Episode 99: Conspiracy Theories with Mark Foster

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Transcript

Start Timestamp - End Timestamp: Transcript
00:00 - 00:03: Time Crisis, back once again.
00:03 - 00:08: It's a dark summer, and this episode, we'll tackle it head on.
00:08 - 00:15: We'll be talking about everything from conspiracy theories, to David Berman, and so much more.
00:15 - 00:23: We'll also be counting down the top 5 songs on iTunes, and the top 5 Billboard hits of 1999.
00:23 - 00:26: This is a summary...
00:26 - 00:30: Time Crisis, with Ezra King.
00:30 - 00:32: B-B-B-B-Beasts.
00:32 - 00:34: One.
00:35 - 00:41: They passed me by, all of those great romances
00:41 - 00:48: The world I felt, wobbly, all my rightful chances
00:48 - 00:56: My picture clear, everything seemed so easy
00:56 - 01:03: And so I dealt to the blow, when the bus had to go
01:03 - 01:07: Now it's different, I want you to know
01:07 - 01:13: One of us is crying, one of us is lying
01:13 - 01:17: Leave it all on me baby
01:17 - 01:20: Time Crisis, back once again.
01:20 - 01:23: People are going wild for these fresh eps, man.
01:23 - 01:26: They were sick of the banked eps, now we're getting some fresh eps.
01:26 - 01:28: Seinfeld, how was the reaction to the last episode?
01:28 - 01:31: People are loving it.
01:31 - 01:33: People are into it?
01:33 - 01:35: Yeah, people can't get enough of the fresh eps.
01:35 - 01:37: You can taste the difference, you know.
01:37 - 01:42: There's just a difference between an ep that's just been delivered fresh from the produce section,
01:42 - 01:44: versus been sitting on a shelf.
01:44 - 01:45: It's fresher.
01:45 - 01:46: Yeah, it's not a canned ep.
01:46 - 01:48: It's definitely a fresher ep.
01:48 - 01:50: Well Jake, how have you been the last two weeks?
01:50 - 01:51: Pretty solid.
01:51 - 01:55: I like you got the Showtime Documentary Films Patagonia back on.
01:55 - 01:58: This is a truly random item of clothing.
01:58 - 02:01: This has come up on the show before.
02:01 - 02:03: It lives in my car or in my studio.
02:03 - 02:05: So you're not wearing it very often?
02:05 - 02:06: No.
02:06 - 02:11: Just to paint a picture for everybody, this is a Patagonia half zip.
02:11 - 02:14: It's not a heavy pile, it's a light pile.
02:14 - 02:20: And on the right upper sleeve, it says Showtime Documentary Films.
02:20 - 02:28: What happened was I somehow ended up in a situation where I was taking an Uber here
02:28 - 02:30: because my car broke down yesterday.
02:30 - 02:32: Oh, your car broke down?
02:32 - 02:34: And I normally keep clothes in my car.
02:34 - 02:39: Because I'm anticipating that the AC is going to be jacked in the Apple Music Studios,
02:39 - 02:40: and I'm not wrong.
02:40 - 02:41: It's pretty jacked.
02:41 - 02:43: It's frigid in here.
02:43 - 02:45: And in the Uber ride over here, it was frigid.
02:45 - 02:47: The guy had the temp at 60.
02:47 - 02:48: [laughs]
02:48 - 02:49: God.
02:49 - 02:51: It's not even that warm outside.
02:51 - 02:53: No, it's like upper 70s.
02:53 - 02:54: It's an LA evening.
02:54 - 02:55: Yeah.
02:55 - 02:56: Mid-70s.
02:56 - 03:00: So I was like, "Uh-oh, I don't have my normal wardrobe in my car."
03:00 - 03:06: I usually have a couple shirts and stuff just kind of hanging out in the passenger seat of the car.
03:06 - 03:07: No car.
03:07 - 03:11: This is this filthy, beat-up polar fleece.
03:11 - 03:13: Basically on the floor of my studio.
03:13 - 03:14: Grabbed it.
03:14 - 03:16: Yeah, it's got some dog hair on it.
03:16 - 03:17: Yeah, dog hair, paint.
03:17 - 03:18: It smells.
03:18 - 03:19: [laughs]
03:19 - 03:21: Like, really terrible.
03:21 - 03:22: I look like a dirtbag right now.
03:22 - 03:23: It's not your go-to.
03:23 - 03:24: No.
03:24 - 03:26: You don't look like that much of a dirtbag.
03:26 - 03:27: That's cool.
03:27 - 03:31: Real quick, lint roller on that, and actually you'd look kind of bourgeois.
03:31 - 03:33: I'd look like a member of Empire Weekend.
03:33 - 03:35: [laughs]
03:35 - 03:36: I mean, I have--
03:36 - 03:38: You know, like a thin polar fleece and some shorts.
03:38 - 03:41: I've been pretty into this one half zip lately.
03:41 - 03:42: Sorry, what's the--
03:42 - 03:44: Oh, okay, half zip is just zips halfway down.
03:44 - 03:46: It's more like a third of the way down.
03:46 - 03:48: That's a half zip.
03:48 - 03:50: I'm not going to split hairs here.
03:50 - 03:53: Well, yeah, I guess there's such a thing as a quarter zip,
03:53 - 03:57: but I just feel like it's either you're wearing a full zip or a half zip.
03:57 - 03:59: Is there a three-quarter zip?
03:59 - 04:00: That would be so awkward.
04:00 - 04:03: Picture if you had it all the way down, three-quarter zip.
04:03 - 04:05: Let's get a number crunch on that.
04:05 - 04:06: That's a good one.
04:06 - 04:08: Maybe with a pocket blocking it.
04:08 - 04:09: That's the reason.
04:09 - 04:11: Okay, you know what, Jake?
04:11 - 04:12: I stand corrected.
04:12 - 04:14: I think you're wearing a quarter zip.
04:14 - 04:19: I stand corrected.
04:19 - 04:23: But that's one of those little quirky things that makes me me.
04:23 - 04:27: You know, as discussed on the program, I call buffalo wings buffalo wangs,
04:27 - 04:29: and I call quarter zips half zips.
04:29 - 04:34: Although when you search half zip, you see stuff that's in the ballpark.
04:34 - 04:36: Look, here's the thing about zips.
04:36 - 04:40: The average consumer, they just want to know, does this go down all the way
04:40 - 04:43: or does this stop somewhere around my nipples?
04:43 - 04:47: You know, nobody's going to send a half zip home saying this is more like a third zip.
04:47 - 04:49: Yeah, this is exactly the same level as my nips.
04:49 - 04:52: The bottom of it is exactly the same level as your nips?
04:52 - 04:53: Yeah, so there's no such thing.
04:53 - 04:54: It should just be called a nip zip.
04:54 - 04:57: I'm putting a level on it as we speak.
04:57 - 04:59: Confirmed.
04:59 - 05:04: Three-quarter zip doesn't exist, but I'm seeing people calling a quarter zip a three-quarter zip.
05:04 - 05:06: Oh, because three-quarters are not zipped?
05:06 - 05:07: That's right, yeah.
05:07 - 05:08: They're going the opposite way.
05:08 - 05:10: I've always been fascinated by the half zip.
05:10 - 05:13: It kind of struck me as like--I still actually haven't seen the show,
05:13 - 05:15: but you know, a succession kind of look.
05:15 - 05:18: Like a certain type of rich dude wears half zips.
05:18 - 05:20: Wow, I should get more half zips, maybe.
05:20 - 05:21: You should get more half zips.
05:21 - 05:23: But actually, I don't like wearing them that much.
05:23 - 05:26: You know, there's this one--and also, this is not a fleece.
05:26 - 05:28: It's a sweater, which I think is a little bit different,
05:28 - 05:32: but there's this blue half zip that I got on a music video shoot, and I liked it so much
05:32 - 05:36: I've been wearing it on stage a bunch, and I actually got a second one.
05:36 - 05:38: Sweater or fleece?
05:38 - 05:39: A sweater.
05:39 - 05:40: On stage?
05:40 - 05:41: Yeah.
05:41 - 05:42: Full show?
05:42 - 05:46: Yeah, I realized I don't wear a t-shirt under it, and sometimes I'll wear shorts,
05:46 - 05:48: and I'm like, "You know what? I'm good, man."
05:48 - 05:49: We've played it.
05:49 - 05:52: And as discussed, we've played some very cold shows this year.
05:52 - 05:53: Chicago, notably.
05:53 - 05:54: Frigid.
05:54 - 05:56: I could have been wearing two half zips.
05:56 - 06:01: But a fleece half zip, it's interesting because outside of on stage,
06:01 - 06:03: I always want to be able to zip something all the way down.
06:03 - 06:06: I don't like taking things on and off over my head in public.
06:06 - 06:10: Right, you get the t-shirt tangled up in there.
06:10 - 06:11: Hair gets all static-y.
06:11 - 06:13: People are like, "Are you taking your shirt off right now? What's going on?"
06:13 - 06:16: And then also, just like, it's dangerous.
06:16 - 06:19: One way or another, you're going to be--even just for a millisecond--
06:19 - 06:22: you're going to be momentarily blinded when you take a half zip off.
06:22 - 06:25: Even if you do it in kind of like--you know, not like a little kid,
06:25 - 06:28: like full inside-out, over-the-head way.
06:28 - 06:30: You do it in a more grown-up, like gradual, like--
06:30 - 06:31: Yeah.
06:31 - 06:33: It's an awkward thing, and I don't like it.
06:33 - 06:35: I like to zip all the way down.
06:35 - 06:36: And I feel like you feel the same way.
06:36 - 06:38: That's why this is not your go-to.
06:38 - 06:41: I'm not in love with this shirt. It was a desperate move.
06:41 - 06:42: But it does look good. It's a good color.
06:42 - 06:45: But I'm glad I brought it because it's frigid in here.
06:45 - 06:46: Yeah.
06:46 - 06:47: Why do people keep everything so cold?
06:47 - 06:48: I don't know.
06:48 - 06:50: It's so hard to find, like, a middle ground.
06:50 - 06:52: I keep the house at 77.
06:52 - 06:55: That's very warm, especially in L.A.
06:55 - 06:57: Yeah, but it feels cool if it's 90 degrees out.
06:57 - 06:59: You go inside, it's 77. It feels great.
06:59 - 07:02: And then, you know, naturally, it'll drop to about 72, 73
07:02 - 07:04: over the course of the night.
07:04 - 07:05: Right.
07:05 - 07:06: Ceiling fan?
07:06 - 07:07: Oh, yeah, yeah.
07:07 - 07:09: Go to sleep, and it's like 75 in the house with a ceiling fan.
07:09 - 07:10: You're golden.
07:56 - 08:01: ♪ On me, baby ♪
08:01 - 08:04: ♪ Goddamn, I am ♪
08:04 - 08:09: ♪ I can't sing and hear me, know me ♪
08:09 - 08:15: ♪ If you want to destroy my sweater ♪
08:15 - 08:20: ♪ Hold this thread as I walk away ♪
08:22 - 08:24: - All right, well, what do we want to talk about today?
08:24 - 08:25: - Great question.
08:25 - 08:26: Epstein?
08:26 - 08:31: - I just did a Q and A for the Time Crisis Wiki.
08:31 - 08:32: - Oh, really?
08:32 - 08:33: - Yeah.
08:33 - 08:34: - The website?
08:34 - 08:35: - That's what it is, a website, right?
08:35 - 08:37: What's it called, TCU?
08:37 - 08:39: - Universe Wiki.
08:39 - 08:42: - Wait, is it the Wikipedia page or is it the?
08:42 - 08:43: - No, no, no.
08:43 - 08:44: - It is like another thing?
08:44 - 08:46: - I thought somebody made a Wiki for Time Crisis.
08:46 - 08:47: - Yeah, it's like--
08:47 - 08:50: - Or not a Wikipedia page, but a Time Crisis Wiki.
08:50 - 08:52: - It's the Time Crisis Universe.
08:52 - 08:53: - What's the difference between the Time Crisis Wiki
08:53 - 08:55: and the Wikipedia page?
08:55 - 08:59: - A Wiki is like a format for a kind of website.
08:59 - 09:01: So, you know, you could do for something, you know,
09:01 - 09:05: a Star Wars Wiki that's like the whole thing
09:05 - 09:07: is about Star Wars.
09:07 - 09:08: - Yeah.
09:08 - 09:09: - Has nothing to do with Wikipedia.
09:09 - 09:11: It's almost like you build your own Wikipedia
09:11 - 09:12: about whatever you want.
09:12 - 09:13: - Gotcha.
09:13 - 09:14: - So is that what it is?
09:14 - 09:16: - Yeah, yeah.
09:16 - 09:16: No, you nailed it.
09:16 - 09:21: It's the Time Crisis Universe Wiki through fandom.com.
09:21 - 09:23: - Yeah, I did a Q&A 'cause somebody who runs it
09:23 - 09:25: hit me up on Instagram and I thought, you know,
09:25 - 09:28: they're providing real service for the fan community.
09:28 - 09:29: Must take a lot of work, right?
09:29 - 09:31: - Was this over like DM, email?
09:31 - 09:33: - They DM me and then I had them, you know,
09:33 - 09:36: email one of my associates to pass on.
09:36 - 09:38: - What sort of questions did they have?
09:38 - 09:40: - One of them was how do you guys prepare?
09:40 - 09:41: And I kept it real.
09:41 - 09:43: We don't really prepare, but the producers prepare.
09:43 - 09:45: They give us information.
09:45 - 09:46: - Print out emails from--
09:46 - 09:47: - Yeah.
09:47 - 09:48: - Listeners and--
09:48 - 09:50: - It would be incorrect to say that there's no preparation
09:50 - 09:51: for this show.
09:51 - 09:53: Just Jake and I do very little of it.
09:53 - 09:56: And the truth is we have the Time Crisis text thread
09:56 - 09:58: to talk about topics.
09:58 - 10:02: - I feel like there's almost daily additions
10:02 - 10:05: to the Time Crisis either email thread or text thread.
10:05 - 10:06: - Yeah.
10:06 - 10:08: - Which is you and I, Nick and Seinfeld,
10:08 - 10:09: and then Matt and Colin.
10:09 - 10:10: - That's right.
10:10 - 10:11: - That's like six people.
10:11 - 10:12: - Yeah.
10:12 - 10:13: - Deep thread.
10:13 - 10:15: - And the truth is if we ever like, you know,
10:15 - 10:16: we ever got in trouble with Apple,
10:16 - 10:19: and they're just like, "Guys, this show's a mess.
10:19 - 10:20: "You're all over the place."
10:20 - 10:22: We want you coming in with, you know,
10:22 - 10:25: seven to 10 topics every single time,
10:25 - 10:27: and we want you to move quickly through them.
10:27 - 10:29: The listeners don't like these tangents.
10:29 - 10:30: We're gonna produce short little segments.
10:30 - 10:31: - Professional-like.
10:31 - 10:32: - Very professional.
10:32 - 10:36: Every week there's a plethora of Time Crisis-esque.
10:36 - 10:37: We can't even keep track.
10:37 - 10:39: There's so much Time Crisis stuff in the universe.
10:39 - 10:40: - Yeah.
10:40 - 10:43: - Like stuff sounds like it's made for Time Crisis.
10:43 - 10:44: Sometimes it's not particularly Time Crisis.
10:44 - 10:47: Like you brought up Jeffrey Epstein.
10:47 - 10:49: We got an email from somebody.
10:49 - 10:51: Who's that email from?
10:51 - 10:53: - I sent a text to the thread.
10:53 - 10:56: There was a Stereogum article about Mark Foster.
10:56 - 10:56: - Oh yeah.
10:56 - 11:00: - From Foster the People going in on some like,
11:00 - 11:02: kind of deep-end conspiracy theories.
11:02 - 11:04: Body double, Epstein's still alive.
11:04 - 11:07: He's in Saudi Arabia getting plastic surgery.
11:07 - 11:08: - A lot of people.
11:08 - 11:10: - Like some serious face-off kind of stuff.
11:10 - 11:11: And then we got an email.
11:11 - 11:13: - From Kyle, Kyle Santilli.
11:13 - 11:14: - What did he say?
11:14 - 11:17: - Well he said his two favorite things to listen to
11:17 - 11:19: is number one, Come Town.
11:19 - 11:20: - Right.
11:20 - 11:21: - Which is a podcast.
11:21 - 11:23: And then he also likes Time Crisis.
11:23 - 11:25: And you know, my understanding is Come Town.
11:25 - 11:29: And I've been aware of some of these guys via Twitter.
11:29 - 11:31: Always seem like funny, smart dudes.
11:31 - 11:33: And I know people who swear by the show.
11:33 - 11:35: I don't listen to that many podcasts period though.
11:35 - 11:37: One day I'll listen to it from front to back, I'm sure.
11:37 - 11:40: - I feel like on the road you'd have time, right?
11:40 - 11:41: - If I was driving, but that's the thing.
11:41 - 11:43: I think the best times to listen to podcasts
11:43 - 11:44: are when you're driving.
11:44 - 11:45: - Right.
11:45 - 11:47: - Here and there, if somebody really tells me
11:47 - 11:49: to listen to something, I might have it on the plane.
11:49 - 11:51: But I don't know, there's something about,
11:51 - 11:53: I'm used to being entertained all the time.
11:53 - 11:54: I'm like, okay, the plane.
11:54 - 11:55: - Oh, movie.
11:55 - 11:56: - I'm gonna be watching a movie.
11:56 - 11:58: I'm gonna have my iPad loaded up
11:58 - 12:02: with a very engaging TV series.
12:02 - 12:04: And then so the idea of--
12:04 - 12:08: - The idea of like a poorly recorded podcast.
12:08 - 12:10: - Just like staring at the seat in front of me.
12:10 - 12:11: Eh.
12:11 - 12:13: - I mean, no, but maybe I could get into it.
12:13 - 12:15: Like I think we've talked about this before, Jake.
12:15 - 12:18: You have the ultimate job for a podcast listener.
12:18 - 12:20: - Oh yeah, I'm big into pods.
12:20 - 12:20: I'm painting all day.
12:20 - 12:21: - 'Cause you're painting all day.
12:21 - 12:22: - Yeah.
12:22 - 12:23: - How often do you listen to music even?
12:23 - 12:25: - It's just a mood thing.
12:25 - 12:26: - Yeah.
12:26 - 12:27: - I'll throw in music.
12:27 - 12:28: I've been doing a lot of Silver Jews last week.
12:28 - 12:29: - Right.
12:29 - 12:31: - I'll do like an hour or two of music a day
12:31 - 12:34: and maybe three or four hours of pods.
12:34 - 12:35: - So you're listening to like--
12:35 - 12:36: - I'm all over the place.
12:36 - 12:38: I subscribe to like dozens and dozens of pods.
12:38 - 12:42: - You listen to 15 to 25 hours of pods a week.
12:42 - 12:43: - Oh, easy.
12:43 - 12:45: - And what's your absolute fav?
12:45 - 12:46: - I don't have one.
12:46 - 12:47: - All depends on your mood.
12:47 - 12:49: - I love Chapo.
12:49 - 12:51: I love Bill Simmons.
12:51 - 12:52: What else do I like?
12:52 - 12:53: Oh, I love Red Scare.
12:53 - 12:55: Nick turned me on to Red Scare.
12:55 - 12:56: - You listen to Joe Rogan?
12:56 - 12:57: - I do listen to Rogan.
12:57 - 12:59: I listen to Bernie on Rogan.
12:59 - 12:59: Good ep.
12:59 - 13:00: I subscribe to Rogan.
13:00 - 13:01: I'll check in.
13:01 - 13:02: I listen to maybe one out of every--
13:02 - 13:04: - Oh, I'd like to hear Bernie on Rogan.
13:04 - 13:06: - Maybe one out of every five or six episodes.
13:06 - 13:08: I mean, you've heard the talking points from--
13:08 - 13:09: - Yeah, yeah.
13:09 - 13:09: - Bernie.
13:09 - 13:11: - Yeah, maybe it's not that interesting.
13:11 - 13:12: - Okay.
13:12 - 13:13: - It's kind of, it's an interesting collision
13:13 - 13:14: of personalities.
13:14 - 13:16: - The dude who emailed, he,
13:16 - 13:17: and so from what I understand,
13:17 - 13:21: Comptown, the Epstein story, conspiracy, scandal,
13:21 - 13:23: it's like super up their alley.
13:23 - 13:24: You know, I'm sure that's like Christmas
13:24 - 13:27: for their listeners.
13:27 - 13:29: You know, it's like, that's the type of specific,
13:29 - 13:32: you know, weirdo story that they're into.
13:32 - 13:34: But this guy's like, "You guys should talk about it too."
13:34 - 13:37: It was like, you know, and I kind of appreciated that.
13:37 - 13:39: - I get that, you're into two different things
13:39 - 13:42: and you're like, "Why don't you guys talk about it too?"
13:42 - 13:45: But yeah, I mean, what's the time crisis angle here?
13:45 - 13:46: I think you had a good one, Jake.
13:46 - 13:49: It's that you said Mark Foster from Foster the People,
13:49 - 13:51: who I like, you know, I know him personally.
13:51 - 13:53: - Was he at the Bernie thing in Iowa?
13:53 - 13:54: - Yes.
13:54 - 13:55: - Okay, he was.
13:55 - 13:57: - I'd met him here and there over the years,
13:57 - 13:59: but I think the Bernie thing was the first time
13:59 - 14:00: I like really talked to him.
14:00 - 14:01: We all went out to a bar afterwards
14:01 - 14:03: and I was like, "Hell yeah."
14:03 - 14:05: - We did, just for listeners who don't know,
14:05 - 14:10: we did an episode in January of '16 from Iowa
14:10 - 14:12: when Bernie was there speaking.
14:12 - 14:13: - Yeah.
14:13 - 14:15: - And then we played music and--
14:15 - 14:18: - Yeah, and Mark performed too.
14:18 - 14:19: And I think he was just out there also
14:19 - 14:22: just doing some campaigning, knocking on doors and stuff.
14:22 - 14:25: But I guess he or somebody in the Foster the People
14:25 - 14:29: organization has been chiming in on the Epstein saga
14:29 - 14:33: and specifically thinks that he is still alive,
14:33 - 14:35: the corpse is a body double,
14:35 - 14:38: and is getting plastic surgery in Saudi Arabia specifically.
14:38 - 14:40: - Yes, that's what I saw.
14:40 - 14:42: The best part of the thread though was,
14:42 - 14:45: quote, "Do your own research."
14:45 - 14:47: Which I love when people tell me to do my own research
14:47 - 14:52: on massive global news events that I'm nowhere near.
14:52 - 14:53: Do you mean like look at Twitter?
14:53 - 14:54: What do you--
14:54 - 14:56: - Right, it's not like you're watching a cooking show
14:56 - 14:58: and they're just like, "This is how much sugar I put in,
14:58 - 15:00: "but you know what, you figure it out.
15:00 - 15:01: "You do it to taste.
15:01 - 15:04: "You're not gonna nail this recipe the first time,
15:04 - 15:08: "but just do some research."
15:08 - 15:11: I mean, obviously there's something fishy about the story,
15:11 - 15:13: although it's all like an odds game, right?
15:13 - 15:17: Many, many global events seem fishy,
15:17 - 15:19: and it doesn't mean that the official events
15:19 - 15:22: are absolutely impossible.
15:22 - 15:23: It's a question of how likely are they?
15:23 - 15:25: Is it a four out of five probability they're true
15:25 - 15:27: or is it more like a one out of 10?
15:27 - 15:28: Who knows?
15:28 - 15:31: ♪ But I've been trying ♪
15:31 - 15:33: ♪ To relearn my name ♪
15:33 - 15:38: ♪ It seems like a thousand years ♪
15:38 - 15:40: ♪ I've been out of frame ♪
15:40 - 15:41: ♪ And I've surrendered ♪
15:41 - 15:45: ♪ The truth is what ♪
15:45 - 15:48: ♪ Is what I've needed from you ♪
15:48 - 15:52: ♪ 'Cause I've been floating within ♪
15:52 - 15:55: ♪ Your walls of opinion ♪
15:55 - 15:57: ♪ And I'm tired ♪
15:57 - 16:00: ♪ I only want the truth ♪
16:00 - 16:03: ♪ I've been trying so hard not to be that man ♪
16:03 - 16:08: ♪ I've been found at the mercy of the need ♪
16:08 - 16:10: ♪ There is a truth ♪
16:10 - 16:11: ♪ There is a love ♪
16:11 - 16:14: ♪ If you follow me then ♪
16:14 - 16:17: ♪ I've been searching for those connections ♪
16:17 - 16:22: ♪ And all the things the world has known you can be ♪
16:22 - 16:24: ♪ There is a hope ♪
16:24 - 16:26: ♪ For the world ♪
16:26 - 16:28: ♪ I promise you that ♪
16:28 - 16:30: - But yeah, do your own research.
16:30 - 16:32: That's a tough one because for most people,
16:32 - 16:35: research involves being extremely online,
16:35 - 16:39: which it's very hard to research the truth on the internet
16:39 - 16:41: because you'll find so many people saying different things
16:41 - 16:42: that are the truth.
16:42 - 16:44: - You'll find things that you want to find.
16:44 - 16:46: - Yeah, so then to do your own research
16:46 - 16:48: sounds like some like Alex Jones man on the street,
16:48 - 16:49: just like at the prison in Manhattan.
16:49 - 16:50: - I've seen the documents.
16:50 - 16:52: - Yeah, standing in front of his townhouse
16:52 - 16:54: on the Upper East Side.
16:54 - 16:55: Let me in.
16:55 - 16:57: I'm a citizen journalist.
16:57 - 16:59: I have a petition here,
16:59 - 17:02: e-signed by over 1000 people on Twitter
17:02 - 17:06: demanding that I come in there, sir.
17:06 - 17:09: - Yeah, obviously the Epstein death seems fishy as hell.
17:09 - 17:10: - Yeah.
17:10 - 17:12: - In case people are confused by our tone.
17:12 - 17:15: I don't think he's getting facial reconstruction surgery.
17:15 - 17:17: - Hey, I believe that anything's possible,
17:17 - 17:19: but I just do want to say something.
17:19 - 17:22: And like I said, I like Mark and I respect him,
17:22 - 17:25: but just in terms of his advice,
17:25 - 17:27: and he's totally in his right to give his advice,
17:27 - 17:29: but I want to say to all the Foster the People fans
17:29 - 17:31: and the Imagine Dragons fans,
17:31 - 17:32: because you know, they squash their beef.
17:32 - 17:33: - Full circle.
17:33 - 17:35: - So because Mark is one of the only people
17:35 - 17:38: who had the balls to apologize to Dan from Imagine Dragons,
17:38 - 17:40: I think there's probably a lot of Imagine Dragons fans
17:40 - 17:41: who said, you know what?
17:41 - 17:43: We're still waiting on the guy from 1975,
17:43 - 17:45: but we're going to follow Mark Foster
17:45 - 17:46: because he's a good dude.
17:46 - 17:47: - I like the cut of his jib.
17:47 - 17:48: - I like the cut of his jib.
17:48 - 17:51: And you know what, sometimes you can trust somebody
17:51 - 17:53: even more when they admit they're wrong.
17:53 - 17:55: You know, virtue untested.
17:55 - 17:57: Is it really virtue at all, man?
17:57 - 17:58: But Mark's virtue was tested.
17:58 - 17:59: Somebody said, you know what?
17:59 - 18:01: You hurt my feelings.
18:01 - 18:02: And Mark said, you know what?
18:02 - 18:02: You're right.
18:02 - 18:04: And he checked himself and he apologized.
18:04 - 18:07: So anyway, I'm more concerned about the Imagine Dragons fans
18:07 - 18:09: who now probably follow him.
18:09 - 18:12: Don't fly to Saudi Arabia to try to figure this out.
18:12 - 18:14: A, you probably, do you speak Arabic?
18:14 - 18:15: I don't know.
18:15 - 18:17: How are you going to get around?
18:17 - 18:19: B, I don't know if it's a smart idea
18:19 - 18:21: for a citizen to go to another country
18:21 - 18:23: and start poking their nose around.
18:23 - 18:25: I mean, if this really goes all the way to the top,
18:25 - 18:27: I just don't think you should do it.
18:27 - 18:29: - Not gonna like what you find.
18:29 - 18:31: - That would be like, God.
18:31 - 18:33: That'd be like so brutal.
18:33 - 18:37: Just like, with the number one Foster the People fan
18:37 - 18:40: in Brazil who runs like the Foster the People Brazil account
18:40 - 18:42: just like flies to Saudi Arabia,
18:42 - 18:45: tries to break in somewhere, immediately in prison,
18:45 - 18:48: got international situation on our hands.
18:48 - 18:49: And I know, Mark's a good guy.
18:49 - 18:50: He would feel terrible just like he felt bad
18:50 - 18:52: about the Imagine Dragons beef.
18:52 - 18:55: But I'm just saying, do your own research has limits.
18:55 - 18:56: And in some ways it's impossible.
18:56 - 18:58: - The thing that I think is interesting about this,
18:58 - 18:59: this is the tweet.
18:59 - 19:03: What he's saying that's really applicable to you
19:03 - 19:05: is that more than ever, artists need to speak up
19:05 - 19:07: because they're not getting paid by sponsors
19:07 - 19:09: or told how to spin a story by their bosses.
19:09 - 19:11: Rupert Murdoch isn't controlling their narrative.
19:11 - 19:14: Support your artists, support real journalism,
19:14 - 19:16: fact check everything, do your own research.
19:16 - 19:19: Really what he's saying is the musicians, the artists,
19:19 - 19:21: should be the citizen journalists.
19:21 - 19:23: - I love the jump from, wait, what was it?
19:23 - 19:26: Support artists do real journalism?
19:26 - 19:27: - Yeah. - Two different professions.
19:27 - 19:29: - No, but I know what he means.
19:29 - 19:31: Man, ah man, I wish we'd thought about this before.
19:31 - 19:32: This is my bad.
19:32 - 19:34: I would actually love to get Mark on the phone.
19:34 - 19:37: - Well, this is classic not prepping for the show.
19:37 - 19:38: - This is what happens when we don't prep.
19:38 - 19:39: - We don't prep.
19:39 - 19:40: - All right, I'll see if we can get him on the phone.
19:40 - 19:41: - Well, let's get Mark on the next one.
19:41 - 19:42: - Let's try to get him on for the next one.
19:42 - 19:43: - Let's have the show rolls.
