Episode 84: Jamflowman

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Transcript

Start Timestamp - End Timestamp: Transcript
00:01 - 00:05: - Time Crisis, 2019.
00:05 - 00:07: Enter the 2019 verse.
00:07 - 00:11: Today on Time Crisis, Jake and I will be talking about a song
00:11 - 00:13: we should have talked about a long time ago.
00:13 - 00:17: This time it's not Joker Man, it's Jam Flow Man.
00:17 - 00:21: All that, plus a healthy dose of 1999 nostalgia,
00:21 - 00:24: plus the top five hits on iTunes today.
00:24 - 00:26: Welcome to--
00:26 - 00:30: - Time Crisis with Ezra King.
00:30 - 00:33: Be-be-be-be-be-be-beast.
00:33 - 00:33: One.
00:33 - 00:39: [MUSIC - EZRA KING, "TIME CRISIS"]
00:39 - 00:45: - They passed me by, all of those great romances.
00:45 - 00:52: You were a friend who opened me up my rightful chances.
00:52 - 00:59: You made my picture clear, everything seemed so easy.
00:59 - 01:03: And so I dealt you the blow.
01:03 - 01:06: One of us had to go.
01:06 - 01:11: Now it's different, I want you to know.
01:11 - 01:16: One of us is crying, one of us is lying.
01:16 - 01:21: Leave alone me, babe.
01:21 - 01:24: Time Crisis, New Year, New Me, 2019.
01:24 - 01:26: - It is a new you.
01:26 - 01:27: - That's right.
01:27 - 01:29: - You're rocking this sweet brown trench coat.
01:29 - 01:30: - I got a haircut.
01:30 - 01:31: - Good look.
01:31 - 01:35: - I have this kind of formal camel jacket.
01:35 - 01:37: I just don't have that many occasions to wear it.
01:37 - 01:39: - And you're like, I'm going to head down to TC.
01:39 - 01:40: - Well, I was kind of wearing it all day.
01:40 - 01:43: I kind of like to stick to a jacket for the whole day.
01:43 - 01:45: - Were you doing things around town?
01:45 - 01:48: Were you running into spots and sporting the jacket?
01:48 - 01:50: - I went to a coffee bean with this look.
01:50 - 01:52: - Did you post up for a while or just get a cup to go?
01:52 - 01:53: - Just got a cup to go.
01:53 - 01:56: I was walking around, I was starting my stuff.
01:56 - 01:56: I had lunch.
01:56 - 01:57: - Solo?
01:57 - 01:58: - Yeah, I had a solo lunch.
01:58 - 02:00: - With coat on.
02:00 - 02:01: - Yeah.
02:01 - 02:01: - That's a tight look.
02:01 - 02:04: - Yeah, it's nice that it's finally cool enough in LA
02:04 - 02:05: to wear a proper jacket.
02:05 - 02:06: - Yep.
02:06 - 02:08: - But you still wear just like a t-shirt under it
02:08 - 02:09: 'cause it's not that cold.
02:09 - 02:10: - Yeah.
02:10 - 02:12: - Can you believe it's 2019, man?
02:12 - 02:12: - Far out, huh?
02:12 - 02:14: - Next year's going to be 2020.
02:14 - 02:15: - Looking forward to that.
02:15 - 02:17: - Maybe that's when things will get back on track.
02:17 - 02:19: I've seen somebody make that point before.
02:19 - 02:23: Part of the reason that the last 19 years have been so weird
02:23 - 02:26: is because we weren't in a real decade.
02:26 - 02:27: Once we're back in the 20s, we're like,
02:27 - 02:29: "Okay, we have to reset.
02:29 - 02:30: Now we're in a decade."
02:30 - 02:33: - Yeah, nothing weird ever happens during the 20s
02:33 - 02:34: or the turning over of the next century.
02:34 - 02:35: - Amen.
02:35 - 02:38: - Like 1920 to 2000, like smooth sailing.
02:38 - 02:39: (laughing)
02:39 - 02:41: - Say what you will about a world war,
02:41 - 02:42: but at least people are hashing it out.
02:42 - 02:45: Not all this passive aggressive social media bullshit.
02:45 - 02:47: No, you're right, things get bad.
02:47 - 02:48: - Things can get dicey.
02:48 - 02:49: - Things can get dicey, but--
02:49 - 02:51: - I'm really looking forward to the 2020 presidential race.
02:51 - 02:53: That's just going to be fun.
02:53 - 02:54: - Oh yeah, it's already fun.
02:54 - 02:55: - It's not going to be draining or anything.
02:55 - 02:58: - It's already fun seeing people debate Beto
02:58 - 02:59: and Elizabeth Warren.
02:59 - 03:01: We got enough time.
03:01 - 03:03: We also just don't even learn our lessons, right?
03:03 - 03:05: - First episode of TC 2019,
03:05 - 03:06: we're going to do a full breakdown
03:06 - 03:08: of the Democratic nominees.
03:08 - 03:09: - Guys, it's 2019.
03:09 - 03:11: That means--
03:11 - 03:13: - Election is 18 months away.
03:13 - 03:15: - Our election coverage starts now.
03:15 - 03:20: - You're listening to Time Crisis on Beat One.
03:20 - 03:23: - It's also funny, I feel like every time
03:23 - 03:25: you're like the year before primary,
03:25 - 03:27: I guess the primaries would be this year.
03:27 - 03:28: - No, like a year from now, January.
03:28 - 03:30: - The primaries would be in January?
03:30 - 03:31: - Yeah, next year.
03:31 - 03:32: - So things will get pretty heated
03:32 - 03:33: towards the end of this year.
03:33 - 03:35: I guess we're not that far from all this nonsense.
03:35 - 03:36: - Well, I think we are.
03:36 - 03:38: I mean, we're a full year from--
03:38 - 03:39: - Yeah, but it's like,
03:39 - 03:41: things got to get pretty hot in the fall
03:41 - 03:43: before the primary winter.
03:43 - 03:44: Oh man.
03:44 - 03:47: ♪ I was stuck ♪
03:47 - 03:52: ♪ I was stuck for no reason ♪
03:52 - 03:59: ♪ Feelings, little life feelings ♪
03:59 - 04:04: ♪ What I left behind ♪
04:04 - 04:11: ♪ Just like you and I ♪
04:11 - 04:16: ♪ Feelings, little life feelings ♪
04:16 - 04:20: ♪ You don't know this ♪
04:20 - 04:25: ♪ So I will stay ♪
04:25 - 04:29: ♪ I will find this ♪
04:29 - 04:32: ♪ You don't know this ♪
04:32 - 04:35: ♪ So I will stay ♪
04:35 - 04:40: - How you doing, man?
04:40 - 04:41: - I'm good, man.
04:41 - 04:44: I didn't want to talk about all that stuff.
04:44 - 04:46: I didn't, look man, I'll support whoever can win.
04:46 - 04:47: - Yeah. - But I'm good.
04:47 - 04:48: It's 2019.
04:48 - 04:50: - You're turning 35 this year.
04:50 - 04:52: - Oh yeah, I'll turn 35 this April.
04:52 - 04:54: - I was just noticing it's on the sheet here.
04:54 - 04:56: It's time crisis episode 84.
04:56 - 04:58: - I mean, I'm an 84 guy.
04:58 - 04:59: Do you remember turning 35?
04:59 - 05:01: - Yeah, I moved to LA then.
05:01 - 05:02: - Oh, really? - Yeah.
05:02 - 05:05: In fact, I remember moving here at age 35
05:05 - 05:06: and staying with my cousin,
05:06 - 05:08: and he was like, "How old are you, like 28?"
05:08 - 05:10: And I was like, "No, I'm 35."
05:10 - 05:14: He's like, "Oh, oh, that's like a real age."
05:14 - 05:15: - Right.
05:15 - 05:17: - And then I remember like the first few months I was here,
05:17 - 05:19: you hit me up, you were in town.
05:19 - 05:22: You were staying at this like little hotel above
05:22 - 05:24: that place El Chavo, remember that?
05:24 - 05:26: - Oh yeah, the super rent, doesn't exist anymore.
05:26 - 05:28: - Yeah, that Mexican restaurant that closed.
05:28 - 05:30: And then I remember we were like driving
05:30 - 05:33: in a car out to the beach, out of Santa Monica.
05:33 - 05:36: - Oh, we went to that crazy, fancy beach club?
05:36 - 05:37: - Yeah, and you were like, "How old are you?"
05:37 - 05:38: And I was like, "35."
05:38 - 05:40: And you're like, "You got like five years."
05:40 - 05:41: - Yeah.
05:41 - 05:42: - And I was like, "What does that mean?"
05:42 - 05:45: - And I just like, I just turned the radio up.
05:45 - 05:46: (laughing)
05:46 - 05:47: You got five.
05:47 - 05:49: - Then we just sat there in silence for 20 minutes.
05:49 - 05:52: ♪ You got five years ♪
05:52 - 05:54: ♪ Is that all you got, five years ♪
05:54 - 05:55: I mean, I understand what you meant.
05:55 - 05:58: You're like, you know, get your act together.
05:58 - 06:00: - No, I was saying the opposite of your cousin a little bit.
06:00 - 06:01: Well, maybe. - Exactly.
06:01 - 06:04: - Like some people would say 35, you're five years late.
06:04 - 06:05: - Yeah, you should have your act together.
06:05 - 06:07: You should have like a stable life
06:07 - 06:08: and like a game plan together.
06:08 - 06:10: - I would actually say that these days,
06:10 - 06:13: the impression that I get from our culture
06:13 - 06:14: is that the values of when you're supposed
06:14 - 06:18: to do certain things in life shift all the time.
06:18 - 06:18: - Sure.
06:18 - 06:20: - You know, it used to be you were kinda,
06:20 - 06:22: in the Jewish tradition, you're an adult at 13.
06:22 - 06:24: (laughing)
06:24 - 06:25: Seems very ancient.
06:25 - 06:27: And then I think it was like widely accepted
06:27 - 06:29: when you're older, 18, you're an adult.
06:29 - 06:30: - Yeah.
06:30 - 06:30: - And I think now--
06:30 - 06:32: - Having kids when you're like 22.
06:32 - 06:35: - Yeah, by then your adulthood shifts into like adult prime.
06:35 - 06:36: - Yeah.
06:36 - 06:38: - Now I think the impression that I get,
06:38 - 06:41: and you know, for real reasons, real socioeconomic reasons,
06:41 - 06:44: and then also maybe just like some weird,
06:44 - 06:46: not so good reasons, I kinda get the impression
06:46 - 06:48: that it's like adulthood starts more around 30.
06:48 - 06:51: I've noticed like people can get away with playing the like,
06:51 - 06:52: I'm not really an adult yet.
06:52 - 06:55: - I think for like the college set, that's true.
06:55 - 06:56: - Yeah.
06:56 - 06:57: - People that go to college.
06:57 - 06:58: - That's true.
06:58 - 06:59: - 'Cause if you're just like some dude
06:59 - 07:01: that's like working at Jiffy Lube and you're 24
07:01 - 07:03: and you're married and you have a kid, then it's like--
07:03 - 07:03: - Right, yeah, you can--
07:03 - 07:05: - That's like some like mid 20th century--
07:05 - 07:08: - You can picture like some like upper middle class,
07:08 - 07:10: collegiate type who's just kinda living in an apartment
07:10 - 07:13: with their friends, they're like 29,
07:13 - 07:14: just figuring it all out.
07:14 - 07:16: They're at the Jiffy Lube like dealing with like
07:16 - 07:19: the hardcore 23 year old with like two kids.
07:19 - 07:20: - Yeah.
07:20 - 07:20: - And they're just being like--
07:20 - 07:23: - I'm sold on this like weird battery.
07:23 - 07:25: - Or I was also just picturing them assuming
07:25 - 07:26: that the guy's like much older than them
07:26 - 07:27: and just being like, oh yeah,
07:27 - 07:29: I don't know anything about this stuff.
07:29 - 07:31: I've never actually dealt with this before.
07:31 - 07:33: Like, you know, I've driven my parents' car for a while
07:33 - 07:35: and the guy's like, looks at their driver's license
07:35 - 07:37: and he's like, sir, you're six years older than me.
07:37 - 07:39: I've been a father for three years.
07:39 - 07:43: You pull up here, P to Chip rappers on the floor a year.
07:43 - 07:44: Jetta.
07:44 - 07:47: But anyway, I think roughly like now people can kinda play
07:47 - 07:50: the extended adolescence up until around 30.
07:50 - 07:50: - Right.
07:50 - 07:53: - And then it's like 30 is like you enter the 36 chambers
07:53 - 07:55: and then 40 is like--
07:55 - 07:56: - All right, come on, bro.
07:56 - 07:58: - Listen, you were a kid until 30.
07:58 - 07:59: - You had your time in the sun.
07:59 - 08:01: - And then we gave you 10 years to really get
08:01 - 08:02: your (beep) together.
08:02 - 08:04: Now you're four, I can't help you.
08:04 - 08:05: - That ship has sailed.
08:05 - 08:08: - It's like a solid 25 years later than it used to be,
08:08 - 08:11: which maybe is a good thing, maybe not, I don't know.
08:11 - 08:12: - Wouldn't it be crazy if we just kept going?
08:12 - 08:14: I mean, I guess like if like people that come
08:14 - 08:17: from really wealthy families, like I know some dudes
08:17 - 08:20: that live up in like Ventura, like in like Montecito area.
08:20 - 08:20: - Yeah.
08:20 - 08:22: - They're just like rich dudes that are like 50.
08:22 - 08:24: Like the last 25 years has just been like,
08:24 - 08:27: oh, I'm dating this chick and like, I don't know.
08:27 - 08:27: - Oh, totally.
08:27 - 08:29: - Just like surfing.
08:29 - 08:31: - Yeah, no, no, there's a lot of people like that.
08:31 - 08:32: Who are you?
08:32 - 08:32: Like what?
08:32 - 08:35: - Yeah, these lines are only gonna get more and more blurred.
08:35 - 08:36: - Yeah.
08:36 - 08:39: - I think especially with like the environmental apocalypse
08:39 - 08:41: and all of this stuff.
08:41 - 08:42: I remember my mom, my mom said,
08:42 - 08:43: well, that's a whole other story.
08:43 - 08:44: - All this stuff.
08:44 - 08:46: - I remember my mom said something once to me,
08:46 - 08:50: 'cause she's from more of like a crunchy hippie generation
08:50 - 08:53: or baby boomers who came of age in the 60s.
08:53 - 08:54: - Sure.
08:54 - 08:56: - We're kind of the first generation to be interested
08:56 - 08:59: in health food and things that maybe today
08:59 - 09:00: would be called wellness or something.
09:00 - 09:01: - How old is your mom?
09:01 - 09:04: - She was born in 1949.
09:04 - 09:04: So she's--
09:04 - 09:06: - Turned 70 this year.
09:06 - 09:08: - Yeah, she's 69, she'll turn 70 this year.
09:08 - 09:11: And I remember like being at my grandma's nursing home
09:11 - 09:13: where you have like people who were born more like
09:13 - 09:16: turn of the century or maybe a little bit later.
09:16 - 09:16: - Yeah.
09:16 - 09:18: - And you know, you can picture like a typical
09:18 - 09:21: American nursing home and what the vibe is
09:21 - 09:23: and what the food is like and what the look is.
09:23 - 09:24: I just remember my mom saying something
09:24 - 09:25: that always like stuck with me where she was like,
09:25 - 09:27: I wonder what my generation's version of this
09:27 - 09:28: is gonna look like.
09:28 - 09:31: Because you know, people like my grandma
09:31 - 09:34: who were like immigrants from the old world
09:34 - 09:35: and then probably like, you know,
09:35 - 09:37: grew up in like weird tenement housing
09:37 - 09:40: and were just like super happy to move to like a whack suburb.
09:40 - 09:42: You know, if they're in like a clean,
09:42 - 09:46: antiseptic nursing home, they probably were like--
09:46 - 09:47: - Cool.
09:47 - 09:47: - This is cool.
09:47 - 09:48: - Yeah.
09:48 - 09:50: - But then you picture more like the baby boomer generation.
09:50 - 09:52: You know, they might even already have too many
09:52 - 09:55: negative associations with nursing homes, understandably.
09:55 - 09:56: - Right.
09:56 - 09:57: - That doesn't exactly have a great reputation.
09:57 - 09:59: But pretty soon they're gonna have to start opening
09:59 - 10:03: ones that have good, healthy, organic food.
10:03 - 10:04: - That aren't so like industrialized.
10:04 - 10:05: - Yeah.
10:05 - 10:06: - That are like more like boutique.
10:06 - 10:08: - Yeah, like where's Bob Weir gonna go?
10:08 - 10:09: - That's a great question, man.
10:09 - 10:11: - I mean, he's super paid, so he'll probably have--
10:11 - 10:12: - Like private in-home stuff.
10:12 - 10:14: - Yeah, he could have private, that's kind of,
10:14 - 10:15: I don't wanna--
10:15 - 10:16: (laughing)
10:16 - 10:17: - This is so funny.
10:17 - 10:18: - I'm sorry, Bob, I don't wanna,
10:18 - 10:19: you're still very young.
10:19 - 10:21: But I'm just saying like that type of person,
10:21 - 10:24: what's it gonna look like for the middle class?
10:24 - 10:26: 'Cause remember, there still is a middle class
10:26 - 10:27: for that generation.
10:27 - 10:28: - Sure.
10:28 - 10:30: - What's like the middle class baby boomer generation
10:30 - 10:31: nursing home gonna look like?
10:31 - 10:33: They're not gonna happily move into what their parents
10:33 - 10:34: moved into.
10:34 - 10:35: And then you go even one step further,
10:35 - 10:37: what's the millennial old age gonna look like?
10:37 - 10:40: I think you're gonna have way more people without kids.
10:40 - 10:40: - Right.
10:40 - 10:43: - I can totally picture the New York Times style article
10:43 - 10:45: like in 30 years.
10:45 - 10:45: - Oh my God, dude.
10:45 - 10:49: - That's just about like aging 70 year old hipsters.
10:49 - 10:52: It's like, we're a crew of 10 people, we never had kids,
10:52 - 10:55: but like obviously we're not ashamed about that.
10:55 - 10:57: Like some, what is this, 100 years ago?
10:57 - 11:01: And we travel and we live in a house together in Greece
11:01 - 11:03: half the year and the other half of the year,
11:03 - 11:06: we live in Brooklyn and you know like--
11:06 - 11:08: - Right, and like between that 10 and then they've hired
11:08 - 11:10: like four full-time nurses.
11:10 - 11:11: - Yeah, maybe they're like 80.
11:11 - 11:14: And they'd be like, some of us have like mobility issues
11:14 - 11:17: so we can't actually walk to the blue bottle.
11:17 - 11:20: But actually on the ground floor, we have like,
11:20 - 11:24: somebody's nephew comes and kind of like every morning
11:24 - 11:27: he posts up, only for two hours, but he just kind of like
11:27 - 11:30: runs like a blue bottle coffee like in the corner.
11:30 - 11:31: - Honestly, sounds dope.
11:31 - 11:33: - Yeah, I think we just hit on something.
11:33 - 11:35: - I mean, and that model would apply for people
11:35 - 11:37: that have kids or don't have kids.
11:37 - 11:38: - Yeah, because kids are--
11:38 - 11:40: - God knows your grown kids are not gonna be
11:40 - 11:41: taking care of you.
11:41 - 11:43: - Yeah, we should just totally skip whatever.
11:43 - 11:44: Baby boomers, they're gonna figure out
11:44 - 11:45: their own nursing homes.
11:45 - 11:47: But we get in on the ground floor now
11:47 - 11:48: with millennial nursing homes.
11:48 - 11:49: - I like this.
11:49 - 11:52: We've got about a, what, a 40 year head start?
11:52 - 11:54: - The nursing home definitely has to have an app.
11:54 - 11:56: - I think we're getting a little ahead of ourselves.
11:56 - 11:58: - When you go to sleep at 8 p.m.,
11:58 - 12:01: you could use the app to pre-order your coffee
12:01 - 12:03: from the temporary blue bottle.
12:03 - 12:05: And then you roll down, you see everybody.
12:05 - 12:06: I mean, yeah, it could be a good thing.
12:06 - 12:11: ♪ Healthy jet ♪
12:11 - 12:17: ♪ One time they were just like you ♪
12:20 - 12:24: ♪ Drinking, smoking, sex and sniffing glue ♪
12:24 - 12:29: ♪ Healthy jet ♪
12:29 - 12:34: ♪ Don't just put them in a hole ♪
12:34 - 12:42: ♪ Can't have much fun when they're all on their own ♪
12:42 - 12:45: ♪ Give a hand if you can ♪
12:45 - 12:47: ♪ Try to help them to unwind ♪
12:47 - 12:50: ♪ Leave them alone and give them comfort ♪
12:50 - 12:55: ♪ 'Cause they're running out of time ♪
12:55 - 13:02: ♪ In the meantime we try ♪
13:02 - 13:07: ♪ Try to forget that nothing lasts forever ♪
13:07 - 13:09: ♪ No big deal ♪
13:09 - 13:13: ♪ So give us all a beat ♪
13:13 - 13:17: ♪ So we can get on back to work ♪
13:17 - 13:19: - But you know, also that was 2019.
13:19 - 13:22: We're coming up on the anniversary of a lot of stuff.
13:22 - 13:24: 'Cause 1999 was kind of a major year.
13:24 - 13:25: - I graduated college.
13:25 - 13:26: - Oh really? - Yep.
13:26 - 13:28: - Wow, was there a lot of talk at your graduation
13:28 - 13:31: about like, you are entering the workforce
13:31 - 13:32: in a new millennium.
13:32 - 13:33: - I'm sure.
13:33 - 13:36: - By this time next year, a century will have passed.
13:36 - 13:38: It'll be the year 2000.
13:38 - 13:42: - The World Wide Web, the superhighway of information
13:42 - 13:46: will create unprecedented opportunities for all of you.
13:46 - 13:49: But I implore you students to meet the World Wide Web
13:49 - 13:52: head on, for you have what it takes.
13:52 - 13:55: - There's such a specific cadence for graduation speeches.
13:55 - 13:58: I wonder, has anybody ever done like a breakdown
13:58 - 14:00: of like the different classic cadences?
14:00 - 14:01: They're like slightly different from each other.
14:01 - 14:03: Like newscasters like,
14:03 - 14:06: early this morning in Brooklyn a fire alarmed.
14:06 - 14:06: No, no, no.
14:06 - 14:08: And then like graduation speech always like,
14:08 - 14:11: but I am done assuring you students to not done,
14:11 - 14:15: but to stop, listen and look into the future
14:15 - 14:16: with eyes wide open.
14:16 - 14:21: For you to blah, blah, blah, wash, rinse, repeat.
14:21 - 14:22: It's slower.
14:22 - 14:25: I wonder if you'll get asked to do a speech somewhere
14:25 - 14:27: in like maybe 10 years.
14:27 - 14:29: - Never have, it seems like a--
14:29 - 14:30: - I think you're too young.
14:30 - 14:33: I can see you in like 10 years being asked by someplace.
14:33 - 14:34: - My high school.
14:34 - 14:35: - Something.
14:35 - 14:37: - College, seems like low reward.
14:37 - 14:38: - Yeah.
14:38 - 14:40: - Like gotta spend all this time to write a speech
14:40 - 14:41: and then what?
14:41 - 14:42: - And you have to make sure there's,
14:42 - 14:44: it's kind of anodyne.
14:44 - 14:46: 'Cause everyone's just gonna get pissed off.
14:46 - 14:46: - Right, if you tell like--
14:46 - 14:48: - Either the students or the teacher,
14:48 - 14:49: someone's gonna get.
14:49 - 14:50: - Yeah.
14:50 - 14:52: But anyways, 1999, a lot happened.
14:52 - 14:56: The Sopranos first aired 20 years ago this week.
14:56 - 14:57: That's wild.
14:57 - 14:59: We were just talking about the Sopranos late last year.
14:59 - 15:01: There was also Woodstock '99.
15:01 - 15:01: - That's rough.
15:01 - 15:02: - Woodstock's in the air
15:02 - 15:05: because Woodstock '99 is 20 years ago
15:05 - 15:08: and Woodstock, the original is 50 years ago.
15:08 - 15:09: - All these anniversaries.
15:09 - 15:11: - I remember like, yeah, like 2013,
15:11 - 15:14: it was like 50th anniversary of JFK's assassination.
15:14 - 15:16: We're just kind of like live in the 60s.
15:16 - 15:19: 2017, it was like summer of love.
15:19 - 15:20: - Right.
15:20 - 15:22: - And like the 50th anniversary of the Grateful Dead
15:22 - 15:24: and now like this summer in LA,
15:24 - 15:26: we'll get like the 50th anniversary
15:26 - 15:27: of like the Manson murders.
15:27 - 15:31: 50th, Woodstock, we'll get 50th of Altamont,
15:31 - 15:31: December of--
15:31 - 15:32: - Man on the Moon?
15:32 - 15:34: - Yeah, that's also, that's July.
15:34 - 15:36: So this will be a huge anniversary year.
15:36 - 15:40: Obviously, you can't let an anniversary pass
15:40 - 15:41: without cashing in a little bit.
15:41 - 15:42: So this summer--
15:42 - 15:43: - That's fair.
15:43 - 15:45: - On the 50th anniversary of Woodstock,
15:45 - 15:46: there are currently not one,
15:46 - 15:50: but two 50th anniversary festivals in production.
15:50 - 15:52: So first you got the Beth El Woods
15:52 - 15:54: Music and Culture Festival,
15:54 - 15:56: which takes place at the original Woodstock venue
15:56 - 16:00: from August 16th to 18th, put on by Live Nation.
16:00 - 16:02: I just sent a text to my management,
16:02 - 16:04: how come we haven't been invited to any of these?
16:04 - 16:05: Not that we'd wanna go.
16:05 - 16:06: - Yeah, but you gotta get the invite.
16:06 - 16:08: - It'd be nice to be invited.
