Episode 89: Winter Returns

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:03: Time Crisis, back once again.
00:03 - 00:06: This is a very special episode.
00:06 - 00:09: Jake and I check in with Winter, the god of starbucking,
00:09 - 00:12: to talk about the latest in Starbucks news,
00:12 - 00:14: Howard Schultz's presidential run,
00:14 - 00:18: and Ariana Grande's ongoing cloud macchiato disaster.
00:18 - 00:23: We also count down the top hits of 1977 and 1984.
00:23 - 00:26: That's right, me and Jake's birth years.
00:26 - 00:28: All this, plus a little Imagine Dragons.
00:28 - 00:33: This is Time Crisis, with Ezra King.
00:33 - 00:35: Be-be-be-be-be-be-beasts.
00:35 - 00:37: One.
00:37 - 00:41: # They pass me by
00:41 - 00:44: # All of those great romances
00:44 - 00:48: # The war I've felt, what we leave
00:48 - 00:51: # All my rightful chances
00:51 - 00:54: # My picture clear
00:54 - 00:59: # Everything seems so easy
00:59 - 01:02: # And so I dealt to the blow
01:02 - 01:06: # One of us had to go
01:06 - 01:10: # Now it's different, I want you to know
01:10 - 01:13: # One of us is crying
01:13 - 01:16: # One of us is lying
01:16 - 01:20: # Leave the lonely man... #
01:20 - 01:23: Time Crisis, back once again. What's up, Jake?
01:23 - 01:25: Uh...
01:25 - 01:27: Looking frazzled. Yeah, I'm tired, man.
01:27 - 01:30: Jake's rolling into the studio with a weary...
01:30 - 01:32: Just world-weary.
01:32 - 01:34: World-weary look on his face.
01:34 - 01:36: I'm beat, man. We got this beat. Hands covered in paint.
01:36 - 01:42: That's true. I got white, semi-gloss exterior paint on my hands.
01:42 - 01:44: So, exterior, that's house paint.
01:44 - 01:47: Yeah, I'm building, like, a small fence
01:47 - 01:51: that sort of is gonna divide our kind of little patio area garden
01:51 - 01:55: from our sort of sitting area, 'cause we just got a new puppy.
01:55 - 01:58: That's the big development, and that's the reason I'm so white.
01:58 - 02:00: But the puppy likes to run through the garden.
02:00 - 02:04: In and out of the garden, she goes? Is it a female?
02:04 - 02:06: She, yeah. In and out of the garden, she goes.
02:06 - 02:09: And Jake said, "No more." Why? Who cares?
02:09 - 02:12: Let the puppy go in the garden, man. Is she, like, eating your turnips?
02:12 - 02:16: It's hard to explain, because there's a solid, like, four-foot drop
02:16 - 02:19: from the garden down into this, like, seating area.
02:19 - 02:21: It's too much of a jump for a little dog?
02:21 - 02:23: Too much of a jump. Okay.
02:23 - 02:26: And to build and paint your own fence is cheaper than just, like,
02:26 - 02:28: "Can't you just go get some chicken wire?"
02:28 - 02:30: Or that's too unsightly? That was discussed.
02:30 - 02:32: Too unsightly? A little bit.
02:32 - 02:34: This'll be nice. This'll be classy.
02:34 - 02:37: You got some friends over for some classy cocktails,
02:37 - 02:40: and people are just like, "I gotta say, guys,
02:40 - 02:42: "the chicken wire's killing the vibe over here."
02:42 - 02:45: Backyard's looking great, but honestly, what's the deal with the chicken wire?
02:45 - 02:48: I mean, chicken wire, that just would've saved you a real headache.
02:48 - 02:50: Well, the fence is not the headache.
02:50 - 02:53: It's having the two dogs by myself at the studio today.
02:53 - 02:55: They're running around. It's just like--
02:55 - 02:58: I'm just figuring out a new rhythm, because we have an old dog, Marty.
02:58 - 03:00: He's mellow. Right.
03:00 - 03:02: He'll sleep for four or five hours at a time.
03:02 - 03:04: But I have two dogs now. Now you got the puppy.
03:04 - 03:06: Can we say the name of the puppy? Al.
03:06 - 03:08: Al, which is short for? Allie.
03:08 - 03:11: Which is named after? The Lady Gaga character from Starsborne.
03:11 - 03:13: [laughter]
03:13 - 03:15: No joke, folks. That's sick.
03:15 - 03:18: So Marty is the Jackson, Maine, kind of old.
03:18 - 03:22: Absolutely. Old, mellow, and then Allie is the star.
03:22 - 03:24: A lot of energy. Hunger.
03:24 - 03:26: A lot of hunger. Excitement about the world.
03:26 - 03:28: Trying to find her place in the world. Yeah.
03:28 - 03:31: Marty's a kind of world-weary old soul, seeing it all.
03:31 - 03:33: Kind of a grump. Kind of a grump.
03:33 - 03:35: So that's what I'm dealing with. I mean, it's great.
03:35 - 03:38: It's a great thing to deal with, but today was a lot of back and forth.
03:38 - 03:41: Is it just not worth the price to drop them off
03:41 - 03:44: at the Chateau Marmotte or the Sunset Bar-Cui?
03:44 - 03:46: It's going to be like a daily thing.
03:46 - 03:48: I mean, if you have a dog, you want to have a dog.
03:48 - 03:50: I'm just finding the rhythm of the dog.
03:50 - 03:53: I know all sorts of people who maybe they don't have a partner or something
03:53 - 03:56: and they occasionally have to take their dog to a doggy hotel.
03:56 - 03:58: Oh, yeah, on occasion. Yeah. Sure, on occasion.
03:58 - 04:00: But, you know, there's just a steep learning curve
04:00 - 04:03: that I have to contend with.
04:03 - 04:06: Today you were painting fences, you were painting paintings,
04:06 - 04:08: and taking care of two dogs. Yep.
04:08 - 04:10: Yeah, that's a lot. I mean, it's all good.
04:10 - 04:13: It's a lot to deal with. It took me forever to get over here.
04:13 - 04:15: I'm coming over at rush hour. Brutal.
04:15 - 04:17: We are pre-taping, folks. We are pre-taping.
04:17 - 04:20: We're going to be transparent about it because we're all--
04:20 - 04:23: speaking of busyness, my schedule is getting crazy, too, man.
04:23 - 04:26: You're hitting the road, right? Yeah, I got to go to England.
04:26 - 04:28: Fun. Yeah, it'll be cool.
04:28 - 04:32: Doing some press, doing some classic radio sessions.
04:32 - 04:35: Full band in studio. Yeah, a little stripped down, though.
04:35 - 04:38: Like kind of post-John Peel. Yeah, there's a lot of those.
04:38 - 04:40: I mean, they have them in the U.S., too.
04:40 - 04:43: I remember back in the day we'd do a lot of acoustic ones
04:43 - 04:46: where I'd just be like, "I can never listen to that."
04:46 - 04:48: Whatever we just did probably sounds--
04:48 - 04:52: I remember on the second album we got a lot of these acoustic sessions.
04:52 - 04:56: There's a lot of times like rolling into a radio station early in the morning.
04:56 - 04:58: And of course, it's like you want to do it.
04:58 - 05:00: If a radio station supports you by playing your music,
05:00 - 05:02: it's kind of like the least you can do.
05:02 - 05:04: If you're in town, stop by.
05:04 - 05:07: But then sometimes you're on tour and you're tired and you're worried about your voice.
05:07 - 05:12: And so just rolling in at 9 a.m. somewhere to do an acoustic version of "Cousins."
05:12 - 05:15: Yeah, I mean, especially if you're a band that puts all this work
05:15 - 05:19: into getting the sound down as a full plugged-in band.
05:19 - 05:23: And then to just do the sort of acoustic translation.
05:23 - 05:25: Well, and you never know.
05:25 - 05:29: Obviously, there are songs that there could be a richness to the acoustic version.
05:29 - 05:31: "Cousins" in particular was not one of them.
05:31 - 05:34: Like a fast rock song. Yeah.
05:34 - 05:36: Acoustic.
05:37 - 05:40: electric guitar plays
05:40 - 05:56: You will find a swell on the ocean floor
05:56 - 05:59: They're gonna find it if you didn't close the door
05:59 - 06:01: You and the small ones sit outside of each side
06:01 - 06:04: In a house on the street they wouldn't park on a night
06:04 - 06:07: That was a race, take a his was a shoemaker
06:07 - 06:10: You greatest since 2006, the list maker
06:10 - 06:12: A coach and a melody, you eat at the car
06:12 - 06:15: Or you were born with ten fingers and you're gonna use 'em all
06:15 - 06:18: electric guitar plays
06:18 - 06:29: Interesting girls, I discovered myself
06:29 - 06:31: If your art life was gritty, you'd be toast in my house
06:31 - 06:34: If an interesting coach, you should be lining the walls
06:34 - 06:37: When your birthright is interest, you could just do it all right
06:37 - 06:40: Me and my cousins and you and your cousins
06:40 - 06:43: It's a line that's always running
06:43 - 06:46: Me and my cousins and you and your cousins
06:46 - 06:48: I can feel it coming
06:48 - 06:51: I rarely post provocative opinions on Twitter,
06:51 - 06:54: but I did a few weeks ago say that
06:54 - 06:56: Nirvana Unplugged was the worst thing they did.
06:56 - 06:58: Oh!
06:58 - 07:01: A lot of the TC fan base was just like, "Terrible call."
07:01 - 07:02: Really?
07:02 - 07:04: "Rough stuff, folks."
07:04 - 07:06: I stand by it, though, I mean.
07:06 - 07:08: But Nirvana Unplugged, people like that
07:08 - 07:11: not because they like weird acoustic versions
07:11 - 07:13: of "Smells Like Teen Spirit," people like--
07:13 - 07:14: Which they didn't play.
07:14 - 07:15: The covers.
07:15 - 07:16: Yeah, they're probably--
07:16 - 07:18: "Man Who Sold the World," that was kind of a cool call
07:18 - 07:19: on their part.
07:19 - 07:21: See, even that drives me up a wall
07:21 - 07:22: because he's using that distortion pedal.
07:22 - 07:23: It's like--
07:23 - 07:24: Ah, no!
07:24 - 07:26: (imitates distortion)
07:26 - 07:29: If you're gonna do acoustic, do acoustic.
07:29 - 07:31: What about the lead belly?
07:31 - 07:32: ♪ In the past ♪
07:32 - 07:33: Terrible.
07:33 - 07:34: ♪ In the past ♪
07:34 - 07:35: ♪ My girl ♪
07:35 - 07:37: It's awful.
07:37 - 07:38: I mean, that was kind of interesting
07:38 - 07:41: that Kurt brought lead belly to the youth.
07:41 - 07:42: Yeah, for sure.
07:42 - 07:43: 'Cause lead belly's sick.
07:43 - 07:45: I mean, I am a Nirvana fan.
07:45 - 07:47: And that's one of their last recordings, isn't it?
07:47 - 07:48: I think it is.
07:48 - 07:50: I think it's like a few weeks or a few months
07:50 - 07:51: before his suicide.
07:51 - 07:54: So maybe also they were in just like a terrible headspace
07:54 - 07:56: and that contributes to it.
07:56 - 07:57: But whenever I just--
07:57 - 07:59: So you even remember when you saw that,
07:59 - 08:01: you were just like, "Sucks."
08:01 - 08:02: No, I was psyched.
08:02 - 08:03: I was super psyched.
08:03 - 08:07: And then I think maybe the way that the versions
08:07 - 08:10: of "About a Girl" and a few other songs on that record
08:10 - 08:13: became the definitive radio versions.
08:13 - 08:14: That bothered you.
08:14 - 08:16: That kind of drove me up a wall.
08:16 - 08:17: Yeah.
08:17 - 08:20: It sort of became the de facto Nirvana record
08:20 - 08:21: in a lot of ways.
08:21 - 08:23: It just kind of pissed me off.
08:23 - 08:24: But that's how it ended up.
08:24 - 08:26: I'm picturing you calling into a local Connecticut
08:26 - 08:30: alternative rock radio station, "We got Jake on the line."
08:30 - 08:31: [laughs]
08:31 - 08:37: ♪ My girl, my girl, don't lie to me ♪
08:37 - 08:43: ♪ Tell me, where did you sleep last night? ♪
08:43 - 08:47: ♪ In the clouds, in the clouds ♪
08:47 - 08:50: ♪ Where the sun don't ever shine ♪
08:50 - 08:57: ♪ I would shiver the whole night through ♪
08:57 - 09:03: ♪ Girl, my girl, where will you go? ♪
09:03 - 09:10: ♪ I'm going where the cold wind blows ♪
09:10 - 09:13: ♪ In the clouds, in the clouds ♪
09:13 - 09:17: ♪ Where the sun don't ever shine ♪
09:17 - 09:24: ♪ I would shiver the whole night through ♪
09:24 - 09:30: ♪ Her husband was a hard-working man ♪
09:30 - 09:37: ♪ Just about a mile from here ♪
09:37 - 09:44: ♪ His head was found in a dry wheel ♪
09:44 - 09:50: ♪ But his body never was found ♪
09:50 - 09:57: ♪ My girl, my girl, don't lie to me ♪
09:57 - 10:04: ♪ Tell me, where did you sleep last night? ♪
10:04 - 10:07: ♪ In the pines, in the pines ♪
10:07 - 10:11: ♪ Where the sun don't ever shine ♪
10:11 - 10:18: ♪ I would shiver the whole night through ♪
10:18 - 10:20: - Van Burry Weekend didn't unplug.
10:20 - 10:21: - Really? MTV?
10:21 - 10:24: - It was kind of funny because there's the classic run
10:24 - 10:26: of '90s unplugs. - Yeah.
10:26 - 10:29: - Unplugged-eds. There were so many good '90s unplugged-eds.
10:29 - 10:31: - AIC. - Yep.
10:31 - 10:33: - Lauryn Hill. - There were some good classic rock--
10:33 - 10:34: Rod Stewart. - Yeah.
10:34 - 10:37: Yeah, again, Rod Stewart. I mean--
10:37 - 10:39: Oh, actually, Clapton, too, is so--
10:39 - 10:41: That one is so brutal. - Oh, I'm into the Clapton one.
10:41 - 10:45: - That's how I got started on the Twitter with the unplugged.
10:45 - 10:47: I was in an Uber, and I heard-- - "Tears in Heaven"?
10:47 - 10:49: - No, I heard "Layla." That is the worst version.
10:49 - 10:51: - Oh, yeah, I do hate that version of "Layla."
10:51 - 10:54: ♪ Layla, where did she-- ♪
10:54 - 10:56: Yeah, and that's also funny 'cause I heard that
10:56 - 10:57: on the radio a lot. - ♪ On her knees ♪
10:57 - 10:59: - When I was a kid, and then when I finally heard
10:59 - 11:01: the original "Derek and the Dominoes," "Layla,"
11:01 - 11:03: I was like, "Oh, [bleep] this is so much better."
11:03 - 11:05: - Yeah, rips. - But I was introduced
11:05 - 11:08: to the Rod Stewart song "Reason to Believe" via his unplug,
11:08 - 11:10: which I always thought was a great song.
11:10 - 11:12: - Yep. - ♪ If I listen ♪
11:12 - 11:15: ♪ Long enough to you ♪ - Yep.
11:15 - 11:17: - ♪ Knowing that you like-- ♪
11:17 - 11:19: I mean, he's, like, the perfect dude to do it.
11:19 - 11:22: Did the Eagles do one? - I don't think so, man.
11:22 - 11:25: I mean, they did an acoustic-- - They did some acoustic thing
11:25 - 11:27: in the '90s during the Hell Freezes Over.
11:27 - 11:29: - Yeah, and again, that acoustic version
11:29 - 11:31: of "Hotel California" from Hell Freezes Over
11:31 - 11:33: that you hear all the time in, like,
11:33 - 11:35: corporate retail environments is just terrible.
11:35 - 11:37: - Let's look up some of the classic unplugged dudes.
11:37 - 11:39: - Let's not lose the thread, though.
11:39 - 11:41: I want to hear about the Vampire Weekend one.
11:41 - 11:44: - Oh, yeah, yeah. Oh, there's a Mariah Carey in '92.
11:44 - 11:48: - I remember she did the Badfinger/Harry Nilsson song
11:48 - 11:50: "Without You." - Oh, yeah, a lot of people,
11:50 - 11:52: that's just a Mariah Carey song. - Right.
11:52 - 11:54: - ♪ I can't live ♪
11:54 - 11:56: ♪ Livin' is without you ♪
11:56 - 11:58: - "10,000 Maniacs." Oh, Tony Bennett.
11:58 - 12:00: That was pretty classic when there was, like,
12:00 - 12:02: the kind of Tony Bennett comeback in the '90s.
12:02 - 12:04: Page and Plant. - Oh, wow.
12:04 - 12:06: - As Discussed, Nirvana.
12:06 - 12:08: Alice in Chains. And then Shakira.
12:08 - 12:10: And then now you're kind of getting out of the classic era.
12:10 - 12:13: - Did Pearl Jam do one? They did one, I think.
12:13 - 12:15: - Oh, interesting. The Eagles' 1994 live album
12:15 - 12:18: "Hell Freezes Over," which sold 9 million copies--
12:18 - 12:19: - Wow. - Good Lord.
12:19 - 12:21: Though not part of the unplugged series,
12:21 - 12:23: was produced by the unplugged producers
12:23 - 12:24: and followed a similar format.
12:24 - 12:26: Glenn Frey definitely called Don Henley,
12:26 - 12:29: just like, "Yo, Henley, turn on the tube, man."
12:29 - 12:30: - [whimpers]
12:30 - 12:32: - "You see these Nirvana guys? Oh, I don't like those guys.
12:32 - 12:34: They're real noise. No, but check it out, man.
12:34 - 12:36: They're doing--" - They're just playing punk rock.
12:36 - 12:38: That's all they're doing, Don. - They're just playing punk rock.
12:38 - 12:39: [both laugh]
12:39 - 12:41: But they're doing a cool little acoustic set.
12:41 - 12:43: "You know what? These guys actually got some chops, man.
12:43 - 12:45: Turn it on. We should do this, man.
12:45 - 12:48: Should I call up MTV? No, man.
12:48 - 12:51: We want to have primary ownership of the content.
12:51 - 12:53: I like the way you think, Mr. Henley."
12:53 - 12:55: [both laugh]
12:55 - 12:58: - Did the MTV unplugged series end?
12:58 - 12:59: - That's what I was talking about,
12:59 - 13:01: why the Vampire Weekend one doesn't really count.
13:01 - 13:03: - Okay. - Because I feel like
13:03 - 13:05: around the time Vampire Weekend came out,
13:05 - 13:07: which was 2008,
13:07 - 13:09: MTV was having, like, a huge identity crisis.
13:09 - 13:11: - Right. - I mean, when we came out,
13:11 - 13:13: it was such a funny time, because it was like
13:13 - 13:16: the major labels were all confused, MTV was super confused.
13:16 - 13:18: We hadn't settled into this, like, current version
13:18 - 13:20: of the Internet yet, so I remember, like--
13:20 - 13:22: and MTV was cool and supportive.
13:22 - 13:26: Like, we did this whole bunch of promos with them
13:26 - 13:28: when our first album came out, and I also--
13:28 - 13:30: I'm sure I've talked about this on the show before.
13:30 - 13:33: Briefly, Pete Wentz, who, by the way,
13:33 - 13:35: we're trying to get on the show. - Very cool.
13:35 - 13:37: - I saw him at a Neo Yokio event, and I buttonholed him.
13:37 - 13:39: I was like, "Pete, we gotta get you on the show, man."
13:39 - 13:41: He expressed some interest. - Some.
13:41 - 13:43: - We gotta follow-- [laughs]
13:43 - 13:45: We gotta follow up on that, but I think he'd be a great guest.
13:45 - 13:47: You know, he'll be perfect for--
13:47 - 13:48: to go on one more tangent real quick,
13:48 - 13:50: but because I'm gonna be gone so much,
13:50 - 13:52: we've been talking, we gotta bank shows.
13:52 - 13:54: - Right. - And I actually wanna throw this out there
13:54 - 13:56: to the TC heads. Any ideas you have
13:56 - 13:58: for, like, bankable shows? 'Cause me and Jake
13:58 - 14:00: could probably confuse some people.
14:00 - 14:02: Jake and I could probably do a bunch of fake shows,
14:02 - 14:04: bank 'em, where we're just talking about this and that,
14:04 - 14:06: and people would be none the wiser,
14:06 - 14:09: but I like the idea that we use these pre-taped shows,
14:09 - 14:11: the deeply pre-taped, 'cause we need a few on deck
14:11 - 14:13: for when I'm just, like, gone. - Weeks, months in advance.
14:13 - 14:16: - I like the idea that we use those to be, like,
14:16 - 14:18: "Okay, we're doing two hours," or we just, like,
14:18 - 14:20: go deep with Pete Wentz. - Oh, fun.
14:20 - 14:22: - You know? - Yeah, that sounds cool.
14:22 - 14:24: - You know, like, just, like, walk us through, like,
14:24 - 14:26: what's your day-to-day like, man? 'Cause we've never quite done that.
14:26 - 14:29: Like, kind of, like, story of your life or something.
14:29 - 14:31: The other, maybe we go deep on a certain artist.
14:31 - 14:33: - The band Chicago.
14:33 - 14:35: - Two hours of Chicago.
14:35 - 14:37: And we can still have our classic tangents.
14:37 - 14:40: But maybe some TC heads have some ideas for--
14:40 - 14:42: Oh, I also have one idea that I want to do.
14:42 - 14:44: I actually wish that we did this a few months ago,
14:44 - 14:46: where I just want to, like, sit down and play you the whole album.
14:46 - 14:49: I think you've heard most of it, but I play you the whole album
14:49 - 14:52: and just talk about it, but almost like a time capsule
14:52 - 14:54: before it comes out. - Oh, cool.