19:43 - 19:46: - Yeah, 'cause I'd love to hear more of what he has to say.
19:46 - 19:48: 'Cause it's true up to a point.
19:48 - 19:50: I mean, most artists, Mark, myself included,
19:50 - 19:53: we've made money in some sense from sponsorship
19:53 - 19:55: of some type of major corporation.
19:55 - 19:58: The whole music world is sponsored.
19:58 - 19:59: And even if you're not sponsored,
19:59 - 20:02: you're written about on websites that are sponsored.
20:02 - 20:04: The only people who are fully outside that ecosystem
20:04 - 20:07: are some true DIY types.
20:07 - 20:09: But I know what he means.
20:09 - 20:11: He's saying speak up.
20:11 - 20:14: Yeah, the tough part of living in these troubled times
20:14 - 20:16: is that that's what everybody's saying.
20:16 - 20:18: - Speak up?
20:18 - 20:19: - He's 100% correct.
20:19 - 20:21: But this idea that you're saying,
20:21 - 20:24: listen, you can't trust most of what's going on.
20:24 - 20:25: And me, I'm a straight shooter.
20:25 - 20:29: And here's why those other people are compromised
20:29 - 20:30: or they're cowardly.
20:30 - 20:31: You know, that's why you gotta trust me.
20:31 - 20:33: It's the same thing that Trump says,
20:33 - 20:36: Alex Jones says, Glenn Greenwald,
20:36 - 20:38: somebody who I actually agree with most of the time.
20:38 - 20:39: You know, I'm just saying, it's like,
20:39 - 20:42: that alone is not enough to convince somebody
20:42 - 20:44: because everybody kind of believes
20:44 - 20:47: that's what they're doing a little bit.
20:47 - 20:47: - Damn.
20:47 - 20:49: - I don't think we're ever gonna get to the bottom of this.
20:49 - 20:52: I mean, you know, I'm very familiar with 9/11 conspiracies
20:52 - 20:54: because I've known all sorts of people
20:54 - 20:55: who feel very strongly about it.
20:55 - 20:59: It's, you know, and I've always been like open-minded.
20:59 - 21:00: Like, lay it on me, man.
21:00 - 21:01: Tell me what happened.
21:01 - 21:02: - Tower seven, dog.
21:02 - 21:04: - Yeah, some people, and I've always been kind of like,
21:04 - 21:05: you know what, man?
21:05 - 21:07: At the end of the day, you might be right.
21:07 - 21:08: I've never been some like,
21:08 - 21:10: you gotta trust the official narrative person.
21:10 - 21:12: - What's your vibe with JFK?
21:12 - 21:15: - Totally could have been killed by the mafias.
21:15 - 21:16: That what people think.
21:16 - 21:18: That's one of the theories.
21:18 - 21:19: - Yeah, I mean, the CIA, the mafia.
21:19 - 21:21: - That's partially what the upcoming Martin Scorsese film
21:21 - 21:22: The Irishman's about, I think.
21:22 - 21:23: - Oh, really?
21:23 - 21:25: - I think there's like a JFK connection.
21:25 - 21:26: - Wow, I didn't realize that.
21:26 - 21:27: I haven't seen the trailer.
21:27 - 21:28: - All I saw was the trailer.
21:28 - 21:33: - I went to the JFK museum in Dallas a year or two ago,
21:33 - 21:37: and the tour ends at the window that the shots were--
21:37 - 21:38: - What's it called, Daly Plaza or something?
21:38 - 21:39: - Daly Plaza.
21:39 - 21:40: - Daly Plaza.
21:40 - 21:41: - I'm not a marksman.
21:41 - 21:45: I'm not experienced with riflery or guns,
21:45 - 21:48: but I was shocked how close it was,
21:48 - 21:51: like from the window that he supposedly killed JFK from,
21:51 - 21:54: down to where there was an X on the road where the car was.
21:54 - 21:56: - Oh, so you looked out the window and you were just like,
21:56 - 21:57: oh, easy.
21:57 - 21:58: - Easy, yeah.
21:58 - 22:00: But then again, I don't know anything about
22:00 - 22:04: reloading a single bolt rifle.
22:04 - 22:05: I don't know anything about that.
22:05 - 22:08: And obviously Jack Ruby seems like a major
22:08 - 22:10: weird wild card in this story.
22:10 - 22:13: But just standing in the window and looking down,
22:13 - 22:15: I was like, that seems easy.
22:15 - 22:17: - Just like point blank pretty much at that point.
22:17 - 22:19: - I mean, it seems pretty easy.
22:19 - 22:21: Like they said in JFK, it's a turkey shoot.
22:21 - 22:24: - Great film.
22:24 - 22:25: - Never saw it.
22:25 - 22:25: - Really?
22:25 - 22:28: - Well, you know what, Jake, I gotta say though.
22:28 - 22:31: I gotta say though, to Mark's point,
22:31 - 22:32: you went and did the goddamn research.
22:32 - 22:33: - I did my own research.
22:33 - 22:33: - Jake did the research.
22:33 - 22:34: - No, but I didn't.
22:34 - 22:37: I don't know anything about shooting a gun.
22:37 - 22:39: - You just kind of made like a gun with your hand
22:39 - 22:41: and closed one eye and just looked down
22:41 - 22:43: and you're just like, pow.
22:43 - 22:45: - Sir, could you move on?
22:46 - 22:48: - Oh God, imagine the types of weird,
22:48 - 22:49: imagine just being like.
22:49 - 22:51: - Oh my God, can you imagine the (beep)
22:51 - 22:53: just being a tour guide there?
22:53 - 22:55: The people that, well, everyone has an audio guide.
22:55 - 22:58: It's like a mandatory audio guide, as I recall.
22:58 - 22:59: - Mandatory?
22:59 - 23:00: - And so you're just like, yeah.
23:00 - 23:01: - Oh, 'cause they want, you gotta listen
23:01 - 23:03: to the official narrative, that's why.
23:03 - 23:06: - Well, no, but they get into like the conspiracy theories
23:06 - 23:09: at the museum, but I think maybe just to like manage
23:09 - 23:11: the traffic flow or whatever, but there must be
23:11 - 23:14: just like super Walter Sobchak style dudes.
23:14 - 23:15: - Yeah.
23:15 - 23:16: - Supposed to put that window with like,
23:16 - 23:19: I've actually brought a replica of the gun
23:19 - 23:21: that Oswald's supposed to be had.
23:21 - 23:22: - Oh, I'm sure there's just so much
23:22 - 23:24: like unwanted conversation too.
23:24 - 23:28: Just like, you know, like some old couple
23:28 - 23:31: and just like the Walter type dude just being like,
23:31 - 23:33: ha, you don't believe that horse (beep) do you?
23:33 - 23:35: And they're just like, what do you mean?
23:35 - 23:36: And you're just like, there's no way
23:36 - 23:38: that the official narrative is true.
23:38 - 23:41: It's like, oh, okay, all right.
23:41 - 23:43: - Maybe that's why they have the mandatory audio tour.
23:43 - 23:45: - There's just too many people talking to each other.
23:45 - 23:45: - It's weird.
23:45 - 23:46: - Yeah.
23:46 - 23:51: ♪ I dreamed I was the president of these United States ♪
23:51 - 24:00: ♪ I dreamed I replaced ignorance, stupidity and hate ♪
24:00 - 24:08: ♪ I dreamed the perfect union ♪
24:08 - 24:13: ♪ And a perfect law on the isle ♪
24:14 - 24:19: ♪ Most of all I dreamed I forgot the day John Kennedy died ♪
24:19 - 24:29: ♪ I dreamed that I could do the job that others had done ♪
24:29 - 24:39: ♪ I dreamed that I was uncorrupt and fair to everyone ♪
24:43 - 24:47: ♪ I dreamed I wasn't gross or base ♪
24:47 - 24:52: ♪ A criminal on the tape ♪
24:52 - 24:56: ♪ And most of all I dreamed I forgot ♪
24:56 - 25:01: ♪ The day John Kennedy died ♪
25:01 - 25:08: ♪ Oh, the day John Kennedy died ♪
25:10 - 25:14: ♪ Oh, the day John Kennedy died ♪
25:14 - 25:16: - Time Crisis.
25:16 - 25:18: - On Beat One.
25:18 - 25:22: - Well, the way I always felt about 9/11,
25:22 - 25:24: this is a very strange Time Crisis episode too.
25:24 - 25:26: It's off to a totally different tone.
25:26 - 25:28: The way I always felt about 9/11 was
25:28 - 25:30: when I'd meet people who very passionately felt
25:30 - 25:32: that the official narrative could not be true.
25:32 - 25:35: And people would show me certain evidence about,
25:35 - 25:38: well, why did Tower 7 fall?
25:38 - 25:41: There's actually a great song that Megan Amram.
25:41 - 25:42: - Who's that again?
25:42 - 25:44: - Megan is a--
25:44 - 25:45: - Is she a soccer player?
25:45 - 25:46: - Megan Rappinoe.
25:46 - 25:47: - She may have played soccer,
25:47 - 25:49: but I'll have to check on that one.
25:49 - 25:51: No, Megan Amram is a great,
25:51 - 25:53: well, she's a writer first and foremost.
25:53 - 25:55: She's written stuff for the New Yorker,
25:55 - 25:57: but she's best known as a TV writer.
25:57 - 25:59: She's one of the big writers on The Good Place,
25:59 - 26:01: and before that she was at Parks and Rec,
26:01 - 26:04: and she's written for Silicon Valley and The Simpsons,
26:04 - 26:06: and she's been a friend for a long time.
26:06 - 26:08: Very smart, very funny person.
26:08 - 26:10: And so she was really big into this song
26:10 - 26:13: that this guy made that's actually a very catchy song.
26:13 - 26:15: So I warn you.
26:15 - 26:17: - Oh, wait, dude, is this, was this in Catatonicues?
26:17 - 26:18: - Yeah, he posted it.
26:18 - 26:22: But yeah, Catatonicues posted this,
26:22 - 26:23: but I have to shout out Megan.
26:23 - 26:24: She literally, she put me and Nick
26:24 - 26:26: onto this maybe five years ago.
26:26 - 26:27: - Oh, wow, okay.
26:27 - 26:29: - So she was very early, like when this dude had no views.
26:29 - 26:31: He's, I think he's Australian.
26:31 - 26:33: - It's like hella poppy, right?
26:33 - 26:33: - It's very catchy.
26:33 - 26:36: Even without looking at it, I haven't heard it in a year,
26:36 - 26:38: or whatever, I saw it briefly on Catatonics.
26:38 - 26:41: ♪ 9/11, 9/11 ♪
26:41 - 26:44: ♪ What went down with Building 7 ♪
26:44 - 26:47: ♪ It's a mystery to this day ♪
26:47 - 26:48: - Love how well you know this.
26:48 - 26:49: - Okay, we pulled it up.
26:49 - 26:52: It's called "9/11, Building 7" by Martin Oakes.
26:52 - 26:53: You know, even without playing it,
26:53 - 26:55: I still remember the opening.
26:55 - 27:00: ♪ There's a million reasons why I can't believe it ♪
27:00 - 27:03: ♪ There's a million reasons why it isn't true ♪
27:03 - 27:04: - Damn, dude.
27:04 - 27:05: - I think I know it pretty well.
27:05 - 27:06: - How do you know this so well?
27:06 - 27:10: - Oh, and also, I think he plays every instrument.
27:10 - 27:16: ♪ There's a million reasons why I don't believe it ♪
27:16 - 27:18: - Wow.
27:18 - 27:22: ♪ There's a million reasons why it can't be true ♪
27:22 - 27:24: - You gotta watch the video, people at home, too.
27:24 - 27:25: Martin Oakes.
27:25 - 27:29: ♪ Open fire can't melt steel ♪
27:29 - 27:32: ♪ It's not hot enough ♪
27:32 - 27:36: ♪ It's nothing new, it's not a mystery ♪
27:36 - 27:39: ♪ Check out the Reichstag, Germany ♪
27:39 - 27:43: ♪ A million questions still remain unanswered ♪
27:43 - 27:44: - There's real craft to this song.
27:44 - 27:46: - Is he British?
27:46 - 27:49: - I can't, yeah, British or Australian or something.
27:49 - 27:50: I don't know.
27:50 - 27:51: Let's get a number crunch on that.
27:51 - 27:54: - It's like Peter Satara or Phil Collins
27:54 - 27:57: wrote a 9/11 conspiracy song.
27:57 - 27:59: - I feel like one time I started looking him up,
27:59 - 28:01: I was like, "Oh yeah, was he randomly in like,
28:01 - 28:03: you know, playing keyboards and mic'ing the mechanics
28:03 - 28:04: or something?"
28:04 - 28:05: - Totally.
28:05 - 28:06: ♪ It's liberty ♪
28:06 - 28:09: ♪ 9/11, 9/11 ♪
28:09 - 28:10: - Are you the drum shop in?
28:10 - 28:14: ♪ What went down with building seven ♪
28:14 - 28:19: ♪ It's a mystery to this day ♪
28:19 - 28:23: ♪ The building fell with such precision ♪
28:23 - 28:28: ♪ Free falls mean no reasons given ♪
28:28 - 28:29: ♪ Like the towers in Justin's hand ♪
28:29 - 28:31: - What is he talking about?
28:31 - 28:34: - I'm actually fairly familiar with this conspiracy theory
28:34 - 28:36: or alternate theory.
28:36 - 28:39: - I know the theory, like the fire can't melt steel,
28:39 - 28:41: but it's like, dude, if you have like thousands of gallons
28:41 - 28:45: of like jet fuel exploding, it's sort of like,
28:45 - 28:46: is that, that's not like a--
28:46 - 28:47: - I'm hesitant to send anybody down this rabbit hole,
28:47 - 28:49: but basically, of course we're familiar with what happened
28:49 - 28:51: with the World Trade Center 1 and 2.
28:51 - 28:52: - Yeah.
28:52 - 28:55: - And there's footage, again, you can believe
28:55 - 28:56: an alternate theory if you want to,
28:56 - 28:59: that those planes did not have passengers on them
28:59 - 29:00: or weren't actually commercial,
29:00 - 29:02: or there's all sorts of alternate theories
29:02 - 29:05: or that there were already bombs in the building somehow
29:05 - 29:08: to take the plane crash and turn into something bigger.
29:08 - 29:11: Okay, but at least we're familiar with what happened there.
29:11 - 29:12: There was this other building,
29:12 - 29:15: which I remember watching fall on TV.
29:15 - 29:16: I was over at my friend's house
29:16 - 29:17: 'cause they let us out of school.
29:17 - 29:19: And so we were sitting there watching it
29:19 - 29:20: and they were like, oh, that one's gonna go.
29:20 - 29:21: And then it fell.
29:21 - 29:25: That's become a major point for 9/11 conspiracy theorists
29:25 - 29:28: because they're like, okay, if you sheeple wanna believe
29:28 - 29:29: that 1 and 2 fell because of planes,
29:29 - 29:31: we don't believe that, but whatever.
29:31 - 29:33: But look at Building 7.
29:33 - 29:35: There was no serious structural damage,
29:35 - 29:37: no plane flew into it.
29:37 - 29:39: Why did it fall and why did it fall like that?
29:39 - 29:42: So when he says the building fell with such precision,
29:42 - 29:44: free fall speed, no reasons given,
29:44 - 29:48: the conspiracy theorists are saying that building fell
29:48 - 29:49: when they demolish an old building,
29:49 - 29:51: the way they load up bombs or something.
29:51 - 29:54: That's this thing people say,
29:54 - 29:56: if a building was just keeling over,
29:56 - 29:57: it might fall down in some awkward way.
29:57 - 29:59: This fell down free fall speed,
29:59 - 30:01: like as if there was no resistance.
30:01 - 30:02: Demoed.
30:02 - 30:04: So anyway, that's an important part of the story.
30:04 - 30:06: And so people talked about that with me and I said,
30:06 - 30:07: yeah, you know, that's weird.
30:07 - 30:08: That's weird, man.
30:08 - 30:09: It is kind of shady.
30:09 - 30:10: - But if it was a conspiracy
30:10 - 30:13: and they wanted to detonate the two trade centers
30:13 - 30:15: to start the war with Iraq,
30:15 - 30:19: it's like, why detonate Building 7 too?
30:19 - 30:21: You're just gonna stir up conspiracies.
30:21 - 30:24: Like the whole point, keep it clean if you're gonna do it.
30:24 - 30:26: - The theory is that by doing that,
30:26 - 30:28: they destroyed information.
30:28 - 30:30: - Oh, information.
30:30 - 30:31: I'm not a 9/11 truther.
30:31 - 30:33: I'm super out with that theory.
30:33 - 30:34: You heard it here, folks.
30:34 - 30:37: - Jake's takes on time crisis.
30:37 - 30:40: - And again, specifically about that, why did that fall?
30:40 - 30:42: I don't know, man.
30:42 - 30:43: - Yeah.
30:43 - 30:45: - But my larger point about that one,
30:45 - 30:47: and that one I have a more clear cut feeling
30:47 - 30:50: because I remember that I was a senior in high school
30:50 - 30:52: when 9/11 happened.
30:52 - 30:54: And you know, it's in the town I grew up in,
30:54 - 30:55: I grew up in a very small town
30:55 - 30:58: and there were like 11 people died in the town.
30:58 - 31:00: - Wow, from your town?
31:00 - 31:01: - Yeah.
31:01 - 31:02: - There were commuters?
31:02 - 31:05: - Yeah, there's a plaque in the town for a bunch of people.
31:05 - 31:06: Remember my dad was on his way to work
31:06 - 31:07: in Manhattan that day.
31:07 - 31:08: So anyway, that happened.
31:08 - 31:11: It was like this kind of really dark emotional thing,
31:11 - 31:13: obviously for many, many people.
31:13 - 31:14: And then I remember though,
31:14 - 31:16: then the next year I'm a freshman in college
31:16 - 31:20: and that's when there was the big no war march
31:20 - 31:22: or anti-war march in New York.
31:22 - 31:24: And I kind of remember being like,
31:24 - 31:26: I'd never been in a crowd that big before.
31:26 - 31:28: So I only like met up with some friends and we went down
31:28 - 31:29: and it was just like,
31:29 - 31:31: I think it was a million people on the streets.
31:31 - 31:34: It was truly one of the biggest protests
31:34 - 31:37: that's ever happened, at least in New York City.
31:37 - 31:39: And I just remember like looking at so many people
31:39 - 31:40: and just being like, and again,
31:40 - 31:43: there wasn't like a 9/11 conspiracy presence there.
31:43 - 31:46: The vibe of this anti-war march was not,
31:46 - 31:50: guys, we'd be super down if the official story was true.
31:50 - 31:51: We just don't want to go to war
31:51 - 31:53: because it's clearly an inside job.
31:53 - 31:55: Nobody said that.
31:55 - 31:56: The whole point of that was,
31:56 - 31:59: even if you buy the official narrative of 9/11,
31:59 - 32:03: that's still not a good reason to go to war with Iraq
32:03 - 32:04: and the real conspiracy.
32:04 - 32:08: - That's why it kills the conspiracy theories.
32:08 - 32:10: - Well, it doesn't kill the conspiracy theory
32:10 - 32:11: 'cause I like to--
32:11 - 32:13: - The official narrative is so idiotic to begin with.
32:13 - 32:15: - Well, I like to give people latitude to be like,
32:15 - 32:16: you know what man, you might be right.
32:16 - 32:18: Like, I'm not gonna sit here and tell you
32:18 - 32:20: that I know exactly how buildings should look
32:20 - 32:22: when they fall or something.
32:22 - 32:24: The thing we can both agree on
32:24 - 32:26: is that we all got bamboozled by something else.
32:26 - 32:27: There's like a--
32:27 - 32:28: - It's way more naked.
32:28 - 32:30: - Right, there's a,
32:30 - 32:30: so sometimes I feel like,
32:30 - 32:32: well, we're never gonna know about that for sure
32:32 - 32:34: and I'm not gonna be condescending and be like,
32:34 - 32:37: well, I read in the New York Times that, you know,
32:37 - 32:38: this is what happened, or 'cause I read the looming tower,
32:38 - 32:41: I know exactly, you know, that's not my vibe.
32:41 - 32:43: I'm kind of a live and let live type dude.
32:43 - 32:44: But I'll just say,
32:44 - 32:46: but I'll say I'm pretty sure
32:46 - 32:47: we'll never know what happened though.
32:47 - 32:49: And isn't it kind of funny that,
32:49 - 32:50: I'll know one thing for sure,
32:50 - 32:52: I stood in a crowd of a million people
32:52 - 32:55: saying we don't wanna go to a war and we still did.
32:55 - 32:57: Well, that's not even a conspiracy theory.
32:57 - 32:59: That's just the terrible way that things work.
32:59 - 33:01: - Well, it's just like the Epstein thing,
33:01 - 33:02: like to go full circle.
33:02 - 33:04: I mean, assuming, you know,
33:04 - 33:07: him committing suicide seems pretty fishy.
33:07 - 33:09: So it seems pretty like bald,
33:09 - 33:13: nakedly sort of like power hungry just to be like,
33:13 - 33:14: oh yeah, he committed suicide, right?
33:14 - 33:16: That's the narrative, believe it.
33:16 - 33:17: - Right.
33:17 - 33:18: - And everyone's like, really?
33:18 - 33:20: It's like, they don't need to do conspiracies.
33:20 - 33:21: That's what I'm saying.
33:21 - 33:22: - Well, in a way, it's, well,
33:22 - 33:24: you could still say they needed 9/11
33:24 - 33:26: even to kick off that whole program.
33:26 - 33:28: But I guess, yeah, the funny part is that
33:28 - 33:33: people are so stupid or weak willed or immoral or something
33:33 - 33:36: that even without the really crazy conspiracy theories,
33:36 - 33:38: just insane stuff happens all the time.
33:38 - 33:40: And you know, I think for me,
33:40 - 33:42: that was like a major moment of disillusionment,
33:42 - 33:45: especially here I am living in New York City.
33:45 - 33:47: I'm an adult now
33:47 - 33:49: and I'm watching a million people in the street
33:49 - 33:51: and there's even Democrats voting for the war.
33:51 - 33:53: That was definitely some like, whoa,
33:53 - 33:55: the world is like insane.
33:55 - 33:56: - I better start a band.
33:56 - 33:58: - I better start a band, man.
33:58 - 34:00: The world needs some music.
34:00 - 34:04: The only thing that's gonna heal this thing is music.
34:04 - 34:07: No, but I didn't start the band for a few years.
34:07 - 34:09: I was doing original research for the--
34:09 - 34:09: - Right, right, right.
34:09 - 34:10: - Up until then.
34:10 - 34:12: - Doing your own research.
34:12 - 34:14: - I was doing my own research, but yeah.
34:14 - 34:17: So I guess my point is sometimes that,
34:17 - 34:18: and I understand why people get fired up
34:18 - 34:20: 'cause people wanna know the truth, man.
34:20 - 34:21: I get it.
34:21 - 34:22: But sometimes it's kinda like,
34:22 - 34:26: well, what's most important is what happens afterwards
34:26 - 34:29: and does it actually logically follow?
34:29 - 34:32: Because even if tomorrow somebody could tell me,
34:32 - 34:34: well, yeah, 9/11, here's how it got done.
34:34 - 34:36: There were seven people in the Bush administration
34:36 - 34:38: who got together and they planted the bombs
34:38 - 34:39: and they blah, blah, and they planned it out
34:39 - 34:41: and I'd be like, and a bunch of people admitted
34:41 - 34:43: that like, yo, guilty as charged, man.
34:43 - 34:45: This did not involve Osama bin Laden at all.
34:45 - 34:47: These countries teamed up and this is, you know,
34:47 - 34:48: secret society.
34:48 - 34:49: Either they proved all that stuff--
34:49 - 34:50: - Did Bush know?
34:50 - 34:51: Hell no.
34:51 - 34:52: - Oh yeah, probably not Bush.
34:52 - 34:53: But even if somebody could prove all that to me,
34:53 - 34:55: I'd be like, damn, that's dark.
34:55 - 34:58: But then I'd also be like, but I still can't believe
34:58 - 35:00: we went toward Iraq.
35:00 - 35:00: That's the crazy part.
35:00 - 35:02: - No, this still shouldn't have worked.
35:02 - 35:03: - Like, yeah, if you could prove to me
35:03 - 35:07: that a very small group of powerful people
35:07 - 35:09: did something behind closed doors,
35:09 - 35:10: I'd be like, oh, whoa, okay, that's crazy.
35:10 - 35:11: I didn't know that.
35:11 - 35:13: But then the stuff that happens in plain sight
35:13 - 35:14: is still even more brutal.
35:14 - 35:15: - Yeah.
35:15 - 35:19: - It's like, you tell me that there's a bipartisan support
35:19 - 35:23: to go to war in this country that millions of lives lost
35:23 - 35:26: in American and Iraqi.
35:26 - 35:28: And so, you know, even with this Epstein thing,
35:28 - 35:31: whether he's alive or not alive or whatever,
35:31 - 35:33: it's kind of like, well, what's gonna happen next?
35:33 - 35:35: That's almost the more important part.
35:35 - 35:37: I mean, of course you want justice for people
35:37 - 35:38: who were hurt and abused,
35:38 - 35:40: but many of the people who are talking about it
35:40 - 35:43: don't even seem that particularly concerned about that.
35:43 - 35:44: - Right.
35:44 - 35:46: - They're more concerned with this global conspiracy
35:46 - 35:47: of like power and stuff.
35:47 - 35:47: And it's like, well, all right,
35:47 - 35:49: we're gonna see what happens.
35:49 - 35:51: You know, and by the way, Jeff Bezos still not paying tax.
35:51 - 35:53: You know, Amazon's not paying taxes.
35:53 - 35:55: - Not a single nickel.
35:55 - 35:57: - I'm sure Jeff Bezos is, but so yeah,
35:57 - 35:59: I'm not gonna make a personal, but Amazon's not.
35:59 - 36:02: - Bezos is paying his personal income tax.
36:02 - 36:03: - Yeah.
36:03 - 36:05: - Should we finish this terrific song?
36:05 - 36:06: - Oh yeah, this is a great song.
36:06 - 36:09: ♪ Fire's not enough ♪
36:09 - 36:11: - Such a well-written song.
36:11 - 36:14: - What is this guy's other material?
36:14 - 36:16: Like does he have a whole like YouTube channel
36:16 - 36:17: of conspiracy songs?
36:17 - 36:20: - I feel like I looked, he had at least a few other songs,
36:20 - 36:23: but one thing that I was gonna say is that
36:23 - 36:25: clearly this Epstein story is gonna continue
36:25 - 36:27: to have a ripple effect.
36:27 - 36:30: Whatever happens, I doubt it's gonna end in like
36:30 - 36:34: global clarity about what, you know, his actual fate.
36:34 - 36:35: - Right.
36:35 - 36:38: - I have a feeling, a bad feeling, and I said this,
36:38 - 36:42: I was having a conversation with Bayo actually on tour
36:42 - 36:46: before Epstein was found dead, just about the whole story.
36:46 - 36:48: And I said, I just have a feeling whatever happens,
36:48 - 36:50: it's gonna be good for Trump.
36:50 - 36:53: Because you know, a lot of people looked at this story
36:53 - 36:54: in a partisan way.
36:54 - 36:56: If you're a Democrat, you're kind of like--
36:56 - 36:58: - Hashtag Trump body count.
36:58 - 36:59: - Trump's going down off this.
36:59 - 37:02: And then the Republicans immediately, Clinton body count.
37:02 - 37:03: And I just had this feeling, I was like--
37:03 - 37:05: - Both are completely asinine.
37:05 - 37:07: - Even if somehow he is implicated,
37:07 - 37:10: trying to cover his own ass and did despicable things,
37:10 - 37:14: the candidate that seems to benefit time and time again
37:14 - 37:17: from anything shady involving the Clinton family,
37:17 - 37:20: even though he's shady, and the candidate who seems
37:20 - 37:23: to benefit from kind of like widespread distrust
37:23 - 37:26: in the system, even though he currently is the president
37:26 - 37:29: of the system, is Donald Trump, you know what I mean?
37:29 - 37:32: So it's like, let's say you did find out that Jeb Ramsay
37:32 - 37:34: was in Saudi Arabia, or that he was murdered,
37:34 - 37:36: and I just don't see it.
37:36 - 37:39: It's a bad feeling, but I feel like it's,
37:39 - 37:41: the fact that even Bill Clinton knew him,
37:41 - 37:43: it's like already a win for Trump, kind of.
37:43 - 37:46: - Even though Trump partied with him, that's hilarious.
37:46 - 37:47: - Because Trump's shameless.
37:47 - 37:50: - Yeah, and if you're shameless, that's incredibly powerful.
37:50 - 37:54: The other thing is, the election is 15, 16 months out.
37:54 - 37:56: This is ancient history by then.
37:56 - 37:58: Whatever random dumb story is happening
37:58 - 38:02: in like October of 2020, will have like
38:02 - 38:05: some inordinate effect on whatever happens.
38:05 - 38:06: - Right, if there's a recession.
38:06 - 38:07: - Right.
38:07 - 38:08: - Something like that. - Or whatever.
38:08 - 38:11: Just some other billionaire did something dumb.
38:11 - 38:12: - Oh, I'm just saying, a recession would actually
38:12 - 38:14: have an impact on Trump, I think.
38:14 - 38:17: ♪ The state draws near ♪
38:17 - 38:22: ♪ And our freedom slips away ♪
38:22 - 38:26: ♪ And they don't give a stuff ♪
38:26 - 38:30: ♪ They make that clear enough ♪
38:30 - 38:35: ♪ So now it's up to us to bring it down ♪
38:36 - 38:38: ♪ Down ♪
38:38 - 38:40: - So you know what, we made it happen very quickly.
38:40 - 38:42: That's the time crisis away.
38:42 - 38:44: We get an idea, we see it through.
38:44 - 38:47: As we were talking about Epstein and the tweets,
38:47 - 38:50: we said we should get Mark Foster on the show.
38:50 - 38:51: And you know what, he was pretty close by.
38:51 - 38:52: We put out the bat signal,
38:52 - 38:53: and now Mark is here in the studio.
38:53 - 38:54: What's up, Mark?
38:54 - 38:55: - How you guys doing?
38:55 - 38:56: - Not bad.
38:56 - 39:00: So it's funny with Twitter, just like kind of a brief thought
39:00 - 39:02: can turn into something big.