16:08 - 16:11: And then the second is Michael Lang's festival,
16:11 - 16:12: which is out in Watkins Glen.
16:12 - 16:13: - Oh, the same weekend.
16:13 - 16:15: - Exact same weekend.
16:15 - 16:16: - Wow, they're going head to head, that's tough.
16:16 - 16:19: - So Michael Lang is the co-creator
16:19 - 16:21: of the original Woodstock.
16:21 - 16:22: - Wow.
16:22 - 16:25: - So he says, "While the original site in Beth El
16:25 - 16:26: "remains close to our hearts,
16:26 - 16:27: "it no longer has the capacity
16:27 - 16:29: "to hold a real Woodstock festival.
16:29 - 16:30: "I'm delighted that Beth El Woods is doing events
16:30 - 16:31: "in the coming year to celebrate
16:31 - 16:34: "what we brought to life in 1969."
16:34 - 16:35: So he's being kind of like, trying to be polite.
16:35 - 16:36: - Yeah.
16:36 - 16:37: - 'Cause now there's this kind of like,
16:37 - 16:39: cultural heritage center with like,
16:39 - 16:40: an amphitheater on the site.
16:40 - 16:41: - Oh, really?
16:41 - 16:42: - So he's kind of being like, "That's cute.
16:42 - 16:43: "You guys do your little thing."
16:43 - 16:45: - And it's like, corporate now, too.
16:45 - 16:46: - Yeah, and he's being like,
16:46 - 16:48: "But you cannot have a real Woodstock festival."
16:48 - 16:50: So he's doing maybe something bigger.
16:50 - 16:52: He's already booked 40 acts to appear.
16:52 - 16:53: And Watkins Glen is kind of famous,
16:53 - 16:55: like there's some dead shows out there.
16:55 - 16:58: That's where Phish was gonna do their festival
16:58 - 17:01: this past summer, Curveball, that got canceled.
17:01 - 17:04: So Watkins Glen has a kind of crunchy heritage.
17:04 - 17:05: - Okay, but no acts announced yet.
17:05 - 17:06: - I guess neither--
17:06 - 17:07: - So nothing's been announced.
17:07 - 17:08: - Nope, sort of.
17:08 - 17:09: - So it's sort of like--
17:09 - 17:10: - We don't know which one we should go to.
17:10 - 17:12: Well, which one of these sounds more official,
17:12 - 17:13: or do we have to wait for the lineup?
17:13 - 17:15: - I mean, I'm gonna go with the OG.
17:15 - 17:16: - Meaning Michael Lang?
17:16 - 17:17: - Yeah, Michael Lang.
17:17 - 17:20: But obviously, that's contingent on lineup.
17:20 - 17:23: But Michael Lang's like, "We got Foo Fighters,
17:23 - 17:27: "Limp Bizkit, we're doing a Cypress Hill reunion."
17:27 - 17:29: You know, it's sort of like, well.
17:29 - 17:31: - I mean, Cypress Hill reunion would fit in.
17:31 - 17:32: - That'd be kinda tight.
17:32 - 17:33: - That'd be tight.
17:33 - 17:34: I don't think they ever broke up.
17:34 - 17:36: - Oh yeah, I don't know where I pulled that out of.
17:36 - 17:39: - Cypress Hill's not performing together in over six months.
17:39 - 17:40: We're bringing them back together.
17:40 - 17:43: Clearly one of these is gonna be like,
17:43 - 17:45: try to do a mix of old and new.
17:45 - 17:46: - So it's just a grab bag.
17:46 - 17:49: - Yeah, I mean, you can totally picture one that's like,
17:49 - 17:51: and I mean, we've played at festivals like this
17:51 - 17:53: a little bit, that's like, "With your headliners,
17:53 - 17:58: "Bob Dylan, Demi Lovato, and Imagine Dragons."
17:58 - 17:59: That's like super real.
17:59 - 18:02: - That would be just like all over the place.
18:02 - 18:04: - That's more or less happened before, but whatever.
18:04 - 18:06: I guess for a certain type of person, it's cool.
18:06 - 18:07: But it'd be cool if one of them,
18:07 - 18:09: and hopefully it's Michael Langs,
18:09 - 18:10: was just like, "You know what?
18:10 - 18:11: "This moment may have passed.
18:11 - 18:13: "People moved on to other types of music.
18:13 - 18:15: "It's cool, but you know, that's our moment.
18:15 - 18:17: "We're still alive, and we wanna put on something
18:17 - 18:19: "that celebrates the music of that era,
18:19 - 18:20: "and we're gonna get all the old heads."
18:20 - 18:24: And like, we're basically saying, "Call in all old hippies."
18:24 - 18:25: So a little bit like a Grateful Dead concert,
18:25 - 18:28: but it's just like, if you're an OG hippie,
18:28 - 18:29: you're gonna feel right at home here.
18:29 - 18:31: There's gonna be fun stuff for you to do.
18:31 - 18:33: There's gonna be music that you like.
18:33 - 18:34: We're not trying to mix it up too much,
18:34 - 18:35: and if anybody younger is interested,
18:35 - 18:36: you know, you come through too.
18:36 - 18:37: - You're welcome.
18:37 - 18:39: - But just like, we're getting as many people
18:39 - 18:41: who played the original as possible,
18:41 - 18:43: and we're gonna get music that's got a little bit
18:43 - 18:45: of a hippie-dippie, crunchy vibe,
18:45 - 18:48: and we wanna make 70-year-old plus hippies feel at home.
18:48 - 18:49: I would rather go to that one.
18:49 - 18:51: - Yeah, it's not gonna be as marquee.
18:51 - 18:54: You're gonna get bluegrass bands playing,
18:54 - 18:57: and maybe like a Rufus Wainwright or something,
18:57 - 18:58: which would be dope.
18:58 - 18:59: - Why not?
18:59 - 19:01: - You know, no real hard rock or hip hop.
19:01 - 19:02: - Are they gonna let any EDM in?
19:02 - 19:03: - Oh, hell no.
19:03 - 19:05: - What about like, that kind of like--
19:05 - 19:06: - Maybe like Moby.
19:06 - 19:07: - Psytrance?
19:07 - 19:08: Moby, yeah, I don't know.
19:08 - 19:09: - Moby's kinda chill.
19:09 - 19:12: - Yeah, but now you're opening up the floodgates.
19:12 - 19:13: - Yeah, yeah, yeah.
19:13 - 19:14: - Why's Moby allowed?
19:14 - 19:16: - He's like a vegan, he's mellow.
19:16 - 19:18: - I mean, he can come as an attendee.
19:18 - 19:20: I'm not saying that.
19:20 - 19:24: - Oh, he's welcome to purchase a ticket at full price.
19:24 - 19:26: - All are welcome.
19:26 - 19:27: - He's on me.
19:27 - 19:28: Play it.
19:28 - 19:32: ♪ Well I came upon a child of God ♪
19:32 - 19:36: ♪ He was walking along the road ♪
19:36 - 19:40: ♪ And I asked him, "Tell me where are you going?" ♪
19:40 - 19:45: ♪ This he told me ♪
19:45 - 19:49: ♪ Said, "I'm going down to Last Us While" ♪
19:49 - 19:53: ♪ Gonna join in and rock and roll there ♪
19:53 - 19:58: ♪ Got to get back to the land, said my soul ♪
19:58 - 20:05: ♪ We are star-crossed, we are cross ♪
20:05 - 20:09: ♪ We are bound, we are caught ♪
20:09 - 20:13: ♪ And we've got to get ourselves ♪
20:13 - 20:18: ♪ Back to the garden ♪
20:20 - 20:24: ♪ Well, when can I walk beside you? ♪
20:24 - 20:28: ♪ I have come to lose the smile ♪
20:28 - 20:31: ♪ And I feel myself being caught ♪
20:31 - 20:36: ♪ In something turning ♪
20:36 - 20:40: ♪ And maybe it's the time of the year ♪
20:40 - 20:44: ♪ Yes, it's maybe it's the time of the year ♪
20:44 - 20:47: ♪ And I don't know who I am ♪
20:47 - 20:52: ♪ But my life is for learning ♪
20:52 - 20:56: ♪ We are star-crossed, we are cross ♪
20:56 - 21:00: ♪ We are bound, we are caught ♪
21:00 - 21:04: ♪ And we've got to get ourselves ♪
21:04 - 21:07: ♪ Back to the garden ♪
21:07 - 21:11: - You know who might play, dude?
21:11 - 21:12: Twiddle.
21:12 - 21:13: - That'd be tight.
21:13 - 21:15: Are we finally gonna talk about Twiddle?
21:15 - 21:16: - Let's do it.
21:16 - 21:17: - I think it's time.
21:17 - 21:20: There is a song that Jake and I have been talking about
21:20 - 21:20: for a long time.
21:20 - 21:22: Have we actually mentioned it on the show before?
21:22 - 21:24: - Yeah, I think we've like played part of it once
21:24 - 21:26: on the show once and then someone texted me,
21:26 - 21:29: like a friend of mine was like, "What is this music?"
21:29 - 21:33: - So Jake, you put me onto this song.
21:33 - 21:35: And look, we gotta be delicate talking about this
21:35 - 21:38: because we first heard about this song
21:38 - 21:40: in the context of people being hard on.
21:40 - 21:43: - Yeah, I mean, I'm not a Twiddle expert by any stretch.
21:43 - 21:46: I heard about it from John Nixon,
21:46 - 21:49: who is the other guitarist in Richard Pictures.
21:49 - 21:51: And he's much more up like kind of current
21:51 - 21:53: with like jam bands.
21:53 - 21:53: - The jam world, yeah.
21:53 - 21:56: - And so he was up on some boards, like chat rooms
21:56 - 21:58: or whatever, reading people's comments
21:58 - 22:00: about different jam bands.
22:00 - 22:03: And I guess Twiddle is like kind of a constant source
22:03 - 22:05: of confrontation on that board
22:05 - 22:08: 'cause there's obviously a huge devoted fan base,
22:08 - 22:09: but they also got a lot of grief
22:09 - 22:11: from like some of the jam band community.
22:11 - 22:14: - I've seen this as well on some Instagram accounts,
22:14 - 22:16: people, you know, I think I showed you one
22:16 - 22:18: that came up my Instagram Explorer
22:18 - 22:19: that was a pyramid of jam bands
22:19 - 22:21: where obviously the Grateful Dead was at the top.
22:21 - 22:22: - Sure.
22:22 - 22:24: - And then the bottom was in big letters Twiddle.
22:24 - 22:25: - Right.
22:25 - 22:26: - And just some mean spirited jokes.
22:26 - 22:27: - Right.
22:27 - 22:28: - Yeah, so like you said,
22:28 - 22:30: clearly they have a devoted fan base,
22:30 - 22:31: people are into them,
22:31 - 22:34: but other jam fans who are maybe into Fish or the Dead
22:34 - 22:37: like to take some pot shots at Twiddle.
22:37 - 22:41: - As a casual fan, like obviously there's the Dead and Fish
22:41 - 22:45: who are like kind of like uncontested the OGs
22:45 - 22:47: and like the giants of the genre.
22:47 - 22:47: - Right.
22:47 - 22:49: - It's like Beatles and Stones.
22:49 - 22:49: - Yeah.
22:49 - 22:51: - After that, it's just like,
22:51 - 22:52: at least from my perception,
22:52 - 22:55: it's just like a vast sea.
22:55 - 22:56: (laughing)
22:56 - 22:59: And like widespread panic,
22:59 - 23:02: like I can't split hairs between Twiddle
23:02 - 23:03: and widespread panic.
23:03 - 23:04: - Okay, I will say this though.
23:04 - 23:05: - I will say this, there's somebody listening right now
23:05 - 23:07: who just like had a heart attack.
23:07 - 23:09: Did this dude really say he can't split hairs
23:09 - 23:13: between widespread mother (beep) panic and Twiddle?
23:13 - 23:14: - I'll say this.
23:14 - 23:15: - Yeah.
23:15 - 23:17: - I don't know one widespread original song.
23:17 - 23:19: - Oh, I sent you one recently.
23:19 - 23:21: - That's true, it did not connect.
23:21 - 23:24: (laughing)
23:24 - 23:26: You texted me this song and you were like,
23:26 - 23:27: dude, what do you think of this?
23:27 - 23:29: Like exclamation point, question mark.
23:29 - 23:30: And then I listened to it and I was like,
23:30 - 23:32: yeah, that's cool, man.
23:32 - 23:33: - It's kind of a good song.
23:33 - 23:34: I like it.
23:34 - 23:35: - We could dive into that too,
23:35 - 23:36: but just to finish the point.
23:36 - 23:37: - Okay, we'll play that later.
23:37 - 23:40: - So I was just like, Twiddle has a song called Jamflow Man
23:40 - 23:43: that we started listening to at Richard Pictures practice
23:43 - 23:46: and honestly just delighted the room.
23:46 - 23:50: I mean, we're laughing at it and with it.
23:50 - 23:51: I mean, it's a fun song.
23:51 - 23:55: It's like, I think the song is done with a sense of humor.
23:55 - 23:56: - I think so too.
23:56 - 23:57: - It's like, it's funny.
23:57 - 23:59: - I think it's done with a slight sense of humor.
23:59 - 24:03: And actually after you sent me a documentary about Twiddle.
24:03 - 24:04: - I've not watched the whole thing, but I'm.
24:04 - 24:06: - I watched the first 15.
24:06 - 24:09: - And first of all, as soon as you watch it,
24:09 - 24:12: you can tell these guys are cutups.
24:12 - 24:14: They're like razzing on each other.
24:14 - 24:15: They're cracking a lot of jokes.
24:15 - 24:17: So I think they don't come across
24:17 - 24:20: as like dour, hyper serious guys.
24:20 - 24:20: - No.
24:20 - 24:21: - At all.
24:21 - 24:22: They're having fun, which I mean,
24:22 - 24:25: as a jam man kind of needs to.
24:25 - 24:28: A dour jam band is kind of brutal.
24:28 - 24:30: But anyway, this song Jamflow Man,
24:30 - 24:33: we've uncovered we're both like interested in the jam scene,
24:33 - 24:34: but not like deep.
24:34 - 24:36: And I think what we've uncovered is that
24:36 - 24:39: within the jam universe, like we said,
24:39 - 24:42: Grateful Dead is up top, Fish are one level below,
24:42 - 24:44: and then it's a free for all.
24:44 - 24:45: But even within that free for all,
24:45 - 24:48: Twiddle gets a lot of (beep)
24:48 - 24:50: and then within the Twiddle catalog,
24:50 - 24:52: the song Jamflow Man gets a lot of (beep).
24:52 - 24:54: So in some ways the song Jamflow Man
24:54 - 24:58: is like the punching bag for a lot of mean spirited people
24:58 - 24:59: in the jam community,
24:59 - 25:00: which I can't even believe I'm saying that
25:00 - 25:05: because the jam band community should be like chill.
25:05 - 25:07: - Maybe it's one of those things where it's like,
25:07 - 25:09: think about these songs that kind of like came back,
25:09 - 25:12: ironically, like I feel like for my generation,
25:12 - 25:13: speaking of Sopranos,
25:13 - 25:14: it was a little bit like don't stop believing.
25:14 - 25:17: Like people would be like, this song is so kind of corny.
25:17 - 25:19: Then after a while people started to be like,
25:19 - 25:20: - Song's good.
25:20 - 25:22: - It's just a good song.
25:22 - 25:23: Maybe even Toto Africa,
25:23 - 25:25: like there are all these like millennials being like,
25:25 - 25:28: Toto Africa, it's funny, cover Toto Africa.
25:28 - 25:30: And then it's like Weezer covers and you're just like,
25:30 - 25:32: you know what, if that was a real Weezer song,
25:32 - 25:33: it'd be like top five Weezer song.
25:33 - 25:35: - Is that where we're at with Jamflow, man?
25:35 - 25:36: Or are we just sort of like, you know what,
25:36 - 25:38: throw in the towel, it's a good song.
25:38 - 25:39: We might be.
25:39 - 25:41: - Well, we got a lot to say about this song.
25:41 - 25:44: It's 'cause like, I know we probably have some jam head,
25:44 - 25:45: I don't know what you call it, just somebody like,
25:45 - 25:46: - Jam heads.
25:46 - 25:48: - I love jam bands, man.
25:48 - 25:50: From Twiddle to the Dead, I just love them all.
25:50 - 25:51: But that never happens,
25:51 - 25:53: there's old people always draw lines in the sand,
25:53 - 25:55: but we probably have some TC heads
25:55 - 25:57: who are like pretty familiar with this world,
25:57 - 25:59: but a lot of them probably have no idea
25:59 - 26:00: what they're about to hear.
26:00 - 26:02: So again, just so you understand,
26:02 - 26:02: - Strap in.
26:02 - 26:04: - We're just reporting the news
26:04 - 26:07: that this song gets a lot of grief
26:07 - 26:09: from people within the jam community.
26:09 - 26:11: - I guess we gotta look at Twiddle's set lists
26:11 - 26:13: and see how often they play Jamflow, man.
26:13 - 26:14: - Oh, I've looked.
26:14 - 26:15: - Did they play it every show?
26:15 - 26:17: - They played it once during their New Year's run,
26:17 - 26:18: this past New Year's.
26:18 - 26:19: - How many shows did they do?
26:19 - 26:21: - I think they did three nights in Boston.
26:21 - 26:23: No, two nights in Boston, I gotta double check.
26:23 - 26:25: - No repeats or?
26:25 - 26:28: - I mostly just looked to see if I saw Jamflow, man, period.
26:28 - 26:30: - We're going, 'cause they're playing March 1st
26:30 - 26:30: at the Troubadour.
26:30 - 26:31: - Okay, we might have to.
26:31 - 26:32: - We're going.
26:32 - 26:34: - If they don't play it a lot, I almost wonder,
26:34 - 26:37: and if it's a song that has caused a lot of controversy
26:37 - 26:39: in the scene, I wonder if it's almost like Radiohead's
26:39 - 26:40: Creep for them.
26:40 - 26:42: - Right, where they wanna like disavow it.
26:42 - 26:42: - They're a little embarrassed.
26:42 - 26:44: - And you know what, I've seen people,
26:44 - 26:46: like some mean-spirited Instagram posts
26:46 - 26:48: where somebody's taking pot shots at Twiddle,
26:48 - 26:51: and I've seen Twiddle fans get in there to defend Twiddle,
26:51 - 26:53: and even these fans sometimes will be like,
26:53 - 26:55: okay guys, ha ha ha, Jamflow, man,
26:55 - 26:56: they have a lot of other songs.
26:56 - 26:57: - Okay.
26:57 - 26:59: - So anyway, this is Jamflow, man, let's check it out.
27:04 - 27:08: - Tasty groove so far, nothing to be mad at.
27:08 - 27:10: ♪ Have you heard of the Jamflow man's jam ♪
27:10 - 27:12: ♪ Sing us in the quickest hands in the land ♪
27:12 - 27:14: ♪ Got that shish down real nice ♪
27:14 - 27:16: ♪ He'll play his jam and it won't be twice ♪
27:16 - 27:18: ♪ No, the Jamflow man don't give a damn ♪
27:18 - 27:20: ♪ Playing shows across the land ♪
27:20 - 27:23: ♪ Rocking out with his band ♪
27:23 - 27:24: ♪ Playing a fat old reggae jam ♪
27:24 - 27:27: ♪ No, the Jamflow man, won't you make that sound ♪
27:27 - 27:29: ♪ Make my body move all around ♪
27:29 - 27:31: ♪ Twisted up and blazing down ♪
27:31 - 27:33: ♪ Pass it back and forth, spin it round ♪
27:33 - 27:34: - A little reggae now.
27:34 - 27:36: ♪ The Jamflow man, won't you make that sound ♪
27:36 - 27:38: ♪ Make my body move all around ♪
27:38 - 27:40: ♪ Twisted up and blazing down ♪
27:40 - 27:42: ♪ Pass it back and forth, spin it round ♪
27:42 - 27:44: ♪ The Jamflow man, he started young ♪
27:44 - 27:46: ♪ Writing songs with the catchy strum ♪
27:46 - 27:48: ♪ First the blues, then with jazz ♪
27:48 - 27:50: ♪ The Jamflow man blew up real fast ♪
27:50 - 27:53: ♪ Now the Jamflow man at the age of 10 ♪
27:53 - 27:55: ♪ Was better at the guitar than most men ♪
27:55 - 27:57: ♪ He was real good now and he was real good then ♪
27:57 - 27:59: ♪ Playing in the clubs and picking up more change ♪
27:59 - 28:01: ♪ The Jamflow man, won't you make that sound ♪
28:01 - 28:03: ♪ Make my body move all around ♪
28:03 - 28:05: ♪ Twisted up and blazing down ♪
28:05 - 28:08: ♪ Pass it back and forth, spin it round ♪
28:08 - 28:10: ♪ The Jamflow man, won't you make that sound ♪
28:10 - 28:12: ♪ Make my body move all around ♪
28:12 - 28:14: ♪ Twisted up and blazing down ♪
28:14 - 28:17: ♪ Pass it back and forth, spin it round ♪
28:17 - 28:19: ♪ The Jamflow man liked a real stiff drink ♪
28:19 - 28:21: ♪ A big old bag and a squifter thing ♪
28:21 - 28:23: ♪ Went to the bar every day at two ♪
28:23 - 28:25: ♪ Was drunk by five and had a jam to do ♪
28:25 - 28:27: ♪ But the Jamflow man didn't give a damn ♪
28:27 - 28:29: ♪ Got pissed drunk on stage, he was still the man ♪
28:29 - 28:31: ♪ Didn't ever know and killer never jam ♪
28:31 - 28:33: ♪ Making everybody see him by the hand ♪
28:33 - 28:36: ♪ Now the Jamflow man, won't you make that sound ♪
28:36 - 28:38: ♪ Make my body move all around ♪
28:38 - 28:40: ♪ Twisted up and blazing down ♪
28:40 - 28:42: ♪ Pass it back and forth, spin it round ♪
28:42 - 28:45: ♪ The Jamflow man, won't you make that sound ♪
28:45 - 28:47: ♪ Make my body move all around ♪
28:47 - 28:49: ♪ Twisted up and blazing down ♪
28:49 - 28:50: ♪ Pass it back and forth, spin it round ♪
28:50 - 28:52: - I feel like the bassist is doing some interesting stuff.
28:52 - 28:53: It's kind of hard to hear.
28:53 - 28:55: - Fretless.
28:55 - 28:56: - Oh yeah.
28:56 - 28:59: - Pissed drunk on stage and still the man.
28:59 - 29:04: - We already kind of heard all the lyrics.
29:04 - 29:07: Okay, there's a few things about it.
29:07 - 29:09: I think the biggest thing that the people
29:09 - 29:13: are reacting to, the haters, is the lyrics.
29:13 - 29:16: I honestly have a theory that some jam heads
29:16 - 29:19: don't like this because it hits a little too close to home.
29:19 - 29:23: - Because it's sort of like a frivolous party?
29:23 - 29:24: - No, no, I would almost say like,
29:25 - 29:26: it's starting to get intense.
29:26 - 29:36: No, almost like, okay, I'm putting myself
29:36 - 29:38: in the haters' shoes because I'm not a hater
29:38 - 29:39: of this song, far from it.
29:39 - 29:42: But if I put myself in the haters' shoes for a second,
29:42 - 29:44: I think the thing that they might not like about it
29:44 - 29:48: is that there's a kind of like, almost dorky earnestness
29:48 - 29:50: in the way he talks about this character,
29:50 - 29:51: the Jamflow man.
29:51 - 29:52: Because basically the whole song is,
29:52 - 29:54: have you heard about this guy, the Jamflow man?
29:54 - 29:56: And it's kind of like a funny name.
29:56 - 29:57: And then the rest of the thing is just like,
29:57 - 29:58: he's so good at jamming.
29:58 - 29:59: - He's just a shredder.
29:59 - 30:01: - He's a shredder, he's so good at jamming,
30:01 - 30:04: he's so awesome, he plays shows across the land,
30:04 - 30:07: and he kills every jam, and then they tell you more about him.
30:07 - 30:10: So basically, there's a kind of dorky enthusiasm
30:10 - 30:13: that the singer has for the Jamflow man.
30:13 - 30:16: Is that really that different than most jam fans?
30:16 - 30:17: What if I told you that the Jamflow man
30:17 - 30:19: was Mr. Jerry Garcia?
30:19 - 30:22: Now suddenly, is it so dorky that he's so excited
30:22 - 30:24: and enthusiastic about the Jamflow man?
30:24 - 30:27: What if I tell you the Jamflow man was Trey Anastasia?
30:27 - 30:28: - I'm pumped.
30:28 - 30:30: - Yeah, suddenly it looks a little different.
30:30 - 30:31: - You're getting the origin story,
30:31 - 30:34: you're getting the dark, kind of haunting third verse.
30:34 - 30:38: - Yeah, this part's getting pretty prog-rock.
30:38 - 30:40: (rock music)
30:40 - 30:45: - This part I'm not as into.
30:45 - 30:47: - Although there's lots of jam that sounds like,
30:47 - 30:49: I think also this is like the early work,
30:49 - 30:51: it's like, maybe not the best mix.
30:51 - 30:54: - Right, rough tones.
30:54 - 30:55: - I think if you remix Jamflow man,
30:55 - 30:57: you could make it a lot more,
30:57 - 30:59: make the palette a little more tasteful.
30:59 - 31:02: (rock music)
31:04 - 31:25: ♪ Jamflow man ♪
31:25 - 31:27: - Jamflow man.
31:27 - 31:29: - I truly think for some jam fans,
31:29 - 31:30: it's almost like, you know it's like
31:30 - 31:32: when you're into something, it's like,
31:32 - 31:34: you know you're into comic books or something,
31:34 - 31:36: and then you go see the Avengers movie,
31:36 - 31:38: and there's just like a 45 year old guy
31:38 - 31:40: in a Captain America outfit just like sitting there,
31:40 - 31:42: and you're just kind of like,
31:42 - 31:43: you're looking at him just like,
31:43 - 31:45: I'm a fan, but you're a nerd.
