Episode 87: Despot Returns

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:08: Time Crisis, back once again. We're joined by a very special guest, a man from the East.
00:08 - 00:17: You know who it is. Despot. We also count down the top hits of 1946 and today. All that,
00:17 - 00:23: plus some Oscars talk, a dip in the mailbag, and a little sneak preview of Vampire Weekend's
00:23 - 00:34: upcoming tour. This is Time Crisis with Ezra King. B-B-B-B-B-B-B-Spotlight One.
01:20 - 01:26: Time Crisis, back again. I'm joined in our Los Angeles studio by Jake as always.
01:26 - 01:27: Hey.
01:27 - 01:32: And a very special guest, the head of Time Crisis East, Despot.
01:32 - 01:33: Hi.
01:33 - 01:35: President of TC East.
01:35 - 01:38: I didn't know I was the head or the president.
01:38 - 01:38: Well.
01:38 - 01:39: Or both.
01:39 - 01:40: You just got a promotion.
01:40 - 01:42: Thanks.
01:42 - 01:46: It's actually really winter here for the first time I can remember.
01:46 - 01:50: The whole time I've been here, raining and cold, and you guys don't know how to drive
01:50 - 01:53: when it's raining and you get scared when it's cold.
01:53 - 01:56: That's kind of true. Not me.
01:56 - 01:59: Yeah, well, you have a thicker skin.
01:59 - 02:00: That's right.
02:00 - 02:01: I barely drive.
02:01 - 02:06: I'm really excited about it. I'm wearing my New York, big New York coat around town.
02:06 - 02:07: It's good luck.
02:07 - 02:12: Gonna have a hot coffee, almost pretend that I'm back in New York here and there.
02:12 - 02:13: I'm here.
02:13 - 02:13: You're here?
02:13 - 02:14: It's like you're in New York.
02:14 - 02:16: I got the president of TC East here.
02:16 - 02:19: You know, slowly but surely, man.
02:19 - 02:21: Man, we got so much to talk about.
02:21 - 02:25: It's been an absolutely jam-packed last two weeks.
02:25 - 02:30: Well, one thing that you guys noted as we came in is that you're both openers
02:30 - 02:33: on the next Vampire Weekend Tour.
02:33 - 02:34: That is true.
02:34 - 02:34: Yeah.
02:34 - 02:39: The last show, we started talking about the tour a little bit, but we didn't go that deep.
02:39 - 02:41: Now the tix have been on sale for a while.
02:41 - 02:47: And I can talk more specifically about the bills because with both of you guys,
02:47 - 02:49: you're not doing like full legs of the tour.
02:49 - 02:51: Although that could be fun in the future.
02:51 - 02:51: That'd be tight.
02:51 - 02:53: Richard Pictures and Death Spot.
02:53 - 02:55: You're kind of dangling the carrot here.
02:55 - 02:56: Well, I know.
02:56 - 02:56: Who plays first though.
02:56 - 02:57: That's tough.
02:57 - 02:59: Because we alternate at night to night.
02:59 - 03:00: You're both busy guys.
03:00 - 03:02: I mean, at least Death Spot is just one man.
03:02 - 03:04: Richard Pictures is five men?
03:04 - 03:06: It's a seven person band.
03:06 - 03:07: Full seven?
03:07 - 03:09: It varies from five to seven.
03:09 - 03:11: By the way, all seven are in for Chicago.
03:11 - 03:12: Oh really?
03:12 - 03:12: Yeah.
03:12 - 03:12: Sick.
03:12 - 03:13: Yeah.
03:13 - 03:15: Because when you guys are the Novo.
03:15 - 03:16: Oh yeah, of course.
03:16 - 03:16: Yeah.
03:16 - 03:18: At the Novo, that was a five man jam.
03:18 - 03:18: Yeah.
03:18 - 03:21: Donna and Keith were out of town.
03:21 - 03:26: And you guys are a little harder to wrangle also because, well, you're not full-time musicians.
03:26 - 03:28: Not a professional band.
03:28 - 03:29: Right.
03:29 - 03:30: It is a hobby.
03:30 - 03:36: I know, but it gets confusing with the dead because you have some Grateful Dead cover bands.
03:36 - 03:36: That are pro.
03:36 - 03:36: Yeah.
03:36 - 03:38: Like you're J-Rads.
03:38 - 03:39: You're dead and ghost.
03:39 - 03:40: Right.
03:40 - 03:41: Who are pulling in.
03:41 - 03:42: That's a full-time job.
03:42 - 03:44: Some folks trust reason.
03:44 - 03:46: Others trust the mind.
03:46 - 03:49: I don't trust nothing.
03:49 - 03:52: But I know it'll come all right.
03:52 - 03:54: Say it once again now.
03:54 - 03:57: Well, I hope you understand.
03:57 - 04:02: When it's turning over, love matters just a man.
04:02 - 04:04: Play it.
04:04 - 04:06: Play it.
04:06 - 04:09: Play it.
04:11 - 04:12: Can't break all my love.
04:12 - 04:18: Actually today I was talking with like kind of like our touring team and somebody referenced
04:18 - 04:19: the Pink Floyd light show.
04:19 - 04:24: And then somebody was like, well, have you seen the Australian Pink Floyd show?
04:24 - 04:25: I was like, what is that?
04:25 - 04:29: And they're like, well, they're based in the UK, but they're a bunch of Australian guys
04:29 - 04:31: who started a Pink Floyd tribute band.
04:31 - 04:32: Sounds terrible.
04:32 - 04:33: Oh, you're already hating?
04:33 - 04:34: They're Australian.
04:34 - 04:38: Oh, we're not hating on Australia.
04:38 - 04:39: I am.
04:39 - 04:41: All right, well, yeah, Despot.
04:41 - 04:42: I got like three Australian friends.
04:42 - 04:44: I feel like you got a lot of Australian friends.
04:44 - 04:45: Three maybe.
04:45 - 04:50: So it's a touring Pink Floyd cover band and light show.
04:50 - 04:50: Yeah.
04:50 - 04:55: And so I was talking to this touring guy and I was like, because Pink Floyd was one of
04:55 - 04:57: the biggest touring acts in the world.
04:57 - 05:00: We've talked on the show that Roger Waters presents, you know, whatever.
05:00 - 05:01: Yeah.
05:01 - 05:03: Those are some of the biggest grossing tours of all time.
05:03 - 05:05: We went to the Staples Center.
05:05 - 05:06: Yes, we saw him at the Staples Center.
05:06 - 05:09: So I'm like, so what's up with the Australian Pink Floyd show?
05:09 - 05:13: And this guy, well, first of all, the fact that they're based in the UK is like, OK,
05:13 - 05:13: why?
05:13 - 05:17: And it's partially because I think they're so hot and Europe's such a big market for
05:17 - 05:18: them.
05:18 - 05:20: They can't be flying from Australia all the time.
05:20 - 05:24: So I was like, as any kind of a professional musician has to say, what kind of rooms are
05:24 - 05:24: these guys doing?
05:24 - 05:28: And one person said, well, last time I saw them, I think it was in Geneva.
05:28 - 05:30: And it was like, you know, they do like small arenas.
05:30 - 05:32: And I was like, how many people were there in Geneva?
05:32 - 05:34: And they're like, I think about like 6,000.
05:34 - 05:35: Wow.
05:35 - 05:37: And I was like, wait, wait, wait.
05:37 - 05:38: I know Pink Floyd is popular.
05:38 - 05:43: And I could totally imagine like a successful Pink Floyd band that's like, you know, covering
05:43 - 05:45: that, you know, making it a full time job.
05:45 - 05:48: Yeah, but 5,000, that's like bigger than Vampire Weekend.
05:48 - 05:49: Most bands.
05:49 - 05:50: Bigger than most bands.
05:50 - 05:52: And I was like, what's special about them?
05:52 - 05:55: And they were like, well, you know, they're really good at playing Pink Floyd songs.
05:55 - 05:57: And they bring some like Australian sense of humor.
05:57 - 05:58: And I was like, like what?
05:58 - 06:02: And they were like, if on their video screen, they put up like the dark side of the moon
06:02 - 06:09: prism, you know, instead of the triangle, it'll be like the shape of Australia.
06:09 - 06:10: That is rich.
06:10 - 06:11: That is really funny.
06:11 - 06:15: And they're like, they'll recreate Pink Floyd album covers with like Australian jokes in
06:15 - 06:16: it.
06:16 - 06:18: And I was like, you know, fair play.
06:18 - 06:18: I get it.
06:18 - 06:20: If you're Australian, you love Pink Floyd.
06:20 - 06:23: You're going to be making kind of inside jokes like that.
06:23 - 06:23: Yeah.
06:23 - 06:25: But again, is that a joke even?
06:25 - 06:27: It's a visual.
06:27 - 06:28: Technically, it's a joke.
06:28 - 06:34: But then they're playing at a 7700 capacity arena in the Czech Republic.
06:34 - 06:37: You're just like a Czech Pink Floyd fan.
06:37 - 06:40: You're like into that Australian Pink Floyd based humor.
06:40 - 06:40: It just sounds so specific.
06:40 - 06:44: Maybe you're starved for rock shows in Czech Republic.
06:44 - 06:45: Maybe.
06:45 - 06:46: Vampire's not going to Czech Republic.
06:46 - 06:48: Yeah, no one else is doing it.
06:48 - 06:49: They don't want to see us.
06:49 - 06:50: How do you guys sell that out?
06:50 - 06:51: That's 77.
06:51 - 06:54: We'll probably get an email from like the one hardcore TC head in the Czech Republic.
06:54 - 06:54: Yeah.
06:54 - 06:58: But what kind of attitude is that to say that they don't want to see you?
06:58 - 06:59: You're right.
06:59 - 07:03: We got Australian Pink Floyd is like, we know they want us over there.
07:03 - 07:05: They'll go anywhere.
07:05 - 07:08: Maybe I got to send the Australia Vampire Weekend band first.
07:08 - 07:08: Yeah.
07:08 - 07:10: To kind of play some scenes.
07:10 - 07:12: Actually, Vampire Weekend's never played in Eastern Europe,
07:12 - 07:16: which is a real shame because, you know, I'm Eastern European,
07:16 - 07:18: but we're going for the first time this summer.
07:18 - 07:19: Maybe you want to come to that one.
07:19 - 07:20: It's the motherland, Poland.
07:20 - 07:22: I've never been there.
07:22 - 07:23: You want to come to the festival in Poland?
07:23 - 07:24: Yeah, kind of.
07:24 - 07:27: I can't get you an opening slot because it's a festival, but you can come.
07:27 - 07:28: I'll just hang out.
07:28 - 07:29: Yeah.
07:29 - 07:30: Oh, is your mom born in Poland?
07:30 - 07:31: Yeah.
07:31 - 07:33: It'd be a fun mother son trip.
07:33 - 07:34: Doubt.
07:34 - 07:35: My mom was trying to go back to Poland.
07:35 - 07:37: She was there.
07:37 - 07:40: It wasn't so good over there when she was there.
07:40 - 07:42: Might be some bad memories for her.
07:42 - 07:43: Oh yeah, fair.
07:43 - 07:44: Fair enough.
07:44 - 07:47: But back to the US concerts, because that's where you guys are playing.
07:47 - 07:50: We've painstakingly crafted these bills.
07:50 - 07:53: So, Despot, you're playing the Madison Square Garden show.
07:53 - 07:54: Yeah.
07:54 - 07:55: Which is in September.
07:55 - 07:56: Yes.
07:56 - 07:59: And that's Despot, Angelique, Kijo, and Vampire Weekend.
07:59 - 08:01: I think it's a very strong bill.
08:01 - 08:02: Very excited about it.
08:02 - 08:03: Me too.
08:03 - 08:03: What are you going to do?
08:03 - 08:05: Is it just going to be you and a DJ?
08:05 - 08:06: Think so, yeah.
08:06 - 08:07: I'm going to rap.
08:07 - 08:08: All right.
08:08 - 08:08: Yeah.
08:08 - 08:10: So everybody, I know it's in seven months.
08:10 - 08:11: Get there early.
08:11 - 08:12: It could just be me.
08:12 - 08:14: I haven't really decided yet.
08:14 - 08:17: Because when I tour, it's usually just me, and I always think that's really funny.
08:17 - 08:20: And it's even funnier at Madison Square Garden.
08:20 - 08:22: With like an early 2000s iPod?
08:22 - 08:23: iPad.
08:23 - 08:24: iPad?
08:24 - 08:25: Yeah, I like to go iPad.
08:25 - 08:26: I'm kind of into that.
08:26 - 08:29: Yeah, with the nice little, you know, wire cable.
08:29 - 08:30: That's going to be tight.
08:30 - 08:32: Into some DI boxes.
08:32 - 08:34: I think, yeah, maybe you got to just lean into it.
08:34 - 08:34: Yeah.
08:34 - 08:36: Not trying to put on like a big laser light show.
08:36 - 08:38: No, I'm going to do that too.
08:38 - 08:38: Oh really?
08:38 - 08:39: Yeah.
08:39 - 08:42: I'm spending millions of dollars on this show.
08:42 - 08:44: I mean, it's the garden.
08:44 - 08:44: Yeah.
08:44 - 08:45: Legendary venue.
08:45 - 08:47: Once in a lifetime.
08:47 - 08:48: Because I think I'm going to die this year.
08:48 - 08:49: Oh no.
08:49 - 08:51: But not before September?
08:51 - 08:52: After the show, yeah.
08:52 - 08:52: All right.
08:52 - 08:53: Maybe that night.
08:53 - 08:54: All right.
08:54 - 08:56: Yeah, maybe on stage.
08:56 - 08:58: Oh no, then they're going to have to like clear it out, and then we won't get to play.
08:58 - 08:59: That's really disrespectful.
08:59 - 09:01: You'll still get to play.
09:01 - 09:01: They won't care.
09:01 - 09:03: Oh no, they'll shut it down.
09:03 - 09:06: No, Madison Square Garden is like, it's like the mob.
09:06 - 09:07: The show must go on.
09:07 - 09:10: I bet they have a place in there where they put the bodies.
09:10 - 09:12: There actually could be some bodies in there.
09:12 - 09:13: Yeah.
09:13 - 09:13: Anyway, the...
09:13 - 09:15: Damn, guys.
09:16 - 09:17: Let's lighten the mood a little bit.
09:17 - 09:19: So we're really excited.
09:19 - 09:19: So we're real excited.
09:19 - 09:23: The one thing about that show that I'm excited about is,
09:23 - 09:25: we normally don't like to play arenas too much.
09:25 - 09:28: And in fact, on the last album, we played a few here and there.
09:28 - 09:30: And I was kind of like, this just feels weird.
09:30 - 09:33: But the garden, you make a special exception for.
09:33 - 09:35: It's like right in the heart of town.
09:35 - 09:36: Yeah.
09:36 - 09:37: It's cozy.
09:37 - 09:38: It's kind of the best one.
09:38 - 09:42: I don't know that much about arenas, and we're definitely not trying to play too many.
09:42 - 09:47: But apparently in arenas, it's all about the angle of the audience.
09:47 - 09:52: So you can do like a 180 show, or you could do a 270 show, or you could do a 360.
09:52 - 09:53: Oh, wow.
09:53 - 09:56: Because you can picture like a typical show, the stage is back at like,
09:56 - 09:58: kind of like one of the baskets.
09:58 - 09:59: Right, right.
09:59 - 10:02: But we kind of, you know, I don't like handle all this stuff.
10:02 - 10:06: I have to check out a little bit with some of the touring stuff, because it's like so hardcore.
10:06 - 10:06: Yeah.
10:06 - 10:08: But our touring dudes were like, well, we'll put it up.
10:08 - 10:09: We'll see how it does.
10:09 - 10:11: And if there's a strong demand, we can go 360.
10:11 - 10:13: And I was like, oh, so what's that like?
10:13 - 10:17: And they're like showing me pictures of like Pearl Jam and Bruce doing 360 at the Garden,
10:17 - 10:21: which basically means you just sell the tickets behind the stage.
10:21 - 10:22: Non-rotating stage.
10:22 - 10:23: Non-rotating stage.
10:23 - 10:26: So in one sense, they're not good tickets.
10:26 - 10:28: They're significantly cheaper because they're like obstructed.
10:28 - 10:32: But it's also just kind of like a better vibe, because then like everybody's looking at each
10:32 - 10:33: other.
10:33 - 10:36: You know, you get that full like 360 round the room energy.
10:36 - 10:37: Wow.
10:37 - 10:39: Is there any way you could play to those people?
10:39 - 10:45: Can you like turn around and run to the other side of whatever type of curtain is there?
10:45 - 10:46: I think you can.
10:46 - 10:47: Because I'm going to do that.
10:47 - 10:48: You could turn around a little bit.
10:48 - 10:51: Yeah, especially you, because maybe you get a headset, Mike, so you can really work the
10:51 - 10:52: back.
10:52 - 10:53: Definitely.
10:53 - 10:56: The 180 tickets, because those are like the quote unquote good seats went real quick.
10:56 - 10:57: Yeah.
10:57 - 10:59: But now they're selling the ones like behind.
10:59 - 11:00: To MSG.
11:00 - 11:01: Yeah.
11:01 - 11:01: Wow.
11:01 - 11:05: So we're doing full 360 there, but it's like those ones go a little slower, but they're
11:05 - 11:05: cheap.
11:05 - 11:09: So it's kind of like if you got the right attitude, I think you roll up there and you're
11:09 - 11:10: like, you know what?
11:10 - 11:11: We're not going to be seeing all the action.
11:11 - 11:15: We're just going to feel the energy of the room of the room.
11:15 - 11:16: Found some brews.
11:16 - 11:17: Yeah.
11:17 - 11:19: If I was going to this show, that's where I'd sit.
11:19 - 11:20: Yeah, for sure.
11:20 - 11:23: If they were saying you could sit for free anywhere you want, you're going to go there.
11:23 - 11:26: It's like sitting in the bleachers of a Yankee game.
11:26 - 11:27: Yeah.
11:27 - 11:29: I mean, in some ways, it's a little vibe.
11:29 - 11:29: Yeah.
11:29 - 11:32: Sometimes you want to sit front row, but that's also like super intense.
11:32 - 11:34: You can just kind of sit in the back.
11:34 - 11:34: It's chill.
11:34 - 11:38: This little piggy got a house made of bricks.
11:38 - 11:41: Hand over hand over hand over fist.
11:41 - 11:44: This little piggy got a house made of bricks.
11:44 - 11:46: Huff and puff if you ain't flowing down.
11:46 - 11:50: This little piggy got a house made of bricks.
11:50 - 11:54: Hand over hand over hand over fist.
11:54 - 11:57: This little piggy got a house made of bricks.
11:57 - 11:59: Huff and puff if you ain't flowing down.
11:59 - 12:03: Running on fumes, walking on coals.
12:03 - 12:06: Pockets on road games, pulled out of control.
12:06 - 12:09: Green means go, red means go.
12:09 - 12:12: I'm colorblind, mother f***er, I don't know.
12:12 - 12:16: Beat a beat in the block, I'm pleading and squeezing the juice out.
12:16 - 12:19: Deezer screaming to stop, I'm fleeting the scene with the too loud.
12:19 - 12:22: Money talking, you showing off, then that money talk too loud.
12:22 - 12:25: Slap a gag order on the wall and cut Benjamin's tongue out.
12:25 - 12:27: Then get presidents from out.
12:27 - 12:30: Won't be no more discussion, go so hard in the paint.
12:30 - 12:33: I'm f***ing and busting under the bucket and run amok on you.
12:33 - 12:35: Quits and bits and cuss up in public.
12:35 - 12:37: My club up ain't one to f*** with.
12:37 - 12:38: Not for nothing, you nothing.
12:38 - 12:41: Stopping slime, y'all are snot rockets.
12:41 - 12:45: Got a lot of products stocked in the dockers, that's hot pockets.
12:45 - 12:48: Fresh out the car wash, still got a dirty trunk.
12:48 - 12:51: Out for that gold plaque like some old dirty front.
12:51 - 12:55: This little piggy got a house made of bricks.
12:55 - 12:58: Hand over hand over hand over fist.
12:58 - 13:01: This little piggy got a house made of bricks.
13:01 - 13:04: Puff and punch if you ain't blowing down shit.
13:04 - 13:04: Look down shit.
13:04 - 13:08: This little piggy got a house made of bricks.
13:08 - 13:11: Hand over hand over hand over fist.
13:11 - 13:14: This little piggy got a house made of bricks.
13:14 - 13:17: Puff and punch if you ain't blowing down shit.
13:17 - 13:21: One fish, two fish, platinum fish, gold fish.
13:21 - 13:24: So rich I burn bridges to keep a stove lit.
13:24 - 13:27: Put the queen's furrow in my pipe and smoke it.
13:27 - 13:30: Then scrape the road clean and blaze it to the roach clip.
13:30 - 13:33: I play them corners like a rook on a chessboard.
13:33 - 13:36: Couple thousand dollars worth of work in the guest drawers.
13:36 - 13:40: Up and down the block, play ring and run up a desk door.
13:40 - 13:43: Ain't bother asking coppers what I'm under arrest for.
13:43 - 13:46: I let it splatter in the batter till it's magnifique.
13:46 - 13:50: The motor roller blow up till battery acid leap.
13:50 - 13:53: A grand feast on the block, so let the man eat.
13:53 - 13:56: This one's on the house, I prefer it off the damn street.
13:56 - 13:59: This little piggy got a house made of bricks.
13:59 - 14:02: Hand over hand over hand over fist.
14:02 - 14:05: This little piggy got a house made of bricks.
14:05 - 14:09: Puff and pump if you ain't blowing down shit.
14:09 - 14:12: This little piggy got a house made of bricks.
14:12 - 14:15: Hand over hand over hand over fist.
14:15 - 14:18: This little piggy got a house made of bricks.
14:18 - 14:21: Puff and pump if you ain't blowing down shit.
14:21 - 14:23: It's the oh my god father of soul.
14:23 - 14:26: Rock and roll, stop, drop, lock and load.
14:26 - 14:28: Dot, dot, dot, you know the rest.
14:28 - 14:31: Holes in chest, lay souls to rest.
14:31 - 14:35: Close the mess, best protect next or you'll be next.
14:35 - 14:38: I hold weight, then distribute it post haste.
14:38 - 14:41: Get whole birds on a arm, I'm ghost face.
14:41 - 14:44: Making tall orders, taking no shorts.
14:44 - 14:47: How'd that little guy get on such a high horse?
14:47 - 14:50: But then also at the Chicago show,
14:50 - 14:52: that's the one that Richard Pictures are playing at.
14:52 - 14:52: Yeah.
14:52 - 14:54: I'm excited about all the shows,
14:54 - 14:56: but of course like these are cities we've played a lot,
14:56 - 14:59: so they're, you know, New York's very dear to my heart.
14:59 - 15:00: And then Chicago I'm psyched about
15:00 - 15:02: because it's on Father's Day.
15:02 - 15:04: I haven't hyped that up too much.
15:04 - 15:07: Because I was like, you know, let the people of Chicago
15:07 - 15:08: decide if they want to go to the show.
15:08 - 15:10: But part of the reason that I asked Richard Pictures
15:10 - 15:12: to come to that one, you guys are playing Hollywood Bowl,
15:12 - 15:14: makes sense, you live in LA.
15:14 - 15:16: Makes total sense for us to play the Hollywood Bowl.
15:16 - 15:18: Makes a lot of sense.
15:18 - 15:22: But then in Chicago, I was kind of disappointed
15:22 - 15:23: because last year on Father's Day weekend,
15:23 - 15:24: we did the Ojai shows.
15:24 - 15:25: Yep.
15:25 - 15:27: Which I think was a great kickoff.
15:27 - 15:28: Tremendous weekend.
15:28 - 15:30: That was a great weekend, legendary weekend.
15:30 - 15:33: And then I was kind of bummed to be like,
15:33 - 15:34: "Oh, the album's going to come out in the spring
15:34 - 15:37: and then we can't really just drop everything,
15:37 - 15:38: go back to Ojai."
15:38 - 15:40: But then it turned out like, "Oh, we're playing in Chicago
15:40 - 15:41: and it's going to be like a sick outdoor show."
15:41 - 15:42: So you guys are coming through.
15:42 - 15:46: We also got Chicano Batman who's opening that leg for us.
15:46 - 15:46: That's going to roll.
15:46 - 15:47: So that's going to roll.
15:47 - 15:49: And we can, I mean, I'm excited about the music,
15:49 - 15:52: but I'm also very excited that we can bring back
15:52 - 15:54: the legendary Father's Day weekend t-shirt.
15:54 - 15:54: Oh yeah.
15:54 - 15:55: The long sleeve.
15:55 - 15:56: Oh yeah.
15:56 - 15:57: Which Jake rocks.
15:57 - 15:58: Version two.
15:58 - 15:59: Oh, all the time.
15:59 - 16:00: For people who don't know, this is,
16:00 - 16:03: I think this is the closest thing to a Vampire Weekend grail.
16:03 - 16:05: Yeah, I think it's the best shirt.
16:05 - 16:06: It's probably our best shirt.
16:06 - 16:06: Yeah.
16:06 - 16:08: It's a long sleeve t-shirt.
16:08 - 16:10: And in the Vampire Weekend Futura Bold font,
16:10 - 16:12: it says Father's Day weekend.
16:12 - 16:14: And then there's a big frog and a little frog on a branch.
16:14 - 16:16: It's just a real classic shirt.
16:16 - 16:17: I didn't get one.
16:17 - 16:18: I have a couple.
16:18 - 16:19: All right, cool.
16:19 - 16:22: That one also, it sold out very quickly at Ojai.
16:22 - 16:26: Is that like an afternoon show in Chicago or what's the deal?
16:26 - 16:26: Evening?
16:26 - 16:27: It's at night.
16:27 - 16:29: Yeah, it probably starts like early evening.
16:29 - 16:30: Okay, cool.
16:30 - 16:31: So it'll probably be like, you know,
16:31 - 16:33: sun will be up and then we'll go down halfway through.
16:33 - 16:34: Nice.
16:34 - 16:37: So anyway, I'm excited that we can bring back that shirt for Chicago.
16:37 - 16:38: That's going to be very special.
16:38 - 16:40: But in Chicago, there's like a similar thing.
16:40 - 16:45: In the last few weeks, I've, I really haven't thought about like venues and tickets in years.
16:45 - 16:46: Yeah.
16:46 - 16:50: So I kind of like really dip back in people like keeping me updated on some of this stuff.
16:50 - 16:53: And in Chicago, it's in a place called Northerly Island.
16:53 - 16:54: I've never been there.
16:54 - 16:56: I guess it's kind of like on the lake.
16:56 - 16:56: Cool.
16:56 - 17:00: And then there's like this kind of like terrace seated amphitheater vibe.
17:00 - 17:04: So I think more or less all the tickets are sold out for like the seats.
17:04 - 17:07: But then there's this like endless lawn in the back.
17:07 - 17:10: So now they're selling like these kind of relatively cheap lawn tickets.
17:10 - 17:11: Yeah.
17:11 - 17:14: I think if you're asking people to come just like hang super far back on the lawn,
17:14 - 17:17: you really got to provide a good atmosphere.
17:17 - 17:18: You rolling at dusk.
17:18 - 17:20: We're doing like a 10 minute bird song.
