Episode 9: Jerrod Carmichael & Rashida Jones

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Start Timestamp - End Timestamp: Transcript
00:00 - 00:04: Beats 1.
00:04 - 00:06: Time Crisis Episode 9.
00:06 - 00:08: It's the day after Halloween.
00:08 - 00:14: Everyone's lying in bed, counting their candy, and listening to Apple Beats 1.
00:14 - 00:24: Today I'm back in Los Angeles, joined by actress/writer Rashida Jones, and actor/writer Gerard Carmichael.
00:24 - 00:27: You might know them from films and programs, but today I'll be taking them way outside
00:27 - 00:32: their comfort zone, as we discuss my favorite medium, music.
00:32 - 00:37: This is Time Crisis, with Ezra Koenig.
00:37 - 00:40: Beats 1.
00:40 - 00:58: Time Crisis.
00:58 - 01:13: Beats 1.
01:13 - 01:40: Time Crisis.
01:40 - 01:55: Beats 1.
01:55 - 02:24: Time Crisis.
02:24 - 02:39: Beats 1.
02:39 - 02:54: Time Crisis.
02:54 - 03:09: Beats 1.
03:09 - 03:24: Time Crisis.
03:24 - 03:39: Beats 1.
03:39 - 03:51: Time Crisis.
03:51 - 04:06: Beats 1.
04:06 - 04:21: Time Crisis.
04:21 - 04:36: Beats 1.
04:36 - 04:39: Time Crisis.
04:39 - 04:45: That was Naturally 7, with a beautiful a cappella rendition of the Rolling Stones song, "As Tears Go By."
04:45 - 04:47: Welcome to Time Crisis.
04:47 - 04:48: I'm your host, Ezra.
04:48 - 04:49: This is our ninth episode.
04:49 - 04:50: It's crazy.
04:50 - 04:55: It's our first episode that doesn't have our usual co-hosts, Jake Longstreth, Despot Asher.
04:55 - 04:59: But I'm very lucky, because I'm back in L.A., that I was able to call some friends.
04:59 - 05:02: We have actress/writer Rashida Jones.
05:02 - 05:03: What's up, Rashida?
05:03 - 05:04: What's up, Ezra?
05:04 - 05:05: Welcome back to Time Crisis.
05:05 - 05:06: Thank you.
05:06 - 05:08: You're a Time Crisis alum.
05:08 - 05:11: Yeah, I would say I'm top five.
05:11 - 05:13: You're head of the Alumni Association.
05:13 - 05:14: Kind of.
05:14 - 05:16: When it comes to Time Crisis.
05:16 - 05:23: And it's not just the two of us today, because there's a man that we were all doing karaoke with only a few weeks ago.
05:23 - 05:24: One of the greatest moments of my life.
05:24 - 05:36: Comedian, actor, I would say my favorite comedian and actor and writer and creator of his own show, which is called The Gerard Carmichael Show.
05:36 - 05:37: The Carmichael Show.
05:37 - 05:38: Just The Carmichael Show.
05:38 - 05:43: But I'm a day one fan, because I was at the taping of the pilot.
05:43 - 05:44: You were right there.
05:44 - 05:46: And it used to be called Go Gerard Go.
05:46 - 05:48: It was Go Gerard Go back when we were young.
05:48 - 05:49: That's right.
05:49 - 05:51: Were you like on the floor, like clapping?
05:51 - 05:52: Like, Go Gerard Go.
05:52 - 05:53: No, you have to be very quiet.
05:53 - 05:56: You might not know this, but when you're on a TV set, you've got to keep it real quiet.
05:56 - 05:58: Teach me, Dad.
05:58 - 06:02: You have to be very quiet on a TV set.
06:02 - 06:03: I remember it was great.
06:03 - 06:09: They had North Carolina themed food for the guests, because you're from North Carolina.
06:09 - 06:11: Yeah, which kept everyone seated.
06:11 - 06:12: That's what North Carolina is.
06:12 - 06:13: Just napping.
06:13 - 06:14: Yeah, just napping.
06:14 - 06:15: Everyone's horizontal.
06:15 - 06:18: It's in front of a live audience, though, right?
06:18 - 06:19: Live audience, yeah.
06:19 - 06:21: You need people to laugh.
06:21 - 06:27: Yeah, it's fun to have that reaction, and to be there, and just to have people to know
06:27 - 06:29: something works immediately.
06:29 - 06:30: It's really, really fun.
06:30 - 06:34: And the show's got, you're going to do a second season very soon?
06:34 - 06:38: Yeah, I'm calling it season one reloaded, because we did six episodes, and now we're
06:38 - 06:39: doing 13.
06:39 - 06:41: But yeah, I'll say second.
06:41 - 06:44: Let's say second, for legal purposes, let's say second.
06:44 - 06:47: That was like Parks and Recreation was like that.
06:47 - 06:49: Yeah, it started with just six episodes.
06:49 - 06:52: And then it's just like, and now season two is like, all right, you say so.
06:52 - 06:53: Yeah, fine.
06:53 - 06:59: We're very lucky to have two very talented performers on the show, but also, this show's
06:59 - 07:00: primarily about music.
07:00 - 07:02: I don't know if I told you guys that.
07:02 - 07:03: I know.
07:03 - 07:04: You guys know a bit about music.
07:04 - 07:05: You're a big music fan.
07:05 - 07:06: I love, I love.
07:06 - 07:08: You and I have had some many, many long conversations about music.
07:08 - 07:09: I texted you.
07:09 - 07:11: I'm infatuated.
07:11 - 07:13: I'm like a year late on New Dorp.
07:13 - 07:15: I texted Ezra about New Dorp.
07:15 - 07:17: I heard it like recently.
07:17 - 07:18: Right, right.
07:18 - 07:20: And then I just texted you.
07:20 - 07:22: I was like, this is the greatest song of all time.
07:22 - 07:23: You should know that.
07:23 - 07:29: I just like, literally, like, if there's more than eight seconds of silence, it plays in
07:29 - 07:30: my head.
07:30 - 07:31: Really?
07:31 - 07:32: Oh, wow.
07:32 - 07:33: To go to?
07:33 - 07:35: It became like default song.
07:35 - 07:36: Like, I'm just infatuated with it.
07:36 - 07:38: Can we get it on the Carmichael show?
07:38 - 07:39: Absolutely.
07:39 - 07:40: That could be the opening.
07:40 - 07:41: The theme song.
07:41 - 07:46: People are just like, they don't know what the, it's like, hey man.
07:46 - 07:50: I had that with a song for like 15 years, where anytime there was empty space in my
07:50 - 07:51: head, the song would play.
07:51 - 07:52: Really?
07:52 - 07:53: What was it?
07:53 - 07:54: The theme from Halloween?
07:54 - 07:55: No.
07:55 - 07:56: What was it?
07:56 - 07:57: Total, Can't You See?
07:57 - 07:58: Oh my God.
07:58 - 08:00: Wait, Can't You See remix or Can't You See?
08:00 - 08:01: Remix.
08:01 - 08:02: Give me all the chicken.
08:02 - 08:05: I mean, not as much like the rhyme, but just to.
08:05 - 08:06: I'm humiliated.
08:06 - 08:07: I don't know this song.
08:07 - 08:12: Oh, Can't You See, Puff Daddy did the coolest dance and he just drops off and swings his
08:12 - 08:13: arms.
08:13 - 08:14: All right.
08:14 - 08:17: Well, I was, I was thinking maybe because it was just Halloween, we'd play a lot of
08:17 - 08:20: spooky music, but maybe we should just start with this.
08:20 - 08:21: Yeah.
08:21 - 08:22: Rashida, you want to, are we going to do the remix or what?
08:22 - 08:23: Remix.
08:23 - 08:24: Definitely.
08:24 - 08:25: Okay, you want to introduce it?
08:25 - 08:26: Yes.
08:26 - 08:29: This is Total with the remix of Can't You See featuring Notorious B.I.G.
08:29 - 08:36: Give me all the chicken head from Pasadena to Medina, bet big get in between your dents.
08:36 - 08:40: Take the prognosis, doses, blends and bends like Twizzlers.
08:40 - 08:42: Biggest hit into hurt, what's under that skirt?
08:42 - 08:44: Slow down, son, be chillin'.
08:44 - 08:46: Who fillin' them with octane?
08:46 - 08:48: Got 'em gassed up, 'bout to get blasted up, son.
08:48 - 08:51: The last one heard the muhfuck, brother, miss him.
08:51 - 08:54: I seen it when he kissed him at the wake, made his body shake.
08:54 - 08:59: She's the high guy in 850, I smoke ten, rap terror, full chrome and terrors.
08:59 - 09:05: She's fly by the mirrors, the fifth is conspicuous, bad boy slipped in '95, ridiculous.
09:05 - 09:10: My rap rhymes is like landmines, one step, ka-boom, black suits fill the room.
09:10 - 09:13: To whom it may concern, Junior Mafia's the clique.
09:13 - 09:16: I'm stuck, but have my honey's total budget.
09:16 - 09:24: In the middle of the day now, baby, I seem to think of only you.
09:24 - 09:37: Never thinkin' for a moment, baby, that you be thinkin' of me too.
09:37 - 09:46: So I can wait for the day that we can be together.
09:46 - 09:49: I can't let you walk away.
09:49 - 09:57: Can't you see you and me were meant to be, oh baby.
09:57 - 10:01: And there's nothing left to say.
10:01 - 10:05: Can't you see what you do to me?
10:05 - 10:08: I love what's meant to be.
10:08 - 10:11: Do you want it from me?
10:11 - 10:16: Oh baby, can't you see what you do to me?
10:16 - 10:19: I love what's meant to be.
10:19 - 10:23: Do you want it from me?
10:23 - 10:30: Every time I see you, I get this feeling.
10:30 - 10:32: Oh yeah.
10:32 - 10:34: Mm-hmm.
10:34 - 10:38: Telling me you're the one.
10:38 - 10:42: Oh, what a feeling.
10:42 - 10:44: Hey.
10:44 - 10:45: Let's go.
10:45 - 10:53: I can't wait for the day that we can be together.
10:53 - 10:56: I can't let you walk away.
10:56 - 11:02: Can't you see you and me were meant to be, oh baby.
11:02 - 11:07: And there's nothing left for me to say.
11:07 - 11:12: Can't you see what you do to me?
11:12 - 11:14: I love what's meant to be.
11:14 - 11:17: Do you want it from me?
11:17 - 11:23: Oh baby, can't you see what you do to me?
11:23 - 11:26: I love what's meant to be.
11:26 - 11:29: Do you want it from me?
11:29 - 11:34: Take me away, so far away.
11:34 - 11:37: What would you do to me?
11:37 - 11:45: Oh, I want to be alone together.
11:45 - 11:48: Somewhere just you and me.
11:48 - 11:51: Oh, oh.
11:51 - 11:57: Oh baby, can't you see what you do to me?
11:57 - 12:00: I love what's meant to be.
12:00 - 12:02: Do you want it from me?
12:02 - 12:08: Oh baby, can't you see what you do to me?
12:08 - 12:11: I love what's meant to be.
12:11 - 12:13: Do you want it from me?
12:13 - 12:19: Oh baby, can't you see what you do to me?
12:19 - 12:22: I love what's meant to be.
12:22 - 12:25: Do you want it from me?
12:25 - 12:30: Oh baby, can't you see what you do to me?
12:30 - 12:33: I love what's meant to be.
12:33 - 12:36: Do you want it from me?
12:36 - 12:41: Oh baby, can't you see what you do to me?
12:41 - 12:44: I love what's meant to be.
12:44 - 12:47: Do you want it from me?
12:47 - 12:52: Oh baby, can't you see what you do to me?
12:52 - 12:57: Oh baby.
12:57 - 13:23: [instrumental]
13:23 - 13:29: This town is coming like a ghost town.
13:29 - 13:36: All the clubs have been closed down.
13:36 - 13:42: This town is coming like a ghost town.
13:42 - 13:46: Bands won't play no more.
13:46 - 13:49: Too much fighting on the dance floor.
13:49 - 14:18: [instrumental]
14:18 - 14:26: Do you remember the condom days before the ghost town?
14:26 - 14:32: The sagging dance and the music playing in Alibu town.
14:32 - 15:00: [instrumental]
15:00 - 15:04: This town is coming like a ghost town.
15:04 - 15:07: Why mostly you fight against yourselves?
15:07 - 15:10: This town is coming like a ghost town.
15:10 - 15:13: No barmen leaving the years on their shelves.
15:13 - 15:17: This town is coming like a ghost town.
15:17 - 15:19: No job to be found in this country.
15:19 - 15:26: Can't no one earn more if you don't get your money.
15:26 - 15:52: [instrumental]
15:52 - 16:05: [instrumental]
16:05 - 16:07: That was the specials with Ghost Town.
16:07 - 16:09: I feel like because it was just Halloween,
16:09 - 16:11: it's worth doing a kind of spooky song.
16:11 - 16:14: I mean, but to be fair, that song is actually about
16:14 - 16:17: racial tension in the 1980s UK, so.
16:17 - 16:19: That's pretty spooky.
16:19 - 16:20: Yeah.
16:20 - 16:22: Kind of frightening.
16:22 - 16:24: Yeah, frightening is probably more the right word,
16:24 - 16:26: but I mean it has an eerie feel.
16:26 - 16:29: I think maybe now that Halloween's over and we're in November,
16:29 - 16:32: maybe today's show is not about spooky, it's about eerie.
16:32 - 16:34: Because November is kind of, it's like,
16:34 - 16:36: people say that October is the spookiest month,
16:36 - 16:39: but it's not like the rest of fall is chill.
16:39 - 16:40: Right.
16:40 - 16:41: You know what I mean?
16:41 - 16:42: Yeah.
16:42 - 16:43: October is kind of scary in itself.
16:43 - 16:45: You know, people are starting to cover up more.
16:45 - 16:46: You see fewer faces.
16:46 - 16:48: People just walking around like, you know.
16:48 - 16:50: Like New York, February is the scariest month.
16:50 - 16:51: Oh yeah, it's frightening.
16:51 - 16:52: Because people are just straight up like.
16:52 - 16:53: Everyone looks like a criminal.
16:53 - 16:54: Looking like they're going to rob somebody.
16:54 - 16:56: Yes, everyone's like a criminal.
16:56 - 16:57: Can't see anybody's eyes.
16:57 - 17:00: Yeah, and so it's like, it is kind of scary.
17:00 - 17:01: Do you celebrate Halloween?
17:01 - 17:03: Do you like do Halloween things?
17:03 - 17:05: I don't, it's not really my favorite thing.
17:05 - 17:07: Not so much as I get older.
17:07 - 17:09: I mean, every once in a while, I'll go to,
17:09 - 17:11: maybe I'll stop by a party or something.
17:11 - 17:13: But also because I live in New York,
17:13 - 17:15: nobody comes trick or treating where I live.
17:15 - 17:17: Oh man, first of all, that sounded,
17:17 - 17:19: that sounded like a threat.
17:19 - 17:21: Don't come trick or treating.
17:21 - 17:22: Don't start now.
17:22 - 17:23: Nobody comes trick or treating.
17:23 - 17:24: Well, no, well, first of all,
17:24 - 17:27: in New York, people do trick or treat sometimes.
17:27 - 17:29: I mean, I grew up in the suburbs in Jersey,
17:29 - 17:31: but I do have a memory of going trick or treating
17:31 - 17:33: with a friend in the city when I was little.
17:33 - 17:35: And we kept going into like bodegas
17:35 - 17:36: and asking the guy for candy.
17:36 - 17:37: Yeah.
17:37 - 17:38: He was like, no.
17:38 - 17:39: And sometimes you go in,
17:39 - 17:42: my dad has like a lot of sad stories
17:42 - 17:44: in his apartment building in the Bronx
17:44 - 17:46: and not being, his parents wouldn't let him
17:46 - 17:47: leave the building.
17:47 - 17:48: So just canvassing the build,
17:48 - 17:50: one building for all of Halloween.
17:50 - 17:51: Really?
17:51 - 17:52: Yeah.
17:52 - 17:53: But my, my building,
17:53 - 17:54: you need a key for the elevator.
17:54 - 17:55: So yeah.
17:55 - 17:56: Happy Halloween.
17:57 - 17:58: Good luck.
17:58 - 17:59: Good luck out there.
17:59 - 18:01: I think you start celebrating it less
18:01 - 18:02: because you're an adult
18:02 - 18:05: and you start realizing how genuinely frightening life is.
18:05 - 18:06: Right.
18:06 - 18:07: So it was just like, oh yeah,
18:07 - 18:09: I don't need a day where we just pretend to be scared.
18:09 - 18:10: It was like, oh yeah,
18:10 - 18:12: it's like frightening out there.
18:12 - 18:13: Right.
18:13 - 18:14: It's all around.
18:14 - 18:15: It's a cold world.
18:15 - 18:16: Totally.
18:16 - 18:19: But now I feel like Halloween is really just about
18:19 - 18:23: being behind a mask so you can do kind of like dumb crap.
18:23 - 18:24: Yeah.
18:24 - 18:25: You know?
18:25 - 18:26: Yeah.
18:26 - 18:28: I feel like I go to parties and people are acting crazy
18:28 - 18:29: because they don't,
18:29 - 18:31: they feel not responsible for their behavior that night.
18:31 - 18:34: Dancing and expressing feelings about.
18:34 - 18:36: Wait, I was not, no, that sounds real tame.
18:36 - 18:38: That's the bold thing I would do behind a mask.
18:38 - 18:40: I was just like, all right, man,
18:40 - 18:42: let's go express all of my feelings.
18:42 - 18:45: Take somebody into a corner and just let them know it's on your mind.
18:45 - 18:46: I never really liked you.
18:46 - 18:47: I tried.
18:47 - 18:48: I tried really, really hard.
18:48 - 18:49: Right.
18:49 - 18:50: Like I really tried.
18:50 - 18:52: I'm there, you're in front of me.
18:52 - 18:53: I'm like, like this person.
18:53 - 18:55: He was like nice, nice guy.
