♪ And I know the roads to riches ♪
01:31:41 - 01:31:44: ♪ And I know the ways to make it ♪
01:31:44 - 01:31:45: - You're like a Roy Orbison song
01:31:45 - 01:31:46: where he just keeps going higher and higher.
01:31:46 - 01:31:47: - Exactly.
01:31:47 - 01:31:48: ♪ And I know ♪
01:31:48 - 01:31:50: - More like Unchained Melody.
01:31:50 - 01:31:51: - Yep.
01:31:51 - 01:31:51: - Righteous Brothers.
01:31:51 - 01:31:55: ♪ But I don't know how to leave you ♪
01:31:55 - 01:31:55: - Ooh.
01:31:55 - 01:32:00: ♪ And I'll never let you fall ♪
01:32:00 - 01:32:04: ♪ And I don't know how you do it ♪
01:32:04 - 01:32:07: ♪ Make it come out of nothing at all ♪
01:32:07 - 01:32:11: - They never hit that huge chorus on this one though.
01:32:11 - 01:32:12: - I would say that this--
01:32:12 - 01:32:13: - It's missing a chorus.
01:32:13 - 01:32:17: - Yeah, to me this is like a B-minus version.
01:32:17 - 01:32:18: - I mean--
01:32:18 - 01:32:19: - Of Total Eclipse of the Heart.
01:32:19 - 01:32:20: Same writer, no disrespect.
01:32:20 - 01:32:22: - Did Jim Simon write,
01:32:22 - 01:32:24: ♪ I'm all out of love ♪
01:32:24 - 01:32:26: ♪ I'm so lost without you ♪
01:32:26 - 01:32:28: That huge air supply hit?
01:32:28 - 01:32:30: - Well, actually maybe.
01:32:30 - 01:32:31: - Worth looking into.
01:32:31 - 01:32:35: Oh, this is huge.
01:32:35 - 01:32:36: - It's so similar.
01:32:36 - 01:32:37: I think it's also the same dude
01:32:37 - 01:32:40: from Bruce Springsteen playing on this.
01:32:40 - 01:32:41: - Roy Baton?
01:32:42 - 01:32:45: - I said bitten, maybe it's Baton.
01:32:45 - 01:32:49: ♪ Every now and then I get a little bit tired ♪
01:32:49 - 01:32:53: ♪ Of listening to the sound of my tears ♪
01:32:53 - 01:32:56: ♪ Every now and then I get a little bit nervous ♪
01:32:56 - 01:32:59: ♪ That the best of all the years have gone by ♪
01:32:59 - 01:33:01: - No, he didn't write All Out of Love.
01:33:01 - 01:33:03: - Yeah, this song has like so many parts.
01:33:03 - 01:33:05: - And they're all just like perfect.
01:33:05 - 01:33:05: - Oh, this part.
01:33:05 - 01:33:08: ♪ Look in your eyes ♪
01:33:08 - 01:33:10: ♪ Bright eyes ♪
01:33:10 - 01:33:12: ♪ Every now and then I fall apart ♪
01:33:12 - 01:33:13: - How's it gonna get any better
01:33:13 - 01:33:15: than Turn Around Bright Eyes?
01:33:15 - 01:33:17: Like that would be the chorus of most songs.
01:33:17 - 01:33:21: - I wonder if this is the namesake of the band, Bright Eyes.
01:33:21 - 01:33:22: - Probably.
01:33:22 - 01:33:25: Oh, there's also a Art Garfunkel song called Bright Eyes.
01:33:25 - 01:33:30: ♪ Every now and then I get a little bit helpless ♪
01:33:30 - 01:33:31: ♪ And I'm lying like a child ♪
01:33:31 - 01:33:32: - Who did this version?
01:33:32 - 01:33:33: Who is this?
01:33:33 - 01:33:35: - Her name's Bonnie Tyler.
01:33:35 - 01:33:35: - Okay.
01:33:35 - 01:33:37: ♪ Every now and then I get a little bit angry ♪
01:33:37 - 01:33:39: ♪ And I know I've got to get out of my head ♪
01:33:39 - 01:33:41: - I like her voice, kinda has some rasp.
01:33:41 - 01:33:42: - Oh yeah.
01:33:42 - 01:33:45: ♪ Every now and then I get a little bit terrified ♪
01:33:45 - 01:33:47: ♪ But then I see the look in your eyes ♪
01:33:47 - 01:33:51: ♪ Turn around bright eyes ♪
01:33:51 - 01:33:53: ♪ Every now and then I fall apart ♪
01:33:53 - 01:33:55: - Jesus, this song is seven minutes long.
01:33:55 - 01:33:59: ♪ Every now and then I fall apart ♪
01:33:59 - 01:34:03: ♪ And I need you now ♪
01:34:03 - 01:34:06: - Like this is kinda the most emotional part of the song.
01:34:06 - 01:34:08: We're almost at two minutes
01:34:08 - 01:34:11: and we haven't even gotten the title of the song yet.
01:34:11 - 01:34:14: ♪ We'll be holding on forever ♪
01:34:14 - 01:34:16: ♪ And we'll only be made easier ♪
01:34:16 - 01:34:17: - This is what's crazy.
01:34:17 - 01:34:18: - Expert craftsmanship here.
01:34:18 - 01:34:20: - It's like this feels like the biggest part.
01:34:20 - 01:34:23: ♪ Together we can take it to the end of the line ♪
01:34:23 - 01:34:27: ♪ Love is like a shadow on me all of the time ♪
01:34:27 - 01:34:29: ♪ All of the time ♪
01:34:29 - 01:34:32: ♪ I don't know what to do when I'm always in the dark ♪
01:34:32 - 01:34:35: ♪ We're living in a power that can't get enough ♪
01:34:35 - 01:34:39: ♪ Oh, I really need you tonight ♪
01:34:39 - 01:34:43: ♪ Forever's gonna start tonight ♪
01:34:43 - 01:34:45: ♪ Forever's gonna start tonight ♪
01:34:45 - 01:34:47: - Like a lesser songwriter would have just called the song
01:34:47 - 01:34:49: like "Forever's Gonna Start Tonight"
01:34:49 - 01:34:51: and then you get this part, holy (beep)
01:34:51 - 01:34:52: come on. - Yeah.