17:20 - 17:20: Yeah.
17:20 - 17:21: Well, that's going to be a good atmosphere.
17:21 - 17:22: That's a chill.
17:22 - 17:24: That's a soft landing.
17:24 - 17:25: But I feel like...
17:25 - 17:25: At the show.
17:25 - 17:26: That is.
17:26 - 17:28: That's going to be a good vibe.
17:28 - 17:34: Oh, I know a song like a bird within her sing.
17:34 - 17:48: Oh, I know she'll sing a little while and then through all.
17:55 - 18:01: Tell me all that you know, I'll show you.
18:01 - 18:03: Snow and rain.
18:03 - 18:17: When you hear that same song again, you know why.
18:17 - 18:35: Oh, I know she'll sing a little while and then through all.
18:35 - 18:45: I hear the sunshine sing right in the door.
18:45 - 18:51: Fly through the night.
18:51 - 18:57: Don't I know.
18:57 - 19:05: Oh, I know.
19:05 - 19:11: Oh, I know.
19:11 - 19:12: Oh, I know.
19:12 - 19:16: Is there going to be like a lot seen at the vampire weekend shows?
19:16 - 19:17: I don't know.
19:17 - 19:18: A lawn scene.
19:18 - 19:20: I mean, I think we got to create a lawn scene.
19:20 - 19:22: There was a bit of a lawn scene in Ojai.
19:22 - 19:23: Yeah.
19:23 - 19:24: Oh, I kind of had a good lawn scene.
19:25 - 19:28: We had our merch guys just like running game.
19:28 - 19:30: I think maybe to create a good lawn atmosphere.
19:30 - 19:34: Maybe it should be something like where Richard pictures merch guy is not at the official merch
19:34 - 19:35: booth.
19:35 - 19:35: Yeah.
19:35 - 19:36: But you got to find them on the lawn.
19:36 - 19:38: You guys should you got to do some special Chicago.
19:38 - 19:39: Oh, yeah.
19:39 - 19:41: We're going to do some Chicago merch for sure.
19:41 - 19:44: I got to hire a guy to come out and run merch.
19:44 - 19:45: Oh, maybe we need a local Chicago guy.
19:45 - 19:46: Okay.
19:46 - 19:46: Yeah.
19:46 - 19:47: Good call.
19:47 - 19:48: You got any Chicago buddies?
19:48 - 19:50: No, but I think we can ask her.
19:50 - 19:51: I think I think.
19:51 - 19:52: I like little Dirk.
19:52 - 19:53: Maybe we got it covered.
19:53 - 19:54: You know, little Dirk.
19:54 - 19:54: No.
19:54 - 19:57: You know any Chicago rappers?
19:57 - 19:59: Yeah, I know a bunch.
19:59 - 20:00: Not little Dirk, though.
20:00 - 20:02: I don't know if they want to.
20:02 - 20:03: That would be sick.
20:03 - 20:04: And also because it's Father's Day.
20:04 - 20:07: I was trying to think like when I was talking to like the touring dudes, I was like, well,
20:07 - 20:08: it's Father's Day.
20:08 - 20:11: It's the perfect day to kind of come chill on the lawn.
20:11 - 20:11: Good atmosphere.
20:11 - 20:16: But like the first thing I asked is like, well, if a dad's coming through with his family,
20:16 - 20:20: can he maybe set up a small charcoal grill on the lawn?
20:20 - 20:21: I don't think so.
20:21 - 20:24: I think most venues don't allow that.
20:24 - 20:25: That is a liability.
20:25 - 20:27: If she has someone's dad to sell the merch.
20:27 - 20:29: Yeah, that's true.
20:29 - 20:30: Get a dad.
20:30 - 20:30: Little Dirk's dad.
20:30 - 20:32: Let's get some dads out there.
20:32 - 20:34: All this talk of cover bands.
20:34 - 20:36: I was wondering, is there a Vampire Weekend cover band?
20:36 - 20:37: Have you heard of one?
20:37 - 20:39: Because it wouldn't surprise me.
20:39 - 20:40: In fact, it would surprise me if it wasn't.
20:40 - 20:41: It's got to be.
20:41 - 20:45: I don't know if there's like enough of a market for it, especially because we've been so quiet
20:45 - 20:46: for the past five or six years.
20:46 - 20:51: I mean, maybe depending on how this year goes, somebody could start one.
20:51 - 20:56: Wait, OK, here's what's not permitted in the Huntington Bank Pavilion.
20:56 - 20:57: Weapons.
20:57 - 20:57: All right.
20:57 - 21:00: Which a small charcoal grill could be a weapon.
21:00 - 21:00: That's true.
21:00 - 21:02: Yeah, you can f*** somebody up with that.
21:02 - 21:04: Alcohol, drugs.
21:04 - 21:05: Weak.
21:05 - 21:06: Well, I guess you could buy alcohol.
21:06 - 21:07: Umbrellas.
21:07 - 21:08: Long scene.
21:08 - 21:09: I mean, I think they should.
21:09 - 21:11: Well, umbrella?
21:11 - 21:12: Yeah, it's weird.
21:12 - 21:13: Laser pointers.
21:13 - 21:14: It's disruptive.
21:14 - 21:14: Umbrellas suck.
21:14 - 21:15: I hate them.
21:15 - 21:17: I guess they really, even when it's raining.
21:17 - 21:19: I think you're an a***** if you have an umbrella.
21:19 - 21:20: When it's raining?
21:20 - 21:23: Yeah, wear a f***ing rain jacket and put your hood on.
21:23 - 21:26: Stop taking up space and hitting people in the face and f***.
21:26 - 21:28: But you're still going to get your face all wet.
21:28 - 21:29: OK.
21:29 - 21:29: All right.
21:29 - 21:32: You heard of your first test on anti-umbrella.
21:32 - 21:35: No laser pointers, no skates, no wallet chains.
21:35 - 21:36: That's weird.
21:36 - 21:38: What could that be about?
21:38 - 21:39: That's a weapon, man.
21:39 - 21:40: That's a weapon.
21:40 - 21:41: To like choke somebody out?
21:41 - 21:43: Yeah, or you could whip it at them.
21:43 - 21:45: That's what I always do with my wallet chain.
21:45 - 21:48: No ice chests.
21:48 - 21:49: No banners.
21:50 - 21:50: What?
21:50 - 21:51: Also a weapon.
21:51 - 21:52: No flyers.
21:52 - 21:53: What?
21:53 - 21:54: No flyers.
21:54 - 21:55: No beach balls.
21:55 - 21:56: No frisbees.
21:56 - 21:58: These guys are just a complete bummer.
21:58 - 22:00: They could have just said no weapons.
22:00 - 22:01: All these things.
22:01 - 22:04: They could have just said don't bring anything in.
22:04 - 22:05: Well, wait, hold on.
22:05 - 22:08: No fireworks, no outside food or beverages.
22:08 - 22:09: Well, OK, maybe the whole vibe.
22:09 - 22:11: I think a lot of these venues, their whole vibe is like,
22:11 - 22:13: you got to buy it from, you know, it's like whatever.
22:13 - 22:14: Go to a basketball game.
22:14 - 22:16: You got to buy it from us.
22:16 - 22:18: So they'll sell like ninja stars there.
22:18 - 22:21: Yeah, I think you could probably buy all this stuff at the merch stand.
22:21 - 22:22: Yeah.
22:22 - 22:24: They don't say you can't bring a hacky sack.
22:24 - 22:25: That's kind.
22:25 - 22:26: That's a good vibe.
22:26 - 22:31: Maybe after you guys play, Richard Pictures could run like a dunk tank or something on the lawn.
22:31 - 22:32: I doubt they let you bring that.
22:32 - 22:33: All right, we'll figure something out.
22:34 - 22:36: Twenty twenty one.
22:36 - 22:37: We think about me.
22:37 - 22:40: I could wait, but I shouldn't wait.
22:40 - 22:40: Three.
22:40 - 22:43: I don't want to be.
22:43 - 22:49: Twenty twenty one.
22:49 - 22:51: We think about us.
22:51 - 22:54: Copper goes green, stay beans go rust.
22:54 - 22:56: It's a matter of.
22:57 - 23:03: Boy.
23:04 - 23:10: Boy.
23:10 - 23:14: Boy.
23:14 - 23:20: Boy.
23:20 - 23:24: Boy.
23:24 - 23:28: Twenty twenty one.
23:28 - 23:29: We think about me.
23:29 - 23:32: I could wait, but I couldn't wait.
23:32 - 23:33: Three.
23:33 - 23:34: Boy.
23:34 - 23:35: I don't want to be.
23:35 - 23:39: Boy.
23:39 - 23:41: Twenty twenty one.
23:41 - 23:43: We think about us.
23:43 - 23:45: Copper goes green, stay beans go rust.
23:45 - 23:48: It's a matter of.
23:48 - 23:50: Boy.
23:50 - 23:53: Oh yeah, okay.
23:53 - 23:54: There was some thing.
23:54 - 23:54: Oh, here we go.
23:54 - 24:02: In 2009, there was some story that there was a Craigslist ad about a Vampire Weekend cover band.
24:02 - 24:05: And it kind of just seemed like a weird joke, but somebody was like,
24:05 - 24:06: I want to start a Vampire Weekend cover band.
24:06 - 24:09: It's going to be called the VW Bugs.
24:09 - 24:12: And then I guess there was an interview where they tracked down the person who started it.
24:12 - 24:13: Wow.
24:13 - 24:14: A woman named Catherine.
24:14 - 24:18: And she said the group existed and they were practicing, recording and planning gigs and
24:18 - 24:20: will be the subject of a web based documentary.
24:20 - 24:23: So you got to keep in mind this is we only had one album out.
24:23 - 24:25: This is 10 years ago at the time.
24:25 - 24:26: And I guess they had a MySpace.
24:26 - 24:27: Is there music on it?
24:27 - 24:28: I wonder if they gigged.
24:28 - 24:29: I don't think so.
24:29 - 24:31: I think it was just like a weird joke.
24:31 - 24:35: And I think also like on the internet in 2009, something like this could get a little more
24:35 - 24:36: traction.
24:36 - 24:38: Today, that would just be like a tweet.
24:38 - 24:41: Somebody would be like, wouldn't it be funny to start a Vampire Weekend cover band?
24:41 - 24:41: Right.
24:41 - 24:43: There was no outlet for that back then.
24:43 - 24:44: Right.
24:44 - 24:48: This is like you saw something on Craigslist and you're like, I'm going to write an article about
24:48 - 24:48: this.
24:48 - 24:50: Okay, wait.
24:50 - 24:51: Then they got more into it.
24:51 - 24:53: In this post 9/11 internet age, we live in.
24:53 - 24:57: It's possible for the tribute band to usurp the power of the band to which they are paying
24:57 - 24:58: tribute.
24:58 - 24:58: Okay.
24:58 - 24:59: What?
24:59 - 25:04: The younger 9/11, the younger generation has grown used to not paying for intellectual
25:04 - 25:06: property and in so doing respects it less.
25:06 - 25:10: In this way, the vampire contribute band is a sort of thought experiment on the inherent
25:10 - 25:13: morality of the internet and what meritocracy is.
25:13 - 25:14: This is garbage.
25:14 - 25:15: Where was this article?
25:15 - 25:18: Cover bands are, I mean, predate the internet.
25:18 - 25:20: I don't want to say it, but it's kind of Borghese.
25:20 - 25:24: It's pretty Borghese.
25:24 - 25:27: Dude, imagine a Greta Van Fleet cover band.
25:27 - 25:28: Oh, that's.
25:28 - 25:29: Do we have Zeppelin covers?
25:29 - 25:30: Wait, that's sick.
25:30 - 25:34: Or even just like Paige and Plant busting out a Greta Van Fleet song.
25:34 - 25:36: Oh, that would be really sick.
25:36 - 25:41: I guarantee that the somebody at the Grammys floated the idea of Greta Van Fleet teaming
25:41 - 25:43: up with Paige and Plant at the Grammys.
25:43 - 25:44: Right.
25:44 - 25:45: Paige was in, Plant declined.
25:45 - 25:47: Yeah, seriously.
25:47 - 25:47: Oh my God.
25:47 - 25:50: I know, but a Greta Van Fleet cover band is a sick idea.
25:50 - 25:50: Did they play?
25:50 - 25:52: Maybe that's my next project.
25:52 - 25:52: Yeah.
25:52 - 25:53: Did they play the Grammys?
25:53 - 25:54: I didn't watch the Grammy.
25:54 - 25:56: No, they won a Grammy though.
25:56 - 25:57: Best rock album.
25:57 - 26:00: Best rock album, but they didn't win best new artist, which for people who remember.
26:00 - 26:02: That was disgust.
26:02 - 26:02: Who won that?
26:02 - 26:04: Oh, you guys did all this already.
26:04 - 26:04: It's all good.
26:04 - 26:08: Well, yeah, this happened a couple of weeks ago, but we were saying before that Greta
26:08 - 26:10: Van Fleet could not win best new artist.
26:10 - 26:15: Even though we respect their postmodern playfulness, if Greta Van Fleet won best new artist, it
26:15 - 26:16: would be a bad look for rock.
26:16 - 26:18: Because my whole thing is that rock needs to be humble.
26:18 - 26:21: But then best new rock, would they win band?
26:21 - 26:22: Best new rock album.
26:22 - 26:24: No, it was just best rock album.
26:24 - 26:24: No, sorry.
26:24 - 26:26: Best rock album.
26:26 - 26:28: So isn't that almost even worse?
26:28 - 26:30: Because then it's like targeted.
26:30 - 26:30: It's rock.
26:30 - 26:33: No, but I'm saying like, I don't like when people hate on them because it's like, whatever.
26:33 - 26:38: These guys love Led Zeppelin and they're doing their thing and they love the old world and
26:38 - 26:39: you know, they're having fun.
26:39 - 26:47: What's like a thing that in music, a band or even just an idea that you like when people
26:47 - 26:48: hate on?
26:48 - 26:49: Great question.
26:49 - 26:52: Wait, what's something in music that.
26:52 - 26:54: That you agree with the.
26:54 - 26:54: That me?
26:54 - 26:56: The hateration on.
26:56 - 26:57: Oh, because you're really.
26:57 - 26:59: I'm very, I'm very diplomatic and positive.
26:59 - 27:02: Which I guess I appreciate because I get I'm the opposite.
27:02 - 27:07: Maybe I only like dislike artists if like I know proof positive that they're like an
27:07 - 27:07: ass.
27:07 - 27:09: But even then that's that's not about being an artist.
27:09 - 27:10: That's about a human thing.
27:10 - 27:12: It actually has nothing to do with their art.
27:12 - 27:13: Slippery slope here.
27:13 - 27:17: Yeah, it's a slippery slope, but no, just somebody who like people say their music sucks
27:17 - 27:18: and I'm like, yeah, that sucks.
27:18 - 27:19: It does suck, yeah.
27:19 - 27:21: I bet it's nobody.
27:21 - 27:23: Yeah, kind of nobody.
27:23 - 27:27: I mean, the you know, I've got my opinions.
27:27 - 27:31: It's one thing to have your opinion when you're just shooting this with you guys.
27:31 - 27:37: Yeah, but it's another thing to be like, I want to go out and hurt this person's feelings
27:37 - 27:42: like go go write a review that's really cruel to Greta Van Fleet or leave a mean comment.
27:42 - 27:47: This is me being mean to you and anyone who you might have mentioned.
27:47 - 27:49: So you're not going to do it.
27:49 - 27:54: So I'm just trying to think like, you know, when I watched the Grammys, I didn't particularly
27:54 - 27:59: enjoy the whole show, but I didn't really like see anything that one where I was like
27:59 - 28:02: it all like more or less made sense to me.
28:02 - 28:05: Yeah, sometimes I was like, that's not what I would have picked, but whatever.
28:05 - 28:09: And as we discussed, I was unfairly locked out of Grammy voting.
28:09 - 28:13: Somebody pointed out that there was a tie in one category.
28:13 - 28:14: I could have been the tiebreaker.
28:14 - 28:18: What was the best traditional R&B performance?
28:18 - 28:21: That was a tie between Leon Bridges and PJ Morton featuring Yeba.
28:21 - 28:23: Also best rap performance.
28:23 - 28:26: It was a tie between Kings Dead and Bubbalin.
28:26 - 28:30: Bubbalins by Anderson .Paak and Kings Dead is Kendrick and James Blake and all sorts of
28:30 - 28:31: people.
28:31 - 28:32: Who are you voting for?
28:32 - 28:33: I think I might have never heard either.
28:33 - 28:34: Ezra didn't vote.
28:34 - 28:41: Alec, if you don't know the last day of voting, Grammy voting eligibility or whatever, I went
28:41 - 28:45: on the website and it was the day and they had already closed voting.
28:45 - 28:46: Probably only for you.
28:46 - 28:47: It's possible.
28:47 - 28:48: Yeah, too diplomatic.
28:48 - 28:49: I'm too diplomatic.
28:49 - 28:51: Okay, best rap performance.
28:51 - 28:56: The choices were Be Careful by Cardi B, Nice for What, Drake, Kings Dead, Kendrick J Rock,
28:56 - 28:59: Future James Blake, Bubbalin, Anderson .Paak, Sicko Mode, Travis Scott.
28:59 - 29:01: I would have gone Sicko Mode.
29:01 - 29:05: I mean, Sicko Mode is kind of undeniably the best rap performance of those.
29:05 - 29:05: Yeah.
29:05 - 29:09: But I might have voted for Cardi B just because I want to see Cardi B win.
29:09 - 29:11: Yeah, that would have felt better.
29:11 - 29:14: And Cardi B did win Best Rap Album, so that's cool.
29:14 - 29:15: Yeah, that is cool.
29:15 - 29:17: I wanted her to win Album of the Year.
29:17 - 29:18: That didn't happen, but it's all right.
29:18 - 29:20: Who won Album of the Year?
29:20 - 29:21: Kacey Musgraves.
29:21 - 29:22: And I like Kacey Musgraves.
29:22 - 29:23: I'm a fan.
29:23 - 29:26: But it would have been cool for Cardi B to win it, first album.
29:26 - 29:28: Do you know either of the two that were tied?
29:28 - 29:30: No, I don't know that Anderson .Paak song.
29:30 - 29:31: Me neither.
29:31 - 29:35: I might have voted for Kings Dead just because I'm so diplomatic and I'd say, if I vote for
29:35 - 29:38: Bubbalin, Anderson .Paak wins a Grammy.
29:38 - 29:44: If I vote for Kings Dead, I'd be giving one to Kendrick, J Rock, Future, and James Blake.
29:44 - 29:45: Yeah, Everybody Eats.
29:45 - 29:46: That's right.
29:46 - 29:48: So that's kind of one of those moral questions.
29:48 - 29:49: If you could feed one man or feed four men.
29:49 - 29:52: Is that the song from Black Panther?
29:52 - 29:55: Yeah, Kings Dead is one of the songs from Black Panther.
29:55 - 29:56: Tight song.
29:56 - 29:57: I don't know it.
29:57 - 29:58: Should we listen to it?
29:58 - 30:01: I feel like we should listen to both and then you can vote on it.
30:01 - 30:02: Hopefully it's the same song I'm thinking of.
30:02 - 30:04: You're hearing it here first, folks.
30:04 - 30:09: Two weeks after the Grammys, we finally decide if I voted.
30:09 - 30:13: Remember there was that OJ Simpson wrote the book that never came out called If I Did It?
30:13 - 30:13: Yeah.
30:13 - 30:14: This is my book.
30:14 - 30:19: If I voted in the 2019 Grammys, I could have changed history.
30:19 - 30:39: You know, his first line was missing me with the bullsh*t and I have a really good idea
30:40 - 30:44: for a female rapper that involves that phrase.
30:44 - 30:46: Missing me with the bullsh*t.
30:46 - 30:48: His first line was miss me with the bullsh*t.
30:48 - 30:50: I want a female rapper.
30:50 - 30:57: Her name is Miss Me, Ms.me and her first single is with the bullsh*t.
30:57 - 30:58: That's cool.
30:58 - 30:58: Come on.
30:58 - 30:59: That's good.
30:59 - 31:00: Someone got to do it.
31:00 - 31:02: And Miss Me is just kind of a good name.
31:02 - 31:04: Yeah, Miss Me, that works.
31:04 - 31:04: All right.
31:04 - 31:05: I get it.
31:05 - 31:07: Yeah, that song is sick.
31:07 - 31:08: It's pretty good.
31:08 - 31:10: We didn't hear James Blake's part.
31:10 - 31:11: I don't think.
31:11 - 31:14: You never know.
31:14 - 31:18: Definitely never heard this.
31:18 - 31:22: I think I maybe heard King's Dead for a second in an Uber or something.
31:22 - 31:26: Was that the same sample as Britney?
31:26 - 31:27: Oh, Toxic?
31:27 - 31:29: Yeah.
31:29 - 31:29: Could be.
31:29 - 31:43: This is Kendrick again.
31:43 - 31:55: Similar flow.
31:55 - 31:56: It's close.
31:56 - 31:59: It's probably just some other Bollywood.
31:59 - 32:02: Yeah, they're both referencing Bollywood strings.
32:02 - 32:07: If I'm honest, I wouldn't have affected the category because those are both good songs.
32:07 - 32:09: It would have been Sicko Mode, man.
32:09 - 32:11: I would have voted for Sicko Mode or Cardi B.
32:11 - 32:13: Yeah, Sicko Mode is a good song.
32:13 - 32:15: Yeah, Sicko Mode is pretty undeniable.
32:15 - 32:16: Yeah.
32:16 - 32:17: I mean, it's funny.
32:17 - 32:20: It's like in some categories, it's like popularity shouldn't matter.
32:20 - 32:26: But then it is weird when just like a generally beloved hit song like Sicko Mode is not honored.
32:26 - 32:28: Yeah, this song is a good song.
32:28 - 32:30: And also Sicko Mode is three songs in one.
32:30 - 32:31: Yeah, that's true.
32:31 - 32:33: Do you know this song, Jake?
32:33 - 32:33: I don't think so.
32:33 - 32:34: Is this Sicko Mode?
32:34 - 32:35: Yeah.
32:35 - 32:36: Good title.
32:36 - 32:37: Yeah, right?
32:37 - 32:40: Yeah, this is amazing.
32:40 - 32:42: It's never been in the top five for us.
32:42 - 32:44: This is like one of the biggest songs of the year.
32:44 - 32:44: Astro.
32:44 - 32:48: Yeah.
32:48 - 32:54: Sun is down, freezing cold.
32:54 - 32:56: Sun is down, freezing cold.
32:56 - 32:58: That's how we already know.
32:58 - 33:02: When it's here, my dog will probably do it for me.
33:02 - 33:06: Well, the cover of that single is tie-dye.
33:06 - 33:10: The mix of hippie and some black metal funk.
33:10 - 33:14: I tried to show.
33:14 - 33:19: So the first minute is this vibe.
33:19 - 33:20: And then...
33:23 - 33:24: Oh, not yet.
33:24 - 33:24: It's coming.
33:24 - 33:35: Yo, did you hear somebody remade this out of all Animal Crossing sounds?
33:35 - 33:36: It's sick.
33:36 - 33:39: They remade the beat with Animal Crossing sounds.
33:39 - 33:42: And they did the vocals with little Animal Crossing sounds.
33:42 - 33:43: So it's like...
33:43 - 33:47: It's sick.
33:47 - 33:51: That's my favorite song, actually, of 2018.
33:51 - 33:52: Sicko Mode, Animal Crossing.
34:13 - 34:15: This might be eligible for the Grammys next year.
34:15 - 34:15: Yeah.
34:31 - 34:32: What do you mean Animal Crossing?
34:32 - 34:34: It's a video game.
34:34 - 34:35: Oh.
34:35 - 34:36: That people play on...
34:36 - 34:38: Gotcha.
34:38 - 34:40: Facebook a lot or Nintendo DS.
34:58 - 34:59: I don't know, man.
34:59 - 35:01: It kind of sounds for babies, if I'm honest.
35:01 - 35:01: There you go.
35:01 - 35:02: Honest opinion.
35:02 - 35:04: Yeah, you know, I don't like to talk...
35:04 - 35:05: I don't like to talk...
35:05 - 35:07: It's the first time you ever hated on anything.
35:07 - 35:11: Because any artist that's out there sticking their neck out, I respect.
35:11 - 35:12: The artist in this case.
35:12 - 35:15: I don't know the names of the characters in Animal Crossing, but...
35:15 - 35:16: I'm not hating.
35:16 - 35:18: I'm just saying it kind of sounds like it's for babies.
35:18 - 35:21: Well, Sicko Mode doesn't sound like it's for babies?
35:21 - 35:22: No, it sounds like it's for adults.
35:22 - 35:23: Interesting.
35:23 - 35:26: I just think because Sicko Mode, you actually can hear the words and stuff.
35:26 - 35:26: And this is like...
35:27 - 35:28: You know, it's like...
35:28 - 35:29: What is that?
35:29 - 35:30: It suggests...
35:30 - 35:32: You know the words already.
35:32 - 35:32: Yeah, I guess you have a point.
35:32 - 35:34: Maybe this one's for adults, actually.
35:34 - 35:36: It's very sophisticated.
35:36 - 35:37: Because it's assuming you know the words.
35:37 - 35:38: Fair point.
35:38 - 35:40: It is kind of Borgesian in a way.
35:40 - 35:40: Yeah.
35:40 - 35:42: Anyway, we got a lot of Patrick World songs.
35:42 - 35:44: I don't think you've heard any of them yet.
35:44 - 35:44: I haven't.
35:44 - 35:48: For some reason, SoundCloud doesn't work on my phone.
35:48 - 35:48: Do you have the app?
35:48 - 35:50: No, I don't have...
35:50 - 35:51: I know.
35:51 - 35:53: When you play it off the browser on the phone, it's weird.
35:53 - 35:54: Yeah, it's just...
35:54 - 35:55: Because it's a widget.
35:55 - 35:55: Yeah, it's really annoying.
35:55 - 35:56: I don't know what that means.
35:56 - 35:57: So let's check it out.
35:57 - 36:02: This is a friend of the show, Patrick World, who's blessed us with so many great songs.
36:02 - 36:04: And he made one specifically for Jake's birthday.
36:04 - 36:04: Right.
36:04 - 36:06: It's called Shallow Birthday.
36:06 - 36:07: I think I know where this is heading.
36:07 - 36:08: Is that what it's called?
36:08 - 36:09: Shallow Birthday.
36:09 - 36:12: ♪ Tell me something, Jake ♪
36:12 - 36:13: Wow.
36:13 - 36:18: ♪ Did you enjoy some tasty birthday cake? ♪
36:18 - 36:22: ♪ I know I missed the date ♪
36:22 - 36:29: ♪ Classic TC, this is three weeks late ♪
36:29 - 36:29: Love that.
36:29 - 36:32: ♪ Celebrate ♪
36:34 - 36:38: ♪ The tasteful palate of an awesome guy ♪
36:38 - 36:42: ♪ Born this day ♪
36:42 - 36:44: Very touching.
36:44 - 36:45: Yeah.
36:45 - 36:49: ♪ 18 years after the music died ♪
36:49 - 36:49: Damn.