18:55 - 18:57: I said, I said, I got, okay.
18:57 - 18:58: I just got an idea.
18:58 - 18:59: Elevator pitch.
18:59 - 19:00: We're out here in Hollywood.
19:00 - 19:02: A movie starring Drodd Carmichael.
19:02 - 19:04: That's like the purge, but for emotions.
19:04 - 19:05: Oh my God.
19:05 - 19:06: Write that down.
19:06 - 19:09: I almost want you to take that off just so no one can.
19:09 - 19:10: Where does this air?
19:10 - 19:12: I got a few days to write a pitch.
19:12 - 19:14: You got a few days to write it.
19:14 - 19:16: The 24 hours once a year.
19:16 - 19:17: You're allowed to keep it real.
19:17 - 19:19: Oh, that's perfect.
19:19 - 19:20: That's great.
19:20 - 19:21: That's perfect.
19:21 - 19:22: I love that.
19:22 - 19:23: I could really see you in that.
19:23 - 19:24: That's a great vehicle for you.
19:24 - 19:25: Just going to just being very,
19:25 - 19:26: cause it's always this weird gray area.
19:26 - 19:28: I think most people.
19:28 - 19:31: Maybe you need to reclaim Halloween as your holiday where you just like,
19:31 - 19:32: tell people how you feel about things.
19:32 - 19:33: Yeah.
19:33 - 19:35: I'll tell them emotions that frighten me.
19:35 - 19:37: Emotional Halloween.
19:37 - 19:38: Emotional Halloween.
19:38 - 19:40: What's your next HBO standup special?
19:40 - 19:41: Emotional Halloween.
19:41 - 19:43: Oh, that's exactly what it is.
19:43 - 19:48: I just spent six hours with my father.
19:48 - 19:51: And then when I was 11, it was like, all right, we get it.
19:51 - 19:53: I made a lot of mistakes.
19:53 - 19:55: All right, let's get back into some more November music.
19:55 - 19:57: It's not spooky.
19:57 - 19:58: It's eerie.
19:58 - 20:01: Here's Laurie Anderson with Oh Superman.
21:05 - 21:09: Hi, I'm not home right now.
21:09 - 21:11: But if you want to leave a message,
21:11 - 21:14: just start talking at the sound of the tone.
21:17 - 21:25: Hello?
21:25 - 21:27: This is your mother.
21:27 - 21:29: Are you there?
21:29 - 21:31: Are you coming home?
21:35 - 21:42: Hello?
21:42 - 21:44: Is anybody home?
21:44 - 21:50: Well, you don't know me.
21:50 - 21:54: But I know you.
21:54 - 22:00: And I've got a message.
22:01 - 22:04: To give to you.
22:04 - 22:09: Here come the planes.
22:09 - 22:20: So you better get ready.
22:20 - 22:23: Ready to go.
22:23 - 22:28: You can come as you are.
22:29 - 22:32: Pay as you go.
22:32 - 22:37: Pay as you go.
22:37 - 22:55: And I said, "Okay, who is this really?"
22:57 - 23:00: And the voice said,
23:00 - 23:05: "This is the hand.
23:05 - 23:09: The hand that takes.
23:09 - 23:16: This is the hand.
23:16 - 23:22: The hand that takes.
23:26 - 23:29: This is the hand.
23:29 - 23:34: The hand that takes.
23:34 - 23:40: Here come the planes.
23:40 - 23:45: They're American planes.
23:45 - 23:48: Made in America.
23:48 - 23:51: Smoking or non-smoking.
23:51 - 23:54: Ha, ha, ha."
23:55 - 23:57: You're listening to
23:57 - 23:59: Time Crisis
23:59 - 24:01: on Beats 1.
24:01 - 24:03: That was Laurie Anderson with "Oh, Superman."
24:03 - 24:05: So, Jara, you said that reminded you
24:05 - 24:07: of something that you've found out
24:07 - 24:09: by experimenting with Prince's music.
24:09 - 24:13: Yes, as every young man should in his adolescence.
24:13 - 24:15: You should all experiment with Prince's music.
24:15 - 24:18: And Darlin' Nicky, it hit that, "Ha, ha, ha."
24:18 - 24:21: And then he goes into this sound that sounds weird,
24:21 - 24:24: but if you reverse it, he's singing,
24:24 - 24:26: "Hello, how are you? I'm fine,
24:26 - 24:28: because I know the Lord is coming soon,"
24:28 - 24:30: which is interesting, given the lyrics.
24:30 - 24:32: Wow, Prince is a complex man.
24:32 - 24:33: Yeah.
24:33 - 24:35: To me, sex and religion aren't opposites.
24:35 - 24:37: No, sex is religion.
24:37 - 24:39: I was waiting for it.
24:39 - 24:41: It is. I'm sorry.
24:41 - 24:44: You guys are telling me I was coming to church.
24:44 - 24:45: Sex is religion.
24:45 - 24:46: You know, that's funny,
24:46 - 24:48: because that leads me nicely into the next song,
24:48 - 24:51: and I was thinking about kind of November-ish songs.
24:51 - 24:54: I was thinking about songs from the early '90s.
24:54 - 24:57: My parents didn't get cable until the late '90s.
24:57 - 25:00: So unfortunately, I missed out on a lot of good MTV.
25:00 - 25:02: When I got into MTV, it was 1998.
25:02 - 25:05: It was a very dark time. I'm not going to name names.
25:05 - 25:08: So in the early '90s, that was a brutal time for MTV.
25:08 - 25:11: But in the early '90s, I'd occasionally be at friends' house,
25:11 - 25:14: and when I'd see a video once, it would stick with me,
25:14 - 25:16: because I didn't see music videos that much.
25:16 - 25:19: I'd listen to the song, and it's such a weird song.
25:19 - 25:20: It's so powerful and emotional,
25:20 - 25:23: and it really reminds me of autumn on the East Coast,
25:23 - 25:25: and it's Meat Loaf.
25:25 - 25:26: I Would Do Anything for Love.
25:26 - 25:27: You guys remember this song?
25:27 - 25:28: Yeah.
25:28 - 25:30: I remember the song. I don't remember the video.
25:30 - 25:31: I do.
25:31 - 25:32: It was like Beauty and the Beast.
25:32 - 25:33: Yes.
25:33 - 25:34: Oh, I do remember the video.
25:34 - 25:35: Candleabras and pianos.
25:35 - 25:37: You know who else did a video like that?
25:37 - 25:38: It was Celine Dion.
25:38 - 25:40: She did the song, um...
25:40 - 25:42: ♪ Can you touch me like this? ♪
25:42 - 25:43: Isn't that Meat Loaf?
25:43 - 25:44: No.
25:44 - 25:45: Didn't he write that?
25:45 - 25:46: ♪ Can you touch me like this? ♪
25:46 - 25:47: Oh, it's all coming back to me.
25:47 - 25:48: ♪ Can you touch me like this? ♪
25:48 - 25:49: I think it might be the same songwriter.
25:49 - 25:50: Really?
25:50 - 25:51: Yeah, it sounds like Celine Dion.
25:51 - 25:53: And it's the same kind of video it looks like.
25:53 - 25:55: Yeah, kind of like rock opera.
25:55 - 25:57: It's like big gothic opera, whatever.
25:57 - 25:59: So here's the real November song, Meat Loaf,
25:59 - 26:02: with I'd Do Anything for Love, but I Won't Do That.
26:02 - 26:13:
26:13 - 26:19: ♪ And I would do anything for love ♪
26:19 - 26:24: ♪ I'd run right into hell and back ♪
26:24 - 26:29: ♪ I would do anything for love ♪
26:29 - 26:36: ♪ I'd never lie to you and that's a fact ♪
26:36 - 26:41: ♪ But I'll never forget the way you feel right now ♪
26:41 - 26:45: ♪ Oh no, no way ♪
26:45 - 26:51: ♪ And I would do anything for love ♪
26:51 - 26:56: ♪ But I won't do that ♪
26:56 - 26:59: ♪ No, I won't do that ♪
26:59 - 27:08:
27:08 - 27:11: ♪ And some days it don't come easy ♪
27:11 - 27:14: ♪ And some days it don't come hard ♪
27:14 - 27:16: ♪ Some days it don't come at all ♪
27:16 - 27:20: ♪ And these are the days that never end ♪
27:20 - 27:23: ♪ And some nights you're breathing fire ♪
27:23 - 27:26: ♪ And some nights you're caught in ice ♪
27:26 - 27:30: ♪ Some nights you're like nothing I've ever seen ♪
27:30 - 27:33: ♪ Before or will again ♪
27:33 - 27:35: ♪ And maybe I'm crazy ♪
27:35 - 27:40: ♪ Oh, it's crazy and it's true ♪
27:40 - 27:42: ♪ I know you can save me ♪
27:42 - 27:46: ♪ No one else can save me now but you ♪
27:46 - 27:50: ♪ As long as the planets are turning ♪
27:50 - 27:53: ♪ As long as the stars are burning ♪
27:53 - 27:56: ♪ As long as your dreams are coming true ♪
27:56 - 27:58: ♪ You better believe it ♪
27:58 - 28:03: ♪ That I would do anything for love ♪
28:03 - 28:07: ♪ Oh, I would do anything for love ♪
28:07 - 28:12: ♪ Oh, I would do anything for love ♪
28:12 - 28:16: ♪ But I won't do that ♪
28:16 - 28:19: ♪ No, I won't do that ♪
28:19 - 28:22: ♪ I would do anything for love ♪
28:22 - 28:25: ♪ Anything you've been dreaming of ♪
28:25 - 28:28: ♪ But I just won't do that ♪
28:28 - 28:31: ♪ I would do anything for love ♪
28:31 - 28:34: ♪ Anything you've been dreaming of ♪
28:34 - 28:37: ♪ But I just won't do that ♪
28:37 - 28:40: ♪ And some days I pray for silence ♪
28:40 - 28:43: ♪ And some days I pray for soul ♪
28:43 - 28:46: ♪ Some days I just pray to the God of ♪
28:46 - 28:50: ♪ Sax and drums and rock and roll ♪
28:50 - 28:52: ♪ And maybe I'm lonely ♪
28:52 - 28:56: ♪ It's all I'm qualified to be ♪
28:56 - 28:58: ♪ There's just one and only ♪
28:58 - 29:03: ♪ One and only promise I can keep ♪
29:03 - 29:06: ♪ As long as the wheels are turning ♪
29:06 - 29:09: ♪ As long as the fires are burning ♪
29:09 - 29:12: ♪ As long as your dreams are coming true ♪
29:12 - 29:14: ♪ You better believe it ♪
29:14 - 29:19: ♪ That I would do anything for love ♪
29:19 - 29:24: ♪ And you know it's true and that's a fact ♪
29:24 - 29:28: ♪ I would do anything for love ♪
29:28 - 29:33: ♪ And it'll never be no turning back ♪
29:33 - 29:36: ♪ But I'll never do it better ♪
29:36 - 29:39: ♪ Than I do it with you ♪
29:39 - 29:42: ♪ So love, so love ♪
29:42 - 29:46: ♪ I would do anything for love ♪
29:46 - 29:51: ♪ Oh, I would do anything for love ♪
29:51 - 29:55: ♪ I would do anything for love ♪
29:55 - 29:58: ♪ But I won't do that ♪
29:58 - 30:01: ♪ No, no, no, I won't do that ♪
30:01 - 30:05: ♪ Will you raise me up, will you help me down ♪
30:05 - 30:10: ♪ Will you get me right out of this godforsaken town ♪
30:10 - 30:14: ♪ Will you make it all a little less cold ♪
30:14 - 30:17: ♪ I can do that ♪
30:17 - 30:20: ♪ Oh, no, no, I can do that ♪
30:20 - 30:24: ♪ Give it to everything I got ♪
30:24 - 30:27: ♪ Will you hold me down with holy water ♪
30:27 - 30:29: ♪ If I get too hot ♪
30:29 - 30:32: ♪ Will you take me places I've never known ♪
30:32 - 30:35: ♪ Now I can do that ♪
30:35 - 30:38: ♪ Oh, no, I can do that ♪
30:38 - 30:42: ♪ All the territory I've been around ♪
30:42 - 30:47: ♪ It'll all turn to dust and we'll all fall down ♪
30:47 - 30:51: ♪ Sooner or later you'll be scrolling around ♪
30:51 - 30:56: ♪ I won't do that ♪
30:56 - 30:59: ♪ No, I won't do that ♪
30:59 - 31:02: ♪ Anything for love ♪
31:02 - 31:06: ♪ But I won't do that ♪
31:06 - 31:09: That was "Me Love" with an incredible autumnal song.
31:09 - 31:12: "I Would Do Anything for Love, But I Won't Do That."
31:12 - 31:14: Do you guys know what he's talking about?
31:14 - 31:16: 'Cause I remember being a kid,
31:16 - 31:19: and there was some discussion in the schoolyard.
31:19 - 31:21: Meatloaf would do anything for love, but he won't do that.
31:21 - 31:23: He never clearly says what that is.
31:23 - 31:25: Like a certain sexual position.
31:25 - 31:28: I mean, that's low-hanging fruit.
31:28 - 31:29: Yeah. Right?
31:29 - 31:32: Which is also a certain sexual position.
31:32 - 31:34: Shh, shh, shh, shh, shh.
31:34 - 31:35: There you go.
31:35 - 31:36: All right, well, okay, so I think--
31:36 - 31:38: This is my interpretation. This is my exegesis.
31:38 - 31:40: Are you gonna go to Rome, Rashida?
31:40 - 31:41: Yes, please!
31:41 - 31:45: It's like, dude, you're going to Rome?
31:45 - 31:47: Low-hanging fruit special.
31:47 - 31:50: Well, open for Ezra.
31:50 - 31:52: We've never had a comedian on the road.
31:52 - 31:53: You should do that.
31:53 - 31:55: I wanna do it. I wanna do it.
31:55 - 31:56: Emotional Halloween tour.
31:56 - 31:57: Yes.
31:57 - 31:58: October 2016.
31:58 - 31:59: Yes.
31:59 - 32:00: That would be dope, actually.
32:00 - 32:02: He's saying, "I would do anything for love.
32:02 - 32:04: "I'd never lie to you, and that's a fact.
32:04 - 32:06: "But I'll never forget the way you feel right now.
32:06 - 32:07: "Oh, no, no way.
32:07 - 32:09: "And I would do anything for love, but I won't do that.
32:09 - 32:11: "I would do anything for love, anything you've been dreaming of,
32:11 - 32:13: "but I just won't do that."
32:13 - 32:17: His response to his girlfriend asked him to go apple picking.
32:17 - 32:19: That's so autumnal.
32:19 - 32:20: He was like, "I gotta write."
32:20 - 32:24: And then he just wrote, just, "I'm not doing it.
32:24 - 32:25: "I'm not doing it." That would be my response.
32:25 - 32:27: That's why I feel like the song is so autumnal,
32:27 - 32:29: because it's about apple picking.
32:29 - 32:30: I'll do anything for love.
32:30 - 32:32: Mostly, and it's settled.
32:32 - 32:35: What is that? I wanna know what that is now.
32:35 - 32:37: I also kinda remember in the early '90s,
32:37 - 32:41: if you remember, that was the peak or the beginning
32:41 - 32:43: of real safe sex education.
32:43 - 32:45: So there was a lot of talk--
32:45 - 32:47: I mean, not that safe sex has gone out of style,
32:47 - 32:48: but I'm just saying back then,
32:48 - 32:50: that was the height of the AIDS epidemic.
32:50 - 32:52: Everybody's talking about safe sex.
32:52 - 32:54: Everybody's like, "All right, we gotta teach kids about condoms
32:54 - 32:55: "really early."
32:55 - 32:58: So I kinda remember having this slight feeling,
32:58 - 33:00: because I was getting-- at 7 years old or whatever,
33:00 - 33:02: I was already hearing so much about using--
33:02 - 33:03: "I gotta use condoms."
33:03 - 33:04: Really?
33:04 - 33:05: Yeah, I wasn't having sex then,
33:05 - 33:06: but everybody told me I had to use condoms.
33:06 - 33:08: In fact, I have a memory of being a kid
33:08 - 33:12: over at some--like, a fellow liberal family's household,
33:12 - 33:14: and I heard a kid, my fellow kid who was 7,
33:14 - 33:16: say to his mom in the kitchen--
33:16 - 33:17: and my head was about to explode--
33:17 - 33:21: say, "Hey, Mom, I'm gonna have sex later."
33:21 - 33:24: And I remember being like, "Oh, my God."
33:24 - 33:26: And I remember she looked at him and said,
33:26 - 33:28: "Well, I hope it's safe sex."
33:28 - 33:29: Wow.
33:29 - 33:32: This is like some classic, like, liberal suburb stuff.
33:32 - 33:33: But anyway, you're always talking about safe sex,
33:33 - 33:35: so I always kind of assumed that I would do anything for love,
33:35 - 33:36: but I won't do that.
33:36 - 33:38: I won't go Jimmy-less.
33:38 - 33:40: 'Cause he's talking-- yeah, I wouldn't go Jimmy-less.
33:40 - 33:42: That's the real '90s parlance.
33:42 - 33:43: Jimmy Hat.
33:43 - 33:47: Love--I don't get enough of it.
33:47 - 33:48: Yeah, I was confused about that.
33:48 - 33:50: Is a Jimmy a penis or a condom?
33:50 - 33:51: I don't know.
33:51 - 33:52: I mean, I think Jimmy's probably a penis,
33:52 - 33:54: but it probably is short for Jimmy Hat, too, right?
33:54 - 33:55: Yeah, yeah.
33:55 - 33:56: Or Jimmy Cap.
33:56 - 33:57: Oh, you know what?
33:57 - 33:59: This is a song that also reminds me of autumn.
33:59 - 34:01: This reminds me of autumn when I was in high school.
34:01 - 34:04: When would I--I don't know, maybe a freshman or something.
34:04 - 34:06: This song is very autumnal to me,
34:06 - 34:08: and I feel like the video's very autumnal, too.
34:08 - 34:10: I'm not gonna tell you guys what it is.