31:45 - 31:47: - You're depressing me.
31:47 - 31:49: So this is gonna be too on the nose.
31:49 - 31:49: - It's a little on the nose,
31:49 - 31:52: or these people, it like reminds them of,
31:52 - 31:53: they like to think that their fandom
31:53 - 31:56: and their obsession with the various Jamflow men
31:56 - 31:59: that they admire is somehow sophisticated.
31:59 - 32:01: And this maybe isn't sophisticated
32:01 - 32:02: in the way that they want it to be.
32:02 - 32:07: - They did play it more this year in 2018.
32:07 - 32:08: They played it nine times.
32:08 - 32:10: - Compared to the last couple years?
32:10 - 32:12: - Yeah. - Okay.
32:12 - 32:14: - But only nine times, so it's not like a staple of the set.
32:14 - 32:15: - Although they're jam bands,
32:15 - 32:16: they probably pride themselves
32:16 - 32:19: on having drastically different sets night to night.
32:19 - 32:21: - This part's tight.
32:21 - 32:25: Kinder tone.
32:25 - 32:26: - Yeah, this is a kinder tone.
32:28 - 32:30: They're clearly very talented musicians.
32:30 - 32:33: (upbeat jazz music)
32:33 - 32:44: - Now I think people that are not jam band aficionados
32:44 - 32:47: might take issue with his singing style.
32:47 - 32:48: - Right, that's probably part of it.
32:48 - 32:49: - And I think, 'cause I've played this song
32:49 - 32:52: for a few people that are not jam band fans,
32:52 - 32:53: and they're just like, yikes.
32:53 - 32:56: Kind of how people react to like Dave Matthews.
32:56 - 32:57: - Right.
32:57 - 32:59: - But if you're in the jam band scene,
32:59 - 33:01: I don't think you're gonna take issue with his voice,
33:01 - 33:05: 'cause a lot of jam bands have like vocalists like that.
33:05 - 33:06: - Right.
33:06 - 33:08: - And if you like twiddle, then you're in.
33:08 - 33:10: - The jam world, it seems to me,
33:10 - 33:13: it's more about like, does the singer have like character
33:13 - 33:14: and sense of humor?
33:14 - 33:17: It's like, and he clearly does.
33:17 - 33:18: Not bad at guitar either.
33:18 - 33:21: (upbeat jazz music)
33:21 - 33:44: ,
33:44 - 33:45: - Approaching minute seven.
33:45 - 33:48: Yeah, I wonder if this is earlier in their career,
33:48 - 33:49: this song.
33:49 - 33:50: What year is this song from?
33:50 - 33:51: Does anyone know?
33:51 - 33:52: - Yeah, it's on the album,
33:52 - 33:54: Natural Evolution of Consciousness.
33:54 - 33:55: - Great title.
33:55 - 33:59: I mean, twiddle's from Burlington, I think.
33:59 - 34:00: - Oh, that's cool.
34:00 - 34:02: - Same town as Fish.
34:02 - 34:02: - Yeah, I wonder.
34:02 - 34:04: - So maybe people are like, come on guys,
34:04 - 34:06: you're treading a little close.
34:06 - 34:08: - That doesn't seem fair.
34:08 - 34:09: - No.
34:09 - 34:10: If anything, it'd be exciting.
34:10 - 34:13: It'd be like, yo, there's something in the water
34:13 - 34:14: in Burlington.
34:14 - 34:16: - This song was released in 2007.
34:16 - 34:18: - Okay, so relatively earlier in their career.
34:18 - 34:19: It's like a long time ago.
34:19 - 34:21: - Yeah, this is a solid 12 years ago.
34:21 - 34:24: I wonder if twiddle's on Fish's radar.
34:24 - 34:25: - Oh, I'm sure.
34:25 - 34:26: - A little bit aware of it.
34:26 - 34:27: - Dimly aware.
34:27 - 34:28: - I think.
34:28 - 34:29: (laughing)
34:29 - 34:31: - I bet they know.
34:31 - 34:33: - So I think the reason people maybe
34:33 - 34:34: will respond negatively to that song,
34:34 - 34:35: I think you're right.
34:35 - 34:37: Some people, either you're into the singing style,
34:37 - 34:39: you're not, whatever, that's personal preference.
34:39 - 34:41: The production, it's their early (beep),
34:41 - 34:43: you know, like whatever.
34:43 - 34:45: And then I think the narrative hits a little close to home
34:45 - 34:47: for some of these guys.
34:47 - 34:49: So we've listened to the song a lot together.
34:49 - 34:51: - Yeah, we hung out like a few weeks ago.
34:51 - 34:52: - Yeah.
34:52 - 34:53: - At your house and--
34:53 - 34:55: - We were jamming this.
34:55 - 34:58: - This was on repeat for a solid hour.
34:58 - 34:59: - There was a lot of singing.
34:59 - 35:02: And also, we kind of dissected the lyrics,
35:02 - 35:03: which is interesting.
35:03 - 35:06: 'Cause if you really get into the lyrics,
35:06 - 35:07: I like where he took it.
35:07 - 35:08: It's like, it's not just random.
35:08 - 35:09: He's telling a story.
35:09 - 35:12: I like these mythical characters.
35:12 - 35:13: (laughing)
35:13 - 35:14: And I was thinking about this,
35:14 - 35:16: that we talked about one quite a bit last year,
35:16 - 35:18: and that's Bob Dylan's "Joker Man."
35:18 - 35:22: ♪ Joker man dance through the night and get ♪
35:22 - 35:25: ♪ Moved by a high by the light of the moon ♪
35:25 - 35:29: ♪ Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh ♪
35:29 - 35:30: ♪ Joker man ♪
35:30 - 35:32: - So the Joker man is this mystical,
35:32 - 35:35: I mean, my theory is that he's kind of a trickster figure.
35:35 - 35:36: We've gotten emails from people who's like,
35:36 - 35:38: "No, Joker man, he's everybody, man."
35:38 - 35:41: Also thought that the Joker man is half Joker, half Batman.
35:41 - 35:43: He's a little bit the duality of man.
35:43 - 35:45: Whatever, the Joker man is clearly
35:45 - 35:47: this fascinating, mythical figure.
35:47 - 35:49: Perhaps he represents all of us.
35:49 - 35:51: Perhaps he represents a certain side of humanity.
35:51 - 35:55: And maybe Jamflow Man is kind of like this other character.
35:55 - 35:58: - It's like a weird update on Johnny B. Goode.
35:58 - 35:58: - Yeah.
35:58 - 35:59: - In a way.
35:59 - 36:01: - Johnny B. Goode and the Jamflow Man,
36:01 - 36:05: they're both kind of like modern day tall tales.
36:05 - 36:06: - Yeah.
36:06 - 36:07: - I wonder if they still teach kids
36:07 - 36:09: about tall tales in school.
36:09 - 36:10: 'Cause I feel like I remember
36:10 - 36:12: learning about tall tales a lot.
36:12 - 36:13: - Just like Paul Bunyan and stuff.
36:13 - 36:15: - Yeah, tall tales are like this way
36:15 - 36:17: to kind of teach kids like,
36:17 - 36:19: America's a young country.
36:19 - 36:20: I can almost picture this in like
36:20 - 36:22: a fourth grade history lesson,
36:22 - 36:25: just being like, what is American culture?
36:25 - 36:26: We're a melting pot.
36:26 - 36:28: So we have people from all over the place.
36:28 - 36:30: But even in America, we have culture.
36:30 - 36:32: Part of a culture is myths, you know?
36:32 - 36:33: And then they'd probably tell you
36:33 - 36:35: about some Native American myths
36:35 - 36:37: or like Rumble Stillskin or something.
36:37 - 36:38: - Yeah, some folk heroes.
36:38 - 36:40: - And in America, we call these tall tales.
36:40 - 36:41: It's like in bold.
36:41 - 36:43: It'd be like Paul Bunyan.
36:43 - 36:45: And Paul Bunyan was a giant man with an ax.
36:45 - 36:47: - Yeah, and a blue ox.
36:47 - 36:48: - Oh yeah, and a blue ox named--
36:48 - 36:49: - He was a very good forester.
36:49 - 36:50: - Named Babe?
36:50 - 36:51: - I think so.
36:51 - 36:52: That rings a bell.
36:52 - 36:53: - Where did that even come from?
36:53 - 36:56: Just like 19th century, just like--
36:56 - 36:59: - People are trying to tame the West, you know?
36:59 - 37:03: - Yeah, I'm sure people have written dissertations about,
37:03 - 37:06: how did the tall tale of Paul Bunyan
37:06 - 37:08: reflect the sexual anxiety
37:08 - 37:11: of 19th century American male homesteaders?
37:11 - 37:13: What was going on with these guys
37:13 - 37:14: that they needed to imagine?
37:14 - 37:19: A 40 foot tall lumberjack with a blue ox.
37:19 - 37:21: There's also John Henry.
37:21 - 37:23: He was this super strong guy
37:23 - 37:24: and he had a hammer that he would use
37:24 - 37:27: to like whack a hole in a mountain.
37:27 - 37:29: Then some like, you know,
37:29 - 37:32: Northeastern industrialists show up with their new machine,
37:32 - 37:34: some sort of boring machine.
37:34 - 37:37: The Elon Musks of their day.
37:37 - 37:39: They have their own boring company
37:39 - 37:41: to bore a hole into a mountain.
37:41 - 37:42: - And no plain view.
37:42 - 37:44: - And John Henry, everybody's like,
37:44 - 37:45: well, John Henry's the best at doing this (beep)
37:45 - 37:46: with his hammer.
37:46 - 37:48: We don't need your new fangled technology.
37:48 - 37:49: And then they're like, well, let's have a face-off.
37:49 - 37:51: And they do, and he's like beating it
37:51 - 37:52: and then he dies, right?
37:52 - 37:53: - I don't know that one.
37:53 - 37:55: - That's kind of a brutal tall tale.
37:55 - 37:56: - You will lose to technology.
37:56 - 37:58: - John Henry's heart gives out.
37:58 - 37:59: - Due to stress.
37:59 - 38:00: - So yeah, I guess--
38:00 - 38:02: - He's trying to fight a machine.
38:02 - 38:03: - I guess that makes sense.
38:03 - 38:04: In the 19th century,
38:04 - 38:07: the 19th century Americans needed to believe
38:07 - 38:08: in these big men.
38:08 - 38:09: - Yeah.
38:09 - 38:12: - Whacking around hammers and axes.
38:12 - 38:14: Just like in the early 21st century,
38:14 - 38:15: we need to believe in a--
38:15 - 38:16: - In a gem flow, man.
38:16 - 38:18: - Guitar virtuoso.
38:18 - 38:19: - Yeah.
38:19 - 38:20: - One, two, and.
38:20 - 38:25: ♪ Well, John Henry was a little baby ♪
38:25 - 38:29: ♪ Sitting on his daddy's name ♪
38:29 - 38:31: ♪ He'd pick up a hammer ♪
38:31 - 38:33: ♪ And a little piece of steel ♪
38:33 - 38:37: ♪ And cry, the hammer's gonna be the devil to me ♪
38:37 - 38:38: ♪ Lord, Lord ♪
38:38 - 38:42: ♪ The hammer's gonna be the devil to me ♪
38:42 - 38:46: ♪ Now the captain, he said to John Henry ♪
38:46 - 38:51: ♪ I'm gonna bring that steam drill around ♪
38:51 - 38:55: ♪ I'm gonna bring that steam drill out on these tracks ♪
38:55 - 38:59: ♪ I'm gonna knock that steel on down ♪
38:59 - 39:00: ♪ God, God ♪
39:00 - 39:04: ♪ I'm gonna knock that steel on down ♪
39:04 - 39:09: ♪ John Henry told his captain ♪
39:09 - 39:13: ♪ Lord, man ain't nothing but a man ♪
39:13 - 39:17: ♪ Before I let that steam drill beat me down ♪
39:17 - 39:21: ♪ I'm gonna die with a hammer in my hand ♪
39:21 - 39:22: ♪ Lord, Lord ♪
39:22 - 39:25: ♪ Die with a hammer in my hand ♪
39:25 - 39:27: - Hey, soldier!
39:27 - 39:30: - So, everybody needs their mythical hero to believe in.
39:30 - 39:32: Especially for men.
39:32 - 39:37: Men sometimes need the idea of somebody larger than life.
39:37 - 39:38: He's the Ubermensch.
39:38 - 39:40: He's the epitome of everything
39:40 - 39:41: that the man wishes he could be.
39:41 - 39:43: If these 19th century American men
39:43 - 39:45: wish that they could be 30 feet tall
39:45 - 39:48: and have a blue ox or whatever,
39:48 - 39:50: they need to imagine this guy.
39:50 - 39:52: And yeah, maybe for the Jamflow community
39:52 - 39:55: of the early 21st century, they need to imagine.
39:55 - 39:59: Maybe also, Jamflow man was intended to be a unifying figure.
39:59 - 40:01: People always debating, like, well, who's the best guitarist?
40:01 - 40:03: Is it Jerry Garcia, is it Trey Anastasia,
40:03 - 40:04: throwing other names at it?
40:04 - 40:06: And maybe it's like, well, you know what?
40:06 - 40:07: It's the Jamflow man.
40:07 - 40:08: - It's the Jamflow man.
40:08 - 40:10: - Yeah, you can picture, like, in the lot
40:10 - 40:13: at some, like, jam show, a bunch of guys are like,
40:13 - 40:14: well, clearly, you know, Garcia's the best.
40:14 - 40:16: And somebody's like, no way, man.
40:16 - 40:18: If you really know your (beep),
40:18 - 40:20: you know that it's Hendrix, and they're debating.
40:20 - 40:22: And then just, like, an old timer speaks up from the back.
40:22 - 40:24: Have you ever heard of the Jamflow man?
40:24 - 40:25: (laughing)
40:25 - 40:27: - Like, takes his hood off slowly.
40:27 - 40:28: - Yeah.
40:28 - 40:29: - He's got one eye.
40:30 - 40:32: - What are you talking about, man?
40:32 - 40:35: - Well, there's no recordings of him, but I saw him once.
40:35 - 40:37: - Yeah, I saw him once.
40:37 - 40:39: And he was better than Garcia and Hendrix combined.
40:39 - 40:41: - He was quick as lightning.
40:41 - 40:42: - Well, that is--
40:42 - 40:44: - Wait, is that actually the first line of the song?
40:44 - 40:45: Have you ever heard of the Jamflow man?
40:47 - 40:49: - See, here's what I like about this song, too.
40:49 - 40:52: He's like an obscure local hero.
40:52 - 40:53: - Yeah.
40:53 - 40:55: - Like, he never tries to get a record contract.
40:55 - 40:56: ♪ Have you heard of the Jamflow man's jam ♪
40:56 - 40:58: ♪ Sickest and the quickest hands in the land ♪
40:58 - 41:01: - Okay, sickest and the quickest hands in the land.
41:01 - 41:01: - Have you heard of the Jam--
41:01 - 41:02: - That is the most sick rhyme.
41:02 - 41:03: - That is pretty sick.
41:03 - 41:04: Have you heard of the Jamflow man,
41:04 - 41:07: jam sickest and the quickest hands in the land?
41:07 - 41:09: - Hands, land.
41:09 - 41:12: - Even the fact that he keeps using the phrase in the land,
41:12 - 41:14: it's very clear that he's trying to position
41:14 - 41:16: the Jamflow man as being a tall tale--
41:16 - 41:17: - Right.
41:17 - 41:18: - American mythological figure.
41:18 - 41:19: - Absolutely.
41:19 - 41:20: But you know, it's funny, like,
41:20 - 41:23: a lot of the rock and roll songs, like Johnny B. Goode,
41:23 - 41:26: or that Tom Petty song, Learning to Fly,
41:26 - 41:29: which is about, like, a guy moving out to LA
41:29 - 41:29: to be a rock star.
41:29 - 41:30: - Oh yeah.
41:30 - 41:33: - And then there's a Bad Company song called Shooting Star,
41:33 - 41:34: which is another similar thing of like--
41:34 - 41:37: ♪ You know that you are a shooting star ♪
41:37 - 41:38: - Good song.
41:38 - 41:40: But that's also like a tragic story about, like,
41:40 - 41:44: the rise and fall of, like, someone becoming a rock star
41:44 - 41:45: and, like, that archetype.
41:45 - 41:46: - Right.
41:46 - 41:47: - But what I like about Jamflow man is that
41:47 - 41:49: he's like a local bar fly.
41:49 - 41:50: - Right.
41:50 - 41:51: - Who never gigs outside his bar.
41:51 - 41:53: Like, that's how I interpret the song.
41:53 - 41:56: He's just like a local loser who's just like,
41:56 - 41:58: has no ambition.
41:58 - 42:01: But he is the true Jedi.
42:01 - 42:02: - Right, 'cause it's also like, you know,
42:02 - 42:04: maybe in some ways this song,
42:04 - 42:06: and the reason that these people react so angrily to it,
42:06 - 42:10: is this song is a gentle rebuke of the jam scene,
42:10 - 42:13: where you get this kind of stats geek mentality
42:13 - 42:16: where people wanna compile every song,
42:16 - 42:17: every show you've seen.
42:17 - 42:20: You know, I've seen like 30 versions of Fluffhead,
42:20 - 42:22: and I'll say, "This one is definitely the best.
42:22 - 42:24: "This one's top five.
42:24 - 42:26: "This one was dog (beep) because Trey's tone was off."
42:26 - 42:27: You know, like--
42:27 - 42:28: - Yeah, yeah.
42:28 - 42:30: - And maybe this guy's like, "I laugh at you, you fools,
42:30 - 42:34: "spending so much time cataloging this ephemeral music,
42:34 - 42:39: "debating, questioning, ranking, creating hierarchies.
42:39 - 42:42: "The best guitarist and the best jam,
42:42 - 42:44: "it wasn't one of the fish shows you went to.
42:44 - 42:47: "It wasn't a 77 Dead show.
42:47 - 42:48: "It was the Jamflow man."
42:48 - 42:50: Well, I've never even heard of the Jamflow man,
42:50 - 42:53: so by my calculations, you're right, you never heard him.
42:53 - 42:55: You never will. - Listen, son.
42:55 - 42:57: Give me quantitative proof.
42:57 - 42:58: - Is there a board recording?
42:58 - 43:00: Were there any tapers at the show?
43:00 - 43:02: No, it was the purest jam of all.
43:02 - 43:03: It came and went.
43:03 - 43:04: And you know what's funny, man?
43:04 - 43:08: Going back to the, this is such a jam-heavy segment.
43:08 - 43:11: Going back to like The Grateful Dead,
43:11 - 43:15: has anybody watched that great Grateful Dead six-hour doc?
43:15 - 43:16: This part really struck me, actually,
43:16 - 43:17: in The Grateful Dead doc.
43:17 - 43:19: I don't think we ever talked about this.
43:19 - 43:22: Somebody's telling the story about the dead played
43:22 - 43:26: in the Los Angeles area, and they were down at Watts.
43:26 - 43:27: I might be mistelling the story,
43:27 - 43:28: but this is how I remember it.
43:28 - 43:32: Jerry and Bob are walking around on acid after the show,
43:32 - 43:34: and they come across the Watts Towers.
43:34 - 43:35: And for anybody who doesn't know,
43:35 - 43:36: the Watts Towers are essentially,
43:36 - 43:38: I guess you'd call them outsider art,
43:38 - 43:41: where some random dude who lived in Watts
43:41 - 43:43: built these kind of incredible towers,
43:43 - 43:44: just kind of in his backyard, right?
43:44 - 43:46: This is not a professional artist.
43:46 - 43:50: This is a dude who made these kind of bizarre towers,
43:50 - 43:52: and made with bric-a-brac,
43:52 - 43:54: whatever he could get his hands on.
43:54 - 43:56: And when this guy died, and people came over and saw it,
43:56 - 43:57: he built this crazy, they were like,
43:57 - 43:58: "What is this guy, a hoarder?"
43:58 - 43:59: And like the city tried to take him down.
43:59 - 44:01: But they were actually so well-built,
44:01 - 44:03: this almost sounds like a tall tale,
44:03 - 44:04: they were so well-built that the city
44:04 - 44:05: couldn't take him down.
44:05 - 44:06: And they were like, "You know, let's leave them up."
44:06 - 44:10: And it's an iconic part of Southern California culture,
44:10 - 44:11: and certainly Watts, the Watts Towers.
44:11 - 44:13: They're these famous things.
44:13 - 44:14: So, you know, most of us would look at that
44:14 - 44:15: as like a cool story.
44:15 - 44:18: And so, in the movie, they're recounting the story
44:18 - 44:22: that Jerry and Bob are on acid, or coming off acid,
44:22 - 44:24: and they roll up and they see the Watts Towers,
44:24 - 44:25: and somebody's talking about it.
44:25 - 44:28: You know, just like this dude made this by himself.
44:28 - 44:29: And after he died, and they tried to take it down,
44:29 - 44:32: they couldn't, 'cause it was so well-built
44:32 - 44:33: that they couldn't take it down.
44:33 - 44:36: So of course, I'm imagining where the story's gonna go,
44:36 - 44:40: and I'm thinking, based on my own, whatever,
44:40 - 44:44: ego-based, late capitalist narcissism,
44:44 - 44:46: I'm picturing that one of the guys is about to say,
44:46 - 44:47: 'cause this is early Grateful Deadness,
44:47 - 44:48: I'm picturing that one of the guys is about to say,
44:48 - 44:49: "You know what, man?
44:49 - 44:52: "We're gonna build something that nobody can take down
44:52 - 44:53: "with our music."
44:53 - 44:55: Like, that's what it would be with like,
44:55 - 44:59: U2 or the Rolling Stones or Foo Fighters or something.
44:59 - 45:00: And then instead--
45:00 - 45:01: - Foo Fighters?
45:01 - 45:03: - Yeah, I don't know, I said Foo Fighters.
45:03 - 45:05: That's what the typical rock and roll story would be.
45:05 - 45:08: But then, as is recounted in the film,
45:08 - 45:09: what Jerry says to Bob is like,
45:09 - 45:10: I'm not gonna get the words right,
45:10 - 45:12: but basically something like,
45:12 - 45:13: "What a bummer, man.
45:13 - 45:15: "Nothing should last forever."
45:15 - 45:16: - Whoa.
45:16 - 45:17: - It was some (beep) where he basically was like,
45:17 - 45:21: "What we do is we create something that's the opposite.
45:21 - 45:23: "Every night we do something together
45:23 - 45:26: "that is ephemeral, that comes and goes, it vanishes."
45:26 - 45:27: And you could almost picture that.
45:27 - 45:28: - Wow.
45:28 - 45:28: - If he was on acid and he--
45:28 - 45:29: - That is reversed, I love it.
45:29 - 45:31: - I know, and I was like, really like,
45:31 - 45:33: I've like paused it, and I was like,
45:33 - 45:34: "Damn, Jerry."
45:34 - 45:35: - I gotta take that one in.
45:35 - 45:36: - Especially because--
45:36 - 45:37: - Jeez.
45:37 - 45:39: - You know, the irony of it is that
45:39 - 45:40: now we're at this point of like,
45:40 - 45:44: intense Grateful Dead nostalgia, whatever,
45:44 - 45:45: and the movie gets into it.
45:45 - 45:47: The irony that you're watching a documentary
45:47 - 45:49: 50 years later that's talking about
45:49 - 45:51: the sense of community and the permanence
45:51 - 45:53: in American culture of this band,
45:53 - 45:55: and then to find out that the leader
45:55 - 45:59: in his like, most mystical, open-minded state,
45:59 - 46:02: actually, his vibe, that maybe there'd even be
46:02 - 46:04: a part of him that if he knew
46:04 - 46:06: that there were like a billion people
46:06 - 46:07: touring around playing their music,
46:07 - 46:09: if he knew what Richard Pictures was up to.
46:09 - 46:10: - No, I'm just kidding.
46:10 - 46:11: He'd probably appreciate that.
46:11 - 46:13: - I think he'd be down with Richard Pictures,
46:13 - 46:14: 'cause we're--
46:14 - 46:15: - Yeah, he might be less into the super pro (beep)
46:15 - 46:17: - An ephemeral thing at a bar that--
46:17 - 46:18: - Yeah, he'd probably actually be more
46:18 - 46:20: into Richard Pictures than into--
46:20 - 46:21: - The pro.
46:21 - 46:22: - Although, you know, those are his boys,
46:22 - 46:25: so I don't wanna get into family business, but--
46:25 - 46:28: - He would love Richard Pictures,
46:28 - 46:30: but he would hate fish.
46:30 - 46:32: But he would love Twiddle.
46:32 - 46:33: - He would love Twiddle. - Okay?
46:33 - 46:34: - You heard it here.
46:34 - 46:36: - And think about it, man.
46:36 - 46:38: This is the godfather of jam.
46:38 - 46:39: - Think about it, man.
46:39 - 46:41: - Jerry Garcia, and of course--
46:41 - 46:42: - Wow, bummer.
46:42 - 46:43: Nothing should last forever.
46:43 - 46:44: - Yeah, and you know, it's funny,
46:44 - 46:46: because then, of course, they were open-minded.
46:46 - 46:48: They understood that the fans wanted to tape their shows,
46:48 - 46:49: and they let them do that,
46:49 - 46:51: because they weren't into being cops,
46:51 - 46:53: telling people what they can and cannot do.
46:53 - 46:55: You know, the fans do what they wanna do,
46:55 - 46:58: but the tapes turn these ephemeral moments
46:58 - 47:01: of the live show into very permanent things,
47:01 - 47:03: and they literally now, there's databases
47:03 - 47:05: of these things that were supposed to come and go.
47:05 - 47:08: So anyway, I'm not saying that I could ever know
47:08 - 47:10: Jerry's full thought process about this stuff,
47:10 - 47:14: but just at one moment in the early days, he said this.