01:34:52 - 01:34:56: ♪ There's nothing I can do ♪
01:34:56 - 01:35:00: ♪ A total eclipse of the heart ♪
01:35:00 - 01:35:02: - I wonder how long he worked on this song for
01:35:02 - 01:35:03: if this was like a real--
01:35:03 - 01:35:05: - Like if you wrote the parts separately and kind of--
01:35:05 - 01:35:07: - Yeah, if he like,
01:35:07 - 01:35:09: if it was a real like flush of inspiration
01:35:09 - 01:35:10: where he had these like,
01:35:10 - 01:35:12: actually I have this other part from three years ago
01:35:12 - 01:35:13: that's been sitting around.
01:35:13 - 01:35:15: I didn't, I mean, he's kind of like cobbled together
01:35:15 - 01:35:16: and just got lucky.
01:35:16 - 01:35:22: Wow. - Three minutes deep.
01:35:22 - 01:35:24: - Only bummer about this song is like,
01:35:24 - 01:35:27: it's like your staple of like 2 a.m. drunk karaoke.
01:35:27 - 01:35:30: - Right. - A little rough.
01:35:30 - 01:35:32: - That kind of takes the gleam off the rose.
01:35:32 - 01:35:34: I'm just like fully disregarding the top five today.
01:35:34 - 01:35:35: - No shots fired at the song,
01:35:35 - 01:35:38: it's just sort of, it took on that association.
01:35:38 - 01:35:41: - Office party, 2 a.m.
01:35:41 - 01:35:42: - Right.
01:35:42 - 01:35:45: ♪ Turn around bright eyes ♪
01:35:45 - 01:35:48: - Another great Jim Steinman song.
01:35:48 - 01:35:49: You know, it's also,
01:35:49 - 01:35:51: his best songs like in like the Meatloaf one,
01:35:51 - 01:35:52: I mean, he wrote,
01:35:52 - 01:35:56: ♪ I would do anything for love ♪
01:35:56 - 01:35:57: - One thing I noticed is like,
01:35:57 - 01:35:58: especially 'cause it's interesting
01:35:58 - 01:35:59: 'cause he wasn't the artist
01:35:59 - 01:36:01: but his songs had such a specific style
01:36:01 - 01:36:04: that you watch the videos for all these different songs
01:36:04 - 01:36:05: that he wrote for different artists,
01:36:05 - 01:36:08: they always take place in like abandoned castles
01:36:08 - 01:36:10: with like candles everywhere.
01:36:10 - 01:36:11: It's just like the sound,
01:36:11 - 01:36:13: so that Meatloaf video,
01:36:13 - 01:36:14: the total eclipse of the heart takes place
01:36:14 - 01:36:16: in this like crazy English boarding school.
01:36:16 - 01:36:18: There's like a lot of candles. - Really?
01:36:18 - 01:36:20: - And then there's this one from the 90s,
01:36:20 - 01:36:22: very similar vibe that he wrote for Celine Dion.
01:36:22 - 01:36:26: So dramatic.
01:36:26 - 01:36:28: - I don't know if I know this one.
01:36:28 - 01:36:29: - I love this song.
01:36:29 - 01:36:32: - Oh.
01:36:32 - 01:36:33: ♪ If I can ♪
01:36:33 - 01:36:35: - Yeah, yeah.
01:36:35 - 01:36:36: ♪ If I touch you like this ♪
01:36:36 - 01:36:38: - Was this in a movie?
01:36:38 - 01:36:40: - Could have been.
01:36:40 - 01:36:43: - Did he write that Titanic song for Celine?
01:36:43 - 01:36:44: - No.
01:36:44 - 01:36:46: (gentle music)
01:36:46 - 01:36:52: Wind sound effects in the track.
01:36:52 - 01:36:53: - This is so deep.
01:36:53 - 01:36:59: Nice patient intro here.
01:36:59 - 01:37:01: Good 90 seconds in before vocals come in.
01:37:01 - 01:37:04: (gentle music)
01:37:04 - 01:37:10: - She's so dramatic.
01:37:10 - 01:37:12: ♪ There were nights when the wind ♪
01:37:12 - 01:37:13: - Wow.
01:37:13 - 01:37:14: - It's coming in at you.
01:37:14 - 01:37:16: - Yeah, she's coming out of the gates hot.
01:37:16 - 01:37:18: - Oh, then she takes it down.
01:37:18 - 01:37:19: - Then she takes it.
01:37:19 - 01:37:24: ♪ I just listen to it right outside the window ♪
01:37:26 - 01:37:31: ♪ There were days when the sun was so blue ♪
01:37:31 - 01:37:33: - Yeah, this is a good one.
01:37:33 - 01:37:36: - This was originally written for Meat Loaf
01:37:36 - 01:37:38: and there was a lawsuit over it
01:37:38 - 01:37:40: where Steinman blocked Meat Loaf from recording it
01:37:40 - 01:37:43: because it was a girl song.
01:37:43 - 01:37:44: - Oh.
01:37:44 - 01:37:45: - It's also a cover.
01:37:45 - 01:37:47: - Oh, he wrote it originally for a different group, right.
01:37:47 - 01:37:48: - Pandora's Box.
01:37:48 - 01:37:53: ♪ I can't remember where I went or how ♪
01:37:53 - 01:37:58: ♪ I banished every memory you and I had ever made ♪
01:37:58 - 01:38:08: ♪ When you touch me like this ♪
01:38:08 - 01:38:11: ♪ And you hold me like that ♪
01:38:11 - 01:38:12: ♪ I just have to admit ♪
01:38:12 - 01:38:13: - Wait, what was the song that we
01:38:13 - 01:38:15: clicked on in the top five?
01:38:15 - 01:38:17: - Air Supply, "Making Love Out of Nothing At All."
01:38:17 - 01:38:19: - Wasn't there a lyric in there too about like,
01:38:19 - 01:38:21: ♪ And I touch you like that ♪
01:38:21 - 01:38:23: - Yeah, very similar.
01:38:23 - 01:38:25: - Someone touching someone like that.
01:38:25 - 01:38:26: - Like that.
01:38:26 - 01:38:29: ♪ It's all coming back to me ♪
01:38:29 - 01:38:32: ♪ It's all coming back, it's all coming back to me ♪
01:38:32 - 01:38:35: - Jesus, this song is seven minutes, 39 seconds.
01:38:35 - 01:38:37: - He's kind of like a soft rock, like, prog artist.