34:10 - 34:11: Oh.
34:11 - 34:12: Oh, yeah.
34:12 - 34:14: Is this not autumnal?
34:17 - 34:19: ♪ What will I do with my own biz, baby? ♪
34:19 - 34:22: ♪ Don't worry, you know that you got me ♪
34:22 - 34:28: ♪ If you're worried 'bout where I've been or who I'm for ♪
34:28 - 34:31: ♪ What will I do with my own biz, baby? ♪
34:31 - 34:33: ♪ Don't worry, you know that you got me ♪
34:33 - 34:35: ♪ Somebody told me that this planet was small ♪
34:35 - 34:38: ♪ We used to live in the same building on the same floor ♪
34:38 - 34:41: ♪ And never met before until I'm overseas on tour ♪
34:41 - 34:45: ♪ And peep this Ethiopian queen from Philly taking classes abroad ♪
34:45 - 34:48: ♪ She's studying film in photo flash focus record ♪
34:48 - 34:51: ♪ Says she's working on a flick and cut my click through the score ♪
34:51 - 34:54: ♪ She says she loved my show in Paris at a Lisi Momar ♪
34:54 - 34:57: ♪ And that I stepped off the stage and took a piece of her heart ♪
34:57 - 34:59: ♪ We knew from the start that things fall apart ♪
34:59 - 35:01: ♪ Intent to shatter, she like that shit don't matter ♪
35:01 - 35:04: ♪ When I get home, get out of through that a phone ♪
35:04 - 35:06: ♪ Whatever, let's lay, let's get together ♪
35:06 - 35:07: ♪ Shit, you think not? ♪
35:07 - 35:09: ♪ Think the thought went home and forgot? ♪
35:09 - 35:12: ♪ Time passed, we back in Philly, now she up in my spot ♪
35:12 - 35:14: ♪ Telling me the things I'm telling her is making her hot ♪
35:14 - 35:17: ♪ Started building with her constantly round the clock ♪
35:17 - 35:21: ♪ Now she in my world like hip hop and keep telling me, telling me ♪
35:21 - 35:27: ♪ If you were worried 'bout where I've been or who I saw ♪
35:27 - 35:29: ♪ What club I went to with my homies? ♪
35:29 - 35:33: ♪ Baby, don't worry, you know that you got me ♪
35:33 - 35:39: ♪ If you were worried 'bout where I've been or who I saw ♪
35:39 - 35:41: ♪ What club I went to with my homies? ♪
35:41 - 35:44: ♪ Baby, don't worry, you know that you got me ♪
35:44 - 35:47: ♪ Yo, I'm the type that's always catching a flight ♪
35:47 - 35:50: ♪ And sometimes I got to be out at the height of the night ♪
35:50 - 35:52: ♪ And that's when she flip and get on some more ♪
35:52 - 35:54: ♪ Another lonely night, seem like I'm on the side ♪
35:54 - 35:56: ♪ You want me loving your mind ♪
35:56 - 35:59: ♪ I know you gotta get that paper, daddy keeps it tight ♪
35:59 - 36:01: ♪ But yo, I need some sort of love in my life ♪
36:01 - 36:02: ♪ You dig me? ♪
36:02 - 36:05: ♪ While politicking with my sister from New York City ♪
36:05 - 36:06: ♪ She says she know this ball player ♪
36:06 - 36:07: ♪ And he think I'm pretty ♪
36:07 - 36:09: ♪ It's like I'm playing, boo ♪
36:09 - 36:10: ♪ No, it's just with you, I'm staying, boo ♪
36:10 - 36:12: ♪ And when cats be robbing games ♪
36:12 - 36:13: ♪ I don't hear what they saying, boo ♪
36:13 - 36:16: ♪ When you out there in the world, I'm still your girl ♪
36:16 - 36:19: ♪ With all my glasses, I don't have the time for life's thrill ♪
36:19 - 36:22: ♪ So when you sweating on stage, think of me when you rhyme ♪
36:22 - 36:25: ♪ And don't be listening to your homies, they can see you grind ♪
36:25 - 36:26: ♪ Yeah, so what you saying, I can trust you ♪
36:26 - 36:28: ♪ If you crazy, you my king for real ♪
36:28 - 36:31: ♪ But sometimes relationships get ill, no doubt ♪
36:31 - 36:32: ♪ No doubt, no doubt ♪
36:32 - 36:38: ♪ If you were worried 'bout where I've been or who I saw ♪
36:38 - 36:41: ♪ What club I went to with my homies, baby ♪
36:41 - 36:44: ♪ Don't worry, you know that you got me ♪
36:44 - 36:50: ♪ If you were worried 'bout where I've been or who I saw ♪
36:50 - 36:53: ♪ What club I went to with my homies, baby ♪
36:53 - 36:55: ♪ Don't worry, you know that you got me ♪
36:55 - 36:57: ♪ That snake could be that chick and that rat ♪
36:57 - 36:58: ♪ Could be that cool cat ♪
36:58 - 37:01: ♪ That's Whisper and she trying to play you for the full black ♪
37:01 - 37:04: ♪ If something's on your chest, then let her know ♪
37:04 - 37:07: ♪ See, I'm not your every five minutes all on the phone ♪
37:07 - 37:10: ♪ And on the topic of trust, it's just a matter of fact ♪
37:10 - 37:13: ♪ That people bite back and fracture what's intact ♪
37:13 - 37:14: ♪ And they'll forever be ♪
37:14 - 37:16: ♪ I ain't on some Obama celebrity ♪
37:16 - 37:19: ♪ I deal with the real, so if it's artificial, let it be ♪
37:19 - 37:22: ♪ I seen people caught in love like whirlwinds ♪
37:22 - 37:25: ♪ Listening to these swans and listening to girlfriends ♪
37:25 - 37:28: ♪ That's exactly the point where they whole world ends ♪
37:28 - 37:31: ♪ Lies come in, that's where the drama begins ♪
37:31 - 37:36: ♪ If you were worried 'bout where I've been or who I saw ♪
37:36 - 37:39: ♪ What club I went to with my homies ♪
37:39 - 37:43: ♪ Baby, don't worry, you know that you got me ♪
37:43 - 37:48: ♪ If you were worried 'bout where I've been or who I saw ♪
37:48 - 37:51: ♪ What club I went to with my homies ♪
37:51 - 37:55: ♪ Baby, don't worry, you know that you got me ♪
37:55 - 38:00: ♪ If you were worried 'bout where I've been or who I saw ♪
38:00 - 38:03: ♪ What club I went to with my homies ♪
38:03 - 38:07: ♪ Baby, don't worry, you know that you got me ♪
38:07 - 38:12: ♪ If you were worried 'bout where I've been or who I saw ♪
38:12 - 38:15: ♪ What club I went to with my homies ♪
38:15 - 38:19: ♪ Baby, don't worry, you know that you got me ♪
38:19 - 38:21: ♪ If you were worried 'bout where I've been or who I saw ♪
38:21 - 38:22: - Beautiful song. - Beautiful.
38:22 - 38:24: - Yeah. - You like that outro?
38:24 - 38:26: - It's great. I can just picture Questlove, like,
38:26 - 38:30: not even breaking a sweat, just, like, barely moving,
38:30 - 38:32: just making all that happen.
38:32 - 38:34: - Oh, yeah, 'cause he's got amazing form.
38:34 - 38:35: - No, he's also-- - Very straight back.
38:35 - 38:38: - I like to imagine it looked like the intro to "Whiplash."
38:38 - 38:41: - Just pouring sweat, just blood.
38:41 - 38:43: - Blood, his hands bleeding. He's just not--
38:43 - 38:45: and, like, Erykah Badu's just really chill.
38:45 - 38:47: - He's, like, the opposite of that.
38:47 - 38:48: - Okay.
38:48 - 38:51: Um, how about some more music with drums?
38:51 - 38:53: This song reminds me of-- - Autumn.
38:53 - 38:58: - You remember this song? - That only leaves 98% of songs.
38:58 - 39:00: [upbeat music]
39:00 - 39:02: ♪ A daddy cat, a pig ♪
39:02 - 39:04: ♪ A heir, a friend ♪
39:04 - 39:06: ♪ A mommy, all in all ♪
39:06 - 39:08: ♪ A family, a cash ♪
39:08 - 39:10: ♪ A few new clothes ♪
39:10 - 39:12: ♪ A stay at the corner ♪
39:12 - 39:17: ♪ She is a living in the underwoods ♪
39:17 - 39:24: ♪ ♪
39:24 - 39:26: - Hey, you!
39:26 - 39:28: ♪ ♪
39:28 - 39:31: ♪ You're losing, you're losing ♪
39:31 - 39:35: ♪ You're losing, you're losing your vitamin C ♪
39:35 - 39:37: ♪ ♪
39:37 - 39:39: Hey, you!
39:39 - 39:41: ♪ ♪
39:41 - 39:43: ♪ You're losing, you're losing ♪
39:43 - 39:47: ♪ You're losing, you're losing your vitamin C ♪
39:47 - 39:49: ♪ Your vitamin C ♪
39:49 - 39:57: ♪ ♪
39:57 - 40:02: ♪ ♪
40:02 - 40:06: ♪ Who's the Christmas in your body? ♪
40:06 - 40:10: ♪ Oh, she is stepping on a quicksand ♪
40:10 - 40:12: ♪ A few new clothes ♪
40:12 - 40:14: ♪ A stay at the corner ♪
40:14 - 40:18: ♪ She is a living in the underwoods ♪
40:18 - 40:26: ♪ ♪
40:26 - 40:28: Hey, you!
40:28 - 40:30: ♪ ♪
40:30 - 40:32: ♪ You're losing, you're losing ♪
40:32 - 40:36: ♪ You're losing, you're losing your vitamin C ♪
40:36 - 40:38: ♪ ♪
40:38 - 40:40: Hey, you!
40:40 - 40:42: ♪ ♪
40:42 - 40:44: ♪ You're losing, you're losing ♪
40:44 - 40:48: ♪ You're losing, you're losing your vitamin C ♪
40:48 - 40:50: ♪ Your vitamin C ♪
40:50 - 40:58: ♪ ♪
42:02 - 42:04: ♪ ♪
42:04 - 42:06: Hey, you!
42:06 - 42:08: ♪ ♪
42:08 - 42:10: ♪ You're losing, you're losing ♪
42:10 - 42:14: ♪ You're losing, you're losing your vitamin C ♪
42:14 - 42:16: ♪ ♪
42:16 - 42:18: Hey, you!
42:18 - 42:20: ♪ ♪
42:20 - 42:22: That was "Can" with Vitamin C.
42:22 - 42:23: You guys like that song?
42:23 - 42:24: Really like it.
42:24 - 42:27: Best drum since "Fillin' in the Air."
42:27 - 42:28: Yeah.
42:28 - 42:31: Germans can play drums very well.
42:31 - 42:34: You heard it here first, guys.
42:34 - 42:38: It's amazing that it's sausage and drums, you guys.
42:38 - 42:40: They know what they're doing.
42:40 - 42:44: Time Crisis with Ezra Kaden.
42:44 - 42:46: Beep, beep, beep, beep, beep, beep, beep.
42:46 - 42:48: One.
42:48 - 42:50: So as I said, we've known each other--
42:50 - 42:52: we've all known each other for a while,
42:52 - 42:54: but recently we were all at a mutual friend's birthday,
42:54 - 42:56: and it was a karaoke event.
42:56 - 42:58: And everybody sang.
42:58 - 43:00: I was really happy about that, 'cause you know,
43:00 - 43:02: sometimes you go-- if you're gonna go to karaoke,
43:02 - 43:03: you have to sing.
43:03 - 43:04: I agree.
43:04 - 43:05: You go to be a wallflower?
43:05 - 43:06: Yeah, sometimes I don't feel like singing,
43:06 - 43:07: but I stay home.
43:07 - 43:09: [laughter]
43:09 - 43:11: And that's right. That's the right thing to do.
43:11 - 43:14: Now I feel bad for the wallflowers.
43:14 - 43:15: [laughter]
43:15 - 43:17: Jacob Dylan.
43:17 - 43:20: But I don't know if this is gonna work that well,
43:20 - 43:22: but I thought, you know, like, a radio show
43:22 - 43:24: could be a good opportunity to do a little bit of karaoke.
43:24 - 43:25: We've never done karaoke on the show.
43:25 - 43:27: Every once in a while, I sing.
43:27 - 43:29: A lot of times I sing along to "Weekend in the Hills,"
43:29 - 43:31: but I don't know.
43:31 - 43:33: I remember, Jirard, you sang this song.
43:33 - 43:37: We got, like, a really corny...
43:37 - 43:39: karaoke instrumental.
43:39 - 43:41: How well do you know the lyrics?
43:41 - 43:43: Oh, this is--oh, okay, this is the--
43:43 - 43:45: okay, yeah, I know it.
43:48 - 43:51: ♪ Everybody's got a thing ♪
43:51 - 43:55: ♪ But some don't know how to handle it ♪
43:55 - 43:56: Nice.
43:56 - 43:59: ♪ Always reaching out in vain ♪
43:59 - 44:04: ♪ I don't know much better than having ♪
44:04 - 44:06: ♪ Don't you--oh, no! ♪
44:06 - 44:07: Oh, no.
44:07 - 44:09: All right, hold on, we're gonna get to the chorus.
44:09 - 44:11: We gotta get one chorus.
44:11 - 44:15: ♪ They say your style of life's a drag ♪
44:15 - 44:17: ♪ And that you must go and play ♪
44:17 - 44:19: All right, take it, Jirard.
44:19 - 44:23: ♪ Don't you worry 'bout a thing ♪
44:23 - 44:28: ♪ Don't you worry 'bout a thing, my, my ♪
44:28 - 44:31: ♪ 'Cause I'll be standing on the side ♪
44:31 - 44:34: ♪ When you check it out ♪
44:34 - 44:36: Yeah, that was nice.
44:36 - 44:37: I think--
44:37 - 44:38: That was good.
44:38 - 44:41: Listen, I--first of all, yeah, I need to--
44:41 - 44:45: next time we do karaoke, I'm gonna take a week.
44:45 - 44:47: Listen, you said that last time we did karaoke--
44:47 - 44:48: But we didn't plan it.
44:48 - 44:49: We didn't plan--we have to--
44:49 - 44:51: We've had months, though.
44:51 - 44:53: So I need just a week.
44:53 - 44:55: There's gonna be no whine.
44:55 - 44:56: Okay.
44:56 - 44:57: I'm gonna protect my voice.
44:57 - 45:00: I'm only gonna speak, like, tapping into, like, phones,
45:00 - 45:03: a lot of T, a lot of throat coat, a lot of yogi--
45:03 - 45:07: the word "hibiscus" is gonna be said a lot.
45:07 - 45:10: By the way, without any planning, you sounded great,
45:10 - 45:11: I just have to say.
45:11 - 45:14: I just want to say that both of you are primarily known
45:14 - 45:18: for being actors/writers in films and programs.
45:18 - 45:20: You both have great voices.
45:20 - 45:22: Rashida, you've done some singing recently
45:22 - 45:23: with your nephew, Sonny.
45:23 - 45:24: Yes, I did.
45:24 - 45:25: Should we play a little bit of that?
45:25 - 45:26: Yeah, sure.
45:26 - 45:27: All right, let's play.
45:27 - 45:29: So, Rashida, obviously you come from a musical family.
45:29 - 45:30: Yeah.
45:30 - 45:32: Your dad is a musician, but--
45:32 - 45:33: It's Quincy Jones.
45:33 - 45:34: You know that, right?
45:34 - 45:35: What?
45:35 - 45:36: That's my dad.
45:36 - 45:38: I knew that he was a musician.
45:38 - 45:41: [laughter]
45:41 - 45:43: I thought it was Tom Jones.
45:43 - 45:44: So close.
45:44 - 45:45: I knew it was a musician.
45:45 - 45:47: His last name was Jones.
45:47 - 45:48: Yes, of course.
45:48 - 45:49: Quincy Jones.
45:50 - 45:52: She just said a synonym for music.
45:52 - 45:53: Right.
45:53 - 45:55: Of course, of course.
45:55 - 45:57: Your father's a legendary Quincy Jones.
45:57 - 45:59: But obviously, because you're more known for films
45:59 - 46:02: and programs, people forget that you actually have
46:02 - 46:03: your own history with music.
46:03 - 46:06: I don't think anybody knows this, that you sang
46:06 - 46:08: backup on the first Maroon 5 album.
46:08 - 46:09: What?
46:09 - 46:10: Was that Songs About Jane?
46:10 - 46:11: People know--
46:11 - 46:12: Yes.
46:12 - 46:13: People do know this?
46:13 - 46:14: People know that.
46:14 - 46:15: I didn't know that.
46:15 - 46:16: Okay, I guarantee people right now are going to be
46:16 - 46:17: tweeting, "I did not know that."
46:17 - 46:19: If I weren't on the show, I would be calling in right now.
46:19 - 46:20: Wait, Gerard, did you know that?
46:20 - 46:21: I didn't know that.
46:21 - 46:22: Okay, Gerard didn't know it.
46:22 - 46:23: I didn't know that.
46:23 - 46:24: That's dope.
46:24 - 46:25: Yeah, that's true.
46:25 - 46:26: That's true.
46:26 - 46:27: I sang backup for them when they were called
46:27 - 46:30: Kara's Flowers, before they were Maroon 5.
46:30 - 46:31: Really?
46:31 - 46:32: And on their demo, and on their first album.
46:32 - 46:34: Wait, so was First Album Songs About Jane?
46:34 - 46:35: Yeah.
46:35 - 46:36: Yeah, yeah.
46:36 - 46:37: Which songs did you sing on?
46:37 - 46:38: I don't know.
46:38 - 46:39: I can't remember.
46:39 - 46:40: Sunday Morning and--
46:40 - 46:42: Did you do the "I Like That" on Sunday Morning?
46:42 - 46:43: Is that your voice?
46:43 - 46:45: I'm, like, way down in the mix.