36:49 - 36:52: ♪ For he's a jolly good fellow ♪
36:52 - 36:57: ♪ For he's a jolly good fellow ♪
36:57 - 37:00: ♪ Low, low ♪
37:00 - 37:03: ♪ Jake's a jolly good fellow ♪
37:03 - 37:07: ♪ A mellow and chilled out bro ♪
37:07 - 37:08: Wow.
37:08 - 37:10: Incredible work.
37:10 - 37:10: Touching.
37:10 - 37:11: Very touching.
37:11 - 37:11: Honestly touching.
37:11 - 37:12: Yeah.
37:12 - 37:15: Again, his attention to detail.
37:15 - 37:16: Oh yeah.
37:16 - 37:17: Mad love for that.
37:17 - 37:21: ♪ For he's a jolly good fellow ♪
37:21 - 37:24: 18 years to the date after the music died.
37:24 - 37:25: Crazy.
37:25 - 37:28: Okay, I think this is Patrick World's Jamflow Man rewrite.
37:28 - 37:29: Nice.
37:29 - 37:31: Shout out to Twiddle, friends of the show.
37:31 - 37:31: Mahali.
37:31 - 37:33: ♪ Have you heard of the TC Man ♪
37:33 - 37:35: ♪ Best internet radio host in the land ♪
37:35 - 37:36: ♪ Talking fish and the dead ♪
37:36 - 37:37: ♪ He's a jam band fan ♪
37:37 - 37:38: ♪ Chop it up with Jake ♪
37:38 - 37:39: ♪ That's his right hand man ♪
37:39 - 37:41: ♪ The TC Man at the age of nine ♪
37:41 - 37:43: ♪ Packed his bags, made up his mind ♪
37:43 - 37:45: ♪ Left NYC, headed to LA ♪
37:45 - 37:48: ♪ Wheels up on his first show the very same day ♪
37:48 - 37:50: ♪ Seinfeld, used to crunch numbers, man ♪
37:50 - 37:52: ♪ He's MIA, now he's on the lam ♪
37:52 - 37:54: ♪ But the TC Man still does his show ♪
37:54 - 37:56: ♪ Fortnite, Leon, Beats Radio ♪
37:56 - 37:58: ♪ The TC Man also has a band ♪
37:58 - 38:00: ♪ They fit into the Venn diagram ♪
38:00 - 38:02: ♪ Of things that please the TC fans ♪
38:02 - 38:04: ♪ And also stuff that they just can't stand ♪
38:04 - 38:05: Where is this guy?
38:05 - 38:07: This guy rules.
38:07 - 38:08: This is in Montreal.
38:08 - 38:12: It's gotta come out when a vampire comes to Montreal.
38:12 - 38:14: ♪ Boy, this year's been kind of rough on me ♪
38:14 - 38:15: Wait, wait, wait, hold on.
38:15 - 38:18: ♪ Lots of trouble, beer and trap country ♪
38:18 - 38:21: ♪ Now I wanna go back in the shallow low ♪
38:21 - 38:23: ♪ I miss my favorite show, my favorite show ♪
38:23 - 38:26: ♪ I can't wait till January ♪
38:26 - 38:28: ♪ Need a brand new TC ♪
38:28 - 38:29: ♪ Boy, when will it be ♪
38:29 - 38:34: ♪ Whoa, hold up, girl, you didn't change your calendar ♪
38:34 - 38:36: ♪ Flip it over and see ♪
38:36 - 38:40: ♪ It's 2019, 2019, 2019 ♪
38:40 - 38:42: ♪ Baby, it's 2019 ♪
38:42 - 38:47: ♪ It's 2019, 2019, 2019 ♪
38:47 - 38:48: ♪ Baby, it's 2019 ♪
38:48 - 38:51: Wait, why doesn't this guy have an opening slot
38:51 - 38:52: on one of those shows?
38:52 - 38:54: We could bring him up in Montreal.
38:54 - 38:54: I think we're--
38:54 - 38:55: You kinda have to.
38:55 - 38:58: He really nailed my impression of Florida Georgia Line.
38:58 - 38:59: Wait, actually, hold on.
38:59 - 39:00: I forgot to tell you guys this.
39:00 - 39:01: This is crazy.
39:01 - 39:03: Florida Georgia Line's opening for Vampire?
39:03 - 39:04: No, because--
39:04 - 39:06: And you're opening for Florida Georgia Line.
39:06 - 39:07: You're in Florida Georgia Line.
39:07 - 39:10: There's this thing before the Grammys called the Clive Davis Dinner.
39:10 - 39:12: Is he the guy that manages Metallica?
39:12 - 39:14: No, that's Cliff Bernstein.
39:14 - 39:14: Okay.
39:14 - 39:18: Clive Davis ran Arista Records,
39:18 - 39:21: and he was instrumental in the careers of Whitney Houston or Reetha,
39:21 - 39:22: you know, just a legendary guy.
39:22 - 39:23: Sure.
39:23 - 39:26: And so he throws this thing that's this kind of famous
39:26 - 39:29: night before the Grammys dinner party thing.
39:29 - 39:30: I almost went once.
39:30 - 39:31: Oh, did you?
39:31 - 39:32: But I didn't.
39:32 - 39:34: It's interesting.
39:34 - 39:35: It's at the--
39:35 - 39:36: I wasn't invited or anything.
39:36 - 39:38: It's in the same place where they have the Golden Globes,
39:38 - 39:39: the Beverly Hilton.
39:39 - 39:39: Okay.
39:39 - 39:41: I'd never been before,
39:41 - 39:43: and my manager said, "You wanna come?"
39:43 - 39:44: And I was like, "Yeah, sure."
39:44 - 39:46: And you know, so we got there.
39:46 - 39:49: As a showbiz professional, I know at least a handful of people.
39:49 - 39:50: And there's all sorts of random people.
39:50 - 39:52: Our boss, Tim Cook, was there.
39:52 - 39:53: Did you meet him?
39:53 - 39:54: No, I didn't meet him.
39:54 - 39:56: David Hockney was there.
39:56 - 39:56: Wow.
39:56 - 39:57: It was like a real who's who.
39:57 - 39:58: Did you say hi to Hockney?
39:58 - 40:00: No.
40:00 - 40:03: Did you recognize him or someone was like, "That's David Hockney"?
40:03 - 40:05: A bunch of people were like, "We're gonna go say hi to David Hockney."
40:05 - 40:08: Why the hell is David Hockney at the pre-Grammys dinner?
40:08 - 40:10: It's in California, right?
40:10 - 40:11: Yes, he's a California guy.
40:11 - 40:12: He's a California guy, yeah.
40:12 - 40:15: I'm aware he's a prominent Los Angeles artist.
40:15 - 40:17: There were like guys from the Super Bowl there.
40:17 - 40:17: Wow.
40:17 - 40:20: Maybe he painted the party.
40:20 - 40:20: Yeah.
40:20 - 40:24: All like the old school music biz legends.
40:24 - 40:25: Rashida's dad was there.
40:25 - 40:26: Kind of funny, just like running down-
40:26 - 40:28: The Hockney just blew my mind, but anyway.
40:28 - 40:30: Joey Mitchell was there.
40:30 - 40:31: Really?
40:31 - 40:32: Did you say hi to her?
40:32 - 40:33: No, I don't know them.
40:33 - 40:35: Wait, did you say hi?
40:35 - 40:36: Are you leading up to who you did say hi to?
40:36 - 40:37: Okay, okay.
40:37 - 40:40: No, I mean, I saw people who work at the label.
40:40 - 40:43: But did you say hi to anyone that we would be like, "Oh, he said hi to him or her"?
40:43 - 40:44: Okay, well, so it's not that.
40:44 - 40:47: We go and there's kind of like this intense energy.
40:47 - 40:49: There's like a lot of security to get through.
40:49 - 40:50: Sure.
40:50 - 40:51: I mean, Hockney's there.
40:51 - 40:52: Yeah, Hockney's there.
40:52 - 40:53: Did he bring a painting?
40:53 - 40:55: No, but he was dressed like an artist.
40:55 - 40:56: Other people were more conservative.
40:56 - 40:57: He had like a cool hat on?
40:57 - 40:58: He had like a cool suit.
40:58 - 41:00: You know, whatever I see-
41:00 - 41:03: Like really colorful or just like an interesting shape?
41:03 - 41:03: Yeah, kind of colorful. No, colorful.
41:03 - 41:06: So you smoked a bowl with Hockney and Joey Mitchell?
41:06 - 41:06: Oh, yeah.
41:06 - 41:12: No, and I see at a distance, "Oh, there's Diplo," and all the usual suspects.
41:12 - 41:12: You say hi to him?
41:12 - 41:15: That's not interesting.
41:15 - 41:16: Nope.
41:16 - 41:18: No, I said hi to people from the label.
41:18 - 41:20: I said hi to Rashida's dad and stuff.
41:20 - 41:21: So there's all this schmoozing.
41:21 - 41:23: Then they start serving dinner.
41:23 - 41:24: So you're like, "Get to your seat."
41:25 - 41:28: So then I go with my manager, and I'm sort of like plus one vibe.
41:28 - 41:29: I'm along for the ride.
41:29 - 41:30: Assigned seating.
41:30 - 41:30: It's assigned seating.
41:30 - 41:31: Yeah.
41:31 - 41:35: So we sit down at our table, and there's only two seats left.
41:35 - 41:40: So we squeeze right in those seats, and I look around, and there's a bunch of guys,
41:40 - 41:44: and then there's a somewhat younger woman, and there's some older people,
41:44 - 41:46: and me and my manager just pop down.
41:46 - 41:49: And I'm just kind of like, "All right, well, I don't know anybody at our table."
41:49 - 41:50: You know, it's like being at a wedding or something.
41:50 - 41:51: Sure, sure.
41:51 - 41:53: I don't know anybody at our table.
41:53 - 41:55: And then I sit down, and the guy next to me is very nice.
41:55 - 41:59: I really appreciate this, because at the end of the day, I'm kind of a shy person.
41:59 - 42:03: Or I'm more just like, you know, in public, don't bother people.
42:03 - 42:05: If they want to talk, they'll talk to you.
42:05 - 42:08: But that can also sometimes, you're the person who should be saying hi.
42:08 - 42:09: You know, it's always hard to know.
42:09 - 42:11: You know, are you being weird by not saying hi?
42:11 - 42:14: But anyway, it's always nice, I think, when you sit down at some kind of bizarre event
42:14 - 42:17: like that, and the person next to you just introduces themselves.
42:17 - 42:18: Yeah.
42:18 - 42:19: And just gets it going.
42:19 - 42:20: Out of the gate.
42:20 - 42:24: Yeah, so then this guy, you know, a little bit older than me, just kind of turns to me
42:24 - 42:28: and says, "Hey, man, what do you have to do with all this going on?"
42:28 - 42:29: And I was like, "Oh, I'm a musician."
42:29 - 42:31: And he's like, "Oh, that's cool."
42:31 - 42:32: He's like, "What kind of music?"
42:32 - 42:35: And I'm like, "Well, I'm in a band called Vampire Weekend."
42:35 - 42:36: And he goes, "Oh, that's interesting.
42:36 - 42:37: Let me guess.
42:37 - 42:38: Alternative?"
42:38 - 42:40: And I was like, "Guilty as charged."
42:40 - 42:42: And I was like, "What's your deal?"
42:42 - 42:43: Or whatever.
42:43 - 42:44: And he's like, "Well, my name's Chief."
42:44 - 42:46: And I was already like, "Sick."
42:46 - 42:47: Chief Keef.
42:47 - 42:48: Yeah, it was Chief Keef.
42:48 - 42:50: This guy's friendly and his name's Chief.
42:50 - 42:52: I already just get a great vibe off this dude.
42:52 - 42:54: And I say, "Well, how about you, Chief?"
42:54 - 42:57: And he's like, "Well, me and this guy to my left manage these guys.
42:57 - 43:00: And then there's two more guys, but they are the other side of the table.
43:00 - 43:02: They're a country duo called Florida Georgia Line."
43:02 - 43:02: That's tight.
43:02 - 43:05: Well, then I realized I didn't know what Florida Georgia Line really looked like.
43:05 - 43:08: And then I kind of look at them and I'm like, "Yo, whoa, I'm two seats away from Florida
43:08 - 43:09: Georgia Line."
43:09 - 43:10: And I'm very familiar with their catalog.
43:10 - 43:11: I'm very familiar.
43:11 - 43:12: Well, at least a few songs.
43:12 - 43:12: Yeah.
43:12 - 43:14: I'm a little bit starstruck.
43:14 - 43:16: And I start chopping it up with Chief.
43:16 - 43:17: Super nice guy.
43:17 - 43:19: And we just start talking a little bit.
43:19 - 43:20: And I asked him where he was from.
43:20 - 43:22: He says, "Vancouver."
43:22 - 43:23: And I was so curious about this.
43:23 - 43:25: And I was like, "Vancouver?
43:25 - 43:27: That's got to be kind of rare in country music."
43:27 - 43:30: Because they're based in Nashville now, at least partially.
43:30 - 43:34: And I was like, "Man, how do you end up going from Vancouver to Nashville?"
43:34 - 43:39: And then he told me that for years, he was the longtime tour manager of Nickelback.
43:39 - 43:39: Which makes sense.
43:39 - 43:40: Nickelback's Canadian.
43:40 - 43:41: Potbeckins.
43:41 - 43:43: So now I'm fascinated.
43:43 - 43:45: Because I never knew there was a Nickelback FGL connection.
43:46 - 43:48: It makes a lot of sense, aesthetically.
43:48 - 43:49: It kind of does make sense.
43:49 - 43:51: Oh, and also another thing that's interesting is in the music industry,
43:51 - 43:53: and I was also pretty impressed by this,
43:53 - 43:57: is that it's very rare to go from being a tour manager to a manager.
43:57 - 44:00: If you work in live music, you often tend to work in live music your whole life.
44:00 - 44:04: If you're a really good tour manager for a huge band like Nickelback,
44:04 - 44:06: you might just do that for the rest of your life.
44:06 - 44:09: There's these old school tour managers, very well paid.
44:09 - 44:12: Because they're running a small army across the world.
44:12 - 44:13: So it's not a classic transition.
44:13 - 44:18: So you have to really have some drive, some ambition, some insight to do it.
44:18 - 44:21: And I'm like, "How does that transition work? I've never heard of that."
44:21 - 44:22: And then I looked it up.
44:22 - 44:23: This is public information.
44:23 - 44:25: He got to know Nickelback's main producer.
44:25 - 44:29: So he starts managing the producer, dipping his toes into the management world.
44:29 - 44:30: And then at some point,
44:30 - 44:34: Nickelback's producer is looking to find some new artists to work with.
44:34 - 44:36: And at a state fair or something,
44:36 - 44:39: he comes across these two guys who turn out to be Florida Georgia Line.
44:39 - 44:41: And this guy's immediately like, "Well, these guys are sick.
44:41 - 44:42: They start working again."
44:42 - 44:45: So I didn't realize that there's a producer and management connection
44:45 - 44:48: between Nickelback and Florida Georgia Line.
44:48 - 44:53: And this guy, Chief, and his partner, whose name I don't remember, unfortunately,
44:53 - 44:57: they saw these two dudes and they immediately saw star potential
44:57 - 44:58: and they started managing them.
44:58 - 45:00: And now Florida Georgia Line is truly massive.
45:00 - 45:05: Was this in Florida and/or Georgia that they caught this state fair gig?
45:05 - 45:06: That's unclear to me.
45:06 - 45:08: But it was truly that random?
45:08 - 45:10: Well, it was a little random, but it was via the producer.
45:10 - 45:14: But anyway, there's this whole interesting Nickelback, Florida Georgia Line connection.
45:14 - 45:15: So already I'm stunned.
45:15 - 45:16: And it's also just an interesting-
45:16 - 45:17: I'm stunned right now.
45:17 - 45:19: It's an interesting music industry connection.
45:19 - 45:22: And the Florida Georgia Line guys, I didn't really get to jawbone with them.
45:22 - 45:25: And they were also there with their wives or girlfriends.
45:25 - 45:27: But they seemed like they were just having a great time.
45:27 - 45:28: They seemed like kind of chill dudes.
45:28 - 45:30: Then my manager's to my right,
45:30 - 45:34: and he's striking up a conversation with a very elegant older man.
45:34 - 45:35: So he brings me into that conversation.
45:35 - 45:36: He goes, "Well, Ezra's from New Jersey."
45:36 - 45:38: And this guy's talking about how he does some work in New Jersey.
45:38 - 45:39: And I'm like, "Where are you from?"
45:39 - 45:41: And he's like, "Well, you know, I live on Staten Island."
45:41 - 45:43: And I'm kind of like, "Oh, that's cool.
45:43 - 45:43: You're like a New Yorker."
45:43 - 45:45: And he said, "Well, originally I'm from Europe."
45:45 - 45:48: And then I'm kind of like taking chief's lead.
45:48 - 45:50: And I'm kind of like, "Oh, what brings you to this event?"
45:50 - 45:51: And he's like, "Well, we're here with my daughter."
45:51 - 45:53: You know, and then he gestures to his daughter,
45:53 - 45:54: who's sitting at the other end of the table.
45:54 - 45:56: And I was like, "Oh, is she a musician?"
45:56 - 45:58: He said, "Oh, yeah, she's a singer named Bebe Rexha.
45:58 - 46:00: She's performing with these guys."
46:00 - 46:02: And then I realized that me and my manager,
46:02 - 46:05: the only people sitting at the meant to be table.
46:05 - 46:07: It's literally the meant to be table.
46:07 - 46:09: And you just got squeezed in there.
46:09 - 46:12: I mean, I couldn't believe my luck.
46:12 - 46:15: I mean, if Seinfeld was here, he'd be losing his mind.
46:15 - 46:17: The two people I met at the table were both very nice.
46:17 - 46:20: Shout out to chief from the FGL crew
46:20 - 46:21: and shout out to Bebe Rexha's dad.
46:21 - 46:23: He was a really sweet guy.
46:23 - 46:23: What's his name?
46:23 - 46:25: Like John Rexha?
46:25 - 46:26: I gotta be honest, I didn't catch his name,
46:26 - 46:28: but he was one over from me.
46:28 - 46:29: Was Bebe at the table?
46:29 - 46:29: Yeah, no, she was-
46:29 - 46:30: You didn't recognize her?
46:30 - 46:31: No, I-
46:31 - 46:33: I just found out she was from New York.
46:33 - 46:35: I wouldn't recognize her.
46:35 - 46:36: Seinfeld would have.
46:36 - 46:39: I didn't quite know what any of these people looked like.
46:39 - 46:40: I know what she looks like.
46:40 - 46:41: She's from New York.
46:41 - 46:42: She's from New York.
46:42 - 46:44: Dude, how sick would it be if the party planner
46:44 - 46:46: was actually a TC head?
46:46 - 46:47: Oh yeah.
46:47 - 46:50: And deliberately placed you there.
46:50 - 46:51: That'd be amazing.
46:51 - 46:51: You never know where-
46:51 - 46:52: I could see it.
46:52 - 46:53: TC heads are like a secret society.
46:53 - 46:55: Like then the waiter brought-
46:55 - 46:57: Skull and bones, dude.
46:57 - 46:59: Then at the end, the waiter brought me a second dessert
46:59 - 47:00: and was like, "On the house."
47:00 - 47:02: On the house, my friend.
47:02 - 47:04: It was that pancake from-
47:04 - 47:06: It was the pancake from the Harmony Hall video.
47:06 - 47:07: (laughs)
47:07 - 47:08: So anyway, yeah.
47:08 - 47:09: It's just popcorn and raisins.
47:09 - 47:10: (laughs)
47:10 - 47:12: He brought us a tray of popcorn and raisins
47:12 - 47:13: and then silently nodded.
47:13 - 47:15: The waiter came back and it was Seinfeld
47:15 - 47:17: and he just like went like, "Shh."
47:17 - 47:21: So anyway, I'm sitting there and I'm like-
47:21 - 47:22: Jesus.
47:22 - 47:23: At an event like that, I'm always ready
47:23 - 47:25: to just kind of like check out.
47:25 - 47:25: Yeah.
47:25 - 47:27: And then I'm like, "Whoa, now I'm back.
47:27 - 47:28: "This is exciting."
47:28 - 47:30: But then here's the downside.
47:30 - 47:30: Uh-oh.
47:30 - 47:32: I got to meet Chief and I got to meet BB's dad
47:32 - 47:34: and they're both super nice.
47:34 - 47:35: But you know, I'm an artist
47:35 - 47:37: and I love to have artist to artist conversations.
47:37 - 47:38: Oh, they wouldn't let you in.
47:38 - 47:39: And I said, "Chief, can you introduce me?"
47:39 - 47:40: He said, "Absolutely not."
47:40 - 47:41: No.
47:41 - 47:42: (laughs)
47:42 - 47:43: So we're just sitting there.
47:43 - 47:44: But then here's the thing.
47:44 - 47:46: Then the performances start.
47:46 - 47:46: Uh-huh.
47:46 - 47:48: And they perform "Meant to Be"
47:48 - 47:49: at the Clive Davis function.
47:49 - 47:52: So next thing you know, literally the entire table vanishes
47:52 - 47:54: to go backstage to get ready.
47:54 - 47:55: And actually they were so polite.
47:55 - 47:57: Like the Florida Georgia Line crew was like,
47:57 - 47:57: "Oh, don't worry.
47:57 - 47:59: "We won't leave you guys alone too long."
47:59 - 48:01: But then, you know, they had to go do their thing.
48:01 - 48:03: And normally I wouldn't bring it up
48:03 - 48:06: just to say like, you know, I'm a humble person.
48:06 - 48:08: I try not to show off too much
48:08 - 48:10: about like say meeting an FGL.
48:10 - 48:12: But the fact that I was, it wasn't just FGL.
48:12 - 48:13: I was at the "Meant to Be" table.
48:13 - 48:14: Oh yeah, no, I mean.
48:14 - 48:15: I mean, talk about "Meant to Be."
48:15 - 48:16: That's TC Cannon.
48:16 - 48:17: That's TC Cannon.
48:17 - 48:19: And then, you know, we watched them perform and-
48:19 - 48:21: How was the performance?
48:21 - 48:22: Honestly, they nailed it.
48:22 - 48:24: And actually made me want to go deeper on FGL
48:24 - 48:26: because I realized on that song,
48:26 - 48:29: one of the guys sings lead and one guy sings harmony.
48:29 - 48:31: I thought they both sang lead on that song.
48:31 - 48:32: Oh, like traded?
48:32 - 48:35: No, but yeah, only one guy sings lead on it.
48:35 - 48:37: Honestly, all their vocals sounded great.
48:37 - 48:38: I don't know if they ended up winning any Grammys,
48:38 - 48:40: but it's a shame if they didn't
48:40 - 48:42: 'cause that's obviously one of the songs of the year.
48:42 - 48:43: You know, there's very few people
48:43 - 48:45: that I would go out of my way to jawbone with.
48:45 - 48:47: FGL and Bebe Rexha perhaps,
48:47 - 48:50: just for the TC-ness of it, I might have to.
48:50 - 48:52: But then it wasn't "Meant to Be."
48:52 - 48:52: It wasn't.
48:52 - 48:55: I think this is more the appropriate TC story.
48:55 - 48:56: Yeah, that's what was meant to be.
48:56 - 48:57: It's kind of a non-story.
48:57 - 48:59: Yeah, this is what was meant to be.
48:59 - 48:59: Yeah.
48:59 - 49:02: A solid 15-minute segment on TC.
49:02 - 49:03: Yeah, I almost forgot about that.
49:03 - 49:07: So thank you, Patrick World, for reminding me.
49:07 - 49:10: ♪ Baby, lay on back and relax ♪
49:10 - 49:13: ♪ Kick your pretty feet up on my dash ♪
49:13 - 49:16: ♪ No need to go nowhere fast ♪
49:16 - 49:20: ♪ Let's enjoy right here where we at ♪
49:20 - 49:23: ♪ Who knows where this road is supposed to lead ♪
49:23 - 49:26: ♪ We got nothing but time ♪
49:26 - 49:29: ♪ As long as you're right here next to me ♪
49:29 - 49:32: ♪ Everything's gonna be all right ♪
49:32 - 49:36: ♪ If it's meant to be, it'll be, it'll be ♪
49:36 - 49:38: ♪ Baby, just let it be ♪
49:38 - 49:42: ♪ If it's meant to be, it'll be, it'll be ♪
49:42 - 49:44: ♪ Baby, just let it be ♪
49:44 - 49:48: ♪ So won't you ride with me, ride with me ♪
49:48 - 49:51: ♪ See where this thing goes ♪
49:51 - 49:54: ♪ If it's meant to be, it'll be, it'll be ♪
49:54 - 49:57: ♪ Baby, if it's meant to be ♪
49:57 - 50:00: ♪ I don't mean to be so uptight ♪
50:00 - 50:03: ♪ But my heart's been hurt a couple times ♪
50:03 - 50:06: ♪ By a couple guys that didn't treat me right ♪
50:06 - 50:09: ♪ I ain't gonna lie, ain't gonna lie ♪
50:09 - 50:12: ♪ 'Cause I'm tired of the fake love ♪
50:12 - 50:13: ♪ Show me what you're made of ♪
50:13 - 50:16: ♪ Boy, make me believe ♪
50:16 - 50:20: ♪ Oh, hold up, girl, don't you know you're beautiful ♪
50:20 - 50:22: ♪ And it's easy to see ♪
50:22 - 50:26: ♪ If it's meant to be, it'll be, it'll be ♪
50:26 - 50:28: ♪ Baby, just let it be ♪
50:28 - 50:32: ♪ If it's meant to be, it'll be, it'll be ♪
50:32 - 50:34: ♪ Baby, just let it be ♪
50:34 - 50:38: ♪ So won't you ride with me, ride with me ♪
50:38 - 50:40: ♪ See where this thing goes ♪
50:40 - 50:44: ♪ If it's meant to be, it'll be, it'll be ♪
50:44 - 50:47: ♪ Baby, if it's meant to be ♪
50:47 - 50:53: - You're listening to Time Crisis on Beast One.
50:53 - 50:54: - I was just gonna wrap it up and say
50:54 - 50:58: Patrick World continues to just drop top level material.
50:58 - 50:59: - Okay, and we got one more, so--
50:59 - 51:00: - We got one more?
51:00 - 51:03: - We got one more, we got a real backlog of Patrick World.
51:03 - 51:03: He's very--
51:03 - 51:04: - Prolific.
51:04 - 51:05: - He's very prolific.
51:05 - 51:09: Last time we were talking about Ariana Grande's tattoo.
51:09 - 51:10: Despot, you hear about this?
51:10 - 51:10: - Small charcoal grill.
51:10 - 51:12: - Yeah, small charcoal grill, yeah.
51:12 - 51:12: - So--
51:12 - 51:13: - What was this supposed to be though?
51:13 - 51:15: I forgot, oh, seven ring.
51:15 - 51:16: - It was supposed to be seven rings.
51:16 - 51:18: It actually said small charcoal grill.
51:18 - 51:19: I'm sure we weren't the only people who said this,
51:19 - 51:22: but we were saying that knowing that Ariana Grande
51:22 - 51:25: is a very kind of savvy pop star,
51:25 - 51:27: she knows how to kind of surf popular culture.