39:02 - 39:04: So you were just saying that, you know,
39:04 - 39:05: you woke up the next morning,
39:05 - 39:07: and you were just, the amount of pickup
39:07 - 39:09: about your specific tweet was kind of like shocking.
39:09 - 39:12: - Yeah, it was shocking for a number of reasons.
39:12 - 39:14: I mean, one that, you know, news articles
39:14 - 39:16: started to pick it up and people started to run with it.
39:16 - 39:19: But also that there were a lot of, you know,
39:19 - 39:21: you can check to see like what verified accounts
39:21 - 39:23: are, you know, tagging you, talking to you.
39:23 - 39:25: All these verified accounts from like--
39:25 - 39:27: - Across the political spectrum?
39:27 - 39:31: - NBC, CNN, all, yeah, all of these, you know,
39:31 - 39:34: commentators and people that, you know, don't,
39:34 - 39:35: they don't follow the band, they're not fans.
39:35 - 39:38: It's not like, and they're all commenting on it.
39:38 - 39:40: And it's like, I kicked a hornet's nest.
39:40 - 39:42: And so it was kind of like, oh, wow.
39:42 - 39:44: So I kind of went deeper on it, I guess,
39:44 - 39:46: as opposed to shying away,
39:46 - 39:48: which is always a tricky thing, I think.
39:48 - 39:51: I mean, especially the fact that I use the bands.
39:51 - 39:53: I mean, I don't have like a personal Twitter.
39:53 - 39:55: And so that's kind of my only voice.
39:55 - 39:56: And I don't tweet about things
39:56 - 39:58: that are outside of the music spectrum,
39:58 - 40:01: unless I'm like furious or passionate about something.
40:01 - 40:03: - Right, this is one of those things where I was just furious.
40:03 - 40:05: - If somebody actually knew you,
40:05 - 40:06: 'cause I was talking about how like,
40:06 - 40:07: maybe one of the last times we saw each other
40:07 - 40:09: was campaigning for Bernie in Iowa, right?
40:09 - 40:10: - Yep.
40:10 - 40:11: - You're a very politically engaged person
40:11 - 40:12: and following the news and stuff.
40:12 - 40:15: So probably somebody who knows you wouldn't be surprised
40:15 - 40:16: that you might have strong feelings
40:16 - 40:18: about like a major event like that.
40:18 - 40:19: But yeah, maybe some people just like
40:19 - 40:21: on the official Foster the People account,
40:21 - 40:23: just kind of like, yeah, well,
40:23 - 40:24: what was the tweet before that?
40:24 - 40:26: Like, hey, announcing new tour dates, like.
40:26 - 40:30: - Yeah, we like just released a song.
40:30 - 40:31: It's one of those things where it's like,
40:31 - 40:33: when I look at like this point in history,
40:33 - 40:34: I guess what makes me furious is that
40:34 - 40:37: it seems like the biggest government coverup
40:37 - 40:40: maybe since Lee Harvey Oswald and the Kennedy assassination.
40:40 - 40:42: - Oh, I just gotta say, just 'cause you weren't here,
40:42 - 40:43: we were talking about that.
40:43 - 40:45: Jake's been to the plaza in Dallas
40:45 - 40:47: and he kind of looked out the window and he was like,
40:47 - 40:48: it wouldn't be hard to make the shot.
40:48 - 40:50: That was Jake's take.
40:50 - 40:51: Just a, I don't know.
40:51 - 40:52: - I went to the museum, yeah.
40:52 - 40:53: - I've been there.
40:53 - 40:54: - Yeah, yeah.
40:54 - 40:55: - So did you stand at the window?
40:55 - 40:57: - Yeah, the final stop of the tour is the window.
40:57 - 40:59: - So when you were eyeballing it from the window,
40:59 - 41:00: were you like?
41:00 - 41:02: - Oh, I mean, no, I don't doubt that he did it.
41:02 - 41:03: - Yeah.
41:03 - 41:04: - Why?
41:04 - 41:05: - But it's the fact that, you know,
41:05 - 41:07: after 20 hours of being interrogated,
41:07 - 41:08: none of it was released
41:08 - 41:10: and then the seals were filed for 75 years.
41:10 - 41:11: And even when like Trump, you know,
41:11 - 41:16: wanted to raise his public, well, you know.
41:16 - 41:16: - Oh yeah, I forgot about that.
41:16 - 41:18: - Like you said, he was gonna release the Kennedy files
41:18 - 41:20: and then even then he couldn't release them all.
41:20 - 41:23: And it's like, if you can't release them all now
41:23 - 41:24: and you're the president,
41:24 - 41:25: then there's something that obviously implicates
41:25 - 41:28: your own government that you don't want people to see.
41:28 - 41:30: And so it's like, yeah, it's like.
41:30 - 41:31: - Everybody's dead.
41:31 - 41:35: ♪ I wouldn't try to throw myself away ♪
41:35 - 41:38: ♪ If you asked me ♪
41:38 - 41:41: ♪ I'd say ♪
41:41 - 41:43: ♪ To be careful my love ♪
41:43 - 41:46: ♪ At death will leave the same ♪
41:46 - 41:48: ♪ If you want me ♪
41:48 - 41:53: ♪ To say don't keep me waiting for it ♪
41:53 - 41:58: ♪ We can't change the things we can't control ♪
41:58 - 42:03: ♪ It's summer somewhere so you shouldn't be so cold ♪
42:03 - 42:08: ♪ But you can't even look me in the eye if you try ♪
42:08 - 42:11: ♪ We can try, we can try ♪
42:11 - 42:15: ♪ I see us dancing by ourselves ♪
42:15 - 42:19: ♪ We do it better with no one around ♪
42:19 - 42:24: ♪ Yeah, just you in my imagination ♪
42:24 - 42:29: ♪ Yeah, in my imagination ♪
42:29 - 42:31: ♪ Oh ♪
42:31 - 42:34: - So what is it about this one,
42:34 - 42:36: obviously we live in an insane world
42:36 - 42:39: with injustices and coverups and lies every day.
42:39 - 42:41: So what is it about this one that really like,
42:41 - 42:44: you couldn't think anything as crazy
42:44 - 42:45: until going back 50 years?
42:45 - 42:48: - Well, I'd known about Epstein for,
42:48 - 42:49: I've heard about him for a long time.
42:49 - 42:50: Like even in the early 2000s,
42:50 - 42:53: I remember hearing about the Lolita Express.
42:53 - 42:54: Basically, you know, this guy
42:54 - 42:56: that would take underage girls to his island
42:56 - 42:57: and was friends with all these
42:57 - 42:59: really wealthy and powerful people.
42:59 - 43:01: And then he got like busted.
43:01 - 43:02: I didn't even know that he got busted.
43:02 - 43:04: I just, I remember hearing kind of the rumors
43:04 - 43:06: about this guy a long time ago.
43:06 - 43:09: And then it all kind of coming to a head this year.
43:09 - 43:11: He gets arrested and I'm like, oh my God,
43:11 - 43:13: you know, like justice is gonna be,
43:13 - 43:17: this guy that's like skated around the law for so long
43:17 - 43:19: that we're actually gonna get some answers.
43:19 - 43:22: And I have a million questions, as I'm sure
43:22 - 43:25: a lot of people do, of how this happened.
43:25 - 43:27: It's like, if you have this guy who's arguably
43:27 - 43:29: one of the most important witnesses in custody
43:29 - 43:31: in the history of the US,
43:31 - 43:35: because he's got potentially incredibly damaging information
43:35 - 43:38: on two presidents, one currently active,
43:38 - 43:40: and who knows who else, you know,
43:40 - 43:41: you got Prince Andrew in there,
43:41 - 43:42: you've got all these other people
43:42 - 43:44: that have been implicated hanging out
43:44 - 43:46: with Epstein on his island.
43:46 - 43:47: And then this happens.
43:47 - 43:49: And after Suicide Watch, and then you start to like,
43:49 - 43:53: look at the facts of the guards weren't checking on him.
43:53 - 43:54: He was taken off Suicide Watch.
43:54 - 43:57: His cellmate was transferred the day before.
43:57 - 43:58: - Well, that's one, I think maybe one of the reasons
43:58 - 44:03: why your tweets really got a lot of people talking
44:03 - 44:05: was because when I kind of looked at social media
44:05 - 44:07: and the news the day it came out,
44:07 - 44:11: the vast majority of like independent commentators,
44:11 - 44:12: you know, maybe obviously not like
44:12 - 44:13: the New York Times headliner,
44:13 - 44:14: but the vast majority of independent commentators
44:14 - 44:16: were saying, this is fishy.
44:16 - 44:18: I don't believe this guy died.
44:18 - 44:20: But you went a step beyond, which is interesting.
44:20 - 44:22: And I've been doing some research
44:22 - 44:23: and even I was like looking up about
44:23 - 44:25: this New York Post photo of his body
44:25 - 44:28: being taken into the hospital and comparing it.
44:28 - 44:30: And so I was looking at the Snopes article about it,
44:30 - 44:32: and there's the Foster the People tweet
44:32 - 44:34: in the Snopes article about it.
44:34 - 44:35: So in some ways you've become,
44:35 - 44:37: whether or not you want it to be,
44:37 - 44:39: you're the voice for that particular theory.
44:39 - 44:41: So that's what I'm curious about is,
44:41 - 44:43: was it the photo that set you off?
44:43 - 44:45: 'Cause you're like, I don't believe that's the same guy,
44:45 - 44:46: or already you just didn't think--
44:46 - 44:47: - Or did you read something somewhere?
44:47 - 44:50: - No, no, no, I just saw the photo.
44:50 - 44:51: And then I saw the side by side.
44:51 - 44:53: - What about before you saw the photo?
44:53 - 44:55: Did you already in the back of your head think like,
44:55 - 44:56: I bet he's not even dead?
44:56 - 44:59: - I think you go through all the realm of possibilities
44:59 - 45:01: of like what happened, what could have happened.
45:01 - 45:04: But the photo to me, and look, I'm not a forensics expert.
45:04 - 45:07: I put out a (beep) tweet, you know what I mean?
45:07 - 45:07: - Right.
45:07 - 45:11: - And then like just being a musician
45:11 - 45:13: that wanted to put out a tweet and like start
45:13 - 45:15: a public discourse on this guy.
45:15 - 45:17: But it's like you look at the photo
45:17 - 45:19: and it's not the same guy.
45:19 - 45:21: And I know that when people die, look--
45:21 - 45:23: - Well, and just to fill everybody in,
45:23 - 45:25: when I looked at the Snopes article,
45:25 - 45:28: and obviously Snopes can't verify it's the same guy,
45:28 - 45:29: but they were just saying,
45:29 - 45:30: here's one thing to keep in mind.
45:30 - 45:31: The pictures that were side by side
45:31 - 45:33: were taken 15 years apart,
45:33 - 45:34: and they're from different sides of his face.
45:34 - 45:37: So maybe, that's how they kind of put it.
45:37 - 45:39: They weren't coming down hard one way or the other.
45:39 - 45:40: - 15 years apart, sure, but I mean,
45:40 - 45:42: even the photos of Epstein
45:42 - 45:45: when he was arrested in court recently.
45:45 - 45:47: Are there some profile shots that--
45:47 - 45:49: - I mean, there's some head-on shots.
45:49 - 45:51: There's not like a profile shot that you can A/B.
45:51 - 45:52: But even the head-on shot,
45:52 - 45:55: like he looks much younger than the guy.
45:55 - 45:56: The nose is different.
45:56 - 45:59: He's got deep lines around his mouth.
45:59 - 46:02: And the photo of the guy that's on the stretcher
46:02 - 46:05: or whatever, just said they don't exist.
46:05 - 46:06: And I could be wrong.
46:06 - 46:08: It could be him, and I know that like when you die,
46:08 - 46:10: things change, you physically change.
46:10 - 46:13: - And sometimes people look really different
46:13 - 46:14: from photo to photo.
46:14 - 46:15: - Sure. - Do you know what I mean?
46:15 - 46:16: - Sure.
46:16 - 46:19: - Sometimes you're like, "That's me?"
46:19 - 46:20: - Sure, totally. - You know, I don't know.
46:20 - 46:23: - I mean, I think I'm not gonna like hang my hat up
46:23 - 46:26: and say like, "I believe that the body was switched,"
46:26 - 46:28: and like, you know, stand by that.
46:28 - 46:30: - Right, you were asking the question.
46:30 - 46:31: - I mean, I think the bigger question
46:31 - 46:34: is what really happened to Jeffrey Epstein and why, you know?
46:34 - 46:37: - Right, even in the most extreme circumstances,
46:37 - 46:40: it's hard to understand why anybody
46:40 - 46:42: would wanna keep him alive.
46:42 - 46:43: Like, it just seems easier to kill him.
46:43 - 46:44: - I have some theories.
46:44 - 46:47: - Actually, you wanna tell, 'cause here's my question.
46:47 - 46:48: You know, I've read a little bit.
46:48 - 46:52: I don't know as much as you, but there's a lot of people.
46:52 - 46:53: Okay, so people have wondered,
46:53 - 46:54: "What's Jeffrey Epstein's deal?"
46:54 - 46:58: Everything from he could be an intelligence asset
46:58 - 47:00: being used by multiple intelligence agencies
47:00 - 47:03: from all around the world, the CIA, Mossad, whatever.
47:03 - 47:06: - I think that's 100%, by the way, that he's a spy.
47:06 - 47:08: - And even if somebody's a spy,
47:08 - 47:10: it doesn't mean everything they do is spy-esque.
47:10 - 47:12: It means that an intelligence agency
47:12 - 47:14: saw how that person could be of value.
47:14 - 47:15: - Sure.
47:15 - 47:16: - So, you know, maybe he's already running
47:16 - 47:17: the Lolita Express and somebody's like,
47:17 - 47:20: "Ooh, powerful man, up to no good on a plane.
47:20 - 47:22: "Let's talk to this guy and see if he can help us,
47:22 - 47:24: "or let's pressure him."
47:24 - 47:26: My feeling is that if you're dealing
47:26 - 47:28: with these hardcore intelligence agencies
47:28 - 47:33: who are doing manipulative, sneaky stuff around the world,
47:33 - 47:35: and you got somebody who's in custody who might talk,
47:35 - 47:38: you know, similar to when mobsters have somebody
47:38 - 47:39: who's gonna testify against them,
47:39 - 47:42: the easiest thing to do would be to have them killed.
47:42 - 47:43: So if you're gonna go to the trouble
47:43 - 47:45: of getting somebody into the prison,
47:45 - 47:48: now explain to me why somebody might wanna actually
47:48 - 47:51: go through this extra hassle of keeping somebody alive.
47:51 - 47:54: - Well, I mean, A, I think that the island
47:54 - 47:56: that he had set up, it seems to be like
47:56 - 47:58: it was some sort of a honeypot situation
47:58 - 47:59: to where it's like--
47:59 - 48:00: - Get some footage of--
48:00 - 48:02: - Get footage, and he was known for that.
48:02 - 48:05: He was known for filming other people
48:05 - 48:07: and their sexual exploits.
48:07 - 48:09: He has tapes on a ton of powerful people.
48:09 - 48:12: You know, Alexander Acosta, who resigned
48:12 - 48:15: after being the Secretary of Labor--
48:15 - 48:15: - And gave him the sweetheart deal.
48:15 - 48:17: - He gave him the sweetheart deal.
48:17 - 48:20: In an interview, he said that when they were pressing him,
48:20 - 48:22: saying like, "Why did you give him this sweetheart deal?"
48:22 - 48:24: He said, "Basically, I was told
48:24 - 48:26: "that he was above my pay grade,
48:26 - 48:28: "that he was intelligence, and to stay away from him."
48:28 - 48:30: And that's documented.
48:30 - 48:32: So who was this guy?
48:32 - 48:33: I don't know.
48:33 - 48:34: You know, Mossad, GRU.
48:34 - 48:35: - What's GRU?
48:35 - 48:37: - That's like the Russian intelligence.
48:37 - 48:37: - Oh, yeah.
48:37 - 48:39: - Or did he work for Saudi Arabia?
48:39 - 48:41: I mean, the passport that they found in the safe
48:41 - 48:43: said that he lived in Saudi Arabia.
48:43 - 48:45: It was an Austrian passport.
48:45 - 48:48: And then the madam, the woman that procured
48:48 - 48:50: all these underage girls and kind of ran things for him,
48:50 - 48:53: his business partner, her father was high up in the Mossad.
48:53 - 48:54: - Right, I read about that.
48:54 - 48:56: The only thing that I'll say about some of these things
48:56 - 48:59: is that, this is certainly not to refute anything
48:59 - 49:01: that you're saying, and I wonder if you find this too.
49:01 - 49:04: Couple indie rock musicians, you know.
49:04 - 49:04: We've seen--
49:04 - 49:05: - No, I don't know.
49:05 - 49:07: Probably neither of us define--
49:07 - 49:08: - We would be incredible spies, by the way.
49:08 - 49:10: I've always thought that there would be like
49:10 - 49:11: a musician shit that would be a great spy
49:11 - 49:14: 'cause we're from countries around the world.
49:14 - 49:15: - That's true.
49:15 - 49:16: - No one would suspect you guys.
49:16 - 49:17: - No, everybody's just like,
49:17 - 49:19: "Oh, he's a dumbass musician.
49:19 - 49:19: "What are they gonna do?"
49:19 - 49:22: (laughing)
49:22 - 49:25: - The handoff needs to happen at MoPOP in Detroit.
49:25 - 49:27: No, but I'm saying, yeah, I don't know if either of us
49:27 - 49:29: identify as indie rock musicians,
49:29 - 49:32: but I would just say, like, we're people who spend time
49:32 - 49:35: in New York, in LA, meet powerful people,
49:35 - 49:37: even just powerful media figures.
49:37 - 49:38: - I guess one thing that I've found
49:38 - 49:41: as I've been around more powerful and rich people sometimes
49:41 - 49:44: is that there's a certain mundane aspect to some of this.
49:44 - 49:46: So, for instance, this is no way to stick up
49:46 - 49:49: for Jeffrey Epstein or any of his buddies,
49:49 - 49:51: but when I would see a lot of people on the internet
49:51 - 49:54: saying stuff like, "Yeah, you don't fly on a guy's
49:54 - 49:58: "private plane five times and don't know what he's up to."
49:58 - 50:00: And I was kinda like, "Actually, you do."
50:00 - 50:01: (laughing)
50:01 - 50:04: Not that I've, I haven't been on very many private planes
50:04 - 50:06: in my life, but when you're around,
50:06 - 50:09: even just like DJs, there's a type of person
50:09 - 50:11: who are just in settings where somebody's like,
50:11 - 50:13: "I'm ripping back to the Hamptons right now on the PJ.
50:13 - 50:14: "There's eight seats."
50:14 - 50:16: And somebody would be like, "Oh, I'll take it."
50:16 - 50:18: So this idea that there's an intimacy,
50:18 - 50:20: to me it's kind of the equivalent of just like,
50:20 - 50:21: you know, somebody would be like,
50:21 - 50:24: "You don't catch a ride five times with like a dude
50:24 - 50:27: "in your grad school program and not know what he's up to."
50:27 - 50:30: Like, there is a way in which these seemingly big deal
50:30 - 50:33: things are just a natural result of these people
50:33 - 50:35: existing in the same kinda social milieu.
50:35 - 50:38: - So even I kinda wonder when people were talking about
50:38 - 50:40: if Ghislain Maxwell's father,
50:40 - 50:43: he's known as a Mossad agent or something,
50:43 - 50:45: just the idea that a wealthy guy
50:45 - 50:47: who was a Mossad agent's daughter
50:47 - 50:49: would end up becoming in the inner circle
50:49 - 50:50: of another wealthy guy
50:50 - 50:52: who might have intelligence connections.
50:52 - 50:54: The crazy thing is, that could borderline
50:54 - 50:57: still be a coincidence, just because powerful people
50:57 - 50:59: tend to hang out together.
50:59 - 51:00: So I'm sure there's all sorts of funny stuff
51:00 - 51:02: where like, somebody's like,
51:02 - 51:03: "Oh, what, you work for the Russians?
51:03 - 51:05: "That's crazy, my dad worked for Saudi Arabia."
51:05 - 51:07: And they're like, "Wow, and we just met
51:07 - 51:09: "on the rowing team at Harvard, wild."
51:09 - 51:12: And this never came up for 20 years.
51:12 - 51:15: So anyway, that's my one caveat with some of this stuff.
51:15 - 51:16: The funny thing about a global elite
51:16 - 51:18: is it's gonna create a lot of coincidences
51:18 - 51:20: just because it's the global elite.
51:20 - 51:21: - It's a very small group of people.
51:21 - 51:22: - It's a small group of people.
51:22 - 51:25: But this Saudi Arabia thing is definitely fascinating.
51:25 - 51:26: So that's why you--
51:26 - 51:28: - Okay, so no, I mean, back to your original question.
51:28 - 51:30: I mean, the only thing that I can think of,
51:30 - 51:32: and obviously it's a stretch,
51:32 - 51:34: but it's interesting to think about is that
51:34 - 51:37: if he was working for a foreign government,
51:37 - 51:40: and if he was collecting this compromat
51:40 - 51:44: or information that's damaging towards our politicians
51:44 - 51:47: or billionaires or whatever, powerful people,
51:47 - 51:49: that they would most likely have a copy of it.
51:49 - 51:52: If he was working for a foreign government
51:52 - 51:54: and he was worth something to them,
51:54 - 51:55: if he went into this and he's,
51:55 - 51:57: whatever relationship he has with them,
51:57 - 51:59: if they wanna protect him,
51:59 - 52:03: and they threaten Trump or our government
52:03 - 52:06: with damning material that they'll release
52:06 - 52:07: without the release of Epstein,
52:07 - 52:09: if he had diplomatic immunity
52:09 - 52:11: while he was operating under this,
52:11 - 52:13: which I think that he probably did
52:13 - 52:16: based on the deal that he got from Acosta.
52:16 - 52:17: - That maybe the US was like,
52:17 - 52:19: "All right, technically we have to send him back
52:19 - 52:22: "to Saudi Arabia, so we're gonna cook up this whole scheme."
52:22 - 52:23: - I don't know, I mean, I don't know.
52:23 - 52:25: I just wouldn't put it past.
52:25 - 52:27: Why would that be harder for them
52:27 - 52:31: to swap him out with somebody that looks somewhat like him
52:31 - 52:33: or to try to doctor somebody that'll look like him
52:33 - 52:35: and swap him out in the middle of the night
52:35 - 52:38: when they basically told the guards to back off,
52:38 - 52:39: they stopped monitoring his cell,
52:39 - 52:41: they moved his cellmate out, they cleared it all out?
52:41 - 52:43: It's the US government.
52:43 - 52:45: They could walk in there, swap him out, trade him back.
52:45 - 52:48: - Well, that seems easier to do than 9/11.
52:48 - 52:50: Before you came in, I was also,
52:50 - 52:54: we were also talking about 9/11 conspiracies, which again--
52:54 - 52:55: - It ain't hard.
52:55 - 52:57: - 'Cause that's the thing also,
52:57 - 52:59: when I've talked to people who feel very strongly
52:59 - 53:00: about 9/11 being an inside job,
53:00 - 53:02: and as I was saying before, you came here,
53:02 - 53:04: I'm a very live and let live, open-minded kind of guy.
53:04 - 53:07: I'm like, "Hey man, I don't believe everything
53:07 - 53:08: "the New York Times says."
53:08 - 53:10: Like, sure, tell me why you think that is.
53:10 - 53:12: But one thing about that is always like,
53:12 - 53:15: "Well, if that in fact was an inside job,
53:15 - 53:16: "I'm glad they didn't ask me to help
53:16 - 53:18: "'cause that sounds like a lot of work.
53:18 - 53:20: "That sounds very, very complicated."
53:20 - 53:22: Where you're right, compared to that,
53:22 - 53:24: 'cause maybe you could do that with five people,
53:24 - 53:27: I don't know, I believe that.
53:27 - 53:30: I believe you could swap a body and get a guy on a,
53:30 - 53:30: I mean, if you're talking about somebody that has--
53:30 - 53:32: - On a PJ to Saudi Arabia?
53:32 - 53:34: - If you're talking about somebody that has information
53:34 - 53:37: that's going to bring down your entire government,
53:37 - 53:39: you know, from the top down,
53:39 - 53:40: they're not gonna stop at anything.
53:40 - 53:42: - That's one question that I have is 'cause,
53:42 - 53:43: and I know this is not what you're gesturing at,
53:43 - 53:46: but within the world of conspiracy theorists,
53:46 - 53:47: there's kind of like a spectrum.
53:47 - 53:49: There's people, obviously on one end of the spectrum,
53:49 - 53:51: you have people who are not conspiracy theorists who say,
53:51 - 53:54: "I believe what the mainstream media says, it's the truth."
53:54 - 53:56: And then on the other side, the most extreme side,
53:56 - 53:59: you have people who say, "Not only is that not the truth,
53:59 - 54:01: "the very nature of reality that you understand
54:01 - 54:04: "is not the truth, and that these guys are hiding
54:04 - 54:07: "big secrets about the way the entire universe
54:07 - 54:09: "is structured," and that seems a little bit extreme too.
54:09 - 54:12: And, you know, what you're saying is something in between
54:12 - 54:14: about the way the intelligence community
54:14 - 54:16: gathers information and blackmails.
54:16 - 54:18: You're like, "Sure, I believe that there's all sorts
54:18 - 54:19: "of stuff that we don't know about
54:19 - 54:20: "that exists in that world."
54:20 - 54:22: I guess one question that I have,
54:22 - 54:23: and again, I also wanna make the point
54:23 - 54:25: that it's very cool of you to come on the show
54:25 - 54:27: because your whole thing that you said
54:27 - 54:29: when I actually read all of the tweets,
54:29 - 54:30: when you said do your own research,
54:30 - 54:32: you weren't actually encouraging Foster the People fans
54:32 - 54:33: to fly to Saudi Arabia.
54:33 - 54:36: This is your chance to clarify that, right?
54:36 - 54:37: - That's not-- - Right.
54:37 - 54:38: You were kinda just saying--
54:38 - 54:40: - It was more of a broad statement of like, you know,
54:40 - 54:43: you need to read information and not just watch television
54:43 - 54:44: for your news.
54:44 - 54:46: - Right, and also your point about like,
54:46 - 54:47: yeah, I'm an artist-- - Or get your news
54:47 - 54:48: from memes. - But I'm also an artist
54:48 - 54:51: and I'm just a person who kinda is just talking about stuff.
54:51 - 54:54: Like, yeah, so when I saw the whole context of it,
54:54 - 54:56: you're definitely not trying to like say,
54:56 - 54:58: "Guys, I'm an expert on this and I know what happened."
54:58 - 55:01: So I feel bad now peppering you with the questions,
55:01 - 55:02: just kinda like, "Well, tell me about this."
55:02 - 55:03: But I just, so I just wanna make clear,
55:03 - 55:04: we're just talking about it.
55:04 - 55:05: ♪ We're born to die ♪
55:05 - 55:08: ♪ So I'm gonna fight for how I wanna live ♪
55:08 - 55:10: ♪ Spark up the riots ♪
55:10 - 55:13: ♪ Guess I'm a criminal and a futurist ♪
55:13 - 55:18: ♪ Well, the charges I've caught won't stand your trial ♪
55:18 - 55:21: ♪ You can take it out on me ♪
55:21 - 55:23: ♪ Yeah, I've been to hell ♪
55:23 - 55:26: ♪ But I've learned to keep my cool ♪
55:26 - 55:27: ♪ Hold on to the devil ♪
55:27 - 55:30: ♪ Got him by the throat 'cause I refuse ♪
55:30 - 55:35: ♪ Yeah, I won't take my last breath in denial ♪
55:35 - 55:38: ♪ But you can't take it from me ♪
55:38 - 55:41: ♪ Yeah, I've seen peaks been released ♪
55:41 - 55:43: ♪ Into the prisons below ♪
55:43 - 55:45: ♪ My days here disappear ♪
55:45 - 55:48: ♪ There's things that I can't ignore ♪
55:48 - 55:53: ♪ The sweetest release might take a while ♪
55:54 - 55:58: ♪ So take me out in style ♪
55:58 - 56:02: ♪ Yeah, you ♪
56:02 - 56:07: ♪ Yeah, just take me out in style ♪
56:07 - 56:10: ♪ If you're gonna take me out ♪
56:10 - 56:12: ♪ Take me out in style ♪
56:12 - 56:14: - So one thing that's crossed my mind thinking about it,
56:14 - 56:17: and I could believe anything, man, almost anything,
56:17 - 56:20: but why, so what you're saying makes sense.
56:20 - 56:23: Like, sure, there's a plausible explanation
56:23 - 56:27: for why it might be important to get that guy out of there,
56:27 - 56:29: and he's a foreign intelligence asset,
56:29 - 56:32: and the US has a diplomatic community.
56:32 - 56:33: I can believe that.
56:33 - 56:34: But there's also a part of me, it's like,
56:34 - 56:36: why does the global elite care so much
56:36 - 56:38: about these three knuckleheads?
56:38 - 56:40: Bill Clinton's basically on his last legs
56:40 - 56:41: in terms of public standing.
56:41 - 56:44: Trump kind of seems like more trouble than he's worth.
56:44 - 56:47: Prince Andrew, not even Prince Charles, like, who?
56:47 - 56:48: There's like a part of me that's like,
56:48 - 56:50: okay, let's say there are like nine kind of powerful dudes.
56:50 - 56:52: The global elite could keep on truck
56:52 - 56:53: and could be like, oh my God.
56:53 - 56:56: - I mean, if we're talking in that universe
56:56 - 56:59: of the global elite making the call for this to happen,
56:59 - 57:01: I don't really think the global elite
57:01 - 57:02: would have made the call for this to happen,
57:02 - 57:03: 'cause I don't think they would care
57:03 - 57:04: about something like that.
57:04 - 57:06: I think that it would be Donald Trump,
57:06 - 57:11: basically our government, protecting their own asses.
57:11 - 57:13: - In some ways, specifically protecting Trump.
57:13 - 57:15: - The Clintons don't have, they don't have the power.
57:15 - 57:16: There's no way the Clintons could be behind,
57:16 - 57:19: that was like the one thing when all the fallout,
57:19 - 57:21: all that stuff, it's like, okay,
57:21 - 57:23: like they're out of power.
57:23 - 57:25: They couldn't pull this off if they wanted to,
57:25 - 57:27: but our current government could.