14:54 - 14:56: - Before, like, before there's reviews and reactions and stuff.
14:56 - 14:58: - Right. - I just want to talk a little bit.
14:58 - 15:00: - And here's the thing. I've never heard the album in order.
15:00 - 15:03: - In sequence? Okay. - And I've probably heard, like,
15:03 - 15:05: two-thirds or three-quarters of it. - Mm-hmm.
15:05 - 15:08: - So there's probably a few songs that-- - Oh, that'd be perfect.
15:08 - 15:10: - A solid three or four or five that I've never heard.
15:10 - 15:12: - Okay, that'll be perfect. So, okay, these are all some ideas.
15:12 - 15:16: TC heads, if you have any other ideas for bankable shows,
15:16 - 15:18: we go deep, let us know.
15:18 - 15:21: - ♪ Big blue, for once in my life I felt close to you ♪
15:21 - 15:24: ♪ I was so overcome with emotion ♪
15:24 - 15:27: ♪ When I was hurt and in need of affection ♪
15:27 - 15:30: ♪ When I was tired and I couldn't go home ♪
15:30 - 15:34: ♪ Then you offered protection ♪
15:34 - 15:37: ♪ So am I learning my lesson? ♪
15:37 - 15:40: ♪ Or am I back on my own? ♪
15:40 - 15:47: ♪ Big blue, for once in my life I felt close to you ♪
15:47 - 15:50: ♪ I was so overcome with emotion ♪
15:50 - 15:53: ♪ When I was hurt and in need of affection ♪
15:53 - 15:57: ♪ When I was tired and I couldn't go home ♪
15:57 - 16:00: ♪ Then you offered protection ♪
16:00 - 16:03: ♪ So am I learning my lesson? ♪
16:03 - 16:06: ♪ Or am I back on my own? ♪
16:06 - 16:13: ♪ Big blue, for once in my life I felt close to you ♪
16:13 - 16:16: ♪ I was so overcome with emotion ♪
16:16 - 16:19: ♪ When I was hurt and in need of affection ♪
16:19 - 16:22: ♪ When I was tired and I couldn't go home ♪
16:22 - 16:25: ♪ Then you offered protection ♪
16:25 - 16:28: ♪ So am I learning my lesson? ♪
16:28 - 16:31: ♪ Or am I back on my own? ♪
16:31 - 16:38: ♪ Big blue, for once in my life I felt close to you ♪
16:38 - 16:41: ♪ I was so overcome with emotion ♪
16:41 - 16:44: ♪ When I was hurt and in need of affection ♪
16:44 - 16:47: ♪ When I was tired and I couldn't go home ♪
16:48 - 16:51: ♪ Then you offered protection ♪
16:51 - 16:54: ♪ So am I learning my lesson? ♪
16:54 - 16:57: ♪ Or am I back on my own? ♪
16:57 - 17:03: So anyway, when Vampire Weekend was kind of on the MTV scene,
17:03 - 17:06: it was like this confused era, and the reason I thought of Pete Wentz
17:06 - 17:09: is because it was this funny era where they were about like
17:09 - 17:12: five or six years out from like the video era,
17:12 - 17:15: but people still cared a lot about MTV, so they would be like,
17:15 - 17:18: "Yo, when's MTV gonna show videos again, man?"
17:18 - 17:21: And I think they took that criticism to heart, and they were like,
17:21 - 17:24: "Well, you know, maybe with this new indie boom we can involve that."
17:24 - 17:27: And one thing they did was give Pete Wentz a show.
17:27 - 17:30: I forget what it was called, but it was like Pete Wentz hosted a show
17:30 - 17:33: that was all about MTV's newfound commitment to music videos.
17:33 - 17:38: And so I remember me and CT came to LA to go on the show
17:38 - 17:44: to present the Oxford Comma video, and the guests were Katy Perry
17:44 - 17:48: and a couple other people, and this is like real early days Katy Perry,
17:48 - 17:51: like maybe first album.
17:51 - 17:54: I remember the rapper Lil Mama was there,
17:54 - 17:56: 'cause we chopped it up with her backstage a little bit.
17:56 - 17:59: And then--I think I've talked about this on the show--somewhere,
17:59 - 18:03: 'cause I knew a producer at MTV who told me how one segment they did
18:03 - 18:06: was 'cause Lil Wayne was there, was they showed him all the videos of the day,
18:06 - 18:09: and that--I still don't know if this is true. I gotta check in with this dude.
18:09 - 18:12: - And they're filming this. - Yeah, but they didn't air it.
18:12 - 18:16: So somewhere at MTV, supposedly, there's video of Lil Wayne
18:16 - 18:19: watching and reacting in real time to the Oxford Comma video.
18:19 - 18:23: And supposedly, according to this guy, Lil Wayne--'cause that's a one-shot video
18:23 - 18:25: directed by Richard Ayoade. Shout out to him.
18:25 - 18:28: Lil Wayne watched, and he was like, "Whoa, that whole thing was one shot?"
18:28 - 18:30: Not that we invented that or anything, but he was watching that,
18:30 - 18:32: and he's like, "That's one shot?" He's like, "Yeah, that's cool.
18:32 - 18:35: I wanna do something like that." And then shortly thereafter,
18:35 - 18:38: he made a video for his song that was huge at the time called "A Milli,"
18:38 - 18:40: and that was a one-shot video.
18:40 - 18:42: So supposedly, it was inspired by Oxford Comma.
18:42 - 18:44: I gotta--we gotta track down this footage. I just wanna know--
18:44 - 18:47: - It's a direct linkage. - I wanna know what he was saying.
18:47 - 18:50: So there was that, and then I remember maybe on the second album,
18:50 - 18:52: they were trying to bring back "Unplugged."
18:52 - 18:55: So that's why I don't count it as part--it's not part of the classic "Unplugged" run.
18:55 - 18:58: - This was kind of like-- - It was branded as MTV Unplugged.
18:58 - 19:01: It was branded as MTV Unplugged, but you could just tell it was like--
19:01 - 19:03: you know, it wasn't the same crew.
19:03 - 19:05: So it was material from the first two records?
19:05 - 19:08: Yeah, it exists somewhere. I also remember being there and just being, like,
19:08 - 19:10: really burned out, and we were doing an acoustic thing.
19:10 - 19:12: And I think we had, like, some, you know, string section come,
19:12 - 19:14: and we tried to spruce it up.
19:14 - 19:17: But I have this memory of kind of ripping into A-Punk, like, on an acoustic.
19:17 - 19:19: [singing]
19:19 - 19:21: And then I'd just be like, "Joanna drove Sully into the--"
19:21 - 19:23: And I was like, "Whoa."
19:23 - 19:26: You know, and it's not live, so I was like--kind of, like, forgot the lyrics.
19:26 - 19:28: And then I had this, like, weird brain meltdown for, like, four minutes,
19:28 - 19:31: where I started three times, and I just couldn't get the lyrics right.
19:31 - 19:33: - Really? - Yeah, it was strange.
19:33 - 19:35: Has that happened before or since?
19:35 - 19:38: Yeah, my mind--one thing I've realized is if I can't let my mind wander,
19:38 - 19:40: I will mess up the lyrics.
19:40 - 19:42: Even if I start thinking too much about, like, the sound of the band
19:42 - 19:45: or my guitar playing, you know, my mind will wander.
19:45 - 19:48: Because sometimes you just, like--I'm just singing, and then I'm like,
19:48 - 19:51: "Whoa," I can snap back into it. It's like I was gone.
19:51 - 19:53: - Yeah, yeah. - You know, so I might mess up a word or two.
19:53 - 19:56: - Sure, and just keep going. - Or start the wrong phrase.
19:56 - 19:58: Like, I might just hit the wrong-- [singing]
19:58 - 20:00: - And kind of get back in. - Yeah.
20:00 - 20:02: - This was unusual. - Wow.
20:02 - 20:04: Maybe because it was a TV show, I was more in my head or something.
20:04 - 20:07: And was there, like, a studio audience watching you, like--
20:07 - 20:09: - Yeah. - --have all these false starts?
20:09 - 20:11: Yeah, and I was just like, "Sorry, guys."
20:11 - 20:13: And were the other guys in the band like, "No, the lyrics are this,"
20:13 - 20:15: - or they don't know the lyrics? - Yeah, no, no, I think--yeah,
20:15 - 20:17: I feel like I was getting some assistance.
20:17 - 20:20: Oh, man. That makes me think of, like, when, like, Second Baseman,
20:20 - 20:22: like, all of a sudden can't throw to first base.
20:22 - 20:24: - Yeah, it's just a mind game. - This happens every now and then.
20:24 - 20:26: - Yeah, they're just getting to it. - Or, like, in tennis,
20:26 - 20:28: like, somebody just wails two serves into the net.
20:28 - 20:31: Yeah, I mean, I'm talking about, like, this happens where, like,
20:31 - 20:34: some sort of switch is flipped, and, like, a catcher
20:34 - 20:36: loses the ability to throw back to the pitcher.
20:36 - 20:38: - Forever? - Oh, no, it's ruined careers.
20:38 - 20:40: I mean, it's rare, but it does happen.
20:40 - 20:42: Can't throw back to the pitcher?
20:42 - 20:44: It becomes, like, a mental thing of, like--
20:44 - 20:46: - they just become so psyched out. - Really?
20:46 - 20:49: It happened famously to Chuck Knobloch, who was a second baseman.
20:49 - 20:51: - Uh-huh. - And, like, he stopped being able
20:51 - 20:53: to throw to first base during routine plays.
20:53 - 20:55: And there was nothing physically wrong with his arm?
20:55 - 20:57: - No, no, it was just mental. - Whoa.
20:57 - 20:59: It was, like, the most basic thing you can do.
20:59 - 21:01: - So, it's going in other directions? - Yeah, presumably.
21:01 - 21:04: I mean, that's why sports psychology is a real industry.
21:04 - 21:06: Hopefully that doesn't happen to you this tour.
21:06 - 21:08: Oh, wait, I'm reading about it.
21:08 - 21:10: "During the summer of 2009, MTV.com
21:10 - 21:12: "officially revived the unplugged franchise
21:12 - 21:14: "with a six-episode season produced and directed
21:14 - 21:16: "by Matthew C. Mills of Space Station."
21:16 - 21:18: Shout-out to Matthew C. Mills.
21:18 - 21:21: "This particular season won an Emmy Award for Best New Approach."
21:21 - 21:23: That's an Emmy? Best New Approach?
21:23 - 21:25: "Artists in this incarnation were Adele,
21:25 - 21:27: "Silver Sun Pickups, All Time Low,
21:27 - 21:29: "Paramore, Vampire Weekend, and Katy Perry."
21:29 - 21:31: Katy Perry unplugged? Wow.
21:31 - 21:33: I mean, she could sing her ass off.
21:33 - 21:36: "And the shows debuted on unplugged.mtv.com."
21:36 - 21:38: OK, so maybe that's why I think of it as being...
21:38 - 21:40: Yeah, it was a totally different era.
21:40 - 21:43: It was revived, and it was for the website.
21:43 - 21:46: That really sounds like the bands I would hear a lot about
21:46 - 21:48: in early Vampire Weekend days.
21:48 - 21:50: "Adele, Silver Sun Pickups, All Time Low, Paramore, Katy Perry."
21:50 - 21:53: I still think I'm kind of like, those groups have more in common
21:53 - 21:55: with each other than we do with them,
21:55 - 21:57: but maybe I'm just being hard on ourselves.
21:57 - 21:59: That's an interesting question.
21:59 - 22:02: I would say you have more in common with Silver Sun Pickups
22:02 - 22:04: than you do with Adele.
22:04 - 22:06: Although we were on the same label as Adele.
22:06 - 22:08: But yeah, of course, we're a band.
22:08 - 22:10: Yeah, with guitars, sure.
22:10 - 22:12: Yeah, I guess I'm thinking of the other bands.
22:12 - 22:14: All Time Low, Paramore, Katy Perry.
22:14 - 22:16: They all kind of came from a little bit of a Warped Tour.
22:16 - 22:18: I don't know Paramore or All Time Low.
22:18 - 22:21: They got some good songs, but they kind of come out of more of a...
22:21 - 22:23: I guess a pop-punk emo tradition.
22:23 - 22:26: Dude, you mentioned when you were running through the earlier versions,
22:26 - 22:28: 10,000 Maniacs.
22:28 - 22:31: I heard a song of theirs the other day that reminded me so much of Vampire.
22:31 - 22:33: Really?
22:33 - 22:36: Yeah, if you bring up 10,000 Maniacs, it's not their biggest song.
22:36 - 22:38: It was probably their second biggest song.
22:38 - 22:40: And this is the band that Natalie Merchant was the singer of?
22:40 - 22:42: Yeah, they're like an upstate New York...
22:42 - 22:44: Oh, right, they did Because the Night.
22:44 - 22:46: I like The Weather is the one that reminds me of Vampire.
22:46 - 22:50: Wow, 10,000 Maniacs, MTV Unplugged, sold 2.3 million.
22:50 - 22:51: Wow.
22:51 - 22:52: That's wild.
22:52 - 22:54: Collapsed it and sold 7.7.
22:54 - 23:05: This part reminded me of early Vampire.
23:05 - 23:07: It's a cool song.
23:07 - 23:14: # If my head found me pillow land and fall again
23:14 - 23:21: # Shivering my bones just thinking about the weather
23:21 - 23:28: # Quivering my lip as if I might cry
23:28 - 23:36: # By the force of will my lungs are filled and so I breathe
23:36 - 23:42: # It seems this bed is where I never leave
23:42 - 23:45: They kept going after Natalie Merchant left the band.
23:45 - 23:47: Oh, wow.
23:47 - 23:49: Yeah, I don't know much about them.
23:49 - 23:54: And then what were the big Natalie Merchant songs?
23:54 - 23:58: Oh, yeah.
23:58 - 24:04: Yeah, this is more like kind of coffee shop, like feel good.
24:04 - 24:07: Although actually, this is like a little crunchier than I remember.
24:07 - 24:09: That guitar like going wild.
24:09 - 24:20: # Doctors have come from distant cities just to see me
24:20 - 24:28: # Stand over my bed disbelieving what they see
24:28 - 24:36: # They say I must be wonder, no wonder, that's on creation
24:36 - 24:43: # And as far as they see they can offer no explanation
24:43 - 24:46: Good vibe.
24:46 - 24:50: Must have been a bummer for the band
24:50 - 24:54: because I feel like she hit her kind of commercial peak going solo.
24:54 - 24:55: Yeah.
24:55 - 24:57: I wonder what the backstory there was.
24:57 - 25:03: # Ah, ah, ah, ah, ah
25:03 - 25:07: # Ah, ah, ah, ah, ah
25:07 - 25:10: # La, la, la, la, la, la, la, la, la, la, la, la, la, la, la
25:10 - 25:11: Oh, yeah, this one.
25:11 - 25:13: # La, la, la, la, la, la, la, la, la, la, la, la, la, la
25:13 - 25:18: See, this stuff is kind of like adjacent to like Paula Cole or something.
25:18 - 25:20: Oh, yeah, I might have my timing wrong,
25:20 - 25:22: but I feel like Natalie Merchant really like paved the way
25:22 - 25:25: for the Paula Coles and the Sarah McLachlans,
25:25 - 25:27: the whole Lilith Fair crew.
25:27 - 25:31: I feel like Natalie Merchant was a contemporary with Sarah McLachlan.
25:31 - 25:33: Is it McLaughlin or McGlocklin?
25:33 - 25:34: I always said McGlocklin.
25:34 - 25:35: McGlocklin, OK.
25:35 - 25:38: # I don't know, keep on giving
25:38 - 25:41: But that 10,000 Maniac song from '87, I was like,
25:41 - 25:42: I heard it the other day and I was like,
25:42 - 25:45: oh, this is like a little vibe-ier.
25:45 - 25:51: # For your selflessness
25:52 - 25:55: # My admiration
25:55 - 25:57: Although I have to say, I'm pretty done with this.
25:57 - 25:59: Oh, this Natalie Merchant stuff, actually,
25:59 - 26:01: I haven't heard it in 15, 20 years.
26:01 - 26:03: It's a little vibe-ier than I remember.
26:03 - 26:04: Yeah.
26:04 - 26:09: # I'm bound to thank you for it
26:09 - 26:28: That's tight. Lilith Fair, Celebration. Something came up. This is at Lilith Fair, volume 1,
26:28 - 26:33: which is all stuff from Lilith Fair. Paula Cole. What year? Well this came out in '98.
26:33 - 26:39: I think that's when Lilith Fair was popping. Okay. McLaughlin. Oh, Tracy Chapman, sure.
26:39 - 26:43: Jewel. Indigo Girls. I haven't heard them in a minute. Indigo Girls are great. They
26:43 - 26:48: have some great songs. This is a cool road we're going down right now. We're just going
26:48 - 26:51: deep on artists who performed at Lilith Fair. I feel like there was a thing that Lilith
26:51 - 26:56: Fair was coming back. Yeah, it was like Liz Fair gonna play it? I feel like... Oh yeah,
26:56 - 27:12: this is a classic. Oh yeah, Closer to Fun. Yeah, this is a classic. You think Jerry listened
27:12 - 27:18: to Indigo Girls? Yeah, I bet he did. I could picture that. That's a sweet song, man. Jerry
27:18 - 27:39: Garcia band cover of this. That'd be tight. That four on the floor kick drum, they're
27:39 - 27:44: almost like the original Mumford and Sons. Oh wow, interesting. Does Mumford do harmonies
27:44 - 27:51: this tight? Like two part? Yeah, yeah. Oh my God, Nick just found the Indigo Girls opened
27:51 - 27:58: up for the Grateful Dead in Eugene, Oregon, August 22nd, 1993. That is so tight. That's
27:58 - 28:23: sick. That's awesome. Indigo Girls are definitely ahead of the curve, because they were doing
28:23 - 28:30: that stuff, I feel like in the 80s. They were way before that kind of 90s wave of Coffeehouse,
28:30 - 28:55: you know? I love that percussion in the background. I know, the percussion's almost like... Is
28:55 - 29:02: it like a beat off of a synth thing, or is it a very well recorded... Or they just got
29:02 - 29:07: a sick Latin percussionist who's just like... And then he just picks up the egg shaker.
29:07 - 29:27: Oh yeah, where'd the... Where'd the bongo go? That was cross stick. You know who's also
29:27 - 29:32: like a heavyweight in this scene is Melissa Etheridge. Oh yeah, she's... I mean, this
29:32 - 29:36: kind of reminds me of Etheridge a little bit. She seemed like she steered clear of the Lilith
29:36 - 29:43: Foundation though. What's up with that? That could be a good deep... Time goes going two
29:43 - 29:47: hours trying to get the bottom. Was Melissa Etheridge invited to play? I mean, she clearly
29:47 - 29:52: is one of the biggest female artists of the 90s. Seems like quite an oversight. Well,
29:52 - 29:58: first let's double check. I also love that you're just kind of like, "Oh, Etheridge steered
29:58 - 30:04: clear of the Lilith Foundation." I'm completely just making things up. But I'm looking at
30:04 - 30:09: the list right here of main stage artists. Maybe she felt a little too big. The money
30:09 - 30:14: wasn't right. That's funny. I mean, I'm seeing some heavyweights on that list though. Who
30:14 - 30:18: else? Put that list back up, the main stage. Yeah, who's on the main... Oh, Bonnie Raitt.
30:18 - 30:22: I mean, come on. Crow? Sheryl Crow. Cowboy... I was listening to some cowboy junkies recently.
30:22 - 30:29: Oh, Erykah Badu? Wow. Liz Phair, Lauryn Hill, Emmylou Harris. I mean, come on. I wonder
30:29 - 30:32: if it was Hubris. There's beef, man. I wonder if it was Hubris. Melissa Etheridge was like,
30:32 - 30:36: "I'm selling millions of records right now. You tell them to get the money up or they
30:36 - 30:39: can kiss my ass. They need me more than I need them." I don't need some hippie festival.
30:39 - 30:44: Yeah, fuck that shit. But Melissa, this is good for women's empowerment. There's never
30:44 - 30:50: been a female festival this big. I don't want to be pigeonholed as just some female artist.
30:50 - 30:58: I'm an artist. I only know one gender. That's green. It's me. It doesn't work as well when
30:58 - 31:01: you're talking about gender. I feel like this is like a classic in a movie where they're
31:01 - 31:06: appealing to somebody on racial grounds. I only see one color and that's green. Oh my
31:06 - 31:13: God. What was the big... I only know one sexual orientation. That's green. Okay. What is the
31:13 - 31:19: story? What's the biggest Melissa Etheridge song? Is it "Come to my window"? See, that's
31:19 - 31:24: not as good as those Indigo Girl songs. I mean, maybe I'm just... I'm talking crazy right
31:24 - 31:28: now. They're different artists. I mean, they're definitely two of the, especially in that
31:28 - 31:49: era of the biggest openly gay female singers. Right. Oh, I'm the only one. Oh yeah. Oh,
31:49 - 32:02: this is rough. I mean, I'm not that mad at it. I'm pretty out. This is kind of a bluesy
32:02 - 32:17: bar band. Oh, this is so gnarly. She's actually got a new album coming out April 12th called
32:17 - 32:39: The Medicine Show. Cool title. I mean, she's got a real set of pipes. For sure.