51:27 - 51:31: She knows how to weave her own personal life into her songs
51:31 - 51:33: and kind of use social media.
51:33 - 51:35: - Remember when we went to Ariana Grande's show at Barclays?
51:35 - 51:36: - Oh, that's true.
51:36 - 51:38: That was before she was like super cool.
51:38 - 51:39: - She had Barclays though?
51:39 - 51:41: - No, no, that was at the Garden actually.
51:41 - 51:42: - Was it?
51:42 - 51:43: - I think it was at the Garden.
51:43 - 51:46: - I think it was Barclays, but she had that glove,
51:46 - 51:48: remember, that modulated her voice
51:48 - 51:49: and it was like some imaging he--
51:49 - 51:50: - Yeah.
51:50 - 51:53: - That was sick, but she didn't keep doing that, did she?
51:53 - 51:55: - I don't know, maybe she does.
51:55 - 51:56: Maybe it's like just part of her live camp,
51:56 - 51:58: you know it's how like Fish will every once in a while
51:58 - 51:59: jump on trampolines.
51:59 - 52:00: - Right.
52:00 - 52:02: - Ariana Grande every once in a while will be like,
52:02 - 52:04: "Now, you know, I haven't busted out the glove
52:04 - 52:07: "in about three and a half years.
52:07 - 52:08: "Should I do it?"
52:08 - 52:09: That was also interesting 'cause it was like
52:09 - 52:11: she hadn't quite got the props she's getting now
52:11 - 52:13: as being like the super interesting one
52:13 - 52:15: or one of the super interesting ones.
52:15 - 52:17: - And she showed like a documentary of her
52:17 - 52:20: and Imogen Heap like developing these gloves.
52:20 - 52:21: - Yeah.
52:21 - 52:23: - Like they were actually working on them together.
52:23 - 52:24: - It was great.
52:24 - 52:26: I remember, yeah, I remember walking away being like,
52:26 - 52:27: "It's like Frampton, dude."
52:27 - 52:28: - She's got a great voice.
52:28 - 52:28: - Yeah.
52:28 - 52:30: - Well, everybody already knew she had a great voice
52:30 - 52:31: and you know, some big songs,
52:31 - 52:32: but it was kind of like,
52:32 - 52:34: "Okay, she's a little experimental too."
52:34 - 52:34: - Yeah.
52:34 - 52:37: - Now, flash forward to 2019,
52:37 - 52:39: she gets her Seven Rings tattoo,
52:39 - 52:41: turns out it's a small charcoal grill.
52:41 - 52:43: There's a certain type of person
52:43 - 52:44: who couldn't come back from that.
52:44 - 52:46: There's a type of weak singer
52:46 - 52:48: who would probably get roasted for that
52:48 - 52:48: and they'd be so embarrassed.
52:48 - 52:49: - Just folds.
52:49 - 52:50: - Who would that be?
52:50 - 52:52: - I'm not gonna say.
52:52 - 52:53: - I know.
52:53 - 52:55: - Maybe the guy who made the Animal Crossing.
52:55 - 52:57: - Sicko mode.
52:57 - 52:58: - That's f**ked up.
52:58 - 53:01: You know that's who you're targeting of all people.
53:01 - 53:03: - I just got a problem with that.
53:03 - 53:06: Oh, wait, no, I forgot you convinced me that it's good.
53:06 - 53:06: I actually like it.
53:06 - 53:07: It's not baby music.
53:07 - 53:08: - Yeah.
53:08 - 53:09: - So anyway, we were saying that Ariana Grande,
53:09 - 53:11: if anybody would know what to do
53:11 - 53:15: with a pretty embarrassing tattoo snafu,
53:15 - 53:16: it would be Ariana Grande.
53:16 - 53:18: And we started saying that she would probably
53:18 - 53:19: write a song on her next album.
53:19 - 53:20: - I feel like you wrote the song.
53:20 - 53:21: - We basically wrote the song
53:21 - 53:24: and it was like a trap song that just went,
53:24 - 53:27: "Small charcoal grill, small charcoal grill."
53:27 - 53:29: And then, you know, she would sing some R&B stuff
53:29 - 53:32: and, you know, talk about her hair.
53:32 - 53:34: - That's just a very literal song.
53:34 - 53:36: - Slab on my knob pattern there.
53:36 - 53:38: - Yeah, but she came back into fashion
53:38 - 53:40: the past couple of years.
53:40 - 53:41: Small charcoal grill.
53:41 - 53:44: (mimics song)
53:44 - 53:45: Yeah, something about like,
53:45 - 53:48: she'll kill you if you talk about her tattoo.
53:48 - 53:49: - Mm-hmm, of course.
53:49 - 53:51: - And she'll probably, you know,
53:51 - 53:52: I think lately in her music,
53:52 - 53:54: there's been like a real confidence
53:54 - 53:55: and kind of braggadocio.
53:55 - 53:55: - Yeah.
53:55 - 53:58: - So maybe there'd be something about like,
53:58 - 54:01: I don't need to know how to read Japanese, you know?
54:01 - 54:02: - That's a little...
54:02 - 54:04: - Yeah, that probably wouldn't help her,
54:04 - 54:05: given some of her recent stuff.
54:05 - 54:08: Like, okay, you know how to read Japanese.
54:08 - 54:08: I just bought...
54:08 - 54:09: - Japan.
54:09 - 54:10: - I just bought Japan.
54:10 - 54:12: (laughs)
54:12 - 54:13: Yes, you know, I don't know.
54:13 - 54:15: I don't wanna write, I'm not trying to write the song.
54:15 - 54:17: I'm just saying that if anybody would kind of
54:17 - 54:20: take something a little embarrassing or awkward
54:20 - 54:21: and turn it into gold,
54:21 - 54:22: I could picture that a number one,
54:22 - 54:24: like she did that with "Thank U, Next."
54:24 - 54:25: - Yeah, true.
54:25 - 54:27: - You know, don't be surprised if this summer,
54:27 - 54:30: there's a number one hit song, Ariana Grande,
54:30 - 54:32: featuring Lil Durk, "Small Charcoal Grill."
54:32 - 54:33: - Featuring Patrick World.
54:33 - 54:35: - Okay, so anyway,
54:35 - 54:37: I guess Patrick World actually cooked up.
54:37 - 54:39: - Ariana and Dirk would be good.
54:39 - 54:39: It makes sense.
54:39 - 54:40: - Yeah.
54:40 - 54:40: - He sings.
54:40 - 54:42: - Or maybe she would, yeah.
54:42 - 54:42: All right, let's check it out.
54:42 - 54:44: So this is Patrick World,
54:44 - 54:45: his version of "Small Charcoal Grill."
54:45 - 54:49: ♪ Hosting a barbecue, what could be better? ♪
54:49 - 54:52: ♪ This song is brought to you, sponsored by Weber ♪
54:52 - 54:55: ♪ My tattoo artist was lacking in skill ♪
54:55 - 54:59: ♪ So now I sing about small charcoal grills ♪
54:59 - 55:00: ♪ Hibachi, I'm with 'em ♪
55:00 - 55:02: ♪ The burgers, I flip 'em ♪
55:02 - 55:04: ♪ I'm killin', at grillin' ♪
55:04 - 55:06: ♪ These pork chops, so fillin' ♪
55:06 - 55:07: ♪ Cook out with the fellas ♪
55:07 - 55:09: ♪ Break out the modellas ♪
55:09 - 55:09: - Okay.
55:09 - 55:11: ♪ Hitchhikers, and toothpicks ♪
55:11 - 55:12: ♪ We havin' a picnic ♪
55:12 - 55:14: ♪ The charcoal, get heated ♪
55:14 - 55:16: ♪ It's ready, let's eat it ♪
55:16 - 55:17: ♪ My neighbors, I shook ♪
55:17 - 55:19: ♪ You come kiss the cook ♪
55:19 - 55:21: ♪ The charcoal, get heated ♪
55:21 - 55:23: ♪ It's ready, let's eat it ♪
55:23 - 55:24: ♪ My neighbors, I shook ♪
55:24 - 55:26: ♪ You come kiss the cook ♪
55:26 - 55:27: - Okay.
55:27 - 55:28: - Another smash.
55:28 - 55:29: - And Patrick World said,
55:29 - 55:31: "Guys, branded 'Small Charcoal Grills.'
55:31 - 55:32: "We get Arian on board, split the cash.
55:32 - 55:34: "Maybe Bayo does 'Seven Rings' remix
55:34 - 55:35: "with my guest vocal."
55:35 - 55:36: Okay.
55:36 - 55:38: - What is it, like eight or nine songs from Patrick?
55:38 - 55:39: - It's quite a few.
55:39 - 55:41: - Psyched for the TC vinyl.
55:41 - 55:44: - But that you can't just keep running with that flow,
55:44 - 55:45: 'cause that's Soulja Boy.
55:45 - 55:47: - And that's 2 Chainz, really.
55:47 - 55:49: - Well, I guess she got called out for this song.
55:49 - 55:50: - Yeah, people were mad.
55:50 - 55:51: - But they were mad.
55:51 - 55:52: - Soulja Boy's really mad.
55:52 - 55:54: - They're mad, but it still hasn't stopped the song.
55:54 - 55:55: It's number one.
55:55 - 55:56: - Is it? I don't know.
55:56 - 55:57: - In many countries.
55:57 - 55:58: - I believe that.
55:58 - 55:59: That's cool.
55:59 - 56:00: Good for her. I like her.
56:00 - 56:02: - Aren't you allowed to steal flows in hip hop?
56:02 - 56:03: - Not really.
56:03 - 56:04: - Really?
56:04 - 56:06: - I mean, a lot of people do it,
56:06 - 56:07: but I think it's frowned upon.
56:07 - 56:09: - You gotta write new lyrics,
56:09 - 56:11: and they make a new beat,
56:11 - 56:12: and come up with a new flow?
56:12 - 56:13: - Yeah, man.
56:13 - 56:14: - That's a lot.
56:14 - 56:15: - I know.
56:15 - 56:18: - That's a lot.
56:18 - 56:19: - Yeah.
56:19 - 56:20: - It's a lot you gotta come up with.
56:20 - 56:22: - Yeah, three things.
56:22 - 56:27: - I got seven rings, but I don't have three things.
56:27 - 56:28: - Yeah, exactly.
56:28 - 56:29: - All right.
56:29 - 56:32: - What was "Seven Rings" about, anyway?
56:32 - 56:35: - That was a very confusing kind of black hole for TC.
56:35 - 56:37: It's not one of our proudest moments.
56:37 - 56:37: - All right.
56:37 - 56:39: - We were trying to figure out what the song was about,
56:39 - 56:44: and also unpack the controversy about the song,
56:44 - 56:46: and she got into it with the Princess Nokia.
56:46 - 56:49: - But did she get into it with her?
56:49 - 56:49: - Yes.
56:49 - 56:50: - Oh, I didn't know that.
56:50 - 56:51: - We at least know that much.
56:51 - 56:53: - I thought Princess Nokia was--
56:53 - 56:55: - Arielle was doing some serious reporting.
56:55 - 56:56: - Yeah.
56:56 - 56:59: - I thought Princess Nokia was yelling into a vacuum.
56:59 - 57:02: - No, apparently Ariana did respond,
57:02 - 57:04: but then she deleted it, and--
57:04 - 57:05: - Oh, I didn't know that.
57:05 - 57:06: Well, good for both of them.
57:06 - 57:09: - Basically, we were reading one of those crazy articles
57:09 - 57:13: that's kind of like gossipcop69xo.com
57:13 - 57:15: that just kind of like says like,
57:15 - 57:18: "Ariana Grande clap back, but then delete it,"
57:18 - 57:21: and it's just like, you just cannot follow the story.
57:21 - 57:23: - What was the clapback? Do you remember?
57:23 - 57:26: - Uh, something about how she's not racist,
57:26 - 57:28: she's solving racism? Is that correct?
57:28 - 57:30: - Oh, that's a bad clapback.
57:30 - 57:31: (laughing)
57:31 - 57:33: That is a take-backable clapback.
57:33 - 57:36: - I don't even want to try to get into that again.
57:36 - 57:38: - Well, I mean, good for her.
57:38 - 57:39: Solve racism.
57:39 - 57:39: So that's over?
57:39 - 57:40: (laughing)
57:41 - 57:44: Again, we're gonna have to crack open the books.
57:44 - 57:47: We need official confirmation from Ariana.
57:47 - 57:53: ♪ Comes a time when you're drifting ♪
57:53 - 57:58: ♪ Comes a time when you settle down ♪
57:58 - 58:05: ♪ Comes a life, feelings lifting ♪
58:05 - 58:10: ♪ Lift that baby right up off the ground ♪
58:10 - 58:19: ♪ Oh, this old world keeps spinning 'round ♪
58:19 - 58:25: ♪ It's a wonder tall trees ain't laying down ♪
58:25 - 58:27: ♪ There comes a time ♪
58:27 - 58:38: ♪ You and I, we were captured ♪
58:38 - 58:43: ♪ We took our souls and we flew away ♪
58:43 - 58:51: ♪ We were right, we were giving ♪
58:51 - 58:55: ♪ That's how we kept what we gave away ♪
58:55 - 59:06: ♪ Oh, this old world keeps spinning 'round ♪
59:06 - 59:11: ♪ It's a wonder tall trees ain't laying down ♪
59:11 - 59:16: ♪ There comes a time ♪
59:16 - 59:17: - You wanna hear something kind of freaky?
59:17 - 59:18: - Yeah, would love to.
59:18 - 59:22: - This is super morning radio vibe.
59:22 - 59:25: So guys, this is something kind of kooky and weird.
59:25 - 59:26: - Interesting item.
59:26 - 59:30: - This is something kind of flying around on the internet recently.
59:30 - 59:35: Did you know that three of the four last US presidents
59:36 - 59:40: were born in 1946, the same year?
59:40 - 59:45: And not only the same year, we're talking about a two month span.
59:45 - 59:48: Donald Trump was born June 14th, 1946.
59:48 - 59:52: George W. Bush was born July 6th, 1946.
59:52 - 59:56: And Bill Clinton was born August 19th, 1946.
59:56 - 59:59: - So Bill Clinton was like our beautiful young president.
59:59 - 01:00:01: - Well, now he's just as old as Trump and Bush.
01:00:01 - 01:00:05: - Yeah, but when he was the president, he was a dashing young man.
01:00:05 - 01:00:06: - We got him in his prime.
01:00:06 - 01:00:08: - Yeah, playing the saxophone.
01:00:08 - 01:00:12: - The US Census Bureau considers 1946 to be the first year of the baby boom,
01:00:12 - 01:00:14: which lasted until 1964.
01:00:14 - 01:00:18: And obviously Barack Obama is the one out of the last four
01:00:18 - 01:00:20: who was not born in 1946.
01:00:20 - 01:00:21: He was born in 1961.
01:00:21 - 01:00:22: - Still a boomer.
01:00:22 - 01:00:24: I'm psyched for a Gen X president.
01:00:24 - 01:00:25: - Oh man.
01:00:25 - 01:00:26: - Just a real ironic president.
01:00:26 - 01:00:29: - Do we even wanna start talking about the primaries?
01:00:29 - 01:00:31: - I think I should run for president
01:00:31 - 01:00:34: or like at least mayor of New York or something.
01:00:34 - 01:00:34: - I'd vote for you.
01:00:34 - 01:00:35: - I think I'd win.
01:00:35 - 01:00:36: - Why not?
01:00:36 - 01:00:37: - I don't wanna do it.
01:00:37 - 01:00:38: - Give it a shot, man.
01:00:38 - 01:00:40: - I think it's a bit of a thankless task.
01:00:40 - 01:00:43: - Yeah, I don't wanna do it, but I wanna win.
01:00:43 - 01:00:45: (laughing)
01:00:45 - 01:00:49: - You know, people are already starting to talk about, you know, Bernie.
01:00:49 - 01:00:50: - He's back.
01:00:50 - 01:00:51: - Bernie's back.
01:00:51 - 01:00:54: - Where are you at with Bernie 2019/20?
01:00:54 - 01:00:56: - I mean, he's running and you know.
01:00:56 - 01:00:58: - He's part of the TC story.
01:00:58 - 01:01:00: - He's part of the TC story.
01:01:00 - 01:01:01: I really got to crack open the books and see.
01:01:01 - 01:01:02: - You seem ambivalent.
01:01:02 - 01:01:06: - You know, I got scars from all the culture wars, man.
01:01:06 - 01:01:10: - So you're worried about it opening up a divisive fight within?
01:01:10 - 01:01:13: - Well, look, it's already divisive, so who knows?
01:01:13 - 01:01:15: But I guess, you know, we'll see who's left.
01:01:15 - 01:01:16: We'll see how people do, but--
01:01:16 - 01:01:19: - It's too early to get too fired up about it.
01:01:19 - 01:01:20: - We got like coded language right there.
01:01:20 - 01:01:21: We'll see who's left.
01:01:21 - 01:01:23: - Yeah, we'll see who's really left.
01:01:23 - 01:01:25: Who's ready to lead the revolution.
01:01:25 - 01:01:26: - Interesting.
01:01:26 - 01:01:28: - Obviously, we gotta support whoever would win,
01:01:28 - 01:01:30: but some people have said this.
01:01:30 - 01:01:33: It's kind of a bad sign if somebody wants to be president,
01:01:33 - 01:01:35: but somebody needs to be president.
01:01:35 - 01:01:35: You know what I mean?
01:01:35 - 01:01:36: - Yeah.
01:01:36 - 01:01:39: - It's like weird to want to be president.
01:01:39 - 01:01:40: - Yeah, it's pretty weird.
01:01:40 - 01:01:41: I want to be president.
01:01:41 - 01:01:43: - You do want to be president?
01:01:43 - 01:01:43: - Yeah.
01:01:43 - 01:01:46: - I mean, I guess the argument you would make for Sanders
01:01:46 - 01:01:48: is that he has a distinct worldview.
01:01:48 - 01:01:49: - He's consistent.
01:01:49 - 01:01:51: I mean, it would be great to just get somebody--
01:01:51 - 01:01:52: - I like that guy.
01:01:52 - 01:01:55: He's like a professor from a Disney movie or some (beep).
01:01:55 - 01:01:59: Like he's all clumsy and like (beep) falling apart and blowing up.
01:01:59 - 01:02:00: - He's invented flubber.
01:02:00 - 01:02:03: - He says like, "Gee willikers" or something.
01:02:03 - 01:02:03: Yeah.
01:02:03 - 01:02:05: - Of course.
01:02:05 - 01:02:06: Of course I love Bernie.
01:02:06 - 01:02:08: I need to see what else, what's going on though.
01:02:08 - 01:02:09: - It's too early to get--
01:02:09 - 01:02:09: - It is early.
01:02:09 - 01:02:12: - The primaries are a goddamn year away.
01:02:12 - 01:02:12: - Yeah.
01:02:12 - 01:02:14: Don't forget to register though.
01:02:14 - 01:02:15: - All right, that was--
01:02:15 - 01:02:16: - Don't forget to register.
01:02:16 - 01:02:18: - Our political coverage for the entire year.
01:02:18 - 01:02:20: - We'll have plenty more to talk about.
01:02:20 - 01:02:22: But I mean, don't you think this is weird
01:02:22 - 01:02:23: that these guys were all born in 1946?
01:02:23 - 01:02:25: - You think they all came from like the same--
01:02:25 - 01:02:26: - Within two months?
01:02:26 - 01:02:27: - Giant egg.
01:02:27 - 01:02:28: - Kind of.
01:02:28 - 01:02:29: - Big egg.
01:02:29 - 01:02:31: - Yeah, there's something shady about it.
01:02:31 - 01:02:34: - And they popped out of it and then they were incubated.
01:02:34 - 01:02:34: - What are you talking?
01:02:34 - 01:02:36: I mean, it's just the baby boom.
01:02:36 - 01:02:38: - They're all from like some weird fertility experiment.
01:02:38 - 01:02:41: - Do you follow the Instagram account, Illuminati Killers?
01:02:41 - 01:02:42: - Wow.
01:02:42 - 01:02:44: - I do follow a few conspiracy theory ones.
01:02:44 - 01:02:45: What do they have to say?
01:02:45 - 01:02:46: - I don't know.
01:02:46 - 01:02:48: Crazy stuff.
01:02:48 - 01:02:49: - You don't wanna share?
01:02:49 - 01:02:50: - Not really.
01:02:50 - 01:02:52: (laughing)
01:02:52 - 01:02:55: - Theoretically, you would think that maybe every president
01:02:55 - 01:02:57: would get like a little bit younger.
01:02:57 - 01:02:59: Or you would say like, you know, if people like Bill Clinton,
01:02:59 - 01:03:01: you might say, all right, people like a president
01:03:01 - 01:03:02: who's around that age.
01:03:02 - 01:03:06: - How old was he, like 50?
01:03:06 - 01:03:07: - I think he was in his 40s.
01:03:07 - 01:03:08: - He started in his 40s.
01:03:08 - 01:03:09: But then it's weird.
01:03:09 - 01:03:10: - So did Obama.
01:03:10 - 01:03:11: - It's just weird that, 'cause sometimes people talk
01:03:11 - 01:03:13: about the power of the baby boomers,
01:03:13 - 01:03:15: almost in like conspiracy theory terms.
01:03:15 - 01:03:17: You know, you sometimes see this framework
01:03:17 - 01:03:21: where it's like the boomers versus millennials.
01:03:21 - 01:03:23: And it's like the boomers hold power.
01:03:23 - 01:03:25: They don't respect millennials and the struggle
01:03:25 - 01:03:27: and they took all the good jobs
01:03:27 - 01:03:28: and they don't know how good they have it.
01:03:28 - 01:03:30: And they, whatever, they make fun of millennials
01:03:30 - 01:03:31: who clearly have less opportunity.
01:03:31 - 01:03:33: And you're kind of like, all right, well, obviously
01:03:33 - 01:03:35: we're talking about hundreds of millions of people.
01:03:35 - 01:03:37: It's more complicated than that.
01:03:37 - 01:03:39: And then you're like, but three presidents,
01:03:39 - 01:03:42: 20 years of presidency so far.
01:03:42 - 01:03:45: We're all born in within two months in 1946.
01:03:45 - 01:03:48: I'm not trying to go to Alex Jones, but come on.
01:03:48 - 01:03:50: That's clearly some kind of weird phrase.
01:03:50 - 01:03:51: - I've seen the documents.
01:03:51 - 01:03:52: - Yeah, it's weird.
01:03:52 - 01:03:53: - It was in an egg.
01:03:53 - 01:03:55: It was probably in an egg, a big egg.
01:03:55 - 01:03:56: - I think it was a big egg.
01:03:56 - 01:03:58: - They all came out of the same big egg.
01:03:58 - 01:03:59: - They came out of the same big egg.
01:03:59 - 01:04:02: And we don't know exactly how these big eggs function.
01:04:02 - 01:04:03: - The big egg theory.
01:04:03 - 01:04:04: - It is definitely a big egg.
01:04:04 - 01:04:08: And for all we know, the spawn come out of the big egg
01:04:08 - 01:04:09: over two months.
01:04:09 - 01:04:09: - Right.
01:04:09 - 01:04:11: - That might seem kind of weird
01:04:11 - 01:04:13: in terms of what we know about human childbirth.
01:04:13 - 01:04:14: But in the big egg, it's different.
01:04:14 - 01:04:17: - Yeah, they incubate in the egg.
01:04:17 - 01:04:18: They hatch at different rates,
01:04:18 - 01:04:22: depending on a bunch of things.
01:04:22 - 01:04:23: - Exactly.
01:05:13 - 01:05:13: - Wait, hold on.
01:05:13 - 01:05:14: What does this say?
01:05:14 - 01:05:18: This says that 1946 was the year of the fire dog.
01:05:18 - 01:05:19: - What's that?
01:05:19 - 01:05:22: - In the Chinese year designations.
01:05:22 - 01:05:23: - Oh, you can't--
01:05:23 - 01:05:25: - You get an animal and you also get like an element.
01:05:25 - 01:05:27: Like wasn't it the year of the fire monkey recently?
01:05:27 - 01:05:28: - Oh, I didn't know that.
01:05:28 - 01:05:30: I just knew it was the animal.
01:05:30 - 01:05:30: I think I'm a dog.
01:05:30 - 01:05:31: - A fire dog.
01:05:31 - 01:05:33: - I know it's a pig right now,
01:05:33 - 01:05:35: but what is it, an ice pig or something?
01:05:35 - 01:05:36: I thought it was just a pig.
01:05:36 - 01:05:38: - It would be crazy though,
01:05:38 - 01:05:41: if the Democratic nominee was another baby boomer.
01:05:41 - 01:05:44: If it was like Sanders or, is Elizabeth Warren,
01:05:44 - 01:05:46: she's like 70, right?
01:05:46 - 01:05:48: - Younger than Bernie for sure.
01:05:48 - 01:05:50: 1946 was the year of the fire dog.
01:05:50 - 01:05:53: And then 2006 was the next year of the fire dog.
01:05:53 - 01:05:56: So we probably got some 13 year olds right now
01:05:56 - 01:05:59: who hatched out of the same egg pod.
01:05:59 - 01:06:00: They got something going on.
01:06:00 - 01:06:02: The fire dog has an extremely active
01:06:02 - 01:06:03: and outgoing personality.
01:06:03 - 01:06:04: - Wait, what if I'm a fire dog?
01:06:04 - 01:06:06: - No, but you're not, 'cause you're just a dog.
01:06:06 - 01:06:08: - What?
01:06:08 - 01:06:12: - Because the only fire dog years were 1946 and 2006.
01:06:12 - 01:06:13: - But I gotta be a something dog, right?
01:06:13 - 01:06:15: - You're some kind of dog.
01:06:15 - 01:06:18: - Where do you find out your element?
01:06:18 - 01:06:18: What is this?
01:06:18 - 01:06:20: - I don't know, but I'm just on some--
01:06:20 - 01:06:21: - Oh, I'm a water dog.
01:06:21 - 01:06:22: - You're a water dog.
01:06:22 - 01:06:24: You're the opposite of these dogs.
01:06:24 - 01:06:27: You wanna hear some other famous dogs?
01:06:27 - 01:06:29: According to fengshuiweb.co.uk.
01:06:29 - 01:06:30: - Yeah.
01:06:30 - 01:06:31: - Sylvester Stallone.
01:06:31 - 01:06:32: - Sick.
01:06:32 - 01:06:34: - Donald Trump, we already knew that.
01:06:34 - 01:06:34: - Yeah.
01:06:34 - 01:06:36: - Freddie Mercury.
01:06:36 - 01:06:36: - Great.
01:06:36 - 01:06:37: - Elvis Presley.
01:06:37 - 01:06:38: - Not so good.
01:06:38 - 01:06:40: - I mean, but these are major dudes.
01:06:40 - 01:06:41: - True.
01:06:41 - 01:06:42: - Uma Thurman.
01:06:42 - 01:06:42: - I like her.
01:06:42 - 01:06:43: - Naomi Campbell.
01:06:43 - 01:06:43: - I like her.
01:06:43 - 01:06:44: - Kate Bush.
01:06:44 - 01:06:45: - I like her.
01:06:45 - 01:06:45: - Madonna.
01:06:45 - 01:06:46: - She's cool.
01:06:46 - 01:06:47: - David Bowie.