57:27 - 57:28: And especially if you look at, you know,
57:28 - 57:32: Attorney General Bill Barr, and you look at Acosta,
57:32 - 57:34: two guys that were closely related to Epstein
57:34 - 57:37: and protecting Epstein, Barr was,
57:37 - 57:38: he worked for the attorney's office
57:38 - 57:41: that represented Epstein in the sweetheart deal.
57:41 - 57:44: Acosta was the lawyer that gave him the deal.
57:44 - 57:47: And both those guys were then promoted heavily
57:47 - 57:50: by Donald Trump, who's keeping those people close to him
57:50 - 57:52: that helped protect this guy
57:52 - 57:54: that might have some dark secrets on him.
57:54 - 57:55: - Maybe that's been my question,
57:55 - 57:59: is because you know with spicy topics like this,
57:59 - 58:01: you'll see such a range of opinion,
58:01 - 58:03: and you'll see people taking it into like,
58:03 - 58:04: well, you gotta understand, this is like
58:04 - 58:06: the whole fate of the world hinges on this,
58:06 - 58:08: and you're kind of saying, no, maybe it's actually,
58:08 - 58:09: it's as simple as-- - It's more like
58:09 - 58:10: a mafia thing. - Yeah, it's as simple
58:10 - 58:13: as one guy trying to protect his ass and using,
58:13 - 58:14: and the intelligence community's being like,
58:14 - 58:17: eh, we don't wanna really release details
58:17 - 58:18: about how we do stuff.
58:18 - 58:20: Yeah, like maybe it's actually not,
58:20 - 58:21: there's something about the word conspiracy theory
58:21 - 58:23: that sometimes makes people think of like,
58:23 - 58:26: you know, reptilians and like, aliens and stuff.
58:26 - 58:27: It could be as simple as just like a few people
58:27 - 58:29: being like, whoa, let's see--
58:29 - 58:31: - There's probably only a handful of people
58:31 - 58:32: that know what happened.
58:32 - 58:34: I don't think that there's hundreds of people involved,
58:34 - 58:36: that there's some order, it's like, you can't keep a secret,
58:36 - 58:38: you know, it's like, but you can keep a secret
58:38 - 58:39: with five people.
58:39 - 58:41: - The darkest thing of all that I was saying is,
58:41 - 58:43: and I wonder what you think about this,
58:43 - 58:45: my feeling is that there's almost no way
58:45 - 58:47: that this is a bad thing for Trump.
58:47 - 58:49: The fact that the Clinton name
58:49 - 58:51: is even remotely associated with this,
58:51 - 58:54: because Trump is the epitome of shamelessness,
58:54 - 58:56: he's the 0.1% of bacteria that don't get killed
58:56 - 59:01: by bacterial sites, because he clearly is the Teflon Don,
59:01 - 59:05: and his fans and supporters will turn anything
59:05 - 59:08: into a win for him, and then you see him, you know,
59:08 - 59:09: retweeting the Clinton body count stuff.
59:09 - 59:11: There's a part of me that's like,
59:11 - 59:13: there could be all sorts of stuff that comes out
59:13 - 59:16: in the next few months, and I still have this weird feeling
59:16 - 59:18: that it's gonna be a win for him.
59:18 - 59:22: - Another reason why I think he's so desperate to protect,
59:22 - 59:24: you know, now he's campaigning for the next election already
59:24 - 59:27: and he's so desperate to protect his name and to win again,
59:27 - 59:29: because he knows that if he wins again,
59:29 - 59:31: he can hide behind executive privilege,
59:31 - 59:33: he's protected for another four years from going to jail.
59:33 - 59:35: - And all sorts of other lawsuits.
59:35 - 59:36: - All sorts of everything, you know,
59:36 - 59:39: he's skirted around pretty much any kind of law,
59:39 - 59:40: there's no rule of law right now.
59:40 - 59:41: - Yeah.
59:41 - 59:44: - So I mean, when it's applied to President Trump
59:44 - 59:45: and anybody that's around him,
59:45 - 59:46: he's made that clear.
59:46 - 59:48: So I think like his number one fear right now
59:48 - 59:50: is that he's gonna get unseated
59:50 - 59:52: and that he's gonna have to like go to court
59:52 - 59:55: in the state of New York and at a federal level,
59:55 - 59:58: all these open, you know, cases against him
59:58 - 01:00:00: are gonna come to fruition and he's gonna,
01:00:00 - 01:00:01: who knows what'll happen.
01:00:01 - 01:00:03: - Well, shifting gears to the message of hope,
01:00:03 - 01:00:05: you still, you still,
01:00:05 - 01:00:07: you think there's anybody who could beat him?
01:00:07 - 01:00:08: You still like Bernie?
01:00:08 - 01:00:11: - I think that every Democrat running right now
01:00:11 - 01:00:12: has a chance to beat him.
01:00:12 - 01:00:14: - Yeah, I agree with that, they all have a chance.
01:00:14 - 01:00:16: - I think it's gonna be interesting.
01:00:16 - 01:00:17: - I think it's the Dems to lose,
01:00:17 - 01:00:19: which could easily happen.
01:00:19 - 01:00:22: - I just hope it's not Biden.
01:00:22 - 01:00:22: - I know.
01:00:22 - 01:00:25: - Biden's kind of the easiest one to see losing in a way.
01:00:25 - 01:00:26: - Yeah.
01:00:26 - 01:00:28: - Having just some major brain fart on stage
01:00:28 - 01:00:29: during those debates.
01:00:29 - 01:00:30: - Yeah, it's not looking good.
01:00:30 - 01:00:32: He seemed to think that he was the vice president
01:00:32 - 01:00:34: during the Parkland shooting recently.
01:00:34 - 01:00:36: - Yeah, some basic cognitive problems.
01:00:36 - 01:00:37: - Not a strong look.
01:00:37 - 01:00:41: ♪ All my worst nights are the best times ♪
01:00:41 - 01:00:46: ♪ Whiskers stealing all my shut eye ♪
01:00:46 - 01:00:50: ♪ All my worst nights are the good kinds ♪
01:00:50 - 01:00:55: ♪ Highlight filter through the low fives ♪
01:00:55 - 01:00:58: ♪ Starting it up after dark ♪
01:00:58 - 01:01:02: ♪ Chasing thoughts cruising through Echo Park ♪
01:01:02 - 01:01:06: ♪ Join the vote to see it in paradise ♪
01:01:06 - 01:01:10: ♪ I get tilted, yeah, we'll pay the price ♪
01:01:10 - 01:01:14: ♪ Lame and nice, never say goodbye ♪
01:01:14 - 01:01:19: ♪ We say hello ♪
01:01:19 - 01:01:24: ♪ Dissipating in the sunshine and the snow ♪
01:01:24 - 01:01:32: ♪ All my worst nights are the best times ♪
01:01:32 - 01:01:36: ♪ Whiskers stealing all my shut eye ♪
01:01:36 - 01:01:41: ♪ All my worst nights are the good kinds ♪
01:01:41 - 01:01:45: ♪ Highlight filter through the low fives ♪
01:01:45 - 01:01:46: - Mark, while you're here,
01:01:46 - 01:01:48: you have come up on the show before.
01:01:48 - 01:01:51: We normally don't cover too much kind of politics.
01:01:51 - 01:01:53: We haven't covered Jeffrey Epstein too much,
01:01:53 - 01:01:55: but we have covered Imagine Dragons quite a bit.
01:01:55 - 01:01:56: - Okay.
01:01:56 - 01:01:58: - And when the guy from Imagine Dragons,
01:01:58 - 01:02:00: Dan, wrote his thing about, you know,
01:02:00 - 01:02:02: how it bums him out that everybody's picking on him,
01:02:02 - 01:02:04: we covered that and we talked about that.
01:02:04 - 01:02:05: - Right.
01:02:05 - 01:02:06: - And we were very happy to see that
01:02:06 - 01:02:08: of all the people he talked about
01:02:08 - 01:02:09: who kind of hurt his feelings,
01:02:09 - 01:02:11: you were the only person who apologized.
01:02:11 - 01:02:13: So we gave you a lot of props for that.
01:02:13 - 01:02:14: So you're welcome.
01:02:14 - 01:02:15: - Oh wait.
01:02:15 - 01:02:16: - We gave you a lot of props.
01:02:16 - 01:02:17: - Oh, thank you.
01:02:17 - 01:02:19: - No, but I really thought,
01:02:19 - 01:02:21: and you know, it's like,
01:02:21 - 01:02:22: - Very kind.
01:02:22 - 01:02:23: - And we were just talking about it recently
01:02:23 - 01:02:26: because as opposed to you kind of like taking a step back
01:02:26 - 01:02:27: and being like, "Damn, maybe I said something
01:02:27 - 01:02:29: "that hurt somebody that wasn't cool."
01:02:29 - 01:02:32: And you apologized unreservedly.
01:02:32 - 01:02:34: One of the guys from the 1975,
01:02:34 - 01:02:35: he went the other direction.
01:02:35 - 01:02:36: He was just like, "Man, why do you care?
01:02:36 - 01:02:38: "Shut the, like," he was kind of like,
01:02:38 - 01:02:40: whatever, but whatever, that's a whole nother story.
01:02:40 - 01:02:41: Anyway, so I just wanted to say,
01:02:41 - 01:02:42: I thought that was cool of you.
01:02:42 - 01:02:45: I'm curious, like, you and that guy from Madden Dragons
01:02:45 - 01:02:46: know each other at all,
01:02:46 - 01:02:47: or this was all just happening fully
01:02:47 - 01:02:49: across the universe of the internet?
01:02:49 - 01:02:53: - We've definitely met like in passing early, early, early on
01:02:53 - 01:02:55: I think like the third Foster the People show ever,
01:02:55 - 01:02:58: they were on the bills at the Viper Room.
01:02:58 - 01:02:59: - Yeah.
01:02:59 - 01:03:00: - But I mean, the whole band had changed.
01:03:00 - 01:03:03: Like when they emerged like three years later,
01:03:03 - 01:03:04: you know, that's like when we were all kind of just like,
01:03:04 - 01:03:07: you know, small, tiny bands just starting out.
01:03:07 - 01:03:08: But no, I don't really know.
01:03:08 - 01:03:09: I don't really know him.
01:03:09 - 01:03:11: It was a passing comment, but it was more--
01:03:11 - 01:03:14: - Whatever you said, I don't think was particularly mean.
01:03:14 - 01:03:16: - No, but I mean, it was more about his reaction
01:03:16 - 01:03:19: and kind of like realizing like, oh, okay.
01:03:19 - 01:03:22: I don't want to disparage anybody else for their art,
01:03:22 - 01:03:24: and I just feel like it was just kind of like,
01:03:24 - 01:03:28: just take the high road and support somebody
01:03:28 - 01:03:31: who obviously wants to do good things for his community,
01:03:31 - 01:03:33: you know, and like separate myself
01:03:33 - 01:03:34: from the music itself.
01:03:34 - 01:03:36: It's like the guy's a good guy.
01:03:36 - 01:03:38: I think that sometimes, you know,
01:03:38 - 01:03:41: like a battle in music, whether it's hip hop
01:03:41 - 01:03:43: or rock or whatever,
01:03:43 - 01:03:45: if both parties kind of understand what's going on,
01:03:45 - 01:03:47: then they can kind of turn it into a game,
01:03:47 - 01:03:50: and then it becomes some sort of entertainment,
01:03:50 - 01:03:52: kind of like this weird meta form of entertainment
01:03:52 - 01:03:54: where it's like they both know the game they're playing,
01:03:54 - 01:03:55: and they both go back and forth,
01:03:55 - 01:03:57: and the press kind of like--
01:03:57 - 01:03:58: - Pro-wrestling.
01:03:58 - 01:03:59: - I mean, look at Oasis.
01:03:59 - 01:04:00: Look at Liam and Noel.
01:04:00 - 01:04:00: - Right.
01:04:00 - 01:04:03: - Like they play off each other brilliantly in the press,
01:04:03 - 01:04:06: and they've kept Oasis completely relevant
01:04:06 - 01:04:08: for the last like 20 years.
01:04:08 - 01:04:08: - Right.
01:04:08 - 01:04:10: - And like the second Oasis announced the tour
01:04:10 - 01:04:12: and they get back together,
01:04:12 - 01:04:14: it's gonna make an astronomical amount of money.
01:04:14 - 01:04:15: - Oh, it'll be huge.
01:04:15 - 01:04:16: - Because people are gonna be like,
01:04:16 - 01:04:19: "Wow, the two brothers, they're together again on stage.
01:04:19 - 01:04:19: "Can you believe it?
01:04:19 - 01:04:20: "They're not fist fighting."
01:04:20 - 01:04:21: And then the ticket sales go down,
01:04:21 - 01:04:23: they'll like, you know, they'll get into some kind
01:04:23 - 01:04:24: of fist fight. - It's a way better narrative
01:04:24 - 01:04:25: than just like--
01:04:25 - 01:04:26: - It's real life.
01:04:26 - 01:04:27: It's Jerry Springer.
01:04:27 - 01:04:29: - Things cooled off.
01:04:29 - 01:04:32: Fifth album wasn't received as well as the first three,
01:04:32 - 01:04:34: and you know, they got into some different stuff.
01:04:34 - 01:04:38: Noel really got into golf, and yeah, they talk all the time.
01:04:38 - 01:04:39: They love to do a few gigs.
01:04:39 - 01:04:41: You know, it just depends on schedule.
01:04:41 - 01:04:42: It's like, yeah, versus like,
01:04:42 - 01:04:44: "Holy (beep) I never thought I'd see those two guys
01:04:44 - 01:04:45: "on stage together again."
01:04:45 - 01:04:46: - Right.
01:04:46 - 01:04:47: - Yeah, it's way better.
01:04:47 - 01:04:48: - Way better, way better.
01:04:48 - 01:04:50: But yeah, I mean, it was so, you know, look,
01:04:50 - 01:04:52: you know, when he came out and said that,
01:04:52 - 01:04:54: it was so genuine, and it really like,
01:04:54 - 01:04:56: really struck me, and we're just like, oh man.
01:04:56 - 01:04:57: - Right, so you didn't feel defensive.
01:04:57 - 01:04:59: You were just immediately like, oh man.
01:04:59 - 01:05:00: I'm sure you probably didn't even remember
01:05:00 - 01:05:01: whatever you said.
01:05:01 - 01:05:04: It's not like this was a campaign you waged against them.
01:05:04 - 01:05:06: - No, no, and it's just, I don't know.
01:05:06 - 01:05:07: It's just kind of (beep)
01:05:07 - 01:05:08: It's like, we're all artists making music.
01:05:08 - 01:05:11: I feel like music's supposed to be unifying.
01:05:11 - 01:05:12: Art is subjective anyway.
01:05:12 - 01:05:14: It's like, who am I to like,
01:05:14 - 01:05:15: disparage somebody else for something they,
01:05:15 - 01:05:17: obviously a lot of other people like it.
01:05:17 - 01:05:18: - Yeah. - You know?
01:05:18 - 01:05:19: I don't need to be that guy.
01:05:19 - 01:05:22: - I think just anybody who like, makes music,
01:05:22 - 01:05:24: or thinks deeply about music,
01:05:24 - 01:05:27: there's all sorts of music that maybe, you know,
01:05:27 - 01:05:29: I didn't like when I was 12,
01:05:29 - 01:05:30: and then I liked it when I was 17,
01:05:30 - 01:05:31: and then I didn't like it again,
01:05:31 - 01:05:32: and now I think it's actually really interesting.
01:05:32 - 01:05:34: So there's even that aspect too,
01:05:34 - 01:05:35: that it's like a throwaway comment
01:05:35 - 01:05:38: about how you feel about music in a moment.
01:05:38 - 01:05:39: Yeah, you might have meant it then.
01:05:39 - 01:05:41: I don't like this, but then, yeah, who knows?
01:05:41 - 01:05:44: In a different context, or getting to know somebody,
01:05:44 - 01:05:46: you hear it totally differently too, so.
01:05:46 - 01:05:48: - Totally, yeah.
01:05:48 - 01:05:50: - Well, Mark, thanks so much for coming in.
01:05:50 - 01:05:52: And actually, just to kind of reiterate,
01:05:52 - 01:05:53: the main focus of your tweets,
01:05:53 - 01:05:56: which was not necessarily which narrative is correct,
01:05:56 - 01:05:58: but what do you want to say to the people,
01:05:58 - 01:05:59: like the general,
01:05:59 - 01:06:02: 'cause I liked your general statement
01:06:02 - 01:06:04: about thinking for yourself, you know?
01:06:04 - 01:06:06: - I guess I would say that I feel like we're, you know,
01:06:06 - 01:06:08: we're living in an age of misinformation.
01:06:08 - 01:06:10: People need to do their own research and dig,
01:06:10 - 01:06:12: and not believe everything that you hear.
01:06:12 - 01:06:14: - And another thing, I'm a little bit of a pessimist
01:06:14 - 01:06:19: in that I feel like with a lot of these cover-ups
01:06:19 - 01:06:21: and, you know, misinformation campaigns,
01:06:21 - 01:06:24: I'm a pessimist in the sense that I'm sympathetic
01:06:24 - 01:06:25: to a lot of different theories,
01:06:25 - 01:06:26: or at least I'm open to them,
01:06:26 - 01:06:28: but I have this kind of feeling like,
01:06:28 - 01:06:29: oh, we're never gonna know.
01:06:29 - 01:06:30: - We're never gonna know.
01:06:30 - 01:06:31: - Yeah, like we're never gonna know.
01:06:31 - 01:06:32: So I think in some ways--
01:06:32 - 01:06:34: - 100% agree, we're never gonna know.
01:06:34 - 01:06:36: - So again, when I actually saw your tweets in context,
01:06:36 - 01:06:39: and I thought like, okay, did Jeffrey Epstein
01:06:39 - 01:06:42: go get John Travolta's face put on him in Saudi Arabia?
01:06:42 - 01:06:44: We're never going to know.
01:06:44 - 01:06:46: We will never know the real story.
01:06:46 - 01:06:48: So what you said on Twitter,
01:06:48 - 01:06:50: let's say that story's 100% accurate.
01:06:50 - 01:06:51: You'll never be proven right,
01:06:51 - 01:06:53: because we will never know that.
01:06:53 - 01:06:56: - You'll only know if I drive off of a bridge
01:06:56 - 01:07:01: that was considered to be, if I die from natural causes.
01:07:01 - 01:07:02: - Well, yeah, and even then.
01:07:02 - 01:07:04: Well, we'll fight, we'll keep your memory alive
01:07:04 - 01:07:06: and fight for the truth on TC,
01:07:06 - 01:07:08: but yeah, even then you'll never know.
01:07:08 - 01:07:10: So I think the interesting point that you're making
01:07:10 - 01:07:14: is like a healthy distrust of information,
01:07:14 - 01:07:18: maybe no falsehood people are gonna go to Saudi Arabia
01:07:18 - 01:07:20: and crack the case on that one,
01:07:20 - 01:07:21: but I think the real point you're making is,
01:07:21 - 01:07:24: okay, this is clearly very shady.
01:07:24 - 01:07:27: So maybe next time you can make a decision,
01:07:27 - 01:07:28: you can make a decision,
01:07:28 - 01:07:30: like choosing who you're gonna vote for,
01:07:30 - 01:07:32: or watch the way that the different Democrats
01:07:32 - 01:07:34: talk to each other, and one person says,
01:07:34 - 01:07:35: "I think this is a big problem."
01:07:35 - 01:07:37: Somebody says, "Oh, man, we don't have time
01:07:37 - 01:07:39: "to worry about that," or that's bull (beep).
01:07:39 - 01:07:41: I do think that there's a kind of mindset.
01:07:41 - 01:07:43: You can't take the truth away from this.
01:07:43 - 01:07:44: I don't think that's gonna happen,
01:07:44 - 01:07:45: but you could take a mindset away
01:07:45 - 01:07:48: that can hopefully be applied for good.
01:07:48 - 01:07:50: - Well, I think it's just also just pay attention
01:07:50 - 01:07:53: to the larger picture of kind of what's happening
01:07:53 - 01:07:57: with the media, with stories getting spun,
01:07:57 - 01:07:59: and with the way that people are getting manipulated
01:07:59 - 01:08:02: one way or the next based on whatever narrative
01:08:02 - 01:08:03: people wanna put out there. - Well, there was just
01:08:03 - 01:08:05: another one this week, a much smaller story.
01:08:05 - 01:08:08: I don't know if you saw this, that Bernie Sanders,
01:08:08 - 01:08:11: we were talking about how conspiracy in plain sight
01:08:11 - 01:08:14: is kind of how Amazon doesn't pay taxes.
01:08:14 - 01:08:16: And again, let's give Jeff Bezos a break for a second.
01:08:16 - 01:08:19: Let's just say that's (beep) up that that company does that.
01:08:19 - 01:08:21: And so Bernie was doing press,
01:08:21 - 01:08:23: and he rails against Amazon,
01:08:23 - 01:08:26: says, "I don't like the way they operate.
01:08:26 - 01:08:28: "I don't like the fact that they didn't pay a nickel
01:08:28 - 01:08:30: "in taxes."
01:08:30 - 01:08:32: And then he said, "And you know, by the way,
01:08:32 - 01:08:35: "the Washington Post owned by Jeff Bezos,
01:08:35 - 01:08:37: "maybe that's why they don't like me."
01:08:37 - 01:08:38: And the truth is,
01:08:38 - 01:08:40: the Washington Post has gone pretty hard on Bernie.
01:08:40 - 01:08:41: It's not like he's pulling that out of nowhere.
01:08:41 - 01:08:43: But then what was interesting is that I saw a lot
01:08:43 - 01:08:45: of Bernie supporters being like, "Thank you."
01:08:45 - 01:08:47: And then I saw a lot, a lot of other people being like,
01:08:47 - 01:08:50: "Oh, Bernie, the press is against me.
01:08:50 - 01:08:53: "Trump-esque conspiracy theories, like chill out, man."
01:08:53 - 01:08:54: And I was kind of like shocked.
01:08:54 - 01:08:57: I was like, "Look, again, you don't need to,
01:08:57 - 01:09:00: "whether he's in Saudi Arabia, dead, or killed himself,
01:09:00 - 01:09:02: "whatever you think, there's something fishy
01:09:02 - 01:09:03: "about the Epstein thing.
01:09:03 - 01:09:04: "You just think a few days after that,
01:09:04 - 01:09:07: "there might be, even if you can't take away the truth
01:09:07 - 01:09:08: "from the Epstein situation,
01:09:08 - 01:09:10: "you could take away some healthy distrust and be like,
01:09:10 - 01:09:11: "you know what, Bernie?
01:09:11 - 01:09:14: "I might not agree with you about politics,
01:09:14 - 01:09:15: "but you're absolutely right
01:09:15 - 01:09:18: "that billionaires owning the press
01:09:18 - 01:09:20: "probably makes information flow in a way
01:09:20 - 01:09:23: "that's good for them and not necessarily good
01:09:23 - 01:09:24: "for everybody else."
01:09:24 - 01:09:26: But it was amazing how many people got angry
01:09:26 - 01:09:27: at Bernie for saying that.
01:09:27 - 01:09:27: - Of course.
01:09:27 - 01:09:29: I looked it up before I came in here.
01:09:29 - 01:09:30: - Oh, really?
01:09:30 - 01:09:33: - I was just curious who ran basically mass media
01:09:33 - 01:09:34: around the world.
01:09:34 - 01:09:38: And it comes down to about, I think it's 15 guys
01:09:38 - 01:09:40: that own-- - Own all these mega companies.
01:09:40 - 01:09:42: - The mega companies and conglomerates,
01:09:42 - 01:09:44: where they all, how they all spider web out
01:09:44 - 01:09:47: of kind of the main brain of the company.
01:09:47 - 01:09:49: 15 people, you know?
01:09:49 - 01:09:52: So they can control the narrative basically
01:09:52 - 01:09:55: for the news around the entire world.
01:09:55 - 01:09:57: And the thing about, I guess that rattled me
01:09:57 - 01:10:01: about this Epstein story was that it reminded me
01:10:01 - 01:10:05: of the Steven Paddock shooting in Vegas.
01:10:05 - 01:10:10: Because that whole thing, I'm convinced, was a coverup.
01:10:10 - 01:10:11: And I was haunted by it for months.
01:10:11 - 01:10:13: - Oh, so you feel like the people just never knew
01:10:13 - 01:10:14: the true story?
01:10:14 - 01:10:15: - We never, no, we never got the story.
01:10:15 - 01:10:17: - And just to clarify, this is the guy who set up
01:10:17 - 01:10:20: at a hotel and shot up the country music festival.
01:10:20 - 01:10:21: - Right. - Yeah, right.
01:10:21 - 01:10:22: - Yeah, we never got the story.
01:10:22 - 01:10:25: And there were all these eyewitness accounts
01:10:25 - 01:10:27: of people saying that the FBI came in, took their phones,
01:10:27 - 01:10:30: and cleared their phones of any videos of the shooting.
01:10:30 - 01:10:34: I mean, there was 25 different facts about that.
01:10:34 - 01:10:35: We don't have time.
01:10:35 - 01:10:37: This isn't really the place to get into it.
01:10:37 - 01:10:39: But I'm convinced that that was a coverup.
01:10:39 - 01:10:40: And the thing about the way that the media works,
01:10:40 - 01:10:44: and that's what's scary to me with this Epstein thing
01:10:44 - 01:10:46: is that, I mean, there were two mass shootings
01:10:46 - 01:10:47: that happened earlier this week.
01:10:47 - 01:10:49: Nobody's talking about that anymore.
01:10:49 - 01:10:50: You know, there's kids in cages.
01:10:50 - 01:10:52: Nobody's talking about that anymore.
01:10:52 - 01:10:56: The media can take people's attention, like Plato,
01:10:56 - 01:10:58: and point it whatever direction they want,
01:10:58 - 01:11:00: and get it away from the thing that they actually want
01:11:00 - 01:11:03: to continue to get away with.
01:11:03 - 01:11:06: The PADDOC thing was scary because after a week,
01:11:06 - 01:11:08: nobody covered it anymore.
01:11:08 - 01:11:09: There was no investigative journalism.
01:11:09 - 01:11:12: - Yeah, people don't have the bandwidth,
01:11:12 - 01:11:13: and part of that is just the fact that--
01:11:13 - 01:11:14: - Five years ago, we would've known everything
01:11:14 - 01:11:15: about that guy.
01:11:15 - 01:11:17: - Right, well, even people live on the internet,
01:11:17 - 01:11:20: it really does turn all of our brains to mush a little bit.
01:11:20 - 01:11:22: Sometimes when you're like half asleep,
01:11:22 - 01:11:23: like scrolling through your phone,
01:11:23 - 01:11:25: you just realize like, oh wow,
01:11:25 - 01:11:28: like my comprehension skills aren't as good.
01:11:28 - 01:11:30: It's like there's unprecedented access to information,
01:11:30 - 01:11:35: but clearly we're all becoming a little bit brain damaged.
01:11:35 - 01:11:38: Yeah, and you think about things that happened in the past.
01:11:38 - 01:11:39: You know, think about like the Unabomber.
01:11:39 - 01:11:43: He killed, I think, three people, four people,
01:11:43 - 01:11:46: and he was a point of focus for like a decade.
01:11:46 - 01:11:47: I mean, to be fair, I guess that,
01:11:47 - 01:11:48: maybe that's a bad example
01:11:48 - 01:11:50: 'cause he was at large for a decade,
01:11:50 - 01:11:53: but there were individual shootings and events
01:11:53 - 01:11:55: that took place that clearly would be talked about
01:11:55 - 01:11:58: for months and months, and it's, yeah, it's overload.
01:11:58 - 01:11:59: I don't know if that's,
01:11:59 - 01:12:02: that might just be the nature of the technology
01:12:02 - 01:12:04: that disseminates information,
01:12:04 - 01:12:05: but yeah, I know what you mean.
01:12:05 - 01:12:09: It's like, it's not hard to imagine the time
01:12:09 - 01:12:12: when the Epstein story will be supplanted by something else.
01:12:12 - 01:12:15: Yeah, unless things continue to get uncovered,
01:12:15 - 01:12:18: like, you know, there was a 12-man SWAT team
01:12:18 - 01:12:21: that raided his island yesterday.
01:12:21 - 01:12:23: Oh yeah, I saw some drone footage of that.
01:12:23 - 01:12:24: Did you see the drone footage?
01:12:24 - 01:12:26: Like some random dude just like sent a drone over there?
01:12:26 - 01:12:27: No, no, really?
01:12:27 - 01:12:29: Yeah, I don't know if there's any.
01:12:29 - 01:12:30: Well, anyway, thanks so much for coming in.
01:12:30 - 01:12:31: Hope you'll come back.
01:12:31 - 01:12:32: Thanks for having me.
01:12:32 - 01:12:35: And you got a favorite Oasis song?
01:12:35 - 01:12:36: I think it would be relevant to play
01:12:36 - 01:12:38: "Don't Look Back in Anger."
01:12:38 - 01:12:39: Oh yeah, great song.
01:12:39 - 01:12:43: ♪ You slip inside the eye of your mind ♪
01:12:43 - 01:12:46: ♪ Don't you know you might find ♪
01:12:46 - 01:12:50: ♪ A better place to play ♪
01:12:50 - 01:12:54: ♪ You said that you've never been ♪
01:12:54 - 01:12:58: ♪ But all the things that you've seen ♪
01:12:58 - 01:13:02: ♪ Slowly fade away ♪
01:13:02 - 01:13:07: ♪ So I start a revolution from my pain ♪
01:13:08 - 01:13:13: ♪ 'Cause you said the brains I had went to my head ♪
01:13:13 - 01:13:19: ♪ Step outside, summertime's in bloom ♪
01:13:19 - 01:13:23: ♪ I stand up beside the fireplace ♪
01:13:23 - 01:13:25: ♪ Take that look from off your face ♪
01:13:25 - 01:13:30: ♪ You ain't ever gonna burn my heart out ♪
01:13:37 - 01:13:41: ♪ So Sally can wait ♪
01:13:41 - 01:13:46: ♪ She knows it's too late as we're walking on by ♪
01:13:46 - 01:13:54: ♪ Her soul slides away ♪
01:13:54 - 01:13:57: ♪ But don't look back in anger ♪
01:13:57 - 01:13:59: ♪ I heard you say ♪
01:13:59 - 01:14:01: You're listening to
01:14:01 - 01:14:02: (static)
01:14:02 - 01:14:05: Time Crisis on Beat One.