01:38:37 - 01:38:38: - Oh yeah, totally.
01:38:38 - 01:38:40: - It's just like, every song is like eight parts.
01:38:40 - 01:38:41: All these crazy key changes.
01:38:41 - 01:38:42: ♪ I'd never do again ♪
01:38:42 - 01:38:45: ♪ But then they'd always seem right ♪
01:38:45 - 01:38:48: ♪ They were nights of endless pleasure ♪
01:38:48 - 01:38:49: - He's losing me here.
01:38:49 - 01:38:53: ♪ He was more than any loss in love ♪
01:38:54 - 01:38:58: ♪ Baby, baby, I'm back to you like this ♪
01:38:58 - 01:39:00: - Oh yeah, that's classic.
01:39:00 - 01:39:03: ♪ And if you whisper like that ♪
01:39:03 - 01:39:03: ♪ It was not for long ♪
01:39:03 - 01:39:05: - Is this like maracas?
01:39:05 - 01:39:07: - Yeah, it's like clavinets.
01:39:07 - 01:39:08: - Right.
01:39:08 - 01:39:10: - Or no, what am I saying?
01:39:10 - 01:39:13: - I think you got it.
01:39:13 - 01:39:15: Like those Spanish wood blocks?
01:39:15 - 01:39:16: - No, clavinets are keyboard,
01:39:16 - 01:39:17: I don't know what I'm talking about.
01:39:17 - 01:39:18: - Oh, block and spiel?
01:39:18 - 01:39:21: - No, no, like the Spanish thing.
01:39:21 - 01:39:24: ♪ And it's all coming back to me ♪
01:39:24 - 01:39:26: ♪ I can barely recall ♪
01:39:26 - 01:39:31: ♪ But it's all coming back to me now ♪
01:39:31 - 01:39:37: - The number two song back in 2018,
01:39:37 - 01:39:38: another "Star is Born" song.
01:39:38 - 01:39:41: Okay, Lady Gaga, "Always Remember Us This Way."
01:39:41 - 01:39:41: Is this a good one?
01:39:41 - 01:39:42: - I don't remember.
01:39:42 - 01:39:46: ♪ There there is summer sky ♪
01:39:46 - 01:39:46: - Another ballad.
01:39:46 - 01:39:50: ♪ Burning in your eyes ♪
01:39:50 - 01:39:52: ♪ You look at me ♪
01:39:52 - 01:39:56: ♪ And babe I wanna catch on fire ♪
01:39:56 - 01:39:59: - I think this is when her career is starting to take off.
01:39:59 - 01:40:00: Right, Seinfeld?
01:40:00 - 01:40:01: Does that make sense?
01:40:01 - 01:40:01: - Yeah.
01:40:01 - 01:40:04: I'm surprised they didn't do like a Chris Gaines thing
01:40:04 - 01:40:08: where Lady Gaga did a full album in character.
01:40:08 - 01:40:09: - This is the album.
01:40:09 - 01:40:11: - In reality, not in the--
01:40:11 - 01:40:12: - Yeah.
01:40:12 - 01:40:12: Like they put it in like--
01:40:12 - 01:40:13: - "Star is Born."
01:40:13 - 01:40:14: - Yeah.
01:40:14 - 01:40:15: ♪ So I'm a little choked up ♪
01:40:15 - 01:40:20: ♪ But I'll get by the words ♪
01:40:20 - 01:40:25: ♪ Every time we say goodbye baby it hurts ♪
01:40:25 - 01:40:29: ♪ When the sun goes down ♪
01:40:29 - 01:40:31: - Oh yeah, this part.
01:40:31 - 01:40:34: ♪ And the band won't play ♪
01:40:34 - 01:40:39: ♪ I'll always remember us this way ♪
01:40:39 - 01:40:43: ♪ Lovers in the night ♪
01:40:43 - 01:40:45: - Holy (beep)
01:40:45 - 01:40:46: Oh my God.
01:40:46 - 01:40:47: Number one?
01:40:47 - 01:40:48: You're not gonna believe this.
01:40:48 - 01:40:49: Air supply?
01:40:49 - 01:40:52: I started looking ahead to number one.
01:40:52 - 01:40:54: The number one song this week.
01:40:54 - 01:40:55: - Give me a hint.
01:40:55 - 01:40:56: - In 1983.
01:40:56 - 01:40:56: - Big hit?
01:40:56 - 01:40:57: - Oh yeah.
01:40:57 - 01:40:58: - Thriller?
01:40:58 - 01:40:59: - I mean, this is crazy.
01:40:59 - 01:41:00: I swear I didn't see this before.
01:41:00 - 01:41:01: - MJ?
01:41:01 - 01:41:02: - Listen to what it is.
01:41:02 - 01:41:04: (soft music)
01:41:04 - 01:41:05: - What?
01:41:05 - 01:41:06: - Total Eclipse of the Heart.
01:41:06 - 01:41:07: - No way!
01:41:07 - 01:41:08: - Yo!
01:41:08 - 01:41:09: - Simon.
01:41:09 - 01:41:10: - Whoa.
01:41:10 - 01:41:10: - Killing it.
01:41:10 - 01:41:12: - Simon had the number one and number two song.
01:41:12 - 01:41:14: Okay, this is a hell of a top five.
01:41:14 - 01:41:15: - Okay.
01:41:15 - 01:41:16: - This is one for the books.
01:41:16 - 01:41:17: (soft music)
01:41:17 - 01:41:18: We're just gonna listen again.
01:41:18 - 01:41:21: (soft music)
01:41:21 - 01:41:22: - That's the best.
01:41:22 - 01:41:24: (soft music)
01:41:24 - 01:41:27: ♪ Turn around ♪
01:41:27 - 01:41:29: (soft music)
01:41:29 - 01:41:31: - Wonder what Bonnie Tyler's story was.
01:41:31 - 01:41:32: Was she in some like,
01:41:32 - 01:41:34: kind of like heart style,
01:41:34 - 01:41:36: like seventies rock band?
01:41:36 - 01:41:40: Her voice is like a lot of character to it.
01:41:40 - 01:41:41: - She's a Welsh singer.
01:41:41 - 01:41:42: - Didn't expect that.
01:41:42 - 01:41:45: (soft music)
01:41:47 - 01:41:50: ♪ Turn around ♪
01:41:50 - 01:41:52: (soft music)
01:41:52 - 01:41:57: - Made her first professional recording appearance
01:41:57 - 01:41:59: on a Fairport convention album.