47:14 - 47:15: And it's kinda like the ultimate, you know,
47:15 - 47:17: you're on acid, maybe you're ultimately trying
47:17 - 47:20: to get past the ego, and it's like,
47:20 - 47:22: I don't wanna do things that last forever.
47:22 - 47:24: I wanna live in the now and coast around.
47:24 - 47:25: I don't need people to remember me.
47:25 - 47:27: I don't need people to treat me like a big deal.
47:27 - 47:32: ♪ There's mosquitoes on the river ♪
47:32 - 47:36: ♪ Fish are rising up like birds ♪
47:36 - 47:39: ♪ It's been hot for seven weeks now ♪
47:39 - 47:41: ♪ Too hot to even speak now ♪
47:41 - 47:45: ♪ Did you hear what I just heard ♪
47:45 - 47:50: ♪ Say it might have been a bit of heat ♪
47:50 - 47:54: ♪ Or it could have been the wind ♪
47:54 - 47:57: ♪ But there seems to be a beat now ♪
47:57 - 47:59: ♪ I can feel it in my feet now ♪
47:59 - 48:04: ♪ Listen, here it comes again ♪
48:05 - 48:09: ♪ There's a band out on the highway ♪
48:09 - 48:14: ♪ Their hearts skipping every time ♪
48:14 - 48:18: ♪ It's a rainbow full of sound ♪
48:18 - 48:20: ♪ It's fireworks, it's killer pizza ♪
48:20 - 48:23: ♪ Miles, little light is dancing ♪
48:23 - 48:26: - So anyway, when you think about it that way,
48:26 - 48:27: the character of the Jam Flow Man
48:27 - 48:29: maybe has a little more in common
48:29 - 48:32: with the godfather of jams than we think.
48:32 - 48:34: Maybe Twiddle understands a little something
48:34 - 48:38: about the real spirit of jam that some of the haters don't.
48:38 - 48:40: That the greatest Jam Flow Man
48:40 - 48:43: is not the guy who sells the most tickets,
48:43 - 48:45: it's not the guy who gets the most props,
48:45 - 48:48: it's not the guy who wins the debate on the message board,
48:48 - 48:49: it's the Jam Flow Man,
48:49 - 48:51: the mystical figure that nobody's ever seen.
48:51 - 48:52: - The jam in your mind, dude.
48:52 - 48:55: - When we really get deep into the lyrics,
48:55 - 48:56: as we go further, like...
48:56 - 48:58: ♪ Got that shit down real nice ♪
48:58 - 49:00: ♪ Your play is jammin' it won't be twice ♪
49:00 - 49:02: ♪ No, the Jam Flow Man don't give a damn ♪
49:02 - 49:03: ♪ Playin' shows all the time ♪
49:03 - 49:05: - Don't give a damn, that's important.
49:05 - 49:07: ♪ Rockin' out with his band ♪
49:07 - 49:09: ♪ Playin' a fat old reggae jam ♪
49:09 - 49:11: ♪ Jam Flow Man won't you make that sound ♪
49:11 - 49:12: ♪ Make my body move all around ♪
49:12 - 49:14: - The chorus is basically just saying like,
49:14 - 49:16: you're really good.
49:16 - 49:17: - Yeah.
49:17 - 49:17: ♪ Spin it round and round ♪
49:17 - 49:20: ♪ Jam Flow Man won't you make that sound ♪
49:20 - 49:22: ♪ Make my body move all around ♪
49:22 - 49:23: ♪ Twist it up and ♪
49:23 - 49:25: ♪ Blaze it down, pass it back and forth ♪
49:25 - 49:26: ♪ Spin it round and round ♪
49:26 - 49:28: ♪ Jam Flow Man he started young ♪
49:28 - 49:31: ♪ Writin' songs with the catchiest drums ♪
49:31 - 49:32: - So this is--
49:32 - 49:33: - He started young, this is the origin story.
49:33 - 49:35: - Yeah, this is when he's really getting
49:35 - 49:36: into the myth of it.
49:36 - 49:37: - Yeah.
49:37 - 49:40: - This is Amazing Spider-Man number one,
49:40 - 49:42: we meet Peter Parker.
49:42 - 49:42: - Yep.
49:42 - 49:43: - Unassuming.
49:43 - 49:45: (laughing)
49:45 - 49:46: We meet Miles Morales.
49:46 - 49:48: - This is the Bruce Wayne story, yeah.
49:48 - 49:50: - Yeah, so the Jam Flow Man, he started young,
49:50 - 49:51: writing songs with the catchiest drum.
49:51 - 49:53: ♪ First with blues, then with jazz ♪
49:53 - 49:55: ♪ Jam Flow Man blew up real fast ♪
49:55 - 49:56: - Okay.
49:56 - 49:58: - First with blues, then with jazz.
49:58 - 49:59: - So very versatile player.
49:59 - 50:01: - And in some basic ways, I mean,
50:01 - 50:04: those are the two key elements of the early dead.
50:04 - 50:05: - Early rock and roll.
50:05 - 50:06: - Early rock and roll.
50:06 - 50:07: - Yeah.
50:07 - 50:08: - Well, it's also kind of like early rock and roll
50:08 - 50:10: is blues based, and then taking the improvisational
50:10 - 50:12: element of jazz, now you're starting to get
50:12 - 50:14: something that resembles jam.
50:14 - 50:16: ♪ Jam Flow Man at the age of 10 ♪
50:16 - 50:18: ♪ Was better at the guitar than most men ♪
50:18 - 50:20: ♪ He was real good now and he was real good then ♪
50:20 - 50:22: ♪ Playing in the cross and bringing up more change ♪
50:22 - 50:23: - Okay.
50:23 - 50:25: - This is when it truly becomes a tall tale.
50:25 - 50:27: Now the Jam Flow Man at the age of 10
50:27 - 50:30: was better at the guitar than most men.
50:30 - 50:30: Also let--
50:30 - 50:34: - 10 year old at some store, just shredding solos.
50:34 - 50:35: - Yeah, so now--
50:35 - 50:37: - Guitar center, just terrible tone.
50:37 - 50:39: - Go back to the lot scene, where just the old timer
50:39 - 50:42: with one eye is just schooling the kids.
50:42 - 50:43: - Yeah, yeah.
50:43 - 50:45: - It's like, I saw somebody who could play better
50:45 - 50:47: than Garcian Hendrix combined.
50:47 - 50:48: Yeah, right.
50:48 - 50:51: In fact, he was only 10 years old when I first saw him.
50:51 - 50:52: (laughs)
50:52 - 50:53: - It's like Luke Skywalker.
50:53 - 50:56: - Yes, he's basically Luke Skywalker.
50:56 - 50:59: This is that Joseph Campbell (beep)
50:59 - 51:01: - This is basically Yoda telling the story.
51:01 - 51:03: - Yeah, and then he was real good now
51:03 - 51:04: and he was real good then,
51:04 - 51:06: playing in the clubs and making a fortune.
51:06 - 51:08: - Oh, I guess that kind of pokes a hole in my theory,
51:08 - 51:10: but whatever, I like my theory.
51:10 - 51:11: - Well he's playing in--
51:11 - 51:12: - He was just like a bar band guy.
51:12 - 51:13: - Well--
51:13 - 51:14: - Didn't make a fortune.
51:14 - 51:15: - Although--
51:15 - 51:16: - That's the feel I get.
51:16 - 51:17: - Okay, well hold on.
51:17 - 51:17: - Okay.
51:17 - 51:19: - He's playing in the clubs making a fortune.
51:19 - 51:20: - Right.
51:20 - 51:21: - Now--
51:21 - 51:21: - Maybe fortune for him was just like,
51:21 - 51:22: you know, paying the rent.
51:22 - 51:24: - Yeah, a few drink tickets.
51:24 - 51:26: - Yeah man, drunk by five.
51:26 - 51:29: - Taking some cold cuts home from the rider.
51:29 - 51:30: - That's all I need man.
51:30 - 51:31: - Some cold nachos.
51:31 - 51:32: - This is my fortune.
51:32 - 51:34: It's that Bob Marley (beep)
51:34 - 51:36: Now Jamflow man, do you have a fortune?
51:36 - 51:38: What do you mean fortune?
51:38 - 51:39: I think it's notable that he says,
51:39 - 51:41: "Playing in the clubs making a fortune."
51:41 - 51:42: 'Cause--
51:42 - 51:43: - Yeah.
51:43 - 51:45: - Anytime you read about the meteoric rise of a band,
51:45 - 51:49: they always say, "They went from playing smoky clubs
51:49 - 51:51: "to headlining festivals and arenas," or whatever.
51:51 - 51:52: - Right.
51:52 - 51:53: - Like if you read the story of Phish,
51:53 - 51:55: at some point they graduated from clubs to whatever.
51:55 - 51:56: - Yeah.
51:56 - 51:58: - So the Jamflow man's making a fortune in the clubs.
51:58 - 51:59: - Right.
51:59 - 52:00: - He's making a local fortune.
52:00 - 52:01: - Yeah, okay I love it.
52:01 - 52:03: We're back here.
52:03 - 52:06: We're back on track with my interpretation.
52:06 - 52:07: ♪ Jamflow man like a real stiff drink ♪
52:07 - 52:09: ♪ A big old bag and a spliff to think ♪
52:09 - 52:10: - Okay, this is my favorite verse.
52:10 - 52:12: - Yeah, Jake loves this verse.
52:12 - 52:14: Jamflow man like a real stiff drink,
52:14 - 52:16: a big old bag and a spliff to think.
52:16 - 52:17: Now check this out.
52:17 - 52:19: ♪ Went to the bar everyday and was drunk by five ♪
52:19 - 52:20: ♪ And had a jam to do ♪
52:20 - 52:23: - That is like Friday night they'll be dressed to kill
52:23 - 52:25: down at Dino's Bar and Grill level
52:25 - 52:27: of like rock lyrics right there.
52:27 - 52:28: How does it start?
52:28 - 52:30: - Jamflow man like a real stiff drink,
52:30 - 52:31: a big old bag and a spliff to think.
52:31 - 52:32: Who doesn't?
52:32 - 52:33: - Yep.
52:33 - 52:34: - So far we're just like, all right,
52:34 - 52:35: he's a normal rock guy.
52:35 - 52:37: He likes to smoke weed and have a stiff drink, cool.
52:37 - 52:39: Went to the bar everyday at two.
52:39 - 52:44: - Yeah, that's, this level of detail is what I love.
52:44 - 52:45: It makes the song.
52:45 - 52:47: - Yeah, this is kind of the best line in the story.
52:47 - 52:48: - Drunk by five.
52:48 - 52:50: - Was drunk by five and had a jam to do.
52:50 - 52:51: - No sweat.
52:51 - 52:55: - But also, it's obviously--
52:55 - 52:57: - He's like a guy that's hammered at five.
52:57 - 52:59: He's not going on 'til like 10.
52:59 - 53:01: Like it's still another five hours of drinking.
53:01 - 53:02: - And there's also--
53:02 - 53:04: (laughing)
53:04 - 53:06: Well, first of all, we gotta look at the context
53:06 - 53:07: of the whole song.
53:07 - 53:08: So far there's been nothing negative
53:08 - 53:10: about the Jamflow man's story.
53:10 - 53:11: He's an incredible guitarist.
53:11 - 53:13: - Child prodigy.
53:13 - 53:14: - Yeah.
53:14 - 53:18: When he plays, he's the best in the land, blah, blah, blah.
53:18 - 53:21: And then just out of nowhere, it's this one line.
53:21 - 53:23: Sometimes a one line can make or break a song.
53:23 - 53:24: - Oh man.
53:24 - 53:25: - He went to the bar every day at two,
53:25 - 53:27: was drunk by five and had a jam to do.
53:27 - 53:30: So then it's kind of like, wait, does he even want a jam?
53:30 - 53:33: - Yeah, this guy, it's like if Luke Skywalker
53:33 - 53:35: was like a crazy alcoholic.
53:35 - 53:37: - Yeah, he's an antihero.
53:37 - 53:39: The Jamflow man is an antihero.
53:39 - 53:43: And maybe it's also like, there had to be a dark side.
53:43 - 53:44: - Yeah, man.
53:44 - 53:45: That's real.
53:45 - 53:47: - It's like some inside Llewyn Davis thing.
53:47 - 53:50: It's like you're the guy right before Bob Dylan.
53:50 - 53:52: Maybe the Jamflow man stayed in the clubs
53:52 - 53:56: and never made it to be venerated like Jerry or Trey.
53:56 - 53:59: Not because he's a humble guy who didn't want the attention,
53:59 - 54:01: but like maybe his alcoholism kept him there
54:01 - 54:03: or maybe he was driven to drink
54:03 - 54:06: by a series of unfortunate events.
54:06 - 54:08: So he gets to the bar at two, he's already drunk by five,
54:08 - 54:10: and he's gonna be just keep drinking.
54:10 - 54:11: And then he has a jam to do.
54:11 - 54:12: - He's got a jam, okay.
54:12 - 54:13: - So what's gonna happen at the jam?
54:13 - 54:15: ♪ The Jamflow man didn't give a damn ♪
54:15 - 54:18: ♪ He's drunk on cigarettes and the rain ♪
54:18 - 54:20: (laughing)
54:21 - 54:25: - Just using the term piss drunk on stage.
54:25 - 54:26: - He was still the man.
54:26 - 54:27: - He was so good.
54:27 - 54:31: - There's so much more to this song than meets the eye.
54:31 - 54:33: If you hear this song and you're just like, it's cheesy.
54:33 - 54:35: You know, it's almost like, you know some people,
54:35 - 54:36: they like Batman better than Superman
54:36 - 54:39: because they're just like Superman, there's no drama.
54:39 - 54:41: He's just like a goody two shoes, whatever.
54:41 - 54:44: Batman is tortured.
54:44 - 54:44: Batman's dark.
54:44 - 54:47: Batman is not always sure if he'll do the right thing,
54:47 - 54:48: but he does and you know, whatever.
54:48 - 54:50: And so maybe at first people think Jamflow man's
54:50 - 54:52: like Superman and it's like a little straightforward
54:52 - 54:55: and you're like, no, Jamflow man is a dark side.
54:55 - 54:56: Jamflow man is Wolverine.
54:56 - 54:57: - Yeah, dude.
54:57 - 55:00: - Jamflow man is Deadpool.
55:00 - 55:00: - He's damaged, dude.
55:00 - 55:03: He's piss drunk on stage.
55:03 - 55:04: - But he was still the man.
55:04 - 55:05: ♪ Didn't never know, can't kill or never tell ♪
55:05 - 55:08: ♪ Making everybody see him clap their hands ♪
55:08 - 55:10: - Hitting every note and killing every jam,
55:10 - 55:12: making everybody see him clap their hands.
55:12 - 55:14: So that's the end of the lyrics really.
55:14 - 55:15: - Yeah.
55:15 - 55:17: - And then at that point, we're about to kind of just like,
55:17 - 55:18: one more chorus.
55:18 - 55:21: ♪ I'm gonna make my body move all around ♪
55:21 - 55:23: ♪ Twist it up and blaze it down ♪
55:23 - 55:25: ♪ Pass it back and forth, spin it round and round ♪
55:25 - 55:26: - And then the jam starts.
55:26 - 55:29: - Yeah, and then it's like five minutes of jams.
55:29 - 55:32: Also kind of a cool format, just like quick verse,
55:32 - 55:34: chorus, verse, chorus, verse, chorus,
55:34 - 55:36: and then like we're out.
55:36 - 55:37: - Right.
55:37 - 55:39: - Then we're into like a five, six minute jam.
55:39 - 55:41: - It's almost like, and now we're like experiencing
55:41 - 55:44: the Jamflow man on stage kind of.
55:44 - 55:46: Piss drunk on stage, he was still the man.
55:49 - 56:14: - Yeah, and then you get in this kind of like sensitive,
56:14 - 56:15: sad moment.
56:15 - 56:17: - Yeah, this part's tight.
56:17 - 56:19: - Are you okay, Jamflow man?
56:19 - 56:20: - What?
56:20 - 56:22: - Like, yeah, this is the moment where Jamflow man's
56:22 - 56:23: getting like real sensitive.
56:23 - 56:26: Then, you know, at one point last night,
56:26 - 56:28: Jamflow man turned his back to the crowd.
56:28 - 56:31: Almost seemed like he was crying.
56:31 - 56:32: What are you talking about?
56:32 - 56:34: He's the best guitarist in Burlington.
56:34 - 56:38: What would Jamflow man have to be upset about?
56:38 - 56:40: I don't know, I just got this like sad energy from him.
56:46 - 57:10: - Now this is Jamflow man drinking his feelings away.
57:10 - 57:11: These times are rough.
57:13 - 57:16: - This part almost reminds me of the band Boston.
57:16 - 57:17: - Totally. - That keyboard tone.
57:17 - 57:18: - Oh yeah, yeah, totally.
57:18 - 57:21: - It's been such a long time.
57:21 - 57:23: You know what I noticed in the,
57:23 - 57:24: I was surprised by in the Twiddle doc?
57:24 - 57:25: - Yeah.
57:25 - 57:27: - Is that there's only four people in the band.
57:27 - 57:29: And I think there's only one guitarist.
57:29 - 57:30: There's guitar, bass.
57:30 - 57:32: - Yeah, the singer plays guitar.
57:32 - 57:34: It's the same as Phish.
57:34 - 57:36: - I guess so, I guess Phish is only one guitar.
57:36 - 57:38: - I was watching some solo stuff from the singer Mahali.
57:38 - 57:40: He seems like a-- - Solo?
57:40 - 57:41: Like a solo gig?
57:41 - 57:43: - He did like a recent solo acoustic tour
57:43 - 57:44: with a loop pedal.
57:44 - 57:45: - Whoa.
57:45 - 57:47: - He was doing like some sublime songs.
57:47 - 57:48: Which you know I love.
57:48 - 57:50: And I was like, he seems like a (beep) chill dude.
57:50 - 57:52: And there's also just a part of me that's like,
57:52 - 57:54: look, I can see that there's some like elements
57:54 - 57:56: that some people might find silly about Jamflow man.
57:56 - 57:58: But you know, there's always been that part of me,
57:58 - 58:00: it's like I see people beating up on something
58:00 - 58:03: and I just wanna be like, what's really going on here?
58:03 - 58:05: I wanna find the positive in it.
58:05 - 58:06: And then yeah, like we were talking about
58:06 - 58:08: in that documentary that you sent me.
58:08 - 58:11: You see the enthusiasm of like the hardcore Twiddle fans.
58:11 - 58:13: There's a part where they're interviewing people
58:13 - 58:15: outside the club at the show.
58:15 - 58:17: And there's one guy who's talking about it.
58:17 - 58:19: How he's seen 125 shows.
58:19 - 58:21: And then somebody's like, you know what show this is for me?
58:21 - 58:22: And the guy's like, what?
58:22 - 58:23: And he's like, it's my first.
58:23 - 58:24: And then they kind of have this moment
58:24 - 58:25: where he's like, well welcome.
58:25 - 58:27: You know, welcome to the community.
58:27 - 58:28: - The club is open.
58:28 - 58:29: - Yeah.
58:29 - 58:30: Change the production a little bit.
58:30 - 58:33: That song go down a lot easier for certain listeners.
58:33 - 58:35: There's a few live versions on Apple Music.
58:35 - 58:38: This one's from January, 2017.
58:38 - 58:42: It's on the Jam Cruise.
58:42 - 58:43: - See if the crowd reacts.
58:46 - 58:49: - Whoa, you can really hear the bass in this one.
58:49 - 58:52: - Bass coming off.
58:52 - 58:53: ♪ Have you heard of the Jailbone Man ♪
58:53 - 58:56: ♪ That was sick as sin and bring his hangs in the lane ♪
58:56 - 58:58: ♪ Got that shit in town and the night show plays jam ♪
58:58 - 58:59: ♪ And he won't quit trying ♪
58:59 - 59:02: ♪ Like the Jailbone Man don't give a damn ♪
59:02 - 59:04: ♪ Playing shows across the land ♪
59:04 - 59:06: ♪ Rocking out on Willie's band ♪
59:06 - 59:07: ♪ Playing a fat poor record ♪
59:07 - 59:09: ♪ Get him out of the Jailbone Man ♪
59:09 - 59:12: - Is this his normal singing voice?
59:12 - 59:13: - It sounds pretty similar.
59:13 - 59:14: - Yeah.
59:14 - 59:17: He's definitely a DMV fan.
59:17 - 59:18: That's what I'm getting.
59:18 - 59:19: - He is a good singer though.
59:19 - 59:20: - Yeah.
59:20 - 59:21: - He's not a bad singer at all.
59:21 - 59:22: ♪ Two suit up and please sit down ♪
59:22 - 59:24: ♪ Pass the bag and cross the trail ♪
59:24 - 59:27: - Here's another version from last year.
59:27 - 59:30: - It's a fast song.
59:33 - 59:34: ♪ Have you heard of the Jailbone Man ♪
59:34 - 59:37: ♪ That was sick as sin and bring his hangs in the lane ♪
59:37 - 59:39: ♪ Got that shit in town and the night show plays jam ♪
59:39 - 59:40: ♪ And he won't quit trying ♪
59:40 - 59:43: ♪ Like the Jailbone Man don't give a damn ♪
59:43 - 59:45: ♪ Playing shows across the land ♪
59:45 - 59:47: ♪ Rocking out on Willie's band ♪
59:47 - 59:48: ♪ Playing a fat poor record ♪
59:48 - 59:50: ♪ Get him out of the Jailbone Man ♪
59:50 - 59:51: ♪ Won't you make that sound ♪
59:51 - 59:53: ♪ Make my body move all around ♪
59:53 - 59:55: ♪ Twist it up and please sit down ♪
59:55 - 59:58: ♪ Pass the bag and cross the trail ♪
59:58 - 01:00:01: - It does really remind me of Thin Lizzy
01:00:01 - 01:00:02: with the vibe of like,
01:00:02 - 01:00:04: are these lyrics supposed to be funny?
01:00:04 - 01:00:05: - Right.
01:00:05 - 01:00:06: - Like it's like right on the edge
01:00:06 - 01:00:07: where it's like, I think I'm gonna give them
01:00:07 - 01:00:08: the benefit of the doubt and be like,
01:00:08 - 01:00:10: yeah, it's supposed to be funny.
01:00:10 - 01:00:12: Like, you know that Thin Lizzy song, Cowboy Song?
01:00:12 - 01:00:13: - Right.
01:00:13 - 01:00:14: - He's like talking about like--
01:00:14 - 01:00:16: - I feel like you played that on the TC in the early days.
01:00:16 - 01:00:18: - Maybe I did, like talking about like writing like--
01:00:18 - 01:00:19: - What does he say?
01:00:19 - 01:00:20: Something funny about my lady?
01:00:20 - 01:00:21: - Yeah. - Or my woman?
01:00:21 - 01:00:22: - Or like,
01:00:22 - 01:00:24: ♪ Just thinking of a certain female ♪
01:00:24 - 01:00:25: - Right.
01:00:25 - 01:00:27: - Like, ♪ The night we spent together ♪
01:00:27 - 01:00:29: ♪ Home along the range ♪
01:00:29 - 01:00:32: - It just like busts out every cliche of like,
01:00:32 - 01:00:33: like from Westerns.
01:00:33 - 01:00:34: - Right.
01:00:34 - 01:00:35: - And just cobbles them together into this song.
01:00:35 - 01:00:38: And it's like really funny, great song.
01:00:38 - 01:00:40: The delivery is so impassioned,
01:00:40 - 01:00:42: but also kind of deadpan.
01:00:42 - 01:00:43: - ♪ I'm just a cowboy ♪
01:00:43 - 01:00:46: ♪ Lonesome on the trail ♪
01:00:46 - 01:00:49: ♪ Lord, I'm just thinking about a certain female ♪
01:00:49 - 01:00:51: ♪ I'm just a jam floor man ♪
01:00:51 - 01:00:55: ♪ I like a real stiff drink ♪
01:00:55 - 01:00:57: - Dude, imagine if Bruce wrote,
01:00:57 - 01:00:59: like if you gave Bruce the lyrical prompt,
01:00:59 - 01:01:01: like you played Bruce, Jam Flow Man.
01:01:01 - 01:01:02: - Yeah.
01:01:02 - 01:01:03: - You explain the mythology.
01:01:03 - 01:01:04: - Yeah.
01:01:04 - 01:01:05: - And you're like, Bruce, write your Jam Flow Man.
01:01:05 - 01:01:07: - I mean, the funny thing is,
01:01:07 - 01:01:08: with all this stuff,
01:01:08 - 01:01:11: it's like the critically acclaimed (beep)
01:01:11 - 01:01:14: and the made fun of on jam message boards,
01:01:14 - 01:01:16: they're all kind of operating with the same tools,
01:01:16 - 01:01:17: you know?
01:01:17 - 01:01:21: Bruce is a student of American myth as well.
01:01:21 - 01:01:22: - Yeah, no, absolutely.
01:01:22 - 01:01:24: - For him, like Thunder Roads,
01:01:24 - 01:01:25: even like Thunder Roads,
01:01:25 - 01:01:26: just like imagine if Arcade Fire
01:01:26 - 01:01:28: came out with a song called Thunder Road.
01:01:28 - 01:01:29: - Right.
01:01:29 - 01:01:31: - People would be like, okay.
01:01:31 - 01:01:32: - Whatever, dudes.
01:01:32 - 01:01:33: - Right.
01:01:33 - 01:01:34: - Oh, the screen door slams,
01:01:34 - 01:01:35: are you trying to be poetic?
01:01:35 - 01:01:37: - Yeah, Thunder Road, real epic.
01:01:37 - 01:01:39: Like, (laughs)
01:01:39 - 01:01:42: I've never heard of a street called Thunder Road.
01:01:42 - 01:01:43: But you know, Bruce pulled it off
01:01:43 - 01:01:45: and it's like, I mean, in some ways,
01:01:45 - 01:01:47: Bruce was kind of like a Jam Flow Man.