32:39 - 32:53: This would go great on a mixtape next to Dave Matthews Band's "Satellite." I feel like
32:53 - 32:57: this is a whole wave of kind of like chill out, 90s coffee shop music that always has
32:57 - 33:26: an organ. Right. That was a pretty sick change. This is a better song. Yeah. Jerry Gould's
33:26 - 33:35: Garcia Band, "Nine Minute Come to My Window," 1994. Right. Very late. Honolulu Civic Center,
33:35 - 33:43: Hawaii. They just did it once, folks. I feel like Jerry thought better of it. You come
33:43 - 33:48: across like that all the time. That's a funny list. Like the songs that The Dead or JGB
33:48 - 34:05: just did once. Right. That's a deep list. Let's see if any of the songs are out yet
34:05 - 34:26: from the new Melissa Ethel job, "Faded by Design." Her voice dropped a little bit. Yeah,
34:26 - 34:30: it still sounds good. Yeah, a little. It sounds good. Honestly, she's keeping that pretty
34:30 - 34:44: like tasteful 90s palette. Yeah, she's going strong with it. She had a kid with David Crosby,
34:44 - 34:48: right? Well, he's the sperm donor. Right. Which, yeah, that's what I mean. Yeah, yeah.
34:48 - 34:52: She and her partner asked David Crosby to be the sperm donor. I wonder how old that
34:52 - 35:13: kid is now. Maybe in their 20s. No, maybe not quite. We got to get on the phone to Winter.
35:13 - 35:16: Oh, yeah, yeah. We've been meaning to talk to Winter for people who don't remember. I
35:16 - 35:22: find that hard to believe you're true. TC had Winter as a legendary Time Crisis guest,
35:22 - 35:27: friend of the show. He's the inventor of Starbucking. He's been to tens of thousands of Starbucks
35:27 - 35:31: around the world. And honestly, Starbucks has been in the news quite a bit lately, and
35:31 - 35:34: we've been wanting to get the Winter take on it. So let's get him on the horn. Now,
35:34 - 35:43: let's go to the Time Crisis hotline. Hey, Winter. Hello. Hey, what's up, man? Welcome
35:43 - 35:49: back to Time Crisis. Hey, it's good to be here. Love talking to you guys. How are you,
35:49 - 35:54: Jake Ezra? Doing well. We're doing all right, man. I feel like with this appearance, you're
35:54 - 35:59: getting up there for maybe one of our all time most frequent guests. Well, you gentlemen
35:59 - 36:04: do talk about Starbucks quite a bit. I've been working my way backwards through Time
36:04 - 36:10: Crisis episodes and boy, I've been missing some great stuff. Well, and part of the reason
36:10 - 36:14: we wanted to call you is because, as always, Starbucks is in the news, maybe now more than
36:14 - 36:20: ever. I think they're always in the news. That's true. I guess to start, Howard Schultz
36:20 - 36:23: running for president. I mean, what is going on, man? I've been thinking about it since
36:23 - 36:29: you talked about it recently. And the fact is, I don't know if he can win. So I didn't
36:29 - 36:33: think about it too much when the announcement originally came out. But then he went and
36:33 - 36:38: gave that interview where he said that we can't afford health care for all. And he lost
36:38 - 36:42: me right there. No billionaire should be telling the American people that they can't afford
36:42 - 36:46: health care when he can afford the best health care for himself and his family that he wants.
36:46 - 36:51: Right on. Yeah, I agree. I mean, what's he thinking? I mean, he used to seem like a relatively
36:51 - 36:55: chill dude. Like, I feel like I saw a tweet or something a while ago where somebody said
36:55 - 36:59: he were getting excited about a candidate, maybe even somebody we love like Bernie. And
36:59 - 37:03: somebody said, you know, like, whatever. That's cool. But just keep in mind, anybody who actually
37:03 - 37:07: runs for president is insane. And, you know, I would cut Bernie some slack and some of
37:07 - 37:11: these people have truly been public servants for decades. At least that's as good as it
37:11 - 37:14: gets where you kind of like, OK, you've been doing your thing for a while, but these people
37:14 - 37:18: just throwing their hats in the ring. I want to be president. It's really bonkers. And
37:18 - 37:23: also, it's embarrassing. Howard Schultz is just destroying his legacy in a way. Well,
37:23 - 37:27: he's certainly got people riled up, that's for sure. And he's not doing Starbucks any
37:27 - 37:32: favors. So, Winter, I mean, you've been in and out of Starbucks nonstop the last few
37:32 - 37:36: months, I'm assuming. Have you talked to anyone at the stores about it at all? Has it come
37:36 - 37:40: up? It has not come up at the stores. I've only read about it online. And as a matter
37:40 - 37:46: of fact, I haven't been in and out of Starbucks that much. I had a bit of a crisis myself
37:46 - 37:53: with my family after I spoke to you guys in L.A. Oh, man. And I've sort of had to take
37:53 - 37:59: care of my mother. And that has put a real damper on my Starbucks. And I've basically
37:59 - 38:04: been working since last year to help pay for her care. But I'm hoping to get back on the
38:04 - 38:10: road either later this year across the pond and hit some Asian and European stores, or
38:10 - 38:15: maybe next year. Just I need to save up enough to ensure that she's well taken care of. And
38:15 - 38:19: I've been focusing on Scrabble, too, while I'm out here on the East Coast working because
38:19 - 38:23: this is a hub of tournament Scrabble, trying to get up to master ranking. Well, first of
38:23 - 38:27: all, I hope everyone's all right. And I hope that you can be back to. Sorry to hear that.
38:27 - 38:30: Sorry to hear that. And I hope your mom's all right and you can be back to Starbucks
38:30 - 38:35: soon. But back to the Scrabble, though, for a second, can you just prepare by playing
38:35 - 38:39: online Scrabble or you have to do something even more extreme? There have been some players
38:39 - 38:46: who have played online Scrabble exclusively because they don't have access to live opponents
38:46 - 38:50: and then they'll show up at a tournament and they'll do all right. But I only play with
38:50 - 38:55: the board. I never play online. Interesting. So, Howard Schultz, he lost you with his policy.
38:55 - 38:59: I already saw he had some quote the other day, the kind of corny thing where he said
38:59 - 39:03: how Donald Trump, Nancy Pelosi can't even be in the same room as each other. They hate
39:03 - 39:07: each other, which obviously they've still been in the same room. And he said, we can't
39:07 - 39:11: have a country like that. Whereas me, I'll have everybody come visit me in the office
39:11 - 39:15: and we'll talk things over over some coffee. He's a great dealmaker. Some Starbucks coffee.
39:15 - 39:20: He went his way to point out. I mean, I know Schultz probably thinks he's the anti-Trump,
39:20 - 39:23: but come on, man. In the mirror, bro. Look in the mirror. Yeah, he has a little bit too
39:23 - 39:27: much money. Although I do have one question for you, Winter. Part of the reason, as I
39:27 - 39:32: recall, that you got into Starbucking in the first place back in the nineties was because
39:32 - 39:37: when you first started experiencing Starbucks, you were impressed by how they were run, how
39:37 - 39:42: the business was run and the general vibe of the stores. Is that true? That's correct.
39:42 - 39:48: And the consistency of the coffee 20 years ago, it really was some of the best coffee
39:48 - 39:53: that you could find in most cities in America. Recently, y'all were talking about Omaha,
39:53 - 39:58: for example, and how you can get nitro good coffee in Omaha now. Yeah. 20 years ago. I
39:58 - 40:01: don't know that you could have gotten good coffee in Omaha. Starbucks might've been your
40:01 - 40:07: best bet. Exactly. Does that win Schultz any points in your book? Do you ever stop and
40:07 - 40:14: say, okay, universal health care, that would be nice. But if Schultz actually got reinvigorated,
40:14 - 40:17: maybe he's a little burned out on Starbucks and he wants a new project. And if he could
40:17 - 40:21: promise you that he could take America as a nation to that same feeling you had when
40:21 - 40:26: you walked into like a Starbucks in 96, could that maybe win you over to vote? Absolutely
40:26 - 40:32: not. I give Schultz no points towards the white house or the success that he brought
40:32 - 40:39: Starbucks. And I don't want that feeling. What I want is for people to have health care
40:39 - 40:47: and for the growing inequality gap to be diminished and for greater rights for disadvantaged groups
40:47 - 40:53: like women and minorities and homosexuals. So that is what I care about. Not the feeling
40:53 - 40:59: that I got when visiting a Starbucks straight shooter. I was in sense. I dig it. Okay. I
40:59 - 41:03: would say your priorities are officially in order. Although it does surprise me that if
41:03 - 41:08: he really wanted to try to spin his corporate experience into something, he could say something
41:08 - 41:14: like, listen, Donald Trump had a whole crazy real estate business. I ran a business that
41:14 - 41:19: actually was on the ground dealing with a lot of people every day. I wasn't just selling
41:19 - 41:23: apartments to rich people. I was bringing coffee to all sorts of people around the country.
41:23 - 41:27: And I want to use that experience to do something positive with healthcare and create universal,
41:27 - 41:31: you know, even that though he can't promise. And Starbucks was known for providing healthcare.
41:31 - 41:35: Yeah. That's weird too. You were, was 20 hours a week. Is that, or what? 30 hours? Right.
41:35 - 41:40: So yeah, that's exactly right. Part timers, 20 hours a week. Why can't he at least promise
41:40 - 41:45: the Starbucks model? As long as you're able bodied, you work 20 hours a week. Maybe, you
41:45 - 41:49: know, do a shift at the post office, maybe help clean up a part. That'd be, that would
41:49 - 41:54: almost be like the new deal. The new Starbucks deal. I think he's disconnected from the American
41:54 - 42:01: people. Schultz give up man. Bad vibes until Schultz stops running for president. Coffee
42:01 - 42:06: being all day. Oh, hell yeah. Third wave all the way. Make it at home. Oh, deeply.
42:07 - 42:12: Your breath is sweet with your eyes are like two jewels in the sky.
42:12 - 42:19: Your back is straight, your hair is smooth on the pillow where you lie.
42:19 - 42:26: But I don't sense affection, no gratitude or love.
42:28 - 42:46: Your loyalty is not to me, but to the stars above. One more cup of coffee before I go.
42:46 - 42:55: Winter, have you tried the Ariana Grande? I did. I heard you folks talking about it
42:55 - 43:00: and I decided to try it for myself. And I think I'm on the same page as you, Jake.
43:00 - 43:09: It is too sweet and it has too many calories and there's no way that I would have one of those at
43:09 - 43:14: every Starbucks, like you suggested. I've thought about you doing that, like
43:14 - 43:20: slamming like 12 of those in a day. Oh God. It's like just a true nightmare. Just cardiac arrest.
43:20 - 43:28: Oh God. I'd be in the grave. Yeah, you'd be dead. Now, if Ariana Grande was out there with me
43:28 - 43:32: to spend some time with her, might be worth it. But I don't know if I want to kill myself for that.
43:32 - 43:35: Okay. Wait, hold on, Winter. I like this angle. Are you a fan?
43:35 - 43:40: Oh sure. She's got chops. People dismiss her, but she can actually sing.
43:40 - 43:44: Oh, she can definitely sing. But hold on, Winter. There's a little more to the story that we found
43:44 - 43:51: out since the last episode. So as discussed, one of the prominent ingredients in the Cloud Macchiato
43:51 - 43:58: Ariana Grande Starbucks beverage is egg whites. Well, it turns out that Ms. Grande is a vegan.
43:58 - 44:01: Yes. There's a whole wing of her fan base,
44:01 - 44:08: which are vegan Ariana Nominators. And they're up in arms because there's no version of the drink
44:08 - 44:13: that they can make that's vegan. Even if you replace the milk with soy milk, there's still
44:13 - 44:17: the eggs. So she hasn't even vetted it. Well, that's what we don't know. I assume that Ariana
44:17 - 44:21: was very involved in the research and development phase of this beverage. What's your take on that,
44:21 - 44:25: Winter? Are the vegan Ariana Nominators right to cancel her?
44:25 - 44:31: Well, I mean, to come to her defense, she could have just legitimately missed it. So what she
44:31 - 44:37: needs to do now is own up to it and say that she's going to work with Starbucks to see if they can
44:37 - 44:43: figure out how to do it in a vegan way. I don't know if that's possible, but I do think that her
44:43 - 44:50: fans have a legitimate complaint. It's been blowing up my Google Starbucks alerts.
44:50 - 44:53: Oh, really? I'll tell you that. Yeah. It's all over my
44:53 - 44:58: Google News feed. I see it like every day. Oh, really? That's dominating the Starbucks
44:58 - 45:00: news cycle? Yeah.
45:00 - 45:04: I mean, it's just a dumb drink. They could just... We need Howard Schultz to weigh in on this.
45:04 - 45:08: If we have any political journalists listening, next time you're at a Howard Schultz press
45:08 - 45:14: conference being like, "How do you expect to run America when you can't even deal with Ariana
45:14 - 45:19: Grande's beverage properly?" I mean, that's a crisis. That's a bad look for Starbucks. It's
45:19 - 45:24: a bad look for Ariana. It's a bad look for Cloud Macchiato's. I was trying to think of some
45:24 - 45:28: charitable takes on this because I'm just a charitable guy. What do you think about this,
45:28 - 45:32: Winter? I'm not a vegan, but I've always respect the shit out of vegans.
45:32 - 45:32: Hell yeah.
45:32 - 45:38: Anybody listens to TC knows that I don't make fun of vegans. I think making fun of vegans
45:38 - 45:42: is weak, and I will be vegan at some point.
45:42 - 45:44: I do respect them. Yes.
45:44 - 45:49: I respect the hell out of vegans. And also just making fun of vegans is just so lame.
45:49 - 45:50: Who does that?
45:50 - 45:53: Oh, so many people. People associate vegans with being sanctimonious.
45:53 - 45:54: Sure.
45:54 - 45:57: And my one thing that I'll say is like, the earth is dying.
45:57 - 45:57: Yeah.
45:57 - 45:58: And-
45:58 - 45:59: They got cause.
45:59 - 46:04: People are sanctimonious about all sorts of nonsense. Honestly, your lifestyle is
46:04 - 46:08: creating way less pollution. Like you could be a little sanctimonious. I know some vegans very
46:08 - 46:13: well. I've never had anybody watch me like eat something and be like, what the fuck is wrong
46:13 - 46:17: with you? But if a vegan said like, Hey man, I know you eat a lot of meat. I, you know, I don't
46:17 - 46:22: want to bother you, but maybe you might want to know why I don't. I don't think that's overstepping.
46:22 - 46:23: That'd be annoying.
46:23 - 46:26: It'd be annoying, but I'd still, I wouldn't be irate about it.
46:26 - 46:26: For sure.
46:26 - 46:30: Oh, and also Nick said that he saw footage of her drinking it somewhere. So maybe she's not
46:30 - 46:35: even a real vegan and maybe Arnie Granny could say, guys, you caught me red-handed. I'm not a
46:35 - 46:40: real vegan. If you come by my house, I'll just be eating, you know.
46:40 - 46:40: Scrambled eggs.
46:40 - 46:45: I'll be eating scrambled eggs. I mean, she's originally from New Jersey, so she might go
46:45 - 46:48: straight to the fridge and get one of those pre-sliced packages of pepperonis and just pop
46:48 - 46:50: them in her mouth.
46:50 - 46:51: Meatball sub.
46:51 - 46:54: She's probably eating meatball subs. She's eating chicken parms.
46:54 - 46:57: She's saying she's vegan because it's like a chic, cool thing.
46:57 - 47:00: Perhaps. She's eating veal parmesan.
47:00 - 47:01: We're throwing her under the bus here.
47:01 - 47:06: No, no, we're pro. Hold on. I didn't get to the end of the story. You know I'm team,
47:06 - 47:10: I'm an Ariana and then a later. So, you know, deep down at the end of the day,
47:10 - 47:12: guys, you caught me red-handed. I'm a Jersey girl.
47:12 - 47:17: I mean, you really think I'm going to go more than a week without eating a veal parmesan?
47:17 - 47:18: Jersey girl.
47:18 - 47:21: And she's like, all right, guys, you caught me red-handed. I'm not a real vegan.
47:21 - 47:25: And people say, so did you say it just to win some clout?
47:25 - 47:29: Yeah, the clout was nice, but also I'm an influential person.
47:29 - 47:30: I don't personally have the resolve.
47:30 - 47:32: OK.
47:32 - 47:34: To go more than six, seven days without eating veal parm.
47:34 - 47:40: It's part of my culture, but I made a decision.
47:40 - 47:42: Veal is the harshest.
47:42 - 47:43: Veal is so harsh.
47:43 - 47:50: Also, there's something about a veal parm sub that's also the most brutal because it's like
47:50 - 47:55: the meat is so brutal and then you put it apart and you just throw it on a sandwich for lunch.
47:55 - 47:56: Like two in the afternoon.
47:56 - 48:00: So maybe her point is, you're right, guys, some of my motives weren't that pure,
48:00 - 48:02: but one of my motives was pure.
48:02 - 48:07: And that was knowing that I'm an influential person and I could eat veal parm all day.
48:07 - 48:13: But if I use my influence to convince even three percent of my fan base to go vegan,
48:13 - 48:16: I've decreased meat consumption in such a big way.
48:16 - 48:19: And I have to live with the guilt when I'm chowing down on that veal parm
48:20 - 48:21: during the break at my show.
48:21 - 48:22: Do I feel like an hypocrite?
48:22 - 48:23: The answer is yes.
48:23 - 48:24: And I don't feel good about that.
48:24 - 48:29: But I am helping decrease meat consumption by masquerading as a vegan.
48:29 - 48:32: And yeah, my wires got crossed with this whole Starbucks thing.
48:32 - 48:35: As I previously said, I am not actually a vegan,
48:35 - 48:38: but I'm going to continue to pretend to be a vegan because that's my form of advocacy.
48:38 - 48:39: I love it, man.
48:39 - 48:40: Is there anything wrong with that?
48:40 - 48:42: Winter, what's your take?
48:42 - 48:43: Oh, my God.
48:43 - 48:44: I think she'd be crucified.
48:44 - 48:48: Ezra, you are you are a brilliant, brilliant songwriter.
48:48 - 48:52: You are amazingly talented, but I'm not sure that working at the PR department
48:52 - 48:54: can work out for you.
48:54 - 48:56: If that's the advice you're giving.
48:56 - 48:57: OK, but hold on.
48:57 - 48:58: I'm not done, Winter.
48:58 - 49:01: And then she drops a trap banger called veal parm.
49:01 - 49:06: You know, I pay off some of my paparazzi contacts and we get a little sneak peek.
49:06 - 49:07: Oh, what's this?
49:07 - 49:09: Ariana Grande and Pete Davidson back together?
49:09 - 49:12: They got spotted eating a veal parm at a deli in New Jersey.
49:12 - 49:15: Dude, also, she's buying that veal cutlet at the deli.
49:15 - 49:17: Uh-huh.
49:17 - 49:19: Throwing it on that small charcoal grill.
49:19 - 49:23: You got me some type of way.
49:23 - 49:26: You choose to feel it this way.
49:26 - 49:29: I do not know what to say.
49:29 - 49:30: Yeah, yeah.
49:30 - 49:32: But you know I shouldn't think about it.
49:32 - 49:35: Look at your face.
49:35 - 49:37: Now I want to know how you taste.
49:37 - 49:40: Usually don't give it away.
49:40 - 49:41: Yeah, yeah.
49:41 - 49:43: But you know I'm already thinking about it.
49:45 - 49:49: Then I realize she's right there.
49:49 - 49:54: And I'm at home like damn this ain't fair.
49:54 - 49:57: Wake up with your girlfriend.
49:57 - 50:00: Yeah, yeah, 'cause I'm bored.
50:00 - 50:03: You can hit me in the morning.
50:03 - 50:06: Yeah, yeah, like it's yours.
50:06 - 50:10: I know it ain't right, but I don't care.
50:13 - 50:15: Wake up with your girlfriend.
50:15 - 50:17: Yeah, yeah, 'cause I'm bored.
50:17 - 50:24: You're listening to Time Crisis on Beast1.
50:24 - 50:28: Maybe my PR strategy won't work, but I'm just saying ethically.
50:28 - 50:29: Forget about PR.
50:29 - 50:31: I agree with Winters, she would get crucified.
50:31 - 50:34: But just you as a human being, do you buy the moral argument
50:34 - 50:38: that even though Ariana's, I would call it an addiction
50:38 - 50:44: to veal parm sandwiches, probably results in the murder of,
50:44 - 50:47: I don't know, 100 calves a year?
50:47 - 50:54: That ultimately her influence as a vegan influencer outweighs that.
50:54 - 50:55: You know, it's like one of those moral questions.
50:55 - 51:00: If you could flip the switch to kill one person or kill five,
51:00 - 51:01: you know, that kind of thing.
51:01 - 51:04: Well, as a matter of fact, Ezra, I was a philosophy major
51:04 - 51:07: in college in addition to a computer science major.
51:07 - 51:10: So your question really appeals to me.
51:10 - 51:14: And I want to say that, yes, the math works out in her favor,
51:14 - 51:17: but unfortunately, that's not the way that people work.
51:17 - 51:21: And so the outrage from the hypocrisy
51:21 - 51:25: would probably do more harm overall.
51:25 - 51:27: The outrage from the hypocrisy would just muddy the waters
51:27 - 51:30: about what it even means to be a vegan.
51:30 - 51:32: And suddenly all these people like to make fun of vegans.
51:32 - 51:35: I mean, there's been a lot of hoaxes in the news lately.
51:35 - 51:36: Right, I was just thinking about that.
51:36 - 51:38: The big college hoax or something.
51:38 - 51:41: And honestly, I've been saying for a long time,
51:41 - 51:42: they should just end college.
51:42 - 51:44: The whole institution's always been corrupt.
51:44 - 51:47: Now it's, you know, it seems even more rotten.
51:47 - 51:50: Now suddenly people just lose faith in the institution.
51:50 - 51:54: People often say that's what people who believe in Russian collusion.
51:54 - 51:59: The only take that I buy is not that the Russians are controlling the US.
51:59 - 52:01: It's that maybe they had a pretty good idea
52:01 - 52:02: that if you want to just f*** with the country,
52:02 - 52:06: you just make people lose faith in what's real.