01:41:59 - 01:42:00: When you gonna see that?
01:42:00 - 01:42:01: - Let's see.
01:42:01 - 01:42:02: She was spotted in 1975,
01:42:02 - 01:42:06: singing with her band in the Townsman Club in Swansea.
01:42:06 - 01:42:07: - Wow.
01:42:07 - 01:42:08: - She was invited to come to London,
01:42:08 - 01:42:10: record a demo track.
01:42:10 - 01:42:12: Her real name is Gaynor Hopkins.
01:42:12 - 01:42:13: - Hmm.
01:42:13 - 01:42:16: - And her Star is Born style manager said,
01:42:16 - 01:42:18: you gotta change that damn name.
01:42:18 - 01:42:20: - I got it, Bonnie Tyler.
01:42:20 - 01:42:23: - She just looked through a bunch of names
01:42:23 - 01:42:25: in a newspaper, first and last names
01:42:25 - 01:42:26: and came up with Bonnie Tyler.
01:42:26 - 01:42:28: ♪ And I'll take a look in your eyes ♪
01:42:28 - 01:42:31: ♪ Right eye, right eye ♪
01:42:31 - 01:42:33: ♪ Every now and then I fall apart ♪
01:42:33 - 01:42:37: ♪ Right eye, right eye ♪
01:42:37 - 01:42:40: ♪ Every now and then I fall apart ♪
01:42:40 - 01:42:44: ♪ And I need you now tonight ♪
01:42:44 - 01:42:47: ♪ And I need you more than ever ♪
01:42:47 - 01:42:51: ♪ And if you only hold me tight ♪
01:42:51 - 01:42:54: ♪ We'll be holding on forever ♪
01:42:54 - 01:42:58: ♪ And we'll only be making it right ♪
01:42:58 - 01:43:00: ♪ 'Cause we'll never be wrong ♪
01:43:00 - 01:43:02: - This is a good direction for Lady Gaga.
01:43:02 - 01:43:03: She started dropping like a seven minute
01:43:03 - 01:43:05: Jim Steinman style.
01:43:05 - 01:43:07: - She's just gotta get the songs.
01:43:07 - 01:43:09: - They don't write them like this anymore.
01:43:09 - 01:43:11: - Who's gonna write that?
01:43:11 - 01:43:12: You are, dude.
01:43:12 - 01:43:14: - Who could write, let's see, what?
01:43:14 - 01:43:16: It's like a fun thought experiment.
01:43:16 - 01:43:19: - Kevin Parker from Tame Impala.
01:43:19 - 01:43:20: - Right.
01:43:20 - 01:43:21: - I don't know.
01:43:21 - 01:43:22: - Or like maybe, I don't know anything about this band,
01:43:22 - 01:43:26: but that band Fun, they had that one hit
01:43:26 - 01:43:28: with that really crazy chorus.
01:43:28 - 01:43:29: - That in a way.
01:43:29 - 01:43:32: - That is like, like that's a similar kind of mode.
01:43:32 - 01:43:33: - Although that band broke up.
01:43:33 - 01:43:34: - Right, but if that--
01:43:34 - 01:43:35: - Jack Antonoff though.
01:43:35 - 01:43:37: - Did he write that?
01:43:37 - 01:43:38: Or was it the other guy?
01:43:38 - 01:43:41: - I'm sure they're all credited as writing it together.
01:43:41 - 01:43:42: We don't know.
01:43:42 - 01:43:43: - He came up with that vocal melody.
01:43:43 - 01:43:46: Should start writing songs for Gaga.
01:43:46 - 01:43:47: - I'm guessing that was the singer,
01:43:47 - 01:43:48: but I don't really know.
01:43:48 - 01:43:49: - Yeah.
01:43:49 - 01:43:50: - Nate.
01:43:50 - 01:43:53: ♪ And now there's only love in the dark ♪
01:43:53 - 01:43:55: ♪ Nothing I can say ♪
01:43:55 - 01:43:59: ♪ Totally clips of the heart ♪
01:43:59 - 01:44:04: - Maybe Fun's gotta reunite
01:44:04 - 01:44:07: to actually make the total clips of the heart
01:44:07 - 01:44:09: for the modern day.
01:44:09 - 01:44:12: (rock music)
01:44:12 - 01:44:14: - More bomb sound effects.
01:44:14 - 01:44:26: - I wonder if the dude from the Shins,
01:44:26 - 01:44:29: if he sat down with the assignment
01:44:29 - 01:44:33: to write a song like this, if he could do it.
01:44:33 - 01:44:34: - I think very few people on earth could, man.
01:44:34 - 01:44:36: - Yeah, no, it's rarefied air.
01:44:36 - 01:44:37: I'm just thinking of people that--
01:44:37 - 01:44:38: - If they could, they would.
01:44:38 - 01:44:39: - Well.
01:44:39 - 01:44:43: ♪ Turn around ♪
01:44:43 - 01:44:45: ♪ Turn around ♪
01:44:45 - 01:44:48: ♪ Bright eyes ♪
01:44:48 - 01:44:50: ♪ Turn around ♪
01:44:50 - 01:44:53: ♪ Every now and then I know you'll never be the boy ♪
01:44:53 - 01:44:55: ♪ You always wanted to be ♪
01:44:55 - 01:44:57: ♪ Turn around ♪
01:44:57 - 01:45:01: ♪ Every now and then I know you'll always be the only boy ♪
01:45:01 - 01:45:03: ♪ Who wanted me the way that I have ♪
01:45:03 - 01:45:04: ♪ Turn around ♪
01:45:04 - 01:45:08: ♪ Every now and then I know there's no one in the universe ♪
01:45:08 - 01:45:10: ♪ As magical as one to be ♪
01:45:10 - 01:45:11: - No one in the universe.
01:45:11 - 01:45:12: - Wow.
01:45:12 - 01:45:15: ♪ Every now and then I know there's nothing any better ♪
01:45:15 - 01:45:17: ♪ Than nothing that I just wouldn't do ♪
01:45:17 - 01:45:19: ♪ Turn around ♪
01:45:19 - 01:45:20: ♪ Bright eyes ♪
01:45:20 - 01:45:23: ♪ Every now and then I fall apart ♪
01:45:23 - 01:45:24: - Oh, yeah. - Wow.