01:01:47 - 01:01:48: He was like the local legend,
01:01:48 - 01:01:51: like working his way up in the Jersey Shore clubs.
01:01:51 - 01:01:53: - Yeah, the early part of his memoir,
01:01:53 - 01:01:56: when he's talking about gigging for years.
01:01:56 - 01:01:56: - Just working their asses off.
01:01:56 - 01:01:57: - It's epic.
01:01:57 - 01:02:00: - Yeah, just to really put on like a fun show
01:02:00 - 01:02:02: for just like drunk people down the shore.
01:02:02 - 01:02:03: That's where they learned all their tricks.
01:02:03 - 01:02:05: How do you get a crowd to react?
01:02:05 - 01:02:07: Like fun little gimmick type things.
01:02:07 - 01:02:08: I remember also in the book,
01:02:08 - 01:02:10: he says something about how at a certain point,
01:02:10 - 01:02:11: he realized he was pretty good at guitar,
01:02:11 - 01:02:13: but he's never gonna be the best guitarist around.
01:02:13 - 01:02:14: - Right, right.
01:02:14 - 01:02:15: - So essentially he realized
01:02:15 - 01:02:16: he was never gonna be the Jam Flow Man,
01:02:16 - 01:02:18: but you know what he could be?
01:02:18 - 01:02:19: He could be the Joker Man.
01:02:19 - 01:02:22: He could be the guy who writes these stories
01:02:22 - 01:02:25: that mix humor and seriousness and stuff.
01:02:25 - 01:02:26: The Joker Man's in the mind
01:02:26 - 01:02:28: and the Jam Flow Man's in the hands.
01:02:28 - 01:02:29: - Body and mind, dude.
01:02:29 - 01:02:32: - And good music needs a Joker Man and a Jam Flow Man.
01:02:32 - 01:02:33: Yeah, I feel like the Jam Flow Man--
01:02:33 - 01:02:36: - So we're really uncovering
01:02:36 - 01:02:39: some deep universal truths right now.
01:02:39 - 01:02:41: - In the time crisis mythological universe,
01:02:41 - 01:02:43: there are two main deities.
01:02:43 - 01:02:46: You have your Joker Man and you have your Jam Flow Man.
01:02:46 - 01:02:47: At the feast of the Joker Man,
01:02:47 - 01:02:50: the Jam Flow Man's ascension was considered
01:02:50 - 01:02:53: to take place on 7/28/2018,
01:02:53 - 01:02:57: when Twiddle played Jam Flow Man live at Tumbledown.
01:02:57 - 01:03:00: - I wonder if Bernie is aware of Twiddle.
01:03:00 - 01:03:01: - That's a great question.
01:03:01 - 01:03:04: - That's pushing it, but it might be possible.
01:03:04 - 01:03:07: - Bernie Sanders says he's from Burlington, Vermont,
01:03:07 - 01:03:10: but can he even name his favorite Jam Flow Man?
01:03:10 - 01:03:16: August 14th, that doesn't even exist, Senator.
01:03:16 - 01:03:19: Now the Jam Flow Man, find anything?
01:03:19 - 01:03:20: - Wait.
01:03:20 - 01:03:21: - Any Sanders/Twiddle connections?
01:03:21 - 01:03:23: - Senator Bernie Sanders introduces Twiddle
01:03:23 - 01:03:25: at Tumbledown 2018.
01:03:25 - 01:03:26: - Wait, what?
01:03:26 - 01:03:29: - So he is very aware of Twiddle.
01:03:29 - 01:03:30: - Wow.
01:03:30 - 01:03:31: - What's Tumbledown?
01:03:31 - 01:03:32: Is that like a jam fest?
01:03:32 - 01:03:33: - That's something that Vampire Weekend
01:03:33 - 01:03:34: and Twiddle have in common.
01:03:34 - 01:03:35: - Wait, there's a YouTube of it.
01:03:35 - 01:03:37: Pull the YouTube up, we gotta get the audio on that.
01:03:37 - 01:03:39: Native sons of Burlington, Vermont.
01:03:39 - 01:03:42: - Now we know Bernie's not that into music.
01:03:42 - 01:03:43: - He's not?
01:03:43 - 01:03:45: Remember Bernie's album?
01:03:45 - 01:03:47: - Oh yeah, legendary.
01:03:47 - 01:03:51: When I was first introduced to Twiddle,
01:03:51 - 01:03:52: via this- - I met my good friend,
01:03:52 - 01:03:54: Trey Anastasio.
01:03:54 - 01:03:57: - I said, "Trey, you're pretty good,
01:03:57 - 01:03:58: but are you the best?"
01:03:58 - 01:04:01: And he said, "No, I'm not the Jam Flow Man, Senator."
01:04:01 - 01:04:05: - There is a Jam Flow Man within every working family.
01:04:05 - 01:04:10: - Let me thank Twiddle for saying-
01:04:10 - 01:04:13: - 2018, I love it. - Saying a few words.
01:04:13 - 01:04:14: And what I wanna say-
01:04:14 - 01:04:16: - By the way, this is Twiddle's own festival.
01:04:16 - 01:04:20: - I wanna say is that your generation
01:04:20 - 01:04:22: is the most progressive generation
01:04:22 - 01:04:25: in the history of this country.
01:04:25 - 01:04:27: - In the history of the Twiddle fan community.
01:04:27 - 01:04:35: - Your generation is helping to lead the fight
01:04:35 - 01:04:37: against racism,
01:04:37 - 01:04:42: sexism,
01:04:42 - 01:04:46: religious bigotry,
01:04:46 - 01:04:50: homophobia,
01:04:51 - 01:04:52: xenophobia,
01:04:52 - 01:04:59: and all the other phobias that Trump is trying to push out.
01:04:59 - 01:05:02: - It's like one hardcore Trump/Twiddle fan,
01:05:02 - 01:05:06: just like, "I'm out." - Oh man, I don't like the politics.
01:05:06 - 01:05:08: - I came here for Jam Flow Man.
01:05:08 - 01:05:09: - That dude exists.
01:05:09 - 01:05:10: - Yeah, totally.
01:05:10 - 01:05:11: - There's totally a Trump Twiddle.
01:05:11 - 01:05:12: - That's so brutal.
01:05:12 - 01:05:14: A Trump Jamhead, that's crazy.
01:05:14 - 01:05:17: I wonder if Bernie's stuck around for this show.
01:05:17 - 01:05:19: - Out of there immediately.
01:05:19 - 01:05:20: - Yeah, oh man.
01:05:20 - 01:05:23: - I bet he hung side stage for like two.
01:05:23 - 01:05:24: - Two songs?
01:05:24 - 01:05:25: - Yeah. - Two hours?
01:05:25 - 01:05:26: (laughing)
01:05:26 - 01:05:28: And as you can imagine, this is on Twiddle's account.
01:05:28 - 01:05:33: It's mostly Twiddle fans, so you gotta imagine intersect.
01:05:33 - 01:05:34: A Burlington-based jam has gotta intersect
01:05:34 - 01:05:37: pretty significantly with Bernie.
01:05:37 - 01:05:40: So we get a lot of Bernie 2020.
01:05:40 - 01:05:44: I have mixed feelings about, I'm sure you do too.
01:05:44 - 01:05:46: Love the man, but 2020, yikes.
01:05:48 - 01:05:50: So a lot of just like everybody,
01:05:50 - 01:05:52: "Thank you, sir, I salute you."
01:05:52 - 01:05:55: Do it for a few, so so much positive (beep)
01:05:55 - 01:05:57: and then just like add a nater.
01:05:57 - 01:05:58: No, then there's like a few.
01:05:58 - 01:06:00: Are these Twiddle fans or?
01:06:00 - 01:06:02: Bernie the Great Con Man.
01:06:02 - 01:06:04: He's a multi-millionaire congress member
01:06:04 - 01:06:06: that talks about dreams and delivers nightmares.
01:06:06 - 01:06:07: Then there's somebody.
01:06:07 - 01:06:08: - How?
01:06:08 - 01:06:09: - Did he just come out of a nursing home?
01:06:09 - 01:06:11: MAGA, Trump 2020.
01:06:11 - 01:06:13: - Nice, so there are those people.
01:06:13 - 01:06:17: - Well, one person, washed up 1960s commie loser.
01:06:17 - 01:06:20: That'd be a hilarious thing for a Twiddle fan to say.
01:06:20 - 01:06:21: I don't know, yeah, I can't tell.
01:06:21 - 01:06:23: - I can see it, man, some real confused,
01:06:23 - 01:06:27: like 17-year-old kid who's just up on the QAnon crap
01:06:27 - 01:06:31: and into just garbage right-wing stuff on the internet,
01:06:31 - 01:06:33: but is also like, "Yeah, man, jam bands."
01:06:33 - 01:06:34: I can see it.
01:06:34 - 01:06:38: - I'm just really into good guitar playing.
01:06:38 - 01:06:40: - But like really solid musicianship.
01:06:40 - 01:06:41: - Right.
01:06:41 - 01:06:43: - Just looking at it in the lamest way.
01:06:43 - 01:06:44: - That's brutal.
01:06:44 - 01:06:46: A Trump/Twiddle fan.
01:06:46 - 01:06:49: Anyway, Joker Man and Jamflow Man,
01:06:49 - 01:06:51: now we got two deities in the time crisis canon.
01:06:51 - 01:06:55: ♪ A new way to greet the brand new day ♪
01:06:55 - 01:06:58: ♪ Look up, realize you're late ♪
01:06:58 - 01:07:00: ♪ Shout to make it plain ♪
01:07:00 - 01:07:03: ♪ Can't find your keys again ♪
01:07:03 - 01:07:05: ♪ The rent's been due for weeks ♪
01:07:05 - 01:07:08: ♪ You need this gig to eat ♪
01:07:08 - 01:07:10: ♪ Your car starts to leak ♪
01:07:10 - 01:07:12: ♪ The engine's really weak ♪
01:07:12 - 01:07:15: ♪ It won't start up in time ♪
01:07:15 - 01:07:17: ♪ You try to find a ride ♪
01:07:17 - 01:07:20: ♪ The bills weren't paid on time ♪
01:07:20 - 01:07:22: ♪ Your cell phone's lost the line ♪
01:07:22 - 01:07:25: ♪ Problems won't go away ♪
01:07:25 - 01:07:27: ♪ Piling on your plate ♪
01:07:27 - 01:07:29: ♪ You just want to escape ♪
01:07:29 - 01:07:32: ♪ You need to be awake now ♪
01:07:32 - 01:07:35: ♪ Listen to the words I'm saying in this line ♪
01:07:35 - 01:07:38: ♪ That your life will be just fine ♪
01:07:38 - 01:07:40: ♪ And the struggles do not stay ♪
01:07:40 - 01:07:43: ♪ They get replaced with good times ♪
01:07:43 - 01:07:45: ♪ Now you've got a great life ♪
01:07:45 - 01:07:47: ♪ Smile as you walk by ♪
01:07:47 - 01:07:49: ♪ Think about the day ♪
01:07:49 - 01:07:51: - All right, you ready for the top five?
01:07:51 - 01:07:52: - Yes, sir.
01:07:52 - 01:07:53: (electronic music)
01:07:53 - 01:07:56: - It's time for the top five.
01:07:56 - 01:07:59: F-f-f-f-f-five on iTunes.
01:07:59 - 01:08:02: - Now we've been talking about the year 1999 a lot,
01:08:02 - 01:08:06: and so we're gonna compare the top five iTunes songs
01:08:06 - 01:08:10: currently to the top five Billboard hits this week in '99.
01:08:10 - 01:08:13: Now ironically, the number five song in 1999
01:08:13 - 01:08:17: was by a band with a 98 in their name.
01:08:17 - 01:08:18: - 98 Degrees.
01:08:18 - 01:08:18: - That's right.
01:08:18 - 01:08:20: Do you remember who 98 Degrees was?
01:08:20 - 01:08:21: - Boy band?
01:08:21 - 01:08:22: - 98 Degrees was a boy band.
01:08:22 - 01:08:24: - I think that's all I know, really.
01:08:24 - 01:08:27: - You know what's funny that I remember about 98 Degrees
01:08:27 - 01:08:29: is there were four guys in it.
01:08:29 - 01:08:31: And I just remember always, and I still feel this way,
01:08:31 - 01:08:33: I'm like, four guys doesn't work for a boy band.
01:08:33 - 01:08:34: - You need five.
01:08:34 - 01:08:35: - Four guys is a rock band.
01:08:35 - 01:08:36: - Right.
01:08:36 - 01:08:37: - Boy band's gotta be five minimum.
01:08:37 - 01:08:40: Even three, you could do some kind of weird trio thing.
01:08:40 - 01:08:43: - Four is just like, what are you, The Beatles?
01:08:43 - 01:08:46: - Yeah, four is somebody you gotta have instruments
01:08:46 - 01:08:47: or something.
01:08:47 - 01:08:48: - Yeah.
01:08:48 - 01:08:49: - I just always thought there was something off about it,
01:08:49 - 01:08:51: and they never achieved the success of N'Sync
01:08:51 - 01:08:53: or the Backstreet Boys, obviously.
01:08:53 - 01:08:56: - So this is really like a high watermark for boy bands.
01:08:56 - 01:08:58: - Yeah, although I'm looking now that obviously
01:08:58 - 01:09:01: this was January 1999, the charts that we're looking at.
01:09:01 - 01:09:04: So this song actually did come out in 1998.
01:09:04 - 01:09:07: So in 1998, 98 Degrees released their album 98 Degrees
01:09:07 - 01:09:08: and Rising.
01:09:08 - 01:09:09: - Solid title.
01:09:09 - 01:09:10: - Solid title.
01:09:10 - 01:09:13: They're going hard on the 98 thing.
01:09:13 - 01:09:16: - Short-lived payoff on that.
01:09:16 - 01:09:18: (laughing)
01:09:18 - 01:09:26: ♪ It's on ♪
01:09:26 - 01:09:28: ♪ It's on ♪
01:09:28 - 01:09:30: ♪ It's on ♪
01:09:30 - 01:09:34: ♪ You're my sunshine after the rain ♪
01:09:34 - 01:09:37: ♪ You're the cure against my fear and pain ♪
01:09:37 - 01:09:39: - Do I remember this one?
01:09:39 - 01:09:40: I don't really remember this.
01:09:40 - 01:09:42: It's like vaguely familiar.
01:09:42 - 01:09:44: ♪ You're not around ♪
01:09:44 - 01:09:45: ♪ It's on ♪
01:09:45 - 01:09:46: ♪ It's on ♪
01:09:46 - 01:09:49: ♪ It's on because of you ♪
01:09:49 - 01:09:51: - Not exactly Jamflow, man, but.
01:09:51 - 01:09:56: ♪ You're my sunshine ♪
01:09:56 - 01:09:58: ♪ Oh yeah ♪
01:09:58 - 01:10:02: ♪ Baby, I really know by now ♪
01:10:02 - 01:10:04: ♪ Since we met that day ♪
01:10:04 - 01:10:07: ♪ You showed me the way ♪
01:10:07 - 01:10:09: ♪ I felt it then you gave me love ♪
01:10:09 - 01:10:14: ♪ I can't describe how much I feel for you ♪
01:10:14 - 01:10:18: ♪ I said baby I should've known by now ♪
01:10:18 - 01:10:21: - Very late 90s ballad.
01:10:21 - 01:10:21: - Deeply.
01:10:21 - 01:10:24: - Acoustic guitar with the programmed drums.
01:10:24 - 01:10:29: ♪ And if only you were here ♪
01:10:29 - 01:10:32: ♪ I'd tell you ♪
01:10:32 - 01:10:33: ♪ Yes I'd tell you ♪
01:10:33 - 01:10:34: ♪ Oh yeah ♪
01:10:34 - 01:10:39: ♪ You're my sunshine after the rain ♪
01:10:39 - 01:10:43: ♪ You're the cure against my fear and my pain ♪
01:10:43 - 01:10:48: ♪ 'Cause I'm losing my mind when you're not around ♪
01:10:48 - 01:10:49: ♪ It's on ♪
01:10:49 - 01:10:50: ♪ It's on ♪
01:10:50 - 01:10:53: ♪ It's on because of you ♪
01:10:53 - 01:10:56: - It's all right.
01:10:56 - 01:10:58: Just sounds like a slightly worse version
01:10:58 - 01:11:00: of a lot of superior hits from that era.
01:11:00 - 01:11:01: - Yeah.
01:11:01 - 01:11:02: - I'm not mad at it.
01:11:02 - 01:11:04: - Get another member, 98 Degrees, then we'll talk.
01:11:04 - 01:11:09: The number five song back in our time, 2019.
01:11:09 - 01:11:12: This is a major hit, Marshmello and Bastille, "Happier".
01:11:12 - 01:11:13: ♪ Lately I've been ♪
01:11:13 - 01:11:15: ♪ I've been thinking ♪
01:11:15 - 01:11:17: ♪ I want you to be happier ♪
01:11:17 - 01:11:20: ♪ I want you to be happier ♪
01:11:20 - 01:11:22: ♪ When the morning comes ♪
01:11:22 - 01:11:24: ♪ And we see what we've become ♪
01:11:24 - 01:11:25: ♪ In the cold light of day ♪
01:11:25 - 01:11:27: ♪ We're a flame in the wind ♪
01:11:27 - 01:11:30: ♪ Not the fire that we begun ♪
01:11:30 - 01:11:32: ♪ Every argument ♪
01:11:32 - 01:11:34: ♪ Every word we can't take back ♪
01:11:34 - 01:11:35: ♪ 'Cause with all that has happened ♪
01:11:35 - 01:11:36: ♪ I think that we've grown ♪
01:11:36 - 01:11:39: - Is this kind of like the "Because of You" of our day?
01:11:39 - 01:11:40: - You think so?
01:11:40 - 01:11:42: I was just gonna say, put one in the column from 2019.
01:11:42 - 01:11:44: - It's a better song.
01:11:44 - 01:11:45: - Yeah.
01:11:45 - 01:11:46: - And it's harder, but it's got a still
01:11:46 - 01:11:48: a little bit of the same energy.
01:11:48 - 01:11:51: It's like a little bit of a ballad.
01:11:51 - 01:11:52: It's almost like a power ballad.
01:11:52 - 01:11:54: - Yeah.
01:11:54 - 01:11:55: I know, with the 98 Degrees,
01:11:55 - 01:11:57: I was trying to put my finger on it.
01:11:57 - 01:11:58: I was like, is this a ballad?
01:11:58 - 01:11:59: - Right.
01:11:59 - 01:12:01: - Sort of in between.
01:12:01 - 01:12:02: - I don't know.
01:12:02 - 01:12:04: I just never want to hear this song.
01:12:04 - 01:12:05: Not mad at it.
01:12:05 - 01:12:06: - I like the verses of that song,
01:12:06 - 01:12:07: but then yeah, it gets,
01:12:07 - 01:12:08: and then it gets into that drop part.
01:12:08 - 01:12:10: You're just like, I'm,
01:12:10 - 01:12:12: we're off to a real kind of middling start here.
01:12:12 - 01:12:14: - Yeah.
01:12:14 - 01:12:18: The number four song in '99 was "Divine," "Lately."
01:12:18 - 01:12:20: Wonder if I know this song.
01:12:20 - 01:12:22: (soft music)
01:12:22 - 01:12:27: ♪ Ooh, ooh, ooh, ooh, ooh, ooh ♪
01:12:27 - 01:12:32: ♪ Ooh, ooh, ooh, ooh, ooh, ooh ♪
01:12:32 - 01:12:35: ♪ Oh yeah, ooh, ooh, ooh, ooh ♪
01:12:35 - 01:12:38: ♪ Baby, I've been watching you ♪
01:12:38 - 01:12:40: ♪ Been thinking 'bout you, baby ♪
01:12:40 - 01:12:43: ♪ Everything you do ♪
01:12:43 - 01:12:45: ♪ Just sitting away ♪
01:12:45 - 01:12:48: ♪ Watching the days go by ♪
01:12:48 - 01:12:49: - What is that guitar moment?
01:12:51 - 01:12:54: ♪ And I know, and I know ♪
01:12:54 - 01:12:57: - It's got like Pearl Jam guitar, right?
01:12:57 - 01:12:58: - Wait, that's funny.
01:12:58 - 01:13:02: I was really noticing the guitar.
01:13:02 - 01:13:04: I was like, someone actually is playing that.
01:13:04 - 01:13:07: (soft music)
01:13:07 - 01:13:12: - Yeah, that, isn't this, that's pretty Pearl Jam.
01:13:12 - 01:13:14: Yeah, it's "Yellow Lead" better vibe.
01:13:14 - 01:13:15: - Wait, drums drop in.
01:13:15 - 01:13:18: ♪ Lately, I've been watching you ♪
01:13:18 - 01:13:20: ♪ Been thinking 'bout you, baby ♪
01:13:20 - 01:13:22: - Yeah, they're really.
01:13:22 - 01:13:25: ♪ And I know, and I know ♪
01:13:25 - 01:13:28: ♪ Watching the days go by ♪
01:13:28 - 01:13:30: ♪ Oh, oh, oh, oh ♪
01:13:30 - 01:13:33: - This is cool, it's like R&B Pearl Jam.
01:13:33 - 01:13:36: - It does have like an anthemic quality to it.
01:13:36 - 01:13:37: - Yeah.
01:13:37 - 01:13:41: I like the vibe of this song.
01:13:41 - 01:13:46: ♪ Watching the days go by ♪
01:13:47 - 01:13:51: ♪ Have you ever felt the breeze hit the heart ♪
01:13:51 - 01:13:55: ♪ Like the wind was blowing it apart ♪
01:13:55 - 01:13:59: ♪ I just spin it like a merry-go-round ♪
01:13:59 - 01:14:01: - Saw that dude the other day in Atwater
01:14:01 - 01:14:04: with the Vedder vanity plates.
01:14:04 - 01:14:06: - Oh, right, you post that on Instagram.
01:14:06 - 01:14:07: - That was tight, that was a highlight.
01:14:07 - 01:14:09: - That was like a Mini Cooper and the-
01:14:09 - 01:14:10: - Like a Fiat.
01:14:10 - 01:14:13: - Oh, Fiat, and the license plate just said Vedder.
01:14:13 - 01:14:14: - Just, yeah, vanity plates for Vedder.
01:14:14 - 01:14:17: And I was parking to go into the Box Brothers
01:14:17 - 01:14:20: in Atwater Village to ship something.
01:14:20 - 01:14:22: And then, so I'm rolling in,
01:14:22 - 01:14:23: and then the guy right behind me
01:14:23 - 01:14:26: comes in with these two framed pictures of Eddie Vedder.
01:14:26 - 01:14:27: And so it's like the guy that,
01:14:27 - 01:14:28: 'cause we were both looking for parking,
01:14:28 - 01:14:30: we were both circling the block.
01:14:30 - 01:14:31: - You'd already seen the plates.
01:14:31 - 01:14:33: - I'd seen the plates, I was like, okay, mark that,
01:14:33 - 01:14:35: the guy with the Fiat with the Vedder plates.
01:14:35 - 01:14:36: And then five minutes later,
01:14:36 - 01:14:38: we both roll into the store at the same time.
01:14:38 - 01:14:40: He rolls in with two framed pictures of Eddie Vedder.
01:14:40 - 01:14:41: And the guy behind the counter is like,
01:14:41 - 01:14:42: oh, more Pearl Jam?
01:14:43 - 01:14:46: - He's like shipping out merch or something.
01:14:46 - 01:14:48: - He's just like a Pearl Jam eBay guy?
01:14:48 - 01:14:50: - Yeah, for sure.
01:14:50 - 01:14:52: - That'd be hilarious if you were kind of like,
01:14:52 - 01:14:55: he comes in the, and you're like, oh, Pearl Jam, cool.
01:14:55 - 01:14:57: You know, I couldn't help but notice your plates out there
01:14:57 - 01:14:59: and be like, it's not my car.
01:14:59 - 01:15:00: - That would've been amazing.
01:15:00 - 01:15:02: - I Ubered here.
01:15:02 - 01:15:03: I don't even know what this (beep) is, I'm just.
01:15:03 - 01:15:05: (laughing)
01:15:05 - 01:15:07: Okay, good song.
01:15:07 - 01:15:09: The number four song back in 2019,
01:15:09 - 01:15:11: this one's been riding strong.
01:15:11 - 01:15:13: Panic at the Disco with High Hopes.
01:15:13 - 01:15:15: Oh, wow, going real deep.
01:15:15 - 01:15:16: This is a big old hit.
01:15:19 - 01:15:27: ♪ Had to have high, high hopes for a living ♪
01:15:27 - 01:15:30: ♪ Shooting for the stars when I couldn't make a killing ♪
01:15:30 - 01:15:33: ♪ Didn't never die, but I always had a vision ♪
01:15:33 - 01:15:35: ♪ Always had high, high hopes ♪
01:15:35 - 01:15:38: ♪ Had to have high, high hopes for a living ♪
01:15:38 - 01:15:41: ♪ Didn't know how, but I always had a feeling ♪
01:15:41 - 01:15:44: ♪ I was gonna be that one in a million ♪
01:15:44 - 01:15:48: ♪ Always had high, high hopes ♪
01:15:48 - 01:15:49: ♪ Mama said ♪
01:15:49 - 01:15:50: - Dude, we gotta see Bohemian Rhapsody.
01:15:50 - 01:15:51: Have you seen it?
01:15:51 - 01:15:53: - Oh, no, I really wanna see that.
01:15:53 - 01:15:54: - Let's watch it.
01:15:54 - 01:15:55: Is it in the theater still?
01:15:55 - 01:15:56: - Yeah, it must be.
01:15:56 - 01:15:57: Somewhere.
01:15:57 - 01:15:58: - TC Field Trip?
01:15:58 - 01:15:59: - I'm down.