52:06 - 52:12: And I guess if a prominent vegan was exposed to be a veal parmesan fraud,
52:12 - 52:16: the outrage and the controversy would make all sorts of non-vegans
52:16 - 52:19: even more adamant about the idea that veganism is just a pose.
52:19 - 52:22: And it would move even further away from what it really is,
52:22 - 52:23: which is a kind of moral...
52:23 - 52:26: Well, it's like global warming too.
52:26 - 52:26: Right.
52:26 - 52:30: If you're like a wealthy advocate for climate change.
52:30 - 52:30: DiCaprio.
52:30 - 52:32: Right, and you're flying around in a PJ.
52:32 - 52:33: Yeah.
52:33 - 52:35: People see that as hypocritical.
52:35 - 52:39: It's not as extreme as the Ariana Veal fantasy.
52:39 - 52:41: This is parody, folks.
52:41 - 52:43: Oh yeah, this is a total flight of fancy.
52:43 - 52:46: Although it does make me wonder in the real way,
52:46 - 52:53: has Ariana Grande ever eaten a veal parm sub on a PJ?
52:53 - 52:55: Maybe she just played Madison Square Garden
52:55 - 53:00: and one of her assistants ran to Jersey to get a really good veal parm sub
53:00 - 53:01: and they bring it back to her and say,
53:01 - 53:04: "You know, you can eat this on the flight back to Beverly Hills."
53:04 - 53:07: As much as I know there's so many ethical problems with that,
53:07 - 53:10: it does warm the cockles of my heart a little bit
53:10 - 53:11: just to see one of us make it.
53:11 - 53:13: We're off the rails here, Wendler.
53:13 - 53:13: Sorry, dude.
53:13 - 53:15: No, that's fine.
53:15 - 53:17: You want to bring it back to Starbucks though?
53:17 - 53:19: Let's bring it back to Starbucks.
53:19 - 53:22: So, you know, we've been mostly interested in Howard Schultz
53:22 - 53:24: and Ariana Grande in terms of Starbucks news,
53:24 - 53:26: but we don't have Starbucks Google alerts.
53:26 - 53:27: Is there anything else that we're missing?
53:27 - 53:30: What else is going on in the Starbucks universe?
53:30 - 53:35: Well, one big thing is store closures that they announced
53:35 - 53:37: right around the time that I spoke to you last.
53:37 - 53:40: They announced they were tripling store closures
53:40 - 53:44: from 50 to 150 for the United States this year
53:44 - 53:47: and I've been tracking that pretty closely.
53:47 - 53:50: In fact, I just posted up a list of stores that have closed
53:50 - 53:55: and they're already at 150 and they're still going.
53:55 - 53:59: So I think that number is going to be closer to 200.
53:59 - 54:00: Stores are dropping like flies.
54:00 - 54:03: New York, Manhattan has lost like 10 stores.
54:03 - 54:07: So is the Starbucks fleet down in net?
54:07 - 54:09: Like, are they opening more than they're closing
54:09 - 54:10: or are they closing more than they're opening?
54:10 - 54:13: They are opening more than they're closing.
54:13 - 54:14: Okay, so it's still going up.
54:14 - 54:18: They've opened hundreds of stores in corporate stores
54:18 - 54:21: in the US and Canada in 2018.
54:21 - 54:24: That's not even counting international stores.
54:24 - 54:28: I think when we spoke originally, they were around 28,000.
54:28 - 54:29: I think they're around 30,000 now.
54:29 - 54:31: So this is just a reorganization?
54:31 - 54:33: That's like Mickey D's numbers.
54:33 - 54:35: They were just too dense in the cities.
54:35 - 54:38: So most of the closures have been in cities like Los Angeles,
54:38 - 54:42: Southland, Bay Area, New York City, Chicago.
54:42 - 54:44: That makes sense.
54:44 - 54:45: I mean, Manhattan's a joke.
54:45 - 54:48: It's like Chase Bank and Starbucks, like every other block.
54:48 - 54:50: Now they're just going to be packed though.
54:50 - 54:54: Back in 2008, a decade ago, during the first purge,
54:54 - 54:57: when they shut down about a thousand stores,
54:57 - 55:00: a lot of those were in remote markets, smaller cities.
55:00 - 55:04: This time around, those stores have been relatively unscathed.
55:04 - 55:06: It's just the bigger cities that are getting hit.
55:06 - 55:07: Makes sense.
55:07 - 55:09: Well, we'll definitely be keeping an eye on that.
55:09 - 55:11: Well, thanks so much for calling in, Winter.
55:11 - 55:14: Gotta have you back in person next time you're in LA,
55:14 - 55:16: and we'll definitely have you call in again soon.
55:16 - 55:16: Absolutely.
55:16 - 55:18: It is always a pleasure talking to you guys
55:18 - 55:20: and love listening to your show.
55:20 - 55:21: All right, thanks, man.
55:21 - 55:21: Take care.
55:21 - 55:22: Have a good one.
55:22 - 55:22: Bye-bye.
55:23 - 55:27: Everyone could be here to cry
55:27 - 55:36: As it comes, this greening night
55:36 - 55:42: This beautiful creature must die
55:42 - 55:46: This beautiful creature must die
55:46 - 55:50: A death for no reason
55:51 - 55:53: Death for no reason is murder
55:53 - 56:00: And the flesh you so fantastically fry
56:00 - 56:04: Is not succulent, tasty, or kind
56:04 - 56:08: It's death for no reason
56:08 - 56:11: And death for no reason is murder
56:11 - 56:18: And the cough that you cough with a smile
56:19 - 56:21: Is murder
56:21 - 56:28: And the strife that you forcefully slice
56:28 - 56:30: Is murder
56:30 - 56:36: Do you know how unapologetic
56:36 - 56:39: I guess 'cause on this show now we do gross-out stuff.
56:39 - 56:42: We drink Cloud Macchiato's and eat Sour Patch Kids cereal.
56:42 - 56:44: Is that SPK cereal still around?
56:44 - 56:46: It's here on the premises?
56:46 - 56:46: Very stale.
56:46 - 56:48: I might want to try a bite.
56:49 - 56:50: I had a thought the other day where I was like,
56:50 - 56:51: "You know what this would be good for?
56:51 - 56:53: As a topping for ice cream."
56:53 - 56:54: What do you think about that?
56:54 - 56:54: Dark.
56:54 - 56:59: I'm not a fan of that concept.
56:59 - 57:06: But anyway, we've received a can of the Smartmouth Brewing Company's Saturday Morning Beer,
57:06 - 57:12: which is not officially licensed, but kind of branded as a Lucky Charms-style cereal beer.
57:12 - 57:16: It's all Lucky Charms colors and shapes, but it doesn't say Lucky Charms.
57:16 - 57:19: It says, and it says, "Magically Ridiculous" at the bottom.
57:19 - 57:23: So first of all, I gotta say that we're just falling for this stuff hook, line, and sinker.
57:23 - 57:27: I mean, I was watching Desus and Mero the other day, and they drank one can of this too.
57:27 - 57:27: Oh, really?
57:27 - 57:30: They tried, and I'm just like, "That's how stuff works these days."
57:30 - 57:35: It's like, I guess it's also similar to when we ate the Flamin' Hot Cheetos bagel.
57:35 - 57:38: A local company does some kind of stunty thing.
57:38 - 57:39: Next thing you know, shock jocks like us.
57:39 - 57:41: Yeah, this is the real morning zoo in us.
57:41 - 57:42: Yeah.
57:42 - 57:44: So guys, crazy story out of Virginia.
57:44 - 57:46: Some mad scientists over there.
57:46 - 57:49: It's always that thing where it's like, people are like, "Here's a crazy story.
57:49 - 57:51: Somebody's making a blah, blah, blah."
57:51 - 57:53: And it's always like, "What do they think of next?"
57:53 - 57:56: And it's always like, "Well, they thought of that so that you would do this piece."
57:56 - 57:57: Audio clickbait.
57:57 - 57:58: Anyway.
57:58 - 57:59: So where's the brewery out of?
57:59 - 58:02: What is Smart Mouth Brewery?
58:02 - 58:03: Norfolk, Virginia.
58:03 - 58:06: ♪ Left my home in Norfolk, Virginia ♪
58:06 - 58:09: Vampire Week is playing in Norfolk later this year.
58:09 - 58:11: We're working on a cover of Promised Land.
58:11 - 58:12: Oh, really?
58:12 - 58:15: It crossed my mind in Norfolk, Virginia to bust out Promised Land,
58:15 - 58:16: but they probably get that all the time.
58:16 - 58:16: Right.
58:16 - 58:19: Are you guys doing any dead covers?
58:19 - 58:21: I think that'd be a bridge too far.
58:21 - 58:23: Maybe one day when the smoke clears.
58:23 - 58:26: I mean, we have all these people accusing us of being a jam band now
58:26 - 58:28: just because we dropped a little mixolydian.
58:28 - 58:32: Yeah, that was funny on the internet when you dropped Sunflower.
58:32 - 58:33: Like, it opened Twitter and it'd be like...
58:33 - 58:35: Oh yeah, there was like a moment that said vampire...
58:35 - 58:37: Yeah, you go to the like trends or whatever.
58:37 - 58:41: And it's just like this big picture of you and it's sort of like,
58:41 - 58:43: people are calling Vampire Weekend a jam band.
58:43 - 58:46: I mean, it's like, why is this a news item?
58:46 - 58:49: And then it's just like, Jared Kushner, like right underneath it.
58:49 - 58:49: Yeah.
58:49 - 58:51: I know.
58:51 - 58:52: Okay.
58:52 - 58:54: I mean, I thought it was kind of funny, but my take is that...
58:54 - 58:59: Well, the funny thing is, is that we stretched a few things out live, you know?
58:59 - 58:59: Right.
58:59 - 59:01: Now we've got some more musicians and that's kind of fun.
59:01 - 59:05: You can call that a form of jamming, but Sunflower is a funny one
59:05 - 59:07: because the song's like two minutes long.
59:07 - 59:10: Yeah, I was thinking it's more like kind of light prog.
59:10 - 59:11: That's interesting.
59:11 - 59:12: Not really jam.
59:12 - 59:14: Well, there's no guitar solo.
59:14 - 59:16: Right. It's very like...
59:16 - 59:19: But I think you also got to understand something is that people like us are interested in this
59:19 - 59:25: tasteful palette of the 1970s and the various tributations, if that's a word.
59:25 - 59:26: Tributaries.
59:26 - 59:27: Tributaries.
59:27 - 59:29: The mutations, the tributaries, the tributations.
59:29 - 59:33: To a lot of people, it's just kind of like you throw in one flat seventh
59:33 - 59:34: and they're just like jam band.
59:34 - 59:38: I don't always want to like comment on stuff in real time, but it...
59:38 - 59:41: Even with Harmony Hall, a lot of people are like, "This sounds like The Grateful Dead."
59:41 - 59:43: And I was kind of like, "That opening riff is more like..."
59:43 - 59:44: I don't hear that at all.
59:44 - 59:47: I know, but then I also take a step back and I'm like...
59:47 - 59:49: And a lot of people said in a complimentary way.
59:49 - 59:49: Sure.
59:49 - 59:53: So I also don't want to be like, "Um, actually, I thought maybe more almonds,
59:53 - 59:54: like the harmonized..."
59:54 - 59:58: I mean, maybe the solo at the end, but it's like palm muted.
59:58 - 01:00:02: So it's like, that's not a real Jerry move, but I'm just taking it too literally.
01:00:02 - 01:00:03: I know, I know.
01:00:03 - 01:00:04: It's more like, "Sounds like The Dead."
01:00:04 - 01:00:05: I'm like...
01:00:05 - 01:00:06: So on the one hand, it's...
01:00:06 - 01:00:06: Not real...
01:00:06 - 01:00:08: Sounds more like The Stones to me.
01:00:08 - 01:00:13: Like, the groove, like kind of the piano driven groove of Harmony Hall is super like...
01:00:13 - 01:00:14: Exile era.
01:00:14 - 01:00:19: Yeah, beggar's banquet era Stones.
01:00:19 - 01:00:21: But at the end of the day, it's also I'm kind of like...
01:00:21 - 01:00:24: I think that's why you can't get into this stuff in real time because you also don't
01:00:24 - 01:00:28: want to be like hitting people with actuallys when they're just trying to be like, hear
01:00:28 - 01:00:29: what they hear in music.
01:00:29 - 01:00:30: And that's cool too.
01:00:30 - 01:00:33: Yeah, that'd be so weak if you were just like...
01:00:33 - 01:00:34: If somebody's just like...
01:00:34 - 01:00:37: Yeah, I've gotten a lot of DMs from people like, "Loving the new tunes, it takes me back
01:00:37 - 01:00:38: to listening to The Dead."
01:00:38 - 01:00:42: And I was just like, "Well, you don't know what the f*** you're talking about."
01:00:42 - 01:00:45: Because the truth is, it's not like The Dead and The Stones don't have a lot of shared
01:00:45 - 01:00:46: DNA too.
01:00:46 - 01:00:47: None.
01:00:47 - 01:00:51: And I know what people mean because of course I love the jam band references.
01:00:51 - 01:00:55: I just kind of feel like you can't go too far with it because the true definition of
01:00:55 - 01:00:59: a jam band is live improvisational music.
01:00:59 - 01:01:02: Anyway, let's try this Lucky Charms.
01:01:02 - 01:01:03: Oh, jeez.
01:01:03 - 01:01:03: Bottoms up.
01:01:05 - 01:01:06: Very perfumey.
01:01:06 - 01:01:08: It more or less tastes like a real...
01:01:08 - 01:01:09: It's like an IPA.
01:01:09 - 01:01:10: Like a regular...
01:01:10 - 01:01:12: Yeah, and it is an IPA with marshmallows.
01:01:12 - 01:01:13: What does it mean with marshmallows?
01:01:13 - 01:01:15: Are there actual chunks in there?
01:01:15 - 01:01:16: No.
01:01:16 - 01:01:17: It's like a little sweeter.
01:01:17 - 01:01:18: It's okay.
01:01:18 - 01:01:19: It's not terrible.
01:01:19 - 01:01:21: It's not shockingly horrendous.
01:01:21 - 01:01:26: I would actually say that the Sour Patch Kids cereal is like way harsher than this.
01:01:26 - 01:01:26: For sure.
01:01:26 - 01:01:30: As I say that though, I do want to get one more handful.
01:01:30 - 01:01:31: Let me hit that SPK real quick.
01:01:32 - 01:01:33: I've been thinking about this.
01:01:33 - 01:01:37: Oh, yeah.
01:01:37 - 01:01:39: Sunflower.
01:01:39 - 01:01:41: Shout out to Smart Mouth Brewery.
01:01:41 - 01:01:43: And I'm chasing it with some SPK cereal.
01:01:43 - 01:01:47: You know it'd be tight if there was a micro brewery that did a Vampire Weekend brew.
01:01:47 - 01:01:48: I've seen this with bands.
01:01:48 - 01:01:49: Like there's...
01:01:49 - 01:01:49: I know.
01:01:49 - 01:01:49: Would it be...
01:01:49 - 01:01:50: I feel like there's so many now.
01:01:50 - 01:01:51: There's a Godify Voices beer.
01:01:51 - 01:01:52: There's a...
01:01:52 - 01:01:54: There's a Sublime beer I see everywhere in LA now.
01:01:54 - 01:01:54: Right.
01:01:54 - 01:01:56: There's a Dead beer.
01:01:56 - 01:01:56: Right.
01:01:56 - 01:01:58: It might just be like a limited...
01:01:58 - 01:02:00: I kind of feel like it's played out in a way.
01:02:00 - 01:02:01: But it'd be cool.
01:02:01 - 01:02:02: We got to find the right brewery.
01:02:02 - 01:02:04: Or maybe like a tequila.
01:02:04 - 01:02:06: I'm more into the tequila.
01:02:06 - 01:02:07: A Vampire Weekend tequila?
01:02:07 - 01:02:08: Yeah.
01:02:08 - 01:02:10: Vampire Weekend beer just doesn't feel quite right.
01:02:10 - 01:02:12: Like you guys are not a beer band at all.
01:02:12 - 01:02:13: What about like...
01:02:13 - 01:02:16: Vampire Weekend branded coffee.
01:02:16 - 01:02:18: But I feel like I see that a lot too.
01:02:18 - 01:02:18: Yeah.
01:02:18 - 01:02:20: I think tequila, dude.
01:02:20 - 01:02:24: I think tequila because that's the rarefied province of Sammy Hagar, George Clooney.
01:02:24 - 01:02:28: I also like the idea that it should be like impossible to get
01:02:28 - 01:02:30: and people start to question if it's real or not.
01:02:30 - 01:02:31: Very limited edition.
01:02:31 - 01:02:32: Very limited.
01:02:32 - 01:02:34: What's something that just nobody does?
01:02:34 - 01:02:35: It's like gin.
01:02:35 - 01:02:37: Actually, that's more on point.
01:02:37 - 01:02:39: Like a gin and tonic.
01:02:39 - 01:02:40: Just a fine gin.
01:02:40 - 01:02:42: I mean, that's more like old school Vampire Weekend.
01:02:42 - 01:02:43: Like first album era.
01:02:43 - 01:02:44: Yeah, kind of like preppy.
01:02:44 - 01:02:46: A branded gin and tonic.
01:02:46 - 01:02:47: Yeah.
01:02:47 - 01:02:48: It'd be super dark.
01:02:48 - 01:02:49: What?
01:02:49 - 01:02:49: Water.
01:02:49 - 01:02:52: Bottled water.
01:02:52 - 01:02:54: That'd be so harsh.
01:02:54 - 01:02:56: Jaden has a water brand that does...
01:02:56 - 01:02:58: Well, it's like sustainable.
01:02:58 - 01:02:59: Comes in cardboard.
01:02:59 - 01:03:02: Maybe he'd link up for a VW water.
01:03:02 - 01:03:02: What about like...
01:03:02 - 01:03:04: Seltzer?
01:03:04 - 01:03:06: Mm-hmm.
01:03:06 - 01:03:07: Maybe like a food product?
01:03:07 - 01:03:08: Popcorn and raisins.
01:03:08 - 01:03:13: I mean, this is just going full circle to Time Crisis branded Frosted Flakes.
01:03:13 - 01:03:15: I don't know why that's so f***ing hard.
01:03:15 - 01:03:17: It is a legal and logistical nightmare.
01:03:17 - 01:03:22: I've been trying for years to get that off the ground.
01:03:22 - 01:03:24: And look what happened.
01:03:24 - 01:03:26: Now I got to go put out a record.
01:03:26 - 01:03:28: Got to go tour.
01:03:28 - 01:03:30: Man, I could have been sitting on Easy Street.
01:03:30 - 01:03:33: Just raking in that Frosted Flakes money.
01:03:33 - 01:03:37: But my incompetent lawyers could not get the deal done, man.
01:03:37 - 01:03:42: Seinfeld, if you're listening, I hope that you figured out some way
01:03:42 - 01:03:44: that we can get this thing popping in Japan.
01:03:44 - 01:03:47: We have to call Seinfeld if he's not back next show.
01:03:47 - 01:03:47: Oh, definitely.
01:03:47 - 01:03:48: We need to check in from Seinfeld.
01:05:46 - 01:05:48: Okay, one thing that I've been meaning to talk about,
01:05:48 - 01:05:50: I want to get into this before the top five.
01:05:50 - 01:05:54: This story came out a few weeks ago and I didn't want to let it lie too long.
01:05:54 - 01:05:56: But this is a band that we've talked about quite a bit on the show.
01:05:56 - 01:05:58: And it's Imagine Dragons.
01:05:58 - 01:06:02: And I would like to think that outside of occasionally just being cheeky
01:06:02 - 01:06:04: and calling them imagination dragons,
01:06:04 - 01:06:06: just because I did that once by accident and then it became a thing.
01:06:06 - 01:06:08: I think we've always been pretty respectful of them.
01:06:08 - 01:06:11: I would actually say they've grown on us a lot.
01:06:11 - 01:06:13: Everybody's on their own trip, you know?
01:06:13 - 01:06:15: So I think everybody who's in a band or something,
01:06:15 - 01:06:18: you probably think that, oh, everybody's making fun of you or something.
01:06:18 - 01:06:21: Like Vampire Weekend, we've had our share of haters.
01:06:21 - 01:06:22: Sure, I remember.
01:06:22 - 01:06:25: And I've occasionally referenced that to somebody and somebody being like,
01:06:25 - 01:06:28: "You guys have had it so good. What are you talking about?
01:06:28 - 01:06:29: You're a very well-respected band."
01:06:29 - 01:06:30: Like something like that.
01:06:30 - 01:06:34: I'm just like, "Well, yeah, but the other day I saw somebody on my Instagram
01:06:34 - 01:06:36: and they're just like, 'What are you talking about?'"
01:06:36 - 01:06:37: And look, that goes all different ways.
01:06:37 - 01:06:41: So, you know, it's just like any field or just life,
01:06:41 - 01:06:42: everybody's on their own trip.
01:06:42 - 01:06:46: Everybody thinks that they're getting uniquely hated on or,
01:06:46 - 01:06:49: you know, we're all in our own feelings more.
01:06:49 - 01:06:52: And so, you know, you think about Imagine Dragons or something,
01:06:52 - 01:06:54: you're like, "Oh, they're massive.
01:06:54 - 01:06:57: Raking in the dough, playing big shows, hit after hit.
01:06:57 - 01:06:58: Like they're killing it."
01:06:58 - 01:06:58: Tons of fans.
01:06:58 - 01:06:59: Tons of fans.
01:06:59 - 01:07:01: Like they're on Easy Street.
01:07:01 - 01:07:03: I'd rather be Imagine Dragons than me.
01:07:03 - 01:07:04: Up to a point.
01:07:04 - 01:07:06: So anyway, you think about that and then you realize,
01:07:06 - 01:07:09: well, even they're on their own trip and they're kind of thinking,
01:07:09 - 01:07:11: you know, all that money and success goes out the window
01:07:11 - 01:07:14: when a mean-spirited comment cuts you to the core.