01:45:24 - 01:45:25: - Killing it.
01:45:25 - 01:45:26: ♪ Turn around ♪
01:45:26 - 01:45:29: ♪ Every now and then I'm so the boy ♪
01:45:29 - 01:45:32: ♪ And I need you now tonight ♪
01:45:32 - 01:45:33: - Awkward long fell.
01:45:33 - 01:45:36: ♪ And I need you more than ever ♪
01:45:36 - 01:45:39: ♪ And if you hold me, hold me tight ♪
01:45:39 - 01:45:43: ♪ We'll be holding on forever ♪
01:45:43 - 01:45:47: ♪ And we'll only be making it right ♪
01:45:47 - 01:45:49: ♪ 'Cause we'll never be wrong ♪
01:45:49 - 01:45:53: ♪ Together we can take it to the end of the line ♪
01:45:53 - 01:45:58: ♪ Love is like a shadow on me all of the time ♪
01:45:58 - 01:45:59: ♪ I don't know what to do ♪
01:45:59 - 01:46:01: ♪ I'm always at the door ♪
01:46:01 - 01:46:02: ♪ Living in a mirror ♪
01:46:02 - 01:46:06: - Today's episode included about 12 to 13 minutes
01:46:06 - 01:46:10: of total clips in our, oh, it gets so big.
01:46:10 - 01:46:13: ♪ I'm never gonna stop tonight ♪
01:46:13 - 01:46:16: ♪ I'm never gonna stop tonight ♪
01:46:16 - 01:46:18: - You know who could maybe write songs like this for Gaga?
01:46:18 - 01:46:19: - Who?
01:46:19 - 01:46:21: - You're not gonna like it.
01:46:21 - 01:46:22: - Who? - Corgan.
01:46:22 - 01:46:23: - (laughs) What?
01:46:23 - 01:46:26: - He could.
01:46:26 - 01:46:27: I'm just thinking of like--
01:46:27 - 01:46:29: - I mean, you're right, his (beep) in the '90s
01:46:29 - 01:46:31: kinda had some of this flavor.
01:46:31 - 01:46:32: - I doubt he'd want to.
01:46:32 - 01:46:34: - You know, I'm gonna go home and I'm gonna sit down
01:46:34 - 01:46:36: and see if I can come up with a Jim Stineman type song.
01:46:36 - 01:46:38: - So am I. - All right.
01:46:38 - 01:46:39: - We'll compare notes in two weeks.
01:46:39 - 01:46:41: - Maybe we'll come up with enough parts to put together.
01:46:41 - 01:46:42: We can be a co-write.
01:46:42 - 01:46:44: - Wait, should we share the same lyrical theme?
01:46:44 - 01:46:45: - Well, you know what it is?
01:46:45 - 01:46:47: - So then we're both writing songs for--
01:46:47 - 01:46:50: - These songs always have like the big chorus,
01:46:50 - 01:46:52: or the chorus whenever you finally get to the real chorus.
01:46:52 - 01:46:53: It always has some like, you know,
01:46:53 - 01:46:55: it's all coming back to me now, total eclipse.
01:46:55 - 01:46:57: We need like a line like that.
01:46:57 - 01:46:58: - Right.
01:46:58 - 01:47:00: - The hallmark of these songs is taking like
01:47:00 - 01:47:03: something pretty normal, like a breakup or something,
01:47:03 - 01:47:06: and truly taking it to like this epic level.
01:47:06 - 01:47:06: - Right.
01:47:06 - 01:47:08: - To a prog rock level of epic, like.
01:47:08 - 01:47:09: - Yeah.
01:47:09 - 01:47:12: - So like this is total eclipse of the heart,
01:47:12 - 01:47:16: like, you know, some like force of nature type thing.
01:47:16 - 01:47:18: - Yeah, you can't do like love earthquake,
01:47:18 - 01:47:19: or like it's hurricane breakup.
01:47:19 - 01:47:23: - Clash of the, what's that (beep)
01:47:23 - 01:47:26: like iPhone game they always advertise on TV?
01:47:26 - 01:47:28: Clash of the clans or something?
01:47:28 - 01:47:29: - I think that's it, yeah.
01:47:29 - 01:47:30: - Clash of clans of the heart.
01:47:32 - 01:47:35: Game of Thrones lover, Dragonheart.
01:47:35 - 01:47:38: What if Lady Gaga came out with a seven minute
01:47:38 - 01:47:40: prog power ballad called Dragonheart,
01:47:40 - 01:47:42: first single off the next album?
01:47:42 - 01:47:43: - That would be sick.
01:47:43 - 01:47:45: - So like maybe something like, maybe Dragonheart.
01:47:45 - 01:47:47: - Okay, okay, well both of our songs are called Dragonheart.
01:47:47 - 01:47:50: - The final season of Game of Thrones is coming up, so.
01:47:50 - 01:47:51: - Oh cool.
01:47:51 - 01:47:51: - We know that's coming.
01:47:51 - 01:47:53: - But it's like a power ballad, it's not.
01:47:53 - 01:47:54: - You gotta think, well it's like one of these.
01:47:54 - 01:47:56: - Yeah, yeah, it's not like, Dragonheart, it's like a, yeah.
01:47:56 - 01:47:58: - We gotta follow the Jim Steinman model,
01:47:58 - 01:48:00: that's kinda like, you think it's the chorus,
01:48:00 - 01:48:01: it's this really big part.
01:48:01 - 01:48:02: - No, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:48:02 - 01:48:04: Dragonheart.
01:48:04 - 01:48:05: - Okay, yeah.
01:48:05 - 01:48:07: - You start, and then in the knock,
01:48:07 - 01:48:10: and then I was in the dark,
01:48:10 - 01:48:14: and then in the dark, my Dragonheart.
01:48:14 - 01:48:15: - Wow.
01:48:15 - 01:48:16: - Oh, I got another idea.
01:48:16 - 01:48:18: If it was like a seven minute prog ballad,
01:48:18 - 01:48:20: that's also called like Armageddon,
01:48:20 - 01:48:22: just like some end of the world (beep).
01:48:22 - 01:48:24: That's also (beep) that's very apropos,
01:48:24 - 01:48:25: because the world's ending.
01:48:25 - 01:48:26: - In 20 years, right?
01:48:26 - 01:48:28: - Yeah, in 20 years, so everybody knows that, just like.