01:15:59 - 01:16:01: ♪ Mama said ♪
01:16:01 - 01:16:04: ♪ Burn your biographies, rewrite your history ♪
01:16:04 - 01:16:07: ♪ Light up your wildest dreams, museum victories ♪
01:16:07 - 01:16:10: ♪ Every day we wanted everything ♪
01:16:10 - 01:16:11: ♪ Wanted everything ♪
01:16:11 - 01:16:12: ♪ Mama said ♪
01:16:12 - 01:16:14: ♪ Don't give up ♪
01:16:14 - 01:16:17: ♪ It's a little complicated ♪
01:16:17 - 01:16:20: ♪ All tied up, no more love ♪
01:16:20 - 01:16:22: ♪ And I'd hate to see you waiting ♪
01:16:22 - 01:16:25: ♪ Had to have high, high hopes for a living ♪
01:16:25 - 01:16:28: ♪ Shooting for the stars when I couldn't make a killing ♪
01:16:28 - 01:16:30: ♪ Didn't never die, but I always had a vision ♪
01:16:30 - 01:16:32: - Not mad at that.
01:16:32 - 01:16:33: - Yeah, that's really grown on me.
01:16:33 - 01:16:35: - I mean, it really does hit hard.
01:16:35 - 01:16:36: - Yeah.
01:16:36 - 01:16:38: - Even if you don't like it, it's like,
01:16:38 - 01:16:40: are they playing that in basketball arenas and stuff?
01:16:40 - 01:16:41: - Oh, hell yeah.
01:16:41 - 01:16:42: - They gotta be, right?
01:16:42 - 01:16:43: - Oh, definitely.
01:16:43 - 01:16:45: It's got real sports energy.
01:16:45 - 01:16:49: - That'd be a great walk-on song for a baseball hitter.
01:16:49 - 01:16:52: - Wait, didn't we talk on one episode?
01:16:52 - 01:16:53: - That just came out.
01:16:53 - 01:16:56: - About Vampire Weekend walking out to this song?
01:16:56 - 01:16:58: - Oh yeah, wait, did you?
01:16:58 - 01:17:00: - I feel like we did, on Time Crisis.
01:17:00 - 01:17:02: - Did you actually do that, or are you asking if we talked?
01:17:02 - 01:17:05: - No, I thought we talked about it once on the show.
01:17:05 - 01:17:06: - Yeah, yeah, that rings a bell.
01:17:06 - 01:17:08: - Where I said something about,
01:17:08 - 01:17:10: could Vampire Weekend walk out to this song?
01:17:10 - 01:17:12: - Was it just too high energy?
01:17:12 - 01:17:13: - Would it get people pumped up,
01:17:13 - 01:17:15: or would it make people be like,
01:17:15 - 01:17:16: band to get the disco, now there's a band.
01:17:16 - 01:17:17: There's a band that gets people pumped up.
01:17:17 - 01:17:19: - Yeah, it might.
01:17:19 - 01:17:21: - Well, clearly I'm still thinking about it
01:17:21 - 01:17:23: all these weeks later, so.
01:17:23 - 01:17:28: The number three song in 1999.
01:17:28 - 01:17:30: Now we're finally hitting, I mean,
01:17:30 - 01:17:32: I'm sure those first two songs are important to some people,
01:17:32 - 01:17:36: but now we're hitting one of the biggest songs of all time.
01:17:36 - 01:17:40: I mean, in some ways, this song changed culture,
01:17:40 - 01:17:42: paved the way for modern pop.
01:17:42 - 01:17:43: - Geez.
01:17:43 - 01:17:44: - This is a major song.
01:17:44 - 01:17:45: - Wait, okay, hold on.
01:17:45 - 01:17:47: - Jake's about to be like, never heard it.
01:17:47 - 01:17:48: - Give me a hint.
01:17:48 - 01:17:51: - Let's see how quick, I'll give you one second.
01:17:53 - 01:17:54: - Oh, Britney.
01:17:54 - 01:17:56: - What's the song called?
01:17:56 - 01:17:57: - Is this the first single?
01:17:57 - 01:17:59: - I think this was her first single.
01:17:59 - 01:18:00: - Is it Hit Me One More Time?
01:18:00 - 01:18:01: Is that what it's called?
01:18:01 - 01:18:02: - The song's called--
01:18:02 - 01:18:03: - Hit Me One More Time, is it?
01:18:03 - 01:18:04: - That's what she says.
01:18:04 - 01:18:05: - Yeah.
01:18:05 - 01:18:06: - The song's called Baby One More Time.
01:18:06 - 01:18:07: - Oh, Baby, yeah.
01:18:07 - 01:18:10: - And weirdly, it's dot, dot, dot, baby one more time.
01:18:13 - 01:18:17: - I like that wah.
01:18:17 - 01:18:18: - Yeah, I never caught that.
01:18:18 - 01:18:19: - That was sick.
01:18:19 - 01:18:21: - It's a funky song.
01:18:23 - 01:18:27: - Hold that.
01:18:29 - 01:18:32: - Whoa, sick.
01:18:32 - 01:18:34: - What?
01:18:34 - 01:18:35: You never caught that little--
01:18:35 - 01:18:38: - Is there like an envelope filter on that guitar
01:18:38 - 01:18:38: or is that just a wah?
01:18:38 - 01:18:40: - That little, sounds like the Jamflow man
01:18:40 - 01:18:43: snugging to this session.
01:18:45 - 01:18:52: - Ghost in the machine, dude.
01:18:52 - 01:18:54: Jamflow man out of nowhere.
01:18:54 - 01:18:55: - And they mix it so low.
01:18:55 - 01:18:56: - Yeah.
01:18:59 - 01:19:01: - I forgot this is a funky song.
01:19:01 - 01:19:03: - Yeah.
01:19:03 - 01:19:06: - I think of her stuff as kind of like a little stiff, but.
01:19:09 - 01:19:28: - That piano part that kind of leads in
01:19:28 - 01:19:30: kind of reminds me of like Dre or something.
01:19:30 - 01:19:31: - Yeah, no, totally.
01:19:34 - 01:19:42: - This is one of the best selling singles of all time
01:19:42 - 01:19:45: with over 10 million copies sold.
01:19:45 - 01:19:47: - I had the cassette single.
01:19:47 - 01:19:48: - Did you buy it?
01:19:48 - 01:19:49: - I think someone gave it to me as like a joke.
01:19:49 - 01:19:51: - Yeah, and you're like, it's pretty good.
01:19:51 - 01:19:53: - Yeah, we blasted it in the car a lot.
01:19:53 - 01:19:55: It was like driving up to the Fred Meyer in Portland.
01:19:58 - 01:20:03: ♪ Yeah, stop the way I'm driving ♪
01:20:03 - 01:20:04: - Listen to this.
01:20:04 - 01:20:06: Baby One More Time was first offered to TLC
01:20:06 - 01:20:08: and they turned it down.
01:20:08 - 01:20:10: TLC's T-Boz told MTV they passed on the song
01:20:10 - 01:20:13: as they felt it didn't represent the band appropriately.
01:20:13 - 01:20:15: No disrespect to Britney, it's good for her,
01:20:15 - 01:20:17: but was I gonna say Hit Me Baby One More Time?
01:20:17 - 01:20:18: Hell no.
01:20:18 - 01:20:20: I mean, this song's always had kind of like
01:20:20 - 01:20:21: mysterious lyrics. - Yeah, so what is this song
01:20:21 - 01:20:21: about?
01:20:21 - 01:20:24: - No, we gotta stop for a second.
01:20:24 - 01:20:26: What are the goddamn lyrics to this song?
01:20:26 - 01:20:29: ♪ My loneliness is killing me ♪
01:20:29 - 01:20:33: ♪ And I must confess ♪
01:20:33 - 01:20:34: - I mean, maybe we low-key know all the lyrics
01:20:34 - 01:20:37: and just, they don't really leave much impression.
01:20:37 - 01:20:39: They're written by Max Martin.
01:20:39 - 01:20:42: - Okay, like the famous-- - Famous Swedish guy.
01:20:42 - 01:20:44: Oh baby, baby, how was I supposed to?
01:20:44 - 01:20:46: So again, keep in mind, he's,
01:20:46 - 01:20:49: Swedish people tend to speak English very well.
01:20:49 - 01:20:51: It's still the second language.
01:20:51 - 01:20:53: So they might have interesting insights
01:20:53 - 01:20:55: into our own language that we can't see
01:20:55 - 01:20:57: as native speakers.
01:20:57 - 01:20:59: Oh baby, baby, how was I supposed to know
01:20:59 - 01:21:01: that something wasn't right here?
01:21:01 - 01:21:03: Oh baby, baby, I shouldn't have let you go
01:21:03 - 01:21:05: and now you're out of sight, yeah.
01:21:05 - 01:21:06: Show me how you want it to be.
01:21:06 - 01:21:09: Tell me baby 'cause I need to know now,
01:21:09 - 01:21:10: oh because.
01:21:10 - 01:21:11: My loneliness is killing me.
01:21:11 - 01:21:13: I must confess I still believe
01:21:13 - 01:21:15: when I'm not with you I lose my mind.
01:21:15 - 01:21:16: Give me a sign.
01:21:16 - 01:21:17: Hit me baby one more time.
01:21:17 - 01:21:19: Is it basically just trying to say hit me up?
01:21:19 - 01:21:22: - I never interpret it as literally like hit me,
01:21:22 - 01:21:25: like strike me with your fist.
01:21:25 - 01:21:25: - Well. - I never thought
01:21:25 - 01:21:27: that was the meaning. - Apparently,
01:21:27 - 01:21:28: the record executives were nervous
01:21:28 - 01:21:31: that it might condone domestic violence.
01:21:31 - 01:21:32: - Who would listen to that song and be like,
01:21:32 - 01:21:33: oh, okay, yeah.
01:21:33 - 01:21:34: - Nick's saying was it a riff on
01:21:34 - 01:21:37: Hit Me With Your Best Shot by Pat Benatar?
01:21:37 - 01:21:38: - Right.
01:21:38 - 01:21:39: - Although that's taking-- - Yeah, exactly,
01:21:39 - 01:21:39: that kind of thing. - But that's taking
01:21:39 - 01:21:41: like a pre-existing phrase.
01:21:41 - 01:21:42: Hit me with your best shot, like.
01:21:42 - 01:21:45: - I mean, maybe it is like a very dark
01:21:45 - 01:21:47: kind of masochistic song.
01:21:47 - 01:21:49: Like, you know, she's upset that they've broken up
01:21:49 - 01:21:52: and she is so sort of torn up about it
01:21:52 - 01:21:53: that she's like, yeah, please,
01:21:53 - 01:21:57: like I'd rather have you punch me than not be with you.
01:21:57 - 01:21:59: But then again, her image at that time
01:21:59 - 01:22:01: was of innocent schoolgirls.
01:22:01 - 01:22:02: - I mean, Nick could also picture
01:22:02 - 01:22:04: you're Max Martin, you're a Swedish guy,
01:22:04 - 01:22:06: you speak English excellently,
01:22:06 - 01:22:08: but maybe the certain colloquial stuff
01:22:08 - 01:22:10: you don't have mastered, which is fair.
01:22:10 - 01:22:13: - He's got Pat Benatar in the back of his mind.
01:22:13 - 01:22:14: - Or even he's just like, you know,
01:22:14 - 01:22:18: this is a song about a girl who broke up with a guy
01:22:18 - 01:22:19: and now she's starting to regret it
01:22:19 - 01:22:21: and she just wishes that he would reach out to her
01:22:21 - 01:22:22: and that's what the chorus is about.
01:22:22 - 01:22:23: And they're like, but why hit me?
01:22:23 - 01:22:26: He's like, you know, she's like saying, you know, hit me.
01:22:26 - 01:22:28: And they're just like, what?
01:22:28 - 01:22:30: And he's like, well, yeah, when I was in the States,
01:22:30 - 01:22:34: I heard somebody say, you know, hit me on my two-way pager.
01:22:34 - 01:22:35: And they're like-- - Yeah, see,
01:22:35 - 01:22:36: this is the question though.
01:22:36 - 01:22:38: - And they're like, that makes sense.
01:22:38 - 01:22:41: - But in '98, '99, were people saying hit me up?
01:22:41 - 01:22:43: - Oh, I think so. - Really?
01:22:43 - 01:22:45: I feel like that's a real cell phone thing.
01:22:45 - 01:22:47: - Okay, wait, hold on, we found some info.
01:22:47 - 01:22:49: - Like hit me up on my landline, like what?
01:22:49 - 01:22:50: - In John-- - No, it'd be like
01:22:50 - 01:22:51: give me a call.
01:22:51 - 01:22:54: - You don't think people said hit me up in the '90s?
01:22:54 - 01:22:55: - I don't know, for some reason,
01:22:55 - 01:22:56: I'm struggling with this one.
01:22:56 - 01:22:57: Maybe I'm completely off base,
01:22:57 - 01:22:59: but I just feel like before cell phones,
01:22:59 - 01:23:01: you weren't saying hit me up.
01:23:01 - 01:23:04: But I mean, that's at least my personal experience.
01:23:04 - 01:23:05: - Interesting.
01:23:05 - 01:23:08: Okay, in John Seabrook's book of pop music history,
01:23:08 - 01:23:10: "The Song Machine," he explains that the tracks
01:23:10 - 01:23:13: Swedish writers Max Martin and Remy Jakub,
01:23:13 - 01:23:14: I guess there's another person,
01:23:14 - 01:23:17: believe that hit was American slang for call.
01:23:17 - 01:23:18: - Okay.
01:23:18 - 01:23:20: - And so the song about the heartache of a recent breakup
01:23:20 - 01:23:21: turned to a hit with the public,
01:23:21 - 01:23:23: perhaps a bit confused, but none the wiser.
01:23:23 - 01:23:24: See, that makes sense.
01:23:24 - 01:23:26: Definitely people would have said hit me on my pager
01:23:26 - 01:23:28: in the '90s. - Sure, sure.
01:23:28 - 01:23:30: - People had pagers going back to the '80s.
01:23:30 - 01:23:33: So imagine they come out to LA for a few months
01:23:33 - 01:23:35: of songwriting and they keep hearing people saying,
01:23:35 - 01:23:38: yeah, hit me on my pager, and then they come back to,
01:23:38 - 01:23:39: and then they're talking to each other in Swedish,
01:23:39 - 01:23:41: be like, oh, that's interesting, I never learned that,
01:23:41 - 01:23:45: that hit means like reach out to me.
01:23:45 - 01:23:45: And they're like, cool.
01:23:45 - 01:23:47: And then they're like, we should make a song
01:23:47 - 01:23:49: with some cool colloquial American expressions,
01:23:49 - 01:23:52: like hit me baby, and there's nobody in the room to be like,
01:23:52 - 01:23:53: hit me baby one more time,
01:23:53 - 01:23:56: doesn't come across the same way as hit me on my pager.
01:23:56 - 01:23:58: And the rest is music history.
01:23:58 - 01:24:01: And nobody even cared really that much one way or the other.
01:24:01 - 01:24:02: It also goes to show that, you know,
01:24:02 - 01:24:06: we talked about it with shallow in the shallow.
01:24:06 - 01:24:07: - Yeah.
01:24:07 - 01:24:08: - Not every line in a song has to make sense.
01:24:08 - 01:24:10: - It doesn't have to add up.
01:24:10 - 01:24:11: - It's, you know--
01:24:11 - 01:24:12: - To make an airtight logical argument.
01:24:12 - 01:24:14: - If 90% of it makes sense,
01:24:14 - 01:24:16: the other 10% is just flavor.
01:24:16 - 01:24:16: - Yeah.
01:24:16 - 01:24:17: - You could even make the case,
01:24:17 - 01:24:21: it's like the kind of, the Japanese wabi-sabi aesthetic,
01:24:21 - 01:24:25: that actually there's more beauty in the cracked object
01:24:25 - 01:24:28: than in the totally perfect one anyway.
01:24:28 - 01:24:29: What is perfection?
01:24:29 - 01:24:30: - I feel that.
01:24:33 - 01:24:34: - Remember the video--
01:24:34 - 01:24:35: - That's me, I'm off.
01:24:35 - 01:24:38: - The video is she's like in high school,
01:24:38 - 01:24:39: wearing like a Catholic school outfit.
01:24:39 - 01:24:40: - Right, right.
01:24:40 - 01:24:42: - That was very provocative at the time.
01:24:43 - 01:24:44: - Oh yeah, this part.
01:24:44 - 01:24:49: ♪ Love's too low ♪
01:24:49 - 01:24:53: ♪ Oh yeah, baby ♪
01:24:53 - 01:24:58: ♪ I should've never let you go ♪
01:24:58 - 01:25:02: ♪ I must confess ♪
01:25:02 - 01:25:04: ♪ That my loneliness ♪
01:25:04 - 01:25:08: ♪ Is killing me now ♪
01:25:08 - 01:25:09: ♪ Don't you know ♪
01:25:09 - 01:25:10: - This is like a slightly different chord.
01:25:10 - 01:25:11: - Oh yeah.
01:25:11 - 01:25:12: - Progression here.
01:25:12 - 01:25:13: - I'm slipping it.
01:25:13 - 01:25:15: ♪ And I'll be here ♪
01:25:15 - 01:25:19: ♪ And in the inside ♪
01:25:19 - 01:25:22: ♪ With me baby, put in my time ♪
01:25:22 - 01:25:27: ♪ My loneliness is killing me ♪
01:25:27 - 01:25:30: ♪ I must confess ♪
01:25:30 - 01:25:32: - I remember when this song first came out.
01:25:32 - 01:25:34: How old is Britney Spears?
01:25:34 - 01:25:35: She's 37.
01:25:35 - 01:25:37: - She's in the Days Between.
01:25:37 - 01:25:39: - Oh right, she was born in between the two of us.
01:25:39 - 01:25:40: - TC, Days Between.
01:25:40 - 01:25:42: - Spears.
01:25:42 - 01:25:44: ♪ I know the melody ♪
01:25:44 - 01:25:45: ♪ Is closing me ♪
01:25:45 - 01:25:47: ♪ Is killing me now ♪
01:25:47 - 01:25:49: ♪ I must confess ♪
01:25:49 - 01:25:50: - All right.
01:25:50 - 01:25:52: - It is a classic.
01:25:52 - 01:25:53: - A true classic.
01:25:53 - 01:25:54: - Let's see what 2019 has to offer.
01:25:54 - 01:25:55: - All right.
01:25:55 - 01:25:58: - Well, we have one of our modern pop stars,
01:25:58 - 01:26:00: Halsey with "Without Me".
01:26:00 - 01:26:03: Tasteful opening.
01:26:03 - 01:26:09: - Welcome to rejuvenation.
01:26:09 - 01:26:11: (laughing)
01:26:11 - 01:26:17: ♪ Found you when your heart was broke ♪
01:26:17 - 01:26:20: ♪ I filled you up until it overflowed ♪
01:26:20 - 01:26:24: ♪ Took it so far to keep you close ♪
01:26:24 - 01:26:26: ♪ I was afraid to leave you alone ♪
01:26:26 - 01:26:27: - Oh yeah, we heard this one.
01:26:27 - 01:26:30: This is the one that interpolates
01:26:30 - 01:26:32: the pre-chorus of Justin Timberlake's "Cry Me a River".
01:26:32 - 01:26:36: ♪ And then I got you off your knees ♪
01:26:36 - 01:26:38: ♪ Put you right back on your feet ♪
01:26:38 - 01:26:41: ♪ Just so you can take advantage of me ♪
01:26:41 - 01:26:43: ♪ Tell me how's it feel ♪
01:26:43 - 01:26:45: - Interpolates?
01:26:45 - 01:26:46: What does that mean?
01:26:46 - 01:26:48: - That's what they say when you're referencing something
01:26:48 - 01:26:50: but not directly sampling it.
01:26:50 - 01:26:53: - And so they have to pay royalties or whatever to him?
01:26:53 - 01:26:54: - Yeah.
01:26:54 - 01:26:56: - So they're just going like above board with it.
01:26:56 - 01:26:59: - Well, no, interpolation would also be like,
01:26:59 - 01:27:02: it's like, are you literally using the master recording?
01:27:02 - 01:27:03: - Right.
01:27:03 - 01:27:05: - Or are you just like thrown in a tasty nod
01:27:05 - 01:27:10: to Jamflow Man and your solo?
01:27:10 - 01:27:11: Either way, yeah, you gotta pay something.
01:27:11 - 01:27:13: ♪ You can't stop me ♪
01:27:13 - 01:27:16: ♪ I'm letting you down on me ♪
01:27:16 - 01:27:20: ♪ Maybe I'm the one who put you up there ♪
01:27:20 - 01:27:23: ♪ I don't know why ♪
01:27:23 - 01:27:25: - I like this song.
01:27:25 - 01:27:26: It's cool. - It's tasteful.
01:27:26 - 01:27:28: - It's cool. - It's a tasteful song.
01:27:28 - 01:27:29: - Yeah, it's pretty good.
01:27:29 - 01:27:32: - Back to 1998, Debra Cox.
01:27:32 - 01:27:34: The song's called "Nobody's Supposed to Be Here".
01:27:34 - 01:27:36: I feel like I can remember,
01:27:36 - 01:27:37: ♪ Nobody's supposed to be here ♪
01:27:37 - 01:27:39: or something like that. - Debra Cox,
01:27:39 - 01:27:40: that does not ring a bell.
01:27:40 - 01:27:42: - But nobody's supposed to be here, doesn't it?
01:27:42 - 01:27:43: Then you feel like it goes,
01:27:43 - 01:27:46: ♪ Nobody's supposed to be here ♪
01:27:46 - 01:27:48: Let's find out how well I know this song.
01:27:48 - 01:27:49: Clearly not well at all.
01:27:49 - 01:27:50: - What is this, number two?
01:27:50 - 01:27:52: - Oh, she's a Canadian R&B singer.
01:27:52 - 01:27:53: This is number two.
01:27:53 - 01:27:55: - Where's Seinfeld when we need him?
01:27:55 - 01:27:57: - Damn, yeah, Seinfeld's out of town for a while.
01:27:57 - 01:27:59: We didn't wanna lead with that, but.
01:27:59 - 01:28:00: - Oh yeah, we gotta update the crew.
01:28:00 - 01:28:03: - Yeah, just so everybody knows, Seinfeld.
01:28:03 - 01:28:04: - He was not let go.
01:28:04 - 01:28:06: - He was not let go,
01:28:06 - 01:28:07: but he got in a sticky situation
01:28:07 - 01:28:08: and had to leave the country
01:28:08 - 01:28:12: with his family for a few months.
01:28:12 - 01:28:13: He'll be back. - Yeah, oh yeah.
01:28:13 - 01:28:14: - He'll be back.
01:28:14 - 01:28:16: - Hopefully some call-ins, maybe.
01:28:16 - 01:28:17: - Oh yeah, we gotta get him to call in.
01:28:17 - 01:28:19: - From an undisclosed location.
01:28:19 - 01:28:20: - From an undisclosed location.
01:28:20 - 01:28:22: The government shut down.
01:28:22 - 01:28:24: It was not very helpful for Mr. Seinfeld,
01:28:24 - 01:28:26: put it that way.
01:28:26 - 01:28:27: This is Debra Cox.
01:28:27 - 01:28:29: (gentle music)
01:28:32 - 01:28:40: - This is dope.
01:28:40 - 01:28:41: - This is cool.
01:28:41 - 01:28:45: ♪ How did you get here ♪
01:28:45 - 01:28:47: ♪ Nobody's supposed to be here ♪
01:28:47 - 01:28:50: - Oh yeah, yeah, I know this.
01:28:50 - 01:28:55: ♪ I've tried that love thing for the last time ♪
01:28:56 - 01:29:01: ♪ My heart said no, no, no ♪
01:29:01 - 01:29:02: - Love this.
01:29:02 - 01:29:06: ♪ Nobody's supposed to be here ♪
01:29:06 - 01:29:11: ♪ But you came about and changed my mind ♪
01:29:11 - 01:29:18: ♪ I've spent all my life ♪
01:29:18 - 01:29:22: ♪ On a search to find ♪
01:29:22 - 01:29:26: ♪ The love I'll stay for eternity ♪
01:29:26 - 01:29:30: ♪ The heaven sent to fulfill my need ♪
01:29:30 - 01:29:31: ♪ But when I turn around ♪
01:29:31 - 01:29:32: - I mean, outside of the drums,
01:29:32 - 01:29:33: it really reminds me of like,
01:29:33 - 01:29:36: just like something we might catch on like,
01:29:36 - 01:29:37: top five on like 74.
01:29:37 - 01:29:38: - Yeah.
01:29:38 - 01:29:41: It's got a little bit of Benny and the Jets bounce.
01:29:41 - 01:29:42: - Uh-huh.
01:29:42 - 01:29:46: ♪ I'm so bad to say love wins again ♪
01:29:46 - 01:29:50: ♪ So I place my heart under lacking blue ♪
01:29:50 - 01:29:53: - Kind of 90s R&B like quadruple tracked vocals.
01:29:53 - 01:29:54: - Uh-huh.
01:29:54 - 01:29:56: ♪ But I turn around ♪
01:29:56 - 01:29:57: - Quadruple tracked.
01:29:57 - 01:30:00: ♪ And I'm standing here ♪
01:30:00 - 01:30:05: ♪ How did you get here ♪
01:30:05 - 01:30:06: ♪ Nobody's supposed to be here ♪
01:30:06 - 01:30:07: - That's also just a great line.
01:30:07 - 01:30:09: Like the song, it kind of explains what's going on.
01:30:09 - 01:30:12: It's about somebody who's, I think,
01:30:12 - 01:30:13: somebody said their heart broke
01:30:13 - 01:30:14: and wasn't ready to love again,
01:30:14 - 01:30:16: but now somebody came into their life.
01:30:16 - 01:30:17: It all tracks,
01:30:17 - 01:30:20: which is funny to open a song with no context.
01:30:20 - 01:30:25: ♪ How did you get here ♪
01:30:25 - 01:30:26: ♪ Physically ♪
01:30:26 - 01:30:29: ♪ Nobody's supposed to be here ♪
01:30:29 - 01:30:30: - That kind of sounds like it's like
01:30:30 - 01:30:31: from Hamilton or something.