01:14:05 - 01:14:10: Well, kicking things off with some conspiracy politics talk.
01:14:10 - 01:14:11: Dark energy.
01:14:11 - 01:14:13: There definitely is some dark energy out there.
01:14:13 - 01:14:16: Now, I gotta admit something.
01:14:16 - 01:14:17: Jake, I know you're a big fan,
01:14:17 - 01:14:19: and I'm very sad to see the news
01:14:19 - 01:14:22: about the musician David Berman dying,
01:14:22 - 01:14:25: but I've never actually been that familiar with his music.
01:14:25 - 01:14:27: You know, I was like, I know,
01:14:27 - 01:14:28: you know, 'cause I follow music,
01:14:28 - 01:14:31: I'm like, oh yeah, he had Silver Jues and stuff,
01:14:31 - 01:14:32: but like, it's just music
01:14:32 - 01:14:33: I've never been that familiar with.
01:14:33 - 01:14:35: But so you were saying you've been listening a lot,
01:14:35 - 01:14:36: you're a big fan.
01:14:36 - 01:14:39: Oh yeah, I've been a fan for 25 years probably.
01:14:39 - 01:14:40: Whoa.
01:14:40 - 01:14:42: I think Starlight Walker was 94,
01:14:42 - 01:14:44: and I was a huge Pavement head,
01:14:44 - 01:14:47: so he came from that universe.
01:14:47 - 01:14:48: Yeah.
01:14:48 - 01:14:50: He was like a college buddy with the Pavement dudes.
01:14:50 - 01:14:51: Seen him live?
01:14:51 - 01:14:54: Saw him live once, not good.
01:14:54 - 01:14:55: Yeah?
01:14:55 - 01:14:56: He was a poet and a songwriter.
01:14:56 - 01:14:57: Was he--
01:14:57 - 01:14:58: Not a rock star.
01:14:58 - 01:14:59: Was he like the Robert Hunter
01:14:59 - 01:15:01: to Pavement's Grateful Dead?
01:15:01 - 01:15:03: That's an interesting analogy.
01:15:03 - 01:15:05: I mean, you could see a similarity
01:15:05 - 01:15:08: between the Pavement lyrical aesthetic
01:15:08 - 01:15:09: and the Silver Jues one.
01:15:09 - 01:15:10: They made music together too.
01:15:10 - 01:15:12: Yeah, Malcolms was on the,
01:15:12 - 01:15:14: well, he was on a few of the Silver Jues records.
01:15:14 - 01:15:16: You don't know any of it?
01:15:16 - 01:15:18: You know, when I was listening to some of the music,
01:15:18 - 01:15:20: you know, you hear the sad story,
01:15:20 - 01:15:23: and I was, and you know, it sounded familiar.
01:15:23 - 01:15:24: I see here that the last song
01:15:24 - 01:15:26: that the Silver Jues performed live
01:15:26 - 01:15:27: was Smith and Jones' Forever.
01:15:27 - 01:15:29: I played that one, and I was like,
01:15:29 - 01:15:30: oh yeah, this sounds familiar.
01:15:30 - 01:15:31: You know, it's one of those artists
01:15:31 - 01:15:33: that I just kind of always assumed,
01:15:33 - 01:15:35: oh yeah, like I'll go check that out one day.
01:15:35 - 01:15:37: The reputation is not really as a live band.
01:15:37 - 01:15:38: It's really like--
01:15:38 - 01:15:41: Well, I noticed that when I saw a commentary about it,
01:15:41 - 01:15:43: that yeah, there was a lot of special attention
01:15:43 - 01:15:46: paid to, yeah, him as a poet and a lyricist.
01:15:46 - 01:15:49: I mean, bring up the song before Smith and Jones' Forever.
01:15:49 - 01:15:53: It's called Random Rules, track one on American Water.
01:15:53 - 01:15:57: ♪ In 1984 ♪
01:15:57 - 01:16:02: ♪ I was hospitalized for approaching perfection ♪
01:16:03 - 01:16:07: ♪ Slowly screwing my way across Europe ♪
01:16:07 - 01:16:12: ♪ They had to make a correction ♪
01:16:12 - 01:16:16: ♪ Broken and smoking where the infrared ♪
01:16:16 - 01:16:21: ♪ Dear ones in the digital snake ♪
01:16:21 - 01:16:26: ♪ I tell you they make it so you can't shake hands ♪
01:16:26 - 01:16:31: ♪ When they make your hand shake ♪
01:16:31 - 01:16:35: ♪ I know you like to line dance ♪
01:16:35 - 01:16:40: ♪ Everything's so democratic and cool ♪
01:16:40 - 01:16:43: We played last Friday night, Richard Pictures played.
01:16:43 - 01:16:45: Oh, right, yeah, it was a gig.
01:16:45 - 01:16:47: Great gig, three hour gig.
01:16:47 - 01:16:48: At Old Town Pub?
01:16:48 - 01:16:49: Yeah.
01:16:49 - 01:16:52: ♪ I know that a lot of what I say ♪
01:16:52 - 01:16:56: ♪ Has been lifted off of men's room walls ♪
01:16:56 - 01:16:58: We were gonna maybe play this, but we decided against it.
01:16:58 - 01:17:00: We're gonna do some Silver Juice songs.
01:17:00 - 01:17:01: Oh, tight.
01:17:01 - 01:17:02: In the manner of the dead,
01:17:02 - 01:17:04: 'cause we have another gig in Ohio in a few weeks.
01:17:04 - 01:17:05: Oh, sick.
01:17:05 - 01:17:11: ♪ But nothing can change the fact ♪
01:17:11 - 01:17:13: It's a little surprising to me, actually,
01:17:13 - 01:17:14: that you didn't listen.
01:17:14 - 01:17:19: I think that he's sort of as close as what we had
01:17:19 - 01:17:21: to sort of a Leonard Cohen.
01:17:21 - 01:17:23: Yeah.
01:17:23 - 01:17:25: I mean, I spent a lot of time with Leonard Cohen.
01:17:25 - 01:17:28: And it's a very deadpan aesthetic,
01:17:28 - 01:17:29: the way Leonard Cohen was.
01:17:29 - 01:17:31: No, from everything I've read about him
01:17:31 - 01:17:34: and since his death and stuff,
01:17:34 - 01:17:38: he seems like a very talented, fascinating artist.
01:17:38 - 01:17:41: The truth is, this strain of indie rock
01:17:41 - 01:17:43: just was never exactly,
01:17:43 - 01:17:45: I wasn't the right age to engage with it.
01:17:45 - 01:17:46: Right.
01:17:46 - 01:17:48: I'm a music nerd, so I know all this stuff,
01:17:48 - 01:17:50: and I know Pavement, and I know Silver Juice,
01:17:50 - 01:17:52: and GBV and stuff.
01:17:52 - 01:17:54: It's just like, I don't know,
01:17:54 - 01:17:55: it just wasn't quite the right--
01:17:55 - 01:17:58: Yeah, I mean, I am, this is, I am the perfect age.
01:17:58 - 01:17:59: And the perfect dude.
01:17:59 - 01:18:01: (laughing)
01:18:01 - 01:18:03: To be a fan of this stuff.
01:18:03 - 01:18:06: My brother and I have been talking about this all week.
01:18:06 - 01:18:08: I remember listening to these records
01:18:08 - 01:18:10: 25 years ago with my brother,
01:18:10 - 01:18:12: when he was probably like 13.
01:18:12 - 01:18:13: Yeah.
01:18:13 - 01:18:15: And I was like, oh man, I hadn't heard The Natural Bridge,
01:18:15 - 01:18:18: which was a great record from '96, I think.
01:18:18 - 01:18:19: I was like, I hadn't heard The Natural Bridge
01:18:19 - 01:18:20: in probably 10 years,
01:18:20 - 01:18:23: and I couldn't believe how many of the lyrics I remembered.
01:18:23 - 01:18:24: Right, 'cause you--
01:18:24 - 01:18:27: So many lyrics, and I'm not even a huge lyrics guy.
01:18:27 - 01:18:29: But when you listen to something enough, it--
01:18:29 - 01:18:30: And it's just like, indelible.
01:18:30 - 01:18:35: ♪ There's no guidance when random rules ♪
01:18:35 - 01:18:41: ♪ I asked a painter ♪
01:18:41 - 01:18:46: ♪ Why the roads are colored black ♪
01:18:46 - 01:18:50: ♪ He said, Steve, it's because people ♪
01:18:50 - 01:18:52: ♪ Leave in no highway ♪
01:18:52 - 01:18:56: ♪ And bring them back ♪
01:18:56 - 01:18:59: ♪ So if you don't want me ♪
01:18:59 - 01:19:02: ♪ I promise not to linger ♪
01:19:02 - 01:19:04: Oh, this lyric.
01:19:04 - 01:19:08: ♪ But before I go, I've gotta ask you, dear ♪
01:19:08 - 01:19:13: ♪ About that tan line on your ring finger ♪
01:19:13 - 01:19:16: That's one of the more quoted ones in all of it.
01:19:16 - 01:19:17: Yeah. A little bit, too.
01:19:17 - 01:19:20: There's a song, if you bring up The Natural Bridge,
01:19:20 - 01:19:21: what's the fourth song?
01:19:21 - 01:19:23: It's like the--
01:19:23 - 01:19:24: Ballad of Reverend War Character?
01:19:24 - 01:19:25: Yeah, wait, bring that up.
01:19:25 - 01:19:30: It's musically very low-key and minor.
01:19:30 - 01:19:38: But every line is like its own discreet short story.
01:19:38 - 01:19:43: ♪ And Embry's last photograph ♪
01:19:43 - 01:19:48: ♪ He disappears over a hill ♪
01:19:48 - 01:19:54: ♪ Darryl Dodson waits in the grass ♪
01:19:54 - 01:19:59: ♪ For a fight ♪
01:19:59 - 01:20:05: ♪ The stars don't shine upon us ♪
01:20:05 - 01:20:10: ♪ We're in the way of their light ♪
01:20:10 - 01:20:16: ♪ No, the stars don't shine upon us ♪
01:20:16 - 01:20:21: ♪ We're in the way of their light ♪
01:20:23 - 01:20:28: ♪ A new girl in Tahoe ♪
01:20:28 - 01:20:33: ♪ Has swallowed Sinatra's muck ♪
01:20:33 - 01:20:39: ♪ Russian prima donna ♪
01:20:39 - 01:20:43: ♪ Dances slow on Valium ♪
01:20:43 - 01:20:45: After the game.
01:20:45 - 01:20:48: ♪ After the game ♪
01:20:48 - 01:20:52: ♪ The bench warmer can't get a ride ♪
01:20:52 - 01:20:54: What era were you listening to this in a lot?
01:20:54 - 01:20:56: Like, delivering pizzas in Portland?
01:20:56 - 01:20:59: You playing a cassette of this?
01:20:59 - 01:21:00: No, before that.
01:21:00 - 01:21:02: College?
01:21:02 - 01:21:04: Yeah, like, when it came out, like '96.
01:21:04 - 01:21:06: Yeah, well, you were in college in '96.
01:21:06 - 01:21:07: Yeah, like freshman.
01:21:07 - 01:21:11: But I remember my brother and I would listen to this,
01:21:11 - 01:21:16: and like, it's so anti-social in terms of like the delivery
01:21:16 - 01:21:20: and like the vibe, and like the tones are all just like
01:21:20 - 01:21:23: kind of mid-low tones, like real muddy,
01:21:23 - 01:21:26: deliberately low energy and muddy.
01:21:26 - 01:21:28: And we were just like, what is this?
01:21:28 - 01:21:30: But it like stuck with us.
01:21:30 - 01:21:32: No, I could see it, yeah.
01:21:32 - 01:21:36: ♪ Wilkie, dead cat, rottin' ♪
01:21:36 - 01:21:41: ♪ Deep inside the hedge ♪
01:21:41 - 01:21:43: ♪ A halyard roach ♪
01:21:43 - 01:21:48: ♪ Dies on a greyhound coach in July ♪
01:21:49 - 01:21:54: ♪ In a horror movie ♪
01:21:54 - 01:22:00: ♪ When the car won't start you give it one last try ♪
01:22:00 - 01:22:06: ♪ In a horror movie ♪
01:22:06 - 01:22:11: ♪ When the car won't start you give it one last try ♪
01:22:15 - 01:22:20: ♪ When a beer orders one more beer ♪
01:22:20 - 01:22:25: ♪ In the smoky pickup bar ♪
01:22:25 - 01:22:31: ♪ Burnout tramp by the exit ramp ♪
01:22:31 - 01:22:34: ♪ Waits for one more car ♪
01:22:34 - 01:22:37: ♪ One more car ♪
01:22:37 - 01:22:42: ♪ The Latin teacher always smelled like piss ♪
01:22:43 - 01:22:48: ♪ The census figures come out wrong ♪
01:22:48 - 01:22:54: ♪ There's an extra in our midst ♪
01:22:54 - 01:23:00: ♪ The census figures come out wrong ♪
01:23:00 - 01:23:05: ♪ There's an extra in our midst ♪
01:23:05 - 01:23:08: - Well, rest in peace, David Berman.
01:23:08 - 01:23:10: Maybe you guys should throw together a playlist
01:23:10 - 01:23:11: - Can do.
01:23:11 - 01:23:12: - I'd like to listen to that.
01:23:12 - 01:23:17: So guys, we got a new song from Patrick Rowe.
01:23:17 - 01:23:19: How did you guys already hear this song?
01:23:19 - 01:23:21: - He DMed me or us.
01:23:21 - 01:23:22: - I think all of us.
01:23:22 - 01:23:24: - Maybe he's not throwing you on that thread.
01:23:24 - 01:23:26: He's just like, I want to keep my respectful distance
01:23:26 - 01:23:31: from the masthead of the brand, the flagship over here.
01:23:31 - 01:23:33: - Yeah, I don't think I got it.
01:23:33 - 01:23:35: It's called The Crisis Crew is Back.
01:23:35 - 01:23:37: - You're gonna like it.
01:23:37 - 01:23:38: - Oh, I like it.
01:23:38 - 01:23:40: - Oh, okay.
01:23:40 - 01:23:42: - Rocks play down, dog.
01:23:42 - 01:23:46: ♪ Guess who just got back today ♪
01:23:46 - 01:23:49: ♪ The team convened at the studio out in LA ♪
01:23:49 - 01:23:51: ♪ Seinfeld, Nick, Jake, Colin, and Ezra K ♪
01:23:51 - 01:23:54: ♪ Fresh episodes, man, we gonna get 'em ♪
01:23:54 - 01:23:55: ♪ Making this ♪
01:23:55 - 01:23:58: ♪ Sunday we'll all be listening to what they say ♪
01:23:58 - 01:24:01: ♪ While enjoying some products made by Frito-Lay ♪
01:24:01 - 01:24:03: ♪ Russian sour patch kids cereal all the way ♪
01:24:03 - 01:24:06: ♪ 'Cause if the boys want a snack, you better let 'em ♪
01:24:06 - 01:24:07: - Nice.
01:24:07 - 01:24:11: ♪ The Crisis Crew is back, the Crisis Crew is back ♪
01:24:11 - 01:24:12: - Pretty tough tone.
01:24:12 - 01:24:13: (laughing)
01:24:13 - 01:24:15: ♪ The Crisis Crew is back ♪
01:24:15 - 01:24:17: ♪ The Crisis Crew is back ♪
01:24:17 - 01:24:18: - Brutal.
01:24:18 - 01:24:19: (laughing)
01:24:19 - 01:24:20: - Excellent.
01:24:20 - 01:24:21: - Pretty tough tone.
01:24:21 - 01:24:23: - Rocks play down, dog.
01:24:23 - 01:24:25: Does Patrick make all the tracks himself?
01:24:25 - 01:24:26: - Yeah, he does it all.
01:24:26 - 01:24:29: - So he didn't just like find an instrumental karaoke
01:24:29 - 01:24:30: version of this one?
01:24:30 - 01:24:32: - Oh, oh, I thought you meant like,
01:24:32 - 01:24:34: is he writing, recording, producing?
01:24:34 - 01:24:35: - Is he tracking the drums live?
01:24:35 - 01:24:36: - I don't know.
01:24:36 - 01:24:37: (laughing)
01:24:37 - 01:24:39: - I mean, clearly he's musical.
01:24:39 - 01:24:41: I bet he plays guitar and you know.
01:24:41 - 01:24:43: - Why don't we have him call in?
01:24:43 - 01:24:43: - Yeah, yeah.
01:24:43 - 01:24:44: - It's a good call.
01:24:44 - 01:24:45: - Yeah, he's never called in.
01:24:45 - 01:24:46: - No, it's about time.
01:24:46 - 01:24:47: - It's time.
01:24:47 - 01:24:48: - All right.
01:24:48 - 01:24:50: Well, thanks for another great song, Patrick.
01:24:50 - 01:24:52: It's about time to get into the top five.
01:24:52 - 01:24:55: - It's time for the top five.
01:24:55 - 01:24:57: Five on iTunes.
01:24:57 - 01:25:02: - This week, we're comparing the top five hits of today
01:25:02 - 01:25:05: on the iTunes store, the shortest time to play
01:25:05 - 01:25:08: or the short-lived iTunes store
01:25:08 - 01:25:10: with the top five songs of 1999.
01:25:10 - 01:25:12: Why 1999?
01:25:12 - 01:25:13: - A few reasons.
01:25:13 - 01:25:13: - Yeah.
01:25:13 - 01:25:15: - This is episode 99.
01:25:15 - 01:25:16: - You're kidding.
01:25:16 - 01:25:16: - That we're recording right now.
01:25:16 - 01:25:19: - That was one of the questions from the TC Wiki
01:25:19 - 01:25:22: was you have anything special planned for episode 100?
01:25:22 - 01:25:23: - Well, we're coming up on it.
01:25:23 - 01:25:24: - Yeah, we gotta figure something out.
01:25:24 - 01:25:28: - And I graduated college in 99.
01:25:28 - 01:25:29: - Wow.
01:25:29 - 01:25:30: - And it's 20 years ago.
01:25:30 - 01:25:32: - 99 was kind of a big year for me.
01:25:32 - 01:25:33: - Oh, or maybe 98.
01:25:33 - 01:25:34: - You were still in high school?
01:25:34 - 01:25:37: - My freshman year was 98 to 99.
01:25:37 - 01:25:39: Yeah, 99 was like,
01:25:39 - 01:25:42: I do think those are like interesting stages.
01:25:42 - 01:25:43: When you first get to middle school,
01:25:43 - 01:25:44: when you first get to high school,
01:25:44 - 01:25:45: when you first get to college,
01:25:45 - 01:25:47: those kind of feel like moving up
01:25:47 - 01:25:50: into degrees of consciousness.
01:25:50 - 01:25:52: And then after college, it's all just kind of like a,
01:25:52 - 01:25:55: melts into one endless nightmare.
01:25:55 - 01:25:59: But I have actually very vivid memories of the summer of 98.
01:25:59 - 01:26:01: Spent a lot of time at my friend's house
01:26:01 - 01:26:03: and I think TRL was new.
01:26:03 - 01:26:05: So we were watching Total Request Live
01:26:05 - 01:26:08: and I felt like from ages 10 to 13,
01:26:08 - 01:26:09: I was kind of just like taking it all in,
01:26:09 - 01:26:11: figuring shit out and then I was like,
01:26:11 - 01:26:15: okay, 98, summer 98, next year I'm entering high school.
01:26:15 - 01:26:16: What's going on?
01:26:16 - 01:26:17: Britney Spears.
01:26:17 - 01:26:18: - Eminem.
01:26:18 - 01:26:19: - Eminem, fastball.
01:26:19 - 01:26:21: It really did kind of felt like me entering high school
01:26:21 - 01:26:24: also was just like this new era of pop culture too.
01:26:24 - 01:26:26: But maybe that's how you always feel.
01:26:26 - 01:26:28: It's like you turn 14 and you're just kind of like,
01:26:28 - 01:26:30: okay, like what's up with the world?
01:26:30 - 01:26:31: - Yeah, 'cause when you say that,
01:26:31 - 01:26:35: those are not big cultural moments, fastball and--
01:26:35 - 01:26:37: - No, okay, yeah, I was kidding about fastball.
01:26:37 - 01:26:38: - No, I know, but even Britney Spears.
01:26:38 - 01:26:40: - No, no, Britney Spears and Eminem looking back,
01:26:40 - 01:26:41: that was--
01:26:41 - 01:26:42: - Okay, sure.
01:26:42 - 01:26:43: - That changed the world.
01:26:43 - 01:26:44: Rap rock.
01:26:44 - 01:26:45: - Well, I wouldn't say that.
01:26:45 - 01:26:46: - And then rap rock.
01:26:46 - 01:26:47: So I remember like 98 to 2000,
01:26:47 - 01:26:49: I was very familiar with that time period
01:26:49 - 01:26:51: and I was like, this is weird.
01:26:51 - 01:26:53: - Were you into that stuff?
01:26:53 - 01:26:56: - No, because I was already like a little hipster.
01:26:56 - 01:26:57: - Right.
01:26:57 - 01:26:58: - So for instance-- - Thank God, dude.
01:26:58 - 01:27:00: - Well, I definitely wasn't on some like,
01:27:00 - 01:27:01: Britney Spears sucks.
01:27:01 - 01:27:03: - No, no, I'm talking, I'm not talking about Britney,
01:27:03 - 01:27:06: I'm talking about Limp Bizkit and Slipknot.
01:27:06 - 01:27:09: - I made the best of it.
01:27:09 - 01:27:12: Well, basically, I've always been kind of a straight shooter.
01:27:12 - 01:27:17: The period where I was the biggest hater was like sixth grade
01:27:17 - 01:27:21: because, you know, I was 12, I was still a child.
01:27:21 - 01:27:23: In the Jewish faith, you'd become a man at 13
01:27:23 - 01:27:24: when you're bar mitzvahed.
01:27:24 - 01:27:27: But when I was 12, I still was a child,
01:27:27 - 01:27:29: I hadn't put away childish things.
01:27:29 - 01:27:31: I still had this kind of like chip on my shoulder
01:27:31 - 01:27:33: about like, I'm into cool music
01:27:33 - 01:27:36: and I don't know what music you guys like, but it sucks.
01:27:36 - 01:27:39: So for instance, there's a punk band from New Jersey
01:27:39 - 01:27:41: called The Bouncing Souls.
01:27:41 - 01:27:42: Are you familiar with them, Jake?
01:27:42 - 01:27:43: - No.
01:27:43 - 01:27:44: - That's fair, that's a Jake not knowing something,
01:27:44 - 01:27:45: that's fair.
01:27:45 - 01:27:47: But Bouncing Souls are, I think they're still a band,
01:27:47 - 01:27:48: a great band.
01:27:48 - 01:27:50: They had like one or two albums
01:27:50 - 01:27:51: that I just like thought were great.
01:27:51 - 01:27:53: One of them is called Maniacal Laughter.
01:27:53 - 01:27:55: And so I just loved Bouncing Souls.
01:27:55 - 01:27:57: I love that they're from New Jersey.
01:27:57 - 01:27:58: I feel like they wore sambas a lot.
01:27:58 - 01:28:00: I don't know if they like played soccer,
01:28:00 - 01:28:02: but like wearing sambas, Adidas sambas
01:28:02 - 01:28:03: as part of their aesthetic.
01:28:03 - 01:28:05: And I was just like, the songs are great.
01:28:05 - 01:28:07: I love this band.
01:28:07 - 01:28:10: And I bought a t-shirt from some mail order catalog.
01:28:10 - 01:28:12: It was a Bouncing Souls t-shirt that on the back
01:28:12 - 01:28:16: said MTV in like the anti circle.
01:28:16 - 01:28:17: - Right, right, right.
01:28:17 - 01:28:18: - Like MTV crossed out.
01:28:18 - 01:28:19: - Like the Ghostbusters logo.
01:28:19 - 01:28:20: - Yeah, anti MTV.
01:28:20 - 01:28:22: So some part of me, you know, I was like 12.
01:28:22 - 01:28:24: So I was just kind of like, well, I like Bouncing Souls
01:28:24 - 01:28:25: and they're clearly anti MTV.
01:28:25 - 01:28:26: And I guess it makes sense
01:28:26 - 01:28:29: because they're an independent samba wearing
01:28:29 - 01:28:31: New Jersey punk band.
01:28:31 - 01:28:32: These are my people.
01:28:32 - 01:28:34: They speak for me and they don't like MTV.
01:28:34 - 01:28:37: And also as discussed on the program, I didn't have MTV.
01:28:37 - 01:28:39: So I didn't feel like super loyal to it.
01:28:39 - 01:28:40: - I thought you were gonna go the other way.
01:28:40 - 01:28:42: I thought you were gonna say, now hold on here.
01:28:42 - 01:28:46: A band is part music and part image.
01:28:46 - 01:28:47: - Right.
01:28:47 - 01:28:50: - And a band embracing having their image on TV
01:28:50 - 01:28:53: is not antithetical to the authenticity of their music.
01:28:53 - 01:28:54: - No, I wasn't there yet man.
01:28:54 - 01:28:55: - I'm out with the Bouncing Souls now.
01:28:55 - 01:28:56: - No, no, no.
01:28:56 - 01:28:57: - That's not how it went.
01:28:57 - 01:28:58: - I would never be out with the Bouncing Souls.
01:28:58 - 01:29:00: But like I said, I was 12.
01:29:00 - 01:29:02: So I just kind of like went along with it.
01:29:02 - 01:29:04: And I think it made me feel good to be like,
01:29:04 - 01:29:07: oh, kids in my school, they learn about music from MTV,
01:29:07 - 01:29:09: but they don't even know about Bouncing Souls.
01:29:09 - 01:29:12: And here I am wearing a t-shirt that shows my solidarity
01:29:12 - 01:29:16: with the Bouncing Souls and shows that I don't like MTV.
01:29:16 - 01:29:17: - You're legit.
01:29:17 - 01:29:19: - And you know, again, in my small town,
01:29:19 - 01:29:21: it didn't really like mean much.
01:29:21 - 01:29:23: So I do remember somebody I was friendly with
01:29:23 - 01:29:25: just being like, hey, what's up with that shirt?
01:29:25 - 01:29:27: What's wrong with MTV?
01:29:27 - 01:29:28: And I just remember kind of like thinking about it.
01:29:28 - 01:29:31: And I was like, and I felt like myself about to say
01:29:31 - 01:29:33: whatever like super-
01:29:33 - 01:29:34: - Talking point.
01:29:34 - 01:29:36: - Talking point to like, well, MTV,
01:29:36 - 01:29:38: they only play garbage and blah, blah, blah.
01:29:38 - 01:29:40: And I just remember, I kind of just like,
01:29:40 - 01:29:42: it was like almost the moment that I like shifted
01:29:42 - 01:29:44: into the person I am today.
01:29:44 - 01:29:46: And I was just kind of like, I don't know.
01:29:46 - 01:29:47: These guys don't like MTV.
01:29:47 - 01:29:48: You're right, there's some good stuff on MTV.
01:29:48 - 01:29:49: I didn't really have it in me.
01:29:49 - 01:29:51: - That's when Vampire Weekend started.
01:29:51 - 01:29:52: - And that's when Vampire Weekend started.
01:29:52 - 01:29:53: - Wow.
01:29:53 - 01:29:54: - Which is equal parts Bouncing Souls
01:29:54 - 01:29:56: and equal parts mid nineties MTV.
01:29:56 - 01:29:58: And I think the truth is, of course,
01:29:58 - 01:30:00: there's a lot of things wrong with MTV.
01:30:00 - 01:30:02: At the time you could be like,
01:30:02 - 01:30:04: they're ignoring things that deserve it and blah, blah, blah.
01:30:04 - 01:30:07: But when I really look back as an adult
01:30:07 - 01:30:09: and I'm thinking about the fact that they like,
01:30:09 - 01:30:10: well, this isn't about music,
01:30:10 - 01:30:12: but the fact that they put on like Beavis and Butthead
01:30:12 - 01:30:14: and Daria and like, you know,
01:30:14 - 01:30:17: showed the world Nirvana videos
01:30:17 - 01:30:20: and helped popularize rap to like kids
01:30:20 - 01:30:22: who probably only listen to rock and like,
01:30:22 - 01:30:24: and you know, they played a lot of good videos.
01:30:24 - 01:30:26: I'm kind of like, I can't be that mad at it.
01:30:26 - 01:30:28: Like there's way worse things, but you know.
01:30:28 - 01:30:31: - Yeah, looking back at nineties MTV is like a utopian,
01:30:31 - 01:30:35: like college station practically.
01:30:35 - 01:30:37: - Right, and it got a lot worse, but you know.
01:30:37 - 01:30:38: - No, no, no, that's terrible.
01:30:38 - 01:30:40: - And I still respect the Bouncing Souls
01:30:40 - 01:30:42: for feeling that way.
01:30:42 - 01:30:44: I just felt myself like about to say something
01:30:44 - 01:30:46: that I didn't really like know if I felt.
01:30:46 - 01:30:47: - Right.
01:30:47 - 01:30:49: - And I was like, yeah, I'm a poser because even though
01:30:49 - 01:30:51: I'm not, I wasn't a big enough poser to wear a shirt
01:30:51 - 01:30:53: from a band that I didn't listen to.
01:30:53 - 01:30:54: - Right.
01:30:54 - 01:30:55: - So I have so much self-respect for that,
01:30:55 - 01:30:58: but I was a poser in that I was about to just like,
01:30:58 - 01:30:59: and you know what, I'd like to think
01:30:59 - 01:31:01: that the Bouncing Souls would have been proud of me
01:31:01 - 01:31:03: for checking myself and not just regurgitating
01:31:03 - 01:31:05: their talking points 'cause they're open-minded
01:31:05 - 01:31:06: punk rock band.
01:31:06 - 01:31:10: So anyway, that's all to say that age 12, sixth grade,
01:31:10 - 01:31:13: that was my peak kind of contrarianism.
01:31:13 - 01:31:15: And then in seventh grade, I became kind of just like
01:31:15 - 01:31:20: full music nerd 'cause I remember I got some gift
01:31:20 - 01:31:21: certificates for my bar mitzvah.
01:31:21 - 01:31:22: It's easy to remember.
01:31:22 - 01:31:24: I guess it's easy to remember when you're Jewish,
01:31:24 - 01:31:26: like your 13th birthday is such a big deal
01:31:26 - 01:31:28: 'cause you do have to learn all this stuff.