46:45 - 46:48: Because there's a woman who says, like, literally,
46:48 - 46:50: within the first 30 seconds of the song, just says,
46:50 - 46:51: "I like that," and I always wondered who she was.
46:51 - 46:52: No, that's not me.
46:52 - 46:54: "Secret," I sang on a song called "Secret."
46:54 - 46:57: I sang on, I sang on, like, three or four songs.
46:57 - 46:59: Did you sing on, um...
46:59 - 47:03: ♪ This love has taken its toll on me ♪
47:03 - 47:05: ♪ She said goodbye ♪
47:05 - 47:06: No?
47:06 - 47:07: No, I didn't.
47:07 - 47:11: Well, this is Maroon 5's "Secret."
47:11 - 47:14: It's, like, three minutes in.
47:14 - 47:15: Okay, let's get back.
47:15 - 47:17: ♪ I know I don't love you ♪
47:17 - 47:18: That's me.
47:18 - 47:19: Oh, you sound good.
47:19 - 47:25: ♪ But I want you so bad ♪
47:25 - 47:26: Oh, that's dope.
47:26 - 47:29: ♪ Everyone has a secret ♪
47:29 - 47:32: ♪ Oh, can they keep it? ♪
47:32 - 47:37: ♪ Oh, no, they can't ♪
47:37 - 47:39: ♪ Oh, da-da-da-da-da ♪
47:39 - 47:41: He definitely turned me down in the mix.
47:41 - 47:42: [laughter]
47:42 - 47:44: Okay, I think you sounded great.
47:44 - 47:45: You got buried in the mix.
47:45 - 47:46: I got buried in the mix.
47:46 - 47:47: This opens up all sorts of questions.
47:47 - 47:49: We got traveling Lil' Berries here.
47:49 - 47:51: Got buried in the mix.
47:51 - 47:53: So what's Adam Levine like?
47:53 - 47:55: He's cool. I've known him for a long time.
47:55 - 47:57: You knew him just from growing up in L.A.?
47:57 - 47:58: A little bit, yeah.
47:58 - 48:00: He's a tiny bit younger than me.
48:00 - 48:01: Who's Jane?
48:01 - 48:02: The song's about Jane. Who's Jane?
48:02 - 48:04: You know, I actually know who Jane is.
48:04 - 48:05: Oh, is it Jane Krakowski?
48:05 - 48:06: No!
48:06 - 48:07: But who is it?
48:07 - 48:10: Jane is Jane Herman, I think,
48:10 - 48:12: who was a girl who went to school in L.A.,
48:12 - 48:14: who's Ron Herman's daughter,
48:14 - 48:15: who owned Fred Siegel,
48:15 - 48:17: which is kind of like a big store in L.A.
48:17 - 48:19: where all those private school kids used to go.
48:19 - 48:22: And I think Adam was in love with her.
48:22 - 48:23: I don't know what the deal was.
48:23 - 48:24: Maybe they dated.
48:24 - 48:25: Oh, wow.
48:25 - 48:26: Yeah.
48:26 - 48:28: So that was some of your earliest recorded musical work.
48:28 - 48:29: Let's listen to your newest.
48:29 - 48:30: The song is called...
48:30 - 48:32: It's called "Flip and Rewind."
48:32 - 48:33: "Flip and Rewind."
48:33 - 48:34: So you did this with your nephew.
48:34 - 48:37: My nephew, who is my oldest sister's son.
48:37 - 48:38: Because when people...
48:38 - 48:39: Yeah, so how old is your nephew?
48:39 - 48:40: It's confusing.
48:40 - 48:41: He's like 35.
48:41 - 48:42: So he's basically the same age as you.
48:42 - 48:44: Yeah, we were like cousins growing up.
48:44 - 48:45: He calls you Auntie.
48:45 - 48:46: He calls me Auntie Rashi, yeah.
48:46 - 48:48: But you're four years older than him.
48:48 - 48:50: Yeah, but he's a very talented musician.
48:50 - 48:53: He scored the movie that I co-wrote,
48:53 - 48:55: "Celeste and Jesse Forever,"
48:55 - 48:57: and he's really talented.
48:57 - 48:58: Let's listen to it.
48:58 - 49:27: ♪ ♪
49:27 - 49:29: ♪ ♪
49:29 - 49:31: ♪ Running, running ♪
49:31 - 49:33: ♪ Out of time, out of time ♪
49:33 - 49:35: ♪ Stopped trying ♪
49:35 - 49:38: ♪ 'Cause we're caught up past feeling fine ♪
49:38 - 49:40: ♪ Going, gone ♪
49:40 - 49:42: ♪ Getting to the bottom line ♪
49:42 - 49:44: ♪ Wrong side ♪
49:44 - 49:49: ♪ Ooh, I wanna flip and rewind ♪
49:49 - 49:53: ♪ I wanna rewind ♪
49:53 - 49:55: ♪ Rewind ♪
49:55 - 49:59: ♪ You know that I want it too ♪
49:59 - 50:03: ♪ And I'm sure you'd love to ♪
50:03 - 50:08: ♪ There's a place we can get to ♪
50:08 - 50:13: ♪ Where you're like more than you ♪
50:13 - 50:17: ♪ You know that I want it too ♪
50:17 - 50:21: ♪ And I'm sure you'd love to ♪
50:21 - 50:26: ♪ There's a place we can get to ♪
50:26 - 50:30: ♪ Where you're like more than you ♪
50:30 - 50:40: ♪ ♪
50:40 - 50:42: ♪ Stayin', stayin' ♪
50:42 - 50:45: ♪ Way past closing time ♪
50:45 - 50:49: ♪ Get the feeling that we're going for another ride ♪
50:49 - 50:51: ♪ Same, same ♪
50:51 - 50:54: ♪ Never make it down the line ♪
50:54 - 50:55: ♪ Wrong side ♪
50:55 - 51:00: ♪ Ooh, I wanna flip and rewind ♪
51:00 - 51:04: ♪ I wanna rewind ♪
51:04 - 51:06: ♪ Rewind ♪
51:06 - 51:10: ♪ You know that I want it too ♪
51:10 - 51:14: ♪ And I'm sure you'd love to ♪
51:14 - 51:19: ♪ There's a place we can get to ♪
51:19 - 51:24: ♪ Where you're like more than you ♪
51:24 - 51:28: ♪ You know that I want it too ♪
51:28 - 51:32: ♪ And I'm sure you'd love to ♪
51:32 - 51:37: ♪ There's a place we can get to ♪
51:37 - 51:40: ♪ Where you're like more than you ♪
51:40 - 51:44: ♪ Where you're like more than you ♪
51:44 - 51:52: ♪ ♪
51:52 - 51:56: ♪ It's a quarter past, been fine ♪
51:56 - 52:01: ♪ It's a quarter past, been fine ♪
52:01 - 52:05: ♪ Fumbling with the keys to my heart ♪
52:05 - 52:07: ♪ Hand on the wheel ♪
52:07 - 52:10: ♪ Just one start ♪
52:10 - 52:14: ♪ Finally get this show on the road ♪
52:14 - 52:17: ♪ Last chance, shot in the dark ♪
52:17 - 52:21: ♪ And you know that I want it too ♪
52:21 - 52:26: ♪ And I'm sure you'd love to ♪
52:26 - 52:30: ♪ There's a place we can get to ♪
52:30 - 52:35: ♪ Where you're like more than you ♪
52:35 - 52:39: ♪ You know that I want it too ♪
52:39 - 52:43: ♪ And I'm sure you'd love to ♪
52:43 - 52:48: ♪ There's a place we can get to ♪
52:48 - 52:51: ♪ Where you're like more than you ♪
52:51 - 52:55: ♪ More than you ♪
52:55 - 52:59: ♪ You know that I want it too ♪
52:59 - 53:02: ♪ I'm sure that you'd love to ♪
53:02 - 53:12: ♪ ♪
53:12 - 53:14: - All right, that was "Boss Selection" featuring Rashida.
53:14 - 53:16: Very lovely singing, Rashida.
53:16 - 53:17: - Thanks, Ezra. - Very nice.
53:17 - 53:18: - Thanks. - That was really nice.
53:18 - 53:19: - Thank you.
53:19 - 53:21: - A nephew-- [laughs]
53:21 - 53:23: A nephew-auntie combination.
53:23 - 53:25: - Probably hasn't happened that often.
53:25 - 53:26: - Yeah, I mean, let's think about that.
53:26 - 53:30: There's def--we've definitely had the siblings.
53:30 - 53:31: That's classic.
53:31 - 53:32: You got the Judds.
53:32 - 53:33: That's mom and daughter, right?
53:33 - 53:34: - Mom and daughter.
53:34 - 53:38: I know a nephew-uncle 3T
53:38 - 53:40: on "Babyface" written "Y"
53:40 - 53:42: that Michael Jackson sang on.
53:42 - 53:43: See those kids?
53:43 - 53:44: - I went to high school with 3T.
53:44 - 53:45: - Really?
53:45 - 53:47: - I was homecoming queen with one of the 3Ts.
53:47 - 53:48: - Really? - Yes.
53:48 - 53:49: - Really? That's amazing.
53:49 - 53:50: - Terrell. - Oh.
53:50 - 53:52: - Yeah. - That's--
53:52 - 53:54: - That might be one of the only nephew-uncle--
53:54 - 53:56: I mean, wait, was the-- - There's gotta be jazz.
53:56 - 53:57: I feel like I have a hard time.
53:57 - 53:58: - There's parents and children--
53:58 - 54:01: Wait, was this--was this Staples' singer?
54:01 - 54:02: Is it dad and daughters?
54:02 - 54:03: - Pop Staples. - Pop--
54:03 - 54:05: - Davis and-- - Wait, was he the dad?
54:05 - 54:08: I mean, I assumed he was the dad 'cause he was pop.
54:08 - 54:09: - Yeah. - I don't know.
54:09 - 54:10: - That's what I figured.
54:10 - 54:11: - Let's ponder it. - Unfortunately,
54:11 - 54:12: there's no way for us to find out.
54:12 - 54:14: - We'll never know. We will never know.
54:14 - 54:16: - I think we have a new trend in music, though,
54:16 - 54:17: is the nephew-auntie combination.
54:17 - 54:19: - Yeah. I'm gonna call my aunt.
54:19 - 54:21: [laughter]
54:21 - 54:22: - Do you have any musical aunts?
54:22 - 54:24: - She rotted as Aunt Sherry.
54:24 - 54:27: [laughter]
54:27 - 54:29: - I don't have any musical aunts.
54:29 - 54:31: I mean, you know, I have black aunts in the South,
54:31 - 54:33: so technically, yeah, I do have musical aunts,
54:33 - 54:37: but, like, sure, but not professionally.
54:37 - 54:39: - You gotta start the trend.
54:39 - 54:43: - It would be crazy if, like, I was way more successful
54:43 - 54:45: with my aunt--like, just working with my aunt,
54:45 - 54:47: and it was like, that was the whole time.
54:47 - 54:50: Like, that was my untapped potential.
54:50 - 54:52: I just needed to call my aunt Carla
54:52 - 54:56: and just hit the studio this whole time.
54:56 - 54:58: - It could happen. - Oh, wow. Who knew?
54:58 - 55:03: - Let's get back into some more autumnal music.
55:03 - 55:05: This one could be an October song,
55:05 - 55:06: could be a November song.
55:06 - 55:08: This is an R&B song from the '80s,
55:08 - 55:09: but there's always something about this song
55:09 - 55:12: that's a bit creepy, 'cause you picture it's cold rain,
55:12 - 55:14: and you picture an obsessed man.
55:14 - 55:15: - Wow.
55:15 - 55:18: - I think you guys know what I'm talking about.
55:18 - 55:20: It's the rain. - Yep.
55:20 - 55:22: - Ooh, it starts with a sound effect.
55:22 - 55:23: I forgot that. - Yeah.
55:23 - 55:25: - ♪ In the rain ♪
55:25 - 55:32: ♪ ♪
56:04 - 56:06: ♪ I saw you ♪
56:06 - 56:12: ♪ And him and him in the rain ♪
56:12 - 56:15: ♪ You were holding hands ♪
56:15 - 56:19: ♪ And I'll never be the same ♪
56:19 - 56:22: ♪ ♪
56:22 - 56:24: ♪ Tossing and turning ♪
56:24 - 56:26: ♪ Another sleepless night ♪
56:26 - 56:31: ♪ The rain crashes against my window pane ♪
56:31 - 56:35: ♪ Jumped into my car, didn't drive too far ♪
56:35 - 56:40: ♪ That moment I knew I would never be the same ♪
56:40 - 56:48: ♪ I saw you and him and him in the rain ♪
56:48 - 56:50: ♪ You were holding hands ♪
56:50 - 56:54: ♪ And I'll never be the same ♪
56:54 - 56:57: ♪ ♪
56:57 - 57:05: ♪ I saw you and him and him in the rain ♪
57:05 - 57:08: ♪ You were holding hands ♪
57:08 - 57:12: ♪ And I'll never be the same ♪
57:12 - 57:19: ♪ ♪
57:26 - 57:37: ♪ Now here you are begging to me ♪
57:37 - 57:42: ♪ To give our love another try ♪
57:42 - 57:46: ♪ Girl, I love you and I always will ♪
57:46 - 57:51: ♪ But darling, right now I've got to say goodbye ♪
57:51 - 57:59: ♪ 'Cause I saw you and him walking in the rain ♪
57:59 - 58:01: ♪ You were holding hands ♪
58:01 - 58:05: ♪ And I'll never be the same ♪
58:05 - 58:08: ♪ ♪
58:08 - 58:14: ♪ I saw you and him walking in the rain ♪
58:14 - 58:16: ♪ You were holding hands ♪
58:16 - 58:21: ♪ And I'll never be the same ♪
58:21 - 58:24: ♪ ♪
58:24 - 58:28: ♪ I saw you and him walking in the rain ♪
58:28 - 58:30: ♪ You were holding hands ♪
58:30 - 58:33: ♪ And I'll never be the same ♪
58:33 - 58:36: ♪ ♪
58:36 - 58:41: ♪ I saw you and him walking in the rain ♪
58:41 - 58:44: ♪ You were holding hands ♪
58:44 - 58:48: ♪ And I'll never be the same ♪
58:48 - 58:51: ♪ ♪
58:51 - 58:57: ♪ I saw you and him walking in the rain ♪
58:57 - 58:59: ♪ You were holding hands ♪
58:59 - 59:03: ♪ And I'll never be the same ♪
59:03 - 59:06: ♪ ♪
59:06 - 59:10: ♪ I said, I chill, that's right ♪
59:10 - 59:12: ♪ Chill, then I went to the bank ♪
59:12 - 59:15: ♪ Took out every dime ♪
59:15 - 59:20: ♪ And then I went and canceled all those credit cards ♪
59:20 - 59:23: ♪ All your charge counts, yeah ♪
59:23 - 59:26: ♪ I stuck you up for every piece of jewelry I ever bought you ♪
59:26 - 59:28: ♪ Yeah, that's right, everything ♪
59:28 - 59:30: ♪ Everything ♪
59:30 - 59:32: ♪ You fly with me ♪
59:32 - 59:34: ♪ Now, don't go looking in that closet ♪
59:34 - 59:36: ♪ You got nothing in it, everything you came here with ♪
59:36 - 59:39: ♪ Is packed up and waiting for you in the guest room ♪
59:39 - 59:42: ♪ That's right, what was you thinking about, huh? ♪
59:42 - 59:44: ♪ What are you trying to prove, huh? ♪
59:44 - 59:46: ♪ You's with the juice ♪
59:46 - 59:50: ♪ You know, I gave you silk suits, Gucci handbags, blue diamonds ♪
59:50 - 59:53: ♪ I gave you things you couldn't even pronounce ♪
59:53 - 59:55: ♪ Now I can't give you nothing but advice ♪
59:55 - 59:57: ♪ 'Cause you still young ♪
59:57 - 59:58: ♪ That's right, you still young ♪
59:58 - 01:00:00: ♪ I hope you learn a valuable lesson from all this ♪
01:00:00 - 01:00:01: ♪ You know ♪
01:00:01 - 01:00:04: ♪ You're gonna find somebody like me one of these days ♪
01:00:04 - 01:00:06: ♪ Until then, you know what you gotta do? ♪
01:00:06 - 01:00:08: ♪ You gotta get on out of here with that ala-cat coat ♪
01:00:08 - 01:00:10: ♪ Wearing hush puppy shoe, wearing crump cake I saw you with ♪
01:00:10 - 01:00:12: ♪ 'Cause you dismissed ♪
01:00:12 - 01:00:14: ♪ That's right, silly rabbit tricks I made for kids ♪
01:00:14 - 01:00:16: ♪ Did you know that? ♪
01:00:16 - 01:00:18: ♪ You without me like cornflake without the milk ♪
01:00:18 - 01:00:21: ♪ It's my world, you're just a squirrel trying to get a nut ♪
01:00:21 - 01:00:22: ♪ Now get on out of here ♪
01:00:22 - 01:00:25: ♪ ♪
01:00:25 - 01:00:26: ♪ Squatting ♪
01:00:26 - 01:00:29: ♪ ♪
01:00:29 - 01:00:31: ♪ Squatting ♪
01:00:31 - 01:00:32: ♪ Squatting ♪
01:00:32 - 01:00:35: ♪ ♪
01:00:35 - 01:00:53: ♪ ♪
01:00:53 - 01:00:57: ♪ I'm just an average man with an average life ♪
01:00:57 - 01:01:00: ♪ From nine to five, hell, I pay the price ♪
01:01:00 - 01:01:04: ♪ All I want is to be left alone in my average home ♪
01:01:04 - 01:01:08: ♪ But why do I always feel like I'm in the twilight zone? ♪
01:01:08 - 01:01:13: ♪ And I always feel like somebody's watching me ♪
01:01:13 - 01:01:16: ♪ And I love the privacy, oh ♪
01:01:16 - 01:01:21: ♪ I always feel like somebody's watching me ♪
01:01:21 - 01:01:24: ♪ Tell me, is it just a dream? ♪
01:01:24 - 01:01:27: ♪ I come home at night ♪
01:01:27 - 01:01:31: ♪ I open the door real tight ♪
01:01:31 - 01:01:35: ♪ People call me on the phone, I'm trying to avoid ♪
01:01:35 - 01:01:39: ♪ But when people on TV see me, oh, I'm always paranoid ♪
01:01:39 - 01:01:43: ♪ When I'm in the shower, I'm afraid to wash my hair ♪
01:01:43 - 01:01:47: ♪ 'Cause I might open my eyes and find someone standing there ♪
01:01:47 - 01:01:50: ♪ People say I'm crazy, just a little touch ♪
01:01:50 - 01:01:54: ♪ But midrash always reminds me of a psychic demon, that's why ♪
01:01:54 - 01:01:59: ♪ I always feel like somebody's watching me ♪
01:01:59 - 01:02:02: ♪ And I have no privacy, oh ♪
01:02:02 - 01:02:07: ♪ I always feel like somebody's watching me ♪
01:02:07 - 01:02:09: ♪ Who's playing tricks on me ♪
01:02:09 - 01:02:24: ♪ ♪
01:02:24 - 01:02:41: ♪ ♪
01:02:41 - 01:02:45: ♪ I don't know anymore, are the neighbors watching me? ♪
01:02:45 - 01:02:49: ♪ Well, is the mail anymore? Oh, what a mess ♪
01:02:49 - 01:02:51: ♪ I wonder who's watching me now? ♪
01:02:51 - 01:02:53: ♪ Who? The IRS? ♪
01:02:53 - 01:02:58: ♪ I always feel like somebody's watching me ♪
01:02:58 - 01:03:01: ♪ And I have no privacy, oh ♪
01:03:01 - 01:03:06: ♪ I always feel like somebody's watching me ♪
01:03:06 - 01:03:09: ♪ Tell me, is it just a dream? ♪
01:03:09 - 01:03:14: ♪ I always feel like somebody's watching me ♪
01:03:14 - 01:03:17: ♪ And I have no privacy, oh ♪
01:03:17 - 01:03:21: ♪ I always feel like somebody's watching me ♪
01:03:21 - 01:03:23: ♪ Who's playing tricks on me? ♪
01:03:23 - 01:03:24: ♪ Who's watching me? ♪
01:03:24 - 01:03:29: ♪ I always feel like somebody's watching me ♪
01:03:29 - 01:03:31: ♪ ♪
01:03:31 - 01:03:36: ♪ Oh, I always feel like somebody's watching me ♪
01:03:36 - 01:03:38: ♪ Tell me, who can it be? ♪
01:03:38 - 01:03:40: ♪ Who's watching me? ♪
01:03:40 - 01:03:44: ♪ I always feel like somebody's watching me ♪
01:03:44 - 01:03:46: ♪ ♪
01:03:46 - 01:03:52: ♪ Oh, I always feel like somebody's watching me ♪
01:03:52 - 01:03:54: ♪ Who's playing tricks on me? ♪
01:03:54 - 01:03:57: So that was Rockwell with "Somebody's Watching Me."