01:07:14 - 01:07:15: Same as for me.
01:07:15 - 01:07:17: Same for anybody at any level.
01:07:17 - 01:07:19: So anyway, I was kind of sad to see this.
01:07:19 - 01:07:22: A few weeks ago, Imagine Dragons frontman Dan Reynolds,
01:07:22 - 01:07:23: who we've shouted out on the show
01:07:23 - 01:07:28: because we know he does advocacy for the LGBT Mormon community
01:07:28 - 01:07:30: because that's a whole complicated thing.
01:07:30 - 01:07:32: He was pushed to the edge
01:07:32 - 01:07:38: and he felt the need to like drop a couple long form notes on Instagram.
01:07:38 - 01:07:39: This is what he said.
01:07:40 - 01:07:42: "For a decade now, I've dealt with critics and other bands
01:07:42 - 01:07:45: saying extremely harsh things about my band.
01:07:45 - 01:07:47: Not what I would call fair criticism,
01:07:47 - 01:07:49: which I always try my best to receive and learn from,
01:07:49 - 01:07:50: but actual clickbait horse s***.
01:07:50 - 01:07:54: Words filled with vile and hate meant to feed humanity's need
01:07:54 - 01:07:57: to laugh at each other's imperfections and fails."
01:07:57 - 01:07:58: So first of all, I know that a lot of people
01:07:58 - 01:08:00: when they hear a musician say something like that,
01:08:00 - 01:08:03: they're like, "Okay, all right, yeah, you're just mad."
01:08:03 - 01:08:04: But it's really true.
01:08:04 - 01:08:05: Come on, we all know that there's a difference
01:08:05 - 01:08:07: between fair criticism where somebody's just like,
01:08:07 - 01:08:08: "Honestly, I don't f*** with this.
01:08:08 - 01:08:10: Here's where I think it fails.
01:08:10 - 01:08:11: Here's what I think they're trying to do
01:08:11 - 01:08:12: and it didn't live up to it.
01:08:12 - 01:08:14: Here's why I think this is better."
01:08:14 - 01:08:15: That stuff can be painful,
01:08:15 - 01:08:17: but somebody says like, "Your song sucks."
01:08:17 - 01:08:18: It's like, "What are you going to do?"
01:08:18 - 01:08:19: -Yep.
01:08:19 - 01:08:20: -That's par for the course.
01:08:20 - 01:08:22: But he's totally right that there's something different.
01:08:22 - 01:08:24: And Imagine Dragons, I could imagine getting...
01:08:24 - 01:08:26: And I think Vampire Weekend got that in the early days,
01:08:26 - 01:08:28: maybe not at the same level.
01:08:28 - 01:08:29: Not just somebody being like,
01:08:29 - 01:08:30: "Here's what I think sucks about this.
01:08:30 - 01:08:32: I don't like the voice. I don't like the..."
01:08:32 - 01:08:34: Where it really becomes so obvious
01:08:34 - 01:08:36: that they're creating a whole spectacle.
01:08:36 - 01:08:39: They're performing hatred in this way to be like,
01:08:39 - 01:08:41: "This is the worst thing ever."
01:08:41 - 01:08:42: -Yep. I remember you guys.
01:08:42 - 01:08:44: -Oh, yeah. We had some brutal stuff.
01:08:44 - 01:08:44: -Yep.
01:08:44 - 01:08:46: -And then sometimes you meet these people down the road
01:08:46 - 01:08:47: and they're just like,
01:08:47 - 01:08:51: whether it's guys in other bands or writers,
01:08:51 - 01:08:52: bad people just be like,
01:08:52 - 01:08:55: "Oh, yeah. You know, I didn't really mean that or something."
01:08:55 - 01:08:57: And I also do have to say,
01:08:57 - 01:08:58: kind of like when I talked to Zach
01:08:58 - 01:09:00: about his kind of...
01:09:00 - 01:09:02: who made fun of Vampire Weekend as Vice Peace,
01:09:02 - 01:09:03: you also have to have sympathy too
01:09:03 - 01:09:05: that it's like writers have it really hard too.
01:09:05 - 01:09:06: I'd like to imagine if I was a writer,
01:09:06 - 01:09:09: I wouldn't be like writing clickbait things.
01:09:09 - 01:09:11: Not that that Zach piece was necessarily that,
01:09:11 - 01:09:12: but you know, just stuff like,
01:09:12 - 01:09:14: "Why Imagine Dragons is the worst band of all time."
01:09:14 - 01:09:15: I don't think I'd write that,
01:09:15 - 01:09:18: but the truth is this whole advertising universe,
01:09:18 - 01:09:22: the way that ad dollars are spent on the internet
01:09:22 - 01:09:25: incentivizes people to write like clickable, shareable stuff,
01:09:25 - 01:09:29: even if that means being a little extra or a lot extra.
01:09:29 - 01:09:30: So I think he's right to point out
01:09:30 - 01:09:33: that those are two different types of criticism.
01:09:33 - 01:09:34: So he says, "I've always stood silently
01:09:34 - 01:09:35: "and taken it for years.
01:09:35 - 01:09:36: "It has added to the depression
01:09:36 - 01:09:38: "I've dealt with since youth.
01:09:38 - 01:09:39: "I don't say this in search of sympathy,
01:09:39 - 01:09:40: "but just a fact.
01:09:40 - 01:09:42: "It's not the person that caused me the feelings
01:09:42 - 01:09:43: "of stress and depression,
01:09:43 - 01:09:47: "but what it does to the world as a band have created."
01:09:47 - 01:09:48: Maybe I'm missing something.
01:09:48 - 01:09:51: - What it does to the world the band has created maybe?
01:09:51 - 01:09:52: - I don't know.
01:09:52 - 01:09:54: "How could it possibly make a kid feel not cool
01:09:54 - 01:09:55: "listening to Imagine Dragons?
01:09:55 - 01:09:56: "I hate that thought.
01:09:56 - 01:09:58: "Wondering if my kids will be made fun of
01:09:58 - 01:09:59: "as they grow older because someone thinks
01:09:59 - 01:10:00: "my band isn't cool.
01:10:00 - 01:10:01: "That's rough stuff."
01:10:01 - 01:10:03: And I know some people could be like,
01:10:03 - 01:10:05: "Who cares, your kids are gonna grow up rich.
01:10:05 - 01:10:07: "They'll probably be going to USC."
01:10:07 - 01:10:11: - I'm trying to think of like earlier versions
01:10:11 - 01:10:14: of this same thing of like Glenn Fry's kids.
01:10:14 - 01:10:16: - We've talked about, I don't know about kids.
01:10:16 - 01:10:19: - Or like hanging out with some like punk indie snobs.
01:10:19 - 01:10:20: And they're like, "Yo, your dad's--"
01:10:20 - 01:10:22: - The dude from the Eagles?
01:10:22 - 01:10:23: And he's like-- - Lame.
01:10:23 - 01:10:24: - And they're like, "What are you talking about?
01:10:24 - 01:10:26: "This is great, it's volume two.
01:10:26 - 01:10:27: "It's one of the best songs I've ever heard all the time."
01:10:27 - 01:10:30: "Well, it sucks and you suck and your dad sucks."
01:10:30 - 01:10:32: - Whoa, that's just some teen stuff.
01:10:32 - 01:10:34: - I've also always found a little bit,
01:10:34 - 01:10:36: there's like a bit of hypocrisy.
01:10:36 - 01:10:40: There's like a type of person online who,
01:10:40 - 01:10:41: it could be a critic or it could just be somebody
01:10:41 - 01:10:44: who generally speaking has very strong feelings
01:10:44 - 01:10:47: about morality, which you can and cannot say,
01:10:47 - 01:10:49: which often is a good thing.
01:10:49 - 01:10:50: 'Cause there hasn't been enough accountability
01:10:50 - 01:10:51: with some of that stuff.
01:10:51 - 01:10:54: But there's definitely the type of person who probably
01:10:54 - 01:10:56: if somebody made a joke about mental illness or something
01:10:56 - 01:10:58: would be like, "How dare you?"
01:10:58 - 01:11:02: But then might also say something incredibly mean
01:11:02 - 01:11:04: spirited to somebody they don't know.
01:11:04 - 01:11:07: And I generally think that as you get older,
01:11:07 - 01:11:09: you kind of realize part of the reason that you try
01:11:09 - 01:11:12: not to be harsh to people, especially people you don't know,
01:11:12 - 01:11:14: is not just be out of some sort of formality.
01:11:14 - 01:11:17: It is partially because you just don't know
01:11:17 - 01:11:18: what anybody's going through.
01:11:18 - 01:11:21: ♪ Just a young gun with a quick fuse ♪
01:11:21 - 01:11:24: ♪ I was uptight, wanna let loose ♪
01:11:24 - 01:11:26: ♪ I was dreaming of bigger things ♪
01:11:26 - 01:11:30: ♪ And wanna leave my old life behind ♪
01:11:30 - 01:11:33: Not a yes, sir. Not a follower.
01:11:33 - 01:11:34: Fit the box, fit the mode.
01:11:34 - 01:11:36: Have a seat in the foyer.
01:11:36 - 01:11:38: Take a number.
01:11:38 - 01:11:40: I was lightning before the thunder.
01:11:40 - 01:11:52: Thunder, thunder, thunder, thunder, thunder, thunder, thunder, thunder, thunder, thunder, thunder, thunder.
01:11:52 - 01:11:54: Thunder, feel the thunder.
01:11:54 - 01:11:58: Lightning and the thunder.
01:11:58 - 01:12:00: Thunder, feel the thunder.
01:12:00 - 01:12:03: Lightning and the thunder.
01:12:03 - 01:12:05: Thunder, thunder.
01:12:05 - 01:12:14: He says, "I've gotten over the fact that guys in other bands, the 1975, Foster the People, Smashing Pumpkins, Slipknot, etc. feel a need to talk badly about my band for whatever reason."
01:12:14 - 01:12:16: That's so funny.
01:12:16 - 01:12:17: That's a hilarious list, too.
01:12:17 - 01:12:19: Slipknot and the 1975.
01:12:19 - 01:12:23: I know we're talking about being nice to people right now, but come on, folks.
01:12:23 - 01:12:25: [laughter]
01:12:25 - 01:12:27: Okay, you know I'm not gonna stick my neck out there.
01:12:27 - 01:12:31: I think all of those bands have good things about them.
01:12:31 - 01:12:36: But I would also say that all of those bands are very easy to make fun of if you want to be a d***.
01:12:36 - 01:12:38: You know what I'm saying?
01:12:38 - 01:12:44: I truly like things about all of those artists, and I think they're all interesting, and they've written great songs.
01:12:44 - 01:12:49: But it's not like he's like, "A lot of people talk s*** about Imagine Dragons."
01:12:49 - 01:12:51: Lou Reed, Paul McCartney, Elton John.
01:12:51 - 01:12:59: None of these people are either just unabashedly the greatest songwriters of their generation, nor are they just unimpeachably cool.
01:12:59 - 01:13:02: The 1975 "Throwing Shade" is epic.
01:13:02 - 01:13:03: That is epic.
01:13:03 - 01:13:09: I remember I went to go see--somebody took me to see Jeff Garland's comedy show at Largo.
01:13:09 - 01:13:12: You know, and of course I like Jeff Garland, because I love "Curb Your Enthusiasm."
01:13:12 - 01:13:13: Hell yeah.
01:13:13 - 01:13:16: And every night he has surprise guests.
01:13:16 - 01:13:17: So you never know who'll come out.
01:13:17 - 01:13:21: So the night I go, the guests are Sarah Silverman and Larry David.
01:13:21 - 01:13:22: Very cool.
01:13:22 - 01:13:23: So you know, I'm in heaven.
01:13:23 - 01:13:23: Yep.
01:13:23 - 01:13:32: And I remember at some point, Jeff is sitting there kind of interviewing Larry live, and they have this really funny conversation.
01:13:32 - 01:13:35: But it starts out with Jeff saying, "So Larry, you watch 'Saturday Night Live'?"
01:13:35 - 01:13:37: And he goes, "Yeah, yeah, yeah, sometimes."
01:13:37 - 01:13:40: And he's like, "Man, did you watch it the other night?"
01:13:40 - 01:13:42: And he's like, "Yeah, I watched some of it."
01:13:42 - 01:13:44: And he's like, "Did you see the musical artist?"
01:13:44 - 01:13:49: And then Larry goes on a hilarious bit about how he's never watched any musical artist ever on 'Saturday Night Live.'
01:13:49 - 01:13:50: And Jeff goes, "What about when you were a writer?
01:13:50 - 01:13:51: Weren't you like on set?"
01:13:51 - 01:13:53: He's like, "Yeah, yeah, I'd always go to the bathroom then or something."
01:13:53 - 01:13:58: But anyway, then Jeff goes, "Well, okay, you won't believe the band that I saw last weekend."
01:13:58 - 01:13:59: And Larry's like, "Yeah, what is it?"
01:13:59 - 01:14:03: And he goes, "It's this English band called the 1975.
01:14:03 - 01:14:05: It was the worst thing I ever saw."
01:14:05 - 01:14:08: And Larry's already checked out because he's like, "Okay, I don't know what you're talking about."
01:14:08 - 01:14:12: And then Jeff goes like, "This guy was wearing leather pants, such a wannabe rock star.
01:14:12 - 01:14:13: It was pathetic.
01:14:13 - 01:14:14: He had his shirt off.
01:14:14 - 01:14:15: He could barely sing.
01:14:15 - 01:14:16: The song was terrible."
01:14:16 - 01:14:21: And he went on this like epic kind of like old man rant about how much the 1975 sucked.
01:14:21 - 01:14:25: And just as like an artist who like knows how much it sucks to put yourself out there,
01:14:25 - 01:14:28: which I would like to think a stand-up comedian would know as well,
01:14:28 - 01:14:33: I really came close just on some like artist **** to almost being like, "Yo, shut up, Jeff.
01:14:33 - 01:14:35: Like chill the **** out, man."
01:14:35 - 01:14:35: Yeah.
01:14:35 - 01:14:37: You're decades and decades older than these dudes.
01:14:37 - 01:14:39: Like, whatever.
01:14:39 - 01:14:40: Who cares?
01:14:40 - 01:14:41: Can't you just be like, "I didn't get it."
01:14:41 - 01:14:45: And he was just like ranting in front of all these people and he was trying to get like Larry in on the cause.
01:14:45 - 01:14:48: And I remember at the time, I didn't even know of 1975.
01:14:48 - 01:14:49: I just felt kind of protective of them.
01:14:49 - 01:14:51: Because I was like, I just knew that feeling of like,
01:14:51 - 01:14:55: "You're going on this TV show where all sorts of random people are going to watch you and judge you."
01:14:55 - 01:14:59: And I understand a stand-up comedian's job is to also kind of like make fun of ****.
01:14:59 - 01:15:04: So maybe I got to chill out a bit because I do admire stand-up comedy as a profession and a medium.
01:15:04 - 01:15:07: And then also I could totally picture too,
01:15:07 - 01:15:11: I could just immediately picture myself like young and having just performed on Saturday Night Live.
01:15:11 - 01:15:13: And maybe those guys are curb heads.
01:15:13 - 01:15:14: I mean, it wouldn't...
01:15:14 - 01:15:15: They probably are.
01:15:15 - 01:15:16: It wouldn't be crazy.
01:15:16 - 01:15:19: I mean, you know, I know some English people who are curb heads.
01:15:19 - 01:15:23: And just imagine like, you're like, "Oh, I like that show. Oh, it's so funny. Larry David's a legend."
01:15:23 - 01:15:24: Then you're just like, "Well, you know the other guy, Jeff?"
01:15:24 - 01:15:25: And they're like, "Yeah."
01:15:25 - 01:15:29: It's like, he talked about how much you **** sucked on Saturday Night Live for 10 minutes
01:15:29 - 01:15:30: in front of Sour Silverman and Larry David.
01:15:30 - 01:15:32: And you'd be like, "Really?"
01:15:32 - 01:15:34: It'd just be kind of brutal.
01:15:34 - 01:15:38: ♪ A fool in a car, shooting heroin ♪
01:15:38 - 01:15:43: ♪ Saying controversial things just for the hell of it ♪
01:15:43 - 01:15:48: ♪ Selling murder in a van, suffocate the black man ♪
01:15:48 - 01:15:54: ♪ Stop with misdemeanors, someone make a business out of it ♪
01:15:54 - 01:15:57: ♪ We can find out the information ♪
01:15:57 - 01:16:02: ♪ Access all the applications that are hard to get ♪
01:16:02 - 01:16:06: ♪ Positions based on miscommunication ♪
01:16:06 - 01:16:09: ♪ Your fiendish truth is all he hears ♪
01:16:09 - 01:16:12: ♪ Say we're just left in the UK ♪
01:16:12 - 01:16:15: ♪ But then the team has failed us ♪
01:16:15 - 01:16:18: ♪ And our love lives remain ♪
01:16:18 - 01:16:23: ♪ It's our love lives remain ♪
01:16:23 - 01:16:29: ♪ It's our love lives remain ♪
01:16:31 - 01:16:35: ♪ It's our love lives remain ♪
01:16:35 - 01:16:36: Okay, so anyway, back to his note.
01:16:36 - 01:16:38: So all these people feel the need to talk badly about my band.
01:16:38 - 01:16:40: I don't feel anger towards them, actually.
01:16:40 - 01:16:42: Just more of a sadness that this industry embraces,
01:16:42 - 01:16:44: even celebrates with this mentality.
01:16:44 - 01:16:46: I wish it felt like a place where artists stood by each other
01:16:46 - 01:16:47: and supported another.
01:16:47 - 01:16:50: Dan, I **** with you, but that's never gonna happen.
01:16:50 - 01:16:53: 'Cause this industry just pre-selects a lot of nutty people.
01:16:53 - 01:16:55: And then even within that crew,
01:16:55 - 01:16:59: sometimes the most competitive, harsh, brutal people
01:16:59 - 01:17:00: end up being the most successful
01:17:00 - 01:17:01: because of those very traits.
01:17:01 - 01:17:03: "Regardless of our different tastes and voices,
01:17:03 - 01:17:05: my bandmates are some of my best friends.
01:17:05 - 01:17:06: We are authentically ourselves
01:17:06 - 01:17:08: and strive to bring positivity and empowerment to the world.
01:17:08 - 01:17:10: We'll continue to do just that."
01:17:10 - 01:17:12: I mean, I'm sure he got a lot of sympathy for this.
01:17:12 - 01:17:15: So hopefully it was a cathartic experience.
01:17:15 - 01:17:17: But I do think that if he really kept quiet about this
01:17:17 - 01:17:19: for years and years through all their big success,
01:17:19 - 01:17:22: it must've like really got to him at some point,
01:17:22 - 01:17:23: just to feel like he had to write this.
01:17:23 - 01:17:25: And the sad part is,
01:17:25 - 01:17:26: I don't think like the dude from Slipknot
01:17:26 - 01:17:28: is gonna read that and be like,
01:17:28 - 01:17:30: "Whoa, sorry, man."
01:17:30 - 01:17:30: - My bad.
01:17:30 - 01:17:31: - "My bad, I have kids too.
01:17:31 - 01:17:33: And I've also struggled with depression."
01:17:33 - 01:17:36: And you're right, it's really hard putting yourself out.
01:17:36 - 01:17:37: I think this is gonna be like,
01:17:37 - 01:17:40: it's not gonna change anything, but I don't know.
01:17:40 - 01:17:44: - Tough to be positive and emotional, but also hip.
01:17:44 - 01:17:45: - Right.
01:17:45 - 01:17:46: - Those are sort of contradictions.
01:17:46 - 01:17:48: - Yeah, unless you're like a pop star.
01:17:48 - 01:17:49: - 'Cause they're going for like aspirat--
01:17:49 - 01:17:50: Yeah, but if they're like a band,
01:17:50 - 01:17:51: they're going for like aspirational.
01:17:51 - 01:17:52: - A rock band, yeah.
01:17:52 - 01:17:53: - Yeah, like they said, what did he say?
01:17:53 - 01:17:56: He said, "Strive to bring positivity
01:17:56 - 01:17:58: and empowerment to the world."
01:17:58 - 01:17:59: - That's a hell of a goal.
01:17:59 - 01:18:00: - Well, and I'll say--
01:18:00 - 01:18:04: - It's antithetical to like what most bands try to do.
01:18:04 - 01:18:07: So, you know, that's the rub.
01:18:07 - 01:18:08: - There is a type of character
01:18:08 - 01:18:10: who exists in the music industry.
01:18:10 - 01:18:13: They make music that some people perceive to be corny.
01:18:13 - 01:18:13: - Yeah.
01:18:13 - 01:18:14: - And they're also really big.
01:18:14 - 01:18:16: They can't just be cool with that.
01:18:16 - 01:18:18: They're also (beep) and competitive too.
01:18:18 - 01:18:19: And that is a very toxic combo.
01:18:19 - 01:18:22: So like for instance, there's a version,
01:18:22 - 01:18:23: and I don't get this vibe at all,
01:18:23 - 01:18:24: but there's a version of a guy like Dan
01:18:24 - 01:18:27: from Imagine Dragons, who's in Imagine Dragons,
01:18:27 - 01:18:29: and he knows that people don't think his band's
01:18:29 - 01:18:30: that cool or something.
01:18:30 - 01:18:32: And it's maybe antithetical to being hip,
01:18:32 - 01:18:34: but the person won't accept that.
01:18:34 - 01:18:35: And they're like, "No, I am hip.
01:18:35 - 01:18:38: And actually I'm (beep) cooler than the 1975.
01:18:38 - 01:18:39: And actually, (beep) those guys."
01:18:39 - 01:18:40: You know, it'd be like some weird combination.