01:06:47 - 01:06:49: Whoa, that's a lot of major stars.
01:06:49 - 01:06:54: Freddie Mercury, Elvis Presley, Madonna, Judy Garland, David Bowie.
01:06:54 - 01:06:55: - These are all fire dogs.
01:06:55 - 01:06:56: - No, these are just dogs.
01:06:56 - 01:06:57: - Oh, okay, good.
01:06:57 - 01:06:58: (laughs)
01:06:58 - 01:06:59: - These are all just dogs.
01:06:59 - 01:07:00: - Well, I'm a dog.
01:07:00 - 01:07:02: - Wow, fire dogs taking over.
01:07:02 - 01:07:03: - What are you?
01:07:03 - 01:07:05: - It's a little embarrassing.
01:07:05 - 01:07:06: - You're a rat.
01:07:06 - 01:07:06: - Yeah.
01:07:06 - 01:07:07: - Knew it.
01:07:07 - 01:07:08: (laughs)
01:07:08 - 01:07:10: - But hold on, let's see what kind of rat.
01:07:10 - 01:07:13: Can you look up April 1984?
01:07:13 - 01:07:14: Can I get a number crunch on...
01:07:14 - 01:07:16: - So every month has an animal?
01:07:16 - 01:07:17: - It's every year.
01:07:17 - 01:07:18: - Oh, every year.
01:07:18 - 01:07:20: - Well, but I thought that the, I guess, does it just straight up
01:07:20 - 01:07:22: correspond to the Gregorian calendar?
01:07:22 - 01:07:26: - Well, it's a little bit, because the Chinese New Year is what?
01:07:26 - 01:07:28: The Lunar New Year is like January.
01:07:28 - 01:07:29: - Yeah, so I thought maybe it's a little different.
01:07:29 - 01:07:31: - Slightly.
01:07:31 - 01:07:32: - Oh, I'm a water rat.
01:07:32 - 01:07:33: - I'm a water dog.
01:07:33 - 01:07:35: - I guess we're two water dudes.
01:07:35 - 01:07:36: Okay, what about Jake?
01:07:36 - 01:07:37: You were born in '77?
01:07:37 - 01:07:39: - Yeah, February of '77.
01:07:39 - 01:07:40: Fire.
01:07:40 - 01:07:42: - Fire snake.
01:07:42 - 01:07:43: - That's pretty dope.
01:07:43 - 01:07:43: - Whoa, what?
01:07:43 - 01:07:44: - Wow.
01:07:44 - 01:07:45: - That's way better.
01:07:45 - 01:07:46: - I don't know what any of this means, but...
01:07:46 - 01:07:49: - I would have thought you'd be something chill, like an earth...
01:07:49 - 01:07:50: - Dog.
01:07:50 - 01:07:51: - Earth dog.
01:07:51 - 01:07:51: (laughs)
01:07:51 - 01:07:53: - Wait, no, I'm not in that year.
01:07:53 - 01:07:56: It's February 18th, '77 to February 6th, '78.
01:07:56 - 01:07:57: - When, what's your birthday?
01:07:57 - 01:07:58: - February 3rd.
01:07:58 - 01:07:59: - Oh, shoot.
01:07:59 - 01:08:00: - Whoa, okay.
01:08:00 - 01:08:02: - I'm 1976 then, what's that?
01:08:02 - 01:08:05: - We gotta get somebody on the show to actually explain this stuff to us.
01:08:05 - 01:08:08: - I knew you weren't a fire snake.
01:08:08 - 01:08:08: Couldn't be.
01:08:08 - 01:08:11: - Now we're getting conflicting information here, folks.
01:08:11 - 01:08:12: - Now earth dog.
01:08:12 - 01:08:14: (laughs)
01:08:14 - 01:08:15: Earth monkey.
01:08:15 - 01:08:17: - Are you guys stoked for yesterday?
01:08:17 - 01:08:19: - For the movie "Better World With No Beatles"?
01:08:19 - 01:08:20: I'll see it.
01:08:20 - 01:08:21: - I mean, when I heard the concept...
01:08:21 - 01:08:23: - I didn't even know that.
01:08:23 - 01:08:26: - It made no sense, but the trailer, honestly, kind of winning.
01:08:26 - 01:08:29: - It's kind of a feel good trailer.
01:08:29 - 01:08:29: - Yeah.
01:08:29 - 01:08:30: Fire dragon.
01:08:30 - 01:08:32: - Fire dragon?
01:08:32 - 01:08:34: - It's even more badass.
01:08:34 - 01:08:34: - Yeah, it's crazy.
01:08:34 - 01:08:36: - Wait, yep.
01:08:36 - 01:08:38: - Mid-late '70s was no joke, folks.
01:08:38 - 01:08:41: - You're a fire dragon, man.
01:08:41 - 01:08:41: All right.
01:08:41 - 01:08:42: - I'll take it.
01:08:42 - 01:08:44: - I wanna be something better.
01:08:44 - 01:08:46: Maybe I can lie.
01:08:46 - 01:08:48: - All right, you're a fire dragon.
01:08:48 - 01:08:48: - Me too.
01:08:48 - 01:08:51: - It's about time to get in the top five, but real quick,
01:08:51 - 01:08:53: Jake hasn't seen the "Harmony Hall" music video yet.
01:08:53 - 01:08:54: - Nope, I have not.
01:08:54 - 01:08:56: - And I gotta hype it up.
01:08:56 - 01:08:57: - Let's do a private screening right now.
01:08:57 - 01:08:58: - A private screening.
01:08:58 - 01:08:59: Wait, Alec, have you seen it?
01:08:59 - 01:09:01: - Yeah, I told you, reminded me of "Toad the West Rockie."
01:09:01 - 01:09:02: - I was seeing you some clips,
01:09:02 - 01:09:04: so I don't know if you saw the whole thing.
01:09:04 - 01:09:05: - Oh, no, I saw the whole thing.
01:09:05 - 01:09:05: - All right, cool.
01:09:05 - 01:09:07: - I watched it in bed.
01:09:07 - 01:09:09: - So this is the "Harmony Hall" music video.
01:09:09 - 01:09:10: - Mm-hmm.
01:09:11 - 01:09:13: Now, I did visit the set.
01:09:13 - 01:09:14: - That's true.
01:09:14 - 01:09:17: Yeah, it's a bummer that I didn't drag you in for a cameo.
01:09:17 - 01:09:19: When you got there, we were still kind of setting up the kitchen scene.
01:09:19 - 01:09:20: - I was too early.
01:09:20 - 01:09:22: - So you've seen some of this.
01:09:22 - 01:09:24: - But I'm recognizing this set you're on here.
01:09:28 - 01:09:31: ♪ We took a vow in summertime ♪
01:09:31 - 01:09:34: ♪ Now we find ourselves in late December ♪
01:09:34 - 01:09:35: - It's a real snake.
01:09:35 - 01:09:38: - But is that like a melon there in the foreground?
01:09:38 - 01:09:38: - Yeah.
01:09:38 - 01:09:40: ♪ I believe that New Year's Eve ♪
01:09:40 - 01:09:42: - You know what kind of snake it is?
01:09:42 - 01:09:43: - I forget, the guys told us.
01:09:43 - 01:09:45: There's this Australian snake wrangler, dude.
01:09:45 - 01:09:46: I do remember that somebody was like,
01:09:46 - 01:09:47: "What's the snake's name?"
01:09:47 - 01:09:50: And he goes, "It doesn't have a name.
01:09:50 - 01:09:50: "Just a snake."
01:09:50 - 01:09:52: (laughing)
01:09:52 - 01:09:52: And she's deaf.
01:09:52 - 01:09:55: - So you guys had like a film green or what?
01:09:55 - 01:09:56: - It was on film.
01:09:56 - 01:09:57: - Oh, it was?
01:09:57 - 01:09:57: - Yeah.
01:09:57 - 01:09:58: - Crazy.
01:09:58 - 01:10:00: ♪ Thought that I was free ♪
01:10:00 - 01:10:01: ♪ From all that questioning ♪
01:10:01 - 01:10:04: - Oh man, that's very like Blind Melon.
01:10:04 - 01:10:06: - Yeah, the fish eye.
01:10:06 - 01:10:09: - Oh yeah, there's CT wearing the--
01:10:09 - 01:10:11: - The Father's Day weekend.
01:10:11 - 01:10:14: ♪ Anybody with a bullet in mind ♪
01:10:14 - 01:10:16: ♪ Can never forgive the sight ♪
01:10:16 - 01:10:18: ♪ Of wicked snakes inside ♪
01:10:18 - 01:10:20: - I just got a text from my friend.
01:10:20 - 01:10:24: He just writes, "Chorus of the new vampire song is tight."
01:10:24 - 01:10:25: - Nice.
01:10:25 - 01:10:27: (laughing)
01:10:27 - 01:10:28: - Chorus.
01:10:28 - 01:10:30: - I like the chorus.
01:10:30 - 01:10:33: - I was like, "The whole thing is tight, bro."
01:10:33 - 01:10:35: You gonna split hairs here?
01:10:35 - 01:10:37: - Danielle headbanging.
01:10:37 - 01:10:38: - Oh, that's tight.
01:10:38 - 01:10:40: - And I love the way they shot these parts.
01:10:40 - 01:10:43: It's like a very specific kind of like '90s look
01:10:43 - 01:10:46: where it gets like out of focus super quickly.
01:10:46 - 01:10:48: Like it's just, I forget what it's called.
01:10:48 - 01:10:49: - Short depth of field.
01:10:49 - 01:10:50: - Exactly.
01:10:50 - 01:10:52: ♪ Within the heart of the black ♪
01:10:52 - 01:10:54: - This is a real device.
01:10:54 - 01:10:55: We found this like pancake artist
01:10:55 - 01:10:57: who built the pancake spirograph
01:10:57 - 01:11:00: and he FedExed it to us.
01:11:00 - 01:11:03: ♪ Beneath these velvet gloves ♪
01:11:03 - 01:11:05: - So why'd you shoot on film?
01:11:05 - 01:11:07: This don't really look curious.
01:11:07 - 01:11:07: - Look cool.
01:11:07 - 01:11:12: ♪ 'Cause I still remember ♪
01:11:12 - 01:11:14: - You know, obviously like some of the references for this
01:11:14 - 01:11:18: were kind of like old school '80s, '90s videos.
01:11:18 - 01:11:19: - Yeah.
01:11:19 - 01:11:20: - So we just wanted that like kind of real look.
01:11:20 - 01:11:23: And also the dude who directed Emmett,
01:11:23 - 01:11:25: he did "Giving Up the Gun" and "Holiday."
01:11:25 - 01:11:27: He's been directing videos since the '90s,
01:11:27 - 01:11:28: so we thought it'd be kind of cool.
01:11:28 - 01:11:30: ♪ Another one begins ♪
01:11:30 - 01:11:35: ♪ And the stone wall was a vomiting albaricness ♪
01:11:35 - 01:11:37: ♪ And it battered with the wood and iron ♪
01:11:37 - 01:11:38: - This fish eye also reminds me
01:11:38 - 01:11:40: of "Smashing Pumpkins" videos.
01:11:40 - 01:11:41: - Oh, totally.
01:11:41 - 01:11:42: - From like "Simon's Dream" era.
01:11:42 - 01:11:43: - Uh-huh.
01:11:43 - 01:11:44: That stuff was probably filmed
01:11:44 - 01:11:45: on a lot of the same equipment.
01:11:45 - 01:11:47: ♪ I don't wanna live like this ♪
01:11:47 - 01:11:49: ♪ But I don't wanna die ♪
01:11:49 - 01:11:51: - RL came through and Dev was in town
01:11:51 - 01:11:53: and we're just like, "Oh, you wanna jump in?"
01:11:53 - 01:11:53: - Nice.
01:11:53 - 01:12:02: ♪ Ooh, ooh, ooh, ooh, ooh ♪
01:12:02 - 01:12:04: - Oh, CT wardrobe change.
01:12:04 - 01:12:07: ♪ I don't wanna live like this ♪
01:12:07 - 01:12:12: ♪ But I don't wanna die ♪
01:12:12 - 01:12:13: - Yeah, I love all those slow-mo parts.
01:12:13 - 01:12:31: ♪ And the stone wall was a vomiting albaricness ♪
01:12:31 - 01:12:32: - Yeah, I knew I wanted to do
01:12:32 - 01:12:34: like a pancake and bathrobe video.
01:12:34 - 01:12:36: And I knew I wanted to wear this bathrobe.
01:12:36 - 01:12:37: ♪ And it battered with the wood and iron ♪
01:12:37 - 01:12:38: - About as simple as that.
01:12:38 - 01:12:42: ♪ Wicked snakes inside a place ♪
01:12:42 - 01:12:43: ♪ You thought was dignified ♪
01:12:43 - 01:12:46: - So I wonder if like kids that are like 20
01:12:46 - 01:12:47: who are watching this
01:12:47 - 01:12:50: that weren't watching music videos 20 years ago,
01:12:50 - 01:12:52: how this registers to them.
01:12:52 - 01:12:52: - No idea.
01:12:52 - 01:12:55: (laughing)
01:12:55 - 01:12:56: - End of discussion.
01:13:05 - 01:13:06: - This part's so dope.
01:13:06 - 01:13:16: ♪ Ooh, ooh, ooh, ooh, ooh ♪
01:13:16 - 01:13:17: - They're sending out fireworks
01:13:17 - 01:13:19: in our candlelit black room setup.
01:13:19 - 01:13:23: ♪ Ooh, ooh, ooh, ooh, ooh ♪
01:13:23 - 01:13:25: ♪ I don't wanna live like this ♪
01:13:25 - 01:13:27: ♪ But I don't wanna die ♪
01:13:27 - 01:13:29: - To me, it's all about the twirls.
01:13:29 - 01:13:30: That was like one of those things we were shooting it
01:13:30 - 01:13:32: and we started doing those
01:13:32 - 01:13:34: and I was like, this could have been the whole video.
01:13:34 - 01:13:38: ♪ What am I, never forgive the side ♪
01:13:38 - 01:13:41: ♪ Wicked snakes inside a place ♪
01:13:41 - 01:13:43: ♪ You thought was dignified ♪
01:13:43 - 01:13:45: ♪ I don't wanna live like this ♪
01:13:45 - 01:13:48: ♪ But I don't wanna die ♪
01:13:48 - 01:13:49: - Oh, that's nice.
01:13:49 - 01:13:50: I kinda like that moment.
01:13:50 - 01:13:52: - Oh yeah, it's fun.
01:13:52 - 01:13:54: You know, they played the music like super fast
01:13:54 - 01:13:55: and we're just running around.
01:13:55 - 01:13:56: Jonah came through.
01:13:56 - 01:13:56: - Oh, nice.
01:13:56 - 01:13:58: - He directed the next Vampire Weekend video.
01:13:58 - 01:13:59: - When's that coming out?
01:13:59 - 01:14:01: - We gotta release the music first,
01:14:01 - 01:14:03: which will be pretty soon.
01:14:03 - 01:14:04: - When are you doing that?
01:14:04 - 01:14:05: - Really soon.
01:14:05 - 01:14:07: - A little D-Lo guitar there at the end.
01:14:07 - 01:14:08: - That's right.
01:14:08 - 01:14:10: - Nice, dude.
01:14:10 - 01:14:11: - That's the Harmony Hall music video.
01:14:11 - 01:14:12: - Woo!
01:14:12 - 01:14:15: - At first, I was on the fence if I wanted to do any videos.
01:14:15 - 01:14:15: Just when people--
01:14:15 - 01:14:16: - Pearl Jam style.
01:14:16 - 01:14:17: - Yeah.
01:14:17 - 01:14:21: We haven't made a lot of videos in the past six years.
01:14:21 - 01:14:23: On the last one, we kinda just made one.
01:14:23 - 01:14:24: We made a video for Unbelievers
01:14:24 - 01:14:25: and we just like canceled it.
01:14:25 - 01:14:26: - You didn't release it?
01:14:26 - 01:14:27: - Yeah.
01:14:27 - 01:14:28: - Just 'cause you didn't like it?
01:14:28 - 01:14:29: - It was cool.
01:14:29 - 01:14:30: I like the director.
01:14:30 - 01:14:32: - It's tough, man.
01:14:32 - 01:14:34: It's like you put all this time and energy into the music
01:14:34 - 01:14:35: and then you're like, "Well, we gotta--"
01:14:35 - 01:14:37: - "Gotta slap together a visual."
01:14:37 - 01:14:39: - "We got one day to film a video."
01:14:39 - 01:14:40: It's like, "All right."
01:14:40 - 01:14:41: - Yeah, exactly.
01:14:41 - 01:14:42: And that's how I feel.
01:14:42 - 01:14:44: We take so long on the music.
01:14:44 - 01:14:44: - Yeah.
01:14:44 - 01:14:47: - And there's a part of me that I always focus on the negative
01:14:47 - 01:14:49: and I'm like, "The video, to me,
01:14:49 - 01:14:53: "seems a way higher chance of misrepresenting the song
01:14:53 - 01:14:54: "or something."
01:14:54 - 01:14:54: - Sure.
01:14:54 - 01:14:57: - And also, I was really happy with our official audios
01:14:57 - 01:14:58: where we had some bugs and frogs
01:14:58 - 01:15:01: and I was like, "Those ones feel how the music sounds to me,
01:15:01 - 01:15:03: "but then I was also like,
01:15:03 - 01:15:05: "people were encouraging us to make videos
01:15:05 - 01:15:07: "and I kind of knew it was a slight cop out
01:15:07 - 01:15:11: "'cause people wanna see the artist at least partially."
01:15:11 - 01:15:12: But it came together.
01:15:12 - 01:15:12: - Yeah, man.
01:15:12 - 01:15:15: - We did our thing and we got another good one coming
01:15:15 - 01:15:16: that we shot in New York with Jonah.
01:15:16 - 01:15:17: - Tight.
01:15:17 - 01:15:19: It's a good video, that video.
01:15:19 - 01:15:21: - Yeah, "Despot" came through.
01:15:21 - 01:15:22: - Oh, this one?
01:15:22 - 01:15:23: - Yeah.
01:15:23 - 01:15:25: (laughing)
01:15:25 - 01:15:25: - Yeah.
01:15:25 - 01:15:27: - Yeah, on the last album we made,
01:15:27 - 01:15:29: "Dying Young" was the one video we made.
01:15:29 - 01:15:30: It's kind of like fun.
01:15:31 - 01:15:32: Dave's in that one.
01:15:32 - 01:15:32: - Oh, really?
01:15:32 - 01:15:33: Cool.
01:15:33 - 01:15:33: - Yeah.
01:15:33 - 01:15:34: - I was in that video.
01:15:34 - 01:15:35: - In "Despot," that's right.
01:15:35 - 01:15:38: - Damn, I played the Wii saxophone.
01:15:38 - 01:15:40: - That's right, that was a classic part of that video.
01:15:40 - 01:15:41: (laughing)
01:15:41 - 01:15:43: I just felt, you know, it's like making a video too,
01:15:43 - 01:15:44: it's like too many years go by
01:15:44 - 01:15:45: and it's like time to make a video
01:15:45 - 01:15:47: and you're just like, "I don't do this."
01:15:47 - 01:15:48: You know what I mean?
01:15:48 - 01:15:50: I spent a lot of time over the past five years
01:15:50 - 01:15:53: like thinking about music, writing songs or whatever.
01:15:53 - 01:15:55: That's part of the repertoire.
01:15:55 - 01:15:55: - Yeah.
01:15:55 - 01:15:57: - But then it's like, "Yeah, now it's time to make a video."
01:15:57 - 01:15:58: It's like, "Ugh."
01:15:58 - 01:15:59: - Yeah, really?
01:15:59 - 01:16:01: - But there's something nice about, you know,
01:16:01 - 01:16:02: being forced to do something.
01:16:02 - 01:16:04: Or not forced, nobody forced us,
01:16:04 - 01:16:05: but just being encouraged and then you're like,
01:16:05 - 01:16:06: "All right, how do we make this fun?"
01:16:06 - 01:16:07: - You were forced.
01:16:07 - 01:16:10: - No, if I put my foot down, nobody would have forced us.
01:16:10 - 01:16:12: These days in like music, like label people
01:16:12 - 01:16:13: are like very chill.
01:16:13 - 01:16:14: - Mm-hmm.
01:16:14 - 01:16:15: - I just think it's too much of a cliche
01:16:15 - 01:16:17: to be like on some "Bohemian Rhapsody,"
01:16:17 - 01:16:19: like, "You're not putting out that song."
01:16:19 - 01:16:20: - Yeah.
01:16:20 - 01:16:21: - "Oh my God."
01:16:21 - 01:16:22: You know, like that's too much of a cliche.
01:16:22 - 01:16:27: People generally who work at labels like music
01:16:27 - 01:16:29: and understand that it's personal for the artists
01:16:29 - 01:16:30: so nobody's too pushy.
01:16:30 - 01:16:33: Anyway, Harmony Hall music video, check it out.
01:16:33 - 01:16:34: New music coming very soon.
01:16:34 - 01:16:35: Let's get into this top five.
01:16:35 - 01:16:42: - It's time for the top five on iTunes.
01:16:42 - 01:16:44: - So this week on the top five.
01:16:44 - 01:16:45: - Harmony Hall.
01:16:45 - 01:16:48: - We got Harmony Hall in all five slots.
01:16:48 - 01:16:50: This week on the top five,
01:16:50 - 01:16:52: we're doing something pretty unusual.
01:16:52 - 01:16:54: I feel like on TC, we were getting stuck
01:16:54 - 01:16:57: in a bit of like a late '70s, early '80s rut for a while.
01:16:57 - 01:16:59: - That's just your opinion.
01:16:59 - 01:17:01: I don't think you're getting stuck in that.
01:17:01 - 01:17:01: I think--
01:17:01 - 01:17:02: - Jake is not complaining.
01:17:02 - 01:17:04: - I think that's a rich vein.
01:17:04 - 01:17:05: - Well, we're just switching it up.
01:17:05 - 01:17:06: - It's your show, man.
01:17:06 - 01:17:09: - I think we did one recently
01:17:09 - 01:17:12: that was in like the 2000s or something or the '90s.
01:17:12 - 01:17:14: - I think we did one from like 2013.
01:17:14 - 01:17:15: - Oh yeah, that was cool.
01:17:15 - 01:17:17: - Maybe two episodes ago
01:17:17 - 01:17:19: 'cause that was the last time you put out a record.
01:17:19 - 01:17:22: And then last episode we did 1959.
01:17:22 - 01:17:23: - Yeah, so I like it.
01:17:23 - 01:17:24: We're switching it up.
01:17:24 - 01:17:26: Now we're going even further into the past.
01:17:26 - 01:17:27: - What are we doing?
01:17:27 - 01:17:30: - 1946 versus 2019.
01:17:30 - 01:17:32: Why 1946, Despot?
01:17:32 - 01:17:35: - Oh, 'cause all the presidents
01:17:35 - 01:17:36: were hatched from a giant egg that year.
01:17:36 - 01:17:37: - That's right.
01:17:37 - 01:17:42: So 1946, Billboard had a chart.
01:17:42 - 01:17:43: It had a slightly different name, but who cares?
01:17:43 - 01:17:46: Whatever, this is the Billboard 1946 top hits.
01:17:46 - 01:17:48: So we're gonna be comparing them
01:17:48 - 01:17:51: to the top five songs on iTunes right now.
01:17:51 - 01:17:54: So the number five song in 1946,
01:17:54 - 01:17:55: we're taking it way back.
01:17:56 - 01:17:58: Bing Crosby, well, he's famous.
01:17:58 - 01:17:59: - Yeah, heard of him.
01:17:59 - 01:18:00: - Heard of him.
01:18:00 - 01:18:00: - Yeah, I know who he is.
01:18:00 - 01:18:03: - The song though, "I Can't Begin to Tell You."
01:18:03 - 01:18:04: Not familiar.
01:18:04 - 01:18:07: (piano music)
01:18:07 - 01:18:08: Sounds about right.
01:18:08 - 01:18:09: - Yeah.
01:18:09 - 01:18:11: So these were based on record sales?
01:18:11 - 01:18:13: - Yeah, 'cause people were buying records.
01:18:13 - 01:18:18: ♪ I can't begin to tell you ♪
01:18:18 - 01:18:23: ♪ How much you mean to me ♪
01:18:23 - 01:18:24: ♪ My world would end ♪
01:18:24 - 01:18:25: - This would be a funny one
01:18:25 - 01:18:28: 'cause we're just fully before rock and roll.
01:18:28 - 01:18:30: - Yeah, all this stuff just sounds like it's a joke.
01:18:30 - 01:18:33: - I guess it's pop music though, right?
01:18:33 - 01:18:34: - Yeah.
01:18:34 - 01:18:38: - Yeah, this was originally recorded by John Payne
01:18:38 - 01:18:42: for the Oscar nominated film, "The Dolly Sisters."
01:18:42 - 01:18:45: - This is just like Christmas, someone's making a turkey.
01:18:45 - 01:18:47: You're a little kid, you're running around,
01:18:47 - 01:18:48: this (beep) is in the background.
01:18:48 - 01:18:50: Nobody likes it, but they're playing it.
01:18:50 - 01:18:53: - Burglars are trying to break into your house.
01:18:53 - 01:18:54: - Yeah, yeah.
01:18:54 - 01:18:55: - You're figuring out how to murder them.
01:18:55 - 01:18:57: - You're rigging up the Michael Jordan.
01:18:57 - 01:18:58: - Yeah.
01:18:58 - 01:19:03: ♪ Whenever we're apart ♪
01:19:03 - 01:19:09: ♪ But when you're near the words I choose ♪
01:19:09 - 01:19:10: ♪ Refuse to let go ♪
01:19:10 - 01:19:11: - My dad probably likes this.
01:19:11 - 01:19:12: Nah, you know what?
01:19:12 - 01:19:13: He probably doesn't.
01:19:13 - 01:19:14: My dad's cool.
01:19:14 - 01:19:17: - I mean, it's not bad.
01:19:17 - 01:19:18: - Nah, it's fine.
01:19:18 - 01:19:19: - This spot's hating this.
01:19:19 - 01:19:20: - I'm sorry.
01:19:20 - 01:19:22: - Shout out to Carmen Cavallaro on piano.
01:19:22 - 01:19:23: - I don't dislike this.
01:19:23 - 01:19:26: ♪ And make believe I've stood all day ♪
01:19:26 - 01:19:29: - Well, it's like, yeah, I mean, music from this era,
01:19:29 - 01:19:33: it's like so, the associations are so overdetermined.
01:19:33 - 01:19:36: It's like, yeah, either it's like Christmas
01:19:36 - 01:19:40: or it's like kind of a sad old memory of the past
01:19:40 - 01:19:42: or it's like a horror movie.
01:19:42 - 01:19:43: - Yeah.
01:19:43 - 01:19:44: - Like somebody's about to die.
01:19:44 - 01:19:44: - Yeah.
01:19:44 - 01:19:46: - In my neighborhood.
01:19:46 - 01:19:48: It's like even a little too weird for my neighborhood.
01:19:48 - 01:19:53:
01:19:53 - 01:19:54: - Oh no, I guess it could be.
01:19:54 - 01:19:55: - No, it could totally be.