01:03:57 - 01:03:58: That was Rashida's choice.
01:03:58 - 01:04:03: Two of the creepiest '80s R&B crossover hits.
01:04:03 - 01:04:06: Michael Jackson sings backup on that song.
01:04:06 - 01:04:08: That's because he was Berry Gordy's nephew.
01:04:08 - 01:04:09: Nephew!
01:04:09 - 01:04:11: Oh!
01:04:11 - 01:04:12: You guys, uncles.
01:04:12 - 01:04:14: Uncles in music, you guys.
01:04:14 - 01:04:16: Nephew is my new favorite genre.
01:04:16 - 01:04:18: [laughter]
01:04:18 - 01:04:19: Drag one, Rockwell.
01:04:19 - 01:04:22: There's nephew music, and there's also uncle music.
01:04:22 - 01:04:24: Don't forget Uncle Cracker from back in the day.
01:04:24 - 01:04:26: Don't ever forget.
01:04:26 - 01:04:27: He was Kid Rock's DJ.
01:04:27 - 01:04:29: Dare forget.
01:04:29 - 01:04:32: All right, guys, so normally on Time Crisis,
01:04:32 - 01:04:34: we like to keep up with what's going on in the world.
01:04:34 - 01:04:36: So here's a little segment that we're doing live
01:04:36 - 01:04:38: from Los Angeles called "New York News."
01:04:38 - 01:04:43: This is "New York News."
01:04:43 - 01:04:45: You've been new Cronkite.
01:04:45 - 01:04:47: Okay, so the first bit of New York News we have
01:04:47 - 01:04:50: is about a New York man who went all the way to Utah
01:04:50 - 01:04:52: to create his sovereign nation.
01:04:52 - 01:04:54: His name is Zack Landsberg,
01:04:54 - 01:04:56: and he's created a country called Zakhistan
01:04:56 - 01:04:58: on a remote piece of land in Utah.
01:04:58 - 01:05:00: He's created a flag, official-looking passports,
01:05:00 - 01:05:04: and a border patrol gate guarded by a giant robot sentry.
01:05:04 - 01:05:06: Wait, what?
01:05:06 - 01:05:08: Yeah, this is bringing up a lot of questions.
01:05:08 - 01:05:10: I didn't know that robotics had made it there.
01:05:10 - 01:05:12: He says, "The conceptual goals I wanted--
01:05:12 - 01:05:14: I wanted to become a real country.
01:05:14 - 01:05:16: I mean, that goal's not gonna happen. It's impossible.
01:05:16 - 01:05:18: But going through the motions, I'm trying to make that happen."
01:05:18 - 01:05:20: I don't know. Maybe this is--
01:05:20 - 01:05:22: I don't know what to make of this. Is this, like, an art project?
01:05:22 - 01:05:24: The worst leader in history.
01:05:24 - 01:05:27: Like, immediately, like, say this mission statement,
01:05:27 - 01:05:29: and then what follows that is,
01:05:29 - 01:05:32: "Oh, by the way, it's impossible. It's not gonna happen."
01:05:32 - 01:05:35: Can you imagine, like, the "I have a dream" speech?
01:05:35 - 01:05:38: I mean, it would be nice. It's never gonna happen.
01:05:38 - 01:05:40: It's never gonna-- it's like, "I have a dream,
01:05:40 - 01:05:42: and don't get me wrong, it's merely a dream."
01:05:42 - 01:05:44: - It's just a dream. - "Please don't--
01:05:44 - 01:05:46: everyone relax a little."
01:05:46 - 01:05:49: But I have this recurring dream where, like,
01:05:49 - 01:05:51: racial equality was a thing.
01:05:51 - 01:05:53: It's not gonna happen. Never gonna happen.
01:05:53 - 01:05:55: So everybody can relax.
01:05:55 - 01:05:57: Zack. I don't know about Zackistan, man.
01:05:57 - 01:05:59: - Zackistan. - You're right. You make a good point.
01:05:59 - 01:06:01: You gotta-- if you're gonna start a country,
01:06:01 - 01:06:03: you gotta mean it.
01:06:03 - 01:06:06: Well, also, it should be noticed that it has "Zack" as staying with a Q.
01:06:06 - 01:06:08: All right, because this guy, we should point out,
01:06:08 - 01:06:10: his name is Zack Landsberg.
01:06:10 - 01:06:12: - Z-A-Q. - Yes.
01:06:12 - 01:06:14: - Yeah. - We're just already set up for Philly.
01:06:14 - 01:06:16: You think it's not gonna happen?
01:06:16 - 01:06:18: - 'Cause of the Q? - Because of the Q.
01:06:18 - 01:06:20: - Yeah, with a C? Maybe. - Maybe.
01:06:20 - 01:06:22: - We'll see. - Maybe. Right.
01:06:22 - 01:06:24: - But Z-A-Q-- - No chance. No chance.
01:06:24 - 01:06:26: - There's no chance. - Okay.
01:06:26 - 01:06:29: "Babylon the Great has fallen."
01:06:29 - 01:06:31: I feel like every couple years,
01:06:31 - 01:06:33: you always read some big story about all, like,
01:06:33 - 01:06:36: the white supremacist militias who basically are trying
01:06:36 - 01:06:40: to start their own countries in various parts of the U.S.
01:06:40 - 01:06:44: And I feel like I've literally been terrorized by this my whole life.
01:06:44 - 01:06:46: - I'm so sorry. - Yeah, thank you.
01:06:46 - 01:06:48: - Oh, wow. - Well, no, I just mean, like,
01:06:48 - 01:06:50: because I was born in 1984,
01:06:50 - 01:06:52: I can't remember the Reagan years at all.
01:06:52 - 01:06:54: I can't remember the Bush years, really.
01:06:54 - 01:06:56: But I do remember the Clinton years.
01:06:56 - 01:06:59: And people always claim that when there's a Democratic president,
01:06:59 - 01:07:02: that's when the white supremacist militias really start getting itchy.
01:07:02 - 01:07:04: - Yeah. - So in the Clinton years,
01:07:04 - 01:07:06: there was a lot of talk about militias.
01:07:06 - 01:07:09: So I remember, like, right when I first started, like, hearing the news,
01:07:09 - 01:07:11: when I was, like, 8 or 9, a lot of talk about that.
01:07:11 - 01:07:13: And then, of course, since Obama's been president,
01:07:13 - 01:07:15: you're always seeing something about, like,
01:07:15 - 01:07:18: these guys who are trying to, like, build their own country
01:07:18 - 01:07:21: or they're gonna get in a fight with, like, the U.S. military or something.
01:07:21 - 01:07:25: - I would like for everyone to see the U.S. military once.
01:07:25 - 01:07:28: - All of them? - Yeah, all of them.
01:07:28 - 01:07:30: Just when starting-- - One parade.
01:07:30 - 01:07:32: - You know, like, if you're building a militia, right?
01:07:32 - 01:07:35: I think, like, if I'm building a coffee table from Ikea,
01:07:35 - 01:07:38: I should see what it should look like.
01:07:38 - 01:07:40: And if you see the U.S. military
01:07:40 - 01:07:44: and you don't think your militia could even kind of compete,
01:07:44 - 01:07:49: maybe, I don't know, take up, like, baking or something, like, more calming.
01:07:49 - 01:07:52: - Well, you know what? That's what they said to the American revolutionaries
01:07:52 - 01:07:54: who founded this country. - Yeah, true.
01:07:54 - 01:07:57: But that was a different time when, like-- - That was a different time.
01:07:57 - 01:08:00: - That was a different time when, like, everyone's guns were equal.
01:08:00 - 01:08:03: - You know, like, when, like-- - A time before drones.
01:08:03 - 01:08:06: - Yeah, we think about it as if, like, even the biggest machine gun
01:08:06 - 01:08:09: is just like, yeah, you're not even gonna be fighting human beings.
01:08:09 - 01:08:12: Like, your militia's not-- you'll never even see it.
01:08:12 - 01:08:14: They won't send a human being.
01:08:14 - 01:08:17: They'll just clear out your militia remotely.
01:08:17 - 01:08:19: But good luck out there.
01:08:19 - 01:08:22: - You're listening to...
01:08:22 - 01:08:26: Time Crisis on Beast1.
01:08:26 - 01:08:29: [dramatic music]
01:08:29 - 01:08:36: ♪ ♪
01:08:36 - 01:08:41: ♪ ♪
01:08:41 - 01:08:54: [bell rings]
01:08:54 - 01:09:01: ♪ ♪
01:09:01 - 01:09:06: ♪ ♪
01:09:06 - 01:09:17: [bell rings]
01:09:17 - 01:09:24: ♪ ♪
01:09:24 - 01:09:29: ♪ ♪
01:09:59 - 01:10:02: [bell rings]
01:10:02 - 01:10:09: ♪ ♪
01:10:09 - 01:10:14: ♪ ♪
01:10:29 - 01:10:33: - This is New York News.
01:10:33 - 01:10:35: - All right, let's get into some more New York news.
01:10:35 - 01:10:37: A lot of news coming out of Brooklyn,
01:10:37 - 01:10:41: which I'm ashamed to say is becoming a national joke.
01:10:41 - 01:10:44: [laughter]
01:10:44 - 01:10:47: The proud borough where people like Spike Lee,
01:10:47 - 01:10:50: Bernie Sanders, Notorious B.I.G.,
01:10:50 - 01:10:53: Barbara Streisand, the list goes on.
01:10:53 - 01:10:55: - That's Mount Rushmore. - Yes.
01:10:55 - 01:10:57: - Really? - That's the Brooklyn route.
01:10:57 - 01:10:59: - Mount Rushmore. - I mean, it's a proud borough.
01:10:59 - 01:11:02: You know, almost everybody in America has some Brooklyn heritage.
01:11:02 - 01:11:03: - What? - Yeah.
01:11:03 - 01:11:05: - In, like, an Ellis Island way? - In, like, an Ellis Island way.
01:11:05 - 01:11:09: One in four Americans can trace their heritage somehow through Brooklyn.
01:11:09 - 01:11:12: - Wow. Great statistic. - You must have some Brooklyn ancestors.
01:11:12 - 01:11:17: - I'm sure, yeah. I mean, I know I have, like, city ancestors, so yeah, probably.
01:11:17 - 01:11:19: - Brooklyn is a proud borough.
01:11:19 - 01:11:24: These days, when you go talk about Brooklyn to people around the country,
01:11:24 - 01:11:28: the first thing they think of is no longer Bernie Sanders and Notorious B.I.G.
01:11:28 - 01:11:31: You know what they think of? - What?
01:11:31 - 01:11:33: - Goofball. - [bleep]
01:11:33 - 01:11:34: [laughter]
01:11:34 - 01:11:36: - People--I'm just saying. I'm not judging,
01:11:36 - 01:11:38: but that's what people think about.
01:11:38 - 01:11:43: So some of the news coming out is that New York lands
01:11:43 - 01:11:46: its first certified organic craft beer.
01:11:46 - 01:11:48: - Oh, yay. - Which sounds like not a bad idea,
01:11:48 - 01:11:50: but basically our producer, Colin, is making the point
01:11:50 - 01:11:53: that last time we were talking about these juice crawls,
01:11:53 - 01:11:55: now we're talking about this beer.
01:11:55 - 01:11:59: And it's--again, I'm not dissing it, but it's in a way Brooklyn has come
01:11:59 - 01:12:06: to embody these kind of frivolous, health-conscious fads
01:12:06 - 01:12:08: in a way that L.A. once did.
01:12:08 - 01:12:11: - You have to add the word "hipster" in there if you're going to talk about it.
01:12:11 - 01:12:13: - I don't like using the word "hipster." - Why?
01:12:13 - 01:12:15: - It's derogatory towards myself.
01:12:15 - 01:12:18: [laughter]
01:12:18 - 01:12:21: - I don't subscribe to self-hate.
01:12:21 - 01:12:23: - And I'm not a self-hater.
01:12:23 - 01:12:26: I mean, hipster is anybody but you.
01:12:26 - 01:12:28: - I mean, I'm a hipster. We're hipsters, right?
01:12:28 - 01:12:30: - Are you guys hipsters? - I guess.
01:12:30 - 01:12:32: - Here's the thing. I don't--like, certain things, I didn't--
01:12:32 - 01:12:35: I skipped certain waves. Like, records, I don't subscribe--
01:12:35 - 01:12:38: I don't play records. I'm like, you know, there's a better quality--
01:12:38 - 01:12:41: we have on beats right now. I would like to hear music
01:12:41 - 01:12:44: the clearest way I could--like, technology is advanced.
01:12:44 - 01:12:47: It's like going to the doctor and being leeched.
01:12:47 - 01:12:49: This is what listening to a record is like.
01:12:49 - 01:12:51: - That might happen in Brooklyn. - That may happen in Brooklyn.
01:12:51 - 01:12:53: It's like, you know, they have a better version of this now.
01:12:53 - 01:12:57: I would love to do another pitch. - Yeah.
01:12:57 - 01:13:01: - I would love to do, like, Rip Van Winkle, Brooklyn,
01:13:01 - 01:13:04: where there's a guy who takes a nap for 25 years in Brooklyn
01:13:04 - 01:13:06: and he wakes up and he has to figure out, you know,
01:13:06 - 01:13:08: what Brooklyn has become.
01:13:08 - 01:13:11: - Was he, like, a fishmonger before he went to sleep or something?
01:13:11 - 01:13:14: - He was a fishmonger and he woke up and now he's being told
01:13:14 - 01:13:16: he needs a favorite juice. - It was like--it was like
01:13:16 - 01:13:21: a lesser member of Junior Mafia goes to sleep in 1993.
01:13:21 - 01:13:23: - Lil' Cease falls asleep in 1993.
01:13:23 - 01:13:26: Lil' Cease wakes up. He wakes up.
01:13:26 - 01:13:28: - In the same spot. - Same spot.
01:13:28 - 01:13:30: - Exact same spot. - It's the same block in Bed-Stuy.
01:13:30 - 01:13:35: - Yes. He wakes up, but this time it's, like, organic,
01:13:35 - 01:13:38: like, vitamin B, like, B12 shots.
01:13:38 - 01:13:42: - Well, anyway, I'm not gonna diss people who want organic beer.
01:13:42 - 01:13:44: Everybody should drink organic beer.
01:13:44 - 01:13:47: If you're gonna drink beer, I do tequila shots
01:13:47 - 01:13:49: when I wanna get [bleep] up.
01:13:49 - 01:13:51: [laughter]
01:13:51 - 01:13:53: How about one last piece of New York news?
01:13:53 - 01:13:55: Adele is gonna appear on Saturday Night Live
01:13:55 - 01:13:57: for the first time since 2008.
01:13:57 - 01:14:00: You guys know Adele? [laughter]
01:14:00 - 01:14:02: - That's a crazy question.
01:14:02 - 01:14:05: - Adele's on the same record label as Lil' Vampire Weegan.
01:14:05 - 01:14:07: - That's--that's so cool. - Oh, that's dope.
01:14:07 - 01:14:10: - Thank you. [laughter]
01:14:10 - 01:14:12: - I love how you made this about you.
01:14:12 - 01:14:14: Wait, is she hosting or singing?