01:18:40 - 01:18:41: - That's some Corgan.
01:18:41 - 01:18:42: - Right, that's more like--
01:18:42 - 01:18:43: - Although he doesn't try to go for empowerment.
01:18:43 - 01:18:48: He's just like, "This is my macro level big rock band,
01:18:48 - 01:18:52: and we're huge, and I'm resentful of those
01:18:52 - 01:18:54: who have much smaller audiences, but."
01:18:54 - 01:18:56: - Right, "You think you're so much cooler than me,
01:18:56 - 01:18:57: Stephen Malkemis?"
01:18:57 - 01:19:00: So there's a version of a Dan Reynolds that's like that,
01:19:00 - 01:19:02: but I don't get the impression that he's like that at all.
01:19:02 - 01:19:03: And I think like--
01:19:03 - 01:19:04: - It's kind of a new model.
01:19:04 - 01:19:08: Can you imagine some rock star back in the '70s?
01:19:08 - 01:19:12: Like, you know, like Zeppelin or Queen got bashed critically.
01:19:12 - 01:19:14: - As we saw in "Bohemian Rhapsody."
01:19:14 - 01:19:16: - Although I didn't finish the film.
01:19:16 - 01:19:19: But those bands had huge audiences,
01:19:19 - 01:19:21: but got bashed critically, and it's just funny
01:19:21 - 01:19:23: to think about Robert Plant being like,
01:19:23 - 01:19:24: "We're just trying to bring positivity."
01:19:24 - 01:19:26: - But we also talked on the show about how like,
01:19:26 - 01:19:28: from articles that I've read, Phil Collins--
01:19:28 - 01:19:29: - Oh, that's a good one.
01:19:29 - 01:19:32: - He's also held this negativity in that he's always
01:19:32 - 01:19:34: kind of like, "I know I (beep) suck, right?
01:19:34 - 01:19:36: I'm so uncool."
01:19:36 - 01:19:37: - He's a perfect case study.
01:19:37 - 01:19:38: - Yeah.
01:19:38 - 01:19:41: - I mean, his music in the '80s was so uplifting,
01:19:41 - 01:19:44: and like, I think it's great, but it is kind of corny.
01:19:44 - 01:19:46: - Yeah, well, compared to Peter Gabriel, it seemed corny,
01:19:46 - 01:19:48: but these days people probably look back and be like,
01:19:48 - 01:19:50: "Oh yeah, I (beep) all that stuff."
01:19:50 - 01:19:51: - That'd be kind of a weird bottle episode,
01:19:51 - 01:19:53: like track Phil Collins' career.
01:19:53 - 01:19:54: - Oh yeah, I do have Phil Collins' one.
01:19:54 - 01:19:57: - Like starting with his Genesis stuff?
01:19:57 - 01:19:59: - Yeah, honestly, that'd be a grail episode
01:19:59 - 01:20:01: if we got Phil Collins on the phone.
01:20:01 - 01:20:03: 'Cause I've always been so interested in him,
01:20:03 - 01:20:04: ever since I read this Rolling Stone piece,
01:20:04 - 01:20:06: where it seemed like he was this guy
01:20:06 - 01:20:09: had all this success, and it kind of seemed like
01:20:09 - 01:20:10: the haters won in the Phil--
01:20:10 - 01:20:11: - Yeah.
01:20:11 - 01:20:12: - And I was like, but that, it's so crazy,
01:20:12 - 01:20:15: because at this moment, all the musicians that I know
01:20:15 - 01:20:17: have at least a few Phil Collins songs
01:20:17 - 01:20:18: that they think are like, incredible.
01:20:18 - 01:20:21: - Yeah, it's cycled back around, I think.
01:20:21 - 01:20:23: - Like you and I differ on Limp Bizkit.
01:20:23 - 01:20:24: You think that's irredeemably bad.
01:20:24 - 01:20:25: - It's true.
01:20:25 - 01:20:26: - But I kind of listen back to some of those songs,
01:20:26 - 01:20:28: I'm just like, yo, there's some energy there
01:20:28 - 01:20:31: that seems a little bit fresh in retrospect.
01:20:31 - 01:20:33: And I could totally imagine in 20 years,
01:20:33 - 01:20:35: the next generation looking back and making music
01:20:35 - 01:20:38: that semi-ironically, or just in a nostalgic way,
01:20:38 - 01:20:40: has like an Imagine Dragons feel.
01:20:40 - 01:20:43: And somebody's like, "Whoa, you know, back in my day,
01:20:43 - 01:20:45: "we thought the 1975 was cooler than Imagine Dragons."
01:20:45 - 01:20:46: They're like, "Really?
01:20:46 - 01:20:47: "Why?"
01:20:47 - 01:20:48: (laughing)
01:20:48 - 01:20:49: You know, just that (beep) happens.
01:20:49 - 01:20:50: - Sure, sure.
01:20:50 - 01:20:53: - Anyway, I hope some of these people reach out.
01:20:53 - 01:20:54: I wanna find that out.
01:20:54 - 01:20:56: I wanna find out if any of these people reached out.
01:20:56 - 01:20:58: I mean, I would think at least the 1975
01:20:58 - 01:21:01: and Foster the People being like the kind of younger crew
01:21:01 - 01:21:02: might take pause when they read this and be like,
01:21:02 - 01:21:04: "Oh man, let me clear that up."
01:21:04 - 01:21:05: I would like to think.
01:21:05 - 01:21:06: I'm gonna do some research.
01:21:06 - 01:21:08: I'm gonna hit up my music industry contacts
01:21:08 - 01:21:10: and say, "Has anybody from the 1975
01:21:10 - 01:21:12: "or Foster the People reached out?"
01:21:12 - 01:21:14: At the very least to say to this dude,
01:21:14 - 01:21:16: "Hey man, like, for all I know,
01:21:16 - 01:21:17: "maybe they didn't actually talk (beep)."
01:21:17 - 01:21:18: That can happen too.
01:21:18 - 01:21:20: Maybe they made a throwaway comment,
01:21:20 - 01:21:21: - Sure. - And he saw it,
01:21:21 - 01:21:23: and it caught him on a day when he was really struggling
01:21:23 - 01:21:26: with depression or his kid came home from school
01:21:26 - 01:21:30: and was like, "Daddy, somebody said Imagine Dragons suck."
01:21:30 - 01:21:32: And then he sees a comment, he's like,
01:21:32 - 01:21:34: "Well, who knows?"
01:21:34 - 01:21:35: We'll get to the bottom of it,
01:21:35 - 01:21:37: but now let's blast through the top five.
01:21:37 - 01:21:42: - It's time for the top five on iTunes.
01:21:42 - 01:21:45: - And we're doing something special this week.
01:21:45 - 01:21:47: - This is a canned episode.
01:21:47 - 01:21:49: - Because this is a canned episode,
01:21:49 - 01:21:51: it's as canned as a Lucky Charms beer.
01:21:51 - 01:21:55: - This was taped in mid-October of 2018.
01:21:55 - 01:21:57: - This was taped in 2009.
01:21:57 - 01:21:59: - This is the first TC ever.
01:21:59 - 01:21:59: - Yeah.
01:21:59 - 01:22:04: You're listening to the first time crisis recently unearthed.
01:22:04 - 01:22:06: We're listening to the top five songs
01:22:06 - 01:22:08: in each of our birth years.
01:22:08 - 01:22:09: - We've done this before.
01:22:09 - 01:22:10: - Did we do just like--
01:22:10 - 01:22:12: - I think we did another canned episode,
01:22:12 - 01:22:14: and we did the 77 versus 84.
01:22:14 - 01:22:17: - Okay, so we're doing this week more or less
01:22:17 - 01:22:19: in our respective birth years.
01:22:19 - 01:22:19: - Yep.
01:22:19 - 01:22:24: - I'm pretty sure 84 is gonna kick 77 in the pants, but--
01:22:24 - 01:22:25: - Well, we'll see.
01:22:25 - 01:22:26: - All right.
01:22:26 - 01:22:27: - So--
01:22:27 - 01:22:28: - I don't know what's coming, so.
01:22:28 - 01:22:31: - Well, Jake, 1977 is off to a strong start.
01:22:31 - 01:22:33: At number five, ABBA with "Dancing Queen."
01:22:33 - 01:22:35: - Oh, geez.
01:22:35 - 01:22:36: - Major.
01:22:36 - 01:22:36: - Great one.
01:22:39 - 01:22:43: - Love those piano octaves.
01:22:43 - 01:22:45: I mean, this is a stone cold classic.
01:22:45 - 01:22:46: - Yeah.
01:22:46 - 01:22:48: - I think ABBA was considered deeply uncool
01:22:48 - 01:22:49: in the late '70s.
01:22:49 - 01:22:50: - For sure.
01:22:52 - 01:23:15: - Just imagine like a dude from some totally like,
01:23:15 - 01:23:18: what we'd now consider middle of the road punk band,
01:23:18 - 01:23:20: railing against ABBA in 1977,
01:23:20 - 01:23:23: and then like today, just look back and be like,
01:23:23 - 01:23:24: dude, your band sucked.
01:23:24 - 01:23:25: - Yeah.
01:23:25 - 01:23:27: - You were like a third tier punk band.
01:23:27 - 01:23:29: ABBA were like pop geniuses.
01:23:29 - 01:23:32: - Cool that you put out one seven inch on stiff records
01:23:32 - 01:23:34: in '77, bud, but.
01:23:34 - 01:23:38: - You know that song from MGMT's first album
01:23:38 - 01:23:40: that's like an anecdote, they based the groove off this?
01:23:40 - 01:23:44: ♪ I'm feeling rough, I'm feeling raw, I'm in the ♪
01:23:44 - 01:23:45: It's called--
01:23:45 - 01:23:46: - Like "Electric Feel"?
01:23:46 - 01:23:49: - No, no, no, it's the other one called,
01:23:49 - 01:23:50: oh, it's called "Time to Pretend."
01:23:50 - 01:23:51: - Oh yeah.
01:23:51 - 01:23:53: - It has like a similar tempo and groove.
01:23:53 - 01:23:55: - Wait, so they said that they based it off this?
01:23:55 - 01:23:57: - They based the groove off it.
01:23:57 - 01:23:58: Actually, you know what, I want them to hear that
01:23:58 - 01:23:59: back to back.
01:23:59 - 01:24:00: - MGMT is a tight band.
01:24:00 - 01:24:03: - Oh yeah, MGMT talked some mild (beep)
01:24:03 - 01:24:04: about Vampire Weekend.
01:24:04 - 01:24:04: - Did they?
01:24:04 - 01:24:05: - But it was also one of those things--
01:24:05 - 01:24:07: - They're tight, I mean like that second record is sweet.
01:24:07 - 01:24:09: - There's some throwaway comment that at the time
01:24:09 - 01:24:11: I was very sensitive and maybe traumatized
01:24:11 - 01:24:13: by some harsher things, and then when I first met them,
01:24:13 - 01:24:15: I was like, I don't know about these dudes.
01:24:15 - 01:24:18: But then they always turned out to be cool.
01:24:18 - 01:24:19: And also their record label was very competitive
01:24:19 - 01:24:20: with our record label.
01:24:20 - 01:24:21: - What label?
01:24:21 - 01:24:23: - They were on Columbia, which we're on now,
01:24:23 - 01:24:24: although, you know, this is 10 years ago.
01:24:24 - 01:24:26: So it was a totally different crew.
01:24:26 - 01:24:27: - That's funny 'cause you went there.
01:24:27 - 01:24:29: - Oh yeah, after all that (beep) talking,
01:24:29 - 01:24:31: I was like, I wanna see what's going on over here.
01:24:31 - 01:24:32: - No, but you also went to Columbia University.
01:24:32 - 01:24:34: - Yeah, no, that's what I'm talking about.
01:24:34 - 01:24:35: Oh, right.
01:24:35 - 01:24:35: - Weird.
01:24:35 - 01:24:37: - Columbia Records versus Columbia University.
01:24:37 - 01:24:39: - What kind of strings did your dad pull?
01:24:39 - 01:24:40: - Yeah.
01:24:40 - 01:24:42: - Get you in there, man.
01:24:42 - 01:24:44: - I played a water polo.
01:24:44 - 01:24:46: - Kaiser was a really good rugby player.
01:24:46 - 01:24:47: - Yeah, oh yeah, I played.
01:24:47 - 01:24:49: There's one picture of me.
01:24:49 - 01:24:50: There's one photo.
01:24:50 - 01:24:51: - Right.
01:24:51 - 01:24:53: - Wait, hold on, this is a G-Song.
01:25:00 - 01:25:09: Iconic synth part.
01:25:09 - 01:25:11: - This feels way slower.
01:25:13 - 01:25:23: - It's got that same kind of (beatboxing)
01:25:23 - 01:25:29: I see the basic idea.
01:25:29 - 01:25:31: Anyway, the MJMT just had some throwaway comment
01:25:31 - 01:25:33: and some thing, and I just didn't know how to take it.
01:25:33 - 01:25:35: And especially because behind the scenes,
01:25:35 - 01:25:37: I remember somebody at our label kept telling me
01:25:37 - 01:25:39: how every time they'd see Columbia people,
01:25:39 - 01:25:41: they were hyper competitive.
01:25:41 - 01:25:42: And I was kind of like, "Why, we're on an indie label."
01:25:42 - 01:25:44: - Probably these Ivy League bands.
01:25:44 - 01:25:46: - Yeah.
01:25:46 - 01:25:48: - Just going in on it, throwing shade.
01:25:48 - 01:25:48: - I mean, that's why--
01:25:48 - 01:25:49: - 'Cause they're from Wesleyan, right?
01:25:49 - 01:25:50: - They went to Wesleyan.
01:25:50 - 01:25:52: That's why I'm all for canceling college,
01:25:52 - 01:25:54: 'cause it makes the bad worse,
01:25:54 - 01:25:55: and it makes the good bad,
01:25:55 - 01:25:56: especially these types of schools.
01:25:56 - 01:25:58: - Perpetuates these class hierarchies, man.
01:25:58 - 01:26:00: - It's (beep) up, man.
01:26:00 - 01:26:01: Anyway.
01:26:01 - 01:26:02: - Anyway.
01:26:02 - 01:26:04: - Anyway, no, I always (beep) with MJMT.
01:26:04 - 01:26:06: They're a good bad (beep) with their second album.
01:26:06 - 01:26:07: I listened to the new one a little bit,
01:26:07 - 01:26:09: and I was like, "Damn, these guys, they write songs."
01:26:09 - 01:26:11: - They're doing their thing.
01:26:11 - 01:26:12: - They're doing their thing.
01:26:12 - 01:26:13: - You heard it here, folks.
01:26:13 - 01:26:15: - MJMT, solid group.
01:26:15 - 01:26:16: Back to '84.
01:26:16 - 01:26:18: So you had Dancing Queen, ABBA, Strong Start.
01:26:18 - 01:26:19: - Strong Start.
01:26:19 - 01:26:20: - But I got Eurythmics.
01:26:20 - 01:26:25: - So March 24th of '77, I was a month and a half old.
01:26:25 - 01:26:29: - March 24th, 1984, I was--
01:26:29 - 01:26:30: - In utero.
01:26:30 - 01:26:31: - I was two weeks out.
01:26:31 - 01:26:33: I was two weeks out from being born.
01:26:33 - 01:26:33: - Okay.
01:26:33 - 01:26:34: - But I remember this.
01:26:34 - 01:26:35: - I was seven.
01:26:40 - 01:26:46: - A muffled sound awakens me from my slumber
01:26:46 - 01:26:49: through the layers of placenta and flesh,
01:26:49 - 01:26:52: separating me from the outside world,
01:26:52 - 01:26:54: a mixture of new wave and R&B.
01:26:54 - 01:26:58: ♪ Here comes the rain again ♪
01:26:58 - 01:27:02: ♪ Falling on my head like a memory ♪
01:27:02 - 01:27:06: ♪ Falling on my head like a new emotion ♪
01:27:06 - 01:27:08: - Were your folks living in the city
01:27:08 - 01:27:10: or in Jersey at this point?
01:27:10 - 01:27:11: March of '84.
01:27:11 - 01:27:13: - Upper West Side.
01:27:13 - 01:27:14: - What year did they move to Jersey?
01:27:14 - 01:27:16: - It's like '85 or '86.
01:27:16 - 01:27:17: - Okay, right after.
01:27:17 - 01:27:19: - My infancy was up there.
01:27:19 - 01:27:20: ♪ Into your ocean ♪
01:27:20 - 01:27:23: ♪ Is it raining with you ♪
01:27:23 - 01:27:28: ♪ So baby talk to me ♪
01:27:28 - 01:27:31: ♪ Like lovers do ♪
01:27:31 - 01:27:34: - Also great.
01:27:34 - 01:27:35: - This song's okay.
01:27:35 - 01:27:35: I mean, it's good.
01:27:35 - 01:27:39: - Yeah, tone shift between the verse and the chorus.
01:27:39 - 01:27:41: I mean, Eurythmics generally rules.
01:27:41 - 01:27:42: - Yeah, not my favorite.
01:27:42 - 01:27:43: - Of their songs.
01:27:43 - 01:27:44: - Eurythmics.
01:27:44 - 01:27:45: - Yeah.
01:27:45 - 01:27:46: Back to '77.
01:27:46 - 01:27:47: Well, this is crazy.
01:27:47 - 01:27:48: It's that guy (beep) Bob Seger.
01:27:48 - 01:27:49: - Oh, cool.
01:27:49 - 01:27:50: - Who, as we talked about last time,
01:27:50 - 01:27:51: we saw the form.
01:27:51 - 01:27:54: - '77, huh?
01:27:54 - 01:27:56: So it's before "Against the Wind."
01:27:56 - 01:27:59: It's like, is it like "Beautiful Loser" or?
01:27:59 - 01:28:00: - It's a big one.
01:28:00 - 01:28:01: - "Rock and Roll Never Forgets"?
01:28:01 - 01:28:02: - It's not the rockers.
01:28:02 - 01:28:03: - Main Street?
01:28:03 - 01:28:04: - It's not the rockers and it's not the ballad.
01:28:04 - 01:28:07: - Down on Main Street.
01:28:07 - 01:28:08: No.
01:28:08 - 01:28:11: - I wouldn't quite call it a ballad, but it's a mid-tempo.
01:28:11 - 01:28:15: - Okay, is it still the same?
01:28:15 - 01:28:16: - Nope.
01:28:16 - 01:28:17: I'm gonna play it.
01:28:17 - 01:28:18: You see how quickly you can guess it.
01:28:18 - 01:28:19: - Okay.
01:28:19 - 01:28:21: Oh, okay, Night Moves.
01:28:21 - 01:28:22: I thought this was like '74.
01:28:22 - 01:28:24: - Album came out in '76.
01:28:24 - 01:28:25: - Huh, all right.
01:28:25 - 01:28:27: I mean, obviously this is,
01:28:27 - 01:28:28: I guess it's the most famous song probably.
01:28:28 - 01:28:30: I thought this was a couple of years earlier.
01:28:30 - 01:28:33: Well, '77's coming strong out of the gate.
01:28:33 - 01:28:34: - Yeah, that's pretty strong.
01:28:34 - 01:28:35: - Bob and to Seeger.
01:28:35 - 01:28:39: ♪ A little too tall, could've used a few pounds ♪
01:28:39 - 01:28:43: ♪ Tight pants, points, all in the now ♪
01:28:43 - 01:28:47: ♪ She was a black-haired beauty with big dark eyes ♪
01:28:47 - 01:28:52: ♪ And points all her own, sudden way up high ♪
01:28:52 - 01:28:59: ♪ Way up front and high ♪
01:28:59 - 01:29:03: ♪ Out past the cornfields where the woods got heavy ♪
01:29:03 - 01:29:05: ♪ Out in the back seat of my '60 Chevy ♪
01:29:05 - 01:29:06: - Wait, this is the one that kinda reminds me
01:29:06 - 01:29:08: of Van Morrison.
01:29:08 - 01:29:09: - Oh, sure.
01:29:09 - 01:29:10: Great singer.
01:29:10 - 01:29:12: - He saved this one for the second encore,
01:29:12 - 01:29:14: I believe, at the show we went to at the Forum.
01:29:14 - 01:29:18: ♪ Working on our night moves ♪
01:29:18 - 01:29:22: ♪ Trying to make some front page driving news ♪
01:29:22 - 01:29:27: ♪ Working on our night moves ♪
01:29:27 - 01:29:31: ♪ In a summer town ♪
01:29:31 - 01:29:33: - It's kind of like a very mellow chorus
01:29:33 - 01:29:35: for like a big hit song.
01:29:35 - 01:29:36: Simple.
01:29:36 - 01:29:38: - You know, a lot of his songs are like that.
01:29:38 - 01:29:41: I remember we were listening to "We've Got Tonight."
01:29:41 - 01:29:43: - Oh yeah, it's all about the verse, kinda.
01:29:43 - 01:29:46: - Yeah, and the changes are subtle.
01:29:46 - 01:29:47: - Yeah.
01:29:47 - 01:29:51: ♪ We were searching for some high-disguised song ♪
01:29:51 - 01:29:55: ♪ We were just young and restless and bored ♪
01:29:55 - 01:29:59: ♪ Living by the sword ♪
01:29:59 - 01:30:03: ♪ And we'd steal away every chance we could ♪
01:30:03 - 01:30:04: - Strong.
01:30:04 - 01:30:08: Back in '84, Kenny Loggins, "Footloose."
01:30:08 - 01:30:09: - Okay.
01:30:09 - 01:30:10: - I mean, not mad,
01:30:10 - 01:30:13: but so far, '77 mopping the floor in '84.
01:30:13 - 01:30:15: - Which is no surprise.
01:30:27 - 01:30:30: - He's Wikipedia, photos tight.
01:30:30 - 01:30:33: Loggins in '95, standing in front of the Capitol building
01:30:33 - 01:30:36: with like a solid mid-'90s goatee.