01:48:28 - 01:48:30: - Well we got 20 years left,
01:48:30 - 01:48:33: gonna go get a cup of coffee.
01:48:33 - 01:48:34: - Did I tell you that--
01:48:34 - 01:48:35: - I don't want a Chipotle.
01:48:35 - 01:48:36: - I think I've told this story on Time Crisis before,
01:48:36 - 01:48:39: that there was a big movie with Bruce Willis
01:48:39 - 01:48:41: in the late 90s called Armageddon.
01:48:41 - 01:48:42: - Oh yeah.
01:48:42 - 01:48:44: - And there was posters for it everywhere,
01:48:44 - 01:48:46: and I remember there was this kid,
01:48:46 - 01:48:47: my high school told me,
01:48:47 - 01:48:49: man, you know how there's that movie,
01:48:49 - 01:48:50: and there are like posters everywhere,
01:48:50 - 01:48:52: and you kept like reading about it?
01:48:52 - 01:48:53: Until the movie came out,
01:48:53 - 01:48:55: I kept thinking it was called Armageddon.
01:48:55 - 01:48:58: It's actually pronounced Armageddon,
01:48:58 - 01:49:00: and I was like, oh yeah, I knew that.
01:49:00 - 01:49:01: - Armageddon.
01:49:01 - 01:49:02: - And he was like, yeah, I don't know,
01:49:02 - 01:49:02: I thought it was Armageddon.
01:49:02 - 01:49:04: And then I saw from his point of view,
01:49:04 - 01:49:05: I'm like-- - That's a sick band name.
01:49:05 - 01:49:08: - Armageddon, and I was also kind of thinking,
01:49:08 - 01:49:09: if you're unfamiliar with the word,
01:49:09 - 01:49:11: we also grew up in the 90s,
01:49:11 - 01:49:12: everybody's obsessed with dinosaurs.
01:49:12 - 01:49:14: - Oh yeah. - And if it was a dinosaur,
01:49:14 - 01:49:15: it probably would be pronounced Armageddon,
01:49:15 - 01:49:17: so I'm like, yeah, don't beat yourself up.
01:49:17 - 01:49:19: Armageddon.
01:49:19 - 01:49:22: But also, this is where my stupid sense of humor,
01:49:22 - 01:49:23: that's probably gonna just (beep) up
01:49:23 - 01:49:25: this whole Lady Gaga deal, kicks in,
01:49:25 - 01:49:26: is that actually--
01:49:26 - 01:49:28: - We're skating on thin ice with this deal.
01:49:28 - 01:49:32: - We're skating on thin ice with Gaga.
01:49:32 - 01:49:34: Although she's (beep) cool, man, I've always liked her.
01:49:34 - 01:49:36: But I was thinking that, you know,
01:49:36 - 01:49:38: Dragonheart is one thing,
01:49:38 - 01:49:39: but it would also be kind of tight
01:49:39 - 01:49:41: if it was a seven minute power ballad,
01:49:41 - 01:49:42: spelled Armageddon,
01:49:42 - 01:49:44: but in the song she just keeps saying Armageddon.
01:49:44 - 01:49:46: And then there's writing about it,
01:49:46 - 01:49:48: like it's a beautiful song,
01:49:48 - 01:49:50: harkening back to some of the best of Jim Steinman.
01:49:50 - 01:49:53: One thing that threw this reviewer was
01:49:53 - 01:49:55: the fact that she pronounces the word Armageddon
01:49:56 - 01:49:57: and it seems, you know,
01:49:57 - 01:49:59: kind of some weird poetic license happening.
01:49:59 - 01:50:01: But maybe it's about a dinosaur.
01:50:01 - 01:50:02: (laughing)
01:50:02 - 01:50:04: Darn.
01:50:04 - 01:50:07: ♪ And I wanna stay in this gown ♪
01:50:07 - 01:50:10: ♪ And I'm gonna name this Armageddon ♪
01:50:10 - 01:50:12: (laughing)
01:50:12 - 01:50:15: ♪ Baby I'll always love you ♪
01:50:15 - 01:50:18: ♪ And I'll always love you 'til the day I die ♪
01:50:18 - 01:50:20: No, but it's got around the dot.
01:50:20 - 01:50:24: ♪ And I'm gonna love you 'til the glacier's gone ♪
01:50:24 - 01:50:27: ♪ Holding your hand through this Armageddon ♪
01:50:27 - 01:50:29: (laughing)
01:50:29 - 01:50:31: Brutal.
01:50:31 - 01:50:36: ♪ Here we are now getting roasted by the sun ♪
01:50:36 - 01:50:39: ♪ Looking for shade in this Armageddon ♪
01:50:39 - 01:50:41: Yeah, some people are like thrown by it.
01:50:41 - 01:50:43: Some people are like, this song (beep) sucks.
01:50:43 - 01:50:45: She didn't even pronounce it correctly.
01:50:45 - 01:50:47: And then you just got like the most hardcore,
01:50:47 - 01:50:49: like critics being just like,
01:50:49 - 01:50:52: Gaga's genius in reinterpreting the pronunciation
01:50:52 - 01:50:55: of the word Armageddon to further underscore
01:50:55 - 01:50:59: the pain and the dissolution of the world as we know it.
01:50:59 - 01:51:01: Yet another example of why she'll be an artist
01:51:01 - 01:51:03: who will be, you know.
01:51:03 - 01:51:05: She'll be the last artist remembered by humanity.
01:51:05 - 01:51:07: (laughing)
01:51:07 - 01:51:10: Wouldn't that be crazy if it was like in 2040s
01:51:10 - 01:51:11: and it was sort of like,
01:51:11 - 01:51:13: yeah, this is the last Academy Awards.
01:51:13 - 01:51:14: Oh God.
01:51:14 - 01:51:20: This is it, last Grammys.
01:51:20 - 01:51:22: Let's do some Lifetime Awards.
01:51:22 - 01:51:24: That's a good idea for Lady Gaga song.
01:51:24 - 01:51:26: Or maybe that's more of a Lana Del Rey song.
01:51:26 - 01:51:27: Last Grammys.
01:51:27 - 01:51:28: Last Grammys, dude.
01:51:28 - 01:51:32: ♪ Oh where, oh where can my baby be ♪
01:51:32 - 01:51:35: Just a song about breaking up at the last Grammys.