01:14:14 - 01:14:18: - Um, she is saying hello.
01:14:18 - 01:14:20: That's what it says. On New York Daily News it says,
01:14:20 - 01:14:22: "Adele's saying hello to Saturday Night Live
01:14:22 - 01:14:24: for the first time in seven years.
01:14:24 - 01:14:26: She will appear as the show's musical guest on November 21."
01:14:26 - 01:14:29: - Great. - So I got something I gotta get off my chest.
01:14:29 - 01:14:32: - Yeah. - Adele is not 25.
01:14:32 - 01:14:34: - Mm-hmm. - Really? - Okay?
01:14:34 - 01:14:36: And I can't stand-- - You heard that here first?
01:14:36 - 01:14:38: - The mainstream media is always propagating lies.
01:14:38 - 01:14:41: And one of them is that Adele is the same age
01:14:41 - 01:14:43: as whatever her last album was.
01:14:43 - 01:14:46: That's not how it works. Every year she turns a different age.
01:14:46 - 01:14:48: - What? - Just like you, just like me. - Nah.
01:14:48 - 01:14:50: - She's a human being, and every year she turns--
01:14:50 - 01:14:52: every 12 months, give or take, she turns a new age.
01:14:52 - 01:14:54: - Give or take. No, it's not. - But I feel like a lot of these--
01:14:54 - 01:14:56: - Don't give. - I'm sorry, but I think a lot of these
01:14:56 - 01:14:58: so-called pundits in the mainstream media,
01:14:58 - 01:15:01: they act as if Adele was 19 for two years.
01:15:01 - 01:15:03: - Yeah. - And then she was 21...
01:15:03 - 01:15:06: - Yes. - For three years, and now she's 25.
01:15:06 - 01:15:08: Well, guess what, guys? Adele's 27.
01:15:08 - 01:15:10: - Whoa. - Wow.
01:15:10 - 01:15:13: - Adele was born May 5, 1988, in Tottenham, London.
01:15:13 - 01:15:15: - (laughs) - That's a neighborhood in London,
01:15:15 - 01:15:18: in the U.K. She's 27 years old.
01:15:18 - 01:15:20: - I'm shocked right now. - Yeah. - I'm shocked.
01:15:20 - 01:15:23: - Well, listen, guys, she calls the album
01:15:23 - 01:15:27: "However Old She Was"... - When she made the album.
01:15:27 - 01:15:30: - When she first got an idea for a sick beat for the album.
01:15:30 - 01:15:32: - Right. - That's how old she is.
01:15:32 - 01:15:34: - So this is a sick beat. - From conception of sick beat.
01:15:34 - 01:15:36: - So if she-- - The first time she beatboxes.
01:15:36 - 01:15:40: The implication that Adele is 25, 12 months past,
01:15:40 - 01:15:42: then she's still 25, that's not right.
01:15:42 - 01:15:44: She's 27, and the album's called "25"
01:15:44 - 01:15:47: because that's how old she was when she first laid down
01:15:47 - 01:15:49: the first beatbox for the record.
01:15:49 - 01:15:52: - It has a better ring. It has a better ring, 25 than 27.
01:15:52 - 01:15:54: For an album.
01:15:54 - 01:15:56: - Although 27's a very famous musical age.
01:15:56 - 01:15:58: - Yeah, I don't think you want to name the album "27."
01:15:58 - 01:16:00: - Yeah, it's not-- - It's just a bunch of dead artists.
01:16:00 - 01:16:02: - Yeah, it's not great. - Forever 27. - Yeah, it's like,
01:16:02 - 01:16:04: "Yeah, 25." - All right, let's get back
01:16:04 - 01:16:06: into some more autumnal music.
01:16:06 - 01:16:10: This is Roland Alfonso doing a ska version of James Bond.
01:16:10 - 01:16:12: Mid-'60s Jamaica, I've always loved this.
01:16:12 - 01:16:15: (upbeat jazz music)
01:16:15 - 01:16:20: ♪ ♪
01:19:30 - 01:19:33: ♪ You're on the front lawn, jump up and get bucked ♪
01:19:33 - 01:19:36: ♪ If you're feeling lucky, duck, then press your luck ♪
01:19:36 - 01:19:39: ♪ I snatch fake gangsta MCs and make 'em faggot flambé ♪
01:19:39 - 01:19:42: ♪ Your nine spray, my mind spray ♪
01:19:42 - 01:19:44: ♪ Malignant mist that a leaf can't defunct ♪
01:19:44 - 01:19:47: ♪ The result, you'll remain stuck in a car trunk ♪
01:19:47 - 01:19:49: ♪ You couldn't come to the jungles of the East Pop ♪
01:19:49 - 01:19:51: ♪ In that game, you won't survive, get live ♪
01:19:51 - 01:19:54: ♪ Catch and wreck is our thing, I don't gang bang ♪
01:19:54 - 01:19:55: ♪ Or shoot out, bang bang ♪
01:19:55 - 01:19:58: ♪ The relentless lyrics, the only dope I've slain ♪
01:19:58 - 01:20:01: ♪ I'm a true master, you can check my credentials ♪
01:20:01 - 01:20:04: ♪ 'Cause I choose to use my infinite potential ♪
01:20:04 - 01:20:06: ♪ Got a freaky, freaky, freaky, freaky flow ♪
01:20:06 - 01:20:09: ♪ Control the mic like Fidel Castro ♪
01:20:09 - 01:20:12: ♪ Lock you up so deep that you can scuba dive ♪
01:20:12 - 01:20:14: ♪ My job's origin is unknown, like the tubas ♪
01:20:14 - 01:20:17: ♪ I've accumulated honeys all across the map ♪
01:20:17 - 01:20:20: ♪ 'Cause I'd rather bust a nut than bust a gap in your back ♪
01:20:20 - 01:20:22: ♪ In fact, my rap snaps your saparilliac ♪
01:20:22 - 01:20:25: ♪ I'm the mack, so I don't need to totem act ♪
01:20:25 - 01:20:28: ♪ My attack is purely mental and its nature's not fit ♪
01:20:28 - 01:20:31: ♪ It's meant to wake you up, out of your brainwashed state ♪
01:20:31 - 01:20:33: ♪ Stagnate nonsense, but if you're persistent ♪
01:20:33 - 01:20:36: ♪ You'll get your snotbox bust, your breasts up on fit ♪
01:20:36 - 01:20:39: ♪ I flip, hose dip, none of the real n-- skip ♪
01:20:39 - 01:20:42: ♪ You don't know enough math to count the mics that I rip ♪
01:20:42 - 01:20:45: ♪ Keep the dirty bot in stamp, that's his verbal weapon, spit ♪
01:20:45 - 01:20:47: ♪ Uh-oh, heads up, just what you're about to see ♪
01:20:47 - 01:20:50: ♪ Uh-oh, heads up, just what you're about to see ♪
01:20:56 - 01:20:58: ♪ Uh-oh, heads up, just what you're about to see ♪
01:20:58 - 01:21:01: ♪ Real, rough, and rugged, shine like a gold nugget ♪
01:21:01 - 01:21:04: ♪ Every time I pick up the microphone, I drug it ♪
01:21:04 - 01:21:06: ♪ Unplug it on chumps, whip the gangster battle ♪
01:21:06 - 01:21:09: ♪ Leave your nines at home and bring your skills to the battle ♪
01:21:09 - 01:21:12: ♪ You're rattling on and on and ain't saying nothing ♪
01:21:12 - 01:21:15: ♪ That's why you got snuffed when your bump heads were dirty rotten ♪
01:21:15 - 01:21:17: ♪ Have you forgotten? I'll tap your jaw ♪
01:21:17 - 01:21:20: ♪ I also kick like kung fu flicks by Run Run Shaw ♪
01:21:20 - 01:21:24: ♪ Made for a bleed every time I G, 'cause I perfected ♪
01:21:24 - 01:21:27: ♪ My drunkard style like Sam C, pseudo psychos ♪
01:21:27 - 01:21:30: ♪ I play like Michael Jackson when I'm busting ass ♪
01:21:30 - 01:21:33: ♪ And breaking backs in hell, the mutified aroma ♪
01:21:33 - 01:21:36: ♪ Breathe too deep and you'll wind up coma ♪
01:21:36 - 01:21:39: ♪ Toast the king, I'm hard like a fifth of vodka ♪
01:21:39 - 01:21:41: ♪ And bring your clique, 'cause I'm a hard rock knocker ♪
01:21:41 - 01:21:44: ♪ I got you out on a limb, about to push you off the plank ♪
01:21:44 - 01:21:47: ♪ Let you draw your cross, but your burner shot blanks ♪
01:21:47 - 01:21:50: ♪ When the East is in the house, you should come a-quit ♪
01:21:50 - 01:21:53: ♪ Uh-oh, heads up, just what you're about to see ♪
01:22:17 - 01:22:20: ♪ Fly like a jet, sting like a hornet ♪
01:22:20 - 01:22:23: ♪ Knuckleheads get live and set it off if you want it ♪
01:22:23 - 01:22:26: ♪ Dirty, rotten, scoundrels, just crushing fools ♪
01:22:26 - 01:22:29: ♪ I promote the rap of this rhyme inventor ♪
01:22:29 - 01:22:32: ♪ 'Cause I blow up spots like the World Trade Center ♪
01:22:32 - 01:22:35: ♪ Come with this super duper on his assault mission ♪
01:22:35 - 01:22:37: ♪ The tech's tech-me 'cause he's a technician ♪
01:22:37 - 01:22:40: ♪ Wishing he'll go away won't help the weapons spot ♪
01:22:40 - 01:22:43: ♪ Vince kills a shot 'cause any idiot can let off a glock ♪
01:22:43 - 01:22:46: ♪ Hard rock smelling the clutch of the sun toucher ♪
01:22:46 - 01:22:49: ♪ You claim you got beef on the streets, so what you ♪
01:22:49 - 01:22:52: ♪ Gonna do when real n****s roll up on you ♪
01:22:52 - 01:22:55: ♪ And you don't got your crew, cool, you're glocking ♪
01:22:55 - 01:22:58: ♪ You were hard, you was webbed straight from the start ♪
01:22:58 - 01:23:01: ♪ Bought a tool and didn't know how to use it ♪
01:23:01 - 01:23:04: ♪ Got lost in Brooklyn, so you had to lose it ♪
01:23:04 - 01:23:07: ♪ Just for frontin', you got that ass whacked ♪
01:23:07 - 01:23:10: ♪ Uh-oh, heads up, just what you're about to see ♪
01:23:22 - 01:23:25: ♪ Just what you're about to see ♪
01:23:49 - 01:23:53: ♪ Just what, just what, just what, just what you're about to see ♪
01:23:53 - 01:23:58: ♪ Just what, just what, just what, just what, just what you're about to see ♪
01:23:58 - 01:24:00: That was Jerry The Damager with "Come Clean."
01:24:00 - 01:24:03: Song was a little bit spooky, certainly eerie.
01:24:03 - 01:24:06: Are you guys ready for the ultimate time crisis tradition?
01:24:06 - 01:24:08: Rashid has done this once, Jeraud, you've never done this before.
01:24:08 - 01:24:09: Very excited.
01:24:09 - 01:24:12: This is when we go through the top five songs on iTunes.
01:24:12 - 01:24:13: Brow!
01:24:13 - 01:24:15: Hold on, I'll play the drop for you.
01:24:15 - 01:24:17: That wasn't it?
01:24:17 - 01:24:24: It's time for the top five on iTunes.
01:24:24 - 01:24:28: This is very exciting because now we've been listening to the same songs all summer.
01:24:28 - 01:24:30: Now it's finally a new season.
01:24:30 - 01:24:34: It's autumn, and I think we have just about a full list of new songs.
01:24:34 - 01:24:38: So we finally can traverse the pop cultural landscape in a new way.
01:24:38 - 01:24:39: So here's what we're going to do.
01:24:39 - 01:24:40: We're going to count down the top five songs.
01:24:40 - 01:24:43: We're just going to talk about them, talk about what they mean to us,
01:24:43 - 01:24:46: what they say about the cultural moment.
01:24:46 - 01:24:51: And the number five song is by a guy who's really been coming back hard this year.
01:24:51 - 01:24:59: He's a kid out of Canada called Justin Bieber, and this is his song, "What Do You Mean?"
01:24:59 - 01:25:10: I'm realizing I don't know how many of the top five I've heard.
01:25:58 - 01:26:00: That was Justin Bieber with "What Do You Mean?"
01:26:00 - 01:26:01: Love it.
01:26:01 - 01:26:02: You never heard that song before?
01:26:02 - 01:26:04: This is my first time listening to "What Do You Mean?"
01:26:04 - 01:26:05: What do you think?
01:26:05 - 01:26:10: It's not about closing time at a club or a bar.
01:26:10 - 01:26:14: And it's in reference to a very intoxicated girl.
01:26:14 - 01:26:15: Really?
01:26:15 - 01:26:16: That doesn't make sense.
01:26:16 - 01:26:18: I think that's what I interpret it.
01:26:18 - 01:26:19: Because I've said that.
01:26:19 - 01:26:21: What do you mean?
01:26:21 - 01:26:22: What are you saying to me right now?
01:26:22 - 01:26:23: Oh, you mean literally what are you saying?
01:26:23 - 01:26:25: Like a literal what do you mean?
01:26:25 - 01:26:26: What are the words that you're saying?
01:26:26 - 01:26:28: What words, what emotion are you trying to get?
01:26:28 - 01:26:31: I think just the situation is like, that's how I interpret it.
01:26:31 - 01:26:34: There's been a lot of talk about what that song is about.
01:26:34 - 01:26:36: Well, yeah, because some people have been offended by the song.
01:26:36 - 01:26:44: Their interpretation was that it's that classic, oh, like people can't accept the fact that no means no.
01:26:44 - 01:26:48: So he's trying to be like, wait, were you telling me that you want to make love or you don't want to make love?
01:26:48 - 01:26:49: What do you mean?
01:26:49 - 01:26:53: And you know, at a moment when everybody's kind of like, you know, no means no, Justin.
01:26:53 - 01:27:03: Some other people were saying that it's a consent song that like it's actually he's trying to ask for consent and doesn't want to do it until he gets consent.
01:27:03 - 01:27:05: Seems to search for clarity. Yeah.
01:27:05 - 01:27:13: And as we all know, if the answer to what do you mean is, then you don't have, then you say you do not have consent.
01:27:13 - 01:27:15: So nobody's having sex in the song is what you're saying.
01:27:15 - 01:27:18: One would hope. Well, he does say we make in love all day.
01:27:18 - 01:27:21: Wait, no, we argue all day, make in love all night.
01:27:21 - 01:27:23: Also, I mean, I don't know. I don't know.
01:27:23 - 01:27:27: I like to see it as a follow up to Kanye's Drunk and Hot Girls.
01:27:27 - 01:27:32: What do you mean? What are you saying? What are you saying?
01:27:32 - 01:27:34: I'm going to I'm going to go. Yeah.
01:27:34 - 01:27:36: As long as it ends with I'm going to go. Yeah.
01:27:36 - 01:27:40: Then we can be done. I'm going to go.
01:27:40 - 01:27:42: Yeah, I'm going to go. I can't.
01:27:42 - 01:27:44: I wake up early.
01:27:44 - 01:27:49: The next song is by an artist that I'm not familiar with, El King, but we have a little bit of background info on her.
01:27:49 - 01:27:53: She's an American singer, songwriter, actress and the daughter of comedian Rob Schneider.
01:27:53 - 01:27:56: Oh, and former model London King.
01:27:56 - 01:28:01: Well, Rob Schneider is old enough to have a daughter that has a single.
01:28:01 - 01:28:04: I mean, come on. Rob Schneider has been around for a long time.
01:28:04 - 01:28:07: And I mean, come on, Deuce Bigalow gets around.
01:28:07 - 01:28:09: All right. All right.
01:28:09 - 01:28:14: All right. Let's see. Let's check it out. El King, El Schneider King, X's and O's.
01:28:14 - 01:28:20: I have me a boy.
01:28:20 - 01:28:25: I'm in. I showed him all the things that he didn't understand.
01:28:25 - 01:28:29: And then I let him go.
01:28:29 - 01:28:34: Now, there's one in California.
01:28:34 - 01:28:49: I'm a.
01:28:49 - 01:28:54: To me, because I'm the best baby that they never got to keep one, two, three.
01:28:54 - 01:28:56: They're gonna run back to me.
01:28:56 - 01:29:17: They always want to come, but they never want to leave.
01:29:17 - 01:29:24: That was El King with X's and O's. X's as in X lovers.
01:29:24 - 01:29:26: OK. I like that song.
01:29:26 - 01:29:30: What are the O's for? I guess O's like the orgasms.
01:29:30 - 01:29:34: Sounds. Well, it's spelled O.H.
01:29:34 - 01:29:37: You get this. Those of X.
01:29:37 - 01:29:40: I wasn't going to not do that.
01:29:40 - 01:29:44: I was always going to have to do that.
01:29:44 - 01:29:48: I mean, I liked it. It's that sounded like Black Keys.
01:29:48 - 01:29:50: Yeah. Need some.
01:29:50 - 01:29:54: She's a cool, raspy country rock voice.
01:29:54 - 01:29:56: Unique voices are back, you guys.
01:29:56 - 01:29:58: Yeah, that's good. Are they?
01:29:58 - 01:30:01: I'd like. Well, I think a certain like Sylvan Esso and like.
01:30:01 - 01:30:03: OK. Maybe maybe unique voices are back.
01:30:03 - 01:30:05: Well, congrats to El King. Yeah.
01:30:05 - 01:30:08: And to Rob Schneider and London King.
01:30:08 - 01:30:12: Although, actually, I don't want to speculate on people's relationships with their family.
01:30:12 - 01:30:15: Let's forget the parents for a second. El King's is all about you.
01:30:15 - 01:30:17: Well done. You're in the iTunes top five.
01:30:17 - 01:30:20: Yeah. Number three, this song we've heard before.
01:30:20 - 01:30:23: Remember Drake? Yeah.