01:31:28 - 01:31:31: So I remember like I went to Tower Records in the city
01:31:31 - 01:31:32: with like a family friend and I got to buy all this,
01:31:32 - 01:31:35: and that's when I was like obsessed with like ska
01:31:35 - 01:31:38: and reggae, new stuff in from the 60s,
01:31:38 - 01:31:40: and like I started getting into garage rock
01:31:40 - 01:31:42: and I got this compilation called "Back From The Crypt
01:31:42 - 01:31:45: Volume 2," very influential in my life.
01:31:45 - 01:31:47: So anyway, that's when I just became like a music nerd
01:31:47 - 01:31:50: and then next summer, you know, now I'm 14
01:31:50 - 01:31:52: and seeing Britney Spears, and by that point,
01:31:52 - 01:31:53: I was just like listening to too much music
01:31:53 - 01:31:55: to have like strong feelings about anything.
01:31:55 - 01:31:58: So I was kind of like Britney Spears, okay.
01:31:58 - 01:31:59: Definitely didn't make me angry.
01:31:59 - 01:32:01: I was kind of like, this is weird.
01:32:01 - 01:32:02: - Kind of catchy.
01:32:02 - 01:32:03: - Kind of catchy.
01:32:03 - 01:32:05: And then when all the new metal stuff hit,
01:32:05 - 01:32:10: I was kind of like, huh, Limp Bizkit, like this is weird,
01:32:10 - 01:32:12: but I kind of like the song that DJ,
01:32:12 - 01:32:14: I like the hip hop side of it.
01:32:14 - 01:32:16: Like there's a song DJ Premier produced,
01:32:16 - 01:32:18: and I always liked "System of a Down."
01:32:18 - 01:32:20: So that's what I mean, like I made the best of it.
01:32:20 - 01:32:22: I was like, you know, when that stuff was playing everywhere
01:32:22 - 01:32:26: I'd be like, okay, I'm not fully down with Limp Bizkit
01:32:26 - 01:32:27: and I don't think they're a great band,
01:32:27 - 01:32:29: but this is my favorite of their songs.
01:32:29 - 01:32:32: And I do think the best band of this genre
01:32:32 - 01:32:34: is "System of a Down."
01:32:34 - 01:32:35: I just didn't have like this kind of like,
01:32:35 - 01:32:37: oh, this (beep) sucks.
01:32:37 - 01:32:40: - You know, I was older, I was like, this (beep) sucks.
01:32:40 - 01:32:41: And I was right.
01:32:41 - 01:32:42: - Except for "System."
01:32:42 - 01:32:43: - Yeah, "System," I was like, okay, well,
01:32:43 - 01:32:46: this is like mathy and like kind of proggy.
01:32:46 - 01:32:48: - And also I always loved "Rage Against the Machine" too.
01:32:48 - 01:32:49: - Oh, hell yeah.
01:32:49 - 01:32:50: - But so when that music hit.
01:32:50 - 01:32:52: - But "Rage" is like 93 or four.
01:32:52 - 01:32:53: - No, no, of course, they were the godfathers.
01:32:53 - 01:32:56: But when that music hit, I saw how these were people
01:32:56 - 01:33:00: who liked "Rage" and I couldn't fully hate on it.
01:33:00 - 01:33:02: - That first "Rage" record, dude.
01:33:02 - 01:33:03: - And the second one.
01:33:03 - 01:33:06: Actually, "Rage" never made a bad album.
01:33:06 - 01:33:07: - "Audioslave."
01:33:07 - 01:33:08: - I'm in, dude.
01:33:08 - 01:33:09: - I'm not even mad at "Audioslave."
01:33:09 - 01:33:11: - I'm in on "Audioslave."
01:33:11 - 01:33:13: ♪ Like a stone ♪
01:33:13 - 01:33:14: - That's a good song.
01:33:14 - 01:33:15: - Yeah, great song.
01:33:15 - 01:33:16: - "Like a Stone" is a good song.
01:33:16 - 01:33:18: All right, let's get in this top five.
01:33:18 - 01:33:23: - It's time for the top five on iTunes.
01:33:23 - 01:33:27: - So this week in '99, number five song,
01:33:27 - 01:33:29: "Smash Mouth All Star."
01:33:29 - 01:33:34: ♪ Somebody once told me the world is gonna roll me ♪
01:33:34 - 01:33:38: ♪ I ain't the sharpest tool in the shed ♪
01:33:38 - 01:33:42: ♪ She was looking kind of dumb with her finger in her ♪
01:33:42 - 01:33:43: - Kind of good production.
01:33:43 - 01:33:47: ♪ Shape of an L on her forehead ♪
01:33:47 - 01:33:50: ♪ Well, the years start coming and they don't stop coming ♪
01:33:50 - 01:33:51: - Oh, double track vocal comes in there.
01:33:51 - 01:33:52: ♪ And I hit the ground running ♪
01:33:52 - 01:33:55: ♪ Didn't make sense not to live for fun ♪
01:33:55 - 01:33:55: ♪ Your brain gets hard ♪
01:33:55 - 01:33:59: - This song is so popular with kids now.
01:33:59 - 01:34:00: - Still.
01:34:00 - 01:34:01: - Oh yeah.
01:34:01 - 01:34:02: - Why?
01:34:02 - 01:34:03: - It's still used in movies.
01:34:03 - 01:34:05: - Was it on like "Shrek" or something?
01:34:05 - 01:34:06: - Yeah.
01:34:06 - 01:34:08: ♪ Hey now, you're an all star ♪
01:34:08 - 01:34:11: ♪ Get your game on, go play ♪
01:34:11 - 01:34:13: ♪ Hey now, you're a rock star ♪
01:34:13 - 01:34:15: - Wait, am I misremembering this?
01:34:15 - 01:34:17: Did they play the Trump inauguration?
01:34:17 - 01:34:18: - No, they're very anti-Trump.
01:34:18 - 01:34:19: - Right, right, right.
01:34:19 - 01:34:21: But that was like an internet joke or something
01:34:21 - 01:34:22: that people believed.
01:34:22 - 01:34:23: See, I don't even remember it.
01:34:23 - 01:34:25: It's like all...
01:34:25 - 01:34:29: - No, they recently just like went hard on Trump on Twitter.
01:34:29 - 01:34:31: - Oh no, no, someone was covering this song, I think.
01:34:31 - 01:34:32: - Oh.
01:34:32 - 01:34:33: - Was that what it was?
01:34:33 - 01:34:36: Oh, it was "Three Doors Down" covered "Smash Mouth."
01:34:36 - 01:34:38: That is so deep.
01:34:38 - 01:34:39: - Oh, I bet.
01:34:39 - 01:34:41: - "Three Doors" covered "Smash Mouth."
01:34:41 - 01:34:42: - "Smash Mouth," there's no way "Smash Mouth"
01:34:42 - 01:34:43: (beep)
01:34:43 - 01:34:44: "Three Doors."
01:34:44 - 01:34:46: - "Three Doors," that band's brutal.
01:34:46 - 01:34:48: (sniffing)
01:34:48 - 01:34:49: - I prefer "Smash Mouth."
01:34:49 - 01:34:51: - Very diplomatic of you.
01:34:51 - 01:34:53: - No, "Smash Mouth" is cool.
01:34:53 - 01:34:54: - Where are they from?
01:34:54 - 01:34:55: What's their band?
01:34:55 - 01:34:56: - Definitely SoCal, right?
01:34:56 - 01:34:57: San Jose.
01:34:57 - 01:34:58: - Oh, it's North Dakota.
01:34:58 - 01:34:59: - Oh wow, weird.
01:34:59 - 01:35:02: How do you get a band going out of San Jose?
01:35:02 - 01:35:04: Like there's no like...
01:35:04 - 01:35:06: Are you playing in San Francisco and Oakland a lot?
01:35:06 - 01:35:08: - That's a major metropolitan area, man.
01:35:08 - 01:35:13: - Yeah, but it's like, it has very little cultural impact.
01:35:13 - 01:35:14: - Whoa, I feel like we just got
01:35:14 - 01:35:16: another Connecticut situation on our hands.
01:35:16 - 01:35:20: Jake just going in on a beloved place.
01:35:20 - 01:35:22: - I'm not going in on it, and I don't think it's beloved.
01:35:22 - 01:35:23: I think it's--
01:35:23 - 01:35:24: - Tell that to the Sharks fan.
01:35:24 - 01:35:27: - I think it's adjacent to Silicon Valley
01:35:27 - 01:35:31: and like 45 miles from San Francisco.
01:35:31 - 01:35:33: - It's really not close to San Fran.
01:35:33 - 01:35:35: - It's probably 45 miles.
01:35:35 - 01:35:38: - Yeah, with traffic, it's like an hour and a half.
01:35:38 - 01:35:39: - Yeah, okay.
01:35:39 - 01:35:42: Talk a little Bay Area.
01:35:42 - 01:35:45: You got that 101 corridor through Redwood City.
01:35:45 - 01:35:46: - Yeah, you spend much time in San Jose
01:35:46 - 01:35:47: when you used to live up there?
01:35:47 - 01:35:48: - No, I mean--
01:35:48 - 01:35:50: - You mean you've never been to the Winchester Mystery House?
01:35:50 - 01:35:52: - No, I never have.
01:35:52 - 01:35:53: - Well, I have.
01:35:53 - 01:35:53: - Have you?
01:35:53 - 01:35:54: - And it's very spooky.
01:35:54 - 01:35:56: - I'm not ripping in San Jose.
01:35:56 - 01:35:59: I'm saying for a city of that size
01:35:59 - 01:36:00: in that part of the world--
01:36:00 - 01:36:01: - This guy's ripping on San Jose.
01:36:01 - 01:36:04: - Northern California, it's a bit of a ghost, man.
01:36:04 - 01:36:06: I'm just wondering how Smash Mouth
01:36:06 - 01:36:08: got their career going out of San Jose.
01:36:08 - 01:36:10: I'm just intrigued by those mechanics.
01:36:10 - 01:36:14: - I think it's the same as in any major metropolitan area.
01:36:14 - 01:36:17: They're not from a one stoplight town in West Texas.
01:36:17 - 01:36:21: San Jose, you're talking about a thriving metropolitan area.
01:36:21 - 01:36:23: I'm sure there are many clubs, organizations,
01:36:23 - 01:36:25: places for them to play.
01:36:25 - 01:36:26: - Organizations.
01:36:26 - 01:36:30: - And yeah, I bet they probably ripped up to the Bay.
01:36:30 - 01:36:31: Well, I guess they are the Bay.
01:36:31 - 01:36:32: - North Bay.
01:36:32 - 01:36:34: - They ripped up to San Fran.
01:36:34 - 01:36:36: Do you think Smash Mouth ever played at,
01:36:36 - 01:36:37: what's the punk club in--
01:36:37 - 01:36:38: - Oh, Gilman?
01:36:38 - 01:36:39: - Gilman.
01:36:39 - 01:36:40: - Are you from Berkeley?
01:36:40 - 01:36:42: That's actually a good question.
01:36:42 - 01:36:43: - Early Smash Mouth gigs.
01:36:43 - 01:36:45: - I bet they did.
01:36:45 - 01:36:46: - You also gotta assume bands like Smash Mouth,
01:36:46 - 01:36:48: when they came out, 'cause their first set was,
01:36:48 - 01:36:50: you might as well be walking on the sun.
01:36:50 - 01:36:55: They were like a little more Hawaiian shirts, rockabilly.
01:36:55 - 01:36:57: - Yeah, they seem very SoCal.
01:36:57 - 01:36:59: Very Orange County.
01:36:59 - 01:37:02: - But guys like that always have roots in punk rock.
01:37:02 - 01:37:04: You don't turn into a Hawaiian shirt guy
01:37:04 - 01:37:06: unless you start with punk rock.
01:37:06 - 01:37:07: - It's so true, dude.
01:37:07 - 01:37:10: I went through that transition from sixth to seventh grade.
01:37:10 - 01:37:12: Exotica, you know, you're familiar
01:37:12 - 01:37:14: with what people call Exotica?
01:37:14 - 01:37:15: - No.
01:37:15 - 01:37:17: - Around the time that there was this kind of surf,
01:37:17 - 01:37:19: and I always loved surf music.
01:37:19 - 01:37:22: I always buy obscure '60s surf records.
01:37:22 - 01:37:23: Around the time there was kind of a surf
01:37:23 - 01:37:26: and garage revival in the '90s,
01:37:26 - 01:37:29: there was also a renewed interest in music
01:37:29 - 01:37:33: made by people like Esquivel and Martin Denny.
01:37:33 - 01:37:36: It was related to big band music and sometimes Latin music.
01:37:36 - 01:37:38: - Yeah, it was kind of like Hawaiian shirt,
01:37:38 - 01:37:41: hi-fi music, like a record to put on
01:37:41 - 01:37:42: while you made like Mai Tais
01:37:42 - 01:37:44: in your suburban basement bar.
01:37:44 - 01:37:45: You can picture what that stuff sounds like.
01:37:45 - 01:37:46: - Life's good, man.
01:37:46 - 01:37:47: - Like Oregon music.
01:37:47 - 01:37:48: - Oh yeah.
01:37:48 - 01:37:51: - Kind of slightly creepy, vibey,
01:37:51 - 01:37:53: Hawaiian shirt Mai Tai music.
01:37:53 - 01:37:55: And so anyway, in a lot of these magazines
01:37:55 - 01:37:57: and catalogs that would cover it,
01:37:57 - 01:37:58: it would always be,
01:37:58 - 01:38:00: featuring the best surf, garage, and Exotica.
01:38:00 - 01:38:02: I'm sure the Smash Mouth guys know what I'm talking about.
01:38:02 - 01:38:04: So did Smash Mouth--
01:38:04 - 01:38:05: - Ever play Gilman Street?
01:38:05 - 01:38:07: - Ever play Gilman?
01:38:07 - 01:38:09: And what's it called, 624 Gilman?
01:38:09 - 01:38:11: - I thought it was just called Gilman Street.
01:38:11 - 01:38:12: - 924 Gilman?
01:38:12 - 01:38:13: They ever cross paths?
01:38:13 - 01:38:14: Well, I guess at that point,
01:38:14 - 01:38:16: Green Day was already really big.
01:38:16 - 01:38:18: Play a show with Rancid or something?
01:38:18 - 01:38:21: - If they did, the internet doesn't remember it.
01:38:21 - 01:38:23: - Maybe it was such a thriving scene in San Jose.
01:38:23 - 01:38:26: And by the way, Seinfeld, this is a true number crunch.
01:38:26 - 01:38:27: - Oh yeah.
01:38:27 - 01:38:29: - So Jake's talking about San Jose,
01:38:29 - 01:38:31: like it's some podunk town.
01:38:31 - 01:38:33: Where does San Jose fall
01:38:33 - 01:38:34: in terms of the size of American cities?
01:38:34 - 01:38:35: Is it top 10?
01:38:35 - 01:38:36: - I bet it's right.
01:38:36 - 01:38:37: - Oh, I don't think so.
01:38:37 - 01:38:39: - I bet it's right at number 10.
01:38:39 - 01:38:41: 10 or 11 or nine or--
01:38:41 - 01:38:43: - You think you know American cities that well, Seinfeld?
01:38:43 - 01:38:45: - Yeah, I mean, I would vouch that it's not in the top 10.
01:38:45 - 01:38:48: - I bet it's the second biggest city in California.
01:38:48 - 01:38:50: - Oh my God, it's number 10.
01:38:50 - 01:38:51: - It's number 10?
01:38:51 - 01:38:52: - Called it, dude.
01:38:52 - 01:38:54: - It's the 10th biggest city in America?
01:38:54 - 01:38:55: Well, 'cause it's definitely bigger
01:38:55 - 01:38:55: than San Francisco's the smallest city.
01:38:55 - 01:38:58: - Wow. - Yeah, San Francisco's 700,000.
01:38:58 - 01:39:01: - It's just over a million people.
01:39:01 - 01:39:03: Second to Dallas, Texas.
01:39:03 - 01:39:07: - Oh, Dallas, you shine with an evil light.
01:39:07 - 01:39:08: - You mean Dallas is number nine?
01:39:08 - 01:39:09: - Dallas is number nine.
01:39:09 - 01:39:13: - Well, anyway, I want to get some of the Smash Mouth guys on.
01:39:13 - 01:39:15: You know who knows them from back in the days?
01:39:15 - 01:39:18: Ariel, 'cause Ariel's '90s band,
01:39:18 - 01:39:20: the Hippos, like toured with them or something.
01:39:20 - 01:39:21: - Oh, wow.
01:39:21 - 01:39:23: - Anyway, I always like Smash Mouth.
01:39:23 - 01:39:24: - Where are we?
01:39:24 - 01:39:25: - It's number five.
01:39:25 - 01:39:26: - Okay. - We gotta pick up the pace.
01:39:26 - 01:39:27: - Yep.
01:39:27 - 01:39:29: - Number five of 99, number five today.
01:39:29 - 01:39:31: Hot Girl Summer featuring Nicki Minaj and Ty Dolla $ign.
01:39:31 - 01:39:33: This is Megan Thee Stallion.
01:39:33 - 01:39:36: (hip hop music)
01:39:36 - 01:39:41: - This song is called Hot Girl Summer?
01:39:41 - 01:39:42: - Yeah.
01:39:42 - 01:39:43: - I've seen this reference on Twitter.
01:39:43 - 01:39:45: - Yeah, yeah, right, it's a big reference now.
01:39:45 - 01:39:48: It's like, I think Megan Thee Stallion popularized
01:39:48 - 01:39:50: the phrase and then made the song,
01:39:50 - 01:39:51: 'cause after all, it's famous.
01:39:51 - 01:39:52: - That's correct, yeah.
01:39:52 - 01:39:54: - What is the artist's name?
01:39:54 - 01:39:55: - Megan Thee Stallion.
01:39:55 - 01:39:57: - Megan Thee Stallion?
01:39:57 - 01:39:59: - Well, it's T-H-E-E.
01:39:59 - 01:40:00: - Yeah, Megan.
01:40:00 - 01:40:01: - Thee.
01:40:01 - 01:40:02: - Like M-E-G-A-N.
01:40:02 - 01:40:04: - Yep, Thee.
01:40:04 - 01:40:05: - Stallion.
01:40:05 - 01:40:05: - Oh, Thee.
01:40:05 - 01:40:07: ♪ Thinking he's a player, he's a member on the team ♪
01:40:07 - 01:40:10: ♪ He put in all that work, he wanna be the MVP ♪
01:40:10 - 01:40:11: ♪ I told him ain't no taming me ♪
01:40:11 - 01:40:12: ♪ I love my niggas equally ♪
01:40:12 - 01:40:14: ♪ Nigga, nine to five niggas with that superstar beat ♪
01:40:14 - 01:40:16: - She would talk a lot about Hot Girl (beep)
01:40:16 - 01:40:18: and then it became Hot Girl Summer
01:40:18 - 01:40:20: and then it became a thing that a lot of people
01:40:20 - 01:40:22: would use as like a hashtag almost.
01:40:22 - 01:40:24: - And she's applied to trademark.
01:40:24 - 01:40:27: - Right, I've seen that on Twitter.
01:40:27 - 01:40:28: - Well, I'm glad this song's doing well.
01:40:28 - 01:40:31: - I like the idea of a summer having a theme, though.
01:40:31 - 01:40:33: - Right. - That's fun.
01:40:33 - 01:40:34: - Like, wait, Seinfeld, you must have done
01:40:34 - 01:40:36: a Summer of George Hot Girl Summer event.
01:40:36 - 01:40:39: - I did do a Hot Girl Summer of George tweet.
01:40:39 - 01:40:40: - Okay, there you go.
01:40:40 - 01:40:42: Well, yeah, didn't you have a Grateful Dead summer?
01:40:42 - 01:40:43: - Yeah, me and my buddy Steve,
01:40:43 - 01:40:47: when we were roommates back in like 2000 in Portland,
01:40:47 - 01:40:48: we had a Grateful Dead summer,
01:40:48 - 01:40:49: we had a Led Zeppelin summer,
01:40:49 - 01:40:53: and then we had a cooler in the car summer.
01:40:53 - 01:40:54: - What does that mean?
01:40:54 - 01:40:57: - Like if you show up to a buddy's house,
01:40:57 - 01:40:59: there's a cooler of brew in the car.
01:40:59 - 01:41:01: - At all times?
01:41:01 - 01:41:02: - Yes.
01:41:02 - 01:41:02: - And how does one have--
01:41:02 - 01:41:04: - So you would always keep it in there?
01:41:04 - 01:41:05: - Yeah, it was always a cooler of brew.
01:41:05 - 01:41:07: - So you're always just filling it with ice?
01:41:07 - 01:41:08: - Yeah, and brewing.
01:41:08 - 01:41:10: - Get a lot of melted water situations?
01:41:10 - 01:41:11: - Yes.
01:41:11 - 01:41:13: - Just you doing this, or this is a good community thing?
01:41:13 - 01:41:15: - Eh, small community.
01:41:15 - 01:41:17: - Hot Girl Summer, in my day,
01:41:17 - 01:41:19: it was cooler of brew in the car summer.
01:41:19 - 01:41:21: What happened? - Cooler summer.
01:41:21 - 01:41:24: What's a good, like, TC summer theme?
01:41:24 - 01:41:27: I don't want it to be some gross food.
01:41:27 - 01:41:29: - I don't know, maybe just getting older.
01:41:29 - 01:41:32: My mind just goes to health-related things.
01:41:32 - 01:41:33: Vegan summer.
01:41:33 - 01:41:34: - Right, right, yeah.
01:41:34 - 01:41:35: - It's also the election year, right?
01:41:35 - 01:41:36: - Summer of pushups.
01:41:36 - 01:41:39: - Let's abstain from things.
01:41:39 - 01:41:39: - Summer of Bernie.
01:41:39 - 01:41:41: - And put ourselves through--
01:41:41 - 01:41:42: - No Fap Summer.
01:41:42 - 01:41:44: - Physical exertion.
01:41:44 - 01:41:45: What is it?
01:41:45 - 01:41:46: - No Fap Summer?
01:41:46 - 01:41:47: - No Fap?
01:41:47 - 01:41:49: - Oh God, this is a crazy episode.
01:41:49 - 01:41:51: Jake, you're not familiar with the No Fap Movement?
01:41:51 - 01:41:52: - No, what's that?
01:41:52 - 01:41:53: Wait, F-A-P?
01:41:53 - 01:41:54: - Yeah.
01:41:54 - 01:41:55: - God, I feel like a grandpa.
01:41:55 - 01:41:58: I'm just like, what is, who is this?
01:41:58 - 01:42:00: - Fap is internet slang for masturbation.
01:42:00 - 01:42:01: - Whoa, wait.
01:42:01 - 01:42:02: - I think it's onomatopoeia.
01:42:02 - 01:42:03: - What's the derivation?
01:42:03 - 01:42:04: Wait, tell me.
01:42:04 - 01:42:05: - Onomatopoeia.
01:42:05 - 01:42:06: - Oh, okay, gotcha.
01:42:06 - 01:42:09: - So anyway, there's been a movement for a long time
01:42:09 - 01:42:11: where people claim that there's health benefits,
01:42:11 - 01:42:15: mental clarity, things like that, to abstaining from--
01:42:15 - 01:42:18: - Not mental clarity, maybe mentally clouding.
01:42:18 - 01:42:19: - There's an argument to the opposite effect
01:42:19 - 01:42:22: that it focuses you up and makes you more attractive
01:42:22 - 01:42:23: to the opposite sex.
01:42:23 - 01:42:25: - I don't think it focuses you up.
01:42:25 - 01:42:26: - All right, Jake, you're gonna get Jake.
01:42:26 - 01:42:27: - I think it deludes you.
01:42:27 - 01:42:28: I think it makes you insane.
01:42:28 - 01:42:29: - Right, but Jake, you don't know
01:42:29 - 01:42:31: what you're walking into here.
01:42:31 - 01:42:34: These are passionate community of people
01:42:34 - 01:42:37: who've spent years doing their own research on this,
01:42:37 - 01:42:39: and they feel very strongly about this,
01:42:39 - 01:42:42: so you're walking into a minefield right now.
01:42:42 - 01:42:44: - So how long would they go?
01:42:44 - 01:42:45: - Some people have gone years.
01:42:45 - 01:42:48: - Are they having sex, or is it just no--
01:42:48 - 01:42:49: - I think you can have sex,
01:42:49 - 01:42:51: but some people abstain from sex, too.
01:42:51 - 01:42:52: - I think the goal's forever.
01:42:52 - 01:42:56: - Well, it's also like, fine, be my guest, don't (beep)
01:42:56 - 01:42:58: - Great, good for you.
01:42:58 - 01:42:59: - So you're fine with it.
01:42:59 - 01:43:00: - Well, they don't need your--
01:43:00 - 01:43:01: - Well, but I just don't understand--
01:43:01 - 01:43:03: - Jake, I don't think they need
01:43:03 - 01:43:06: your kind of condescending praise.
01:43:06 - 01:43:09: These guys are at such a high level mentally that--
01:43:09 - 01:43:12: - Yeah, but I don't need them dictating to me
01:43:12 - 01:43:14: how to achieve mental clarity.
01:43:14 - 01:43:16: It's like, you do you.
01:43:16 - 01:43:18: Like, you don't have to attach all these other--
01:43:18 - 01:43:19: - I don't know if they're fascists about it.
01:43:19 - 01:43:21: I don't know if they wanna impose it.
01:43:21 - 01:43:23: They probably feel bad for you.
01:43:23 - 01:43:24: - And you.
01:43:24 - 01:43:25: - I'm a member of the community, Jake.
01:43:25 - 01:43:27: I look, mask off, you know what?
01:43:27 - 01:43:30: How do you think I achieved this level of mental clarity?
01:43:30 - 01:43:33: - You are very lucid today on the program.
01:43:33 - 01:43:35: - Yeah, I wanna make this show better.
01:43:35 - 01:43:39: New rules, summer, fall, winter, spring.
01:43:39 - 01:43:40: - No pizza, no brew.
01:43:40 - 01:43:42: - Where does all this stuff take place, Seinfeld?
01:43:42 - 01:43:43: It's all on Reddit?
01:43:43 - 01:43:44: - Reddit, I was reading about NoFap
01:43:44 - 01:43:46: about a week ago, actually.
01:43:46 - 01:43:47: - Were you?
01:43:47 - 01:43:49: - I was, yeah, 'cause I was looking for clarity.
01:43:49 - 01:43:51: And it originated on Reddit,
01:43:51 - 01:43:54: and then it actually became so popular, the subreddit,
01:43:54 - 01:43:56: that I believe it branched out into its own thing.
01:43:56 - 01:43:58: - Oh, it's like its own Reddit
01:43:58 - 01:44:00: with subreddits within the NoFap community?
01:44:00 - 01:44:01: - I think it broke out.
01:44:01 - 01:44:03: - Okay. - Yeah.
01:44:03 - 01:44:04: - Well, Jake, give it a try for the next two weeks
01:44:04 - 01:44:07: and report back for the next TC.
01:44:07 - 01:44:08: Jake comes in here and in two weeks,
01:44:08 - 01:44:11: just like walking on air, super mental clarity,
01:44:11 - 01:44:15: just like, you know, guys, I used to do a cooler summer
01:44:15 - 01:44:17: and I bruised my friends.
01:44:17 - 01:44:19: Man, I didn't know what I was missing.
01:44:19 - 01:44:21: This is what it's all about, fellas.
01:44:21 - 01:44:22: The number four song in 99,
01:44:22 - 01:44:25: "Bills, Bills, Bills" by Destiny's Child.
01:44:25 - 01:44:26: - Classic.
01:44:28 - 01:44:40: - I remember seeing this on MTV and being like 14.
01:44:40 - 01:44:42: I think I've told this story that I've never felt like,
01:44:42 - 01:44:45: oh, I know what's gonna happen for,
01:44:45 - 01:44:47: which artists are gonna have, you know,
01:44:47 - 01:44:48: like who's gonna flop and who's-
01:44:48 - 01:44:49: - You're not a producer.
01:44:49 - 01:44:50: - Yeah, not really.
01:44:50 - 01:44:52: - You're not a record industry man.
01:44:52 - 01:44:53: - Yeah, I have like impulses,
01:44:53 - 01:44:55: but I tend to just think of it as like,
01:44:55 - 01:44:58: how does that affect what I'm doing, my own art?
01:44:58 - 01:45:00: I have impulses about what I'm doing.
01:45:00 - 01:45:01: But every once in a while,
01:45:01 - 01:45:03: I do think I make the right call.
01:45:03 - 01:45:05: And I do remember the first time I saw
01:45:05 - 01:45:06: Destiny's Child on TV.
01:45:06 - 01:45:08: And I remember the album before this,
01:45:08 - 01:45:10: but specifically it was this song, "Bills, Bills, Bills."
01:45:10 - 01:45:13: I just remember seeing one of the singers in this band.
01:45:13 - 01:45:15: I just remember being like, she's incredible.
01:45:15 - 01:45:16: - She's got something.
01:45:16 - 01:45:19: - I mean, I was 14, so I was just kind of like, who knows?
01:45:19 - 01:45:21: - You were not doing no fap summer.
01:45:21 - 01:45:22: - Oh God.
01:45:22 - 01:45:25: I just knew that there's something special.
01:45:25 - 01:45:30: And that was like a little payoff when her solo career.
01:45:30 - 01:45:31: God.
01:45:31 - 01:45:32: All right, moving on.
01:45:32 - 01:45:35: Number four this year,
01:45:35 - 01:45:38: Senorita, Shawn Mendes and Camila Cabello.
01:45:38 - 01:45:40: - This was on last week.
01:45:40 - 01:45:41: - Yeah.
01:45:41 - 01:45:44: - ♪ It's another tequila sunrise ♪
01:45:44 - 01:45:45: - And the Sapphire Moonlight.
01:45:45 - 01:45:48: - You know they're together.
01:45:48 - 01:45:49: - No, I didn't know that.
01:45:49 - 01:45:50: - Shawn and Camila, they're-
01:45:50 - 01:45:51: - Oh, that's great.
01:45:51 - 01:45:54: I saw some pictures of them together on Instagram.
01:45:54 - 01:45:55: They were horsing around.
01:45:55 - 01:45:57: I couldn't tell if it was platonic or not.
01:45:57 - 01:45:59: They're just kind of horsing around on the street,
01:45:59 - 01:46:01: taking a walk with smiles on their faces.