01:30:31 - 01:30:35: John Adams came over to Hamilton's house.
01:30:35 - 01:30:40: ♪ How did you get here ♪
01:30:40 - 01:30:43: ♪ Nobody's supposed to be here ♪
01:30:43 - 01:30:46: ♪ Alexander, I must talk to you ♪
01:30:46 - 01:30:48: ♪ Get out of here, John Adams ♪
01:30:48 - 01:30:50: ♪ Nobody's supposed to be here ♪
01:30:50 - 01:30:55: ♪ How did you get here ♪
01:30:55 - 01:30:58: ♪ Nobody's supposed to be here ♪
01:30:58 - 01:30:59: - In the Superman musical.
01:30:59 - 01:31:03: Batman, wait, now who has the Fortress of Solitude?
01:31:03 - 01:31:04: That's Superman, right?
01:31:04 - 01:31:06: - In like the icebergs or whatever.
01:31:06 - 01:31:07: - It's when Superman wants to be alone,
01:31:07 - 01:31:08: he goes to the Fortress of Solitude.
01:31:08 - 01:31:10: Batman shows up.
01:31:10 - 01:31:12: How did you get here?
01:31:12 - 01:31:15: Did you see Jeff Banda's movie, The Little Hours?
01:31:15 - 01:31:16: - Oh yeah.
01:31:16 - 01:31:18: - I watched that, it's on Netflix now.
01:31:18 - 01:31:19: - Great movie.
01:31:19 - 01:31:22: - Time Crisis, 10 out of 10, recommend.
01:31:22 - 01:31:22: - Oh yeah.
01:31:22 - 01:31:27: - Got Aubrey Plaza, John C. Reilly, great Dave Franco.
01:31:27 - 01:31:30: It's based on the Decameron, which I always loved.
01:31:30 - 01:31:32: We had to read that back in college.
01:31:32 - 01:31:33: I actually watched another movie.
01:31:33 - 01:31:36: There's a movie from the '70s based on the Decameron too.
01:31:36 - 01:31:37: So it's really funny.
01:31:37 - 01:31:40: It's like takes place at a convent.
01:31:40 - 01:31:43: - Like 1347 or something.
01:31:43 - 01:31:45: - Yeah, in the middle ages in Italy.
01:31:45 - 01:31:48: So you could also imagine a guy showing up at a convent.
01:31:48 - 01:31:49: That would be inappropriate.
01:31:49 - 01:31:50: How did you get here?
01:31:50 - 01:31:51: Nobody's supposed to be here.
01:31:51 - 01:31:56: Oh, that'd be more like no man are supposed to be here.
01:31:56 - 01:31:58: - No, yeah, that's more of like a why are you here?
01:31:58 - 01:31:59: It's not how did you get here?
01:31:59 - 01:32:01: You'd be like, I walked.
01:32:01 - 01:32:04: How did you get here is such a specific thing.
01:32:04 - 01:32:06: That's not something you savor.
01:32:06 - 01:32:07: Like how did you get here, dude?
01:32:07 - 01:32:09: - Well, it's also a very specific combo
01:32:09 - 01:32:11: because I can think of a lot of how did you get here's
01:32:11 - 01:32:15: and I can think of a lot of nobody's supposed to be here's.
01:32:15 - 01:32:16: I could think of it just like,
01:32:16 - 01:32:18: well, how'd you get here?
01:32:18 - 01:32:22: You're seven and we're 30 miles from your parents' house.
01:32:22 - 01:32:23: Do they know that?
01:32:23 - 01:32:24: Would you get on the bus?
01:32:24 - 01:32:25: That's inappropriate.
01:32:25 - 01:32:26: How'd you get here?
01:32:26 - 01:32:28: But the nobody's supposed to be here part,
01:32:28 - 01:32:31: I guess it's a combo of two different vibes.
01:32:31 - 01:32:34: - How did you get here is like a very horror movie.
01:32:34 - 01:32:34: - That's what I'm thinking.
01:32:34 - 01:32:37: It's like you show up to your vacation house
01:32:37 - 01:32:39: and you're thinking it's gonna be like just you
01:32:39 - 01:32:42: and your wife and then there's like your old
01:32:42 - 01:32:44: like college friend who's standing in the living room
01:32:44 - 01:32:47: waiting for you, who you have like weird bad blood with
01:32:47 - 01:32:51: and you're like, how did you get here?
01:32:51 - 01:32:54: - But then even then nobody's supposed to be here.
01:32:54 - 01:32:56: - Yeah, it's like, this is our lake house, dude.
01:32:56 - 01:32:58: Like we're rolling in for the weekend.
01:32:58 - 01:33:00: - Maybe like a-- - Like a stalker film.
01:33:00 - 01:33:02: - Or maybe it's like a sci-fi horror movie.
01:33:02 - 01:33:04: - Oh dude, like aliens?
01:33:04 - 01:33:05: - Oh, okay.
01:33:05 - 01:33:07: Or it's like, did you see Annihilation?
01:33:07 - 01:33:08: - Yes.
01:33:08 - 01:33:10: - And it's kind of reminded me of that old
01:33:10 - 01:33:13: the Russian movie Stalker.
01:33:13 - 01:33:15: This was like about these people who enter the zone.
01:33:15 - 01:33:16: - Right, right.
01:33:16 - 01:33:18: - You know, so that's like a slight mini genre movies
01:33:18 - 01:33:21: where people go into this mysterious like toxic place
01:33:21 - 01:33:25: where a meteor hit or you know, there's radioactive waste
01:33:25 - 01:33:26: and no humans live there.
01:33:26 - 01:33:30: So like a group of scientists enter the zone.
01:33:30 - 01:33:31: - Chernobyl. - Chernobyl, basically.
01:33:31 - 01:33:33: - In 1986. - Yeah, exactly.
01:33:33 - 01:33:35: And then they just like go in and they see like
01:33:35 - 01:33:38: a very like healthy looking--
01:33:38 - 01:33:41: - Dude, it's just Arnold from T2, just naked.
01:33:41 - 01:33:43: - Yeah, he looks like he's in great shape.
01:33:43 - 01:33:46: Doesn't look like, not like some toxic waste victim.
01:33:46 - 01:33:47: And they're just like, how did you get here?
01:33:47 - 01:33:49: And he just stares blankly at them.
01:33:49 - 01:33:51: Nobody's supposed to be here.
01:33:51 - 01:33:51: That would make sense.
01:33:51 - 01:33:54: - Yeah, okay, I'm glad we got to the bottom of that.
01:33:54 - 01:33:57: - The army swept this area for survivors.
01:33:57 - 01:34:00: They've maintained a strict perimeter.
01:34:00 - 01:34:03: This group of scientists are the first people
01:34:03 - 01:34:05: allowed in in three years.
01:34:05 - 01:34:06: How did you get here?
01:34:06 - 01:34:07: Nobody's supposed to be, that tracks.
01:34:07 - 01:34:09: How did you get here?
01:34:09 - 01:34:14: (laughing)
01:34:14 - 01:34:16: - And this is the credit song.
01:34:16 - 01:34:18: (laughing)
01:34:18 - 01:34:19: Of this movie.
01:34:19 - 01:34:25: Wildly dissonant emotional palette from the film.
01:34:25 - 01:34:30: - Picture, it's 1999.
01:34:30 - 01:34:32: Deborah Cox, Canadian R&B singer,
01:34:32 - 01:34:33: has this like massive hit and the label's like,
01:34:33 - 01:34:36: we wanna make a big video.
01:34:36 - 01:34:39: Can we just like sit down and pitch this?
01:34:39 - 01:34:41: Deborah, pitch this.
01:34:41 - 01:34:42: Love the lyrics, we wanna do something big.
01:34:42 - 01:34:44: We wanna do something cinematic.
01:34:44 - 01:34:46: 'Cause right now you got the number two song
01:34:46 - 01:34:48: on the Billboard charts.
01:34:48 - 01:34:50: Picture this, Chernobyl.
01:34:50 - 01:34:53: Three years after the disaster.
01:34:53 - 01:34:59: You're leading a highly trained team of scientists.
01:34:59 - 01:35:04: The number two song, woo, Golden Globe winner.
01:35:04 - 01:35:07: Number two song in 2019, I should say.
01:35:07 - 01:35:10: Golden Globe winner, congratulations to Lady Gaga,
01:35:10 - 01:35:14: Mark Ronson, Andrew Wyatt, and Anthony Rossamando.
01:35:14 - 01:35:15: - Oh, they won for the song.
01:35:15 - 01:35:16: - Yep.
01:35:16 - 01:35:18: - Right, the film did not win, but.
01:35:18 - 01:35:19: - No, the song won.
01:35:19 - 01:35:21: - The song, okay great, it's back.
01:35:21 - 01:35:24: So, okay, so the Golden Globe victory.
01:35:24 - 01:35:25: - Bittersweet.
01:35:25 - 01:35:30: - Well, I guess it drove this song back up the charts.
01:35:30 - 01:35:31: 'Cause this, I don't think was on
01:35:31 - 01:35:33: the last few countdowns we did.
01:35:33 - 01:35:35: - Yeah, maybe not, but it's still very successful.
01:35:35 - 01:35:36: - Obviously.
01:35:36 - 01:35:37: - It's a big drop, yeah.
01:35:37 - 01:35:39: - But I'm just sort of surprised that people are like,
01:35:39 - 01:35:42: oh, that won the Golden Globe, I guess I'll buy it.
01:35:42 - 01:35:44: - Or just remind people that it exists.
01:35:44 - 01:35:44: - Right.
01:35:44 - 01:35:45: - Or they're like, you know what,
01:35:45 - 01:35:47: I'm ready to pull the trigger in the iTunes store.
01:35:47 - 01:35:49: - That dollar 29, dude, I'm in now.
01:35:49 - 01:35:55: ♪ Is there something else you're searching for ♪
01:35:55 - 01:36:00: ♪ I'm falling ♪
01:36:00 - 01:36:05: ♪ In all the good times I find myself longing for change ♪
01:36:05 - 01:36:15: ♪ And in the bad times I fear myself ♪
01:36:15 - 01:36:19: - My wife is beginning to teach herself piano.
01:36:19 - 01:36:20: - Oh, nice.
01:36:20 - 01:36:22: - And she's been doing these YouTube tutorials
01:36:22 - 01:36:25: of just basic like left hand, right hand.
01:36:25 - 01:36:26: - Yeah.
01:36:26 - 01:36:28: - She was playing Shallow for hours.
01:36:28 - 01:36:30: - Just a piano rendition of Shallow?
01:36:30 - 01:36:31: - Yep.
01:36:31 - 01:36:32: - And were you guys singing the duet together?
01:36:32 - 01:36:33: - Oh yeah, for hours.
01:36:33 - 01:36:34: - Oh, you got in?
01:36:34 - 01:36:35: - Yeah, yeah.
01:36:35 - 01:36:36: Well, I got in, I was like,
01:36:36 - 01:36:37: I was like, let me try to play it in the church,
01:36:37 - 01:36:39: show me how to do it, yeah.
01:36:39 - 01:36:40: - Can you hold it down on piano?
01:36:40 - 01:36:41: - No, I can't.
01:36:41 - 01:36:42: - Oh, really?
01:36:42 - 01:36:43: I've never seen you play.
01:36:43 - 01:36:44: - I used to play, but I don't.
01:36:44 - 01:36:45: - Uh-huh.
01:36:45 - 01:36:50: ♪ I'm falling ♪
01:36:50 - 01:36:55: ♪ In all the good times I find myself longing for change ♪
01:36:56 - 01:37:00: ♪ For change ♪
01:37:00 - 01:37:05: ♪ And in the bad times I fear myself ♪
01:37:05 - 01:37:08: ♪ I'm off the deep end ♪
01:37:08 - 01:37:10: - I think this is the song of the year for me.
01:37:10 - 01:37:11: - Wow.
01:37:11 - 01:37:13: - I mean, in terms of like big pop songs,
01:37:13 - 01:37:16: I find myself singing a lot.
01:37:16 - 01:37:17: - Yeah.
01:37:17 - 01:37:19: - Just to myself, like idly, randomly,
01:37:19 - 01:37:20: just like in the morning,
01:37:20 - 01:37:22: like 7.15 in the morning, making coffee.
01:37:22 - 01:37:25: ♪ Now ♪
01:37:25 - 01:37:30: ♪ In the shallow ♪
01:37:30 - 01:37:32: - I like that pedal steal.
01:37:32 - 01:37:33: - Yeah.
01:37:33 - 01:37:35: - Bring that up in the mix.
01:37:35 - 01:37:39: ♪ In the shallow ♪
01:37:39 - 01:37:43: ♪ We're far from the shallow now ♪
01:37:43 - 01:37:46: - Are you in the shallow, or are you far from the shallow?
01:37:46 - 01:37:48: - Seinfeld bet.
01:37:48 - 01:37:50: - What's the deal with Lady Gaga?
01:37:50 - 01:37:51: - In the shallow.
01:37:51 - 01:37:53: - We're in the deep end.
01:37:53 - 01:37:55: We're not in the shallow.
01:37:55 - 01:37:56: Definitely not in the shallow.
01:37:56 - 01:37:58: In the shallow.
01:37:58 - 01:37:59: Far from the shallow.
01:37:59 - 01:38:01: It's all over the place.
01:38:01 - 01:38:03: - Well, it's your 90% theory.
01:38:03 - 01:38:05: - It is my 90% theory.
01:38:05 - 01:38:07: I actually asked Mark about it.
01:38:07 - 01:38:07: - Yeah?
01:38:07 - 01:38:09: - I don't wanna blow up his spot too much,
01:38:09 - 01:38:11: but I was like, listen, man, I love the song,
01:38:11 - 01:38:13: but I've been thinking about it.
01:38:13 - 01:38:14: That part where they go, in the shallow,
01:38:14 - 01:38:15: it's like, what?
01:38:15 - 01:38:16: We are in the deep end.
01:38:16 - 01:38:18: And then he was like, thought about it,
01:38:18 - 01:38:20: he was like, yeah, maybe it was originally from the shallow.
01:38:20 - 01:38:21: I don't know.
01:38:21 - 01:38:22: - Didn't know he's British.
01:38:22 - 01:38:23: - Yeah, he's half British.
01:38:23 - 01:38:26: - So he speaks with a mild British accent?
01:38:26 - 01:38:27: - You met people like that before,
01:38:27 - 01:38:32: who grew up half, going back and forth a little bit.
01:38:32 - 01:38:33: Does it amaze, his voice is a little,
01:38:33 - 01:38:35: it's like, yeah, right on the cusp,
01:38:35 - 01:38:39: it's like, oh yeah, that's kinda what it sounds like.
01:38:39 - 01:38:41: But, and then I was thinking about it,
01:38:41 - 01:38:42: and I was like, okay, let's say the original lyric,
01:38:42 - 01:38:45: or they thought to, maybe they'd made a,
01:38:45 - 01:38:47: like, we should change it, and then they forgot.
01:38:47 - 01:38:49: It could've been, now I'm in the deep end,
01:38:49 - 01:38:51: watch how I dive in, I'll never hit the ground.
01:38:51 - 01:38:53: Blah, blah, blah, blah, blah, da, na, na, na,
01:38:53 - 01:38:55: we're far from the shallows now.
01:38:55 - 01:38:58: From the shallow, shah-hello, from the shah-hello.
01:38:58 - 01:39:00: That would make more sense, I couldn't criticize it,
01:39:00 - 01:39:01: but then, from the shallow,
01:39:01 - 01:39:02: probably just doesn't sing as well.
01:39:02 - 01:39:04: - Yeah, it doesn't.
01:39:04 - 01:39:05: ♪ In the shallow ♪
01:39:05 - 01:39:08: ♪ In the shah-hello ♪
01:39:08 - 01:39:10: - You know what song I also realized,
01:39:10 - 01:39:13: is kinda works in my, like, 90% theory?
01:39:13 - 01:39:14: Doe a Deer.
01:39:14 - 01:39:15: - What's that?
01:39:15 - 01:39:16: - It's from The Sound of Music.
01:39:16 - 01:39:17: - Okay.
01:39:17 - 01:39:18: - 'Cause it's a very witty song.
01:39:18 - 01:39:21: 'Cause it goes through the Do, Re, Mi, Fa, So, La, Ti, Do.
01:39:21 - 01:39:21: - Right, right.
01:39:21 - 01:39:22: - You know what's great,
01:39:22 - 01:39:23: I've never actually seen The Sound of Music,
01:39:23 - 01:39:25: but I know a lot of the songs.
01:39:25 - 01:39:26: I know that's a major film.
01:39:26 - 01:39:27: - I've never seen it either.
01:39:27 - 01:39:28: - Oh, really?
01:39:28 - 01:39:31: We should do a double feature of that in Bohemian Rhapsody.
01:39:31 - 01:39:32: - Tight.
01:39:32 - 01:39:34: - But on that song, it goes,
01:39:34 - 01:39:36: ♪ Doe a deer, a female deer ♪
01:39:36 - 01:39:39: ♪ Re, a drop of golden sun ♪
01:39:39 - 01:39:41: ♪ Mi, a name I call myself ♪
01:39:41 - 01:39:44: ♪ Fa, a long, long way to run ♪
01:39:44 - 01:39:46: ♪ So, a needle pulling thread ♪
01:39:46 - 01:39:47: So, so far, it's like very smart.
01:39:47 - 01:39:49: - Oh yeah, this is great, I love it.
01:39:49 - 01:39:50: - And this is the Throtters and Hammer scene, right?
01:39:50 - 01:39:51: Great songwriters.
01:39:51 - 01:39:52: But so I love this part.
01:39:52 - 01:39:55: ♪ La, a word to follow, so ♪
01:39:55 - 01:39:58: I was like, wait, you guys are doing so good.
01:39:58 - 01:39:59: - Yeah, that really sticks out too.
01:39:59 - 01:40:01: - ♪ So, a needle pulling thread ♪
01:40:01 - 01:40:04: ♪ La, a note to follow, so ♪
01:40:04 - 01:40:06: ♪ Ti, I drink with jam and bread ♪
01:40:06 - 01:40:09: ♪ That will bring us back to Do, Do, Do, Do ♪
01:40:09 - 01:40:11: Every single one is like perfect.
01:40:11 - 01:40:13: Ti, a drink with jam and bread.
01:40:13 - 01:40:14: But then yeah, it's just like,
01:40:14 - 01:40:16: ♪ La, they just couldn't come up with anything ♪
01:40:16 - 01:40:19: ♪ La, a little word to follow, so ♪
01:40:19 - 01:40:21: But up until then, it's rock solid.
01:40:21 - 01:40:23: - I wonder if they were just banging their head
01:40:23 - 01:40:24: against the wall.
01:40:24 - 01:40:24: - I mean, I could really--
01:40:24 - 01:40:26: - Like, we gotta think of something.
01:40:26 - 01:40:27: - These are like, Rogers and Hammer scene,
01:40:27 - 01:40:29: real old school songwriters.
01:40:29 - 01:40:30: - Yeah.
01:40:30 - 01:40:31: - They're wearing like a tie and a vest.
01:40:31 - 01:40:32: (laughing)
01:40:32 - 01:40:34: Their shirts tucked in, just sitting at the piano,
01:40:34 - 01:40:35: like chain smoking.
01:40:35 - 01:40:36: - Oh yeah.
01:40:36 - 01:40:40: - Just like, la, la, what does la mean, what does la mean?
01:40:40 - 01:40:43: And then somebody's just like, honestly dude, (beep) it.
01:40:43 - 01:40:45: - Dude, it's like three in the morning.
01:40:45 - 01:40:46: - Bro, we're-- - The song is awesome.
01:40:46 - 01:40:49: Like, no one's gonna care.
01:40:49 - 01:40:51: - Bro, we're Rogers and Hammerstein.
01:40:51 - 01:40:53: We've been paying our dues for years, man.
01:40:53 - 01:40:55: We don't need to (beep) nail every line
01:40:55 - 01:40:57: for people to respect us.
01:40:57 - 01:40:58: We earned this, man.
01:40:58 - 01:41:01: La, a word to follow, so who gives a (beep)
01:41:01 - 01:41:03: - I mean, dude, it's self-referential, it's cool.
01:41:03 - 01:41:05: - It does not make sense.
01:41:05 - 01:41:07: Just shows that we're chill out bros.
01:41:07 - 01:41:09: Not everything has to be so (beep) witty.
01:41:09 - 01:41:10: They were right.
01:41:10 - 01:41:11: (laughing)
01:41:11 - 01:41:11: Good for them.
01:41:11 - 01:41:13: - Yeah, the problem is, la is not a word.
01:41:13 - 01:41:14: So it's just like--
01:41:14 - 01:41:15: - It's not a noun.
01:41:15 - 01:41:17: - But they did good with fa,
01:41:17 - 01:41:20: 'cause they went fa, a long, long way to run.
01:41:20 - 01:41:21: - Right.
01:41:21 - 01:41:22: - So what would be la?
01:41:22 - 01:41:23: - La.
01:41:23 - 01:41:27: - La, la, la, a place to park your car.
01:41:27 - 01:41:27: - Oh yeah.
01:41:27 - 01:41:30: (laughing)
01:41:30 - 01:41:37: ♪ So I need a pulling thread ♪
01:41:37 - 01:41:40: ♪ La, a place to park your car ♪
01:41:40 - 01:41:42: - If we only had a time machine.
01:41:42 - 01:41:43: - Guys, we got it.
01:41:43 - 01:41:44: (laughing)
01:41:44 - 01:41:46: Okay, I know this is crazy.
01:41:46 - 01:41:48: (laughing)
01:41:48 - 01:41:51: - They'd just be like, "You know what?
01:41:51 - 01:41:52: "We already figured it out."
01:41:52 - 01:41:54: - We thought about that, actually.
01:41:54 - 01:41:56: - Yeah, we thought that sucked.
01:41:56 - 01:41:59: The number one song in '99.
01:41:59 - 01:42:00: - Yeah.
01:42:00 - 01:42:01: - Brandy.
01:42:01 - 01:42:02: Remember Brandy?
01:42:02 - 01:42:03: - Yeah.
01:42:03 - 01:42:05: ♪ Have you ever loved somebody so much ♪
01:42:05 - 01:42:06: - Wow.
01:42:06 - 01:42:08: That was crazy, that fade in on the
01:42:08 - 01:42:09: ♪ You cry ♪
01:42:09 - 01:42:12: sort of lush grouping of voices.
01:42:12 - 01:42:13: ♪ So sad you're gone ♪
01:42:13 - 01:42:15: - Song is written by Diane Warren
01:42:15 - 01:42:17: and produced by David Foster.
01:42:17 - 01:42:19: You remember David Foster was the kind of
01:42:19 - 01:42:21: late period Chicago producer.
01:42:21 - 01:42:22: - Oh yeah.
01:42:22 - 01:42:23: ♪ Come my brother ♪
01:42:23 - 01:42:24: - And a lot of other stuff.
01:42:24 - 01:42:27: ♪ Have you ever ♪
01:42:27 - 01:42:30: ♪ Have you ever ♪
01:42:30 - 01:42:34: - Talk about quadruple tracking.
01:42:34 - 01:42:38: - Lot of R&B.
01:42:38 - 01:42:39: - Yeah.
01:42:39 - 01:42:40: - '99 top five.
01:42:40 - 01:42:42: - This one's a little sleepy.
01:42:42 - 01:42:44: This was the follow up to her duet with Monica,
01:42:44 - 01:42:45: The Boy's Mine.
01:42:45 - 01:42:48: Now that's a song that made a much bigger impression on me.
01:42:48 - 01:42:50: ♪ Have you ever had someone ♪
01:42:50 - 01:42:53: ♪ Steal your heart away ♪
01:42:53 - 01:42:57: ♪ You'd give anything ♪
01:42:57 - 01:43:02: ♪ To make them feel the same ♪
01:43:02 - 01:43:04: ♪ Have you ever searched for words ♪
01:43:04 - 01:43:07: ♪ To get you in the heart ♪
01:43:07 - 01:43:10: ♪ But you don't know what to say ♪
01:43:10 - 01:43:14: ♪ And you don't know where to start ♪
01:43:14 - 01:43:18: ♪ Have you ever loved somebody so much ♪
01:43:18 - 01:43:21: ♪ It makes you cry ♪
01:43:21 - 01:43:26: ♪ Have you ever needed something so bad ♪
01:43:26 - 01:43:28: - The top three are all like kind of conflicted love songs.
01:43:28 - 01:43:32: Have you ever loved somebody so much it makes you cry?
01:43:32 - 01:43:34: How did you get here?
01:43:34 - 01:43:35: Nobody's supposed to be here.
01:43:35 - 01:43:37: Hit me baby one more time.
01:43:37 - 01:43:39: ♪ Have you ever ♪
01:43:39 - 01:43:44: ♪ Have you ever ♪
01:43:44 - 01:43:47: ♪ Have you ever found the one ♪
01:43:47 - 01:43:49: ♪ You dreamed of all your life ♪
01:43:49 - 01:43:51: - Do you think Brandy's still playing shows?
01:43:51 - 01:43:54: - She's currently starring on Fox's musical drama, Star.
01:43:54 - 01:43:55: - Oh, okay.
01:43:55 - 01:43:58: ♪ Look into their eyes ♪
01:43:58 - 01:43:59: - You get the idea.
01:43:59 - 01:44:02: The number one song right now on iTunes
01:44:02 - 01:44:06: is a song by our old friend, Post Malone.
01:44:06 - 01:44:07: - Oh wow, new?
01:44:07 - 01:44:10: - Yeah, it's from the soundtrack for the new film,
01:44:10 - 01:44:12: Spider-Man Into the Spider-Verse.
01:44:12 - 01:44:13: - Okay.
01:44:13 - 01:44:14: - It's called Sunflower.
01:44:14 - 01:44:15: - Cool title.
01:44:15 - 01:44:17: - Yeah, it is a cool title.
01:44:17 - 01:44:20: I wasn't very happy when I heard about this song.