01:51:35 - 01:51:39: Tensions were running high at the last Grammys.
01:51:39 - 01:51:41: Me and my partner got in a fight.
01:51:41 - 01:51:43: Three months later, we were dead.
01:51:43 - 01:51:44: God.
01:51:44 - 01:51:47: Or Dolly Parton and Kenny Rogers at the last CMT.
01:51:47 - 01:51:48: Last CMT Awards.
01:51:48 - 01:51:50: The last CMT Awards.
01:51:50 - 01:51:52: Best picture at the final Academy Awards.
01:51:52 - 01:51:54: A Star is Born to Our Magadon.
01:51:54 - 01:51:56: Bradley Cooper up there just like.
01:51:56 - 01:51:58: When I first came up with this idea for a sequel,
01:51:58 - 01:52:00: Stars Born to Our Magadon,
01:52:00 - 01:52:03: I never thought it'd be real life, but here we are.
01:52:03 - 01:52:04: I didn't even believe in global warming back then.
01:52:04 - 01:52:05: Oh God.
01:52:05 - 01:52:10: It wasn't until Trump's fourth term
01:52:10 - 01:52:12: that I finally took a good hard look at the Republicans
01:52:12 - 01:52:14: and I said, you guys are nuts.
01:52:14 - 01:52:17: And that's when I sat down and wrote this movie.
01:52:17 - 01:52:21: And I want to thank President Kushner for all his support.
01:52:21 - 01:52:23: I also just picture.
01:52:23 - 01:52:24: Classic TC.
01:52:24 - 01:52:26: I was just picturing like,
01:52:26 - 01:52:30: what would the tone at the last Academy Awards be?
01:52:30 - 01:52:31: Can you also just imagine
01:52:31 - 01:52:34: just some totally insane narcissist winning best actor
01:52:34 - 01:52:38: and just being like, what we do is important.
01:52:38 - 01:52:39: Art is important.
01:52:39 - 01:52:40: Art.
01:52:40 - 01:52:42: Art changes lives.
01:52:42 - 01:52:46: Art has the power to change the world.
01:52:46 - 01:52:48: Perhaps it didn't change this world enough,
01:52:48 - 01:52:50: but God damn it, we tried.
01:52:50 - 01:52:52: And may I say to the Academy,
01:52:52 - 01:52:53: how incredibly honored I am
01:52:53 - 01:52:57: to win the final Best Actor Academy Award.
01:52:57 - 01:52:59: To everyone who paved the way for me,
01:52:59 - 01:53:04: Brad Pitt, Sidney Poitier, Tom Hanks, I salute you.
01:53:04 - 01:53:09: And as I here on the world stage bid the audience adieu.
01:53:09 - 01:53:11: Just like some extended metaphor.
01:53:11 - 01:53:15: And as the house lights go on,
01:53:15 - 01:53:18: the crowd walks home, the stage hands.
01:53:18 - 01:53:21: Put away the set for the final time.
01:53:21 - 01:53:22: I don't know.
01:53:22 - 01:53:24: Final Academy Awards.
01:53:24 - 01:53:25: Curtain call, dude.
01:53:25 - 01:53:26: Curtain call.
01:53:26 - 01:53:27: For the Academy and humanity.
01:53:27 - 01:53:28: Yeah.
01:53:28 - 01:53:30: All the world is a stage.
01:53:30 - 01:53:34: And now we must exit.
01:53:34 - 01:53:35: Gracefully exit.
01:53:35 - 01:53:38: Not so gracefully exit.
01:53:38 - 01:53:38: And then like after,
01:53:38 - 01:53:41: like everyone going to like the Vanity Fair,
01:53:41 - 01:53:42: like bunker party.
01:53:42 - 01:53:45: Jesus.
01:53:45 - 01:53:48: Is that basically what's already happening now?
01:53:48 - 01:53:49: Just blew your mind.
01:53:49 - 01:53:50: Oh.
01:53:50 - 01:53:53: We're already in a bunker, man.
01:53:53 - 01:53:57: You hear that like the super wealthy are all about bunkers.
01:53:57 - 01:53:59: I was like, that's not a good sign.
01:53:59 - 01:54:02: Anyway, the total eclipse of the heart for 2018,
01:54:02 - 01:54:04: the number one song on iTunes right now,
01:54:04 - 01:54:06: Lady Gaga and Bradley Cooper,
01:54:06 - 01:54:08: From A Star is Born to Armageddon.
01:54:08 - 01:54:10: The song's called Shallow.
01:54:10 - 01:54:11: To Armageddon.
01:54:14 - 01:54:15: This song's dope.
01:54:15 - 01:54:17: This is kind of the best song in the movie.
01:54:17 - 01:54:18: Yeah, I think so.
01:54:18 - 01:54:20: It's kind of gives me like an extreme vibe.
01:54:20 - 01:54:22: Oh yeah.
01:54:22 - 01:54:23: More than words.
01:54:23 - 01:54:30: ♪ Tell me something girl ♪
01:54:30 - 01:54:33: ♪ Are you happy in this modern world ♪
01:54:33 - 01:54:34: Modern world.
01:54:34 - 01:54:36: I think our boy,
01:54:36 - 01:54:40: one of the first guests on TC, Mark Ronson,
01:54:40 - 01:54:41: probably gonna win an Oscar for this.
01:54:41 - 01:54:42: Oh, tight.
01:54:42 - 01:54:43: And Andrew Wyatt.
01:54:43 - 01:54:45: He wrote it?
01:54:45 - 01:54:46: Yeah, it's written by,
01:54:46 - 01:54:48: I don't know if they have some weird limit,
01:54:48 - 01:54:52: but it's written by Lady Gaga, Andrew Wyatt,
01:54:52 - 01:54:55: Anthony Rossamondo, and Mark Ronson.
01:54:55 - 01:54:56: All right.
01:54:56 - 01:55:04: ♪ And in the bad times I fear myself ♪
01:55:05 - 01:55:08: (guitar music)
01:55:08 - 01:55:20: ♪ Tell me something boy ♪
01:55:20 - 01:55:25: ♪ Aren't you tired trying to fill that void ♪
01:55:25 - 01:55:28: ♪ Or do you need more ♪
01:55:28 - 01:55:29: This song has a real build to it.
01:55:29 - 01:55:30: Yeah.