01:46:01 - 01:46:02: Well, I'm glad to hear it.
01:46:02 - 01:46:04: ♪ Oh la la la ♪
01:46:04 - 01:46:06: ♪ It's true, la la la ♪
01:46:06 - 01:46:08: ♪ Oh, I should be running ♪
01:46:08 - 01:46:11: ♪ Oh, you keep me coming for you ♪
01:46:11 - 01:46:13: ♪ Light in Miami ♪
01:46:13 - 01:46:15: ♪ The air was hot from summer rain ♪
01:46:15 - 01:46:17: ♪ Sweat dripping off me ♪
01:46:17 - 01:46:19: ♪ Before I even knew her name ♪
01:46:19 - 01:46:22: ♪ La la la ♪
01:46:22 - 01:46:25: ♪ You felt like ooh la la la ♪
01:46:25 - 01:46:27: ♪ Yeah, no ♪
01:46:27 - 01:46:29: ♪ Sapphire moonlight ♪
01:46:29 - 01:46:33: ♪ We danced for hours in the same tequila sunrise ♪
01:46:33 - 01:46:36: ♪ Her body felt right in my hands ♪
01:46:36 - 01:46:38: ♪ La la la ♪
01:46:38 - 01:46:41: ♪ You felt like ooh la la la ♪
01:46:41 - 01:46:42: ♪ Yeah ♪
01:46:42 - 01:46:46: ♪ I love it when you call me senorita ♪
01:46:46 - 01:46:50: ♪ I wish I could pretend I didn't need you ♪
01:46:50 - 01:46:52: I like that they sing this part together.
01:46:52 - 01:46:54: 'Cause they're both saying,
01:46:54 - 01:46:56: I like that you call me senorita.
01:46:56 - 01:46:59: They're not worried about the logic.
01:46:59 - 01:47:01: No, or they're not worried about
01:47:01 - 01:47:04: outmoded definitions of gender.
01:47:04 - 01:47:07: ♪ It's so damn hard to leave you ♪
01:47:07 - 01:47:09: Solid song.
01:47:09 - 01:47:10: Number 399.
01:47:10 - 01:47:11: Wow.
01:47:11 - 01:47:13: I guess a lot of times in the summer,
01:47:13 - 01:47:16: people put out summer songs.
01:47:16 - 01:47:18: Everybody's talking about the summer.
01:47:18 - 01:47:19: Gotta speak to the moment.
01:47:19 - 01:47:21: So this summer we have "Hot Girl Summer."
01:47:21 - 01:47:25: Back in '99, this was a song I remember being bemused by.
01:47:25 - 01:47:27: It's called "Summer Girls" by LFO.
01:47:28 - 01:47:31: ♪ Yeah ♪
01:47:31 - 01:47:34: ♪ I like it when the girls stop by ♪
01:47:34 - 01:47:37: I don't know if I know this one.
01:47:37 - 01:47:39: Chinese food makes me sick.
01:47:39 - 01:47:40: Problematic.
01:47:40 - 01:47:41: LFO?
01:47:41 - 01:47:43: What is this band?
01:47:43 - 01:47:44: What's their story?
01:47:44 - 01:47:45: Is it a band?
01:47:45 - 01:47:46: It's kind of like--
01:47:46 - 01:47:47: Oh yeah, I vaguely remember this.
01:47:47 - 01:47:49: They were kind of a boy band.
01:47:49 - 01:47:50: ♪ Chinese food makes me sick ♪
01:47:50 - 01:47:52: ♪ And I think it's fly when girls stop by ♪
01:47:52 - 01:47:55: ♪ For the summer, for the summer ♪
01:47:55 - 01:47:59: ♪ I like girls that wear Abercrombie and Fitch ♪
01:47:59 - 01:48:03: Tragically, two of the three guys died young.
01:48:03 - 01:48:04: They got sick.
01:48:04 - 01:48:05: It's sad.
01:48:05 - 01:48:06: They got sick?
01:48:06 - 01:48:07: Yeah, I remember hearing--
01:48:07 - 01:48:08: Like cancer?
01:48:08 - 01:48:10: Yeah, last summer one dude died from cancer.
01:48:10 - 01:48:11: Damn.
01:48:11 - 01:48:12: You know what's interesting too,
01:48:12 - 01:48:13: looking back on this song,
01:48:13 - 01:48:16: this is a song about nostalgia.
01:48:16 - 01:48:17: Right.
01:48:17 - 01:48:18: If we're looking back 20 years ago to '99,
01:48:18 - 01:48:19: they're talking about new kids on the blocks.
01:48:19 - 01:48:21: They're probably talking about '89.
01:48:21 - 01:48:22: Yeah.
01:48:22 - 01:48:24: ♪ Something in your eyes went and drove me crazy ♪
01:48:24 - 01:48:26: ♪ Now I can't forget you and it makes me mad ♪
01:48:26 - 01:48:29: ♪ Left one day and never came back ♪
01:48:29 - 01:48:31: ♪ Stayed all summer then went back home ♪
01:48:31 - 01:48:32: ♪ McCarley, Culkin, Busset, Hall ♪
01:48:32 - 01:48:35: Honestly, the production sounds good to me right now.
01:48:35 - 01:48:37: Home Alone was 1990.
01:48:37 - 01:48:39: Okay.
01:48:39 - 01:48:42: Runs me of like, Marky Mark and the Funky Bunch.
01:48:42 - 01:48:43: Yeah.
01:48:43 - 01:48:44: That kind of energy.
01:48:44 - 01:48:46: ♪ On the block, had a bunch of exes ♪
01:48:46 - 01:48:48: ♪ Chinese food makes me sick ♪
01:48:48 - 01:48:49: ♪ And I think it's fly away ♪
01:48:49 - 01:48:51: ♪ And girls stop by for the summer ♪
01:48:51 - 01:48:53: ♪ For the summer ♪
01:48:53 - 01:48:55: This is one of the rock music that's probably
01:48:55 - 01:48:56: scratching.
01:48:56 - 01:48:57: Right.
01:48:57 - 01:48:59: Yeah, they're scratching on All Star too.
01:48:59 - 01:49:02: This is kind of like a haunting sad song.
01:49:02 - 01:49:05: ♪ Cherry pants, cold crotch, rock stud boogie ♪
01:49:05 - 01:49:07: ♪ Used to hate school so I had to play hooky ♪
01:49:07 - 01:49:09: ♪ Always been hip to the B-Boy style ♪
01:49:09 - 01:49:10: Is this like a,
01:49:10 - 01:49:15: sort of like a commercialized Sublime kind of sound?
01:49:15 - 01:49:17: It's not a million miles away from the Sublime,
01:49:17 - 01:49:19: like what I got, acoustic guitar.
01:49:19 - 01:49:22: But there's so much acoustic guitar meets hip hop
01:49:22 - 01:49:22: in the 90s.
01:49:22 - 01:49:24: ♪ Hip hop and rock and roll ♪
01:49:24 - 01:49:25: There you go.
01:49:25 - 01:49:26: (laughing)
01:49:26 - 01:49:29: This is back when people liked hip hop and rock and roll.
01:49:29 - 01:49:31: (laughing)
01:49:31 - 01:49:34: ♪ You know fun dip and cherry coke ♪
01:49:34 - 01:49:36: ♪ I like the way you laugh when I tell a joke ♪
01:49:36 - 01:49:38: ♪ When I met you I said my name is Rich ♪
01:49:38 - 01:49:41: ♪ You look like a girl from Abercrombie and Fitch ♪
01:49:41 - 01:49:42: ♪ New kids on the block ♪
01:49:42 - 01:49:45: They're really leaning into that Abercrombie and Fitch.
01:49:45 - 01:49:46: The funny thing is that,
01:49:46 - 01:49:50: it was a real like kind of Borgesian playfulness
01:49:50 - 01:49:54: with time because they're reminiscing about 1990.
01:49:54 - 01:49:55: Yeah.
01:49:55 - 01:49:57: But Abercrombie and Fitch wasn't popular then.
01:49:57 - 01:50:01: Abercrombie and Fitch was popular when the song was made.
01:50:01 - 01:50:04: So he's kind of collapsing the present and the past
01:50:04 - 01:50:07: into some kind of eternal haunted,
01:50:07 - 01:50:08: I don't know.
01:50:08 - 01:50:09: (laughing)
01:50:09 - 01:50:11: I gotta say of all the songs we listened to so far,
01:50:11 - 01:50:14: this one's like hitting me the most.
01:50:14 - 01:50:16: It's very warm.
01:50:16 - 01:50:17: Yeah.
01:50:17 - 01:50:18: It's actually pretty.
01:50:18 - 01:50:19: ♪ And I bug 'cause I miss it ♪
01:50:19 - 01:50:22: ♪ Like the color purple macaroni and cheese ♪
01:50:22 - 01:50:23: I'm hearing that we actually once got an email
01:50:23 - 01:50:25: asking us to break down these lyrics.
01:50:25 - 01:50:26: I don't know man,
01:50:26 - 01:50:28: that one just kind of made me emotional.
01:50:28 - 01:50:30: You know that's also what's funny too is like,
01:50:30 - 01:50:31: you know when you're 14,
01:50:31 - 01:50:33: whatever taste of music you have.
01:50:33 - 01:50:35: Me and my friends probably would have made fun
01:50:35 - 01:50:36: of this a little bit.
01:50:36 - 01:50:39: 'Cause the Chinese food lyric is just insane.
01:50:39 - 01:50:41: Chinese food made me sick.
01:50:41 - 01:50:42: (laughing)
01:50:42 - 01:50:44: Just all Chinese food?
01:50:44 - 01:50:46: I'm willing to give him the benefit of the doubt
01:50:46 - 01:50:50: that he's trying to make this impressionistic portrait
01:50:50 - 01:50:54: of one summer and rather than him being that much
01:50:54 - 01:50:55: of a psycho piece of (beep)
01:50:55 - 01:50:56: that he's just like,
01:50:56 - 01:50:59: the cuisine of that one billion Chinese people
01:50:59 - 01:51:01: is absolutely disgusting.
01:51:01 - 01:51:03: I'm willing to believe that he's impressionistically
01:51:03 - 01:51:06: referencing like a time that summer
01:51:06 - 01:51:08: when he got sick from eating too much Chinese food.
01:51:08 - 01:51:10: - The one spot at the strip mall, Chinese.
01:51:10 - 01:51:12: - But hey, if that explanation is not enough
01:51:12 - 01:51:15: for you know, a Chinese restaurateur
01:51:15 - 01:51:17: who probably heard this song and made their skin crawl,
01:51:17 - 01:51:18: I'm not gonna fight them on that.
01:51:18 - 01:51:20: But that aside,
01:51:20 - 01:51:22: New Kids on the Block had a bunch of hits.
01:51:22 - 01:51:25: Painting a picture, Chinese food makes me sick.
01:51:25 - 01:51:26: Crazy non sequitur.
01:51:26 - 01:51:28: But that's also him letting you know
01:51:28 - 01:51:30: that this is like, you know it's Proustian.
01:51:30 - 01:51:33: Another adjective based on an author's name
01:51:33 - 01:51:35: that who I've read about 30 pages of.
01:51:35 - 01:51:39: I've always been meaning to go deeper on Proust.
01:51:39 - 01:51:41: You ever read Proust, Jake?
01:51:41 - 01:51:43: - No, I'm heavy on Nosgard.
01:51:43 - 01:51:44: - Oh yeah.
01:51:44 - 01:51:45: - Who's compared to Proust.
01:51:45 - 01:51:46: - Yeah.
01:51:46 - 01:51:49: - But Nosgard's contemporary so I gravitate to him.
01:51:49 - 01:51:50: - Yeah, one summer off.
01:51:50 - 01:51:52: We should do Summer of Proust.
01:51:52 - 01:51:53: - Oh dude.
01:51:53 - 01:51:54: - Proustian summer.
01:51:54 - 01:51:56: - TC's Proustian summer.
01:51:56 - 01:51:57: - Marcel Proust.
01:51:57 - 01:51:59: (laughing)
01:51:59 - 01:52:01: Marcel Proust makes me sick.
01:52:01 - 01:52:03: 'Cause Dave Makovich from Chromia,
01:52:03 - 01:52:04: you know he studied French literature
01:52:04 - 01:52:06: so he's always talking about Proust.
01:52:06 - 01:52:08: - I did not know that.
01:52:08 - 01:52:09: - I think the writers of the song,
01:52:09 - 01:52:12: they understand that you can't sum up the past
01:52:12 - 01:52:14: in a tidy way so immediately they're letting us know
01:52:14 - 01:52:16: that this is an impressionistic song.
01:52:16 - 01:52:18: New Kids on the Block had a bunch of hits.
01:52:18 - 01:52:20: So you're like okay, is this gonna be like
01:52:20 - 01:52:22: a CNN look back at 1990?
01:52:22 - 01:52:24: New Kids on the Block had a bunch of hits.
01:52:24 - 01:52:27: George H.W. Bush was in the White House
01:52:27 - 01:52:30: and the stock market was recovering from the,
01:52:30 - 01:52:31: what, you know?
01:52:31 - 01:52:31: - Yeah.
01:52:31 - 01:52:33: - They're like, is that what they're setting us up for?
01:52:33 - 01:52:35: Then Crazy Left Turn, Chinese Food Makes Me Sick.
01:52:35 - 01:52:37: They're mixing this kind of grand cultural thing
01:52:37 - 01:52:39: while it's playing on the radio
01:52:39 - 01:52:42: with this very specific problematic
01:52:42 - 01:52:44: remembrance of a time Chinese food made him sick.
01:52:44 - 01:52:46: And then he twists it yet again.
01:52:46 - 01:52:47: And I think it's Fly When Girls Stop By
01:52:47 - 01:52:49: for the summer, for the summer.
01:52:49 - 01:52:50: - Stop by?
01:52:50 - 01:52:52: - Maybe he's like a townie.
01:52:52 - 01:52:54: - Oh yeah, it's like a summer relationship.
01:52:54 - 01:52:55: It's like a summer fling.
01:52:55 - 01:52:57: - He's a townie in a lake town.
01:52:57 - 01:53:00: - The rich girls from the suburbs coming up.
01:53:00 - 01:53:01: - Yeah.
01:53:01 - 01:53:03: - There's the small town Chinese restaurant.
01:53:03 - 01:53:05: - Yeah, he's a lake townie.
01:53:05 - 01:53:06: The rich suburban girls come.
01:53:06 - 01:53:09: - He's working the landscaping gig in the summer.
01:53:09 - 01:53:11: - Yeah, oh and maybe when he says
01:53:11 - 01:53:12: the Chinese food makes him sick,
01:53:12 - 01:53:15: again, he wouldn't dream of impugning the quality
01:53:15 - 01:53:18: of one of the world's great cuisine cultures.
01:53:18 - 01:53:19: He's just saying, you know what?
01:53:19 - 01:53:21: I'm not a member of the country club.
01:53:21 - 01:53:24: I can't go, you know, eat club sandwiches
01:53:24 - 01:53:25: at the country club.
01:53:25 - 01:53:28: So I had to use my meager paycheck
01:53:28 - 01:53:30: to go to the worst Chinese restaurant in town
01:53:30 - 01:53:31: and it made me sick.
01:53:31 - 01:53:33: - That's before the Panda opened.
01:53:33 - 01:53:36: - Yeah, we didn't have Panda Express.
01:53:36 - 01:53:37: I know in your rich suburb,
01:53:37 - 01:53:39: you probably go eat Panda Express at the mall.
01:53:39 - 01:53:42: Here, in a lake town, it's not like that.
01:53:42 - 01:53:44: We have one really bad Chinese restaurant.
01:53:44 - 01:53:46: I like girls that wear Abercrombie and Fitch.
01:53:46 - 01:53:50: Again, rich suburban mall girls.
01:53:50 - 01:53:51: They eat Panda Express.
01:53:51 - 01:53:52: It's not gonna make you sick.
01:53:52 - 01:53:54: It's gonna make you feel good.
01:53:54 - 01:53:54: And they wear Abercrombie and Fitch.
01:53:54 - 01:53:57: - It makes you feel great.
01:53:57 - 01:53:59: - I'd take her if I had one wish,
01:53:59 - 01:54:01: but she's been gone since that summer.
01:54:01 - 01:54:02: You know, it tracks.
01:54:02 - 01:54:03: It really tracks.
01:54:03 - 01:54:05: He's a working class lake townie.
01:54:05 - 01:54:07: Seinfeld, search in quotes, lake townie.
01:54:07 - 01:54:09: Is that a thing?
01:54:09 - 01:54:10: - It's gotta be.
01:54:10 - 01:54:12: - There's all different types of townies,
01:54:12 - 01:54:13: but a lake townie?
01:54:13 - 01:54:14: - Yeah.
01:54:14 - 01:54:15: - Summer girls.
01:54:15 - 01:54:18: - So I found the phrase lake townie
01:54:18 - 01:54:19: in the Hartford Courant
01:54:19 - 01:54:23: in a review of the film Beethoven from 1993,
01:54:23 - 01:54:28: referring to a motorcycling lake townie named Seth.
01:54:28 - 01:54:31: (laughing)
01:54:31 - 01:54:33: Played by a young Danny Masterson.
01:54:33 - 01:54:34: - Oh wow.
01:54:34 - 01:54:36: - And then there's also the show Riverdale.
01:54:36 - 01:54:37: - More contemporary.
01:54:37 - 01:54:40: - Yeah, and Riverdale is set in Shadow Lake,
01:54:40 - 01:54:43: and so they refer to this character Cassidy as a townie,
01:54:43 - 01:54:45: so Shadow Lake Townie Cassidy.
01:54:45 - 01:54:47: - She's a lake townie.
01:54:47 - 01:54:48: - Whoa.
01:54:48 - 01:54:49: - Hip hop mama, spick and span,
01:54:49 - 01:54:50: met you one summer and it all began.
01:54:50 - 01:54:52: You're the best girl that I ever did see.
01:54:52 - 01:54:54: The great Larry Bird, Jersey 33.
01:54:54 - 01:54:56: When you take a sip, you buzz like a hornet.
01:54:56 - 01:54:59: Billy Shakespeare wrote a whole bunch of sonnets.
01:54:59 - 01:55:00: Love that.
01:55:00 - 01:55:01: (laughing)
01:55:01 - 01:55:03: Call me when you miss me 'cause I can't speak, baby.
01:55:03 - 01:55:05: Something in your eyes really drove me crazy.
01:55:05 - 01:55:06: (hip hop music)
01:55:06 - 01:55:07: - Let's listen to the rest of the song.
01:55:07 - 01:55:09: This song's just hitting 'em.
01:55:09 - 01:55:12: What do you think of these little tasty guitar moments, Jake?
01:55:12 - 01:55:13: - Pretty in.
01:55:13 - 01:55:14: - Dig it.
01:55:14 - 01:55:17: We're down and out.
01:55:17 - 01:55:20: ♪ Summer so-so, summertime feels got it going on ♪
01:55:20 - 01:55:22: ♪ Shake and wiggle to a hip hop song ♪
01:55:22 - 01:55:24: - Ezra, you should cover this.
01:55:24 - 01:55:26: - Well, I don't like, I'll admit,
01:55:26 - 01:55:28: I don't love the rap verses.
01:55:28 - 01:55:31: Oh, classic, I steal your honey like I steal your butt.
01:55:31 - 01:55:32: ♪ When it sinks, me and sick ♪
01:55:32 - 01:55:36: ♪ And I think it's fly when girls stop by for the summer ♪
01:55:36 - 01:55:37: ♪ For the summer ♪
01:55:37 - 01:55:40: ♪ I like girls that wear Abercrombie and Fitch ♪
01:55:40 - 01:55:44: - I like the sustained synth strings that glow in the mix.
01:55:44 - 01:55:45: - Woo!
01:55:45 - 01:55:47: Yeah, it's pretty.
01:55:47 - 01:55:50: (hip hop music)
01:55:51 - 01:55:53: - Kind of abrupt ending, summer's over.
01:55:53 - 01:55:54: - That's how it ends, dude.
01:55:54 - 01:55:57: - Beautiful song, man, I'm glad to hear that one.
01:55:57 - 01:56:00: The number three song this summer,
01:56:00 - 01:56:01: Truth Hurts by Lizzo.
01:56:01 - 01:56:04: (hip hop music)
01:56:04 - 01:56:06: Oh yeah, we heard this last time.
01:56:06 - 01:56:07: (hip hop music)
01:56:07 - 01:56:11: ♪ Why men great 'til they gotta be great ♪
01:56:11 - 01:56:12: ♪ Woo ♪
01:56:12 - 01:56:16: ♪ I just took a DNA test, turns out I'm a hundred percent ♪
01:56:16 - 01:56:19: - On our fact sheet, we got a quote from Lizzo that says,
01:56:19 - 01:56:21: "I was in marching band from eighth grade
01:56:21 - 01:56:23: "all the way up until college,
01:56:23 - 01:56:25: "the cougar marching band at University of Houston.
01:56:25 - 01:56:26: "I was a piccolo player.
01:56:26 - 01:56:28: "I was the baddest piccolo in the land
01:56:28 - 01:56:30: "'cause I got big lungs and I was really determined."
01:56:30 - 01:56:32: I was in marching band too in high school.
01:56:32 - 01:56:35: - I think Lizzo was on fresh air.
01:56:35 - 01:56:37: - I mean, she's huge right now.
01:56:37 - 01:56:39: - With Terry Gross. - All over the place.
01:56:39 - 01:56:40: - Did you come across Lizzo
01:56:40 - 01:56:42: when you played at Mo-Pop Festival?
01:56:42 - 01:56:44: - Lizzo played right before us at Mo-Pop,
01:56:44 - 01:56:47: and yeah, we were kind of like standing around
01:56:47 - 01:56:50: on the lake, actually.
01:56:50 - 01:56:52: The backstage was like this kind of nice grass area
01:56:52 - 01:56:53: right on the lake.
01:56:53 - 01:56:56: You could see Canada very clearly.
01:56:56 - 01:56:57: I wanna get back to '99.
01:56:57 - 01:57:00: That Summer Girls just got me in a nostalgic mood.
01:57:00 - 01:57:03: The number two song, Enrique Iglesias.
01:57:03 - 01:57:05: ♪ Bailamos ♪
01:57:05 - 01:57:06: Do you know this song, Jake?
01:57:06 - 01:57:08: ♪ Let the rhythm take you ♪
01:57:08 - 01:57:10: - Okay, nice. - ♪ Bailamos ♪
01:57:10 - 01:57:11: - Whoa.
01:57:11 - 01:57:15: ♪ Te quiero, mamacita, bailamos ♪
01:57:15 - 01:57:17: This was part of the big guy.
01:57:17 - 01:57:19: Latin pop explosion of the late '90s.
01:57:19 - 01:57:22: (guitar music)
01:57:22 - 01:57:24: - Ooh. - Loving that nylon string.
01:57:24 - 01:57:25: (funky music)
01:57:25 - 01:57:26: - Ooh.
01:57:26 - 01:57:29: ♪ Esta noche bailamos ♪
01:57:29 - 01:57:31: ♪ Te doy toda mi vida ♪
01:57:31 - 01:57:36: ♪ Oh yeah ♪
01:57:36 - 01:57:38: - Drew Walsh came in, kind of, this was leads.
01:57:38 - 01:57:39: - Yeah.
01:57:39 - 01:57:44: ♪ Tonight we dance ♪
01:57:45 - 01:57:48: ♪ I'll leave my life in your hands ♪
01:57:48 - 01:57:50: - Kind of gives me like an Ace of Bass vibe.
01:57:50 - 01:57:51: - Oh yeah, totally.
01:57:51 - 01:57:53: - That rhythm.
01:57:53 - 01:57:56: Was this the same year as Smooth?
01:57:56 - 01:57:59: - Yeah, '99 we had Ricky Martin, Livin' La Vida Loca,
01:57:59 - 01:58:03: this song, and Santana featuring Rob Thomas, Smooth.
01:58:03 - 01:58:04: - Ooh.
01:58:04 - 01:58:04: ♪ And go by ♪
01:58:04 - 01:58:09: ♪ The Incans' fireworks tonight ♪
01:58:09 - 01:58:12: ♪ Bailamos ♪
01:58:12 - 01:58:14: ♪ Let the rhythm take you over ♪
01:58:14 - 01:58:16: ♪ Bailamos ♪
01:58:16 - 01:58:19: ♪ Te quiero, amor mío ♪
01:58:19 - 01:58:21: ♪ Bailamos ♪
01:58:21 - 01:58:23: ♪ Wanna live this night forever ♪
01:58:23 - 01:58:26: ♪ Bailamos ♪
01:58:26 - 01:58:27: ♪ Te quiero, amor mío ♪
01:58:27 - 01:58:29: - This one's also kind of melancholy.
01:58:29 - 01:58:29: - Yeah.
01:58:29 - 01:58:32: It's like they knew the 20th century was ending and--
01:58:32 - 01:58:35: - The pre-millennium tension.
01:58:35 - 01:58:38: - We were gonna enter some dark days.
01:58:38 - 01:58:43: - Great song.
01:58:44 - 01:58:48: ♪ Last night I dreamt of San Pedro ♪
01:58:48 - 01:58:51: - Who was that, Abba?
01:58:51 - 01:58:52: - No, it's Madonna.
01:58:52 - 01:58:53: - Oh.
01:58:53 - 01:58:57: ♪ La isla bonita ♪
01:58:57 - 01:58:58: - Yeah, it's very similar.
01:58:58 - 01:59:01: - The number two song on iTunes right now.
01:59:01 - 01:59:02: - Yeah.
01:59:02 - 01:59:07: - Another kind of melancholic song.
01:59:07 - 01:59:08: - Oh, but two.
01:59:08 - 01:59:09: - Yeah, number two.
01:59:09 - 01:59:09: We don't know number one.
01:59:09 - 01:59:12: - Probably the other dumb version of this song
01:59:12 - 01:59:13: is gonna be number one.
01:59:13 - 01:59:14: I'm sick of it.
01:59:14 - 01:59:15: - But the backlash has started.
01:59:15 - 01:59:16: - It's run is over.
01:59:16 - 01:59:17: ♪ Yeah, I'm gonna take my horse ♪
01:59:17 - 01:59:19: ♪ To the old town road ♪
01:59:19 - 01:59:20: - Jesus.
01:59:20 - 01:59:22: ♪ Ride till I can't no more ♪
01:59:22 - 01:59:24: - Have you heard the Mason Ramsey verse
01:59:24 - 01:59:26: on the remix of this?
01:59:26 - 01:59:26: - Once.
01:59:26 - 01:59:29: - It's pretty good.
01:59:29 - 01:59:31: - Who's Mason Ramsey?
01:59:31 - 01:59:32: Walmart Yodel Boy?
01:59:32 - 01:59:35: - Yeah, don't worry about it.
01:59:35 - 01:59:37: - Of course, gonna move on.
01:59:37 - 01:59:39: - All right.
01:59:39 - 01:59:40: - We've covered it.
01:59:40 - 01:59:41: - Now, the number one song in 1999,
01:59:41 - 01:59:44: this is a song I actually, I always really liked, actually.
01:59:44 - 01:59:47: Again, I don't know if it's because I was 14,
01:59:47 - 01:59:49: well, I guess I was 15, actually, summer '99.
01:59:49 - 01:59:51: So it's 15, summer '99.
01:59:51 - 01:59:53: And so all these songs just really hit me
01:59:53 - 01:59:55: with this nostalgia, maybe because it was like,
01:59:55 - 01:59:56: yeah, I just finished my freshman year
01:59:56 - 01:59:57: and it's like going into sophomore year,
01:59:57 - 01:59:59: like this (beep) heating up, man.
01:59:59 - 02:00:01: - This is a funny era for Days Between,
02:00:01 - 02:00:03: because I was 22.
02:00:03 - 02:00:04: - You're done with college.
02:00:04 - 02:00:06: - Just like 22-year-old Jake hanging out
02:00:06 - 02:00:08: with a 15-year-old Ezra.
02:00:08 - 02:00:10: - We probably still, we probably would have plenty--
02:00:10 - 02:00:10: - I bet we would.
02:00:10 - 02:00:11: - Yeah, wouldn't it happen?
02:00:11 - 02:00:13: - It'd probably be a pretty cool hang.
02:00:13 - 02:00:14: - This is where the Days Between,
02:00:14 - 02:00:16: in terms of how you feel about music changes,
02:00:16 - 02:00:19: between 12, I wouldn't even go all the way up to 18,
02:00:19 - 02:00:21: I'd say between 12 and 15.
02:00:21 - 02:00:24: Once you're 16, it's like, I don't know, things change.
02:00:24 - 02:00:27: But between 12 and 15, it's just like,
02:00:27 - 02:00:29: it's a funny period. - You know what was huge?
02:00:29 - 02:00:30: I can't say if it was number one or not,
02:00:30 - 02:00:32: but huge when I was 14.
02:00:32 - 02:00:33: - What?
02:00:33 - 02:00:34: - Smells Like Teen Spirit.
02:00:34 - 02:00:35: - Ah.
02:00:35 - 02:00:36: - Straight up.
02:00:36 - 02:00:39: - Yeah, see, I never got to hear that song new, really.
02:00:39 - 02:00:42: I'm just so perfectly of that age.
02:00:42 - 02:00:44: - Yeah, there was no cool rock music
02:00:44 - 02:00:46: when I was coming of age.
02:00:46 - 02:00:48: And then the Strokes came out and the White Stripes
02:00:48 - 02:00:50: when I was 17.
02:00:50 - 02:00:51: And so I liked it. - That's pretty good.
02:00:51 - 02:00:53: - No, no, it was good, but I was already,
02:00:53 - 02:00:56: I don't know how to put it, between 11--
02:00:56 - 02:00:57: - I was over it, man.
02:00:57 - 02:00:58: - I was a little bit over it.
02:00:58 - 02:00:59: And no, and I love those bands.
02:00:59 - 02:01:00: - Sure.
02:01:00 - 02:01:02: - I just already was kind of,
02:01:02 - 02:01:05: I didn't have the wide-eyed love of music anymore.
02:01:05 - 02:01:08: I was just on some other (beep).
02:01:08 - 02:01:08: - The Strokes were like, yeah, yeah,
02:01:08 - 02:01:10: I've heard Lou Reed on television.
02:01:10 - 02:01:11: Yeah, it's great.
02:01:11 - 02:01:12: I like what you guys are doing.