01:30:23 - 01:30:27: Drake with Hotline Bling.
01:30:27 - 01:30:29: You used to call me on my cell phone.
01:30:29 - 01:30:33: You used to. You used to. You used to. You used to.
01:30:33 - 01:30:38: You used to. Yeah. Yep.
01:30:38 - 01:30:42: You used to call me on my cell phone.
01:30:42 - 01:30:46: Late night when you need my love.
01:30:46 - 01:30:49: Call me on my cell phone.
01:30:49 - 01:30:53: Late night when you need my love.
01:30:53 - 01:30:56: And I know when that hotline bling.
01:30:56 - 01:31:00: That can only mean one thing.
01:31:00 - 01:31:03: I know when that hotline bling.
01:31:03 - 01:31:06: That can only mean one thing.
01:31:06 - 01:31:10: Ever since I left the city, you.
01:31:10 - 01:31:13: Got a reputation for yourself.
01:31:13 - 01:31:17: Everybody knows and I feel left out.
01:31:17 - 01:31:20: Girl, you got me down, you got me stressed out.
01:31:20 - 01:31:24: 'Cause ever since I left the city, you.
01:31:24 - 01:31:27: Started wearing less and going out more.
01:31:27 - 01:31:31: Glasses of champagne out on the dance floor.
01:31:31 - 01:31:35: Hanging with some girls I never seen before.
01:31:35 - 01:31:36: You used to call me on my cell phone.
01:31:36 - 01:31:38: Okay, there's a lot to talk about here. Crazy.
01:31:38 - 01:31:42: 'Cause, so first of all, Drake made a big push to get this song to number one.
01:31:42 - 01:31:43: It didn't happen.
01:31:43 - 01:31:46: And actually I was kind of moved by it because on Instagram, Drake said,
01:31:46 - 01:31:50: "I don't ask for a lot. I'm just a humble rapper from Canada.
01:31:50 - 01:31:52: But I've never had a number one song."
01:31:52 - 01:31:53: I mean, which is crazy.
01:31:53 - 01:31:54: Oh really? That's crazy.
01:31:54 - 01:31:55: He's never had a number one.
01:31:55 - 01:31:57: I mean, and this is a guy who is like the king of the charts.
01:31:57 - 01:32:01: Well, at any point he has number two through like 11.
01:32:01 - 01:32:02: Right.
01:32:02 - 01:32:05: So it's like he doesn't have number one, but he has the rest of the songs.
01:32:05 - 01:32:06: Right.
01:32:06 - 01:32:07: But it's meaningful to him.
01:32:07 - 01:32:08: It's symbolic. He never had number one.
01:32:08 - 01:32:11: He said, "Guys, it would mean so much to me if I could go number one.
01:32:11 - 01:32:14: I could taste that success just once in my life.
01:32:14 - 01:32:17: And it would especially mean a lot to me if it happened in October
01:32:17 - 01:32:20: because he calls all his stuff October's very own."
01:32:20 - 01:32:21: That's a tough break for Drake.
01:32:21 - 01:32:23: Yeah, that is.
01:32:23 - 01:32:27: Having a hard time feeling bad for Drake.
01:32:27 - 01:32:30: I'm trying, 'cause I love his music, but I'm having a very difficult time.
01:32:30 - 01:32:32: He's okay. He's all right.
01:32:32 - 01:32:34: We should start a Kickstarter or a GoFundMe.
01:32:34 - 01:32:40: I've never rebelled and then come around on an artist more than Drake.
01:32:40 - 01:32:42: Never rebelled harder.
01:32:42 - 01:32:43: You used to hate on Drake.
01:32:43 - 01:32:45: Well, yeah, 'cause it was like--
01:32:45 - 01:32:49: Well, he was introduced to me in a very specific way that I think was wrong.
01:32:49 - 01:32:52: Someone, my friend was like, "You got to listen to this new Drake dude.
01:32:52 - 01:32:54: He's like the Mill Lauryn Hill."
01:32:54 - 01:32:56: And I was like, "The Mill Lauryn Hill?"
01:32:56 - 01:32:57: And I rushed home.
01:32:57 - 01:32:59: And I was like, "All of it."
01:32:59 - 01:33:03: And then just because that's not how you should first hear Drake.
01:33:03 - 01:33:04: That's not who Drake is.
01:33:04 - 01:33:05: So I rebelled for like five years.
01:33:05 - 01:33:07: I was like, "No, no Drake."
01:33:07 - 01:33:11: And then I heard it and I was like, "Oh, yeah, I actually think I love all of his music."
01:33:11 - 01:33:16: I think Drake's done an amazing job of slowly but surely winning people over.
01:33:16 - 01:33:17: Yeah, he's a likable guy.
01:33:17 - 01:33:19: I mean, that's what happens over the course of a year.
01:33:19 - 01:33:21: You win people over and you alienate other people.
01:33:21 - 01:33:25: I cannot get enough Hotline Bling memes this week.
01:33:25 - 01:33:26: I can't. It's like--
01:33:26 - 01:33:27: Drake is the meme king.
01:33:27 - 01:33:30: He's so happy. They make me so happy.
01:33:30 - 01:33:33: Drake really gave the universe a gift with that video.
01:33:33 - 01:33:34: And you know what?
01:33:34 - 01:33:35: People are being amazing with it too.
01:33:35 - 01:33:36: Yeah, people are so creative.
01:33:36 - 01:33:38: I hope kids are getting scholarships off of some of it.
01:33:38 - 01:33:40: They're going to have the Hotline Bling scholarship.
01:33:40 - 01:33:42: Yeah, the Hotline Blingies.
01:33:42 - 01:33:45: There should be an award show for the Blingies.
01:33:45 - 01:33:47: There has to be a Blingies.
01:33:47 - 01:33:49: We have so many good ideas on this episode.
01:33:49 - 01:33:50: I know.
01:33:50 - 01:33:52: You guys are going to co-host the Blingies.
01:33:52 - 01:33:53: Yes.
01:33:53 - 01:33:59: And we're going to give out scholarships to people who made the best Hotline Bling memes.
01:33:59 - 01:34:00: Yes.
01:34:00 - 01:34:01: I vote the Star Wars one.
01:34:01 - 01:34:02: I saw it with the lightsaber.
01:34:02 - 01:34:03: That's amazing.
01:34:03 - 01:34:05: Can we find out who made the Star Wars meme?
01:34:05 - 01:34:07: The Star Wars Hotline Bling. Is it a vine?
01:34:07 - 01:34:08: Great question.
01:34:08 - 01:34:09: Yeah, I think it is a vine.
01:34:09 - 01:34:13: Sometimes it's hard to get to the bottom of who made a meme.
01:34:13 - 01:34:15: Anyway, Drake, we're sorry you didn't get that number one.
01:34:15 - 01:34:16: You deserve it.
01:34:16 - 01:34:19: But congratulations on literally everything else.
01:34:19 - 01:34:21: Two through 100.
01:34:21 - 01:34:22: Yeah.
01:34:22 - 01:34:27: If Drake doesn't have a number one before he retires from music, I'll eat my hat.
01:34:27 - 01:34:28: Oh, wow.
01:34:28 - 01:34:29: Wow.
01:34:29 - 01:34:31: You heard it here first, folks.
01:34:31 - 01:34:32: Strong words.
01:34:32 - 01:34:33: A lot of strong revelations.
01:34:33 - 01:34:35: Okay.
01:34:35 - 01:34:36: Number two on the top five.
01:34:36 - 01:34:39: Oh, looks like we got a repeat offender.
01:34:39 - 01:34:41: Justin Bieber saying sorry.
01:34:41 - 01:34:51: Oh, my.
01:34:51 - 01:34:52: You gotta go.
01:34:52 - 01:34:55: I'm getting angry at all of my honesty.
01:34:55 - 01:34:56: You know what?
01:34:56 - 01:35:00: But I don't do too well with apologies.
01:35:00 - 01:35:02: I hope I don't run out of time.
01:35:02 - 01:35:04: So I'm calling for me.
01:35:04 - 01:35:07: Because I just need one more shot.
01:35:07 - 01:35:11: I forgiveness.
01:35:11 - 01:35:12: I made those mistakes.
01:35:12 - 01:35:15: Maybe once or twice.
01:35:15 - 01:35:16: Once or twice.
01:35:16 - 01:35:19: I mean, maybe a couple of times.
01:35:19 - 01:35:21: So let me or let me redeem.
01:35:21 - 01:35:24: I redeem myself tonight.
01:35:24 - 01:35:26: I just need one more shot.
01:35:26 - 01:35:30: Second chance.
01:35:30 - 01:35:33: Is it too late now to say sorry?
01:35:33 - 01:35:39: 'Cause I'm missing more than just your body.
01:35:39 - 01:35:43: Is it too late now to say sorry?
01:35:43 - 01:35:46: Yeah, I know that I let you down.
01:35:46 - 01:35:50: Is it too late to say sorry now?
01:35:50 - 01:35:52: That was Justin Bieber with "Sorry."
01:35:52 - 01:35:54: Holding it down at number five and number two slots.
01:35:54 - 01:35:56: That's his new, new song.
01:35:56 - 01:35:58: Justin Bieber, "Sorry."
01:35:58 - 01:36:00: It's got a bit of a Caribbean feel.
01:36:00 - 01:36:01: A bit of reggaeton.
01:36:01 - 01:36:07: It does.
01:36:07 - 01:36:09: Like, so actually, I think the big--
01:36:09 - 01:36:11: Everybody talks about Justin Bieber's comeback.
01:36:11 - 01:36:14: I think the big secret is that there's kind of a tropical flavor
01:36:14 - 01:36:17: running through all of his singles this summer.
01:36:17 - 01:36:19: He did a song with Diplo and Skrillex.
01:36:19 - 01:36:21: Obviously, their music--
01:36:21 - 01:36:24: Skrillex coming from dubstep and Diplo doing major lids.
01:36:24 - 01:36:26: Their music is very much influenced by the music of Jamaica.
01:36:26 - 01:36:29: "What Do You Mean" had kind of a tropical flavor.
01:36:29 - 01:36:31: This has a reggaeton beat, which is also Jamaican.
01:36:31 - 01:36:34: So I think the story that we're not hearing enough
01:36:34 - 01:36:36: is that Justin Bieber's the new king of dancehall.
01:36:36 - 01:36:38: I think the story that we're going to hear
01:36:38 - 01:36:41: is that Justin Bieber vacations a lot.
01:36:41 - 01:36:42: Right.
01:36:42 - 01:36:45: You're hearing the influence of vacations.
01:36:45 - 01:36:46: Right.
01:36:46 - 01:36:48: It's like, oh, yeah, because he spends more time
01:36:48 - 01:36:50: on various islands than most people.
01:36:50 - 01:36:51: Right.
01:36:52 - 01:36:54: You said there's something thematic, though, going on
01:36:54 - 01:36:55: with "What Do You Mean."
01:36:55 - 01:36:57: What's the first single of the summer?
01:36:57 - 01:36:58: It was "Where Are You Now?"
01:36:58 - 01:36:59: "Where Are You Now," what do you mean?
01:36:59 - 01:37:00: Sorry?
01:37:00 - 01:37:02: Like, something-- he's going through some changes.
01:37:02 - 01:37:04: Well, also remember, he's Canadian.
01:37:04 - 01:37:06: So we were talking before, what do you mean is what you say
01:37:06 - 01:37:08: to somebody who's really drunk and you don't understand them.
01:37:08 - 01:37:10: And then they say something else unintelligible,
01:37:10 - 01:37:11: and the Canadian person would say, sorry?
01:37:11 - 01:37:12: They say, sorry.
01:37:12 - 01:37:13: Sorry.
01:37:13 - 01:37:14: So they're actually not pronouncing the song wrong.
01:37:14 - 01:37:15: It's actually sorry.
01:37:15 - 01:37:16: Sorry.
01:37:16 - 01:37:20: (SINGING) It's OK to say sorry now.
01:37:20 - 01:37:23: Oh, that's how he sings it in Canada.
01:37:23 - 01:37:25: I would love it if he sang--
01:37:25 - 01:37:27: I feel like-- and I don't want to disrespect
01:37:27 - 01:37:28: any Canadian people.
01:37:28 - 01:37:30: I know that Canada is a big, beautiful country
01:37:30 - 01:37:34: with all sorts of different, exciting accents and dialects.
01:37:34 - 01:37:37: But sorry is one of those words-- and I'm sure people
01:37:37 - 01:37:39: think I say sorry in a funny way.
01:37:39 - 01:37:42: But sorry is one of those words that when an American person
01:37:42 - 01:37:45: impersonates a Canadian person, they always say, sorry.
01:37:45 - 01:37:46: Wait, do it.
01:37:46 - 01:37:48: Sorry, sorry, sorry.
01:37:48 - 01:37:49: Use it in a sentence.
01:37:49 - 01:37:50: Sorry, sorry, sorry.
01:37:50 - 01:37:51: Sorry, sorry?
01:37:51 - 01:37:52: I'm so sorry.
01:37:52 - 01:37:53: Sorry.
01:37:53 - 01:37:55: I'm not saying it right, but it's like--
01:37:55 - 01:37:56: Yeah, now--
01:37:56 - 01:37:57: Out in a boat.
01:37:57 - 01:37:58: They say out in a boat.
01:37:58 - 01:37:59: A boat.
01:37:59 - 01:38:00: Yeah.
01:38:00 - 01:38:02: Let's get into the top song, the number one song.
01:38:02 - 01:38:04: This is somebody-- an artist we were talking about before.
01:38:04 - 01:38:09: She is the ruler of music right now in all senses of the word.
01:38:09 - 01:38:11: This is Adele with "Hello."
01:38:11 - 01:38:14: (SINGING) Hello.
01:38:14 - 01:38:17: It's me.
01:38:17 - 01:38:23: I was wondering if after all these years you'd like to meet,
01:38:23 - 01:38:28: to go over everything.
01:38:28 - 01:38:32: They say that time's supposed to heal you,
01:38:32 - 01:38:35: but I ain't done much healing.
01:38:35 - 01:38:38: Hello.
01:38:38 - 01:38:41: Can you hear me?
01:38:41 - 01:38:47: I'm in California dreaming about who we used to be when
01:38:47 - 01:38:53: we were younger and free.
01:38:53 - 01:38:59: I've forgotten how it felt before the world fell at our feet.
01:38:59 - 01:39:09: There's such a difference between us and a million miles.
01:39:10 - 01:39:16: Hello from the other side.
01:39:16 - 01:39:25: I must have called a thousand times to tell you I'm sorry
01:39:25 - 01:39:27: for everything that I've done.
01:39:27 - 01:39:34: But when I call, you never seem to be home.
01:39:34 - 01:39:40: Hello from the outside.
01:39:40 - 01:39:49: At least I can say that I've tried to tell you I'm sorry
01:39:49 - 01:39:51: for breaking your heart.
01:39:51 - 01:39:53: But it don't matter.
01:39:53 - 01:39:59: It clearly doesn't tear you apart anymore.
01:39:59 - 01:40:00: Adele, "Hello."
01:40:00 - 01:40:01: What do you guys think?
01:40:01 - 01:40:04: It's fine.
01:40:04 - 01:40:05: It's a power ballad.
01:40:06 - 01:40:08: It reminds me a little bit of Meatloaf, actually.
01:40:08 - 01:40:10: Yeah, it's in that family.
01:40:10 - 01:40:13: I would do anything for love.
01:40:13 - 01:40:16: If you told me that Diane Warren wrote this song in her shower,
01:40:16 - 01:40:17: I would believe you.
01:40:17 - 01:40:18: It's got a little bit of that vibe.
01:40:18 - 01:40:20: Diane Warren in the shower.
01:40:20 - 01:40:22: Do you think about that?
01:40:22 - 01:40:24: I think about where she writes.
01:40:24 - 01:40:26: I think she has a dry erase board in the shower.
01:40:26 - 01:40:28: I think she cries when she writes music.
01:40:28 - 01:40:30: That's where she wrote, "I Don't Want to Miss a Thing."
01:40:30 - 01:40:33: It's still on the board a little bit.
01:40:33 - 01:40:35: Adele, "Hello."
01:40:35 - 01:40:37: Here's my theory about Adele, "Hello."
01:40:37 - 01:40:39: There's been talk about this song.
01:40:39 - 01:40:41: Most people are loving it.
01:40:41 - 01:40:43: A few people saying, "Oh, it's a little conservative."
01:40:43 - 01:40:48: I mean, somebody with an amazing voice just singing a deeply moving
01:40:48 - 01:40:50: power ballad.
01:40:50 - 01:40:51: Some people think it's conservative.
01:40:51 - 01:40:54: But there's something about her comeback in this moment when there's so much
01:40:54 - 01:40:57: competition to see who can be the most next level.
01:40:57 - 01:41:00: And then Adele comes back with a beautiful sepia tone, simple video,
01:41:00 - 01:41:02: old school power ballad.
01:41:02 - 01:41:03: And she's just kind of like, "You know what?
01:41:03 - 01:41:04: I'm not playing games.
01:41:04 - 01:41:06: I'm here to sing.
01:41:06 - 01:41:08: I'm here to move you emotionally.
01:41:08 - 01:41:11: And I'm not even going to have colors in my video.
01:41:11 - 01:41:14: I'm that focused on one thing, making you cry."
01:41:14 - 01:41:17: [laughter]
01:41:17 - 01:41:19: That wasn't even supposed to be a joke, actually.
01:41:19 - 01:41:20: That's true.
01:41:20 - 01:41:21: It was paced very well.
01:41:21 - 01:41:22: Oh, thank you.
01:41:22 - 01:41:24: Because she is--I think in her last album,
01:41:24 - 01:41:27: I remember her at an awards show doing "Someone Like You."
01:41:27 - 01:41:28: It was just a piano.
01:41:28 - 01:41:30: And you don't see that that often anymore.
01:41:30 - 01:41:34: So, yeah, it is--she is always like a great ode to simplicity.
01:41:34 - 01:41:37: Yeah, and that voice is, like, unbeatable.