01:19:55 - 01:19:57: - It's just a slightly different accent.
01:19:57 - 01:20:00: - Like the first 15 minutes of "Goodfellas."
01:20:00 - 01:20:00: - Right.
01:20:00 - 01:20:02: Brooklyn, 1946.
01:20:02 - 01:20:06: Anyway, out with the old, in with the new.
01:20:06 - 01:20:06: You know what I'm saying?
01:20:06 - 01:20:09: Here's the number five song on iTunes right now.
01:20:09 - 01:20:11: It's by a fella named Brett Young.
01:20:11 - 01:20:13: - The Bing Crosby of our day.
01:20:13 - 01:20:15: - And the song is called "Here Tonight."
01:20:15 - 01:20:16: - Brett Young?
01:20:16 - 01:20:18: - Yeah, what?
01:20:18 - 01:20:19: The football player or something?
01:20:19 - 01:20:22: - He performed this song on "The Bachelor" recently.
01:20:22 - 01:20:23: - Is that why this is a hit?
01:20:23 - 01:20:24: - Probably helped.
01:20:24 - 01:20:25: - Did he write it?
01:20:25 - 01:20:27: - With a few other people.
01:20:27 - 01:20:32: ♪ In your eyes ♪
01:20:32 - 01:20:34: ♪ Tonight ♪
01:20:34 - 01:20:36: ♪ Please just let me stay ♪
01:20:36 - 01:20:38: - I like the Bing Crosby song a lot better.
01:20:38 - 01:20:40: - It's got a better palette.
01:20:40 - 01:20:41: - Now you're sorry you hate it.
01:20:41 - 01:20:43: - That was a hate, yeah.
01:20:43 - 01:20:47: ♪ Underneath the stars ♪
01:20:47 - 01:20:48: ♪ We are ♪
01:20:48 - 01:20:50: - What do you call that kind of voice?
01:20:50 - 01:20:53: When they're like, "How do, how do, how do?"
01:20:53 - 01:20:55: - Well, it's like country pop.
01:20:55 - 01:20:56: Technically, this is country.
01:20:56 - 01:20:58: - A guy trying very hard.
01:20:58 - 01:21:00: (laughing)
01:21:00 - 01:21:03: ♪ We can just stay here in this a minute ♪
01:21:03 - 01:21:04: ♪ Lose our drink and find ♪
01:21:04 - 01:21:05: - Yuck.
01:21:05 - 01:21:05: - Yeah, this sucks.
01:21:05 - 01:21:09: (laughing)
01:21:09 - 01:21:10: - Between me and Despot,
01:21:10 - 01:21:12: it's gonna be a real neg-head top five.
01:21:12 - 01:21:12: - Oh, yeah.
01:21:12 - 01:21:13: It's been a while since we've--
01:21:13 - 01:21:15: - Well, the Bing Crosby was like--
01:21:15 - 01:21:16: - Despot, I'm just saying, this shit sucks.
01:21:16 - 01:21:17: - It was pleasant, you know?
01:21:17 - 01:21:20: As much as I don't care about it.
01:21:20 - 01:21:21: - One thing I like that I'm reading
01:21:21 - 01:21:22: about Brett Young right now
01:21:22 - 01:21:23: is that he's from Orange County
01:21:23 - 01:21:25: and his album's called "Ticket to L.A."
01:21:25 - 01:21:27: - Okay, a little bit of a narrative there.
01:21:27 - 01:21:29: - This is probably a relatively inexpensive ticket.
01:21:29 - 01:21:30: - Yeah.
01:21:30 - 01:21:30: - From Orange County to L.A.
01:21:30 - 01:21:31: - Is that a bus ticket?
01:21:31 - 01:21:32: - Maybe.
01:21:32 - 01:21:34: How much is that, $9?
01:21:34 - 01:21:36: - Is there a flight?
01:21:36 - 01:21:36: No, right?
01:21:36 - 01:21:37: You can't do that.
01:21:37 - 01:21:37: - No, that'd be cool.
01:21:37 - 01:21:38: - No.
01:21:38 - 01:21:38: (laughing)
01:21:38 - 01:21:39: - Dude, that'd be tight.
01:21:39 - 01:21:42: Like, Orange County to Burbank flight?
01:21:42 - 01:21:43: - Yeah, what's that, a four-minute flight?
01:21:43 - 01:21:45: - You could drive there in 45 minutes.
01:21:45 - 01:21:46: - Well.
01:21:46 - 01:21:47: - Or maybe you buy a ticket
01:21:47 - 01:21:49: on one of those helicopter services.
01:21:49 - 01:21:50: - Right.
01:21:50 - 01:21:51: - Where you split it with some other dudes
01:21:51 - 01:21:54: and you only have to pay like $1,200 each.
01:21:54 - 01:21:55: - This guy's rich.
01:21:55 - 01:21:57: This guy was rich already.
01:21:57 - 01:22:00: ♪ I'm a rich guy from Orange County ♪
01:22:00 - 01:22:02: - Brett Young.
01:22:02 - 01:22:05: ♪ And I spent my last $1,200 ♪
01:22:05 - 01:22:08: ♪ To split a ticket on that chopper ♪
01:22:08 - 01:22:12: ♪ Landed on a helipad in downtown L.A. ♪
01:22:12 - 01:22:14: - Now what?
01:22:14 - 01:22:17: (laughing)
01:22:17 - 01:22:22: ♪ And I spent my last 20K on a PJ to New York ♪
01:22:22 - 01:22:22: - Now what?
01:22:22 - 01:22:25: (laughing)
01:22:25 - 01:22:27: ♪ I landed in the Hamptons ♪
01:22:27 - 01:22:28: ♪ Now what? ♪
01:22:28 - 01:22:31: ♪ Guess I'll get some breakfast solo ♪
01:22:31 - 01:22:33: (laughing)
01:22:33 - 01:22:35: - So that guy just sang that on "The Bachelor"
01:22:35 - 01:22:37: and then people watching "The Bachelor" were just like,
01:22:37 - 01:22:38: "I'll spend $1.29 for that song."
01:22:38 - 01:22:40: - Well, no, I don't, no.
01:22:40 - 01:22:41: Maybe he's already popping and they're just like.
01:22:41 - 01:22:42: - No, he's not.
01:22:42 - 01:22:44: - No, that's, he's not popping, dude.
01:22:44 - 01:22:45: That's just.
01:22:45 - 01:22:47: - You guys don't know anything about modern country?
01:22:47 - 01:22:49: - I wanna see what Brett Young.
01:22:49 - 01:22:50: - Wait, he was a college baseball pitcher?
01:22:50 - 01:22:51: That's tight.
01:22:51 - 01:22:53: - Dude, I say he sounded like a football player.
01:22:53 - 01:22:54: Same (beep)
01:22:54 - 01:22:54: - What are you talking about?
01:22:54 - 01:22:56: Baseball's a thinking man's game.
01:22:56 - 01:22:57: (laughing)
01:22:57 - 01:23:00: - He's 37, which is older than I would have thought.
01:23:00 - 01:23:02: - Whoa.
01:23:02 - 01:23:03: - Okay, I like him more now.
01:23:03 - 01:23:06: - I thought he was at least 37.
01:23:06 - 01:23:09: - He got started a little late with music.
01:23:09 - 01:23:09: All right, good for him.
01:23:09 - 01:23:10: - I've been doing it for a while.
01:23:10 - 01:23:12: - He looks like a (beep)
01:23:12 - 01:23:14: - Forgot about that, that's bad negative energy.
01:23:14 - 01:23:16: - I'm loving it.
01:23:16 - 01:23:18: (laughing)
01:23:18 - 01:23:20: - I'm a little outnumbered today.
01:23:20 - 01:23:21: Well, shout out to you, Brett Young.
01:23:21 - 01:23:22: - Let's keep it posi-core.
01:23:22 - 01:23:25: - The number four song back in 1946.
01:23:25 - 01:23:25: - Yep.
01:23:25 - 01:23:26: - Betty Hutton.
01:23:26 - 01:23:30: The song is called "Doctor, Lawyer, Indian Chief."
01:23:30 - 01:23:31: - Wow.
01:23:31 - 01:23:31: - What?
01:23:31 - 01:23:32: - I'm already.
01:23:32 - 01:23:33: - Compelling.
01:23:33 - 01:23:35: - Feeling like this is a song that should be left in the past.
01:23:35 - 01:23:37: (laughing)
01:23:37 - 01:23:38: But we can play a little bit.
01:23:38 - 01:23:40: - Well, see, now you're being mean to Betty Young,
01:23:40 - 01:23:42: Mr. Diplomatic over here.
01:23:42 - 01:23:43: - Betty Hutton.
01:23:43 - 01:23:44: - I forgot what you said.
01:23:44 - 01:23:45: - The lyrics are entitled,
01:23:45 - 01:23:47: "A Play on the Popular Counting Game, Tinker Tailor."
01:23:51 - 01:23:52: - This is a little more up-tempo.
01:23:52 - 01:23:55: ♪ There's a doctor living in your town ♪
01:23:55 - 01:23:58: ♪ There's a lawyer and an Indian too ♪
01:23:58 - 01:24:01: ♪ Neither doctor, lawyer, nor Indian chief ♪
01:24:01 - 01:24:03: ♪ Could love you any more than I do ♪
01:24:04 - 01:24:05: - What?
01:24:05 - 01:24:07: ♪ There's a barrel of fish in the ocean ♪
01:24:07 - 01:24:10: ♪ There's a lot of little birds in the blue ♪
01:24:10 - 01:24:13: ♪ Neither fish nor fowl says the wise old owl ♪
01:24:13 - 01:24:17: ♪ Could love you any more than I do ♪
01:24:17 - 01:24:21: ♪ No, no, no, it couldn't be true ♪
01:24:21 - 01:24:24: - The song is just, "Nobody Loves You More Than I Do."
01:24:24 - 01:24:26: - Right, so it's just naming random things.
01:24:26 - 01:24:27: - Just random things.
01:24:27 - 01:24:30: - Using an offensive term for Native Americans.
01:24:30 - 01:24:33: - Yeah, and she even did the pronunciation
01:24:33 - 01:24:34: that is particularly offensive.
01:24:34 - 01:24:35: - Right.
01:24:35 - 01:24:36: ♪ I saw my ticker text ♪
01:24:36 - 01:24:37: - Betty Hutton's canceled.
01:24:37 - 01:24:37: - Yeah.
01:24:37 - 01:24:38: (laughing)
01:24:38 - 01:24:39: - The number--
01:24:39 - 01:24:40: - She's dead too.
01:24:40 - 01:24:44: - Four, yep, she's been dead for a while.
01:24:44 - 01:24:45: - Yeah, that was--
01:24:45 - 01:24:46: - Well, whatever, she--
01:24:46 - 01:24:48: - Not everyone on this 1946 is dead.
01:24:48 - 01:24:49: - She didn't write this song.
01:24:49 - 01:24:51: That's actually a Hoagy Carmichael joint.
01:24:51 - 01:24:53: The Betty Hutton of our day,
01:24:53 - 01:24:55: with the number four song on iTunes,
01:24:55 - 01:24:58: is "Miss Ariana Grande."
01:25:08 - 01:25:10: ♪ Yeah, breakfast at Tiffany's ♪
01:25:10 - 01:25:13: ♪ And bottles of bubbles ♪
01:25:13 - 01:25:14: - I mean, this song references a song
01:25:14 - 01:25:17: from the early '60s, '50s.
01:25:17 - 01:25:19: - Oh, the Rodgers and Hammerstein?
01:25:19 - 01:25:20: - Yeah.
01:25:20 - 01:25:22: - They are two of the 10 writers on this song.
01:25:22 - 01:25:23: - Yeah.
01:25:23 - 01:25:24: - 10?
01:25:24 - 01:25:25: - It happens with the samples.
01:25:25 - 01:25:26: ♪ I'd be a savage ♪
01:25:26 - 01:25:29: ♪ Who would've thought it'd turn me to a savage ♪
01:25:29 - 01:25:33: ♪ Rather be tied up with cars and not strings ♪
01:25:33 - 01:25:36: ♪ Write my own checks like I write what I sing ♪
01:25:36 - 01:25:38: ♪ You got this, stop watching ♪
01:25:38 - 01:25:39: ♪ My neck is fussy ♪
01:25:39 - 01:25:42: ♪ Make big deposits, my gloss is ♪
01:25:42 - 01:25:44: - This is a crazy factoid.
01:25:44 - 01:25:46: This week, Ariana became the first artist
01:25:46 - 01:25:49: to occupy the number one, two, and three spot
01:25:49 - 01:25:52: simultaneously on the Billboard 100
01:25:52 - 01:25:54: since 1964, the Beatles?
01:25:54 - 01:25:55: - Okay.
01:25:55 - 01:25:56: - So she's got seven rings.
01:25:56 - 01:25:57: - Three.
01:25:57 - 01:25:58: - Thank you, next.
01:25:58 - 01:25:59: What's the other one?
01:25:59 - 01:26:01: - "Break Up With Your Girlfriend," "I'm Bored."
01:26:01 - 01:26:02: - Top three?
01:26:02 - 01:26:04: - Now, keep in mind, that's Billboard.
01:26:04 - 01:26:05: We do iTunes.
01:26:05 - 01:26:06: - Oh, I know.
01:26:06 - 01:26:08: Still, that's crazy.
01:26:08 - 01:26:09: - Is that gonna be a headline?
01:26:09 - 01:26:11: "Seven Rings, Three Billboard Spots"?
01:26:11 - 01:26:12: - That'd be a good one.
01:26:12 - 01:26:13: - Yeah.
01:26:13 - 01:26:14: Take note.
01:26:14 - 01:26:16: - What if you just tweeted that?
01:26:16 - 01:26:17: (laughing)
01:26:17 - 01:26:19: - "Seven rings and three Billboard spots.
01:26:19 - 01:26:22: "Congratulations are in order to Ms. Ariana Grande."
01:26:22 - 01:26:23: (laughing)
01:26:23 - 01:26:24: - All right, I'll tweet that.
01:26:24 - 01:26:25: - Sign it.
01:26:25 - 01:26:26: Add Despot.
01:26:26 - 01:26:27: (laughing)
01:26:27 - 01:26:29: - Should I tweet that right now?
01:26:29 - 01:26:30: - Please do.
01:26:30 - 01:26:30: - All right.
01:26:30 - 01:26:33: (laughing)
01:26:33 - 01:26:35: - I like this other thing on this sheet they gave us.
01:26:36 - 01:26:38: "Recently squashed a beef with Piers Morgan."
01:26:38 - 01:26:39: - Oh, God.
01:26:39 - 01:26:43: - There was some dumb beef they had on Twitter or something.
01:26:43 - 01:26:45: - I'm sure it was mostly him.
01:26:45 - 01:26:47: - They bumped into each other at a restaurant
01:26:47 - 01:26:48: and cleared the air.
01:26:48 - 01:26:49: - Wonder what restaurant.
01:26:49 - 01:26:50: - That's the part I like.
01:26:50 - 01:26:51: - All right, I did it.
01:26:51 - 01:26:54: I'll let you guys know what the responses are like.
01:26:54 - 01:26:56: - We'll be checking in throughout the rest of the top five
01:26:56 - 01:27:00: to see the responses to Despot's uncharacteristically positive
01:27:00 - 01:27:03: congratulations tweet, "Tariana Grande."
01:27:03 - 01:27:04: Oh, and they took a picture,
01:27:04 - 01:27:06: and she said, "Turns out we really like each other."
01:27:06 - 01:27:08: - Who likes each other?
01:27:08 - 01:27:11: - I guess Ariana Grande and Piers Morgan like each other.
01:27:11 - 01:27:12: - Oh, that's cool.
01:27:12 - 01:27:14: Is he still on CNN?
01:27:14 - 01:27:15: - I don't know.
01:27:15 - 01:27:16: I thought he was like a total joke,
01:27:16 - 01:27:18: but he's on something.
01:27:18 - 01:27:19: He still has some kind of platform.
01:27:19 - 01:27:20: - All right.
01:27:20 - 01:27:23: - "The number three song back in 1946."
01:27:23 - 01:27:25: Well, this is a name we all know.
01:27:25 - 01:27:28: A guy by the name of Francis Albert Sinatra.
01:27:28 - 01:27:30: So this is some early Frank.
01:27:30 - 01:27:31: Oh, what it seemed to be.
01:27:32 - 01:27:34: He was 30 at this point?
01:27:34 - 01:27:35: - Yeah.
01:27:35 - 01:27:42: ♪ It was just a neighborhood dance ♪
01:27:42 - 01:27:45: ♪ That's all that it was ♪
01:27:45 - 01:27:47: - A neighborhood dance?
01:27:47 - 01:27:48: ♪ But oh, what it seemed to be ♪
01:27:48 - 01:27:49: - Did your neighborhood have dances?
01:27:49 - 01:27:53: - They had a neighborhood dance, you know, back in the 40s.
01:27:53 - 01:27:57: ♪ It was like a masquerade ball ♪
01:27:57 - 01:27:59: ♪ With costumes and all ♪
01:27:59 - 01:28:00: - A neighborhood dance with costumes?
01:28:00 - 01:28:04: ♪ You were at the dance with me ♪
01:28:04 - 01:28:06: - Is this about a dream he had?
01:28:06 - 01:28:06: Ball?
01:28:06 - 01:28:08: In Hoboken?
01:28:08 - 01:28:12: ♪ It was just a ride on the train ♪
01:28:12 - 01:28:14: ♪ That's all that it was ♪
01:28:14 - 01:28:16: - It was like a masquerade ball,
01:28:16 - 01:28:18: but it was just a ride on a train.
01:28:18 - 01:28:19: This guy's full of sh*t.
01:28:19 - 01:28:22: ♪ But oh, what it seemed to be ♪
01:28:22 - 01:28:25: - Gonna get whacked for talking down on him.
01:28:26 - 01:28:31: (laughing)
01:28:31 - 01:28:32: - This spot's got seven likes already.
01:28:32 - 01:28:34: (laughing)
01:28:34 - 01:28:36: - How many followers do you have on Twitter?
01:28:36 - 01:28:37: - Like 20,000.
01:28:37 - 01:28:38: - Wow.
01:28:38 - 01:28:39: - Damn, son.
01:28:39 - 01:28:41: - Yeah, 19 and a half.
01:28:41 - 01:28:42: - I really stalled out on my Twitter.
01:28:42 - 01:28:43: - Well, another--
01:28:43 - 01:28:44: - Although I'm not really on it that much.
01:28:44 - 01:28:46: - Another kind of spooky song from the past.
01:28:46 - 01:28:48: - He was lying.
01:28:48 - 01:28:49: - Yeah, I really tuned that one out.
01:28:49 - 01:28:51: - He was just making stuff up again.
01:28:51 - 01:28:53: - I mean, Frank's got some great--
01:28:53 - 01:28:55: - The first lady was making up, like,
01:28:55 - 01:28:58: "I love you more than all these random things I made up,"
01:28:58 - 01:29:00: and then Frank Sinatra was like,
01:29:00 - 01:29:01: it was like a ride on the train,
01:29:01 - 01:29:03: it was like a masquerade ball,
01:29:03 - 01:29:04: it was like a neighborhood dance.
01:29:04 - 01:29:07: - But the song's called "Oh, What It Seemed To Be."
01:29:07 - 01:29:09: - All right, well, what was it actually?
01:29:09 - 01:29:11: - It was just some regular stuff.
01:29:11 - 01:29:13: - I don't know.
01:29:13 - 01:29:17: - The number three song in 2019,
01:29:17 - 01:29:18: we've been hearing this one a lot,
01:29:18 - 01:29:20: Post Malone and Sway Lee, "Sunflower."
01:29:20 - 01:29:24: [upbeat music]
01:29:24 - 01:29:26: - ♪ Eh, eh, eh, eh ♪
01:29:26 - 01:29:29: ♪ ♪
01:29:29 - 01:29:32: - ♪ Ooh, ooh, ooh, ooh ♪
01:29:32 - 01:29:35: ♪ ♪
01:29:35 - 01:29:38: - Sway Lee is like a beautiful angel.
01:29:38 - 01:29:39: - He's a good-looking guy.
01:29:39 - 01:29:41: - I meant the way he sings, but yeah, whatever.
01:29:41 - 01:29:42: - I'm both.
01:29:42 - 01:29:45: [laughter]
01:29:45 - 01:29:47: - I mean, yeah.
01:29:47 - 01:29:49: - ♪ Innocent say I keep her checked ♪
01:29:49 - 01:29:51: ♪ She was a bad, bad, bad, bad, bad ♪
01:29:51 - 01:29:52: - ♪ Done with the list ♪
01:29:52 - 01:29:55: ♪ Calling it quits now, baby, I'm a wreck ♪
01:29:55 - 01:29:57: ♪ Crash at my place, baby, you're a wreck ♪
01:29:57 - 01:30:00: ♪ Needless to say, I'm keeping her checked ♪
01:30:00 - 01:30:02: ♪ She was a bad, bad, bad, bad, bad, bad ♪
01:30:02 - 01:30:03: ♪ Done with the list ♪
01:30:03 - 01:30:05: ♪ Calling it quits now, baby, I'm a wreck ♪
01:30:05 - 01:30:08: ♪ Crash at my place, baby, you're a wreck ♪
01:30:08 - 01:30:11: ♪ Thinking in a bad way, losing your grip ♪
01:30:11 - 01:30:12: ♪ Screaming at my face, baby, I'm a killer ♪
01:30:12 - 01:30:14: - "Sunflower" is the first Hot 100 number one
01:30:14 - 01:30:16: from a "Spider-Man" soundtrack.
01:30:16 - 01:30:18: Sorry, Chad Kroger.
01:30:18 - 01:30:22: "She-Ro" from the 2002 film stalled at number three.
01:30:22 - 01:30:23: - Hmm.
01:30:23 - 01:30:24: - Is that, um...
01:30:24 - 01:30:27: - ♪ She wanna ride me like a cruise ♪
01:30:27 - 01:30:30: - That doesn't really seem right for a "Spider-Man" movie.
01:30:30 - 01:30:32: "She wanna ride me like a cruise."
01:30:32 - 01:30:33: - Yeah, that's some...
01:30:33 - 01:30:34: - Chill out. It's a kids movie.
01:30:34 - 01:30:35: - Why can't I saw some PG-13?
01:30:35 - 01:30:38: - Why can't "Spider-Man" explore his sexuality?
01:30:38 - 01:30:39: "Spider-Man" didn't...
01:30:39 - 01:30:41: - This is not an R-rated franchise, man.
01:30:41 - 01:30:42: - It's not really what "Spider-Man" is about.
01:30:42 - 01:30:44: Although there is some romance.
01:30:44 - 01:30:47: "Spider-Man" didn't say he wanted to ride her like a cruise.
01:30:47 - 01:30:49: - So we're talking about how this girl
01:30:49 - 01:30:50: wants to ride "Spider-Man" like a cruise?
01:30:50 - 01:30:51: - Yeah.
01:30:51 - 01:30:53: - Maybe he's just bringing her somewhere.
01:30:53 - 01:30:54: - Is it Mary Jane?
01:30:54 - 01:30:56: - Maybe she's just grabbing on
01:30:56 - 01:30:58: and he's web-slinging her to somewhere safe.
01:30:58 - 01:30:59: - Is it Mary Jane?
01:30:59 - 01:31:01: I haven't seen the "Spider-Verse" movie yet.
01:31:01 - 01:31:02: - I haven't seen it either, but...
01:31:02 - 01:31:04: - Oh, is it Gwen Stacy?
01:31:04 - 01:31:06: - I saw a lot of tweets about how people, like,
01:31:06 - 01:31:07: cried while they were watching it.
01:31:07 - 01:31:08: - Oh, yeah, people loved it.
01:31:08 - 01:31:09: - I don't know what that's about.
01:31:09 - 01:31:11: - The whole soundtrack is very R-rated.
01:31:11 - 01:31:12: - I think it's the sex scene.
01:31:12 - 01:31:13: - Really?
01:31:13 - 01:31:13: - Huh.
01:31:13 - 01:31:14: - Yeah, for a kids movie.
01:31:14 - 01:31:16: - What's the film rating? PG-13 or PG?
01:31:16 - 01:31:17: - No, PG.
01:31:17 - 01:31:17: - Wow.
01:31:17 - 01:31:19: - But, you know, you have A Boogie with a Hoodie.
01:31:19 - 01:31:20: - Ooh.
01:31:20 - 01:31:21: - Singing "Look Back At It."
01:31:21 - 01:31:23: You have 6'9" on the soundtrack.
01:31:23 - 01:31:24: I mean...
01:31:24 - 01:31:26: - Ooh, that's a risky move.
01:31:26 - 01:31:30: - I think people were very moved in the film
01:31:30 - 01:31:33: because there's so much talk about riding Peter Parker.
01:31:33 - 01:31:34: Oh, no, it's not Peter Parker.
01:31:34 - 01:31:36: It's Miles Morales.
01:31:36 - 01:31:37: - I don't know.
01:31:37 - 01:31:38: Who's Miles Morales?
01:31:38 - 01:31:39: - One of the Spider-Men.
01:31:39 - 01:31:40: - Oh, right.
01:31:40 - 01:31:41: There's all these new Spider-Men.
01:31:41 - 01:31:42: - There's a lot of different Spider-Men,
01:31:42 - 01:31:43: so I don't know. I'm not exactly sure.
01:31:43 - 01:31:45: - Isn't there a pig? There was a pig one, right?
01:31:45 - 01:31:46: - Yeah, that might be the one that she wants to ride
01:31:46 - 01:31:47: like a cruise.
01:31:47 - 01:31:48: - The pig.
01:31:48 - 01:31:49: - Yeah.
01:31:49 - 01:31:51: (laughing)
01:31:51 - 01:31:51: Oh, wait.
01:31:51 - 01:31:52: Maybe she just meant she wanted to, like,
01:31:52 - 01:31:54: take a piggy ride.
01:31:54 - 01:31:54: Ride on his back.
01:31:54 - 01:31:55: - A piggyback.
01:31:55 - 01:31:56: - A piggyback ride.
01:31:56 - 01:31:58: Okay, it's PG after all.
01:31:58 - 01:31:59: - Well, that's what I was saying, yeah.
01:31:59 - 01:32:02: - Anyway, I kind of alluded to before,
01:32:02 - 01:32:04: all the TC heads, or at least the VW heads,
01:32:04 - 01:32:06: already know that one of our next songs
01:32:06 - 01:32:07: is called "Sunflower."
01:32:07 - 01:32:08: I wrote it way before this.
01:32:08 - 01:32:10: Should I care?
01:32:10 - 01:32:10: I mean, what are you going to do?
01:32:10 - 01:32:12: - No, you shouldn't care.
01:32:12 - 01:32:14: - And I love Posty and Sway Lee.
01:32:14 - 01:32:16: Despot's the first person to tell me about Post Malone.
01:32:16 - 01:32:17: - Well, I'm sorry.
01:32:17 - 01:32:18: - Shout out to Despot.
01:32:18 - 01:32:20: - You were one of the first people
01:32:20 - 01:32:22: who said Post Malone is good,
01:32:22 - 01:32:23: about a million years ago.
01:32:23 - 01:32:25: You heard White Iverson on SoundCloud.