01:55:30 - 01:55:35: ♪ Ain't it hard keeping it so hardcore ♪
01:55:35 - 01:55:37: ♪ I'm falling ♪
01:55:37 - 01:55:42: They filmed one of the scenes in the movie
01:55:42 - 01:55:44: where they're sort of like writing this song together.
01:55:44 - 01:55:46: They filmed in the parking lot of this grocery store
01:55:46 - 01:55:48: right next to my studio.
01:55:48 - 01:55:49: Really?
01:55:49 - 01:55:51: Yeah, it's Super A over in San Fernando.
01:55:51 - 01:55:53: Oh, by the way, we got an email
01:55:53 - 01:55:55: from a friend of the show, Daniel Ralston.
01:55:55 - 01:55:56: Just right now?
01:55:56 - 01:55:57: No, no, I got this a while ago
01:55:57 - 01:55:58: 'cause he was listening
01:55:58 - 01:56:01: and I said how this song reminded me of Pink Floyd.
01:56:01 - 01:56:02: Oh yeah.
01:56:02 - 01:56:03: I think it sort of rips the another brick
01:56:03 - 01:56:05: goodbye blue sky motif in the middle section.
01:56:05 - 01:56:07: Just thought I'd throw that out there.
01:56:07 - 01:56:09: Well, let's dive in for 40 minutes and investigate.
01:56:09 - 01:56:14: ♪ We're far from the shallow now ♪
01:56:14 - 01:56:20: ♪ In the shallow, shallow ♪
01:56:20 - 01:56:23: ♪ In the shallow, shallow ♪
01:56:23 - 01:56:25: This part also kind of reminds me of Springsteen.
01:56:25 - 01:56:27: ♪ In the shallow ♪
01:56:27 - 01:56:29: ♪ In the shallow ♪
01:56:29 - 01:56:30: Yeah, it's like rising era.
01:56:30 - 01:56:32: Yeah, yeah, right.
01:56:32 - 01:56:37: ♪ Now ♪
01:56:37 - 01:56:42: ♪ Oh, oh ♪
01:56:47 - 01:56:51: ♪ Da, da, da, da, da, da, da ♪
01:56:51 - 01:56:54: It's tight, the song has so many different sections.
01:56:54 - 01:56:55: Yeah.
01:56:55 - 01:56:57: This art is kind of like her dragon heart.
01:56:57 - 01:57:01: This part of the song is like very 80s power ballad.
01:57:01 - 01:57:04: ♪ Break the ground ♪
01:57:04 - 01:57:07: ♪ Crash the sunbursts ♪
01:57:07 - 01:57:09: ♪ When they can't hurt us ♪
01:57:09 - 01:57:14: ♪ We're far from the shallow now ♪
01:57:14 - 01:57:20: ♪ In the shallow, shallow ♪
01:57:20 - 01:57:25: ♪ In the shallow, shallow ♪
01:57:25 - 01:57:29: ♪ In the shallow, shallow ♪
01:57:29 - 01:57:33: ♪ We're far from the shallow now ♪
01:57:33 - 01:57:36: Tight.
01:57:36 - 01:57:37: How long is that song?
01:57:37 - 01:57:38: Is that under three?
01:57:38 - 01:57:39: It's only 336.
01:57:39 - 01:57:40: I would say there's some real synergy
01:57:40 - 01:57:42: between the two number ones today,
01:57:42 - 01:57:43: Shallow and Total Clips of the Heart.
01:57:43 - 01:57:46: They both like build and have a big bump, bump, bump, bump
01:57:46 - 01:57:48: part, but she still could use a seven minute song
01:57:48 - 01:57:51: that has a little more like fantasy elements,
01:57:51 - 01:57:52: like dragon heart.
01:57:52 - 01:57:55: There's a video game series called Kingdom Hearts.
01:57:55 - 01:57:56: That'd be a sick name.
01:57:56 - 01:57:58: It's like, what the does that mean?
01:57:58 - 01:57:59: But it just sounds like.
01:57:59 - 01:58:00: Kingdom Hearts.
01:58:00 - 01:58:03: There's a seven minute Lady Gaga song called Kingdom Hearts.
01:58:03 - 01:58:04: I think that's, that should be our one.
01:58:04 - 01:58:05: I'm a game dude.
01:58:05 - 01:58:08: ♪ These kingdom hearts ♪
01:58:08 - 01:58:10: Similar to like how it like turn around bright eyes.
01:58:10 - 01:58:13: It's like evocative and like makes you feel something,
01:58:13 - 01:58:14: but you're like, what does that mean?
01:58:14 - 01:58:16: Why is she calling him bright eyes?
01:58:16 - 01:58:17: Who is bright eyes?
01:58:17 - 01:58:18: - I think it's a song that's co-written
01:58:18 - 01:58:19: with James Hetfield.
01:58:19 - 01:58:23: Like one of those like Metallica ballads, like.
01:58:23 - 01:58:26: ♪ And nothing else matters ♪
01:58:26 - 01:58:29: ♪ To the kingdom hearts ♪
01:58:29 - 01:58:30: ♪ Matters ♪
01:58:30 - 01:58:33: ♪ Kingdom hearts ♪
01:58:33 - 01:58:36: ♪ Kingdom hearts ♪
01:58:36 - 01:58:39: ♪ Kingdom hearts ♪
01:58:39 - 01:58:42: ♪ These kingdom hearts ♪
01:58:42 - 01:58:46: - Oh my God.
01:58:46 - 01:58:48: And if Lady Gaga doesn't want to,
01:58:48 - 01:58:49: we'll give it to whoever else wants
01:58:49 - 01:58:52: to be the Bonnie Tyler of 2019.
01:58:52 - 01:58:53: All right.
01:58:53 - 01:58:56: Another successful Time Crisis.
01:58:56 - 01:58:59: We wrote three great songs for Lady Gaga.
01:58:59 - 01:59:02: - We talked to Mac from Pluckers for about 45 minutes.
01:59:02 - 01:59:05: - We gotta start doing a Time Crisis uncut
01:59:05 - 01:59:08: 'cause this episode easily could have been four hours.
01:59:08 - 01:59:10: Anyway, we'll see you guys in two weeks.
01:59:10 - 01:59:11: Thanks for listening.
01:59:11 - 01:59:14: - Time Crisis with Ezra King.
01:59:17 - 01:59:19: ♪ One ♪
01:59:19 - 01:59:21: (explosion)

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