01:41:37 - 01:41:39: And I think she was basically like, "Oh, really?
01:41:39 - 01:41:43: Everybody and your summer themes and your cute little, like, trendy--
01:41:43 - 01:41:45: check out my voice."
01:41:45 - 01:41:47: Have you cried this season?
01:41:47 - 01:41:48: [laughter]
01:41:48 - 01:41:49: You're listening to...
01:41:49 - 01:41:50: [tapping]
01:41:50 - 01:41:54: Time Crisis on Beats 1.
01:41:54 - 01:41:56: [funky music]
01:41:56 - 01:41:57: Well, that's a top five.
01:41:57 - 01:41:58: That's a pretty good top five.
01:41:58 - 01:41:59: It is.
01:41:59 - 01:42:00: I think.
01:42:00 - 01:42:01: Got some double beeps.
01:42:01 - 01:42:02: Feels also autumnal.
01:42:02 - 01:42:03: It was pretty autumnal.
01:42:03 - 01:42:04: It feels like things are changing.
01:42:04 - 01:42:07: Yeah, because--well, you know what's funny, though,
01:42:07 - 01:42:09: is that I feel like if--because this summer,
01:42:09 - 01:42:12: all we did was listen to--okay, "Cheerleader" definitely is a summer song.
01:42:12 - 01:42:13: Yeah.
01:42:13 - 01:42:14: But, like, "The Weekend," "I Can't Feel My Face,"
01:42:14 - 01:42:16: if that dropped right now--
01:42:16 - 01:42:17: It could be a fall song.
01:42:18 - 01:42:19: I--yeah.
01:42:19 - 01:42:22: I think "The Hills," though, is a summer song.
01:42:22 - 01:42:23: Yeah.
01:42:23 - 01:42:24: "The Hills" is more of a summer song.
01:42:24 - 01:42:25: Um...
01:42:25 - 01:42:26: So is "Fetty Wap."
01:42:26 - 01:42:29: I like Vince Giraldi for autumn.
01:42:29 - 01:42:30: Oh, like the Peanuts?
01:42:30 - 01:42:31: Yeah, yeah, like the Peanuts.
01:42:31 - 01:42:32: That's what I think autumn--
01:42:32 - 01:42:34: I just think Vince Giraldi first.
01:42:34 - 01:42:35: Do you--wait.
01:42:35 - 01:42:36: Oh, that's good.
01:42:36 - 01:42:37: But not--not--and then--
01:42:37 - 01:42:38: Not "Christmas Time."
01:42:38 - 01:42:39: Charlie Brown, "Christmas."
01:42:39 - 01:42:41: I think--I think--
01:42:41 - 01:42:42: [singing]
01:42:42 - 01:42:43: It's--he's more of--
01:42:43 - 01:42:45: when I think Charlie Brown, I think more Thanksgiving,
01:42:45 - 01:42:46: more autumn, more, like--
01:42:46 - 01:42:47: That's a really good--
01:42:47 - 01:42:48: That's actually a perfect autumn note.
01:42:48 - 01:42:49: Wait, like what?
01:42:49 - 01:42:50: Like the Grape Pumpkin Waltz?
01:42:50 - 01:42:51: Or Thanksgiving theme.
01:42:51 - 01:42:52: Is this what you're talking about?
01:42:52 - 01:42:53: Or the Thanksgiving theme.
01:42:53 - 01:42:55: [piano music]
01:42:55 - 01:42:56: Sounds like leaves falling.
01:42:56 - 01:42:57: So good.
01:42:57 - 01:42:58: Well, I like this.
01:42:58 - 01:42:59: Let's listen to this.
01:42:59 - 01:43:01: Here's Gerard's pick.
01:43:01 - 01:43:04: After all that pop music,
01:43:04 - 01:43:07: here's some nice Italian-American jazz.
01:43:07 - 01:43:09: Italian-American jazz?
01:43:09 - 01:43:11: [laughter]
01:43:11 - 01:43:12: Not a genre.
01:43:12 - 01:43:13: [laughter]
01:43:13 - 01:43:16: [piano music]
01:50:30 - 01:50:40: That was Lana Del Rey with video games.
01:50:40 - 01:50:43: Another beautiful song I associate with autumn.
01:50:43 - 01:50:45: That's one of my favorite songs of all time.
01:50:45 - 01:50:50: You know what guys, I just got hit up by one of my best Twitter friends.
01:50:50 - 01:50:51: I've never met him in person, but
01:50:51 - 01:50:54: he runs a great Twitter account called Seinfeld 2000.
01:50:54 - 01:50:55: You heard of it?
01:50:55 - 01:50:56: >> Yes, I have.
01:50:56 - 01:51:00: >> He imagined, he, all sorts of funny jokes about Seinfeld and
01:51:00 - 01:51:02: especially talks about what if Seinfeld was still on TV today.
01:51:02 - 01:51:05: And I said, hey man, why don't you call him to the show?
01:51:05 - 01:51:07: He seemed really excited, like he wanted to call him to the show.
01:51:07 - 01:51:10: And we've never really had a, a guest via the phone, so.
01:51:10 - 01:51:11: >> Oh, wow. >> We're gonna try this.
01:51:11 - 01:51:14: So so, Jerry, are you there?
01:51:14 - 01:51:15: >> Uncle Leo.
01:51:15 - 01:51:17: [LAUGH]
01:51:17 - 01:51:20: It's a reference to Seinfeld.
01:51:20 - 01:51:22: >> Oh, right, Uncle Leo was a character on Seinfeld.
01:51:22 - 01:51:23: Right, right, that's a, Seinfeld.
01:51:23 - 01:51:25: >> Yeah. >> Darn off with the bang.
01:51:25 - 01:51:26: [LAUGH]
01:51:26 - 01:51:28: >> It, sometimes George would call and
01:51:28 - 01:51:31: he was in a crisis type of situation.
01:51:31 - 01:51:35: And then Jerry is like sarcastically pretending that it's Uncle Leo.
01:51:35 - 01:51:36: But he knows who it is.
01:51:36 - 01:51:38: >> Right, he knows, he knows it's George.
01:51:38 - 01:51:39: Yeah, it was a very funny show.
01:51:39 - 01:51:39: >> Yeah.
01:51:39 - 01:51:43: >> So, so Jerry, we all know who you are, but I wanna explain to, to my guests who
01:51:43 - 01:51:47: might not be familiar with you or the Seinfeld 2000 account.
01:51:47 - 01:51:50: Your account started just because you, your big Seinfeld fan and
01:51:50 - 01:51:53: you like to imagine what would the show be like if it was still on air?
01:51:53 - 01:51:54: Is that correct?
01:51:54 - 01:51:55: >> Yeah, for sure.
01:51:55 - 01:51:59: Cuz like, okay, we all know that Seinfeld was canceled in 1998,
01:51:59 - 01:52:03: just cuz the ratings by the end were just like abysmal.
01:52:03 - 01:52:07: But, you know, we've had a lot of changes, like societally,
01:52:07 - 01:52:09: like there have been a lot of advancements.
01:52:09 - 01:52:11: There have been a lot of technological devices and
01:52:11 - 01:52:16: things that have come along that have changed how we operate
01:52:16 - 01:52:17: in many different ways.
01:52:17 - 01:52:22: And I just think it would be hilarious if you apply that to Seinfeld with
01:52:22 - 01:52:24: the characters that are so familiar.
01:52:24 - 01:52:26: Does that make sense?
01:52:26 - 01:52:28: >> What's an example for people at home who don't know the concept?
01:52:28 - 01:52:29: What do you mean?
01:52:29 - 01:52:32: Like, the characters but with modern advancement.
01:52:32 - 01:52:33: What's an example?
01:52:33 - 01:52:37: >> So like, for example, just like off the top of my head,
01:52:37 - 01:52:41: what if George gets really upset because Jerry doesn't favorite
01:52:41 - 01:52:45: the hotline bling meme that he spent all night making?
01:52:45 - 01:52:47: >> [LAUGH] >> Okay, right.
01:52:47 - 01:52:50: >> [LAUGH] >> You can see where I'm going with this,
01:52:50 - 01:52:51: right? >> Right,
01:52:51 - 01:52:54: like they'd probably use more internet stuff, right?
01:52:54 - 01:52:58: >> Yeah, I mean, I think you're simplifying it a little bit, but yeah.
01:52:58 - 01:53:00: >> Okay, sorry, I don't mean to oversimplify it.
01:53:00 - 01:53:02: I love the account, it's very fun.
01:53:02 - 01:53:03: >> Hey, check this one out.
01:53:03 - 01:53:04: >> Yeah, okay, let's hear it.
01:53:04 - 01:53:09: >> Elaine starts a mobile dating app like Tinder, but it's called Spongeworthy.
01:53:09 - 01:53:12: It's like spelled, like there are no vowels.
01:53:12 - 01:53:14: It looks like a series of consonants.
01:53:14 - 01:53:14: >> Okay, that's funny.
01:53:14 - 01:53:15: >> Yeah. >> Yeah, I like that,
01:53:15 - 01:53:20: cuz Spongeworthy was on the original series, and this is if you updated it.
01:53:20 - 01:53:22: Well, that's pretty cool, man.
01:53:22 - 01:53:24: >> Yeah, I mean, you don't need to patronize me.
01:53:24 - 01:53:26: >> I'm, no, I'm sorry, I don't mean to patronize you at all.
01:53:26 - 01:53:27: >> No, I like it.
01:53:27 - 01:53:29: >> It's a very funny account.
01:53:29 - 01:53:30: It's a lot of fun.
01:53:30 - 01:53:31: How was your Halloween, man?
01:53:31 - 01:53:33: >> Sure, Halloween was cool.
01:53:33 - 01:53:38: Halloween was cool, I guess you could say the whole neighborhood was buzzing
01:53:38 - 01:53:42: over my costume because I dressed up as Barry B.
01:53:42 - 01:53:48: Benson from Jerry Seinfeld's 2007 animated classic, Bee Movie.
01:53:48 - 01:53:54: You get it, so when I say buzzing, it's like a reference to, it's like a bee joke.
01:53:54 - 01:53:57: >> Right, right, yeah, I've never seen Bee Movie myself.
01:53:57 - 01:53:59: >> What?
01:53:59 - 01:54:01: >> I've never seen Bee Movie.
01:54:01 - 01:54:02: >> Why not?
01:54:02 - 01:54:04: >> I mean, I like Seinfeld the series.
01:54:04 - 01:54:06: I guess I wasn't that interested in seeing it, cuz it's for kids, right?
01:54:06 - 01:54:09: >> So as far as I'm concerned,
01:54:09 - 01:54:13: Bee Movie is kind of like the real finale of Seinfeld.
01:54:13 - 01:54:16: It's like an additional bonus episode.
01:54:16 - 01:54:17: >> Rashida, have you seen the Bee Movie?
01:54:17 - 01:54:19: >> I haven't, I'm sad to say.
01:54:19 - 01:54:20: >> Aren't you writing Toy Story?
01:54:20 - 01:54:23: >> Yep. >> Okay.
01:54:23 - 01:54:28: I don't know, it's important to do research, I guess, on animated films.
01:54:28 - 01:54:29: >> No, or not.
01:54:29 - 01:54:30: >> Just my opinion.
01:54:30 - 01:54:31: >> Or not. >> Or not.
01:54:31 - 01:54:33: >> Okay, Jerry, things are getting- >> I'm sorry.
01:54:33 - 01:54:36: >> We wanna talk about Seinfeld first and foremost.
01:54:36 - 01:54:38: I really appreciated that you wanted to call into the show.
01:54:38 - 01:54:40: You said you had some kind of announcement earlier.
01:54:40 - 01:54:41: What's that all about?
01:54:41 - 01:54:43: >> Yeah, are you guys sitting down?
01:54:43 - 01:54:44: >> Yeah, we're all sitting down.
01:54:44 - 01:54:45: >> Yeah, actually.
01:54:45 - 01:54:46: >> All right, this is too exciting.
01:54:46 - 01:54:49: Okay, Seinfeld- >> Yeah?
01:54:49 - 01:54:51: >> Is coming back to TV.
01:54:51 - 01:54:55: >> Do you mean they just did some big deal for the reruns?
01:54:55 - 01:54:57: >> No, you don't understand, though.
01:54:57 - 01:55:02: Jerry, Larry David, JLD, Jason Alexander, even Michael Richards,
01:55:02 - 01:55:08: have all signed on to do all new webisodes of Seinfeld coming back to TV.
01:55:08 - 01:55:08: Boom.
01:55:08 - 01:55:10: It's a Time Crisis exclusive.
01:55:10 - 01:55:13: You heard it here first only on Beats 1 from Apple Music.
01:55:13 - 01:55:17: >> Okay, this is obviously, you're doing a bit now,
01:55:17 - 01:55:19: cuz obviously Seinfeld's not coming back.
01:55:19 - 01:55:20: This is a joke.
01:55:20 - 01:55:22: >> Okay, do you think they would mess with you like this?
01:55:22 - 01:55:27: Do you think they would just come on your show and break the huge news?
01:55:27 - 01:55:30: >> If it wasn't true, dude, the details are scant.
01:55:30 - 01:55:33: But I have it on pretty good authority that it will be coming back.
01:55:33 - 01:55:35: >> Well, Jerry- >> And it's gonna be set in 2015.
01:55:35 - 01:55:36: >> Okay, Jerry, hold on a second.
01:55:36 - 01:55:41: What I love about Seinfeld 2000 is that we kind of understand the readers and
01:55:41 - 01:55:43: you, we understand that Seinfeld's not coming back.
01:55:43 - 01:55:44: That's what makes it funny.
01:55:44 - 01:55:46: >> Yeah, I know, and that was the past.
01:55:46 - 01:55:51: But I'm as blown away by it as you are, and I can understand your skepticism.
01:55:51 - 01:55:55: >> Okay, no, no, I gotta say you're making me a little bit uncomfortable.
01:55:55 - 01:55:56: Well, hold on, hold on.
01:55:56 - 01:55:58: This is my show, don't talk over me.
01:55:58 - 01:55:59: I'm sorry, my friend, but
01:55:59 - 01:56:03: you don't have any real information that Seinfeld's coming back on TV.
01:56:03 - 01:56:05: >> I do, yeah, I do, for sure.
01:56:05 - 01:56:07: I have it on good authority.
01:56:07 - 01:56:08: >> From who?
01:56:08 - 01:56:11: >> You're really putting me on the spot here?
01:56:11 - 01:56:13: I was like, I kinda promised, I wouldn't really-
01:56:13 - 01:56:15: >> You don't have it on good authority.
01:56:15 - 01:56:18: >> Like this is supposed to be like a- >> No, Seinfeld ended a long time ago and
01:56:18 - 01:56:19: it's not coming back.
01:56:19 - 01:56:20: >> Jerry told me.
01:56:20 - 01:56:23: >> Jerry did not tell, you don't know Jerry Seinfeld.
01:56:23 - 01:56:26: >> Jerry, no, but through Twitter, I'm friends with Jerry.
01:56:26 - 01:56:29: >> Okay, hold on, what you have is an obsession with Jerry Seinfeld, and
01:56:29 - 01:56:31: it's sick and it's deranged.
01:56:31 - 01:56:35: >> Listen, I have nothing but the utmost respect for you, Ezra.
01:56:35 - 01:56:39: But when I tell you Seinfeld is coming back, it is coming back, okay?
01:56:39 - 01:56:40: >> Please cut him.
01:56:40 - 01:56:42: Everybody who is listening at home, I'm sorry.
01:56:42 - 01:56:46: He truly has a disgusting obsession with Seinfeld, and
01:56:46 - 01:56:49: I wanna apologize to everybody who is listening at home.
01:56:49 - 01:56:50: >> A little weird.
01:56:50 - 01:56:51: >> That was crazy.
01:56:51 - 01:56:54: >> I'm sorry guys, cuz I know I vouch for this guy.
01:56:54 - 01:56:55: I have you on the show.
01:56:55 - 01:56:57: Gerard Rashid, I'm very sorry.
01:56:57 - 01:56:59: >> Yeah, it's fine. >> Yeah, I will put Seinfeld coming back in
01:56:59 - 01:57:02: that things I would hear about category, right?
02:01:32 - 02:01:51: >> That was the Easy Star All Stars with a reggae version of No Surprises from
02:01:51 - 02:01:56: a Jamaican cover album where they cover Radiohead's Okay Computer.
02:01:56 - 02:01:57: It's called Radio Dread.
02:01:57 - 02:01:59: I think we're about at the end of the show.
02:01:59 - 02:02:03: This has really been an eventful one, and I wanna thank Gerard Carmichael and
02:02:03 - 02:02:05: Rashida Jones so much for being here with me.
02:02:05 - 02:02:08: And I hope you'll come back now that you're part of the Time Crisis family.
02:02:08 - 02:02:09: >> Anytime.
02:02:09 - 02:02:10: >> Yeah, absolutely. >> I had a great time.
02:02:10 - 02:02:13: >> Everybody at home, thank you for listening.
02:02:13 - 02:02:14: Tune in in two weeks.
02:02:14 - 02:02:16: We'll be back with more Time Crisis.
02:02:16 - 02:02:20: To hear this show again, go to the Featured tab on the show page in Apple Music.
02:02:20 - 02:02:24: Every week I get tweets from people saying, how do I listen to this show?
02:02:24 - 02:02:29: So just open Apple Music on your phone, in iTunes, on your computer,
02:02:29 - 02:02:33: find the show page Time Crisis, and now you can go back and listen to episodes 1
02:02:33 - 02:02:34: through 8.
02:02:34 - 02:02:35: Remember, we'll be back in two weeks.
02:02:35 - 02:02:39: Next week is Pharrell's show Other Tone, and he's got Cara Delevingne and
02:02:39 - 02:02:43: street artist JR along with his buddy Scott Venner.
02:02:43 - 02:02:44: So check that out, and we'll be back in two weeks.
02:02:44 - 02:02:45: Thank you so much.
02:02:45 - 02:02:51: >> Time Crisis with Ezra King.
02:02:51 - 02:02:55: Beats 1.

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