01:32:25 - 01:32:28: - He played a show at Santos Party House
01:32:28 - 01:32:29: where Lil Uzi opened for him.
01:32:29 - 01:32:31: - Didn't you, like, bring him to Coachella to do--
01:32:31 - 01:32:32: but it wasn't--
01:32:32 - 01:32:34: - In an interview magazine party.
01:32:34 - 01:32:34: - Yeah.
01:32:34 - 01:32:36: - He didn't exist yet.
01:32:36 - 01:32:38: Then he started existing after that.
01:32:38 - 01:32:42: I paid Post Malone $500 to perform at that show,
01:32:42 - 01:32:43: and Uzi $200.
01:32:43 - 01:32:44: - That's crazy.
01:32:44 - 01:32:45: - [laughs]
01:32:45 - 01:32:46: - Man.
01:32:46 - 01:32:47: - It didn't sell out.
01:32:47 - 01:32:49: - For $700, you too could have a Post Malone,
01:32:49 - 01:32:51: Lil Uzi Vert show.
01:32:51 - 01:32:53: - If you find the new ones.
01:32:53 - 01:32:54: - If you find a time machine.
01:32:54 - 01:32:55: - Yeah, that too.
01:32:55 - 01:32:58: - Anyway, even though I think there's some mutual respect,
01:32:58 - 01:33:01: does it matter that we have a song called "Sunflower"?
01:33:01 - 01:33:02: It's a very different song.
01:33:02 - 01:33:03: - I think it matters, yeah.
01:33:03 - 01:33:04: - Different market.
01:33:04 - 01:33:06: - [laughs]
01:33:06 - 01:33:09: Well, you got to understand that we had a song called
01:33:09 - 01:33:11: "Flower Moon," and then I wanted a sister song
01:33:11 - 01:33:12: for "Flower Moon."
01:33:12 - 01:33:13: - Right.
01:33:13 - 01:33:15: - And the opposite of "Flower Moon" is "Sunflower."
01:33:15 - 01:33:17: - Okay, copy that.
01:33:17 - 01:33:18: - It's a good song too.
01:33:18 - 01:33:19: Well, whatever.
01:33:19 - 01:33:21: - It's also a pretty common--
01:33:21 - 01:33:22: - Flower.
01:33:22 - 01:33:22: - Flower, yeah.
01:33:22 - 01:33:24: - Yeah, there's probably a lot of songs called "Sunflower."
01:33:24 - 01:33:25: - I'm sure there are.
01:33:25 - 01:33:25: - There are.
01:33:25 - 01:33:27: There's, uh, what was there?
01:33:27 - 01:33:28: - If we had a--
01:33:28 - 01:33:30: - There's a Wu-Tang song called "Sunflower."
01:33:30 - 01:33:31: - Oh, yeah, yeah.
01:33:31 - 01:33:31: - I'm pretty sure.
01:33:31 - 01:33:33: - If there was a post song that came out called "Harmony Hall,"
01:33:33 - 01:33:35: that would be weird.
01:33:35 - 01:33:36: - Yeah.
01:33:36 - 01:33:36: Is there?
01:33:36 - 01:33:37: - Yeah, I think--
01:33:37 - 01:33:38: - You haven't heard it?
01:33:38 - 01:33:38: - Oh, no.
01:33:38 - 01:33:39: - Yeah.
01:33:39 - 01:33:40: - [laughs]
01:33:40 - 01:33:41: - Let's play that [bleep]
01:33:41 - 01:33:42: - [laughs]
01:33:42 - 01:33:44: All right, I think there's room for two.
01:33:44 - 01:33:46: Also, like I said, I've got to follow my own advice
01:33:46 - 01:33:47: I gave Greta Van Fleet.
01:33:47 - 01:33:50: - Well, that was "Sunshower."
01:33:50 - 01:33:51: - "Rocks Played Out," dog.
01:33:51 - 01:33:51: - Wu-Tang one.
01:33:51 - 01:33:53: - Is "Sunflower" going to be a single?
01:33:53 - 01:33:55: Or is it an album cut?
01:33:55 - 01:33:56: - It depends.
01:33:56 - 01:33:57: It depends how you look at it.
01:33:57 - 01:33:59: It's going to get its own, like, little moment.
01:33:59 - 01:34:00: - The B side?
01:34:00 - 01:34:02: Is it like the 2021 of the next--
01:34:02 - 01:34:04: No, I would say it's the A side of the next batch,
01:34:04 - 01:34:05: but this is like the funky batch.
01:34:05 - 01:34:06: - Okay.
01:34:06 - 01:34:07: - In a way.
01:34:07 - 01:34:09: I think it's a special song.
01:34:09 - 01:34:10: We're going to have a lot of fun with it.
01:34:10 - 01:34:14: Anyway, oh, this is an interesting one.
01:34:14 - 01:34:16: I'll admit that when I was double checking
01:34:16 - 01:34:18: that they had "Billboard 1946," I came across this.
01:34:18 - 01:34:18: - Okay.
01:34:18 - 01:34:21: - The number two song in 1946.
01:34:21 - 01:34:23: Now, keep in mind, what month is it?
01:34:23 - 01:34:24: - February.
01:34:24 - 01:34:25: - It's February.
01:34:25 - 01:34:26: So picture this.
01:34:26 - 01:34:26: It's February--
01:34:26 - 01:34:27: [laughs]
01:34:27 - 01:34:29: 1946.
01:34:29 - 01:34:31: And this song is still so poppin'
01:34:31 - 01:34:32: that it's number two.
01:34:32 - 01:34:34: - Has anyone hatched yet?
01:34:34 - 01:34:35: - On the charts.
01:34:35 - 01:34:36: - In February?
01:34:36 - 01:34:38: - In February, we're still a couple months out
01:34:38 - 01:34:40: from the first hatchling from the president egg.
01:34:40 - 01:34:42: - All three presidents are in utero.
01:34:42 - 01:34:43: - But they're all in utero.
01:34:43 - 01:34:44: - Dark.
01:34:44 - 01:34:46: - They're all in utero in the shared egg.
01:34:46 - 01:34:47: - Dude, Trump's just in utero.
01:34:47 - 01:34:48: - Fetus Trump.
01:34:48 - 01:34:53: Anyway, so while Fetus Trump was gestating in Mama Trump--
01:34:53 - 01:34:54: or I mean in the egg.
01:34:54 - 01:34:55: - In the egg, yeah.
01:34:55 - 01:34:56: - This song was poppin'.
01:34:56 - 01:34:57: - Mama Trump.
01:34:57 - 01:34:58: - February.
01:34:58 - 01:35:00: - I'm going to write a song called "Mama Trump."
01:35:00 - 01:35:04: - Mama Trump, Mama Trump, Mama Trump!
01:35:04 - 01:35:07: [laughs]
01:35:07 - 01:35:10: Mama Trump didn't teach me better, Mama Trump.
01:35:10 - 01:35:12: I think we all know this one.
01:35:12 - 01:35:14: Von Monroe and his orchestra.
01:35:34 - 01:35:34: - This song.
01:35:34 - 01:35:40: Talk about cooking a turkey and running around.
01:35:40 - 01:35:43: - This is also in like a Christmas horror movie.
01:35:43 - 01:35:44: - Yeah, for sure.
01:35:44 - 01:35:46: This is in like, what's that show?
01:35:46 - 01:35:47: Black Mirror?
01:35:47 - 01:35:49: - Mm-hmm, American Horror Story.
01:35:49 - 01:35:50: - Yeah.
01:35:50 - 01:35:52: - This track was written in Hollywood, California,
01:35:52 - 01:35:55: in July 1945 during a heat wave.
01:35:56 - 01:35:58: The songwriters, Sammy Kahn and Julie Stein,
01:35:58 - 01:36:00: were thinking about cold weather.
01:36:00 - 01:36:01: You know the reason why I keep pointing out
01:36:01 - 01:36:03: that this was number two in February?
01:36:03 - 01:36:05: 'Cause that's like so random.
01:36:05 - 01:36:08: Like today, a Christmas song would never still be up there
01:36:08 - 01:36:10: in the charts all the way through February.
01:36:10 - 01:36:12: - Maybe it wasn't a Christmas song.
01:36:12 - 01:36:14: - Well, that's what I was also thinking about,
01:36:14 - 01:36:17: is like how all winter songs kind of became Christmas songs.
01:36:17 - 01:36:17: - Yeah.
01:36:17 - 01:36:19: - Nobody's ever like, "Well, it's New Year's.
01:36:19 - 01:36:22: "It's time we say goodbye to all those Christmas songs
01:36:22 - 01:36:24: "and bust out our neutral winter songs."
01:36:24 - 01:36:25: (laughs)
01:36:25 - 01:36:28: Like you would never hear "Let It Snow" in February,
01:36:28 - 01:36:29: even though it's snowing.
01:36:29 - 01:36:30: - It'll snow, yeah.
01:36:30 - 01:36:31: - In parts of the country.
01:36:31 - 01:36:31: - Yeah.
01:36:31 - 01:36:32: - I think we need more--
01:36:32 - 01:36:34: - February-based.
01:36:34 - 01:36:36: - We need more February-based--
01:36:36 - 01:36:36: - Thematic.
01:36:36 - 01:36:37: - Winter songs.
01:36:37 - 01:36:41: (Christmas music)
01:36:41 - 01:36:42: But "Let It Snow,"
01:36:42 - 01:36:45: I don't think they're really talking about Christmas yet.
01:36:45 - 01:36:47: - No, they're just talking about how it's snowing.
01:36:47 - 01:36:48: (bells jingling)
01:36:48 - 01:36:49: - So everybody picture this.
01:36:49 - 01:36:50: This is how kooky the world used to be.
01:36:50 - 01:36:54: In 1946, we got three presidents gestating in an egg,
01:36:54 - 01:36:56: and it's February, two months after Christmas,
01:36:56 - 01:36:59: and people are buying up "Let It Snow"
01:36:59 - 01:37:02: 78 RPM vinyl.
01:37:02 - 01:37:03: - Yeah.
01:37:03 - 01:37:04: - That's that old weird America.
01:37:04 - 01:37:06: - I wonder if by the next year,
01:37:06 - 01:37:07: it was already a Christmas song.
01:37:07 - 01:37:09: - Well, or maybe it started as a Christmas song,
01:37:09 - 01:37:10: it was just still popping,
01:37:10 - 01:37:12: and people are like, "Whatever."
01:37:12 - 01:37:14: - I don't think it mentions Christmas, though.
01:37:14 - 01:37:17: - It's like a chestnuts roasting on an open fire type song.
01:37:17 - 01:37:18: That also is not--
01:37:18 - 01:37:19: - That's not Christmas.
01:37:19 - 01:37:21: That's just about chestnuts and fire.
01:37:21 - 01:37:22: (laughs)
01:37:23 - 01:37:24: - Yeah.
01:37:24 - 01:37:26: - Oh no, that one says "Merry Christmas."
01:37:26 - 01:37:27: (laughs)
01:37:27 - 01:37:28: Jack Frost nipping at your nose.
01:37:28 - 01:37:32: ♪ But the chorus, Merry Christmas to you ♪
01:37:32 - 01:37:34: - Though, this is just something you play
01:37:34 - 01:37:36: anytime the weather outside is frightful.
01:37:36 - 01:37:40: - Closing credits of "Die Hard" is "Let It Snow."
01:37:40 - 01:37:40: - "Let It Snow?"
01:37:40 - 01:37:41: - Oh yeah.
01:37:41 - 01:37:42: - What's it about?
01:37:42 - 01:37:43: Snowing?
01:37:43 - 01:37:43: - Also snowing.
01:37:43 - 01:37:44: - "Die Hard."
01:37:44 - 01:37:45: (laughs)
01:37:45 - 01:37:46: Classic snow movie.
01:37:46 - 01:37:48: - What's the end of "Die Hard?"
01:37:48 - 01:37:51: Is that Yippee-Ki-Yay, mother (beep)
01:37:51 - 01:37:51: Was that "Die Hard?"
01:37:51 - 01:37:52: - Yeah, that's that movie.
01:37:52 - 01:37:53: - That's that film.
01:37:53 - 01:37:54: - That's the end.
01:37:54 - 01:37:56: - After Bruce Willis kills all the bad guys.
01:37:56 - 01:37:58: - Yeah, and then he's gonna light the thing on fire
01:37:58 - 01:37:58: or whatever.
01:37:58 - 01:38:00: - And then he says, "Let it snow, mother (beep)."
01:38:00 - 01:38:01: - Yeah.
01:38:01 - 01:38:02: - That's the ending.
01:38:02 - 01:38:04: - He says, "Let it snow, mother (beep),"
01:38:04 - 01:38:05: as he tosses a match into gasoline
01:38:05 - 01:38:06: and kills all the hostages.
01:38:06 - 01:38:07: - Yeah.
01:38:07 - 01:38:08: (laughs)
01:38:08 - 01:38:11: ♪ Oh, the weather outside's delightful ♪
01:38:11 - 01:38:12: - Frightful.
01:38:12 - 01:38:13: - Just picture it.
01:38:13 - 01:38:14: It's February now.
01:38:14 - 01:38:16: It's snowing in parts of the country.
01:38:16 - 01:38:18: I mean, it was snowing in New York last week, I'm sure.
01:38:18 - 01:38:20: - It was snowing in New York today.
01:38:20 - 01:38:21: - Up north.
01:38:21 - 01:38:23: - It's snowing in the mountains outside of LA.
01:38:23 - 01:38:24: - A few days ago.
01:38:24 - 01:38:26: (laughs)
01:38:26 - 01:38:28: - I'm sure it's snowing in upstate New York,
01:38:28 - 01:38:31: Minnesota, Michigan, places like that.
01:38:31 - 01:38:33: So guys, I just want everybody to know
01:38:33 - 01:38:38: that not only is it okay to play "Let It Snow."
01:38:38 - 01:38:39: So, you know, I'm picturing like
01:38:39 - 01:38:41: maybe there's a TC head in Minneapolis,
01:38:41 - 01:38:44: 20-something, 30-something, got a few roommates,
01:38:44 - 01:38:46: and you're making coffee in the morning,
01:38:46 - 01:38:47: maybe play some music.
01:38:47 - 01:38:49: You should feel good about blasting this song.
01:38:49 - 01:38:51: And if somebody says, "Whoa, whoa, whoa."
01:38:51 - 01:38:52: - "Come on, dude, Christmas music?"
01:38:52 - 01:38:54: - "Jason, why are you playing Christmas music?
01:38:54 - 01:38:55: It's February."
01:38:55 - 01:38:57: And be like, "It's snowing,
01:38:57 - 01:38:58: and I'm playing a song about snow.
01:38:58 - 01:39:02: Why should we not listen to this feel-good snow music
01:39:02 - 01:39:04: all the way up until spring?"
01:39:04 - 01:39:07: And then he'll say like, "All right, all right, whatever.
01:39:07 - 01:39:08: Fine, it's a song about snow,
01:39:08 - 01:39:11: but obviously its origin is as a Christmas song."
01:39:11 - 01:39:13: You're like, "Do you even know,
01:39:13 - 01:39:16: have you even looked at the billboard charts of 1946?
01:39:16 - 01:39:19: This was number two on the charts in 1946.
01:39:19 - 01:39:21: February 1946.
01:39:21 - 01:39:23: I'll (beep) play it until April."
01:39:23 - 01:39:25: - "Let it snow, mother(beep)."
01:39:25 - 01:39:26: - "Let it snow, mother(beep)."
01:39:26 - 01:39:29: - And then he throws the match into the gasoline.
01:39:29 - 01:39:30: - And then he throws the match.
01:39:30 - 01:39:31: - And burns his house down.
01:39:31 - 01:39:36: - The number two song back in 2019, something new.
01:39:36 - 01:39:38: - "The Let It Snow of Our Era."
01:39:38 - 01:39:39: - "The Let It Snow of 2019"
01:39:39 - 01:39:42: is Cardi B and Bruno Mars with "Please Me."
01:39:42 - 01:39:44: I wonder if this is a winter song.
01:39:46 - 01:39:47: ♪ Yeah, come on ♪
01:39:47 - 01:39:50: ♪ Please me, baby ♪
01:39:50 - 01:39:52: ♪ Turn around and just tease me ♪
01:39:52 - 01:39:53: - I've never heard this.
01:39:53 - 01:39:55: - This one's pretty new.
01:39:55 - 01:39:56: ♪ You know I don't wanna be, baby ♪
01:39:56 - 01:39:58: ♪ Let me hear you say please ♪
01:39:58 - 01:40:02: ♪ Let me hear you say please ♪
01:40:02 - 01:40:04: ♪ Please me, baby ♪
01:40:04 - 01:40:08: ♪ Turn around and just tease me, baby ♪
01:40:08 - 01:40:08: ♪ You know I don't wanna be, baby ♪
01:40:08 - 01:40:10: - Was this in "Spider-Man?"
01:40:10 - 01:40:12: ♪ Let me hear you say please ♪
01:40:12 - 01:40:17: ♪ Let me hear you say please ♪
01:40:17 - 01:40:18: ♪ Lollipoppin' ♪
01:40:18 - 01:40:20: ♪ Swerkin' in some J's ♪
01:40:20 - 01:40:22: ♪ On the dance floor ♪
01:40:22 - 01:40:23: ♪ No creepin' the way ♪
01:40:23 - 01:40:25: ♪ I take my time with it ♪
01:40:25 - 01:40:27: ♪ Bring you close to me ♪
01:40:27 - 01:40:29: ♪ Don't want no young, dumb ♪
01:40:29 - 01:40:31: ♪ Better pick me like we listen to the Jodeci ♪
01:40:31 - 01:40:32: ♪ I was tryna lay low ♪
01:40:32 - 01:40:33: ♪ Takin' it slow ♪
01:40:33 - 01:40:35: ♪ Well, I'm pickin' again, ay ♪
01:40:35 - 01:40:35: ♪ Gotta celebrate ♪
01:40:35 - 01:40:36: ♪ That your man look good ♪
01:40:36 - 01:40:38: ♪ Better put him away ♪
01:40:38 - 01:40:40: - They're kinda trying to, you know,
01:40:40 - 01:40:41: get in "Lightning to Strike" twice.
01:40:41 - 01:40:44: Another Cardi B, Bruno Mars throwback jam.
01:40:44 - 01:40:45: It's fun.
01:40:45 - 01:40:46: - I'm cool with it.
01:40:46 - 01:40:48: - I don't like it.
01:40:48 - 01:40:52: ♪ And after that ♪
01:40:52 - 01:40:54: ♪ Let's do it one more time ♪
01:40:54 - 01:40:55: ♪ Girl, I ain't one for fake love ♪
01:40:55 - 01:40:57: - She's rappin', she's singin'.
01:40:57 - 01:41:00: - What is this, what era specifically
01:41:00 - 01:41:01: is this the throwback to?
01:41:01 - 01:41:05: 'Cause the other one was like very distinctly
01:41:05 - 01:41:06: like late '80s, early '90s.
01:41:06 - 01:41:09: - This is like kinda mid '90s, I think.
01:41:09 - 01:41:09: - Okay.
01:41:09 - 01:41:12: - Yeah, the chord progression is.
01:41:13 - 01:41:15: - But then the bass, the bass line's kinda '80s.
01:41:15 - 01:41:16: - And that, "Wee!"
01:41:16 - 01:41:17: - Oh yeah, oh you know what?
01:41:17 - 01:41:19: People were sending this to me a little bit.
01:41:19 - 01:41:21: Or mentioning it on like Instagram
01:41:21 - 01:41:24: 'cause there's a part where she says something
01:41:24 - 01:41:29: about "Your (beep) basura, trash, and my (beep) horchata."
01:41:29 - 01:41:31: - This is gonna be tough for the radio.
01:41:31 - 01:41:32: - Well, you know, she'll just bleep it out.
01:41:32 - 01:41:34: But you know, Vampire, we get a song called "Horchata."
01:41:34 - 01:41:36: - Aren't you allowed to say (beep)
01:41:36 - 01:41:37: That's pushing it.
01:41:37 - 01:41:38: ♪ What's up now ♪
01:41:38 - 01:41:40: ♪ Yo, yo, basura ♪
01:41:40 - 01:41:43: ♪ My (beep) horchata ♪
01:41:43 - 01:41:44: - That's how they bleep it out.
01:41:44 - 01:41:48: ♪ Your basura, my horchata ♪
01:41:48 - 01:41:50: - You could kinda read between the lines there.
01:41:50 - 01:41:51: - That's a good line.
01:41:51 - 01:41:55: - I saw she tweeted something about how she knows
01:41:55 - 01:41:58: that her (beep) tastes like horchata, but I forgot why.
01:41:58 - 01:41:59: - Oh, this is what she said.
01:41:59 - 01:42:02: "First time I drank horchata in LA,
01:42:02 - 01:42:04: "I automatically knew that the flavor of the drink
01:42:04 - 01:42:05: "described my (beep)."
01:42:05 - 01:42:06: - Right, that's what she said.
01:42:06 - 01:42:06: - "Please me, baby."
01:42:06 - 01:42:08: (laughing)
01:42:08 - 01:42:10: - That's the tweet, that's the tweet I read.
01:42:10 - 01:42:12: - That's a wild tweet.
01:42:12 - 01:42:12: - That is.
01:42:12 - 01:42:15: (laughing)
01:42:15 - 01:42:16: - She's the best, America's sweetheart.
01:42:16 - 01:42:17: - Yeah.
01:42:17 - 01:42:19: (laughing)
01:42:19 - 01:42:21: That's good though, that's actually empowering
01:42:21 - 01:42:22: 'cause she knew it herself.
01:42:22 - 01:42:24: She didn't need anyone to tell her.
01:42:24 - 01:42:25: Good for her.
01:42:25 - 01:42:26: - Right, I appreciate that.
01:42:26 - 01:42:27: - Yeah.
01:42:27 - 01:42:28: - I love Cardi B.
01:42:28 - 01:42:32: The number one song in 1946.
01:42:32 - 01:42:35: Now keep in mind, this is February, 1946.
01:42:35 - 01:42:36: The snow is still falling.
01:42:36 - 01:42:40: People haven't relegated winter music
01:42:40 - 01:42:41: to Christmas time yet.
01:42:41 - 01:42:44: We got three presidents just sitting in an egg
01:42:44 - 01:42:47: and number one on the charts is Freddie Martin
01:42:47 - 01:42:49: and his orchestra with a song called "Symphony."
01:42:49 - 01:42:56: (orchestra playing "Symphony No. 1")
01:42:56 - 01:42:59: - Oh, that sounds real old.
01:42:59 - 01:43:00: - Someone's tied up on some train tracks.
01:43:00 - 01:43:02: Oh, now it's getting fun.
01:43:02 - 01:43:06: (orchestra playing "Symphony No. 1")
01:43:06 - 01:43:07: Ooh, some shredding.
01:43:07 - 01:43:23: (orchestra playing "Symphony No. 1")
01:43:23 - 01:43:24: This was in some movies, probably.
01:43:24 - 01:43:26: - Seems like it.
01:43:26 - 01:43:42: (orchestra playing "Symphony No. 1")
01:43:42 - 01:43:43: - They're gonna be vocals?
01:43:43 - 01:44:09: (orchestra playing "Symphony No. 1")
01:44:09 - 01:44:32: (orchestra playing "Symphony No. 1")
01:44:32 - 01:44:37: (orchestra playing "Symphony No. 1")
01:44:37 - 01:44:39: (orchestra playing "Symphony No. 1")
01:44:39 - 01:44:40: - Whoa.
01:44:40 - 01:44:41: - Long time for the vocals coming.
01:44:41 - 01:44:50: (orchestra playing "Symphony No. 1")
01:44:50 - 01:44:52: - You know back then everybody had their own big band.
01:44:52 - 01:44:55: So you get these crews of 10, 20 guys
01:44:55 - 01:44:56: rolling around the country.
01:44:56 - 01:44:57: It's all about who's got the best band.
01:44:57 - 01:44:58: - Crazy.
01:44:58 - 01:45:03: - So Freddie Martin's band was called by one jazz writer,
01:45:03 - 01:45:06: "One of the most pleasant, most relaxed dance bands
01:45:06 - 01:45:09: that ever flowed across the band scene."
01:45:09 - 01:45:11: So they were kind of the Grateful Dead of the band scene.
01:45:11 - 01:45:12: - That's sick.
01:45:12 - 01:45:14: - They were laid back, mellow dudes.
01:45:14 - 01:45:16: There probably were some more punk rock,
01:45:16 - 01:45:18: hardcore, up-tempo bands.
01:45:18 - 01:45:18: - Yeah.
01:45:18 - 01:45:20: - Freddie Martin, they're like--
01:45:20 - 01:45:20: - Nothing to prove.
01:45:20 - 01:45:21: - Yo, jam it out, man.
01:45:21 - 01:45:24: - I wonder if Jerry was into this kind of music.
01:45:24 - 01:45:26: (orchestra playing "Symphony No. 1")
01:45:26 - 01:45:28: Wouldn't have been that old at that point.
01:45:28 - 01:45:30: - He might have had a soft spot for it.
01:45:30 - 01:45:33: Wasn't his dad was a musician, so he might have played--
01:45:33 - 01:45:34: - I don't know much about his, yeah.
01:45:34 - 01:45:35: - It's his dad was a musician,
01:45:35 - 01:45:38: so he might have been playing music in this era.
01:45:38 - 01:45:40: Yeah, what do we know about Jose Garcia?
01:45:40 - 01:45:41: - Not much.
01:45:41 - 01:45:43: - We don't know a lot.
01:45:43 - 01:45:46: And the number one song currently on iTunes right now,
01:45:46 - 01:45:50: the Freddie Martin of our era, "Holdin' Strong."
01:45:50 - 01:45:53: This is kind of like the last month for Shallow,
01:45:53 - 01:45:54: 'cause this is the awards month.
01:45:54 - 01:45:54: - Yeah.
01:45:54 - 01:45:58: - It won some Grammys, probably win an Oscar tonight.
01:45:58 - 01:46:01: - Drop off hard after this.
01:46:01 - 01:46:03: I mean, it's been going strong for four months.
01:46:03 - 01:46:06: ♪ Tell me something, girl ♪
01:46:06 - 01:46:12: ♪ Are you happy in this modern world? ♪
01:46:12 - 01:46:16: We were getting some tweets about this news item
01:46:16 - 01:46:18: that came out about the Oscars, which are tonight.
01:46:18 - 01:46:20: We haven't really talked about the Oscars,
01:46:20 - 01:46:22: but you know, enough with the award stuff.
01:46:22 - 01:46:22: - Yeah.
01:46:22 - 01:46:25: - But one interesting thing about it is
01:46:25 - 01:46:28: they perform a lot of the nominees for best song.
01:46:28 - 01:46:31: And of course, this is one of the major songs of the year,
01:46:31 - 01:46:34: so everybody's expecting that Bradley Cooper
01:46:34 - 01:46:35: and Lady Gaga will perform the song.
01:46:35 - 01:46:36: - Yep.
01:46:36 - 01:46:37: - And they are going to,
01:46:37 - 01:46:39: except they put out a press release or something,
01:46:39 - 01:46:40: or maybe did an interview where-
01:46:40 - 01:46:40: - That's right.
01:46:40 - 01:46:43: - Bradley Cooper was quick to point out
01:46:43 - 01:46:44: that he will perform the song,
01:46:44 - 01:46:47: but as Bradley Cooper, not as Jackson Maine.