01:44:20 - 01:44:21: - You have a song called Sunflower?
01:44:21 - 01:44:24: - I'm not saying that, but you know what?
01:44:24 - 01:44:25: - Can neither confirm nor deny.
01:44:25 - 01:44:26: - I can neither confirm nor deny,
01:44:26 - 01:44:28: but you know what, that's just how it is, man.
01:44:28 - 01:44:30: - There's probably a lot of songs called Sunflower.
01:44:30 - 01:44:31: - No, I know, I know.
01:44:31 - 01:44:34: And also, you take your time finishing an album,
01:44:34 - 01:44:36: take your time waiting to put it out,
01:44:36 - 01:44:38: you're gonna start to see things out there in the world
01:44:38 - 01:44:40: where you're like, huh, okay,
01:44:40 - 01:44:41: maybe I waited a little too long,
01:44:41 - 01:44:42: but the light's a fire under you.
01:44:42 - 01:44:43: You know what I'm saying?
01:44:43 - 01:44:45: Anyway, I actually haven't heard this song.
01:44:45 - 01:44:46: Let's check it out.
01:44:48 - 01:44:54: Okay.
01:44:54 - 01:45:04: It has a little bit of a late '90s vibe.
01:45:07 - 01:45:24: Swae Lee from Ray Shremmer is singing?
01:45:24 - 01:45:27: Yeah.
01:45:29 - 01:45:41: His choruses are always like long, two minutes long.
01:45:41 - 01:45:42: - Yeah.
01:45:42 - 01:45:43: - I was ready for the change.
01:45:46 - 01:45:49: ♪ Certain things you just can't refuse ♪
01:45:49 - 01:45:52: ♪ She wanna ride me like a cruise ♪
01:45:52 - 01:45:56: ♪ And I'm not trying to lose ♪
01:45:56 - 01:45:58: ♪ Then you're left in the dust ♪
01:45:58 - 01:46:01: ♪ Unless I stuck by ya ♪
01:46:01 - 01:46:04: ♪ You're the sunflower ♪
01:46:04 - 01:46:06: ♪ I think your love would be too much ♪
01:46:06 - 01:46:09: ♪ Or you'd be left in the dust ♪
01:46:09 - 01:46:12: ♪ Unless I stuck by ya ♪
01:46:12 - 01:46:14: ♪ You're the sunflower ♪
01:46:14 - 01:46:17: ♪ You're the sunflower ♪
01:46:17 - 01:46:19: ♪ Every time I'm leaving on you ♪
01:46:19 - 01:46:21: ♪ You don't make it easy ♪
01:46:21 - 01:46:22: - Is that Post?
01:46:22 - 01:46:22: - Posty.
01:46:22 - 01:46:24: ♪ Wish I could be different ♪
01:46:24 - 01:46:24: - Sounds kind of different.
01:46:24 - 01:46:26: - Raspy.
01:46:26 - 01:46:29: - Yeah, he's exploring new parts of his voice.
01:46:29 - 01:46:30: - I like the rasp.
01:46:30 - 01:46:31: - Yeah.
01:46:31 - 01:46:33: - Pack of cigarettes a day, kind of.
01:46:33 - 01:46:35: ♪ Running from my trust and you won't back down ♪
01:46:35 - 01:46:38: ♪ Even if we gotta risk it all right now ♪
01:46:38 - 01:46:41: ♪ I know you're scared of me, I know ♪
01:46:41 - 01:46:43: ♪ You don't wanna be alone ♪
01:46:43 - 01:46:46: ♪ I know I always come and go ♪
01:46:46 - 01:46:49: ♪ But it's out of my control ♪
01:46:49 - 01:46:52: ♪ And you'll be left in the dust ♪
01:46:52 - 01:46:55: ♪ Unless I stuck by ya ♪
01:46:55 - 01:46:57: ♪ You're the sunflower ♪
01:46:57 - 01:47:00: ♪ I think your love would be too much ♪
01:47:00 - 01:47:02: ♪ Or you'd be left in the dust ♪
01:47:02 - 01:47:05: ♪ Unless I stuck by ya ♪
01:47:05 - 01:47:08: ♪ You're the sunflower ♪
01:47:08 - 01:47:10: ♪ You're the sunflower ♪
01:47:10 - 01:47:12: - I don't see how the person of his affection
01:47:12 - 01:47:14: is like a sunflower.
01:47:14 - 01:47:18: Or doing the kind of airtight logical readings.
01:47:18 - 01:47:19: You'd be left in the dust.
01:47:19 - 01:47:20: - You'd be left--
01:47:20 - 01:47:21: - Unless I stuck by you.
01:47:21 - 01:47:24: You're a sunflower, your love would be--
01:47:24 - 01:47:25: - Your love would be too much?
01:47:25 - 01:47:27: - Sunflowers are chill, man.
01:47:27 - 01:47:28: - Yeah.
01:47:28 - 01:47:29: - And they're self-sufficient.
01:47:29 - 01:47:31: They just grow like weeds on the side of the road.
01:47:31 - 01:47:32: - Yeah.
01:47:32 - 01:47:33: - They're doing their thing.
01:47:33 - 01:47:35: - Gorgeous, gorgeous tall flowers.
01:47:35 - 01:47:37: Well, maybe it has something to do with the movie.
01:47:37 - 01:47:38: - Was there a movie called Sunflower?
01:47:38 - 01:47:40: - No, no, no, but this is from the soundtrack
01:47:40 - 01:47:42: to Spider-Man Into the Spider-Verse.
01:47:42 - 01:47:44: - Do you know anything about that movie?
01:47:44 - 01:47:44: - No.
01:47:44 - 01:47:46: - People have been saying it's great, it's animated.
01:47:46 - 01:47:47: - I'm out.
01:47:47 - 01:47:49: I could care less about superhero movies.
01:47:49 - 01:47:50: I'm so burned out.
01:47:50 - 01:47:51: - Well, people say this is a different,
01:47:51 - 01:47:53: because it's animated, it's a different vibe.
01:47:53 - 01:47:54: - That's even strike three.
01:47:54 - 01:47:57: I mean, I don't like superhero movies
01:47:57 - 01:47:58: and I don't like animation.
01:47:58 - 01:48:00: So it's like, that's tough.
01:48:00 - 01:48:03: That's a tough sell for me.
01:48:03 - 01:48:06: - You meet the whole new Spider-Man, Miles Morales,
01:48:06 - 01:48:08: and you realize that there's all different types
01:48:08 - 01:48:11: of spider people or something.
01:48:11 - 01:48:13: - Oh, there's like a universe of Spider-Men?
01:48:13 - 01:48:14: - There's like a pig spider.
01:48:14 - 01:48:16: - That sounds terrible.
01:48:16 - 01:48:18: The whole thing with Spider-Man is he's unique.
01:48:18 - 01:48:21: You know, he alone has these powers
01:48:21 - 01:48:22: to do these things on Earth.
01:48:22 - 01:48:24: - Yeah, that was the 20th century myth.
01:48:24 - 01:48:25: - Conception, man.
01:48:25 - 01:48:29: - That's what the 1960s American man needed to believe in.
01:48:29 - 01:48:32: - Well, I'm a '60s and '70s guy, you know that.
01:48:32 - 01:48:33: - Sunflowers are known to rapidly deplete
01:48:33 - 01:48:35: their soil of nutrients.
01:48:35 - 01:48:36: So that's part of it.
01:48:36 - 01:48:37: Anyway.
01:48:37 - 01:48:39: - Yeah, Post was doing a--
01:48:39 - 01:48:40: - Maybe.
01:48:40 - 01:48:41: - Remember, we've gone--
01:48:41 - 01:48:43: - Deeply horticultural analysis of the species.
01:48:43 - 01:48:45: - Well, I think Swayze wrote that part,
01:48:45 - 01:48:47: but we've gone deep on some Post lyrics,
01:48:47 - 01:48:49: and there were a lot of levels.
01:48:49 - 01:48:49: - Yeah.
01:48:49 - 01:48:50: - Tony Romo. - It's a cool song.
01:48:50 - 01:48:51: - It is a cool song.
01:48:51 - 01:48:52: I like it.
01:48:52 - 01:48:53: I think you should give Spider-Man
01:48:53 - 01:48:54: into the Spider-Verse a try.
01:48:54 - 01:48:55: - Have you seen it?
01:48:55 - 01:48:56: - No, but I was actually like,
01:48:56 - 01:48:58: I almost went to see it solo,
01:48:58 - 01:48:59: because I was like,
01:48:59 - 01:49:01: this seems like something I'm supposed to see.
01:49:01 - 01:49:02: - Wow.
01:49:02 - 01:49:03: - Maybe we should do, what did we say?
01:49:03 - 01:49:04: - Triple feature?
01:49:04 - 01:49:07: - Bohemian Rhapsody, Spider-Man into the Spider-Verse,
01:49:07 - 01:49:08: and Sound of Music.
01:49:08 - 01:49:10: - Sound of Music.
01:49:10 - 01:49:11: Okay, what's the order of that?
01:49:11 - 01:49:12: I think we open with Sound of Music,
01:49:12 - 01:49:13: 'cause that's the sleeper.
01:49:13 - 01:49:14: - Well, I think Sound of Music
01:49:14 - 01:49:16: we probably can't see in the theater.
01:49:16 - 01:49:18: - Oh, well, I have a private theater.
01:49:18 - 01:49:19: - Okay, we're gonna watch all of these,
01:49:19 - 01:49:21: and we'll get the screeners,
01:49:21 - 01:49:22: and watch them all in Jake's home theater?
01:49:22 - 01:49:23: - Yeah, yeah.
01:49:23 - 01:49:24: - Okay.
01:49:24 - 01:49:25: When are we starting?
01:49:25 - 01:49:26: Morning?
01:49:26 - 01:49:26: - Noon.
01:49:26 - 01:49:28: - You got seven hours of movies ahead of you.
01:49:28 - 01:49:29: We wanna start at noon?
01:49:29 - 01:49:30: - Well, once I'm in college,
01:49:30 - 01:49:34: I did a noon to noon movie fest with my--
01:49:34 - 01:49:34: - Noon to noon, meaning--
01:49:34 - 01:49:35: - Dork buddies.
01:49:35 - 01:49:36: - 24 hours?
01:49:36 - 01:49:37: - Yeah.
01:49:37 - 01:49:38: - And you stayed up the whole time?
01:49:38 - 01:49:40: - Yeah, we watched movies in the lounge of our dorm
01:49:40 - 01:49:42: for 24 hours, bunch of dorks.
01:49:42 - 01:49:43: (laughing)
01:49:43 - 01:49:44: - Who are you?
01:49:44 - 01:49:45: - Like Evil Dead and all this stuff like that.
01:49:45 - 01:49:49: - Yeah, so you took down what, like 14 movies?
01:49:49 - 01:49:50: - Something, I don't even remember.
01:49:50 - 01:49:51: - What were you doing to stay awake?
01:49:51 - 01:49:53: You were just young and having--
01:49:53 - 01:49:54: - Yeah, drinking Mountain Dew.
01:49:54 - 01:49:55: (laughing)
01:49:55 - 01:49:58: Being like 19, you know?
01:49:58 - 01:49:59: - Just drinking Mountain--
01:49:59 - 01:50:01: - VHS, by the way, this is like 1996 or something.
01:50:01 - 01:50:02: - That's alternate universe.
01:50:02 - 01:50:03: - Just like--
01:50:03 - 01:50:04: - Crushing Dew.
01:50:04 - 01:50:06: - Bunch of like crappy horror movies.
01:50:06 - 01:50:07: (laughing)
01:50:07 - 01:50:09: - I remember telling my friend about it.
01:50:09 - 01:50:11: He's like, "Wow, that sounds like
01:50:11 - 01:50:12: "an enormous waste of time."
01:50:12 - 01:50:13: (laughing)
01:50:13 - 01:50:15: - I mean, there's something cool about
01:50:15 - 01:50:16: if you pick the movies wisely.
01:50:16 - 01:50:17: - Yeah.
01:50:17 - 01:50:19: - Think about how many people have a list of like movies
01:50:19 - 01:50:21: that are like, "Wow, yeah, I wanna see these."
01:50:21 - 01:50:23: You could probably bang out somebody's movie list
01:50:23 - 01:50:25: in one mega session.
01:50:25 - 01:50:28: - Noon to noon, okay, so for our triple feature,
01:50:28 - 01:50:30: the question is when do you wanna end?
01:50:30 - 01:50:34: Maybe we start at like two or three, end at like 10.
01:50:34 - 01:50:35: - And I guess we could like eat dinner
01:50:35 - 01:50:37: during the middle one?
01:50:37 - 01:50:38: - Okay.
01:50:38 - 01:50:39: - This is not gonna happen.
01:50:39 - 01:50:42: (laughing)
01:50:42 - 01:50:43: - Start with Sound of Music at two.
01:50:43 - 01:50:45: I feel like that's probably a long movie.
01:50:45 - 01:50:47: - Yeah, but it's like three hours.
01:50:47 - 01:50:50: - Then at five, put in the order for Wangs.
01:50:50 - 01:50:51: - Nice.
01:50:51 - 01:50:52: - I mean, Wangs.
01:50:52 - 01:50:54: And then I think start at Spider-Man, Spider-Verse.
01:50:54 - 01:50:56: I feel like that's probably the shortest one.
01:50:56 - 01:50:59: - Sound of Music, clock in at 2.54.
01:50:59 - 01:51:00: - I have three hours.
01:51:00 - 01:51:03: Okay, so we're watching Sound of Music first, like,
01:51:03 - 01:51:03: okay.
01:51:03 - 01:51:04: - Okay, that was boring.
01:51:04 - 01:51:09: - Now we put in an order for Wangs
01:51:09 - 01:51:11: and start Spider-Man and the Spider-Verse.
01:51:11 - 01:51:12: That's probably a short movie.
01:51:12 - 01:51:13: - It's two hours, dude.
01:51:13 - 01:51:14: - Really, it's two hours?
01:51:14 - 01:51:15: Okay.
01:51:15 - 01:51:18: So then halfway through Spider-Verse, the Wangs come.
01:51:18 - 01:51:19: We're like chowing down, enjoying that.
01:51:19 - 01:51:22: And then finally it's like darkness has descended
01:51:22 - 01:51:23: on the outside world.
01:51:23 - 01:51:24: - Then we start drinking.
01:51:24 - 01:51:26: - Nighttime, we crack a brew
01:51:26 - 01:51:28: and it's time for Bohemian Rhapsody.
01:51:28 - 01:51:30: - Yeah, you close out with Bohemian.
01:51:30 - 01:51:31: - And I feel like we're gonna like Bohemian Rhapsody
01:51:31 - 01:51:32: the most.
01:51:32 - 01:51:34: Two hours, 13 minutes.
01:51:34 - 01:51:36: - Damn, this is really a movie fest.
01:51:36 - 01:51:39: - It's seven, yeah, pushing seven and a half.
01:51:39 - 01:51:40: - It's about seven hours, damn.
01:51:40 - 01:51:42: Yeah, so I like that.
01:51:42 - 01:51:46: ♪ Is this the real life ♪
01:51:46 - 01:51:49: ♪ Is this just fantasy ♪
01:51:49 - 01:51:52: ♪ Caught in a landslide ♪
01:51:52 - 01:51:57: ♪ No escape from reality ♪
01:51:57 - 01:52:00: ♪ Open your eyes ♪
01:52:00 - 01:52:05: ♪ Look up to the skies and see ♪
01:52:05 - 01:52:11: ♪ I'm just a poor boy ♪
01:52:11 - 01:52:13: ♪ I need no sympathy ♪
01:52:13 - 01:52:17: ♪ Because I'm easy come, easy go ♪
01:52:17 - 01:52:21: ♪ Little high ♪
01:52:21 - 01:52:24: ♪ Anywhere the wind blows ♪
01:52:24 - 01:52:29: ♪ Doesn't really matter to me ♪
01:52:30 - 01:52:35: ♪ To me ♪
01:52:35 - 01:52:41: ♪ Mama ♪
01:52:41 - 01:52:44: ♪ Just killed a man ♪
01:52:44 - 01:52:47: ♪ Put a gun against his head ♪
01:52:47 - 01:52:51: ♪ Pulled my trigger, now he's dead ♪
01:52:51 - 01:52:54: ♪ Mama ♪
01:52:54 - 01:52:58: ♪ Life had just begun ♪
01:52:58 - 01:53:03: ♪ But now I've gone and thrown it all away ♪
01:53:03 - 01:53:10: ♪ Mama ♪
01:53:10 - 01:53:15: ♪ Didn't mean to make you cry ♪
01:53:15 - 01:53:19: ♪ If I'm not back again this time tomorrow ♪
01:53:19 - 01:53:23: ♪ Carry on, carry on ♪
01:53:23 - 01:53:27: ♪ Nothing really matters ♪
01:53:27 - 01:53:31: - Okay, so the first food we're doing is Wang's.
01:53:31 - 01:53:33: That's gonna come midway through Spider-Verse.
01:53:33 - 01:53:35: - That's pretty deep in, man.
01:53:35 - 01:53:36: That's like four hours in.
01:53:36 - 01:53:37: - Okay, so- - So show up fed.
01:53:37 - 01:53:39: - Belly's full.
01:53:39 - 01:53:41: We're doing belly- - Show up fed.
01:53:41 - 01:53:44: - We're doing belly, we're doing a hard 2 p.m.
01:53:44 - 01:53:45: Belly's full.
01:53:45 - 01:53:48: - Belly's full?
01:53:48 - 01:53:51: That's like, that's like if you're planning something
01:53:51 - 01:53:53: with like your friends like,
01:53:53 - 01:53:55: okay guys, we're going for a hike.
01:53:55 - 01:53:57: I don't wanna (beep) get in the car
01:53:57 - 01:53:59: and have some guy say he's starving
01:53:59 - 01:54:02: and has to get a breakfast burrito on the way there.
01:54:02 - 01:54:04: - We do that for Vampire Weekend practice a lot.
01:54:04 - 01:54:05: - Belly's full?
01:54:05 - 01:54:07: - Yeah, I mean, I don't know if that comes
01:54:07 - 01:54:09: from like tour dudes being like-
01:54:09 - 01:54:11: - I'm so hungry, dude.
01:54:11 - 01:54:13: - Like yeah, I don't know if it's being on tour
01:54:13 - 01:54:14: and like tour manager being like,
01:54:14 - 01:54:16: we're leaving for the airport at 3 p.m.,
01:54:16 - 01:54:18: belly's full, it's a long ride.
01:54:18 - 01:54:20: Just to like let you know that there's no time to stop.
01:54:20 - 01:54:23: - It's like the army or something.
01:54:23 - 01:54:24: - Belly's full.
01:54:25 - 01:54:27: Yeah, or just like some military dad,
01:54:27 - 01:54:31: just like we're leaving for Dave and Buster's
01:54:31 - 01:54:33: at 1 p.m., belly's full.
01:54:33 - 01:54:35: I guess that's not a good example.
01:54:35 - 01:54:36: There's food at Dave and Buster's.
01:54:36 - 01:54:37: - Oh man.
01:54:37 - 01:54:39: - Or no, you're just like some really strict dad
01:54:39 - 01:54:42: just being like, we're seeing a 3 p.m. screening
01:54:42 - 01:54:44: of Spider-Man into the Spider-Verse.
01:54:44 - 01:54:48: Your mother and I will buy the tickets, but no concessions.
01:54:48 - 01:54:52: So I want you, I want you in the living room.
01:54:52 - 01:54:53: 1.30, belly's full.
01:54:54 - 01:54:55: (laughing)
01:54:55 - 01:54:58: - 13.30, belly's full.
01:54:58 - 01:55:00: - We got plenty of snacks at home.
01:55:00 - 01:55:01: I want you belly's full.
01:55:01 - 01:55:03: (laughing)
01:55:03 - 01:55:05: Before we head to the theater.
01:55:05 - 01:55:07: - We got tuna salad in the fridge, we got PB&J.
01:55:07 - 01:55:10: (laughing)
01:55:10 - 01:55:12: - We got a big box of raisins.
01:55:12 - 01:55:16: - Box of, belly's full, dude.
01:55:16 - 01:55:18: That's a fun nugget.
01:55:18 - 01:55:19: I'm gonna start using that.
01:55:19 - 01:55:23: - The family is hitting a 4 p.m., a star is born.
01:55:23 - 01:55:26: There will be no red vines, no milk tuts.
01:55:26 - 01:55:28: Yeah, belly's full, so good.
01:55:28 - 01:55:32: Those are the two main schedule things that--
01:55:32 - 01:55:33: - Yeah, that's true.
01:55:33 - 01:55:35: - We joke, well, there's belly's full
01:55:35 - 01:55:38: and then the other is like hard versus soft.
01:55:38 - 01:55:39: - Oh, times.
01:55:39 - 01:55:42: - Yeah, we're doing a hard 2 p.m., belly's full.
01:55:42 - 01:55:45: - We got a lobby call at 7 a.m., belly's full, gentlemen.
01:55:45 - 01:55:47: - I guess also sometimes people say wheels up.
01:55:47 - 01:55:48: - Okay, yeah.
01:55:48 - 01:55:50: - Wait, what does that even come from, wheels up?
01:55:50 - 01:55:51: - Flying?
01:55:51 - 01:55:52: - That's from flying?
01:55:52 - 01:55:55: - Yeah, like we have a, there's a strict schedule here, man.
01:55:55 - 01:55:57: - So that's pretty funny when people apply that
01:55:57 - 01:55:58: to things other than planes.
01:55:58 - 01:55:59: - Right.
01:55:59 - 01:56:03: - We're getting in the minivan, hard 2 p.m., belly's full,
01:56:03 - 01:56:06: wheels up 2 o' 5, no, actually that wouldn't make sense.
01:56:06 - 01:56:08: Lobby call, 1 45, wheels up 2.
01:56:08 - 01:56:09: Wheels up.
01:56:09 - 01:56:11: - Belly's full, gentlemen.
01:56:11 - 01:56:13: - Wheels up, we're in a van, man.
01:56:13 - 01:56:18: - Wheels up is a military term when a plane lifts off
01:56:18 - 01:56:20: to start a deployment, yeah, man.
01:56:20 - 01:56:23: - Okay, so I guess it's about starting your deployment.
01:56:23 - 01:56:24: - Oh, 700.
01:56:24 - 01:56:27: - I'm gonna do that when I take my family to the movies.
01:56:27 - 01:56:30: Just be like, tickets to see a movie today cost (beep)
01:56:30 - 01:56:35: $17 and I'll be damned if I'm throwing those overpriced
01:56:35 - 01:56:37: concessions on top of it.
01:56:37 - 01:56:39: We're rolling to the theater, belly's full.
01:56:39 - 01:56:41: I actually think that'd be a good thing to instill
01:56:41 - 01:56:43: in the next generation too, 'cause like how many times
01:56:43 - 01:56:45: have you rolled up to the movie theater hungry,
01:56:45 - 01:56:47: next thing you know you just ate a big-ass bucket
01:56:47 - 01:56:49: of popcorn and then you're still kinda hungry after.
01:56:49 - 01:56:50: Everybody's like, "Should we get food?"
01:56:50 - 01:56:52: And you're like, "Yeah, I guess," but,
01:56:52 - 01:56:54: and now you're just, it's just horrible.
01:56:54 - 01:56:55: - Jeez.
01:56:55 - 01:56:57: - We should start a campaign, don't eat at the movie theater.
01:56:57 - 01:56:59: - Yeah, those hot dogs.
01:56:59 - 01:57:03: - Movies are a time for fasting and silent contemplation.
01:57:03 - 01:57:04: - I like that.
01:57:04 - 01:57:05: - You shouldn't be like snacking.
01:57:05 - 01:57:07: I've done a lot of snacking at the movies.
01:57:07 - 01:57:07: I'm not trying to be a hypocrite,
01:57:07 - 01:57:09: but I'm leaving that in 2018.
01:57:09 - 01:57:14: - New Year's resolution for 2019, no movie concessions.
01:57:14 - 01:57:16: - I wish I thought of that, 'cause the past week,
01:57:16 - 01:57:18: sometimes people ask you what your New Year's resolution
01:57:18 - 01:57:18: is, just be like,
01:57:19 - 01:57:22: "Uh, no movie concessions."
01:57:22 - 01:57:23: (laughing)
01:57:23 - 01:57:24: - Moe, my-- - People are like, "Okay."
01:57:24 - 01:57:25: (laughing)
01:57:25 - 01:57:26: - Yeah.
01:57:26 - 01:57:27: - The lamest thing.
01:57:27 - 01:57:28: - Do you go to the movies a lot?
01:57:28 - 01:57:29: Not really.
01:57:29 - 01:57:30: - About like seven, eight times a year.
01:57:30 - 01:57:32: (laughing)
01:57:32 - 01:57:35: - First TC 2019.
01:57:35 - 01:57:35: - All the books.
01:57:35 - 01:57:36: - In the can.
01:57:36 - 01:57:39: Wheels up.
01:57:39 - 01:57:42: - Wheels up on TC 19.
01:57:42 - 01:57:45: (laughing)
01:57:45 - 01:57:48: - We have begun our 2019 deployment.
01:57:49 - 01:57:50: - A chief lift off.
01:57:50 - 01:57:52: (laughing)
01:57:52 - 01:57:53: This is so dorky.
01:57:53 - 01:57:56: - We're in the Mountain Dew zone now, man.
01:57:56 - 01:57:57: - Oh yeah, dude.
01:57:57 - 01:57:59: - We're that 24 hour Mountain Dew.
01:57:59 - 01:58:00: - Noon to noon, bro.
01:58:00 - 01:58:02: (laughing)
01:58:02 - 01:58:07: - All right, guys.
01:58:07 - 01:58:08: We'll see you in two weeks.
01:58:08 - 01:58:12: - Time Crisis with Ezra King.
01:58:12 - 01:58:14: Be-be-be-be-be-be-beats.
01:58:14 - 01:58:15: One.
01:58:15 - 01:58:18: (explosion)

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