01:30:36 - 01:30:37: - Just a very thick goatee.
01:30:37 - 01:30:38: - Yeah.
01:30:38 - 01:30:41: ♪ I'm working so hard ♪
01:30:41 - 01:30:43: ♪ I'm punching my cards ♪
01:30:43 - 01:30:44: - I always thought he sounded like
01:30:44 - 01:30:45: Lindsey Buckingham on this track.
01:30:45 - 01:30:48: - Oh yeah, this is very Buckingham, this whole song.
01:30:48 - 01:30:52: ♪ I got this feeling ♪
01:30:52 - 01:30:56: ♪ That time's just a-holding me down ♪
01:30:56 - 01:30:58: - Oh, he contributed to the "Star is Born" soundtrack
01:30:58 - 01:30:59: back in '76.
01:30:59 - 01:31:00: - Really?
01:31:00 - 01:31:01: - Whoa.
01:31:01 - 01:31:03: ♪ I got this feeling ♪
01:31:03 - 01:31:08: ♪ Or else I'll tear up this town ♪
01:31:08 - 01:31:13: ♪ Now I gotta cut loose, footloose ♪
01:31:13 - 01:31:16: ♪ Get my thoughts in the Sunday best shoes ♪
01:31:16 - 01:31:19: ♪ Please, Louise ♪
01:31:19 - 01:31:20: ♪ Pull me out of my misery ♪
01:31:20 - 01:31:22: - Have you ever seen that movie?
01:31:22 - 01:31:26: - Not in like 25 years, so in a way, no.
01:31:26 - 01:31:27: I think I've never seen it.
01:31:27 - 01:31:28: That's the one about like dancing.
01:31:28 - 01:31:29: - In like the '50s?
01:31:29 - 01:31:31: - In the town band dancing.
01:31:31 - 01:31:32: Kevin Bacon joined, right?
01:31:32 - 01:31:34: - Yeah.
01:31:34 - 01:31:35: - I mean, I can't believe how strong
01:31:35 - 01:31:36: "Out the Gate 77" is coming.
01:31:36 - 01:31:37: Check this one out.
01:31:37 - 01:31:39: Daryl Hall, John Oates, "Rich Girl."
01:31:39 - 01:31:41: - Oh, wow.
01:31:41 - 01:31:42: ♪ And you're gone too far ♪
01:31:42 - 01:31:45: ♪ 'Cause you know it don't matter anyway ♪
01:31:45 - 01:31:48: - This is like a song that had like such a deep renaissance.
01:31:48 - 01:31:50: Like, obviously it was a hit back then,
01:31:50 - 01:31:51: but I just feel like when I was in college,
01:31:51 - 01:31:53: this was one of these songs that like,
01:31:53 - 01:31:55: it's weird how just like something kicked in
01:31:55 - 01:31:56: and you're just like,
01:31:56 - 01:31:59: I'd be at so many parties or hanging out in somebody's room,
01:31:59 - 01:32:00: he would just like throw this on.
01:32:00 - 01:32:01: - Whoa.
01:32:01 - 01:32:03: - Just had like this 2005 renaissance.
01:32:03 - 01:32:06: - Huh, I guess I missed that.
01:32:06 - 01:32:09: ♪ Don't you know ♪
01:32:09 - 01:32:12: ♪ Don't you know ♪
01:32:12 - 01:32:15: ♪ That it's wrong ♪
01:32:15 - 01:32:17: ♪ To take what is given you ♪
01:32:17 - 01:32:20: ♪ So far gone ♪
01:32:20 - 01:32:24: ♪ On your own ♪
01:32:24 - 01:32:25: ♪ You can get along ♪
01:32:25 - 01:32:26: ♪ If you try to be strong ♪
01:32:26 - 01:32:29: ♪ But you'll never be strong ♪
01:32:29 - 01:32:31: ♪ 'Cause you're a rich girl ♪
01:32:31 - 01:32:32: ♪ And you're gone too far ♪
01:32:32 - 01:32:33: ♪ 'Cause you know it don't matter anyway ♪
01:32:33 - 01:32:35: - We've done "77" on this show like,
01:32:35 - 01:32:38: probably six times and it's always sucked.
01:32:38 - 01:32:41: So, I have to say, this is a thrill.
01:32:41 - 01:32:43: This is just a thrill.
01:32:43 - 01:32:44: - A God (beep) thrill.
01:32:44 - 01:32:47: ♪ Don't matter anyway ♪
01:32:47 - 01:32:49: ♪ Somebody, buddy, won't get you too far ♪
01:32:49 - 01:32:52: ♪ Get you too far ♪
01:32:52 - 01:32:55: ♪ High and dry ♪
01:32:55 - 01:32:57: ♪ Out of the rain ♪
01:32:57 - 01:32:58: ♪ It's so easy ♪
01:32:58 - 01:33:00: - This song's about when Daryl Hall
01:33:00 - 01:33:02: found out that his USC girlfriend
01:33:02 - 01:33:04: got in via that big college scam.
01:33:04 - 01:33:06: He was irate.
01:33:06 - 01:33:07: - Who did you displace?
01:33:07 - 01:33:10: What working class person did you displace?
01:33:10 - 01:33:13: - Is Daryl Hall a working class?
01:33:13 - 01:33:14: - I don't know.
01:33:14 - 01:33:17: - His Wikipedia does not indicate whether or not
01:33:17 - 01:33:19: he was raised working class.
01:33:19 - 01:33:21: (laughing)
01:33:21 - 01:33:23: ♪ You can rely on the old man money ♪
01:33:23 - 01:33:26: ♪ You can rely on the old man money ♪
01:33:26 - 01:33:27: ♪ It's a bitch girl ♪
01:33:27 - 01:33:29: ♪ And it don't do you harm ♪
01:33:29 - 01:33:32: ♪ 'Cause you know it don't matter anyway ♪
01:33:32 - 01:33:33: ♪ Say money, money, money ♪
01:33:33 - 01:33:35: - His father was a professional singer
01:33:35 - 01:33:37: and his mother was a vocal coach.
01:33:37 - 01:33:38: Okay.
01:33:38 - 01:33:40: - Probably not raking it in.
01:33:40 - 01:33:41: I mean, it depends.
01:33:41 - 01:33:44: Well, clearly he didn't identify as rich.
01:33:44 - 01:33:46: - Great song.
01:33:46 - 01:33:48: - I mean, I assume he didn't identify as rich.
01:33:48 - 01:33:49: That'd be a real shocker if somebody was like,
01:33:49 - 01:33:50: what's rich girl about?
01:33:50 - 01:33:53: - It's from the perspective of a rich guy.
01:33:53 - 01:33:56: And whoa, wait, what do you mean?
01:33:56 - 01:33:58: And he was like, well, you know, it's a rich guy, but--
01:33:58 - 01:34:00: - He's looking for a rich girl.
01:34:00 - 01:34:02: - He's actually making a strong case for her
01:34:02 - 01:34:04: why they should just like, you know,
01:34:04 - 01:34:06: grab their parents' credit cards and hit the road.
01:34:06 - 01:34:08: You can rely on the old man's money.
01:34:08 - 01:34:10: When he says it's a bitch girl, he's being ironic.
01:34:10 - 01:34:12: ♪ Don't you know ♪
01:34:12 - 01:34:13: And Billy Joel Uptown Girl is actually written
01:34:13 - 01:34:15: from the perspective of an uptown guy.
01:34:15 - 01:34:17: When he says, I bet she's never had a downtown guy,
01:34:17 - 01:34:18: he's just making a statement.
01:34:18 - 01:34:19: - Yep.
01:34:19 - 01:34:20: - He's not the downtown guy.
01:34:20 - 01:34:22: He's like, I hope she's never had a downtown guy.
01:34:22 - 01:34:24: - You know how like in movies like Titanic,
01:34:24 - 01:34:26: there's the rich girl and then there's the working class guy
01:34:26 - 01:34:28: and there's always the rich guy who's a total prick?
01:34:28 - 01:34:29: - The Billy Zane.
01:34:29 - 01:34:30: - The Billy Zane.
01:34:30 - 01:34:32: (laughing)
01:34:32 - 01:34:35: Rich girl and uptown girl are both from the perspective
01:34:35 - 01:34:38: of the rich guy who's like, guys, I'm not that bad.
01:34:38 - 01:34:42: - That would be amazing if they remade Titanic,
01:34:42 - 01:34:45: but the POV was from Billy Zane.
01:34:45 - 01:34:46: - Yeah.
01:34:46 - 01:34:49: - So there's this like dirtbag kid named Jack Dawson
01:34:49 - 01:34:52: who's trying to get with his fiance.
01:34:52 - 01:34:53: - Right.
01:34:53 - 01:34:54: - And Jack dies.
01:34:54 - 01:34:57: He freezes to death in the ocean and it's a happy ending.
01:34:57 - 01:35:00: - Jack Dawson is just a total piece of (beep)
01:35:00 - 01:35:01: - It's a dirtbag.
01:35:01 - 01:35:03: - And it turns out that the whole time,
01:35:03 - 01:35:04: where's the Titanic?
01:35:04 - 01:35:05: Was it going to New York or to London?
01:35:05 - 01:35:07: - Yeah, it was from like Ireland to--
01:35:07 - 01:35:08: - To New York.
01:35:08 - 01:35:08: - To New York.
01:35:08 - 01:35:09: - And the whole reason that Billy Zane
01:35:09 - 01:35:11: was even on the Titanic is 'cause as soon as he got
01:35:11 - 01:35:15: to New York, he planned on establishing a trust
01:35:15 - 01:35:18: for at-risk youth using his family's vast income.
01:35:18 - 01:35:19: - Yep.
01:35:19 - 01:35:21: - And it turns out that this piece of (beep)
01:35:21 - 01:35:23: Jack Dawson got wind of that and said,
01:35:23 - 01:35:24: "Oh, this guy's got a lot of money?
01:35:24 - 01:35:26: Well, maybe if I start (beep) his lady."
01:35:26 - 01:35:27: - Knock her up.
01:35:27 - 01:35:28: (laughs)
01:35:28 - 01:35:30: - "I can work out some sort of situation."
01:35:30 - 01:35:32: Said, "Well, hold on, Jack.
01:35:32 - 01:35:34: Billy Zane wants to change society.
01:35:34 - 01:35:37: He wants to give money to not just help
01:35:37 - 01:35:42: one working class guy, he wants to dismantle capitalism."
01:35:42 - 01:35:44: That's the whole point of why he's going to New York
01:35:44 - 01:35:45: in the first place.
01:35:45 - 01:35:47: - He's actually gonna get politics.
01:35:47 - 01:35:47: (laughs)
01:35:47 - 01:35:49: - He's gonna be the first socialist for the president
01:35:49 - 01:35:50: of the United States.
01:35:50 - 01:35:51: - He was--
01:35:51 - 01:35:52: - Deeply egalitarian.
01:35:52 - 01:35:56: - Billy Zane was gonna be the first socialist mayor
01:35:56 - 01:35:59: of New York and then go on to the presidency.
01:35:59 - 01:36:02: But this scumbag, Jack Dawson, yeah, maybe.
01:36:02 - 01:36:04: - He has to dress the part.
01:36:04 - 01:36:07: I mean, he looks like an uptight rich guy,
01:36:07 - 01:36:09: but he's just doing that, he's in character.
01:36:09 - 01:36:11: - I know you see me in my tuxedo and tails
01:36:11 - 01:36:14: and you think I'm just another rich guy.
01:36:14 - 01:36:16: - He's rich, (beep) this whole thing.
01:36:16 - 01:36:19: But listen, you gotta dismantle the system from within.
01:36:19 - 01:36:23: And that's why I, Billy Zane, although I am a socialist,
01:36:23 - 01:36:25: will be running on the Democratic Party ticket
01:36:25 - 01:36:27: when I get to New York.
01:36:27 - 01:36:31: And now Jack, even though Jack's a working class guy,
01:36:31 - 01:36:35: he's kinda like, "Well, I make my money picking up crumbs
01:36:35 - 01:36:38: by exploiting these class divisions."
01:36:38 - 01:36:40: - I mean, Jack's gonna be a small business guy
01:36:40 - 01:36:42: that just runs as a Republican.
01:36:42 - 01:36:43: - I think it's one of those classic things
01:36:43 - 01:36:46: where it's like the college boy, wealthy guy
01:36:46 - 01:36:48: is actually like super socialist.
01:36:48 - 01:36:50: And he's like, "Well, Jack, surely you understand
01:36:50 - 01:36:52: as a member of the downtrodden working class."
01:36:52 - 01:36:54: And then Jack just says like some crazy racist (beep)
01:36:54 - 01:36:56: and Billy Zane's like, "Whoa, whoa, whoa."
01:36:56 - 01:36:58: You know, look at it through another lens, guys.
01:36:58 - 01:37:00: I'm not saying that Billy Zane's necessarily right.
01:37:00 - 01:37:02: I'm just saying it's more complicated than we thought.
01:37:02 - 01:37:03: I'm a rich guy.
01:37:03 - 01:37:10: Okay, finally, a strong one from 1984, a really strong one.
01:37:10 - 01:37:12: Cyndi Lauper, "Girls Just Wanna Have Fun."
01:37:12 - 01:37:13: - Oh my God.
01:37:15 - 01:37:17: I mean, I would say all in all, both years included,
01:37:17 - 01:37:19: it's just a strong batch.
01:37:19 - 01:37:21: - This song is incredible.
01:37:21 - 01:37:36: I love that palm muted guitar.
01:37:36 - 01:37:37: - Oh yeah.
01:37:37 - 01:37:39: - And like the right headphone.
01:37:39 - 01:37:42: We're not the fortunate ones.
01:37:42 - 01:37:44: This is also about like-
01:37:44 - 01:37:45: - Oh yeah, remember in the video,
01:37:45 - 01:37:47: it's like she's like in her kind of like crummy
01:37:47 - 01:37:50: New York apartment and everybody's making noise.
01:37:50 - 01:38:03: Such a crazy, amazing voice.
01:38:03 - 01:38:05: I love Cyndi Lauper's voice.
01:38:05 - 01:38:10: ♪ All the women, the girls, they wanna have fun ♪
01:38:10 - 01:38:13: ♪ Oh, girls just wanna have ♪
01:38:13 - 01:38:17: ♪ That's all they really want ♪
01:38:17 - 01:38:21: ♪ Want fun ♪
01:38:21 - 01:38:24: ♪ When the work and day is done ♪
01:38:24 - 01:38:27: ♪ Oh, girls, they wanna have fun ♪
01:38:27 - 01:38:29: - This is a really cool mix of like guitars
01:38:29 - 01:38:30: and then like synth.
01:38:30 - 01:38:32: This is a really cool solo in this song too.
01:38:32 - 01:38:33: - Oh yeah.
01:38:33 - 01:38:34: - Like synth solo.
01:38:34 - 01:38:35: - Kind of popcorn synth.
01:38:35 - 01:38:36: - Yeah.
01:38:36 - 01:38:40: Here we go.
01:38:40 - 01:38:47: - That's so cool.
01:38:47 - 01:38:48: It's almost a cliche at this point.
01:38:48 - 01:38:50: People have written about this song so much.
01:38:50 - 01:38:52: Like the classic rock critic thing is to point out
01:38:52 - 01:38:56: how this song is just like so melancholy.
01:38:56 - 01:38:56: - Sure.
01:39:02 - 01:39:04: - This is written by a guy named Robert Hazard.
01:39:04 - 01:39:06: - That sounds...
01:39:06 - 01:39:08: - He's like a Philadelphia like rock,
01:39:08 - 01:39:10: like singer songwriter guy.
01:39:10 - 01:39:12: Or not singer songwriter, but like a rock...
01:39:12 - 01:39:13: - Oh yeah.
01:39:13 - 01:39:15: Oh, she's not a writer on this.
01:39:15 - 01:39:17: This is a straight up Robert Hazard joint.
01:39:17 - 01:39:20: ♪ It's all for ♪
01:39:20 - 01:39:23: ♪ When the work and day is done ♪
01:39:23 - 01:39:28: ♪ Oh, girls, they wanna have fun ♪
01:39:28 - 01:39:30: ♪ Oh, girls, just wanna have ♪
01:39:30 - 01:39:32: ♪ Fun ♪
01:39:32 - 01:39:34: - I don't know if he had a band or...
01:39:34 - 01:39:37: I think he just put out his own stuff under his name.
01:39:37 - 01:39:38: - Robert Hazard.
01:39:38 - 01:39:39: - Yep.
01:39:39 - 01:39:41: ♪ They just wanna, they just wanna ♪
01:39:41 - 01:39:43: ♪ Oh, they just wanna ♪
01:39:43 - 01:39:45: - He made some country albums late in life.
01:39:45 - 01:39:46: That's an interesting guy.
01:39:46 - 01:39:50: - Profiled in Rolling Stone in '81 by Kurt Loder.
01:39:50 - 01:39:52: - You gotta find that article.
01:39:52 - 01:39:53: - Wow.
01:39:53 - 01:39:56: Started out as a Dylan era folky
01:39:56 - 01:39:59: then spent eight years singing country and Western.
01:39:59 - 01:40:02: - The fact that Cindy Lauper, "Out the Gate" comes out,
01:40:02 - 01:40:06: girls just wanna have fun, plus "Time After Time."
01:40:06 - 01:40:07: - Plus "All Through the Night."
01:40:07 - 01:40:08: - Oh, I don't know that one.
01:40:08 - 01:40:09: - That ballad?
01:40:09 - 01:40:10: You know that one, dude.
01:40:10 - 01:40:11: That one's really good.
01:40:14 - 01:40:16: - Oh yeah, yeah, yeah.
01:40:16 - 01:40:21: ♪ All through the night ♪
01:40:21 - 01:40:26: ♪ I'll be awake and I'll be with you ♪
01:40:26 - 01:40:31: ♪ All through the night ♪
01:40:31 - 01:40:36: ♪ This precious time when time is new ♪
01:40:36 - 01:40:41: ♪ All, all through the night to die ♪
01:40:41 - 01:40:48: ♪ Knowing that we filled the sun without saying ♪
01:40:48 - 01:40:55: ♪ We have no past, we won't reach back ♪
01:40:55 - 01:41:00: ♪ Keep moving forward all through the night ♪
01:41:00 - 01:41:05: ♪ And once we start the beat to click ♪
01:41:05 - 01:41:10: ♪ And it goes running all through the night ♪
01:41:10 - 01:41:12: - I mean, now we just gotta play a little "Time After Time."
01:41:15 - 01:41:19: - Yeah, this combination of synth and palm muted guitar
01:41:19 - 01:41:22: is just like, so tasty.
01:41:22 - 01:41:25: - And there's so much stuff from like '84
01:41:25 - 01:41:26: that's, even like Kenny Loggins,
01:41:26 - 01:41:30: like the drums are too, it's just like, it's too overloaded.
01:41:30 - 01:41:34: This is like, uses those elements in a very balanced way.
01:41:34 - 01:41:37: And I think Cyndi Lauper did write this one, right?
01:41:37 - 01:41:38: - Like a co-write.
01:41:38 - 01:41:41: - With the guy who was her boyfriend in the band,
01:41:41 - 01:41:42: Cyndi Lauper and Rob Hyman.
01:41:42 - 01:41:47: ♪ The woman dies, almost a lovely dying ♪
01:41:47 - 01:41:52: ♪ Soon it takes the glamorous ♪
01:41:52 - 01:41:53: - Oh, he's from CT.
01:41:53 - 01:41:54: - Oh, wow.
01:41:54 - 01:41:55: - Hey-oh!
01:41:55 - 01:41:57: - Ding, ding, ding, ding, ding.
01:41:57 - 01:41:59: - Oh, Connecticut love.
01:41:59 - 01:42:01: - Okay, a guy-
01:42:01 - 01:42:02: - Rob Hyman.
01:42:02 - 01:42:06: - A guy from Connecticut co-wrote one of the best songs ever.
01:42:06 - 01:42:07: That's something.
01:42:07 - 01:42:08: - The Hooters.
01:42:08 - 01:42:10: I think I've heard them referenced
01:42:10 - 01:42:12: in those like "Sharpling Worcester" calls.
01:42:12 - 01:42:13: - Oh, yeah.
01:42:13 - 01:42:15: - I think I've heard Hooters referenced.
01:42:15 - 01:42:17: (laughing)
01:42:17 - 01:42:19: ♪ The second hand done wide ♪
01:42:19 - 01:42:24: ♪ If you're lost, you can look and you will find me ♪
01:42:24 - 01:42:26: ♪ Time after time ♪
01:42:26 - 01:42:31: ♪ If you fall, I will catch you, I'll be waiting ♪
01:42:31 - 01:42:34: ♪ Time after time ♪
01:42:34 - 01:42:38: ♪ If you're lost, you can look and you will find me ♪
01:42:38 - 01:42:39: - Oh, and that synth bass.
01:42:39 - 01:42:40: - Boom, boom, boom.
01:42:40 - 01:42:41: - Iconic.
01:42:41 - 01:42:44: - Is that fretless bass or is that like a synth?
01:42:44 - 01:42:46: - Sounds like a synth.
01:42:46 - 01:42:49: - My uncle Ted is really into fretless bass.
01:42:49 - 01:42:50: - I love fretless bass.
01:42:50 - 01:42:50: - Great sound.
01:42:50 - 01:42:51: - Jocko.
01:42:51 - 01:42:54: - I mean, this also has another 1984 song
01:42:54 - 01:42:55: with similar energy.
01:42:55 - 01:42:57: - Oh yeah, I was thinking the same thing.
01:42:57 - 01:43:00: - Kind of like similar groove, minimalist drums.
01:43:00 - 01:43:16: Also makes a synth and guitar haunting vibe.