01:46:47 - 01:46:48: (laughing)
01:46:48 - 01:46:50: And I've been thinking about that.
01:46:50 - 01:46:53: - I mean, Gaga's performing in his Gaga, right?
01:46:53 - 01:46:55: She's not performing in his Ally.
01:46:55 - 01:46:56: It's funny that he felt the need to do that,
01:46:56 - 01:46:59: 'cause people generally don't perform in character.
01:46:59 - 01:47:00: - Right.
01:47:00 - 01:47:02: ♪ Can I fill that void ♪
01:47:02 - 01:47:06: ♪ Or do you need more ♪
01:47:06 - 01:47:12: ♪ Ain't it hard keeping it so hardcore ♪
01:47:12 - 01:47:16: ♪ I'm falling ♪
01:47:16 - 01:47:23: ♪ In all the good times I find myself longing ♪
01:47:23 - 01:47:26: ♪ For a change ♪
01:47:28 - 01:47:32: ♪ And in the bad times I fear myself ♪
01:47:32 - 01:47:36: ♪ I'm off the deep end watching ♪
01:47:36 - 01:47:38: - This part sounded like it's,
01:47:38 - 01:47:39: "I wanna dance with somebody."
01:47:39 - 01:47:42: - It's got a little bit of that Whitney vibe.
01:47:42 - 01:47:48: ♪ Crash through the surface when they can't hurt us ♪
01:47:48 - 01:47:51: ♪ We're far from the shallow now ♪
01:47:51 - 01:47:56: ♪ In the shallow ♪
01:47:56 - 01:47:58: - Yeah, I mean, what do you think compelled Bradley
01:47:58 - 01:47:59: to issue that press release?
01:47:59 - 01:48:01: - Wait, how did he actually say it?
01:48:01 - 01:48:04: Oh, he just told Stephen Colbert
01:48:04 - 01:48:06: that he'll perform the song in his tuxedo,
01:48:06 - 01:48:08: not in his character's costume.
01:48:08 - 01:48:09: Okay, but that's bullsh*t,
01:48:09 - 01:48:12: because Jackson Maine could easily wear a tuxedo
01:48:12 - 01:48:13: to an event like the Oscars.
01:48:13 - 01:48:15: - Right, yeah.
01:48:15 - 01:48:16: - I also just kind of feel like,
01:48:16 - 01:48:18: I thought about this a lot.
01:48:18 - 01:48:20: I took a couple of days off to think about this.
01:48:20 - 01:48:24: At the end of the day, he doesn't get to decide this.
01:48:24 - 01:48:26: It's incredibly arrogant.
01:48:26 - 01:48:29: If I wanna imagine that I'm watching Jackson Maine performing,
01:48:29 - 01:48:31: well, it's the same goddamn face.
01:48:31 - 01:48:33: It's the same person, you know?
01:48:33 - 01:48:36: - So he just shouldn't say he's anybody?
01:48:36 - 01:48:38: - Yeah, if I wanna picture that it's Chris Kyle,
01:48:38 - 01:48:41: the American sniper, duetting with Lady Gaga,
01:48:41 - 01:48:42: that's my right.
01:48:42 - 01:48:43: And I think a lot of people will do that.
01:48:43 - 01:48:44: - Yeah.
01:48:44 - 01:48:45: - I'm just saying like--
01:48:45 - 01:48:46: - Both those characters are dead, but I mean--
01:48:46 - 01:48:48: - Yeah, but you can keep watching the movie.
01:48:48 - 01:48:49: They live on in art.
01:48:49 - 01:48:50: - I didn't see the movie.
01:48:50 - 01:48:52: - Do you think Bradley Cooper will speak
01:48:52 - 01:48:54: into the microphone at all,
01:48:54 - 01:48:56: or just come up and sing?
01:48:56 - 01:48:59: 'Cause that would be the real test if he's Jackson or not,
01:48:59 - 01:49:00: if he's like, "Thank you."
01:49:00 - 01:49:01: - I think just sing,
01:49:01 - 01:49:04: because there's not a lot of time at these events.
01:49:04 - 01:49:05: You got a minute and a half to do
01:49:05 - 01:49:06: like a short version of the song.
01:49:06 - 01:49:07: I'm just saying--
01:49:07 - 01:49:08: - They're not gonna do a full version?
01:49:08 - 01:49:11: - I don't know if they're gonna give them a full 3.30.
01:49:11 - 01:49:12: - I need it.
01:49:12 - 01:49:14: - I mean, they gotta at least get to the big part.
01:49:14 - 01:49:15: (singing)
01:49:15 - 01:49:17: - Yeah, but you can't get to the big part too soon.
01:49:17 - 01:49:18: You gotta, you know.
01:49:18 - 01:49:19: - Okay, maybe they will.
01:49:19 - 01:49:20: - They're gonna do the full version.
01:49:20 - 01:49:21: - Yeah, maybe for this song,
01:49:21 - 01:49:22: they'll let him do the whole version.
01:49:22 - 01:49:23: But, so Cooper said,
01:49:23 - 01:49:26: "Doesn't intend to bring back Jackson's deep voice either,
01:49:26 - 01:49:28: "as he said he has fully retired the character.
01:49:28 - 01:49:30: "What are you gonna use a different singing voice?"
01:49:30 - 01:49:31: He's getting up there.
01:49:31 - 01:49:31: He's performing.
01:49:31 - 01:49:32: - This is so weird.
01:49:32 - 01:49:35: - I mean, it's kind of like, okay.
01:49:35 - 01:49:38: You know how like Beyonce has like her like onstage demeanor,
01:49:38 - 01:49:40: her onstage image are Sasha Fierce?
01:49:40 - 01:49:41: - Oh yeah, right, right.
01:49:41 - 01:49:43: - Okay, maybe a better example would be like a rapper.
01:49:43 - 01:49:46: Snoop Dogg's real name is Calvin Brodus, correct?
01:49:46 - 01:49:47: - Sounds right.
01:49:47 - 01:49:48: - Yeah, it's Calvin something.
01:49:48 - 01:49:50: - I believe it's Calvin Brodus.
01:49:50 - 01:49:53: Now, we understand that Snoop Dogg
01:49:53 - 01:49:56: is both simultaneously Snoop Dogg and Calvin Brodus.
01:49:56 - 01:49:56: - Yep.
01:49:56 - 01:49:59: - To some extent, Snoop Dogg is a character.
01:49:59 - 01:50:01: But, you know, there's also a huge intersection
01:50:01 - 01:50:03: in the same way that Bradley put his heart and soul
01:50:03 - 01:50:04: into that character.
01:50:04 - 01:50:06: And the character Jackson made only exists
01:50:06 - 01:50:07: because of Bradley Cooper.
01:50:07 - 01:50:10: - Yeah, but Calvin Brodus isn't like when I'm rapping
01:50:10 - 01:50:12: on Michael Jackson.
01:50:12 - 01:50:14: I should have said a different name.
01:50:14 - 01:50:16: (laughing)
01:50:16 - 01:50:17: - Wait, say it again.
01:50:17 - 01:50:18: - Like--
01:50:18 - 01:50:19: - No, Calvin Brodus says--
01:50:19 - 01:50:24: - I'm saying Jackson Maine is, what else is his name?
01:50:24 - 01:50:24: (laughing)
01:50:24 - 01:50:26: - I'm just saying if Calvin Brodus--
01:50:26 - 01:50:29: - If you take a regular-ass person like me,
01:50:29 - 01:50:30: it's different than being like,
01:50:30 - 01:50:32: my name is Alec Rhinestone,
01:50:32 - 01:50:34: but when I rap, I'm Snoop Dogg.
01:50:34 - 01:50:36: It's different than being like,
01:50:36 - 01:50:38: my name's Alec Rhinestone,
01:50:38 - 01:50:42: but when I rap, I'm freaking, you know, John Smith.
01:50:42 - 01:50:43: - Okay, what about Wiz Khalifa?
01:50:43 - 01:50:45: - Wiz Khalifa, what's his name?
01:50:45 - 01:50:47: - Cameron Jabril Tomas.
01:50:47 - 01:50:49: - Yeah, what?
01:50:49 - 01:50:51: (laughing)
01:50:51 - 01:50:54: - I'm saying these guys have like alter ego names.
01:50:54 - 01:50:56: - When Snoop Dogg became Snoop Lion,
01:50:56 - 01:50:57: - Yeah.
01:50:57 - 01:51:00: - If he's gonna drop a Snoop Lion song
01:51:00 - 01:51:02: in his Snoop Dogg set,
01:51:02 - 01:51:05: are we gonna like pretend that Snoop Lion never existed
01:51:05 - 01:51:07: and this is Snoop Dogg performing a Snoop Lion song?
01:51:07 - 01:51:09: - Wait a second, also,
01:51:09 - 01:51:10: Cooper did not issue a press release.
01:51:10 - 01:51:12: - No, he was just doing an interview.
01:51:12 - 01:51:14: - Okay, so that's way different.
01:51:14 - 01:51:15: It just kind of came out.
01:51:15 - 01:51:17: - I just think it's different
01:51:17 - 01:51:20: 'cause you're talking about different types of pseudonyms.
01:51:20 - 01:51:22: Like if my name is Alec Rhinestone
01:51:22 - 01:51:26: and my pseudonym when I'm performing is like, Assman,
01:51:26 - 01:51:31: that's not like if my pseudonym was Andrew Thomas.
01:51:31 - 01:51:32: - I don't see the difference.
01:51:32 - 01:51:33: - All right.
01:51:33 - 01:51:36: (laughing)
01:51:36 - 01:51:38: - I'm just saying, how to put this,
01:51:38 - 01:51:41: I just don't think it's Bradley Cooper's choice, man.
01:51:41 - 01:51:42: Like, first of all,
01:51:42 - 01:51:45: if you wanna go see A Star Is Born
01:51:45 - 01:51:46: and watch the whole film,
01:51:46 - 01:51:48: and say you walked out of the movie
01:51:48 - 01:51:49: and one person's very moved by it and said,
01:51:49 - 01:51:52: "Man, when Jackson Maine peed in his pants,
01:51:52 - 01:51:54: "I felt that emotionally."
01:51:54 - 01:51:56: And you say, "What do you mean when Jackson Maine?"
01:51:56 - 01:51:59: When Bradley Cooper, the actor, pretended to pee his pants
01:51:59 - 01:52:01: and somebody say, "Well, aren't we talking
01:52:01 - 01:52:01: "about the same thing?"
01:52:01 - 01:52:04: It's like, "No, because when you watch a movie,
01:52:04 - 01:52:06: "you start calling them the characters by their names."
01:52:06 - 01:52:08: I also feel like, doesn't that happen a lot?
01:52:08 - 01:52:10: You watch TV with somebody and be like,
01:52:10 - 01:52:11: "Wait, wait, I forgot what happened in the last episode.
01:52:11 - 01:52:12: "What's going on?"
01:52:12 - 01:52:13: And you'll just be like,
01:52:13 - 01:52:16: "Yeah, so Russell Crowe's mom is mad
01:52:16 - 01:52:17: "because-"
01:52:17 - 01:52:18: I don't do that.
01:52:18 - 01:52:18: I do the opposite.
01:52:18 - 01:52:22: "Because Madeline Stowe is a lawyer and she's-"
01:52:22 - 01:52:23: Madeline Stowe reference?
01:52:23 - 01:52:26: I saw 12 Monkeys on TV the other day.
01:52:26 - 01:52:26: Okay, I was like, "Damn."
01:52:26 - 01:52:29: Yeah, yeah, you refer to the characters
01:52:29 - 01:52:30: by the actors' real names.
01:52:30 - 01:52:32: Or you mix it up because it doesn't matter.
01:52:32 - 01:52:33: Sometimes you do, but like,
01:52:33 - 01:52:35: I saw Kelsey Grammer in a supermarket
01:52:35 - 01:52:37: and I was like, "Oh, s***, Frazier."
01:52:37 - 01:52:38: (laughing)
01:52:38 - 01:52:38: 'Cause I'm not-
01:52:38 - 01:52:39: Well, exactly.
01:52:39 - 01:52:41: And imagine if he said to you,
01:52:41 - 01:52:43: "Listen, you piece of s***,
01:52:43 - 01:52:45: "in here I'm not Frazier."
01:52:45 - 01:52:47: And you say, "You're Frazier to me."
01:52:47 - 01:52:47: Yeah.
01:52:47 - 01:52:49: I'm just saying, again, it's not his choice.
01:52:49 - 01:52:50: That's fair.
01:52:50 - 01:52:52: All right, I see your point now.
01:52:52 - 01:52:54: Especially when he's getting on stage
01:52:54 - 01:52:55: on Hollywood's biggest night.
01:52:55 - 01:52:57: I also think it's disrespectful
01:52:57 - 01:52:58: to Hollywood's biggest night
01:52:58 - 01:52:59: to get up there and say,
01:52:59 - 01:53:01: "I'm performing the song from the movie,
01:53:01 - 01:53:04: "but I wanna clarify something.
01:53:04 - 01:53:05: "I'm not acting right now."
01:53:05 - 01:53:05: Yeah.
01:53:05 - 01:53:06: Well, hold on a second.
01:53:06 - 01:53:08: There's an element of acting.
01:53:08 - 01:53:10: The only way that you can sing that song
01:53:10 - 01:53:12: is by embodying the character of Jackson Maine.
01:53:12 - 01:53:13: Right.
01:53:13 - 01:53:14: If he sings it very differently,
01:53:15 - 01:53:16: I'll give it up to him and say,
01:53:16 - 01:53:17: "Okay, this time he's saying it as Bradley Cooper,
01:53:17 - 01:53:19: "but I have a feeling he's gonna get up there
01:53:19 - 01:53:22: "and he's gonna give us that Jackson Maine performance
01:53:22 - 01:53:23: "that we know from the recording,
01:53:23 - 01:53:25: "the soundtrack, and the film."
01:53:25 - 01:53:28: If he wants to show us that he's going up on stage
01:53:28 - 01:53:29: as Bradley Cooper,
01:53:29 - 01:53:30: he needs to sing it with a different voice.
01:53:30 - 01:53:33: ♪ Baby, it's time to let the old ways die ♪
01:53:33 - 01:53:39: ♪ Baby, it's time to let the old ways die ♪
01:53:42 - 01:53:45: ♪ Takes a lot to change a man ♪
01:53:45 - 01:53:47: ♪ Hell, it takes a lot to try ♪
01:53:47 - 01:53:51: ♪ Baby, it's time to let the old ways die ♪
01:53:51 - 01:53:53: Either he's not allowing the audience
01:53:53 - 01:53:55: to use their imaginations,
01:53:55 - 01:53:58: or he's being so condescending
01:53:58 - 01:54:01: that he thinks that we're such morons.
01:54:01 - 01:54:02: He's like, "That's not me."
01:54:02 - 01:54:04: He thinks we're so stupid.
01:54:04 - 01:54:06: I also just find like,
01:54:06 - 01:54:08: "Okay, when I perform on stage, I'm Bradley Cooper,
01:54:08 - 01:54:10: "but in the movie, I was Jackson Maine."
01:54:10 - 01:54:11: Right.
01:54:11 - 01:54:12: Okay, well, I'm pretty sure when I sat down
01:54:12 - 01:54:13: and watched that movie,
01:54:13 - 01:54:16: I saw Bradley Cooper flash on screen about five times
01:54:16 - 01:54:17: before the show even started.
01:54:17 - 01:54:19: So what are you doing here?
01:54:19 - 01:54:20: So you're insulted.
01:54:20 - 01:54:21: I am insulted.
01:54:21 - 01:54:22: I'm hurt.
01:54:22 - 01:54:24: But I (beep) with Bradley Cooper.
01:54:24 - 01:54:26: Oh, there you go.
01:54:26 - 01:54:28: You're like, "Oh, wait, am I hating?"
01:54:28 - 01:54:29: I like Bradley Cooper.
01:54:29 - 01:54:32: Anyway, maybe the moral of the story
01:54:32 - 01:54:34: is everybody's right here.
01:54:34 - 01:54:36: If Bradley takes the stage and he sings a song and says,
01:54:36 - 01:54:38: "I'm singing this as Bradley,"
01:54:38 - 01:54:39: and everybody else is watching and saying,
01:54:39 - 01:54:41: "Well, I'm seeing Jackson Maine,"
01:54:41 - 01:54:44: well, that's the magic of a Hollyweird.
01:54:44 - 01:54:46: And also, shouldn't this be a decision
01:54:46 - 01:54:48: that he makes with his duet partner,
01:54:48 - 01:54:50: Lady Gaga, aka Ali?
01:54:50 - 01:54:51: Imagine this.
01:54:51 - 01:54:53: This is a huge role for her.
01:54:53 - 01:54:55: She probably really embodied the character of Ali.
01:54:55 - 01:54:57: What's Lady Gaga's real name?
01:54:57 - 01:54:58: Stephanie Germanotta.
01:54:58 - 01:55:00: What if she wanted to be Stephanie Germanotta
01:55:00 - 01:55:02: for this performance?
01:55:02 - 01:55:03: I could actually picture that.
01:55:03 - 01:55:05: Like, that could be a cool sequel to "A Star is Born"
01:55:05 - 01:55:07: that's about a film.
01:55:07 - 01:55:10: It's got the tone of the trip to Italy.
01:55:10 - 01:55:14: And it's Bradley Cooper and Lady Gaga
01:55:14 - 01:55:15: get offered some tremendous amount of money
01:55:15 - 01:55:18: to take "A Star is Born" on the road.
01:55:18 - 01:55:20: Or I was thinking a weird corporate-private gig.
01:55:20 - 01:55:22: Or maybe it's a corporate-private gig,
01:55:22 - 01:55:23: but some of the tension in the film
01:55:23 - 01:55:27: is that Lady Gaga always wants to identify as Ali
01:55:27 - 01:55:29: 'cause she's like, "I can't sing these songs
01:55:29 - 01:55:32: "as Lady Gaga nor Stephanie Germanotta.
01:55:32 - 01:55:33: "When I sing these songs, I'm Ali.
01:55:33 - 01:55:35: "I gave a whole bunch of my life,
01:55:35 - 01:55:38: "and you're the one who inspired me to become Ali.
01:55:38 - 01:55:39: "So when I sing in them, I'm Ali."
01:55:39 - 01:55:41: And she's always like, "Well, hello there.
01:55:41 - 01:55:43: "Wow, I can't believe it.
01:55:43 - 01:55:45: "I'm still on my first album,
01:55:45 - 01:55:49: "and you guys already are showing so much respect for me.
01:55:49 - 01:55:50: "My name is Ali."
01:55:50 - 01:55:51: And then he comes out and says,
01:55:51 - 01:55:53: "And my name is Bradley Cooper."
01:55:53 - 01:55:54: But then what happens?
01:55:54 - 01:55:55: They just play the song.
01:55:55 - 01:55:56: It's like a screwball comedy.
01:55:56 - 01:56:00: "I'm Ali, and I'm Bradley Cooper."
01:56:00 - 01:56:01: Something like that.
01:56:01 - 01:56:04: Then they do, like, "Tomato, tomato."
01:56:04 - 01:56:04: Exactly.
01:56:04 - 01:56:06: A lot of them just in the car and in restaurants
01:56:06 - 01:56:08: arguing about it.
01:56:08 - 01:56:10: I would love that, them just driving from gig to gig.
01:56:10 - 01:56:13: That'd be tight, Bradley Cooper and Lady Gaga in the car.
01:56:13 - 01:56:14: She starts doing Ali, and she's like,
01:56:14 - 01:56:16: "Come on, do Jackson Maine."
01:56:16 - 01:56:17: "Not gonna do it."
01:56:17 - 01:56:18: "I'm not gonna do it."
01:56:18 - 01:56:20: That's Bradley's normal voice.
01:56:20 - 01:56:21: "Stephanie, I'm not gonna do it.
01:56:21 - 01:56:23: "My name is Ali."
01:56:23 - 01:56:25: "Stephanie, will you just calm down?"
01:56:25 - 01:56:25: "Jackson, you know what?
01:56:25 - 01:56:26: "Forget you.
01:56:26 - 01:56:27: "You called me ugly.
01:56:27 - 01:56:28: "How dare you?
01:56:28 - 01:56:29: "I hate you."
01:56:29 - 01:56:31: "I didn't call you ugly, Stephanie.
01:56:31 - 01:56:32: "Relax."
01:56:32 - 01:56:33: "Oh, Jackson."
01:56:34 - 01:56:35: "All right."
01:56:35 - 01:56:37: And then he goes, "You know, there could be some fun there.
01:56:37 - 01:56:38: "There's fun to be had."
01:56:38 - 01:56:40: That's a 90-minute comedy.
01:56:40 - 01:56:41: Yeah, definitely.
01:56:41 - 01:56:44: Oh, I was thinking more like four and a half hour art film.
01:56:44 - 01:56:45: I like that too.
01:56:45 - 01:56:48: The real-time drive between Denver and Salt Lake City.
01:56:48 - 01:56:49: Oh, yeah, one take.
01:56:49 - 01:56:51: They have two giant corporate gigs,
01:56:51 - 01:56:54: and for some reason, they're like Snowden or something,
01:56:54 - 01:56:55: and they're like,
01:56:55 - 01:56:57: "If you guys want this check, you're gonna have to drive."
01:56:57 - 01:56:58: Yeah.
01:56:58 - 01:57:00: Oh, it's eight hours.
01:57:00 - 01:57:02: It's an eight-hour stage play.
01:57:02 - 01:57:07: There's no PJ available, so you're driving, just the two of you.
01:57:07 - 01:57:09: Do you think that there's such big stars
01:57:09 - 01:57:13: that if you did a one-take, six-and-a-half-hour--
01:57:13 - 01:57:14: Art film.
01:57:14 - 01:57:19: Art film with just Lady Gaga and Cooper in character,
01:57:19 - 01:57:22: just talking on a road trip, that people would go see it?
01:57:22 - 01:57:23: Yeah.
01:57:23 - 01:57:26: I bet if it was good, if it was as good as like the trip,
01:57:26 - 01:57:28: and I mean, they're both very talented,
01:57:28 - 01:57:31: but you know, Steve Coogan, that's like,
01:57:31 - 01:57:33: and Rob Brydon, that's really their bread and butter.
01:57:33 - 01:57:34: You ever watch those movies, Alec?
01:57:34 - 01:57:35: The trip movies?
01:57:35 - 01:57:35: No.
01:57:35 - 01:57:38: It's really like the English guys drive around
01:57:38 - 01:57:40: going to restaurants and just talking.
01:57:40 - 01:57:42: It's one of those movies--
01:57:42 - 01:57:43: Doing Michael Caine impressions.
01:57:43 - 01:57:44: Doing Michael Caine impressions.
01:57:44 - 01:57:45: Yeah.
01:57:45 - 01:57:48: It's one of those movies that I think of so fondly,
01:57:48 - 01:57:49: but I could also imagine being like,
01:57:49 - 01:57:50: "Oh, you gotta watch the trip,"
01:57:50 - 01:57:51: and then somebody watches it and just be like,
01:57:51 - 01:57:52: "This sucked."
01:57:52 - 01:57:52: "It sucked."
01:57:52 - 01:57:54: I love all the trip movies.
01:57:54 - 01:57:54: They're great.
01:57:54 - 01:57:56: Ariel is a huge trip head.
01:57:56 - 01:57:57: That's tight.
01:57:57 - 01:58:00: I think that even if things got a little awkward--
01:58:00 - 01:58:02: 90 minutes of them just driving
01:58:02 - 01:58:05: would still be kind of like fascinating.
01:58:05 - 01:58:07: We're talking six-hour art film though.
01:58:07 - 01:58:09: Okay, but in the six-hour art film--
01:58:09 - 01:58:10: You cut it down to the 90.
01:58:10 - 01:58:13: But what's a six-hour drive, SF to LA?
01:58:13 - 01:58:15: Yeah, they hit the In-N-Out in Kettleman City.
01:58:15 - 01:58:16: That might be more on point.
01:58:16 - 01:58:18: It's like they're in San Francisco for something,
01:58:18 - 01:58:19: and then they have to get to--
01:58:19 - 01:58:22: So like weird tech conference.
01:58:22 - 01:58:23: And the next night's the Oscars.
01:58:23 - 01:58:23: We're finding it.
01:58:23 - 01:58:25: Long story short, they have to drive.
01:58:25 - 01:58:28: We'll get Tony Kushner to figure out that bullsh*t
01:58:28 - 01:58:30: when he sketches it out.
01:58:30 - 01:58:32: I think with just the roughest outline
01:58:32 - 01:58:34: of the arc of what happens with them,
01:58:34 - 01:58:36: these two talented performers would just like
01:58:36 - 01:58:37: kind of fill it in.
01:58:37 - 01:58:39: Okay, what do you think?
01:58:39 - 01:58:42: Should we do, let's say another 45 on Bradley Cooper?
01:58:42 - 01:58:47: Just a real slow wrap up here.
01:58:47 - 01:58:49: No, but he really is cool.
01:58:49 - 01:58:50: I do respect.
01:58:50 - 01:58:51: Have you met him?
01:58:51 - 01:58:53: Yeah, I've met him here and there.
01:58:53 - 01:58:55: I always thought he was super nice.
01:58:55 - 01:58:56: What context did you meet him in?
01:58:58 - 01:59:01: You know, just see him around people that I know know him.
01:59:01 - 01:59:05: And I always thought he seemed like a super mellow dude.
01:59:05 - 01:59:11: Didn't seem like some weird superstar ego.
01:59:11 - 01:59:12: Just actually seemed like a chill dude.
01:59:12 - 01:59:14: And actually, I did feel bad for him
01:59:14 - 01:59:16: that he didn't get nominated for best director.
01:59:16 - 01:59:18: That seemed a little unfair, didn't it?
01:59:18 - 01:59:19: Extremely unfair.
01:59:19 - 01:59:21: Let's get Bradley Cooper's whole filmography up
01:59:21 - 01:59:23: because I want to do another 45 on him.
01:59:23 - 01:59:25: Okay, that's enough time crisis.
01:59:25 - 01:59:27: That's enough time crisis.
01:59:27 - 01:59:28: Everybody needs to go.
01:59:28 - 01:59:31: Everybody's probably excited to go have their little Oscars party.
01:59:31 - 01:59:34: Put out some hummus and goldfish, invite the friends over.
01:59:34 - 01:59:36: Have some fun.
01:59:36 - 01:59:38: You said it like goldfish.
01:59:38 - 01:59:39: Goldfish.
01:59:39 - 01:59:41: Goldfish.
01:59:41 - 01:59:44: Why not on Oscar night, they're goldfish.
01:59:44 - 01:59:46: That's fair.
01:59:46 - 01:59:49: Thanks to our East Coast ambassador,
01:59:49 - 01:59:52: president of TC East, Despot for coming through.
01:59:52 - 01:59:53: You're welcome.
01:59:53 - 01:59:54: That's the only person to thank.
01:59:54 - 01:59:57: Me and Jake will see you in a couple of weeks.
01:59:57 - 01:59:57: Yep.
01:59:57 - 01:59:58: Peace.
01:59:58 - 02:00:01: Time Crisis with Ezra King.
02:00:01 - 02:00:08: One.

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