02:01:12 - 02:01:13: - No, I was like, these guys are great.
02:01:13 - 02:01:14: I love them.
02:01:14 - 02:01:16: I wanna study their songs and see what they're doing.
02:01:16 - 02:01:18: But I think I already was like,
02:01:18 - 02:01:20: it already fired me up to start my own band.
02:01:20 - 02:01:24: I wasn't a wide-eyed kid just taking music in
02:01:24 - 02:01:29: and thinking about my crushes and like,
02:01:29 - 02:01:30: wow, what's high school gonna be like?
02:01:30 - 02:01:31: It's just such a different time.
02:01:31 - 02:01:32: And then you're like--
02:01:32 - 02:01:33: - You were already attached.
02:01:33 - 02:01:35: - I was 17 and I was kind of like,
02:01:35 - 02:01:37: all right, the Strokes, okay.
02:01:37 - 02:01:38: Excellent song.
02:01:38 - 02:01:42: I was almost on some early professionalism (beep)
02:01:42 - 02:01:44: where I was like, well done, fellas.
02:01:44 - 02:01:46: Okay, interesting.
02:01:46 - 02:01:47: - Noted.
02:01:47 - 02:01:48: - Noted, yeah.
02:01:48 - 02:01:51: The competition has come strong.
02:01:51 - 02:01:54: - The gauntlet has been thrown.
02:01:54 - 02:01:55: - And it wasn't even that strong.
02:01:55 - 02:01:58: And actually I remember me and Wes's band,
02:01:58 - 02:01:59: our high school band,
02:01:59 - 02:02:01: we would mess around and play someday.
02:02:01 - 02:02:03: And I just remember learning how to play those chords
02:02:03 - 02:02:04: and I was like, oh, this is cool.
02:02:04 - 02:02:06: I like what they did.
02:02:06 - 02:02:08: It was kind of the first time when a band came out
02:02:08 - 02:02:10: and yeah, and I was just like very familiar
02:02:10 - 02:02:11: with the references already.
02:02:11 - 02:02:12: 'Cause that was also extremely my (beep)
02:02:12 - 02:02:15: was like television and Velvet Underground.
02:02:15 - 02:02:16: - Yeah.
02:02:16 - 02:02:17: - So I totally loved it.
02:02:17 - 02:02:18: Yeah, I don't know how to explain it though.
02:02:18 - 02:02:19: It's just like--
02:02:19 - 02:02:20: - No, I get it.
02:02:20 - 02:02:21: - I think when you're a little kid,
02:02:21 - 02:02:23: obviously everything's just washing over you.
02:02:23 - 02:02:24: - Yeah.
02:02:24 - 02:02:27: - But then there's something about like that tweenage,
02:02:27 - 02:02:28: early teen years that's just very unique.
02:02:28 - 02:02:29: Yeah, by the way--
02:02:29 - 02:02:31: - I think you're just like learning the archetypes
02:02:31 - 02:02:32: at that age.
02:02:32 - 02:02:32: - Yeah.
02:02:32 - 02:02:34: - And then you start to understand like,
02:02:34 - 02:02:37: oh, people are influenced by things.
02:02:37 - 02:02:39: They build off the other things.
02:02:39 - 02:02:40: - Yeah.
02:02:40 - 02:02:41: - It's not as like,
02:02:41 - 02:02:43: and with each successive generation of music,
02:02:43 - 02:02:44: you learn about--
02:02:44 - 02:02:45: - It's a little less magical.
02:02:45 - 02:02:46: - Exactly.
02:02:46 - 02:02:46: - Or something.
02:02:46 - 02:02:48: And again, it doesn't mean you don't respect it
02:02:48 - 02:02:50: or you don't like it 'cause I love the strokes.
02:02:50 - 02:02:52: - You're like, I see the structure.
02:02:52 - 02:02:53: I get it.
02:02:53 - 02:02:53: - Yeah, it was just different.
02:02:53 - 02:02:54: - Yeah.
02:02:54 - 02:02:56: - But this music just reminds me of like passively like,
02:02:56 - 02:03:00: yeah, being those ages and just kind of being like,
02:03:00 - 02:03:03: I would actually say the summer after my freshman year,
02:03:03 - 02:03:05: I would say was like my last summer of childhood.
02:03:05 - 02:03:06: - Damn, dude.
02:03:06 - 02:03:09: - I just remember that summer still kind of like,
02:03:09 - 02:03:12: I don't know, going on like trampolines.
02:03:12 - 02:03:14: And obviously things were changing, you know,
02:03:14 - 02:03:16: people were having like boyfriends and girlfriends
02:03:16 - 02:03:18: and there were definitely some like,
02:03:18 - 02:03:20: you know, it's not the same as being 11.
02:03:20 - 02:03:21: But I just do remember after that summer,
02:03:21 - 02:03:24: for whatever reason, my sophomore year just like sucked.
02:03:24 - 02:03:26: I didn't like it that much.
02:03:26 - 02:03:28: The first time I ever got like super high
02:03:28 - 02:03:30: and drunk was my sophomore year.
02:03:30 - 02:03:31: - Oh, wow.
02:03:31 - 02:03:33: - I got a little drunk in freshman year
02:03:33 - 02:03:34: and maybe in eighth grade,
02:03:34 - 02:03:36: but just the first time I got like super stoned,
02:03:36 - 02:03:37: like, whoa, what the (beep)
02:03:37 - 02:03:39: and it was crazy was my sophomore year.
02:03:39 - 02:03:42: So there's something about this music reminds me
02:03:42 - 02:03:44: of like truly the final era before I turn
02:03:44 - 02:03:47: into the jaded person that I am today.
02:03:47 - 02:03:49: ♪ By the moose ♪
02:03:49 - 02:03:51: ♪ Let the rhythm take you over ♪
02:03:51 - 02:03:52: ♪ By the moose ♪
02:03:52 - 02:03:55: I do remember kind of being like,
02:03:55 - 02:03:57: I know this song so well 'cause it was so popular.
02:03:57 - 02:03:59: - I'm curious what it's gonna be.
02:03:59 - 02:04:02: - The beginning of it, I truly find haunting too.
02:04:02 - 02:04:03: - Am I gonna know it?
02:04:03 - 02:04:04: - I think so.
02:04:04 - 02:04:05: - I mean, if I know the Ricky Martin.
02:04:05 - 02:04:06: - I don't really like the chorus,
02:04:06 - 02:04:08: but the intro and the verse,
02:04:08 - 02:04:10: I just remember the first time hearing it be like, whoa.
02:04:10 - 02:04:11: - Aguilera?
02:04:11 - 02:04:12: - Yes.
02:04:12 - 02:04:13: - How did I know that?
02:04:13 - 02:04:14: "Genie in a Bottle"?
02:04:16 - 02:04:17: - Like this is so weird.
02:04:17 - 02:04:18: - Yeah, this is, wow.
02:04:18 - 02:04:21: - This being like a huge song when you're 14.
02:04:21 - 02:04:22: It's actually early.
02:04:22 - 02:04:24: - It's before kid A.
02:04:24 - 02:04:26: - Radiohead wasn't up on this yet.
02:04:26 - 02:04:28: But yeah, even just like.
02:04:28 - 02:04:29: - Wait, start it again.
02:04:29 - 02:04:31: - The piano is pretty like Swedish.
02:04:31 - 02:04:32: - Yeah, but then it.
02:04:32 - 02:04:34: - And then just kind of detuned.
02:04:34 - 02:04:37: (imitates piano)
02:04:37 - 02:04:39: So minimal.
02:04:39 - 02:04:40: I always found this haunting.
02:04:40 - 02:04:41: I was just like.
02:04:41 - 02:04:43: - If this song came out today,
02:04:43 - 02:04:44: do you think it would still hit?
02:04:44 - 02:04:47: - Yes, absolutely.
02:04:47 - 02:04:48: Strong writing.
02:04:48 - 02:04:53: ♪ Waiting for someone to release me ♪
02:04:53 - 02:04:55: ♪ You look in your lips ♪
02:04:55 - 02:04:56: ♪ I'm blowing kisses my way ♪
02:04:56 - 02:04:57: ♪ But that don't mean ♪
02:04:57 - 02:04:59: ♪ I'm gonna give it away ♪
02:04:59 - 02:05:04: ♪ Baby, baby, baby ♪
02:05:04 - 02:05:07: ♪ Oh, oh, oh ♪
02:05:07 - 02:05:09: - It's like the pre-chorus,
02:05:09 - 02:05:10: starting to lose me.
02:05:10 - 02:05:11: - Yeah.
02:05:11 - 02:05:14: ♪ Oh, oh, oh ♪
02:05:14 - 02:05:16: ♪ Hard to see it now ♪
02:05:16 - 02:05:19: ♪ If you wanna be with me ♪
02:05:19 - 02:05:22: ♪ Baby, there's a price to pay ♪
02:05:22 - 02:05:23: - Yeah, corny chorus,
02:05:23 - 02:05:26: but that verse is like very minor.
02:05:26 - 02:05:28: - The verse is almost like weird,
02:05:28 - 02:05:30: like Don Henley's song or something.
02:05:30 - 02:05:31: - Yeah.
02:05:31 - 02:05:32: Boyz II Summer vibes.
02:05:32 - 02:05:33: - Totally.
02:05:33 - 02:05:35: - The drum programming is crazy.
02:05:35 - 02:05:36: (imitates drumming)
02:05:36 - 02:05:38: ♪ Gotta like what you do ♪
02:05:38 - 02:05:40: ♪ I'm a genie in a bottle, baby ♪
02:05:40 - 02:05:41: - This part.
02:05:41 - 02:05:43: ♪ Gotta love me the right way, honey ♪
02:05:43 - 02:05:46: ♪ I'm a genie in a bottle, baby ♪
02:05:46 - 02:05:48: - God, this is a deep memory.
02:05:48 - 02:05:52: Okay, this song reminds me of Summer '99.
02:05:52 - 02:05:53: - Yeah.
02:05:53 - 02:05:56: - I had a weird temp job for about a month,
02:05:56 - 02:06:01: where I was representing Sprint PCS.
02:06:01 - 02:06:03: (laughing)
02:06:03 - 02:06:06: This is so pathetic.
02:06:06 - 02:06:12: At kiosks inside circuit cities in Kmart's.
02:06:12 - 02:06:15: And so I remember just like-
02:06:15 - 02:06:17: - Polo shirt tucked into khakis look.
02:06:17 - 02:06:18: - Yep.
02:06:18 - 02:06:19: "Sir, can I interest you?
02:06:19 - 02:06:20: Can I talk to you?"
02:06:20 - 02:06:22: Like a brochure about Sprint PCS.
02:06:22 - 02:06:24: - How old were you?
02:06:24 - 02:06:25: - 22, man.
02:06:25 - 02:06:26: It was like, you know,
02:06:26 - 02:06:28: literally like a month after graduating college.
02:06:28 - 02:06:30: Just like, what am I doing?
02:06:30 - 02:06:32: Like, I'm just like, I need to make a little money,
02:06:32 - 02:06:33: pay some rent.
02:06:33 - 02:06:37: And so I remember being in the circuit city,
02:06:37 - 02:06:39: standing by the kiosk, not really trying.
02:06:39 - 02:06:43: Although you would get $5 sales commission
02:06:43 - 02:06:45: if you sold a phone.
02:06:45 - 02:06:47: I would maybe sell like two or three a day.
02:06:47 - 02:06:48: - Okay.
02:06:48 - 02:06:50: - Four or five hour shift, shorter shift.
02:06:50 - 02:06:53: Maybe you're getting paid like 10 an hour.
02:06:53 - 02:06:56: But this song I remember playing a lot.
02:06:56 - 02:07:00: And then I remember hearing it for like the third time
02:07:00 - 02:07:02: that day, standing there just like,
02:07:02 - 02:07:03: "Man, can I talk?
02:07:03 - 02:07:04: Can I interest you in Sprint?"
02:07:04 - 02:07:06: And then there was like a giant,
02:07:06 - 02:07:09: the circuit city would sell tons of CDs back then.
02:07:09 - 02:07:11: So I remember actually going over
02:07:11 - 02:07:13: to like a CD listening station
02:07:13 - 02:07:15: and literally throwing on,
02:07:15 - 02:07:18: there was a headphone setup with Eagles greatest hits.
02:07:18 - 02:07:19: - Oh, okay.
02:07:19 - 02:07:20: - And I was like,
02:07:20 - 02:07:21: I'm just gonna tap out on this
02:07:21 - 02:07:25: like insane corporate retail environment for a little bit.
02:07:25 - 02:07:26: And it's like, listen to some Eagles.
02:07:26 - 02:07:27: - Yeah.
02:07:27 - 02:07:29: - So I'm listening to "Take It to the Limit"
02:07:29 - 02:07:32: and I get tap on the shoulder
02:07:32 - 02:07:34: from the circuit city store manager.
02:07:34 - 02:07:38: He's just like, "What are you doing?
02:07:38 - 02:07:40: You're not manning the Sprint kiosk."
02:07:40 - 02:07:42: He's like, "I called your representative
02:07:42 - 02:07:44: at the temp agency.
02:07:44 - 02:07:46: I get a call."
02:07:46 - 02:07:47: This was my first cell phone, by the way, too.
02:07:47 - 02:07:51: So it's like, I get a call from like the temp agency liaison
02:07:51 - 02:07:54: to Sprint, got canned.
02:07:54 - 02:07:56: - Whoa. - Oh no.
02:07:56 - 02:07:59: - Jake, say it ain't so man.
02:07:59 - 02:08:02: Did you really get caught in uniform
02:08:02 - 02:08:03: at the CD listening station?
02:08:03 - 02:08:08: - Okay, my boss's name for the temp agency,
02:08:08 - 02:08:09: or no, maybe he was the Sprint guy,
02:08:09 - 02:08:11: was named Greg Driver.
02:08:11 - 02:08:12: (laughing)
02:08:12 - 02:08:14: Which is like one of the most classic names.
02:08:14 - 02:08:15: (laughing)
02:08:15 - 02:08:17: - It's like Mr. Mike Judge (beep)
02:08:17 - 02:08:18: like off his face.
02:08:18 - 02:08:19: - And he was like 35 year old guy
02:08:19 - 02:08:23: with this really beefy full goatee,
02:08:23 - 02:08:25: which is like would have the Sprint polo tucked in.
02:08:25 - 02:08:27: He's like, "Okay guys."
02:08:27 - 02:08:29: And we put the dry erase board.
02:08:29 - 02:08:31: I mean, it was just like classic.
02:08:31 - 02:08:32: He's like, "Jake, I'm not paying you
02:08:32 - 02:08:33: to stand around listening to music."
02:08:33 - 02:08:36: (laughing)
02:08:36 - 02:08:37: I'm sorry, Greg.
02:08:37 - 02:08:39: - So he's the guy who fired you on the fire?
02:08:39 - 02:08:40: - Yeah.
02:08:40 - 02:08:42: - Jake, Greg Driver here.
02:08:42 - 02:08:43: - I'm disappointed in you.
02:08:43 - 02:08:45: And he's like, "I'm pretty sure this guy,
02:08:45 - 02:08:47: he's just like some guy in his 30s
02:08:47 - 02:08:49: living in suburban Portland."
02:08:49 - 02:08:52: He was like killing, he's like jack off kids.
02:08:52 - 02:08:53: (laughing)
02:08:53 - 02:08:56: Trying to sell cell phones at a Circuit City.
02:08:56 - 02:08:58: And he's just like, he doesn't actually care.
02:08:58 - 02:09:00: - Who knows?
02:09:00 - 02:09:02: - He's calling me being like, "I'm disappointed.
02:09:02 - 02:09:03: I gotta let you go, man."
02:09:03 - 02:09:06: - Jake, I received a very disturbing call
02:09:06 - 02:09:07: from Marty down at Circuit City.
02:09:07 - 02:09:10: - Jansen Beach location.
02:09:10 - 02:09:12: (laughing)
02:09:12 - 02:09:14: - The number one song, maybe making some memories
02:09:14 - 02:09:18: for somebody in the corporate retail environment right now
02:09:18 - 02:09:20: is not "Old Town Road," but it's another fusion
02:09:20 - 02:09:21: of hip hop and country.
02:09:21 - 02:09:23: - Oh, is it the other dude that?
02:09:23 - 02:09:25: Yeah, I like this one more than "Old Town."
02:09:25 - 02:09:29: ♪ I just need you to get real loose ♪
02:09:29 - 02:09:29: ♪ Get comfortable ♪
02:09:29 - 02:09:32: - This song kind of sounds like it's from 1999.
02:09:32 - 02:09:35: - Yeah, it's like lo-fi.
02:09:35 - 02:09:36: - Yeah.
02:09:36 - 02:09:37: ♪ Grab your love partner ♪
02:09:37 - 02:09:38: ♪ And if you're by yourself, no worries ♪
02:09:38 - 02:09:39: - I would say my favorite songs today
02:09:39 - 02:09:41: are this and "Summer Girls."
02:09:41 - 02:09:44: ♪ I wanna do the two step in cowboy boots ♪
02:09:44 - 02:09:47: ♪ For a sweetheart and spend out with him ♪
02:09:47 - 02:09:49: - Yeah, this song already feels like weird
02:09:49 - 02:09:51: and sad and nostalgic.
02:09:51 - 02:09:53: I can already just picture like when we hand
02:09:53 - 02:09:56: time crisis off to the next generation.
02:09:56 - 02:09:56: - Yeah.
02:09:56 - 02:09:59: - And they're dropping an episode in 2029
02:09:59 - 02:10:01: in the ruins of Neo-America.
02:10:01 - 02:10:04: ♪ 2029, 2029 ♪
02:10:04 - 02:10:06: Or no, they'd be 2039.
02:10:06 - 02:10:09: But they're just like, "Yo, you remember summer 2019,
02:10:09 - 02:10:11: Trump was president."
02:10:11 - 02:10:13: - First term.
02:10:13 - 02:10:17: - It's like, I vividly remember my mom reading the news
02:10:17 - 02:10:22: on her iPad and I was like, "Mom, who is Jeffrey Epstein?"
02:10:22 - 02:10:23: And she was like, "Don't worry about it."
02:10:23 - 02:10:26: And she just like turned up the get up by Blanco Brown.
02:10:26 - 02:10:29: I was just like sitting there, just like, "What the (beep)?"
02:10:29 - 02:10:30: (laughing)
02:10:30 - 02:10:33: ♪ Take it to the left now and dip with it ♪
02:10:33 - 02:10:35: ♪ Don't throw down, take a sip with it ♪
02:10:35 - 02:10:38: ♪ Now lean back, put your hips ♪
02:10:38 - 02:10:40: - I can already hear like this in my neighborhood,
02:10:40 - 02:10:42: just like, "Summer 2019."
02:10:42 - 02:10:43: - Right.
02:10:43 - 02:10:45: - The Clintons had Epstein whacked.
02:10:45 - 02:10:46: But in my neighborhood.
02:10:46 - 02:10:48: (laughing)
02:10:48 - 02:10:50: ♪ Do the butterfly, have a good time ♪
02:10:50 - 02:10:54: ♪ Round, round, round around you go ♪
02:10:54 - 02:10:55: ♪ It's time to show ♪
02:10:55 - 02:10:57: - This is the rarest song that I've only ever heard
02:10:57 - 02:10:59: on this show.
02:10:59 - 02:11:01: - Oh yeah, I've never heard on this show too.
02:11:01 - 02:11:03: The pedal steel literally is haunting.
02:11:03 - 02:11:05: ♪ And spin out with 'em ♪
02:11:05 - 02:11:09: ♪ Do the hold down and get it ♪
02:11:09 - 02:11:12: ♪ Take it to the left now and dip with it ♪
02:11:12 - 02:11:15: ♪ Don't throw down, take a sip with it ♪
02:11:15 - 02:11:20: ♪ Now lean back, put your hips in it ♪
02:11:20 - 02:11:20: ♪ To the left ♪
02:11:20 - 02:11:22: ♪ Take it down now, take it, take it down now ♪
02:11:22 - 02:11:25: ♪ Take it down now, take it, take it down now ♪
02:11:25 - 02:11:27: ♪ Bring it up now, bring it, bring it up now ♪
02:11:27 - 02:11:29: ♪ Bring it up now, bring it, bring it up now ♪
02:11:29 - 02:11:30: ♪ To the front ♪
02:11:30 - 02:11:32: ♪ Take it down and crisscross ♪
02:11:32 - 02:11:35: ♪ Bring it up now, crisscross ♪
02:11:35 - 02:11:36: ♪ Do whatever you like right here ♪
02:11:36 - 02:11:37: ♪ Get down, get down ♪
02:11:37 - 02:11:39: ♪ Just hop for it ♪
02:11:39 - 02:11:42: ♪ Gonna do the two step and cowboy boogie ♪
02:11:42 - 02:11:44: ♪ Grab your sweetheart and spin out with 'em ♪
02:11:44 - 02:11:49: ♪ Do the hold down and get into it ♪
02:11:49 - 02:11:51: ♪ Take it to the left now and dip with it ♪
02:11:51 - 02:11:52: ♪ Don't throw down, take a sip with it ♪
02:11:52 - 02:11:54: - Yeah, this song is so sad.
02:11:54 - 02:11:56: - Yeah, it's like, he's like,
02:11:56 - 02:11:59: "Yeah, get out there and dance with your sweetheart."
02:11:59 - 02:12:00: But it's like so listless.
02:12:00 - 02:12:02: And you're like, "Brr."
02:12:02 - 02:12:04: It's like so screwed up.
02:12:04 - 02:12:06: (laughing)
02:12:06 - 02:12:08: ♪ That was not so bad ♪
02:12:08 - 02:12:10: ♪ Was it practical ♪
02:12:10 - 02:12:11: ♪ That was not so bad ♪
02:12:11 - 02:12:13: - That was not so bad.
02:12:13 - 02:12:15: - We didn't get to this part last time.
02:12:15 - 02:12:16: ♪ That was not so bad ♪
02:12:16 - 02:12:18: ♪ That was not so bad ♪
02:12:18 - 02:12:20: ♪ Was it gonna do the two step and cowboy boogie ♪
02:12:20 - 02:12:24: - That's gonna be in like the 2039 Stranger Things
02:12:24 - 02:12:26: that takes place in 2019.
02:12:26 - 02:12:27: (laughing)
02:12:27 - 02:12:29: - Yeah, that's weird though.
02:12:29 - 02:12:32: Reminds me of ♪ Where do we go ♪
02:12:32 - 02:12:34: ♪ Where do we go ♪
02:12:34 - 02:12:35: ♪ Not so bad ♪
02:12:35 - 02:12:36: ♪ That was not so bad ♪
02:12:36 - 02:12:37: ♪ Was it ♪
02:12:37 - 02:12:38: ♪ Ah ♪
02:12:38 - 02:12:39: ♪ That was not so bad ♪
02:12:39 - 02:12:41: - This is a super cut of Trump.
02:12:41 - 02:12:42: ♪ That was not so bad ♪
02:12:42 - 02:12:43: ♪ Was it practical ♪
02:12:43 - 02:12:44: ♪ That was not so bad ♪
02:12:44 - 02:12:46: ♪ That was not so bad ♪
02:12:46 - 02:12:47: ♪ Was it ♪
02:12:47 - 02:12:48: ♪ Ah ♪
02:12:48 - 02:12:50: ♪ That was not so bad ♪
02:12:50 - 02:12:51: ♪ That was not so bad ♪
02:12:51 - 02:12:54: ♪ Was it gonna do the two step and cowboy boogie ♪
02:12:54 - 02:12:55: ♪ Grab your sweetheart ♪
02:12:55 - 02:12:57: - This would definitely be the theme to like,
02:12:57 - 02:12:59: just like a really sad, weird coming of age movie
02:12:59 - 02:13:02: about summer 2019.
02:13:02 - 02:13:03: Shows up to the first day of high school.
02:13:03 - 02:13:05: ♪ That was not so bad ♪
02:13:05 - 02:13:08: - They just sent like the demon back to the upside down.
02:13:08 - 02:13:10: Harold sends and they just look at each other.
02:13:10 - 02:13:12: ♪ Was it practical ♪
02:13:12 - 02:13:13: ♪ That was not so bad ♪
02:13:13 - 02:13:15: ♪ That was not so bad ♪
02:13:15 - 02:13:16: ♪ Was it ♪
02:13:16 - 02:13:17: ♪ Ah ♪
02:13:17 - 02:13:19: ♪ That was not so bad ♪
02:13:19 - 02:13:20: ♪ That was not so bad ♪
02:13:20 - 02:13:23: ♪ Was it gonna do the two step and cowboy boogie ♪
02:13:23 - 02:13:24: ♪ Grab your sweetheart ♪
02:13:24 - 02:13:27: - I like how low it is in the second stir.
02:13:27 - 02:13:30: ♪ Gonna do the two step ♪
02:13:30 - 02:13:33: ♪ Take it to the left now and dip with it ♪
02:13:33 - 02:13:35: ♪ Don't throw down, take a sip with it ♪
02:13:35 - 02:13:38: ♪ Now lean back, put your head up ♪
02:13:38 - 02:13:39: - It's so crazy that this is the song
02:13:39 - 02:13:41: that unseated Old Town Road.
02:13:41 - 02:13:43: Real zeitgeist.
02:13:43 - 02:13:45: - Yeah, I love this song.
02:13:45 - 02:13:46: I love the get up.
02:13:46 - 02:13:50: I really respect Old Town Road, but I love the get up.
02:13:50 - 02:13:51: - Feel you.
02:13:51 - 02:13:53: - The two songs of the day are.
02:13:55 - 02:13:59: - Wait, what was that?
02:13:59 - 02:14:00: - Summer Girls.
02:14:00 - 02:14:01: - Oh, cool.
02:14:01 - 02:14:04: Almost sounded like-- - What was that sound?
02:14:04 - 02:14:07: - It almost sounded like extreme.
02:14:08 - 02:14:09: - Oh yeah, yeah.
02:14:09 - 02:14:10: Oh, totally.
02:14:10 - 02:14:14: ♪ Now that I feel you ♪
02:14:14 - 02:14:16: ♪ Now that I ♪
02:14:16 - 02:14:20: - Or like in 20 years, like a Tarantino-esque re-imagining
02:14:20 - 02:14:24: of some historical event that happened in 2019.
02:14:24 - 02:14:26: One of the kids from Stranger Things who's like 40
02:14:26 - 02:14:29: shows up and stops Jeffrey Epstein from getting murdered.
02:14:29 - 02:14:32: ♪ Right now ♪
02:14:32 - 02:14:33: - This plays over the closing credits.
02:14:33 - 02:14:36: ♪ I just need you to get real loose ♪
02:14:36 - 02:14:37: ♪ Get comfortable ♪
02:14:37 - 02:14:39: - Wow, I can't even listen to it.
02:14:39 - 02:14:40: It's so haunting. - Once upon a time
02:14:40 - 02:14:41: in West Palm Beach.
02:14:41 - 02:14:44: - Once upon a time in Saudi Arabia.
02:14:44 - 02:14:49: What if some Americans actually gotten up off their ass
02:14:49 - 02:14:52: and went to Saudi Arabia to do their own research?
02:14:52 - 02:14:53: - Cool premise.
02:14:53 - 02:14:55: - Summer 19.
02:14:55 - 02:14:57: ♪ I just need you to get real loose ♪
02:14:57 - 02:15:00: ♪ Get comfortable ♪
02:15:00 - 02:15:01: ♪ Grab your loved ones ♪
02:15:01 - 02:15:03: - Mark Foster biopic, dude.
02:15:03 - 02:15:07: - I was thinking like the FX Epstein, you know.
02:15:07 - 02:15:09: - Oh, true crime.
02:15:09 - 02:15:10: - American crime story.
02:15:10 - 02:15:11: - It opens with this.
02:15:11 - 02:15:13: And you see Epstein land in Saudi Arabia.
02:15:13 - 02:15:15: - He's playing from Paris, you know what I mean?
02:15:15 - 02:15:16: - Oh, really?
02:15:16 - 02:15:18: (laughing)
02:15:18 - 02:15:20: - Oh my God, God.
02:15:20 - 02:15:22: That is so heavy, dude.
02:15:22 - 02:15:24: - Good Lord.
02:15:24 - 02:15:25: - Well, dude, it could be a crossover series
02:15:25 - 02:15:27: with the new one they're doing,
02:15:27 - 02:15:29: which is about Clinton and Lewinsky.
02:15:29 - 02:15:30: - Oh, for real?
02:15:30 - 02:15:30: - Yeah.
02:15:30 - 02:15:32: - Wow, I didn't even know they were doing that.
02:15:32 - 02:15:34: - What's her name from Booksmart?
02:15:34 - 02:15:36: It's playing Lewinsky.
02:15:36 - 02:15:37: - Beanie?
02:15:37 - 02:15:37: - Beanie Feldstein?
02:15:37 - 02:15:38: - Oh, what's her name?
02:15:38 - 02:15:39: - Oh, Jonah's sister.
02:15:39 - 02:15:40: - Oh, yeah, yeah, what's her name?
02:15:40 - 02:15:41: - Beanie Feldstein.
02:15:41 - 02:15:42: - Beanie, yeah.
02:15:42 - 02:15:43: - Well, who's playing Clinton?
02:15:43 - 02:15:44: - I don't know.
02:15:44 - 02:15:45: - You gotta nail that one.
02:15:45 - 02:15:46: - That's compelling.
02:15:46 - 02:15:48: - I mean, people are so familiar with Clinton,
02:15:48 - 02:15:50: it's like, that's gotta be well cast.
02:15:50 - 02:15:50: - Yeah.
02:15:50 - 02:15:52: - Well, I wanna thank you.
02:15:52 - 02:15:54: Thank you to everybody who's in the top 10,
02:15:54 - 02:15:56: but especially to LFO and Blanco Brown,
02:15:56 - 02:15:59: 'cause we're living in very troubled times.
02:15:59 - 02:16:00: You know, we're trying to do our best
02:16:00 - 02:16:03: to unpack this weird news,
02:16:03 - 02:16:06: and at least your music has that haunting quality.
02:16:06 - 02:16:07: It just feels right.
02:16:07 - 02:16:09: So shout out to Blanco Brown.
02:16:09 - 02:16:12: Anyway, this is "Time Crisis,"
02:16:12 - 02:16:14: a relatively fresh episode.
02:16:14 - 02:16:15: We'll see you next time.
02:16:15 - 02:16:19: - "Time Crisis" with Ezra King.

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