01:43:16 - 01:43:18: ♪ Hey little girl, is your daddy home ♪
01:43:18 - 01:43:23: ♪ Did he go and leave you all alone ♪
01:43:23 - 01:43:27: ♪ I got a bad desire ♪
01:43:27 - 01:43:32: ♪ Oh, I'm on fire ♪
01:43:32 - 01:43:35: ♪ Tell me now baby, is it good to you ♪
01:43:35 - 01:43:38: ♪ And can he do to you the things that I do ♪
01:43:38 - 01:43:43: ♪ Oh no, I can take you high ♪
01:43:43 - 01:43:48: ♪ Oh, I'm on fire ♪
01:43:48 - 01:43:49: - Song from the point of view
01:43:49 - 01:43:52: of a very wealthy New Jersey man
01:43:52 - 01:43:54: pursuing a working class Jersey girl.
01:43:54 - 01:43:57: With Bruce, it'd be even funnier
01:43:57 - 01:43:59: just like doing his like Broadway show
01:43:59 - 01:44:02: and just talking about like all his like iconic songs.
01:44:02 - 01:44:04: He'd be like, "A lot of people assume
01:44:04 - 01:44:08: that all my songs, you know, are about working class guys.
01:44:08 - 01:44:12: But one thing people don't know is 'I'm on Fire'
01:44:12 - 01:44:14: is actually about a very rich guy
01:44:14 - 01:44:18: just kind of having a rough week, man.
01:44:18 - 01:44:20: Those guys get it bad too."
01:44:20 - 01:44:23: Actually, the video of this is the same as "Uptown Girl."
01:44:23 - 01:44:27: The "I'm on Fire" video, Bruce plays a mechanic
01:44:27 - 01:44:30: and like a hot rich woman brings her like sick car
01:44:30 - 01:44:32: into the shop.
01:44:32 - 01:44:33: - Wow.
01:44:33 - 01:44:34: - It's actually like a really sad dark video.
01:44:34 - 01:44:37: And like, then at night he fixes the car up real good.
01:44:37 - 01:44:40: And then he drives the car to deliver it at her house,
01:44:40 - 01:44:41: like to special delivery.
01:44:41 - 01:44:44: And he goes up to the door and like, it's at night
01:44:44 - 01:44:45: and he's like about to knock on the door
01:44:45 - 01:44:47: to like say what's up to her.
01:44:47 - 01:44:48: And then he kind of thinks better of it
01:44:48 - 01:44:49: and just walks away.
01:44:49 - 01:44:51: - I've never seen the video.
01:44:51 - 01:44:54: That anecdote makes the song,
01:44:54 - 01:44:57: that's why I'm not a fan of music videos.
01:44:57 - 01:44:59: Like the song is so atmospheric and like open and beautiful.
01:44:59 - 01:45:01: - And you don't know if it's a working class guy
01:45:01 - 01:45:02: or a rich guy.
01:45:02 - 01:45:04: - Or a middle class guy.
01:45:04 - 01:45:07: I mean, he could be, have a stable career
01:45:07 - 01:45:09: in the insurance industry, you know, I mean.
01:45:09 - 01:45:12: - No, "The River" is about a working class guy.
01:45:13 - 01:45:17: "Born in the USA" is actually about a middle class guy.
01:45:17 - 01:45:18: The guy from "Born in the USA"
01:45:18 - 01:45:21: later after he got back from Vietnam,
01:45:21 - 01:45:24: he went to work at ConAgra Foods,
01:45:24 - 01:45:25: worked his way up as an executive.
01:45:25 - 01:45:27: - Did pretty well for himself.
01:45:27 - 01:45:28: - Did pretty well.
01:45:28 - 01:45:30: "In Ground Pool."
01:45:30 - 01:45:32: (laughing)
01:45:32 - 01:45:38: ♪ In ground pool ♪
01:45:38 - 01:45:40: Song "Mansion on the Hill" is about how
01:45:40 - 01:45:44: if you work hard enough in this equitable nation,
01:45:44 - 01:45:47: you can get your own mansion on the hill.
01:45:47 - 01:45:50: You can go from being a down and out Vietnam vet
01:45:50 - 01:45:53: to upper middle management in ConAgra.
01:45:53 - 01:45:56: - That's like such like a novel,
01:45:56 - 01:45:59: like such like a late 20th century,
01:45:59 - 01:46:02: like I don't know if it's quite Philip Roth kind of.
01:46:02 - 01:46:03: - Yeah, yeah, yeah.
01:46:03 - 01:46:06: - Like a Robert Stone novel or something.
01:46:06 - 01:46:08: - And then his life falls apart somehow,
01:46:08 - 01:46:10: but "Hangover," the whole story is how like the big thing
01:46:10 - 01:46:14: that he's working on at ConAgra is acquiring Fiddle Faddle
01:46:14 - 01:46:17: to add to their Crunch and Munch portfolio.
01:46:17 - 01:46:19: 'Cause it's like the mid 80s and ConAgra has an obsession
01:46:19 - 01:46:23: with taking over the sweetened popcorn and peanuts market.
01:46:23 - 01:46:26: - Playing the margins of the snack food industry.
01:46:26 - 01:46:27: - We gotta buy Fiddle Faddle.
01:46:27 - 01:46:29: - Where are we?
01:46:29 - 01:46:29: - In the top five?
01:46:29 - 01:46:31: - Yeah, are we 1977?
01:46:31 - 01:46:33: - Speaking of music videos, you know what,
01:46:33 - 01:46:34: maybe we'll do that on the next one.
01:46:34 - 01:46:36: - Oh yeah, you had a video drop.
01:46:36 - 01:46:37: - Yeah, but it's already been a while,
01:46:37 - 01:46:39: so we'll kind of, we can give it a second life
01:46:39 - 01:46:41: on the next episode, but we dropped the "Sunflower" video,
01:46:41 - 01:46:42: which you still haven't seen,
01:46:42 - 01:46:43: so we'll drop that next time.
01:46:43 - 01:46:45: Back to 1977.
01:46:45 - 01:46:47: I mean, this is one of the strongest late 70s.
01:46:47 - 01:46:49: This is crazy.
01:46:49 - 01:46:51: - Enemy of the show.
01:46:51 - 01:46:53: - Enemy of the show, but this is still a tight song.
01:46:53 - 01:46:54: Steve Miller.
01:46:56 - 01:47:02: - Yeah, '77 is a tight time.
01:47:02 - 01:47:03: - It's crazy.
01:47:03 - 01:47:05: Although I will say,
01:47:05 - 01:47:08: because Steve Miller is enemy of the show now,
01:47:08 - 01:47:11: because he talked (beep) about Jerry after he died,
01:47:11 - 01:47:15: when you compare this, which is a cool little pop song
01:47:15 - 01:47:17: that has some vibey moments and a good groove,
01:47:17 - 01:47:21: if you compare this to what the dead were doing in '77,
01:47:21 - 01:47:22: I mean, this--
01:47:22 - 01:47:22: - It's a joke.
01:47:23 - 01:47:26: In terms of psychedelia, in terms of surrealism,
01:47:26 - 01:47:30: in terms of exploratory, spacey, vibey stuff, this is--
01:47:30 - 01:47:32: - Not exactly help on the way, Slipknot.
01:47:32 - 01:47:33: - Nope.
01:47:33 - 01:47:33: - Franklin's Tower.
01:47:33 - 01:47:35: - Not even close.
01:47:35 - 01:47:36: - Jerry listening to this and being like,
01:47:36 - 01:47:38: "That's a sweet little song, Steve."
01:47:38 - 01:47:38: - Yeah.
01:47:38 - 01:47:42: That's probably why Steve never got over it.
01:47:42 - 01:47:45: He's like, "Hey, Jerry, I finally wrote a cool psych jam,
01:47:45 - 01:47:47: "Fly Like an Eagle," and he's like, "All right.
01:47:47 - 01:47:49: "That's cool, man."
01:47:49 - 01:47:51: - Steve Miller has a cool voice, though.
01:47:51 - 01:47:54: All shade aside, Steve Miller has a dope voice.
01:47:54 - 01:47:56: - We're getting a little too positive on Steve Miller,
01:47:56 - 01:47:57: and as of recording time,
01:47:57 - 01:47:59: he still has not publicly apologized to Jerry.
01:47:59 - 01:48:00: - Or to us.
01:48:00 - 01:48:02: - Or to us, the fans.
01:48:02 - 01:48:05: More importantly, to us.
01:48:05 - 01:48:08: Now, turns out Steve Miller's not the only person
01:48:08 - 01:48:09: to perform that song,
01:48:09 - 01:48:12: so we actually don't have to give him any more air time.
01:48:12 - 01:48:14: We can play the version by Seal--
01:48:14 - 01:48:14: - Whoa.
01:48:14 - 01:48:16: - From Space Jam.
01:48:16 - 01:48:17: - Interesting.
01:48:17 - 01:48:20: - Which Time Crisis is gonna explicitly say
01:48:20 - 01:48:23: that we are issuing a statement
01:48:23 - 01:48:26: that the Space Jam version of Fly Like an Eagle by Seal
01:48:26 - 01:48:29: is now the definitive version of Fly Like an Eagle.
01:48:29 - 01:48:30: - Far surpasses the original.
01:48:30 - 01:48:31: - Far surpasses the original.
01:48:31 - 01:48:33: (laughing)
01:48:33 - 01:48:35: - That Steve Miller Fly Like an Eagle
01:48:35 - 01:48:37: is a mere historical curiosity.
01:48:40 - 01:48:49: ♪ Time keeps on slipping ♪
01:48:49 - 01:48:54: ♪ Into the future ♪
01:48:54 - 01:48:55: ♪ Say ♪
01:48:55 - 01:48:59: ♪ Time keeps on slipping, slipping, slipping ♪
01:48:59 - 01:49:02: ♪ Into the future ♪
01:49:02 - 01:49:05: - Dude, what are you playing?
01:49:05 - 01:49:07: - It's a Steve Miller version.
01:49:07 - 01:49:08: Who's that?
01:49:08 - 01:49:10: - He wrote it, dude.
01:49:10 - 01:49:12: I'm pretty sure Seal wrote it.
01:49:12 - 01:49:15: - This is so straightforward as a cover.
01:49:15 - 01:49:18: Just with like a little bit of like--
01:49:18 - 01:49:20: - Yeah, they could add a little more fun.
01:49:20 - 01:49:20: - Yeah.
01:49:20 - 01:49:22: - But it's still the definitive version.
01:49:22 - 01:49:26: - They added this like 90s like trip hop beat or something.
01:49:26 - 01:49:27: Ooh, harmonies there.
01:49:27 - 01:49:29: ♪ I can't get enough to eat ♪
01:49:29 - 01:49:32: ♪ I wanna shoo the children ♪
01:49:32 - 01:49:33: - Shoo the children?
01:49:33 - 01:49:34: ♪ I wanna shoo the children ♪
01:49:34 - 01:49:35: ♪ I wanna house people ♪
01:49:35 - 01:49:36: - Oh, that's what he says, I wanna shoo.
01:49:36 - 01:49:39: - Shoo is a verb.
01:49:39 - 01:49:41: I wanna shoo the children who have no shoes on their feet.
01:49:41 - 01:49:42: ♪ I wanna shoo the children ♪
01:49:42 - 01:49:44: - I think he's with Steve Miller,
01:49:44 - 01:49:46: who obviously is a very bitter, cruel person is saying,
01:49:46 - 01:49:49: I wanna like shoo those street urchins away.
01:49:49 - 01:49:51: - Ah, shoo them, oh wow.
01:49:51 - 01:49:52: - Yeah.
01:49:52 - 01:49:54: You know, Jerry would see a bunch of shoeless kids
01:49:54 - 01:49:55: and say, what's up man?
01:49:55 - 01:49:57: Let's go get you some shoes.
01:49:57 - 01:49:58: How about a hot meal?
01:49:58 - 01:50:00: Steve Miller would shoo them away.
01:50:00 - 01:50:01: - So true.
01:50:01 - 01:50:03: ♪ I wanna shoo the children ♪
01:50:03 - 01:50:07: - Anyway, back to my year, 1984.
01:50:07 - 01:50:08: This is a funny song.
01:50:08 - 01:50:10: Rockwell.
01:50:10 - 01:50:15: Remember this one?
01:50:15 - 01:50:16: - I don't know if I know this one.
01:50:16 - 01:50:17: - Kind of a spooky song.
01:50:17 - 01:50:22: - Very stiff.
01:50:22 - 01:50:23: - Michael Jackson sings the chorus.
01:50:23 - 01:50:25: - Oh really, MJ, okay.
01:50:25 - 01:50:27: He hasn't been in the news at all recently.
01:50:27 - 01:50:28: - Terrible.
01:50:28 - 01:50:37: Maybe this was on one of our top fives a while ago.
01:50:37 - 01:50:38: - Yeah.
01:50:38 - 01:50:40: A masterpiece of 1980s paranoia.
01:50:40 - 01:50:46: ♪ I'm just an average man with an average life ♪
01:50:46 - 01:50:48: ♪ I work from nine to five ♪
01:50:48 - 01:50:50: ♪ Hell, I pay the price ♪
01:50:50 - 01:50:53: ♪ All I want is to be left alone in my average home ♪
01:50:53 - 01:50:57: ♪ But why do I always feel like I'm in the twilight zone ♪
01:50:57 - 01:50:59: ♪ And I always feel like ♪
01:50:59 - 01:51:02: ♪ Somebody's watching me ♪
01:51:02 - 01:51:02: - Yeah.
01:51:02 - 01:51:04: ♪ And I love the privacy ♪
01:51:04 - 01:51:06: - You see, this is the '80s production
01:51:06 - 01:51:08: that just, I can't hang with.
01:51:08 - 01:51:10: - It's still better than "Footloose."
01:51:10 - 01:51:12: - Eh, lateral move.
01:51:12 - 01:51:13: - Wait, wait.
01:51:13 - 01:51:16: I think this song is explicitly about a middle-class guy.
01:51:16 - 01:51:17: - Wow.
01:51:17 - 01:51:20: - All I want is to be left alone in my average home.
01:51:20 - 01:51:22: Every end of the wealth spectrum in this country.
01:51:22 - 01:51:26: - From Billy Zane running as a socialist
01:51:26 - 01:51:28: to Bruce Springsteen touting his cheddar
01:51:28 - 01:51:30: in his mansion on the hill.
01:51:30 - 01:51:34: - I've been born into a family with a lot of money, Jack,
01:51:34 - 01:51:36: but I intend to use that money for good.
01:51:36 - 01:51:37: And I won't let you stop me.
01:51:37 - 01:51:41: - This is a song about an average guy in an average home.
01:51:41 - 01:51:42: - Rose.
01:51:42 - 01:51:46: ♪ But why do I always feel like ♪
01:51:46 - 01:51:49: ♪ Somebody's watching me ♪
01:51:49 - 01:51:51: ♪ And I have no privacy ♪
01:51:51 - 01:51:53: ♪ I always feel like ♪
01:51:53 - 01:51:54: - So MJ came in and guested?
01:51:54 - 01:51:56: - Well, I think part of the story is that
01:51:56 - 01:51:59: the artist Rockwell was part of, maybe not so average,
01:51:59 - 01:52:01: he was part of the Gordy family.
01:52:01 - 01:52:02: You know, like Barry Gordy found in Motown.
01:52:02 - 01:52:03: - That's hilarious.
01:52:03 - 01:52:06: - You know, obviously there's a Michael Jackson connection.
01:52:06 - 01:52:09: But he came out the gate with a hit for his debut single.
01:52:09 - 01:52:13: ♪ Somebody's watching me ♪
01:52:13 - 01:52:14: Solid song.
01:52:14 - 01:52:15: And get this, Jake.
01:52:15 - 01:52:18: So, so far, I wanna say, you've had a hell of a year, man.
01:52:18 - 01:52:21: 1977, March, late March '77.
01:52:21 - 01:52:24: We had Abba, Dancing Queen, Nightmove, Seeger,
01:52:24 - 01:52:26: Rich Girl, Hall & Oates,
01:52:26 - 01:52:27: Fly Like an Eagle, Steve Miller, Ben.
01:52:27 - 01:52:29: - Four for four as far as I'm concerned.
01:52:29 - 01:52:29: - And now, I don't know if--
01:52:29 - 01:52:31: - Are we gonna end on a kind of a bummer note?
01:52:31 - 01:52:33: - I don't know if this song is a good one
01:52:33 - 01:52:34: 'cause I actually don't know it.
01:52:34 - 01:52:36: It's a Barbra Streisand song.
01:52:36 - 01:52:36: - Ouch.
01:52:36 - 01:52:39: - But it is from A Star is Born.
01:52:39 - 01:52:41: So that's kind of cool. - Okay, there's some
01:52:41 - 01:52:42: symmetry there.
01:52:42 - 01:52:43: - Let's check it out.
01:52:43 - 01:52:45: (gentle music)
01:52:46 - 01:52:51: ♪ Ooh, ooh, ooh, ooh, ooh ♪
01:52:51 - 01:52:56: ♪ Ooh, ooh, ooh, ooh, ooh ♪
01:52:56 - 01:53:00: ♪ Ooh, ooh, ooh, ooh, ooh ♪
01:53:00 - 01:53:05: ♪ Love, soft as an easy chair ♪
01:53:05 - 01:53:13: ♪ Love, fresh as the morning air ♪
01:53:15 - 01:53:16: - I don't understand the appeal
01:53:16 - 01:53:18: of Barbra Streisand, I have to say.
01:53:18 - 01:53:20: Like, what does she bring to the table?
01:53:20 - 01:53:23: - Well, I guess people like her movies.
01:53:23 - 01:53:25: I haven't seen very many.
01:53:25 - 01:53:27: I guess people like her as an actress as well.
01:53:27 - 01:53:30: And she's a good singer, sure.
01:53:30 - 01:53:38: ♪ Like a rose under the azure sky ♪
01:53:38 - 01:53:42: - '77 came in with a bang, went out with a whimper.
01:53:42 - 01:53:43: (laughing)
01:53:43 - 01:53:44: - That's kind of true.
01:53:44 - 01:53:46: - I mean, this is that real late '70s (beep)
01:53:46 - 01:53:47: that we normally get. - This is what I thought
01:53:47 - 01:53:49: we'd have five songs of. - We'd be getting a lot of.
01:53:49 - 01:53:51: Four out of five ain't bad.
01:53:51 - 01:53:52: - I'll take it.
01:53:52 - 01:53:54: (gentle music)
01:53:54 - 01:54:00: - Where's this going, man? - All right.
01:54:00 - 01:54:02: - Okay, '77's canceled.
01:54:02 - 01:54:04: - That was legitimately terrible music.
01:54:04 - 01:54:07: - You had the lead, but going in on the home stretch,
01:54:07 - 01:54:09: 1984 jumps right out.
01:54:09 - 01:54:10: And you know what's even cooler?
01:54:10 - 01:54:12: This is from an album called "1984."
01:54:12 - 01:54:14: - Oh, oh wow.
01:54:16 - 01:54:33: This is a real nail-biter, this show.
01:54:33 - 01:54:34: - '84 pulled in the lead.
01:54:34 - 01:54:36: - I think you kind of edged it out, though,
01:54:36 - 01:54:38: with the lopper and then this one.
01:54:38 - 01:54:39: - Yeah, yeah, I agree.
01:54:40 - 01:54:43: - This is such a triumphant end to this top five.
01:54:43 - 01:54:45: - I guess we just go out on this, huh?
01:54:45 - 01:54:48: - Yeah, normally we wrap it up and say a few words, but.
01:54:48 - 01:54:49: - I think we just go out and jump.
01:54:49 - 01:54:51: - All right, everybody, take care of each other,
01:54:51 - 01:54:54: believe in yourselves, show a little love
01:54:54 - 01:54:57: to Dan from Imagine Dragons, drop him a nice note.
01:54:57 - 01:55:00: That'd be a cool thing for TC heads to do.
01:55:00 - 01:55:02: Just randomly tweet or leave messages
01:55:02 - 01:55:04: for Dan from Imagine Dragons, like,
01:55:04 - 01:55:05: yo, we (beep) with you, man.
01:55:05 - 01:55:07: Don't let the haters get you down.
01:55:07 - 01:55:09: And we'll be leaving you with "Jump" by Van Halen.
01:55:09 - 01:55:11: We'll see you in two weeks, TC heads.
01:55:11 - 01:55:16: ♪ Here I got my back against the record machine ♪
01:55:16 - 01:55:20: ♪ I eat the words that you've seen ♪
01:55:20 - 01:55:25: ♪ Can't you see what I mean ♪
01:55:25 - 01:55:30: ♪ Now might as well jump, jump ♪
01:55:30 - 01:55:34: ♪ Might as well jump ♪
01:55:34 - 01:55:37: ♪ Go ahead and jump, jump ♪
01:55:37 - 01:55:42: ♪ Go ahead and jump ♪
01:55:42 - 01:55:44: ♪ Oh, how you, who said that ♪
01:55:44 - 01:55:48: ♪ Baby, how you been ♪
01:55:48 - 01:55:51: ♪ You say you don't know ♪
01:55:51 - 01:55:56: ♪ You won't know until you hear ♪
01:55:56 - 01:55:58: ♪ Can't you see me standing here ♪
01:55:58 - 01:56:03: ♪ I got my back against the record machine ♪
01:56:03 - 01:56:06: ♪ I eat the words that you've seen ♪
01:56:06 - 01:56:11: ♪ Can't you see what I mean ♪
01:56:11 - 01:56:16: ♪ Now might as well jump, jump ♪
01:56:16 - 01:56:20: ♪ Go ahead and jump ♪
01:56:20 - 01:56:24: ♪ Might as well jump, jump ♪
01:56:24 - 01:56:28: ♪ Go ahead and jump ♪
01:56:28 - 01:56:30: ♪ Jump ♪
01:57:30 - 01:57:57: >> Time Crisis with Ezra Kanin.
01:57:57 - 01:58:02: >> Peace One.

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